[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"page-type-websites-about-us-10":3,"facets-baseline-false":2007,"facets-{\"includeAuthors\":\"false\"}":2127},{"item":4,"websites":15,"totalCount":2006},{"id":5,"name":6,"pageTypeName":6,"slug":7,"label":8,"title":9,"description":10,"seo_meta":11,"websitesCount":14},3,"About Us \u002F Team","about-us","About Us","About Us and Team Page Designs","Tell your story with style. Browse creative About pages and team directories that build trust, showcase company culture, and highlight the brilliant people behind the brand.",{"title":12,"meta_description":13},"About Us and Team Page Inspiration | Websites on Display","Explore creative About Us and team page designs. Find inspiration for showcasing company culture, mission statements, and employee profiles.",774,[16,90,133,176,234,280,330,372,419,463,505,545,589,633,671,710,753,795,832,872,917,955,995,1035,1074,1113,1155,1190,1227,1268,1308,1347,1385,1425,1462,1501,1537,1574,1612,1652,1690,1728,1770,1807,1846,1889,1926,1964],{"id":17,"website_id":18,"page_id":17,"name":19,"slug":20,"url":21,"website_name":19,"website_slug":20,"website_url":22,"result_url":21,"fetched_at":23,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":28,"page_name":29,"page_url":21,"page_title":30,"page_description":31,"page_content":32,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":36,"cover_mobile":41,"cover_sequence":31,"translations":45,"industry":49,"styles":50,"credits":54,"font_families":55,"technologies":61,"pagespeed":66,"pagespeed_mobile":79,"buckets":85,"search_payload":89},"9b1de633-25eb-4566-baf2-5d0af54fa1ed","ec264774-6fa0-491f-a8d6-d7023ed8a11c","Carlos Zorromono","carloszorromono","https:\u002F\u002Fcarloszorromono.es\u002Fabout","https:\u002F\u002Fcarloszorromono.es","2026-05-04T12:35:41.000Z",82,0,84,74,"2026-05-23T19:21:56.000Z","About Zorromono","about - CARLOS ZORROMONO | ARTIST",null,"- ABOUT ZORROMONO - WORK - ABOUT ZORROMONO - WORK Carlos Ramírez De La Concepción (ZORROMONO) Based in Nalda (La Rioja, España) Email: info@carloszorromono.es Instagram: @carloszorromono Carlos Ramírez De La Concepción (ZORROMONO) Based in Nalda (La Rioja, España) Email: info@carloszorromono.es Instagram: @carloszorromono Carlos Ramírez De La Concepción (ZORROMONO) Based in Nalda (La Rioja, España) Email: info@carloszorromono.es Instagram: @carloszorromono COSMOGRAFIA STATEMENT (EN) It all begins with matter. With that which persists beyond us: waste, traces, echoes of a land that continues to reorganise itself without asking permission. My practice is situated in an ecology after the end of the world, understood not as lamentation, but as recognition that nature does not need to be saved. It is human beings who seek to rediscover their place, rebuild their bonds and learn to coexist with a nature that regulates itself, that survives us, that exceeds us. I understand the artistic process as an expanding organism, an autonomous body that moves between worlds and drags me along, unfolds and passes through me. This organism is articulated around a cosmography that organises tensions, materials and directions: a map that does not fix, but rather guides. At its centre, water acts as a mediator between materials such as used oil soap, bone, fabric, plastic or tar, each a state of memory, a mode of resistance or decomposition. Two axes sustain this territory: the vertical axis, which links us to our ancestors and the cosmos, allowing the invisible to dialogue with the everyday, biocultural memory. The horizontal axis, which links objects, bodies and things, activating connections between matter, gesture and degrowth thinking. From these axes, actions such as Repeat, Transform, Play unfold. These are modes of operation, vital impulses rather than concepts: multiplying and repeating as rhythmic insistence, like a never-ending METALDOOM drumbeat, like learning that never ends; transforming as acceptance of the viscosity of change, the transmutation of matter; playing as an attitude towards uncertainty, with the gaze of an eternal learner; caring for biocultural memory as a practice of continuity and rootedness. I work on the edges, in liminal and peripheral spaces, where the wild and the civilised merge. Where the profane and the sacred are diluted. From the underworld, I seek to be ‘taken by the space’: to let the work emerge from the territory, erode, take shape, activate, charge. From the overworld, I flow to ‘take the space’: to intervene in the exhibition, to create tension, to expand, to reconfigure the white cube as a place of communion rather than isolation. My practice is an attempt to sustain that oscillation between worlds, a drift between what sinks and what resurfaces. In it, matter thinks, space acts, and art becomes a way of listening to what continues to exist beyond our species. (EN) It all begins with matter. With that which persists beyond us: waste, traces, echoes of a land that continues to reorganise itself without asking permission. My practice is situated in an ecology after the end of the world, understood not as lamentation, but as recognition that nature does not need to be saved. It is human beings who seek to rediscover their place, rebuild their bonds and learn to coexist with a nature that regulates itself, that survives us, that exceeds us. I understand the artistic process as an expanding organism, an autonomous body that moves between worlds and drags me along, unfolds and passes through me. This organism is articulated around a cosmography that organises tensions, materials and directions: a map that does not fix, but rather guides. At its centre, water acts as a mediator between materials such as used oil soap, bone, fabric, plastic or tar, each a state of memory, a mode of resistance or decomposition. Two axes sustain this territory: the vertical axis, which links us to our ancestors and the cosmos, allowing the invisible to dialogue with the everyday, biocultural memory. The horizontal axis, which links objects, bodies and things, activating connections between matter, gesture and degrowth thinking. From these axes, actions such as Repeat, Transform, Play unfold. These are modes of operation, vital impulses rather than concepts: multiplying and repeating as rhythmic insistence, like a never-ending METALDOOM drumbeat, like learning that never ends; transforming as acceptance of the viscosity of change, the transmutation of matter; playing as an attitude towards uncertainty, with the gaze of an eternal learner; caring for biocultural memory as a practice of continuity and rootedness. I work on the edges, in liminal and peripheral spaces, where the wild and the civilised merge. Where the profane and the sacred are diluted. From the underworld, I seek to be ‘taken by the space’: to let the work emerge from the territory, erode, take shape, activate, charge. From the overworld, I flow to ‘take the space’: to intervene in the exhibition, to create tension, to expand, to reconfigure the white cube as a place of communion rather than isolation. My practice is an attempt to sustain that oscillation between worlds, a drift between what sinks and what resurfaces. In it, matter thinks, space acts, and art becomes a way of listening to what continues to exist beyond our species. (EN) It all begins with matter. With that which persists beyond us: waste, traces, echoes of a land that continues to reorganise itself without asking permission. My practice is situated in an ecology after the end of the world, understood not as lamentation, but as recognition that nature does not need to be saved. It is human beings who seek to rediscover their place, rebuild their bonds and learn to coexist with a nature that regulates itself, that survives us, that exceeds us. I understand the artistic process as an expanding organism, an autonomous body that moves between worlds and drags me along, unfolds and passes through me. This organism is articulated around a cosmography that organises tensions, materials and directions: a map that does not fix, but rather guides. At its centre, water acts as a mediator between materials such as used oil soap, bone, fabric, plastic or tar, each a state of memory, a mode of resistance or decomposition. Two axes sustain this territory: the vertical axis, which links us to our ancestors and the cosmos, allowing the invisible to dialogue with the everyday, biocultural memory. The horizontal axis, which links objects, bodies and things, activating connections between matter, gesture and degrowth thinking. From these axes, actions such as Repeat, Transform, Play unfold. These are modes of operation, vital impulses rather than concepts: multiplying and repeating as rhythmic insistence, like a never-ending METALDOOM drumbeat, like learning that never ends; transforming as acceptance of the viscosity of change, the transmutation of matter; playing as an attitude towards uncertainty, with the gaze of an eternal learner; caring for biocultural memory as a practice of continuity and rootedness. I work on the edges, in liminal and peripheral spaces, where the wild and the civilised merge. Where the profane and the sacred are diluted. From the underworld, I seek to be ‘taken by the space’: to let the work emerge from the territory, erode, take shape, activate, charge. From the overworld, I flow to ‘take the space’: to intervene in the exhibition, to create tension, to expand, to reconfigure the white cube as a place of communion rather than isolation. My practice is an attempt to sustain that oscillation between worlds, a drift between what sinks and what resurfaces. In it, matter thinks, space acts, and art becomes a way of listening to what continues to exist beyond our species. (EN) It all begins with matter. With that which persists beyond us: waste, traces, echoes of a land that continues to reorganise itself without asking permission. My practice is situated in an ecology after the end of the world, understood not as lamentation, but as recognition that nature does not need to be saved. It is human beings who seek to rediscover their place, rebuild their bonds and learn to coexist with a nature that regulates itself, that survives us, that exceeds us. I understand the artistic process as an expanding organism, an autonomous body that moves between worlds and drags me along, unfolds and passes through me. This organism is articulated around a cosmography that organises tensions, materials and directions: a map that does not fix, but rather guides. At its centre, water acts as a mediator between materials such as used oil soap, bone, fabric, plastic or tar, each a state of memory, a mode of resistance or decomposition. Two axes sustain this territory: the vertical axis, which links us to our ancestors and the cosmos, allowing the invisible to dialogue with the everyday, biocultural memory. The horizontal axis, which links objects, bodies and things, activating connections between matter, gesture and degrowth thinking. From these axes, actions such as Repeat, Transform, Play unfold. These are modes of operation, vital impulses rather than concepts: multiplying and repeating as rhythmic insistence, like a never-ending METALDOOM drumbeat, like learning that never ends; transforming as acceptance of the viscosity of change, the transmutation of matter; playing as an attitude towards uncertainty, with the gaze of an eternal learner; caring for biocultural memory as a practice of continuity and rootedness. I work on the edges, in liminal and peripheral spaces, where the wild and the civilised merge. Where the profane and the sacred are diluted. From the underworld, I seek to be ‘taken by the space’: to let the work emerge from the territory, erode, take shape, activate, charge. From the overworld, I flow to ‘take the space’: to intervene in the exhibition, to create tension, to expand, to reconfigure the white cube as a place of communion rather than isolation. My practice is an attempt to sustain that oscillation between worlds, a drift between what sinks and what resurfaces. In it, matter thinks, space acts, and art becomes a way of listening to what continues to exist beyond our species. \\------------------------------ (ES) Todo comienza con la materia. Con aquello que persiste más allá de nosotros: los residuos, las huellas, los ecos de una tierra que continúa reorganizándose sin pedir permiso. Mi práctica se sitúa en una ecología después del fin del mundo, entendida no como lamento, sino como reconocimiento de que la naturaleza no necesita ser salvada. Es el ser humano quien busca reencontrar su lugar, rehacer sus vínculos y aprender a convivir con una naturaleza que se autorregula, que nos sobrevive, que nos excede. Entiendo el proceso artístico como un organismo en expansión, un cuerpo autónomo que se mueve entre mundos y me arrastra, se despliega y me atraviesa. Este organismo se articula en torno a una cosmografía que organiza tensiones, materiales y direcciones: un mapa que no fija, sino que orienta. En su centro, el agua actúa como mediador entre materiales como el jabón de aceite usado, el hueso, la tela, el plástico o la brea, cada uno un estado de memoria, un modo de resistencia o de descomposición. Dos ejes sostienen este territorio:El eje vertical, que nos vincula a los ancestros y el cosmos, permitiendo que lo invisible dialogue con lo cotidiano, memoria biocultural. El e …",1,false,"3",{"id":37,"height":38,"width":39,"blurhash":40},"b0f8bd13-a918-4b94-b971-210672c8f9bd",900,1440,"radial-gradient(at 0 0,#f9f6ed,#00000000 50%),radial-gradient(at 33% 0,#fbf7ef,#00000000 50%),radial-gradient(at 67% 0,#fcf8f1,#00000000 50%),radial-gradient(at 100% 0,#fdfaf2,#00000000 50%),radial-gradient(at 0 50%,#faf7f1,#00000000 50%),radial-gradient(at 33% 50%,#fdf8f2,#00000000 50%),radial-gradient(at 67% 50%,#fefaf3,#00000000 50%),radial-gradient(at 100% 50%,#fefaf4,#00000000 50%),radial-gradient(at 0 100%,#f4f1ec,#00000000 50%),radial-gradient(at 33% 100%,#f2ede8,#00000000 50%),radial-gradient(at 67% 100%,#e7e3de,#00000000 50%),radial-gradient(at 100% 100%,#ebe7e2,#00000000 50%)",{"id":42,"height":43,"width":44,"blurhash":31},"85e5f91e-0ff4-4906-9662-7ff4ff734a0a",1688,780,[46],{"languages_code":47,"description":48},"en","Carlos Zorromono's digital portfolio serves as a stark, immersive gallery for his contemporary art practice. The website functions as a visual archive, showcasing installations, photography, and experimental works that explore raw, visceral themes. Through a curated sequence of high-impact imagery, the site provides a window into the artist's process and his ability to manipulate texture, light, and form within physical spaces.\n\nThe design identity is defined by a rigorous minimalist aesthetic that prioritizes the artwork above all else. Utilizing a clean, spacious layout with bold typographic headers, the site avoids decorative clutter to ensure the viewer's focus remains on the grit and complexity of the pieces. The monochromatic palette and structured grid create a sophisticated, gallery-like atmosphere that appeals to curators, collectors, and art enthusiasts seeking a profound sensory experience.","Art & Culture",[51,52,53],"Clean \u002F Minimalist","Monochrome \u002F Grayscale","Typographic \u002F Big Type",[],[56,57,58,58,59,60],"Open Sans","Archivo","GT America","Lora","Inter",[62,63,64,65],"jQuery","PHP","Semplice","WordPress",[67,70,73,76],{"score":68,"category":69},90,"performance",{"score":71,"category":72},95,"accessibility",{"score":74,"category":75},100,"best-practices",{"score":77,"category":78},92,"seo",[80,82,83,84],{"score":81,"category":69},59,{"score":71,"category":72},{"score":74,"category":75},{"score":77,"category":78},[86,87,88],"white","black","gray","Website: Carlos Zorromono. Page: About Zorromono. Page type: About Us \u002F Team. Page title: about - CARLOS ZORROMONO | ARTIST. Page content: - ABOUT ZORROMONO - WORK - ABOUT ZORROMONO - WORK Carlos Ramírez De La Concepción (ZORROMONO) Based in Nalda (La Rioja, España) Email: info@carloszorromono.es Instagram: @carloszorromono Carlos Ramírez De La Concepción (ZORROMONO) Based in Nalda (La Rioja, España) Email: info@carloszorromono.es Instagram: @carloszorromono Carlos Ramírez De La Concepción (ZORROMONO) Based in Nalda (La Rioja, España) Email: info@carloszorromono.es Instagram: @carloszorromono COSMOGRAFIA STATEMENT (EN) It all begins with matter. With that which persists beyond us: waste, traces, echoes of a land that continues to reorganise itself without asking permission. My practice is situated in an ecology after the end of the world, understood not as lamentation, but as recognition that nature does not need to be saved. It is human beings who seek to rediscover their place, rebuild their bonds and learn to coexist with a nature that regulates itself, that survives us, that exceeds us. I understand the artistic process as an expanding organism, an autonomous body that moves between worlds and drags me along, unfolds and passes through me. This organism is articulated around a cosmography that organises tensions, materials and directions: a map that does not fix, but rather guides. At its centre, water acts as a mediator between materials such as used oil soap, bone, fabric, plastic or tar, each a state of memory, a mode of resistance or decomposition. Two axes sustain this territory: the vertical axis, which links us to our ancestors and the cosmos, allowing the invisible to dialogue with the everyday, biocultural memory. The horizontal axis, which links objects, bodies and things, activating connections between matter, gesture and degrowth thinking. From these axes, actions such as Repeat, Transform, Play unfold. These are modes of operation, vital impulses rather than concepts: multiplying and repeating as rhythmic insistence, like a never-ending METALDOOM drumbeat, like learning that never ends; transforming as acceptance of the viscosity of change, the transmutation of matter; playing as an attitude towards uncertainty, with the gaze of an eternal learner; caring for biocultural memory as a practice of continuity and rootedness. I work on the edges, in liminal and peripheral spaces, where the wild and the civilised merge. Where the profane and the sacred are diluted. From the underworld, I seek to be ‘taken by the space’: to let the work emerge from the territory, erode, take shape, activate, charge. From the overworld, I flow to ‘take the space’: to intervene in the exhibition, to create tension, to expand, to reconfigure the white cube as a place of communion rather than isolation. My practice is an attempt to sustain that oscillation between worlds, a drift between what sinks and what resurfaces. In it, matter thinks, space acts, and art becomes a way of listening to what continues to exist beyond our species. (EN) It all begins with matter. With that which persists beyond us: waste, traces, echoes of a land that continues to reorganise itself without asking permission. My practice is situated in an ecology after the end of the world, understood not as lamentation, but as recognition that nature does not need to be saved. It is human beings who seek to rediscover their place, rebuild their bonds and learn to coexist with a nature that regulates itself, that survives us, that exceeds us. I understand the artistic process as an expanding organism, an autonomous body that moves between worlds and drags me along, unfolds and passes through me. This organism is articulated around a cosmography that organises tensions, materials and directions: a map that does not fix, but rather guides. At its centre, water acts as a mediator between materials such as used oil soap, bone, fabric, plastic or tar, each a state of memory, a mode of resistance or decomposition. Two axes sustain this territory: the vertical axis, which links us to our ancestors and the cosmos, allowing the invisible to dialogue with the everyday, biocultural memory. The horizontal axis, which links objects, bodies and things, activating connections between matter, gesture and degrowth thinking. From these axes, actions such as Repeat, Transform, Play unfold. These are modes of operation, vital impulses rather than concepts: multiplying and repeating as rhythmic insistence, like a never-ending METALDOOM drumbeat, like learning that never ends; transforming as acceptance of the viscosity of change, the transmutation of matter; playing as an attitude towards uncertainty, with the gaze of an eternal learner; caring for biocultural memory as a practice of continuity and rootedness. I work on the edges, in liminal and peripheral spaces, where the wild and the civilised merge. Where the profane and the sacred are diluted. From the underworld, I seek to be ‘taken by the space’: to let the work emerge from the territory, erode, take shape, activate, charge. From the overworld, I flow to ‘take the space’: to intervene in the exhibition, to create tension, to expand, to reconfigure the white cube as a place of communion rather than isolation. My practice is an attempt to sustain that oscillation between worlds, a drift between what sinks and what resurfaces. In it, matter thinks, space acts, and art becomes a way of listening to what continues to exist beyond our species. (EN) It all begins with matter. With that which persists beyond us: waste, traces, echoes of a land that continues to reorganise itself without asking permission. My practice is situated in an ecology after the end of the world, understood not as lamentation, but as recognition that nature does not need to be saved. It is human beings who seek to rediscover their place, rebuild their bonds and learn to coexist with a nature that regulates itself, that survives us, that exceeds us. I understand the artistic process as an expanding organism, an autonomous body that moves between worlds and drags me along, unfolds and passes through me. This organism is articulated around a cosmography that organises tensions, materials and directions: a map that does not fix, but rather guides. At its centre, water acts as a mediator between materials such as used oil soap, bone, fabric, plastic or tar, each a state of memory, a mode of resistance or decomposition. Two axes sustain this territory: the vertical axis, which links us to our ancestors and the cosmos, allowing the invisible to dialogue with the everyday, biocultural memory. The horizontal axis, which links objects, bodies and things, activating connections between matter, gesture and degrowth thinking. From these axes, actions such as Repeat, Transform, Play unfold. These are modes of operation, vital impulses rather than concepts: multiplying and repeating as rhythmic insistence, like a never-ending METALDOOM drumbeat, like learning that never ends; transforming as acceptance of the viscosity of change, the transmutation of matter; playing as an attitude towards uncertainty, with the gaze of an eternal learner; caring for biocultural memory as a practice of continuity and rootedness. I work on the edges, in liminal and peripheral spaces, where the wild and the civilised merge. Where the profane and the sacred are diluted. From the underworld, I seek to be ‘taken by the space’: to let the work emerge from the territory, erode, take shape, activate, charge. From the overworld, I flow to ‘take the space’: to intervene in the exhibition, to create tension, to expand, to reconfigure the white cube as a place of communion rather than isolation. My practice is an attempt to sustain that oscillation between worlds, a drift between what sinks and what resurfaces. In it, matter thinks, space acts, and art becomes a way of listening to what continues to exist beyond our species. (EN) It all begins with matter. With that which persists beyond us: waste, traces, echoes of a land that continues to reorganise itself without asking permission. My practice is situated in an ecology after the end of the world, understood not as lamentation, but as recognition that nature does not need to be saved. It is human beings who seek to rediscover their place, rebuild their bonds and learn to coexist with a nature that regulates itself, that survives us, that exceeds us. I understand the artistic process as an expanding organism, an autonomous body that moves between worlds and drags me along, unfolds and passes through me. This organism is articulated around a cosmography that organises tensions, materials and directions: a map that does not fix, but rather guides. At its centre, water acts as a mediator between materials such as used oil soap, bone, fabric, plastic or tar, each a state of memory, a mode of resistance or decomposition. Two axes sustain this territory: the vertical axis, which links us to our ancestors and the cosmos, allowing the invisible to dialogue with the everyday, biocultural memory. The horizontal axis, which links objects, bodies and things, activating connections between matter, gesture and degrowth thinking. From these axes, actions such as Repeat, Transform, Play unfold. These are modes of operation, vital impulses rather than concepts: multiplying and repeating as rhythmic insistence, like a never-ending METALDOOM drumbeat, like learning that never ends; transforming as acceptance of the viscosity of change, the transmutation of matter; playing as an attitude towards uncertainty, with the gaze of an eternal learner; caring for biocultural memory as a practice of continuity and rootedness. I work on the edges, in liminal and peripheral spaces, where the wild and the civilised merge. Where the profane and the sacred are diluted. From the underworld, I seek to be ‘taken by the space’: to let the work emerge from the territory, erode, take shape, activate, charge. From the overworld, I flow to ‘take the space’: to intervene in the exhibition, to create tension, to expand, to reconfigure the white cube as a place of communion rather than isolation. My practice is an attempt to sustain that oscillation between worlds, a drift between what sinks and what resurfaces. In it, matter thinks, space acts, and art becomes a way of listening to what continues to exist beyond our species. \\------------------------------ (ES) Todo comienza con la materia. Con aquello que persiste más allá de nosotros: los residuos, las huellas, los ecos de una tierra que continúa reorganizándose sin pedir permiso. Mi práctica se sitúa en una ecología después del fin del mundo, entendida no como lamento, sino como reconocimiento de que la naturaleza no necesita ser salvada. Es el ser humano quien busca reencontrar su lugar, rehacer sus vínculos y aprender a convivir con una naturaleza que se autorregula, que nos sobrevive, que nos excede. Entiendo el proceso artístico como un organismo en expansión, un cuerpo autónomo que se mueve entre mundos y me arrastra, se despliega y me atraviesa. Este organismo se articula en torno a una cosmografía que organiza tensiones, materiales y direcciones: un mapa que no fija, sino que orienta. En su centro, el agua actúa como mediador entre materiales como el jabón de aceite usado, el hueso, la tela, el plástico o la brea, cada uno un estado de memoria, un modo de resistencia o de descomposición. Dos ejes sostienen este territorio:El eje vertical, que nos vincula a los ancestros y el cosmos, permitiendo que lo invisible dialogue con lo cotidiano, memoria biocultural. El e …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. The typography features Open Sans (Sans Serif), Archivo (Sans Serif), GT America (Sans Serif, Grilli Type), GT America (Sans Serif, Grilli Type), Lora (Serif), Inter (Sans Serif). Built using jQuery, PHP, Semplice, WordPress. AI description: Carlos Zorromono's digital portfolio serves as a stark, immersive gallery for his contemporary art practice. The website functions as a visual archive, showcasing installations, photography, and experimental works that explore raw, visceral themes. Through a curated sequence of high-impact imagery, the site provides a window into the artist's process and his ability to manipulate texture, light, and form within physical spaces. The design identity is defined by a rigorous minimalist aesthetic that prioritizes the artwork above all else. Utilizing a clean, spacious layout with bold typographic headers, the site avoids decorative clutter to ensure the viewer's focus remains on the grit and complexity of the pieces. The monochromatic palette and structured grid create a sophisticated, gallery-like atmosphere that appeals to curators, collectors, and art enthusiasts seeking a profound sensory experience.",{"id":91,"website_id":92,"page_id":91,"name":93,"slug":94,"url":95,"website_name":93,"website_slug":94,"website_url":96,"result_url":95,"fetched_at":97,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":98,"page_name":99,"page_url":95,"page_title":100,"page_description":101,"page_content":102,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":103,"cover_mobile":106,"cover_sequence":31,"translations":108,"industry":49,"styles":111,"credits":112,"font_families":113,"technologies":114,"pagespeed":118,"pagespeed_mobile":125,"buckets":131,"search_payload":132},"7a818e47-cdd6-4aec-b9d1-d431410fd66f","ec5bd5f9-9b38-4053-9f49-8973b5547184","Marek Collection","marekcollection","https:\u002F\u002Fmarekcollection.cz\u002Fcz\u002Fautor","https:\u002F\u002Fmarekcollection.cz","2026-05-04T12:31:08.000Z","2026-05-23T20:28:30.000Z","Autor","Autor | Sbírka Marek","Výtvarná sbírka bratrů Iva a Zdeňka Markových vznikla v roce 2000 díky jejich společnému zájmu o tvorbu studentů a čerstvých absolventů vysokých výtvarných škol.","[ Sbírka Marek Collection ](https:\u002F\u002Fmarekcollection.cz\u002Fcz) En - Autor - Název - Médium - Vznik - Kontakt - O sbírce - a - David Adamec - Klára Ambrůzová - Vasil Artamonov - b - Jana Babincová - Alžběta Bačíková - Dávid Baffi - Tomáš Bárta - Andrea Bartošová - Jan Benedík - Jana Bernartová - Roman Bicek - Simona Blahutová - Josef Bolf - Iveta Bradáčová - Tomáš Bujňák - Tomáš Bujňák, Lucia Dovičáková - Kateřina Burgertová - c - Petr Cabalka - Filip Cenek - Filip Cenek, Jiří Havlíček - Hana Císařová - Michal Czinege - Vendula Chalánková - Radka Chocholoušová - Mario Chromý - č - Michal Čechura - Jiří Černický - Michal Černušák - d - Polina Davydenko - Peter Demek - Dominika Dobiášová - Jana Doubková - Petr Dub - Filip Dvořák - f - Patricie Fexová - Jiří Franta - Viktor Frešo - g - Laďa Gažiová - h - Petra Hermanová - Katarína Hládeková - Tomáš Hodboď - Ondřej Homola - Michael Hon - Jakub Hošek - Anežka Hošková - Milan Houser - Aleš Hudeček - Anna Hulačová - j - Tereza Janečková - Tereza Janečková, Pavlína Míčová - Eva Jiřička - k - Lukáš Karbus - Krištof Kintera - Markéta Kinterová - Ondřej Kopal - Viktor Kopasz - Radim Kořínek - Eva Koťátková - Věra Kotlárová - Ondřej Kotrč - Alena Kotzmannová - Patrik Kovačovský - Denisa Krausová - Václav Krůček - Petr Křivák - Filip Kudrnáč - Alena Kupčíková - l - Radim Labuda - Dominik Lang - Zbyněk Linhart - Marie Lukáčová - m - Václav Magid - Marcel Mališ - Ján Mančuška - Markéta Mandelíková - Jiří Matějů - Jaroslav Matula - Marek Meduna - Micl - Marcela Mikulková - Svätopluk Mikyta - Tomáš Moravec - Marta Morice - Petr Motejzík - Barbora Motlová - Juliana Mrvová - n - Filip Nerad - p - Tomáš Pavlacký - Michal Pěchouček - Dita Pepe - Jiří Petrbok - Petr Písařík - Iveta Plná - Daniela Ponomarevová - Denisa Ponomarevová - Přemysl Procházka - r - Rafani - Luděk Rathouský - Record - Béla Remák - Veronika Remák Molatová - Kamila Richterová - Pavel Ryška - s - Pavla Sceranková - Rudolf Sikora - Jiří Skála - Vladimír Skrepl - Matěj Smetana - Simona Smrčková - Vít Soukup - Ondřej Staněk - Pavel Sterec - Alois Stratil - Václav Stratil - Petr Strouhal - Tomáš Svoboda - Katarína Szanyová - š - Jan Šerých - Erik Šille - Evžen Šimera - Jakub Špaňhel - Jan Šrámek - Adam Štech - t - Jakub Tajovský - Mark Ther - Jiří Thýn - Benedikt Tolar - Jiří Topínka - Roman Trabura - Anežka Turková - Lubomír Typlt - v - Tomáš Vaněk - Lenka Vítková - Dan Vlček - z - Dušan Zahoranský - Aleš Zapletal - Martin Zet - ž - Veronika Žilinská - Adam Žufníček",{"id":104,"height":38,"width":39,"blurhash":105},"fd05acdd-04ce-405f-998f-0444ce0577d9","radial-gradient(at 0 0,#f2f2f2,#00000000 50%),radial-gradient(at 33% 0,#f1f1f1,#00000000 50%),radial-gradient(at 67% 0,#f3f3f3,#00000000 50%),radial-gradient(at 100% 0,#f4f4f4,#00000000 50%),radial-gradient(at 0 50%,#fafafa,#00000000 50%),radial-gradient(at 33% 50%,#f8f8f8,#00000000 50%),radial-gradient(at 67% 50%,#f7f7f7,#00000000 50%),radial-gradient(at 100% 50%,#f9f9f9,#00000000 50%),radial-gradient(at 0 100%,#fafafa,#00000000 50%),radial-gradient(at 33% 100%,#f5f5f5,#00000000 50%),radial-gradient(at 67% 100%,#f6f6f6,#00000000 50%),radial-gradient(at 100% 100%,#f9f9f9,#00000000 50%)",{"id":107,"height":43,"width":44,"blurhash":31},"8a037aec-5ebc-49fd-9e12-74adc4085894",[109],{"languages_code":47,"description":110},"Marek Collection serves as a curated digital archive for a fine arts collection established by brothers Ivo and Zdeněk Marek. 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Page content: [ Sbírka Marek Collection ](https:\u002F\u002Fmarekcollection.cz\u002Fcz) En - Autor - Název - Médium - Vznik - Kontakt - O sbírce - a - David Adamec - Klára Ambrůzová - Vasil Artamonov - b - Jana Babincová - Alžběta Bačíková - Dávid Baffi - Tomáš Bárta - Andrea Bartošová - Jan Benedík - Jana Bernartová - Roman Bicek - Simona Blahutová - Josef Bolf - Iveta Bradáčová - Tomáš Bujňák - Tomáš Bujňák, Lucia Dovičáková - Kateřina Burgertová - c - Petr Cabalka - Filip Cenek - Filip Cenek, Jiří Havlíček - Hana Císařová - Michal Czinege - Vendula Chalánková - Radka Chocholoušová - Mario Chromý - č - Michal Čechura - Jiří Černický - Michal Černušák - d - Polina Davydenko - Peter Demek - Dominika Dobiášová - Jana Doubková - Petr Dub - Filip Dvořák - f - Patricie Fexová - Jiří Franta - Viktor Frešo - g - Laďa Gažiová - h - Petra Hermanová - Katarína Hládeková - Tomáš Hodboď - Ondřej Homola - Michael Hon - Jakub Hošek - Anežka Hošková - Milan Houser - Aleš Hudeček - Anna Hulačová - j - Tereza Janečková - Tereza Janečková, Pavlína Míčová - Eva Jiřička - k - Lukáš Karbus - Krištof Kintera - Markéta Kinterová - Ondřej Kopal - Viktor Kopasz - Radim Kořínek - Eva Koťátková - Věra Kotlárová - Ondřej Kotrč - Alena Kotzmannová - Patrik Kovačovský - Denisa Krausová - Václav Krůček - Petr Křivák - Filip Kudrnáč - Alena Kupčíková - l - Radim Labuda - Dominik Lang - Zbyněk Linhart - Marie Lukáčová - m - Václav Magid - Marcel Mališ - Ján Mančuška - Markéta Mandelíková - Jiří Matějů - Jaroslav Matula - Marek Meduna - Micl - Marcela Mikulková - Svätopluk Mikyta - Tomáš Moravec - Marta Morice - Petr Motejzík - Barbora Motlová - Juliana Mrvová - n - Filip Nerad - p - Tomáš Pavlacký - Michal Pěchouček - Dita Pepe - Jiří Petrbok - Petr Písařík - Iveta Plná - Daniela Ponomarevová - Denisa Ponomarevová - Přemysl Procházka - r - Rafani - Luděk Rathouský - Record - Béla Remák - Veronika Remák Molatová - Kamila Richterová - Pavel Ryška - s - Pavla Sceranková - Rudolf Sikora - Jiří Skála - Vladimír Skrepl - Matěj Smetana - Simona Smrčková - Vít Soukup - Ondřej Staněk - Pavel Sterec - Alois Stratil - Václav Stratil - Petr Strouhal - Tomáš Svoboda - Katarína Szanyová - š - Jan Šerých - Erik Šille - Evžen Šimera - Jakub Špaňhel - Jan Šrámek - Adam Štech - t - Jakub Tajovský - Mark Ther - Jiří Thýn - Benedikt Tolar - Jiří Topínka - Roman Trabura - Anežka Turková - Lubomír Typlt - v - Tomáš Vaněk - Lenka Vítková - Dan Vlček - z - Dušan Zahoranský - Aleš Zapletal - Martin Zet - ž - Veronika Žilinská - Adam Žufníček. 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The interface is stripped of unnecessary ornamentation, favoring a sophisticated, monochrome-leaning palette and a grid-based presentation that caters to art enthusiasts, collectors, and academics seeking a focused viewing experience.",{"id":134,"website_id":135,"page_id":134,"name":136,"slug":137,"url":138,"website_name":136,"website_slug":137,"website_url":139,"result_url":138,"fetched_at":140,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":141,"page_name":142,"page_url":138,"page_title":143,"page_description":144,"page_content":145,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":146,"cover_mobile":149,"cover_sequence":31,"translations":151,"industry":154,"styles":155,"credits":157,"font_families":158,"technologies":159,"pagespeed":160,"pagespeed_mobile":167,"buckets":173,"search_payload":175},"ccf95914-ce57-4797-8440-af630b19cd5f","ec74b61e-dd19-4a23-a0ef-eb0c113c9832","Nitehi Works","nitehi","https:\u002F\u002Fnitehi.jp\u002Fabout","https:\u002F\u002Fnitehi.jp","2026-05-04T12:29:36.000Z","2026-05-23T19:10:00.000Z","About","似て非WORKS｜nitehi works","日常の中で見過ごさられがちな、消費しない「価値」や「資源」を探し出し「そこにしかない、そこだからこそ生まれる『気付き』」を軸に活動しています。","- HOME - ABOUT - WORKS - NEWS - MAIL NEWS - CONTACT - - - - - ABOUT 2010年、美術家・稲吉稔が役者・渡辺梓と有志と共にアートプロジェクト「nitehi works」を創設。築60年の元銀行ビル（3階建て）をアート作品としてリノベーションし、2016年までアートスペースとして町に開く。 2017年からは築60年の元運送屋の古民家に拠点を移し、同様にアートスペース作品として開館し、現在に至る。 「似て非works」は「似ているようで非なる」という意味に由来しています。「元何か」であったモノや場所の持つ時間と記憶を素材に、新しい関係性を築き出す活動を続けています。 一般社団法人 似て非works In 2010, artist Minoru Inayoshi founded the art project “nitehi works” with actor Azusa Watanabe and like-minded individuals. They renovated a 60-year-old former bank building (three stories) into an art installation and opened it as an art space to the town until 2016. In 2017, they relocated their base to a 60-year-old former delivery company's traditional Japanese house, similarly opening it as an art space installation, where it remains today. “nitehi works” derives from the meaning “similar yet distinct.” We continue activities that build new relationships using the time and memories inherent in objects and places that were “once something else” as our material. General Incorporated Association Nitehi Works ARTISTS MINORU INAYOSHI 稲吉稔 1960 Minoru Inayoshi 稲吉 稔 1989 B Seminar event produce 世田谷住宅街にて野外グループ展\u002FBゼミ展イベント企画 1989 Hakushyu Summer Festival 白州 夏 サマーフェスティバル 参加 1992 白州 ART CANP 参加 1992-1994 オルタナティブギャラリーArt Lab Woo Art Lab Woo 関内\u002FNICAF\u002FMARS Gallery 1993-1994 shed of silence 制約が除かれた密室 \u002F 横浜 関内 1994 After the topmost part of livestock is cut off by the middle class. 家畜類の最上部が中間層によって、切り取られたその後 1995 Ripple across the water '95 \u002F A bad omen 水の波紋'95 \u002F 悪い前兆 東京 青山 2000 Peninsula 1st. 第１回 半島 2000 参加 \u002F 三浦半島 城ヶ島資料館 1994-2001 It was here Candy Factory お菓子工場跡 それは此処にありました \u002F 横浜市 日の出町 2001 Blue collar Icon 労働階級のイコン \u002F 銭湯 横浜市 2002 Rainbow to go What is not visible 虹の行き先 \u002F 各海上 2002-2003 Open garage Show 個人宅車庫 \u002F 東京 2003 an anecdote saudade 逸話 郷愁 \u002F 三浦半島 荒井浜 海の家 2009 Did you forget it? 横浜 Scen of window 横浜高島屋 2010-2016 アートプロジェクト「似て非 works株式会社」を設立と同時に、築60年・4階建て元銀行跡ビルをアート・スペース niteh works として空間作品制作と運営 2012 築52年・5階建て泰生ビル・2階さくらWORKSをアート・シェアーオフィスをアーティスト8名と空間制作 2013 築60年・3階建の1階アート・スペース「と」をアーティストと空間制作 2017- 築60年・2階建て元運送屋跡をアート・スペース\u002Fアップサイクルスタジオ 「似て非末吉」として空間作品制作と運営中 2015 ハンマーヘッドスタジオ参加 2016 （株）グーンみなとオフィスの空間制作 築44年＠産業貿易センタービル 2017 BankartAIR参加 2017 エコプロ?環境とエネルギーの未来展 （株）グーンブース空間制作＠BIGSITE 2017 NEW環境展 （株）グーンブース空間制作＠BIGSITE 2018 設計チーム「ときにわ」オフィス空間制作 築61年＠トキワビル 2018 レコードバー「Ana-Guma」空間制作 築60年＠港南台 2018-2019 BankartAIR R16雨ニモマケズ ＠国道R16旧東急東横線横浜駅ー桜木町駅高架下スタジオ参加中 2019 （株）グーンみなとオフィス床増空間制作 築44年＠産業貿易センタービル AZUSA WATANABE 渡辺梓 1987年 、仲代達矢氏主宰 「無名塾」入塾 1989年 NHK 連続テレビ小説「和っこの金メダル」ヒロインでデビュー。 以降、舞台・ドラマなどを中心に活躍。 2010年より稲吉稔と共に、「nitehi works」(ニテヒワークス)という名でアート活動を開始。 それを機に、企画制作活動も始める。 主な芸歴 ドラマ 1989年 NHK 連続テレビ小説「和っこの金メダル」主演 1991年 CX 「岡っ引きどぶ」 1992 年 NTV 「名無しの探偵」第 8 話「彼女の人生」 1993 年 CX 「八丁堀捕物ばなし」 1996 年 東海 「幸福の予感」主演 1998 年 東海 「いのちの器」主演 2003年 CX 「貫太です」 2005年 EX 「魔法戦隊マジレンジャー」 2008 年 ホームドラマ ch「虹への手紙」 2009年 EX 「臨場」第8話 2009年 EX 「はぐれ刑事純情派・最終回スペシャル」 2011年 時代劇ch 「鬼平外伝・夜兎の角右衛門」 2013 年 EX 「相棒」シーズン 11 第 14 話\u002Fバレンタイン計画 2013 年 EX 「科捜研の女\u002F第 12 シリーズ」第 2 話 2015年 EX 「警視庁捜査一課9係シーズン10」第6話 2016 年 TBS 「制服捜査3」 2016年 WOWOW 「コールドケース」第7話 2017 年 EX 「検事・朝比奈耀子 19」 2017 年 EX 「遺留捜査」 2018 年 NHK 「立花登青春手控え 3」白い骨 2021年 WOWOW 「川のほとりで」episode5 映 画 2000年 東宝 「どら平太」 2007年 現代ぷろだくしょん 「筆子・その愛〜天使のピアノ」 2013年 自主映画 「渡されたバトン〜さよなら原発〜」 2015年 現代ぷろだくしょん 「望郷の鐘」 2016年 現代ぷろだくしょん 「地の塩-山室軍平(仮)」 2018年 彩プロ 「バケツと僕!」 2018年 「ああ栄冠は君に輝く」 2019年 「浜の記憶」 2019 年 現代ぷろだくしょん 「一粒の麦 荻野吟子の生涯」 2020年 「君の物語を語る者に」 2021年 「誰かの花」 舞 台 1987 年 無名塾「ルパン」 1993\u002F 1995 年 松竹「アマデウス」 1994 年 水戸芸術館 ACM 劇場「ガラスの動物園」 1997 年 無名塾「いのちぼうにふろう物語」 1999 年 新国立劇場「キーン或いは狂気と天才」 1999 年 こまつ座「頭痛肩こり樋口一葉」 2008年 無名塾「長州異聞 白井飯山小伝」 2009 年 無名塾「マクベス」 2010 年 エイコーン「欲望という名の電車」 2012 年 無名塾「Hobson's Choise〜ホブソンの婿選び〜」 2012 年 無名塾「無明長夜〜異説四谷怪談」 2015 年 nitehi works 「宮城野」 主演 2015 年 無名塾秘演 2015 冬 「葵上」「班女」「熊野」(近代能楽集より) 2016 年 無名塾「赤い自転車」主演 2017 年 無名塾稽古場公演「ベルナルダ・アルバの家」 2018年 パンプランニング ミュージカルコメディー「セレブ気取り」 2019 年 無名塾稽古場公演「野鴨」 2020 年 戯曲組「江の島行」 ラジオ 2002 年 NHK FMシアター「明日、四万十のほとりで」 2015 年 NHK FMシアター「赤い傘」 吹き替え バトル・オブ・リガ(エルザ) 朗読 DVD{原典原典 平家物語 71 首渡」(ハゴロモ) 個人企画 「Voice to voice I,II」(リーディング+ライブ) ひとり芝居「蓮華化生」(舞台) 「えほんのなかに」(リーディング+ライブパフォーマンス) 「写装庵」(撮影企画) 「HOME〜あなたがつくるストーリー〜」(こどもミュージカル) 「宮城野」(舞台) 「骨まで愛して」(キャバレーイベント) 「Yomu Nomu リーディング公演」 「B 面の切り取り」(映像) CONTACTMAIL info@nitehi.jp TEL 045 228 8197 copyright (C) nitehi works. All Rights Reserved. pagetop",{"id":147,"height":38,"width":39,"blurhash":148},"844d5589-1afb-4ff0-ab14-73dcecebdb73","radial-gradient(at 0 0,#f0f0f0,#00000000 50%),radial-gradient(at 33% 0,#fcfdfd,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#fbfbfb,#00000000 50%),radial-gradient(at 0 50%,#fafafa,#00000000 50%),radial-gradient(at 33% 50%,#f1f1f1,#00000000 50%),radial-gradient(at 67% 50%,#f5f4f4,#00000000 50%),radial-gradient(at 100% 50%,#fcfcfc,#00000000 50%),radial-gradient(at 0 100%,#f9f9f9,#00000000 50%),radial-gradient(at 33% 100%,#f7f7f7,#00000000 50%),radial-gradient(at 67% 100%,#f5f4f4,#00000000 50%),radial-gradient(at 100% 100%,#f7f7f7,#00000000 50%)",{"id":150,"height":43,"width":44,"blurhash":31},"d7b4e0b6-6b38-476e-8c75-eeebf5dba7cb",[152],{"languages_code":47,"description":153},"Nitehi Works is a multidisciplinary creative studio dedicated to the intersection of art, space, and upcycling. The brand operates with a philosophy of uncovering overlooked values and resources within the everyday, transforming them into unique experiences and physical environments. Their work spans art installations, spatial design, and sustainable creative practices, aiming to foster a deeper awareness of the beauty found in the unconventional.\n\nThe visual identity is defined by a sophisticated, minimalist aesthetic that leans into organic textures and atmospheric photography. By utilizing expansive, high-quality imagery and a clean, airy layout, the website mirrors the brand's focus on 'space' and 'awareness.' The typography is bold yet understated, creating a professional yet soulful tone that appeals to art enthusiasts, designers, and sustainability-minded collaborators.","Agency & Studio",[51,156,52],"High-End \u002F Luxury",[],[56],[62,63,65],[161,163,165,166],{"score":162,"category":69},60,{"score":164,"category":72},71,{"score":74,"category":75},{"score":77,"category":78},[168,170,171,172],{"score":169,"category":69},68,{"score":164,"category":72},{"score":74,"category":75},{"score":77,"category":78},[86,174,87,88],"brown","Website: Nitehi Works. Page: About. Page type: About Us \u002F Team. Page title: 似て非WORKS｜nitehi works. Page description: 日常の中で見過ごさられがちな、消費しない「価値」や「資源」を探し出し「そこにしかない、そこだからこそ生まれる『気付き』」を軸に活動しています。. Page content: - HOME - ABOUT - WORKS - NEWS - MAIL NEWS - CONTACT - - - - - ABOUT 2010年、美術家・稲吉稔が役者・渡辺梓と有志と共にアートプロジェクト「nitehi works」を創設。築60年の元銀行ビル（3階建て）をアート作品としてリノベーションし、2016年までアートスペースとして町に開く。 2017年からは築60年の元運送屋の古民家に拠点を移し、同様にアートスペース作品として開館し、現在に至る。 「似て非works」は「似ているようで非なる」という意味に由来しています。「元何か」であったモノや場所の持つ時間と記憶を素材に、新しい関係性を築き出す活動を続けています。 一般社団法人 似て非works In 2010, artist Minoru Inayoshi founded the art project “nitehi works” with actor Azusa Watanabe and like-minded individuals. They renovated a 60-year-old former bank building (three stories) into an art installation and opened it as an art space to the town until 2016. In 2017, they relocated their base to a 60-year-old former delivery company's traditional Japanese house, similarly opening it as an art space installation, where it remains today. “nitehi works” derives from the meaning “similar yet distinct.” We continue activities that build new relationships using the time and memories inherent in objects and places that were “once something else” as our material. General Incorporated Association Nitehi Works ARTISTS MINORU INAYOSHI 稲吉稔 1960 Minoru Inayoshi 稲吉 稔 1989 B Seminar event produce 世田谷住宅街にて野外グループ展\u002FBゼミ展イベント企画 1989 Hakushyu Summer Festival 白州 夏 サマーフェスティバル 参加 1992 白州 ART CANP 参加 1992-1994 オルタナティブギャラリーArt Lab Woo Art Lab Woo 関内\u002FNICAF\u002FMARS Gallery 1993-1994 shed of silence 制約が除かれた密室 \u002F 横浜 関内 1994 After the topmost part of livestock is cut off by the middle class. 家畜類の最上部が中間層によって、切り取られたその後 1995 Ripple across the water '95 \u002F A bad omen 水の波紋'95 \u002F 悪い前兆 東京 青山 2000 Peninsula 1st. 第１回 半島 2000 参加 \u002F 三浦半島 城ヶ島資料館 1994-2001 It was here Candy Factory お菓子工場跡 それは此処にありました \u002F 横浜市 日の出町 2001 Blue collar Icon 労働階級のイコン \u002F 銭湯 横浜市 2002 Rainbow to go What is not visible 虹の行き先 \u002F 各海上 2002-2003 Open garage Show 個人宅車庫 \u002F 東京 2003 an anecdote saudade 逸話 郷愁 \u002F 三浦半島 荒井浜 海の家 2009 Did you forget it? 横浜 Scen of window 横浜高島屋 2010-2016 アートプロジェクト「似て非 works株式会社」を設立と同時に、築60年・4階建て元銀行跡ビルをアート・スペース niteh works として空間作品制作と運営 2012 築52年・5階建て泰生ビル・2階さくらWORKSをアート・シェアーオフィスをアーティスト8名と空間制作 2013 築60年・3階建の1階アート・スペース「と」をアーティストと空間制作 2017- 築60年・2階建て元運送屋跡をアート・スペース\u002Fアップサイクルスタジオ 「似て非末吉」として空間作品制作と運営中 2015 ハンマーヘッドスタジオ参加 2016 （株）グーンみなとオフィスの空間制作 築44年＠産業貿易センタービル 2017 BankartAIR参加 2017 エコプロ?環境とエネルギーの未来展 （株）グーンブース空間制作＠BIGSITE 2017 NEW環境展 （株）グーンブース空間制作＠BIGSITE 2018 設計チーム「ときにわ」オフィス空間制作 築61年＠トキワビル 2018 レコードバー「Ana-Guma」空間制作 築60年＠港南台 2018-2019 BankartAIR R16雨ニモマケズ ＠国道R16旧東急東横線横浜駅ー桜木町駅高架下スタジオ参加中 2019 （株）グーンみなとオフィス床増空間制作 築44年＠産業貿易センタービル AZUSA WATANABE 渡辺梓 1987年 、仲代達矢氏主宰 「無名塾」入塾 1989年 NHK 連続テレビ小説「和っこの金メダル」ヒロインでデビュー。 以降、舞台・ドラマなどを中心に活躍。 2010年より稲吉稔と共に、「nitehi works」(ニテヒワークス)という名でアート活動を開始。 それを機に、企画制作活動も始める。 主な芸歴 ドラマ 1989年 NHK 連続テレビ小説「和っこの金メダル」主演 1991年 CX 「岡っ引きどぶ」 1992 年 NTV 「名無しの探偵」第 8 話「彼女の人生」 1993 年 CX 「八丁堀捕物ばなし」 1996 年 東海 「幸福の予感」主演 1998 年 東海 「いのちの器」主演 2003年 CX 「貫太です」 2005年 EX 「魔法戦隊マジレンジャー」 2008 年 ホームドラマ ch「虹への手紙」 2009年 EX 「臨場」第8話 2009年 EX 「はぐれ刑事純情派・最終回スペシャル」 2011年 時代劇ch 「鬼平外伝・夜兎の角右衛門」 2013 年 EX 「相棒」シーズン 11 第 14 話\u002Fバレンタイン計画 2013 年 EX 「科捜研の女\u002F第 12 シリーズ」第 2 話 2015年 EX 「警視庁捜査一課9係シーズン10」第6話 2016 年 TBS 「制服捜査3」 2016年 WOWOW 「コールドケース」第7話 2017 年 EX 「検事・朝比奈耀子 19」 2017 年 EX 「遺留捜査」 2018 年 NHK 「立花登青春手控え 3」白い骨 2021年 WOWOW 「川のほとりで」episode5 映 画 2000年 東宝 「どら平太」 2007年 現代ぷろだくしょん 「筆子・その愛〜天使のピアノ」 2013年 自主映画 「渡されたバトン〜さよなら原発〜」 2015年 現代ぷろだくしょん 「望郷の鐘」 2016年 現代ぷろだくしょん 「地の塩-山室軍平(仮)」 2018年 彩プロ 「バケツと僕!」 2018年 「ああ栄冠は君に輝く」 2019年 「浜の記憶」 2019 年 現代ぷろだくしょん 「一粒の麦 荻野吟子の生涯」 2020年 「君の物語を語る者に」 2021年 「誰かの花」 舞 台 1987 年 無名塾「ルパン」 1993\u002F 1995 年 松竹「アマデウス」 1994 年 水戸芸術館 ACM 劇場「ガラスの動物園」 1997 年 無名塾「いのちぼうにふろう物語」 1999 年 新国立劇場「キーン或いは狂気と天才」 1999 年 こまつ座「頭痛肩こり樋口一葉」 2008年 無名塾「長州異聞 白井飯山小伝」 2009 年 無名塾「マクベス」 2010 年 エイコーン「欲望という名の電車」 2012 年 無名塾「Hobson's Choise〜ホブソンの婿選び〜」 2012 年 無名塾「無明長夜〜異説四谷怪談」 2015 年 nitehi works 「宮城野」 主演 2015 年 無名塾秘演 2015 冬 「葵上」「班女」「熊野」(近代能楽集より) 2016 年 無名塾「赤い自転車」主演 2017 年 無名塾稽古場公演「ベルナルダ・アルバの家」 2018年 パンプランニング ミュージカルコメディー「セレブ気取り」 2019 年 無名塾稽古場公演「野鴨」 2020 年 戯曲組「江の島行」 ラジオ 2002 年 NHK FMシアター「明日、四万十のほとりで」 2015 年 NHK FMシアター「赤い傘」 吹き替え バトル・オブ・リガ(エルザ) 朗読 DVD{原典原典 平家物語 71 首渡」(ハゴロモ) 個人企画 「Voice to voice I,II」(リーディング+ライブ) ひとり芝居「蓮華化生」(舞台) 「えほんのなかに」(リーディング+ライブパフォーマンス) 「写装庵」(撮影企画) 「HOME〜あなたがつくるストーリー〜」(こどもミュージカル) 「宮城野」(舞台) 「骨まで愛して」(キャバレーイベント) 「Yomu Nomu リーディング公演」 「B 面の切り取り」(映像) CONTACTMAIL info@nitehi.jp TEL 045 228 8197 copyright (C) nitehi works. All Rights Reserved. pagetop. A Clean \u002F Minimalist, High-End \u002F Luxury, Monochrome \u002F Grayscale website in the Agency & Studio industry. The overall color palette features White, Brown, Black, Gray. The typography features Open Sans (Sans Serif). Built using jQuery, PHP, WordPress. AI description: Nitehi Works is a multidisciplinary creative studio dedicated to the intersection of art, space, and upcycling. The brand operates with a philosophy of uncovering overlooked values and resources within the everyday, transforming them into unique experiences and physical environments. Their work spans art installations, spatial design, and sustainable creative practices, aiming to foster a deeper awareness of the beauty found in the unconventional. The visual identity is defined by a sophisticated, minimalist aesthetic that leans into organic textures and atmospheric photography. By utilizing expansive, high-quality imagery and a clean, airy layout, the website mirrors the brand's focus on 'space' and 'awareness.' The typography is bold yet understated, creating a professional yet soulful tone that appeals to art enthusiasts, designers, and sustainability-minded collaborators.",{"id":177,"website_id":178,"page_id":177,"name":179,"slug":180,"url":181,"website_name":179,"website_slug":180,"website_url":182,"result_url":181,"fetched_at":183,"score":24,"score_boost":25,"ai_score":184,"freshness_score":27,"scored_at":185,"page_name":186,"page_url":181,"page_title":187,"page_description":188,"page_content":189,"page_sort":190,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":191,"cover_mobile":194,"cover_sequence":31,"translations":196,"industry":199,"styles":200,"credits":203,"font_families":205,"technologies":214,"pagespeed":217,"pagespeed_mobile":224,"buckets":231,"search_payload":233},"eb0c1274-516b-42a1-add5-7a23db290928","ebaae344-c91c-4ff4-bbd0-1fd16c0e5496","Read Me: Magazine","read-me-magazine","https:\u002F\u002Freadymag.com\u002Fdesigns\u002Freadme\u002F1","https:\u002F\u002Freadymag.com\u002Fdesigns\u002F1961938","2026-05-04T12:23:34.000Z",87,"2026-05-23T19:24:45.000Z","Contents","Readymag templates: Read Me: Magazine","Glitzy and varied template for editorials.","Read me! 9 tips on Creating a readable web text Part 4 FONTS THAT ADDRESS SPECIAL ISSUES Part 3 EVOLUTION OF LAYOUTS AND TYPESETTINg ON THE WEB Part 2 what makes on-Screen readability special Part 1 Define and conquer 8 min read More and more text-based content is shared over the Internet, but not everything is thoroughly read. In fact, by the time this article reaches the next screen, a significant share of you will have already stopped reading. New York subway, 2019. Photo: Susan Jane Golding, CC by 2.0 studies suggest that on medium, a popular platform for long blog posts, the average read-through rate is around 40 %—that means only two out of five readers that start reading an article, will actually stick around to finish it (though some argue that there is still significant variance). Readymag Stories project read-through data revolves around the same numbers—by the end of each story, we lose over half of those who began interested. To make things worse, people almost never consume digital content word by word: instead, they rapidly scan the text. “People scan because they’re trying to absorb as much information as they need,” notes Kate Moran, a Senior User Experience Specialist at Nielsen Norman Group. To make the problem go away, it’s become almost a cliche to blame the reader. According to this view, the public, addicted to everything new and shiny, is almost eager to be bored by text so that they can switch to the next article, video game, insta account, etc. But what if the problem is deeper, and what is posed as an ethical question is in fact a matter of pure physiology? Some studies suggest that on-screen text might be inherently more difficult to read than printed. That implies that there is no way creators can raise the bar for read-through above a certain level, pre-determined by the properties of a human eye and a human brain. Still, to increase the chances of their work being seen, great creators work hard to create good content and set it in type, as they always have. In this essay we offer some advice on how to deal with both. PART 1 contents Define and conquer Let’s start by defining readability. According to a classic paper by Edgar Dale and Jeanne Chall, readability is “…the sum total (…) of all those elements within a given piece of printed material that affect the success a group of readers have with it. The success is the extent to which they understand it, read it at an optimal speed, and find it interesting.” In other words, readability is a metric that evaluates the ease and comfort of reading a particular text. The question of how to create this kind of metric was asked long before the web emerged—as early as the 19th century. French psychologist Louis Émile Javal provided one of the first known studies of the matter in 1879 with his paper Essai sur la physiologie de la lecture (On the Physiology of Reading). Javal’s key insight was that readers’ eyes don’t move steadily across the text; they actually make short, rapid movements (saccades), mixed with longer stops (fixations). Javal also noted that sometimes, while reading, the eyes unconsciously move backwards to text the reader has already seen. His idea was that the number of stops and backwards moves might help determine readability level—however, Javal lacked precise tools for the task and the idea was dropped at that time. Two other prominent approaches came forward later, in the middle of the 20th century. One was based on the speed of perception, while another emphasized measuring overall eye fatigue. These were pioneered by two researchers, Miles Tinker and Matthew Luckiesh—whose different approaches to measuring readability even led to a certain animosity for each other (you can learn more from a paper by William Berkson). Top: 14\u002F21 Bottom: 20\u002F30 Consider the needs of your audience when selecting the type size: smaller type is harder to read for seniors, children and visually impaired people. Set in Spectral Top: 18\u002F18 Bottom: 18\u002F24 Tight line spacing reduces readability, as you can clearly see in these examples. Set in Suisse Int’l At the end of the day, Tinker’s idea of speed measurement transformed into the notion of legibility, the ease of distinguishing one letter from another as measured by perception speed. Luckiesh’s fatigue-based measurement became what is nowadays known as readability in a strict sense, the ease of reading a text as a whole—including layout, colors etc—measured using fatigue indicators like blink time. It can also be useful to distinguish the readability of a text (as a product of writing) versus the readability of text setting. The first primarily evaluates the skill of a writer, while the second has to do with design. part 2 What makes on-screen readability special Contents [ ](\u002Fdesigns\u002Freadme\u002F1\u002F) Contrast The pioneers of readability studies were obviously only dealing with printed text. However, by the end of the 1960s, computers with led screens had become relatively mainstream. Due to their inherent properties, they turned out to be more demanding on the eye. Glowing screens make the reading experience physically different from a paper that only reflects light—the higher the brightness level, the stronger the effect. “If you set the brightness up much too high, a direct focus of light will come into your retina, causing fatigue,” explains Nick Sherman, a typographic consultant and the founder of hex projects typographic company. High contrast between the type and the background ensure good readability This problem can be partially tackled by selecting proper contrast color schemes, keeping brightness levels at bay. Some great tools that measure text contrast are: Webaim color contrast checker, Luminosity contrast ratio analyser, Color contrast check, and Color contrast visualiser. Resolution The second hindrance factor is resolution—the number of dots within a given area that can be used to convey visual information. Resolution is measured in dots per inch (dpi) or pixels per inch (ppi), with these terms used interchangeably. MacBook retina displays (praised for their high resolution) have still only exceeded 200ppi, while offset printing offers 2400dpi or even higher. Most fonts that weren’t specially designed for computers tend to decline in readability when displayed on monitors. Historically, the two major it giants, Apple and Microsoft, have offered different solutions. The key feature in macos font rendering was so-called anti-aliasing—a technique used to add pixels of different color to letter fringes, making them look more smooth. Alias. Click to zoom in Anti-aliased In contrast, Windows tried to maximize legibility. They adapted the distribution of pixels within letters and words to make pixel density and letter shape optimal for reading. Microsoft used what’s now called font hinting, a set of instructions describing when to add additional pixels to each letter. This allows for improved legibility, but alters and even distorts original letterforms. Unhinted character Hinted character However, changes to how fonts are rendered have reduced the differences between these approaches. [ ](\u002Fdesigns\u002Freadme\u002F1\u002F) Evolution of layouts and typesetting on the web Part 3 The first website was published in 1990 by computer scientist Tim Berners-Lee and now it seems like an eyesore. Early web sites were basic, using vertically structured, text-heavy pages with few graphics. Before the introduction of tables as a web page structure, there were few design components and no way to emulate the layouts of conventional printed texts. In the early web there were no people well-versed in typesetting. Website layouts were fluid (did not have fixed width), so text lines came in any possible width. That was not so great: all sorts of typographic rules aimed at text legibility were smudged,” says Readymag product designer Stas Aki. The situation demanded new approaches to the creation of web layouts. The variety of screen sizes also strongly impacted web layouts and quality of typesetting. While print designers knew beforehand the paper format that will house their …",2,{"id":192,"height":38,"width":39,"blurhash":193},"5f6f505b-bb9a-471f-94a2-8ccce9cade41","radial-gradient(at 0 0,#ffbdb6,#00000000 50%),radial-gradient(at 33% 0,#ffdcd7,#00000000 50%),radial-gradient(at 67% 0,#ebe5e0,#00000000 50%),radial-gradient(at 100% 0,#f5ece9,#00000000 50%),radial-gradient(at 0 50%,#fffbf8,#00000000 50%),radial-gradient(at 33% 50%,#fdfaf7,#00000000 50%),radial-gradient(at 67% 50%,#e8e5e2,#00000000 50%),radial-gradient(at 100% 50%,#f0ecea,#00000000 50%),radial-gradient(at 0 100%,#f3ebeb,#00000000 50%),radial-gradient(at 33% 100%,#fbfafa,#00000000 50%),radial-gradient(at 67% 100%,#dbdbdc,#00000000 50%),radial-gradient(at 100% 100%,#dbd8d9,#00000000 50%)",{"id":195,"height":43,"width":44,"blurhash":31},"f49d062e-9fd1-4a41-bb7e-9b226548e2cf",[197],{"languages_code":47,"description":198},"Read Me: Magazine is a high-impact digital editorial template designed to challenge the conventions of web typography and layout. It serves as a playground for long-form storytelling, utilizing aggressive scale and experimental compositions to command attention in an era of rapid scrolling. The design is built for creators who want to transform text-heavy content into a visceral, immersive visual experience.