[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"page-type-websites-about-us-2":3,"facets-baseline-false":1972,"facets-{\"includeAuthors\":\"false\"}":2100},{"item":4,"websites":15,"totalCount":1971},{"id":5,"name":6,"pageTypeName":6,"slug":7,"label":8,"title":9,"description":10,"seo_meta":11,"websitesCount":14},3,"About Us \u002F Team","about-us","About Us","About Us and Team Page Designs","Tell your story with style. Browse creative About pages and team directories that build trust, showcase company culture, and highlight the brilliant people behind the brand.",{"title":12,"meta_description":13},"About Us and Team Page Inspiration | Websites on Display","Explore creative About Us and team page designs. Find inspiration for showcasing company culture, mission statements, and employee profiles.",774,[16,87,137,187,231,282,328,356,396,435,475,523,565,606,646,684,721,758,797,831,869,920,960,993,1042,1086,1124,1163,1208,1246,1289,1326,1363,1402,1442,1480,1519,1555,1589,1625,1666,1703,1739,1777,1817,1855,1892,1933],{"id":17,"website_id":18,"page_id":17,"name":19,"slug":20,"url":21,"website_name":19,"website_slug":20,"website_url":22,"result_url":21,"fetched_at":23,"score":24,"score_boost":25,"ai_score":26,"freshness_score":27,"scored_at":28,"page_name":8,"page_url":21,"page_title":29,"page_description":30,"page_content":31,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":35,"cover_mobile":40,"cover_sequence":44,"translations":45,"industry":49,"styles":50,"credits":54,"font_families":55,"technologies":57,"pagespeed":62,"pagespeed_mobile":72,"buckets":81,"search_payload":86},"08b47da0-0466-4958-9a4f-2a6a496d9aed","d57b75ab-cdf6-4472-90a5-9b5a94948dbd","Flos","flos","https:\u002F\u002Fflos.com\u002Fen\u002Fus\u002Fabout-us","https:\u002F\u002Fflos.com","2026-05-24T21:50:00.000Z",88,0,89,1779659400,"2026-05-24T21:52:46.000Z","Who we are | Flos USA","Discover the history of Flos, the awards obtained and the museum exhibitions of its iconic lamps, including innovative design and cutting-edge technology.","About Flos [FLOS_About-us_Heritage_1966-70_2 FLOS_About-us_Heritage_1966-70_2 Inside Flos](https:\u002F\u002Fflos.com\u002Fen\u002Fus\u002Fabout-us-heritage.html) [FLOS_About-us_Flos-for-Planet_no-tag FLOS_About-us_Flos-for-Planet_no-tag Flos for Planet](https:\u002F\u002Fflos.com\u002Fen\u002Fus\u002Fabout-us-flos-for-planet-pillars.html) [FLOS_belt_compasso d'oro FLOS_belt_compasso d'oro Awards](https:\u002F\u002Fflos.com\u002Fen\u002Fus\u002Fabout-us-awards.html) [FLOS_About-us_Museum-Exhibition FLOS_About-us_Museum-Exhibition Museum Exhibition](https:\u002F\u002Fflos.com\u002Fen\u002Fus\u002Fabout-us\u002Fabout-us-museum-exhibition.html) Since December 2018, Flos is part of Flos B&B Italia Group, a leading global high-end design group operating a number of legacy brands in the world of luxury furnishings and lighting, with a European cultural heritage. Driven by a purpose of “We design for a beautiful life”, the Group designs for the planet, people and culture. The Group includes B&B Italia, Flos, Louis Poulsen, Arclinea, Maxalto, Azucena, FENDI Casa, Audo and Lumens. Flos B&B Italia Group is jointly owned by the global investment firms Investindustrial and Carlyle. https:\u002F\u002Fwww.flosbebitaliagroup.com\u002F",1,false,"3",{"id":36,"height":37,"width":38,"blurhash":39},"94b0ab0d-408d-444c-9b08-c14741d04f38",900,1440,"radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#fdfdf9,#00000000 50%),radial-gradient(at 100% 0,#f9f9fa,#00000000 50%),radial-gradient(at 0 50%,#d2d3d7,#00000000 50%),radial-gradient(at 33% 50%,#d0d1d1,#00000000 50%),radial-gradient(at 67% 50%,#d5d5d1,#00000000 50%),radial-gradient(at 100% 50%,#dcdddd,#00000000 50%),radial-gradient(at 0 100%,#6c6d77,#00000000 50%),radial-gradient(at 33% 100%,#636564,#00000000 50%),radial-gradient(at 67% 100%,#000000,#00000000 50%),radial-gradient(at 100% 100%,#000000,#00000000 50%)",{"id":41,"height":42,"width":43,"blurhash":44},"7729b439-d9f9-4403-bbd9-df5763395c36",1688,780,null,[46],{"languages_code":47,"description":48},"en","Flos is a premier destination for high-end architectural and decorative lighting, blending historical design legacy with cutting-edge technological innovation. The website serves as both a luxury e-commerce platform and a digital gallery, showcasing iconic pieces created by world-renowned designers. It caters to a sophisticated audience of interior designers, architects, and discerning homeowners who view lighting as a fundamental element of art and atmosphere.\n\nThe visual identity is defined by a sophisticated, minimalist aesthetic that prioritizes cinematic imagery and generous whitespace. By utilizing high-contrast photography and a refined typographic hierarchy, the site elevates its products from mere functional objects to sculptural masterpieces. The design language is quiet yet commanding, employing a muted, earthy color palette and an editorial layout that mirrors the prestige of a high-fashion or luxury lifestyle magazine.","Architecture & Real Estate",[51,52,53],"Clean \u002F Minimalist","High-End \u002F Luxury","Typographic \u002F Big Type",[],[56],"Avenir",[58,59,60,61],"iGoDigital","reCAPTCHA","Salesforce","Salesforce Commerce Cloud",[63,66,69],{"score":64,"category":65},95,"accessibility",{"score":67,"category":68},92,"best-practices",{"score":70,"category":71},100,"seo",[73,76,78,80],{"score":74,"category":75},45,"performance",{"score":77,"category":65},91,{"score":79,"category":68},73,{"score":70,"category":71},[82,83,84,85],"white","brown","black","gray","Website: Flos. Page: About Us. Page type: About Us \u002F Team. Page title: Who we are | Flos USA. Page description: Discover the history of Flos, the awards obtained and the museum exhibitions of its iconic lamps, including innovative design and cutting-edge technology.. Page content: About Flos [FLOS_About-us_Heritage_1966-70_2 FLOS_About-us_Heritage_1966-70_2 Inside Flos](https:\u002F\u002Fflos.com\u002Fen\u002Fus\u002Fabout-us-heritage.html) [FLOS_About-us_Flos-for-Planet_no-tag FLOS_About-us_Flos-for-Planet_no-tag Flos for Planet](https:\u002F\u002Fflos.com\u002Fen\u002Fus\u002Fabout-us-flos-for-planet-pillars.html) [FLOS_belt_compasso d'oro FLOS_belt_compasso d'oro Awards](https:\u002F\u002Fflos.com\u002Fen\u002Fus\u002Fabout-us-awards.html) [FLOS_About-us_Museum-Exhibition FLOS_About-us_Museum-Exhibition Museum Exhibition](https:\u002F\u002Fflos.com\u002Fen\u002Fus\u002Fabout-us\u002Fabout-us-museum-exhibition.html) Since December 2018, Flos is part of Flos B&B Italia Group, a leading global high-end design group operating a number of legacy brands in the world of luxury furnishings and lighting, with a European cultural heritage. Driven by a purpose of “We design for a beautiful life”, the Group designs for the planet, people and culture. The Group includes B&B Italia, Flos, Louis Poulsen, Arclinea, Maxalto, Azucena, FENDI Casa, Audo and Lumens. Flos B&B Italia Group is jointly owned by the global investment firms Investindustrial and Carlyle. https:\u002F\u002Fwww.flosbebitaliagroup.com\u002F. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Architecture & Real Estate industry. The overall color palette features White, Brown, Black, Gray. The typography features Avenir (Sans Serif). Built using iGoDigital, reCAPTCHA, Salesforce, Salesforce Commerce Cloud. AI description: Flos is a premier destination for high-end architectural and decorative lighting, blending historical design legacy with cutting-edge technological innovation. The website serves as both a luxury e-commerce platform and a digital gallery, showcasing iconic pieces created by world-renowned designers. It caters to a sophisticated audience of interior designers, architects, and discerning homeowners who view lighting as a fundamental element of art and atmosphere. The visual identity is defined by a sophisticated, minimalist aesthetic that prioritizes cinematic imagery and generous whitespace. By utilizing high-contrast photography and a refined typographic hierarchy, the site elevates its products from mere functional objects to sculptural masterpieces. The design language is quiet yet commanding, employing a muted, earthy color palette and an editorial layout that mirrors the prestige of a high-fashion or luxury lifestyle magazine.",{"id":88,"website_id":89,"page_id":88,"name":90,"slug":91,"url":92,"website_name":90,"website_slug":91,"website_url":93,"result_url":92,"fetched_at":94,"score":24,"score_boost":25,"ai_score":24,"freshness_score":95,"scored_at":96,"page_name":97,"page_url":92,"page_title":98,"page_description":99,"page_content":100,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":101,"cover_mobile":104,"cover_sequence":44,"translations":106,"industry":109,"styles":110,"credits":112,"font_families":115,"technologies":117,"pagespeed":121,"pagespeed_mobile":128,"buckets":133,"search_payload":136},"24cc36c3-1d57-41fc-8557-f6c1fa398699","d4d06044-13bd-4c88-9a9d-d0950412dace","Studio Colangelo","matt-colangelo","https:\u002F\u002Fmattcolangelo.com\u002Fabout","https:\u002F\u002Fmattcolangelo.com","2026-05-24T21:17:29.000Z",1779657449,"2026-05-24T21:18:58.000Z","About","Studio Colangelo | About","Studio Colangelo is a generative strategist using his brain to help brands get ahead.","My name is Matt. I am a brand strategist and copywriter who believes the human mind can be a tremendous source of value for businesses, institutions, and communities. I use mine to rally teams around sharp strategic platforms, which I help translate into campaign concepts, scripts, activations, and more. Presently Senior Strategy Director at Athletics, I served earlier tenures at Code & Theory and Young & Rubicam, and was a 2018-2019 Fulbright Scholar in Italy. Concept for the win Principle 1 Sharp ideas bring clarity and efficiency to the creative process. Culture is context Principle 2 Brands exist in culture, not PPT. And culture moves fast. Studio Colangelo, principle: (thumbnail) Strategy is creative Principle 3 Ideas are only as catchy and memorable as they’re articulated. Studio Colangelo, principle: (thumbnail) Meaning still matters Principle 4 Brands untethered from meaning are more vulnerable to misinterpretation. Studio Colangelo, principle: (thumbnail) Awards & Recognition (8) Give Me Recognition - 1 ### Webby Awards (x2) - 2 ### Creative Review (x2) - 3 ### Anthem Awards (x2) - 4 ### Favourite Website Awards (x3) - 5 ### Fast Company, Innovation by Design - 6 ### Cannes Lion Finalist - 7 ### Clio Awards Shortlist - 8 ### Fulbright Fellow in Creative Writing Team (3) Matt Colangelo Strategist Matt is a seasoned strategist with over 12 years of industry experience across advertising, UX, and branding. He's just about seen it all. Matt Colangelo Copywriter From the start of his career, Matt has melded his writing craft with his strategy, and vice versa. He finds the distinction a bit silly. Matt Colangelo Consultant Matt can also operate in a consultative role, overseeing a team of strategists and writers directly with and for clients. Testimonials (4) Say Something Nice - “ Matt is one of those remarkable people who make everything around them better—the work, their teammates, and their supervisor. ### Hope Cowan Former CSO of North America, Y&R - “ Matt combines his intelligence with a ‘roll up your sleeves’ mentality that makes him an ideal teammate or collaborator. ### Rick Liebling Vice President, VSC Public Relations - “ Any chump with an Olivetti can type, but not many can think. Matt is that rare writer-strategist hybrid who answers our culture's toughest questions in prose as lucid as the logic behind it. ### Zander Abranowicz Strategy Director, Abbreviated Projects - “ He's really something. ### Anna Clementi Matt's mother",{"id":102,"height":37,"width":38,"blurhash":103},"959751c7-2563-4951-bddc-af2b260bda79","radial-gradient(at 0 0,#fafbfb,#00000000 50%),radial-gradient(at 33% 0,#fefeff,#00000000 50%),radial-gradient(at 67% 0,#feffff,#00000000 50%),radial-gradient(at 100% 0,#fbfcfc,#00000000 50%),radial-gradient(at 0 50%,#e9e8e8,#00000000 50%),radial-gradient(at 33% 50%,#eae9e8,#00000000 50%),radial-gradient(at 67% 50%,#e7e6e5,#00000000 50%),radial-gradient(at 100% 50%,#edeceb,#00000000 50%),radial-gradient(at 0 100%,#e4e5e9,#00000000 50%),radial-gradient(at 33% 100%,#e5e6e8,#00000000 50%),radial-gradient(at 67% 100%,#e5e5e8,#00000000 50%),radial-gradient(at 100% 100%,#e7e8ec,#00000000 50%)",{"id":105,"height":42,"width":43,"blurhash":44},"628ba30c-8a2a-42b6-8471-23e3eda1825e",[107],{"languages_code":47,"description":108},"Studio Colangelo is a high-concept creative consultancy focused on generative strategy. Positioned at the intersection of human intuition and brand growth, the site serves as a digital manifesto for a strategist who prioritizes intellectual depth and original thought over cookie-cutter agency templates.\n\nThe visual identity is defined by an ultra-minimalist, typographic-driven aesthetic. By utilizing expansive white space and bold, sans-serif type, the design communicates clarity, confidence, and a modern intellectualism. It is a sophisticated, no-nonsense digital presence tailored for high-level brand decision-makers seeking unconventional strategic perspectives.","Agency & Studio",[51,111,53],"Monochrome \u002F Grayscale",[113,114],"Carlos Mayo","Abbreviated Projects",[116],"Times New Roman",[118,119,120],"jQuery","jQuery UI","PHP",[122,124,126,127],{"score":123,"category":75},98,{"score":125,"category":65},71,{"score":70,"category":68},{"score":70,"category":71},[129,130,131,132],{"score":123,"category":75},{"score":125,"category":65},{"score":70,"category":68},{"score":70,"category":71},[82,134,135,84,85],"yellow","red","Website: Studio Colangelo. Page: About. Page type: About Us \u002F Team. Page title: Studio Colangelo | About. Page description: Studio Colangelo is a generative strategist using his brain to help brands get ahead.. Page content: My name is Matt. I am a brand strategist and copywriter who believes the human mind can be a tremendous source of value for businesses, institutions, and communities. I use mine to rally teams around sharp strategic platforms, which I help translate into campaign concepts, scripts, activations, and more. Presently Senior Strategy Director at Athletics, I served earlier tenures at Code & Theory and Young & Rubicam, and was a 2018-2019 Fulbright Scholar in Italy. Concept for the win Principle 1 Sharp ideas bring clarity and efficiency to the creative process. Culture is context Principle 2 Brands exist in culture, not PPT. And culture moves fast. Studio Colangelo, principle: (thumbnail) Strategy is creative Principle 3 Ideas are only as catchy and memorable as they’re articulated. Studio Colangelo, principle: (thumbnail) Meaning still matters Principle 4 Brands untethered from meaning are more vulnerable to misinterpretation. Studio Colangelo, principle: (thumbnail) Awards & Recognition (8) Give Me Recognition - 1 ### Webby Awards (x2) - 2 ### Creative Review (x2) - 3 ### Anthem Awards (x2) - 4 ### Favourite Website Awards (x3) - 5 ### Fast Company, Innovation by Design - 6 ### Cannes Lion Finalist - 7 ### Clio Awards Shortlist - 8 ### Fulbright Fellow in Creative Writing Team (3) Matt Colangelo Strategist Matt is a seasoned strategist with over 12 years of industry experience across advertising, UX, and branding. He's just about seen it all. Matt Colangelo Copywriter From the start of his career, Matt has melded his writing craft with his strategy, and vice versa. He finds the distinction a bit silly. Matt Colangelo Consultant Matt can also operate in a consultative role, overseeing a team of strategists and writers directly with and for clients. Testimonials (4) Say Something Nice - “ Matt is one of those remarkable people who make everything around them better—the work, their teammates, and their supervisor. ### Hope Cowan Former CSO of North America, Y&R - “ Matt combines his intelligence with a ‘roll up your sleeves’ mentality that makes him an ideal teammate or collaborator. ### Rick Liebling Vice President, VSC Public Relations - “ Any chump with an Olivetti can type, but not many can think. Matt is that rare writer-strategist hybrid who answers our culture's toughest questions in prose as lucid as the logic behind it. ### Zander Abranowicz Strategy Director, Abbreviated Projects - “ He's really something. ### Anna Clementi Matt's mother. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. Designed by Abbreviated Projects, developed by Carlos Mayo. The overall color palette features White, Yellow, Red, Black, Gray. The typography features Times New Roman (Serif). Built using jQuery, jQuery UI, PHP. AI description: Studio Colangelo is a high-concept creative consultancy focused on generative strategy. Positioned at the intersection of human intuition and brand growth, the site serves as a digital manifesto for a strategist who prioritizes intellectual depth and original thought over cookie-cutter agency templates. The visual identity is defined by an ultra-minimalist, typographic-driven aesthetic. By utilizing expansive white space and bold, sans-serif type, the design communicates clarity, confidence, and a modern intellectualism. It is a sophisticated, no-nonsense digital presence tailored for high-level brand decision-makers seeking unconventional strategic perspectives.",{"id":138,"website_id":139,"page_id":138,"name":140,"slug":141,"url":142,"website_name":140,"website_slug":141,"website_url":143,"result_url":142,"fetched_at":144,"score":24,"score_boost":25,"ai_score":26,"freshness_score":145,"scored_at":146,"page_name":147,"page_url":142,"page_title":148,"page_description":149,"page_content":150,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":152,"cover_mobile":155,"cover_sequence":44,"translations":157,"industry":109,"styles":160,"credits":163,"font_families":165,"technologies":167,"pagespeed":170,"pagespeed_mobile":177,"buckets":184,"search_payload":186},"09369f84-c47f-4bbb-923b-89a0b00ba4fc","d473e8fd-04f2-4678-a307-7d44f7b2f06c","Franc","franc","https:\u002F\u002Ffranc.tv\u002Fstudio","https:\u002F\u002Ffranc.tv","2026-05-24T21:00:14.000Z",1779656414,"2026-05-24T21:02:02.000Z","Studio","Franc Studio | Design, Animation, Innovation","At Franc, we believe honesty, transparency, and trustworthiness supersede everything else.","MenuClose - Work - Studio - Contact - Careers - Privacy Policy - Home Get in touch info@franc.tv Our Approach No. 01 We create clarity through purposeful strategy and impactful design. Franc Studio introduction Conference room with a television in the corner Close up of tablet with an illustration of a car Wide shot of a sitting area with computer screens in the foreground Close up of a computer screen with a 3D glasses design Inside the studio Drag to Explore Our Approach No. 02 Impactful design requires equal measures expertise, innovation, and intuition. How we approach our work Design We tap into your organization’s messaging, content, and brand to design thoughtful solutions to your challenges. Solutions can range from intricate animated design systems to emotionally impactful 30-second spots. See how our design forward approach developed a new visual language for eDriving. Animate We embrace and utilize all forms of animation — from traditional cel and 2D, to photo-real 3D and motion graphics, to procedural and code-based animation. We can execute every stage of a project, from scripting to final translations. See how the combination of animation approaches brought Skuid to life. Innovate We continuously explore and embrace emerging technologies and expanded applications for motion and design. Our goal is to apply the medium in innovative ways to solve problems and engage audiences. See how we innovated to visualize sound for SVS. Our Approach No. 01 A strict design process is the framework needed to create solutions. Franc in the studio Franc is trusted by clients across industries. AT&T Logo HP Logo Caterpillar Logo Conde Nast Logo P&G Logo United Healthcare Logo UNFPA Logo Walgreens Logo Wired Logo T. Rowe Price Logo Ogilvy Logo McCormick Logo Edelman Logo Coca-Cola Logo Amazon Web Services Logo Franc Studio animation Meet Franc Drag to see the leadership team Asher Warren (He\u002FHim)\") Asher Warren Asher Warren (He\u002FHim)\") Senior Producer and Managing Partner Asher Warren (He\u002FHim) See Bio Michael Chee-you (He\u002FHim)\") Michael Chee-you Michael Chee-you (He\u002FHim)\") Creative Director and Partner Michael Chee-you (He\u002FHim) See Bio Rachel Warren (She\u002FHer)\") Rachel Warren Rachel Warren (She\u002FHer)\") Director of Operations Rachel Warren (She\u002FHer) See Bio Our Approach No. 04 The most intriguing work occurs at the crossroads of intellect and emotion. See our explorations Hire us info@franc.tv careers - Freelancer 2D\u002F3D Motion DesignersView Details - Freelance IllustratorsView Details General Inquiries info@franc.tv - Work - Studio - Contact - Careers - Privacy Policy - Instagram - Vimeo - hello@franc.tv - 443 274 7987",2,{"id":153,"height":37,"width":38,"blurhash":154},"3fe4128e-5892-43d3-89a6-ecdd00725f21","radial-gradient(at 0 0,#f3f4f4,#00000000 50%),radial-gradient(at 33% 0,#f4f4f4,#00000000 50%),radial-gradient(at 67% 0,#f3f1f1,#00000000 50%),radial-gradient(at 100% 0,#ededed,#00000000 50%),radial-gradient(at 0 50%,#dddada,#00000000 50%),radial-gradient(at 33% 50%,#d8d6d6,#00000000 50%),radial-gradient(at 67% 50%,#d7d6d6,#00000000 50%),radial-gradient(at 100% 50%,#c6c0c0,#00000000 50%),radial-gradient(at 0 100%,#e0dede,#00000000 50%),radial-gradient(at 33% 100%,#e9e8e8,#00000000 50%),radial-gradient(at 67% 100%,#dbdddd,#00000000 50%),radial-gradient(at 100% 100%,#b9bcbc,#00000000 50%)",{"id":156,"height":42,"width":43,"blurhash":44},"937b908c-45d1-4f12-90ce-b9119dd07340",[158],{"languages_code":47,"description":159},"Franc is a high-caliber animation and motion branding studio that bridges the gap between strategic design and immersive visual storytelling. The website serves as a dynamic portfolio, showcasing a diverse range of 2D, 3D, and cel animation work that demonstrates their ability to breathe life into global brands. \n\nThe visual identity is unapologetically bold and modern, characterized by high-fidelity 3D renders, vibrant color gradients, and sophisticated typography. By blending a clean, minimalist layout with explosive, high-impact motion graphics, the site communicates a sense of technical mastery and creative innovation, positioning the studio as a premium partner for brands seeking to define their future through movement.",[161,51,162],"3D \u002F Spatial","Vibrant \u002F Colorful",[164],"Drexler",[166],"Founders Grotesk",[120,168,169],"WordPress","WP Engine",[171,172,174,176],{"score":26,"category":75},{"score":173,"category":65},86,{"score":175,"category":68},96,{"score":70,"category":71},[178,180,182,183],{"score":179,"category":75},54,{"score":181,"category":65},82,{"score":175,"category":68},{"score":70,"category":71},[82,185,85,84,83],"pink","Website: Franc. Page: Studio. Page type: About Us \u002F Team. Page title: Franc Studio | Design, Animation, Innovation. Page description: At Franc, we believe honesty, transparency, and trustworthiness supersede everything else.. Page content: MenuClose - Work - Studio - Contact - Careers - Privacy Policy - Home Get in touch info@franc.tv Our Approach No. 01 We create clarity through purposeful strategy and impactful design. Franc Studio introduction Conference room with a television in the corner Close up of tablet with an illustration of a car Wide shot of a sitting area with computer screens in the foreground Close up of a computer screen with a 3D glasses design Inside the studio Drag to Explore Our Approach No. 02 Impactful design requires equal measures expertise, innovation, and intuition. How we approach our work Design We tap into your organization’s messaging, content, and brand to design thoughtful solutions to your challenges. Solutions can range from intricate animated design systems to emotionally impactful 30-second spots. See how our design forward approach developed a new visual language for eDriving. Animate We embrace and utilize all forms of animation — from traditional cel and 2D, to photo-real 3D and motion graphics, to procedural and code-based animation. We can execute every stage of a project, from scripting to final translations. See how the combination of animation approaches brought Skuid to life. Innovate We continuously explore and embrace emerging technologies and expanded applications for motion and design. Our goal is to apply the medium in innovative ways to solve problems and engage audiences. See how we innovated to visualize sound for SVS. Our Approach No. 01 A strict design process is the framework needed to create solutions. Franc in the studio Franc is trusted by clients across industries. AT&T Logo HP Logo Caterpillar Logo Conde Nast Logo P&G Logo United Healthcare Logo UNFPA Logo Walgreens Logo Wired Logo T. Rowe Price Logo Ogilvy Logo McCormick Logo Edelman Logo Coca-Cola Logo Amazon Web Services Logo Franc Studio animation Meet Franc Drag to see the leadership team Asher Warren (He\u002FHim)\") Asher Warren Asher Warren (He\u002FHim)\") Senior Producer and Managing Partner Asher Warren (He\u002FHim) See Bio Michael Chee-you (He\u002FHim)\") Michael Chee-you Michael Chee-you (He\u002FHim)\") Creative Director and Partner Michael Chee-you (He\u002FHim) See Bio Rachel Warren (She\u002FHer)\") Rachel Warren Rachel Warren (She\u002FHer)\") Director of Operations Rachel Warren (She\u002FHer) See Bio Our Approach No. 04 The most intriguing work occurs at the crossroads of intellect and emotion. See our explorations Hire us info@franc.tv careers - Freelancer 2D\u002F3D Motion DesignersView Details - Freelance IllustratorsView Details General Inquiries info@franc.tv - Work - Studio - Contact - Careers - Privacy Policy - Instagram - Vimeo - hello@franc.tv - 443 274 7987. A 3D \u002F Spatial, Clean \u002F Minimalist, Vibrant \u002F Colorful website in the Agency & Studio industry. The overall color palette features White, Pink, Gray, Black, Brown. The typography features Founders Grotesk (Sans Serif, Klim Type). Built using PHP, WordPress, WP Engine. AI description: Franc is a high-caliber animation and motion branding studio that bridges the gap between strategic design and immersive visual storytelling. The website serves as a dynamic portfolio, showcasing a diverse range of 2D, 3D, and cel animation work that demonstrates their ability to breathe life into global brands. The visual identity is unapologetically bold and modern, characterized by high-fidelity 3D renders, vibrant color gradients, and sophisticated typography. By blending a clean, minimalist layout with explosive, high-impact motion graphics, the site communicates a sense of technical mastery and creative innovation, positioning the studio as a premium partner for brands seeking to define their future through movement.",{"id":188,"website_id":189,"page_id":188,"name":190,"slug":191,"url":192,"website_name":190,"website_slug":191,"website_url":193,"result_url":192,"fetched_at":194,"score":24,"score_boost":25,"ai_score":24,"freshness_score":195,"scored_at":196,"page_name":197,"page_url":192,"page_title":198,"page_description":199,"page_content":200,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":201,"cover_mobile":204,"cover_sequence":44,"translations":206,"industry":209,"styles":210,"credits":211,"font_families":212,"technologies":215,"pagespeed":217,"pagespeed_mobile":223,"buckets":228,"search_payload":230},"93c97335-b165-4157-8857-0d637fd056b9","d3c92080-2954-4b0f-99b2-1d94709c4149","Social Impact Capital","social-impact-capital","https:\u002F\u002Fsocial-impact-capital.com\u002Fteam","https:\u002F\u002Fsocial-impact-capital.com","2026-05-24T20:51:52.000Z",1779655912,"2026-05-24T20:59:21.000Z","Team","Social Impact Capital - Team","Investing worldwide from NYC. We partner early. We are comfortable with the rough imperfections of start-ups.","T E A M Social impact capital toile Investing worldwide from NYC We partner early. We are comfortable with the rough imperfections of start-ups. As a solo GP with 40 venture partners, we are highly responsive but also have the broad-based experience to fully support world-changing entrepreneurs. MANAGEMENT [SIC team Sarah Cone Sarah Cone Founder & Managing Partner](https:\u002F\u002Fwww.linkedin.com\u002Fin\u002Fsarah-hogan-cone\u002F) VENTURE PARTNERS filter by NETWORK: ALL X DOMAIN: ALL X SKILLS: ALL X RESET ALL no partners matched your filters Try removing some of the filters or clearing them all. Social Impact Capital hero toile Incorrect mail format SUBSCRIBE Social Impact Capital © All rights reserved 2023 LPs Investments Team Press Social Proof Contact Investing worldwide from NYC Socials: twitter instagram linkedin Social Impact Capital © All rights reserved 2023",{"id":202,"height":37,"width":38,"blurhash":203},"180e346b-958f-4e6a-9896-ed6a664ba940","radial-gradient(at 0 0,#d3d2ef,#00000000 50%),radial-gradient(at 33% 0,#d2d2ee,#00000000 50%),radial-gradient(at 67% 0,#d2d2ee,#00000000 50%),radial-gradient(at 100% 0,#d3d3ef,#00000000 50%),radial-gradient(at 0 50%,#d5d5f0,#00000000 50%),radial-gradient(at 33% 50%,#d3d3ee,#00000000 50%),radial-gradient(at 67% 50%,#d3d3ee,#00000000 50%),radial-gradient(at 100% 50%,#d5d5ef,#00000000 50%),radial-gradient(at 0 100%,#d7d7f2,#00000000 50%),radial-gradient(at 33% 100%,#d5d5f1,#00000000 50%),radial-gradient(at 67% 100%,#d5d5f0,#00000000 50%),radial-gradient(at 100% 100%,#d5d5f0,#00000000 50%)",{"id":205,"height":42,"width":43,"blurhash":44},"29bc81b6-30de-4d22-aa24-3e67be606c33",[207],{"languages_code":47,"description":208},"Social Impact Capital is a venture capital firm dedicated to backing mission-driven founders at the earliest stages of their journey. The website serves as a high-conviction portal for entrepreneurs and limited partners, positioning the firm as a bridge between raw startup potential and top-tier institutional investment. Through a curated showcase of their portfolio and a clear articulation of their partnership philosophy, the site establishes deep credibility within the impact investing ecosystem.\n\nThe visual identity is a masterclass in neo-classical elegance, breaking away from the sterile, tech-centric aesthetics typical of the fintech sector. Utilizing a striking cobalt blue and white palette, the design employs intricate, etched-style illustrations reminiscent of vintage botanical or mythological engravings. This sophisticated, typographic-heavy approach communicates a sense of permanence, legacy, and profound purpose, perfectly aligning with their mission to invest in founders who are 'impacting history.'","Finance & Fintech",[51,52,53],[],[116,213,214],"JHA Times Now","Suisse Intl",[118,120,216,168,169],"SVG Support",[218,220,221,222],{"score":219,"category":75},79,{"score":64,"category":65},{"score":70,"category":68},{"score":70,"category":71},[224,225,226,227],{"score":79,"category":75},{"score":64,"category":65},{"score":70,"category":68},{"score":70,"category":71},[82,229,185,84,85],"violet","Website: Social Impact Capital. Page: Team. Page type: About Us \u002F Team. Page title: Social Impact Capital - Team. Page description: Investing worldwide from NYC. We partner early. We are comfortable with the rough imperfections of start-ups.. Page content: T E A M Social impact capital toile Investing worldwide from NYC We partner early. We are comfortable with the rough imperfections of start-ups. As a solo GP with 40 venture partners, we are highly responsive but also have the broad-based experience to fully support world-changing entrepreneurs. MANAGEMENT [SIC team Sarah Cone Sarah Cone Founder & Managing Partner](https:\u002F\u002Fwww.linkedin.com\u002Fin\u002Fsarah-hogan-cone\u002F) VENTURE PARTNERS filter by NETWORK: ALL X DOMAIN: ALL X SKILLS: ALL X RESET ALL no partners matched your filters Try removing some of the filters or clearing them all. Social Impact Capital hero toile Incorrect mail format SUBSCRIBE Social Impact Capital © All rights reserved 2023 LPs Investments Team Press Social Proof Contact Investing worldwide from NYC Socials: twitter instagram linkedin Social Impact Capital © All rights reserved 2023. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Finance & Fintech industry. The overall color palette features White, Violet, Pink, Black, Gray. The typography features Times New Roman (Serif), JHA Times Now (Serif), Suisse Intl (Swiss Typefaces). Built using jQuery, PHP, SVG Support, WordPress, WP Engine. AI description: Social Impact Capital is a venture capital firm dedicated to backing mission-driven founders at the earliest stages of their journey. The website serves as a high-conviction portal for entrepreneurs and limited partners, positioning the firm as a bridge between raw startup potential and top-tier institutional investment. Through a curated showcase of their portfolio and a clear articulation of their partnership philosophy, the site establishes deep credibility within the impact investing ecosystem. The visual identity is a masterclass in neo-classical elegance, breaking away from the sterile, tech-centric aesthetics typical of the fintech sector. Utilizing a striking cobalt blue and white palette, the design employs intricate, etched-style illustrations reminiscent of vintage botanical or mythological engravings. This sophisticated, typographic-heavy approach communicates a sense of permanence, legacy, and profound purpose, perfectly aligning with their mission to invest in founders who are 'impacting history.'",{"id":232,"website_id":233,"page_id":232,"name":234,"slug":235,"url":236,"website_name":234,"website_slug":235,"website_url":237,"result_url":236,"fetched_at":238,"score":24,"score_boost":25,"ai_score":239,"freshness_score":240,"scored_at":241,"page_name":242,"page_url":236,"page_title":243,"page_description":244,"page_content":245,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":246,"cover_mobile":249,"cover_sequence":44,"translations":251,"industry":254,"styles":255,"credits":257,"font_families":258,"technologies":263,"pagespeed":267,"pagespeed_mobile":273,"buckets":279,"search_payload":281},"ad627529-b327-467f-80de-6daddfa914e4","dc6bb9ec-308a-4e78-ac14-c9c72aab8067","Julie Chabin","julie-chabin","https:\u002F\u002Fjulie.design\u002Fnow","https:\u002F\u002Fjulie.design","2026-05-24T20:08:32.000Z",87,1779653312,"2026-05-24T20:59:01.000Z","Now","Julie Chabin — Product Designer & Early-Stage Partner","Product designer helping early-stage startups launch smarter. Branding, product, and tools—with a clear, fast, no-fluff approach.","10mo ago All the names, all the hats Early-stage startups don’t need people who blindly follow the lead. They don’t even need the smartest people. They need people who give a damn so much they don’t care when they’re called: “difficult” for questioning bad solutions “stupid” for asking to fill knowledge gaps “problematic” for pointing out problems “disorganized” for skipping the classic playbooks and processes “crazy” for believing you can actually pull it off before your seed runs out Early-stage isn’t for everyone. It’s for people who are fine being called all the names and wearing all the hats. These people will be the reason you survive. Now",{"id":247,"height":37,"width":38,"blurhash":248},"f3fd375a-ac1d-40bd-8c94-1affec9e4f38","radial-gradient(at 0 0,#0f1b3f,#00000000 50%),radial-gradient(at 33% 0,#161e43,#00000000 50%),radial-gradient(at 67% 0,#181f43,#00000000 50%),radial-gradient(at 100% 0,#121b40,#00000000 50%),radial-gradient(at 0 50%,#0f1b3e,#00000000 50%),radial-gradient(at 33% 50%,#1d2646,#00000000 50%),radial-gradient(at 67% 50%,#1f2747,#00000000 50%),radial-gradient(at 100% 50%,#141f40,#00000000 50%),radial-gradient(at 0 100%,#101b3e,#00000000 50%),radial-gradient(at 33% 100%,#1f2748,#00000000 50%),radial-gradient(at 67% 100%,#222a4b,#00000000 50%),radial-gradient(at 100% 100%,#162142,#00000000 50%)",{"id":250,"height":42,"width":43,"blurhash":44},"c40b7120-d8a5-4f76-9f16-5d2abc8f6918",[252],{"languages_code":47,"description":253},"Julie Chabin’s digital portfolio serves as a high-impact landing page for a specialized product design partner catering to the early-stage startup ecosystem. The site positions Chabin not just as a designer, but as a strategic collaborator capable of bridging the gap between initial concept and market-ready product. Through a narrative-driven approach, the site highlights her pedigree—notably her leadership at Product Hunt—to build immediate trust with founders looking for speed, efficiency, and high-caliber execution.