\n\nThe visual identity is defined by a bold, maximalist approach that leans heavily into typographic hierarchy. Using high-contrast color palettes—vibrant oranges, deep purples, and electric blues—against stark backgrounds, the design creates a sense of urgency and modern edge. The layout breaks traditional grid structures with oversized headings and organic, overlapping shapes, making it an ideal choice for avant-garde digital publications and experimental design portfolios.","Entertainment & Media",[201,53,202],"Brutalist \u002F Neo-Brutalist","Vibrant \u002F Colorful",[204],"Pavel Kedzich",[206,207,208,209,209,210,211,212,213],"Roboto","Source Sans","Austin","Druk","Giorgio","Graphik","Freight","Trio Grotesk",[215,216],"FirstPromoter","Readymag",[218,220,222,223],{"score":219,"category":69},31,{"score":221,"category":72},78,{"score":123,"category":75},{"score":77,"category":78},[225,227,229,230],{"score":226,"category":69},25,{"score":228,"category":72},83,{"score":123,"category":75},{"score":77,"category":78},[86,88,87,232],"red","Website: Read Me: Magazine. Page: Contents. Page type: About Us \u002F Team. Page title: Readymag templates: Read Me: Magazine. Page description: Glitzy and varied template for editorials.. Page content: Read me! 9 tips on Creating a readable web text Part 4 FONTS THAT ADDRESS SPECIAL ISSUES Part 3 EVOLUTION OF LAYOUTS AND TYPESETTINg ON THE WEB Part 2 what makes on-Screen readability special Part 1 Define and conquer 8 min read More and more text-based content is shared over the Internet, but not everything is thoroughly read. In fact, by the time this article reaches the next screen, a significant share of you will have already stopped reading. New York subway, 2019. Photo: Susan Jane Golding, CC by 2.0 studies suggest that on medium, a popular platform for long blog posts, the average read-through rate is around 40 %—that means only two out of five readers that start reading an article, will actually stick around to finish it (though some argue that there is still significant variance). Readymag Stories project read-through data revolves around the same numbers—by the end of each story, we lose over half of those who began interested. To make things worse, people almost never consume digital content word by word: instead, they rapidly scan the text. “People scan because they’re trying to absorb as much information as they need,” notes Kate Moran, a Senior User Experience Specialist at Nielsen Norman Group. To make the problem go away, it’s become almost a cliche to blame the reader. According to this view, the public, addicted to everything new and shiny, is almost eager to be bored by text so that they can switch to the next article, video game, insta account, etc. But what if the problem is deeper, and what is posed as an ethical question is in fact a matter of pure physiology? Some studies suggest that on-screen text might be inherently more difficult to read than printed. That implies that there is no way creators can raise the bar for read-through above a certain level, pre-determined by the properties of a human eye and a human brain. Still, to increase the chances of their work being seen, great creators work hard to create good content and set it in type, as they always have. In this essay we offer some advice on how to deal with both. PART 1 contents Define and conquer Let’s start by defining readability. According to a classic paper by Edgar Dale and Jeanne Chall, readability is “…the sum total (…) of all those elements within a given piece of printed material that affect the success a group of readers have with it. The success is the extent to which they understand it, read it at an optimal speed, and find it interesting.” In other words, readability is a metric that evaluates the ease and comfort of reading a particular text. The question of how to create this kind of metric was asked long before the web emerged—as early as the 19th century. French psychologist Louis Émile Javal provided one of the first known studies of the matter in 1879 with his paper Essai sur la physiologie de la lecture (On the Physiology of Reading). Javal’s key insight was that readers’ eyes don’t move steadily across the text; they actually make short, rapid movements (saccades), mixed with longer stops (fixations). Javal also noted that sometimes, while reading, the eyes unconsciously move backwards to text the reader has already seen. His idea was that the number of stops and backwards moves might help determine readability level—however, Javal lacked precise tools for the task and the idea was dropped at that time. Two other prominent approaches came forward later, in the middle of the 20th century. One was based on the speed of perception, while another emphasized measuring overall eye fatigue. These were pioneered by two researchers, Miles Tinker and Matthew Luckiesh—whose different approaches to measuring readability even led to a certain animosity for each other (you can learn more from a paper by William Berkson). Top: 14\u002F21 Bottom: 20\u002F30 Consider the needs of your audience when selecting the type size: smaller type is harder to read for seniors, children and visually impaired people. Set in Spectral Top: 18\u002F18 Bottom: 18\u002F24 Tight line spacing reduces readability, as you can clearly see in these examples. Set in Suisse Int’l At the end of the day, Tinker’s idea of speed measurement transformed into the notion of legibility, the ease of distinguishing one letter from another as measured by perception speed. Luckiesh’s fatigue-based measurement became what is nowadays known as readability in a strict sense, the ease of reading a text as a whole—including layout, colors etc—measured using fatigue indicators like blink time. It can also be useful to distinguish the readability of a text (as a product of writing) versus the readability of text setting. The first primarily evaluates the skill of a writer, while the second has to do with design. part 2 What makes on-screen readability special Contents [ ](\u002Fdesigns\u002Freadme\u002F1\u002F) Contrast The pioneers of readability studies were obviously only dealing with printed text. However, by the end of the 1960s, computers with led screens had become relatively mainstream. Due to their inherent properties, they turned out to be more demanding on the eye. Glowing screens make the reading experience physically different from a paper that only reflects light—the higher the brightness level, the stronger the effect. “If you set the brightness up much too high, a direct focus of light will come into your retina, causing fatigue,” explains Nick Sherman, a typographic consultant and the founder of hex projects typographic company. High contrast between the type and the background ensure good readability This problem can be partially tackled by selecting proper contrast color schemes, keeping brightness levels at bay. Some great tools that measure text contrast are: Webaim color contrast checker, Luminosity contrast ratio analyser, Color contrast check, and Color contrast visualiser. Resolution The second hindrance factor is resolution—the number of dots within a given area that can be used to convey visual information. Resolution is measured in dots per inch (dpi) or pixels per inch (ppi), with these terms used interchangeably. MacBook retina displays (praised for their high resolution) have still only exceeded 200ppi, while offset printing offers 2400dpi or even higher. Most fonts that weren’t specially designed for computers tend to decline in readability when displayed on monitors. Historically, the two major it giants, Apple and Microsoft, have offered different solutions. The key feature in macos font rendering was so-called anti-aliasing—a technique used to add pixels of different color to letter fringes, making them look more smooth. Alias. Click to zoom in Anti-aliased In contrast, Windows tried to maximize legibility. They adapted the distribution of pixels within letters and words to make pixel density and letter shape optimal for reading. Microsoft used what’s now called font hinting, a set of instructions describing when to add additional pixels to each letter. This allows for improved legibility, but alters and even distorts original letterforms. Unhinted character Hinted character However, changes to how fonts are rendered have reduced the differences between these approaches. [ ](\u002Fdesigns\u002Freadme\u002F1\u002F) Evolution of layouts and typesetting on the web Part 3 The first website was published in 1990 by computer scientist Tim Berners-Lee and now it seems like an eyesore. Early web sites were basic, using vertically structured, text-heavy pages with few graphics. Before the introduction of tables as a web page structure, there were few design components and no way to emulate the layouts of conventional printed texts. In the early web there were no people well-versed in typesetting. Website layouts were fluid (did not have fixed width), so text lines came in any possible width. That was not so great: all sorts of typographic rules aimed at text legibility were smudged,” says Readymag product designer Stas Aki. The situation demanded new approaches to the creation of web layouts. The variety of screen sizes also strongly impacted web layouts and quality of typesetting. While print designers knew beforehand the paper format that will house their …. A Brutalist \u002F Neo-Brutalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Entertainment & Media industry. The overall color palette features White, Gray, Black, Red. The typography features Roboto (Sans Serif), Source Sans (Sans Serif), Austin (Serif, Commercial Type), Druk (Sans Serif, Commercial Type), Druk (Sans Serif, Commercial Type), Giorgio (Display, Commercial Type), Graphik (Sans Serif, Commercial Type), Freight (Serif), Trio Grotesk (Sans Serif, Schick Toikka). Built using FirstPromoter, Readymag. AI description: Read Me: Magazine is a high-impact digital editorial template designed to challenge the conventions of web typography and layout. It serves as a playground for long-form storytelling, utilizing aggressive scale and experimental compositions to command attention in an era of rapid scrolling. The design is built for creators who want to transform text-heavy content into a visceral, immersive visual experience. The visual identity is defined by a bold, maximalist approach that leans heavily into typographic hierarchy. Using high-contrast color palettes—vibrant oranges, deep purples, and electric blues—against stark backgrounds, the design creates a sense of urgency and modern edge. The layout breaks traditional grid structures with oversized headings and organic, overlapping shapes, making it an ideal choice for avant-garde digital publications and experimental design portfolios.",{"id":235,"website_id":236,"page_id":235,"name":237,"slug":238,"url":239,"website_name":237,"website_slug":238,"website_url":240,"result_url":239,"fetched_at":241,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":242,"page_name":142,"page_url":239,"page_title":243,"page_description":244,"page_content":245,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":246,"cover_mobile":249,"cover_sequence":31,"translations":251,"industry":49,"styles":254,"credits":255,"font_families":257,"technologies":258,"pagespeed":264,"pagespeed_mobile":272,"buckets":278,"search_payload":279},"7c29e4ec-642a-4e2e-970c-bc8ee7ea778d","eec48c6c-69b1-485f-a3c6-34fe24e6a798","Creator Projects","creator-projects","https:\u002F\u002Fcreatorprojects.com\u002Fabout","https:\u002F\u002Fcreatorprojects.com","2026-05-04T11:44:04.000Z","2026-05-23T20:24:29.000Z","About – Creator Projects","Creator Projects is a team of curators, consultants and project managers who create visible changes of high quality in institutions, businesses and public environments.","Who we are: Creator Projects is a Copenhagen-based art agency. We are a team of curators and creatives passionate about the potential of art to make a difference in society and the spaces we inhabit. We see art as a vital catalyst for dialogue, debate, and the dreams of our time. With this vision, we conceptualize, curate, and develop meaningful and innovative art exhibitions, public commissions, strategic plans for art institutions, festivals, and other private organizations in Denmark and abroad. Our commitment to supporting the arts and creating experiences for a broader audience also includes running the publishing house Roulette Russe, dedicated to art and artists’ books. Our work is grounded in extensive professionalism, longstanding practical experience, and a comprehensive national and international network. Creator Projects is owned and operated by founder and director Simon Friese. What we do: - We work on commissions for both public entities (municipalities, institutions and organizations) and private enterprises. - We curate exhibitions and public programs for art museums and kunsthalle in Denmark and abroad. - We develop independent art projects like our mail art project M.M.S. (Much. More. Shit.). - We publish art and artist’s books through our publishing house Roulette Russe. - We provide art advisory to public and private entities. The team Director Simon Friese Simon Friese is Founder, Co-Director and Co-CEO of Creator Projects. He has initiated and led numerous art projects in Denmark and internationally, working across public space, institutions, and cross-sector collaborations. His practice focuses on developing ambitious artistic formats and partnerships that connect art with urban development, business, and society. Email: simon@creatorprojects.com Telephone: +45 25 62 25 61 Director Marie Nipper Marie Nipper is Co-Director and Co-CEO of Creator Projects. She previously served as Chief Curator at ARoS Aarhus Art Museum and Artistic Director at Tate Liverpool. In 2022, she was appointed Director of ARKEN Museum of Contemporary Art, where she led the museum’s strategic development until 2025. She has published on contemporary art and worked extensively with art in the public realm. Email: marie@creatorprojects.com Telephone: +45 61 22 38 39 COO & PROJECT DIRECTOR Karen Margrethe Krogh Karen Margrethe is responsible for day-to-day operations and for overseeing our architectural and urban strategies projects. She has more than 25 years of experience as an architect, as a public developer of urban spaces and as a manager, developing business, organizations and people. She holds a master degree in architecture from KADK. Email: kmk@creatorprojects.com Telephone: +45 27 88 51 58 Head of Business Development Jakob Smith Knudsen Jakob leads business development and is a passionate value creator driven by challenging the status quo and driving growth. He works strategically and hands-on to connect users of the city, institutions, infrastructure, and art, enhancing customer experiences and developing products and places through artistic interventions. Email: jakob@creatorprojects.com Telephone: +45 20319006 Project Manager Anne Kruckenberg Anne is a Project Manager overseeing the artistic and administrative development of the forthcoming art triennial in Copenhagen, including art projects and strategic initiatives. She has experience in exhibition production and holds an MA in Art History. Email: anne@creatorprojects.com Telephone: +45 31 37 74 63 Head of Communications and Creative Oliver Enné Oliver Enné is responsible for communications and creative at Creator Projects. He has extensive experience in strategic brand development and creative direction. He previously served as Creative Director at Virtue, the agency by VICE Media in London, where he led international projects and worked with some of the world’s leading brands and publishers. Email: oliver@creatorprojects.com Telephone: +45 22 20 02 74 Project Manager Josefine Laursen Josefine is responsible for coordination and production of the agency’s projects, exhibitions and commissions. Josefine has a background from the Architecture School in Aarhus and holds a MA in Art History. Email: josefine@creatorprojects.com Telephone: +45 29 86 33 08 Project Manager Andreas Vind Andreas is responsible for coordination and production of the agency’s exhibitions and projects. Andreas holds a BSC in History of Art, worked under the auction houses Christie’s and Bruun Rasmussen, has facilitated private art commissions and represented danish contemporary artists. Email: andreas@creatorprojects.com Telephone: +45 51525536 Junior Architect Louise Bryant Louise contributes her architectural expertise and understanding of space and scale to a variety of art projects. She prepares drawings, visualizations, and presentations throughout the process, often in collaboration with the artist. Louise graduated from Aarhus School of Architecture in 2025. Email: louise@creatorprojects.com Telephone: +45 30 26 08 80 Intern Anouk Fischer Andersen Anouk is as an intern involved in a broad range of the tasks we undertake. She studies art history at University of Copenhagen and is currently pursuing her bachelor’s degree. Email: anouk@creatorprojects.com",{"id":247,"height":38,"width":39,"blurhash":248},"02a85bd2-3ca8-4f08-a125-694d1e11bd14","radial-gradient(at 0 0,#f0ebe8,#00000000 50%),radial-gradient(at 33% 0,#f0ecea,#00000000 50%),radial-gradient(at 67% 0,#f0ebe9,#00000000 50%),radial-gradient(at 100% 0,#f0ebe8,#00000000 50%),radial-gradient(at 0 50%,#c4bdb8,#00000000 50%),radial-gradient(at 33% 50%,#c1bab6,#00000000 50%),radial-gradient(at 67% 50%,#c0b9b4,#00000000 50%),radial-gradient(at 100% 50%,#c2bcb7,#00000000 50%),radial-gradient(at 0 100%,#cfc9c1,#00000000 50%),radial-gradient(at 33% 100%,#ccc6be,#00000000 50%),radial-gradient(at 67% 100%,#cbc5bd,#00000000 50%),radial-gradient(at 100% 100%,#cfc9c1,#00000000 50%)",{"id":250,"height":43,"width":44,"blurhash":31},"79a4f6f1-1660-4e86-a18b-ee48b1c07256",[252],{"languages_code":47,"description":253},"Creator Projects serves as a sophisticated bridge between the fine art world and the public sphere, functioning as a specialized agency for curators, consultants, and project managers. The website acts as a high-end portfolio and professional gateway, showcasing their ability to execute impactful art installations within institutional, commercial, and civic environments. It is designed to attract city planners, corporate developers, and cultural institutions looking for expert guidance in integrating art into the built environment.\n\nThe visual identity is defined by a refined, editorial aesthetic that mirrors the high-quality nature of their commissions. Utilizing expansive whitespace, elegant serif typography, and a minimalist layout, the design allows large-scale architectural and artistic photography to command attention. The color palette is neutral and understated, ensuring that the focus remains entirely on the visual impact of their global projects, projecting an aura of professional authority and curated taste.",[51,156,53],[256],"Tokant",[211,60],[259,260,62,261,63,262,263,65],"Amazon Web Services","GSAP","MailChimp","Polylang","WooCommerce",[265,267,269,270],{"score":266,"category":69},69,{"score":268,"category":72},86,{"score":74,"category":75},{"score":271,"category":78},85,[273,275,276,277],{"score":274,"category":69},62,{"score":268,"category":72},{"score":74,"category":75},{"score":271,"category":78},[86,88,87,174],"Website: Creator Projects. Page: About. Page type: About Us \u002F Team. Page title: About – Creator Projects. Page description: Creator Projects is a team of curators, consultants and project managers who create visible changes of high quality in institutions, businesses and public environments.. Page content: Who we are: Creator Projects is a Copenhagen-based art agency. We are a team of curators and creatives passionate about the potential of art to make a difference in society and the spaces we inhabit. We see art as a vital catalyst for dialogue, debate, and the dreams of our time. With this vision, we conceptualize, curate, and develop meaningful and innovative art exhibitions, public commissions, strategic plans for art institutions, festivals, and other private organizations in Denmark and abroad. Our commitment to supporting the arts and creating experiences for a broader audience also includes running the publishing house Roulette Russe, dedicated to art and artists’ books. Our work is grounded in extensive professionalism, longstanding practical experience, and a comprehensive national and international network. Creator Projects is owned and operated by founder and director Simon Friese. What we do: - We work on commissions for both public entities (municipalities, institutions and organizations) and private enterprises. - We curate exhibitions and public programs for art museums and kunsthalle in Denmark and abroad. - We develop independent art projects like our mail art project M.M.S. (Much. More. Shit.). - We publish art and artist’s books through our publishing house Roulette Russe. - We provide art advisory to public and private entities. The team Director Simon Friese Simon Friese is Founder, Co-Director and Co-CEO of Creator Projects. He has initiated and led numerous art projects in Denmark and internationally, working across public space, institutions, and cross-sector collaborations. His practice focuses on developing ambitious artistic formats and partnerships that connect art with urban development, business, and society. Email: simon@creatorprojects.com Telephone: +45 25 62 25 61 Director Marie Nipper Marie Nipper is Co-Director and Co-CEO of Creator Projects. She previously served as Chief Curator at ARoS Aarhus Art Museum and Artistic Director at Tate Liverpool. In 2022, she was appointed Director of ARKEN Museum of Contemporary Art, where she led the museum’s strategic development until 2025. She has published on contemporary art and worked extensively with art in the public realm. Email: marie@creatorprojects.com Telephone: +45 61 22 38 39 COO & PROJECT DIRECTOR Karen Margrethe Krogh Karen Margrethe is responsible for day-to-day operations and for overseeing our architectural and urban strategies projects. She has more than 25 years of experience as an architect, as a public developer of urban spaces and as a manager, developing business, organizations and people. She holds a master degree in architecture from KADK. Email: kmk@creatorprojects.com Telephone: +45 27 88 51 58 Head of Business Development Jakob Smith Knudsen Jakob leads business development and is a passionate value creator driven by challenging the status quo and driving growth. He works strategically and hands-on to connect users of the city, institutions, infrastructure, and art, enhancing customer experiences and developing products and places through artistic interventions. Email: jakob@creatorprojects.com Telephone: +45 20319006 Project Manager Anne Kruckenberg Anne is a Project Manager overseeing the artistic and administrative development of the forthcoming art triennial in Copenhagen, including art projects and strategic initiatives. She has experience in exhibition production and holds an MA in Art History. Email: anne@creatorprojects.com Telephone: +45 31 37 74 63 Head of Communications and Creative Oliver Enné Oliver Enné is responsible for communications and creative at Creator Projects. He has extensive experience in strategic brand development and creative direction. He previously served as Creative Director at Virtue, the agency by VICE Media in London, where he led international projects and worked with some of the world’s leading brands and publishers. Email: oliver@creatorprojects.com Telephone: +45 22 20 02 74 Project Manager Josefine Laursen Josefine is responsible for coordination and production of the agency’s projects, exhibitions and commissions. Josefine has a background from the Architecture School in Aarhus and holds a MA in Art History. Email: josefine@creatorprojects.com Telephone: +45 29 86 33 08 Project Manager Andreas Vind Andreas is responsible for coordination and production of the agency’s exhibitions and projects. Andreas holds a BSC in History of Art, worked under the auction houses Christie’s and Bruun Rasmussen, has facilitated private art commissions and represented danish contemporary artists. Email: andreas@creatorprojects.com Telephone: +45 51525536 Junior Architect Louise Bryant Louise contributes her architectural expertise and understanding of space and scale to a variety of art projects. She prepares drawings, visualizations, and presentations throughout the process, often in collaboration with the artist. Louise graduated from Aarhus School of Architecture in 2025. Email: louise@creatorprojects.com Telephone: +45 30 26 08 80 Intern Anouk Fischer Andersen Anouk is as an intern involved in a broad range of the tasks we undertake. She studies art history at University of Copenhagen and is currently pursuing her bachelor’s degree. Email: anouk@creatorprojects.com. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Gray, Black, Brown. The typography features Graphik (Sans Serif, Commercial Type), Inter (Sans Serif). Built using Amazon Web Services, GSAP, jQuery, MailChimp, PHP, Polylang, WooCommerce, WordPress. AI description: Creator Projects serves as a sophisticated bridge between the fine art world and the public sphere, functioning as a specialized agency for curators, consultants, and project managers. The website acts as a high-end portfolio and professional gateway, showcasing their ability to execute impactful art installations within institutional, commercial, and civic environments. It is designed to attract city planners, corporate developers, and cultural institutions looking for expert guidance in integrating art into the built environment. The visual identity is defined by a refined, editorial aesthetic that mirrors the high-quality nature of their commissions. Utilizing expansive whitespace, elegant serif typography, and a minimalist layout, the design allows large-scale architectural and artistic photography to command attention. The color palette is neutral and understated, ensuring that the focus remains entirely on the visual impact of their global projects, projecting an aura of professional authority and curated taste.",{"id":281,"website_id":282,"page_id":281,"name":283,"slug":284,"url":285,"website_name":283,"website_slug":284,"website_url":286,"result_url":285,"fetched_at":287,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":288,"page_name":289,"page_url":285,"page_title":290,"page_description":291,"page_content":292,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":293,"cover_mobile":296,"cover_sequence":31,"translations":298,"industry":301,"styles":302,"credits":303,"font_families":305,"technologies":309,"pagespeed":317,"pagespeed_mobile":322,"buckets":328,"search_payload":329},"dd26d485-cd55-4138-b403-6aee41286e56","fb13c230-fe04-4f22-ade4-de19088acc78","Tanat Coffee","tanat-coffee","https:\u002F\u002Ftanat.coffee\u002Fabout-us","https:\u002F\u002Ftanat.coffee","2026-05-04T11:18:09.000Z","2026-05-23T19:09:57.000Z","À Propos","À propos - Tanat Coffee","Tanat est une maison de café de spécialité fondée à Paris. Sélection, torréfaction, transmission : chaque geste vise l’excellence et le goût.","UNE TORRÉFACTION ARTISANALE ET MAÎTRISÉE «La torréfaction révèle les arômes d’un terroir, d’une variété. Cette complexité rend notre métier exceptionnel.» Depuis l’ouverture de Tanat, nous avons pris la décision de nous focaliser sur la torréfaction. Notre devise, offrir la meilleure torréfaction et avec la plus grande régularité. Qu’est-ce qu’une torréfaction réussite pour Tanat ? C’est celle qui éveillera vos papilles et sublimera le terroir d’origine. Chaque café a son histoire, il nous en incombe la lourde responsabilité de sublimer le travail de nos producteurs mais aussi de vous faciliter l’extraction de celui-ci. En savoir plus À L’ORIGINE, DES TERROIRS D’EXCEPTION «Un terroir, une variété, une récolte : chaque lot est unique.» Nous sélectionnons nos cafés directement à la source, en lien étroit avec des fermes, des producteurs et des coopératives que nous connaissons, souvent depuis plusieurs années. Chaque origine est choisie pour la singularité de son terroir, la maîtrise des process post-récolte, et la philosophie de celles et ceux qui la cultivent. Cette relation directe nous permet de travailler sur des lots d’une grande finesse, traçables de bout en bout, avec une régularité de qualité que seule la confiance peut garantir. Au-delà du goût, c’est aussi une manière d’encourager des pratiques agricoles vertueuses, respectueuses des écosystèmes et des humains qui les font vivre. INNOVER, SANS JAMAIS COMPROMETTRE L’ESSENTIEL «L’innovation n’a de valeur que si elle respecte ce qui compte. Le café. Les humains. La planète.» Chez Tanat, l’innovation va de pair avec la responsabilité. Nous optimisons chaque étape de notre chaîne — sourcing, torréfaction, logistique — pour en réduire l’impact environnemental. Cela passe par des choix concrets : cafés issus de pratiques agricoles durables, emballages allégés, transport repensé, consommation raisonnée. Et surtout, un engagement simple mais structurant : nous ne ferons jamais de capsules. Ni pratiques, ni recyclables à 100 %, elles sont l’opposé de notre vision du café. Nous défendons un café vivant, extrait avec soin, et respectueux de ce qu’il représente — pour le goût, pour les producteurs, pour la planète. PARTAGER LE GOÛT, TRANSMETTRE L’EXIGENCE «Un grand café ne se résume pas à un arôme. C’est un geste, une vision, un lien.» Depuis 2016, Tanat défend une vision contemporaine du café de spécialité — à la croisée de l’artisanat, de l’innovation et de la culture du goût. Notre métier ne se limite pas à torréfier des cafés d’exception. Il s’enrichit au contact de celles et ceux qui le vivent, le préparent, le servent et le boivent. Nous partageons notre savoir-faire à travers des formations, des ateliers de dégustation, et des collaborations avec des artisans, des chefs, des professionnels du goût. Chaque échange, chaque tasse est une occasion de faire vivre une culture du café plus consciente, plus sensible, plus exigeante. Nos recettes VOIR NOS RECETTES Des recettes étape par étape pour être sûr de réussir votre café. OREA [ ](https:\u002F\u002Ftanat.coffee\u002Frecette-extraction-orea\u002F) Comment faire un bon espresso à la maison ? [ ](https:\u002F\u002Ftanat.coffee\u002Fcomment-faire-un-bon-espresso-a-la-maison\u002F) Aeropress [ ](https:\u002F\u002Ftanat.coffee\u002Faeropress\u002F) V60 ou Flower Dripper [ ](https:\u002F\u002Ftanat.coffee\u002Fv60-flower-dripper\u002F)",{"id":294,"height":38,"width":39,"blurhash":295},"1611b7ee-c943-4598-b45b-b8940debf11b","radial-gradient(at 0 0,#d26240,#00000000 50%),radial-gradient(at 33% 0,#e07b59,#00000000 50%),radial-gradient(at 67% 0,#eb8657,#00000000 50%),radial-gradient(at 100% 0,#c15e34,#00000000 50%),radial-gradient(at 0 50%,#c07347,#00000000 50%),radial-gradient(at 33% 50%,#d09272,#00000000 50%),radial-gradient(at 67% 50%,#ce9675,#00000000 50%),radial-gradient(at 100% 50%,#896742,#00000000 50%),radial-gradient(at 0 100%,#bd6240,#00000000 50%),radial-gradient(at 33% 100%,#cd8a72,#00000000 50%),radial-gradient(at 67% 100%,#c0866f,#00000000 50%),radial-gradient(at 100% 100%,#6f431f,#00000000 50%)",{"id":297,"height":43,"width":44,"blurhash":31},"916fa470-5e30-4ab1-bcb7-a192176c194d",[299],{"languages_code":47,"description":300},"Tanat Coffee is a sophisticated specialty coffee roastery based in Paris, dedicated to the pursuit of excellence through meticulous selection and roasting. 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Page content: UNE TORRÉFACTION ARTISANALE ET MAÎTRISÉE «La torréfaction révèle les arômes d’un terroir, d’une variété. Cette complexité rend notre métier exceptionnel.» Depuis l’ouverture de Tanat, nous avons pris la décision de nous focaliser sur la torréfaction. Notre devise, offrir la meilleure torréfaction et avec la plus grande régularité. Qu’est-ce qu’une torréfaction réussite pour Tanat ? C’est celle qui éveillera vos papilles et sublimera le terroir d’origine. Chaque café a son histoire, il nous en incombe la lourde responsabilité de sublimer le travail de nos producteurs mais aussi de vous faciliter l’extraction de celui-ci. En savoir plus À L’ORIGINE, DES TERROIRS D’EXCEPTION «Un terroir, une variété, une récolte : chaque lot est unique.» Nous sélectionnons nos cafés directement à la source, en lien étroit avec des fermes, des producteurs et des coopératives que nous connaissons, souvent depuis plusieurs années. Chaque origine est choisie pour la singularité de son terroir, la maîtrise des process post-récolte, et la philosophie de celles et ceux qui la cultivent. Cette relation directe nous permet de travailler sur des lots d’une grande finesse, traçables de bout en bout, avec une régularité de qualité que seule la confiance peut garantir. Au-delà du goût, c’est aussi une manière d’encourager des pratiques agricoles vertueuses, respectueuses des écosystèmes et des humains qui les font vivre. INNOVER, SANS JAMAIS COMPROMETTRE L’ESSENTIEL «L’innovation n’a de valeur que si elle respecte ce qui compte. Le café. Les humains. La planète.» Chez Tanat, l’innovation va de pair avec la responsabilité. Nous optimisons chaque étape de notre chaîne — sourcing, torréfaction, logistique — pour en réduire l’impact environnemental. Cela passe par des choix concrets : cafés issus de pratiques agricoles durables, emballages allégés, transport repensé, consommation raisonnée. Et surtout, un engagement simple mais structurant : nous ne ferons jamais de capsules. Ni pratiques, ni recyclables à 100 %, elles sont l’opposé de notre vision du café. Nous défendons un café vivant, extrait avec soin, et respectueux de ce qu’il représente — pour le goût, pour les producteurs, pour la planète. PARTAGER LE GOÛT, TRANSMETTRE L’EXIGENCE «Un grand café ne se résume pas à un arôme. C’est un geste, une vision, un lien.» Depuis 2016, Tanat défend une vision contemporaine du café de spécialité — à la croisée de l’artisanat, de l’innovation et de la culture du goût. Notre métier ne se limite pas à torréfier des cafés d’exception. Il s’enrichit au contact de celles et ceux qui le vivent, le préparent, le servent et le boivent. Nous partageons notre savoir-faire à travers des formations, des ateliers de dégustation, et des collaborations avec des artisans, des chefs, des professionnels du goût. Chaque échange, chaque tasse est une occasion de faire vivre une culture du café plus consciente, plus sensible, plus exigeante. Nos recettes VOIR NOS RECETTES Des recettes étape par étape pour être sûr de réussir votre café. OREA [ ](https:\u002F\u002Ftanat.coffee\u002Frecette-extraction-orea\u002F) Comment faire un bon espresso à la maison ? [ ](https:\u002F\u002Ftanat.coffee\u002Fcomment-faire-un-bon-espresso-a-la-maison\u002F) Aeropress [ ](https:\u002F\u002Ftanat.coffee\u002Faeropress\u002F) V60 ou Flower Dripper [ ](https:\u002F\u002Ftanat.coffee\u002Fv60-flower-dripper\u002F). A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Food & Beverage industry. Designed by Atelier Deux-Cé. The overall color palette features White, Black, Brown, Gray. The typography features Futura (Sans Serif), Montserrat (Sans Serif), Noto Sans (Sans Serif), Noto Sans (Sans Serif). Built using Contact Form 7, Crisp Live Chat, jQuery, Kinsta, OWL Carousel, PHP, reCAPTCHA, Underscore.js, Weglot, WooCommerce, WordPress. AI description: Tanat Coffee is a sophisticated specialty coffee roastery based in Paris, dedicated to the pursuit of excellence through meticulous selection and roasting. The website serves as a premium digital storefront and brand hub, offering direct-to-consumer coffee subscriptions, curated boutique collections, and professional wholesale solutions. It bridges the gap between artisanal craftsmanship and modern convenience, positioning itself as a leader in the high-end specialty coffee market. The visual identity is defined by a bold, high-contrast aesthetic that utilizes a striking burnt orange and cream palette to evoke warmth and energy. The design leans into a minimalist, editorial layout characterized by expansive whitespace, large-scale high-quality photography, and clean, modern typography. This approach creates a sense of luxury and intentionality, appealing to discerning coffee enthusiasts and professional partners who value both aesthetic elegance and product provenance.",{"id":331,"website_id":332,"page_id":331,"name":333,"slug":334,"url":335,"website_name":333,"website_slug":334,"website_url":336,"result_url":335,"fetched_at":337,"score":24,"score_boost":25,"ai_score":228,"freshness_score":27,"scored_at":338,"page_name":339,"page_url":335,"page_title":340,"page_description":341,"page_content":342,"page_sort":5,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":343,"cover_mobile":346,"cover_sequence":31,"translations":348,"industry":154,"styles":351,"credits":353,"font_families":354,"technologies":357,"pagespeed":359,"pagespeed_mobile":365,"buckets":370,"search_payload":371},"4e848821-2d1c-4a80-ba30-4a64d576e052","eed05df0-641f-42e8-803e-bd711f00d60a","Oddityline","oddityline","https:\u002F\u002Foddityline.com\u002Fabout","https:\u002F\u002Foddityline.com","2026-05-04T11:05:02.000Z","2026-05-23T19:36:12.000Z","A Propos","Nous sommes Oddityline, — Oddityline Studio créatif pluridisciplinaire","Oddityline est un studio créatif pluridisciplinaire proposant ses services à la communication des entreprises. Création d'identité, production de films, publicité, digital et design sont les coeurs de métier du studio, qui est une rencontre entre esthètes, stratèges et artistes.","91 Logo Black Logo White - NOS SERVICES - NOS PROJETS - NOS FILMS - À PROPOS - CONTACT _▼_ Menu Nous sommes Oddityline, L’agence Oddityline est la matérialisation d’une rencontre entre esthètes, stratèges, artistes. Pour une autre manière de penser la communication d’entreprise.Designers, publicitaires, vidéastes, photographes, développeurs, architectes, artisans… L’agence de communication créative, par des créatifs. UNE AGENCE CREATIVE Nous mettons la créativité au coeur de tous ses projets. Institutionnels, grand publics, artistiques, digitaux, publicitaires… Parce que quel que soit le sujet, nous pensons qu’il peut être appréhendé d’une manière valorisante, avec une véritable conscience éthique et artistique. Oddityline est le résultat d’une effervescence créative constante. De nombreux talents pour un ensemble unique. Une vision, et un horizon commun. VOIR NOS SERVICES QUI A UNE HAUTE IDEE DE L’IDEE L’environnement de création défini la qualité de cette dernière. C’est pourquoi nous avons inventé une méthode de travail unique. La résidence de réflexion est le condensé de l’investissement inconditionnel, de l’affect, et surtout de la mise en forme de l’univers de création. Alors l’agence se déplace au gré des saisons, pour aller chercher ce que notre environnement peut nous offrir, pour vous proposer ce que nous avons de meilleur en nous.La créativité devient alors une véritable démarche. Il faut la comprendre, l’amadouer, la respecter, pour en tirer le maximum. S’engage alors une danse. Chaque projet est pour l’agence une rencontre mais aussi une histoire. Cet investissement personnel et professionnel, est la clé de notre savoir faire. 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Page content: 91 Logo Black Logo White - NOS SERVICES - NOS PROJETS - NOS FILMS - À PROPOS - CONTACT _▼_ Menu Nous sommes Oddityline, L’agence Oddityline est la matérialisation d’une rencontre entre esthètes, stratèges, artistes. Pour une autre manière de penser la communication d’entreprise.Designers, publicitaires, vidéastes, photographes, développeurs, architectes, artisans… L’agence de communication créative, par des créatifs. UNE AGENCE CREATIVE Nous mettons la créativité au coeur de tous ses projets. Institutionnels, grand publics, artistiques, digitaux, publicitaires… Parce que quel que soit le sujet, nous pensons qu’il peut être appréhendé d’une manière valorisante, avec une véritable conscience éthique et artistique. Oddityline est le résultat d’une effervescence créative constante. De nombreux talents pour un ensemble unique. Une vision, et un horizon commun. VOIR NOS SERVICES QUI A UNE HAUTE IDEE DE L’IDEE L’environnement de création défini la qualité de cette dernière. C’est pourquoi nous avons inventé une méthode de travail unique. La résidence de réflexion est le condensé de l’investissement inconditionnel, de l’affect, et surtout de la mise en forme de l’univers de création. Alors l’agence se déplace au gré des saisons, pour aller chercher ce que notre environnement peut nous offrir, pour vous proposer ce que nous avons de meilleur en nous.La créativité devient alors une véritable démarche. Il faut la comprendre, l’amadouer, la respecter, pour en tirer le maximum. S’engage alors une danse. Chaque projet est pour l’agence une rencontre mais aussi une histoire. Cet investissement personnel et professionnel, est la clé de notre savoir faire. VOIR NOS PROJETS NOUS CRÉONS DES IMAGES ETHIQUES ET SINCÈRES POUR DES CLIENTS QUI LE SONT TOUT AUTANT RÉCOMPENSES Awwwards 3 x Honorable mention 1 x MOBILE EXCELLENCE CSSDA 2X INNOVATION 2X UX DESIGN 2X UI DESIGN 2X SPECIAL KUDOS AOTW 8X Publications CLIENTS ION CLUB BMCE BANK EGERIE RELAIS & CHATEAUX JAZZ SOUS L’ARGANIER ANDALOUSIES ATLANTIQUES FIDAKA RYAD MALAIKA OCEAN VAGABOND QOBUZ ASSOCIATION ESSAOUIRA MOGADOR HEURE BLEUE PALAIS CONTACT project@oddityline.com RETOUR EN HAUT Oddityline ©2020 SUR LE NUAGE - Fb - In - Be. A Clean \u002F Minimalist, Dark Mode, High-End \u002F Luxury website in the Agency & Studio industry. The overall color palette features Black, Gray, White. The typography features Poppins (Sans Serif), Oswald (Sans Serif). Built using GSAP, jQuery, OWL Carousel, PHP, Swiper, WordPress. AI description: Oddityline is a multidisciplinary creative studio that sits at the intersection of aesthetics, strategy, and artistry. 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(CFDA) is a not-for-profit trade association founded in 1962, whose membership consists of nearly 370 of America’s foremost womenswear, menswear, jewelry and accessory designers. Our mission is to strengthen the impact of American fashion globally by amplifying creative excellence, business longevity, and positive impact. Our pillars include Diversity, Equity, and Inclusion, as well as Sustainability in Fashion. The organization provides its Members with timely and relevant thought-leadership and business development support. Emerging designers and students are supported through professional development programming and numerous grant and scholarship opportunities. In addition to hosting the annual CFDA Fashion Awards, the organization owns the Fashion Calendar and is the organizer of the Official New York Fashion Week Schedule. The CFDA Foundation, Inc. is a separate, not-for-profit organized to mobilize the membership to raise funds for charitable causes and engage in civic initiatives. PausePlay % buffered00:00 02:14 UnmuteMute Exit fullscreenEnter fullscreen History Eleanor Lambert believed in destiny — her own destiny – predicted by a fortuneteller – that she would live a long life and know the greatest and most talented people of her era. Learn More Thom Browne Board Chairman Thom Browne opened his doors in the fall of 2001, redefining the concept of tailored clothing. For spring 2004, Browne took his first step into ready-to-wear. All of the items from his ready-to-wear collection continue to be hand-made, but simply pre-made for the customer who values quality, fine detailing and a fresh vision. The collections have evolved into designs that have drawn attention from the fashion and design industries worldwide, often pushing the boundaries of conventional conceptions. In 2006, the original “by-appointment-only” shop in the Meatpacking District relocated to Hudson Street in Tribeca. In 2013, Thom Browne opened his first store outside the U.S. in Tokyo, followed by stores in Hong Kong and Seoul in 2014. View profile Officers Officers [ Aurora James ](https:\u002F\u002Fcfda.com\u002Fmember\u002Faurora-james\u002F)[ Prabal Gurung ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fprabal-gurung\u002F)[ Stacey Bendet ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fstacey-bendet\u002F)[ Maria Cornejo ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fmaria-cornejo\u002F) Board Board of Directors [ Tory Burch ](https:\u002F\u002Fcfda.com\u002Fmember\u002Ftory-burch\u002F)[ Dao-Yi Chow ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fdao-yi-chow\u002F)[ Bethann Hardison ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fbethann-hardison\u002F)[ Stan Herman ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fstan-herman\u002F)[ Tommy Hilfiger ](https:\u002F\u002Fcfda.com\u002Fmember\u002Ftommy-hilfiger\u002F)[ Norma Kamali ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fnorma-kamali\u002F)[ Michael Kors ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fmichael-kors\u002F)[ Ralph Lauren ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fralph-lauren\u002F)[ Tracy Reese ](https:\u002F\u002Fcfda.com\u002Fmember\u002Ftracy-reese\u002F)[ Vera Wang ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fvera-wang\u002F)[ Diane von Furstenberg ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fdiane-von-furstenberg\u002F) Emeritus Emeritus Board [ Jeffrey Banks ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fjeffrey-banks\u002F)[ John Bartlett ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fjohn-bartlett\u002F)[ Kenneth Cole ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fkenneth-cole\u002F)[ Francisco Costa ](https:\u002F\u002Fcfda.com\u002Fmember\u002Ffrancisco-costa\u002F)[ Stephen Dweck ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fstephen-dweck\u002F)[ Carolina Herrera ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fcarolina-herrera\u002F)[ Marc Jacobs ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fmarc-jacobs\u002F)[ Alexander Julian ](https:\u002F\u002Fcfda.com\u002Fmember\u002Falexander-julian\u002F)[ Donna Karan ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fdonna-karan\u002F)[ Calvin Klein ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fcalvin-klein\u002F)[ Byron Lars ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fbyron-lars\u002F)[ Nicole Miller ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fnicole-miller\u002F)[ Isaac Mizrahi ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fisaac-mizrahi\u002F)[ Robert Lee Morris ](https:\u002F\u002Fcfda.com\u002Fmember\u002Frobert-lee-morris\u002F)[ Ashley Olsen ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fashley-olsen\u002F)[ Narciso Rodriguez ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fnarciso-rodriguez\u002F)[ Kara Ross ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fkara-ross\u002F)[ Selima Salaun ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fselima-salaun\u002F)[ Mimi So ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fmimi-so\u002F)[ Yeohlee Teng ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fyeohlee-teng\u002F)[ Patricia Underwood ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fpatricia-underwood\u002F)[ John Varvatos ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fjohn-varvatos\u002F)[ Italo Zucchelli ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fitalo-zucchelli\u002F) CFDA CFDA Team Members Steven Kolb Chief Executive Officer and President Lisa Smilor Executive Vice President Sara Kozlowski Senior Vice President of Program Strategies, Education and Sustainability Initiatives Aldo Araujo Director of Special Projects and Events Kevin Bass Manager of Fashion Week Initiatives Sacha Brown Senior Director of Professional Development and Innovation Ria Chawla Program Strategies Associate of Sustainability and Supply Chain Ayana Davenport Manager of Special Projects and Events Emilyn Edillon Program Strategies Manager Molly Healy Membership Services and Engagement Associate Marc Karimzadeh Senior Director of Content and Communications Joseph Maglieri Senior Director of Fashion Week Initiatives Audrey Marzan Chief of Staff Cal McNeil Director of Business Development and Partnerships John Monkhouse Finance Manager Alexis (Ali) Rubin Partnerships & Business Development Manager Ebony Wiggins Director of Program Strategies and Equity Initiatives",{"id":385,"height":38,"width":39,"blurhash":386},"e9a8b125-515e-4fab-bdf9-4b765eb01ba3","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#f6f6f6,#00000000 50%),radial-gradient(at 67% 50%,#ececec,#00000000 50%),radial-gradient(at 100% 50%,#f8f8f8,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#fcfcfc,#00000000 50%),radial-gradient(at 67% 100%,#f5f5f5,#00000000 50%),radial-gradient(at 100% 100%,#fcfcfc,#00000000 50%)",{"id":388,"height":43,"width":44,"blurhash":31},"e27b5045-39f5-4afb-a090-daec50269a69",[390],{"languages_code":47,"description":391},"The CFDA website serves as the digital home for the Council of Fashion Designers of America, a premier non-profit trade association. It functions as a central hub for industry news, professional resources, and membership information, positioning itself as the authoritative voice for American fashion designers across womenswear, menswear, and accessories.\n\nThe design identity is sophisticated and editorial, mirroring the high-end aesthetic of the fashion industry it represents. Utilizing large-scale, evocative imagery and a clean, minimalist layout, the site communicates prestige and authority. The use of bold, serif typography and ample white space creates a sense of luxury and modern professionalism, catering to an audience of industry professionals, designers, and fashion enthusiasts.","Fashion & Apparel",[51,156,53],[395,396],"Hugo & Marie","Mr. Henry",[398,399],"Neue Haas Grotesk","Arizona",[401,62,63,402,65,403],"Gravity Forms","The SEO Framework","ZURB Foundation",[405,406,408,409],{"score":228,"category":69},{"score":407,"category":72},81,{"score":74,"category":75},{"score":77,"category":78},[411,413,415,416],{"score":412,"category":69},65,{"score":414,"category":72},77,{"score":74,"category":75},{"score":77,"category":78},[86,87,88,174],"Website: CFDA. Page: Learn More. Page type: About Us \u002F Team. Page title: About - CFDA. Page content: About CFDA The Council of Fashion Designers of America, Inc. (CFDA) is a not-for-profit trade association founded in 1962, whose membership consists of nearly 370 of America’s foremost womenswear, menswear, jewelry and accessory designers. Our mission is to strengthen the impact of American fashion globally by amplifying creative excellence, business longevity, and positive impact. Our pillars include Diversity, Equity, and Inclusion, as well as Sustainability in Fashion. The organization provides its Members with timely and relevant thought-leadership and business development support. Emerging designers and students are supported through professional development programming and numerous grant and scholarship opportunities. In addition to hosting the annual CFDA Fashion Awards, the organization owns the Fashion Calendar and is the organizer of the Official New York Fashion Week Schedule. The CFDA Foundation, Inc. is a separate, not-for-profit organized to mobilize the membership to raise funds for charitable causes and engage in civic initiatives. PausePlay % buffered00:00 02:14 UnmuteMute Exit fullscreenEnter fullscreen History Eleanor Lambert believed in destiny — her own destiny – predicted by a fortuneteller – that she would live a long life and know the greatest and most talented people of her era. Learn More Thom Browne Board Chairman Thom Browne opened his doors in the fall of 2001, redefining the concept of tailored clothing. For spring 2004, Browne took his first step into ready-to-wear. All of the items from his ready-to-wear collection continue to be hand-made, but simply pre-made for the customer who values quality, fine detailing and a fresh vision. The collections have evolved into designs that have drawn attention from the fashion and design industries worldwide, often pushing the boundaries of conventional conceptions. In 2006, the original “by-appointment-only” shop in the Meatpacking District relocated to Hudson Street in Tribeca. In 2013, Thom Browne opened his first store outside the U.S. in Tokyo, followed by stores in Hong Kong and Seoul in 2014. View profile Officers Officers [ Aurora James ](https:\u002F\u002Fcfda.com\u002Fmember\u002Faurora-james\u002F)[ Prabal Gurung ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fprabal-gurung\u002F)[ Stacey Bendet ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fstacey-bendet\u002F)[ Maria Cornejo ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fmaria-cornejo\u002F) Board Board of Directors [ Tory Burch ](https:\u002F\u002Fcfda.com\u002Fmember\u002Ftory-burch\u002F)[ Dao-Yi Chow ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fdao-yi-chow\u002F)[ Bethann Hardison ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fbethann-hardison\u002F)[ Stan Herman ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fstan-herman\u002F)[ Tommy Hilfiger ](https:\u002F\u002Fcfda.com\u002Fmember\u002Ftommy-hilfiger\u002F)[ Norma Kamali ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fnorma-kamali\u002F)[ Michael Kors ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fmichael-kors\u002F)[ Ralph Lauren ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fralph-lauren\u002F)[ Tracy Reese ](https:\u002F\u002Fcfda.com\u002Fmember\u002Ftracy-reese\u002F)[ Vera Wang ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fvera-wang\u002F)[ Diane von Furstenberg ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fdiane-von-furstenberg\u002F) Emeritus Emeritus Board [ Jeffrey Banks ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fjeffrey-banks\u002F)[ John Bartlett ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fjohn-bartlett\u002F)[ Kenneth Cole ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fkenneth-cole\u002F)[ Francisco Costa ](https:\u002F\u002Fcfda.com\u002Fmember\u002Ffrancisco-costa\u002F)[ Stephen Dweck ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fstephen-dweck\u002F)[ Carolina Herrera ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fcarolina-herrera\u002F)[ Marc Jacobs ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fmarc-jacobs\u002F)[ Alexander Julian ](https:\u002F\u002Fcfda.com\u002Fmember\u002Falexander-julian\u002F)[ Donna Karan ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fdonna-karan\u002F)[ Calvin Klein ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fcalvin-klein\u002F)[ Byron Lars ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fbyron-lars\u002F)[ Nicole Miller ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fnicole-miller\u002F)[ Isaac Mizrahi ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fisaac-mizrahi\u002F)[ Robert Lee Morris ](https:\u002F\u002Fcfda.com\u002Fmember\u002Frobert-lee-morris\u002F)[ Ashley Olsen ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fashley-olsen\u002F)[ Narciso Rodriguez ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fnarciso-rodriguez\u002F)[ Kara Ross ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fkara-ross\u002F)[ Selima Salaun ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fselima-salaun\u002F)[ Mimi So ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fmimi-so\u002F)[ Yeohlee Teng ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fyeohlee-teng\u002F)[ Patricia Underwood ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fpatricia-underwood\u002F)[ John Varvatos ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fjohn-varvatos\u002F)[ Italo Zucchelli ](https:\u002F\u002Fcfda.com\u002Fmember\u002Fitalo-zucchelli\u002F) CFDA CFDA Team Members Steven Kolb Chief Executive Officer and President Lisa Smilor Executive Vice President Sara Kozlowski Senior Vice President of Program Strategies, Education and Sustainability Initiatives Aldo Araujo Director of Special Projects and Events Kevin Bass Manager of Fashion Week Initiatives Sacha Brown Senior Director of Professional Development and Innovation Ria Chawla Program Strategies Associate of Sustainability and Supply Chain Ayana Davenport Manager of Special Projects and Events Emilyn Edillon Program Strategies Manager Molly Healy Membership Services and Engagement Associate Marc Karimzadeh Senior Director of Content and Communications Joseph Maglieri Senior Director of Fashion Week Initiatives Audrey Marzan Chief of Staff Cal McNeil Director of Business Development and Partnerships John Monkhouse Finance Manager Alexis (Ali) Rubin Partnerships & Business Development Manager Ebony Wiggins Director of Program Strategies and Equity Initiatives. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Fashion & Apparel industry. The overall color palette features White, Black, Gray, Brown. The typography features Neue Haas Grotesk (Sans Serif, Commercial Type), Arizona (Dinamo). Built using Gravity Forms, jQuery, PHP, The SEO Framework, WordPress, ZURB Foundation. AI description: The CFDA website serves as the digital home for the Council of Fashion Designers of America, a premier non-profit trade association. It functions as a central hub for industry news, professional resources, and membership information, positioning itself as the authoritative voice for American fashion designers across womenswear, menswear, and accessories. The design identity is sophisticated and editorial, mirroring the high-end aesthetic of the fashion industry it represents. Utilizing large-scale, evocative imagery and a clean, minimalist layout, the site communicates prestige and authority. The use of bold, serif typography and ample white space creates a sense of luxury and modern professionalism, catering to an audience of industry professionals, designers, and fashion enthusiasts.",{"id":420,"website_id":421,"page_id":420,"name":422,"slug":423,"url":424,"website_name":422,"website_slug":423,"website_url":425,"result_url":424,"fetched_at":426,"score":24,"score_boost":25,"ai_score":268,"freshness_score":27,"scored_at":427,"page_name":142,"page_url":424,"page_title":428,"page_description":429,"page_content":430,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":431,"cover_mobile":434,"cover_sequence":31,"translations":436,"industry":439,"styles":440,"credits":442,"font_families":443,"technologies":445,"pagespeed":448,"pagespeed_mobile":454,"buckets":460,"search_payload":462},"40600cc6-c90c-4d7d-90e5-182b4c8f074c","f463f69e-8004-4e5d-8c33-1919b8f993a8","Kwara","kwara","https:\u002F\u002Fkwara.com\u002Fabout","https:\u002F\u002Fkwara.com","2026-05-04T10:40:10.000Z","2026-05-23T19:26:23.000Z","About Kwara","Driving change with customer obsession, olympian mindset, and the power of diversity.","- Home - SACCOs - Pricing - Security - Kwara App - Blog - About - Developers ↗ ©2026. Kwara GmbH. All rights reserved. - SACCOs - Pricing - Security - Kwara App - Blog - About Client Log InContact Sales Empowering SACCOs through Democratized Banking. Driving change with customer obsession, olympian mindset, and the power of diversity. Founded 2018 Credit Unions 230 Members 200,000 Live in Kenya 🇰🇪, Philippines 🇵🇭 and South Africa 🇿🇦 We have developed our flagship core banking solution for credit unions in a proprietary fashion, driven by years of credit union research globally. Join the team Kwara HQ Kenya Backed by great investors Soft BankBreegaKepple AfricaRaba PartnersBonumBase CapitalDob Equity Banking with a common interest We believe credit unions are the fastest way to bring financial health to millions. Join us as we make banking together fast, safe and exciting! How we elevate credit unions Kwara elevates the credit union banking experience by bringing modern, secure and reliable technology to credit unions, making it easy for staff to focus on customers, and attractive for anyone to join and benefit from high returns on their savings and fair credit to build financial health. How we build trust and community For decades, people have formed savings and lending groups, built on trust and community. These groups have developed into nearly 100,000 formalized financial institutions that now serve over 400 million people in emerging markets. How we empower our customers Our mission is to improve financial health in emerging markets. We believe credit unions are the fastest way to get there. They are also the fairest financial institution, because people who save and borrow with a credit union are also shareholders of the same credit union, earning them a share of the returns (dividends) and a say in how the institution is run. A knowledgeable team you can trust Cynthia is a Kenyan engineer with experience in corporate, non-profit, and entrepreneurial settings. She has worked in Singapore, Greece, and New York, and has also monitored elections and done social work in Cambodia, Venezuela, China, Mexico, and Kenya. She launched her first startup across 15 African markets. Cynthia Wandia Cynthia Wandia Founder & Chairperson of the Board With over 15 years in banking, NGOs, and startups. Mr. Biko has held leadership roles in tier-one SACCOs such as KBS and led World Bank-supported projects in Kakuma. As Managing Director, he drives strategic growth and organizational impact. Steve Biko Steve Biko Managing Director Emilie is an ex-founder and ex-strategy consultant. Before moving to Kenya, she rolled out new digital business models for large FMCG companies across the continent. She then founded a start-up in restaurant supply chain and financing, which reached >$5M annualized GMV. Emilie Blauwhoff Emilie Blauwhoff COO & CPO Nairobi-based product and operations professional with 4+ years in SaaS and fintech. Nicola grew from trainee to Product & Operations Lead at Kwara Ltd, building expertise in product strategy, agile delivery, and customer success. She holds a First Class Honours in Economics & Finance from Kenyatta University. Nicola Njagi Nicola Njagi Product & Operations Lead Come join us See Open Roles Help us in shaping the future of credit union banking experience Kwara Team Lunch at the Kwara House Grace - Trainee @ Kwara Co-founders with client Kwara in the Press TechcrunchQuartzCIO AfricaKenyan Wall StreetDisrupt Africa Join the future of SACCO banking. Make the Smart Move to Kwara and Revolutionize Your SACCO's banking. Speak to Sales - Product - App - USSD \\*341# - Pricing - Status - Security - Company - About - Blog - Careers - FAQs - Contact - Developers - Docs - Request Access - LinkedIn - Twitter - Facebook - Instagram - TikTok - Email - Software Terms and Conditions - Privacy Policy - Website T&Cs © 2026. Kwara GmbH. All rights reserved.",{"id":432,"height":38,"width":39,"blurhash":433},"71181137-e5ce-419a-9c25-cb235eed9bbd","radial-gradient(at 0 0,#f4fdfc,#00000000 50%),radial-gradient(at 33% 0,#dbe8e6,#00000000 50%),radial-gradient(at 67% 0,#c4d2cf,#00000000 50%),radial-gradient(at 100% 0,#dae6e3,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#ffffff,#00000000 50%),radial-gradient(at 67% 50%,#f5f2ef,#00000000 50%),radial-gradient(at 100% 50%,#fffffe,#00000000 50%),radial-gradient(at 0 100%,#b0c0be,#00000000 50%),radial-gradient(at 33% 100%,#7d928f,#00000000 50%),radial-gradient(at 67% 100%,#005045,#00000000 50%),radial-gradient(at 100% 100%,#7f9892,#00000000 50%)",{"id":435,"height":43,"width":44,"blurhash":31},"9f2c1e0c-8f7f-4169-af3a-125b119b22bb",[437],{"languages_code":47,"description":438},"Kwara is a specialized fintech platform dedicated to modernizing core banking operations for SACCOs (Savings and Credit Co-operative Societies). The website serves as a high-trust gateway for financial institutions looking to digitize their services, offering a suite of tools that prioritize uptime, security, and seamless member experiences. Through its clear value proposition, Kwara positions itself as an essential infrastructure partner for credit unions seeking to scale in a digital-first economy.\n\nThe visual identity is sophisticated and professional, utilizing a calming palette of sage greens and crisp whites to evoke stability and growth. The design employs a clean, minimalist aesthetic characterized by generous whitespace, bold typographic hierarchies, and soft-edged UI components that showcase the product's intuitive interface. This modern, tech-forward approach balances the seriousness of financial services with the accessibility of a contemporary SaaS platform, appealing directly to forward-thinking financial administrators and decision-makers.","Finance & Fintech",[51,441,202],"Corporate \u002F Professional",[],[444],"Aeonik",[446,447,117],"Node.js","Nuxt.js",[449,451,452,453],{"score":450,"category":69},75,{"score":162,"category":72},{"score":74,"category":75},{"score":24,"category":78},[455,457,458,459],{"score":456,"category":69},52,{"score":162,"category":72},{"score":74,"category":75},{"score":24,"category":78},[86,87,88,461],"green","Website: Kwara. Page: About. Page type: About Us \u002F Team. Page title: About Kwara. Page description: Driving change with customer obsession, olympian mindset, and the power of diversity.. Page content: - Home - SACCOs - Pricing - Security - Kwara App - Blog - About - Developers ↗ ©2026. Kwara GmbH. All rights reserved. - SACCOs - Pricing - Security - Kwara App - Blog - About Client Log InContact Sales Empowering SACCOs through Democratized Banking. Driving change with customer obsession, olympian mindset, and the power of diversity. Founded 2018 Credit Unions 230 Members 200,000 Live in Kenya 🇰🇪, Philippines 🇵🇭 and South Africa 🇿🇦 We have developed our flagship core banking solution for credit unions in a proprietary fashion, driven by years of credit union research globally. Join the team Kwara HQ Kenya Backed by great investors Soft BankBreegaKepple AfricaRaba PartnersBonumBase CapitalDob Equity Banking with a common interest We believe credit unions are the fastest way to bring financial health to millions. Join us as we make banking together fast, safe and exciting! How we elevate credit unions Kwara elevates the credit union banking experience by bringing modern, secure and reliable technology to credit unions, making it easy for staff to focus on customers, and attractive for anyone to join and benefit from high returns on their savings and fair credit to build financial health. How we build trust and community For decades, people have formed savings and lending groups, built on trust and community. These groups have developed into nearly 100,000 formalized financial institutions that now serve over 400 million people in emerging markets. How we empower our customers Our mission is to improve financial health in emerging markets. We believe credit unions are the fastest way to get there. They are also the fairest financial institution, because people who save and borrow with a credit union are also shareholders of the same credit union, earning them a share of the returns (dividends) and a say in how the institution is run. A knowledgeable team you can trust Cynthia is a Kenyan engineer with experience in corporate, non-profit, and entrepreneurial settings. She has worked in Singapore, Greece, and New York, and has also monitored elections and done social work in Cambodia, Venezuela, China, Mexico, and Kenya. She launched her first startup across 15 African markets. Cynthia Wandia Cynthia Wandia Founder & Chairperson of the Board With over 15 years in banking, NGOs, and startups. Mr. Biko has held leadership roles in tier-one SACCOs such as KBS and led World Bank-supported projects in Kakuma. As Managing Director, he drives strategic growth and organizational impact. Steve Biko Steve Biko Managing Director Emilie is an ex-founder and ex-strategy consultant. Before moving to Kenya, she rolled out new digital business models for large FMCG companies across the continent. She then founded a start-up in restaurant supply chain and financing, which reached >$5M annualized GMV. Emilie Blauwhoff Emilie Blauwhoff COO & CPO Nairobi-based product and operations professional with 4+ years in SaaS and fintech. Nicola grew from trainee to Product & Operations Lead at Kwara Ltd, building expertise in product strategy, agile delivery, and customer success. She holds a First Class Honours in Economics & Finance from Kenyatta University. Nicola Njagi Nicola Njagi Product & Operations Lead Come join us See Open Roles Help us in shaping the future of credit union banking experience Kwara Team Lunch at the Kwara House Grace - Trainee @ Kwara Co-founders with client Kwara in the Press TechcrunchQuartzCIO AfricaKenyan Wall StreetDisrupt Africa Join the future of SACCO banking. Make the Smart Move to Kwara and Revolutionize Your SACCO's banking. Speak to Sales - Product - App - USSD \\*341# - Pricing - Status - Security - Company - About - Blog - Careers - FAQs - Contact - Developers - Docs - Request Access - LinkedIn - Twitter - Facebook - Instagram - TikTok - Email - Software Terms and Conditions - Privacy Policy - Website T&Cs © 2026. Kwara GmbH. All rights reserved.. A Clean \u002F Minimalist, Corporate \u002F Professional, Vibrant \u002F Colorful website in the Finance & Fintech industry. The overall color palette features White, Black, Gray, Green. The typography features Aeonik (Sans Serif, CoType). Built using Node.js, Nuxt.js, Vue.js. AI description: Kwara is a specialized fintech platform dedicated to modernizing core banking operations for SACCOs (Savings and Credit Co-operative Societies). The website serves as a high-trust gateway for financial institutions looking to digitize their services, offering a suite of tools that prioritize uptime, security, and seamless member experiences. Through its clear value proposition, Kwara positions itself as an essential infrastructure partner for credit unions seeking to scale in a digital-first economy. The visual identity is sophisticated and professional, utilizing a calming palette of sage greens and crisp whites to evoke stability and growth. The design employs a clean, minimalist aesthetic characterized by generous whitespace, bold typographic hierarchies, and soft-edged UI components that showcase the product's intuitive interface. This modern, tech-forward approach balances the seriousness of financial services with the accessibility of a contemporary SaaS platform, appealing directly to forward-thinking financial administrators and decision-makers.",{"id":464,"website_id":465,"page_id":464,"name":466,"slug":467,"url":468,"website_name":466,"website_slug":467,"website_url":469,"result_url":468,"fetched_at":470,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":471,"page_name":472,"page_url":468,"page_title":473,"page_description":31,"page_content":474,"page_sort":190,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":475,"cover_mobile":478,"cover_sequence":31,"translations":480,"industry":199,"styles":483,"credits":484,"font_families":485,"technologies":487,"pagespeed":489,"pagespeed_mobile":495,"buckets":501,"search_payload":504},"52289ea1-9736-4432-a6d1-e2607bd8c678","f18f24b9-643d-4171-b5e7-3e8ce89a3080","The Weekender","the-weekender","https:\u002F\u002Fthe-weekender.com\u002Fueber-uns","https:\u002F\u002Fthe-weekender.com","2026-05-04T10:35:07.000Z","2026-05-23T19:16:54.000Z","Über Uns","The Weekender | Über uns","Über uns The Weekender ist ein unabhängiges Magazin, das seit 2011 von Dirk Mönkemöller und Christian Schneider herausgegeben wird. Es erscheint zwei Mal pro Jahr und erzählt auf mindestens 130 Seiten inspirierende Geschichten aus den Bereichen Wohnen, Reisen, Essen, Handwerk und Natur. In unserem Webshop können Sie sämtliche verfügbaren Ausgaben bequem online bestellen. Darüber hinaus finden Sie uns in fast allen Bahnhofsbuchhandlungen und bei vielen weiteren Händlern, die unter Verkaufsstellen aufgelistet sind. Mit einem Abo wird Ihnen The Weekender zwei Mal pro Jahr direkt ins Haus geliefert. Wenn Sie mehr über uns erfahren möchten, an einer Zusammenarbeit oder Anzeigenschaltung interessiert sind, freuen wir uns über eine Nachricht an post@the-weekender.com",{"id":476,"height":38,"width":39,"blurhash":477},"13ce9512-ffff-4741-a313-53937158928a","radial-gradient(at 0 0,#2fc98f,#00000000 50%),radial-gradient(at 33% 0,#1ec68a,#00000000 50%),radial-gradient(at 67% 0,#00c486,#00000000 50%),radial-gradient(at 100% 0,#03c486,#00000000 50%),radial-gradient(at 0 50%,#35c890,#00000000 50%),radial-gradient(at 33% 50%,#27c48b,#00000000 50%),radial-gradient(at 67% 50%,#0ac185,#00000000 50%),radial-gradient(at 100% 50%,#00c083,#00000000 50%),radial-gradient(at 0 100%,#26c88f,#00000000 50%),radial-gradient(at 33% 100%,#26c78e,#00000000 50%),radial-gradient(at 67% 100%,#14c388,#00000000 50%),radial-gradient(at 100% 100%,#00c183,#00000000 50%)",{"id":479,"height":43,"width":44,"blurhash":31},"94c870ce-8ddc-4bbf-97e3-f36051bb30ae",[481],{"languages_code":47,"description":482},"The Weekender is a curated lifestyle magazine and subscription service dedicated to providing insights into travel, nature, and slow living. Through high-quality editorial content and a specialized shop, the platform serves as a guide for those seeking meaningful escapes and aesthetic inspiration, blending storytelling with a sense of wanderlust.\n\nThe visual identity is defined by a sophisticated, editorial aesthetic that leans heavily into high-end lifestyle photography. Using elegant serif typography and a spacious, minimalist layout, the design evokes a sense of calm and luxury. The color palette is grounded in natural tones and accented by a striking teal, creating a modern yet timeless atmosphere that resonates with a discerning, culturally curious audience.",[51,156,53],[],[486],"Saol",[62,63,488],"ProcessWire",[490,491,493,494],{"score":361,"category":69},{"score":492,"category":72},50,{"score":74,"category":75},{"score":24,"category":78},[496,498,499,500],{"score":497,"category":69},79,{"score":492,"category":72},{"score":74,"category":75},{"score":24,"category":78},[86,502,503,88,87,232],"teal","violet","Website: The Weekender. Page: Über Uns. Page type: About Us \u002F Team. Page title: The Weekender | Über uns. Page content: Über uns The Weekender ist ein unabhängiges Magazin, das seit 2011 von Dirk Mönkemöller und Christian Schneider herausgegeben wird. Es erscheint zwei Mal pro Jahr und erzählt auf mindestens 130 Seiten inspirierende Geschichten aus den Bereichen Wohnen, Reisen, Essen, Handwerk und Natur. In unserem Webshop können Sie sämtliche verfügbaren Ausgaben bequem online bestellen. Darüber hinaus finden Sie uns in fast allen Bahnhofsbuchhandlungen und bei vielen weiteren Händlern, die unter Verkaufsstellen aufgelistet sind. Mit einem Abo wird Ihnen The Weekender zwei Mal pro Jahr direkt ins Haus geliefert. Wenn Sie mehr über uns erfahren möchten, an einer Zusammenarbeit oder Anzeigenschaltung interessiert sind, freuen wir uns über eine Nachricht an post@the-weekender.com. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Teal, Violet, Gray, Black, Red. The typography features Saol (Serif, Schick Toikka). Built using jQuery, PHP, ProcessWire. AI description: The Weekender is a curated lifestyle magazine and subscription service dedicated to providing insights into travel, nature, and slow living. Through high-quality editorial content and a specialized shop, the platform serves as a guide for those seeking meaningful escapes and aesthetic inspiration, blending storytelling with a sense of wanderlust. The visual identity is defined by a sophisticated, editorial aesthetic that leans heavily into high-end lifestyle photography. Using elegant serif typography and a spacious, minimalist layout, the design evokes a sense of calm and luxury. The color palette is grounded in natural tones and accented by a striking teal, creating a modern yet timeless atmosphere that resonates with a discerning, culturally curious audience.",{"id":506,"website_id":507,"page_id":506,"name":508,"slug":509,"url":510,"website_name":508,"website_slug":509,"website_url":511,"result_url":510,"fetched_at":512,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":513,"page_name":142,"page_url":510,"page_title":514,"page_description":515,"page_content":516,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":517,"cover_mobile":520,"cover_sequence":31,"translations":522,"industry":525,"styles":526,"credits":527,"font_families":528,"technologies":529,"pagespeed":532,"pagespeed_mobile":537,"buckets":543,"search_payload":544},"218940ec-27bf-4551-b1e5-a73157ba7916","f030b8c9-5ef1-431c-aedd-14c2be04ca8c","Syng","syng","https:\u002F\u002Fsyngspace.com\u002Fpages\u002Fabout","https:\u002F\u002Fsyngspace.com","2026-05-04T10:34:06.000Z","2026-05-23T19:25:48.000Z","About – Syng","Syng is an audio company building sound for the future. We’ve created an entirely new object-based sonic architecture that can play any format of recorded sound and make it tangible. We’re ready for anything we listen to today, and everything we haven’t yet imagined listening to tomorrow. Welcome to the next generation","A new sound. Syng is an audio company building sound for the future. We’ve created an entirely new object-based sonic architecture that can play any format of recorded sound and make it tangible. We’re ready for anything we listen to today, and everything we haven’t yet imagined listening to tomorrow. Welcome to the next generation of audio. Our Purpose Syng exists to transform the human relationship with sound. We believe everyone should be empowered to engage with the sounds around them in new and innovative ways. We aim to blur the lines between artist and listener, providing new manners of expression and creative ways of listening for all. Christopher Stringer, Co-Founder, Chief Design Officer “Sound is a critical, often overlooked element in our lives. We created Syng so anyone can experience the power of audio.” 22 years at Apple1,800+ patents for iconic tech Developing Triphonic Software since 2018 We aim to turn listening into a multi-sensory experience. When we can hear, touch, and see sound, it taps into an innate human desire to control and manipulate the sounds around us. The simple act of listening goes from passive to active and we form deeper connections to the sounds we love. Syng Cell Alpha Accolades - - - More reviews",{"id":518,"height":38,"width":39,"blurhash":519},"e829a776-a790-481b-bfa3-c7690ea89e70","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#f0f3f4,#00000000 50%),radial-gradient(at 67% 0,#f7fdfa,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#d8d3d6,#00000000 50%),radial-gradient(at 33% 50%,#a48c89,#00000000 50%),radial-gradient(at 67% 50%,#c5bbb6,#00000000 50%),radial-gradient(at 100% 50%,#f7f6f6,#00000000 50%),radial-gradient(at 0 100%,#fbffff,#00000000 50%),radial-gradient(at 33% 100%,#e9eae8,#00000000 50%),radial-gradient(at 67% 100%,#f3f2ee,#00000000 50%),radial-gradient(at 100% 100%,#ffffff,#00000000 50%)",{"id":521,"height":43,"width":44,"blurhash":31},"41b621a0-1e2c-4d7a-b867-b18d934e45f3",[523],{"languages_code":47,"description":524},"Syng is a high-end audio technology company redefining the listening experience through object-based sonic architecture. By leveraging their proprietary Triphonic software, the brand transforms traditional sound into a tangible, spatial phenomenon that fills a room without the constraints of traditional speaker orientation. The website serves as a premium digital storefront and brand manifesto, positioning their hardware as a futuristic leap in home audio.\n\nThe visual identity is rooted in a sophisticated, lifestyle-oriented aesthetic that blends high-tech innovation with organic warmth. Utilizing high-quality lifestyle photography, soft natural lighting, and a clean, minimalist layout, the design targets affluent audiophiles and tech enthusiasts who value both cutting-edge performance and seamless home integration. The use of ample whitespace and elegant typography reinforces a sense of luxury and effortless sophistication.","Technology & Hardware",[51,352,156],[],[],[530,531],"Klaviyo","Shopify",[533,534,535,536],{"score":27,"category":69},{"score":74,"category":72},{"score":414,"category":75},{"score":74,"category":78},[538,540,541,542],{"score":539,"category":69},54,{"score":74,"category":72},{"score":128,"category":75},{"score":74,"category":78},[86,88,87],"Website: Syng. Page: About. Page type: About Us \u002F Team. Page title: About – Syng. Page description: Syng is an audio company building sound for the future. We’ve created an entirely new object-based sonic architecture that can play any format of recorded sound and make it tangible. We’re ready for anything we listen to today, and everything we haven’t yet imagined listening to tomorrow. Welcome to the next generation. Page content: A new sound. Syng is an audio company building sound for the future. We’ve created an entirely new object-based sonic architecture that can play any format of recorded sound and make it tangible. We’re ready for anything we listen to today, and everything we haven’t yet imagined listening to tomorrow. Welcome to the next generation of audio. Our Purpose Syng exists to transform the human relationship with sound. We believe everyone should be empowered to engage with the sounds around them in new and innovative ways. We aim to blur the lines between artist and listener, providing new manners of expression and creative ways of listening for all. Christopher Stringer, Co-Founder, Chief Design Officer “Sound is a critical, often overlooked element in our lives. We created Syng so anyone can experience the power of audio.” 22 years at Apple1,800+ patents for iconic tech Developing Triphonic Software since 2018 We aim to turn listening into a multi-sensory experience. When we can hear, touch, and see sound, it taps into an innate human desire to control and manipulate the sounds around us. The simple act of listening goes from passive to active and we form deeper connections to the sounds we love. Syng Cell Alpha Accolades - - - More reviews. A Clean \u002F Minimalist, Dark Mode, High-End \u002F Luxury website in the Technology & Hardware industry. The overall color palette features White, Gray, Black. Built using Klaviyo, Shopify. AI description: Syng is a high-end audio technology company redefining the listening experience through object-based sonic architecture. By leveraging their proprietary Triphonic software, the brand transforms traditional sound into a tangible, spatial phenomenon that fills a room without the constraints of traditional speaker orientation. The website serves as a premium digital storefront and brand manifesto, positioning their hardware as a futuristic leap in home audio. The visual identity is rooted in a sophisticated, lifestyle-oriented aesthetic that blends high-tech innovation with organic warmth. Utilizing high-quality lifestyle photography, soft natural lighting, and a clean, minimalist layout, the design targets affluent audiophiles and tech enthusiasts who value both cutting-edge performance and seamless home integration. The use of ample whitespace and elegant typography reinforces a sense of luxury and effortless sophistication.",{"id":546,"website_id":547,"page_id":546,"name":548,"slug":549,"url":550,"website_name":548,"website_slug":549,"website_url":551,"result_url":550,"fetched_at":552,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":553,"page_name":142,"page_url":550,"page_title":554,"page_description":555,"page_content":556,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":557,"cover_mobile":560,"cover_sequence":31,"translations":562,"industry":49,"styles":565,"credits":566,"font_families":568,"technologies":569,"pagespeed":575,"pagespeed_mobile":581,"buckets":587,"search_payload":588},"534736d7-e0a2-45be-a831-277b6296bd80","f05fc3ae-059f-4a23-800d-6c7e297e40fa","Bob Dylan Center","bob-dylan-center","https:\u002F\u002Fbobdylancenter.com\u002Fabout","https:\u002F\u002Fbobdylancenter.com","2026-05-04T10:33:10.000Z","2026-05-23T19:24:36.000Z","About - Bob Dylan Center | Tulsa, OK","The Bob Dylan Center is dedicated to the study and appreciation of Bob Dylan and his worldwide cultural significance through six prolific decades of his groundbreaking creative endeavors, from his songwriting and recordings to live performances, books and films.","Bob Dylan Center Tulsa, OK - Tickets - Donate - Shop - [Visit ](https:\u002F\u002Fbobdylancenter.com\u002Fvisit\u002F) - [Exhibits ](\u002Fvisit\u002Fexhibits\u002F) - [Events ](\u002Fevents\u002F) - [Education ](https:\u002F\u002Fbobdylancenter.com\u002Fvisit\u002Feducation\u002F) - [Support ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002F) - [Donate ](https:\u002F\u002Fgive.bobdylancenter.com\u002Fsupport) - [Memberships ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002Fmemberships\u002F) - [Bequests & Planned Giving ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002Fplanned-giving\u002F) - [Ways To Give ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002Fways-to-give\u002F) - [Freedom Highway and Beyond Education Fund ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002Ffreedomhighwayandbeyond\u002F) - [Gift Certificates ](https:\u002F\u002Fsecure.americansongarchives.org\u002Fgift\u002Fgiftcertificate?theme=BDC) - [Volunteer ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002Fvolunteer\u002F) - [About ](https:\u002F\u002Fbobdylancenter.com\u002Fabout\u002F) - [Biography ](https:\u002F\u002Fbobdylancenter.com\u002Fabout\u002Fbiography\u002F) - [FAQ ](https:\u002F\u002Fbobdylancenter.com\u002Fabout\u002Ffaq\u002F) - [Press Room ](https:\u002F\u002Fbobdylancenter.com\u002Fabout\u002Fpress-room\u002F) - [Job Openings ](https:\u002F\u002Fbobdylancenter.com\u002Fjob-openings\u002F) - [Songwriter Fellowship ](https:\u002F\u002Fbobdylancenter.com\u002Fsongwriterfellowship\u002F) - [Archive ](https:\u002F\u002Fbobdylancenter.com\u002Farchive\u002F) ABOUT THE BOB DYLAN CENTER The Bob Dylan Center inspires and celebrates fearless creativity by exploring the music and artistry of the Nobel Prize–winning singer-songwriter as a catalyst for personal expression and cultural change. Columbia Records Gallery ABOUT THE CENTER Located in the Tulsa Arts District, the Bob Dylan Center serves to educate, motivate and inspire visitors to engage their own capacity as creators. While the center is anchored by a permanent exhibit on the life and work of Bob Dylan, it also offers additional exhibits, public programs, performances, lectures, and publications, through which it aims to foster a conversation about the role of creativity in our lives. As the primary public venue for the Bob Dylan Archive® collection, the center offers curated exhibits pulled from the priceless collection of more than 100,000 items spanning Dylan’s career, including handwritten manuscripts, notebooks and correspondence; films, videos, photographs and artwork; memorabilia and ephemera; personal documents and effects; unreleased studio and concert recordings; musical instruments; and many other elements. Both the Bob Dylan Center and the Woody Guthrie Center operate under auspices of the American Song Archives, a project of the George Kaiser Family Foundation (GKFF). ABOUT THE ARCHIVE Acquired by the George Kaiser Family Foundation in 2016, the Bob Dylan Archive® highlights the unique artistry and worldwide cultural significance of Bob Dylan. Originally housed at the University of Tulsa’s Helmerich Center for American Research at Gilcrease Museum, the archive will now be permanently housed at the Bob Dylan Center. While the center offers a curated exhibit of items from the collection, the archive itself is open by appointment only. Due to high demand, access to the archive is only granted to individuals with qualified research projects. Learn More About the Archive Aerial image of Guthrie Green AN IMMERSIVE EXPERIENCE Located in Tulsa’s burgeoning arts district just steps from the city’s renowned Woody Guthrie Center, the Bob Dylan Center was designed by renowned architectural and exhibit design firm Olson Kundig, led by design principal Alan Maskin. The center features cutting-edge and immersive technology in a multimedia environment that is designed to be as impressive and revealing to visitors new to Dylan’s work as it will be to long-time fans and aficionados. 59 Productions, world-leading specialists in design for stage and live events, collaborated with Olson Kundig on the exhibition design and media development. The three-story façade of the Bob Dylan Center faces downtown Tulsa’s hugely popular public gathering space, Guthrie Green, and depicts a rare 1965 image of Dylan, donated to the center by renowned photographer Jerry Schatzberg. About 59 Productions An award-winning design studio and production company based in London and New York, 59 Productions also collaborated on the Opening Ceremony of the London 2012 Olympic Games, the record-breaking _David Bowie Is_ exhibition and the decor concept design for The Met Ball, among other projects. For more information, visit 59productions.co.uk. About the George Kaiser Family Foundation Established in 1999, the George Kaiser Family Foundation invests in a culturally vibrant and economically robust Tulsa to ensure a thriving community that affords opportunities for all of its citizens to enjoy a high quality of life. The Foundation’s civic ventures are designed to advance its primary mission while also adding to the diversity and vitality of the city. Visit www.gkff.org for more information. About Olson Kundig Now in its sixth decade of practice, Olson Kundig is a collaborative design practice whose work includes cultural and museum projects, exhibition design, commercial and mixed-use design (including wineries and sports facilities), private and multifamily residential, hospitality projects, places of worship, interior design, product design and landscape design. With deep roots in the Pacific Northwest, the firm and its staff of over 200 work with clients around the world. Find more information at olsonkundig.com. “… it is clear that the archives are deeper and more vast than even most Dylan experts could imagine, promising untold insight into the songwriter’s work.” The New York Times Read Article Young Bob Dylan playing harmonica in studio. Image credit: Don Hunstein, 1963 DONATIONS ARE WELCOME Your tax-deductible donation helps support the center in its mission to inspire and celebrate fearless creativity by exploring the music and artistry of the Nobel Prize–winning singer-songwriter as a catalyst for personal expression and cultural change. General Donations Tribute Gifts BECOME A MEMBER Each Bob Dylan Center membership comes with a variety of exclusive perks and privileges. Find the level that’s right for you. Explore Membership Plans Young Bob Dylan performing on stage with a bright camera flash. Image credit: Feinstein, 1974 Bob Dylan Center merchandise laid out on a table, including a T-shirt. SHIRTS, HATS, GIFTS AND MORE Shop now and support the study and appreciation of Bob Dylan and his worldwide cultural significance. Shop the Store MORE BOB DYLAN ORGANIZATIONS The official Bob Dylan artist website, bobdylan.com features up-to-date tour information, the latest news, complete lyrics, book recommendations, and an online store. Purple_Line Heaven’s Door is a collection of handcrafted American Whiskeys co-created with Bob Dylan. The perfect blend of art and craft, a collection of stories to be savored and shared. Each bottle of Heaven’s Door showcases Dylan’s distinctive welded iron gates he created in his studio, Black Buffalo Ironworks. Purple_Line “Girl From the North Country”, written and directed by celebrated playwright Conor McPherson, boldly reimagines 20 legendary songs of Bob Dylan as they’ve never been heard before. This spiritually uplifting and beautiful story is set in Duluth, MN, in 1934, when a group of wanderers’ lives intersect at a house full of music, life and hope weaving through a story the Chicago Tribune declares is “Nothing less than a Broadway Revelation.” Purple_Line Established in 1982, Halcyon Gallery is a leading international art gallery specializing in modern and contemporary art. With locations on Bond Street and at Harrods, Knightsbridge, Halcyon Gallery showcases art from emerging and established artists including Bob Dylan, Lorenzo Quinn, Dominic Harris, Andy Warhol and Pablo Picasso. Reserve your tickets to visit the Bob Dylan Center today. Plan Your Visit FRIENDS OF THE AMERICAN SONG ARCHIVES ADVISORY BOARD Friends of American Song Archives supports the mission and operations of American Song Archives. Dedicated to preserving the legacy of America’s most enduring and inspiring songwriters, American Song Archives houses the largest collection of Woody Guthrie and Bob Dylan primary resource materials in the world. ASA operates the Woody Guthrie Center and Bob Dylan Center. Dennis Bires, Former Board Chair, Woody Guthrie Center (Tulsa, OK) Douglas Brinkley, Rice University (Austin, TX) Anna Canoni, Woody Guthrie Publications (Mt. Kisco, NY) Marc Cimino, Universal Music Publishing Group (Los Angeles, CA) Russ Florence, Schnake Turnbo Frank (Oklahoma City, OK) Nora Guthrie, President Emeritus, Woody Guthrie Publications (Mt. Kisco, NY) Joy Harjo, Poet Laureate of the United States (2021-2023) (Tulsa, OK) Lauren Houston, Community Member (Tulsa, OK) Larry Jenkins, LJ Entertainment (Los Angeles, CA) Ken Levit, George Kaiser Family Foundation (Tulsa, OK) Jody Parker, Anchor Stone Co. (Tulsa, OK) Sam Presti, Oklahoma City Thunder (Oklahoma City, OK) Krystal Reyes, City of Tulsa (Tulsa, OK) Barry Shapiro, Shapiro Consulting (Denver, CO) Richard Story, Sony Music Entertainment (New York, NY) Steve Sullens, Harper House Music Foundation (New York, NY) – Board Chair Mary Herr Tally, Institutional Arts Fundraiser, Retired (Austin, TX) Tim Whelan, Alliance Resources (Tulsa, OK) Jan Whitener, Leadership Circle (Washington, DC) American Song Archives Steve Higgins, Managing Director Mark Davidson, Senior Director, Archives and Exhibitions Jessica McKenzie, Senior Director, Development and Finance …",{"id":558,"height":38,"width":39,"blurhash":559},"031f12d0-1881-44b2-8634-c95a76a3473d","radial-gradient(at 0 0,#939393,#00000000 50%),radial-gradient(at 33% 0,#838383,#00000000 50%),radial-gradient(at 67% 0,#7d7d7d,#00000000 50%),radial-gradient(at 100% 0,#898989,#00000000 50%),radial-gradient(at 0 50%,#c4c4c4,#00000000 50%),radial-gradient(at 33% 50%,#d8d8d8,#00000000 50%),radial-gradient(at 67% 50%,#f0f0f0,#00000000 50%),radial-gradient(at 100% 50%,#dddddd,#00000000 50%),radial-gradient(at 0 100%,#a4a4a4,#00000000 50%),radial-gradient(at 33% 100%,#c9c9c9,#00000000 50%),radial-gradient(at 67% 100%,#e6e6e6,#00000000 50%),radial-gradient(at 100% 100%,#c7c7c7,#00000000 50%)",{"id":561,"height":43,"width":44,"blurhash":31},"ceaa75a3-6041-44fd-8b25-fde1e61ca470",[563],{"languages_code":47,"description":564},"The Bob Dylan Center website serves as a sophisticated digital gateway to the life and legacy of one of music's most transformative figures. Designed to facilitate both physical visits and deep archival exploration, the site functions as a cultural hub for scholars, fans, and tourists alike. It seamlessly integrates information regarding upcoming events, museum exhibits, and ways to support the center's mission, positioning the institution as a premier destination for studying American musical history.\n\nVisually, the site employs a high-impact, editorial aesthetic that mirrors the raw and profound nature of Dylan's artistry. The design utilizes bold, condensed typography and a moody, cinematic color palette of deep blacks and muted tones to create a sense of gravitas. 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Page description: The Bob Dylan Center is dedicated to the study and appreciation of Bob Dylan and his worldwide cultural significance through six prolific decades of his groundbreaking creative endeavors, from his songwriting and recordings to live performances, books and films.. Page content: Bob Dylan Center Tulsa, OK - Tickets - Donate - Shop - [Visit ](https:\u002F\u002Fbobdylancenter.com\u002Fvisit\u002F) - [Exhibits ](\u002Fvisit\u002Fexhibits\u002F) - [Events ](\u002Fevents\u002F) - [Education ](https:\u002F\u002Fbobdylancenter.com\u002Fvisit\u002Feducation\u002F) - [Support ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002F) - [Donate ](https:\u002F\u002Fgive.bobdylancenter.com\u002Fsupport) - [Memberships ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002Fmemberships\u002F) - [Bequests & Planned Giving ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002Fplanned-giving\u002F) - [Ways To Give ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002Fways-to-give\u002F) - [Freedom Highway and Beyond Education Fund ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002Ffreedomhighwayandbeyond\u002F) - [Gift Certificates ](https:\u002F\u002Fsecure.americansongarchives.org\u002Fgift\u002Fgiftcertificate?theme=BDC) - [Volunteer ](https:\u002F\u002Fbobdylancenter.com\u002Fsupport\u002Fvolunteer\u002F) - [About ](https:\u002F\u002Fbobdylancenter.com\u002Fabout\u002F) - [Biography ](https:\u002F\u002Fbobdylancenter.com\u002Fabout\u002Fbiography\u002F) - [FAQ ](https:\u002F\u002Fbobdylancenter.com\u002Fabout\u002Ffaq\u002F) - [Press Room ](https:\u002F\u002Fbobdylancenter.com\u002Fabout\u002Fpress-room\u002F) - [Job Openings ](https:\u002F\u002Fbobdylancenter.com\u002Fjob-openings\u002F) - [Songwriter Fellowship ](https:\u002F\u002Fbobdylancenter.com\u002Fsongwriterfellowship\u002F) - [Archive ](https:\u002F\u002Fbobdylancenter.com\u002Farchive\u002F) ABOUT THE BOB DYLAN CENTER The Bob Dylan Center inspires and celebrates fearless creativity by exploring the music and artistry of the Nobel Prize–winning singer-songwriter as a catalyst for personal expression and cultural change. Columbia Records Gallery ABOUT THE CENTER Located in the Tulsa Arts District, the Bob Dylan Center serves to educate, motivate and inspire visitors to engage their own capacity as creators. While the center is anchored by a permanent exhibit on the life and work of Bob Dylan, it also offers additional exhibits, public programs, performances, lectures, and publications, through which it aims to foster a conversation about the role of creativity in our lives. As the primary public venue for the Bob Dylan Archive® collection, the center offers curated exhibits pulled from the priceless collection of more than 100,000 items spanning Dylan’s career, including handwritten manuscripts, notebooks and correspondence; films, videos, photographs and artwork; memorabilia and ephemera; personal documents and effects; unreleased studio and concert recordings; musical instruments; and many other elements. Both the Bob Dylan Center and the Woody Guthrie Center operate under auspices of the American Song Archives, a project of the George Kaiser Family Foundation (GKFF). ABOUT THE ARCHIVE Acquired by the George Kaiser Family Foundation in 2016, the Bob Dylan Archive® highlights the unique artistry and worldwide cultural significance of Bob Dylan. Originally housed at the University of Tulsa’s Helmerich Center for American Research at Gilcrease Museum, the archive will now be permanently housed at the Bob Dylan Center. While the center offers a curated exhibit of items from the collection, the archive itself is open by appointment only. Due to high demand, access to the archive is only granted to individuals with qualified research projects. Learn More About the Archive Aerial image of Guthrie Green AN IMMERSIVE EXPERIENCE Located in Tulsa’s burgeoning arts district just steps from the city’s renowned Woody Guthrie Center, the Bob Dylan Center was designed by renowned architectural and exhibit design firm Olson Kundig, led by design principal Alan Maskin. The center features cutting-edge and immersive technology in a multimedia environment that is designed to be as impressive and revealing to visitors new to Dylan’s work as it will be to long-time fans and aficionados. 59 Productions, world-leading specialists in design for stage and live events, collaborated with Olson Kundig on the exhibition design and media development. The three-story façade of the Bob Dylan Center faces downtown Tulsa’s hugely popular public gathering space, Guthrie Green, and depicts a rare 1965 image of Dylan, donated to the center by renowned photographer Jerry Schatzberg. About 59 Productions An award-winning design studio and production company based in London and New York, 59 Productions also collaborated on the Opening Ceremony of the London 2012 Olympic Games, the record-breaking _David Bowie Is_ exhibition and the decor concept design for The Met Ball, among other projects. For more information, visit 59productions.co.uk. About the George Kaiser Family Foundation Established in 1999, the George Kaiser Family Foundation invests in a culturally vibrant and economically robust Tulsa to ensure a thriving community that affords opportunities for all of its citizens to enjoy a high quality of life. The Foundation’s civic ventures are designed to advance its primary mission while also adding to the diversity and vitality of the city. Visit www.gkff.org for more information. About Olson Kundig Now in its sixth decade of practice, Olson Kundig is a collaborative design practice whose work includes cultural and museum projects, exhibition design, commercial and mixed-use design (including wineries and sports facilities), private and multifamily residential, hospitality projects, places of worship, interior design, product design and landscape design. With deep roots in the Pacific Northwest, the firm and its staff of over 200 work with clients around the world. Find more information at olsonkundig.com. “… it is clear that the archives are deeper and more vast than even most Dylan experts could imagine, promising untold insight into the songwriter’s work.” The New York Times Read Article Young Bob Dylan playing harmonica in studio. Image credit: Don Hunstein, 1963 DONATIONS ARE WELCOME Your tax-deductible donation helps support the center in its mission to inspire and celebrate fearless creativity by exploring the music and artistry of the Nobel Prize–winning singer-songwriter as a catalyst for personal expression and cultural change. General Donations Tribute Gifts BECOME A MEMBER Each Bob Dylan Center membership comes with a variety of exclusive perks and privileges. Find the level that’s right for you. Explore Membership Plans Young Bob Dylan performing on stage with a bright camera flash. Image credit: Feinstein, 1974 Bob Dylan Center merchandise laid out on a table, including a T-shirt. SHIRTS, HATS, GIFTS AND MORE Shop now and support the study and appreciation of Bob Dylan and his worldwide cultural significance. Shop the Store MORE BOB DYLAN ORGANIZATIONS The official Bob Dylan artist website, bobdylan.com features up-to-date tour information, the latest news, complete lyrics, book recommendations, and an online store. Purple_Line Heaven’s Door is a collection of handcrafted American Whiskeys co-created with Bob Dylan. The perfect blend of art and craft, a collection of stories to be savored and shared. Each bottle of Heaven’s Door showcases Dylan’s distinctive welded iron gates he created in his studio, Black Buffalo Ironworks. Purple_Line “Girl From the North Country”, written and directed by celebrated playwright Conor McPherson, boldly reimagines 20 legendary songs of Bob Dylan as they’ve never been heard before. This spiritually uplifting and beautiful story is set in Duluth, MN, in 1934, when a group of wanderers’ lives intersect at a house full of music, life and hope weaving through a story the Chicago Tribune declares is “Nothing less than a Broadway Revelation.” Purple_Line Established in 1982, Halcyon Gallery is a leading international art gallery specializing in modern and contemporary art. With locations on Bond Street and at Harrods, Knightsbridge, Halcyon Gallery showcases art from emerging and established artists including Bob Dylan, Lorenzo Quinn, Dominic Harris, Andy Warhol and Pablo Picasso. Reserve your tickets to visit the Bob Dylan Center today. Plan Your Visit FRIENDS OF THE AMERICAN SONG ARCHIVES ADVISORY BOARD Friends of American Song Archives supports the mission and operations of American Song Archives. Dedicated to preserving the legacy of America’s most enduring and inspiring songwriters, American Song Archives houses the largest collection of Woody Guthrie and Bob Dylan primary resource materials in the world. ASA operates the Woody Guthrie Center and Bob Dylan Center. Dennis Bires, Former Board Chair, Woody Guthrie Center (Tulsa, OK) Douglas Brinkley, Rice University (Austin, TX) Anna Canoni, Woody Guthrie Publications (Mt. Kisco, NY) Marc Cimino, Universal Music Publishing Group (Los Angeles, CA) Russ Florence, Schnake Turnbo Frank (Oklahoma City, OK) Nora Guthrie, President Emeritus, Woody Guthrie Publications (Mt. Kisco, NY) Joy Harjo, Poet Laureate of the United States (2021-2023) (Tulsa, OK) Lauren Houston, Community Member (Tulsa, OK) Larry Jenkins, LJ Entertainment (Los Angeles, CA) Ken Levit, George Kaiser Family Foundation (Tulsa, OK) Jody Parker, Anchor Stone Co. (Tulsa, OK) Sam Presti, Oklahoma City Thunder (Oklahoma City, OK) Krystal Reyes, City of Tulsa (Tulsa, OK) Barry Shapiro, Shapiro Consulting (Denver, CO) Richard Story, Sony Music Entertainment (New York, NY) Steve Sullens, Harper House Music Foundation (New York, NY) – Board Chair Mary Herr Tally, Institutional Arts Fundraiser, Retired (Austin, TX) Tim Whelan, Alliance Resources (Tulsa, OK) Jan Whitener, Leadership Circle (Washington, DC) American Song Archives Steve Higgins, Managing Director Mark Davidson, Senior Director, Archives and Exhibitions Jessica McKenzie, Senior Director, Development and Finance …. A Dark Mode, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. Built using Elementor, Flywheel, Google Font API, jQuery, PHP, Shopify Buy Button, Swiper, The Events Calendar, The SEO Framework, WordPress. 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Toch tekenen zich door de jaren heen ook duidelijke overeenkomsten tussen hen af; het zijn allemaal uitgesproken persoonlijkheden, eigenzinnig in hun werkwijze en maatschappelijk betrokken. Dit zijn mensen bij wie wij ons thuisvoelen en - belangrijker nog - die zich thuisvoelen bij ons. De mensen met wie wij in onze projecten samenwerken zijn heel verschillend en zo zien we het graag. Toch tekenen zich door de jaren heen ook duidelijke overeenkomsten tussen hen af; het zijn allemaal uitgesproken persoonlijkheden, eigenzinnig in hun werkwijze en maatschappelijk betrokken. Dit zijn mensen bij wie wij ons thuisvoelen en - belangrijker nog - die zich thuisvoelen bij ons. Ons kantoor met tuin aan de Amsterdamse Stadhouderskade voorziet in de ruimte die wij graag aan onze makers en opdrachtgevers bieden; ruimte om met veel partijen om de tafel te gaan en te sparren. 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Toutes nos casquettes en lin sont assemblées dans notre petit atelier du quartier Rosemont, à Montréal. Aucune production n’est envoyée à l’étranger. Ceci minimise l’empreinte en transport de nos produits, favorise l’économie locale, crée des emplois locaux et empêche tout support aux ateliers clandestins. NOS CASQUETTES Nos casquettes sont faites d’une étoffe de lin, une fibre naturelle beaucoup plus durable que la majorité des autres fibres naturelles. En plus d’être durable, le lin possède aussi une faible empreinte écologique. Comme tous nos produits, nos casquettes sont faites localement. Notre petite équipe de couture assemble toutes nos casquettes dans notre petit atelier du quartier Rosemont. Faites avec passion et engagement depuis maintenant plus de sept ans! NOTRE LAINE Notre laine provient d’une des plus anciennes et renommées filatures d’Italie et est certifié Standard 100 par Oeko-Tex. Ce label signifie que le produit ne contient aucun agent chimique ou nocif pour la santé de son utilisateur. Notre mélange de laine mérinos (50% mérinos \u002F 50% acrylique) est la balance parfaite entre la durabilité d’une matière synthétique et les propriétés naturelles du mérinos. Ce mélange est conçu pour durer dans le temps et résister à l'usage et au lavage sans toutefois perdre les propriétés du mérinos. Notre laine est donc facile d’entretien, mais également respirante, auto-nettoyante et antimicrobienne. COTON BIOLOGIQUE Tous nos vêtements en coton sont faits à partir d’une étoffe 100% coton biologique certifié GOTS. Le coton certifié biologique, ça signifie moins de pesticides et moins de produits néfastes pour l’environnement. Tout le coton provient des États-Unis dans le but de rapprocher notre chaîne d’approvisionnement le plus près possible. EMBALLAGE ET COLIS Nos enveloppes (certifiées FSC), nos boîtes d’expédition et nos étiquettes sont faites de papier 100% recyclé (dont 90% post-consommation) et évidement 100% recyclables après usage. Aidez-nous à minimiser notre empreinte et déposez les dans votre bac de recyclage. Dans une optique de diminution de matériel utilisé, nous réutilisons également boîtes et cartons de façon pragmatique pour nos envois. Notre plus grand engagement est de concevoir des produits de qualité qui dureront dans le temps. En augmentant la durée de vie de nos produits, nous diminuons leur empreinte à long terme. Caribou mise aussi sur un éventail restreint de produits. Des produits de qualité, durables, pratiques et intemporels. Nous ne croyons pas aux modes et ne voulons en aucun cas encourager des achats inutiles ou impulsifs. Et nous ne nous arrêtons pas là, chaque jour nous évaluons la possibilité de faire mieux, pour nos usagers et pour la planète. N’hésitez pas à nous écrire si vous avez une ou des suggestions! CONTACT 5550 Fullum, studio 522 Montréal, QC H2G 2H4 +1 438 380-3525 info@caribou.studio À PROPOS Termes et conditions Guide des tailles Points de vente [FAQ ](\u002Fpages\u002Ffaq \"FAQ\")Offre d'emploi SUIVEZ-NOUS [Instagram ](https:\u002F\u002Fwww.instagram.com\u002Fcaribou.studio\u002F \"instagram studio caribou\")Facebook RESTEZ À L'AFFÛT! Abonnez-vous pour rester à l’affût de nos dernières collections, de produits exclusifs, de promotions, événements et autres.",{"id":646,"height":38,"width":39,"blurhash":647},"7a0b6143-2335-4641-b018-3d6100891253","radial-gradient(at 0 0,#e3e3e6,#00000000 50%),radial-gradient(at 33% 0,#eae8e8,#00000000 50%),radial-gradient(at 67% 0,#dcdad9,#00000000 50%),radial-gradient(at 100% 0,#c8c7c4,#00000000 50%),radial-gradient(at 0 50%,#f1f5f5,#00000000 50%),radial-gradient(at 33% 50%,#f6f9f9,#00000000 50%),radial-gradient(at 67% 50%,#e7e5e4,#00000000 50%),radial-gradient(at 100% 50%,#cfc6c3,#00000000 50%),radial-gradient(at 0 100%,#f4f6f5,#00000000 50%),radial-gradient(at 33% 100%,#f9fbf9,#00000000 50%),radial-gradient(at 67% 100%,#eae8e7,#00000000 50%),radial-gradient(at 100% 100%,#d5cecf,#00000000 50%)",{"id":649,"height":43,"width":44,"blurhash":31},"f39f32c6-3d9b-4025-963f-e25823b1fe22",[651],{"languages_code":47,"description":652},"Caribou is a Montreal-based design studio specializing in sustainable, ethically manufactured accessories for both children and adults. 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Page type: About Us \u002F Team. Page title: Engagements. Page description: Découvrez les divers engagements de Caribou en termes d'écoresponsabilité et d'éthique d'entreprise.. Page content: NOS ENGAGEMENTS FAIT AU CANADA Tous nos produits sont fabriqués au pays, principalement au Québec. Toutes nos casquettes en lin sont assemblées dans notre petit atelier du quartier Rosemont, à Montréal. Aucune production n’est envoyée à l’étranger. Ceci minimise l’empreinte en transport de nos produits, favorise l’économie locale, crée des emplois locaux et empêche tout support aux ateliers clandestins. NOS CASQUETTES Nos casquettes sont faites d’une étoffe de lin, une fibre naturelle beaucoup plus durable que la majorité des autres fibres naturelles. En plus d’être durable, le lin possède aussi une faible empreinte écologique. Comme tous nos produits, nos casquettes sont faites localement. Notre petite équipe de couture assemble toutes nos casquettes dans notre petit atelier du quartier Rosemont. Faites avec passion et engagement depuis maintenant plus de sept ans! NOTRE LAINE Notre laine provient d’une des plus anciennes et renommées filatures d’Italie et est certifié Standard 100 par Oeko-Tex. Ce label signifie que le produit ne contient aucun agent chimique ou nocif pour la santé de son utilisateur. Notre mélange de laine mérinos (50% mérinos \u002F 50% acrylique) est la balance parfaite entre la durabilité d’une matière synthétique et les propriétés naturelles du mérinos. Ce mélange est conçu pour durer dans le temps et résister à l'usage et au lavage sans toutefois perdre les propriétés du mérinos. Notre laine est donc facile d’entretien, mais également respirante, auto-nettoyante et antimicrobienne. COTON BIOLOGIQUE Tous nos vêtements en coton sont faits à partir d’une étoffe 100% coton biologique certifié GOTS. Le coton certifié biologique, ça signifie moins de pesticides et moins de produits néfastes pour l’environnement. Tout le coton provient des États-Unis dans le but de rapprocher notre chaîne d’approvisionnement le plus près possible. EMBALLAGE ET COLIS Nos enveloppes (certifiées FSC), nos boîtes d’expédition et nos étiquettes sont faites de papier 100% recyclé (dont 90% post-consommation) et évidement 100% recyclables après usage. Aidez-nous à minimiser notre empreinte et déposez les dans votre bac de recyclage. Dans une optique de diminution de matériel utilisé, nous réutilisons également boîtes et cartons de façon pragmatique pour nos envois. Notre plus grand engagement est de concevoir des produits de qualité qui dureront dans le temps. En augmentant la durée de vie de nos produits, nous diminuons leur empreinte à long terme. Caribou mise aussi sur un éventail restreint de produits. Des produits de qualité, durables, pratiques et intemporels. Nous ne croyons pas aux modes et ne voulons en aucun cas encourager des achats inutiles ou impulsifs. Et nous ne nous arrêtons pas là, chaque jour nous évaluons la possibilité de faire mieux, pour nos usagers et pour la planète. N’hésitez pas à nous écrire si vous avez une ou des suggestions! CONTACT 5550 Fullum, studio 522 Montréal, QC H2G 2H4 +1 438 380-3525 info@caribou.studio À PROPOS Termes et conditions Guide des tailles Points de vente [FAQ ](\u002Fpages\u002Ffaq \"FAQ\")Offre d'emploi SUIVEZ-NOUS [Instagram ](https:\u002F\u002Fwww.instagram.com\u002Fcaribou.studio\u002F \"instagram studio caribou\")Facebook RESTEZ À L'AFFÛT! Abonnez-vous pour rester à l’affût de nos dernières collections, de produits exclusifs, de promotions, événements et autres.. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Fashion & Apparel industry. The overall color palette features White, Gray, Black. The typography features Helvetica (Sans Serif). Built using Klaviyo, Shopify. AI description: Caribou is a Montreal-based design studio specializing in sustainable, ethically manufactured accessories for both children and adults. The brand centers its identity on timeless design and environmental responsibility, offering high-quality staples like their signature caps that bridge the gap between functional everyday wear and conscious consumerism. The visual identity is defined by a clean, minimalist aesthetic that prioritizes large-scale, emotive lifestyle photography. By utilizing bold, sans-serif typography and a spacious layout, the website communicates a sense of modern sophistication and transparency. 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Strategy Creative Direction Branding Strategy Tech Strategy Naming and Tone of Voice Business Development Design Graphic and Editorial User Experience and Interface Motion Graphic and Film 3D and Illustration Exhibition and Spatial Technology Websites and Webapps E-Commerce platforms Mobile apps and PWA Tech Maintenance CMS and Platform Builds Immersive Interactive installations Generative AI and Film Virtual and Augmented Reality Web and Mobile Games Digital Out of Home [ New business inquiries ](\u002Fnew-business) Giga collaborates with international clients across industries, particularly in fashion, art, design and culture. [ Our R&D Department ](\u002Fresearch) Giga produces independent research, investigating computational aesthetics, interactive environments, and emergent media. We are visiting professors to several design schools and give workshops and lectures at conferences and institutions. Politecnico di Milano Laboratorio di Sintesi Finale Bachelor in Communication Design 2017 — 2025 CFP Bauer Sperimentazione con linguaggi digitali Graphic Design per l'editoria 2023 — 2025 Raffles Milano Design Laboratory Master in Visual Design and Communication 2023 — 2025 Graphic Days On experimentation in our daily practice May 2025 IED Milano Digital Archives Workshop Master in Architecture December 2024 Adoratorio A conversation with ET Studio, ATIO and Adoratorio November 2024 Bid(s) for Survival Presentation of The End of Aging and Roots digital twins November 2024 Google Current An hybrid practice A talk for Google Design August 2024 Desina Festival Blurring the boundaries between business and party April 2024 UNIRSM Digital Narratives Corso di Laurea in Design 2022 — 2024 Zaha Hadid x Karimoku An hybrid practice, in conversation with Giga April 2024 NABA New Made in Italy Round table at Naba Milano July 2023 Biennale di Venezia Talk \"Ognuno appartiene a tutti gli altri\" May 2023 Biennale di Venezia Browsing bottom-up alternatives for art on web3 October 2022 Raffles Milano Digital Culture Master in Visual Design 2018 — 2022 CFP Bauer Online experiments Corso di Type Design May, 2020 SPD Milano Digital Typography Master in Web & Digital 2018 — 2021 IED Milano Progettazione Complessa Bachelor in Events Design 2018 - 2019 IED Milano How to start a career in design from scratch February 2018 Creative Mornings How to grow ideas from cheap experiments October 2017 IED Milano Failures An exhibition by Raumplan September 2017 Contact info@gigadesignstudio.com +39 02 94763919 Follow Instagram Linkedin Newsletter Office Via Tonale, 22A 20125 - Milano [ Want to join our team? ](\u002Fcareers)",{"id":684,"height":38,"width":39,"blurhash":685},"7f59175f-4815-4672-bd55-d97c18aa045b","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#fffef5,#00000000 50%),radial-gradient(at 100% 0,#fffff7,#00000000 50%),radial-gradient(at 0 50%,#a5a2af,#00000000 50%),radial-gradient(at 33% 50%,#ae9fac,#00000000 50%),radial-gradient(at 67% 50%,#b5a7b1,#00000000 50%),radial-gradient(at 100% 50%,#9b9c9f,#00000000 50%),radial-gradient(at 0 100%,#7a819d,#00000000 50%),radial-gradient(at 33% 100%,#a58f9e,#00000000 50%),radial-gradient(at 67% 100%,#ab9c9d,#00000000 50%),radial-gradient(at 100% 100%,#5f6b70,#00000000 50%)",{"id":687,"height":43,"width":44,"blurhash":31},"c70c2d33-d6fb-4d43-b29b-e221e260db36",[689],{"languages_code":47,"description":690},"Giga is a multidisciplinary design and technology studio that operates at the intersection of creative expression and computational experimentation. 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Strategy Creative Direction Branding Strategy Tech Strategy Naming and Tone of Voice Business Development Design Graphic and Editorial User Experience and Interface Motion Graphic and Film 3D and Illustration Exhibition and Spatial Technology Websites and Webapps E-Commerce platforms Mobile apps and PWA Tech Maintenance CMS and Platform Builds Immersive Interactive installations Generative AI and Film Virtual and Augmented Reality Web and Mobile Games Digital Out of Home [ New business inquiries ](\u002Fnew-business) Giga collaborates with international clients across industries, particularly in fashion, art, design and culture. [ Our R&D Department ](\u002Fresearch) Giga produces independent research, investigating computational aesthetics, interactive environments, and emergent media. We are visiting professors to several design schools and give workshops and lectures at conferences and institutions. Politecnico di Milano Laboratorio di Sintesi Finale Bachelor in Communication Design 2017 — 2025 CFP Bauer Sperimentazione con linguaggi digitali Graphic Design per l'editoria 2023 — 2025 Raffles Milano Design Laboratory Master in Visual Design and Communication 2023 — 2025 Graphic Days On experimentation in our daily practice May 2025 IED Milano Digital Archives Workshop Master in Architecture December 2024 Adoratorio A conversation with ET Studio, ATIO and Adoratorio November 2024 Bid(s) for Survival Presentation of The End of Aging and Roots digital twins November 2024 Google Current An hybrid practice A talk for Google Design August 2024 Desina Festival Blurring the boundaries between business and party April 2024 UNIRSM Digital Narratives Corso di Laurea in Design 2022 — 2024 Zaha Hadid x Karimoku An hybrid practice, in conversation with Giga April 2024 NABA New Made in Italy Round table at Naba Milano July 2023 Biennale di Venezia Talk \"Ognuno appartiene a tutti gli altri\" May 2023 Biennale di Venezia Browsing bottom-up alternatives for art on web3 October 2022 Raffles Milano Digital Culture Master in Visual Design 2018 — 2022 CFP Bauer Online experiments Corso di Type Design May, 2020 SPD Milano Digital Typography Master in Web & Digital 2018 — 2021 IED Milano Progettazione Complessa Bachelor in Events Design 2018 - 2019 IED Milano How to start a career in design from scratch February 2018 Creative Mornings How to grow ideas from cheap experiments October 2017 IED Milano Failures An exhibition by Raumplan September 2017 Contact info@gigadesignstudio.com +39 02 94763919 Follow Instagram Linkedin Newsletter Office Via Tonale, 22A 20125 - Milano [ Want to join our team? ](\u002Fcareers). A Brutalist \u002F Neo-Brutalist, Futuristic \u002F Sci-Fi, Typographic \u002F Big Type website in the Agency & Studio industry. Designed and developed by Giga. The overall color palette features White, Black, Gray, Brown, Orange. The typography features Neue Haas Grotesk (Sans Serif, Commercial Type). Built using Node.js, Nuxt.js, reCAPTCHA, Vue.js. AI description: Giga is a multidisciplinary design and technology studio that operates at the intersection of creative expression and computational experimentation. The studio positions itself as a laboratory for a 'new synthesis,' blending traditional design disciplines like visual identity and editorial with cutting-edge explorations in digital media, interactive storytelling, and research-driven aesthetics. The visual identity is unapologetically bold and avant-garde, utilizing high-contrast color blocking, massive typographic scales, and a raw, experimental layout. 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THIS WEEK 6th May, 6-8pm Richard Ducker ‘Year Book: Richard Ducker’ Bobinska Brownlee, 38 Tower Court N1 2US Benjamin Palethorn's painting The Courtship Benjamin Palethorn's painting The Courtship 6th May, 5-9 pm ‘South Open 4’ Ohsh Projects, The Bottle Factory, 12 Ossory Rd, London SE1 5AN promo poster for steve belowsky's tour promo poster for steve belowsky's tour 7th May, 5-8 pm The Honk Tour Steve Belowsky Plaster Magazine, 20 Great Chapel St, London W1F 8FW an artwork by Ellie Kayu Ng an artwork by Ellie Kayu Ng 8th May, 6-8pm Ellie Kayu Ng ‘Catching the Big Fish’ Twilight Contemporary, 378 Essex Rd, London N1 3PF Lara Shahnavaz, The Overlook Hotel, oil on primed canvas on rust Lara Shahnavaz, The Overlook Hotel, oil on primed canvas on rust 8th May, 6-8pm Lara Shahnavaz ‘the edge of loss’ Ginny on Frederick, 99 Charterhouse St, Barbican, London EC1M 6HR an installation artwork by Melle Nielling an installation artwork by Melle Nielling 8th May, 6-9 pm Melle Nielling ‘Bliss Point’ Plicnik Space Initiative, unit 9, 50 Resolution Way, London SE8 4AL a moment from Harilay Rabenjamina performance attentions (1) a moment from Harilay Rabenjamina performance attentions (1) 8th May, 7:30pm-10:30 pm Harilay Rabenjamina ‘attentions’ London Performance Studios, Penarth Centre, Penarth St, London SE15 1TR DON'T MISS - All - North - South - East - West - Central - Closing soon Attachment Details Sylvia-Sleigh-Robert-Wamsganz-1980 Showing at Daniel Malarkey in London Attachment Details Sylvia-Sleigh-Robert-Wamsganz-1980 Showing at Daniel Malarkey in London Sylvia Sleigh ‘The bridge’ Daniel Malarkey 8th May until 15th July 48-49 Russell Sq, London WC1B 4JP A still from Rita Azevedo Gomes's film Alter A still from Rita Azevedo Gomes's film Alter ‘Nothing But Life: The Cinema of Rita Azevedo Gomes’ ICA Until 5th June 2026 The Mall, London SW1Y 5AH Still from: Jenna Bliss, True Entertainment 2023 Still from: Jenna Bliss, True Entertainment 2023 Jenna Bliss, Buck Ellison & Jasmine Gregory ‘Genuine Fake Premium Economy’ ICA Until 5th July 2026 The Mall, London SW1Y 5AH detail from an artwork by Anna Park for her show 'Hot Honey' detail from an artwork by Anna Park for her show 'Hot Honey' Anna Park ‘Hot Honey’ Lehmann Maupin Until 30th May 2026 [9 …",{"id":724,"height":38,"width":39,"blurhash":725},"72a4231e-7e18-4e28-94f4-c2ca74ba9ad1","radial-gradient(at 0 0,#e1dadd,#00000000 50%),radial-gradient(at 33% 0,#d6d6d5,#00000000 50%),radial-gradient(at 67% 0,#d7d9d7,#00000000 50%),radial-gradient(at 100% 0,#dddddb,#00000000 50%),radial-gradient(at 0 50%,#f9f7f8,#00000000 50%),radial-gradient(at 33% 50%,#efeeef,#00000000 50%),radial-gradient(at 67% 50%,#e5e8e9,#00000000 50%),radial-gradient(at 100% 50%,#eeeeef,#00000000 50%),radial-gradient(at 0 100%,#bdb0b2,#00000000 50%),radial-gradient(at 33% 100%,#b2b3b1,#00000000 50%),radial-gradient(at 67% 100%,#cacdce,#00000000 50%),radial-gradient(at 100% 100%,#cecdd1,#00000000 50%)",{"id":727,"height":43,"width":44,"blurhash":31},"5cbffacd-0973-4ccf-a6f6-f602bb1e6660",[729],{"languages_code":47,"description":730},"Plaster Magazine is a contemporary digital publication dedicated to making the art world accessible and engaging. Positioned as an antidote to overly academic or pretentious art criticism, the platform provides curated guides to London's cultural landscape, insightful long-form articles, and thought-provoking opinion pieces. It serves as a vital bridge for art enthusiasts who seek substance without the pretension.\n\nThe visual identity is unapologetically bold and editorial, utilizing high-contrast imagery and striking typography to command attention. The design leans into a sophisticated yet raw aesthetic, blending large-scale art photography with a clean, structured layout. By pairing a minimalist grid with expressive, sometimes gritty visual elements, Plaster establishes a brand voice that feels both authoritative and refreshingly human.",[51,53],[733,734],"Cliff Studio","STUDIO ADA",[736,736,736,736,737,737,737,737,736],"Brut Grotesque","Boogy Brut",[739,571,62,530,63,65],"Enhanced Responsive Images",[741,742,743,744],{"score":120,"category":69},{"score":268,"category":72},{"score":74,"category":75},{"score":414,"category":78},[746,747,749,750],{"score":412,"category":69},{"score":748,"category":72},88,{"score":74,"category":75},{"score":414,"category":78},[86,87,88,174],"Website: Plaster Magazine. Page: Guide. Page type: About Us \u002F Team. Page title: Plaster Guide - Plaster Magazine. Page description: Follow our picks of the best new London art exhibitions and culture events to get you excited about leaving the house. Page content: Plaster Guide Every art exhibition and event worth seeing in London right now, updated daily. THIS WEEK 6th May, 6-8pm Richard Ducker ‘Year Book: Richard Ducker’ Bobinska Brownlee, 38 Tower Court N1 2US Benjamin Palethorn's painting The Courtship Benjamin Palethorn's painting The Courtship 6th May, 5-9 pm ‘South Open 4’ Ohsh Projects, The Bottle Factory, 12 Ossory Rd, London SE1 5AN promo poster for steve belowsky's tour promo poster for steve belowsky's tour 7th May, 5-8 pm The Honk Tour Steve Belowsky Plaster Magazine, 20 Great Chapel St, London W1F 8FW an artwork by Ellie Kayu Ng an artwork by Ellie Kayu Ng 8th May, 6-8pm Ellie Kayu Ng ‘Catching the Big Fish’ Twilight Contemporary, 378 Essex Rd, London N1 3PF Lara Shahnavaz, The Overlook Hotel, oil on primed canvas on rust Lara Shahnavaz, The Overlook Hotel, oil on primed canvas on rust 8th May, 6-8pm Lara Shahnavaz ‘the edge of loss’ Ginny on Frederick, 99 Charterhouse St, Barbican, London EC1M 6HR an installation artwork by Melle Nielling an installation artwork by Melle Nielling 8th May, 6-9 pm Melle Nielling ‘Bliss Point’ Plicnik Space Initiative, unit 9, 50 Resolution Way, London SE8 4AL a moment from Harilay Rabenjamina performance attentions (1) a moment from Harilay Rabenjamina performance attentions (1) 8th May, 7:30pm-10:30 pm Harilay Rabenjamina ‘attentions’ London Performance Studios, Penarth Centre, Penarth St, London SE15 1TR DON'T MISS - All - North - South - East - West - Central - Closing soon Attachment Details Sylvia-Sleigh-Robert-Wamsganz-1980 Showing at Daniel Malarkey in London Attachment Details Sylvia-Sleigh-Robert-Wamsganz-1980 Showing at Daniel Malarkey in London Sylvia Sleigh ‘The bridge’ Daniel Malarkey 8th May until 15th July 48-49 Russell Sq, London WC1B 4JP A still from Rita Azevedo Gomes's film Alter A still from Rita Azevedo Gomes's film Alter ‘Nothing But Life: The Cinema of Rita Azevedo Gomes’ ICA Until 5th June 2026 The Mall, London SW1Y 5AH Still from: Jenna Bliss, True Entertainment 2023 Still from: Jenna Bliss, True Entertainment 2023 Jenna Bliss, Buck Ellison & Jasmine Gregory ‘Genuine Fake Premium Economy’ ICA Until 5th July 2026 The Mall, London SW1Y 5AH detail from an artwork by Anna Park for her show 'Hot Honey' detail from an artwork by Anna Park for her show 'Hot Honey' Anna Park ‘Hot Honey’ Lehmann Maupin Until 30th May 2026 [9 …. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray, Brown. The typography features Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut). Built using Enhanced Responsive Images, Flywheel, jQuery, Klaviyo, PHP, WordPress. AI description: Plaster Magazine is a contemporary digital publication dedicated to making the art world accessible and engaging. Positioned as an antidote to overly academic or pretentious art criticism, the platform provides curated guides to London's cultural landscape, insightful long-form articles, and thought-provoking opinion pieces. 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These three words sum up 49 North better thanany fancy descriptions. 49 North has a natural appeal to thepeople who live and work around it, and to those who enjoy thepanoramic waterviews over Amsterdam. A heroic landmark inconstant conversation with its habitat. Facts & figures LOCATION Grasweg 49, Amsterdam SIZE (Approx. GFA) 10,744 sqm GFA (excl. parking garage) FLOORS 8 HEIGHT 32 meters Developer and owner Breevast Architect MVSA Start construction Q2 2026 Completion Q3 2027 Green Green public park and private roof terrace Sustainability BREEAM Excellent Food & beverage Public restaurant Car \u002F bicycle parking 73 \u002F 204 A word from Breevast & MVSA A perfect fit for this part of Amsterdam. > The site for 49 North presented us with some unique opportunities. It is surrounded by water on two sides – the wide IJ to the south, and the narrower harbour to the west. The views are therefore wonderful, filled with water, light and cityscape. This called for a transparent building to makes the most of them. > — Henk Brouwer (CEO) & Robert Alberts (CIO), Breevast Aerial photography by Irvin van Hemert This building needs an iconic presence. > As 49 North will be visible from afar, it also needs an iconic presence. We took our cue from the neighbouring OMYA building, a closed grey box retaining its industrial function. In contrast, our building, which is of the same size, is open, light and playful. It has lots of glass, a quirky grid, dramatic fins and a rather unexpected colour – copper. In fact, this colour references a maritime material and channels the shipbuilding tradition of the area.— Roberto Meyer, MVSA Architects Welcome to 49 North Tenants thrive and people blossom at 49 North Amsterdam. All life that successfully grows and evolves, does so due to the presence of the same fundamental conditions. Adaptation to an environment with access to enough water, vegetation, and daylight. Why should our work life be any different? 49 North perfectly blends in with - and adds to - its green surroundings. The panorama waterviews on all floors is a daily source of natural light and inspiration. Tenants thrive, people blossom. Besides this premium take on ‘basic’ requirements, 49 North has a number of amenities that few others can match. The restaurant, the semi-stealth and green-roofed underground parking with ample e-charging facilities, and the bike parking with similar e-charging sites are all on par with the best locations of any office area. And surely, not many buildings can be entered by boat like 49 North can! Building scheme Offices Rooftop Park Restaurant A restaurant at an iconic waterside location. > Obviously, the main objectives of any in-house restaurateur is to nourish the tenants and stimulate the 49 North community with interaction and connection. Located on the waterside in this frontier part of town, this restaurant will welcome outside guests and do more. Like the building itself, the restaurant connects the workspaces of 49 North with its professionals and the local community. Overall wellbeing and satisfaction are the goals, catering is the means. Flexible and future-proof spaces. > 49 North offers flexible, future-ready workspaces with 3 meter heigh ceilings, larges windows and an open floor concept on all levels, catering to businesses of all sizes. The interiors on each floor can be custom tailored to the needs of your organization. The design can be adapted to ensure that the space meets te evolving demands of your enterprise. It's an ideal environment for innovation and growth. [ Available office space Available office space ](\u002Favailability) Semi-stealth car and bike parking. > Everybody needs transportation, nobody likes to look at endless rows of cars and bikes. 49 North keeps the cars and bicycles out of view, by placing them partly underground, under a lush green roof garden. [ Next up: The Location ](\u002Fthe-location) Are you ready to head North? Get in touch for more information. Thank you! Your submission has been received! Oops! Something went wrong while submitting the form.",{"id":766,"height":38,"width":39,"blurhash":767},"57f53781-d5e7-46b6-9326-abc677c709dd","radial-gradient(at 0 0,#232d18,#00000000 50%),radial-gradient(at 33% 0,#232d17,#00000000 50%),radial-gradient(at 67% 0,#232d17,#00000000 50%),radial-gradient(at 100% 0,#232d17,#00000000 50%),radial-gradient(at 0 50%,#222c17,#00000000 50%),radial-gradient(at 33% 50%,#222c17,#00000000 50%),radial-gradient(at 67% 50%,#222c17,#00000000 50%),radial-gradient(at 100% 50%,#222c17,#00000000 50%),radial-gradient(at 0 100%,#222d17,#00000000 50%),radial-gradient(at 33% 100%,#222c17,#00000000 50%),radial-gradient(at 67% 100%,#222c17,#00000000 50%),radial-gradient(at 100% 100%,#222c17,#00000000 50%)",{"id":769,"height":43,"width":44,"blurhash":31},"6b00a7c8-397d-4c04-9a94-b50bad3f335e",[771],{"languages_code":47,"description":772},"49 North is a premium real estate development in Amsterdam, positioning itself as a state-of-the-art, sustainable workplace icon. The website serves as a high-end digital brochure designed to attract forward-thinking professionals and corporate tenants looking for flexible, future-proof office environments that prioritize natural light, greenery, and panoramic views.\n\nThe visual identity is defined by a sophisticated, editorial aesthetic that blends high-fashion sensibilities with architectural precision. Utilizing expansive serif typography, a muted and organic color palette, and large-scale lifestyle imagery, the design communicates a sense of calm, luxury, and openness. It moves away from traditional corporate rigidity, instead offering a lifestyle-oriented approach to commercial real estate.","Architecture & Real Estate",[51,156,53],[776],"Seamless Agency",[778],"Reckless",[62],[781,783,785,786],{"score":782,"category":69},64,{"score":784,"category":72},97,{"score":123,"category":75},{"score":74,"category":78},[788,790,791,792],{"score":789,"category":69},48,{"score":784,"category":72},{"score":123,"category":75},{"score":74,"category":78},[87,86,88],"Website: 49 North. Page: The Building. Page type: About Us \u002F Team. Page title: The building · 49 North. Page content: Glass, light, life. These three words sum up 49 North better thanany fancy descriptions. 49 North has a natural appeal to thepeople who live and work around it, and to those who enjoy thepanoramic waterviews over Amsterdam. A heroic landmark inconstant conversation with its habitat. Facts & figures LOCATION Grasweg 49, Amsterdam SIZE (Approx. GFA) 10,744 sqm GFA (excl. parking garage) FLOORS 8 HEIGHT 32 meters Developer and owner Breevast Architect MVSA Start construction Q2 2026 Completion Q3 2027 Green Green public park and private roof terrace Sustainability BREEAM Excellent Food & beverage Public restaurant Car \u002F bicycle parking 73 \u002F 204 A word from Breevast & MVSA A perfect fit for this part of Amsterdam. > The site for 49 North presented us with some unique opportunities. It is surrounded by water on two sides – the wide IJ to the south, and the narrower harbour to the west. The views are therefore wonderful, filled with water, light and cityscape. This called for a transparent building to makes the most of them. > — Henk Brouwer (CEO) & Robert Alberts (CIO), Breevast Aerial photography by Irvin van Hemert This building needs an iconic presence. > As 49 North will be visible from afar, it also needs an iconic presence. We took our cue from the neighbouring OMYA building, a closed grey box retaining its industrial function. In contrast, our building, which is of the same size, is open, light and playful. It has lots of glass, a quirky grid, dramatic fins and a rather unexpected colour – copper. In fact, this colour references a maritime material and channels the shipbuilding tradition of the area.— Roberto Meyer, MVSA Architects Welcome to 49 North Tenants thrive and people blossom at 49 North Amsterdam. All life that successfully grows and evolves, does so due to the presence of the same fundamental conditions. Adaptation to an environment with access to enough water, vegetation, and daylight. Why should our work life be any different? 49 North perfectly blends in with - and adds to - its green surroundings. The panorama waterviews on all floors is a daily source of natural light and inspiration. Tenants thrive, people blossom. Besides this premium take on ‘basic’ requirements, 49 North has a number of amenities that few others can match. The restaurant, the semi-stealth and green-roofed underground parking with ample e-charging facilities, and the bike parking with similar e-charging sites are all on par with the best locations of any office area. And surely, not many buildings can be entered by boat like 49 North can! Building scheme Offices Rooftop Park Restaurant A restaurant at an iconic waterside location. > Obviously, the main objectives of any in-house restaurateur is to nourish the tenants and stimulate the 49 North community with interaction and connection. Located on the waterside in this frontier part of town, this restaurant will welcome outside guests and do more. Like the building itself, the restaurant connects the workspaces of 49 North with its professionals and the local community. Overall wellbeing and satisfaction are the goals, catering is the means. Flexible and future-proof spaces. > 49 North offers flexible, future-ready workspaces with 3 meter heigh ceilings, larges windows and an open floor concept on all levels, catering to businesses of all sizes. The interiors on each floor can be custom tailored to the needs of your organization. The design can be adapted to ensure that the space meets te evolving demands of your enterprise. It's an ideal environment for innovation and growth. [ Available office space Available office space ](\u002Favailability) Semi-stealth car and bike parking. > Everybody needs transportation, nobody likes to look at endless rows of cars and bikes. 49 North keeps the cars and bicycles out of view, by placing them partly underground, under a lush green roof garden. [ Next up: The Location ](\u002Fthe-location) Are you ready to head North? Get in touch for more information. Thank you! Your submission has been received! Oops! Something went wrong while submitting the form.. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Architecture & Real Estate industry. Designed by Seamless Agency. The overall color palette features Black, White, Gray. The typography features Reckless (Serif, Displaay). Built using jQuery. AI description: 49 North is a premium real estate development in Amsterdam, positioning itself as a state-of-the-art, sustainable workplace icon. The website serves as a high-end digital brochure designed to attract forward-thinking professionals and corporate tenants looking for flexible, future-proof office environments that prioritize natural light, greenery, and panoramic views. The visual identity is defined by a sophisticated, editorial aesthetic that blends high-fashion sensibilities with architectural precision. Utilizing expansive serif typography, a muted and organic color palette, and large-scale lifestyle imagery, the design communicates a sense of calm, luxury, and openness. It moves away from traditional corporate rigidity, instead offering a lifestyle-oriented approach to commercial real estate.",{"id":796,"website_id":797,"page_id":796,"name":798,"slug":799,"url":800,"website_name":798,"website_slug":799,"website_url":801,"result_url":800,"fetched_at":802,"score":24,"score_boost":25,"ai_score":271,"freshness_score":27,"scored_at":803,"page_name":804,"page_url":800,"page_title":805,"page_description":806,"page_content":807,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":808,"cover_mobile":811,"cover_sequence":31,"translations":813,"industry":609,"styles":816,"credits":817,"font_families":818,"technologies":819,"pagespeed":820,"pagespeed_mobile":825,"buckets":829,"search_payload":831},"46194d40-723a-48a6-ac9c-91e133a2efb0","f20b0b58-0786-4071-8663-94ddd678236a","Arts & Sciences","artsandsciences","https:\u002F\u002Fartsandsciences.com\u002Fwho","https:\u002F\u002Fartsandsciences.com","2026-05-04T09:40:29.000Z","2026-05-23T19:23:37.000Z","Who","Arts & Sciences® - Who","Our name comes from the organization founded by John Hancock, John Adams, and John Bowdoin in Boston in 1780. The Academy of Arts and Sciences charter statement boasts that the \"design of the institution is...to cultivate every art and science which may tend to advance the interest, honour, dignity, and happiness of a free, independent, and virtuous people.","Who Our name comes from the organization founded by John Hancock, John Adams, and John Bowdoin in Boston in 1780. The Academy of Arts and Sciences charter statement boasts that the \"design of the institution is...to cultivate every art and science which may tend to advance the interest, honour, dignity, and happiness of a free, independent, and virtuous people. who - Directors - Who - Projects - AI - Where - Now - Directors - Who - Projects - AI - Where - Now - Directors - Who - Projects - AI - Where - Now - Directors - Who - Projects - AI - Where - Now - Directors - Who - Projects - AI - Where - Now ® Arts & Sciences is a production company that specializes in producing award winning advertising content, feature films, documentaries, music videos and fine art projects. Representing a diverse group of top directors and creators, Arts & Sciences was named a Creativity A-List Production Company for the past seven years in a row. Arts & Sciences work has been recognized by every major advertising award show- The Cannes Lions, The Clios, AICP Awards, D&ADs, The One Show and the Andys. Our original films have been featured in The New York Film Festival, The Toronto Film Festival, The Berlin Film Festival, SXSW and Sundance. Arts & Sciences has produced work for every major global brand including Google, Apple, Meta, Nike, Amazon, the NBA, and the NFL. Arts & Sciences is headquartered in Los Angeles, with offices in New York and London. Contact Our name comes from the organization founded by John Hancock, John Adams, and John Bowdoin in Boston in 1780. The Academy of Arts and Sciences charter statement boasts that the “design of the institution is…to cultivate every art and science which may tend to advance the interest, honour, dignity, and happiness of a free, independent, and virtuous people.” The charter was written by men in wigs who ate mutton for lunch. It is more than noble and every bit unachievable. We do not wear wigs, we do not eat mutton, but we do aim to take up wild, difficult, culturally relevant tasks with their same unmasked enthusiasm. May we be positive, humble, forthright, and big-hearted in these pursuits. Awards & Recognition Us Matt Aselton Director \u002F Partner Marc Marrie Managing Partner \u002F Executive Producer Los Angeles Mal Ward Managing Director \u002F Partner Los Angeles James Bland Managing Director \u002F Partner London Elise Jeanrenaud Executive Producer - ON MATERNITY LEAVE London Sadie Ward Executive Producer - maternity cover London Christa Skotland Director of Production \u002F Executive Producer Los Angeles John Benson Executive Producer \u002F Special Projects New York City Zoe Odlum Executive Producer New York City Benjamin Bernard Music Video EP \u002F LePac Los Angeles Milena Milicevic Head of Production Los Angeles Bridgette Charboneau Creative Producer \u002F Business Development New York City David Traver In-House Editor New York City Shelby Lawrence Staff Production Coordinator \u002F Office Manager Los Angeles Jemimah Frost Production Coordinator London Seun Pinheiro Office Manager London Representation Dexter Randazzo West Coast Representative Los Angeles Mary Kate Hatfield Midwest Representative Chicago Tara Averill East Coast Representative New York John Robertson East Coast Representative New York Megan Wright UK Head of Sales London Jen Herrera US Music Video Representative Los Angeles Andy Roberts UK Music Video Representative London ARTS & SCIENCES IS COMMITTED TO CREATING A DIVERSE, VIBRANT, AND CREATIVE WORKFORCE. WE ARE ACTIVELY ENGAGED IN THE ONGOING WORK OF EXAMINING OUR COMPANY’S INSTITUTIONAL AND CULTURAL PRACTICES THROUGH THE LENSES OF ANTI-BIAS, EQUITY, AND INCLUSION. WE HAVE ESTABLISHED AN INTERNAL MANDATE TO DIVERSIFY OUR ROSTER OF DIRECTORS AND COLLABORATE WITH UNION TRADES AND VENDORS TO HIRE AND SUPPORT CREW MEMBERS OF ALL GENDERS, ETHNICITIES, RELIGIONS, AND SEXUAL ORIENTATIONS. WE ALSO WORK WITH BOTH MANIFESTWORKS AND STREETLIGHTS PROGRAMS TO PROVIDE BOTH ENTRY- LEVEL PRODUCTION JOBS AS WELL AS POTENTIAL MENTORSHIP AND APPRENTICESHIP OPPORTUNITIES. MANIFESTWORKS AND STREETLIGHTS ARE IMMERSIVE WORKFORCE DEVELOPMENT AND JOB PLACEMENT ORGANIZATIONS THAT TURN REAL-WORLD EXPERIENCE INTO LEARNING OPPORTUNITIES FOR THOSE IMPACTED BY FOSTER CARE,POVERTY, HOMELESSNESS, AND INCARCERATION. Arts & Sciences has served as a mentor and sponsor company in The Commercial Director’s Diversity Program, a joint venture between the DGA and the AICP “which is an initiative that serves to bring more diverse talent into the commercial directing industry”. Additionally, Arts & Sciences and our directors are participants and supporters of The AICP Mentoring Program, whose goal and directive is “designed to promote the growth and development of our Members and Mentees, through a one-on-one, nurturing and mutually stimulating environment. Arts & Sciences is also a long time supporter and sponsor of Woman’s Voices Now, which “uses film to drive positive social change that advances girls’ and women’s rights globally.” Arts & Sciences ® info@artsandsciences.com 3104321313 Instagram",{"id":809,"height":38,"width":39,"blurhash":810},"8633f737-e532-45cb-acc7-8191807d42a1","radial-gradient(at 0 0,#fffdfd,#00000000 50%),radial-gradient(at 33% 0,#ffefef,#00000000 50%),radial-gradient(at 67% 0,#ffe3e3,#00000000 50%),radial-gradient(at 100% 0,#fff0f0,#00000000 50%),radial-gradient(at 0 50%,#ffecec,#00000000 50%),radial-gradient(at 33% 50%,#f2d2d2,#00000000 50%),radial-gradient(at 67% 50%,#e9b7b7,#00000000 50%),radial-gradient(at 100% 50%,#f4d3d3,#00000000 50%),radial-gradient(at 0 100%,#ffeded,#00000000 50%),radial-gradient(at 33% 100%,#f5d5d5,#00000000 50%),radial-gradient(at 67% 100%,#ebbaba,#00000000 50%),radial-gradient(at 100% 100%,#f5d4d4,#00000000 50%)",{"id":812,"height":43,"width":44,"blurhash":31},"c03379be-9a37-46fe-8d4f-ba47be2ee62f",[814],{"languages_code":47,"description":815},"Arts & Sciences is a premier production collective and creative agency specializing in high-end visual storytelling across feature films, documentaries, and multi-platform branded content. The site serves as a sophisticated portfolio for their roster of directors, showcasing a diverse range of cinematic work from music videos to large-scale commercial productions.\n\nThe visual identity is defined by a bold, editorial aesthetic that leans heavily into massive, expressive typography and a soft, sophisticated color palette. By utilizing large-scale type as a primary design element against muted, pastel backgrounds, the brand communicates a sense of modern prestige and artistic authority. The layout is clean and rhythmic, allowing the high-impact imagery of their film projects to command attention while maintaining a minimalist, high-fashion sensibility.",[51,156,53],[],[],[446,447,117],[821,823,824],{"score":822,"category":69},37,{"score":74,"category":72},{"score":74,"category":78},[826,827,828],{"score":577,"category":69},{"score":123,"category":72},{"score":74,"category":78},[86,830,87,232,88,174],"pink","Website: Arts & Sciences. Page: Who. Page type: About Us \u002F Team. Page title: Arts & Sciences® - Who. Page description: Our name comes from the organization founded by John Hancock, John Adams, and John Bowdoin in Boston in 1780. The Academy of Arts and Sciences charter statement boasts that the \"design of the institution is...to cultivate every art and science which may tend to advance the interest, honour, dignity, and happiness of a free, independent, and virtuous people.. Page content: Who Our name comes from the organization founded by John Hancock, John Adams, and John Bowdoin in Boston in 1780. The Academy of Arts and Sciences charter statement boasts that the \"design of the institution is...to cultivate every art and science which may tend to advance the interest, honour, dignity, and happiness of a free, independent, and virtuous people. who - Directors - Who - Projects - AI - Where - Now - Directors - Who - Projects - AI - Where - Now - Directors - Who - Projects - AI - Where - Now - Directors - Who - Projects - AI - Where - Now - Directors - Who - Projects - AI - Where - Now ® Arts & Sciences is a production company that specializes in producing award winning advertising content, feature films, documentaries, music videos and fine art projects. Representing a diverse group of top directors and creators, Arts & Sciences was named a Creativity A-List Production Company for the past seven years in a row. Arts & Sciences work has been recognized by every major advertising award show- The Cannes Lions, The Clios, AICP Awards, D&ADs, The One Show and the Andys. Our original films have been featured in The New York Film Festival, The Toronto Film Festival, The Berlin Film Festival, SXSW and Sundance. Arts & Sciences has produced work for every major global brand including Google, Apple, Meta, Nike, Amazon, the NBA, and the NFL. Arts & Sciences is headquartered in Los Angeles, with offices in New York and London. Contact Our name comes from the organization founded by John Hancock, John Adams, and John Bowdoin in Boston in 1780. The Academy of Arts and Sciences charter statement boasts that the “design of the institution is…to cultivate every art and science which may tend to advance the interest, honour, dignity, and happiness of a free, independent, and virtuous people.” The charter was written by men in wigs who ate mutton for lunch. It is more than noble and every bit unachievable. We do not wear wigs, we do not eat mutton, but we do aim to take up wild, difficult, culturally relevant tasks with their same unmasked enthusiasm. May we be positive, humble, forthright, and big-hearted in these pursuits. Awards & Recognition Us Matt Aselton Director \u002F Partner Marc Marrie Managing Partner \u002F Executive Producer Los Angeles Mal Ward Managing Director \u002F Partner Los Angeles James Bland Managing Director \u002F Partner London Elise Jeanrenaud Executive Producer - ON MATERNITY LEAVE London Sadie Ward Executive Producer - maternity cover London Christa Skotland Director of Production \u002F Executive Producer Los Angeles John Benson Executive Producer \u002F Special Projects New York City Zoe Odlum Executive Producer New York City Benjamin Bernard Music Video EP \u002F LePac Los Angeles Milena Milicevic Head of Production Los Angeles Bridgette Charboneau Creative Producer \u002F Business Development New York City David Traver In-House Editor New York City Shelby Lawrence Staff Production Coordinator \u002F Office Manager Los Angeles Jemimah Frost Production Coordinator London Seun Pinheiro Office Manager London Representation Dexter Randazzo West Coast Representative Los Angeles Mary Kate Hatfield Midwest Representative Chicago Tara Averill East Coast Representative New York John Robertson East Coast Representative New York Megan Wright UK Head of Sales London Jen Herrera US Music Video Representative Los Angeles Andy Roberts UK Music Video Representative London ARTS & SCIENCES IS COMMITTED TO CREATING A DIVERSE, VIBRANT, AND CREATIVE WORKFORCE. WE ARE ACTIVELY ENGAGED IN THE ONGOING WORK OF EXAMINING OUR COMPANY’S INSTITUTIONAL AND CULTURAL PRACTICES THROUGH THE LENSES OF ANTI-BIAS, EQUITY, AND INCLUSION. WE HAVE ESTABLISHED AN INTERNAL MANDATE TO DIVERSIFY OUR ROSTER OF DIRECTORS AND COLLABORATE WITH UNION TRADES AND VENDORS TO HIRE AND SUPPORT CREW MEMBERS OF ALL GENDERS, ETHNICITIES, RELIGIONS, AND SEXUAL ORIENTATIONS. WE ALSO WORK WITH BOTH MANIFESTWORKS AND STREETLIGHTS PROGRAMS TO PROVIDE BOTH ENTRY- LEVEL PRODUCTION JOBS AS WELL AS POTENTIAL MENTORSHIP AND APPRENTICESHIP OPPORTUNITIES. MANIFESTWORKS AND STREETLIGHTS ARE IMMERSIVE WORKFORCE DEVELOPMENT AND JOB PLACEMENT ORGANIZATIONS THAT TURN REAL-WORLD EXPERIENCE INTO LEARNING OPPORTUNITIES FOR THOSE IMPACTED BY FOSTER CARE,POVERTY, HOMELESSNESS, AND INCARCERATION. Arts & Sciences has served as a mentor and sponsor company in The Commercial Director’s Diversity Program, a joint venture between the DGA and the AICP “which is an initiative that serves to bring more diverse talent into the commercial directing industry”. Additionally, Arts & Sciences and our directors are participants and supporters of The AICP Mentoring Program, whose goal and directive is “designed to promote the growth and development of our Members and Mentees, through a one-on-one, nurturing and mutually stimulating environment. Arts & Sciences is also a long time supporter and sponsor of Woman’s Voices Now, which “uses film to drive positive social change that advances girls’ and women’s rights globally.” Arts & Sciences ® info@artsandsciences.com 3104321313 Instagram. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Photography & Video industry. The overall color palette features White, Pink, Black, Red, Gray, Brown. Built using Node.js, Nuxt.js, Vue.js. AI description: Arts & Sciences is a premier production collective and creative agency specializing in high-end visual storytelling across feature films, documentaries, and multi-platform branded content. The site serves as a sophisticated portfolio for their roster of directors, showcasing a diverse range of cinematic work from music videos to large-scale commercial productions. The visual identity is defined by a bold, editorial aesthetic that leans heavily into massive, expressive typography and a soft, sophisticated color palette. By utilizing large-scale type as a primary design element against muted, pastel backgrounds, the brand communicates a sense of modern prestige and artistic authority. The layout is clean and rhythmic, allowing the high-impact imagery of their film projects to command attention while maintaining a minimalist, high-fashion sensibility.",{"id":833,"website_id":834,"page_id":833,"name":835,"slug":836,"url":837,"website_name":835,"website_slug":836,"website_url":838,"result_url":837,"fetched_at":839,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":840,"page_name":8,"page_url":837,"page_title":841,"page_description":842,"page_content":843,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":844,"cover_mobile":847,"cover_sequence":31,"translations":849,"industry":852,"styles":853,"credits":854,"font_families":856,"technologies":858,"pagespeed":860,"pagespeed_mobile":865,"buckets":870,"search_payload":871},"29282099-7c77-4cee-af3c-a99da0b6b6ec","f1391ddf-7513-4fd5-95aa-32ea659ae4de","Harvard & the Legacy of Slavery","harvard-and-the-legacy-of-slavery","https:\u002F\u002Flegacyofslavery.harvard.edu\u002Fabout-us","https:\u002F\u002Flegacyofslavery.harvard.edu","2026-05-04T09:20:05.000Z","2026-05-23T19:22:12.000Z","About Us - Harvard & the Legacy of Slavery","Learn more about the Harvard & the Legacy of Slavery Initiative's mission, values, and team.","About Us Overview * The Harvard & the Legacy of Slavery Initiative is a University-wide presidential initiative anchored in years of research, led by Sara Bleich, vice provost for special projects, with strategic guidance from the Harvard & the Legacy of Slavery Advisory Council. We believe that if we transform Harvard into an institution that takes full accountability for its involvement in and benefit from slavery through actively advancing reparative efforts as an integral part of University culture, then we will have meaningful impact on direct descendants and descendant communities. The cover of the 2025 Community Update Featured 2025 Community Update The 2025 Community Update shares highlights of the Harvard & the Legacy of Slavery Initiative’s work from April 2022 to January 2025, with a focus on how partnerships are driving accountability and action, and the Initiative’s next phase of strategic priorities. Read the Community Update The Initiative’s mission is shaped by the Report of the Presidential Committee on Harvard & the Legacy of Slavery, which was released in April 2022 and details the University’s historical ties to slavery in North America and the Caribbean. The Report acknowledges three difficult truths: 1. Harvard has direct ties to slavery 2. Harvard has financial ties to slavery 3. Harvard has intellectual ties to slavery The Report outlined seven broad recommendations to steer the Initiative’s implementation work, calling on us to be accountable and to partner with Harvard, Cambridge, and Boston community members in addressing the enduring consequences of our legacy of slavery. Learn more about how the Harvard & the Legacy of Slavery Initiative was established Hands pressed together Mission and Values Our mission is to understand and cast light on Harvard’s legacies of slavery and address enduring consequences through purposeful change. Our work is grounded in Harvard’s educational mission and the recommendations from the Report of the Presidential Committee on Harvard & the Legacy of Slavery. We are anchored by these core values: - We continue to seek and speak the truth - We are open, honest, and accountable - We value partnership and action - We embrace justice and equity - We approach our work with a growth mindset Our Team Our team – consisting of staff, an Advisory Council, and the Memorial Project Committee – believes that how we do this work is as important as what we do. Meet the H&LS Initiative Team Learn more Learn more Meet the Advisory Council Learn more Learn more Meet the Memorial Project Committee Learn more Learn more",{"id":845,"height":38,"width":39,"blurhash":846},"452fa871-5084-41fe-a80c-781571a37223","radial-gradient(at 0 0,#e0dddd,#00000000 50%),radial-gradient(at 33% 0,#e2e2e2,#00000000 50%),radial-gradient(at 67% 0,#e2e6e6,#00000000 50%),radial-gradient(at 100% 0,#e3e3e3,#00000000 50%),radial-gradient(at 0 50%,#fafcfc,#00000000 50%),radial-gradient(at 33% 50%,#f2f2f2,#00000000 50%),radial-gradient(at 67% 50%,#efeded,#00000000 50%),radial-gradient(at 100% 50%,#f6f6f6,#00000000 50%),radial-gradient(at 0 100%,#635d5d,#00000000 50%),radial-gradient(at 33% 100%,#565656,#00000000 50%),radial-gradient(at 67% 100%,#4a5252,#00000000 50%),radial-gradient(at 100% 100%,#5a5a5a,#00000000 50%)",{"id":848,"height":43,"width":44,"blurhash":31},"756b02f2-e67c-478f-be8b-65f36bfbf767",[850],{"languages_code":47,"description":851},"The Harvard & the Legacy of Slavery Initiative website serves as a dedicated digital platform for an academic and social justice endeavor. 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The use of elegant serif typography and a soft, muted color palette reinforces its scholarly nature, making it an appropriate medium for an audience of academics, students, community leaders, and historians.","Education & Courses",[51,441,53],[855],"Area 17",[58,857,857,58,58,58],"Canela",[62,63,65,859],"WordPress VIP",[861,862,863,864],{"score":221,"category":69},{"score":123,"category":72},{"score":74,"category":75},{"score":77,"category":78},[866,867,868,869],{"score":782,"category":69},{"score":123,"category":72},{"score":74,"category":75},{"score":77,"category":78},[86,87,88],"Website: Harvard & the Legacy of Slavery. Page: About Us. Page type: About Us \u002F Team. Page title: About Us - Harvard & the Legacy of Slavery. Page description: Learn more about the Harvard & the Legacy of Slavery Initiative's mission, values, and team.. Page content: About Us Overview * The Harvard & the Legacy of Slavery Initiative is a University-wide presidential initiative anchored in years of research, led by Sara Bleich, vice provost for special projects, with strategic guidance from the Harvard & the Legacy of Slavery Advisory Council. We believe that if we transform Harvard into an institution that takes full accountability for its involvement in and benefit from slavery through actively advancing reparative efforts as an integral part of University culture, then we will have meaningful impact on direct descendants and descendant communities. The cover of the 2025 Community Update Featured 2025 Community Update The 2025 Community Update shares highlights of the Harvard & the Legacy of Slavery Initiative’s work from April 2022 to January 2025, with a focus on how partnerships are driving accountability and action, and the Initiative’s next phase of strategic priorities. Read the Community Update The Initiative’s mission is shaped by the Report of the Presidential Committee on Harvard & the Legacy of Slavery, which was released in April 2022 and details the University’s historical ties to slavery in North America and the Caribbean. The Report acknowledges three difficult truths: 1. Harvard has direct ties to slavery 2. Harvard has financial ties to slavery 3. Harvard has intellectual ties to slavery The Report outlined seven broad recommendations to steer the Initiative’s implementation work, calling on us to be accountable and to partner with Harvard, Cambridge, and Boston community members in addressing the enduring consequences of our legacy of slavery. Learn more about how the Harvard & the Legacy of Slavery Initiative was established Hands pressed together Mission and Values Our mission is to understand and cast light on Harvard’s legacies of slavery and address enduring consequences through purposeful change. Our work is grounded in Harvard’s educational mission and the recommendations from the Report of the Presidential Committee on Harvard & the Legacy of Slavery. We are anchored by these core values: - We continue to seek and speak the truth - We are open, honest, and accountable - We value partnership and action - We embrace justice and equity - We approach our work with a growth mindset Our Team Our team – consisting of staff, an Advisory Council, and the Memorial Project Committee – believes that how we do this work is as important as what we do. Meet the H&LS Initiative Team Learn more Learn more Meet the Advisory Council Learn more Learn more Meet the Memorial Project Committee Learn more Learn more. A Clean \u002F Minimalist, Corporate \u002F Professional, Typographic \u002F Big Type website in the Education & Courses industry. The overall color palette features White, Black, Gray. The typography features GT America (Sans Serif, Grilli Type), Canela (Serif, Commercial Type), Canela (Serif, Commercial Type), GT America (Sans Serif, Grilli Type), GT America (Sans Serif, Grilli Type), GT America (Sans Serif, Grilli Type). Built using jQuery, PHP, WordPress, WordPress VIP. AI description: The Harvard & the Legacy of Slavery Initiative website serves as a dedicated digital platform for an academic and social justice endeavor. Its purpose is to communicate the findings of the University's report on its historical ties to slavery and to outline the initiative's ongoing mission to drive purposeful change through education, research, and community engagement. The design is characterized by a sophisticated, academic, and dignified visual identity. Utilizing a clean, minimalist layout with high-quality archival and portrait photography, the site conveys a sense of gravity and institutional authority. 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Learn more about our story, values, and artistic pro...","Nour Hammour Skip to main content Complimentary shipping worldwide - Duties and taxes included. Book a shopping appointment - Shop - Collections - Explore - Paris Showroom NewShop AllCoatsJacketsBottomsAccessoriesCare ProductsThe Gift Card Lightweight TrenchesSignature BombersCropped JacketsWardrobe Foundations [ Introducing The Micah Jacket ](\u002Fus-en\u002Fproducts\u002Fmicah-black) Spring 26Resort 26Fall Winter 25 Chapter 2Fall Winter 25 Chapter 1Spring 25Resort 25Fall Winter 24 [ Collection Paris at the Edge of Spring ](\u002Fus-en\u002Flookbooks\u002Fspring-26) Our StorySustainabilityParis ShowroomStockistsCare & Services [ About Our Story ](\u002Fus-en\u002Four-story) Cart (0) Search Ships to United States [ Account ](\u002Fus-en\u002Faccount) Cart (0) About Nour Hammour is a Parisian ready-to-wear house focused on luxury outerwear. The label draws inspiration from the evolving aesthetic of women’s lives. The collections are considered for elegance and longevity with designs that empower and elevate, requisite to everyday dress. Each piece is an artisanal construction created to be prized and passed down. Craftsmanship The metier of leatherwork is one of generational heritage. The premier leather jacket by Nour Hammour was produced at an intimate family-owned workshop in the Marais neighborhood of Paris. This atelier remains pivotal to the development of patterns and elaboration of classic leather styles more than ten years later. Female Owned and Manufactured The leather industry has historically been controlled by workshops, artisans, tanneries, and brands that prioritized large-scale production of leather outerwear. In the creation of Nour Hammour, our objective was to uncover a better way to produce; one that honored craft, heritage, and that gave a female lens on leather outerwear. Women deserve special attention when investing in their wardrobe, one grounded in strength, comfort, and ease. As a company founded and run by women, female empowerment is one of our core tenets. As the label evolved, we sought to carry the intimacy of our Paris atelier into a new chapter. We turned to Turkey, where leather and shearling savoir-faire runs centuries deep, and where our collections could grow without losing their hand-crafted soul. We partnered with a female leather master we had trusted for nearly a decade and together built a small workshop from the ground up. We shared a vision of what the industry could become: more intentional, more ecological, more inclusive. What began with a single machine and a handful of made-to-order pieces has grown, little by little, into one of Istanbul’s most respected leather ateliers, the only of its kind led by a woman. Today, our collections are conceived in Paris and produced between Paris and Istanbul, bridging heritage and modernity. Every piece carries this dual spirit: the precision of Parisian design and the artisanal depth of Turkish craftsmanship. - - Our Story - Parisian Boutique - Instagram - - Contact - Career - Stockists - - Shipping & Returns - Initiate a Return - FAQs - - Sustainability - General Sizing - Product Care - - Privacy Policy - Terms and Conditions - Accessibility - - Our Story - Stockists - Sustainability - General Sizing - Product Care - Careers - Instagram - - Contact - Shipping & Returns - Initiate a Return - FAQs - Privacy Policy - Terms & Conditions - Accessibility",{"id":886,"height":38,"width":39,"blurhash":887},"3aee824d-9699-48ac-82c5-fc6110812f23","radial-gradient(at 0 0,#5a504f,#00000000 50%),radial-gradient(at 33% 0,#92908b,#00000000 50%),radial-gradient(at 67% 0,#857d76,#00000000 50%),radial-gradient(at 100% 0,#52473c,#00000000 50%),radial-gradient(at 0 50%,#6b6054,#00000000 50%),radial-gradient(at 33% 50%,#989487,#00000000 50%),radial-gradient(at 67% 50%,#827e72,#00000000 50%),radial-gradient(at 100% 50%,#645e59,#00000000 50%),radial-gradient(at 0 100%,#5b5649,#00000000 50%),radial-gradient(at 33% 100%,#756a53,#00000000 50%),radial-gradient(at 67% 100%,#847a69,#00000000 50%),radial-gradient(at 100% 100%,#847f77,#00000000 50%)",{"id":889,"height":43,"width":44,"blurhash":31},"d30c7099-4158-44f5-84ac-d43018358b9b",[891],{"languages_code":47,"description":892},"Nour Hammour is a high-end Parisian fashion house specializing in exquisite, handcrafted leather outerwear. 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The typography is balanced between a clean, modern sans-serif for navigation and a graceful, expressive serif for brand storytelling, creating a visual language that is both authoritative and intimately artistic.",[51,156,52],[895,896],"Ania et Lucie","Commerce UI",[898,899],"Times New Roman","Untitled Sans",[259,901,530,902,531,903],"Hydrogen","React","Vite",[905,907,908,909],{"score":906,"category":69},76,{"score":271,"category":72},{"score":123,"category":75},{"score":74,"category":78},[911,912,913,914],{"score":789,"category":69},{"score":68,"category":72},{"score":123,"category":75},{"score":74,"category":78},[86,88,87],"Website: Nour Hammour. Page: Explore. Page type: About Us \u002F Team. Page title: About Nour Hammour | A Parisian Legacy of Leather Craftsmanship - Nour Hammour. Page description: Founded in Paris, Nour Hammour redefines modern luxury through meticulously crafted leather pieces. Learn more about our story, values, and artistic pro.... Page content: Nour Hammour Skip to main content Complimentary shipping worldwide - Duties and taxes included. Book a shopping appointment - Shop - Collections - Explore - Paris Showroom NewShop AllCoatsJacketsBottomsAccessoriesCare ProductsThe Gift Card Lightweight TrenchesSignature BombersCropped JacketsWardrobe Foundations [ Introducing The Micah Jacket ](\u002Fus-en\u002Fproducts\u002Fmicah-black) Spring 26Resort 26Fall Winter 25 Chapter 2Fall Winter 25 Chapter 1Spring 25Resort 25Fall Winter 24 [ Collection Paris at the Edge of Spring ](\u002Fus-en\u002Flookbooks\u002Fspring-26) Our StorySustainabilityParis ShowroomStockistsCare & Services [ About Our Story ](\u002Fus-en\u002Four-story) Cart (0) Search Ships to United States [ Account ](\u002Fus-en\u002Faccount) Cart (0) About Nour Hammour is a Parisian ready-to-wear house focused on luxury outerwear. The label draws inspiration from the evolving aesthetic of women’s lives. The collections are considered for elegance and longevity with designs that empower and elevate, requisite to everyday dress. Each piece is an artisanal construction created to be prized and passed down. Craftsmanship The metier of leatherwork is one of generational heritage. The premier leather jacket by Nour Hammour was produced at an intimate family-owned workshop in the Marais neighborhood of Paris. This atelier remains pivotal to the development of patterns and elaboration of classic leather styles more than ten years later. Female Owned and Manufactured The leather industry has historically been controlled by workshops, artisans, tanneries, and brands that prioritized large-scale production of leather outerwear. In the creation of Nour Hammour, our objective was to uncover a better way to produce; one that honored craft, heritage, and that gave a female lens on leather outerwear. Women deserve special attention when investing in their wardrobe, one grounded in strength, comfort, and ease. As a company founded and run by women, female empowerment is one of our core tenets. As the label evolved, we sought to carry the intimacy of our Paris atelier into a new chapter. We turned to Turkey, where leather and shearling savoir-faire runs centuries deep, and where our collections could grow without losing their hand-crafted soul. We partnered with a female leather master we had trusted for nearly a decade and together built a small workshop from the ground up. We shared a vision of what the industry could become: more intentional, more ecological, more inclusive. What began with a single machine and a handful of made-to-order pieces has grown, little by little, into one of Istanbul’s most respected leather ateliers, the only of its kind led by a woman. Today, our collections are conceived in Paris and produced between Paris and Istanbul, bridging heritage and modernity. Every piece carries this dual spirit: the precision of Parisian design and the artisanal depth of Turkish craftsmanship. - - Our Story - Parisian Boutique - Instagram - - Contact - Career - Stockists - - Shipping & Returns - Initiate a Return - FAQs - - Sustainability - General Sizing - Product Care - - Privacy Policy - Terms and Conditions - Accessibility - - Our Story - Stockists - Sustainability - General Sizing - Product Care - Careers - Instagram - - Contact - Shipping & Returns - Initiate a Return - FAQs - Privacy Policy - Terms & Conditions - Accessibility. A Clean \u002F Minimalist, High-End \u002F Luxury, Monochrome \u002F Grayscale website in the Fashion & Apparel industry. Designed by Ania et Lucie, developed by Commerce UI. The overall color palette features White, Gray, Black. The typography features Times New Roman (Serif), Untitled Sans (Sans Serif, Klim Type). Built using Amazon Web Services, Hydrogen, Klaviyo, React, Shopify, Vite. AI description: Nour Hammour is a high-end Parisian fashion house specializing in exquisite, handcrafted leather outerwear. The website serves as a digital atelier, presenting a curated collection of sophisticated pieces that blend timeless elegance with a bold, modern edge. Through cinematic imagery and a streamlined shopping experience, the brand communicates a sense of exclusivity and artisanal mastery designed for the discerning global fashion enthusiast. The visual identity is defined by a sophisticated, monochromatic aesthetic that leans heavily into high-fashion editorial tropes. Utilizing expansive, atmospheric black-and-white photography and generous white space, the design evokes a sense of calm, luxury, and prestige. 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The idea of assembling a team of creative wizards in the ‘crazy’ of Saigon, originally district 2, came from the founders aspiration for giving back to the mother country their parents left decades ago. They’re here to unlock and showcase your story, establish or transform your brand identity, create seamless journeys of beauty and show the end user, why YOU. Play Our Brand Experiences Lexus Bird Vingroup Warner Bros Disney Volvo DNB Lionsgate “I have had the pleasure to know and work with D2 in 2019, as part of Vinpearl.com website project for Vingroup. Be it in the parsing of creative colour-mixing, the crafting of an addictive and catchy UX, or the establishment of best practices within UI selection, D2 consistently delivers high-quality results for its client.” Khang Ngo Digital Transformation Manager @ vingroup Recognitions & Awards While our goals are not focused on any awards or praise, the recognition from the industry still makes us very proud and motivated. It demonstrates our unlimited effort and creativity to bring the best value to our clients. Note: The majority of following awards are won by our Art\u002FCreative Director in his early career. - 5 Awwwards - 2 Webby - 6 FWA list [ Work What we’ve created ](https:\u002F\u002Fdistrict2.studio\u002Fwork\u002F) - Home - Work - Services - About - Contact we@district2.studio icon-cursor-left icon-cursor-left [ Back To Overview ](https:\u002F\u002Fdistrict2.studio\u002Fwork) Resizing...",{"id":929,"height":38,"width":39,"blurhash":930},"a08e0372-40d3-49e4-be96-b54ea387f9ba","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#fcfcfc,#00000000 50%),radial-gradient(at 67% 0,#fdfefe,#00000000 50%),radial-gradient(at 100% 0,#feffff,#00000000 50%),radial-gradient(at 0 50%,#f2f2f2,#00000000 50%),radial-gradient(at 33% 50%,#e9e7e7,#00000000 50%),radial-gradient(at 67% 50%,#ececec,#00000000 50%),radial-gradient(at 100% 50%,#f4f2f2,#00000000 50%),radial-gradient(at 0 100%,#f4f4f4,#00000000 50%),radial-gradient(at 33% 100%,#edebeb,#00000000 50%),radial-gradient(at 67% 100%,#f2f3f3,#00000000 50%),radial-gradient(at 100% 100%,#f8f7f7,#00000000 50%)",{"id":932,"height":43,"width":44,"blurhash":31},"d4e7c765-12eb-48d6-887b-7f13da12e3df",[934],{"languages_code":47,"description":935},"District2 is a high-caliber full-stack digital agency that bridges the gap between raw concept and polished digital execution. The studio positions itself as a hybrid of Scandinavian design principles and local Southeast Asian dynamism, offering a comprehensive suite of services including brand identity, UI\u002FUX design, and full-scale digital development. Their mission is to transform abstract ideas into impactful, growth-oriented digital experiences for modern brands.