\n\nThe visual identity is sophisticated and atmospheric, utilizing a deep, cosmic navy palette punctuated by ethereal cloud imagery and subtle starlight textures. The design leans into a premium, dark-mode aesthetic that feels both expansive and intimate. Typography is handled with editorial precision, using clean sans-serifs and intentional hierarchy to convey a 'no-fluff' professional attitude. The use of high-fidelity device mockups against organic, textured backgrounds creates a sense of tangible craftsmanship, signaling a designer who values both aesthetic beauty and functional utility.","SaaS & Software",[51,256,53],"Dark Mode",[],[259,260,261,262],"Manrope","Geist","Geist Mono","Space Mono",[264,265,266],"Next.js","Node.js","React",[268,270,271,272],{"score":269,"category":75},99,{"score":123,"category":65},{"score":175,"category":68},{"score":70,"category":71},[274,276,277,278],{"score":275,"category":75},72,{"score":123,"category":65},{"score":175,"category":68},{"score":70,"category":71},[84,82,85,83,280],"orange","Website: Julie Chabin. Page: Now. Page type: About Us \u002F Team. Page title: Julie Chabin — Product Designer & Early-Stage Partner. Page description: Product designer helping early-stage startups launch smarter. Branding, product, and tools—with a clear, fast, no-fluff approach.. Page content: 10mo ago All the names, all the hats Early-stage startups don’t need people who blindly follow the lead. They don’t even need the smartest people. They need people who give a damn so much they don’t care when they’re called: “difficult” for questioning bad solutions “stupid” for asking to fill knowledge gaps “problematic” for pointing out problems “disorganized” for skipping the classic playbooks and processes “crazy” for believing you can actually pull it off before your seed runs out Early-stage isn’t for everyone. It’s for people who are fine being called all the names and wearing all the hats. These people will be the reason you survive. Now. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the SaaS & Software industry. The overall color palette features Black, White, Gray, Brown, Orange. The typography features Manrope, Geist (Sans Serif), Geist Mono, Space Mono (Colophon). Built using Next.js, Node.js, React. AI description: Julie Chabin’s digital portfolio serves as a high-impact landing page for a specialized product design partner catering to the early-stage startup ecosystem. The site positions Chabin not just as a designer, but as a strategic collaborator capable of bridging the gap between initial concept and market-ready product. Through a narrative-driven approach, the site highlights her pedigree—notably her leadership at Product Hunt—to build immediate trust with founders looking for speed, efficiency, and high-caliber execution. The visual identity is sophisticated and atmospheric, utilizing a deep, cosmic navy palette punctuated by ethereal cloud imagery and subtle starlight textures. The design leans into a premium, dark-mode aesthetic that feels both expansive and intimate. Typography is handled with editorial precision, using clean sans-serifs and intentional hierarchy to convey a 'no-fluff' professional attitude. The use of high-fidelity device mockups against organic, textured backgrounds creates a sense of tangible craftsmanship, signaling a designer who values both aesthetic beauty and functional utility.",{"id":283,"website_id":284,"page_id":283,"name":285,"slug":286,"url":287,"website_name":285,"website_slug":286,"website_url":288,"result_url":287,"fetched_at":289,"score":24,"score_boost":25,"ai_score":290,"freshness_score":291,"scored_at":292,"page_name":97,"page_url":287,"page_title":293,"page_description":294,"page_content":295,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":296,"cover_mobile":299,"cover_sequence":44,"translations":301,"industry":304,"styles":305,"credits":308,"font_families":309,"technologies":310,"pagespeed":312,"pagespeed_mobile":319,"buckets":325,"search_payload":327},"bf19795e-a11d-489d-a084-e2f7891b925a","d5e109e7-e859-4098-9c11-def8508ac8f4","Tashi","tashi","https:\u002F\u002Ftashi.design\u002Fabout","https:\u002F\u002Ftashi.design","2026-05-23T21:07:32.000Z",90,1779570452,"2026-05-24T20:58:51.000Z","about | tashi Illustration&Design Portfollio","フリーランスのイラストレーター・デザイナー「tashi(たし)」のポートフォリオサイトです。","About Home\\-about Profile こんにちは。東京を拠点にイラストレーター、デザイナーとして活動をしています「たし」と申します。栃木県宇都宮市で生まれました。 フリーランスで活動をする前は、Web制作会社にてWebデザイナーとして勤務し2018年に独立をしました。 日々暮らしている中で見つけた嬉しみや体験を拾いながらメモをしていくように、見つけてくださった方にこんなことがあったよと伝えられるように絵を描いています。 路地の草や、山や海などの自然物をとくによく描き、また暮らしの中で喜びや楽しみを見つけていくような民俗学、文化人類学に関する儀式や民藝にも興味があります。 - パレットクラブスクール修了・スタッフ - ファッションイラストレーション•ファイル2024 SHOWCASE - ザ•チョイス224回準入選 \\[展示歴\\] - 2025 初個展「いつもの ぎしき Picaresque Art Gallery - 2024 グループ展「SOMEWHERE」 ギャラリールモンド - 2023 グループ展「金平糖展」 Picaresque Art Gallery …他 SNS Service イラストレーション Illustration 装画・挿絵、雑誌、広告物やWebのキービジュアル等、媒体問わずお仕事を承っております。 特に草花や自然、暮らし、民俗学や民藝に関するコンテンツや児童書など子ども向けのコンテンツにとくに興味があります。キャンプや登山（まだ低山からの段階ですが）などのアウトドアも好きです！ イラストレーションのお仕事 Webサイト制作 Web Design 「LP」「キャンペーンサイト」などの1枚ページ・小規模なwebサイトから、企業様・お店様の「コーポレートサイト」「ブランドサイト」などの中規模サイトの制作をお受けしております。 制作したWEBデザインのコーディングは内容次第で対応が可能ですので、ご必要な際はご相談ください。 ※ コーディング、CMS組み込みは「WEBデザイン制作」とセットにてご相談の上内容によりお受けしております。 Webサイト制作のお仕事 [ お問い合わせ Contact お問い合わせ お問い合わせフォームに必要事項ご記入の上お送りくださいませ。 制作のご依頼・ご相談・ご質問など、お気軽にお問い合わせください。 ](\u002Fcontact)",{"id":297,"height":37,"width":38,"blurhash":298},"2c2ce823-db61-418f-ab67-5db4928b7158","radial-gradient(at 0 0,#d6eefb,#00000000 50%),radial-gradient(at 33% 0,#caeeff,#00000000 50%),radial-gradient(at 67% 0,#d4f2fe,#00000000 50%),radial-gradient(at 100% 0,#d6e9ed,#00000000 50%),radial-gradient(at 0 50%,#cfeefd,#00000000 50%),radial-gradient(at 33% 50%,#cceefb,#00000000 50%),radial-gradient(at 67% 50%,#d0f1fd,#00000000 50%),radial-gradient(at 100% 50%,#d1effc,#00000000 50%),radial-gradient(at 0 100%,#d9ebf0,#00000000 50%),radial-gradient(at 33% 100%,#d4eff4,#00000000 50%),radial-gradient(at 67% 100%,#dbece9,#00000000 50%),radial-gradient(at 100% 100%,#e0e5db,#00000000 50%)",{"id":300,"height":42,"width":43,"blurhash":44},"59dadeee-b945-4cb6-9a4f-6a79cc994167",[302],{"languages_code":47,"description":303},"Tashi is a highly personal and immersive digital portfolio for a Tokyo-based freelance illustrator and designer. The website serves as a living extension of the artist's craft, utilizing a sprawling, watercolor-inspired landscape that invites users to wander through a serene, hand-painted world. It functions not just as a gallery of professional works, but as a narrative experience that establishes an immediate emotional connection with potential clients.\n\nThe visual identity is defined by a soft, organic aesthetic characterized by delicate brushstrokes, a pastel color palette, and a sense of airy tranquility. By blending professional layout elements—such as clean navigation pill buttons and structured work grids—with whimsical, illustrative storytelling, the site strikes a perfect balance between creative personality and professional accessibility. It is tailor-made for clients in the publishing, media, or lifestyle sectors looking for a designer with a distinct, gentle, and high-quality artistic voice.","Art & Culture",[51,306,307],"Fun \u002F Playful","Illustrative \u002F Hand-drawn",[],[],[120,168,311],"ZURB Foundation",[313,314,316,317],{"score":79,"category":75},{"score":315,"category":65},81,{"score":175,"category":68},{"score":318,"category":71},83,[320,322,323,324],{"score":321,"category":75},47,{"score":219,"category":65},{"score":70,"category":68},{"score":318,"category":71},[82,326,84,83],"green","Website: Tashi. Page: About. Page type: About Us \u002F Team. Page title: about | tashi Illustration&Design Portfollio. Page description: フリーランスのイラストレーター・デザイナー「tashi(たし)」のポートフォリオサイトです。. Page content: About Home\\-about Profile こんにちは。東京を拠点にイラストレーター、デザイナーとして活動をしています「たし」と申します。栃木県宇都宮市で生まれました。 フリーランスで活動をする前は、Web制作会社にてWebデザイナーとして勤務し2018年に独立をしました。 日々暮らしている中で見つけた嬉しみや体験を拾いながらメモをしていくように、見つけてくださった方にこんなことがあったよと伝えられるように絵を描いています。 路地の草や、山や海などの自然物をとくによく描き、また暮らしの中で喜びや楽しみを見つけていくような民俗学、文化人類学に関する儀式や民藝にも興味があります。 - パレットクラブスクール修了・スタッフ - ファッションイラストレーション•ファイル2024 SHOWCASE - ザ•チョイス224回準入選 \\[展示歴\\] - 2025 初個展「いつもの ぎしき Picaresque Art Gallery - 2024 グループ展「SOMEWHERE」 ギャラリールモンド - 2023 グループ展「金平糖展」 Picaresque Art Gallery …他 SNS Service イラストレーション Illustration 装画・挿絵、雑誌、広告物やWebのキービジュアル等、媒体問わずお仕事を承っております。 特に草花や自然、暮らし、民俗学や民藝に関するコンテンツや児童書など子ども向けのコンテンツにとくに興味があります。キャンプや登山（まだ低山からの段階ですが）などのアウトドアも好きです！ イラストレーションのお仕事 Webサイト制作 Web Design 「LP」「キャンペーンサイト」などの1枚ページ・小規模なwebサイトから、企業様・お店様の「コーポレートサイト」「ブランドサイト」などの中規模サイトの制作をお受けしております。 制作したWEBデザインのコーディングは内容次第で対応が可能ですので、ご必要な際はご相談ください。 ※ コーディング、CMS組み込みは「WEBデザイン制作」とセットにてご相談の上内容によりお受けしております。 Webサイト制作のお仕事 [ お問い合わせ Contact お問い合わせ お問い合わせフォームに必要事項ご記入の上お送りくださいませ。 制作のご依頼・ご相談・ご質問など、お気軽にお問い合わせください。 ](\u002Fcontact). A Clean \u002F Minimalist, Fun \u002F Playful, Illustrative \u002F Hand-drawn website in the Art & Culture industry. The overall color palette features White, Green, Black, Brown. Built using PHP, WordPress, ZURB Foundation. AI description: Tashi is a highly personal and immersive digital portfolio for a Tokyo-based freelance illustrator and designer. The website serves as a living extension of the artist's craft, utilizing a sprawling, watercolor-inspired landscape that invites users to wander through a serene, hand-painted world. It functions not just as a gallery of professional works, but as a narrative experience that establishes an immediate emotional connection with potential clients. The visual identity is defined by a soft, organic aesthetic characterized by delicate brushstrokes, a pastel color palette, and a sense of airy tranquility. By blending professional layout elements—such as clean navigation pill buttons and structured work grids—with whimsical, illustrative storytelling, the site strikes a perfect balance between creative personality and professional accessibility. It is tailor-made for clients in the publishing, media, or lifestyle sectors looking for a designer with a distinct, gentle, and high-quality artistic voice.",{"id":329,"website_id":330,"page_id":329,"name":331,"slug":332,"url":333,"website_name":331,"website_slug":332,"website_url":334,"result_url":333,"fetched_at":335,"score":24,"score_boost":25,"ai_score":24,"freshness_score":336,"scored_at":337,"page_name":338,"page_url":333,"page_title":331,"page_description":339,"page_content":340,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":341,"cover_mobile":344,"cover_sequence":44,"translations":346,"industry":109,"styles":349,"credits":350,"font_families":351,"technologies":353,"pagespeed":44,"pagespeed_mobile":44,"buckets":354,"search_payload":355},"a2373762-946d-4817-82c1-78144c41984e","f1d9cb3d-a3f7-4e27-aa02-5f1255c9452f","Area of Work","area-of-work","https:\u002F\u002Farea-of.work\u002Fabout","https:\u002F\u002Farea-of.work","2026-05-23T20:38:05.000Z",1779568685,"2026-05-24T20:58:44.000Z","Area Of Work","Area of Work is a Paris-based creative studio founded by creative directors Amine Ghorab and Scott Renau.  The duo combines their expertise to shape contemporary visual culture through CGI, photography, and film.","Area of Work Area of Work is a Paris-based creative duo founded in 2018 by Amine Ghorab and Scott Renau. The duo combines their expertise to shape contemporary visual culture through CGI, photography, and film direction. We offer concept-driven art direction and high-end image-making, rooted in formal precision and a distinctive sensibility. Collaborating closely with clients in luxury and technology, we craft bold, refined, and unique cinematic visual narratives. Address 75009, Paris France Contact hello@area-of.work @area\\_of\\_work Selected Clients Apple Audi Dior Maison Chanel Louis Vuitton Moncler OEM Prada Publications Image Mental Athletic Schema Magazine Wallpaper\\* Representation Best Regards Programming Tristan Bagot © 2025 AREA OF WORK",{"id":342,"height":37,"width":38,"blurhash":343},"793919b9-301f-4e17-9dda-0ebfd1bb1772","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#fdfdfd,#00000000 50%),radial-gradient(at 33% 50%,#fafafa,#00000000 50%),radial-gradient(at 67% 50%,#fbfbfb,#00000000 50%),radial-gradient(at 100% 50%,#fcfcfc,#00000000 50%),radial-gradient(at 0 100%,#fefefe,#00000000 50%),radial-gradient(at 33% 100%,#fbfbfb,#00000000 50%),radial-gradient(at 67% 100%,#fcfcfc,#00000000 50%),radial-gradient(at 100% 100%,#fefefe,#00000000 50%)",{"id":345,"height":42,"width":43,"blurhash":44},"40436190-6e57-463b-834a-edb1025ea3e9",[347],{"languages_code":47,"description":348},"Area of Work is a high-end creative studio based in Paris, specializing in the intersection of CGI, photography, and film. Founded by Amine Ghorab and Scott Renau, the studio serves a prestigious clientele by crafting hyper-realistic and cinematic visual narratives that shape contemporary culture. Their work is characterized by a meticulous attention to detail, particularly in the luxury sector where they elevate products through sophisticated digital artistry.\n\nThe visual identity is defined by a sophisticated, dark-mode aesthetic that mirrors the premium nature of their output. Utilizing expansive, high-contrast imagery and bold, minimalist typography, the website functions as a digital gallery. The layout is spacious and intentional, allowing the craftsmanship of their CGI and film projects to command undivided attention, appealing directly to luxury brands and high-tier creative agencies.",[51,256,52],[331],[352],"Univers",[],[82,84,85],"Website: Area of Work. Page: Area Of Work. Page type: About Us \u002F Team. Page title: Area of Work. Page description: Area of Work is a Paris-based creative studio founded by creative directors Amine Ghorab and Scott Renau.  The duo combines their expertise to shape contemporary visual culture through CGI, photography, and film.. Page content: Area of Work Area of Work is a Paris-based creative duo founded in 2018 by Amine Ghorab and Scott Renau. The duo combines their expertise to shape contemporary visual culture through CGI, photography, and film direction. We offer concept-driven art direction and high-end image-making, rooted in formal precision and a distinctive sensibility. Collaborating closely with clients in luxury and technology, we craft bold, refined, and unique cinematic visual narratives. Address 75009, Paris France Contact hello@area-of.work @area\\_of\\_work Selected Clients Apple Audi Dior Maison Chanel Louis Vuitton Moncler OEM Prada Publications Image Mental Athletic Schema Magazine Wallpaper\\* Representation Best Regards Programming Tristan Bagot © 2025 AREA OF WORK. A Clean \u002F Minimalist, Dark Mode, High-End \u002F Luxury website in the Agency & Studio industry. Designed by Area of Work. The overall color palette features White, Black, Gray. The typography features Univers (Sans Serif). AI description: Area of Work is a high-end creative studio based in Paris, specializing in the intersection of CGI, photography, and film. Founded by Amine Ghorab and Scott Renau, the studio serves a prestigious clientele by crafting hyper-realistic and cinematic visual narratives that shape contemporary culture. Their work is characterized by a meticulous attention to detail, particularly in the luxury sector where they elevate products through sophisticated digital artistry. The visual identity is defined by a sophisticated, dark-mode aesthetic that mirrors the premium nature of their output. Utilizing expansive, high-contrast imagery and bold, minimalist typography, the website functions as a digital gallery. The layout is spacious and intentional, allowing the craftsmanship of their CGI and film projects to command undivided attention, appealing directly to luxury brands and high-tier creative agencies.",{"id":357,"website_id":358,"page_id":357,"name":359,"slug":360,"url":361,"website_name":359,"website_slug":360,"website_url":362,"result_url":361,"fetched_at":363,"score":24,"score_boost":25,"ai_score":239,"freshness_score":364,"scored_at":365,"page_name":366,"page_url":361,"page_title":367,"page_description":368,"page_content":369,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":370,"cover_mobile":373,"cover_sequence":44,"translations":375,"industry":109,"styles":378,"credits":379,"font_families":380,"technologies":381,"pagespeed":383,"pagespeed_mobile":388,"buckets":394,"search_payload":395},"abb31af9-9e6b-4cb7-a628-062ee9e212cd","db665701-d64f-4ce2-a596-fbe80a9bb332","WAF GMBH","waf","https:\u002F\u002Fwaf.gmbh\u002Foffice","https:\u002F\u002Fwaf.gmbh","2026-05-23T20:36:35.000Z",1779568595,"2026-05-24T20:58:53.000Z","Office","Office statement by WAF GMBH","WAF GMBH designs and builds in digital space. Through design and strategic consulting, we help our clients shape their environment.","WAF GMBH builds in digital space. Through design and strategic consulting, we help our clients shape their environment. We apply architectural thinking to the web, the defining communal space of our time. This requires deep understanding and balanced regard of platform strategy, human interaction, visual design, engineering and systems architecture. Our solutions acknowledge and decode complexity, resulting in resilient systems that are easy to use and compelling to their users. They are united by radical visual clarity, structural coherence and uncompromising build quality. WAF GMBH was founded in 2011. It remains fiercely independent, loyal to its partners and protective of the open web. A close-up photo of a metal staircase against a cloth backdrop in international orange, photographed at the studio of WAF GMBH. A monochrome photo of the studio space of WAF GMBH. Two people are standing in front of a long counter made from black folded steel. Address WAF GMBH Eppendorfer Weg 95a 20259 Hamburg Europe Email office@waf.gmbh Team Malte Müller, Tim Rausch, Klara Neubauer, Lukas Esser, Lisa Rinaldi, Mareike Kuers, Keno Löwenherz Alumni Andreas Lexa, Friederike Wolf, Nadine Schwery, Hanna Wolff, Paul Bille, Jules Moynat, Sarah Choi, Fox Selected clients ACRONYM®, Artek, Art Basel, Rick Owens, Vitra, Kiko Kostadinov, Dover Street Market, Die Zeit, A-Cold-Wall\\*, Siedle, Ssense, UDK Berlin, Deutsche Telekom AG, Maharishi Collaborators 21st digital, David Kamp, ISLAND Hamburg, Sarah Bernhard, Hye-Jin Park, nion digital, Nadine Schwery, A.F. Studio, Benjamin Behr, Matthias Oertel, Siki Im, OZMOZE, Moment Architects, Lena Rix, Lukas Siemoneit, Are.na, Marc Wright, Anika Väth, Julian Bühler, Anne Levy, Maria Knabe Current channels Kiko-isms, dreitausend, flutter into the light, Opposing Convenience, Purple, Postal Service, feed feed, Web design as architecture, WAFisms Colophon This is the second iteration of the WAF GMBH website. It was first deployed on December 20th, 2023 and runs Kirby 5.3.2 We love Kirby and its perspective. WAF GMBH continues to use UCity Pro as its typeface. It was designed by Yassin Baggar for Fattype. If we could, none of the sites we build would contain any tracking, fingerprinting or profiling cookies. At least this one does not. External Are.na Instagram LinkedIn",{"id":371,"height":37,"width":38,"blurhash":372},"2223b2db-6a53-4da9-9268-b3a14c6b3153","radial-gradient(at 0 0,#f7eceb,#00000000 50%),radial-gradient(at 33% 0,#f8eae9,#00000000 50%),radial-gradient(at 67% 0,#f9f3f2,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#cfd6d5,#00000000 50%),radial-gradient(at 33% 50%,#cdd2d1,#00000000 50%),radial-gradient(at 67% 50%,#e5e9e8,#00000000 50%),radial-gradient(at 100% 50%,#ffffff,#00000000 50%),radial-gradient(at 0 100%,#c7afae,#00000000 50%),radial-gradient(at 33% 100%,#d1acab,#00000000 50%),radial-gradient(at 67% 100%,#cbb8b7,#00000000 50%),radial-gradient(at 100% 100%,#dfdede,#00000000 50%)",{"id":374,"height":42,"width":43,"blurhash":44},"50603263-8a81-482e-9f44-9b6789b76230",[376],{"languages_code":47,"description":377},"WAF GMBH is a multidisciplinary digital studio that operates at the intersection of strategic consulting, systems design, and digital engineering. The agency positions itself as a builder of digital environments, moving beyond mere aesthetics to focus on the procedural and discursive nature of creative work. Their approach is characterized by long-term, iterative collaborations that prioritize context and argument over monolithic, one-off solutions.\n\nThe visual identity is unapologetically minimalist and intellectual, utilizing a high-contrast, monochrome palette that leans into a sophisticated, editorial aesthetic. Through the use of expansive whitespace, bold typographic statements, and abstract, grainy imagery, the site communicates a sense of avant-garde professionalism. It targets high-end clients in the tech, design, and culture sectors who value depth, structural integrity, and a refined digital presence.",[51,111,53],[],[],[382],"Three.js",[384,385,386,387],{"score":219,"category":75},{"score":67,"category":65},{"score":70,"category":68},{"score":70,"category":71},[389,391,392,393],{"score":390,"category":75},84,{"score":67,"category":65},{"score":70,"category":68},{"score":70,"category":71},[82,85,83,84],"Website: WAF GMBH. Page: Office. Page type: About Us \u002F Team. Page title: Office statement by WAF GMBH. Page description: WAF GMBH designs and builds in digital space. Through design and strategic consulting, we help our clients shape their environment.. Page content: WAF GMBH builds in digital space. Through design and strategic consulting, we help our clients shape their environment. We apply architectural thinking to the web, the defining communal space of our time. This requires deep understanding and balanced regard of platform strategy, human interaction, visual design, engineering and systems architecture. Our solutions acknowledge and decode complexity, resulting in resilient systems that are easy to use and compelling to their users. They are united by radical visual clarity, structural coherence and uncompromising build quality. WAF GMBH was founded in 2011. It remains fiercely independent, loyal to its partners and protective of the open web. A close-up photo of a metal staircase against a cloth backdrop in international orange, photographed at the studio of WAF GMBH. A monochrome photo of the studio space of WAF GMBH. Two people are standing in front of a long counter made from black folded steel. Address WAF GMBH Eppendorfer Weg 95a 20259 Hamburg Europe Email office@waf.gmbh Team Malte Müller, Tim Rausch, Klara Neubauer, Lukas Esser, Lisa Rinaldi, Mareike Kuers, Keno Löwenherz Alumni Andreas Lexa, Friederike Wolf, Nadine Schwery, Hanna Wolff, Paul Bille, Jules Moynat, Sarah Choi, Fox Selected clients ACRONYM®, Artek, Art Basel, Rick Owens, Vitra, Kiko Kostadinov, Dover Street Market, Die Zeit, A-Cold-Wall\\*, Siedle, Ssense, UDK Berlin, Deutsche Telekom AG, Maharishi Collaborators 21st digital, David Kamp, ISLAND Hamburg, Sarah Bernhard, Hye-Jin Park, nion digital, Nadine Schwery, A.F. Studio, Benjamin Behr, Matthias Oertel, Siki Im, OZMOZE, Moment Architects, Lena Rix, Lukas Siemoneit, Are.na, Marc Wright, Anika Väth, Julian Bühler, Anne Levy, Maria Knabe Current channels Kiko-isms, dreitausend, flutter into the light, Opposing Convenience, Purple, Postal Service, feed feed, Web design as architecture, WAFisms Colophon This is the second iteration of the WAF GMBH website. It was first deployed on December 20th, 2023 and runs Kirby 5.3.2 We love Kirby and its perspective. WAF GMBH continues to use UCity Pro as its typeface. It was designed by Yassin Baggar for Fattype. If we could, none of the sites we build would contain any tracking, fingerprinting or profiling cookies. At least this one does not. External Are.na Instagram LinkedIn. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Gray, Brown, Black. Built using Three.js. AI description: WAF GMBH is a multidisciplinary digital studio that operates at the intersection of strategic consulting, systems design, and digital engineering. The agency positions itself as a builder of digital environments, moving beyond mere aesthetics to focus on the procedural and discursive nature of creative work. Their approach is characterized by long-term, iterative collaborations that prioritize context and argument over monolithic, one-off solutions. The visual identity is unapologetically minimalist and intellectual, utilizing a high-contrast, monochrome palette that leans into a sophisticated, editorial aesthetic. Through the use of expansive whitespace, bold typographic statements, and abstract, grainy imagery, the site communicates a sense of avant-garde professionalism. It targets high-end clients in the tech, design, and culture sectors who value depth, structural integrity, and a refined digital presence.",{"id":397,"website_id":398,"page_id":397,"name":399,"slug":400,"url":401,"website_name":399,"website_slug":400,"website_url":402,"result_url":401,"fetched_at":403,"score":24,"score_boost":25,"ai_score":24,"freshness_score":404,"scored_at":405,"page_name":97,"page_url":401,"page_title":406,"page_description":407,"page_content":408,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":409,"cover_mobile":412,"cover_sequence":44,"translations":414,"industry":109,"styles":417,"credits":418,"font_families":420,"technologies":421,"pagespeed":422,"pagespeed_mobile":427,"buckets":433,"search_payload":434},"5699fa96-ca30-44bc-819f-49e4ac89f6b0","de4e970d-ee27-45cf-bc08-ac9b9358d2f5","Index","index","https:\u002F\u002Findex.studio\u002Fabout","https:\u002F\u002Findex.studio","2026-05-05T16:30:57.000Z",1777998657,"2026-05-24T20:58:50.000Z","Index \u002F The work of Jonathan Da Costa, Jean-Christophe Suzanne and Xavier Bourdil","Index is the creative studio based in Paris and launched by Jonathan Da Costa, jean-Christophe Suzanne and Xavier Bourdil. We provide interactive design, art direction and development services.","- About Index is a Paris based design studio partnering with forward-thinking companies to create refined, impactful and inspiring brand experiences with a certain je ne sais quoi| . What we do We work with people and businesses to help them in the creation or evolution of their brand experience, from strategy to digital. We apply creative and technical thought to deliver effective, sustainable and inspiring design solutions at scale. Selected clients Ermenegildo Zegna Chloé Devialet Nike Leica Radio Nova Paris Saint Germain Ermenegildo Zegna Chloé Devialet Nike Leica Radio Nova Paris Saint Germain Paris Saint Germain Zilli Big Mamma Olivier Bernstein Jean Dousset Balenciaga Loewe Paris Saint Germain Zilli Big Mamma Olivier Bernstein Jean Dousset Balenciaga Loewe Capabilities Strategy Art Direction Interactive Design Identity & Brand guidelines Development User Experience Film Direction Photography Motion Design Print Design Social media Iconography Location Paris, France Barcelona, Spain Accolades The Webby Awards The Lovie Awards SiteInspire Awwwards The FWA Behance Did you know ? The index page is the most common name used for the default page shown on a website if no other page is specified when a visitor requests the site. In other words, index is the name used for the homepage of a website. The name of the studio is a reference to the digital roots of our work. Index is the beginning, the first step. index.html",{"id":410,"height":37,"width":38,"blurhash":411},"14462064-dcb5-45a2-a3aa-f436c1df779d","radial-gradient(at 0 0,#141414,#00000000 50%),radial-gradient(at 33% 0,#101010,#00000000 50%),radial-gradient(at 67% 0,#161616,#00000000 50%),radial-gradient(at 100% 0,#191919,#00000000 50%),radial-gradient(at 0 50%,#181818,#00000000 50%),radial-gradient(at 33% 50%,#212121,#00000000 50%),radial-gradient(at 67% 50%,#1e1e1e,#00000000 50%),radial-gradient(at 100% 50%,#141414,#00000000 50%),radial-gradient(at 0 100%,#181818,#00000000 50%),radial-gradient(at 33% 100%,#121212,#00000000 50%),radial-gradient(at 67% 100%,#191919,#00000000 50%),radial-gradient(at 100% 100%,#1d1d1d,#00000000 50%)",{"id":413,"height":42,"width":43,"blurhash":44},"5c17248b-4bd1-4320-8052-8389a17c75de",[415],{"languages_code":47,"description":416},"Index is a sophisticated independent creative studio that bridges the gap between high-end art direction and technical development. Based in Paris, the studio offers a multidisciplinary approach, encompassing interactive design, strategy, film direction, and motion design. Their work is characterized by a seamless blend of cinematic visual storytelling and precise digital execution, catering to brands that value both aesthetic depth and functional excellence.\n\nThe visual identity is defined by a high-fashion, editorial sensibility. Utilizing expansive, high-quality imagery, bold typographic hierarchies, and a refined use of negative space, the website exudes an aura of luxury and modernism. The design language is minimalist yet impactful, employing a sophisticated interplay of light, shadow, and texture to showcase their diverse portfolio, making it an ideal destination for premium lifestyle and technology brands seeking cutting-edge creative partnerships.",[51,52,53],[419],"Jean-Christophe Suzanne",[],[120],[423,424,425,426],{"score":125,"category":75},{"score":290,"category":65},{"score":175,"category":68},{"score":70,"category":71},[428,430,431,432],{"score":429,"category":75},85,{"score":175,"category":65},{"score":175,"category":68},{"score":70,"category":71},[84,85,82],"Website: Index. Page: About. Page type: About Us \u002F Team. Page title: Index \u002F The work of Jonathan Da Costa, Jean-Christophe Suzanne and Xavier Bourdil. Page description: Index is the creative studio based in Paris and launched by Jonathan Da Costa, jean-Christophe Suzanne and Xavier Bourdil. We provide interactive design, art direction and development services.. Page content: - About Index is a Paris based design studio partnering with forward-thinking companies to create refined, impactful and inspiring brand experiences with a certain je ne sais quoi| . What we do We work with people and businesses to help them in the creation or evolution of their brand experience, from strategy to digital. We apply creative and technical thought to deliver effective, sustainable and inspiring design solutions at scale. Selected clients Ermenegildo Zegna Chloé Devialet Nike Leica Radio Nova Paris Saint Germain Ermenegildo Zegna Chloé Devialet Nike Leica Radio Nova Paris Saint Germain Paris Saint Germain Zilli Big Mamma Olivier Bernstein Jean Dousset Balenciaga Loewe Paris Saint Germain Zilli Big Mamma Olivier Bernstein Jean Dousset Balenciaga Loewe Capabilities Strategy Art Direction Interactive Design Identity & Brand guidelines Development User Experience Film Direction Photography Motion Design Print Design Social media Iconography Location Paris, France Barcelona, Spain Accolades The Webby Awards The Lovie Awards SiteInspire Awwwards The FWA Behance Did you know ? The index page is the most common name used for the default page shown on a website if no other page is specified when a visitor requests the site. In other words, index is the name used for the homepage of a website. The name of the studio is a reference to the digital roots of our work. Index is the beginning, the first step. index.html. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features Black, Gray, White. Built using PHP. AI description: Index is a sophisticated independent creative studio that bridges the gap between high-end art direction and technical development. Based in Paris, the studio offers a multidisciplinary approach, encompassing interactive design, strategy, film direction, and motion design. Their work is characterized by a seamless blend of cinematic visual storytelling and precise digital execution, catering to brands that value both aesthetic depth and functional excellence. The visual identity is defined by a high-fashion, editorial sensibility. Utilizing expansive, high-quality imagery, bold typographic hierarchies, and a refined use of negative space, the website exudes an aura of luxury and modernism. The design language is minimalist yet impactful, employing a sophisticated interplay of light, shadow, and texture to showcase their diverse portfolio, making it an ideal destination for premium lifestyle and technology brands seeking cutting-edge creative partnerships.",{"id":436,"website_id":437,"page_id":436,"name":438,"slug":439,"url":440,"website_name":438,"website_slug":439,"website_url":441,"result_url":440,"fetched_at":442,"score":239,"score_boost":25,"ai_score":173,"freshness_score":443,"scored_at":444,"page_name":445,"page_url":440,"page_title":446,"page_description":44,"page_content":447,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":448,"cover_mobile":451,"cover_sequence":44,"translations":453,"industry":304,"styles":456,"credits":457,"font_families":458,"technologies":461,"pagespeed":463,"pagespeed_mobile":468,"buckets":473,"search_payload":474},"7b157e2e-4328-43b0-a5ff-234f4e8d8ccb","d7e5c5d6-4a5c-4ae0-8179-253700326058","Recently Rejected","recently-rejected","https:\u002F\u002Frecentlyrejected.com\u002Fread-more","https:\u002F\u002Frecentlyrejected.com","2026-05-24T20:14:01.000Z",1779653641,"2026-05-24T20:16:04.000Z","Read More","RECENTLY REJECTED","Hi, my name is Mario Hugo, and Recently Rejected is an editorial experiment dedicated to unearthing and celebrating previously unseen works by creatives I admire. Showcases take the form of unfinished concepts, process sketches, unpublished creative, terminated artwork, and rarely seen personal projects. This is a project about old, artful skeletons and peculiar closets. Look out for contributors including Andrew Holder, Anna Wolf, Deanne Cheuk, DR.ME, Emily Forgot, Mogollon, Hisham Akira Bharoocha, Hvass & Hannibal, Jesse Auersalo, Jim Datz, Josh Conchran, Jules Julien, Leslie David, Leta Sobieraksji, Lotta Nieminen, Magnus Voll Mathiaasen, Melvin Galapon, Merijn Hos, Micah Lidberg, Michael Cina, Owen Gildersleeve, Petra Börner, Saiman Chow, Santtu Mustonen, Rizon Parein, among myself and many others. Thank you! Ghost artwork by the amazing Merijn Hos. Website development by the very talented Nazmul Hassan. Find Recently Rejected on Twitter and Instagram. Disclaimer Recently Rejected is an online magazine utilizing creative artwork exclusively for editorial purposes. This website is strictly a content sharing platform intended to publish and promote previously unseen work by professional creatives. The information on this website is, to the best of our knowledge, original content that is not subject to the rights of any third parties, including by contract or otherwise.The content we feature is submitted to us with the assurance by the submitting party that it violates the rights of no one.We therefore disclaim any and all liability that you may claim for any purported damages, whether direct or indirect, consequential and incidental or otherwise, from the posting of any content on our site, including inaccuracies or omissions related to such content. If you believe the content on our site infringes your copyright, please forward the information in writing to the Copyright Agent at the address below: 1\\. your name, address, telephone number and email address; 2\\. a description of the copyrighted work that you claim to be infringed; 3\\. the exact URL or a description of each place where alleged infringing material is located; 4\\. a statement by you that you have a good faith belief that the disputed use has not been authorized by you, your agent, or the law; 5\\. your electronic or physical signature or the electronic or physical signature of the person authorized to act on your behalf; and 6\\. a statement by you under penalty of perjury, that the information in your notice is accurate, that you are the copyright owner or authorized to act on the copyright owner’s behalf. Copyright Agent Phone: Email: We seek to preserve any and all exemptions from liability under the Copyright Law. If you believe the content on our site violates an agreement that we are not aware of, or if you have other general inquiries or concerns, please contact carmel@hugoandmarie.com under the subject line “Inquiry” and we will be happy to address the matter with you. To the best of our knowledge all artists have been properly credited for the content appearing on this site.We urge you to respect the rights of these artist(s) by not sharing, re-posting, or linking to the content or any other material featured on our site without providing written credit to the artist who created it in the form of their name and\u002For URL as listed.",{"id":449,"height":37,"width":38,"blurhash":450},"04441569-13f0-48c4-bb12-54eebb29c6c5","radial-gradient(at 0 0,#727272,#00000000 50%),radial-gradient(at 33% 0,#717171,#00000000 50%),radial-gradient(at 67% 0,#717171,#00000000 50%),radial-gradient(at 100% 0,#707070,#00000000 50%),radial-gradient(at 0 50%,#6f6f6f,#00000000 50%),radial-gradient(at 33% 50%,#717171,#00000000 50%),radial-gradient(at 67% 50%,#727272,#00000000 50%),radial-gradient(at 100% 50%,#707070,#00000000 50%),radial-gradient(at 0 100%,#717171,#00000000 50%),radial-gradient(at 33% 100%,#747474,#00000000 50%),radial-gradient(at 67% 100%,#777777,#00000000 50%),radial-gradient(at 100% 100%,#737373,#00000000 50%)",{"id":452,"height":42,"width":43,"blurhash":44},"582695f5-a059-49fc-9a4d-945ace195757",[454],{"languages_code":47,"description":455},"Recently Rejected serves as a digital archive and curated 'graveyard' for the creative process, showcasing unfinished, unpolished, and unused works from a diverse collective of artists and designers. It functions as an intimate look behind the curtain of professional production, elevating the value of experimentation and the beauty found in discarded concepts.