\n\nThe visual identity is defined by a sophisticated, minimalist aesthetic that leans heavily into editorial-style typography and expansive whitespace. By utilizing a clean, high-contrast layout and a muted color palette punctuated by bold red accents, the design communicates a sense of professional precision and avant-garde creativity. The use of large-scale imagery and structured grids targets a discerning audience of ambitious entrepreneurs and established enterprises looking for premium, design-led digital transformation.",[51,156,53],[],[939],"Maison Neue",[63,65,941],"wpBakery",[943,945,946,947],{"score":944,"category":69},80,{"score":660,"category":72},{"score":74,"category":75},{"score":74,"category":78},[949,950,951,952],{"score":169,"category":69},{"score":184,"category":72},{"score":74,"category":75},{"score":74,"category":78},[86,88,87,502],"Website: District2. Page: About. Page type: About Us \u002F Team. Page title: About - District2 – Brand & Digital Studio. Page content: - Home - Work - Services - About - Contact - vi\") - en\") [ ](https:\u002F\u002Fdistrict2.studio) [ ](https:\u002F\u002Fdistrict2.studio) A brand studio working to mould organic ideas, into sleek creations We work on brand identity digital storytelling, branding tools & importantly just love to create beautiful, unique designs About D2 District2 is a hub of award-winning talent built on mashed up creativity, by moustached Danish Vietnamese and artistic unicorns. The idea of assembling a team of creative wizards in the ‘crazy’ of Saigon, originally district 2, came from the founders aspiration for giving back to the mother country their parents left decades ago. They’re here to unlock and showcase your story, establish or transform your brand identity, create seamless journeys of beauty and show the end user, why YOU. Play Our Brand Experiences Lexus Bird Vingroup Warner Bros Disney Volvo DNB Lionsgate “I have had the pleasure to know and work with D2 in 2019, as part of Vinpearl.com website project for Vingroup. Be it in the parsing of creative colour-mixing, the crafting of an addictive and catchy UX, or the establishment of best practices within UI selection, D2 consistently delivers high-quality results for its client.” Khang Ngo Digital Transformation Manager @ vingroup Recognitions & Awards While our goals are not focused on any awards or praise, the recognition from the industry still makes us very proud and motivated. It demonstrates our unlimited effort and creativity to bring the best value to our clients. Note: The majority of following awards are won by our Art\u002FCreative Director in his early career. - 5 Awwwards - 2 Webby - 6 FWA list [ Work What we’ve created ](https:\u002F\u002Fdistrict2.studio\u002Fwork\u002F) - Home - Work - Services - About - Contact we@district2.studio icon-cursor-left icon-cursor-left [ Back To Overview ](https:\u002F\u002Fdistrict2.studio\u002Fwork) Resizing.... A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Gray, Black, Teal. The typography features Maison Neue (Sans Serif). Built using PHP, WordPress, wpBakery. AI description: District2 is a high-caliber full-stack digital agency that bridges the gap between raw concept and polished digital execution. The studio positions itself as a hybrid of Scandinavian design principles and local Southeast Asian dynamism, offering a comprehensive suite of services including brand identity, UI\u002FUX design, and full-scale digital development. Their mission is to transform abstract ideas into impactful, growth-oriented digital experiences for modern brands. The visual identity is defined by a sophisticated, minimalist aesthetic that leans heavily into editorial-style typography and expansive whitespace. By utilizing a clean, high-contrast layout and a muted color palette punctuated by bold red accents, the design communicates a sense of professional precision and avant-garde creativity. The use of large-scale imagery and structured grids targets a discerning audience of ambitious entrepreneurs and established enterprises looking for premium, design-led digital transformation.",{"id":956,"website_id":957,"page_id":956,"name":958,"slug":959,"url":960,"website_name":958,"website_slug":959,"website_url":961,"result_url":960,"fetched_at":962,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":963,"page_name":142,"page_url":960,"page_title":964,"page_description":31,"page_content":965,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":966,"cover_mobile":969,"cover_sequence":31,"translations":971,"industry":773,"styles":974,"credits":975,"font_families":978,"technologies":980,"pagespeed":983,"pagespeed_mobile":988,"buckets":993,"search_payload":994},"699fb8d0-0383-4691-af2b-1227ea31d8a9","f1b74d69-cd77-4808-a816-f50511fdd6d7","Michael Elliott","michael-elliot","https:\u002F\u002Fmichaelelliott.co.uk\u002Fabout","https:\u002F\u002Fmichaelelliott.co.uk","2026-05-04T09:13:44.000Z","2026-05-23T20:24:24.000Z","About | Michael Elliott","Detailed knowledge. Intelligent creativity. Uncompromising service. Exceptional performance. Specialising in the acquisition and disposal of commercial real estate with a strong focus on Central London Since 1985, Michael Elliott has successfully advised on over £60 billion of UK real estate transactions. Our unrivalled experience enables us to offer a finely tuned service with a strong emphasis on efficiency, value, performance, loyalty, integrity, and trust. Clients benefit from our expert and in-depth market knowledge, innovative approach, and access to a wide range of off-market opportunities. Simply put, we know London property better than anyone – and we think creatively. Everything we do is underpinned by total confidentiality and exceptional service. Our boutique structure allows us to work closely with every client, at every stage of the investment process. Our sister company, Metrus is one of London’s leading property management companies, with £6 billion of assets under management and an annual rent roll of over £275 million. Based in Singapore, Michael Elliott Asia opened in 2012 and provides full advice and management services to investors on the UK market. We help manage, repurpose and develop some of central London's most exciting assets. Developments A global client base client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client An intelligent, experienced team focused on finding and maximising potential. Meet the team Metrus, our management company, has over £6 billion of assets under management. More about Metrus Close Metrus Management company £6 billion of assets under management £275 million annual rent roll 1980 founding year Metrus, Michael Elliott’s management company, was founded in 1980 and is one of London’s leading property management firms. Metrus currently has £6 billion of assets under management and an annual rent roll of over £275 million. Metrus completes Michael Elliott’s ‘one-stop-shop’ service and makes us the leading boutique real estate house for acquisitions, advisory, sales, capital, debt, and property management in London. Visit Metrus website £6 billion of assets under management £275 million annual rent roll 1980 founding year",{"id":967,"height":38,"width":39,"blurhash":968},"34c5668c-b469-4c62-a999-b91ba3c2ace3","radial-gradient(at 0 0,#f4f0ed,#00000000 50%),radial-gradient(at 33% 0,#f0eeed,#00000000 50%),radial-gradient(at 67% 0,#f0f0ee,#00000000 50%),radial-gradient(at 100% 0,#f1f1ef,#00000000 50%),radial-gradient(at 0 50%,#e3e1e0,#00000000 50%),radial-gradient(at 33% 50%,#e0dfdd,#00000000 50%),radial-gradient(at 67% 50%,#e2e1de,#00000000 50%),radial-gradient(at 100% 50%,#e4e3e1,#00000000 50%),radial-gradient(at 0 100%,#f8f6f5,#00000000 50%),radial-gradient(at 33% 100%,#f4f2f0,#00000000 50%),radial-gradient(at 67% 100%,#f4f2f0,#00000000 50%),radial-gradient(at 100% 100%,#f4f4f2,#00000000 50%)",{"id":970,"height":43,"width":44,"blurhash":31},"cd1c5d9a-d539-462c-b59a-06956f69736b",[972],{"languages_code":47,"description":973},"Michael Elliott is a premier real estate investment and development advisory firm based in London. The website serves as a sophisticated digital storefront, communicating authority, longevity, and a massive track record of success to high-net-worth individuals and institutional clients. Through a blend of impactful urban photography and bold, structured typography, the site establishes immediate credibility within the prime real estate sector.\n\nThe visual identity is defined by a high-end, editorial aesthetic that favors whitespace and a refined color palette of charcoal, cream, and a signature burnt orange. The use of serif typography for headings lends a sense of heritage and prestige, while the clean layout ensures that the firm's significant achievements—such as their £60 billion transaction history—remain the focal point. It is a masterclass in professional minimalism, designed to evoke trust and stability.",[51,441,156],[976,977],"Telescopic","Six",[979,979,206],"Google Sans",[981,982],"Alpine.js","Google Maps",[984,985,986,987],{"score":128,"category":69},{"score":123,"category":72},{"score":123,"category":75},{"score":271,"category":78},[989,990,991,992],{"score":577,"category":69},{"score":123,"category":72},{"score":123,"category":75},{"score":271,"category":78},[86,87,88],"Website: Michael Elliott. Page: About. Page type: About Us \u002F Team. Page title: About | Michael Elliott. Page content: Detailed knowledge. Intelligent creativity. Uncompromising service. Exceptional performance. Specialising in the acquisition and disposal of commercial real estate with a strong focus on Central London Since 1985, Michael Elliott has successfully advised on over £60 billion of UK real estate transactions. Our unrivalled experience enables us to offer a finely tuned service with a strong emphasis on efficiency, value, performance, loyalty, integrity, and trust. Clients benefit from our expert and in-depth market knowledge, innovative approach, and access to a wide range of off-market opportunities. Simply put, we know London property better than anyone – and we think creatively. Everything we do is underpinned by total confidentiality and exceptional service. Our boutique structure allows us to work closely with every client, at every stage of the investment process. Our sister company, Metrus is one of London’s leading property management companies, with £6 billion of assets under management and an annual rent roll of over £275 million. Based in Singapore, Michael Elliott Asia opened in 2012 and provides full advice and management services to investors on the UK market. We help manage, repurpose and develop some of central London's most exciting assets. Developments A global client base client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client client An intelligent, experienced team focused on finding and maximising potential. Meet the team Metrus, our management company, has over £6 billion of assets under management. More about Metrus Close Metrus Management company £6 billion of assets under management £275 million annual rent roll 1980 founding year Metrus, Michael Elliott’s management company, was founded in 1980 and is one of London’s leading property management firms. Metrus currently has £6 billion of assets under management and an annual rent roll of over £275 million. Metrus completes Michael Elliott’s ‘one-stop-shop’ service and makes us the leading boutique real estate house for acquisitions, advisory, sales, capital, debt, and property management in London. Visit Metrus website £6 billion of assets under management £275 million annual rent roll 1980 founding year. A Clean \u002F Minimalist, Corporate \u002F Professional, High-End \u002F Luxury website in the Architecture & Real Estate industry. The overall color palette features White, Black, Gray. The typography features Google Sans, Google Sans, Roboto (Sans Serif). Built using Alpine.js, Google Maps. AI description: Michael Elliott is a premier real estate investment and development advisory firm based in London. The website serves as a sophisticated digital storefront, communicating authority, longevity, and a massive track record of success to high-net-worth individuals and institutional clients. Through a blend of impactful urban photography and bold, structured typography, the site establishes immediate credibility within the prime real estate sector. The visual identity is defined by a high-end, editorial aesthetic that favors whitespace and a refined color palette of charcoal, cream, and a signature burnt orange. The use of serif typography for headings lends a sense of heritage and prestige, while the clean layout ensures that the firm's significant achievements—such as their £60 billion transaction history—remain the focal point. It is a masterclass in professional minimalism, designed to evoke trust and stability.",{"id":996,"website_id":997,"page_id":996,"name":998,"slug":999,"url":1000,"website_name":998,"website_slug":999,"website_url":1001,"result_url":1000,"fetched_at":1002,"score":24,"score_boost":25,"ai_score":271,"freshness_score":27,"scored_at":1003,"page_name":1004,"page_url":1000,"page_title":1005,"page_description":1006,"page_content":1007,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1008,"cover_mobile":1011,"cover_sequence":31,"translations":1013,"industry":1016,"styles":1017,"credits":1018,"font_families":1019,"technologies":1021,"pagespeed":1022,"pagespeed_mobile":1028,"buckets":1033,"search_payload":1034},"98ebe4b9-f3bb-43f5-b2f3-155d802ac81c","f28e4df3-7934-4f7b-83fc-f24c44657091","Miyama Riken","miyamariken","https:\u002F\u002Fmiyamariken.co.jp\u002Fcompany_overview","https:\u002F\u002Fmiyamariken.co.jp","2026-05-04T09:06:37.000Z","2026-05-23T19:26:28.000Z","Company Overview","会社概要 | 株式会社美山理研工業｜めっき・表面処理加工","株式会社美山理研工業は、岐阜県山県市に拠点を構え、1958年に創業しました。水栓、自動車部品、日用雑貨を対象に、プラスチックや金属へのめっき加工を専門とし、豊富なめっき技術と組立、塗装などの加工を一貫して提供しています。","株式会社美山理研工業｜めっき(メッキ)・表面処理加工｜岐阜 MENU - ホーム - 美山理研工業の役割 - 技術と品質 - 企業情報 - リクルート - お知らせ - プライバシーポリシー - サイトマップ - お問い合わせ 会社概要about us - 会社概要 - 沿 革 - 代表挨拶 - 環境への取り組み - SDGsの取り組み 会社概要 会社名 株式会社美山理研工業 所在地 〒501-2257 岐阜県山県市富永137 Google Maps TEL.0581-52-1035 FAX.0581-52-1292 代表者 代表取締役 水谷允哉 創 業 1958年 5月 (水谷鍍金工業所にて営業) 資本金 10,000,000円 従業員数 70名 対象加工品 水栓部品・自動車部品・日用雑貨 業務内容 ＜めっき主要素材＞ プラスチック・亜鉛ダイカスト・鉄・銅・真鍮・ステンレス ＜めっきの種類＞ サテリューム・パールクロム・クロム・三価クロム（黒）サテン・三価クロム（黒）・パールブラック・黒クロム・仙徳・ブロンズサテン・銅・金・アンティークゴールド・パールニッケル ＜その他加工＞ 金型作製・成形・機械加工・研磨（バフ・バレル・ショットブラスト・ヘアライン）・塗装・組立 取引銀行 十六銀行・大垣共立銀行・岐阜信用金庫 ・みずほ銀行 関連会社 株式会社 MR ： 製造・樹脂成形 〒501-2257 岐阜県山県市富永127 株式会社MRplus：企画・販売 〒501-2257 岐阜県山県市富永137 - 会社概要 - 沿 革 - 代表挨拶 - 環境への取り組み - ### 美山理研工業の役割 concept めっき加工を軸とした 美山理研工業が担う役割について more - ### 技術と品質 technology and quality 美山理研工業がご提供する めっき加工技術と品質について more - ### 企業情報 about us 企業情報とこれまでの歩み 環境方針について more お問い合わせcontact お問い合わせフォーム お電話でのお問い合わせTEL.0581-52-1035（平日 9:00〜17:00） Miyama Riken 株式会社美山理研工業 〒501-2257 岐阜県山県市富永137 TEL.0581-52-1035 - ホーム - 美山理研工業の役割 - 技術紹介 - 品質紹介 - 設備紹介 - 環境についての取り組み - 企業情報 - リクルート - お知らせ - プライバシーポリシー - サイトマップ - お問い合わせ ©2017 株式会社美山理研工業. back to top",{"id":1009,"height":38,"width":39,"blurhash":1010},"c30b8187-5aea-4bf4-8151-2a813c2a31eb","radial-gradient(at 0 0,#dedfdf,#00000000 50%),radial-gradient(at 33% 0,#e5e6e6,#00000000 50%),radial-gradient(at 67% 0,#e7e8e8,#00000000 50%),radial-gradient(at 100% 0,#e1e2e2,#00000000 50%),radial-gradient(at 0 50%,#000000,#00000000 50%),radial-gradient(at 33% 50%,#000000,#00000000 50%),radial-gradient(at 67% 50%,#000000,#00000000 50%),radial-gradient(at 100% 50%,#000000,#00000000 50%),radial-gradient(at 0 100%,#dbdcdc,#00000000 50%),radial-gradient(at 33% 100%,#e3e4e4,#00000000 50%),radial-gradient(at 67% 100%,#ededed,#00000000 50%),radial-gradient(at 100% 100%,#e3e3e3,#00000000 50%)",{"id":1012,"height":43,"width":44,"blurhash":31},"59c2d7dc-71ff-432c-bc67-ed14dec83bd8",[1014],{"languages_code":47,"description":1015},"Miyama Riken is a specialized industrial plating and surface treatment company that provides high-precision finishing for metal and plastic components. Serving diverse sectors including automotive, home appliances, and amusement industries, the company leverages decades of technical expertise to offer bespoke solutions in color, texture, and thickness. Their service model emphasizes a seamless integration of plating, assembly, and painting to meet complex client specifications.\n\nThe website's visual identity is sophisticated and modern, moving away from traditional industrial aesthetics toward a high-end, editorial feel. Utilizing high-contrast macro photography of metallic textures and geometric components, the design communicates precision and quality. 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Page content: 株式会社美山理研工業｜めっき(メッキ)・表面処理加工｜岐阜 MENU - ホーム - 美山理研工業の役割 - 技術と品質 - 企業情報 - リクルート - お知らせ - プライバシーポリシー - サイトマップ - お問い合わせ 会社概要about us - 会社概要 - 沿 革 - 代表挨拶 - 環境への取り組み - SDGsの取り組み 会社概要 会社名 株式会社美山理研工業 所在地 〒501-2257 岐阜県山県市富永137 Google Maps TEL.0581-52-1035 FAX.0581-52-1292 代表者 代表取締役 水谷允哉 創 業 1958年 5月 (水谷鍍金工業所にて営業) 資本金 10,000,000円 従業員数 70名 対象加工品 水栓部品・自動車部品・日用雑貨 業務内容 ＜めっき主要素材＞ プラスチック・亜鉛ダイカスト・鉄・銅・真鍮・ステンレス ＜めっきの種類＞ サテリューム・パールクロム・クロム・三価クロム（黒）サテン・三価クロム（黒）・パールブラック・黒クロム・仙徳・ブロンズサテン・銅・金・アンティークゴールド・パールニッケル ＜その他加工＞ 金型作製・成形・機械加工・研磨（バフ・バレル・ショットブラスト・ヘアライン）・塗装・組立 取引銀行 十六銀行・大垣共立銀行・岐阜信用金庫 ・みずほ銀行 関連会社 株式会社 MR ： 製造・樹脂成形 〒501-2257 岐阜県山県市富永127 株式会社MRplus：企画・販売 〒501-2257 岐阜県山県市富永137 - 会社概要 - 沿 革 - 代表挨拶 - 環境への取り組み - ### 美山理研工業の役割 concept めっき加工を軸とした 美山理研工業が担う役割について more - ### 技術と品質 technology and quality 美山理研工業がご提供する めっき加工技術と品質について more - ### 企業情報 about us 企業情報とこれまでの歩み 環境方針について more お問い合わせcontact お問い合わせフォーム お電話でのお問い合わせTEL.0581-52-1035（平日 9:00〜17:00） Miyama Riken 株式会社美山理研工業 〒501-2257 岐阜県山県市富永137 TEL.0581-52-1035 - ホーム - 美山理研工業の役割 - 技術紹介 - 品質紹介 - 設備紹介 - 環境についての取り組み - 企業情報 - リクルート - お知らせ - プライバシーポリシー - サイトマップ - お問い合わせ ©2017 株式会社美山理研工業. back to top. A Clean \u002F Minimalist, Corporate \u002F Professional, High-End \u002F Luxury website in the Industrial & Manufacturing industry. The overall color palette features White, Black, Gray, Green. The typography features Lato (Sans Serif), Google Sans, Google Sans, Roboto (Sans Serif), Source Sans (Sans Serif). Built using Contact Form 7, jQuery, PHP, WordPress. AI description: Miyama Riken is a specialized industrial plating and surface treatment company that provides high-precision finishing for metal and plastic components. Serving diverse sectors including automotive, home appliances, and amusement industries, the company leverages decades of technical expertise to offer bespoke solutions in color, texture, and thickness. Their service model emphasizes a seamless integration of plating, assembly, and painting to meet complex client specifications. The website's visual identity is sophisticated and modern, moving away from traditional industrial aesthetics toward a high-end, editorial feel. Utilizing high-contrast macro photography of metallic textures and geometric components, the design communicates precision and quality. 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Instead of remaining a complacent consumer, Colossale emerged with the objective of ushering in a new age of ambitious visual projects. At Colossale we deliver defiant truth in an industry of fake smiles and soft handshakes. We are devoted to upholding the best and most visually refined products with the goal of resonating indefinitely.",{"id":1047,"height":38,"width":39,"blurhash":1048},"15a0ba98-9cab-4f27-947a-b45e681f381e","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#fdfeff,#00000000 50%),radial-gradient(at 33% 50%,#f6f8fb,#00000000 50%),radial-gradient(at 67% 50%,#f2f4f7,#00000000 50%),radial-gradient(at 100% 50%,#f7f8fb,#00000000 50%),radial-gradient(at 0 100%,#f3ffff,#00000000 50%),radial-gradient(at 33% 100%,#edf8fc,#00000000 50%),radial-gradient(at 67% 100%,#ebf6f9,#00000000 50%),radial-gradient(at 100% 100%,#effafd,#00000000 50%)",{"id":1050,"height":43,"width":44,"blurhash":31},"b6c92b93-9848-4b7b-8d5c-4076b90b82f1",[1052],{"languages_code":47,"description":1053},"Colossale is a defiant creative production studio and film collective that rejects industry platitudes in favor of raw, ambitious visual storytelling. 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The use of striking red accents against a clean, light background creates a sense of urgency and authority, perfectly mirroring their mission of delivering 'defiant truth.'",[201,51,53],[1056],"Caserne",[1058,1058,208],"Atlas Grotesk",[62,63,65,1060,616],"WP-Optimize",[1062,1063,1064,1065],{"score":169,"category":69},{"score":407,"category":72},{"score":74,"category":75},{"score":77,"category":78},[1067,1068,1070,1071],{"score":266,"category":69},{"score":1069,"category":72},89,{"score":74,"category":75},{"score":77,"category":78},[86,87,88,232],"Website: Colossale. Page: About. Page type: About Us \u002F Team. Page title: About Colossale – We Are Colossale. Page description: Colossale was established in a generation of digital natives whose defining moment was becoming lost in a world of film, television, and videos. Instead of remaining a complacent consumer, Colossale emerged with the objective of ushering in a new age of ambitious visual projects. At Colossale we deliver defiant truth in an industry of fake smiles and soft handshakes. We are devoted to upholding the best and most visually refined products with the goal of resonating indefinitely.. Page content: Colossale was established in a generation of digital natives whose defining moment was becoming lost in a world of film, television, and videos. Instead of remaining a complacent consumer, Colossale emerged with the objective of ushering in a new age of ambitious visual projects. At Colossale we deliver defiant truth in an industry of fake smiles and soft handshakes. We are devoted to upholding the best and most visually refined products with the goal of resonating indefinitely.. A Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Typographic \u002F Big Type website in the Photography & Video industry. The overall color palette features White, Black, Gray, Red. The typography features Atlas Grotesk (Sans Serif, Commercial Type), Atlas Grotesk (Sans Serif, Commercial Type), Austin (Serif, Commercial Type). Built using jQuery, PHP, WordPress, WP-Optimize, WPML. AI description: Colossale is a defiant creative production studio and film collective that rejects industry platitudes in favor of raw, ambitious visual storytelling. Positioned as a hub for digital natives, the agency focuses on high-end cinematic projects that aim to resonate indefinitely, moving beyond mere consumption to create lasting cultural impact through film and video. The visual identity is characterized by a bold, high-contrast aesthetic that balances cinematic grandeur with a raw, almost punk-rock edge. Utilizing heavy, expressive typography and a minimalist layout, the design allows the sweeping, atmospheric imagery of their work to take center stage. 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Trabalhamos respeitando as imperfeições do material e o tempo ideal de desenvolvimento das peças. Inspiração Nossos móveis dialogam com o minimalismo japonês, escandinavo e modernismo. Seja na escolha de materiais, forma ou funcionalidade. Forma A expressão desses conceitos se aplica em cada detalhe: desde o cuidado com o acabamento, ao priorizar materiais naturais, até simplificar o design e reutilizar materiais dentro de uma perspectiva de economia circular. sobre o designer Maceioense de nascimento e paulista de criação. Percorreu por disciplinas de arte e design durante os anos no curso de têxtil e moda na USP, cidade onde iniciou a carreira com a criação de estampas e desenvolvimento de produto para indústria. Ao mesmo tempo que vivenciou a prática de oficinas de escultura, gravura e pintura no instituto Oswald de Andrade. A junção da afinidade por trabalhos manuais e a paixão pela criação de peças para o dia-a-dia das pessoas levaram à fundação do estúdio de mobiliário em Campinas-SP. 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Inspiração Nossos móveis dialogam com o minimalismo japonês, escandinavo e modernismo. Seja na escolha de materiais, forma ou funcionalidade. Forma A expressão desses conceitos se aplica em cada detalhe: desde o cuidado com o acabamento, ao priorizar materiais naturais, até simplificar o design e reutilizar materiais dentro de uma perspectiva de economia circular. sobre o designer Maceioense de nascimento e paulista de criação. Percorreu por disciplinas de arte e design durante os anos no curso de têxtil e moda na USP, cidade onde iniciou a carreira com a criação de estampas e desenvolvimento de produto para indústria. Ao mesmo tempo que vivenciou a prática de oficinas de escultura, gravura e pintura no instituto Oswald de Andrade. A junção da afinidade por trabalhos manuais e a paixão pela criação de peças para o dia-a-dia das pessoas levaram à fundação do estúdio de mobiliário em Campinas-SP. Fotos: Naira Mattia Site: Diogo Akio fechar Créditos - E-mail - Instagram. A Clean \u002F Minimalist, High-End \u002F Luxury, Monochrome \u002F Grayscale website in the Agency & Studio industry. The overall color palette features White, Black, Brown, Gray. The typography features Suisse Neue (Slab Serif, Swiss Typefaces), Helvetica Neue (Sans Serif). Built using jQuery. AI description: Estúdio Igor Anabuki is a specialized design studio dedicated to the creation and production of original, handcrafted furniture. The website serves as a digital gallery and portfolio, showcasing pieces that emphasize the natural beauty of materials and the intersection of artisanal craftsmanship with contemporary design principles. The visual identity is defined by a sophisticated, minimalist aesthetic that mirrors the studio's philosophy. Utilizing expansive whitespace, high-quality editorial photography, and a restrained typographic hierarchy, the site creates a serene atmosphere. The design prioritizes the tactile qualities of the furniture, allowing the textures of wood and fabric to act as the primary visual drivers for an audience of design enthusiasts and high-end interior professionals.",{"id":1114,"website_id":1115,"page_id":1114,"name":1116,"slug":1117,"url":1118,"website_name":1116,"website_slug":1117,"website_url":1119,"result_url":1118,"fetched_at":1120,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":1121,"page_name":1122,"page_url":1118,"page_title":1123,"page_description":1124,"page_content":1125,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1126,"cover_mobile":1129,"cover_sequence":31,"translations":1131,"industry":609,"styles":1134,"credits":1135,"font_families":1138,"technologies":1142,"pagespeed":1143,"pagespeed_mobile":1148,"buckets":1153,"search_payload":1154},"ea7bac5c-5d3c-4083-baed-370d5d254d30","f5265c1a-f847-417d-a3ef-d86c061555d4","Mofa","mofa","https:\u002F\u002Fmofa.tv\u002Fdirectors","https:\u002F\u002Fmofa.tv","2026-05-04T08:25:51.000Z","2026-05-23T19:17:45.000Z","Directors","MOFA - Directors","A production company and creative studio, bridging the worlds of branding and entertainment.","Directors – Expand AllExpand All - ### Joel Harmsworth (+) Joel Harmsworth finds lyricism in every frame, from the epic to the minutea. A visually inventive, emotional storyteller with a mind for the technical details. Music and sound are integral to his work. As half of the electronic music duo Powerglove, he has scored top selling video games such as Far Cry and composed the soundtrack for the major Netflix anime series, Devil May Cry. As storytelling becomes more faceted across media, Joel is exploring all aspects of the craft . - ### Victoria Police_Made for More_ Commercial - Joel Harmsworth - ### Target_A Better Way to Christmas_ Commercial - Joel Harmsworth - ### Ladbrokes_Back Yourself_ Commercial - Joel Harmsworth - ### Rural Fire Service_Fireproof_ Commercial - Joel Harmsworth - ### Australian Army Reserve_Your Life, Plus Army Reserve_ Commercial - Joel Harmsworth - ### Audi_Twitch_ Commercial - Joel Harmsworth - ### Ampol_Anywhere_ Commercial - Joel Harmsworth - ### Jacob's Creek_Double Barrel_ Commercial - Joel Harmsworth - ### Heinz_It has to be_ Commercial - Joel Harmsworth - ### Bianca Poletti (+) Bianca Poletti is an Argentine director based in California, who has shot in just about every corner of the world. Which may explain why she is so talented at building rich, dreamlike worlds in her work. A master of both story and tone, Bianca deftly taps into diverse themes, from suburban nostalgia, heightened realism to colourful expressions of joy. Restlessly creative and prolific in almost every screen format, Bianca's recent successes outside of commercials include her short film Video Barn which premiered at SXSW, multiple features on Nowness and Vimeo Staff Pick, including the recent cultural commentary, Face Tweak. - ### Proximus_Monster_ Commercial - Bianca Poletti - ### LIDL_Never Stop Growing_ Commercial - Bianca Poletti - ### Facebook_Imperfect Harmony_ Commercial - Bianca Poletti - ### Planned Parenthood_Be Seen_ Commercial - Bianca Poletti - ### Logitech_Defy Logic_ Commercial - Bianca Poletti - ### Tiktok_Go Forward_ Commercial - Bianca Poletti - ### Nick Kelly (+) Nick Kelly has had many past lives. A photographer in the art world. A highly awarded copywriter for agencies between Australia and NYC. He then pivoted to directing, where he quickly built a reputation as a film maker with a sense for character and comedy, iconic dialogue and world building. With his background as a creative, Nick adds value to any campaign. At least $7200 worth of value. Often more. More recently, he made his foray into the narrative space with his first short film. Nick is a co-founder of MOFA. - ### Fiverr_Stuntman_ Commercial - Nick Kelly - ### GWM_Chuck it in the Ute_ Commercial - Nick Kelly - ### Dan Murphy's_Our Story Begins_ Commercial - Nick Kelly - ### Squarespace_Ideas Man_ Commercial - Nick Kelly - ### Oz Lotto_Plastic_ Commercial - Nick Kelly - ### Credit 24_Puppet_ Commercial - Nick Kelly - ### Sam Holst (+) Sam Holst films are layered with drama, wit and where needed, a hint of quirk and darkness. A master of capturing the most nuanced performances, his cinematic style is something he's developed in the commercial world and beyond. Holst’s branded short film for Pepto Bismol “Boy Raised by Goats” won Gold and Silver Clio Awards and a Silver Lion, while his offbeat campaign for Otrivin earned a Gold Lion. His dramatic short film, “Meathead” was selected to screen In Competition at the 64th Cannes Film Festival and earned the Crystal Bear Award for Best Short at the 62nd Berlin Film Festival. Parcitipating at the Cinéfondation Residence in Paris, hosted by the Cannes Film Festival, he wrote and develop his debut feature film “Last Autumn”, currently in financing. - ### Hyundai_Split Up_ Commercial - Sam Holst - ### Aware Super_Rhythms_ Commercial - Sam Holst - ### Uber_Bad Date_ Commercial - Sam Holst - ### Hiroad_Mindfulness_ Commercial - Sam Holst - ### Otrivin_Shoelaces_ Commercial - Sam Holst - ### Arnott's_Moments_ Commercial - Sam Holst - ### Smart_Key Hanger_ Commercial - Sam Holst - ### Pepto Bismol_Boy Raised by Goats_ Branded Entertainment - Sam Holst - ### Officeworks_The 8 ½ Hour Receipt_ Commercial - Sam Holst - ### Too Short for Modelling (+) TS …",{"id":1127,"height":38,"width":39,"blurhash":1128},"fd662e65-3d88-463b-be06-5a387d9de967","radial-gradient(at 0 0,#f9f9f9,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ebebeb,#00000000 50%),radial-gradient(at 33% 50%,#f6f6f6,#00000000 50%),radial-gradient(at 67% 50%,#fdfdfd,#00000000 50%),radial-gradient(at 100% 50%,#fbfbfb,#00000000 50%),radial-gradient(at 0 100%,#eeeeee,#00000000 50%),radial-gradient(at 33% 100%,#f9f9f9,#00000000 50%),radial-gradient(at 67% 100%,#ffffff,#00000000 50%),radial-gradient(at 100% 100%,#fcfcfc,#00000000 50%)",{"id":1130,"height":43,"width":44,"blurhash":31},"b1b9c6cf-fc69-485b-81cb-e7847515a8c1",[1132],{"languages_code":47,"description":1133},"MOFA is a high-caliber production company and creative studio that operates at the intersection of commercial branding and cinematic entertainment. 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Page content: Directors – Expand AllExpand All - ### Joel Harmsworth (+) Joel Harmsworth finds lyricism in every frame, from the epic to the minutea. A visually inventive, emotional storyteller with a mind for the technical details. Music and sound are integral to his work. As half of the electronic music duo Powerglove, he has scored top selling video games such as Far Cry and composed the soundtrack for the major Netflix anime series, Devil May Cry. As storytelling becomes more faceted across media, Joel is exploring all aspects of the craft . - ### Victoria Police_Made for More_ Commercial - Joel Harmsworth - ### Target_A Better Way to Christmas_ Commercial - Joel Harmsworth - ### Ladbrokes_Back Yourself_ Commercial - Joel Harmsworth - ### Rural Fire Service_Fireproof_ Commercial - Joel Harmsworth - ### Australian Army Reserve_Your Life, Plus Army Reserve_ Commercial - Joel Harmsworth - ### Audi_Twitch_ Commercial - Joel Harmsworth - ### Ampol_Anywhere_ Commercial - Joel Harmsworth - ### Jacob's Creek_Double Barrel_ Commercial - Joel Harmsworth - ### Heinz_It has to be_ Commercial - Joel Harmsworth - ### Bianca Poletti (+) Bianca Poletti is an Argentine director based in California, who has shot in just about every corner of the world. Which may explain why she is so talented at building rich, dreamlike worlds in her work. A master of both story and tone, Bianca deftly taps into diverse themes, from suburban nostalgia, heightened realism to colourful expressions of joy. Restlessly creative and prolific in almost every screen format, Bianca's recent successes outside of commercials include her short film Video Barn which premiered at SXSW, multiple features on Nowness and Vimeo Staff Pick, including the recent cultural commentary, Face Tweak. - ### Proximus_Monster_ Commercial - Bianca Poletti - ### LIDL_Never Stop Growing_ Commercial - Bianca Poletti - ### Facebook_Imperfect Harmony_ Commercial - Bianca Poletti - ### Planned Parenthood_Be Seen_ Commercial - Bianca Poletti - ### Logitech_Defy Logic_ Commercial - Bianca Poletti - ### Tiktok_Go Forward_ Commercial - Bianca Poletti - ### Nick Kelly (+) Nick Kelly has had many past lives. A photographer in the art world. A highly awarded copywriter for agencies between Australia and NYC. He then pivoted to directing, where he quickly built a reputation as a film maker with a sense for character and comedy, iconic dialogue and world building. With his background as a creative, Nick adds value to any campaign. At least $7200 worth of value. Often more. More recently, he made his foray into the narrative space with his first short film. Nick is a co-founder of MOFA. - ### Fiverr_Stuntman_ Commercial - Nick Kelly - ### GWM_Chuck it in the Ute_ Commercial - Nick Kelly - ### Dan Murphy's_Our Story Begins_ Commercial - Nick Kelly - ### Squarespace_Ideas Man_ Commercial - Nick Kelly - ### Oz Lotto_Plastic_ Commercial - Nick Kelly - ### Credit 24_Puppet_ Commercial - Nick Kelly - ### Sam Holst (+) Sam Holst films are layered with drama, wit and where needed, a hint of quirk and darkness. A master of capturing the most nuanced performances, his cinematic style is something he's developed in the commercial world and beyond. Holst’s branded short film for Pepto Bismol “Boy Raised by Goats” won Gold and Silver Clio Awards and a Silver Lion, while his offbeat campaign for Otrivin earned a Gold Lion. His dramatic short film, “Meathead” was selected to screen In Competition at the 64th Cannes Film Festival and earned the Crystal Bear Award for Best Short at the 62nd Berlin Film Festival. Parcitipating at the Cinéfondation Residence in Paris, hosted by the Cannes Film Festival, he wrote and develop his debut feature film “Last Autumn”, currently in financing. - ### Hyundai_Split Up_ Commercial - Sam Holst - ### Aware Super_Rhythms_ Commercial - Sam Holst - ### Uber_Bad Date_ Commercial - Sam Holst - ### Hiroad_Mindfulness_ Commercial - Sam Holst - ### Otrivin_Shoelaces_ Commercial - Sam Holst - ### Arnott's_Moments_ Commercial - Sam Holst - ### Smart_Key Hanger_ Commercial - Sam Holst - ### Pepto Bismol_Boy Raised by Goats_ Branded Entertainment - Sam Holst - ### Officeworks_The 8 ½ Hour Receipt_ Commercial - Sam Holst - ### Too Short for Modelling (+) TS …. A Clean \u002F Minimalist, Dark Mode, High-End \u002F Luxury website in the Photography & Video industry. Designed by Laurton Digital and Yardbird Studio. The overall color palette features White, Black, Gray, Brown. The typography features Editorial (Pangram Pangram), Neue Montreal (Sans Serif, Pangram Pangram), Neue Montreal Mono (Sans Serif, Pangram Pangram). Built using Node.js, Nuxt.js, Vue.js. AI description: MOFA is a high-caliber production company and creative studio that operates at the intersection of commercial branding and cinematic entertainment. By bridging these two worlds, the studio offers a sophisticated approach to storytelling, catering to global brands that seek more than just advertising—they seek narrative depth and visual excellence. The website's visual identity is defined by a cinematic, immersive experience. Utilizing a minimalist, high-contrast layout, the design allows the studio's portfolio of striking imagery and video stills to take center stage. The use of bold, clean typography and a spacious, grid-based structure communicates a sense of premium professionalism and creative authority, making it an ideal digital home for a roster of elite directors and high-end commercial work.",{"id":1156,"website_id":1157,"page_id":1156,"name":1158,"slug":1159,"url":1160,"website_name":1158,"website_slug":1159,"website_url":1161,"result_url":1160,"fetched_at":1162,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":597,"page_name":142,"page_url":1160,"page_title":142,"page_description":31,"page_content":1163,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1164,"cover_mobile":1167,"cover_sequence":31,"translations":1169,"industry":154,"styles":1172,"credits":1173,"font_families":1174,"technologies":1177,"pagespeed":1178,"pagespeed_mobile":1183,"buckets":1188,"search_payload":1189},"27efce94-e374-49d9-94f6-70018df94d33","f5c04df5-16da-4d6d-b79e-dc369206c616","Natasja Bokkerink","natasja-bokkerink","https:\u002F\u002Fnatasjabokkerink.nl\u002Fabout","https:\u002F\u002Fnatasjabokkerink.nl","2026-05-04T08:14:17.000Z","Notes from the Blue Desk About Instagram Natasja Bökkerink Graphic designer based in Rotterdam. As she makes her way through the city, (over)saturated and (over)stimulating, glancing around, she looks for hidden gems in her surroundings. They inspire her, make her question where they came from. ‍ In her practice, she strives to make the invisible visible. A beautiful song, an interesting story, a great idea. She would think it’s a pity if the song went unheard because the artwork didn’t stand out in the recordstore, the book left unread because the cover didn’t speak to anyone, the great idea undeveloped. She collects these ideas, invites musicians, artists and socially engaged organisations to share them with her, so together they can make them grow and become more visible. ‍ Education 2012 - 2016 SintLucas ‍_MBO Multimedia Design_ 2016 University of Northampton ‍_Honours Programme BA Graphic Communication_ 2016 - 2020 Willem de Kooning Academie ‍_BA Graphic Design_ Work experience 2014 Daydream Design (UK) ‍_Graphic design intern ‍_ 2015 Dailymilk (NL) ‍_Graphic design intern_ 2019 Glitterstudio (NL) ‍_Graphic design intern_ 2019 Studio van Onna (NL) ‍_Graphic design intern_ 2022 - 2024 DWARS Groenlinkse Jongeren ‍_Designer_ 2022 - 2024 Popronde ‍_Visual content creator_ Talks 2022 Pizza, Pils, Presentatie ‍_Talk @ Willem de Kooning Academie, Rotterdam (NL)_ 2023 New Design & Attitudes ‍_Guest lecture @ Sint Joost, Breda & Den Bosch (NL)_ 2024 [Een passend plaatje ](https:\u002F\u002Fmuzikantendag.nl\u002Fprogramma\u002Fvisuele-branding)‍‍_Talk @ Muzikantendag, Melkweg Amsterdam (NL)_ Grants & courses 2022 Stimuleringsfonds [Building Talent grant scheme ](https:\u002F\u002Fwww.stimuleringsfonds.nl\u002Fnieuws\u002Fbouwen-aan-talent-slotbijeenkomst)‍_Research & design in collaboration with Vandejong, Amsterdam (NL)_ 2024 Cultuur&Ondernemen [Route Ondernemerschap ‍](https:\u002F\u002Fwww.cultuur-ondernemen.nl\u002Fdiensten\u002Froute-ondernemerschap-leerprogramma)‍_Six week entrepeneurship course for artists and designers, Rotterdam (NL)_ Natasja is probably knitting right now. Send her an email. 8:14, 4.5.2026, Rotterdam.",{"id":1165,"height":38,"width":39,"blurhash":1166},"0bf9bfb9-d95d-43e5-8ca2-627d743b122c","radial-gradient(at 0 0,#fff6ea,#00000000 50%),radial-gradient(at 33% 0,#fff4e7,#00000000 50%),radial-gradient(at 67% 0,#fffcef,#00000000 50%),radial-gradient(at 100% 0,#fffff4,#00000000 50%),radial-gradient(at 0 50%,#fff3e7,#00000000 50%),radial-gradient(at 33% 50%,#fdf1e4,#00000000 50%),radial-gradient(at 67% 50%,#fdf3e6,#00000000 50%),radial-gradient(at 100% 50%,#fdf9ec,#00000000 50%),radial-gradient(at 0 100%,#fffef2,#00000000 50%),radial-gradient(at 33% 100%,#fffaef,#00000000 50%),radial-gradient(at 67% 100%,#fffcf0,#00000000 50%),radial-gradient(at 100% 100%,#fffff4,#00000000 50%)",{"id":1168,"height":43,"width":44,"blurhash":31},"5d09279b-c189-4dcf-bf1b-097a1d62beed",[1170],{"languages_code":47,"description":1171},"Natasja Bökkerink’s website serves as a minimalist, highly typographic portfolio for the Rotterdam-based graphic designer. The site functions as both a professional showcase of her diverse projects—ranging from identity design to publication design—and a personal archive for her newsletter, 'Notes from the Blue Desk.' It is a space where professional expertise meets personal curiosity, emphasizing her role as a collector of ideas and a collaborator with artists and musicians.\n\nThe visual identity is defined by a sophisticated, editorial aesthetic that leans heavily on high-contrast typography and a warm, earthy color palette. The layout is airy and unencumbered by heavy UI elements, allowing the text to breathe and the project list to act as the primary navigational driver. This clean, almost Swiss-inspired approach communicates a sense of intentionality and artistic rigor, targeting creative professionals, cultural institutions, and collaborators who value thoughtful, concept-driven design.",[51,53],[],[1175,1176,1175],"Source Serif","Acumin",[62],[1179,1180,1181,1182],{"score":361,"category":69},{"score":128,"category":72},{"score":74,"category":75},{"score":68,"category":78},[1184,1185,1186,1187],{"score":274,"category":69},{"score":128,"category":72},{"score":74,"category":75},{"score":68,"category":78},[86,88,87,232,830],"Website: Natasja Bokkerink. Page: About. Page type: About Us \u002F Team. Page title: About. Page content: Notes from the Blue Desk About Instagram Natasja Bökkerink Graphic designer based in Rotterdam. As she makes her way through the city, (over)saturated and (over)stimulating, glancing around, she looks for hidden gems in her surroundings. They inspire her, make her question where they came from. ‍ In her practice, she strives to make the invisible visible. A beautiful song, an interesting story, a great idea. She would think it’s a pity if the song went unheard because the artwork didn’t stand out in the recordstore, the book left unread because the cover didn’t speak to anyone, the great idea undeveloped. She collects these ideas, invites musicians, artists and socially engaged organisations to share them with her, so together they can make them grow and become more visible. ‍ Education 2012 - 2016 SintLucas ‍_MBO Multimedia Design_ 2016 University of Northampton ‍_Honours Programme BA Graphic Communication_ 2016 - 2020 Willem de Kooning Academie ‍_BA Graphic Design_ Work experience 2014 Daydream Design (UK) ‍_Graphic design intern ‍_ 2015 Dailymilk (NL) ‍_Graphic design intern_ 2019 Glitterstudio (NL) ‍_Graphic design intern_ 2019 Studio van Onna (NL) ‍_Graphic design intern_ 2022 - 2024 DWARS Groenlinkse Jongeren ‍_Designer_ 2022 - 2024 Popronde ‍_Visual content creator_ Talks 2022 Pizza, Pils, Presentatie ‍_Talk @ Willem de Kooning Academie, Rotterdam (NL)_ 2023 New Design & Attitudes ‍_Guest lecture @ Sint Joost, Breda & Den Bosch (NL)_ 2024 [Een passend plaatje ](https:\u002F\u002Fmuzikantendag.nl\u002Fprogramma\u002Fvisuele-branding)‍‍_Talk @ Muzikantendag, Melkweg Amsterdam (NL)_ Grants & courses 2022 Stimuleringsfonds [Building Talent grant scheme ](https:\u002F\u002Fwww.stimuleringsfonds.nl\u002Fnieuws\u002Fbouwen-aan-talent-slotbijeenkomst)‍_Research & design in collaboration with Vandejong, Amsterdam (NL)_ 2024 Cultuur&Ondernemen [Route Ondernemerschap ‍](https:\u002F\u002Fwww.cultuur-ondernemen.nl\u002Fdiensten\u002Froute-ondernemerschap-leerprogramma)‍_Six week entrepeneurship course for artists and designers, Rotterdam (NL)_ Natasja is probably knitting right now. Send her an email. 8:14, 4.5.2026, Rotterdam.. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Gray, Black, Red, Pink. The typography features Source Serif (Serif), Acumin (Sans Serif), Source Serif (Serif). Built using jQuery. AI description: Natasja Bökkerink’s website serves as a minimalist, highly typographic portfolio for the Rotterdam-based graphic designer. The site functions as both a professional showcase of her diverse projects—ranging from identity design to publication design—and a personal archive for her newsletter, 'Notes from the Blue Desk.' It is a space where professional expertise meets personal curiosity, emphasizing her role as a collector of ideas and a collaborator with artists and musicians. The visual identity is defined by a sophisticated, editorial aesthetic that leans heavily on high-contrast typography and a warm, earthy color palette. The layout is airy and unencumbered by heavy UI elements, allowing the text to breathe and the project list to act as the primary navigational driver. 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Office Feuerman (OF) is a design office that thrives on engaging and collaborating with clients and partners to find thoughtful design solutions, looking at everyday issues, challenges, and constraints as a means for design invention. Based in Sydney and New York City, OF designs for a range of scales- from furniture to building design. The practice’s work has been featured and recognized in national and international publications and exhibitions. Team William Feuerman (Director) William Feuerman is a designer, academic and writer working in Australia and the US. He is the Director of Office Feuerman (OF), a Sydney based design and research office, founded in New York in 2007. Before starting OF, William worked at several leading international architecture firms including five years at Bernard Tschumi Architects in New York. In 2010, he began teaching at UTS, where he served as the Course Director for the Bachelor of Design in Architecture program and Associate Head of School from 2012-2016. He has coordinated a taught in graduate and undergraduate architecture programs in Australia and the US. At Columbia University’s Graduate School of Architecture, Planning and Preservation (GSAPP) he coordinated and taught design studios in the New York\u002FParis and Introduction to Architecture programs. He taught in the graduate architecture program at the University of Pennsylvania’s School of Design as well as the undergraduate interior design program at Pratt Institute’s School of Art and Design. William studied at Columbia University GSAPP and at the California College of the Arts. He came to Sydney in 2010 via New York, San Francisco and Los Angeles. He is a contributor to The Conversation and the New York-based website Untapped Cities, where he writes about art, architecture and the city. Dane Voorderhake (Associate Director) Dane Voorderhake is a UTS Master of Architecture Graduate who joined OF in 2015. He is interested in all things digital with a focus upon algorithmic processes and advanced fabrication technologies. This manifests into an interest in Architecture’s return to the culture of ‘making’ and a tactile working approach that navigates the ground between the digital and the physical. Dane was the winner of the 2016 Australian Institute of Architects Graduate Award for ‘Digital Innovation in Architecture’. Dane has lived and studied in Amsterdam, Berlin, and Sydney. He currently teaches architectural design and communications and manages the Advanced Fabrication Lab at the University of Technology Sydney (UTS). Leyla Oz (Senior Designer) Leyla Oz completed her Bachelor of Design in Architecture at UTS in 2018, is currently undertaking her Master of Architecture and started at OF in 2019. She is interested in the governing of space through surveillance and observation. Her previous work examines the distortion of the female body in the reflective surfaces of the city. After developing an interest in the unravelling of political conflict in Syria, her project based on the control of bodies through the command over vital resources was published in The Funambulist. Leyla also loves to model make and would really like to learn the art of glassblowing one day.",{"id":1204,"height":38,"width":39,"blurhash":1205},"f74ab22f-5033-424d-b001-a00d872c29e1","radial-gradient(at 0 0,#fdfdfd,#00000000 50%),radial-gradient(at 33% 0,#f6f6f6,#00000000 50%),radial-gradient(at 67% 0,#fbfbfb,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#efefef,#00000000 50%),radial-gradient(at 33% 50%,#eaeaea,#00000000 50%),radial-gradient(at 67% 50%,#f5f5f5,#00000000 50%),radial-gradient(at 100% 50%,#fefefe,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#f2f2f2,#00000000 50%),radial-gradient(at 67% 100%,#f5f5f5,#00000000 50%),radial-gradient(at 100% 100%,#ffffff,#00000000 50%)",{"id":1207,"height":43,"width":44,"blurhash":31},"d3af6ac8-e9e6-4b5b-b67c-ca52bef728ed",[1209],{"languages_code":47,"description":1210},"Office Feuerman is a Sydney-based research and design practice that operates at the intersection of experimental inquiry and tangible creation. Led by William Feuerman, the studio presents its work through a highly curated lens, treating each project—from 'Orbit' to 'Time Traveller'—as a distinct intellectual and aesthetic exploration. The website serves as a digital archive and portfolio, designed to showcase complex spatial and material concepts to a sophisticated audience of architects, designers, and cultural curators.\n\nThe visual identity is defined by a bold, high-contrast aesthetic that favors striking color blocks and monochromatic imagery. Utilizing a vibrant orange as a primary brand signal, the design employs a minimalist, typographic-driven layout that allows the experimental imagery to command attention. The use of large-scale sans-serif type and a structured, grid-like navigation creates a sense of modern authority, positioning the studio as a forward-thinking leader in the research-led design space.",[51,52,53],[],[],[63],[1216,1217,1218,1219],{"score":266,"category":69},{"score":74,"category":72},{"score":123,"category":75},{"score":77,"category":78},[1221,1222,1223,1224],{"score":782,"category":69},{"score":74,"category":72},{"score":123,"category":75},{"score":77,"category":78},[86,232,87,88],"Website: Office Feuerman. Page: Studio. Page type: About Us \u002F Team. Page title: OFFICE FEUERMAN. Page description: Office Feuerman \u0003is a Sydney based research \u0003and design \u0003practice led by William Feuerman. Page content: Office Feuerman is a Sydney based research and design practice founded by William Feuerman. Office Feuerman (OF) is a design office that thrives on engaging and collaborating with clients and partners to find thoughtful design solutions, looking at everyday issues, challenges, and constraints as a means for design invention. Based in Sydney and New York City, OF designs for a range of scales- from furniture to building design. The practice’s work has been featured and recognized in national and international publications and exhibitions. Team William Feuerman (Director) William Feuerman is a designer, academic and writer working in Australia and the US. He is the Director of Office Feuerman (OF), a Sydney based design and research office, founded in New York in 2007. Before starting OF, William worked at several leading international architecture firms including five years at Bernard Tschumi Architects in New York. In 2010, he began teaching at UTS, where he served as the Course Director for the Bachelor of Design in Architecture program and Associate Head of School from 2012-2016. He has coordinated a taught in graduate and undergraduate architecture programs in Australia and the US. At Columbia University’s Graduate School of Architecture, Planning and Preservation (GSAPP) he coordinated and taught design studios in the New York\u002FParis and Introduction to Architecture programs. He taught in the graduate architecture program at the University of Pennsylvania’s School of Design as well as the undergraduate interior design program at Pratt Institute’s School of Art and Design. William studied at Columbia University GSAPP and at the California College of the Arts. He came to Sydney in 2010 via New York, San Francisco and Los Angeles. He is a contributor to The Conversation and the New York-based website Untapped Cities, where he writes about art, architecture and the city. Dane Voorderhake (Associate Director) Dane Voorderhake is a UTS Master of Architecture Graduate who joined OF in 2015. He is interested in all things digital with a focus upon algorithmic processes and advanced fabrication technologies. This manifests into an interest in Architecture’s return to the culture of ‘making’ and a tactile working approach that navigates the ground between the digital and the physical. Dane was the winner of the 2016 Australian Institute of Architects Graduate Award for ‘Digital Innovation in Architecture’. Dane has lived and studied in Amsterdam, Berlin, and Sydney. He currently teaches architectural design and communications and manages the Advanced Fabrication Lab at the University of Technology Sydney (UTS). Leyla Oz (Senior Designer) Leyla Oz completed her Bachelor of Design in Architecture at UTS in 2018, is currently undertaking her Master of Architecture and started at OF in 2019. She is interested in the governing of space through surveillance and observation. Her previous work examines the distortion of the female body in the reflective surfaces of the city. After developing an interest in the unravelling of political conflict in Syria, her project based on the control of bodies through the command over vital resources was published in The Funambulist. Leyla also loves to model make and would really like to learn the art of glassblowing one day.. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Red, Black, Gray. Built using PHP. AI description: Office Feuerman is a Sydney-based research and design practice that operates at the intersection of experimental inquiry and tangible creation. Led by William Feuerman, the studio presents its work through a highly curated lens, treating each project—from 'Orbit' to 'Time Traveller'—as a distinct intellectual and aesthetic exploration. The website serves as a digital archive and portfolio, designed to showcase complex spatial and material concepts to a sophisticated audience of architects, designers, and cultural curators. The visual identity is defined by a bold, high-contrast aesthetic that favors striking color blocks and monochromatic imagery. Utilizing a vibrant orange as a primary brand signal, the design employs a minimalist, typographic-driven layout that allows the experimental imagery to command attention. The use of large-scale sans-serif type and a structured, grid-like navigation creates a sense of modern authority, positioning the studio as a forward-thinking leader in the research-led design space.",{"id":1228,"website_id":1229,"page_id":1228,"name":1230,"slug":1231,"url":1232,"website_name":1230,"website_slug":1231,"website_url":1233,"result_url":1232,"fetched_at":1234,"score":24,"score_boost":25,"ai_score":271,"freshness_score":27,"scored_at":1235,"page_name":289,"page_url":1232,"page_title":1236,"page_description":1237,"page_content":1238,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1239,"cover_mobile":1242,"cover_sequence":31,"translations":1244,"industry":49,"styles":1247,"credits":1248,"font_families":1252,"technologies":1254,"pagespeed":1255,"pagespeed_mobile":1260,"buckets":1266,"search_payload":1267},"6ca4e2d4-7331-4789-ba9f-80da10fd4688","f7bb4cf9-4fb0-4c0d-a0f2-e7a99b49f22e","Agenda","agenda","https:\u002F\u002Frn13bis.fr\u002Fa-propos\u002Fmissions","https:\u002F\u002Frn13bis.fr","2026-05-04T08:03:34.000Z","2026-05-23T19:36:36.000Z","RN13BIS | Missions","RN13BIS — art contemporain en Normandie est un réseau régional qui fédère artistes, commissaires et structures, soit plus de 300 professionnel·le·s et œuvre au développement et à la structuration des arts visuels.","- Missions - Fonctionnement - Membres - L’équipe salariée - Contrat de filière - Soutiens et partenaires Missions RN13BIS — art contemporain en Normandie est un réseau régional qui fédère artistes, commissaires et structures, soit plus de 300 professionnel·le·s et œuvre au développement et à la structuration des arts visuels. Créée à l’automne 2010 l’association RN13BIS regroupe aujourd’hui 81 artistes-auteur·rice·s et curateur·rice·s, 21 opérateurs artistiques (centres d’art, lieux de résidence, écoles d’art…) et 2 membres associés. Le projet de RN13BIS s’articule autour de quatre grandes missions : œuvrer pour la structuration et le développement de la filière des arts visuels en Normandie, agir en tant que laboratoire au service de l’ensemble des professionnel·le·s sur le territoire, améliorer l’accès à l’information et encourager le partage et l’évolution des pratiques professionnelles, ainsi que contribuer à la vitalité et au rayonnement de la scène artistique normande. Historique À son démarrage en 2010, l’association RN13BIS regroupait uniquement des structures d’art contemporain. Son objectif était de promouvoir la création contemporaine et d’en faciliter l’accès au plus grand nombre. RN13BIS a ainsi publié jusqu’en 2020 un agenda papier des expositions de ses membres qui prenait la suite de l’agenda RN13, édité à partir de 2002 par le FRAC Basse-Normandie. L’association organisait également des parcours d’art contemporain, les RN13bus. Les structures membres du réseau ont aussi porté collectivement des projets tels que l’exposition collective « Background » en 2017. Entre 2016 et 2020 l’association a coordonné le Schéma d’Orientation pour le Développement des Arts Visuels (SODAVI), dispositif qui avait pour dessein d’inviter les acteurs et actrices des arts visuels à participer à une démarche de concertation autour de la filière en Normandie. L’année 2020 a permis de formuler un ensemble de propositions concrètes, publiées dans le livret de restitution du SODAVI. Depuis, RN13BIS est engagé, aux côtés des pouvoirs publics du territoire normand, parmi lesquels la Région Normandie et de l’État-DRAC Normandie, tous deux à l’initiative de cette nouvelle dynamique de coopération, dans la mise en place d’un contrat de filière arts visuels en Normandie. Outil au service des politiques culturelles, ce contrat de filière est entendu comme levier pour recenser et réinterroger collectivement les pratiques, modes de fonctionnements et actions pour permettre de mieux répondre aux besoins et enjeux du secteur et de structurer la filière arts visuels en Normandie. Le dispositif État d’urgence, doté par la Région Normandie en 2020 de 200 000 euros destinés à soutenir les artistes des arts visuels dans le contexte de la crise sanitaire et mis en œuvre par RN13BIS, a préfiguré cette dynamique de co-construction au service de la filière régionale. L’année 2021 signe le début de la transformation de RN13BIS en tant qu’acteur effectif de la structuration de la filière art contemporain en Normandie. L’association s’est dotée de nouveaux statuts lui permettant de refondre en profondeur son mode de gouvernance et d’ouvrir l’adhésion aux indépendants, artistes et commissaires d’expositions, ainsi qu’à d’autres structures, dites membres associés. Les missions de RN13BIS ont par ailleurs été élargies afin de bénéficier à un plus grand nombre de personnes, professionnel·le·s, membres ou non du réseau. Depuis 2022, l’État-DRAC Normandie et la Région Normandie siègent au sein du conseil d’administration de l’association en tant que membres de droit. Missions actuelles RN13BIS est un acteur de la structuration de l’art contemporain en Normandie, œuvrant par divers moyens à une meilleure connaissance et compréhension de ses fonctionnements et enjeux sectoriels. L’association coordonne les travaux du contrat de filière arts visuels en Normandie 2023-2027, signé par les pouvoirs publics du territoire normand et RN13BIS le 28 juin 2023. Depuis septembre 2023, le réseau porte _Traverses_, le répertoire normand des artistes de l’art contemporain, avec pour objectif de faciliter l’identification des artistes sur le territoire et les prises de contact entre professionnel·le·s. Ce nouvel outil numérique répond à un besoin de visibilité largement exprimé par les artistes du territoire, enjeu qui avait émergé lors du SODAVI (Schéma d’orientation pour le développement des arts visuels) porté par le réseau entre 2016 et 2020. RN13BIS favorise le partage d’expérience et la circulation d’informations et de ressources professionnelles sous la forme de relais d’appels à projets, d’informations juridiques, de groupes de partage de pratiques et de sessions d’information mutualisées. Il encourage la mobilité des professionnel·le·s en organisant des parcours et voyages d’étude en région ou ailleurs. Cherchant à renforcer le rayonnement de la scène artistique normande, RN13BIS est à l’initiative des rencontres professionnelles _Présences_, visant à mettre en contact des artistes ayant un lien avec la Normandie avec d’autres professionnel·le·s de l’art contemporain hors région (commissaires, galeristes, directions de structures…). Depuis 2021 RN13BIS édite également la revue d’art annuelle _Insert_ et contribue ainsi à la circulation d’idées favorables au dynamisme de la création artistique, en Normandie comme ailleurs. À cela s’ajoute la réalisation de projets collectifs, à l’image du site internet du duo d’artistes It’s Our Playground inauguré en 2021. Téléchargements - Rapport d’activité 2022 RN13BIS – art contemporain en Normandie - Rapport d’activité 2023 RN13BIS – art contemporain en Normandie - Rapport d’activité 2024 RN13BIS – art contemporain en Normandie",{"id":1240,"height":38,"width":39,"blurhash":1241},"81c6ea89-725d-4623-89a7-dfd53d217947","radial-gradient(at 0 0,#e3e3e3,#00000000 50%),radial-gradient(at 33% 0,#d6d6d6,#00000000 50%),radial-gradient(at 67% 0,#d5d5d5,#00000000 50%),radial-gradient(at 100% 0,#dfdfdf,#00000000 50%),radial-gradient(at 0 50%,#e0e0e0,#00000000 50%),radial-gradient(at 33% 50%,#dddddd,#00000000 50%),radial-gradient(at 67% 50%,#dfdfdf,#00000000 50%),radial-gradient(at 100% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 0 100%,#ededed,#00000000 50%),radial-gradient(at 33% 100%,#e5e5e5,#00000000 50%),radial-gradient(at 67% 100%,#ededed,#00000000 50%),radial-gradient(at 100% 100%,#fdfdfd,#00000000 50%)",{"id":1243,"height":43,"width":44,"blurhash":31},"673df8f5-7ee8-4975-874b-45d9e84ba777",[1245],{"languages_code":47,"description":1246},"RN13BIS serves as a vital regional hub for contemporary art in Normandy, acting as a connective tissue for over 300 professionals including artists, curators, and cultural institutions. The platform functions as both a news source and a structural resource, providing an essential agenda of events, professional workshops, and artistic developments within the visual arts sector.