\n\nThe visual identity is strikingly sophisticated, utilizing a high-contrast, editorial aesthetic that leans heavily into typographic elegance. By pairing a stark black-and-cream color palette with refined serif typography and a minimalist layout, the site creates a sense of reverence for its subject matter. It avoids the clutter of traditional portfolios, opting instead for a rhythmic, contemplative browsing experience that feels more like a high-end art monograph than a standard website.",[51,256,53],[],[116,459,460,459],"Austin","Atlas Grotesk",[462],"AngularJS",[464,465,466,467],{"score":269,"category":75},{"score":26,"category":65},{"score":175,"category":68},{"score":429,"category":71},[469,470,471,472],{"score":77,"category":75},{"score":26,"category":65},{"score":67,"category":68},{"score":429,"category":71},[85,84,185,82],"Website: Recently Rejected. Page: Read More. Page type: About Us \u002F Team. Page title: RECENTLY REJECTED. Page content: Hi, my name is Mario Hugo, and Recently Rejected is an editorial experiment dedicated to unearthing and celebrating previously unseen works by creatives I admire. Showcases take the form of unfinished concepts, process sketches, unpublished creative, terminated artwork, and rarely seen personal projects. This is a project about old, artful skeletons and peculiar closets. Look out for contributors including Andrew Holder, Anna Wolf, Deanne Cheuk, DR.ME, Emily Forgot, Mogollon, Hisham Akira Bharoocha, Hvass & Hannibal, Jesse Auersalo, Jim Datz, Josh Conchran, Jules Julien, Leslie David, Leta Sobieraksji, Lotta Nieminen, Magnus Voll Mathiaasen, Melvin Galapon, Merijn Hos, Micah Lidberg, Michael Cina, Owen Gildersleeve, Petra Börner, Saiman Chow, Santtu Mustonen, Rizon Parein, among myself and many others. Thank you! Ghost artwork by the amazing Merijn Hos. Website development by the very talented Nazmul Hassan. Find Recently Rejected on Twitter and Instagram. Disclaimer Recently Rejected is an online magazine utilizing creative artwork exclusively for editorial purposes. This website is strictly a content sharing platform intended to publish and promote previously unseen work by professional creatives. The information on this website is, to the best of our knowledge, original content that is not subject to the rights of any third parties, including by contract or otherwise.The content we feature is submitted to us with the assurance by the submitting party that it violates the rights of no one.We therefore disclaim any and all liability that you may claim for any purported damages, whether direct or indirect, consequential and incidental or otherwise, from the posting of any content on our site, including inaccuracies or omissions related to such content. If you believe the content on our site infringes your copyright, please forward the information in writing to the Copyright Agent at the address below: 1\\. your name, address, telephone number and email address; 2\\. a description of the copyrighted work that you claim to be infringed; 3\\. the exact URL or a description of each place where alleged infringing material is located; 4\\. a statement by you that you have a good faith belief that the disputed use has not been authorized by you, your agent, or the law; 5\\. your electronic or physical signature or the electronic or physical signature of the person authorized to act on your behalf; and 6\\. a statement by you under penalty of perjury, that the information in your notice is accurate, that you are the copyright owner or authorized to act on the copyright owner’s behalf. Copyright Agent Phone: Email: We seek to preserve any and all exemptions from liability under the Copyright Law. If you believe the content on our site violates an agreement that we are not aware of, or if you have other general inquiries or concerns, please contact carmel@hugoandmarie.com under the subject line “Inquiry” and we will be happy to address the matter with you. To the best of our knowledge all artists have been properly credited for the content appearing on this site.We urge you to respect the rights of these artist(s) by not sharing, re-posting, or linking to the content or any other material featured on our site without providing written credit to the artist who created it in the form of their name and\u002For URL as listed.. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features Gray, Black, Pink, White. The typography features Times New Roman (Serif), Austin (Serif, Commercial Type), Atlas Grotesk (Sans Serif, Commercial Type), Austin (Serif, Commercial Type). Built using AngularJS. AI description: Recently Rejected serves as a digital archive and curated 'graveyard' for the creative process, showcasing unfinished, unpolished, and unused works from a diverse collective of artists and designers. It functions as an intimate look behind the curtain of professional production, elevating the value of experimentation and the beauty found in discarded concepts. The visual identity is strikingly sophisticated, utilizing a high-contrast, editorial aesthetic that leans heavily into typographic elegance. By pairing a stark black-and-cream color palette with refined serif typography and a minimalist layout, the site creates a sense of reverence for its subject matter. It avoids the clutter of traditional portfolios, opting instead for a rhythmic, contemplative browsing experience that feels more like a high-end art monograph than a standard website.",{"id":476,"website_id":477,"page_id":476,"name":478,"slug":479,"url":480,"website_name":478,"website_slug":479,"website_url":481,"result_url":480,"fetched_at":482,"score":239,"score_boost":25,"ai_score":429,"freshness_score":70,"scored_at":483,"page_name":97,"page_url":480,"page_title":484,"page_description":485,"page_content":486,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":487,"cover_mobile":489,"cover_sequence":44,"translations":491,"industry":494,"styles":495,"credits":497,"font_families":498,"technologies":503,"pagespeed":509,"pagespeed_mobile":516,"buckets":521,"search_payload":522},"939901c5-58cc-46e0-b5a0-0a070bbf3e40","f57be55f-d253-4968-941c-021be8844921","Juicy Marbles","juicy-marbles","https:\u002F\u002Fjuicymarbles.com\u002Fpages\u002Fabout","https:\u002F\u002Fjuicymarbles.com","2026-05-23T21:08:55.000Z","2026-05-23T21:09:45.000Z","About – Juicy Marbles","Buy raw plant meats online & cook a feast 🔥","Hi. We’re Juicy Marbles... a collective of creators who do food, science, and art. a collective of creators who do food, science, and art. For the love of primal pleasures. When food is involved, our humanity is on full display. Whether we’re feeding our children or throwing diabolical dinner parties with our reasonably-insane friends, our most primal nature is revealed in all its majesty. Once eaten, food literally becomes us. If eating isn’t the most sacred, fucking wholesome ritual of our lives, I don’t know what is. On this note, we constantly get asked what our mission is. Some days, it feels like we do it all to save the world. Other days, it just feels like an elaborate way to pay rent. Both are true. But on our best days, we remember our true mission: to make food that feeds not only our body, but also our soul. Whoa, that was deep. Bon appetite! But How? Marbles’ meats aren’t grown in a lab, 3D printed or made with shady chemicals. We’re just channeling the energy of a large-cheeked grandma with a profanely vast knowledge of physics, and an innate desire to feed all living, breathing creatures. She has fluffy purple hair. She is small yet sturdy. She wants you to enjoy your food and be healthy. And you know grandma doesn’t bring that 80’s idea of ‘health,’ which tasted as if the color beige somehow became safe for human consumption. No no. She brings the fucking house down. Nobody knows how she can make you feel so cozy and yet so nourished. Her ways are unattainable by mere mortals. We did have with fun these paragraphs on our packaging, but as soon as it got printed, and we re-read them, a profound sense of regret emerged. The tale of Mr.Marbles was told in one of our Instagram posts. \\*The story’s validity is yet to be confirmed.",{"id":488,"height":37,"width":38,"blurhash":44},"6f891223-f6dd-444f-961b-f1d761346bc5",{"id":490,"height":42,"width":43,"blurhash":44},"dbb407a3-15c7-4ae7-9f3f-b0d33a1ca081",[492],{"languages_code":47,"description":493},"Juicy Marbles is a disruptive plant-based meat brand that challenges the traditional culinary experience through high-fidelity, meat-like textures. The website serves as a direct-to-consumer storefront, designed to convert food enthusiasts and flexitarians by showcasing the sensory appeal of their products. Through high-impact food photography and bold messaging, the site positions plant-based eating not as a compromise, but as a premium, indulgent feast.\n\nThe visual identity is unapologetically loud and high-energy, utilizing a maximalist color palette of fiery oranges, deep reds, and electric blues. The design leans heavily into heavy, condensed typography and a high-contrast aesthetic that breaks away from the typical 'soft and green' tropes of vegan branding. This bold, almost brutalist approach creates a sense of urgency and excitement, targeting a modern, trend-conscious audience that values both sustainability and gourmet flavor.","Food & Beverage",[496,306,162],"Brutalist \u002F Neo-Brutalist",[],[499,500,501,502],"Neue Haas Unica","Abril Fatface","Lato","GT Standard",[504,118,505,506,507,508],"Glider.js","Klaviyo","Shopify","Typekit","Vue.js",[510,512,514,515],{"score":511,"category":75},48,{"score":513,"category":65},93,{"score":79,"category":68},{"score":70,"category":71},[517,518,519,520],{"score":511,"category":75},{"score":513,"category":65},{"score":79,"category":68},{"score":70,"category":71},[135,82,229,84,326],"Website: Juicy Marbles. Page: About. Page type: About Us \u002F Team. Page title: About – Juicy Marbles. Page description: Buy raw plant meats online & cook a feast 🔥. Page content: Hi. We’re Juicy Marbles... a collective of creators who do food, science, and art. a collective of creators who do food, science, and art. For the love of primal pleasures. When food is involved, our humanity is on full display. Whether we’re feeding our children or throwing diabolical dinner parties with our reasonably-insane friends, our most primal nature is revealed in all its majesty. Once eaten, food literally becomes us. If eating isn’t the most sacred, fucking wholesome ritual of our lives, I don’t know what is. On this note, we constantly get asked what our mission is. Some days, it feels like we do it all to save the world. Other days, it just feels like an elaborate way to pay rent. Both are true. But on our best days, we remember our true mission: to make food that feeds not only our body, but also our soul. Whoa, that was deep. Bon appetite! But How? Marbles’ meats aren’t grown in a lab, 3D printed or made with shady chemicals. We’re just channeling the energy of a large-cheeked grandma with a profanely vast knowledge of physics, and an innate desire to feed all living, breathing creatures. She has fluffy purple hair. She is small yet sturdy. She wants you to enjoy your food and be healthy. And you know grandma doesn’t bring that 80’s idea of ‘health,’ which tasted as if the color beige somehow became safe for human consumption. No no. She brings the fucking house down. Nobody knows how she can make you feel so cozy and yet so nourished. Her ways are unattainable by mere mortals. We did have with fun these paragraphs on our packaging, but as soon as it got printed, and we re-read them, a profound sense of regret emerged. The tale of Mr.Marbles was told in one of our Instagram posts. \\*The story’s validity is yet to be confirmed.. A Brutalist \u002F Neo-Brutalist, Fun \u002F Playful, Vibrant \u002F Colorful website in the Food & Beverage industry. The overall color palette features Red, White, Violet, Black, Green. The typography features Neue Haas Unica (Sans Serif), Abril Fatface (Serif), Lato (Sans Serif), GT Standard (Sans Serif, Grilli Type). Built using Glider.js, jQuery, Klaviyo, Shopify, Typekit, Vue.js. AI description: Juicy Marbles is a disruptive plant-based meat brand that challenges the traditional culinary experience through high-fidelity, meat-like textures. The website serves as a direct-to-consumer storefront, designed to convert food enthusiasts and flexitarians by showcasing the sensory appeal of their products. Through high-impact food photography and bold messaging, the site positions plant-based eating not as a compromise, but as a premium, indulgent feast. The visual identity is unapologetically loud and high-energy, utilizing a maximalist color palette of fiery oranges, deep reds, and electric blues. The design leans heavily into heavy, condensed typography and a high-contrast aesthetic that breaks away from the typical 'soft and green' tropes of vegan branding. This bold, almost brutalist approach creates a sense of urgency and excitement, targeting a modern, trend-conscious audience that values both sustainability and gourmet flavor.",{"id":524,"website_id":525,"page_id":524,"name":526,"slug":527,"url":528,"website_name":526,"website_slug":527,"website_url":529,"result_url":528,"fetched_at":530,"score":239,"score_boost":25,"ai_score":26,"freshness_score":531,"scored_at":532,"page_name":533,"page_url":528,"page_title":534,"page_description":535,"page_content":536,"page_sort":537,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":538,"cover_mobile":541,"cover_sequence":44,"translations":543,"industry":254,"styles":546,"credits":548,"font_families":549,"technologies":551,"pagespeed":553,"pagespeed_mobile":558,"buckets":563,"search_payload":564},"c752535a-d423-49c9-bdb4-5200ee3b90e3","d9688ed3-92e0-4167-8cf8-579fada6d4e1","Ionic","ionicframework","https:\u002F\u002Fionicframework.com\u002Fdocs\u002Fcontributing\u002Fhow-to-contribute","https:\u002F\u002Fionicframework.com","2026-05-05T19:51:28.000Z",76,"2026-05-23T19:09:51.000Z","Contributing","Contributing to Ionic | Ionic Framework","Thanks for the interest in contributing to Ionic Framework!","Version: v8 On this page Contributing to Ionic Thanks for the interest in contributing to Ionic Framework! Contributing Etiquette​ Please see the Contributor Code of Conduct for information on the rules of conduct. Creating an Issue​ - If you have a question about using the framework, please ask on the Ionic Forum. - It is required that you clearly describe the steps necessary to reproduce the issue you are running into. Although we would love to help our users as much as possible, diagnosing issues without clear reproduction steps is extremely time-consuming and simply not sustainable. - The issue list of the Ionic repository is exclusively for bug reports and feature requests. Non-conforming issues will be closed immediately. - Issues with no clear steps to reproduce will not be triaged. If an issue is labeled with \"needs: reply\" and receives no further replies from the author of the issue for more than 14 days, it will be closed. - If you think you have found a bug, or have a new feature idea, please start by making sure it hasn't already been reported. You can search through existing issues to see if there is a similar one reported. Include closed issues as it may have been closed with a solution. - Next, create a new issue that thoroughly explains the problem. Please fill out the populated issue form before submitting the issue. Creating a Good Code Reproduction​ What is a Code Reproduction?​ A code reproduction is a small application that is built to demonstrate a particular issue. The code reproduction should contain the minimum amount of code needed to recreate the issue and should focus on a single issue. Why Should You Create a Reproduction?​ A code reproduction of the issue you are experiencing helps us better isolate the cause of the problem. This is an important first step to getting any bug fixed! Without a reliable code reproduction, it is unlikely we will be able to resolve the issue, leading to it being closed. In other words, creating a code reproduction of the issue helps us help you. How to Create a Reproduction​ - Create a new Ionic application using one of our starter templates. The blank starter application is a great choice for this. You can create one using the following Ionic CLI command: ionic start myApp blank - Add the minimum amount of code needed to recreate the issue you are experiencing. Do not include anything that is not required to reproduce the issue. This includes any 3rd party plugins you have installed. - Publish the application on GitHub and include a link to it when creating an issue. - Be sure to include steps to reproduce the issue. These steps should be clear and easy to follow. Benefits of Creating a Reproduction​ - Uses the latest version of Ionic: By creating a new Ionic application, you are ensuring that you are testing against the latest version of the framework. Sometimes the issues you are experiencing have already been resolved in a newer version of the framework! - Minimal surface area: By removing code that is not needed in order to reproduce the issue, it makes it easier to identify the cause of the issue. - No secret code needed: Creating a minimal reproduction of the issue prevents you from having to publish any proprietary code used in your project. - Get help fixing the issue: If we can reliably reproduce an issue, there is a good chance we will be able to address it. Creating a Pull Request​ - We appreciate you taking the time to contribute! Before submitting a pull request, we ask that you please create an issue that explains the bug or feature request and let us know that you plan on creating a pull request for it. If an issue already exists, please comment on that issue letting us know you would like to submit a pull request for it. This helps us to keep track of the pull request and make sure there isn't duplicated effort. - Looking for an issue to fix? Make sure to look through our issues with the help wanted label! Setup​ 1. Download the installer for the LTS version of Node.js. This is the best way to also install npm. 2. Fork the Ionic repository. 3. Clone your fork. 4. Create a new branch from master for your change. 5. Navigate into the directory of the package you wish to modify (core, angular, etc.). 6. Run npm install to install dependencies for this package. 7. Follow the steps for the specific package below. Core​ Modifying Components​ 1. Locate the component(s) to modify inside \u002Fcore\u002Fsrc\u002Fcomponents\u002F. 2. Take a look at the Stencil Documentation and other components to understand the implementation of these components. 3. Make your changes to the component. If the change is overly complex or out of the ordinary, add comments so we can understand the changes. 4. Preview your changes locally. 5. Modify the documentation if needed. 6. Run lint on the directory and make sure there are no errors. 7. Build the project. 8. After the build is finished, commit the changes. Please follow the commit message format for every commit. 9. Submit a Pull Request of your changes. Preview Changes​ 1. Run npm start from within the core directory. 2. A browser should open at http:\u002F\u002Flocalhost:3333\u002F. 3. From here, navigate to one of the component's tests to preview your changes. 4. If a test showing your change doesn't exist, add a new test or update an existing one. 5. To test in RTL mode, once you are in the desired component's test, add ?rtl=true at the end of the url; for example: http:\u002F\u002Flocalhost:3333\u002Fsrc\u002Fcomponents\u002Falert\u002Ftest\u002Fbasic?rtl=true. Lint Changes​ 1. Run npm run lint to lint the TypeScript and Sass. 2. If there are lint errors, run npm run lint.fix to automatically fix any errors. Repeat step 1 to ensure the errors have been fixed, and manually fix them if not. 3. To lint and fix only TypeScript errors, run npm run lint.ts and npm run lint.ts.fix, respectively. 4. To lint and fix only Sass errors, run npm run lint.sass and npm run lint.sass.fix, respectively. Modifying Documentation​ 1. Locate the readme.md file in the component's directory. 2. Modify the documentation above the line that says \u003C!-- Auto Generated Below --> in this file. 3. To update any of the auto generated documentation below that line, make the relevant changes in the following places: - Usage: update the component's usage examples in the component's usage\u002F directory - Properties, Events, or Methods: update the component's TypeScript file (.tsx) - CSS Custom Properties: update the component's main Sass file (.scss) Modifying Tests​ 1. Locate the test to modify inside the test\u002F folder in the component's directory. 2. If a test exists, modify the test by adding an example to reproduce the problem fixed or feature added. 3. If a new test is needed, the easiest way is to copy the basic\u002F directory from the component's test\u002F directory, rename it, and edit the content in both the index.html and e2e.ts file (see Screenshot Tests for more information on this file). 4. The preview\u002F directory is used in the documentation as a demo. Only update this test if there is a bug in the test or if the API has a change that hasn't been updated in the test. Screenshot Tests​ 1. If the test exists in screenshot, there will be a file named e2e.ts in the directory of the test. 2. A screenshot test can be added by including this file and adding one or more test() calls that include a call to page.compareScreenshot(). See Stencil end-to-end testing and existing tests in core\u002F for examples. 3. Important: each test() should have only one screenshot (page.compareScreenshot()) call or it should check the expect at the end of each test. If there is a mismatch it will fail the test which will prevent the rest of the test from running, i.e. if the first screenshot fails the remaining screenshot calls would not be called _unless_ they are in a separate test or all of the expects are called at the end. 4. To run screenshot locally, use the following command: npm run test.screenshot. - To run screenshot for a specific test, pass the path to the test or a string to search for. - For example, running all alert tests: npm run test.screenshot alert. - Or, running the basic alert tests: npm run test.screenshot src\u002Fcomponents\u002Falert\u002Ftest\u002Fbasic\u002Fe2e.ts. Building Changes​ 1. Once all changes have been made and the documentation has been updated, run npm run build inside of the core directory. This will add your changes to any auto-generated files, if necessary. 2. Review the changes and, if everything looks correct, commit the changes. 3. Make sure the build has finished before committing. If you made changes to the documentation, properties, methods, or anything else that requires an update to a generate file, this needs to be committed. 4. After the changes have been pushed, publish the branch and create a pull request. Submit Pull Request​ 1. Create a new pull request with the master branch as the base. You may need to click on compare across forks to find your changes. 2. See the Creating a pull request from a fork GitHub help article for more information. 3. Please fill out the provided Pull Request template to the best of your ability and include any issues that are related. Commit Message Guidelines​ We have very precise rules over how our git commit messages should be formatted. This leads to readable messages that are easy to follow when looking through the project history. We also use the git commit messages to generate our [changelog](https:\u002F\u002Fgithub.com\u002Fionic-team\u002Fionic\u002Fb …",4,{"id":539,"height":37,"width":38,"blurhash":540},"8909b066-6da8-4fca-8cbf-cca99d526e00","radial-gradient(at 0 0,#e7e6e5,#00000000 50%),radial-gradient(at 33% 0,#e1e2e3,#00000000 50%),radial-gradient(at 67% 0,#dde0e4,#00000000 50%),radial-gradient(at 100% 0,#e4e5e6,#00000000 50%),radial-gradient(at 0 50%,#fcfcfc,#00000000 50%),radial-gradient(at 33% 50%,#f1f2f3,#00000000 50%),radial-gradient(at 67% 50%,#f0f2f3,#00000000 50%),radial-gradient(at 100% 50%,#f8f8f9,#00000000 50%),radial-gradient(at 0 100%,#f5f6f7,#00000000 50%),radial-gradient(at 33% 100%,#edeff0,#00000000 50%),radial-gradient(at 67% 100%,#eceeef,#00000000 50%),radial-gradient(at 100% 100%,#f3f3f4,#00000000 50%)",{"id":542,"height":42,"width":43,"blurhash":44},"a778399e-2d42-418d-bbc0-cc223f2203c7",[544],{"languages_code":47,"description":545},"Ionic provides a robust, open-source UI toolkit designed to empower web developers to build high-performance, cross-platform mobile applications and Progressive Web Apps (PWAs). By leveraging familiar web technologies, the platform enables developers to maintain a single codebase that functions seamlessly across iOS, Android, and the web, significantly reducing development overhead and time-to-market.\n\nThe visual identity is defined by a clean, high-tech aesthetic that prioritizes clarity and developer experience. Utilizing a sophisticated palette of soft blues, whites, and deep navy typography, the design communicates reliability and modern engineering. The layout employs ample whitespace and large, impactful headings to guide the user through technical documentation and component showcases, catering to a professional audience of software engineers and technical architects.",[51,547,53],"Corporate \u002F Professional",[],[550],"Inter",[552],"Vercel",[554,555,556,557],{"score":123,"category":75},{"score":67,"category":65},{"score":175,"category":68},{"score":70,"category":71},[559,560,561,562],{"score":79,"category":75},{"score":175,"category":65},{"score":175,"category":68},{"score":70,"category":71},[82,84,85],"Website: Ionic. Page: Contributing. Page type: About Us \u002F Team. Page title: Contributing to Ionic | Ionic Framework. Page description: Thanks for the interest in contributing to Ionic Framework!. Page content: Version: v8 On this page Contributing to Ionic Thanks for the interest in contributing to Ionic Framework! Contributing Etiquette​ Please see the Contributor Code of Conduct for information on the rules of conduct. Creating an Issue​ - If you have a question about using the framework, please ask on the Ionic Forum. - It is required that you clearly describe the steps necessary to reproduce the issue you are running into. Although we would love to help our users as much as possible, diagnosing issues without clear reproduction steps is extremely time-consuming and simply not sustainable. - The issue list of the Ionic repository is exclusively for bug reports and feature requests. Non-conforming issues will be closed immediately. - Issues with no clear steps to reproduce will not be triaged. If an issue is labeled with \"needs: reply\" and receives no further replies from the author of the issue for more than 14 days, it will be closed. - If you think you have found a bug, or have a new feature idea, please start by making sure it hasn't already been reported. You can search through existing issues to see if there is a similar one reported. Include closed issues as it may have been closed with a solution. - Next, create a new issue that thoroughly explains the problem. Please fill out the populated issue form before submitting the issue. Creating a Good Code Reproduction​ What is a Code Reproduction?​ A code reproduction is a small application that is built to demonstrate a particular issue. The code reproduction should contain the minimum amount of code needed to recreate the issue and should focus on a single issue. Why Should You Create a Reproduction?​ A code reproduction of the issue you are experiencing helps us better isolate the cause of the problem. This is an important first step to getting any bug fixed! Without a reliable code reproduction, it is unlikely we will be able to resolve the issue, leading to it being closed. In other words, creating a code reproduction of the issue helps us help you. How to Create a Reproduction​ - Create a new Ionic application using one of our starter templates. The blank starter application is a great choice for this. You can create one using the following Ionic CLI command: ionic start myApp blank - Add the minimum amount of code needed to recreate the issue you are experiencing. Do not include anything that is not required to reproduce the issue. This includes any 3rd party plugins you have installed. - Publish the application on GitHub and include a link to it when creating an issue. - Be sure to include steps to reproduce the issue. These steps should be clear and easy to follow. Benefits of Creating a Reproduction​ - Uses the latest version of Ionic: By creating a new Ionic application, you are ensuring that you are testing against the latest version of the framework. Sometimes the issues you are experiencing have already been resolved in a newer version of the framework! - Minimal surface area: By removing code that is not needed in order to reproduce the issue, it makes it easier to identify the cause of the issue. - No secret code needed: Creating a minimal reproduction of the issue prevents you from having to publish any proprietary code used in your project. - Get help fixing the issue: If we can reliably reproduce an issue, there is a good chance we will be able to address it. Creating a Pull Request​ - We appreciate you taking the time to contribute! Before submitting a pull request, we ask that you please create an issue that explains the bug or feature request and let us know that you plan on creating a pull request for it. If an issue already exists, please comment on that issue letting us know you would like to submit a pull request for it. This helps us to keep track of the pull request and make sure there isn't duplicated effort. - Looking for an issue to fix? Make sure to look through our issues with the help wanted label! Setup​ 1. Download the installer for the LTS version of Node.js. This is the best way to also install npm. 2. Fork the Ionic repository. 3. Clone your fork. 4. Create a new branch from master for your change. 5. Navigate into the directory of the package you wish to modify (core, angular, etc.). 6. Run npm install to install dependencies for this package. 7. Follow the steps for the specific package below. Core​ Modifying Components​ 1. Locate the component(s) to modify inside \u002Fcore\u002Fsrc\u002Fcomponents\u002F. 2. Take a look at the Stencil Documentation and other components to understand the implementation of these components. 3. Make your changes to the component. If the change is overly complex or out of the ordinary, add comments so we can understand the changes. 4. Preview your changes locally. 5. Modify the documentation if needed. 6. Run lint on the directory and make sure there are no errors. 7. Build the project. 8. After the build is finished, commit the changes. Please follow the commit message format for every commit. 9. Submit a Pull Request of your changes. Preview Changes​ 1. Run npm start from within the core directory. 2. A browser should open at http:\u002F\u002Flocalhost:3333\u002F. 3. From here, navigate to one of the component's tests to preview your changes. 4. If a test showing your change doesn't exist, add a new test or update an existing one. 5. To test in RTL mode, once you are in the desired component's test, add ?rtl=true at the end of the url; for example: http:\u002F\u002Flocalhost:3333\u002Fsrc\u002Fcomponents\u002Falert\u002Ftest\u002Fbasic?rtl=true. Lint Changes​ 1. Run npm run lint to lint the TypeScript and Sass. 2. If there are lint errors, run npm run lint.fix to automatically fix any errors. Repeat step 1 to ensure the errors have been fixed, and manually fix them if not. 3. To lint and fix only TypeScript errors, run npm run lint.ts and npm run lint.ts.fix, respectively. 4. To lint and fix only Sass errors, run npm run lint.sass and npm run lint.sass.fix, respectively. Modifying Documentation​ 1. Locate the readme.md file in the component's directory. 2. Modify the documentation above the line that says \u003C!-- Auto Generated Below --> in this file. 3. To update any of the auto generated documentation below that line, make the relevant changes in the following places: - Usage: update the component's usage examples in the component's usage\u002F directory - Properties, Events, or Methods: update the component's TypeScript file (.tsx) - CSS Custom Properties: update the component's main Sass file (.scss) Modifying Tests​ 1. Locate the test to modify inside the test\u002F folder in the component's directory. 2. If a test exists, modify the test by adding an example to reproduce the problem fixed or feature added. 3. If a new test is needed, the easiest way is to copy the basic\u002F directory from the component's test\u002F directory, rename it, and edit the content in both the index.html and e2e.ts file (see Screenshot Tests for more information on this file). 4. The preview\u002F directory is used in the documentation as a demo. Only update this test if there is a bug in the test or if the API has a change that hasn't been updated in the test. Screenshot Tests​ 1. If the test exists in screenshot, there will be a file named e2e.ts in the directory of the test. 2. A screenshot test can be added by including this file and adding one or more test() calls that include a call to page.compareScreenshot(). See Stencil end-to-end testing and existing tests in core\u002F for examples. 3. Important: each test() should have only one screenshot (page.compareScreenshot()) call or it should check the expect at the end of each test. If there is a mismatch it will fail the test which will prevent the rest of the test from running, i.e. if the first screenshot fails the remaining screenshot calls would not be called _unless_ they are in a separate test or all of the expects are called at the end. 4. To run screenshot locally, use the following command: npm run test.screenshot. - To run screenshot for a specific test, pass the path to the test or a string to search for. - For example, running all alert tests: npm run test.screenshot alert. - Or, running the basic alert tests: npm run test.screenshot src\u002Fcomponents\u002Falert\u002Ftest\u002Fbasic\u002Fe2e.ts. Building Changes​ 1. Once all changes have been made and the documentation has been updated, run npm run build inside of the core directory. This will add your changes to any auto-generated files, if necessary. 2. Review the changes and, if everything looks correct, commit the changes. 3. Make sure the build has finished before committing. If you made changes to the documentation, properties, methods, or anything else that requires an update to a generate file, this needs to be committed. 4. After the changes have been pushed, publish the branch and create a pull request. Submit Pull Request​ 1. Create a new pull request with the master branch as the base. You may need to click on compare across forks to find your changes. 2. See the Creating a pull request from a fork GitHub help article for more information. 3. Please fill out the provided Pull Request template to the best of your ability and include any issues that are related. Commit Message Guidelines​ We have very precise rules over how our git commit messages should be formatted. This leads to readable messages that are easy to follow when looking through the project history. We also use the git commit messages to generate our [changelog](https:\u002F\u002Fgithub.com\u002Fionic-team\u002Fionic\u002Fb …. A Clean \u002F Minimalist, Corporate \u002F Professional, Typographic \u002F Big Type website in the SaaS & Software industry. The overall color palette features White, Black, Gray. The typography features Inter (Sans Serif). Built using Vercel. AI description: Ionic provides a robust, open-source UI toolkit designed to empower web developers to build high-performance, cross-platform mobile applications and Progressive Web Apps (PWAs). By leveraging familiar web technologies, the platform enables developers to maintain a single codebase that functions seamlessly across iOS, Android, and the web, significantly reducing development overhead and time-to-market. The visual identity is defined by a clean, high-tech aesthetic that prioritizes clarity and developer experience. Utilizing a sophisticated palette of soft blues, whites, and deep navy typography, the design communicates reliability and modern engineering. The layout employs ample whitespace and large, impactful headings to guide the user through technical documentation and component showcases, catering to a professional audience of software engineers and technical architects.",{"id":566,"website_id":567,"page_id":566,"name":568,"slug":569,"url":570,"website_name":568,"website_slug":569,"website_url":571,"result_url":570,"fetched_at":572,"score":239,"score_boost":25,"ai_score":26,"freshness_score":531,"scored_at":573,"page_name":574,"page_url":570,"page_title":575,"page_description":44,"page_content":576,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":577,"cover_mobile":580,"cover_sequence":44,"translations":582,"industry":304,"styles":585,"credits":586,"font_families":589,"technologies":592,"pagespeed":594,"pagespeed_mobile":599,"buckets":604,"search_payload":605},"4788c3d2-dd11-4717-a3a1-82864a20f09f","d9a58625-3659-400d-980c-6aba26e22279","Flussbad","flussbad","https:\u002F\u002Fflussbad.com\u002Fcampus","https:\u002F\u002Fflussbad.com","2026-05-05T19:47:33.000Z","2026-05-23T20:24:30.000Z","Campus","Campus - Flussbad","Cookies & Privacy This website uses cookies. Read more about this on our privacy page. Go to program Campus MENU CLOSE - Campus - Reethaus - Werft - Bootshaus - Platte - Program - Upcoming - Past - Join - Membership - Offices - Host - Reethaus - Visit - Directions - Opening hours - Accessiblity - Contact - Campus policies - Slowness Flussbad is the flagship campus of Slowness, an experimental hospitality collective devoted to the cultivation of arts, crops and inner gardens. - Reethaus - Werft - Bootshaus - Platte Campus _Flussbad_ is the flagship campus of Slowness, an experiential hospitality collective that reframes the way we live, work and come together. Built at the site of historic Weimar-era river baths, the campus is an architectural collaboration between the renowned practices of Arno Brandlhuber, Muck Petzet, Monika Gogl, and others. Joining _Reethaus_ and _Platte_, _Werft_ and _Bootshaus_ will soon open their doors to the Spree riverfront. flussbad campus map Campus locations Werft - Auditorium - Gallery Bar - Working Lofts - Health & Gymnasium - Member Desks - Ateliers - Library - Hotel Rooms Bootshaus - Restaurant - Club Floor Reethaus - Culture & Event Space Platte - Working Lofts Reethaus Information Performance space with 360° spatial sound system Cultural program see calendar Available for private hire THE SPACE The Reethaus is a space for radical presence. With its hand-thatched reed roof, monastic cement interiors, in-built 360-degree spatial sound system and an opening in the ceiling that connects the space to the sky, the space was designed for profound encounters—with arts, with ideas and with each other. architecture Designed by Austrian architect Monika Gogl in homage to ancient temples, caves and other natural voids, the structure brings visitors into a singular aesthetic environment characterized by haptic contrast and deep calm. The roof was hand-thatched by Berlin’s last traditional reed roofer. Under the natural reeds, a retention roof made of lava stone from the Eifel region in western Germany captures and stores rain to feed the landscape throughout the year. cultural program Every last Sunday of the month, the Reethaus opens to welcome a community at the forefront of cultural exploration for our ongoing Open Haus event series. In collaboration with our curatorial partners Soundwalk Collective and MONOM, each gathering presents soundscapes, field recordings and temporal sonic experiments alongside live performances by some of Berlin’s most compelling artists and creatives from further afield. Become a friend of Reethaus This link opens in a new tab. BOOK ANNUAL PASS PRIVATE EVENTS Combining purpose-driven design with vanguard technology, the Reethaus was conceived as a site for profound encounters and a platform for dialogue and experimentation. Its singular aesthetic and adaptable layout equally suit private events and bespoke experiences for collectives and organisations exploring new modalities. Host your event at the Reethaus This link opens in a new tab. Learn about private hire Werft INFORMATION Auditorium Working Lofts Health & Movement Area Gallery Bar More information on offices and working lofts here. Member desks available here. THE SPACE Designed by neo-brutalist master Arno Brandlhuber in collaboration with Christian Kerez and Muck Petzet, Werft unites all elements of the broader Flussbad vision — encompassing an auditorium for learning and exchange, working lofts, hotel rooms, a gallery bar and an advanced holistic health program. With world-class facilities for art, gastronomy and wellness, Werft exemplifies a contemporary model for creative work and cross-disciplinary collaboration. WORK AT FLUSSBAD Flussbad offers a variety of leasable, state-of-the-art offices and shared workspaces amid the Werft’s newly constructed environment of concrete, glass and raw brick. A two-story members’ space is reserved for individual and clustered group work, while airy duplex studios combine vanguard design with maximum functionality for diverse creative and commercial purposes. Fixed desks are available for rent for individuals and teams up to eight people. Flexible work desks are also available for members. AUDITORIUM An immense, two-story open-plan space on the ground floor of Brandlhuber’s new Werft structure, the Auditorium features massive béton brut columns and a shape-shifting modular seating structure where the campus community comes together to share knowledge and creative works. As Flussbad’s central hub of learning and intellectual inquiry, the Auditorium will host workshops, talks, panel discussions and social gatherings geared toward discourse and the exchange of ideas. Audiovisual amenities and a modular Gallery Bar enable the space to be used for a variety of events and experiences. Bootshaus INFORMATION All-day restaurant Club floor Opening in 2027 THE SPACE A brasserie-style, all-day restaurant will reside in the ground floor of Bootshaus, one of the original riverside bath buildings from Flussbad’s earlier life as a Weimar-era public bathing facility, which once welcomed up to 1,000 visitors daily. Emphasizing sustainable, vegetable-forward cuisine, the restaurant and terrace bar will offer a rotating menu for both dine-in and take-out service. Platte INFORMATION Working Lofts Rooftop Terrace and riverside views 150m2 office available THE SPACE Set within an original concrete structure that was once an East German customs administration building, the Platte’s reconstructed interiors were designed in collaboration with the Belgian architect and designer Tom van Puyvelde and Augsburg design firm Dreimeta. As the first phase of campus development, the Platte has housed the offices of Slowness for the past three years. WORKING LOFTS AT PLATTE Our objective is to create a space where health is not only understood but seamlessly integrated into our program. For our on-site members, we provide the opportunity to incorporate health into their daily routines. Within the collective on site at Flussbad, a collaborative support is paramount. The platform serves as a space where individuals not only receive assistance on their health journey but actively contribute to the well-being of others. EarthCheck is the world’s leading benchmarking and certification program for sustainable travel and tourism, supported by over a decade of scientific research and software innovation developed by the Cooperative Research Centre for Sustainable Tourism in Australia. By becoming EarthCheck certified, Slowness joined a transformative network of industry leaders dedicated to creating clean, sustainable, and thriving destinations for travelers. - This link opens in a new tab. Legal - Cookies - Subscribe - CAREERS © 2026 - This link opens in a new tab. @reethausberlin - This link opens in a new tab. @slowness Flussbad is the flagship campus of Slowness, an experimental hospitality collective devoted to the cultivation of arts, crops and inner gardens. Website by Studio Airport Open Event Sign up to our newsletter Want to stay in the loop on what’s happening at Flussbad? Sign up to receive emails on upcoming events, early-access ticket sales and other campus-related developments. Notifications",{"id":578,"height":37,"width":38,"blurhash":579},"81016c36-9118-4309-af04-cdd684c8ad04","radial-gradient(at 0 0,#dbe1df,#00000000 50%),radial-gradient(at 33% 0,#dbe0dc,#00000000 50%),radial-gradient(at 67% 0,#d2d9d3,#00000000 50%),radial-gradient(at 100% 0,#d2d9d6,#00000000 50%),radial-gradient(at 0 50%,#716757,#00000000 50%),radial-gradient(at 33% 50%,#77634a,#00000000 50%),radial-gradient(at 67% 50%,#5e4c3e,#00000000 50%),radial-gradient(at 100% 50%,#575251,#00000000 50%),radial-gradient(at 0 100%,#9a867e,#00000000 50%),radial-gradient(at 33% 100%,#937b6e,#00000000 50%),radial-gradient(at 67% 100%,#7c6960,#00000000 50%),radial-gradient(at 100% 100%,#847570,#00000000 50%)",{"id":581,"height":42,"width":43,"blurhash":44},"ebb9098d-45e5-4e03-82ec-8252f8fb0fd7",[583],{"languages_code":47,"description":584},"Flussbad is a multi-disciplinary creative campus situated in a historic riverfront setting in Berlin. It serves as a holistic ecosystem where arts, gastronomy, wellness, and professional working lofts converge, fostering a unique environment for collaboration and cultural exploration. The site is designed to reimagine human potential through a phased integration of diverse spaces, ranging from auditoriums to hotel rooms.\n\nThe visual identity is defined by a sophisticated, editorial aesthetic that leans heavily into high-end minimalism. Large, elegant serif typography dominates the interface, creating a sense of prestige and timelessness that mirrors the historic significance of the location. The design utilizes expansive, atmospheric photography and a clean, airy layout to evoke a sense of calm, natural beauty and intellectual curiosity, appealing to a culturally engaged and professional audience.",[51,52,53],[587,588],"Studio Airport","September",[590,591],"Neue Haas Grotesk","Signifier",[593,118,120,168],"Gravity Forms",[595,596,597,598],{"score":175,"category":75},{"score":269,"category":65},{"score":175,"category":68},{"score":67,"category":71},[600,601,602,603],{"score":219,"category":75},{"score":269,"category":65},{"score":70,"category":68},{"score":67,"category":71},[84,82,85],"Website: Flussbad. Page: Campus. Page type: About Us \u002F Team. Page title: Campus - Flussbad. Page content: Cookies & Privacy This website uses cookies. Read more about this on our privacy page. Go to program Campus MENU CLOSE - Campus - Reethaus - Werft - Bootshaus - Platte - Program - Upcoming - Past - Join - Membership - Offices - Host - Reethaus - Visit - Directions - Opening hours - Accessiblity - Contact - Campus policies - Slowness Flussbad is the flagship campus of Slowness, an experimental hospitality collective devoted to the cultivation of arts, crops and inner gardens. - Reethaus - Werft - Bootshaus - Platte Campus _Flussbad_ is the flagship campus of Slowness, an experiential hospitality collective that reframes the way we live, work and come together. Built at the site of historic Weimar-era river baths, the campus is an architectural collaboration between the renowned practices of Arno Brandlhuber, Muck Petzet, Monika Gogl, and others. Joining _Reethaus_ and _Platte_, _Werft_ and _Bootshaus_ will soon open their doors to the Spree riverfront. flussbad campus map Campus locations Werft - Auditorium - Gallery Bar - Working Lofts - Health & Gymnasium - Member Desks - Ateliers - Library - Hotel Rooms Bootshaus - Restaurant - Club Floor Reethaus - Culture & Event Space Platte - Working Lofts Reethaus Information Performance space with 360° spatial sound system Cultural program see calendar Available for private hire THE SPACE The Reethaus is a space for radical presence. With its hand-thatched reed roof, monastic cement interiors, in-built 360-degree spatial sound system and an opening in the ceiling that connects the space to the sky, the space was designed for profound encounters—with arts, with ideas and with each other. architecture Designed by Austrian architect Monika Gogl in homage to ancient temples, caves and other natural voids, the structure brings visitors into a singular aesthetic environment characterized by haptic contrast and deep calm. The roof was hand-thatched by Berlin’s last traditional reed roofer. Under the natural reeds, a retention roof made of lava stone from the Eifel region in western Germany captures and stores rain to feed the landscape throughout the year. cultural program Every last Sunday of the month, the Reethaus opens to welcome a community at the forefront of cultural exploration for our ongoing Open Haus event series. In collaboration with our curatorial partners Soundwalk Collective and MONOM, each gathering presents soundscapes, field recordings and temporal sonic experiments alongside live performances by some of Berlin’s most compelling artists and creatives from further afield. Become a friend of Reethaus This link opens in a new tab. BOOK ANNUAL PASS PRIVATE EVENTS Combining purpose-driven design with vanguard technology, the Reethaus was conceived as a site for profound encounters and a platform for dialogue and experimentation. Its singular aesthetic and adaptable layout equally suit private events and bespoke experiences for collectives and organisations exploring new modalities. Host your event at the Reethaus This link opens in a new tab. Learn about private hire Werft INFORMATION Auditorium Working Lofts Health & Movement Area Gallery Bar More information on offices and working lofts here. Member desks available here. THE SPACE Designed by neo-brutalist master Arno Brandlhuber in collaboration with Christian Kerez and Muck Petzet, Werft unites all elements of the broader Flussbad vision — encompassing an auditorium for learning and exchange, working lofts, hotel rooms, a gallery bar and an advanced holistic health program. With world-class facilities for art, gastronomy and wellness, Werft exemplifies a contemporary model for creative work and cross-disciplinary collaboration. WORK AT FLUSSBAD Flussbad offers a variety of leasable, state-of-the-art offices and shared workspaces amid the Werft’s newly constructed environment of concrete, glass and raw brick. A two-story members’ space is reserved for individual and clustered group work, while airy duplex studios combine vanguard design with maximum functionality for diverse creative and commercial purposes. Fixed desks are available for rent for individuals and teams up to eight people. Flexible work desks are also available for members. AUDITORIUM An immense, two-story open-plan space on the ground floor of Brandlhuber’s new Werft structure, the Auditorium features massive béton brut columns and a shape-shifting modular seating structure where the campus community comes together to share knowledge and creative works. As Flussbad’s central hub of learning and intellectual inquiry, the Auditorium will host workshops, talks, panel discussions and social gatherings geared toward discourse and the exchange of ideas. Audiovisual amenities and a modular Gallery Bar enable the space to be used for a variety of events and experiences. Bootshaus INFORMATION All-day restaurant Club floor Opening in 2027 THE SPACE A brasserie-style, all-day restaurant will reside in the ground floor of Bootshaus, one of the original riverside bath buildings from Flussbad’s earlier life as a Weimar-era public bathing facility, which once welcomed up to 1,000 visitors daily. Emphasizing sustainable, vegetable-forward cuisine, the restaurant and terrace bar will offer a rotating menu for both dine-in and take-out service. Platte INFORMATION Working Lofts Rooftop Terrace and riverside views 150m2 office available THE SPACE Set within an original concrete structure that was once an East German customs administration building, the Platte’s reconstructed interiors were designed in collaboration with the Belgian architect and designer Tom van Puyvelde and Augsburg design firm Dreimeta. As the first phase of campus development, the Platte has housed the offices of Slowness for the past three years. WORKING LOFTS AT PLATTE Our objective is to create a space where health is not only understood but seamlessly integrated into our program. For our on-site members, we provide the opportunity to incorporate health into their daily routines. Within the collective on site at Flussbad, a collaborative support is paramount. The platform serves as a space where individuals not only receive assistance on their health journey but actively contribute to the well-being of others. EarthCheck is the world’s leading benchmarking and certification program for sustainable travel and tourism, supported by over a decade of scientific research and software innovation developed by the Cooperative Research Centre for Sustainable Tourism in Australia. By becoming EarthCheck certified, Slowness joined a transformative network of industry leaders dedicated to creating clean, sustainable, and thriving destinations for travelers. - This link opens in a new tab. Legal - Cookies - Subscribe - CAREERS © 2026 - This link opens in a new tab. @reethausberlin - This link opens in a new tab. @slowness Flussbad is the flagship campus of Slowness, an experimental hospitality collective devoted to the cultivation of arts, crops and inner gardens. Website by Studio Airport Open Event Sign up to our newsletter Want to stay in the loop on what’s happening at Flussbad? Sign up to receive emails on upcoming events, early-access ticket sales and other campus-related developments. Notifications. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. Designed and developed by Studio Airport, developed by September. The overall color palette features Black, White, Gray. The typography features Neue Haas Grotesk (Sans Serif, Commercial Type), Signifier (Serif, Klim Type). Built using Gravity Forms, jQuery, PHP, WordPress. AI description: Flussbad is a multi-disciplinary creative campus situated in a historic riverfront setting in Berlin. It serves as a holistic ecosystem where arts, gastronomy, wellness, and professional working lofts converge, fostering a unique environment for collaboration and cultural exploration. The site is designed to reimagine human potential through a phased integration of diverse spaces, ranging from auditoriums to hotel rooms. The visual identity is defined by a sophisticated, editorial aesthetic that leans heavily into high-end minimalism. Large, elegant serif typography dominates the interface, creating a sense of prestige and timelessness that mirrors the historic significance of the location. The design utilizes expansive, atmospheric photography and a clean, airy layout to evoke a sense of calm, natural beauty and intellectual curiosity, appealing to a culturally engaged and professional audience.",{"id":607,"website_id":608,"page_id":607,"name":609,"slug":610,"url":611,"website_name":609,"website_slug":610,"website_url":612,"result_url":611,"fetched_at":613,"score":239,"score_boost":25,"ai_score":290,"freshness_score":531,"scored_at":614,"page_name":615,"page_url":611,"page_title":609,"page_description":616,"page_content":617,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":618,"cover_mobile":621,"cover_sequence":44,"translations":623,"industry":626,"styles":627,"credits":628,"font_families":631,"technologies":632,"pagespeed":633,"pagespeed_mobile":639,"buckets":644,"search_payload":645},"f4d1d5b2-e4aa-4773-9ccb-1932aa629eed","d8808c24-d58a-43fa-ac91-b08a761e2bf6","Marçal Vaquer","marcal-vaquer","https:\u002F\u002Fmarssal.net\u002Finformation","https:\u002F\u002Fmarssal.net","2026-05-05T19:36:59.000Z","2026-05-23T19:24:42.000Z","Information","Still Life photographer based in Barcelona with a personal approach to objects, light and matter.","Still Life photographer based in Barcelona with a personal approach to objects, light and matter. Contact info@marssal.net \\[+34\\] 615 535 525 @marssal Represented by lorsolano@roldepartment.com \\[+34\\] 639 866 146 roldepartment.com Selected Clients Adidas · Aristocrazy · Beefeater · Berluti · Biotherm · Carolina Herrera · CocaCola · Comme des Garçons · Desigual · Jean Paul Gaultier · Heineken · Lancôme · Louboutin · Macallan · Massimo Dutti · Nothing · Pepsi · Tous Copyright © 2026 Marçal Vaquer. All Rights Reserved. Legal notice, privacy and cookies Design by Querida Code by geminiservic.es",{"id":619,"height":37,"width":38,"blurhash":620},"1719aadf-822f-4eea-a9c2-c4976454dc90","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#fdfdfd,#00000000 50%),radial-gradient(at 67% 50%,#fcfcfc,#00000000 50%),radial-gradient(at 100% 50%,#fcfcfc,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#ffffff,#00000000 50%),radial-gradient(at 67% 100%,#fcfcfc,#00000000 50%),radial-gradient(at 100% 100%,#fdfdfd,#00000000 50%)",{"id":622,"height":42,"width":43,"blurhash":44},"1e1ecec3-8f83-4fc7-907b-c816fd618ff9",[624],{"languages_code":47,"description":625},"Marçal Vaquer’s digital portfolio is a masterclass in minimalist curation, serving as a sophisticated visual archive for a high-end still life photographer. The website functions as a serene, gallery-like space where the focus remains entirely on the interplay of light, texture, and materiality. Through a spacious, asymmetrical grid, the site showcases a portfolio that bridges the gap between commercial luxury and fine art photography.\n\nThe visual identity is defined by an ultra-clean, editorial aesthetic that mirrors the precision of the photography itself. Utilizing ample white space, understated typography, and a monochromatic UI, the design allows the vibrant colors and complex reflections of the subject matter—ranging from luxury cosmetics to sculptural objects—to command absolute attention. It is a website designed for a discerning audience of creative directors, luxury brand managers, and art enthusiasts who value quiet elegance and meticulous detail.","Photography & Video",[51,52,111],[629,630],"Querida","Gemini Services",[],[118,119],[634,636,637,638],{"score":635,"category":75},97,{"score":77,"category":65},{"score":175,"category":68},{"score":67,"category":71},[640,641,642,643],{"score":67,"category":75},{"score":67,"category":65},{"score":175,"category":68},{"score":67,"category":71},[82,84,85],"Website: Marçal Vaquer. Page: Information. Page type: About Us \u002F Team. Page title: Marçal Vaquer. Page description: Still Life photographer based in Barcelona with a personal approach to objects, light and matter.. Page content: Still Life photographer based in Barcelona with a personal approach to objects, light and matter. Contact info@marssal.net \\[+34\\] 615 535 525 @marssal Represented by lorsolano@roldepartment.com \\[+34\\] 639 866 146 roldepartment.com Selected Clients Adidas · Aristocrazy · Beefeater · Berluti · Biotherm · Carolina Herrera · CocaCola · Comme des Garçons · Desigual · Jean Paul Gaultier · Heineken · Lancôme · Louboutin · Macallan · Massimo Dutti · Nothing · Pepsi · Tous Copyright © 2026 Marçal Vaquer. All Rights Reserved. Legal notice, privacy and cookies Design by Querida Code by geminiservic.es. A Clean \u002F Minimalist, High-End \u002F Luxury, Monochrome \u002F Grayscale website in the Photography & Video industry. Designed by Querida and Gemini Services. The overall color palette features White, Black, Gray. Built using jQuery, jQuery UI. AI description: Marçal Vaquer’s digital portfolio is a masterclass in minimalist curation, serving as a sophisticated visual archive for a high-end still life photographer. The website functions as a serene, gallery-like space where the focus remains entirely on the interplay of light, texture, and materiality. Through a spacious, asymmetrical grid, the site showcases a portfolio that bridges the gap between commercial luxury and fine art photography. The visual identity is defined by an ultra-clean, editorial aesthetic that mirrors the precision of the photography itself. Utilizing ample white space, understated typography, and a monochromatic UI, the design allows the vibrant colors and complex reflections of the subject matter—ranging from luxury cosmetics to sculptural objects—to command absolute attention. It is a website designed for a discerning audience of creative directors, luxury brand managers, and art enthusiasts who value quiet elegance and meticulous detail.",{"id":647,"website_id":648,"page_id":647,"name":649,"slug":650,"url":651,"website_name":649,"website_slug":650,"website_url":652,"result_url":651,"fetched_at":653,"score":239,"score_boost":25,"ai_score":24,"freshness_score":531,"scored_at":654,"page_name":147,"page_url":651,"page_title":655,"page_description":656,"page_content":657,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":658,"cover_mobile":661,"cover_sequence":44,"translations":663,"industry":109,"styles":666,"credits":667,"font_families":669,"technologies":671,"pagespeed":672,"pagespeed_mobile":677,"buckets":682,"search_payload":683},"254b6ecb-578b-42bf-a7e5-f66492b3d0f3","d6bb0a9e-fba6-43e6-b75d-cb7576a43749","Anna Bosch","anna-bosch","https:\u002F\u002Fannaboschstudio.com\u002Fstudio","https:\u002F\u002Fannaboschstudio.com","2026-05-05T18:34:21.000Z","2026-05-23T19:24:20.000Z","Studio | Anna Bosch","Anna Bosch is a creative director, visual communication designer, and educator working on projects of varying scale and complexity.","A B She develops distinct visual systems for her design projects. Her work possesses a strong visual language, focusing on typography and material research. Her services range from exhibition and digital design, to branding and packaging. She works collaboratively with a network of photographers, editors, and copywriters in projects related to architecture, culture, gastronomy, and commerce, amongst other areas, deeply understanding the brand’s requests to meet the client’s needs. She lectures in design schools and universities in Barcelona and has been awarded prizes in various fields connected to design. Services - Web Design - Art Direction - Strategy - Visual Identity - Editorial - Exhibition design - Environmental Design - Illustration - Naming - Packaging - Typography - Motion Graphics - Creative Direction Teaching & Talks Since 2017, she has been a professor at Idep (Escola Superior de Disseny de Barcelona), where she tutors the final degree thesis of the Graphic Design Degree and teaches Corporate Identity in the Advanced Master's Degree in Design. She has taught Creative Direction in the 4th year of the University Degree in Arts and Design at Escola Massana. Before that, she taught Typography and Visual Culture at IED (Istituto Europeo di Design). As a member of Run Design, she also taught Graphic Techniques at BAU (Barcelona University Design Centre) for three years. She has given talks at CÍCLIC (Escola Massana) and the University of Barcelona. Awards In 2023, she was chosen to develop the editorial project for the Laus Awards. In 2022, she was awarded a Silver Laus for the editorial project ‘No Aparcar’. In 2020, the project Midnight 00.00 was also awarded a Silver Laus in the packaging category. As a designer at the studios Bildi Grafik and Run Design, she carried out different projects that were awarded several prizes: the Laus Awards, the German Design Awards, and the Red Dot Awards in categories such as communication, editorial projects, packaging, and exhibit design. ‘El món d'ahir’, an editorial project, was awarded both a Golden and a Silver Laus. Her final degree thesis was selected and published in the book ‘Selected Projects’. Anna Bosch Studio Anna Bosch Studio “I have been linked to the city differently for some time now. I have decentralized my studio so that I can see the city from afar and connect with it in just a moment. As a designer, it gives me a healthy working perspective and the opportunity to work on thriving projects on the periphery. For me, it is crucial to be physically and mentally in touch with both the city and the surroundings.” Clients AdgFad, Ajuntament de Barcelona, Ajuntament de Banyoles, Ajuntament de l’Escala, Centre Cultural i Llibreria Blanquerna Madrid, Médicos Sin Fronteras, LA COL Arquitectura Cooperativa, Tactic, Vegueta Ediciones, Soma Beer, Alumilux, F.ax., Fundación Acuorum, Manel, Víctor Rahola + Albert Aregall arquitectes, Laboqueria, Bruc Arquitectes, Xavi Cornejo Arquitectes, Som Energia, Haha Bcn, Midnight 00.00, il Sereno Hotels, Carla GarciaDurlan, Nathalie Shreckenberg, Roser Padrés, Up Suites Vic, Up Suites Bcn, Additio, Lamicrocervesera, Planeta Ediciones, Lunwerg Editores, Escola Som Energia, Centre de Salut Son Ferriol, Marc Gispert Arquitecte, Isabel, Susana Sanchez, La Menuda, La Carbonera.coop i Chetrit&Estruch entre altres.",{"id":659,"height":37,"width":38,"blurhash":660},"de8c045f-f0ca-4ff7-8495-386e32cdd3b1","radial-gradient(at 0 0,#e4fab4,#00000000 50%),radial-gradient(at 33% 0,#e4fab4,#00000000 50%),radial-gradient(at 67% 0,#e8ffb8,#00000000 50%),radial-gradient(at 100% 0,#eaffba,#00000000 50%),radial-gradient(at 0 50%,#eaffbb,#00000000 50%),radial-gradient(at 33% 50%,#eaffb9,#00000000 50%),radial-gradient(at 67% 50%,#e9ffb8,#00000000 50%),radial-gradient(at 100% 50%,#e7ffb8,#00000000 50%),radial-gradient(at 0 100%,#dbf0ad,#00000000 50%),radial-gradient(at 33% 100%,#d7ecaa,#00000000 50%),radial-gradient(at 67% 100%,#dbf1ae,#00000000 50%),radial-gradient(at 100% 100%,#e3fab5,#00000000 50%)",{"id":662,"height":42,"width":43,"blurhash":44},"bbabd395-4635-4196-877c-8e1b09977d57",[664],{"languages_code":47,"description":665},"Anna Bosch Studio serves as a sophisticated digital portfolio for Anna Bosch, a multidisciplinary creative director and visual communication designer. The website functions as a curated showcase of her diverse expertise, spanning branding, packaging, and digital design, while also highlighting her role as an educator. It is designed to attract high-end clients in sectors like architecture, culture, and gastronomy who value deep research and meticulous visual systems.\n\nThe visual identity is defined by a masterful use of minimalism and high-contrast typography. Utilizing a clean, spacious layout, the site emphasizes large-scale imagery and a refined color palette that shifts between stark monochrome and intentional pops of color. The aesthetic is editorial and avant-garde, positioning the studio as a premium creative partner that balances academic rigor with contemporary design sensibility.",[51,52,53],[649,668],"Martillo Studio",[670],"Neue Montreal",[],[673,674,675,676],{"score":70,"category":75},{"score":70,"category":65},{"score":70,"category":68},{"score":70,"category":71},[678,679,680,681],{"score":70,"category":75},{"score":70,"category":65},{"score":70,"category":68},{"score":70,"category":71},[82,84,85],"Website: Anna Bosch. Page: Studio. Page type: About Us \u002F Team. Page title: Studio | Anna Bosch. Page description: Anna Bosch is a creative director, visual communication designer, and educator working on projects of varying scale and complexity.. Page content: A B She develops distinct visual systems for her design projects. Her work possesses a strong visual language, focusing on typography and material research. Her services range from exhibition and digital design, to branding and packaging. She works collaboratively with a network of photographers, editors, and copywriters in projects related to architecture, culture, gastronomy, and commerce, amongst other areas, deeply understanding the brand’s requests to meet the client’s needs. She lectures in design schools and universities in Barcelona and has been awarded prizes in various fields connected to design. Services - Web Design - Art Direction - Strategy - Visual Identity - Editorial - Exhibition design - Environmental Design - Illustration - Naming - Packaging - Typography - Motion Graphics - Creative Direction Teaching & Talks Since 2017, she has been a professor at Idep (Escola Superior de Disseny de Barcelona), where she tutors the final degree thesis of the Graphic Design Degree and teaches Corporate Identity in the Advanced Master's Degree in Design. She has taught Creative Direction in the 4th year of the University Degree in Arts and Design at Escola Massana. Before that, she taught Typography and Visual Culture at IED (Istituto Europeo di Design). As a member of Run Design, she also taught Graphic Techniques at BAU (Barcelona University Design Centre) for three years. She has given talks at CÍCLIC (Escola Massana) and the University of Barcelona. Awards In 2023, she was chosen to develop the editorial project for the Laus Awards. In 2022, she was awarded a Silver Laus for the editorial project ‘No Aparcar’. In 2020, the project Midnight 00.00 was also awarded a Silver Laus in the packaging category. As a designer at the studios Bildi Grafik and Run Design, she carried out different projects that were awarded several prizes: the Laus Awards, the German Design Awards, and the Red Dot Awards in categories such as communication, editorial projects, packaging, and exhibit design. ‘El món d'ahir’, an editorial project, was awarded both a Golden and a Silver Laus. Her final degree thesis was selected and published in the book ‘Selected Projects’. Anna Bosch Studio Anna Bosch Studio “I have been linked to the city differently for some time now. I have decentralized my studio so that I can see the city from afar and connect with it in just a moment. As a designer, it gives me a healthy working perspective and the opportunity to work on thriving projects on the periphery. For me, it is crucial to be physically and mentally in touch with both the city and the surroundings.” Clients AdgFad, Ajuntament de Barcelona, Ajuntament de Banyoles, Ajuntament de l’Escala, Centre Cultural i Llibreria Blanquerna Madrid, Médicos Sin Fronteras, LA COL Arquitectura Cooperativa, Tactic, Vegueta Ediciones, Soma Beer, Alumilux, F.ax., Fundación Acuorum, Manel, Víctor Rahola + Albert Aregall arquitectes, Laboqueria, Bruc Arquitectes, Xavi Cornejo Arquitectes, Som Energia, Haha Bcn, Midnight 00.00, il Sereno Hotels, Carla GarciaDurlan, Nathalie Shreckenberg, Roser Padrés, Up Suites Vic, Up Suites Bcn, Additio, Lamicrocervesera, Planeta Ediciones, Lunwerg Editores, Escola Som Energia, Centre de Salut Son Ferriol, Marc Gispert Arquitecte, Isabel, Susana Sanchez, La Menuda, La Carbonera.coop i Chetrit&Estruch entre altres.. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. Designed and developed by Martillo Studio, designed by Anna Bosch. The overall color palette features White, Black, Gray. The typography features Neue Montreal (Sans Serif, Pangram Pangram). AI description: Anna Bosch Studio serves as a sophisticated digital portfolio for Anna Bosch, a multidisciplinary creative director and visual communication designer. The website functions as a curated showcase of her diverse expertise, spanning branding, packaging, and digital design, while also highlighting her role as an educator. It is designed to attract high-end clients in sectors like architecture, culture, and gastronomy who value deep research and meticulous visual systems. The visual identity is defined by a masterful use of minimalism and high-contrast typography. Utilizing a clean, spacious layout, the site emphasizes large-scale imagery and a refined color palette that shifts between stark monochrome and intentional pops of color. The aesthetic is editorial and avant-garde, positioning the studio as a premium creative partner that balances academic rigor with contemporary design sensibility.",{"id":685,"website_id":686,"page_id":685,"name":687,"slug":688,"url":689,"website_name":687,"website_slug":688,"website_url":690,"result_url":689,"fetched_at":691,"score":239,"score_boost":25,"ai_score":290,"freshness_score":692,"scored_at":693,"page_name":147,"page_url":689,"page_title":687,"page_description":694,"page_content":695,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":696,"cover_mobile":699,"cover_sequence":44,"translations":701,"industry":109,"styles":704,"credits":705,"font_families":706,"technologies":708,"pagespeed":709,"pagespeed_mobile":714,"buckets":719,"search_payload":720},"a80947d9-1ca9-432c-a2b0-1485dd0872d8","e6e4d37b-c297-4c47-aa6c-d88ce9ba123e","Random Studio","random-studio","https:\u002F\u002Frandom.studio\u002Fstudio","https:\u002F\u002Frandom.studio","2026-05-04T19:31:11.000Z",75,"2026-05-23T19:10:19.000Z","Random Studio is an experience design studio. We are an international team of visual artists, strategists and engineers who blur the boundaries between art, design and technology.","Skip Navigation Random Studio ProjectsInnovationStudio We are an independent experience design studio based in Amsterdam and Paris. We create innovative spaces that surprise and invite interaction. Studio Impressions 1 of 3 We offer services in creative strategy, experience design, spatial design, and interactive technology. Collaboratively, we work on exhibitions, retail experiences, and applied innovation programs. We are a Certified B Corporation®. You can read more about our journey and what all of this means to us here. Start a conversation hello@random.studio New business inquiries business@random.studio Press inquiries press@random.studio Vendors & Suppliers vendors@random.studio Follow us Instagram LinkedIn Medium Open Positions Design Intern - ParisSenior Spatial Designer (Freelance or Full-Time) - Amsterdam\u002FParisExperiential Retail Lead - AmsterdamMedior Graphic Designer - Amsterdam\u002FParis Random Amsterdam Gillis van Ledenberchstraat 112 1052 VK Amsterdam The Netherlands Directions +31 20 779 7735 Random Paris 174 Quai de Jemmapes 75010 Paris France Directions +33 1 40 36 41 44 business@random.studio Copied to clipboard press@random.studio Copied to clipboard hello@random.studio Copied to clipboard Arrow pointing down. Indicating more content further down. InstagramLinkedInMedium",{"id":697,"height":37,"width":38,"blurhash":698},"e943309b-69ae-4478-85fd-3cbe8987eb28","radial-gradient(at 0 0,#f3f5f2,#00000000 50%),radial-gradient(at 33% 0,#ecf2e7,#00000000 50%),radial-gradient(at 67% 0,#e8f1ea,#00000000 50%),radial-gradient(at 100% 0,#e8ede9,#00000000 50%),radial-gradient(at 0 50%,#f5f7f9,#00000000 50%),radial-gradient(at 33% 50%,#e7ecec,#00000000 50%),radial-gradient(at 67% 50%,#e1e7e8,#00000000 50%),radial-gradient(at 100% 50%,#eaeef0,#00000000 50%),radial-gradient(at 0 100%,#eae4e4,#00000000 50%),radial-gradient(at 33% 100%,#c8bec1,#00000000 50%),radial-gradient(at 67% 100%,#beb1b2,#00000000 50%),radial-gradient(at 100% 100%,#c9bfc0,#00000000 50%)",{"id":700,"height":42,"width":43,"blurhash":44},"f78b568a-9af9-462a-9caa-f197a4880585",[702],{"languages_code":47,"description":703},"Random Studio is a high-concept experience design studio that operates at the intersection of art, technology, and strategic engineering. Their work focuses on blurring the boundaries between the physical and digital worlds, creating immersive, sensory-driven brand experiences that redefine how audiences interact with luxury and lifestyle concepts.\n\nThe visual identity is defined by a sophisticated, editorial aesthetic that utilizes expansive imagery, elegant serif typography, and a spacious layout. The design language communicates a sense of avant-garde luxury and technological innovation, catering to high-end global brands looking for experiential storytelling that feels both organic and cutting-edge.",[51,52,53],[687],[707],"Oracle",[264,265,266],[710,711,712,713],{"score":67,"category":75},{"score":173,"category":65},{"score":175,"category":68},{"score":70,"category":71},[715,716,717,718],{"score":269,"category":75},{"score":173,"category":65},{"score":175,"category":68},{"score":70,"category":71},[82,84,85],"Website: Random Studio. Page: Studio. Page type: About Us \u002F Team. Page title: Random Studio. Page description: Random Studio is an experience design studio. We are an international team of visual artists, strategists and engineers who blur the boundaries between art, design and technology.. Page content: Skip Navigation Random Studio ProjectsInnovationStudio We are an independent experience design studio based in Amsterdam and Paris. We create innovative spaces that surprise and invite interaction. Studio Impressions 1 of 3 We offer services in creative strategy, experience design, spatial design, and interactive technology. Collaboratively, we work on exhibitions, retail experiences, and applied innovation programs. We are a Certified B Corporation®. You can read more about our journey and what all of this means to us here. Start a conversation hello@random.studio New business inquiries business@random.studio Press inquiries press@random.studio Vendors & Suppliers vendors@random.studio Follow us Instagram LinkedIn Medium Open Positions Design Intern - ParisSenior Spatial Designer (Freelance or Full-Time) - Amsterdam\u002FParisExperiential Retail Lead - AmsterdamMedior Graphic Designer - Amsterdam\u002FParis Random Amsterdam Gillis van Ledenberchstraat 112 1052 VK Amsterdam The Netherlands Directions +31 20 779 7735 Random Paris 174 Quai de Jemmapes 75010 Paris France Directions +33 1 40 36 41 44 business@random.studio Copied to clipboard press@random.studio Copied to clipboard hello@random.studio Copied to clipboard Arrow pointing down. Indicating more content further down. InstagramLinkedInMedium. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Oracle (Sans Serif, Dinamo). Built using Next.js, Node.js, React. AI description: Random Studio is a high-concept experience design studio that operates at the intersection of art, technology, and strategic engineering. Their work focuses on blurring the boundaries between the physical and digital worlds, creating immersive, sensory-driven brand experiences that redefine how audiences interact with luxury and lifestyle concepts. The visual identity is defined by a sophisticated, editorial aesthetic that utilizes expansive imagery, elegant serif typography, and a spacious layout. The design language communicates a sense of avant-garde luxury and technological innovation, catering to high-end global brands looking for experiential storytelling that feels both organic and cutting-edge.",{"id":722,"website_id":723,"page_id":722,"name":724,"slug":725,"url":726,"website_name":724,"website_slug":725,"website_url":727,"result_url":726,"fetched_at":728,"score":239,"score_boost":25,"ai_score":290,"freshness_score":729,"scored_at":730,"page_name":147,"page_url":726,"page_title":731,"page_description":44,"page_content":732,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":733,"cover_mobile":736,"cover_sequence":44,"translations":738,"industry":49,"styles":741,"credits":742,"font_families":744,"technologies":745,"pagespeed":746,"pagespeed_mobile":751,"buckets":756,"search_payload":757},"b9e06337-39b0-431b-b85c-8e9bc9ec5658","ea001351-a1f1-44c9-b66a-e6b73657a5dc","Nelson Byrd Woltz","nelson-byrd-woltz","https:\u002F\u002Fnbwla.com\u002Fstudio","https:\u002F\u002Fnbwla.com","2026-05-04T15:36:14.000Z",74,"2026-05-23T19:36:43.000Z","Nelson Byrd Woltz | Studio","Studio Our mission is to apply design excellence at the intersection of ecological and cultural systems. Our Team The highly skilled people who translate our mission into tangible landscapes. [ Thomas L. Woltz Senior Principal and Owner ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fthomas-l-woltz) [ Jeff Aten Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjeff-aten) [ Charlotte Barrows Senior Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fcharlotte-barrows) [ Paul Basque Staff Accountant ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fpaul-basque) [ Adeline Belsby Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fadeline-belsby) [ Jonathan Berlin Conservation Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjonathan-berlin) [ Ian Brennick Senior Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fian-brennick) [ Tom Cassidy Operations Manager ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Ftom-cassidy) [ Molly Gasparre Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fmolly-gasparre) [ Shubhra Goel Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fshubhra-goel) [ Monica Hand Communications Specialist ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fmonica-hand) [ Will Hart Associate Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fwill-hart) [ Joey Hays Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjoey-hays) [ Kimberley Midori Huggins Communications and Ecology Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fkimberley-midori-huggins) [ Jen Jessup Associate Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjen-jessup) [ Eva Kahn Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Feva-kahn) [ Kevin Kim Project Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fkevin-kim) [ Mike Kittrell Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fmike-kittrell) [ Christian Kochuba Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fchristian-kochuba) [ Jenny Lauer Project Designer + Cultural Landscape Historian ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjenny-lauer) [ David Lepage Graphic Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fdavid-lepage) [ Melissa Lockwood Contracts Coordinator ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fmelissa-lockwood) [ Lanie McKinnon Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Flanie-mckinnon) [ Katherine Merhige Financial Consultant ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fkatherine-merhige) [ Emily Morton Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Femily-morton) [ Chloé Skye Nagraj Project Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fchloé-skye-nagraj) [ Serena Nelson Senior Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fserena-nelson) [ Cong Nie Project Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fcong-nie) [ Brad Odom Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fbrad-odom) [ Drummond Poole Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fdrummond-poole-2) [ Tim Popa Associate Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Ftim-popa) [ Chris Porter Project Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fchris-porter) [ François Poupeau Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Ffrançois-poupeau) [ Sandy Rice Accounting Manager ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fsandy-rice) [ John Ridenour Associate Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjohn-ridenour) [ Nathan Roth Landscape Cultural Historian \u002F Planner \u002F Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fnathan-roth) [ Daniel Rubin Business & Studio Coordinator ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fdaniel-rubin) [ Brian Schundler Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fbrian-schundler) [ Katie Smithson Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fkatie-smithson) [ Mark Strieter Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fmark-strieter) [ Andisheh G. Tabari Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fandisheh-g-tabari) [ John Tatro Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjohn-tatro) [ Cole Thornton Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fcole-thornton) [ Kelly Watters Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fkelly-watters) [ Lizzy Servito Webster Project Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Flizzy-servito-webster) Close Awards 2026 - ##### EDRA Great Places Award, Design Land Bridge & Prairie at Memorial Park - ##### ASLA SERC, Merit Award, Analysis and Planning Piedmont Park Comprehensive Plan - ##### ASLA-NY, Board Choice Award, Residential Design Private Residence in Beverly Hills - ##### TN ASLA, Excellence Award, General Design Lakeshore Park - ##### Texas ASLA Honor Award, General Design Ismaili Center, Houston 2025 - ##### Texas ASLA Honor Award, General Design The Academic Quad at Rice University - ##### Texas ASLA Presidential Award of Excellence, General Design The Running Complex at Memorial Park - ##### Texas ASLA Presidential Award of Excellence, Communications The Land Bridge and Prairie at Memorial Park - ##### USA TODAY Top 10 City Parks Centennial Park - ##### SCUP Excellence in Landscape Architecture Merit Award The Academic Quad at Rice University - ##### WLA Design Excellence and Innovation - Cultural Landscape Machicomoco State Park - ##### CityScape Paysage, Third Place for Transporation Innovation The Land Bridge and Prairie at Memorial Park - ##### Architizer A+ Awards, Popular Vote The Ramble - ##### Virginia ASLA Presidential Award of Excellence, General Design Lakeshore Park - ##### Virginia ASLA Merit Award, Research Caddo Mounds - ##### Virginia ASLA Merit Award, General Design Reservoir Park at Beaverdam Reservoir - ##### Virginia ASLA Honor Award, Analysis & Planning Spade Ranch Comprehensive Landscape Plan - ##### WLA Shortlist, Built Large Public Space Landscape Design Memorial Park - ##### WLA Shortlist, Built Large Public Space Landscape Design Lower Ramble - ##### WLA Shortlist, Cultural Landscape - Research Sylvester Manor Educational Farm Comprehensive Landscape Plan - ##### WLA Shortlist, Cultural Landscape - Design Excellence and Innovation Monticello Memorial Project 2024 - ##### The American Architecture Awards, Parks and Gardens The Land Bridge and Prairie at Memorial Park - ##### Interior Design's Best of Year Awards The Running Complex Café at Memorial Park (In partnership with Schaum Architects) - ##### Dezeen Awards, Infrastructure and Transport, Project of the Year The Land Bridge and Prairie at Memorial Park - ##### ULI Houston Development of Distinction Award, Open Space, People's Choice Award The Land Bridge and Prairie at Memorial Park - ##### Virginia ASLA Presidential Award of Excellence, General Design The Land Bridge and Prairie at Memorial Park - ##### Virginia ASLA Merit Award, General Design The Ramble - ##### Virginia ASLA Merit Award, Analysis and Planning Angel Oak Preserve - ##### Texas ASLA Honor Award, Design - Constructed Project - Public, Green Ribbon Award The Land Bridge and Prairie at Memorial Park - ##### Virginia ASLA Honor Award, General Design The Contemplative Site and the Burial Ground for Enslaved People at Monticello - ##### Architizer A+Awards Special Mention, Landscape & Planning - Public Parks and Green Spaces The Land Bridge and Prairie at Memorial Park - ##### South Carolina ASLA Award of Excellence, Analysis and Planning Angel Oak Preserve - ##### North Carolina ASLA Recognition, Analysis and Planning Haywood and Page Visioning Project - ##### North Carolina ASLA Merit Award, Analysis and Planning Camp North End - ##### ASLA Honor Award, Communications Machicomoco State Park - ##### ASLA Honor Award, General Design Georgia Institute of Technology EcoCommons View All Awards Join Our Talented Team Careers We're always happy to connect with talented, creative and passionate professionals in our field. Please submit your materials if you don't see a position that is a fit at this time, but would like to be considered for future opportunities at the firm. Submit Open Application Nelson Byrd Woltz Landscape Architects is a Equal Opportunity Employer, providing opportunities to all employees and applicants regardless of race, color, religion, gender, sexual orientation, gender identity, national origin, disability, genetic information, marital status, or status as a covered veteran in accordance with all applicable federal, state, and local laws. Internships Applications for Summer 2026 are now closed. The Summer 2027 program will be advertised in late 2026. Nelson Byrd Woltz Landscape Architects is a Equal Opportunity Employer, providing opportunities to all employees and applicants regardless of race, color, religion, gender, sexual orientation, gender identity, national origin, disability, genetic information, marital status, or status as a covered veteran in accordance with all applicable federal, state, and local laws.",{"id":734,"height":37,"width":38,"blurhash":735},"a6c99907-fbc1-4e4a-a546-46d3920e69bd","radial-gradient(at 0 0,#fff7f8,#00000000 50%),radial-gradient(at 33% 0,#fffdfb,#00000000 50%),radial-gradient(at 67% 0,#fffcf8,#00000000 50%),radial-gradient(at 100% 0,#fffafb,#00000000 50%),radial-gradient(at 0 50%,#e3dddd,#00000000 50%),radial-gradient(at 33% 50%,#e5e4e6,#00000000 50%),radial-gradient(at 67% 50%,#dcdedf,#00000000 50%),radial-gradient(at 100% 50%,#e5e0de,#00000000 50%),radial-gradient(at 0 100%,#dabb98,#00000000 50%),radial-gradient(at 33% 100%,#d4bc9b,#00000000 50%),radial-gradient(at 67% 100%,#bfaa89,#00000000 50%),radial-gradient(at 100% 100%,#ceb79a,#00000000 50%)",{"id":737,"height":42,"width":43,"blurhash":44},"5b768472-48aa-4cd9-8213-22f27da8808e",[739],{"languages_code":47,"description":740},"Nelson Byrd Woltz is a premier landscape architecture studio dedicated to uncovering the narratives embedded within the natural world. Their work focuses on the intersection of ecology, culture, and geography, creating meaningful spaces that honor the complexity of the land. Through a process-driven approach, the firm transforms landscapes into immersive stories that connect people to their environment.\n\nThe website's visual identity is deeply rooted in cinematic storytelling and organic elegance. Utilizing expansive, high-resolution imagery and a sophisticated typographic hierarchy, the design mirrors the atmospheric quality of their projects. The minimalist layout and generous use of whitespace allow the lush, evocative photography to lead the user experience, appealing to a discerning audience of developers, public agencies, and environmental enthusiasts who value thoughtful, site-specific design.",[51,52,53],[743],"Say",[499],[],[747,748,749,750],{"score":269,"category":75},{"score":26,"category":65},{"score":175,"category":68},{"score":67,"category":71},[752,753,754,755],{"score":239,"category":75},{"score":26,"category":65},{"score":175,"category":68},{"score":67,"category":71},[82,85,84],"Website: Nelson Byrd Woltz. Page: Studio. Page type: About Us \u002F Team. Page title: Nelson Byrd Woltz | Studio. Page content: Studio Our mission is to apply design excellence at the intersection of ecological and cultural systems. Our Team The highly skilled people who translate our mission into tangible landscapes. [ Thomas L. Woltz Senior Principal and Owner ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fthomas-l-woltz) [ Jeff Aten Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjeff-aten) [ Charlotte Barrows Senior Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fcharlotte-barrows) [ Paul Basque Staff Accountant ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fpaul-basque) [ Adeline Belsby Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fadeline-belsby) [ Jonathan Berlin Conservation Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjonathan-berlin) [ Ian Brennick Senior Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fian-brennick) [ Tom Cassidy Operations Manager ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Ftom-cassidy) [ Molly Gasparre Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fmolly-gasparre) [ Shubhra Goel Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fshubhra-goel) [ Monica Hand Communications Specialist ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fmonica-hand) [ Will Hart Associate Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fwill-hart) [ Joey Hays Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjoey-hays) [ Kimberley Midori Huggins Communications and Ecology Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fkimberley-midori-huggins) [ Jen Jessup Associate Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjen-jessup) [ Eva Kahn Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Feva-kahn) [ Kevin Kim Project Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fkevin-kim) [ Mike Kittrell Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fmike-kittrell) [ Christian Kochuba Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fchristian-kochuba) [ Jenny Lauer Project Designer + Cultural Landscape Historian ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjenny-lauer) [ David Lepage Graphic Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fdavid-lepage) [ Melissa Lockwood Contracts Coordinator ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fmelissa-lockwood) [ Lanie McKinnon Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Flanie-mckinnon) [ Katherine Merhige Financial Consultant ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fkatherine-merhige) [ Emily Morton Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Femily-morton) [ Chloé Skye Nagraj Project Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fchloé-skye-nagraj) [ Serena Nelson Senior Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fserena-nelson) [ Cong Nie Project Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fcong-nie) [ Brad Odom Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fbrad-odom) [ Drummond Poole Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fdrummond-poole-2) [ Tim Popa Associate Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Ftim-popa) [ Chris Porter Project Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fchris-porter) [ François Poupeau Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Ffrançois-poupeau) [ Sandy Rice Accounting Manager ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fsandy-rice) [ John Ridenour Associate Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjohn-ridenour) [ Nathan Roth Landscape Cultural Historian \u002F Planner \u002F Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fnathan-roth) [ Daniel Rubin Business & Studio Coordinator ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fdaniel-rubin) [ Brian Schundler Associate ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fbrian-schundler) [ Katie Smithson Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fkatie-smithson) [ Mark Strieter Principal ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fmark-strieter) [ Andisheh G. Tabari Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fandisheh-g-tabari) [ John Tatro Senior Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fjohn-tatro) [ Cole Thornton Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fcole-thornton) [ Kelly Watters Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Fkelly-watters) [ Lizzy Servito Webster Project Designer ](https:\u002F\u002Fnbwla.com\u002Fteam\u002Flizzy-servito-webster) Close Awards 2026 - ##### EDRA Great Places Award, Design Land Bridge & Prairie at Memorial Park - ##### ASLA SERC, Merit Award, Analysis and Planning Piedmont Park Comprehensive Plan - ##### ASLA-NY, Board Choice Award, Residential Design Private Residence in Beverly Hills - ##### TN ASLA, Excellence Award, General Design Lakeshore Park - ##### Texas ASLA Honor Award, General Design Ismaili Center, Houston 2025 - ##### Texas ASLA Honor Award, General Design The Academic Quad at Rice University - ##### Texas ASLA Presidential Award of Excellence, General Design The Running Complex at Memorial Park - ##### Texas ASLA Presidential Award of Excellence, Communications The Land Bridge and Prairie at Memorial Park - ##### USA TODAY Top 10 City Parks Centennial Park - ##### SCUP Excellence in Landscape Architecture Merit Award The Academic Quad at Rice University - ##### WLA Design Excellence and Innovation - Cultural Landscape Machicomoco State Park - ##### CityScape Paysage, Third Place for Transporation Innovation The Land Bridge and Prairie at Memorial Park - ##### Architizer A+ Awards, Popular Vote The Ramble - ##### Virginia ASLA Presidential Award of Excellence, General Design Lakeshore Park - ##### Virginia ASLA Merit Award, Research Caddo Mounds - ##### Virginia ASLA Merit Award, General Design Reservoir Park at Beaverdam Reservoir - ##### Virginia ASLA Honor Award, Analysis & Planning Spade Ranch Comprehensive Landscape Plan - ##### WLA Shortlist, Built Large Public Space Landscape Design Memorial Park - ##### WLA Shortlist, Built Large Public Space Landscape Design Lower Ramble - ##### WLA Shortlist, Cultural Landscape - Research Sylvester Manor Educational Farm Comprehensive Landscape Plan - ##### WLA Shortlist, Cultural Landscape - Design Excellence and Innovation Monticello Memorial Project 2024 - ##### The American Architecture Awards, Parks and Gardens The Land Bridge and Prairie at Memorial Park - ##### Interior Design's Best of Year Awards The Running Complex Café at Memorial Park (In partnership with Schaum Architects) - ##### Dezeen Awards, Infrastructure and Transport, Project of the Year The Land Bridge and Prairie at Memorial Park - ##### ULI Houston Development of Distinction Award, Open Space, People's Choice Award The Land Bridge and Prairie at Memorial Park - ##### Virginia ASLA Presidential Award of Excellence, General Design The Land Bridge and Prairie at Memorial Park - ##### Virginia ASLA Merit Award, General Design The Ramble - ##### Virginia ASLA Merit Award, Analysis and Planning Angel Oak Preserve - ##### Texas ASLA Honor Award, Design - Constructed Project - Public, Green Ribbon Award The Land Bridge and Prairie at Memorial Park - ##### Virginia ASLA Honor Award, General Design The Contemplative Site and the Burial Ground for Enslaved People at Monticello - ##### Architizer A+Awards Special Mention, Landscape & Planning - Public Parks and Green Spaces The Land Bridge and Prairie at Memorial Park - ##### South Carolina ASLA Award of Excellence, Analysis and Planning Angel Oak Preserve - ##### North Carolina ASLA Recognition, Analysis and Planning Haywood and Page Visioning Project - ##### North Carolina ASLA Merit Award, Analysis and Planning Camp North End - ##### ASLA Honor Award, Communications Machicomoco State Park - ##### ASLA Honor Award, General Design Georgia Institute of Technology EcoCommons View All Awards Join Our Talented Team Careers We're always happy to connect with talented, creative and passionate professionals in our field. Please submit your materials if you don't see a position that is a fit at this time, but would like to be considered for future opportunities at the firm. Submit Open Application Nelson Byrd Woltz Landscape Architects is a Equal Opportunity Employer, providing opportunities to all employees and applicants regardless of race, color, religion, gender, sexual orientation, gender identity, national origin, disability, genetic information, marital status, or status as a covered veteran in accordance with all applicable federal, state, and local laws. Internships Applications for Summer 2026 are now closed. The Summer 2027 program will be advertised in late 2026. Nelson Byrd Woltz Landscape Architects is a Equal Opportunity Employer, providing opportunities to all employees and applicants regardless of race, color, religion, gender, sexual orientation, gender identity, national origin, disability, genetic information, marital status, or status as a covered veteran in accordance with all applicable federal, state, and local laws.. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Architecture & Real Estate industry. Designed and developed by Say. The overall color palette features White, Gray, Black. The typography features Neue Haas Unica (Sans Serif). AI description: Nelson Byrd Woltz is a premier landscape architecture studio dedicated to uncovering the narratives embedded within the natural world. Their work focuses on the intersection of ecology, culture, and geography, creating meaningful spaces that honor the complexity of the land. Through a process-driven approach, the firm transforms landscapes into immersive stories that connect people to their environment. The website's visual identity is deeply rooted in cinematic storytelling and organic elegance. Utilizing expansive, high-resolution imagery and a sophisticated typographic hierarchy, the design mirrors the atmospheric quality of their projects. The minimalist layout and generous use of whitespace allow the lush, evocative photography to lead the user experience, appealing to a discerning audience of developers, public agencies, and environmental enthusiasts who value thoughtful, site-specific design.",{"id":759,"website_id":760,"page_id":759,"name":761,"slug":762,"url":763,"website_name":761,"website_slug":762,"website_url":764,"result_url":763,"fetched_at":765,"score":239,"score_boost":25,"ai_score":290,"freshness_score":729,"scored_at":766,"page_name":767,"page_url":763,"page_title":768,"page_description":769,"page_content":770,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":771,"cover_mobile":774,"cover_sequence":44,"translations":776,"industry":304,"styles":779,"credits":780,"font_families":782,"technologies":783,"pagespeed":784,"pagespeed_mobile":789,"buckets":794,"search_payload":796},"207b7fbf-f0a9-4917-8ebb-ce2d8f3d2d48","f4315591-d960-46fa-a693-959ca29ba119","Munken CoLab","munken-colab","https:\u002F\u002Fcolab.munken.com\u002Fabout-munken","https:\u002F\u002Fcolab.munken.com","2026-05-04T11:24:57.000Z","2026-05-23T19:24:34.000Z","About Munken","About Munken | Munken CoLab","Munken paper is produced in Munkedal, a village 100 km north of Gothenburg, Sweden. Munkedal is by the Örekil river, rich in salmon and flowing into the country’s only threshold fjord, Gullmarn. Both the river and fjord are designated as nature reserves.","This is Munken Munken paper is produced in Munkedal, a village 100 km north of Gothenburg, Sweden. Munkedal is by the Örekil river, rich in salmon and flowing into the country’s only threshold fjord, Gullmarn. Both the river and fjord are designated nature reserves. The Munken mill was founded in 1871 and has always enjoyed a close relationship with its natural settings on Sweden’s beautiful and rugged west coast. Today, it is one of the world’s most environmentally-friendly paper mills – and practises sustainable production every day. The Munken mill is the first paper mill in the world to have successfully completed the Cradle to Cradle Certified™ certification. To find out more about the Munken Design Range visit: arcticpaper.com\u002Fmunken Try the range for yourself by ordering samples or a dummy for your next project: arcticpaper.com\u002Fdummyshop Design is our nature",{"id":772,"height":37,"width":38,"blurhash":773},"df2fbecc-30ae-400e-b9ed-e28e7c2b2b1d","radial-gradient(at 0 0,#f7f7f7,#00000000 50%),radial-gradient(at 33% 0,#f3f3f3,#00000000 50%),radial-gradient(at 67% 0,#f2f2f2,#00000000 50%),radial-gradient(at 100% 0,#f3f3f3,#00000000 50%),radial-gradient(at 0 50%,#f5f5f5,#00000000 50%),radial-gradient(at 33% 50%,#f2f2f2,#00000000 50%),radial-gradient(at 67% 50%,#f2f2f2,#00000000 50%),radial-gradient(at 100% 50%,#f2f2f2,#00000000 50%),radial-gradient(at 0 100%,#f5f5f5,#00000000 50%),radial-gradient(at 33% 100%,#f2f2f2,#00000000 50%),radial-gradient(at 67% 100%,#f2f2f2,#00000000 50%),radial-gradient(at 100% 100%,#f2f2f2,#00000000 50%)",{"id":775,"height":42,"width":43,"blurhash":44},"78b6586d-fe17-4e8a-aef4-c8e895ba4466",[777],{"languages_code":47,"description":778},"Munken CoLab is a sophisticated digital platform dedicated to showcasing the intersection of high-quality papeterie and creative exploration. The website serves as a curated journey through the brand's new collection, blending the heritage of Swedish paper production with a contemporary, philosophical approach to design. It functions both as a product showcase and a conceptual space for artistic collaboration and encounter.