\n\nThe visual identity is unapologetically bold and avant-garde, utilizing a high-impact typographic approach that dominates the user experience. By employing massive, heavy sans-serif typefaces that bleed across the viewport, the design mirrors the disruptive and impactful nature of contemporary art itself. 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Page content: - Missions - Fonctionnement - Membres - L’équipe salariée - Contrat de filière - Soutiens et partenaires Missions RN13BIS — art contemporain en Normandie est un réseau régional qui fédère artistes, commissaires et structures, soit plus de 300 professionnel·le·s et œuvre au développement et à la structuration des arts visuels. Créée à l’automne 2010 l’association RN13BIS regroupe aujourd’hui 81 artistes-auteur·rice·s et curateur·rice·s, 21 opérateurs artistiques (centres d’art, lieux de résidence, écoles d’art…) et 2 membres associés. Le projet de RN13BIS s’articule autour de quatre grandes missions : œuvrer pour la structuration et le développement de la filière des arts visuels en Normandie, agir en tant que laboratoire au service de l’ensemble des professionnel·le·s sur le territoire, améliorer l’accès à l’information et encourager le partage et l’évolution des pratiques professionnelles, ainsi que contribuer à la vitalité et au rayonnement de la scène artistique normande. Historique À son démarrage en 2010, l’association RN13BIS regroupait uniquement des structures d’art contemporain. Son objectif était de promouvoir la création contemporaine et d’en faciliter l’accès au plus grand nombre. RN13BIS a ainsi publié jusqu’en 2020 un agenda papier des expositions de ses membres qui prenait la suite de l’agenda RN13, édité à partir de 2002 par le FRAC Basse-Normandie. L’association organisait également des parcours d’art contemporain, les RN13bus. Les structures membres du réseau ont aussi porté collectivement des projets tels que l’exposition collective « Background » en 2017. Entre 2016 et 2020 l’association a coordonné le Schéma d’Orientation pour le Développement des Arts Visuels (SODAVI), dispositif qui avait pour dessein d’inviter les acteurs et actrices des arts visuels à participer à une démarche de concertation autour de la filière en Normandie. L’année 2020 a permis de formuler un ensemble de propositions concrètes, publiées dans le livret de restitution du SODAVI. Depuis, RN13BIS est engagé, aux côtés des pouvoirs publics du territoire normand, parmi lesquels la Région Normandie et de l’État-DRAC Normandie, tous deux à l’initiative de cette nouvelle dynamique de coopération, dans la mise en place d’un contrat de filière arts visuels en Normandie. Outil au service des politiques culturelles, ce contrat de filière est entendu comme levier pour recenser et réinterroger collectivement les pratiques, modes de fonctionnements et actions pour permettre de mieux répondre aux besoins et enjeux du secteur et de structurer la filière arts visuels en Normandie. Le dispositif État d’urgence, doté par la Région Normandie en 2020 de 200 000 euros destinés à soutenir les artistes des arts visuels dans le contexte de la crise sanitaire et mis en œuvre par RN13BIS, a préfiguré cette dynamique de co-construction au service de la filière régionale. L’année 2021 signe le début de la transformation de RN13BIS en tant qu’acteur effectif de la structuration de la filière art contemporain en Normandie. L’association s’est dotée de nouveaux statuts lui permettant de refondre en profondeur son mode de gouvernance et d’ouvrir l’adhésion aux indépendants, artistes et commissaires d’expositions, ainsi qu’à d’autres structures, dites membres associés. Les missions de RN13BIS ont par ailleurs été élargies afin de bénéficier à un plus grand nombre de personnes, professionnel·le·s, membres ou non du réseau. Depuis 2022, l’État-DRAC Normandie et la Région Normandie siègent au sein du conseil d’administration de l’association en tant que membres de droit. Missions actuelles RN13BIS est un acteur de la structuration de l’art contemporain en Normandie, œuvrant par divers moyens à une meilleure connaissance et compréhension de ses fonctionnements et enjeux sectoriels. L’association coordonne les travaux du contrat de filière arts visuels en Normandie 2023-2027, signé par les pouvoirs publics du territoire normand et RN13BIS le 28 juin 2023. Depuis septembre 2023, le réseau porte _Traverses_, le répertoire normand des artistes de l’art contemporain, avec pour objectif de faciliter l’identification des artistes sur le territoire et les prises de contact entre professionnel·le·s. Ce nouvel outil numérique répond à un besoin de visibilité largement exprimé par les artistes du territoire, enjeu qui avait émergé lors du SODAVI (Schéma d’orientation pour le développement des arts visuels) porté par le réseau entre 2016 et 2020. RN13BIS favorise le partage d’expérience et la circulation d’informations et de ressources professionnelles sous la forme de relais d’appels à projets, d’informations juridiques, de groupes de partage de pratiques et de sessions d’information mutualisées. Il encourage la mobilité des professionnel·le·s en organisant des parcours et voyages d’étude en région ou ailleurs. Cherchant à renforcer le rayonnement de la scène artistique normande, RN13BIS est à l’initiative des rencontres professionnelles _Présences_, visant à mettre en contact des artistes ayant un lien avec la Normandie avec d’autres professionnel·le·s de l’art contemporain hors région (commissaires, galeristes, directions de structures…). Depuis 2021 RN13BIS édite également la revue d’art annuelle _Insert_ et contribue ainsi à la circulation d’idées favorables au dynamisme de la création artistique, en Normandie comme ailleurs. À cela s’ajoute la réalisation de projets collectifs, à l’image du site internet du duo d’artistes It’s Our Playground inauguré en 2021. Téléchargements - Rapport d’activité 2022 RN13BIS – art contemporain en Normandie - Rapport d’activité 2023 RN13BIS – art contemporain en Normandie - Rapport d’activité 2024 RN13BIS – art contemporain en Normandie. A Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Typographic \u002F Big Type website in the Art & Culture industry. Designed by Pilote Paris and Atelier trois, developed by Quentin Creuzet. The overall color palette features White, Black, Gray. The typography features Söhne (Sans Serif, Klim Type), Söhne (Sans Serif, Klim Type), Söhne (Sans Serif, Klim Type), Söhne (Sans Serif, Klim Type). Built using PHP. AI description: RN13BIS serves as a vital regional hub for contemporary art in Normandy, acting as a connective tissue for over 300 professionals including artists, curators, and cultural institutions. The platform functions as both a news source and a structural resource, providing an essential agenda of events, professional workshops, and artistic developments within the visual arts sector. The visual identity is unapologetically bold and avant-garde, utilizing a high-impact typographic approach that dominates the user experience. By employing massive, heavy sans-serif typefaces that bleed across the viewport, the design mirrors the disruptive and impactful nature of contemporary art itself. 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Its origins lie in honouring Ireland’s patron saint, St. Patrick. St. Patrick’s Day has evolved into a vibrant celebration encompassing the richness of Irish culture. St Patricks Festival parade St. Patrick's Festival St. Patrick’s Festival is Ireland’s official celebration of our national holiday, St. Patrick’s Day. Its origins lie in honouring Ireland’s patron saint, St. Patrick. Initially, it was a solemn commemorative feast day dedicated to paying tribute to the saint, but over the years, St. Patrick’s Day has evolved into a vibrant celebration encompassing the richness of Irish culture. Today, it is a joyful occasion marked by parades, performances, and diverse expressions of Irish heritage; a multicultural international event that is committed to displaying contemporary and traditional arts, culture and heritage of the Irish people and the people who call Ireland home. The world-famous National St. Patrick’s Day Parade in Dublin takes place annually on March 17th, rain or shine, featuring spectacular pageants, raucous marching bands from all over the globe and community participants from all over Ireland. As well as the Parade, the 2026 Festival will host a jam-packed programme of events from 14th–17th March across the city centre. This March, we invite you to St. Patrick’s Festival in Dublin to help us celebrate our part and our place in our global community. Book Tickets St Patricks Festival parade clown About The Company Established in 1996, St. Patrick’s Festival has grown from a single-day to a four-day event featuring music, performance, spectacle, dance, theatre, literature, visual arts, food, wellness, community activations and much more. It is recognised globally as one of the world’s biggest festivals, with a global reach of over 600 million people in 2025. The Festival is a key driver for the tourism industry, presenting a world class event that showcases the very best of Irishness and Ireland as a destination, platforming our incredible unique culture, heritage and traditions to a global audience through quality experiences. Meet The Team Events & Artists Our 2026 Festival has an action packed programme with something for everyone to enjoy. All Events HONEYPOT 019: KISS ME, I’M IRISH - Tuesday 17th - Tengu View Event Token – After Dark Event - Tuesday 17th - Token View Event Wigwam – After Dark - Saturday 14th, Monday 16th - Wigwam View Event Ukrainian Vol Malva Choir - Saturday 14th - Stephen's Green Bandstand View Event The Portal - Monday 16th - Wolfe Tone Park View Event Your Roots, Your Story: Storytelling Workshops in the Abbey Theatre Rehearsal Room - Sunday 15th - Abbey Theatre View Event Events & Artists All Events HONEYPOT 019: KISS ME, I’M IRISH - Tuesday 17th - Tengu View Event Token – After Dark Event - Tuesday 17th - Token View Event Wigwam – After Dark - Saturday 14th, Monday 16th - Wigwam View Event Ukrainian Vol Malva Choir - Saturday 14th - Stephen's Green Bandstand View Event The Portal - Monday 16th - Wolfe Tone Park View Event Your Roots, Your Story: Storytelling Workshops in the Abbey Theatre Rehearsal Room - Sunday 15th - Abbey Theatre View Event Explore the Abbey Theatre during St. Patrick’s Festival - Sunday 15th - Abbey Theatre View Event Loop The Loop - Saturday 14th, Sunday 15th, Monday 16th - St. Patrick's Park View Event Information The Parade Our 2026 St. Patrick’s Festival programme runs from Saturday 14th to Tuesday 17th March. Below on our interactive map is all the information you need to know about the location of the world famous St. Patrick’s Festival Parade on 17th March and all our Citywide event locations from 14th to 17th March. Our full events schedule is also available to download below. More About The Parade Download Events Schedule Download Parade Map Instagram Feed Insta feed 1 Insta feed 2 Insta feed 3 Ceilie mor dancers face paiting Dublin Zoo float [ Map & Parade Route ](https:\u002F\u002Fstpatricksfestival.ie\u002Fthe-parade-map-and-route\u002F) [ Events ](https:\u002F\u002Fstpatricksfestival.ie\u002Fevents\u002F) [ Your Visit ](https:\u002F\u002Fstpatricksfestival.ie\u002Fyour-visit\u002F) [ Participate ](https:\u002F\u002Fstpatricksfestival.ie\u002Fparticipate\u002F#volunteers) [ Donate ](https:\u002F\u002Fstpatricksfestival.ie\u002Fsupport-us\u002F#rightside)",{"id":1281,"height":38,"width":39,"blurhash":1282},"502252a1-a202-4b03-810a-bd507be0a329","radial-gradient(at 0 0,#c0cfc4,#00000000 50%),radial-gradient(at 33% 0,#bdcdc0,#00000000 50%),radial-gradient(at 67% 0,#c7d3c5,#00000000 50%),radial-gradient(at 100% 0,#ccd5c9,#00000000 50%),radial-gradient(at 0 50%,#8b8689,#00000000 50%),radial-gradient(at 33% 50%,#727a77,#00000000 50%),radial-gradient(at 67% 50%,#899a97,#00000000 50%),radial-gradient(at 100% 50%,#b8b5b5,#00000000 50%),radial-gradient(at 0 100%,#c8cbc4,#00000000 50%),radial-gradient(at 33% 100%,#bdc5be,#00000000 50%),radial-gradient(at 67% 100%,#c2cec6,#00000000 50%),radial-gradient(at 100% 100%,#d6dcd4,#00000000 50%)",{"id":1284,"height":43,"width":44,"blurhash":31},"23643ed5-b60d-4ace-ab59-17e22c34864b",[1286],{"languages_code":47,"description":1287},"The St. Patrick's Festival website serves as the digital gateway to Ireland's premier cultural celebration. It is designed to inform, engage, and inspire both locals and international tourists, providing comprehensive details on parades, live music, community events, and logistical planning for the 2026 festivities in Dublin.\n\nThe visual identity is high-energy and celebratory, leaning heavily into a vibrant green palette that immediately evokes Irish heritage. The design utilizes bold, serif typography and large-scale, immersive photography to capture the scale and joy of the festival. Playful, organic graphic elements—such as the stylized serpent—add a sense of whimsy and modern character, ensuring the brand feels both culturally significant and contemporary.",[1289,53,202],"Fun \u002F Playful",[1291],"Estd",[1293],"Gotham",[570,62,63,358,65,1295],"WP Engine",[1297,1298,1299,1300],{"score":784,"category":69},{"score":68,"category":72},{"score":123,"category":75},{"score":271,"category":78},[1302,1303,1304,1305],{"score":128,"category":69},{"score":268,"category":72},{"score":123,"category":75},{"score":271,"category":78},[86,461,87,88],"Website: St. Patrick's Festival. Page: About Us. Page type: About Us \u002F Team. Page title: St Patrick’s Festival Dublin - Origins & Background. Page description: Learn about the mission, vision, and history of St Patrick’s Festival, celebrating Irish arts and culture worldwide.. Page content: About Us St. Patrick’s Festival is Ireland’s official celebration of our national holiday, St. Patrick’s Day. Its origins lie in honouring Ireland’s patron saint, St. Patrick. St. Patrick’s Day has evolved into a vibrant celebration encompassing the richness of Irish culture. St Patricks Festival parade St. Patrick's Festival St. Patrick’s Festival is Ireland’s official celebration of our national holiday, St. Patrick’s Day. Its origins lie in honouring Ireland’s patron saint, St. Patrick. Initially, it was a solemn commemorative feast day dedicated to paying tribute to the saint, but over the years, St. Patrick’s Day has evolved into a vibrant celebration encompassing the richness of Irish culture. Today, it is a joyful occasion marked by parades, performances, and diverse expressions of Irish heritage; a multicultural international event that is committed to displaying contemporary and traditional arts, culture and heritage of the Irish people and the people who call Ireland home. The world-famous National St. Patrick’s Day Parade in Dublin takes place annually on March 17th, rain or shine, featuring spectacular pageants, raucous marching bands from all over the globe and community participants from all over Ireland. As well as the Parade, the 2026 Festival will host a jam-packed programme of events from 14th–17th March across the city centre. This March, we invite you to St. Patrick’s Festival in Dublin to help us celebrate our part and our place in our global community. Book Tickets St Patricks Festival parade clown About The Company Established in 1996, St. Patrick’s Festival has grown from a single-day to a four-day event featuring music, performance, spectacle, dance, theatre, literature, visual arts, food, wellness, community activations and much more. It is recognised globally as one of the world’s biggest festivals, with a global reach of over 600 million people in 2025. The Festival is a key driver for the tourism industry, presenting a world class event that showcases the very best of Irishness and Ireland as a destination, platforming our incredible unique culture, heritage and traditions to a global audience through quality experiences. Meet The Team Events & Artists Our 2026 Festival has an action packed programme with something for everyone to enjoy. All Events HONEYPOT 019: KISS ME, I’M IRISH - Tuesday 17th - Tengu View Event Token – After Dark Event - Tuesday 17th - Token View Event Wigwam – After Dark - Saturday 14th, Monday 16th - Wigwam View Event Ukrainian Vol Malva Choir - Saturday 14th - Stephen's Green Bandstand View Event The Portal - Monday 16th - Wolfe Tone Park View Event Your Roots, Your Story: Storytelling Workshops in the Abbey Theatre Rehearsal Room - Sunday 15th - Abbey Theatre View Event Events & Artists All Events HONEYPOT 019: KISS ME, I’M IRISH - Tuesday 17th - Tengu View Event Token – After Dark Event - Tuesday 17th - Token View Event Wigwam – After Dark - Saturday 14th, Monday 16th - Wigwam View Event Ukrainian Vol Malva Choir - Saturday 14th - Stephen's Green Bandstand View Event The Portal - Monday 16th - Wolfe Tone Park View Event Your Roots, Your Story: Storytelling Workshops in the Abbey Theatre Rehearsal Room - Sunday 15th - Abbey Theatre View Event Explore the Abbey Theatre during St. Patrick’s Festival - Sunday 15th - Abbey Theatre View Event Loop The Loop - Saturday 14th, Sunday 15th, Monday 16th - St. Patrick's Park View Event Information The Parade Our 2026 St. Patrick’s Festival programme runs from Saturday 14th to Tuesday 17th March. Below on our interactive map is all the information you need to know about the location of the world famous St. Patrick’s Festival Parade on 17th March and all our Citywide event locations from 14th to 17th March. Our full events schedule is also available to download below. More About The Parade Download Events Schedule Download Parade Map Instagram Feed Insta feed 1 Insta feed 2 Insta feed 3 Ceilie mor dancers face paiting Dublin Zoo float [ Map & Parade Route ](https:\u002F\u002Fstpatricksfestival.ie\u002Fthe-parade-map-and-route\u002F) [ Events ](https:\u002F\u002Fstpatricksfestival.ie\u002Fevents\u002F) [ Your Visit ](https:\u002F\u002Fstpatricksfestival.ie\u002Fyour-visit\u002F) [ Participate ](https:\u002F\u002Fstpatricksfestival.ie\u002Fparticipate\u002F#volunteers) [ Donate ](https:\u002F\u002Fstpatricksfestival.ie\u002Fsupport-us\u002F#rightside). A Fun \u002F Playful, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Art & Culture industry. The overall color palette features White, Green, Black, Gray. The typography features Gotham (Sans Serif, Hoefler&Co.). Built using Elementor, jQuery, PHP, Swiper, WordPress, WP Engine. AI description: The St. Patrick's Festival website serves as the digital gateway to Ireland's premier cultural celebration. It is designed to inform, engage, and inspire both locals and international tourists, providing comprehensive details on parades, live music, community events, and logistical planning for the 2026 festivities in Dublin. The visual identity is high-energy and celebratory, leaning heavily into a vibrant green palette that immediately evokes Irish heritage. The design utilizes bold, serif typography and large-scale, immersive photography to capture the scale and joy of the festival. Playful, organic graphic elements—such as the stylized serpent—add a sense of whimsy and modern character, ensuring the brand feels both culturally significant and contemporary.",{"id":1309,"website_id":1310,"page_id":1309,"name":1311,"slug":1312,"url":1313,"website_name":1311,"website_slug":1312,"website_url":1314,"result_url":1313,"fetched_at":1315,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":1316,"page_name":1317,"page_url":1313,"page_title":1318,"page_description":1319,"page_content":1320,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1321,"cover_mobile":1324,"cover_sequence":31,"translations":1326,"industry":1329,"styles":1330,"credits":1331,"font_families":1332,"technologies":1333,"pagespeed":1334,"pagespeed_mobile":1339,"buckets":1345,"search_payload":1346},"88a56e3d-658b-4806-99ba-32d579e66264","f7e56240-917b-45fa-a477-94f77b9277e1","Distance store","distance-store","https:\u002F\u002Fdistance-store.com\u002Fen\u002Fpages\u002Fstores","https:\u002F\u002Fdistance-store.com","2026-05-04T07:54:25.000Z","2026-05-23T19:24:01.000Z","Our Stores","STORES – ©DISTANCE | For all runners","Running and trail specialist curating global and emerging brands (On, Satisfy, Nike, Hoka, Norda, Arc'teryx, Asics…) — from shoes, apparel and accessories to collaborations, events and books.","EUROPE (3) - PARIS, FRANCE 14 RUE DES FILLES DU CALVAIRE 75003 PARIS FRANCE MARDI - SAMEDI 11:00 - 19:00 DIMANCHE 14:00 - 19:00 - CPH, DENMARK GAMMEL KONGEVEJ 47 1610 COPENHAGEN DENMARK MARDI - VENDREDI 10:00 - 18:00 SAMEDI 10:00 - 16:00 - LYON, FRANCE 1 RUE DE LA PLATIÈRE TEL : +33 4 72 94 52 99 MARDI - SAMEDI 11:00 - 19:00 AFRICA (1) - ITEN, KENYA KERIO VALLEY ROAD ITEN KENYA LUNDI, MARDI ET VENDREDI 9:00 - 18:00 ASIA (1) - TOKYO, JAPAN 〒150-0001 TOKYO, SHIBUYA JINGUMAE, 6 CHOME−18−12 JAPAN TEL : 03-6419-7507 LUNDI - DIMANCHE 11:00 - 20:00 Newsletter Suivez nos actualités en vous inscrivant à notre newsletter. CUSTOMER CARE - [ Email : customer@distance-store.com ](\u002Fen\u002Fpages\u002Fretours-echanges) - [ Returns & Exchanges ](\u002Fen\u002Fpages\u002Fretours-echanges) - [ FAQ ](\u002Fen) - [ Cookies Policy ](\u002Fen) - [ Privacy Policy ](\u002Fen) CUSTOMER CARE - [ Email : customer@distance-store.com ](\u002Fen\u002Fpages\u002Fretours-echanges) - [ Returns & Exchanges ](\u002Fen\u002Fpages\u002Fretours-echanges) - [ FAQ ](\u002Fen) - [ Cookies Policy ](\u002Fen) - [ Privacy Policy ](\u002Fen) FOLLOW US - [ IG : @distanceathletics ](https:\u002F\u002Fwww.instagram.com\u002Fdistanceathletics\u002F) FOLLOW US - [ IG : @distanceathletics ](https:\u002F\u002Fwww.instagram.com\u002Fdistanceathletics\u002F) NOS BOUTIQUES - [ Nos boutiques ](\u002Fen\u002Fpages\u002Fstores) NOS BOUTIQUES - [ Nos boutiques ](\u002Fen\u002Fpages\u002Fstores) DISTANCE STORE GLOBAL 2026 © Distance - by Unlikely Technology United States \u002F EUR €",{"id":1322,"height":38,"width":39,"blurhash":1323},"6f5269ff-19ce-4edb-8d3c-8a3dd0505416","radial-gradient(at 0 0,#ecebeb,#00000000 50%),radial-gradient(at 33% 0,#ecf2f2,#00000000 50%),radial-gradient(at 67% 0,#ecf3f2,#00000000 50%),radial-gradient(at 100% 0,#eff1f2,#00000000 50%),radial-gradient(at 0 50%,#a3877a,#00000000 50%),radial-gradient(at 33% 50%,#aaa097,#00000000 50%),radial-gradient(at 67% 50%,#a5a2a1,#00000000 50%),radial-gradient(at 100% 50%,#b7b2b6,#00000000 50%),radial-gradient(at 0 100%,#d3c7bb,#00000000 50%),radial-gradient(at 33% 100%,#d5d2ca,#00000000 50%),radial-gradient(at 67% 100%,#c9c7c2,#00000000 50%),radial-gradient(at 100% 100%,#cbc3c2,#00000000 50%)",{"id":1325,"height":43,"width":44,"blurhash":31},"68cc81a0-b642-4cd5-b377-87dfea0698b2",[1327],{"languages_code":47,"description":1328},"Distance is a premium running and trail specialist boutique that serves as a curated hub for high-performance athletes and enthusiasts. The platform bridges the gap between global industry giants and emerging niche brands, offering a sophisticated selection of technical footwear, apparel, and accessories. Beyond retail, the brand positions itself as a cultural touchpoint for the running community through curated events, books, and collaborations.\n\nThe visual identity is defined by a bold, high-impact aesthetic that leans heavily into contemporary streetwear sensibilities. Utilizing massive, heavy typography and a high-contrast layout, the design communicates energy and movement. The use of large-scale, editorial-style photography creates an immersive experience, targeting a discerning audience that values both technical excellence and cutting-edge style in their athletic gear.","Sports & Fitness",[51,53],[],[398,207],[981,531],[1335,1336,1337,1338],{"score":626,"category":69},{"score":184,"category":72},{"score":414,"category":75},{"score":74,"category":78},[1340,1342,1343,1344],{"score":1341,"category":69},61,{"score":184,"category":72},{"score":128,"category":75},{"score":74,"category":78},[86,88,87],"Website: Distance store. Page: Our Stores. Page type: About Us \u002F Team. Page title: STORES – ©DISTANCE | For all runners. Page description: Running and trail specialist curating global and emerging brands (On, Satisfy, Nike, Hoka, Norda, Arc'teryx, Asics…) — from shoes, apparel and accessories to collaborations, events and books.. Page content: EUROPE (3) - PARIS, FRANCE 14 RUE DES FILLES DU CALVAIRE 75003 PARIS FRANCE MARDI - SAMEDI 11:00 - 19:00 DIMANCHE 14:00 - 19:00 - CPH, DENMARK GAMMEL KONGEVEJ 47 1610 COPENHAGEN DENMARK MARDI - VENDREDI 10:00 - 18:00 SAMEDI 10:00 - 16:00 - LYON, FRANCE 1 RUE DE LA PLATIÈRE TEL : +33 4 72 94 52 99 MARDI - SAMEDI 11:00 - 19:00 AFRICA (1) - ITEN, KENYA KERIO VALLEY ROAD ITEN KENYA LUNDI, MARDI ET VENDREDI 9:00 - 18:00 ASIA (1) - TOKYO, JAPAN 〒150-0001 TOKYO, SHIBUYA JINGUMAE, 6 CHOME−18−12 JAPAN TEL : 03-6419-7507 LUNDI - DIMANCHE 11:00 - 20:00 Newsletter Suivez nos actualités en vous inscrivant à notre newsletter. CUSTOMER CARE - [ Email : customer@distance-store.com ](\u002Fen\u002Fpages\u002Fretours-echanges) - [ Returns & Exchanges ](\u002Fen\u002Fpages\u002Fretours-echanges) - [ FAQ ](\u002Fen) - [ Cookies Policy ](\u002Fen) - [ Privacy Policy ](\u002Fen) CUSTOMER CARE - [ Email : customer@distance-store.com ](\u002Fen\u002Fpages\u002Fretours-echanges) - [ Returns & Exchanges ](\u002Fen\u002Fpages\u002Fretours-echanges) - [ FAQ ](\u002Fen) - [ Cookies Policy ](\u002Fen) - [ Privacy Policy ](\u002Fen) FOLLOW US - [ IG : @distanceathletics ](https:\u002F\u002Fwww.instagram.com\u002Fdistanceathletics\u002F) FOLLOW US - [ IG : @distanceathletics ](https:\u002F\u002Fwww.instagram.com\u002Fdistanceathletics\u002F) NOS BOUTIQUES - [ Nos boutiques ](\u002Fen\u002Fpages\u002Fstores) NOS BOUTIQUES - [ Nos boutiques ](\u002Fen\u002Fpages\u002Fstores) DISTANCE STORE GLOBAL 2026 © Distance - by Unlikely Technology United States \u002F EUR €. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Sports & Fitness industry. The overall color palette features White, Gray, Black. The typography features Neue Haas Grotesk (Sans Serif, Commercial Type), Source Sans (Sans Serif). Built using Alpine.js, Shopify. AI description: Distance is a premium running and trail specialist boutique that serves as a curated hub for high-performance athletes and enthusiasts. The platform bridges the gap between global industry giants and emerging niche brands, offering a sophisticated selection of technical footwear, apparel, and accessories. Beyond retail, the brand positions itself as a cultural touchpoint for the running community through curated events, books, and collaborations. The visual identity is defined by a bold, high-impact aesthetic that leans heavily into contemporary streetwear sensibilities. Utilizing massive, heavy typography and a high-contrast layout, the design communicates energy and movement. The use of large-scale, editorial-style photography creates an immersive experience, targeting a discerning audience that values both technical excellence and cutting-edge style in their athletic gear.",{"id":1348,"website_id":1349,"page_id":1348,"name":1350,"slug":1351,"url":1352,"website_name":1350,"website_slug":1351,"website_url":1353,"result_url":1352,"fetched_at":1354,"score":24,"score_boost":25,"ai_score":271,"freshness_score":27,"scored_at":761,"page_name":1355,"page_url":1352,"page_title":1356,"page_description":31,"page_content":1357,"page_sort":1358,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1359,"cover_mobile":1362,"cover_sequence":31,"translations":1364,"industry":154,"styles":1367,"credits":1368,"font_families":1370,"technologies":1371,"pagespeed":1373,"pagespeed_mobile":1378,"buckets":1383,"search_payload":1384},"9adbdba6-3ee4-4dfe-a2ad-6feaf5b857d1","f5faa3fa-7383-4d04-a1e7-c9d838d85e1a","R&D","r-and-d","https:\u002F\u002Frd.studio\u002Fprofile","https:\u002F\u002Frd.studio","2026-05-04T07:53:12.000Z","Profile","Profile - R&D","Menu - Home - News - Projects - Case - Clients - Profile - Contact We specialize in branded projects We know retail through many years of experience in the EMEA region. We leverage BIM and VR technology and push innovation. We offer general contracting for a trully holistic service. We specialize in branded projects – from concept design, to turn key project implementation and delivery. We’ve worked in over thirty countries: Albania, Bahrain, Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Estonia, Finland, Germany, Greece, Hong Kong, Hungary, Israel, Italy, Kazachstan, Kosovo, Latvia, Lithuania, Macedonia, Moldova, Uzbekistan, Poland, Romania, Saudi Arabia, Serbia, Slovakia, Slovenia, Sweden, Ukraine, United Kingdom Meet the team: Out team of architects, designers and wizards get the job done. Jan Sukiennik CEO js@rd.studio Małgorzata Kliczkowska \\-Iwaszkiewicz CFO mki@rd.studio Justyna Uszałowicz COO ju@rd.studio Marcin Iwaszkiewicz Shareholder mi@rd.studio WORK We are currently hiring for the following positions: Senior Retail Architect: - Fluent Polish – written and spoken - Advanced English – written and spoken - Strong communication skills - Proven track record in Retail design – prefereably 3 years experience - Highly organized - Experience in project management - Team spirit - Advanced command of Autocad - Advanced command of Revit Junior Retail Architect - Fluent Polish – written and spoken - Good working konwledge of English – written and spoken - Highly organized - Good command of Autocad - Good command of Revit Junior VR developer - Good command of Unity \u002F Unreal - Problem-solving and technical \u002F IT skills a must - High level scripting \u002F programming experience a plus - VR \u002F AR experience a plus Please send your CV and short portfolio (PDF \u003C5 MB or link) to rekrutacja@rd.studio © 2026 R&D All rights reserved site by Super Super Get in Touch +48 22 460 54 10 hello@rd.studio Our Office R&D ul. Stepinska 22\u002F30 lok.301 00-739 Warsaw, Poland Informujemy, iż w celu optymalizacji treści dostępnych w naszym serwisie, dostosowania ich do Państwa indywidualnych potrzeb korzystamy z informacji zapisanych za pomocą plików cookies na urządzeniach końcowych użytkowników. Pliki cookies użytkownik może kontrolować za pomocą ustawień swojej przeglądarki internetowej. Dalsze korzystanie z naszego serwisu internetowego, bez zmiany ustawień przeglądarki internetowej oznacza, iż użytkownik akceptuje stosowanie plików cookies. Accept",4,{"id":1360,"height":38,"width":39,"blurhash":1361},"78b1887a-313c-4ef6-b380-b38c2b2b5d4e","radial-gradient(at 0 0,#94e983,#00000000 50%),radial-gradient(at 33% 0,#7bd965,#00000000 50%),radial-gradient(at 67% 0,#5bc935,#00000000 50%),radial-gradient(at 100% 0,#79db65,#00000000 50%),radial-gradient(at 0 50%,#88e583,#00000000 50%),radial-gradient(at 33% 50%,#78d86b,#00000000 50%),radial-gradient(at 67% 50%,#71d057,#00000000 50%),radial-gradient(at 100% 50%,#84dd76,#00000000 50%),radial-gradient(at 0 100%,#d6e3cf,#00000000 50%),radial-gradient(at 33% 100%,#bcb6a9,#00000000 50%),radial-gradient(at 67% 100%,#a58385,#00000000 50%),radial-gradient(at 100% 100%,#cbc8be,#00000000 50%)",{"id":1363,"height":43,"width":44,"blurhash":31},"cfef0df4-2913-4992-8a0a-a282db47bb6a",[1365],{"languages_code":47,"description":1366},"R&D is a specialized design and implementation studio focused on creating immersive branded environments. They bridge the gap between creative concept and physical reality, offering services that span retail design, BIM, VR, and large-scale rollouts for sectors like HoReCa and office spaces. Their mission is to drive success through a blend of innovative technology and flawless execution.\n\nThe visual identity is unapologetically bold and high-impact, characterized by a vibrant lime-green palette and massive, heavy typography. This neo-brutalist approach communicates confidence and modernity, targeting high-end retail and corporate clients who value cutting-edge spatial design. The use of large-scale imagery and a clean, structured layout ensures that their portfolio of prestigious clients, including H&M and Hugo Boss, remains the central focus.",[201,51,53],[1369],"Owls Department",[],[62,1372,63,358,65],"Modernizr",[1374,1375,1376,1377],{"score":128,"category":69},{"score":626,"category":72},{"score":74,"category":75},{"score":271,"category":78},[1379,1380,1381,1382],{"score":164,"category":69},{"score":412,"category":72},{"score":74,"category":75},{"score":271,"category":78},[461,86,88,87],"Website: R&D. Page: Profile. Page type: About Us \u002F Team. Page title: Profile - R&D. Page content: Menu - Home - News - Projects - Case - Clients - Profile - Contact We specialize in branded projects We know retail through many years of experience in the EMEA region. We leverage BIM and VR technology and push innovation. We offer general contracting for a trully holistic service. We specialize in branded projects – from concept design, to turn key project implementation and delivery. We’ve worked in over thirty countries: Albania, Bahrain, Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Estonia, Finland, Germany, Greece, Hong Kong, Hungary, Israel, Italy, Kazachstan, Kosovo, Latvia, Lithuania, Macedonia, Moldova, Uzbekistan, Poland, Romania, Saudi Arabia, Serbia, Slovakia, Slovenia, Sweden, Ukraine, United Kingdom Meet the team: Out team of architects, designers and wizards get the job done. Jan Sukiennik CEO js@rd.studio Małgorzata Kliczkowska \\-Iwaszkiewicz CFO mki@rd.studio Justyna Uszałowicz COO ju@rd.studio Marcin Iwaszkiewicz Shareholder mi@rd.studio WORK We are currently hiring for the following positions: Senior Retail Architect: - Fluent Polish – written and spoken - Advanced English – written and spoken - Strong communication skills - Proven track record in Retail design – prefereably 3 years experience - Highly organized - Experience in project management - Team spirit - Advanced command of Autocad - Advanced command of Revit Junior Retail Architect - Fluent Polish – written and spoken - Good working konwledge of English – written and spoken - Highly organized - Good command of Autocad - Good command of Revit Junior VR developer - Good command of Unity \u002F Unreal - Problem-solving and technical \u002F IT skills a must - High level scripting \u002F programming experience a plus - VR \u002F AR experience a plus Please send your CV and short portfolio (PDF \u003C5 MB or link) to rekrutacja@rd.studio © 2026 R&D All rights reserved site by Super Super Get in Touch +48 22 460 54 10 hello@rd.studio Our Office R&D ul. Stepinska 22\u002F30 lok.301 00-739 Warsaw, Poland Informujemy, iż w celu optymalizacji treści dostępnych w naszym serwisie, dostosowania ich do Państwa indywidualnych potrzeb korzystamy z informacji zapisanych za pomocą plików cookies na urządzeniach końcowych użytkowników. Pliki cookies użytkownik może kontrolować za pomocą ustawień swojej przeglądarki internetowej. Dalsze korzystanie z naszego serwisu internetowego, bez zmiany ustawień przeglądarki internetowej oznacza, iż użytkownik akceptuje stosowanie plików cookies. Accept. A Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features Green, White, Gray, Black. Built using jQuery, Modernizr, PHP, Swiper, WordPress. AI description: R&D is a specialized design and implementation studio focused on creating immersive branded environments. They bridge the gap between creative concept and physical reality, offering services that span retail design, BIM, VR, and large-scale rollouts for sectors like HoReCa and office spaces. Their mission is to drive success through a blend of innovative technology and flawless execution. The visual identity is unapologetically bold and high-impact, characterized by a vibrant lime-green palette and massive, heavy typography. This neo-brutalist approach communicates confidence and modernity, targeting high-end retail and corporate clients who value cutting-edge spatial design. The use of large-scale imagery and a clean, structured layout ensures that their portfolio of prestigious clients, including H&M and Hugo Boss, remains the central focus.",{"id":1386,"website_id":1387,"page_id":1386,"name":1388,"slug":1389,"url":1390,"website_name":1388,"website_slug":1389,"website_url":1391,"result_url":1390,"fetched_at":1392,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":1393,"page_name":8,"page_url":1390,"page_title":1394,"page_description":1395,"page_content":1396,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1397,"cover_mobile":1400,"cover_sequence":31,"translations":1402,"industry":301,"styles":1405,"credits":1406,"font_families":1407,"technologies":1410,"pagespeed":1412,"pagespeed_mobile":1417,"buckets":1423,"search_payload":1424},"64ea221c-5fae-49bc-ad77-77a060fa0b79","f63e9e79-cde4-4cf5-829f-b443307c5b8e","Sauz","sauz","https:\u002F\u002Fgetsauz.com\u002Fpages\u002Four-story","https:\u002F\u002Fgetsauz.com","2026-05-04T07:51:21.000Z","2026-05-23T19:23:57.000Z","The Sauz Story - Meet Co-Founders Troy Bonde and Winston Alfieri","We’re Troy and Winston - we founded Sauz because we love pasta. Winston grew up cooking alongside his Italian family in the kitchen of his grandmother and Troy just loves pasta and wanted to bring a flavorful twist to an otherwise stale market. That's why Sauz was born.","Our Story Troy and Winston 🤝 We’re Troy and Winston — childhood friends turned gravy-makers. We always bonded over a craving to stir sh\\*t up. By college we were tired of boring bland premade pasta sauce, so we set out to create a sauce that has more flavor & more fun than your traditional canned marinara. Equal parts nostalgia and innovation By blending equal parts nostalgia and innovation we perfected the art of the Sauz to share with the world. Our sauces aren’t just for spaghetti — they’re for late-night pizza parties, impromptu picnics, and cozy Sunday suppers. At Sauz, we believe any dinner can be a celebration. Every meal should blow your taste buds away, and that life tastes sweeter when shared. Pull up a chair, grab a jar of the good stuff, and set the table for a meal you’ll never forget with Sauz.",{"id":1398,"height":38,"width":39,"blurhash":1399},"38ae240a-0955-44a9-9f70-6f5039751af0","radial-gradient(at 0 0,#7a6802,#00000000 50%),radial-gradient(at 33% 0,#857a24,#00000000 50%),radial-gradient(at 67% 0,#958933,#00000000 50%),radial-gradient(at 100% 0,#8d761b,#00000000 50%),radial-gradient(at 0 50%,#000002,#00000000 50%),radial-gradient(at 33% 50%,#4e444d,#00000000 50%),radial-gradient(at 67% 50%,#7e6d6c,#00000000 50%),radial-gradient(at 100% 50%,#52474e,#00000000 50%),radial-gradient(at 0 100%,#39373a,#00000000 50%),radial-gradient(at 33% 100%,#76756e,#00000000 50%),radial-gradient(at 67% 100%,#b7a290,#00000000 50%),radial-gradient(at 100% 100%,#997b6a,#00000000 50%)",{"id":1401,"height":43,"width":44,"blurhash":31},"551e678e-bbb6-43c9-83c6-92b625334e83",[1403],{"languages_code":47,"description":1404},"Sauz is a disruptive food brand that reimagines the traditional tomato sauce category through bold, curated flavor profiles. Positioned as a modern alternative to 'stale' legacy brands, the website serves as a vibrant direct-to-consumer storefront that emphasizes high-quality, clean ingredients like non-GMO and gluten-free components. The brand voice is cheeky and irreverent—exemplified by the provocative 'Sorry grandma!' headline—aiming to capture a younger, food-forward demographic looking for culinary excitement.\n\nThe visual identity is high-energy and unapologetically maximalist, utilizing a warm, appetizing color palette of tomato reds, sunny yellows, and earthy browns. The design employs heavy, expressive typography and high-resolution, mouth-watering food photography to create an immediate sensory connection. By blending a playful, modern aesthetic with structured social proof and recipe inspiration, Sauz establishes itself as a lifestyle brand rather than just a pantry staple.",[1289,53,202],[],[60,1139,1408,1409,939,60],"GT Standard","Instrument Serif",[1411,62,530,531,116],"Attentive",[1413,1414,1415,1416],{"score":450,"category":69},{"score":74,"category":72},{"score":128,"category":75},{"score":74,"category":78},[1418,1420,1421,1422],{"score":1419,"category":69},44,{"score":74,"category":72},{"score":77,"category":75},{"score":74,"category":78},[86,87,88,232,174,708],"Website: Sauz. Page: About Us. Page type: About Us \u002F Team. Page title: The Sauz Story - Meet Co-Founders Troy Bonde and Winston Alfieri. Page description: We’re Troy and Winston - we founded Sauz because we love pasta. Winston grew up cooking alongside his Italian family in the kitchen of his grandmother and Troy just loves pasta and wanted to bring a flavorful twist to an otherwise stale market. That's why Sauz was born.. Page content: Our Story Troy and Winston 🤝 We’re Troy and Winston — childhood friends turned gravy-makers. We always bonded over a craving to stir sh\\*t up. By college we were tired of boring bland premade pasta sauce, so we set out to create a sauce that has more flavor & more fun than your traditional canned marinara. Equal parts nostalgia and innovation By blending equal parts nostalgia and innovation we perfected the art of the Sauz to share with the world. Our sauces aren’t just for spaghetti — they’re for late-night pizza parties, impromptu picnics, and cozy Sunday suppers. At Sauz, we believe any dinner can be a celebration. Every meal should blow your taste buds away, and that life tastes sweeter when shared. Pull up a chair, grab a jar of the good stuff, and set the table for a meal you’ll never forget with Sauz.. A Fun \u002F Playful, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Food & Beverage industry. The overall color palette features White, Black, Gray, Red, Brown, Orange. The typography features Inter (Sans Serif), Editorial (Pangram Pangram), GT Standard (Sans Serif, Grilli Type), Instrument Serif (Serif), Maison Neue (Sans Serif), Inter (Sans Serif). Built using Attentive, jQuery, Klaviyo, Shopify, Slick. AI description: Sauz is a disruptive food brand that reimagines the traditional tomato sauce category through bold, curated flavor profiles. Positioned as a modern alternative to 'stale' legacy brands, the website serves as a vibrant direct-to-consumer storefront that emphasizes high-quality, clean ingredients like non-GMO and gluten-free components. The brand voice is cheeky and irreverent—exemplified by the provocative 'Sorry grandma!' headline—aiming to capture a younger, food-forward demographic looking for culinary excitement. The visual identity is high-energy and unapologetically maximalist, utilizing a warm, appetizing color palette of tomato reds, sunny yellows, and earthy browns. The design employs heavy, expressive typography and high-resolution, mouth-watering food photography to create an immediate sensory connection. By blending a playful, modern aesthetic with structured social proof and recipe inspiration, Sauz establishes itself as a lifestyle brand rather than just a pantry staple.",{"id":1426,"website_id":1427,"page_id":1426,"name":1428,"slug":1429,"url":1430,"website_name":1428,"website_slug":1429,"website_url":1431,"result_url":1430,"fetched_at":1432,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":1433,"page_name":142,"page_url":1430,"page_title":31,"page_description":31,"page_content":1434,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1435,"cover_mobile":1438,"cover_sequence":31,"translations":1440,"industry":525,"styles":1443,"credits":1444,"font_families":1446,"technologies":1448,"pagespeed":1450,"pagespeed_mobile":1456,"buckets":1460,"search_payload":1461},"8093f9b7-b7f5-4b16-b26e-61aaefa6d8d7","f7f7da1e-1e42-42bc-bf21-6949c44e84e5","Opal Camera","opal-camera","https:\u002F\u002Fopalcamera.com\u002Fabout","https:\u002F\u002Fopalcamera.com","2026-05-04T07:45:49.000Z","2026-05-23T19:09:34.000Z","",{"id":1436,"height":38,"width":39,"blurhash":1437},"f134f7d2-adbf-4529-b7b1-71e2aa503371","radial-gradient(at 0 0,#516659,#00000000 50%),radial-gradient(at 33% 0,#5e6251,#00000000 50%),radial-gradient(at 67% 0,#ada69d,#00000000 50%),radial-gradient(at 100% 0,#aba49b,#00000000 50%),radial-gradient(at 0 50%,#373a12,#00000000 50%),radial-gradient(at 33% 50%,#50574a,#00000000 50%),radial-gradient(at 67% 50%,#6e645d,#00000000 50%),radial-gradient(at 100% 50%,#5c4a41,#00000000 50%),radial-gradient(at 0 100%,#5a5436,#00000000 50%),radial-gradient(at 33% 100%,#69593a,#00000000 50%),radial-gradient(at 67% 100%,#806f57,#00000000 50%),radial-gradient(at 100% 100%,#8c6850,#00000000 50%)",{"id":1439,"height":43,"width":44,"blurhash":31},"eac64253-83dc-4647-9de6-a815c2d839f4",[1441],{"languages_code":47,"description":1442},"Opal Camera is a premium hardware brand dedicated to redefining the remote work experience through high-fidelity webcam technology. Their product lineup, including the Tadpole and C1, focuses on bridging the gap between standard laptop cameras and professional-grade imaging, specifically optimized for the modern laptop user. The brand positions itself as an essential tool for creators, professionals, and remote workers who demand cinematic quality in their digital interactions.\n\nThe visual identity is characterized by a sophisticated, lifestyle-oriented aesthetic that blends high-end product photography with a clean, minimalist interface. By utilizing warm, natural lighting and authentic human moments, the design moves away from cold, sterile tech tropes toward a more approachable, premium feel. The typography is bold and authoritative, while the generous use of white space and a refined color palette communicates a sense of modern elegance and effortless usability.",[51,156,53],[1445],"Niklas Rosén",[1447],"Roobert",[1449],"Vercel",[1451,1453,1454,1455],{"score":1452,"category":69},53,{"score":24,"category":72},{"score":74,"category":75},{"score":623,"category":78},[1457,1458,1459],{"score":407,"category":72},{"score":74,"category":75},{"score":623,"category":78},[87,88,86,708],"Website: Opal Camera. Page: About. Page type: About Us \u002F Team. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Technology & Hardware industry. Designed by Niklas Rosén. The overall color palette features Black, Gray, White, Orange. The typography features Roobert (Sans Serif, Displaay). Built using Vercel. AI description: Opal Camera is a premium hardware brand dedicated to redefining the remote work experience through high-fidelity webcam technology. Their product lineup, including the Tadpole and C1, focuses on bridging the gap between standard laptop cameras and professional-grade imaging, specifically optimized for the modern laptop user. The brand positions itself as an essential tool for creators, professionals, and remote workers who demand cinematic quality in their digital interactions. The visual identity is characterized by a sophisticated, lifestyle-oriented aesthetic that blends high-end product photography with a clean, minimalist interface. By utilizing warm, natural lighting and authentic human moments, the design moves away from cold, sterile tech tropes toward a more approachable, premium feel. The typography is bold and authoritative, while the generous use of white space and a refined color palette communicates a sense of modern elegance and effortless usability.",{"id":1463,"website_id":1464,"page_id":1463,"name":1465,"slug":1466,"url":1467,"website_name":1465,"website_slug":1466,"website_url":1468,"result_url":1467,"fetched_at":1469,"score":24,"score_boost":25,"ai_score":228,"freshness_score":27,"scored_at":1470,"page_name":142,"page_url":1467,"page_title":1471,"page_description":1472,"page_content":1473,"page_sort":5,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1474,"cover_mobile":1477,"cover_sequence":31,"translations":1479,"industry":773,"styles":1482,"credits":1483,"font_families":1486,"technologies":1487,"pagespeed":1489,"pagespeed_mobile":1494,"buckets":1499,"search_payload":1500},"37991c7c-8484-4807-aaed-8e16fada99c9","f66117c8-8f5e-44a8-b3f5-06fc1cb20b0d","Cicada","cicada","https:\u002F\u002Fcicada.xyz\u002Fabout","https:\u002F\u002Fcicada.xyz","2026-05-04T07:45:26.000Z","2026-05-23T19:17:47.000Z","About — Cicada","CICADA New Orleans Team Members","CICADA is an architecture and planning practice that works at the intersection of design, data, and the built environment. We specialize in feasibility studies, adaptive reuse, and concept-driven design, the kind of work that asks hard questions about difficult sites and existing buildings, then finds real answers. Our work extends beyond architecture into advanced digital documentation: laser scanning, drone photogrammetry, GIS mapping, and 3D modeling. These aren't services we outsource, they're part of our process. They help us understand what's already there, test what's possible, and build a digital record every step along the way. We have deep experience with historic buildings and sensitive urban contexts, and we genuinely enjoy working with owners who care as much about project outcomes as we do. The goal is always the same: help people understand what is possible, and create something worth preserving. Why CICADA? Change is inevitable and adaptation is key. Across cultures and continents, cicadas have long been seen as symbols of immortality and carefree living in folklore and mythology. Known for their long life cycles and molting, at CICADA we echo this sense of constant metamorphosis as a forward-thinking design firm questioning norms, re-envisioning the architectural practice, and implementing new technologies with the aim of helping humans better live in their environments and adapt to change. Of paramount concern to our firm is how the technologies we employ in our practice push design thinking—as applied to tangible objects, the built environment, and the digital experience—to new levels, generating powerful solutions. We’re constantly shedding old ways of thinking that no longer serve and moving confidently into new realms, where risk-taking is rewarded, play is part of the process, innovative ideas thrive, and emerging technologies are the adaptations needed to guide entire communities toward success. - [### Matt DeCotiis ](#matt-decotiis) - [### Adrienne Catalano ](#adrienne-catalano) - [### Paulo Perkins ](#paulo-perkins) - [### Dyani Robarge ](#dyani-robarge) - [### Seamus Mcguire ](#seamus-mcguire) - [### Lane Kozicz ](#lane-kozicz) - [### James Catalano ](#james-catalano) - [### Yue Xiao ](#yue-xiao) [ ](#) James Catalano - Partner - Education LSU School of Architecture, BArch As a licensed architect and founding partner of CICADA, James serves as the head of design and technology research, focusing on the implementation of aerial photogrammetry, 3D printing, and scan-to-BIM processes. With over a decade of experience, he specializes in digital modeling, laser scanning, aerial photography, video editing, and animation, adeptly modeling high-definition buildings and objects across the nation. His notable projects include 3D modeling and digital modeling quality control for the Mercedes-Benz Superdome in New Orleans, as well as comprehensive design documentation and renovation of the Historic Landmark Theater at 1733 Constantinople, which was utilized for historic tax credit purposes. James began his architectural design career in disaster recovery, where he designed hundreds of homes for families affected by catastrophic flooding in Louisiana and Texas. His approach to construction and design is characterized by a highly collaborative spirit, embracing a bold and expressive aesthetic while maintaining a strong commitment to environmental sensitivity and a deep awareness of each client’s unique needs. A native of New Orleans, James graduated with a Bachelor of Architecture from the Louisiana State University College of Art and Design, during which he also studied at the Washington Alexandria Architecture Consortium (WAAC). Before establishing CICADA, he and his wife Adrienne co-founded Future Factory 3D, a digital modeling and fabrication business. In addition to his architectural pursuits, James actively reinvests in the community by building homes with Habitat for Humanity both locally and internationally. Related projects - View ## Juniors - View ## 1733 Constantinople - View ## Lake Isabel Farm - View ## Chartres St - View ## Rapid Prototyping - View ## Wednesday at the Square - View ## Greenhouse Workspace - View ## Mardi Gras World - View Reformation New Orleans ## Reformation - View ## El Cucuy - View ## Irish Channel Revival - View ## Stena Pro Marine - View ## Superdome Scan-to-BIM - [View](https:\u002F\u002Fcicada.xyz\u002Fw …",{"id":1475,"height":38,"width":39,"blurhash":1476},"61742acd-f3b4-4e34-bffb-04870ff1eb02","radial-gradient(at 0 0,#162226,#00000000 50%),radial-gradient(at 33% 0,#00141a,#00000000 50%),radial-gradient(at 67% 0,#000712,#00000000 50%),radial-gradient(at 100% 0,#000812,#00000000 50%),radial-gradient(at 0 50%,#142125,#00000000 50%),radial-gradient(at 33% 50%,#05181e,#00000000 50%),radial-gradient(at 67% 50%,#00141b,#00000000 50%),radial-gradient(at 100% 50%,#1b2529,#00000000 50%),radial-gradient(at 0 100%,#252d30,#00000000 50%),radial-gradient(at 33% 100%,#0f1d22,#00000000 50%),radial-gradient(at 67% 100%,#000c15,#00000000 50%),radial-gradient(at 100% 100%,#01161c,#00000000 50%)",{"id":1478,"height":43,"width":44,"blurhash":31},"97cf0bbd-966f-4211-a8c5-47cb0e1db920",[1480],{"languages_code":47,"description":1481},"Cicada is a forward-thinking architectural studio based in New Orleans, positioning itself as a firm that goes \"Beyond Architecture.\" The website serves as a high-impact digital portfolio, showcasing a sophisticated approach to design and spatial planning. It targets high-end residential and commercial clients who value innovation, structural integrity, and a modern aesthetic that transcends traditional building practices.