\n\nThe visual identity is defined by a high-end, minimalist aesthetic that utilizes dramatic contrast and expansive white space. Through a blend of moody, cinematic photography and bold, authoritative typography, the design evokes a sense of elemental wonder and intellectual depth. The use of a dark-mode hero section paired with clean, light-filled product displays targets a discerning audience of designers, artists, and premium stationery enthusiasts who value both tactile quality and conceptual storytelling.",[51,52,53],[781],"JUNO",[],[120],[785,786,787,788],{"score":123,"category":75},{"score":70,"category":65},{"score":70,"category":68},{"score":429,"category":71},[790,791,792,793],{"score":175,"category":75},{"score":70,"category":65},{"score":70,"category":68},{"score":429,"category":71},[82,84,85,280,795],"teal","Website: Munken CoLab. Page: About Munken. Page type: About Us \u002F Team. Page title: About Munken | Munken CoLab. Page description: Munken paper is produced in Munkedal, a village 100 km north of Gothenburg, Sweden. Munkedal is by the Örekil river, rich in salmon and flowing into the country’s only threshold fjord, Gullmarn. Both the river and fjord are designated as nature reserves.. Page content: This is Munken Munken paper is produced in Munkedal, a village 100 km north of Gothenburg, Sweden. Munkedal is by the Örekil river, rich in salmon and flowing into the country’s only threshold fjord, Gullmarn. Both the river and fjord are designated nature reserves. The Munken mill was founded in 1871 and has always enjoyed a close relationship with its natural settings on Sweden’s beautiful and rugged west coast. Today, it is one of the world’s most environmentally-friendly paper mills – and practises sustainable production every day. The Munken mill is the first paper mill in the world to have successfully completed the Cradle to Cradle Certified™ certification. To find out more about the Munken Design Range visit: arcticpaper.com\u002Fmunken Try the range for yourself by ordering samples or a dummy for your next project: arcticpaper.com\u002Fdummyshop Design is our nature. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray, Orange, Teal. Built using PHP. AI description: Munken CoLab is a sophisticated digital platform dedicated to showcasing the intersection of high-quality papeterie and creative exploration. The website serves as a curated journey through the brand's new collection, blending the heritage of Swedish paper production with a contemporary, philosophical approach to design. It functions both as a product showcase and a conceptual space for artistic collaboration and encounter. The visual identity is defined by a high-end, minimalist aesthetic that utilizes dramatic contrast and expansive white space. Through a blend of moody, cinematic photography and bold, authoritative typography, the design evokes a sense of elemental wonder and intellectual depth. The use of a dark-mode hero section paired with clean, light-filled product displays targets a discerning audience of designers, artists, and premium stationery enthusiasts who value both tactile quality and conceptual storytelling.",{"id":798,"website_id":799,"page_id":798,"name":800,"slug":801,"url":802,"website_name":800,"website_slug":801,"website_url":803,"result_url":802,"fetched_at":804,"score":239,"score_boost":25,"ai_score":290,"freshness_score":729,"scored_at":805,"page_name":147,"page_url":802,"page_title":806,"page_description":807,"page_content":808,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":809,"cover_mobile":812,"cover_sequence":44,"translations":814,"industry":109,"styles":817,"credits":818,"font_families":819,"technologies":820,"pagespeed":821,"pagespeed_mobile":825,"buckets":829,"search_payload":830},"d1272a54-ed37-4ce5-a127-838847798c72","f3af915b-ca9f-4bf4-bf55-c52af4f304b6","CATK","catk","https:\u002F\u002Fcatk.de\u002Fstudio","https:\u002F\u002Fcatk.de","2026-05-04T10:24:21.000Z","2026-05-23T20:24:21.000Z","CATK – Studio","How we work, what we believe, what we make","Address Schönhauser Allee 163 10435 Berlin Germany ‭+49 30 54734250‬ Email New Businessconnect@catk.dePresspress@catk.deApplicationswork@catk.deGeneralhello@catk.de Studio Social & Music InstagramSoundcloudLinkedInApple MusicSpotify Clients AllCultureFashion & DesignFinanceMediaMobilitySports & LifestyleTechnology Alipay+American ExpressAppleArt Directors ClubBMWCanopy GrowthChobaniCitrixCondé NastDAADDiorFuture PublishingGoogleIBMImpossible Foods IntercomIssey MiyakeKenzoKunsthalle BernLegoLuminaryMercedes-BenzMicrosoftMojang StudiosMykitaNew TendencyNikeOktaPfizerPorsche Red BullRimowaShareFileSonosSonyTibberToyotaUnited Talent AgencyVirginVirgin MediaVizioVolvoWarner BrothersX-BoxZKM Karlsruhe Studio AboutApproachCapabilities Colors And The Kids is a Berlin-based design studio. We develop brand systems, campaigns, and sonic identities, with image, motion, and sound conceived as one discipline. Founded in 2008, partner-led ever since. We don't separate thinking from making. Strategy, design, and production happen together, by the same people. Every project starts with a conversation. There's no handoff because that is where intent gets lost. Brand identity, visual language development, creative direction, motion design, sonic identity, music production, sound design, interactive experience. Most of our work lives at the intersection of several of these. Studio Jobs Open positionsAssociate Creative DirectorSenior 3D DesignerMotion DesignerIntern View detail → ProcessListeningExplorationProductionSonic Terrain Every project starts with conversation. Not a brief — a conversation. We want to understand the brand, the context, the competitive landscape, and what's actually needed before a single frame gets designed or a single note gets composed. This matters because the biggest waste in creative work isn't bad execution, it's solving the wrong problem beautifully. The same people who sit in these early conversations are the ones who will design, animate, and compose. There's no handoff between \"the strategists\" and \"the makers\" — because that handoff is where intent gets lost. Studio Awards Red Dot, Grand PrixIBM Quantum Brand Design · 2024 Red DotIBM Quantum Brand System · 2024 Red Dot, Grand PrixForskningsrådet Identity · 2023 D&AD, Graphite PencilForskningsrådet Identity · 2023 ADC Awards, Silver CubeTV 2 Idents · 2022 D&AD, Wood PencilTV 2 Idents · 2022 EurobestTV 2 Idents · 2021 Talks Body Of Work III2026, Berlin Adobe X Forward Follow your instinct2026, Berlin Us By Night2025, Antwerp Forward Festival2025, Berlin EPDA2025, Hamburg FMX2024, Munich University of Applied Sciences2021, Trier New Digital Design Forum2021, Shanghai Filmakademie Baden-Württemberg2021, Ludwigsburg Design Fabric Festival2018, Mumbai Us By Night2017, Antwerp ECAL2015, Lausanne Studio Publications Three Dimensional 3D Graphics in Branding and Design2025, Hong kong Computer Generated, The 3D Art Anthology2022, USA Under Consideration2021 Page Magazine2021 Stash Media2021 Stash Magazine2019 Taupe Magazine2019 +81 Magazine2018, Tokyo Exhibitions Pukkelpop2025, Belgium Bauhaus Dessau2023, Dessau The Imitation Game2022, Vancouver Imagine Science Films2019, New York Pukkelpop Festival2019, Belgium Bauhaus-Symposium2019, Hong Kong Digital Graffiti2019, Miami Hau2016, Berlin Culture TeamLongevityIndependence Everyone here is excellent at what they do. Some are deep specialists who have spent years mastering a single craft. Others move fluidly across disciplines, connecting things that wouldn't otherwise meet. What they share is that they care about becoming better. Most of the team has been here for years. People stay because they have real ownership over the work, not a title that suggests it. The studio has its own rhythm, and we've learned to trust it. There are periods of intense production where everything moves fast and the days blur together. Then there are quieter stretches where we step back, experiment, research, and make things purely for ourselves. We used to think only the first mode was productive. Now we know both are essential. Some of the best ideas we've ever had arrived during the pauses. Our best work has always come from long-term relationships. With Apple, with IBM, with others we've worked alongside for years. These partnerships compound. The trust deepens, the shorthand develops, and the work gets sharper with every iteration because nobody is starting from zero. We are not set up for one-off projects. We are set up for the kind of collaboration where both sides push each other forward, and neither settles for what worked last time. The same principle applies internally. We invest in people who want to grow, and we give them the kind of projects where that growth actually matters. We think about the studio in long terms. Not in five-year plans or quarterly targets, but in a longer arc altogether. There are businesses that have endured for generations because their point of view was strong enough to evolve beyond the people who started them. That is the kind of longevity we find interesting. Not preservation, but continuity. A living thing that adapts without losing what makes it distinct. The studio has been partner-led and self-funded since 2008. No investors, no holding company, no board, no external pressure to scale beyond what makes sense. This is not a philosophical stance we announce at dinner parties. It is the structural foundation of everything else. The reason we can take on the projects we believe in and decline the ones we don't. The reason decisions are made by people who actually design, animate, and compose, rather than by a management layer that has never opened the software. Studio Studio Studio",{"id":810,"height":37,"width":38,"blurhash":811},"c29ad2a6-bb08-49db-b818-4d0d57473e07","radial-gradient(at 0 0,#fefaf6,#00000000 50%),radial-gradient(at 33% 0,#f9fdfd,#00000000 50%),radial-gradient(at 67% 0,#ecf2ed,#00000000 50%),radial-gradient(at 100% 0,#f3f3ee,#00000000 50%),radial-gradient(at 0 50%,#e3dade,#00000000 50%),radial-gradient(at 33% 50%,#dfe1e2,#00000000 50%),radial-gradient(at 67% 50%,#c7bfc4,#00000000 50%),radial-gradient(at 100% 50%,#d3c9ce,#00000000 50%),radial-gradient(at 0 100%,#e4dbde,#00000000 50%),radial-gradient(at 33% 100%,#e8e8e9,#00000000 50%),radial-gradient(at 67% 100%,#b6b1b7,#00000000 50%),radial-gradient(at 100% 100%,#c1b8bd,#00000000 50%)",{"id":813,"height":42,"width":43,"blurhash":44},"75f8e786-e38d-4265-9339-9a3fda84791e",[815],{"languages_code":47,"description":816},"CATK (Colors And The Kids) is a high-octane creative studio that operates at the intersection of design, motion, and music. The brand positions itself as a multidisciplinary powerhouse, catering to forward-thinking clients who demand sensory-rich, immersive brand experiences. Their work is characterized by a kinetic energy that bridges the gap between digital art and commercial design.\n\nThe visual identity is unapologetically bold, utilizing a maximalist approach to color and texture. By blending surreal 3D renders, vibrant organic forms, and high-contrast typography, CATK creates a playground of visual stimulation. The aesthetic leans into a playful yet sophisticated digital surrealism, making it an ideal partner for brands looking to break through the noise with avant-garde motion and high-fidelity visual storytelling.",[161,306,162],[],[],[264,265,266],[822,823,824],{"score":67,"category":65},{"score":70,"category":68},{"score":70,"category":71},[826,827,828],{"score":67,"category":65},{"score":175,"category":68},{"score":70,"category":71},[82,84,85,83,326],"Website: CATK. Page: Studio. Page type: About Us \u002F Team. Page title: CATK – Studio. Page description: How we work, what we believe, what we make. Page content: Address Schönhauser Allee 163 10435 Berlin Germany ‭+49 30 54734250‬ Email New Businessconnect@catk.dePresspress@catk.deApplicationswork@catk.deGeneralhello@catk.de Studio Social & Music InstagramSoundcloudLinkedInApple MusicSpotify Clients AllCultureFashion & DesignFinanceMediaMobilitySports & LifestyleTechnology Alipay+American ExpressAppleArt Directors ClubBMWCanopy GrowthChobaniCitrixCondé NastDAADDiorFuture PublishingGoogleIBMImpossible Foods IntercomIssey MiyakeKenzoKunsthalle BernLegoLuminaryMercedes-BenzMicrosoftMojang StudiosMykitaNew TendencyNikeOktaPfizerPorsche Red BullRimowaShareFileSonosSonyTibberToyotaUnited Talent AgencyVirginVirgin MediaVizioVolvoWarner BrothersX-BoxZKM Karlsruhe Studio AboutApproachCapabilities Colors And The Kids is a Berlin-based design studio. We develop brand systems, campaigns, and sonic identities, with image, motion, and sound conceived as one discipline. Founded in 2008, partner-led ever since. We don't separate thinking from making. Strategy, design, and production happen together, by the same people. Every project starts with a conversation. There's no handoff because that is where intent gets lost. Brand identity, visual language development, creative direction, motion design, sonic identity, music production, sound design, interactive experience. Most of our work lives at the intersection of several of these. Studio Jobs Open positionsAssociate Creative DirectorSenior 3D DesignerMotion DesignerIntern View detail → ProcessListeningExplorationProductionSonic Terrain Every project starts with conversation. Not a brief — a conversation. We want to understand the brand, the context, the competitive landscape, and what's actually needed before a single frame gets designed or a single note gets composed. This matters because the biggest waste in creative work isn't bad execution, it's solving the wrong problem beautifully. The same people who sit in these early conversations are the ones who will design, animate, and compose. There's no handoff between \"the strategists\" and \"the makers\" — because that handoff is where intent gets lost. Studio Awards Red Dot, Grand PrixIBM Quantum Brand Design · 2024 Red DotIBM Quantum Brand System · 2024 Red Dot, Grand PrixForskningsrådet Identity · 2023 D&AD, Graphite PencilForskningsrådet Identity · 2023 ADC Awards, Silver CubeTV 2 Idents · 2022 D&AD, Wood PencilTV 2 Idents · 2022 EurobestTV 2 Idents · 2021 Talks Body Of Work III2026, Berlin Adobe X Forward Follow your instinct2026, Berlin Us By Night2025, Antwerp Forward Festival2025, Berlin EPDA2025, Hamburg FMX2024, Munich University of Applied Sciences2021, Trier New Digital Design Forum2021, Shanghai Filmakademie Baden-Württemberg2021, Ludwigsburg Design Fabric Festival2018, Mumbai Us By Night2017, Antwerp ECAL2015, Lausanne Studio Publications Three Dimensional 3D Graphics in Branding and Design2025, Hong kong Computer Generated, The 3D Art Anthology2022, USA Under Consideration2021 Page Magazine2021 Stash Media2021 Stash Magazine2019 Taupe Magazine2019 +81 Magazine2018, Tokyo Exhibitions Pukkelpop2025, Belgium Bauhaus Dessau2023, Dessau The Imitation Game2022, Vancouver Imagine Science Films2019, New York Pukkelpop Festival2019, Belgium Bauhaus-Symposium2019, Hong Kong Digital Graffiti2019, Miami Hau2016, Berlin Culture TeamLongevityIndependence Everyone here is excellent at what they do. Some are deep specialists who have spent years mastering a single craft. Others move fluidly across disciplines, connecting things that wouldn't otherwise meet. What they share is that they care about becoming better. Most of the team has been here for years. People stay because they have real ownership over the work, not a title that suggests it. The studio has its own rhythm, and we've learned to trust it. There are periods of intense production where everything moves fast and the days blur together. Then there are quieter stretches where we step back, experiment, research, and make things purely for ourselves. We used to think only the first mode was productive. Now we know both are essential. Some of the best ideas we've ever had arrived during the pauses. Our best work has always come from long-term relationships. With Apple, with IBM, with others we've worked alongside for years. These partnerships compound. The trust deepens, the shorthand develops, and the work gets sharper with every iteration because nobody is starting from zero. We are not set up for one-off projects. We are set up for the kind of collaboration where both sides push each other forward, and neither settles for what worked last time. The same principle applies internally. We invest in people who want to grow, and we give them the kind of projects where that growth actually matters. We think about the studio in long terms. Not in five-year plans or quarterly targets, but in a longer arc altogether. There are businesses that have endured for generations because their point of view was strong enough to evolve beyond the people who started them. That is the kind of longevity we find interesting. Not preservation, but continuity. A living thing that adapts without losing what makes it distinct. The studio has been partner-led and self-funded since 2008. No investors, no holding company, no board, no external pressure to scale beyond what makes sense. This is not a philosophical stance we announce at dinner parties. It is the structural foundation of everything else. The reason we can take on the projects we believe in and decline the ones we don't. The reason decisions are made by people who actually design, animate, and compose, rather than by a management layer that has never opened the software. Studio Studio Studio. A 3D \u002F Spatial, Fun \u002F Playful, Vibrant \u002F Colorful website in the Agency & Studio industry. The overall color palette features White, Black, Gray, Brown, Green. Built using Next.js, Node.js, React. AI description: CATK (Colors And The Kids) is a high-octane creative studio that operates at the intersection of design, motion, and music. The brand positions itself as a multidisciplinary powerhouse, catering to forward-thinking clients who demand sensory-rich, immersive brand experiences. Their work is characterized by a kinetic energy that bridges the gap between digital art and commercial design. The visual identity is unapologetically bold, utilizing a maximalist approach to color and texture. By blending surreal 3D renders, vibrant organic forms, and high-contrast typography, CATK creates a playground of visual stimulation. The aesthetic leans into a playful yet sophisticated digital surrealism, making it an ideal partner for brands looking to break through the noise with avant-garde motion and high-fidelity visual storytelling.",{"id":832,"website_id":833,"page_id":832,"name":834,"slug":835,"url":836,"website_name":834,"website_slug":835,"website_url":837,"result_url":836,"fetched_at":838,"score":239,"score_boost":25,"ai_score":290,"freshness_score":729,"scored_at":839,"page_name":97,"page_url":836,"page_title":840,"page_description":841,"page_content":842,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":843,"cover_mobile":846,"cover_sequence":44,"translations":848,"industry":851,"styles":852,"credits":853,"font_families":854,"technologies":856,"pagespeed":857,"pagespeed_mobile":862,"buckets":867,"search_payload":868},"aa66e1a2-bad6-4750-a65f-c3446b7e3d1a","f4d53564-853a-4cf0-bdf8-4d33e1dfb06e","Margin","margin","https:\u002F\u002Fmargin.global\u002Fpages\u002Fabout","https:\u002F\u002Fmargin.global","2026-05-04T08:15:11.000Z","2026-05-23T20:23:03.000Z","About the Brand – MARGIN","MARGIN began as a simple search for skincare products that didn’t compromise. In response to the outdated formulas, underwhelming effectiveness, and juvenile marketing tropes of yesterday’s brands, we create scientifically sound, active ingredient rich skincare solutions to effect change and elevate your edges.","At MARGIN, we create multifunctional performance products for your skin and senses. Applying advances in material science and biotechnology, we condense multi-step routines into clinically effective hybrid essentials that deliver compound benefits so you can do more with less. Founded in 2020 as an R&D project and officially launched in 2022, our offering reflects our quest for clean, clinically effective skin solutions that embrace the continued advances in skin science. Working with world leaders in biotechnology and cosmetic chemistry, we create products that maximize function without sacrificing form. Proudly designed, developed and manufactured in North America.",{"id":844,"height":37,"width":38,"blurhash":845},"f4ea7ae8-cb5d-4e38-991d-76f89a9b4380","radial-gradient(at 0 0,#fefdf1,#00000000 50%),radial-gradient(at 33% 0,#fefdf2,#00000000 50%),radial-gradient(at 67% 0,#fffff3,#00000000 50%),radial-gradient(at 100% 0,#fffff3,#00000000 50%),radial-gradient(at 0 50%,#ebeadf,#00000000 50%),radial-gradient(at 33% 50%,#f2f1e6,#00000000 50%),radial-gradient(at 67% 50%,#faf9ef,#00000000 50%),radial-gradient(at 100% 50%,#faf9ef,#00000000 50%),radial-gradient(at 0 100%,#fcfbef,#00000000 50%),radial-gradient(at 33% 100%,#fdfcf0,#00000000 50%),radial-gradient(at 67% 100%,#fffef2,#00000000 50%),radial-gradient(at 100% 100%,#fffef2,#00000000 50%)",{"id":847,"height":42,"width":43,"blurhash":44},"fcc0d6c5-f416-43ba-9920-81d862fbf3a8",[849],{"languages_code":47,"description":850},"Margin is a contemporary skincare brand that positions itself as a high-performance alternative to traditional, ineffective beauty products. The website serves as a sleek digital storefront, emphasizing scientific efficacy and clean ingredients through a sophisticated, direct-to-consumer approach. It targets a discerning, modern audience that values transparency, minimalist aesthetics, and results-driven formulations.\n\nThe visual identity is defined by a moody, cinematic atmosphere, utilizing deep blue tones and high-contrast macro photography to evoke a sense of luxury and purity. The design is unapologetically minimalist, leaning heavily on bold, oversized typography and expansive negative space to create a premium, editorial feel. This stripped-back aesthetic mirrors the brand's philosophy of providing essential, high-impact care without unnecessary filler.","Beauty & Cosmetics",[51,256,52],[],[855,260,261,502],"Rom",[506],[858,859,860,861],{"score":269,"category":75},{"score":181,"category":65},{"score":175,"category":68},{"score":67,"category":71},[863,864,865,866],{"score":513,"category":75},{"score":77,"category":65},{"score":175,"category":68},{"score":67,"category":71},[82,84,85],"Website: Margin. Page: About. Page type: About Us \u002F Team. Page title: About the Brand – MARGIN. Page description: MARGIN began as a simple search for skincare products that didn’t compromise. In response to the outdated formulas, underwhelming effectiveness, and juvenile marketing tropes of yesterday’s brands, we create scientifically sound, active ingredient rich skincare solutions to effect change and elevate your edges.. Page content: At MARGIN, we create multifunctional performance products for your skin and senses. Applying advances in material science and biotechnology, we condense multi-step routines into clinically effective hybrid essentials that deliver compound benefits so you can do more with less. Founded in 2020 as an R&D project and officially launched in 2022, our offering reflects our quest for clean, clinically effective skin solutions that embrace the continued advances in skin science. Working with world leaders in biotechnology and cosmetic chemistry, we create products that maximize function without sacrificing form. Proudly designed, developed and manufactured in North America.. A Clean \u002F Minimalist, Dark Mode, High-End \u002F Luxury website in the Beauty & Cosmetics industry. The overall color palette features White, Black, Gray. The typography features Rom (Sans Serif, Dinamo), Geist (Sans Serif), Geist Mono, GT Standard (Sans Serif, Grilli Type). Built using Shopify. AI description: Margin is a contemporary skincare brand that positions itself as a high-performance alternative to traditional, ineffective beauty products. The website serves as a sleek digital storefront, emphasizing scientific efficacy and clean ingredients through a sophisticated, direct-to-consumer approach. It targets a discerning, modern audience that values transparency, minimalist aesthetics, and results-driven formulations. The visual identity is defined by a moody, cinematic atmosphere, utilizing deep blue tones and high-contrast macro photography to evoke a sense of luxury and purity. The design is unapologetically minimalist, leaning heavily on bold, oversized typography and expansive negative space to create a premium, editorial feel. This stripped-back aesthetic mirrors the brand's philosophy of providing essential, high-impact care without unnecessary filler.",{"id":870,"website_id":871,"page_id":870,"name":872,"slug":873,"url":874,"website_name":872,"website_slug":873,"website_url":875,"result_url":874,"fetched_at":876,"score":239,"score_boost":25,"ai_score":290,"freshness_score":729,"scored_at":877,"page_name":97,"page_url":874,"page_title":878,"page_description":879,"page_content":880,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":881,"cover_mobile":884,"cover_sequence":44,"translations":886,"industry":109,"styles":889,"credits":890,"font_families":891,"technologies":901,"pagespeed":907,"pagespeed_mobile":912,"buckets":918,"search_payload":919},"e97940cc-1828-4265-81fa-529cad3b6c6a","f7425c46-a733-41c1-b886-9a54d1cf7ab7","Goodtypefoundry","goodtypefoundry","https:\u002F\u002Fgoodtypefoundry.com\u002Fabout","https:\u002F\u002Fgoodtypefoundry.com","2026-05-04T08:05:18.000Z","2026-05-23T19:10:02.000Z","About – Good Type Foundry","Good Type Foundry is an award winning type foundry, offering retail and custom typefaces for both digital and printed use. We design, develop and publish contemporary typefaces with high attention to detail. Good Type Foundry originated somewhere between 2014 and 2015, with our first release in 2016, in Oslo, Norway. Since then our main goal has been…","About Good Type Foundry is an award winning type foundry, offering retail and custom typefaces for both digital and printed use. We design, develop and publish contemporary typefaces with high attention to detail. Good Type Foundry originated somewhere between 2014 and 2015, with our first release in 2016, in Oslo, Norway. Since then our main goal has been to create contemporary typefaces with lots of character and clean aesthetics. Our retail typefaces varies from quirky display fonts to more serious sans serifs for a wide range of use. In addition to retail typefaces, we collaborate with agencies, designers and brands, and offer custom type work ranging from individual logotypes to full type families. As well as customization of our existing typefaces and adding of language extensions. Services include design and development of logotypes, lettering, custom font styles and weights as well as full type families. Please send an email to po\\\\@\\\\\\\\\\\\\\\\\\\\\\\\\\ry.com if you are interested in collaboration, custom typefaces — or have any questions regarding our retail typefaces. \\\\\\ OUT OF OFFICE 13.-17. april. Any e-mails will be answered as soon as possible. Thanks for understanding 🙂 \\\\\\* Solveig (Studio Manager) and Kenneth (Type Designer)",{"id":882,"height":37,"width":38,"blurhash":883},"ccdb608d-6f8c-4bcd-a200-3a93feca8bd0","radial-gradient(at 0 0,#000000,#00000000 50%),radial-gradient(at 33% 0,#202300,#00000000 50%),radial-gradient(at 67% 0,#2f3436,#00000000 50%),radial-gradient(at 100% 0,#122300,#00000000 50%),radial-gradient(at 0 50%,#000000,#00000000 50%),radial-gradient(at 33% 50%,#302424,#00000000 50%),radial-gradient(at 67% 50%,#413b3a,#00000000 50%),radial-gradient(at 100% 50%,#221616,#00000000 50%),radial-gradient(at 0 100%,#000000,#00000000 50%),radial-gradient(at 33% 100%,#333a3a,#00000000 50%),radial-gradient(at 67% 100%,#515454,#00000000 50%),radial-gradient(at 100% 100%,#2c3030,#00000000 50%)",{"id":885,"height":42,"width":43,"blurhash":44},"c0cdae01-da4e-4bf7-b54b-d86a31603f79",[887],{"languages_code":47,"description":888},"Good Type Foundry is a premier digital type foundry that specializes in the creation and distribution of high-quality, contemporary typefaces. Serving both retail customers and high-profile agencies, the foundry offers a curated selection of fonts designed for diverse applications across digital and print media, alongside bespoke custom typeface services for global brands.\n\nThe visual identity is unapologetically typographic, utilizing a high-contrast, dark-mode aesthetic that allows the letterforms to command absolute attention. The design language is characterized by a sophisticated minimalism, employing bold, oversized type and pill-shaped containers to create a rhythmic, gallery-like browsing experience. It is a space designed for designers and creative professionals who value precision, character, and cutting-edge aesthetic expression.",[51,256,53],[],[116,892,892,892,892,892,892,892,892,892,892,892,892,893,893,894,894,894,894,894,894,894,894,894,894,895,895,895,895,895,895,895,895,895,895,896,896,896,896,896,896,896,897,897,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,898,899,899,899,899,899,900,900],"Adieu","Agentur","Byrd","Ekstra","Opposit","Plakat Grotesk","Solina","Soya","Tekno",[902,118,903,904,120,905,168,906],"Jetpack","MailChimp","MailChimp for WooCommerce","WooCommerce","WordPress Block Editor",[908,909,910,911],{"score":181,"category":75},{"score":175,"category":65},{"score":70,"category":68},{"score":70,"category":71},[913,915,916,917],{"score":914,"category":75},68,{"score":77,"category":65},{"score":70,"category":68},{"score":70,"category":71},[84,82,85],"Website: Goodtypefoundry. Page: About. Page type: About Us \u002F Team. Page title: About – Good Type Foundry. Page description: Good Type Foundry is an award winning type foundry, offering retail and custom typefaces for both digital and printed use. We design, develop and publish contemporary typefaces with high attention to detail. Good Type Foundry originated somewhere between 2014 and 2015, with our first release in 2016, in Oslo, Norway. Since then our main goal has been…. Page content: About Good Type Foundry is an award winning type foundry, offering retail and custom typefaces for both digital and printed use. We design, develop and publish contemporary typefaces with high attention to detail. Good Type Foundry originated somewhere between 2014 and 2015, with our first release in 2016, in Oslo, Norway. Since then our main goal has been to create contemporary typefaces with lots of character and clean aesthetics. Our retail typefaces varies from quirky display fonts to more serious sans serifs for a wide range of use. In addition to retail typefaces, we collaborate with agencies, designers and brands, and offer custom type work ranging from individual logotypes to full type families. As well as customization of our existing typefaces and adding of language extensions. Services include design and development of logotypes, lettering, custom font styles and weights as well as full type families. Please send an email to po\\\\@\\\\\\\\\\\\\\\\\\\\\\\\\\ry.com if you are interested in collaboration, custom typefaces — or have any questions regarding our retail typefaces. \\\\\\ OUT OF OFFICE 13.-17. april. Any e-mails will be answered as soon as possible. Thanks for understanding 🙂 \\\\\\* Solveig (Studio Manager) and Kenneth (Type Designer). A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features Black, White, Gray. The typography features Times New Roman (Serif), Adieu (Sans Serif, Good Type), Adieu (Sans Serif, Good Type), Adieu (Sans Serif, Good Type), Adieu (Sans Serif, Good Type), Adieu (Sans Serif, Good Type), Adieu (Sans Serif, Good Type), Adieu (Sans Serif, Good Type), Adieu (Sans Serif, Good Type), Adieu (Sans Serif, Good Type), Adieu (Sans Serif, Good Type), Adieu (Sans Serif, Good Type), Adieu (Sans Serif, Good Type), Agentur (Display, Good Type), Agentur (Display, Good Type), Byrd (Sans Serif, Good Type), Byrd (Sans Serif, Good Type), Byrd (Sans Serif, Good Type), Byrd (Sans Serif, Good Type), Byrd (Sans Serif, Good Type), Byrd (Sans Serif, Good Type), Byrd (Sans Serif, Good Type), Byrd (Sans Serif, Good Type), Byrd (Sans Serif, Good Type), Byrd (Sans Serif, Good Type), Ekstra (Sans Serif, Good Type), Ekstra (Sans Serif, Good Type), Ekstra (Sans Serif, Good Type), Ekstra (Sans Serif, Good Type), Ekstra (Sans Serif, Good Type), Ekstra (Sans Serif, Good Type), Ekstra (Sans Serif, Good Type), Ekstra (Sans Serif, Good Type), Ekstra (Sans Serif, Good Type), Ekstra (Sans Serif, Good Type), Opposit (Display, Good Type), Opposit (Display, Good Type), Opposit (Display, Good Type), Opposit (Display, Good Type), Opposit (Display, Good Type), Opposit (Display, Good Type), Opposit (Display, Good Type), Plakat Grotesk (Sans Serif, Good Type), Plakat Grotesk (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Solina (Sans Serif, Good Type), Soya (Display, Good Type), Soya (Display, Good Type), Soya (Display, Good Type), Soya (Display, Good Type), Soya (Display, Good Type), Tekno (Display, Good Type), Tekno (Display, Good Type). Built using Jetpack, jQuery, MailChimp, MailChimp for WooCommerce, PHP, WooCommerce, WordPress, WordPress Block Editor. AI description: Good Type Foundry is a premier digital type foundry that specializes in the creation and distribution of high-quality, contemporary typefaces. Serving both retail customers and high-profile agencies, the foundry offers a curated selection of fonts designed for diverse applications across digital and print media, alongside bespoke custom typeface services for global brands. The visual identity is unapologetically typographic, utilizing a high-contrast, dark-mode aesthetic that allows the letterforms to command absolute attention. The design language is characterized by a sophisticated minimalism, employing bold, oversized type and pill-shaped containers to create a rhythmic, gallery-like browsing experience. It is a space designed for designers and creative professionals who value precision, character, and cutting-edge aesthetic expression.",{"id":921,"website_id":922,"page_id":921,"name":923,"slug":924,"url":925,"website_name":923,"website_slug":924,"website_url":926,"result_url":925,"fetched_at":927,"score":239,"score_boost":25,"ai_score":26,"freshness_score":729,"scored_at":928,"page_name":929,"page_url":925,"page_title":930,"page_description":931,"page_content":932,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":933,"cover_mobile":936,"cover_sequence":44,"translations":938,"industry":254,"styles":941,"credits":942,"font_families":943,"technologies":945,"pagespeed":948,"pagespeed_mobile":953,"buckets":958,"search_payload":959},"3486285c-17e2-4aa9-88f3-e88cef4d9d06","f93549b3-a0a8-4edc-b523-ef3cc6ee9ca7","Nordhealth","nordhealth","https:\u002F\u002Fnordhealth.com\u002Fcompany","https:\u002F\u002Fnordhealth.com","2026-05-04T00:03:41.000Z","2026-05-23T19:21:47.000Z","Company","Company | Nordhealth","Thousands of healthcare and veterinary professionals around the world use Nordhealth’s software and APIs to help improve care, save time and grow their business.","Company We’re not your traditional healthcare software provider. For starters, we have strong Nordic roots. That drives us to challenge the status quo with modern design thinking and innovation. About Nordhealth as a company We’re all problem solvers at heart and love to get our teeth into new challenges regardless of complexity. But we don’t just build our own software, we also acquire others. We’ve been doing this since 2001 and we’re now the leading healthcare software provider in the Nordics. > Provet is available in 44 countries supporting over 70,000 customers... — CEO Charles MacBain, Interviewed on Finansavisen Over 70 thousand healthcare professionals around the world use our software. This means that we affect over 20 million patients, a number that is growing daily. We’re immensely proud to make a change at this scale. You’re probably wondering what the secret is behind consistent delivery and sustained growth? Long days, too many coffees and frayed nerves? That's not how we do things. > ...the software itself is not everything, it’s part of a complete package including our service... — CIO Janne Huttunen, Accepting the 2022 Finnish Software Entrepreneur of the Year award In the Nordics, there’s a saying “the morning is wiser than the evening.” It means if you’re not sure, sleep on it. Sounds simple but it holds a lot of wisdom. It’s how we remain at the sharp end of digital healthcare. We’re efficient and driven, but understand that big decisions require time and refined thought. Our mission is to redefine digital healthcare. Our values With every ambition, comes a set of values. Ones that shape our day to day culture, define who we are, what we do, and how we push forward. Put customers first Never overlook what really matters. Great service, ease of use, honest pricing, and respect for our customer’s time, money, and trust. Take ownership Think long-term and take initiative. Care about the outcome. Be accountable. Do the right thing for us, our customers, and the team. Do more with less Simplicity is the key to great results. Create fewer features, but make them great instead of just good. Dare to say “no” to prevent the core from being lost in the noise. Be stronger together Engage beginners and attract experts to grow excellent teams. This isn’t something we do on our own — it’s all about sharing and exchanging ideas. Embrace change Challenge the status quo. Seek out and embrace continuous change, evolution, and improvement.",{"id":934,"height":37,"width":38,"blurhash":935},"238b17a9-83c0-4720-8eee-50e75f77cd73","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#faf4f5,#00000000 50%),radial-gradient(at 100% 0,#fff9fa,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#fffdfc,#00000000 50%),radial-gradient(at 67% 50%,#f1f0ee,#00000000 50%),radial-gradient(at 100% 50%,#fcfbfc,#00000000 50%),radial-gradient(at 0 100%,#edf1f3,#00000000 50%),radial-gradient(at 33% 100%,#e5e9e7,#00000000 50%),radial-gradient(at 67% 100%,#c2c7c9,#00000000 50%),radial-gradient(at 100% 100%,#d0d2d5,#00000000 50%)",{"id":937,"height":42,"width":43,"blurhash":44},"10d4ce82-f54d-495b-8430-3e1a753f0a63",[939],{"languages_code":47,"description":940},"Nordhealth is a sophisticated digital health platform dedicated to empowering healthcare and veterinary professionals through advanced software and APIs. By bridging the gap between complex medical needs and seamless digital management, the company aims to redefine the standard of care, allowing practitioners to focus more on patients and less on administrative friction.