\n\nThe visual identity is defined by a bold, minimalist, and highly typographic approach. Utilizing a deep, dark color palette paired with massive, clean sans-serif type, the design exudes confidence and authority. The layout prioritizes negative space and high-contrast elements, creating a cinematic and premium experience that mirrors the structural precision of the firm's physical work.",[51,352,53],[1484,1485],"Paul DeCotiis","Joe Critchley",[60],[1488],"Typekit",[1490,1491,1492,1493],{"score":1069,"category":69},{"score":74,"category":72},{"score":74,"category":75},{"score":77,"category":78},[1495,1496,1497,1498],{"score":324,"category":69},{"score":74,"category":72},{"score":74,"category":75},{"score":77,"category":78},[87,86,88],"Website: Cicada. Page: About. Page type: About Us \u002F Team. Page title: About — Cicada. Page description: CICADA New Orleans Team Members. Page content: CICADA is an architecture and planning practice that works at the intersection of design, data, and the built environment. We specialize in feasibility studies, adaptive reuse, and concept-driven design, the kind of work that asks hard questions about difficult sites and existing buildings, then finds real answers. Our work extends beyond architecture into advanced digital documentation: laser scanning, drone photogrammetry, GIS mapping, and 3D modeling. These aren't services we outsource, they're part of our process. They help us understand what's already there, test what's possible, and build a digital record every step along the way. We have deep experience with historic buildings and sensitive urban contexts, and we genuinely enjoy working with owners who care as much about project outcomes as we do. The goal is always the same: help people understand what is possible, and create something worth preserving. Why CICADA? Change is inevitable and adaptation is key. Across cultures and continents, cicadas have long been seen as symbols of immortality and carefree living in folklore and mythology. Known for their long life cycles and molting, at CICADA we echo this sense of constant metamorphosis as a forward-thinking design firm questioning norms, re-envisioning the architectural practice, and implementing new technologies with the aim of helping humans better live in their environments and adapt to change. Of paramount concern to our firm is how the technologies we employ in our practice push design thinking—as applied to tangible objects, the built environment, and the digital experience—to new levels, generating powerful solutions. We’re constantly shedding old ways of thinking that no longer serve and moving confidently into new realms, where risk-taking is rewarded, play is part of the process, innovative ideas thrive, and emerging technologies are the adaptations needed to guide entire communities toward success. - [### Matt DeCotiis ](#matt-decotiis) - [### Adrienne Catalano ](#adrienne-catalano) - [### Paulo Perkins ](#paulo-perkins) - [### Dyani Robarge ](#dyani-robarge) - [### Seamus Mcguire ](#seamus-mcguire) - [### Lane Kozicz ](#lane-kozicz) - [### James Catalano ](#james-catalano) - [### Yue Xiao ](#yue-xiao) [ ](#) James Catalano - Partner - Education LSU School of Architecture, BArch As a licensed architect and founding partner of CICADA, James serves as the head of design and technology research, focusing on the implementation of aerial photogrammetry, 3D printing, and scan-to-BIM processes. With over a decade of experience, he specializes in digital modeling, laser scanning, aerial photography, video editing, and animation, adeptly modeling high-definition buildings and objects across the nation. His notable projects include 3D modeling and digital modeling quality control for the Mercedes-Benz Superdome in New Orleans, as well as comprehensive design documentation and renovation of the Historic Landmark Theater at 1733 Constantinople, which was utilized for historic tax credit purposes. James began his architectural design career in disaster recovery, where he designed hundreds of homes for families affected by catastrophic flooding in Louisiana and Texas. His approach to construction and design is characterized by a highly collaborative spirit, embracing a bold and expressive aesthetic while maintaining a strong commitment to environmental sensitivity and a deep awareness of each client’s unique needs. A native of New Orleans, James graduated with a Bachelor of Architecture from the Louisiana State University College of Art and Design, during which he also studied at the Washington Alexandria Architecture Consortium (WAAC). Before establishing CICADA, he and his wife Adrienne co-founded Future Factory 3D, a digital modeling and fabrication business. In addition to his architectural pursuits, James actively reinvests in the community by building homes with Habitat for Humanity both locally and internationally. Related projects - View ## Juniors - View ## 1733 Constantinople - View ## Lake Isabel Farm - View ## Chartres St - View ## Rapid Prototyping - View ## Wednesday at the Square - View ## Greenhouse Workspace - View ## Mardi Gras World - View Reformation New Orleans ## Reformation - View ## El Cucuy - View ## Irish Channel Revival - View ## Stena Pro Marine - View ## Superdome Scan-to-BIM - [View](https:\u002F\u002Fcicada.xyz\u002Fw …. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Architecture & Real Estate industry. Designed by Paul DeCotiis, developed by Joe Critchley. The overall color palette features Black, White, Gray. The typography features Inter (Sans Serif). Built using Typekit. AI description: Cicada is a forward-thinking architectural studio based in New Orleans, positioning itself as a firm that goes \"Beyond Architecture.\" The website serves as a high-impact digital portfolio, showcasing a sophisticated approach to design and spatial planning. It targets high-end residential and commercial clients who value innovation, structural integrity, and a modern aesthetic that transcends traditional building practices. The visual identity is defined by a bold, minimalist, and highly typographic approach. Utilizing a deep, dark color palette paired with massive, clean sans-serif type, the design exudes confidence and authority. The layout prioritizes negative space and high-contrast elements, creating a cinematic and premium experience that mirrors the structural precision of the firm's physical work.",{"id":1502,"website_id":1503,"page_id":1502,"name":1504,"slug":1505,"url":1506,"website_name":1504,"website_slug":1505,"website_url":1507,"result_url":1506,"fetched_at":1508,"score":24,"score_boost":25,"ai_score":228,"freshness_score":27,"scored_at":1509,"page_name":339,"page_url":1506,"page_title":1510,"page_description":31,"page_content":1511,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1512,"cover_mobile":1515,"cover_sequence":31,"translations":1517,"industry":301,"styles":1520,"credits":1521,"font_families":1523,"technologies":1524,"pagespeed":1525,"pagespeed_mobile":1530,"buckets":1535,"search_payload":1536},"4e4bd69c-b1a0-4690-8fd7-b6c81e73e7be","f69324c1-b75b-413b-a321-f3fc397ca882","Amici","amici","https:\u002F\u002Frestaurant-amici.com\u002Fa-propos","https:\u002F\u002Frestaurant-amici.com","2026-05-04T07:43:37.000Z","2026-05-23T19:21:52.000Z","A propos - Amici","à propos Amici signifie amis en italien, et c’est exactement ce que nous célébrons : le plaisir d’être ensemble. Nos restaurants ont le goût des bonnes choses, la joie de vivre et un air de Dolce Vita. TOUT EST BON CHEZ AMICI, LA CUISINE, LES AMIS, L’AMBIANCE. LE MEILLEUR EST À VENIR, MAIS AVANT, IL FAUT LE COMMANDER. Coloft Lesquin AMICI ANIME LE COLOFT Situés au cœur des Colofts, nos restaurants Amici ne sont pas exclusifs aux résidents, mais accueillent tout le monde. Tous ceux en quête de saveurs vraies et de bonne humeur sont les bienvenus ! [ Contact Contact ](https:\u002F\u002Frestaurant-amici.com\u002Fcontact\u002F) Salute ! LA FÊTE NE S’ARRÊTE JAMAIS Partout et tout le temps. Nos trattorias, où la tradition se limite à l’amour de la bonne cuisine et à la convivialité, se transforment, en soirée, en hauts lieux de la fête. Piste de danse, scène ouverte, ou spectacles enflammés — Amici s’anime au rythme des vinyles, des supporters transcendés et de la musique live. Ici, on partage de généreuses assiettes dans une ambiance qui se réchauffe au fil de la nuit. Rencontres, rires, moments mémorables : chez Amici, nous mettons en place le décor, mais c’est vous qui apportez l’âme. [ Privatisation Privatisation ](https:\u002F\u002Frestaurant-amici.com\u002Fprivatisation\u002F) Ciao Bella PRIVATISER AMICI Que ce soit pour un dîner d’affaires, une birthday party, ou simplement la meilleure pasta party entre amis, chez AMICI, vous êtes chez vous. Laissez-nous personnaliser votre événement pour qu’il soit exactement comme vous l’avez imaginé. Nous sommes là pour tout organiser afin que votre fête soit non seulement réussie, mais inoubliable. AMICI EN QUELQUES CHIFFRES Bellissimo Notre passion pour animer cœurs et corps rayonne à travers chaque établissement et chaque événement. L’amour de la bonne cuisine et du partage nous unit et nous inspire chaque jour. 158 APÉROS AMICI PAR AN 321 RENCONTRES QUI CHANGENT UNE VIE 100% DE GOÛT DANS L’ASSIETTES L’UNIVERS AMICI La Dolce Vita Découvrez nos restaurants en image. Briques apparentes, éclairage chic et sièges cosy créent une atmosphère invitante, parfaite pour savourer, se détendre, refaire le monde. stamp stamp stamp stamp stamp [Nous contacter ](https:\u002F\u002Frestaurant-amici.com\u002Fcontact\u002F) A propos Recrutement Instagram Facebook Credits Beaucoup Mentions légales RENCARD DIFFUSION MATCH AFTERWORK SPECTACLE OPEN MIC TERRASSE PAUSE MIDI APERO AMICI LIVE DJ SET TAPAS FIESTA MIXOLOGIE BISTRO",{"id":1513,"height":38,"width":39,"blurhash":1514},"1330e0d7-fb6a-46c1-b410-cdc06bd29d32","radial-gradient(at 0 0,#fdf1e2,#00000000 50%),radial-gradient(at 33% 0,#fcf0e1,#00000000 50%),radial-gradient(at 67% 0,#fcf0e1,#00000000 50%),radial-gradient(at 100% 0,#fcf0e1,#00000000 50%),radial-gradient(at 0 50%,#fbeedf,#00000000 50%),radial-gradient(at 33% 50%,#f8ecdd,#00000000 50%),radial-gradient(at 67% 50%,#f8ecdd,#00000000 50%),radial-gradient(at 100% 50%,#f8ecdd,#00000000 50%),radial-gradient(at 0 100%,#fcefe1,#00000000 50%),radial-gradient(at 33% 100%,#faeedf,#00000000 50%),radial-gradient(at 67% 100%,#faeedf,#00000000 50%),radial-gradient(at 100% 100%,#faeedf,#00000000 50%)",{"id":1516,"height":43,"width":44,"blurhash":31},"a88db2dd-c99e-4a5e-a086-2b7bacd01774",[1518],{"languages_code":47,"description":1519},"Amici is a vibrant culinary destination that positions dining as a celebratory experience. The website serves as a digital gateway to a lively restaurant concept, highlighting not just the food, but the atmosphere—ranging from mixology and tapas to live DJ sets and disco fever. It is designed to entice a social, trend-conscious audience looking for more than just a meal, but a full sensory event.\n\nThe visual identity is a masterclass in modern editorial elegance, utilizing a sophisticated palette of olive greens and warm creams. The design leans heavily on bold, expressive typography and a playful, slightly asymmetrical layout that mirrors the energetic spirit of the venue. By blending high-end aesthetic sensibilities with a sense of movement and joy, the brand successfully communicates a sense of 'joie de vivre' that is both chic and approachable.",[51,156,53],[1522],"Beaucoup Studio",[1293],[63,65],[1526,1527,1528,1529],{"score":71,"category":69},{"score":748,"category":72},{"score":74,"category":75},{"score":77,"category":78},[1531,1532,1533,1534],{"score":626,"category":69},{"score":748,"category":72},{"score":74,"category":75},{"score":77,"category":78},[86,88,461],"Website: Amici. Page: A Propos. Page type: About Us \u002F Team. Page title: A propos - Amici. Page content: à propos Amici signifie amis en italien, et c’est exactement ce que nous célébrons : le plaisir d’être ensemble. Nos restaurants ont le goût des bonnes choses, la joie de vivre et un air de Dolce Vita. TOUT EST BON CHEZ AMICI, LA CUISINE, LES AMIS, L’AMBIANCE. LE MEILLEUR EST À VENIR, MAIS AVANT, IL FAUT LE COMMANDER. Coloft Lesquin AMICI ANIME LE COLOFT Situés au cœur des Colofts, nos restaurants Amici ne sont pas exclusifs aux résidents, mais accueillent tout le monde. Tous ceux en quête de saveurs vraies et de bonne humeur sont les bienvenus ! [ Contact Contact ](https:\u002F\u002Frestaurant-amici.com\u002Fcontact\u002F) Salute ! LA FÊTE NE S’ARRÊTE JAMAIS Partout et tout le temps. Nos trattorias, où la tradition se limite à l’amour de la bonne cuisine et à la convivialité, se transforment, en soirée, en hauts lieux de la fête. Piste de danse, scène ouverte, ou spectacles enflammés — Amici s’anime au rythme des vinyles, des supporters transcendés et de la musique live. Ici, on partage de généreuses assiettes dans une ambiance qui se réchauffe au fil de la nuit. Rencontres, rires, moments mémorables : chez Amici, nous mettons en place le décor, mais c’est vous qui apportez l’âme. [ Privatisation Privatisation ](https:\u002F\u002Frestaurant-amici.com\u002Fprivatisation\u002F) Ciao Bella PRIVATISER AMICI Que ce soit pour un dîner d’affaires, une birthday party, ou simplement la meilleure pasta party entre amis, chez AMICI, vous êtes chez vous. Laissez-nous personnaliser votre événement pour qu’il soit exactement comme vous l’avez imaginé. Nous sommes là pour tout organiser afin que votre fête soit non seulement réussie, mais inoubliable. AMICI EN QUELQUES CHIFFRES Bellissimo Notre passion pour animer cœurs et corps rayonne à travers chaque établissement et chaque événement. L’amour de la bonne cuisine et du partage nous unit et nous inspire chaque jour. 158 APÉROS AMICI PAR AN 321 RENCONTRES QUI CHANGENT UNE VIE 100% DE GOÛT DANS L’ASSIETTES L’UNIVERS AMICI La Dolce Vita Découvrez nos restaurants en image. Briques apparentes, éclairage chic et sièges cosy créent une atmosphère invitante, parfaite pour savourer, se détendre, refaire le monde. stamp stamp stamp stamp stamp [Nous contacter ](https:\u002F\u002Frestaurant-amici.com\u002Fcontact\u002F) A propos Recrutement Instagram Facebook Credits Beaucoup Mentions légales RENCARD DIFFUSION MATCH AFTERWORK SPECTACLE OPEN MIC TERRASSE PAUSE MIDI APERO AMICI LIVE DJ SET TAPAS FIESTA MIXOLOGIE BISTRO. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Food & Beverage industry. Designed by Beaucoup Studio. The overall color palette features White, Gray, Green. The typography features Gotham (Sans Serif, Hoefler&Co.). Built using PHP, WordPress. AI description: Amici is a vibrant culinary destination that positions dining as a celebratory experience. The website serves as a digital gateway to a lively restaurant concept, highlighting not just the food, but the atmosphere—ranging from mixology and tapas to live DJ sets and disco fever. It is designed to entice a social, trend-conscious audience looking for more than just a meal, but a full sensory event. The visual identity is a masterclass in modern editorial elegance, utilizing a sophisticated palette of olive greens and warm creams. The design leans heavily on bold, expressive typography and a playful, slightly asymmetrical layout that mirrors the energetic spirit of the venue. 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Now, a new era of impact-focused activations drives the vision forward. The aim is to have a tangible impact in our sport through our four Ambitions. 27 Events 12 Countries Visited 100 Masterclasses .webp) History At the Yonex All England in 2015, four of the greats announced the start of a journey. They had been rivals on the court; off the court, they shared the same vision. Badminton, the sport they love, could be driven forward - and they believed they could unite to help on this journey. Following an initial World Tour, visiting each of their respective Home Nations, the Legends' Vision continued to develop further. Initially an event-driven initiative, designed to grow the sport's appeal, the founding legends realised that their visits were doing more than simply inspire. They were sowing seeds, supporting development and increasing opportunities for the community. With the addition of three more legends, the global reach of this initiative continues to grow. As we reach a decade of achievements, the future looks bright. 2015 Milestone Lin Dan, Lee Chong Wei, Peter Gade and Taufik Hidayat launch The Legends' Vision at the YONEX All England 2015 in Birmingham, UK 2015 Milestone The initial World Tour sees the badminton greats visit their homes - Beijing, Jakarta, Copenhagen and Kuala Lumpur - playing exhibition matches. 2017 Milestone Lee Yong Dae is announced as the fifth member of The Legends' Vision at the YONEX All England 2017 Milestone The legends make their first visit to Tokyo ahead of the YONEX Japan Open 2018 Milestone A first visit to Korea sees the legends host clinics for aspiring youngsters, alongside exhibition matches. 2019 Milestone A first trip to the United States saw the launch of A Racquet's Second Life, a donation project to provide young players with second-hand equipment 2020 Milestone A full World Tour Event at the YONEX All England sees a star-studded exhibiton match ahead of Finals Day. 2023 Milestone The legends visit Canada, wih a focus on leaving a legacy, which they do with the creation of an inter-club sparring initiative, designed to give better players increased access to top-tier trianing. 2024 Milestone In Malyasia, Lin Dan and Lee Chong Wei introduce two new legends to the initiative; Carolina Marin and Saina Nehwal. 2025 Year of Intent Marking 10 years of impact, The Legends’ Vision launches the Year of Intent with major World Tour and Legacy Tour events in China and Spain - setting the tone for the next decade of growth. We are guided by Four Ambitions These provide the structure for the initiative, guiding our work across the key areas. Junior Development Leveling up the juniors that are our future. The best way to take the sport to the next level is to make sure that our juniors can level up faster. To a point where they don’t just master the sport - they innovate the sport. While practice makes perfect, there’s only so much you can do if you don’t know exactly what it is you should be practicing. Through Legends’ Vision, we are developing new ways of giving juniors access to better learning tools. Community Enrichment Growing badminton through the community. We want to bring players together, creating more and new opportunities to enjoy the sport. The Legends’ Vision aims to use the passion we have for the game to build better and stronger connections between badminton players and empower all players to take the game to new levels of participation Badminton Discovery Bringing new people into the game. The surest way of progressing badminton is to get more people into the sport. More players mean more opponents, more teams, more sponsors, more courts and more leagues. More people in the game means more benefits to everybody who plays it. Through Legends’ Vision, we want to accelerate this virtuous circle and reach beyond the existing audience to attract new people to the game. Sport Advancement Applying an innovation mindset to every part of the sport. When you play badminton day in and day out, it is easy to accept the status quo. But to grow the sport, we need to think further. Find new ways and places to play the game and find new partners to help the game reach the next level. Legacies The Legends' Vision’s work, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Standout Programs The Legends' Vision runs programs across the globe to support our pursuit of redefining badminton. [ ](#)[ ](#) A Racquet's Second Life An equipment donation program launched in the USA in 2020, but now being rolled out across several countries around the world. Interclub sparring Identifying a need to provide the best club players in Canada with the opportunity to practice against the best of other clubs, we set up an Inter-Club sparring program. USA Clinics Starting in January 2020, our Ambassadors launched a series of free clinics in California. The programs aim to cover not only the foundations of coaching, but also creative ways to help motivate and increase the confidence of junior players. A Racquet's Second Life An equipment donation program launched in the USA in 2020, but now being rolled out across several countries around the world. Interclub sparring Identifying a need to provide the best club players in Canada with the opportunity to practice against the best of other clubs, we set up an Inter-Club sparring program. USA Clinics Starting in January 2020, our Ambassadors launched a series of free clinics in California. The programs aim to cover not only the foundations of coaching, but also creative ways to help motivate and increase the confidence of junior players. A Racquet's Second Life An equipment donation program launched in the USA in 2020, but now being rolled out across several countries around the world. Interclub sparring Identifying a need to provide the best club players in Canada with the opportunity to practice against the best of other clubs, we set up an Inter-Club sparring program. USA Clinics Starting in January 2020, our Ambassadors launched a series of free clinics in California. The programs aim to cover not only the foundations of coaching, but also creative ways to help motivate and increase the confidence of junior players. Impactful Events Events are a crucial part of the Legends' Vision, bringing people together to pursue a shared goal. [ ](#)[ ](#) Legacy Match - Yonex All England 2025 10 years on from the first Legends' Vision event, finals day at this event played host to a legacy match on the Minoru Yoneyama Court between Team England and Team Chinese Taipei hosted by Legends Peter Gade, Carolina Marin, Lin Dan and Lee Yong-Dae. Legacy Tournaments, China Over the last ten years, The Legends’ Vision has established an amateur tournament that runs across China culminating in a Grand Final in Shanghai. It has connected badminton communities of all ages across China and inspired them to raise their game The LV Canada Cup As the culmination of the interclub sparring program, we hosted the LV Canada Cup. Current international players coached their squad, made up of the best junior shuttlers in the country, across a one-day tournament. Discover Legends Level Learning Discover Legends Level Learning Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Sign up to be notified of launch Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. See Legends Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Growing the game globally. [ ](https:\u002F\u002Fwww.instagram.com\u002Fthelegendsvision\u002F)[ ](https:\u002F\u002Fwww.youtube.com\u002F@TheLegendsVision-Yonex)[ ](https:\u002F\u002Fwww.facebook.com\u002FtheLegendsVision\u002F) © 2025 YONEX Co. Legends Founding LegendsCurrent Legends Events UpcomingRecent Latest NewsArchive Vision Global InitiativesAbout[Ambiti …",{"id":1549,"height":38,"width":39,"blurhash":1550},"18f3dd81-6e9d-4b2c-951e-af2366ba1621","radial-gradient(at 0 0,#4f2100,#00000000 50%),radial-gradient(at 33% 0,#583422,#00000000 50%),radial-gradient(at 67% 0,#6b514a,#00000000 50%),radial-gradient(at 100% 0,#654943,#00000000 50%),radial-gradient(at 0 50%,#393927,#00000000 50%),radial-gradient(at 33% 50%,#797972,#00000000 50%),radial-gradient(at 67% 50%,#91918c,#00000000 50%),radial-gradient(at 100% 50%,#6f6f66,#00000000 50%),radial-gradient(at 0 100%,#404049,#00000000 50%),radial-gradient(at 33% 100%,#43434a,#00000000 50%),radial-gradient(at 67% 100%,#706f73,#00000000 50%),radial-gradient(at 100% 100%,#737376,#00000000 50%)",{"id":1552,"height":43,"width":44,"blurhash":31},"eff53fb5-30a0-4278-b596-2e5b5459b296",[1554],{"languages_code":47,"description":1555},"The Legends’ Vision by YONEX is a high-impact digital platform dedicated to the global expansion and legacy of badminton. By spotlighting world-class icons, the site serves as a bridge between the sport's storied past and its future, focusing on community, innovation, and grassroots development. It functions as both an inspirational hub for fans and a strategic showcase for the brand's commitment to the sport's long-term growth.\n\nThe visual identity is cinematic and prestigious, utilizing expansive, high-resolution photography that captures the athleticism and emotion of the game. A sophisticated color palette of gold, white, and deep tones, paired with elegant serif and bold sans-serif typography, evokes a sense of excellence and authority. The use of delicate line art—specifically the stylized shuttlecock—adds a modern, technical touch that balances the raw energy of the imagery, creating a premium brand experience that resonates with professional athletes and global enthusiasts alike.",[51,352,156],[],[1559],"DIN",[62,117,1561],"Webflow",[1563,1564,1565,1566],{"score":68,"category":69},{"score":1069,"category":72},{"score":74,"category":75},{"score":623,"category":78},[1568,1569,1570,1571],{"score":626,"category":69},{"score":68,"category":72},{"score":74,"category":75},{"score":623,"category":78},[87,88,86,708],"Website: The Legends’ Vision for Badminton. Page: Vision. Page type: About Us \u002F Team. Page title: About. Page content: HomeLegendsInitiativesLatestEventsVision [ ](#)[ ](#)[ ](https:\u002F\u002Fwww.facebook.com\u002FtheLegendsVision\u002F) .webp) About The Legends' Vision About The Legends' Vision For a decade, the Legends' Vision has been promoting the development of badminton. Now, a new era of impact-focused activations drives the vision forward. The aim is to have a tangible impact in our sport through our four Ambitions. 27 Events 12 Countries Visited 100 Masterclasses .webp) History At the Yonex All England in 2015, four of the greats announced the start of a journey. They had been rivals on the court; off the court, they shared the same vision. Badminton, the sport they love, could be driven forward - and they believed they could unite to help on this journey. Following an initial World Tour, visiting each of their respective Home Nations, the Legends' Vision continued to develop further. Initially an event-driven initiative, designed to grow the sport's appeal, the founding legends realised that their visits were doing more than simply inspire. They were sowing seeds, supporting development and increasing opportunities for the community. With the addition of three more legends, the global reach of this initiative continues to grow. As we reach a decade of achievements, the future looks bright. 2015 Milestone Lin Dan, Lee Chong Wei, Peter Gade and Taufik Hidayat launch The Legends' Vision at the YONEX All England 2015 in Birmingham, UK 2015 Milestone The initial World Tour sees the badminton greats visit their homes - Beijing, Jakarta, Copenhagen and Kuala Lumpur - playing exhibition matches. 2017 Milestone Lee Yong Dae is announced as the fifth member of The Legends' Vision at the YONEX All England 2017 Milestone The legends make their first visit to Tokyo ahead of the YONEX Japan Open 2018 Milestone A first visit to Korea sees the legends host clinics for aspiring youngsters, alongside exhibition matches. 2019 Milestone A first trip to the United States saw the launch of A Racquet's Second Life, a donation project to provide young players with second-hand equipment 2020 Milestone A full World Tour Event at the YONEX All England sees a star-studded exhibiton match ahead of Finals Day. 2023 Milestone The legends visit Canada, wih a focus on leaving a legacy, which they do with the creation of an inter-club sparring initiative, designed to give better players increased access to top-tier trianing. 2024 Milestone In Malyasia, Lin Dan and Lee Chong Wei introduce two new legends to the initiative; Carolina Marin and Saina Nehwal. 2025 Year of Intent Marking 10 years of impact, The Legends’ Vision launches the Year of Intent with major World Tour and Legacy Tour events in China and Spain - setting the tone for the next decade of growth. We are guided by Four Ambitions These provide the structure for the initiative, guiding our work across the key areas. Junior Development Leveling up the juniors that are our future. The best way to take the sport to the next level is to make sure that our juniors can level up faster. To a point where they don’t just master the sport - they innovate the sport. While practice makes perfect, there’s only so much you can do if you don’t know exactly what it is you should be practicing. Through Legends’ Vision, we are developing new ways of giving juniors access to better learning tools. Community Enrichment Growing badminton through the community. We want to bring players together, creating more and new opportunities to enjoy the sport. The Legends’ Vision aims to use the passion we have for the game to build better and stronger connections between badminton players and empower all players to take the game to new levels of participation Badminton Discovery Bringing new people into the game. The surest way of progressing badminton is to get more people into the sport. More players mean more opponents, more teams, more sponsors, more courts and more leagues. More people in the game means more benefits to everybody who plays it. Through Legends’ Vision, we want to accelerate this virtuous circle and reach beyond the existing audience to attract new people to the game. Sport Advancement Applying an innovation mindset to every part of the sport. When you play badminton day in and day out, it is easy to accept the status quo. But to grow the sport, we need to think further. Find new ways and places to play the game and find new partners to help the game reach the next level. Legacies The Legends' Vision’s work, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Standout Programs The Legends' Vision runs programs across the globe to support our pursuit of redefining badminton. [ ](#)[ ](#) A Racquet's Second Life An equipment donation program launched in the USA in 2020, but now being rolled out across several countries around the world. Interclub sparring Identifying a need to provide the best club players in Canada with the opportunity to practice against the best of other clubs, we set up an Inter-Club sparring program. USA Clinics Starting in January 2020, our Ambassadors launched a series of free clinics in California. The programs aim to cover not only the foundations of coaching, but also creative ways to help motivate and increase the confidence of junior players. A Racquet's Second Life An equipment donation program launched in the USA in 2020, but now being rolled out across several countries around the world. Interclub sparring Identifying a need to provide the best club players in Canada with the opportunity to practice against the best of other clubs, we set up an Inter-Club sparring program. USA Clinics Starting in January 2020, our Ambassadors launched a series of free clinics in California. The programs aim to cover not only the foundations of coaching, but also creative ways to help motivate and increase the confidence of junior players. A Racquet's Second Life An equipment donation program launched in the USA in 2020, but now being rolled out across several countries around the world. Interclub sparring Identifying a need to provide the best club players in Canada with the opportunity to practice against the best of other clubs, we set up an Inter-Club sparring program. USA Clinics Starting in January 2020, our Ambassadors launched a series of free clinics in California. The programs aim to cover not only the foundations of coaching, but also creative ways to help motivate and increase the confidence of junior players. Impactful Events Events are a crucial part of the Legends' Vision, bringing people together to pursue a shared goal. [ ](#)[ ](#) Legacy Match - Yonex All England 2025 10 years on from the first Legends' Vision event, finals day at this event played host to a legacy match on the Minoru Yoneyama Court between Team England and Team Chinese Taipei hosted by Legends Peter Gade, Carolina Marin, Lin Dan and Lee Yong-Dae. Legacy Tournaments, China Over the last ten years, The Legends’ Vision has established an amateur tournament that runs across China culminating in a Grand Final in Shanghai. It has connected badminton communities of all ages across China and inspired them to raise their game The LV Canada Cup As the culmination of the interclub sparring program, we hosted the LV Canada Cup. Current international players coached their squad, made up of the best junior shuttlers in the country, across a one-day tournament. Discover Legends Level Learning Discover Legends Level Learning Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Sign up to be notified of launch Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. See Legends Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Growing the game globally. [ ](https:\u002F\u002Fwww.instagram.com\u002Fthelegendsvision\u002F)[ ](https:\u002F\u002Fwww.youtube.com\u002F@TheLegendsVision-Yonex)[ ](https:\u002F\u002Fwww.facebook.com\u002FtheLegendsVision\u002F) © 2025 YONEX Co. Legends Founding LegendsCurrent Legends Events UpcomingRecent Latest NewsArchive Vision Global InitiativesAbout[Ambiti …. A Clean \u002F Minimalist, Dark Mode, High-End \u002F Luxury website in the Sports & Fitness industry. The overall color palette features Black, Gray, White, Orange. The typography features DIN (Sans Serif). Built using jQuery, Vue.js, Webflow. AI description: The Legends’ Vision by YONEX is a high-impact digital platform dedicated to the global expansion and legacy of badminton. By spotlighting world-class icons, the site serves as a bridge between the sport's storied past and its future, focusing on community, innovation, and grassroots development. It functions as both an inspirational hub for fans and a strategic showcase for the brand's commitment to the sport's long-term growth. The visual identity is cinematic and prestigious, utilizing expansive, high-resolution photography that captures the athleticism and emotion of the game. A sophisticated color palette of gold, white, and deep tones, paired with elegant serif and bold sans-serif typography, evokes a sense of excellence and authority. The use of delicate line art—specifically the stylized shuttlecock—adds a modern, technical touch that balances the raw energy of the imagery, creating a premium brand experience that resonates with professional athletes and global enthusiasts alike.",{"id":1575,"website_id":1576,"page_id":1575,"name":1577,"slug":1578,"url":1579,"website_name":1577,"website_slug":1578,"website_url":1580,"result_url":1579,"fetched_at":1581,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":1582,"page_name":142,"page_url":1579,"page_title":1583,"page_description":1584,"page_content":1585,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1586,"cover_mobile":1589,"cover_sequence":31,"translations":1591,"industry":199,"styles":1594,"credits":1595,"font_families":1596,"technologies":1598,"pagespeed":1600,"pagespeed_mobile":1605,"buckets":1610,"search_payload":1611},"6158e527-a065-4e38-b3ae-04ff633a3c0c","f81dfedc-fd9c-4199-b4a3-97720b949635","Logic Magazine","logicmag","https:\u002F\u002Flogicmag.io\u002Fabout","https:\u002F\u002Flogicmag.io","2026-05-04T07:39:44.000Z","2026-05-23T19:36:32.000Z","About | Logic(s) Magazine","About Logic(s)","About Mission _Logic(s),_ a biannual print and digital magazine, published in a mix of mediums and creative styles, including reported articles, features, graphic stories, poetry, speculative and science fiction, and visual essays. The mission of _Logic(s)_ is to draw in voices and perspectives that remain outside, underexplored, and essential to thinking critically about technology from below. Our Home _Logic(s)_ is housed within Columbia University’s Incite institute. Incite believes that to create knowledge for public action, all forms of expertise and experience must be elevated. As such, Incite supports and assembles researchers, students, artists, activists, and many others from outside the academy to learn from and inspire one another through intellectual and creative encounters. _Logic(s)_ is deeply aligned with this vision. _Logic(s)_ has complete editorial independence from its funders, including Incite. Our History _Logic(s)_ was previously called _Logic Magazine_ and for six years was part of the Logic Foundation, which continues its work. _Logic(s)_ retains the core commitments of the magazine’s founding while laying the groundwork to radically shift both critical technology writing and dominant publishing models. Read more about this new chapter of Logic(s). The Logic Foundation still has a school too! A Note on Data Privacy At _Logic(s)_ we're dedicated to privacy. On this website, we have turned off Google Analytics, and we don't collect any user data. Contact us at: logics\\[at\\]columbia\\[dot\\]edu",{"id":1587,"height":38,"width":39,"blurhash":1588},"298a5f21-fab4-482b-8416-3e40b4f5f561","radial-gradient(at 0 0,#fff5e0,#00000000 50%),radial-gradient(at 33% 0,#feefd9,#00000000 50%),radial-gradient(at 67% 0,#fdedd7,#00000000 50%),radial-gradient(at 100% 0,#fff2db,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#f3f3f5,#00000000 50%),radial-gradient(at 67% 50%,#ededef,#00000000 50%),radial-gradient(at 100% 50%,#f9fafb,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#f4f2f1,#00000000 50%),radial-gradient(at 67% 100%,#eeecea,#00000000 50%),radial-gradient(at 100% 100%,#fbf8f6,#00000000 50%)",{"id":1590,"height":43,"width":44,"blurhash":31},"f0589896-0a57-400a-b3de-1ef6ee25659a",[1592],{"languages_code":47,"description":1593},"Logic(s) Magazine is a sophisticated intellectual platform dedicated to exploring the intersection of technology, identity, and social justice. With a specific focus on queer, Black, and Asian perspectives, the publication serves as a vital space for deepening discourse around how technological systems impact marginalized communities. Its purpose is both archival and activist, providing a high-quality medium for critical thought through biannual print and digital editions.\n\nThe visual identity is defined by a bold, editorial aesthetic that balances high-concept art with striking typography. The design utilizes a clean, spacious layout that allows the evocative cover art and long-form prose to command attention. By pairing minimalist structural elements with vibrant, textured imagery, the website establishes a sense of prestige and intellectual rigor, appealing to an audience of academics, activists, and culturally conscious readers.",[51,53,202],[],[1597,1597],"Aperçu",[259,1599,261],"Contentful",[1601,1602,1603,1604],{"score":68,"category":69},{"score":77,"category":72},{"score":74,"category":75},{"score":74,"category":78},[1606,1607,1608,1609],{"score":1452,"category":69},{"score":660,"category":72},{"score":74,"category":75},{"score":74,"category":78},[86,87,708,88],"Website: Logic Magazine. Page: About. Page type: About Us \u002F Team. Page title: About | Logic(s) Magazine. Page description: About Logic(s). Page content: About Mission _Logic(s),_ a biannual print and digital magazine, published in a mix of mediums and creative styles, including reported articles, features, graphic stories, poetry, speculative and science fiction, and visual essays. The mission of _Logic(s)_ is to draw in voices and perspectives that remain outside, underexplored, and essential to thinking critically about technology from below. Our Home _Logic(s)_ is housed within Columbia University’s Incite institute. Incite believes that to create knowledge for public action, all forms of expertise and experience must be elevated. As such, Incite supports and assembles researchers, students, artists, activists, and many others from outside the academy to learn from and inspire one another through intellectual and creative encounters. _Logic(s)_ is deeply aligned with this vision. _Logic(s)_ has complete editorial independence from its funders, including Incite. Our History _Logic(s)_ was previously called _Logic Magazine_ and for six years was part of the Logic Foundation, which continues its work. _Logic(s)_ retains the core commitments of the magazine’s founding while laying the groundwork to radically shift both critical technology writing and dominant publishing models. Read more about this new chapter of Logic(s). The Logic Foundation still has a school too! A Note on Data Privacy At _Logic(s)_ we're dedicated to privacy. On this website, we have turned off Google Analytics, and we don't collect any user data. Contact us at: logics\\[at\\]columbia\\[dot\\]edu. A Clean \u002F Minimalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Entertainment & Media industry. The overall color palette features White, Black, Orange, Gray. The typography features Aperçu (Sans Serif, Colophon), Aperçu (Sans Serif, Colophon). Built using Amazon Web Services, Contentful, MailChimp. AI description: Logic(s) Magazine is a sophisticated intellectual platform dedicated to exploring the intersection of technology, identity, and social justice. With a specific focus on queer, Black, and Asian perspectives, the publication serves as a vital space for deepening discourse around how technological systems impact marginalized communities. Its purpose is both archival and activist, providing a high-quality medium for critical thought through biannual print and digital editions. The visual identity is defined by a bold, editorial aesthetic that balances high-concept art with striking typography. The design utilizes a clean, spacious layout that allows the evocative cover art and long-form prose to command attention. 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Through a collaborative approach and sharp expertise, each stage of the process is skillfully managed using a rigorous methodology. This allows us to gain a deep understanding of your business or workplace, break down silos in the creative process, … Continued","by\\_Haus - Projects - Studio - Fr - Home - Projects - Our Studio - Fr Established in Montreal since 2014, by\\_Haus is a microstudio specializing in brand identity and wayfinding design. Through a collaborative approach and sharp expertise, each stage of the process is skillfully managed using a rigorous methodology. This allows us to gain a deep understanding of your business or workplace, break down silos in the creative process, uncover key stories, and generate bold, relevant ideas that bring your vision to life. The studio transforms every project into a striking and effective visual experience, always tailored to the client’s specific needs and market demands. Its founder, Philippe Archontakis, is a certified graphic designer. Capabilities Identity Brand workshops. Positioning. Brand architecture. Visual identity. Logos & wordmarks. Art direction. Prototyping. Packaging design. Graphic production. Printed material. Print management. Brand guide. Wayfinding Path and experience analysis. Art direction and graphic system. Pictograms and iconography. Orientation diagram. Graphic production. Manufacturing and installation guide. Guide to signage standards. Philosophy Functionality Clarity Beauty Significance Longevity Have a project in mind? If you want to know more about our process and prices, write us here. Building brands since 2014. 5696, 6th Avenue Montreal (QC) H1Y2P9 +1 514 909 3122 info@byhaus.ca instagram twitter facebook linkedin ByHaus",{"id":1625,"height":38,"width":39,"blurhash":1626},"a9682a96-4d98-4c94-9663-4fb05a67a0d1","radial-gradient(at 0 0,#141414,#00000000 50%),radial-gradient(at 33% 0,#131313,#00000000 50%),radial-gradient(at 67% 0,#131313,#00000000 50%),radial-gradient(at 100% 0,#080808,#00000000 50%),radial-gradient(at 0 50%,#080808,#00000000 50%),radial-gradient(at 33% 50%,#0d0d0d,#00000000 50%),radial-gradient(at 67% 50%,#0c0c0c,#00000000 50%),radial-gradient(at 100% 50%,#000000,#00000000 50%),radial-gradient(at 0 100%,#252525,#00000000 50%),radial-gradient(at 33% 100%,#262626,#00000000 50%),radial-gradient(at 67% 100%,#222222,#00000000 50%),radial-gradient(at 100% 100%,#131313,#00000000 50%)",{"id":1628,"height":43,"width":44,"blurhash":31},"6f2e604b-13d1-4c56-a673-50dfb66fec9c",[1630],{"languages_code":47,"description":1631},"by_Haus is a Montreal-based microstudio dedicated to the intersection of brand identity and environmental wayfinding. 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It targets high-end clients who value design that is both intellectually grounded and visually striking.",[51,352,53],[1634],"byHAUS",[1636],"Akkurat",[62,63,1638,65,1295],"Stimulus",[1640,1641,1642,1643],{"score":623,"category":69},{"score":361,"category":72},{"score":74,"category":75},{"score":74,"category":78},[1645,1647,1648,1649],{"score":1646,"category":69},47,{"score":68,"category":72},{"score":74,"category":75},{"score":74,"category":78},[87,88,86],"Website: byHaus. Page: Studio. Page type: About Us \u002F Team. Page title: Our Studio - by_Haus. Page description: Established in Montreal since 2014, by_Haus is a microstudio specializing in brand identity and wayfinding design. Through a collaborative approach and sharp expertise, each stage of the process is skillfully managed using a rigorous methodology. This allows us to gain a deep understanding of your business or workplace, break down silos in the creative process, … Continued. Page content: by\\_Haus - Projects - Studio - Fr - Home - Projects - Our Studio - Fr Established in Montreal since 2014, by\\_Haus is a microstudio specializing in brand identity and wayfinding design. Through a collaborative approach and sharp expertise, each stage of the process is skillfully managed using a rigorous methodology. This allows us to gain a deep understanding of your business or workplace, break down silos in the creative process, uncover key stories, and generate bold, relevant ideas that bring your vision to life. The studio transforms every project into a striking and effective visual experience, always tailored to the client’s specific needs and market demands. Its founder, Philippe Archontakis, is a certified graphic designer. Capabilities Identity Brand workshops. Positioning. Brand architecture. Visual identity. Logos & wordmarks. Art direction. Prototyping. Packaging design. Graphic production. Printed material. Print management. Brand guide. Wayfinding Path and experience analysis. Art direction and graphic system. Pictograms and iconography. Orientation diagram. Graphic production. Manufacturing and installation guide. Guide to signage standards. Philosophy Functionality Clarity Beauty Significance Longevity Have a project in mind? If you want to know more about our process and prices, write us here. Building brands since 2014. 5696, 6th Avenue Montreal (QC) H1Y2P9 +1 514 909 3122 info@byhaus.ca instagram twitter facebook linkedin ByHaus. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Agency & Studio industry. Designed by byHAUS. The overall color palette features Black, Gray, White. The typography features Akkurat (Lineto). Built using jQuery, PHP, Stimulus, WordPress, WP Engine. AI description: by_Haus is a Montreal-based microstudio dedicated to the intersection of brand identity and environmental wayfinding. The studio positions itself as a strategic partner for businesses looking to bridge the gap between visual communication and physical space, offering a rigorous, methodology-driven approach to graphic design, packaging, and spatial branding. The visual identity of the website is profoundly cinematic and atmospheric, utilizing high-contrast imagery and a sophisticated dark aesthetic. By pairing expansive, moody photography with clean, minimalist typography, the site communicates a sense of premium craftsmanship and architectural precision. It targets high-end clients who value design that is both intellectually grounded and visually striking.",{"id":1653,"website_id":1654,"page_id":1653,"name":1655,"slug":1656,"url":1657,"website_name":1655,"website_slug":1656,"website_url":1658,"result_url":1657,"fetched_at":1659,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":1660,"page_name":8,"page_url":1657,"page_title":1661,"page_description":1662,"page_content":1663,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1664,"cover_mobile":1667,"cover_sequence":31,"translations":1669,"industry":1672,"styles":1673,"credits":1674,"font_families":1675,"technologies":1676,"pagespeed":1678,"pagespeed_mobile":1683,"buckets":1688,"search_payload":1689},"0def4766-4588-4342-a8c4-446c0af641d4","fa02ad4b-3631-410d-a9b4-91473e278151","Volato","volato","https:\u002F\u002Fflyvolato.com\u002Fabout-us","https:\u002F\u002Fflyvolato.com","2026-05-03T23:51:13.000Z","2026-05-23T19:26:27.000Z","About Us - Volato","About Volato Volato is a NYSE publicly listed aviation company advancing the industry with innovative solutions in aviation software and on-demand flight access. With a commitment to technology and customer-focused…","Volato logo - Mission Control - Overview - Features - Vaunt - About Us - Overview - News - Investor Relations - Contact Us Menu - Mission Control - Overview - Features - Vaunt - About Us - Overview - News - Investor Relations - Contact Us Volato logo - Mission Control - Overview - Features - Vaunt - About Us - Overview - News - Investor Relations - Contact Us Menu - Mission Control - Overview - Features - Vaunt - About Us - Overview - News - Investor Relations - Contact Us About Volato Volato is a NYSE publicly listed aviation company advancing the industry with innovative solutions in aviation software and on-demand flight access. With a commitment to technology and customer-focused solutions, Volato is building scalable tools to elevate service quality and operational effectiveness in private aviation. Our History Volato’s journey began as a leading private aviation operator, learning and experiencing the challenges of operating a fleet first hand. Unsatisfied with the limitations of existing market solutions, in 2022 the Company took a bold step, developing its own proprietary software and technology to address its unique operational needs. In 2024, Volato transitioned from flight operations to focus exclusively on high-growth opportunities, including the commercialization of its innovative software and cutting-edge technology solutions. Our Solutions Mission Control Volato’s proprietary Mission Control software drives efficiency across operations and supports operators in the first customer experience focused flight management system suite. Learn More Vaunt Volato’s Vaunt platform maximizes operator’s revenue by offering empty leg flights to a community of over 80,000 flexible travelers. Learn More Investor Relations Volato Group is publicly listed on NYSE under the ticker SOAR Visit our investor relations site to learn more about our leadership, corporate governance, news and more. Investor Relations Enjoy flying more. About News Broker Rewards Instagram Youtube © 2026 Volato, Inc. For general inquiries call 530-4-VOLATO (530-486-5286). All Volato flights are operated by an approved vendor air carrier. Volato and Vaunt do not operate any aircraft. Notifications",{"id":1665,"height":38,"width":39,"blurhash":1666},"80e51a8a-3108-4fdc-a964-dab49b10ee17","radial-gradient(at 0 0,#cdcdc2,#00000000 50%),radial-gradient(at 33% 0,#cacabf,#00000000 50%),radial-gradient(at 67% 0,#cacabf,#00000000 50%),radial-gradient(at 100% 0,#cacabf,#00000000 50%),radial-gradient(at 0 50%,#000000,#00000000 50%),radial-gradient(at 33% 50%,#000000,#00000000 50%),radial-gradient(at 67% 50%,#000000,#00000000 50%),radial-gradient(at 100% 50%,#000000,#00000000 50%),radial-gradient(at 0 100%,#5d5d54,#00000000 50%),radial-gradient(at 33% 100%,#5b5b52,#00000000 50%),radial-gradient(at 67% 100%,#5b5b52,#00000000 50%),radial-gradient(at 100% 100%,#5b5b52,#00000000 50%)",{"id":1668,"height":43,"width":44,"blurhash":31},"2a3c41fe-2eac-405d-bb00-1d477864fa8a",[1670],{"languages_code":47,"description":1671},"Volato is a sophisticated aviation platform that bridges the gap between high-end private jet ownership and tech-driven flight management. By integrating proprietary software like 'Mission Control' with accessible membership models like 'Vaunt,' the company positions itself as a dual-threat industry disruptor: a seamless operational tool for aviation professionals and an elite travel solution for discerning clients.\n\nThe visual identity is rooted in high-end luxury and corporate professionalism. Utilizing expansive, high-resolution hero imagery of private aircraft, the design communicates scale and prestige. The typography is bold and authoritative, paired with a clean, minimalist layout and a muted, sophisticated color palette that emphasizes clarity and trust. The interface feels modern and efficient, mirroring the seamless travel experience the brand promises.","Automotive & Transportation",[51,441,156],[],[],[1677,570,401,62,63,65,1295],"Beaver Builder",[1679,1680,1681,1682],{"score":748,"category":69},{"score":184,"category":72},{"score":123,"category":75},{"score":77,"category":78},[1684,1685,1686,1687],{"score":162,"category":69},{"score":184,"category":72},{"score":123,"category":75},{"score":77,"category":78},[87,86,88],"Website: Volato. Page: About Us. Page type: About Us \u002F Team. Page title: About Us - Volato. Page description: About Volato Volato is a NYSE publicly listed aviation company advancing the industry with innovative solutions in aviation software and on-demand flight access. With a commitment to technology and customer-focused…. Page content: Volato logo - Mission Control - Overview - Features - Vaunt - About Us - Overview - News - Investor Relations - Contact Us Menu - Mission Control - Overview - Features - Vaunt - About Us - Overview - News - Investor Relations - Contact Us Volato logo - Mission Control - Overview - Features - Vaunt - About Us - Overview - News - Investor Relations - Contact Us Menu - Mission Control - Overview - Features - Vaunt - About Us - Overview - News - Investor Relations - Contact Us About Volato Volato is a NYSE publicly listed aviation company advancing the industry with innovative solutions in aviation software and on-demand flight access. With a commitment to technology and customer-focused solutions, Volato is building scalable tools to elevate service quality and operational effectiveness in private aviation. Our History Volato’s journey began as a leading private aviation operator, learning and experiencing the challenges of operating a fleet first hand. Unsatisfied with the limitations of existing market solutions, in 2022 the Company took a bold step, developing its own proprietary software and technology to address its unique operational needs. In 2024, Volato transitioned from flight operations to focus exclusively on high-growth opportunities, including the commercialization of its innovative software and cutting-edge technology solutions. Our Solutions Mission Control Volato’s proprietary Mission Control software drives efficiency across operations and supports operators in the first customer experience focused flight management system suite. Learn More Vaunt Volato’s Vaunt platform maximizes operator’s revenue by offering empty leg flights to a community of over 80,000 flexible travelers. Learn More Investor Relations Volato Group is publicly listed on NYSE under the ticker SOAR Visit our investor relations site to learn more about our leadership, corporate governance, news and more. Investor Relations Enjoy flying more. About News Broker Rewards Instagram Youtube © 2026 Volato, Inc. For general inquiries call 530-4-VOLATO (530-486-5286). All Volato flights are operated by an approved vendor air carrier. Volato and Vaunt do not operate any aircraft. Notifications. A Clean \u002F Minimalist, Corporate \u002F Professional, High-End \u002F Luxury website in the Automotive & Transportation industry. The overall color palette features Black, White, Gray. Built using Beaver Builder, Elementor, Gravity Forms, jQuery, PHP, WordPress, WP Engine. AI description: Volato is a sophisticated aviation platform that bridges the gap between high-end private jet ownership and tech-driven flight management. By integrating proprietary software like 'Mission Control' with accessible membership models like 'Vaunt,' the company positions itself as a dual-threat industry disruptor: a seamless operational tool for aviation professionals and an elite travel solution for discerning clients. 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Natural remedies to help relieve anxiousness, improve focus, balance cortisol and improve sleep.","Shennong \"The Divine Farmer\", eating herbs. The Divine Farmer: Polina Bowler Divine Farmer is the culmination of my life work in Traditional Chinese Medicine, coupled with a need to help patients during the Pandemic. The name, Divine Farmer, also known as Shennong in Chinese, was an ancient mythological ruler who taught humans that plants could be used for medicinal purposes. Legend is that he tasted hundreds of herbs to analyze their effects, determined if they were medicinal or poisonous, and then taught this to his people. About Polina Early Beginnings Shop Divine Farmer C.A. The How I spent a lot of time in my twenties in search of my purpose. My curiosity and spiritual hunger led me to the Far East. I traveled a long time through China, southeast Asia, and India, studying yoga and its underlying philosophies. Divine Farmer was born on a boat to Shanghai, but I didn’t know it at the time. What I did know was that something deeply meaningful found me: Chinese medicine. I fell extremely ill on that boat with 104 fever and talking in tongues. One man noticed how sick I was and came to offer a mysterious handful of what looked like seeds. With few alternatives, I decided to take them. He applied cold compresses to my forehead that smelled like strange, fresh herbs and stuck tiny acupuncture needles in my hands and around my elbows. Within a few hours my fever broke; and by the end of the next day I was completely fine. I spent that day talking to him about Chinese medicine and his dream of making it more known in the West, which soon became my dream too. Read more About Divine Farmer Now, and into the future Shop Divine Farmer C.A. The Why I have great respect for Western medicine and never think of Eastern or Western as being better than the other. They each serve their purpose. It’s the collaborative fusion of both disciplines where I see the future of medicine. My devotion to help my patients utilize natural remedies continuously drives me to explore new discoveries from both East and West, whether within current translations of ancient texts or through scientific research into medicinal herbs and what they do. This devotion led to my interest in the ancient herb, Hemp, from which modern science derives CBD. I spent years working closely with oncology nurses at Cedar Sinai hospital to guide patients through cancer treatments using Chinese herbs in conjunction with CBD. CBD can bring fast relief of symptoms while Chinese herbal remedies, though as fast, work on a deeper, constitutional level to help heal the underlying causes. Seeing these two natural elements work together was one of the more amazing moments in my years of practice. Prior to that, I had been working with the UCLA Woman’s clinic to ween pregnant women off anti-depressants that are unsafe during pregnancy. Both experiences gave me hands-on knowledge of the physical, mental and emotional issues of patients battling a serious illness. CBD coupled with herbs together resolved so much, but it was difficult for many patients to take oil or alcohol-based CBD, while their bodies were already nauseous from sickness, treatments and taking western medications and supplements. 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Page content: Shennong \"The Divine Farmer\", eating herbs. The Divine Farmer: Polina Bowler Divine Farmer is the culmination of my life work in Traditional Chinese Medicine, coupled with a need to help patients during the Pandemic. The name, Divine Farmer, also known as Shennong in Chinese, was an ancient mythological ruler who taught humans that plants could be used for medicinal purposes. Legend is that he tasted hundreds of herbs to analyze their effects, determined if they were medicinal or poisonous, and then taught this to his people. About Polina Early Beginnings Shop Divine Farmer C.A. The How I spent a lot of time in my twenties in search of my purpose. My curiosity and spiritual hunger led me to the Far East. I traveled a long time through China, southeast Asia, and India, studying yoga and its underlying philosophies. Divine Farmer was born on a boat to Shanghai, but I didn’t know it at the time. What I did know was that something deeply meaningful found me: Chinese medicine. I fell extremely ill on that boat with 104 fever and talking in tongues. One man noticed how sick I was and came to offer a mysterious handful of what looked like seeds. With few alternatives, I decided to take them. He applied cold compresses to my forehead that smelled like strange, fresh herbs and stuck tiny acupuncture needles in my hands and around my elbows. Within a few hours my fever broke; and by the end of the next day I was completely fine. I spent that day talking to him about Chinese medicine and his dream of making it more known in the West, which soon became my dream too. Read more About Divine Farmer Now, and into the future Shop Divine Farmer C.A. The Why I have great respect for Western medicine and never think of Eastern or Western as being better than the other. They each serve their purpose. It’s the collaborative fusion of both disciplines where I see the future of medicine. My devotion to help my patients utilize natural remedies continuously drives me to explore new discoveries from both East and West, whether within current translations of ancient texts or through scientific research into medicinal herbs and what they do. This devotion led to my interest in the ancient herb, Hemp, from which modern science derives CBD. I spent years working closely with oncology nurses at Cedar Sinai hospital to guide patients through cancer treatments using Chinese herbs in conjunction with CBD. CBD can bring fast relief of symptoms while Chinese herbal remedies, though as fast, work on a deeper, constitutional level to help heal the underlying causes. Seeing these two natural elements work together was one of the more amazing moments in my years of practice. Prior to that, I had been working with the UCLA Woman’s clinic to ween pregnant women off anti-depressants that are unsafe during pregnancy. Both experiences gave me hands-on knowledge of the physical, mental and emotional issues of patients battling a serious illness. CBD coupled with herbs together resolved so much, but it was difficult for many patients to take oil or alcohol-based CBD, while their bodies were already nauseous from sickness, treatments and taking western medications and supplements. Read more. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Healthcare & Wellness industry. Designed by Base Design. The overall color palette features White, Gray, Orange, Black. Built using Debian, Klaviyo, Node.js, Nuxt.js, Vue.js. AI description: Divine Farmer C.A. is a premium wellness brand that bridges the gap between ancient wisdom and modern biotechnology. By fusing Traditional Chinese Medicine with advanced nano-emulsified CBD technology, the brand offers high-efficacy natural remedies designed to address modern ailments like anxiety, sleep disruption, and mental fog. 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We all like to keep things moving. We all thrive on dynamic situations that set the creative spark on fire.","We all like to _get things done_. Fllow is Marie and Sebastian. But depending on the project, it could be Joanne, Ludovic, Rija, Anna, Pierre, Clara, Bonnie, Sandra, Mickaël, Aurelien or Fred too… Sébastien Laading & Marie Lemaistre The essence of our job is to give birth to ideas and inspire the creative spirit in everyone, to build teams and guide them to solutions. That’s exactly what our creative experiences have in common: the search for the Flow. That state where nothing is too great to be accomplished, where everything is so exciting that you consecrate yourself to it totally. We wanted to find a way to reach it in all of our projects and invite our clients too. We created Fllow. Sébastien Laading Creative Director & CEO Co-founder of the Fullsix Group in 1997, Sébastien built and directed the company’s digital creative teams in France, Italy and the UK. In 2009, he participated in the creation and development of Zee Agency, a digital communication agency that grew from 4 to 40 staff in 8 years. He has worked with a wide variety of clients in both the luxury and FMCG sectors. Marie Lemaistre Creative Director Marie cut her teeth at Zee Agency where she also worked with Google Zoo (between 2014 and 2016). With this experience under her belt, she helped define a new creative identity for the agency that attracted several new clients including Reflets de France, Audika, Guerlain, Cloudy Bay (LVMH), and Fiat Motor Village. Always together, always in 5 days Always together, always in 5 days Our Experts Fllow is also a network of experts that we invite to our workshops to benefit from their specific know-how. They can pop-in during our workshops or accompany you following our intervention. Joanne Epstein Joanne Epstein brand language Originally from Liverpool, our Brand Language specialist has been supporting major brands in their editorial strategies for many years. A seasoned workshop practitioner, Joanne intervenes both on brand platform topics and editorial strategies. - LinkedIn Ludovic Ténart Ludovic Ténart Ideation Former Creative Director of FullSIX, TBWA Interactive, Tequila, Protéines and Havas Paris, Ludovic needs no introduction. Ludovic accompanies us on pure advertising topics but is also an expert in interactive user experiences. - LinkedIn Rija Goldscheider Rija Goldscheider Brand strategy & Communication Former Brand Strategist at Google, Rija is the special correspondent of our partner WDNR, an ecosystem of agencies looking to create and deploy positive impact businesses. Rija intervenes when we think, with our clients, about the impact of their ideas on the world. - LinkedIn Fred Paterne Fred Paterne Web\u002FAR\u002FVR development Marketing manager and then creator of his own graphic studio, Fred created the development agency Agarta in 2018. Agarta is our swiss knife when it comes to technical and feasibility topics. Thanks to their intervention, we can, if necessary, technically validate the decisions taken during the workshops. - LinkedIn Anna Gangloff Anna Gangloff Social media Co-founder of social media agency Foxy, Anna Gangloff is an trained anthropologist and has woven her journey between agencies and advertisers. We share some of our workshops with Anna and her team to support our clients in the development and monitoring of social media plans. - LinkedIn Pierre Abruzzini Pierre Abruzzini Video production Founder of Isegoria, an audiovisual production studio specializing in brand content. Isegoria knows how to offer creative solutions adapted to the constraints of our clients and naturally strives to pursue a relationship of exchange and co-creation. - LinkedIn Clara Toussaint Clara Toussaint Intellectual property Partner Lawyer at Branquart & Toussaint, Clara is our intellectual and industrial property expert. Clara helps our clients in the search for prior trademarks and similarities, and takes care of the filing and protection of their brands. - LinkedIn Bonnie Ravina Bonnie Ravina Go-to-market Founder of Full Circle in Philadelphia, Bonnie helps tech companies accelerate their go-to-market strategy intelligently and efficiently. Bonnie enriches our reflection with insights on a larger scale and accompanies our clients in their international development projects. - LinkedIn Sandra Laberenne Sandra Laberenne Press Relations Founder of Meiji Communication agency, after 9 years as Customer Director at Point Virgule, Sandra intervenes on press relations topics. Her expertise allows us to validate or develop, during the workshops, the differentiating points of the strategies and messages that emerged. - LinkedIn Mickaël Solal Mickaël Solal Strategic and Operational Mktg After 10 years at Orange, Toei Animation & TF1, Michaël heads Nouvoz Consulting, a digital marketing consulting agency. Michaël supports our clients facing intrapreneurial problems by accompanying them on the definition of their business model. - LinkedIn Aurelien Debacq Aurelien Debacq PROCESSES AND BUSINESS MODELS Aurélien is co-founder of AlloHouston, a consulting and development agency specialized in transforming processes and business models. With Aurélien, no need for specifications! His team speaks the operational language of our clients and helps us find the right organizational and technical solutions. - LinkedIn Contact us and become a _creative flow_ expert! CONTACT-US Contact us and become a _creative flow_ expert! 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Fllow is Marie and Sebastian. But depending on the project, it could be Joanne, Ludovic, Rija, Anna, Pierre, Clara, Bonnie, Sandra, Mickaël, Aurelien or Fred too… Sébastien Laading & Marie Lemaistre The essence of our job is to give birth to ideas and inspire the creative spirit in everyone, to build teams and guide them to solutions. That’s exactly what our creative experiences have in common: the search for the Flow. That state where nothing is too great to be accomplished, where everything is so exciting that you consecrate yourself to it totally. We wanted to find a way to reach it in all of our projects and invite our clients too. We created Fllow. Sébastien Laading Creative Director & CEO Co-founder of the Fullsix Group in 1997, Sébastien built and directed the company’s digital creative teams in France, Italy and the UK. In 2009, he participated in the creation and development of Zee Agency, a digital communication agency that grew from 4 to 40 staff in 8 years. 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Clara helps our clients in the search for prior trademarks and similarities, and takes care of the filing and protection of their brands. - LinkedIn Bonnie Ravina Bonnie Ravina Go-to-market Founder of Full Circle in Philadelphia, Bonnie helps tech companies accelerate their go-to-market strategy intelligently and efficiently. Bonnie enriches our reflection with insights on a larger scale and accompanies our clients in their international development projects. - LinkedIn Sandra Laberenne Sandra Laberenne Press Relations Founder of Meiji Communication agency, after 9 years as Customer Director at Point Virgule, Sandra intervenes on press relations topics. Her expertise allows us to validate or develop, during the workshops, the differentiating points of the strategies and messages that emerged. - LinkedIn Mickaël Solal Mickaël Solal Strategic and Operational Mktg After 10 years at Orange, Toei Animation & TF1, Michaël heads Nouvoz Consulting, a digital marketing consulting agency. Michaël supports our clients facing intrapreneurial problems by accompanying them on the definition of their business model. - LinkedIn Aurelien Debacq Aurelien Debacq PROCESSES AND BUSINESS MODELS Aurélien is co-founder of AlloHouston, a consulting and development agency specialized in transforming processes and business models. With Aurélien, no need for specifications! His team speaks the operational language of our clients and helps us find the right organizational and technical solutions. - LinkedIn Contact us and become a _creative flow_ expert! CONTACT-US Contact us and become a _creative flow_ expert! CONTACT-US. A Clean \u002F Minimalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Agency & Studio industry. The overall color palette features Gray, White, Black. The typography features Open Sans (Sans Serif), Playfair Display, Roboto (Sans Serif), Montserrat (Sans Serif), Playfair Display. 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It targets an intellectually curious and culturally engaged audience that appreciates modern art and unconventional design sensibilities.",{"id":1808,"website_id":1809,"page_id":1808,"name":1810,"slug":1811,"url":1812,"website_name":1810,"website_slug":1811,"website_url":1813,"result_url":1812,"fetched_at":1814,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":1815,"page_name":1816,"page_url":1812,"page_title":1817,"page_description":1818,"page_content":1819,"page_sort":5,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1820,"cover_mobile":1823,"cover_sequence":31,"translations":1825,"industry":154,"styles":1828,"credits":1829,"font_families":1830,"technologies":1833,"pagespeed":1834,"pagespeed_mobile":1839,"buckets":1844,"search_payload":1845},"539d808f-2ba2-4bd1-8cf0-0ab5656e8862","fb4e231a-26b8-4474-8268-c6ac1d2716dd","Staylime","staylime","https:\u002F\u002Fstaylime.com\u002Fabout","https:\u002F\u002Fstaylime.com","2026-05-03T21:12:11.000Z","2026-05-23T19:17:41.000Z","About us","About | Staylime","We’re a small ecommerce development company that prides itself on having completed a multitude of large projects for local and worldwide commerce leaders.","Our mission We help ecommerce evolve by delivering smart, efficient, and appealing solutions to digital challenges of new and mature retail and wholesale businesses. We have a sense of belonging to every project we work on. We get things done, and do so with integrity and care for the outcome. It’s the commitment to deliver decent results to our customers. We have zero tolerance for subpar output, undependability risks, and shared responsibility. Besides, it is our strategic imperative to accumulate and retain technological and domain expertise in the house. Hence, we never outsource. It’s the people that stand behind each project that we undertake. We believe that personal relationships drive the success of our endeavors, and that is why we take it a step further to keep a personalized approach to every customer with the entire team being involved beyond development. It’s the impact that drives our team and gives our work meaning. Staylime does not miss the mark on addressing why we’re doing things — eventually, the reasoning behind our work shapes how it’s done, and the latter defines the impact that solutions delivered by us will make. we care we deliver we disrupt we care we deliver we disrupt Customer reviews Throughout the years we’ve helped hundreds of ecommerce businesses succeed in their endeavors. Here’s what they say. The quality of the work has been great. Staylime are quite responsive, and I am happy about that. They have delivered the project as expected and they have definitely met our expectations. Staylime checks their work to ensure it meets quality standards and continues to provide ongoing maintenance. The team produces quality results at a reasonable price point. Hemal Parekh Hemal Parekh Managing Director, Empire Digital Group Ltd Our sales went up by almost 20% due to the new design of the website. Staylime does a great job. They’re self-managing, they understand the goals that you want to achieve, and they will give you really good recommendations about the best way to achieve that result rather than allowing you to make mistakes in your own design. They truly understand visual design, which is rare. Other companies will just build something that works, but Staylime knew that, for us, the visual aesthetic was equally as important as the functionality. Eric Bernstein Eric Bernstein President, Spectrum Worldwide, LLC With such a big change, I was really surprised how smooth the launch was. The new site processes orders much quicker and has received positive feedback from clients. Staylime facilitates an enjoyable process through collaboration and a smooth system of project management. Their team is communicative, talented, and professional. All the development work went through the project managers so we not needed to work with developers at all. The whole work was done on a staging environment and ported only to the live site when they were done. Viktor Lantos Viktor Lantos Managing Director, Green Aqua LLC Their capable attitude and planning made a difference. The redesign has driven measurable improvements to the site’s visits and time spent per page, along with an improvement in the turnover rate. Staylime adapted to in-house tools and utilized them to catch errors more efficiently. Their quick replies to inquiries and professional handling of technical challenges stood out. We’ve seen a clear improvement in our analytics with regard to page visits and time spent per page. Our turnover has improved by about 10%. Peter Maas Peter Maas Owner, Gewächshausplaza They’ve gone out of their way to make me happy. The support and expertise they demonstrated in those instances, coupled with the can-do attitude of their proposal for the current project, swung the decision their way. Everyone I’ve worked with has been friendly and consistent with their communication. Their accessibility and personal approach have made for an enjoyable partnership. Staylime successfully handled a project management transition and offer attentive customer service. Jon Horsfield Jon Horsfield Director, Jaydee Living Ltd They always completed tasks within our deadlines. Though it will take time for clear metrics to demonstrate the impact of the project, Staylime was a successful collaborator who responded quickly to inquiries and completed complex structures with ease. This is our most successful cooperation with an outside agency. We're pleased with their ability to complete such a complex project as quickly as they did. They integrated all our extensions, supported the launch process, and continue to optimize the site. Juliane Lackner Juliane Lackner Product Manager, Ankerkraut GmbH They were excellent communicators and focused on building a great product. The final product reflected initial specifications because of Staylime’s detailed reporting and frequent communication. Their transparency also extended to hours worked and estimate accuracy. Staylime displayed excellent professionalism and a strong desire to create an optimized product. They communicated questions and concerns quickly and resolved them just as fast. Todd Lininger Todd Lininger Owner, Todd Lininger Design, LLC The Staylime team shared creative ideas and robust solutions. The upgrade has significantly improved site performance and contributed to business growth. Staylime’s organized approach, transparency, and strategic advice made them a valuable partner. Staylime provided high-quality support and professional management. They sent us regular updates and informed us about progress. We were impressed with their fast and clear communication. Volodymyr Marynychev Volodymyr Marynychev Lead Developer, Little Lunch GmbH",{"id":1821,"height":38,"width":39,"blurhash":1822},"8881809b-391b-4c44-840e-7dfa133e6e1f","radial-gradient(at 0 0,#887fe6,#00000000 50%),radial-gradient(at 33% 0,#877de4,#00000000 50%),radial-gradient(at 67% 0,#867ae6,#00000000 50%),radial-gradient(at 100% 0,#857ee9,#00000000 50%),radial-gradient(at 0 50%,#855fcf,#00000000 50%),radial-gradient(at 33% 50%,#7b4edc,#00000000 50%),radial-gradient(at 67% 50%,#8359d1,#00000000 50%),radial-gradient(at 100% 50%,#8766bf,#00000000 50%),radial-gradient(at 0 100%,#9b7ee6,#00000000 50%),radial-gradient(at 33% 100%,#9777ea,#00000000 50%),radial-gradient(at 67% 100%,#9b7de5,#00000000 50%),radial-gradient(at 100% 100%,#9d83e3,#00000000 50%)",{"id":1824,"height":43,"width":44,"blurhash":31},"05399d4c-3097-4cd6-9302-53cb8c522751",[1826],{"languages_code":47,"description":1827},"Staylime is a specialized Magento development agency dedicated to engineering high-performance e-commerce solutions. The website serves as a professional gateway for businesses looking to scale their digital storefronts, offering a comprehensive suite of services ranging from custom theme development to complex migrations. By showcasing real-world case studies and expert insights, the platform establishes deep technical authority and trust within the e-commerce ecosystem.\n\nThe visual identity is bold, energetic, and unapologetically modern. Utilizing a high-contrast palette of electric purple and lime green, the design breaks away from the sterile, blue-toned aesthetics typical of the tech industry. The use of large, impactful typography and custom digital illustrations creates a brand personality that feels both creative and highly capable, successfully targeting forward-thinking e-commerce leaders and digital entrepreneurs.",[51,1289,53],[],[1831,1832,60],"TWK Lausanne","Roboto Mono",[],[1835,1836,1837,1838],{"score":414,"category":69},{"score":623,"category":72},{"score":123,"category":75},{"score":77,"category":78},[1840,1841,1842,1843],{"score":1646,"category":69},{"score":184,"category":72},{"score":123,"category":75},{"score":77,"category":78},[503,86,830,87,461,174],"Website: Staylime. Page: About us. Page type: About Us \u002F Team. Page title: About | Staylime. Page description: We’re a small ecommerce development company that prides itself on having completed a multitude of large projects for local and worldwide commerce leaders.. Page content: Our mission We help ecommerce evolve by delivering smart, efficient, and appealing solutions to digital challenges of new and mature retail and wholesale businesses. We have a sense of belonging to every project we work on. We get things done, and do so with integrity and care for the outcome. It’s the commitment to deliver decent results to our customers. We have zero tolerance for subpar output, undependability risks, and shared responsibility. Besides, it is our strategic imperative to accumulate and retain technological and domain expertise in the house. Hence, we never outsource. It’s the people that stand behind each project that we undertake. We believe that personal relationships drive the success of our endeavors, and that is why we take it a step further to keep a personalized approach to every customer with the entire team being involved beyond development. It’s the impact that drives our team and gives our work meaning. Staylime does not miss the mark on addressing why we’re doing things — eventually, the reasoning behind our work shapes how it’s done, and the latter defines the impact that solutions delivered by us will make. we care we deliver we disrupt we care we deliver we disrupt Customer reviews Throughout the years we’ve helped hundreds of ecommerce businesses succeed in their endeavors. Here’s what they say. The quality of the work has been great. Staylime are quite responsive, and I am happy about that. They have delivered the project as expected and they have definitely met our expectations. Staylime checks their work to ensure it meets quality standards and continues to provide ongoing maintenance. The team produces quality results at a reasonable price point. Hemal Parekh Hemal Parekh Managing Director, Empire Digital Group Ltd Our sales went up by almost 20% due to the new design of the website. Staylime does a great job. They’re self-managing, they understand the goals that you want to achieve, and they will give you really good recommendations about the best way to achieve that result rather than allowing you to make mistakes in your own design. They truly understand visual design, which is rare. Other companies will just build something that works, but Staylime knew that, for us, the visual aesthetic was equally as important as the functionality. Eric Bernstein Eric Bernstein President, Spectrum Worldwide, LLC With such a big change, I was really surprised how smooth the launch was. The new site processes orders much quicker and has received positive feedback from clients. Staylime facilitates an enjoyable process through collaboration and a smooth system of project management. Their team is communicative, talented, and professional. All the development work went through the project managers so we not needed to work with developers at all. The whole work was done on a staging environment and ported only to the live site when they were done. Viktor Lantos Viktor Lantos Managing Director, Green Aqua LLC Their capable attitude and planning made a difference. The redesign has driven measurable improvements to the site’s visits and time spent per page, along with an improvement in the turnover rate. Staylime adapted to in-house tools and utilized them to catch errors more efficiently. Their quick replies to inquiries and professional handling of technical challenges stood out. We’ve seen a clear improvement in our analytics with regard to page visits and time spent per page. Our turnover has improved by about 10%. Peter Maas Peter Maas Owner, Gewächshausplaza They’ve gone out of their way to make me happy. The support and expertise they demonstrated in those instances, coupled with the can-do attitude of their proposal for the current project, swung the decision their way. Everyone I’ve worked with has been friendly and consistent with their communication. Their accessibility and personal approach have made for an enjoyable partnership. Staylime successfully handled a project management transition and offer attentive customer service. Jon Horsfield Jon Horsfield Director, Jaydee Living Ltd They always completed tasks within our deadlines. Though it will take time for clear metrics to demonstrate the impact of the project, Staylime was a successful collaborator who responded quickly to inquiries and completed complex structures with ease. This is our most successful cooperation with an outside agency. We're pleased with their ability to complete such a complex project as quickly as they did. They integrated all our extensions, supported the launch process, and continue to optimize the site. Juliane Lackner Juliane Lackner Product Manager, Ankerkraut GmbH They were excellent communicators and focused on building a great product. The final product reflected initial specifications because of Staylime’s detailed reporting and frequent communication. Their transparency also extended to hours worked and estimate accuracy. Staylime displayed excellent professionalism and a strong desire to create an optimized product. They communicated questions and concerns quickly and resolved them just as fast. Todd Lininger Todd Lininger Owner, Todd Lininger Design, LLC The Staylime team shared creative ideas and robust solutions. The upgrade has significantly improved site performance and contributed to business growth. Staylime’s organized approach, transparency, and strategic advice made them a valuable partner. Staylime provided high-quality support and professional management. They sent us regular updates and informed us about progress. We were impressed with their fast and clear communication. Volodymyr Marynychev Volodymyr Marynychev Lead Developer, Little Lunch GmbH. A Clean \u002F Minimalist, Fun \u002F Playful, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features Violet, White, Pink, Black, Green, Brown. The typography features TWK Lausanne (Sans Serif, Weltkern), Roboto Mono (Sans Serif), Inter (Sans Serif). AI description: Staylime is a specialized Magento development agency dedicated to engineering high-performance e-commerce solutions. The website serves as a professional gateway for businesses looking to scale their digital storefronts, offering a comprehensive suite of services ranging from custom theme development to complex migrations. By showcasing real-world case studies and expert insights, the platform establishes deep technical authority and trust within the e-commerce ecosystem. The visual identity is bold, energetic, and unapologetically modern. Utilizing a high-contrast palette of electric purple and lime green, the design breaks away from the sterile, blue-toned aesthetics typical of the tech industry. The use of large, impactful typography and custom digital illustrations creates a brand personality that feels both creative and highly capable, successfully targeting forward-thinking e-commerce leaders and digital entrepreneurs.",{"id":1847,"website_id":1848,"page_id":1847,"name":1849,"slug":1850,"url":1851,"website_name":1849,"website_slug":1850,"website_url":1852,"result_url":1851,"fetched_at":1853,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":1854,"page_name":142,"page_url":1851,"page_title":1855,"page_description":31,"page_content":1856,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1857,"cover_mobile":1860,"cover_sequence":31,"translations":1862,"industry":154,"styles":1865,"credits":1866,"font_families":1867,"technologies":1873,"pagespeed":1875,"pagespeed_mobile":1881,"buckets":1887,"search_payload":1888},"1837d7ea-0015-44fb-a880-bb731f323b88","fba939e0-b944-4461-b6ed-e67ab3260e40","Hyperfocus","hyperfocus","https:\u002F\u002Fhyperfocus.cc\u002Fabout","https:\u002F\u002Fhyperfocus.cc","2026-05-03T21:04:25.000Z","2026-05-23T19:20:24.000Z","About – Hyperfocus – Contemporary Brand Design Studio - HYPERFOCUS","Hyperfocus - Work - About - Journal - The Brand Review - Contact - Work - About - Journal - The Brand Review - Contact We are an international team of design romantics who believe that ambitious ideas and aesthetic beauty can bring about a better future. This is one of our superpowers: a diverse mix of perspectives, ideas, and cultures all coming together in one rich creative space. Our team hails from all over the world, bringing unique experiences that shape the way we think and create brands. DSC09776-2 1 office Janbook Our Studio This global mindset keeps us curious and inspired. It allows us to move fluidly between cultures and find beauty in nuance, crafting rich, beautiful stories that resonate deeply and connect with people everywhere. Culture is built from within. Hype team over the years Lelaine Vollath • Alex Green • Jermaine Kim • Tra Giang • Jan Stein • Paul Watmough-Halim • Sebastian Pataki • Franziska Brenner • Antolij Roppelt • Magnus Schulz • Catarina Guiomar • Viktoria & Scadi Being here Our services Brand & identity design Brand Discovery Brand Architecture Visual Identities Tone of Voice Digital Styleguides Brand Platforms Brand Experience UX & UI Design Design Systems Brands in Motion Kinetic Type Design AI Consultation Experiential Graphic Design Join our newsletter Join our growing crew of subscribers as we share some of the hottest links, news, stories, and opinions in the design industry today. Get in touch! We’re always on the lookout for creative talents and collaborations with new clients. Are you one of those? Let’s connect. hi\\[@\\]hyperfocus.cc Hyperfocus GmbH Eppendorfer Weg 95a 20259 Hamburg Germany Journal ## Instagram## YouTube ## LinkedIn ©2026 Hyperfocus Imprint | Privacy Policy",{"id":1858,"height":38,"width":39,"blurhash":1859},"6ba60872-4079-4b47-af79-48b43b4bb4a2","radial-gradient(at 0 0,#656565,#00000000 50%),radial-gradient(at 33% 0,#6b6b6b,#00000000 50%),radial-gradient(at 67% 0,#6d6d6d,#00000000 50%),radial-gradient(at 100% 0,#656565,#00000000 50%),radial-gradient(at 0 50%,#555555,#00000000 50%),radial-gradient(at 33% 50%,#565656,#00000000 50%),radial-gradient(at 67% 50%,#595959,#00000000 50%),radial-gradient(at 100% 50%,#404040,#00000000 50%),radial-gradient(at 0 100%,#4e4e4e,#00000000 50%),radial-gradient(at 33% 100%,#575757,#00000000 50%),radial-gradient(at 67% 100%,#505050,#00000000 50%),radial-gradient(at 100% 100%,#353535,#00000000 50%)",{"id":1861,"height":43,"width":44,"blurhash":31},"2c69e513-4fe2-47c6-bf74-7c0dd9251ef2",[1863],{"languages_code":47,"description":1864},"Hyperfocus is a high-caliber international design studio operating at the sophisticated intersection of brand identity and digital product design. The studio positions itself as a strategic partner for brands navigating a digital-first world, offering a holistic approach that blends creative storytelling with functional engineering. Their portfolio suggests a focus on high-growth, modern entities that require both aesthetic distinction and scalable digital systems.\n\nThe visual identity is defined by a bold, editorial aesthetic that leans heavily into contemporary minimalism and high-impact typography. By utilizing expansive white space, a disciplined grid system, and a striking monochromatic palette punctuated by strategic color blocks, the design communicates authority and premium quality. The use of large-scale type and cinematic imagery creates a sense of depth and motion, appealing to a sophisticated audience of founders and marketing leaders who value cutting-edge, trend-setting design.",[51,156,53],[],[60,1868,1869,1869,1869,1870,1870,1870,1870,1871,1871,1872],"Aktiv Grotesk","Ginto","Antarctica","Gambetta","Source Code",[1874,62,63,64,1488,65],"EWWW Image Optimizer",[1876,1877,1879,1880],{"score":128,"category":69},{"score":1878,"category":72},99,{"score":123,"category":75},{"score":77,"category":78},[1882,1883,1885,1886],{"score":492,"category":69},{"score":1884,"category":72},98,{"score":74,"category":75},{"score":77,"category":78},[86,87,88],"Website: Hyperfocus. Page: About. Page type: About Us \u002F Team. Page title: About – Hyperfocus – Contemporary Brand Design Studio - HYPERFOCUS. Page content: Hyperfocus - Work - About - Journal - The Brand Review - Contact - Work - About - Journal - The Brand Review - Contact We are an international team of design romantics who believe that ambitious ideas and aesthetic beauty can bring about a better future. This is one of our superpowers: a diverse mix of perspectives, ideas, and cultures all coming together in one rich creative space. Our team hails from all over the world, bringing unique experiences that shape the way we think and create brands. DSC09776-2 1 office Janbook Our Studio This global mindset keeps us curious and inspired. It allows us to move fluidly between cultures and find beauty in nuance, crafting rich, beautiful stories that resonate deeply and connect with people everywhere. Culture is built from within. Hype team over the years Lelaine Vollath • Alex Green • Jermaine Kim • Tra Giang • Jan Stein • Paul Watmough-Halim • Sebastian Pataki • Franziska Brenner • Antolij Roppelt • Magnus Schulz • Catarina Guiomar • Viktoria & Scadi Being here Our services Brand & identity design Brand Discovery Brand Architecture Visual Identities Tone of Voice Digital Styleguides Brand Platforms Brand Experience UX & UI Design Design Systems Brands in Motion Kinetic Type Design AI Consultation Experiential Graphic Design Join our newsletter Join our growing crew of subscribers as we share some of the hottest links, news, stories, and opinions in the design industry today. Get in touch! We’re always on the lookout for creative talents and collaborations with new clients. Are you one of those? Let’s connect. hi\\[@\\]hyperfocus.cc Hyperfocus GmbH Eppendorfer Weg 95a 20259 Hamburg Germany Journal ## Instagram## YouTube ## LinkedIn ©2026 Hyperfocus Imprint | Privacy Policy. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Inter (Sans Serif), Aktiv Grotesk (Sans Serif, Dalton Maag), Ginto (Sans Serif, Dinamo), Ginto (Sans Serif, Dinamo), Ginto (Sans Serif, Dinamo), Antarctica (Sans Serif, Newglyph), Antarctica (Sans Serif, Newglyph), Antarctica (Sans Serif, Newglyph), Antarctica (Sans Serif, Newglyph), Gambetta (Serif), Gambetta (Serif), Source Code (Sans Serif). Built using EWWW Image Optimizer, jQuery, PHP, Semplice, Typekit, WordPress. AI description: Hyperfocus is a high-caliber international design studio operating at the sophisticated intersection of brand identity and digital product design. The studio positions itself as a strategic partner for brands navigating a digital-first world, offering a holistic approach that blends creative storytelling with functional engineering. Their portfolio suggests a focus on high-growth, modern entities that require both aesthetic distinction and scalable digital systems. The visual identity is defined by a bold, editorial aesthetic that leans heavily into contemporary minimalism and high-impact typography. By utilizing expansive white space, a disciplined grid system, and a striking monochromatic palette punctuated by strategic color blocks, the design communicates authority and premium quality. The use of large-scale type and cinematic imagery creates a sense of depth and motion, appealing to a sophisticated audience of founders and marketing leaders who value cutting-edge, trend-setting design.",{"id":1890,"website_id":1891,"page_id":1890,"name":1892,"slug":1893,"url":1894,"website_name":1892,"website_slug":1893,"website_url":1895,"result_url":1894,"fetched_at":1896,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":1897,"page_name":142,"page_url":1894,"page_title":1898,"page_description":1899,"page_content":1900,"page_sort":33,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1901,"cover_mobile":1904,"cover_sequence":31,"translations":1906,"industry":1909,"styles":1910,"credits":1911,"font_families":1912,"technologies":1913,"pagespeed":1914,"pagespeed_mobile":1919,"buckets":1924,"search_payload":1925},"aa2c90c4-02f7-4a87-8ce0-6bc5fca3bcab","fc2dff2d-061c-4f29-9e97-2fdd7686e19d","Refresh","refresh","https:\u002F\u002Frefresh.study\u002Fabout","https:\u002F\u002Frefresh.study","2026-05-03T20:24:11.000Z","2026-05-23T19:35:33.000Z","Refresh – A fresh approach to the browser","We spend so much time browsing the web that we hardly even think about the browser as an app. And while the web itself has undergone big changes in the last twenty years, browsers have remained largely the same. Refresh is a concept for a modern web browser based on iOS Safari.","[ Refresh ](\u002F) Overview About About Who \u002F Why \u002F How Julius und Julius Backstory We are Julius Sohn ↗ and Julius Gehrig ↗, designers and students of communication design. Refresh is our bachelor thesis and was created at htw Berlin in 2018. It's a collection of ideas for a modern web browser for touchscreen devices based on iOS Safari. The prototypes we developed are all designed for iPad but their concepts could apply to desktop and smaller touchscreens as well. Ideation Coming up with ideas When we started working on Refresh we put a lot of effort into researching the history of the web browser over the last 27 years. We read every wikipedia article related to the topic, research papers on mobile internet usage, as well as blog posts and statistics (Fun fact: We emailed Tim-Berners-Lee for Feedback but he never replied). We also ran our own little survey about how people use their web browser. The results can be found here ↗. We downloaded and tested every web browser we could find both for desktop and mobile and compared their feature sets and how they approach different aspects of the browser. From our research we decided that the main areas we wanted to focus on were tab management, saving information for later, and context sensitivity. Some of the solutions for these areas we came up with early on but most were developed through iteration and feedback loops. Framer Prototyping We chose Framer as our prototyping tool, because on one hand we really wanted to focus on the details and animations of every interaction, on the other hand the prototypes contained a lot of of data. Handling this amount of data would be a huge effort to change the design when using a graphic based tool. We started of with the plan to build a single prototype for the whole project and came to a point where we nearly had a working version of Safari inside Framer – including browsing websites, opening multiple tabs and switching between them and switching to the tab overview. At this point we reached performance limits of framer and decided to split the project into multiple prototypes with shared modules and data. The data is managed in a single JSON file, containing all spaces, their open tabs, saved sites and browsing history. Every prototype would fetch the data it needs from this file to ensure the information is in sync. Abstract Abstract Version Control Notion Notion Writing Sketch Sketch Graphic Design Framer Framer Prototyping Trello Trello Planning VS Code VS Code Coding If you have any questions or just want to say hi you can email us at [ hello@refresh.study ](mailto:hello@refresh.study) Special thanks go to Adreas Ingerl, Hans Pagel, Marvin Labod, Fabricio Rosa Marques, Adam Renklint, Jan Martin, Max Fellmuth, Joshua Söhn, Linus Kuner, Sophia Schiebler, Anna Karmann Impressions About Refresh is a project by Julius Sohn and Julius Gehrig It was created at htw Berlin in 2018 as our thesis. More info Design Process →Reading List → Press If you'd like to write about Refresh feel free to use our Video or Download Our Press Kit for high-res images. Feel free to quote this page and please link back to it. We’re also happy to answer any open questions you might have or give you more background information — Just Email Us License This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Creative Commons License We use cookies on this page for analytics Okay",{"id":1902,"height":38,"width":39,"blurhash":1903},"6a418247-2f64-47df-a43a-25e855b5fc9a","radial-gradient(at 0 0,#000003,#00000000 50%),radial-gradient(at 33% 0,#44484a,#00000000 50%),radial-gradient(at 67% 0,#414443,#00000000 50%),radial-gradient(at 100% 0,#000008,#00000000 50%),radial-gradient(at 0 50%,#000000,#00000000 50%),radial-gradient(at 33% 50%,#221400,#00000000 50%),radial-gradient(at 67% 50%,#1d1800,#00000000 50%),radial-gradient(at 100% 50%,#000000,#00000000 50%),radial-gradient(at 0 100%,#000000,#00000000 50%),radial-gradient(at 33% 100%,#75767e,#00000000 50%),radial-gradient(at 67% 100%,#78777e,#00000000 50%),radial-gradient(at 100% 100%,#2c222f,#00000000 50%)",{"id":1905,"height":43,"width":44,"blurhash":31},"7dda9df0-bb95-46c7-b5c4-de6abfb342bc",[1907],{"languages_code":47,"description":1908},"Refresh is a conceptual design project presenting a reimagined web browser experience, heavily inspired by the intuitive ergonomics of iOS Safari. The website serves as a high-fidelity showcase for a modern browsing paradigm that prioritizes organization through 'Spaces' and a more fluid, visual approach to browsing history. It aims to transform the browser from a static utility into a dynamic, spatial application tailored for the modern web user.\n\nThe visual identity is defined by a sophisticated, dark-mode aesthetic that exudes premium technology. Utilizing a clean, minimalist layout with heavy emphasis on high-quality device mockups and expansive typography, the design communicates clarity and modernity. The use of deep charcoal tones contrasted with crisp white sans-serif type creates a high-end, professional atmosphere that appeals to design enthusiasts and tech-forward early adopters.","SaaS & Software",[51,352,53],[],[],[],[1915,1916,1917,1918],{"score":123,"category":69},{"score":77,"category":72},{"score":74,"category":75},{"score":450,"category":78},[1920,1921,1922,1923],{"score":782,"category":69},{"score":77,"category":72},{"score":74,"category":75},{"score":450,"category":78},[87,86,88],"Website: Refresh. Page: About. Page type: About Us \u002F Team. Page title: Refresh – A fresh approach to the browser. Page description: We spend so much time browsing the web that we hardly even think about the browser as an app. And while the web itself has undergone big changes in the last twenty years, browsers have remained largely the same. Refresh is a concept for a modern web browser based on iOS Safari.. Page content: [ Refresh ](\u002F) Overview About About Who \u002F Why \u002F How Julius und Julius Backstory We are Julius Sohn ↗ and Julius Gehrig ↗, designers and students of communication design. Refresh is our bachelor thesis and was created at htw Berlin in 2018. It's a collection of ideas for a modern web browser for touchscreen devices based on iOS Safari. The prototypes we developed are all designed for iPad but their concepts could apply to desktop and smaller touchscreens as well. Ideation Coming up with ideas When we started working on Refresh we put a lot of effort into researching the history of the web browser over the last 27 years. We read every wikipedia article related to the topic, research papers on mobile internet usage, as well as blog posts and statistics (Fun fact: We emailed Tim-Berners-Lee for Feedback but he never replied). We also ran our own little survey about how people use their web browser. The results can be found here ↗. We downloaded and tested every web browser we could find both for desktop and mobile and compared their feature sets and how they approach different aspects of the browser. From our research we decided that the main areas we wanted to focus on were tab management, saving information for later, and context sensitivity. Some of the solutions for these areas we came up with early on but most were developed through iteration and feedback loops. Framer Prototyping We chose Framer as our prototyping tool, because on one hand we really wanted to focus on the details and animations of every interaction, on the other hand the prototypes contained a lot of of data. Handling this amount of data would be a huge effort to change the design when using a graphic based tool. We started of with the plan to build a single prototype for the whole project and came to a point where we nearly had a working version of Safari inside Framer – including browsing websites, opening multiple tabs and switching between them and switching to the tab overview. At this point we reached performance limits of framer and decided to split the project into multiple prototypes with shared modules and data. The data is managed in a single JSON file, containing all spaces, their open tabs, saved sites and browsing history. Every prototype would fetch the data it needs from this file to ensure the information is in sync. Abstract Abstract Version Control Notion Notion Writing Sketch Sketch Graphic Design Framer Framer Prototyping Trello Trello Planning VS Code VS Code Coding If you have any questions or just want to say hi you can email us at [ hello@refresh.study ](mailto:hello@refresh.study) Special thanks go to Adreas Ingerl, Hans Pagel, Marvin Labod, Fabricio Rosa Marques, Adam Renklint, Jan Martin, Max Fellmuth, Joshua Söhn, Linus Kuner, Sophia Schiebler, Anna Karmann Impressions About Refresh is a project by Julius Sohn and Julius Gehrig It was created at htw Berlin in 2018 as our thesis. More info Design Process →Reading List → Press If you'd like to write about Refresh feel free to use our Video or Download Our Press Kit for high-res images. Feel free to quote this page and please link back to it. We’re also happy to answer any open questions you might have or give you more background information — Just Email Us License This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Creative Commons License We use cookies on this page for analytics Okay. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the SaaS & Software industry. The overall color palette features Black, White, Gray. AI description: Refresh is a conceptual design project presenting a reimagined web browser experience, heavily inspired by the intuitive ergonomics of iOS Safari. The website serves as a high-fidelity showcase for a modern browsing paradigm that prioritizes organization through 'Spaces' and a more fluid, visual approach to browsing history. It aims to transform the browser from a static utility into a dynamic, spatial application tailored for the modern web user. The visual identity is defined by a sophisticated, dark-mode aesthetic that exudes premium technology. Utilizing a clean, minimalist layout with heavy emphasis on high-quality device mockups and expansive typography, the design communicates clarity and modernity. The use of deep charcoal tones contrasted with crisp white sans-serif type creates a high-end, professional atmosphere that appeals to design enthusiasts and tech-forward early adopters.",{"id":1927,"website_id":1928,"page_id":1927,"name":1929,"slug":1930,"url":1931,"website_name":1929,"website_slug":1930,"website_url":1932,"result_url":1931,"fetched_at":1933,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":1934,"page_name":8,"page_url":1931,"page_title":1935,"page_description":1936,"page_content":1937,"page_sort":190,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1938,"cover_mobile":1941,"cover_sequence":31,"translations":1943,"industry":154,"styles":1946,"credits":1948,"font_families":1949,"technologies":1951,"pagespeed":1952,"pagespeed_mobile":1957,"buckets":1962,"search_payload":1963},"ba5dba4c-9370-4617-b424-cfc949cf5a7e","fc445227-2f7b-4c8d-9e88-35282ba87917","Litebox","litebox","https:\u002F\u002Flitebox.ai\u002Fabout-us","https:\u002F\u002Flitebox.ai","2026-05-03T20:21:22.000Z","2026-05-23T19:09:43.000Z","About Us | Litebox","Learn about Litebox, our mission to empower high-tech startups, and the team behind our go-to-market engineering solutions.","ALL-IN ATTENTION By selecting only best-fit projects, we’re able to ensure that we give each of our clients the attention they deserve and build long-lasting relationships. All-in attention icon",{"id":1939,"height":38,"width":39,"blurhash":1940},"c87f4ee3-7018-443b-bf28-68fc50f60795","radial-gradient(at 0 0,#fffff7,#00000000 50%),radial-gradient(at 33% 0,#fffff7,#00000000 50%),radial-gradient(at 67% 0,#fffffa,#00000000 50%),radial-gradient(at 100% 0,#fefff6,#00000000 50%),radial-gradient(at 0 50%,#f8f9ed,#00000000 50%),radial-gradient(at 33% 50%,#ecede3,#00000000 50%),radial-gradient(at 67% 50%,#e2e3da,#00000000 50%),radial-gradient(at 100% 50%,#edeee4,#00000000 50%),radial-gradient(at 0 100%,#fcfdf2,#00000000 50%),radial-gradient(at 33% 100%,#f4f5ec,#00000000 50%),radial-gradient(at 67% 100%,#eff0e7,#00000000 50%),radial-gradient(at 100% 100%,#f5f6eb,#00000000 50%)",{"id":1942,"height":43,"width":44,"blurhash":31},"aa984d86-cbe0-4cc1-869d-13b529d2bce3",[1944],{"languages_code":47,"description":1945},"Litebox is a specialized go-to-market engineering agency designed to propel high-tech startups and DevTool companies from launch to scale. By blending technical engineering expertise with strategic branding and growth methodologies, the agency provides a holistic partnership for founders navigating the complexities of the modern software ecosystem. Their mission is centered on creating measurable traction through a deep understanding of the developer-centric market.\n\nThe visual identity is bold, energetic, and unapologetically modern, utilizing a high-contrast color palette of vibrant greens and soft pinks. The design language leans heavily into 3D abstract forms and oversized, impactful typography that commands attention. This aesthetic choice positions Litebox as a forward-thinking, creative powerhouse that understands the cutting-edge nature of the technology sector it serves, appealing directly to the innovative spirit of startup leadership.",[1947,51,53],"3D \u002F Spatial",[1929],[1950,1140],"Arial",[259,1449],[1953,1954,1955,1956],{"score":450,"category":69},{"score":77,"category":72},{"score":123,"category":75},{"score":74,"category":78},[1958,1959,1960,1961],{"score":822,"category":69},{"score":77,"category":72},{"score":123,"category":75},{"score":74,"category":78},[86,461,87,88],"Website: Litebox. Page: About Us. Page type: About Us \u002F Team. Page title: About Us | Litebox. Page description: Learn about Litebox, our mission to empower high-tech startups, and the team behind our go-to-market engineering solutions.. Page content: ALL-IN ATTENTION By selecting only best-fit projects, we’re able to ensure that we give each of our clients the attention they deserve and build long-lasting relationships. All-in attention icon. A 3D \u002F Spatial, Clean \u002F Minimalist, Typographic \u002F Big Type website in the Agency & Studio industry. Designed by Litebox. The overall color palette features White, Green, Black, Gray. The typography features Arial (Sans Serif), Neue Montreal (Sans Serif, Pangram Pangram). Built using Amazon Web Services, Vercel. AI description: Litebox is a specialized go-to-market engineering agency designed to propel high-tech startups and DevTool companies from launch to scale. By blending technical engineering expertise with strategic branding and growth methodologies, the agency provides a holistic partnership for founders navigating the complexities of the modern software ecosystem. Their mission is centered on creating measurable traction through a deep understanding of the developer-centric market. The visual identity is bold, energetic, and unapologetically modern, utilizing a high-contrast color palette of vibrant greens and soft pinks. The design language leans heavily into 3D abstract forms and oversized, impactful typography that commands attention. This aesthetic choice positions Litebox as a forward-thinking, creative powerhouse that understands the cutting-edge nature of the technology sector it serves, appealing directly to the innovative spirit of startup leadership.",{"id":1965,"website_id":1966,"page_id":1965,"name":1967,"slug":1967,"url":1968,"website_name":1967,"website_slug":1967,"website_url":1969,"result_url":1968,"fetched_at":1970,"score":24,"score_boost":25,"ai_score":268,"freshness_score":128,"scored_at":1971,"page_name":1972,"page_url":1968,"page_title":1973,"page_description":1974,"page_content":1975,"page_sort":5,"is_home":34,"is_home_rank":25,"page_type_id":35,"page_type_name":6,"cover":1976,"cover_mobile":1979,"cover_sequence":31,"translations":1981,"industry":392,"styles":1984,"credits":1985,"font_families":1991,"technologies":1992,"pagespeed":1993,"pagespeed_mobile":1999,"buckets":2004,"search_payload":2005},"ab546a0c-0a47-4c84-9b63-cf0a2a5647c8","fd4e49e7-d584-465c-b95e-0f9c0320763d","thisisneverthat","https:\u002F\u002Fthisisneverthat.com\u002Finformation","https:\u002F\u002Fthisisneverthat.com","2026-05-03T17:04:30.000Z","2026-05-23T19:26:50.000Z","Information","Information - thisisneverthat®","thisisneverthat is a contemporary fashion brand based out of Seoul.","3 Section 12928 WordsLUD 20240802 Contact Customer Care Emailservice@thisisneverthat.comChatthisisneverthat.channel.ioHoursMon - Fri 10am - 5pm \\* 유선 상담은 운영하지 않습니다. 채팅 상담 및 메일로 문의 부탁드립니다. 주문 취소 및 반품 신청, 배송 추적은 주문내역 페이지(thisisneverthat.com\u002Faccount)에서 가능합니다. Wholesale & Inquiries Emailinfo@thisisneverthat.com Membership Membership BenefitsPurchase Amount (Recent 3 Years) Member 상시 1% 할인₩0 이상 - ₩300,000 미만 Silver 상시 3% 할인 월간 5% 할인코드 지급₩300,000 이상 - ₩2,000,000 미만 Gold 상시 5% 할인 월간 7% 할인코드 지급₩2,000,000 이상 - ₩5,000,000 미만 Platinum 상시 7% 할인 월간 10% 할인코드 지급₩5,000,000 이상 - ₩10,000,000 미만 VIP 상시 10% 할인 월간 15% 할인코드 지급₩10,000,000 이상 \\[나의 멤버십 보기\\] Description - 향후 멤버십 혜택 및 선정 기준은 추후 사전 고지 없이 변경될 수 있습니다. - 회원 등급 혜택은 thisisneverthat® 온라인 스토어에서만 적용 가능합니다. - 등급별 할인 코드 혜택으로 매월 1일 오전 11시에 1회 사용할 수 있는 멤버십 전용 할인 코드가 발급되며, 익월 1일 오전 10시 59분까지만 사용 가능합니다. (마케팅 정보 수신 여부 및 마케팅을 위한 개인정보 수집 이용을 거부한 경우 각종 소식, 혜택에 제한이 있을 수 있습니다.) - 등급 기준은 매월 1일 오전 11시부터 순차적으로 변경되며 변경일로부터 최근 3년 이내, 누적 실 결제금액 기준으로 적용됩니다. - 멤버십 회원 등급은 총 주문 금액에서 취소 및 환불을 제외한 실 결제 금액을 기준으로 산정됩니다. 실 결제 금액은 할인 적용 후 배송비를 제외한 순수 상품 금액이며, 주문일로부터 7일이 경과한 이후에 합산됩니다. - 할인 코드 사용의 경우 한 주문 건당 한 개의 코드만 사용 가능하며 타 할인 코드와 중복 사용이 불가능합니다. - 일부 상품의 경우 할인 및 혜택 대상에서 제외됩니다. - 회원 등급에 따른 혜택은 타인 양도가 불가합니다. (부정적인 방법을 통해 누적한 실적으로 의심되는 경우, 회원 등급이 강등될 수 있습니다.) - 일부 할인 코드는 멤버십 상시 할인과 중복 적용이 불가할 수 있습니다. - 발급된 코드는 사용과 동시에 소멸되며, 재발급 및 복원이 불가합니다. Shipping and Returns Shipping 배송 방법 택배 (일반 배송) 지역 전국 지역 비용 무료 기간 2 - 5 영업일 도서산간 지역은 추가 금액을 지불하여야 하는 경우가 있습니다. 반품이 가능한 경우 - 상품을 받으신 날로부터 7일 이내 접수해 주시기 바랍니다. - 불량\u002F오배송, 광고 내용과 다르게 배송된 경우에는 3개월 이내 접수해 주시기 바랍니다. 반품이 불가능한 경우 - 소비자의 과실로 상품이 훼손된 경우 - 상품을 이미 사용한 경우 - 상품을 주문일로부터 7일이 지나서 접수를 했을 경우 - 상품과 상품 구성 액세서리를 분실 또는 훼손한 경우 (가격 택, 신발 박스, 라벨, 포장 폴리백 등) - '전자상거래 등에서의 소비자 보호에 관한 법률'이 정하는 소비자 청약철회 제한에 해당하는 경우 교환 서비스 - 교환 서비스는 제공되지 않습니다. 수령하신 상품은 반품하시고, 교환을 원하시는 상품은 별도로 구매해 주시기 바랍니다. 반품 비용 - 상품 불량 또는 오배송으로 인한 반품 시 배송 비용은 본사에서 부담합니다. - 단순변심으로 인한 반품 시 배송 비용은 고객 부담입니다. - 본사 지정 택배사를 이용 시 택배 비용은 5,000원입니다. - 반품 배송 비용은 환불 금액에서 차감됩니다. 반품 접수 절차 - 주문내역 페이지에서 반품 접수해 주시면 자동으로 본사 지정 택배사 반품 회수 접수가 진행됩니다. - 주문내역에서 반품 접수를 하지 않고 반품할 경우 처리가 지연될 수 있습니다. - 반품이 본사에 도착하면 상품 검수 후 환불이 진행됩니다. 반품 검수는 1일 - 3일 소요됩니다. - 문의사항은 이메일과 공식 온라인 스토어 홈페이지 오른쪽 하단 채팅 앱을 통하여 해주시기 바랍니다. \\[Help\\]",{"id":1977,"height":38,"width":39,"blurhash":1978},"8d3962cb-f243-414a-9956-68f53a957439","radial-gradient(at 0 0,#ededed,#00000000 50%),radial-gradient(at 33% 0,#ececec,#00000000 50%),radial-gradient(at 67% 0,#e7e7e7,#00000000 50%),radial-gradient(at 100% 0,#f0f0f0,#00000000 50%),radial-gradient(at 0 50%,#dbdbdb,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#dcdcdc,#00000000 50%),radial-gradient(at 100% 50%,#dcdcdc,#00000000 50%),radial-gradient(at 0 100%,#e9e9e9,#00000000 50%),radial-gradient(at 33% 100%,#e2e2e2,#00000000 50%),radial-gradient(at 67% 100%,#d5d5d5,#00000000 50%),radial-gradient(at 100% 100%,#d9d9d9,#00000000 50%)",{"id":1980,"height":43,"width":44,"blurhash":31},"89e5d41f-c262-446c-97c4-26a192ffc881",[1982],{"languages_code":47,"description":1983},"thisisneverthat is a premier contemporary fashion brand originating from Seoul, catering to a global audience of streetwear enthusiasts and trendsetters. The website serves as a high-impact digital flagship, blending e-commerce functionality with editorial storytelling to showcase seasonal collections and exclusive collaborations.\n\nThe visual identity is defined by a sophisticated, minimalist aesthetic that leans into a modern streetwear sensibility. Utilizing a clean layout, stark typography, and a muted, high-contrast color palette, the design emphasizes product photography and brand imagery. The interface feels curated and intentional, mirroring the brand's position at the intersection of Korean street culture and global high-fashion trends.",[51,352,52],[1986,1987,1988,1989,1990],"Jinkyu Song","Minhyung Lee","Hyeseob Shim","Hyewon Hong","Jiyoon Byun",[],[259,982],[1994,1996,1997,1998],{"score":1995,"category":69},40,{"score":184,"category":72},{"score":123,"category":75},{"score":74,"category":78},[2000,2001,2002,2003],{"score":1995,"category":69},{"score":77,"category":72},{"score":123,"category":75},{"score":74,"category":78},[86,88,87],"Website: thisisneverthat. Page: Information. Page type: About Us \u002F Team. Page title: Information - thisisneverthat®. Page description: thisisneverthat is a contemporary fashion brand based out of Seoul.. Page content: 3 Section 12928 WordsLUD 20240802 Contact Customer Care Emailservice@thisisneverthat.comChatthisisneverthat.channel.ioHoursMon - Fri 10am - 5pm \\* 유선 상담은 운영하지 않습니다. 채팅 상담 및 메일로 문의 부탁드립니다. 주문 취소 및 반품 신청, 배송 추적은 주문내역 페이지(thisisneverthat.com\u002Faccount)에서 가능합니다. Wholesale & Inquiries Emailinfo@thisisneverthat.com Membership Membership BenefitsPurchase Amount (Recent 3 Years) Member 상시 1% 할인₩0 이상 - ₩300,000 미만 Silver 상시 3% 할인 월간 5% 할인코드 지급₩300,000 이상 - ₩2,000,000 미만 Gold 상시 5% 할인 월간 7% 할인코드 지급₩2,000,000 이상 - ₩5,000,000 미만 Platinum 상시 7% 할인 월간 10% 할인코드 지급₩5,000,000 이상 - ₩10,000,000 미만 VIP 상시 10% 할인 월간 15% 할인코드 지급₩10,000,000 이상 \\[나의 멤버십 보기\\] Description - 향후 멤버십 혜택 및 선정 기준은 추후 사전 고지 없이 변경될 수 있습니다. - 회원 등급 혜택은 thisisneverthat® 온라인 스토어에서만 적용 가능합니다. - 등급별 할인 코드 혜택으로 매월 1일 오전 11시에 1회 사용할 수 있는 멤버십 전용 할인 코드가 발급되며, 익월 1일 오전 10시 59분까지만 사용 가능합니다. (마케팅 정보 수신 여부 및 마케팅을 위한 개인정보 수집 이용을 거부한 경우 각종 소식, 혜택에 제한이 있을 수 있습니다.) - 등급 기준은 매월 1일 오전 11시부터 순차적으로 변경되며 변경일로부터 최근 3년 이내, 누적 실 결제금액 기준으로 적용됩니다. - 멤버십 회원 등급은 총 주문 금액에서 취소 및 환불을 제외한 실 결제 금액을 기준으로 산정됩니다. 실 결제 금액은 할인 적용 후 배송비를 제외한 순수 상품 금액이며, 주문일로부터 7일이 경과한 이후에 합산됩니다. - 할인 코드 사용의 경우 한 주문 건당 한 개의 코드만 사용 가능하며 타 할인 코드와 중복 사용이 불가능합니다. - 일부 상품의 경우 할인 및 혜택 대상에서 제외됩니다. - 회원 등급에 따른 혜택은 타인 양도가 불가합니다. (부정적인 방법을 통해 누적한 실적으로 의심되는 경우, 회원 등급이 강등될 수 있습니다.) - 일부 할인 코드는 멤버십 상시 할인과 중복 적용이 불가할 수 있습니다. - 발급된 코드는 사용과 동시에 소멸되며, 재발급 및 복원이 불가합니다. Shipping and Returns Shipping 배송 방법 택배 (일반 배송) 지역 전국 지역 비용 무료 기간 2 - 5 영업일 도서산간 지역은 추가 금액을 지불하여야 하는 경우가 있습니다. 반품이 가능한 경우 - 상품을 받으신 날로부터 7일 이내 접수해 주시기 바랍니다. - 불량\u002F오배송, 광고 내용과 다르게 배송된 경우에는 3개월 이내 접수해 주시기 바랍니다. 반품이 불가능한 경우 - 소비자의 과실로 상품이 훼손된 경우 - 상품을 이미 사용한 경우 - 상품을 주문일로부터 7일이 지나서 접수를 했을 경우 - 상품과 상품 구성 액세서리를 분실 또는 훼손한 경우 (가격 택, 신발 박스, 라벨, 포장 폴리백 등) - '전자상거래 등에서의 소비자 보호에 관한 법률'이 정하는 소비자 청약철회 제한에 해당하는 경우 교환 서비스 - 교환 서비스는 제공되지 않습니다. 수령하신 상품은 반품하시고, 교환을 원하시는 상품은 별도로 구매해 주시기 바랍니다. 반품 비용 - 상품 불량 또는 오배송으로 인한 반품 시 배송 비용은 본사에서 부담합니다. - 단순변심으로 인한 반품 시 배송 비용은 고객 부담입니다. - 본사 지정 택배사를 이용 시 택배 비용은 5,000원입니다. - 반품 배송 비용은 환불 금액에서 차감됩니다. 반품 접수 절차 - 주문내역 페이지에서 반품 접수해 주시면 자동으로 본사 지정 택배사 반품 회수 접수가 진행됩니다. - 주문내역에서 반품 접수를 하지 않고 반품할 경우 처리가 지연될 수 있습니다. - 반품이 본사에 도착하면 상품 검수 후 환불이 진행됩니다. 반품 검수는 1일 - 3일 소요됩니다. - 문의사항은 이메일과 공식 온라인 스토어 홈페이지 오른쪽 하단 채팅 앱을 통하여 해주시기 바랍니다. \\[Help\\]. A Clean \u002F Minimalist, Dark Mode, Monochrome \u002F Grayscale website in the Fashion & Apparel industry. Designed by Jinkyu Song and Minhyung Lee, developed by Hyeseob Shim, Hyewon Hong, and Jiyoon Byun. The overall color palette features White, Gray, Black. Built using Amazon Web Services, Google Maps. AI description: thisisneverthat is a premier contemporary fashion brand originating from Seoul, catering to a global audience of streetwear enthusiasts and trendsetters. The website serves as a high-impact digital flagship, blending e-commerce functionality with editorial storytelling to showcase seasonal collections and exclusive collaborations. The visual identity is defined by a sophisticated, minimalist aesthetic that leans into a modern streetwear sensibility. Utilizing a clean layout, stark typography, and a muted, high-contrast color palette, the design emphasizes product photography and brand imagery. 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