\n\nThe visual identity is strikingly modern, utilizing a bold, high-contrast color palette dominated by a deep, authoritative blue. The design language leans heavily into large, confident typography and a clean, spacious layout that communicates both innovation and reliability. It strikes a perfect balance between a cutting-edge tech aesthetic and the professional stability required in the healthcare sector, targeting decision-makers who value efficiency and modern design thinking.",[51,547,53],[],[550,944],"Roboto",[946,947],"Amazon Web Services","Eleventy",[949,950,951,952],{"score":123,"category":75},{"score":70,"category":65},{"score":70,"category":68},{"score":70,"category":71},[954,955,956,957],{"score":635,"category":75},{"score":70,"category":65},{"score":70,"category":68},{"score":70,"category":71},[82,84,85],"Website: Nordhealth. Page: Company. Page type: About Us \u002F Team. Page title: Company | Nordhealth. Page description: Thousands of healthcare and veterinary professionals around the world use Nordhealth’s software and APIs to help improve care, save time and grow their business.. Page content: Company We’re not your traditional healthcare software provider. For starters, we have strong Nordic roots. That drives us to challenge the status quo with modern design thinking and innovation. About Nordhealth as a company We’re all problem solvers at heart and love to get our teeth into new challenges regardless of complexity. But we don’t just build our own software, we also acquire others. We’ve been doing this since 2001 and we’re now the leading healthcare software provider in the Nordics. > Provet is available in 44 countries supporting over 70,000 customers... — CEO Charles MacBain, Interviewed on Finansavisen Over 70 thousand healthcare professionals around the world use our software. This means that we affect over 20 million patients, a number that is growing daily. We’re immensely proud to make a change at this scale. You’re probably wondering what the secret is behind consistent delivery and sustained growth? Long days, too many coffees and frayed nerves? That's not how we do things. > ...the software itself is not everything, it’s part of a complete package including our service... — CIO Janne Huttunen, Accepting the 2022 Finnish Software Entrepreneur of the Year award In the Nordics, there’s a saying “the morning is wiser than the evening.” It means if you’re not sure, sleep on it. Sounds simple but it holds a lot of wisdom. It’s how we remain at the sharp end of digital healthcare. We’re efficient and driven, but understand that big decisions require time and refined thought. Our mission is to redefine digital healthcare. Our values With every ambition, comes a set of values. Ones that shape our day to day culture, define who we are, what we do, and how we push forward. Put customers first Never overlook what really matters. Great service, ease of use, honest pricing, and respect for our customer’s time, money, and trust. Take ownership Think long-term and take initiative. Care about the outcome. Be accountable. Do the right thing for us, our customers, and the team. Do more with less Simplicity is the key to great results. Create fewer features, but make them great instead of just good. Dare to say “no” to prevent the core from being lost in the noise. Be stronger together Engage beginners and attract experts to grow excellent teams. This isn’t something we do on our own — it’s all about sharing and exchanging ideas. Embrace change Challenge the status quo. Seek out and embrace continuous change, evolution, and improvement.. A Clean \u002F Minimalist, Corporate \u002F Professional, Typographic \u002F Big Type website in the SaaS & Software industry. The overall color palette features White, Black, Gray. The typography features Inter (Sans Serif), Roboto (Sans Serif). Built using Amazon Web Services, Eleventy. AI description: Nordhealth is a sophisticated digital health platform dedicated to empowering healthcare and veterinary professionals through advanced software and APIs. By bridging the gap between complex medical needs and seamless digital management, the company aims to redefine the standard of care, allowing practitioners to focus more on patients and less on administrative friction. The visual identity is strikingly modern, utilizing a bold, high-contrast color palette dominated by a deep, authoritative blue. The design language leans heavily into large, confident typography and a clean, spacious layout that communicates both innovation and reliability. It strikes a perfect balance between a cutting-edge tech aesthetic and the professional stability required in the healthcare sector, targeting decision-makers who value efficiency and modern design thinking.",{"id":961,"website_id":962,"page_id":961,"name":963,"slug":964,"url":965,"website_name":963,"website_slug":964,"website_url":966,"result_url":965,"fetched_at":967,"score":239,"score_boost":25,"ai_score":77,"freshness_score":729,"scored_at":968,"page_name":8,"page_url":965,"page_title":969,"page_description":970,"page_content":971,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":972,"cover_mobile":975,"cover_sequence":44,"translations":977,"industry":254,"styles":980,"credits":981,"font_families":984,"technologies":990,"pagespeed":44,"pagespeed_mobile":44,"buckets":991,"search_payload":992},"aab2531d-8074-41f0-97a3-f5e0257a1a8d","f911dcee-c137-4be7-bcb1-8bf6a9930294","Contra","contra","https:\u002F\u002Fcontra.com\u002Fpartners","https:\u002F\u002Fcontra.com","2026-05-03T23:57:27.000Z","2026-05-23T19:26:40.000Z","Contra | Partner program for creator tools","Engage and empower your best users to grow your product with Contra, a professional network for the jobs and skills of the future trusted by 1M+ independents and 50K+ companies.","[ ](https:\u002F\u002Fcontra.com) Payments Partnerships [ Contra Labs ](https:\u002F\u002Fcontralabs.com) [ Sign up ](https:\u002F\u002Fcontra.com\u002Fsign-up?userType=client) Log in CREATOR TOOL PARTNERSHIPS Build a professional UGC machine Activate top-earning creative talent to generate proof-driven content (real creations, real workflows, real results) that floods LinkedIn and X with your tool. Reach 1M+ independents. [ Request partnership ](https:\u002F\u002Fcalendly.com\u002Fpartnerships-contra\u002Fcontra-partnership-request) Partner Program Bolt Projects +55% 804 Adriano I’ve made $100k+ in the last 12 months as a Framer expert on Contra. It was one of the best moves of my freelance career! 16 4 88 Cayo Rive Expert Recommended 12x Trusted by 1M+ freelancers and 50K+ teams like - - - - - - - - - - - - - - - - - - - - [ Framer ](https:\u002F\u002Fcontra.com\u002Fframer) [ Figma ](https:\u002F\u002Fcontra.com\u002Fpartnerships\u002Ffigma-product-love\u002F) [ Anything ](https:\u002F\u002Fcontra.com\u002Fanything) [ Flutterflow ](https:\u002F\u002Fcontra.com\u002Fflutterflow) [ Replit ](https:\u002F\u002Fcontra.com\u002Freplit) [ HeyGen ](https:\u002F\u002Fcontra.com\u002Fheygen) [ Bolt ](https:\u002F\u002Fcontra.com\u002Fbolt) [ Capcut ](https:\u002F\u002Fcontra.com\u002Fcommunity\u002Ftopic\u002Fcapcut) [ Kajabi ](https:\u002F\u002Fcontra.com\u002Fkajabi) [ Webflow ](https:\u002F\u002Fcontra.com\u002Fwebflow) [ Retool ](https:\u002F\u002Fcontra.com\u002Fretool) [ Ideogram ](https:\u002F\u002Fcontra.com\u002Fideogram) [ Flora ](https:\u002F\u002Fcontra.com\u002Fflora) [ Agent.so ](https:\u002F\u002Fcontra.com\u002Fagent) [ Glide ](https:\u002F\u002Fcontra.com\u002Fglide) [ Bubble ](https:\u002F\u002Fcontra.com\u002Fbubble) [ Buildship ](https:\u002F\u002Fcontra.com\u002Fbuildship) [ Framer Commerce ](https:\u002F\u002Fcontra.com\u002Fframercommerce) [ Frameship ](https:\u002F\u002Fcontra.com\u002Fframeship) [ Glorify ](https:\u002F\u002Fcontra.com\u002Fglorify) [ General Assembly ](https:\u002F\u002Fcontra.com\u002Fgeneralassembly) [ Instant ](https:\u002F\u002Fcontra.com\u002Finstant) [ Jitter ](https:\u002F\u002Fcontra.com\u002Fjitter) [ Kit ](https:\u002F\u002Fcontra.com\u002Fkit) [ Kittl ](https:\u002F\u002Fcontra.com\u002Fkittl) [ LottieFiles ](https:\u002F\u002Fcontra.com\u002Flottiefiles) [ Lummi ](https:\u002F\u002Fcontra.com\u002Flummi) [ Lovable ](https:\u002F\u002Fcontra.com\u002Flovable) [ Lovart ](https:\u002F\u002Fcontra.com\u002Flovart) [ MagicPath ](https:\u002F\u002Fcontra.com\u002Fmagicpath) [ Pagedeck ](https:\u002F\u002Fcontra.com\u002Fpagedeck) [ PeachWeb ](https:\u002F\u002Fcontra.com\u002Fpeachweb) [ Readymag ](https:\u002F\u002Fcontra.com\u002Freadymag) [ Relume ](https:\u002F\u002Fcontra.com\u002Frelume) [ Replo ](https:\u002F\u002Fcontra.com\u002Freplo) [ Rive ](https:\u002F\u002Fcontra.com\u002Frive) [ Spline ](https:\u002F\u002Fcontra.com\u002Fspline) [ Stripo ](https:\u002F\u002Fcontra.com\u002Fstripo) [ Tempo Labs ](https:\u002F\u002Fcontra.com\u002Ftempo) [ Unicorn Studio ](https:\u002F\u002Fcontra.com\u002Funicornstudio) [ Webstudio ](https:\u002F\u002Fcontra.com\u002Fwebstudio) Connecting tools with the talent of the future Hands-off challenge execution and professional UGC at scale, trusted by the world's most ambitious creator tools. SUCCESS STORY How Framer built a professional UGC engine with Contra “Contra allows us to act like a 1,000-person team with only 40 full-time employees.” Aroa Gil Bo Head of Customer Success, Framer 1.9K+ verified Framer experts 7.7K+ paid projects for experts $25M+ in Framer opportunities Turn challenges into a content engine Generate hundreds of new projects through monthly challenges, making Contra your next big UGC marketing channel. Hands-off challenge execution: Contra manages setup, marketing, and shortlisting Campaigns amplified to the right audience to produce predictable, high-quality cross-platform UGC Clear reporting to track performance and ROI View all challenges SPLINE EXPERT RIVE EXPERT FRAMER EXPERT Discover and showcase your best users Challenges surface your most talented users and what they're creating with your tool. Identify top challenge participants as verified experts with a dedicated badge Track the projects they build and the revenue they generate using your tool Give your customers direct access to experts for hands-on support Flood social with professional-grade UGC about your tool Proof-driven content that positions your tool as the one everyone is building with. 600+ participants and 300+ submissions per challenge on average 1M+ social impressions across LinkedIn, X, and Instagram Custom co-branded marketing assets and external ad campaigns Kickstart a challenge on Contra Partnerships with Contra fuel forward-thinking creative brands [ ](https:\u002F\u002Fframer.com\u002F) “Contra gets us in front of the right creatives. It’s been instrumental in growing awareness around Framer.” 1.8M monthly impressions 15% click through rate ![](https:\u002F\u002Fframerusercontent.com\u002Fimages\u002FOjgqF95mWIblk4WHMRnPPywV0 …",{"id":973,"height":37,"width":38,"blurhash":974},"ddcf6877-8836-471c-b4f0-91bc0f99e6df","radial-gradient(at 0 0,#fffeff,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ebece9,#00000000 50%),radial-gradient(at 33% 50%,#ebedef,#00000000 50%),radial-gradient(at 67% 50%,#f0efec,#00000000 50%),radial-gradient(at 100% 50%,#f0eee7,#00000000 50%),radial-gradient(at 0 100%,#e1e2e3,#00000000 50%),radial-gradient(at 33% 100%,#f2f4f6,#00000000 50%),radial-gradient(at 67% 100%,#f5f2f3,#00000000 50%),radial-gradient(at 100% 100%,#e8e5e5,#00000000 50%)",{"id":976,"height":42,"width":43,"blurhash":44},"7aa98d79-5456-4d73-b804-31bac9a8008d",[978],{"languages_code":47,"description":979},"Contra is a sophisticated professional network designed to empower the next generation of independent creatives and companies. By offering a commission-free ecosystem, the platform bridges the gap between high-tier talent and forward-thinking businesses, facilitating seamless project discovery, management, and payment. It positions itself not just as a job board, but as a comprehensive toolkit for the modern freelancer economy.\n\nThe visual identity is rooted in a clean, high-end aesthetic that balances professional utility with creative flair. Utilizing a spacious layout, refined typography, and a subtle, sophisticated color palette, the design communicates trust and modernity. The use of soft shadows, rounded containers, and high-quality imagery creates a premium user experience that appeals to digital natives, designers, and tech-savvy entrepreneurs alike.",[51,547,53],[982,983],"Erin Horner","Ry Magno",[502,502,985,985,985,986,987,988,989,502,502,502,502,502,502,550,550,550],"Source Serif","DM Mono","Fragment Mono","IBM Plex Mono","Tobias",[],[82,84,85],"Website: Contra. Page: About Us. Page type: About Us \u002F Team. Page title: Contra | Partner program for creator tools. Page description: Engage and empower your best users to grow your product with Contra, a professional network for the jobs and skills of the future trusted by 1M+ independents and 50K+ companies.. Page content: [ ](https:\u002F\u002Fcontra.com) Payments Partnerships [ Contra Labs ](https:\u002F\u002Fcontralabs.com) [ Sign up ](https:\u002F\u002Fcontra.com\u002Fsign-up?userType=client) Log in CREATOR TOOL PARTNERSHIPS Build a professional UGC machine Activate top-earning creative talent to generate proof-driven content (real creations, real workflows, real results) that floods LinkedIn and X with your tool. Reach 1M+ independents. [ Request partnership ](https:\u002F\u002Fcalendly.com\u002Fpartnerships-contra\u002Fcontra-partnership-request) Partner Program Bolt Projects +55% 804 Adriano I’ve made $100k+ in the last 12 months as a Framer expert on Contra. It was one of the best moves of my freelance career! 16 4 88 Cayo Rive Expert Recommended 12x Trusted by 1M+ freelancers and 50K+ teams like - - - - - - - - - - - - - - - - - - - - [ Framer ](https:\u002F\u002Fcontra.com\u002Fframer) [ Figma ](https:\u002F\u002Fcontra.com\u002Fpartnerships\u002Ffigma-product-love\u002F) [ Anything ](https:\u002F\u002Fcontra.com\u002Fanything) [ Flutterflow ](https:\u002F\u002Fcontra.com\u002Fflutterflow) [ Replit ](https:\u002F\u002Fcontra.com\u002Freplit) [ HeyGen ](https:\u002F\u002Fcontra.com\u002Fheygen) [ Bolt ](https:\u002F\u002Fcontra.com\u002Fbolt) [ Capcut ](https:\u002F\u002Fcontra.com\u002Fcommunity\u002Ftopic\u002Fcapcut) [ Kajabi ](https:\u002F\u002Fcontra.com\u002Fkajabi) [ Webflow ](https:\u002F\u002Fcontra.com\u002Fwebflow) [ Retool ](https:\u002F\u002Fcontra.com\u002Fretool) [ Ideogram ](https:\u002F\u002Fcontra.com\u002Fideogram) [ Flora ](https:\u002F\u002Fcontra.com\u002Fflora) [ Agent.so ](https:\u002F\u002Fcontra.com\u002Fagent) [ Glide ](https:\u002F\u002Fcontra.com\u002Fglide) [ Bubble ](https:\u002F\u002Fcontra.com\u002Fbubble) [ Buildship ](https:\u002F\u002Fcontra.com\u002Fbuildship) [ Framer Commerce ](https:\u002F\u002Fcontra.com\u002Fframercommerce) [ Frameship ](https:\u002F\u002Fcontra.com\u002Fframeship) [ Glorify ](https:\u002F\u002Fcontra.com\u002Fglorify) [ General Assembly ](https:\u002F\u002Fcontra.com\u002Fgeneralassembly) [ Instant ](https:\u002F\u002Fcontra.com\u002Finstant) [ Jitter ](https:\u002F\u002Fcontra.com\u002Fjitter) [ Kit ](https:\u002F\u002Fcontra.com\u002Fkit) [ Kittl ](https:\u002F\u002Fcontra.com\u002Fkittl) [ LottieFiles ](https:\u002F\u002Fcontra.com\u002Flottiefiles) [ Lummi ](https:\u002F\u002Fcontra.com\u002Flummi) [ Lovable ](https:\u002F\u002Fcontra.com\u002Flovable) [ Lovart ](https:\u002F\u002Fcontra.com\u002Flovart) [ MagicPath ](https:\u002F\u002Fcontra.com\u002Fmagicpath) [ Pagedeck ](https:\u002F\u002Fcontra.com\u002Fpagedeck) [ PeachWeb ](https:\u002F\u002Fcontra.com\u002Fpeachweb) [ Readymag ](https:\u002F\u002Fcontra.com\u002Freadymag) [ Relume ](https:\u002F\u002Fcontra.com\u002Frelume) [ Replo ](https:\u002F\u002Fcontra.com\u002Freplo) [ Rive ](https:\u002F\u002Fcontra.com\u002Frive) [ Spline ](https:\u002F\u002Fcontra.com\u002Fspline) [ Stripo ](https:\u002F\u002Fcontra.com\u002Fstripo) [ Tempo Labs ](https:\u002F\u002Fcontra.com\u002Ftempo) [ Unicorn Studio ](https:\u002F\u002Fcontra.com\u002Funicornstudio) [ Webstudio ](https:\u002F\u002Fcontra.com\u002Fwebstudio) Connecting tools with the talent of the future Hands-off challenge execution and professional UGC at scale, trusted by the world's most ambitious creator tools. SUCCESS STORY How Framer built a professional UGC engine with Contra “Contra allows us to act like a 1,000-person team with only 40 full-time employees.” Aroa Gil Bo Head of Customer Success, Framer 1.9K+ verified Framer experts 7.7K+ paid projects for experts $25M+ in Framer opportunities Turn challenges into a content engine Generate hundreds of new projects through monthly challenges, making Contra your next big UGC marketing channel. Hands-off challenge execution: Contra manages setup, marketing, and shortlisting Campaigns amplified to the right audience to produce predictable, high-quality cross-platform UGC Clear reporting to track performance and ROI View all challenges SPLINE EXPERT RIVE EXPERT FRAMER EXPERT Discover and showcase your best users Challenges surface your most talented users and what they're creating with your tool. Identify top challenge participants as verified experts with a dedicated badge Track the projects they build and the revenue they generate using your tool Give your customers direct access to experts for hands-on support Flood social with professional-grade UGC about your tool Proof-driven content that positions your tool as the one everyone is building with. 600+ participants and 300+ submissions per challenge on average 1M+ social impressions across LinkedIn, X, and Instagram Custom co-branded marketing assets and external ad campaigns Kickstart a challenge on Contra Partnerships with Contra fuel forward-thinking creative brands [ ](https:\u002F\u002Fframer.com\u002F) “Contra gets us in front of the right creatives. It’s been instrumental in growing awareness around Framer.” 1.8M monthly impressions 15% click through rate ![](https:\u002F\u002Fframerusercontent.com\u002Fimages\u002FOjgqF95mWIblk4WHMRnPPywV0 …. A Clean \u002F Minimalist, Corporate \u002F Professional, Typographic \u002F Big Type website in the SaaS & Software industry. Designed by Erin Horner and Ry Magno. The overall color palette features White, Black, Gray. The typography features GT Standard (Sans Serif, Grilli Type), GT Standard (Sans Serif, Grilli Type), Source Serif (Serif), Source Serif (Serif), Source Serif (Serif), DM Mono (Sans Serif), Fragment Mono, IBM Plex Mono (Sans Serif), Tobias (Serif, Displaay), GT Standard (Sans Serif, Grilli Type), GT Standard (Sans Serif, Grilli Type), GT Standard (Sans Serif, Grilli Type), GT Standard (Sans Serif, Grilli Type), GT Standard (Sans Serif, Grilli Type), GT Standard (Sans Serif, Grilli Type), Inter (Sans Serif), Inter (Sans Serif), Inter (Sans Serif). AI description: Contra is a sophisticated professional network designed to empower the next generation of independent creatives and companies. By offering a commission-free ecosystem, the platform bridges the gap between high-tier talent and forward-thinking businesses, facilitating seamless project discovery, management, and payment. It positions itself not just as a job board, but as a comprehensive toolkit for the modern freelancer economy. The visual identity is rooted in a clean, high-end aesthetic that balances professional utility with creative flair. Utilizing a spacious layout, refined typography, and a subtle, sophisticated color palette, the design communicates trust and modernity. The use of soft shadows, rounded containers, and high-quality imagery creates a premium user experience that appeals to digital natives, designers, and tech-savvy entrepreneurs alike.",{"id":994,"website_id":995,"page_id":994,"name":996,"slug":997,"url":998,"website_name":996,"website_slug":997,"website_url":999,"result_url":998,"fetched_at":1000,"score":239,"score_boost":25,"ai_score":290,"freshness_score":79,"scored_at":1001,"page_name":197,"page_url":998,"page_title":996,"page_description":1002,"page_content":1003,"page_sort":5,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1004,"cover_mobile":1007,"cover_sequence":44,"translations":1009,"industry":109,"styles":1012,"credits":1013,"font_families":1014,"technologies":1026,"pagespeed":1028,"pagespeed_mobile":1034,"buckets":1039,"search_payload":1041},"0d2aa016-947d-41d6-918a-3c195f61b04d","0066dc9b-4503-422f-acc0-8fb2cac10340","Analogue Agency","analogue-agency","https:\u002F\u002Fanalogueagency.com\u002Fabout-us\u002Fteam","https:\u002F\u002Fanalogueagency.com","2026-05-03T13:40:29.000Z","2026-05-23T19:21:51.000Z","Meet the creative minds behind our success. Our team of experts at Analogue Agency brings passion, innovation, and a wealth of experience to every project.","Work [ ](..\u002F) About [ Expertise & Capabilities ](.\u002Fexpertise)[ Process & Pricing ](.\u002Fpricing) [ Team ](.\u002Fteam)[ Outcomes ](.\u002Foutcomes) [ Careers ](.\u002Fjobs)[ Analogue Store ](https:\u002F\u002Fanalogue-amsterdam.com\u002F) [ +31 6 46 13 91 98 ](Tel: +31646139198) ralph@analogueagency.com [ Plan a Call ](https:\u002F\u002Fcalendly.com\u002Fjulian-qva\u002Fintroductory-call) general inquiries Visit 1011LB Amsterdam 1011LB, Amsterdam 1011LB, Amsterdam - - - - - - - - - - - - - - - - - - - - [ Join our team See jobs 3 ](.\u002Fjobs) We work hand in hand with a diverse set of professionals and standout individuals, encouraging a familial bond within our team. Julian NL Co-founder\u002FCD Ralph NL\u002FSR Co-founder\u002FMD Faye NL\u002FGR Designer Giulia IT Designer Johann DE Senior designer Fiona ER Store Help Flora FR Designer Senna NL\u002FSR Store manager Sophie NL\u002FPT Designer Nina NL\u002FSR Store Help Lorenzo IT Designer [ Next chapter Expertise ](.\u002Fexpertise)",{"id":1005,"height":37,"width":38,"blurhash":1006},"977c1a21-4af4-434b-a879-81bbf39f1e2f","radial-gradient(at 0 0,#f8fbf8,#00000000 50%),radial-gradient(at 33% 0,#f1f5f5,#00000000 50%),radial-gradient(at 67% 0,#f2f1f4,#00000000 50%),radial-gradient(at 100% 0,#f2f3f3,#00000000 50%),radial-gradient(at 0 50%,#dbd5d4,#00000000 50%),radial-gradient(at 33% 50%,#dad1d0,#00000000 50%),radial-gradient(at 67% 50%,#c9bfc0,#00000000 50%),radial-gradient(at 100% 50%,#c5bcbd,#00000000 50%),radial-gradient(at 0 100%,#96a29d,#00000000 50%),radial-gradient(at 33% 100%,#86898a,#00000000 50%),radial-gradient(at 67% 100%,#7d7b82,#00000000 50%),radial-gradient(at 100% 100%,#747b7b,#00000000 50%)",{"id":1008,"height":42,"width":43,"blurhash":44},"6689c75b-a1dc-4fe3-bc61-60d05b60c765",[1010],{"languages_code":47,"description":1011},"Analogue Agency leads with a bold, emotive stance that prioritizes feeling over mere functionality. The site functions as a high-impact portfolio, using expansive whitespace and dramatic imagery to signal a studio that shapes cultural trends rather than just following them. By centering the narrative on the idea that emotion drives decision-making, the design establishes an immediate sense of purpose and creative authority.\n\nLarge-scale typography dominates the layout, creating a rhythmic flow that guides the eye through high-contrast sections. The interface utilizes a sophisticated dark mode aesthetic paired with a structured grid that organizes case studies and service offerings into clear, digestible blocks. A floating, pill-shaped navigation bar provides a constant, unobtrusive anchor as users move through the high-density content. The choice to use oversized, sans-serif type against deep blacks creates a commanding presence that feels both authoritative and intentional.",[51,256,53],[996],[988,1015,1016,1017,1018,1019,1020,1021,1022,1022,1022,1023,1024,989,1024,1023,1025,1025,1022,550,550,550],"Chocolateletter","KH Teka","GT Ultra","AS Therma","American Typewriter","ITC Garamond","GT America Mono","Graphik","TT Hoves","Helvetica Neue","Tahoma",[1027,266],"Framer Sites",[1029,1030,1032,1033],{"score":635,"category":75},{"score":1031,"category":65},94,{"score":70,"category":68},{"score":67,"category":71},[1035,1036,1037,1038],{"score":692,"category":75},{"score":67,"category":65},{"score":70,"category":68},{"score":67,"category":71},[84,82,1040,85],"blue","Website: Analogue Agency. Page: Team. Page type: About Us \u002F Team. Page title: Analogue Agency. Page description: Meet the creative minds behind our success. Our team of experts at Analogue Agency brings passion, innovation, and a wealth of experience to every project.. Page content: Work [ ](..\u002F) About [ Expertise & Capabilities ](.\u002Fexpertise)[ Process & Pricing ](.\u002Fpricing) [ Team ](.\u002Fteam)[ Outcomes ](.\u002Foutcomes) [ Careers ](.\u002Fjobs)[ Analogue Store ](https:\u002F\u002Fanalogue-amsterdam.com\u002F) [ +31 6 46 13 91 98 ](Tel: +31646139198) ralph@analogueagency.com [ Plan a Call ](https:\u002F\u002Fcalendly.com\u002Fjulian-qva\u002Fintroductory-call) general inquiries Visit 1011LB Amsterdam 1011LB, Amsterdam 1011LB, Amsterdam - - - - - - - - - - - - - - - - - - - - [ Join our team See jobs 3 ](.\u002Fjobs) We work hand in hand with a diverse set of professionals and standout individuals, encouraging a familial bond within our team. Julian NL Co-founder\u002FCD Ralph NL\u002FSR Co-founder\u002FMD Faye NL\u002FGR Designer Giulia IT Designer Johann DE Senior designer Fiona ER Store Help Flora FR Designer Senna NL\u002FSR Store manager Sophie NL\u002FPT Designer Nina NL\u002FSR Store Help Lorenzo IT Designer [ Next chapter Expertise ](.\u002Fexpertise). A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Agency & Studio industry. Designed by Analogue Agency. The overall color palette features Black, White, Blue, Gray. The typography features IBM Plex Mono (Sans Serif), Chocolateletter, KH Teka (Kurppa Hosk), GT Ultra (Grilli Type), AS Therma (Astrae Studio), American Typewriter, ITC Garamond (Serif), GT America Mono (Sans Serif, Grilli Type), Graphik (Sans Serif, Commercial Type), Graphik (Sans Serif, Commercial Type), Graphik (Sans Serif, Commercial Type), TT Hoves (TypeType), Helvetica Neue (Sans Serif), Tobias (Serif, Displaay), Helvetica Neue (Sans Serif), TT Hoves (TypeType), Tahoma, Tahoma, Graphik (Sans Serif, Commercial Type), Inter (Sans Serif), Inter (Sans Serif), Inter (Sans Serif). Built using Framer Sites, React. AI description: Analogue Agency leads with a bold, emotive stance that prioritizes feeling over mere functionality. The site functions as a high-impact portfolio, using expansive whitespace and dramatic imagery to signal a studio that shapes cultural trends rather than just following them. By centering the narrative on the idea that emotion drives decision-making, the design establishes an immediate sense of purpose and creative authority. Large-scale typography dominates the layout, creating a rhythmic flow that guides the eye through high-contrast sections. The interface utilizes a sophisticated dark mode aesthetic paired with a structured grid that organizes case studies and service offerings into clear, digestible blocks. A floating, pill-shaped navigation bar provides a constant, unobtrusive anchor as users move through the high-density content. The choice to use oversized, sans-serif type against deep blacks creates a commanding presence that feels both authoritative and intentional.",{"id":1043,"website_id":1044,"page_id":1043,"name":1045,"slug":1046,"url":1047,"website_name":1045,"website_slug":1046,"website_url":1048,"result_url":1047,"fetched_at":1049,"score":173,"score_boost":25,"ai_score":173,"freshness_score":1050,"scored_at":1051,"page_name":147,"page_url":1047,"page_title":1052,"page_description":1053,"page_content":1054,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1055,"cover_mobile":1058,"cover_sequence":44,"translations":1060,"industry":49,"styles":1063,"credits":1064,"font_families":1065,"technologies":1067,"pagespeed":1072,"pagespeed_mobile":1078,"buckets":1084,"search_payload":1085},"4fab6461-23c5-4d49-83ed-faec12b34592","edcce3a5-a63e-4083-a30c-df70383b8ac8","SEEBALD.","seebald","https:\u002F\u002Fseebald.net\u002Fstudio","https:\u002F\u002Fseebald.net","2026-05-24T22:05:49.000Z",1779660349,"2026-05-24T22:07:44.000Z","Studio — SEEBALD.","Interdisziplinäres Studio für Architektur & Gestaltung in Stuttgart. Architektur, Innenarchitektur, Gestaltung - Individuell & identitätsstiftend für den Kunden.","1. ###### 2014 - Gründung SEEBALD. 2. ###### 2010 - - Veranstalter der Pecha Kucha Stuttgart Veranstaltungen - University of Oregon, School of Architecture & Allied Arts, Gastkritik Belluchi Gastprofessur von David H. Cook 3. ###### 2009 - - Hochschule für Technik Stuttgart Dozent für Baukonstruktion und Entwerfen 4. ###### 2008 - 2013 - Gesellschafter, Bottega + Ehrhardt Architekten GmbH 5. ###### 2003 - 2008 - Projektleitender Architekt Bottega + Ehrhardt Architekten GmbH 6. ###### 2003 - - Architekt, Architektenkammer Baden-Württemberg, Architektenlistennummer: 015794 7. ###### 2001 - 2003 - Mitarbeit bei Bottega + Ehrhardt Architekten 8. ###### 1992 - 2001 - Diverse Architekturbüros in Pirmasens und Stuttgart 9. ###### 2001 - Diplomarbeit, Prof. Boris Podrecca 10. ###### 1998 - University of Tokio, Workshop Mukojima 11. ###### 1997 - seebald. muschelknautz, Studio für Architektur und Design 12. ###### 1994 - 2001 - Universität Stuttgart, Studium Architektur und Stadtplanung 13. ###### 1992 - 1994 - Ausbildung zum Bauzeichner, IHK Abschluss 1994",{"id":1056,"height":37,"width":38,"blurhash":1057},"2d43e945-5043-44e1-92c5-952d59b3b5a4","radial-gradient(at 0 0,#fcfcfc,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#dedede,#00000000 50%),radial-gradient(at 100% 0,#afafaf,#00000000 50%),radial-gradient(at 0 50%,#efefef,#00000000 50%),radial-gradient(at 33% 50%,#ffffff,#00000000 50%),radial-gradient(at 67% 50%,#c1c1c1,#00000000 50%),radial-gradient(at 100% 50%,#6b6b6b,#00000000 50%),radial-gradient(at 0 100%,#f0f0f0,#00000000 50%),radial-gradient(at 33% 100%,#ffffff,#00000000 50%),radial-gradient(at 67% 100%,#bfbfbf,#00000000 50%),radial-gradient(at 100% 100%,#626262,#00000000 50%)",{"id":1059,"height":42,"width":43,"blurhash":44},"a4b54b99-1b58-4e94-8c84-c21907745b71",[1061],{"languages_code":47,"description":1062},"SEEBALD. is a sophisticated interdisciplinary studio based in Stuttgart, specializing in the intersection of architecture, interior design, and spatial identity. The website serves as a high-end digital portfolio, showcasing a curated selection of projects that emphasize materiality, light, and structural harmony. It is designed for discerning clients and collaborators seeking bespoke architectural solutions that blend functional precision with aesthetic character.\n\nThe visual identity is defined by a rigorous, editorial minimalism. Utilizing a stark monochrome palette and expansive whitespace, the design allows the high-quality architectural photography to command full attention. The typography is bold and authoritative, employing large, clean sans-serif typefaces that act as structural elements within the layout. The user experience is seamless and understated, mirroring the studio's own design philosophy of intentionality and refined simplicity.",[51,52,53],[],[1066,1066,944],"Google Sans",[1068,1069,118,1070,120,168,1071],"Contact Form 7","Google Maps","Modernizr","WPML",[1073,1075,1076,1077],{"score":1074,"category":75},67,{"score":24,"category":65},{"score":70,"category":68},{"score":70,"category":71},[1079,1081,1082,1083],{"score":1080,"category":75},63,{"score":24,"category":65},{"score":70,"category":68},{"score":70,"category":71},[82,84,85],"Website: SEEBALD.. Page: Studio. Page type: About Us \u002F Team. Page title: Studio — SEEBALD.. Page description: Interdisziplinäres Studio für Architektur & Gestaltung in Stuttgart. Architektur, Innenarchitektur, Gestaltung - Individuell & identitätsstiftend für den Kunden.. Page content: 1. ###### 2014 - Gründung SEEBALD. 2. ###### 2010 - - Veranstalter der Pecha Kucha Stuttgart Veranstaltungen - University of Oregon, School of Architecture & Allied Arts, Gastkritik Belluchi Gastprofessur von David H. Cook 3. ###### 2009 - - Hochschule für Technik Stuttgart Dozent für Baukonstruktion und Entwerfen 4. ###### 2008 - 2013 - Gesellschafter, Bottega + Ehrhardt Architekten GmbH 5. ###### 2003 - 2008 - Projektleitender Architekt Bottega + Ehrhardt Architekten GmbH 6. ###### 2003 - - Architekt, Architektenkammer Baden-Württemberg, Architektenlistennummer: 015794 7. ###### 2001 - 2003 - Mitarbeit bei Bottega + Ehrhardt Architekten 8. ###### 1992 - 2001 - Diverse Architekturbüros in Pirmasens und Stuttgart 9. ###### 2001 - Diplomarbeit, Prof. Boris Podrecca 10. ###### 1998 - University of Tokio, Workshop Mukojima 11. ###### 1997 - seebald. muschelknautz, Studio für Architektur und Design 12. ###### 1994 - 2001 - Universität Stuttgart, Studium Architektur und Stadtplanung 13. ###### 1992 - 1994 - Ausbildung zum Bauzeichner, IHK Abschluss 1994. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Architecture & Real Estate industry. The overall color palette features White, Black, Gray. The typography features Google Sans, Google Sans, Roboto (Sans Serif). Built using Contact Form 7, Google Maps, jQuery, Modernizr, PHP, WordPress, WPML. AI description: SEEBALD. is a sophisticated interdisciplinary studio based in Stuttgart, specializing in the intersection of architecture, interior design, and spatial identity. The website serves as a high-end digital portfolio, showcasing a curated selection of projects that emphasize materiality, light, and structural harmony. It is designed for discerning clients and collaborators seeking bespoke architectural solutions that blend functional precision with aesthetic character. The visual identity is defined by a rigorous, editorial minimalism. Utilizing a stark monochrome palette and expansive whitespace, the design allows the high-quality architectural photography to command full attention. The typography is bold and authoritative, employing large, clean sans-serif typefaces that act as structural elements within the layout. The user experience is seamless and understated, mirroring the studio's own design philosophy of intentionality and refined simplicity.",{"id":1087,"website_id":1088,"page_id":1087,"name":1089,"slug":1090,"url":1091,"website_name":1089,"website_slug":1090,"website_url":1092,"result_url":1091,"fetched_at":1093,"score":173,"score_boost":25,"ai_score":429,"freshness_score":1094,"scored_at":1095,"page_name":97,"page_url":1091,"page_title":1096,"page_description":1097,"page_content":1098,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1099,"cover_mobile":1102,"cover_sequence":44,"translations":1104,"industry":109,"styles":1107,"credits":1108,"font_families":1109,"technologies":1110,"pagespeed":1112,"pagespeed_mobile":1117,"buckets":1122,"search_payload":1123},"4aa53814-14dd-491e-8155-e2c747aa7bfe","fe46c485-ef4a-42d6-a6a6-dfb46d0d3b79","Designworld","design-world","https:\u002F\u002Fdesignworld.co\u002Fabout","https:\u002F\u002Fdesignworld.co","2026-05-24T21:55:55.000Z",1779659755,"2026-05-24T21:57:54.000Z","A creative lab for design & programming - Designworld","Our mission is to combine innovative solutions with streamlined user experiences to create the ultimate digital products","We are DesignWorld With the mission to combine innovative solutions with streamlined user experiences to create the ultimate digital products DesignWorld is a creative lab where design and programming integrate seamlessly. The company was founded in 2020 in Stockholm. We are a solutions-oriented team with extensive software development experience, accustomed to working with complex assignments that demand commitment and ingenuity. In addition to new developments, DesignWorld also works with the management of existing systems where we offer ongoing support and maintenance. We place great value in proactively collaborating with customers to affect improvements and generate solutions to every need. DesignWorld has a honed, agile approach to tackling complex problems to generate sustainable solutions. Our team has a wide range of expertise in software development, frontend & backend, user experience & user interface design, API management, and integration of third-party software and hardware. We have extensive experience developing novel projects from conceptualisation to execution, and final product, to help our customers create their visions. We offer maintenance for all our products to ensure continued performance at the highest level.",{"id":1100,"height":37,"width":38,"blurhash":1101},"5eefab76-d804-4f1a-a5a6-8c2b15cb4f66","radial-gradient(at 0 0,#a6a6a7,#00000000 50%),radial-gradient(at 33% 0,#aaaaac,#00000000 50%),radial-gradient(at 67% 0,#aaabad,#00000000 50%),radial-gradient(at 100% 0,#a9a9ab,#00000000 50%),radial-gradient(at 0 50%,#343339,#00000000 50%),radial-gradient(at 33% 50%,#37393e,#00000000 50%),radial-gradient(at 67% 50%,#2f353a,#00000000 50%),radial-gradient(at 100% 50%,#25292f,#00000000 50%),radial-gradient(at 0 100%,#1b1a23,#00000000 50%),radial-gradient(at 33% 100%,#2e3137,#00000000 50%),radial-gradient(at 67% 100%,#2b3237,#00000000 50%),radial-gradient(at 100% 100%,#1f232b,#00000000 50%)",{"id":1103,"height":42,"width":43,"blurhash":44},"c4162de2-2c5c-413b-b4ca-18a954f2babc",[1105],{"languages_code":47,"description":1106},"Designworld is a high-end digital innovation lab specializing in the intersection of sophisticated UX design and robust technical development. Positioned as a premium partner for companies demanding perfection, the agency offers a full-spectrum service suite ranging from frontend and backend engineering to mobile application development and ongoing operational support.\n\nThe visual identity is characterized by a cinematic and immersive aesthetic, utilizing high-contrast dark mode layouts and evocative, large-scale nature photography to convey a sense of depth and tranquility. The design language is clean and minimalist, relying on elegant typography and intuitive iconography to guide the user through its professional, high-performance service offerings.",[51,256,52],[],[],[1111,266],"Gatsby",[1113,1114,1115,1116],{"score":1031,"category":75},{"score":70,"category":65},{"score":70,"category":68},{"score":70,"category":71},[1118,1119,1120,1121],{"score":275,"category":75},{"score":70,"category":65},{"score":70,"category":68},{"score":70,"category":71},[84,82,85],"Website: Designworld. Page: About. Page type: About Us \u002F Team. Page title: A creative lab for design & programming - Designworld. Page description: Our mission is to combine innovative solutions with streamlined user experiences to create the ultimate digital products. Page content: We are DesignWorld With the mission to combine innovative solutions with streamlined user experiences to create the ultimate digital products DesignWorld is a creative lab where design and programming integrate seamlessly. The company was founded in 2020 in Stockholm. We are a solutions-oriented team with extensive software development experience, accustomed to working with complex assignments that demand commitment and ingenuity. In addition to new developments, DesignWorld also works with the management of existing systems where we offer ongoing support and maintenance. We place great value in proactively collaborating with customers to affect improvements and generate solutions to every need. DesignWorld has a honed, agile approach to tackling complex problems to generate sustainable solutions. Our team has a wide range of expertise in software development, frontend & backend, user experience & user interface design, API management, and integration of third-party software and hardware. We have extensive experience developing novel projects from conceptualisation to execution, and final product, to help our customers create their visions. We offer maintenance for all our products to ensure continued performance at the highest level.. A Clean \u002F Minimalist, Dark Mode, High-End \u002F Luxury website in the Agency & Studio industry. The overall color palette features Black, White, Gray. Built using Gatsby, React. AI description: Designworld is a high-end digital innovation lab specializing in the intersection of sophisticated UX design and robust technical development. Positioned as a premium partner for companies demanding perfection, the agency offers a full-spectrum service suite ranging from frontend and backend engineering to mobile application development and ongoing operational support. The visual identity is characterized by a cinematic and immersive aesthetic, utilizing high-contrast dark mode layouts and evocative, large-scale nature photography to convey a sense of depth and tranquility. The design language is clean and minimalist, relying on elegant typography and intuitive iconography to guide the user through its professional, high-performance service offerings.",{"id":1125,"website_id":1126,"page_id":1125,"name":1127,"slug":1128,"url":1129,"website_name":1127,"website_slug":1128,"website_url":1130,"result_url":1129,"fetched_at":1131,"score":173,"score_boost":25,"ai_score":173,"freshness_score":1132,"scored_at":1133,"page_name":8,"page_url":1129,"page_title":1134,"page_description":1135,"page_content":1136,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1137,"cover_mobile":1140,"cover_sequence":44,"translations":1142,"industry":254,"styles":1145,"credits":1146,"font_families":1147,"technologies":1148,"pagespeed":1150,"pagespeed_mobile":1155,"buckets":1161,"search_payload":1162},"06144f8c-260b-4ff8-a141-0cf79fae89bb","f84105c5-91d3-49cc-8410-6fb11da43ceb","Fernand","fernand","https:\u002F\u002Fgetfernand.com\u002Fabout-us","https:\u002F\u002Fgetfernand.com","2026-05-24T21:51:39.000Z",1779659499,"2026-05-24T21:52:42.000Z","About us - Fernand","We're Antoine and Cyril, a duo of founders that have launched, grown, and operated bootstrapped SaaS businesses for the last 10+ years.","- About us - Pricing - Log in - Book a demo - Try for free Our philosophy Make work calmer, kinder and faster. We're Antoine and Cyril, a duo of founders that have launched, grown, and operated bootstrapped SaaS businesses for the last 10+ years. Over time, we understood that delivering amazing customer support was one of the keys to success for bootstrapped companies because it helped us understand how customers were actually experiencing the service firsthand. As technical founders ourselves, we had the luxury to take that feedback in and make adjustments on our products directly. We’ve tried every service under the sun, but, after a while, we grew increasingly annoyed that out of the bazillion customer support tools available on the market, none were actually focusing on delivering the best user experience for the people spending hours at it every day. They all promised \"stats\" and \"graphs\" to track your employee \"productivity\", always-on \"live chats\" that gave customers the impression you’d need to answer within seconds, overwhelming 5-column layouts with \"everything at hand\" or worse: the promised revolution of \"chatbots\" which customers typically despise. We'd had enough, and so we tasked ourselves with building the customer support tool we would like to use. It would be calm yet incredibly snappy, obstinately opinionated to help form better habits, and focused on building the most magical customer support experience we could. We’re just getting started. Antoine & Cyril Founders Our team We're a tiny 2-person startup working 100% remote and async-first. Antoine Minoux portrait Antoine MinouxFounder + Product designerHamburg, Germany Cyril Nicodème portrait Cyril NicodèmeFounder + EngineerBelfort, France Want to join us? We're flattered, but we're not hiring at the moment. Every hire we make will be carefully funded by our current revenue - in order to avoid following the pattern of VC-funded companies that cut their team in half at the first rough patch. Call us old-fashioned, but we'll only spend what we can and grow reasonably. Hey, but why \"Fernand\"? Fernand was the name of Antoine's grandfather who passed away in 2003. He worked as a postman, and spent most of his career walking dozen of kilometers up and down the mountain nearby the Orbey valley in Alsace, France. Rain or shine, he would deliver letters to people - sometimes being the only person that these villagers would see all day. This is what we're aiming to be at our humble scale: a stable, trustworthy way to deliver your customer messages and have you respond back to them. Simple. This is a small tribute to his life. Fernand Minoux, postman in Orbey, Alsace - France Map of Orbey, Alsace - France Fernand illustration calm About - Pricing - About us - Updates - Status page Legal - Terms of service - Privacy policy - Imprint - GDPR compliance Fernand - support@getfernand.com - Help center - API Docs - Follow us on 𝕏 © 2026 Fernand SAS [ ](javascript:; \"Chat with us!\")",{"id":1138,"height":37,"width":38,"blurhash":1139},"7487f2ea-068c-49ff-88b0-b8343a763f0c","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#f8f8f8,#00000000 50%),radial-gradient(at 67% 50%,#f0f1f1,#00000000 50%),radial-gradient(at 100% 50%,#f9f9f9,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#fafaf9,#00000000 50%),radial-gradient(at 67% 100%,#f5f4f4,#00000000 50%),radial-gradient(at 100% 100%,#fcfbfb,#00000000 50%)",{"id":1141,"height":42,"width":43,"blurhash":44},"5fc70bb2-d671-467f-a91a-bc5805c4317b",[1143],{"languages_code":47,"description":1144},"Fernand is a streamlined customer support platform specifically engineered for SaaS founders and small teams. It positions itself as a high-velocity alternative to bloated enterprise tools, emphasizing speed, keyboard-centric workflows, and integrated AI capabilities to help users achieve 'inbox zero' without the friction of traditional helpdesks.\n\nThe visual identity is sophisticated and modern, utilizing a clean, minimalist aesthetic paired with soft, ethereal gradients and high-quality UI mockups. The design language communicates a sense of calm and efficiency through generous whitespace, elegant typography, and a professional yet approachable color palette. It successfully targets a tech-savvy, productivity-focused audience that values both aesthetic beauty and functional performance.",[51,256,53],[],[550],[265,1149,508],"Nuxt.js",[1151,1152,1153,1154],{"score":290,"category":75},{"score":429,"category":65},{"score":175,"category":68},{"score":67,"category":71},[1156,1158,1159,1160],{"score":1157,"category":75},55,{"score":429,"category":65},{"score":175,"category":68},{"score":67,"category":71},[82,85,84],"Website: Fernand. Page: About Us. Page type: About Us \u002F Team. Page title: About us - Fernand. Page description: We're Antoine and Cyril, a duo of founders that have launched, grown, and operated bootstrapped SaaS businesses for the last 10+ years.. Page content: - About us - Pricing - Log in - Book a demo - Try for free Our philosophy Make work calmer, kinder and faster. We're Antoine and Cyril, a duo of founders that have launched, grown, and operated bootstrapped SaaS businesses for the last 10+ years. Over time, we understood that delivering amazing customer support was one of the keys to success for bootstrapped companies because it helped us understand how customers were actually experiencing the service firsthand. As technical founders ourselves, we had the luxury to take that feedback in and make adjustments on our products directly. We’ve tried every service under the sun, but, after a while, we grew increasingly annoyed that out of the bazillion customer support tools available on the market, none were actually focusing on delivering the best user experience for the people spending hours at it every day. They all promised \"stats\" and \"graphs\" to track your employee \"productivity\", always-on \"live chats\" that gave customers the impression you’d need to answer within seconds, overwhelming 5-column layouts with \"everything at hand\" or worse: the promised revolution of \"chatbots\" which customers typically despise. We'd had enough, and so we tasked ourselves with building the customer support tool we would like to use. It would be calm yet incredibly snappy, obstinately opinionated to help form better habits, and focused on building the most magical customer support experience we could. We’re just getting started. Antoine & Cyril Founders Our team We're a tiny 2-person startup working 100% remote and async-first. Antoine Minoux portrait Antoine MinouxFounder + Product designerHamburg, Germany Cyril Nicodème portrait Cyril NicodèmeFounder + EngineerBelfort, France Want to join us? We're flattered, but we're not hiring at the moment. Every hire we make will be carefully funded by our current revenue - in order to avoid following the pattern of VC-funded companies that cut their team in half at the first rough patch. Call us old-fashioned, but we'll only spend what we can and grow reasonably. Hey, but why \"Fernand\"? Fernand was the name of Antoine's grandfather who passed away in 2003. He worked as a postman, and spent most of his career walking dozen of kilometers up and down the mountain nearby the Orbey valley in Alsace, France. Rain or shine, he would deliver letters to people - sometimes being the only person that these villagers would see all day. This is what we're aiming to be at our humble scale: a stable, trustworthy way to deliver your customer messages and have you respond back to them. Simple. This is a small tribute to his life. Fernand Minoux, postman in Orbey, Alsace - France Map of Orbey, Alsace - France Fernand illustration calm About - Pricing - About us - Updates - Status page Legal - Terms of service - Privacy policy - Imprint - GDPR compliance Fernand - support@getfernand.com - Help center - API Docs - Follow us on 𝕏 © 2026 Fernand SAS [ ](javascript:; \"Chat with us!\"). A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the SaaS & Software industry. The overall color palette features White, Gray, Black. The typography features Inter (Sans Serif). Built using Node.js, Nuxt.js, Vue.js. AI description: Fernand is a streamlined customer support platform specifically engineered for SaaS founders and small teams. It positions itself as a high-velocity alternative to bloated enterprise tools, emphasizing speed, keyboard-centric workflows, and integrated AI capabilities to help users achieve 'inbox zero' without the friction of traditional helpdesks. The visual identity is sophisticated and modern, utilizing a clean, minimalist aesthetic paired with soft, ethereal gradients and high-quality UI mockups. The design language communicates a sense of calm and efficiency through generous whitespace, elegant typography, and a professional yet approachable color palette. It successfully targets a tech-savvy, productivity-focused audience that values both aesthetic beauty and functional performance.",{"id":1164,"website_id":1165,"page_id":1164,"name":1166,"slug":1167,"url":1168,"website_name":1166,"website_slug":1167,"website_url":1169,"result_url":1168,"fetched_at":1170,"score":173,"score_boost":25,"ai_score":239,"freshness_score":1171,"scored_at":1172,"page_name":97,"page_url":1168,"page_title":1173,"page_description":1174,"page_content":1175,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1176,"cover_mobile":1179,"cover_sequence":44,"translations":1181,"industry":1184,"styles":1185,"credits":1186,"font_families":1188,"technologies":1191,"pagespeed":1195,"pagespeed_mobile":1200,"buckets":1206,"search_payload":1207},"8a4eb84a-e50f-4afb-a684-971a8ebaf4e5","d5047b1d-e468-47b9-83c0-42df15256160","HELIOT EMIL","heliot-emil","https:\u002F\u002Fheliotemil.com\u002Fpages\u002Fabout","https:\u002F\u002Fheliotemil.com","2026-05-24T21:10:38.000Z",1779657038,"2026-05-24T21:13:23.000Z","HELIOT EMIL ++ HELIOT EMIL ++ ABOUT","A Ready–To–Wear collection presented by brothers Julius Juul and Victor Juul from Copenhagen, Denmark. Exploring the lines between form and function driven by experimental approaches, HELIOT EMIL pushes the semantic dialogue within the creative industry.","About Introduction CLOSE A Ready–To–Wear collection presented by brothers Julius Juul and Victor Juul from Copenhagen, Denmark. Exploring the lines between form and function driven by experimental approaches, HELIOT EMIL pushes the semantic dialogue within the creative industry. A subversive scandinavian and monochromatic aesthetic, combined with custom developed materials, fabrics and trimmings, HELIOT EMIL entices a high attention to detail throughout every branch. Designer Julius Juul draws on thought provoking themes and a curiosity about creative expression reflected in every collection by HELIOT EMIL. Foundation CLOSE Since the first collection was showcased in Milan during spring \u002F summer 17 season, HELIOT EMIL has continually expropriated its exploration of the creative milieu. The aesthetic is carefully developed with custom fabrics, hardware trimmings and materials. Each hardware detail is created from the bottom up with form and function in mind. Experimentation and a high attention to detail is ensured by partnering only with the best in their category and industry. A tight–bond with all partners allows for a coherent evolution of the brand aesthetic. With painstaking attention to detail each garment is conceived from a collective ideation for each season standing in relation to the brand as a whole. Future CLOSE The subsequent phase for HELIOT EMIL will see a further cementation of the brand and an expansion of the semantic dialogue with the creative milieu. The core value of the brand will be explored without compromise, through both physical spaces enticing further ideas of form and function, and experiences expressing the innovative nature of the brand. Underlying the continuous organic development is a coherent understanding of the brand developed in close proximity with all partners.",{"id":1177,"height":37,"width":38,"blurhash":1178},"acdb6c9e-dbaf-4c5e-a6c1-6a00e6eb3eb1","radial-gradient(at 0 0,#f7f7f7,#00000000 50%),radial-gradient(at 33% 0,#f6f6f6,#00000000 50%),radial-gradient(at 67% 0,#f7f7f7,#00000000 50%),radial-gradient(at 100% 0,#f5f5f5,#00000000 50%),radial-gradient(at 0 50%,#fefefe,#00000000 50%),radial-gradient(at 33% 50%,#fcfcfc,#00000000 50%),radial-gradient(at 67% 50%,#fbfbfb,#00000000 50%),radial-gradient(at 100% 50%,#fbfbfb,#00000000 50%),radial-gradient(at 0 100%,#fcfcfc,#00000000 50%),radial-gradient(at 33% 100%,#fafafa,#00000000 50%),radial-gradient(at 67% 100%,#fafafa,#00000000 50%),radial-gradient(at 100% 100%,#fafafa,#00000000 50%)",{"id":1180,"height":42,"width":43,"blurhash":44},"39c4a573-5ac1-4f24-bcb9-d421b19096a4",[1182],{"languages_code":47,"description":1183},"HELIOT EMIL is a high-concept ready-to-wear fashion house that utilizes a stark, avant-garde digital presence to mirror its experimental design philosophy. The website serves as a cinematic gateway to the brand's seasonal collections, moving away from traditional e-commerce layouts in favor of a highly curated, editorial experience. By blending high-contrast monochrome photography with a deconstructed typographic grid, the site establishes a sense of mystery and technical precision.\n\nThe visual identity is deeply rooted in a minimalist, futuristic aesthetic that targets a sophisticated, fashion-forward audience. The use of expansive negative space, brutalist-leaning navigation, and a strictly grayscale palette creates a cohesive 'universe' that feels more like a digital art installation than a retail store. It is a masterclass in brand storytelling through restraint, where the product is presented as an artifact within a larger, conceptual narrative.","Fashion & Apparel",[496,51,256],[1187,113],"Atelier Pedro Ajo",[550,1189,1190],"Instrument Serif","Maison Neue",[1192,946,118,119,505,1193,506,1194],"ActiveCampaign","Route","Trustpilot",[1196,1197,1198,1199],{"score":914,"category":75},{"score":181,"category":65},{"score":175,"category":68},{"score":70,"category":71},[1201,1202,1204,1205],{"score":179,"category":75},{"score":1203,"category":65},78,{"score":175,"category":68},{"score":70,"category":71},[82,84,85],"Website: HELIOT EMIL. Page: About. Page type: About Us \u002F Team. Page title: HELIOT EMIL ++ HELIOT EMIL ++ ABOUT. Page description: A Ready–To–Wear collection presented by brothers Julius Juul and Victor Juul from Copenhagen, Denmark. Exploring the lines between form and function driven by experimental approaches, HELIOT EMIL pushes the semantic dialogue within the creative industry.. Page content: About Introduction CLOSE A Ready–To–Wear collection presented by brothers Julius Juul and Victor Juul from Copenhagen, Denmark. Exploring the lines between form and function driven by experimental approaches, HELIOT EMIL pushes the semantic dialogue within the creative industry. A subversive scandinavian and monochromatic aesthetic, combined with custom developed materials, fabrics and trimmings, HELIOT EMIL entices a high attention to detail throughout every branch. Designer Julius Juul draws on thought provoking themes and a curiosity about creative expression reflected in every collection by HELIOT EMIL. Foundation CLOSE Since the first collection was showcased in Milan during spring \u002F summer 17 season, HELIOT EMIL has continually expropriated its exploration of the creative milieu. The aesthetic is carefully developed with custom fabrics, hardware trimmings and materials. Each hardware detail is created from the bottom up with form and function in mind. Experimentation and a high attention to detail is ensured by partnering only with the best in their category and industry. A tight–bond with all partners allows for a coherent evolution of the brand aesthetic. With painstaking attention to detail each garment is conceived from a collective ideation for each season standing in relation to the brand as a whole. Future CLOSE The subsequent phase for HELIOT EMIL will see a further cementation of the brand and an expansion of the semantic dialogue with the creative milieu. The core value of the brand will be explored without compromise, through both physical spaces enticing further ideas of form and function, and experiences expressing the innovative nature of the brand. Underlying the continuous organic development is a coherent understanding of the brand developed in close proximity with all partners.. A Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Dark Mode website in the Fashion & Apparel industry. Designed and developed by Carlos Mayo, designed by Atelier Pedro Ajo. The overall color palette features White, Black, Gray. The typography features Inter (Sans Serif), Instrument Serif (Serif), Maison Neue (Sans Serif). Built using ActiveCampaign, Amazon Web Services, jQuery, jQuery UI, Klaviyo, Route, Shopify, Trustpilot. AI description: HELIOT EMIL is a high-concept ready-to-wear fashion house that utilizes a stark, avant-garde digital presence to mirror its experimental design philosophy. The website serves as a cinematic gateway to the brand's seasonal collections, moving away from traditional e-commerce layouts in favor of a highly curated, editorial experience. By blending high-contrast monochrome photography with a deconstructed typographic grid, the site establishes a sense of mystery and technical precision. The visual identity is deeply rooted in a minimalist, futuristic aesthetic that targets a sophisticated, fashion-forward audience. The use of expansive negative space, brutalist-leaning navigation, and a strictly grayscale palette creates a cohesive 'universe' that feels more like a digital art installation than a retail store. It is a masterclass in brand storytelling through restraint, where the product is presented as an artifact within a larger, conceptual narrative.",{"id":1209,"website_id":1210,"page_id":1209,"name":1211,"slug":1212,"url":1213,"website_name":1211,"website_slug":1212,"website_url":1214,"result_url":1213,"fetched_at":1215,"score":173,"score_boost":25,"ai_score":429,"freshness_score":1216,"scored_at":1217,"page_name":1218,"page_url":1213,"page_title":1219,"page_description":1220,"page_content":1221,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1222,"cover_mobile":1225,"cover_sequence":44,"translations":1227,"industry":209,"styles":1230,"credits":1231,"font_families":1232,"technologies":1233,"pagespeed":1234,"pagespeed_mobile":1239,"buckets":1244,"search_payload":1245},"a8cd0071-191b-42ee-93c0-6dd26ba21419","f7f91305-bb8a-43bf-a942-c5f41d18be4a","La Guard","la-guard","https:\u002F\u002Flaguardlegal.com\u002Fen\u002Fabout","https:\u002F\u002Flaguardlegal.com","2026-05-24T20:51:58.000Z",1779655918,"2026-05-24T20:54:18.000Z","The Firm","The Firm — La Guard","Su empresa, nuestra razón de ser. Soluciones legales con una visión técnica, de negocio y creativa. Una mirada estratégica y de futuro.","Language en Català English Español Français Italiano Contact - The Firm - Services - International - Team - Collaborations - Publications Our vision is to provide highly qualified legal services with an overall business vision and adapted to client needs, which are the focus of our advice. La Guard is synonymous with protection, safeguarding and vigilance. A spirit with which the firm's professionals approach our clients, considering both the business factors and the context in which they operate. A fast and effective response A consolidated professional team With a track record in prestigious domestic and international firms. Knowledge and experience Our market expertise and extensive experience in speciality areas, activity sectors and different jurisdictions enable us to provide solutions which always combine technical rigour, creativity and practicality. Acknowledgements The quality provided by our professionals through their technical advice has been widely acknowledged by the main lawyer rankings and directories and in all the areas covered by our firm, such as: - ?>) - ?>) - ?>) - ?>) Image International presence Globalisation and business growth are more connected than ever before. Know more Image Footer Logolawyers - The Firm - Services - Legal notice - Privacy Policy - Cookie Policy - Whistleblowing Channel ©2026 All Rights Reserved. Laguard Advocats, S.L.P. is a registered trademark · sitemap - linkedin social icon",{"id":1223,"height":37,"width":38,"blurhash":1224},"0c5ddab7-c76e-42be-b962-b01df3288abf","radial-gradient(at 0 0,#e9eae8,#00000000 50%),radial-gradient(at 33% 0,#e8e9e7,#00000000 50%),radial-gradient(at 67% 0,#eaebe9,#00000000 50%),radial-gradient(at 100% 0,#eaebe9,#00000000 50%),radial-gradient(at 0 50%,#e7e8e6,#00000000 50%),radial-gradient(at 33% 50%,#e5e6e4,#00000000 50%),radial-gradient(at 67% 50%,#e5e6e4,#00000000 50%),radial-gradient(at 100% 50%,#e6e7e5,#00000000 50%),radial-gradient(at 0 100%,#ebebea,#00000000 50%),radial-gradient(at 33% 100%,#e9eae8,#00000000 50%),radial-gradient(at 67% 100%,#e9eae8,#00000000 50%),radial-gradient(at 100% 100%,#eaebe9,#00000000 50%)",{"id":1226,"height":42,"width":43,"blurhash":44},"bc7699c2-1c2d-48f6-91c6-a47e9c86dbc3",[1228],{"languages_code":47,"description":1229},"La Guard is a sophisticated legal consultancy that positions itself at the intersection of law, business strategy, and creative vision. Eschewing the stuffy, traditional tropes of the legal industry, the firm presents itself as a forward-thinking partner for modern enterprises, offering tailored solutions that account for technical and commercial complexities.\n\nThe visual identity is striking and editorial, utilizing a high-contrast palette of deep forest greens, muted creams, and sharp accents of terracotta. The design employs bold, asymmetric typography and large-scale, abstract imagery to create a sense of prestige and intellectual depth. It is a masterclass in modern professional branding, targeting high-level executives and innovative companies who value strategic foresight over mere compliance.",[51,547,53],[],[],[],[1235,1236,1237,1238],{"score":1031,"category":75},{"score":26,"category":65},{"score":70,"category":68},{"score":67,"category":71},[1240,1241,1242,1243],{"score":181,"category":75},{"score":26,"category":65},{"score":70,"category":68},{"score":67,"category":71},[82,84,85,83],"Website: La Guard. Page: The Firm. Page type: About Us \u002F Team. Page title: The Firm — La Guard. Page description: Su empresa, nuestra razón de ser. Soluciones legales con una visión técnica, de negocio y creativa. Una mirada estratégica y de futuro.. Page content: Language en Català English Español Français Italiano Contact - The Firm - Services - International - Team - Collaborations - Publications Our vision is to provide highly qualified legal services with an overall business vision and adapted to client needs, which are the focus of our advice. La Guard is synonymous with protection, safeguarding and vigilance. A spirit with which the firm's professionals approach our clients, considering both the business factors and the context in which they operate. A fast and effective response A consolidated professional team With a track record in prestigious domestic and international firms. Knowledge and experience Our market expertise and extensive experience in speciality areas, activity sectors and different jurisdictions enable us to provide solutions which always combine technical rigour, creativity and practicality. Acknowledgements The quality provided by our professionals through their technical advice has been widely acknowledged by the main lawyer rankings and directories and in all the areas covered by our firm, such as: - ?>) - ?>) - ?>) - ?>) Image International presence Globalisation and business growth are more connected than ever before. Know more Image Footer Logolawyers - The Firm - Services - Legal notice - Privacy Policy - Cookie Policy - Whistleblowing Channel ©2026 All Rights Reserved. Laguard Advocats, S.L.P. is a registered trademark · sitemap - linkedin social icon. A Clean \u002F Minimalist, Corporate \u002F Professional, Typographic \u002F Big Type website in the Finance & Fintech industry. The overall color palette features White, Black, Gray, Brown. AI description: La Guard is a sophisticated legal consultancy that positions itself at the intersection of law, business strategy, and creative vision. Eschewing the stuffy, traditional tropes of the legal industry, the firm presents itself as a forward-thinking partner for modern enterprises, offering tailored solutions that account for technical and commercial complexities. The visual identity is striking and editorial, utilizing a high-contrast palette of deep forest greens, muted creams, and sharp accents of terracotta. The design employs bold, asymmetric typography and large-scale, abstract imagery to create a sense of prestige and intellectual depth. It is a masterclass in modern professional branding, targeting high-level executives and innovative companies who value strategic foresight over mere compliance.",{"id":1247,"website_id":1248,"page_id":1247,"name":1249,"slug":1250,"url":1251,"website_name":1249,"website_slug":1250,"website_url":1252,"result_url":1251,"fetched_at":1253,"score":173,"score_boost":25,"ai_score":26,"freshness_score":1254,"scored_at":1255,"page_name":97,"page_url":1251,"page_title":1256,"page_description":1257,"page_content":1258,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1259,"cover_mobile":1262,"cover_sequence":44,"translations":1264,"industry":109,"styles":1267,"credits":1268,"font_families":1269,"technologies":1270,"pagespeed":1274,"pagespeed_mobile":1281,"buckets":1287,"search_payload":1288},"d0a43df3-a6a7-4c11-b3ed-4739722717f3","d568fd16-141a-4bc3-81d4-66f18ef578b3","Optimo","optimo","https:\u002F\u002Foptimo.ch\u002Fabout_optimo","https:\u002F\u002Foptimo.ch","2026-05-24T20:06:47.000Z",1779653207,"2026-05-24T20:09:05.000Z","About « Optimo","Optimo is a Swiss type foundry that designs and publishes premium typefaces through its online catalogue and also offer custom fonts and bespoke versions.","About Optimo Team Valentin Brustaux, Licensing, Type Design Sandra Carrera, Project Management Amélie Gallay, Type Design Gilles Gavillet, Founder Tanja Kern, Library Management Alizée Mabriez, Finance Louise Paradis, Editor Joana Siniavskaja, Type Design Collaborators Alphabet Type GrayBits iKern Gerry Leonidas Titus Nemeth Office for Typography Alexei Vanyashin Established in Geneva, Switzerland, Optimo® is a type foundry that designs and publishes premium typefaces, which are engineered to the highest standards and offer graphic designers and type-users long-lasting tools with a distinctive identity. With the aim of releasing their own fonts, Gilles Gavillet, Stéphane Delgado, and David Rust founded Optimo® in 1998. First initiated as a student project at the École cantonale d’art de Lausanne (ECAL), Optimo has become an independent library of contemporary classics, drawn by influential designers. Investigating typographic paradigms from different eras, our catalogue demonstrates a commitment to revisiting type history with a contemporary perspective. We aim to create typefaces that will have a lasting impression on our culture. In addition to our retail library, we offer custom fonts, bespoke versions of our typefaces, and language extensions for clients who need tailor-made designs. With an international mindset, we have begun expanding the supported languages of our typefaces. For the moment, some of our typefaces offer Cyrillic, Greek and Arabic language supports, in addition to the Latin character set. All Optimo® fonts are available exclusively through this website. Valentin Brustaux, Licensing, Type Design Valentin Brustaux lives and works in Zürich, Switzerland. He studied typography at the University of Reading, United Kingdom, successfully earning a master’s degree in typeface design in 2007. Brustaux has worked for many type companies, including Adobe, Monotype, Tiro Typeworks, for various scripts and languages (Cyrillic, Greek, Kannada and Telugu). He received the Type Directors Club Certificate of Excellence in Type Design in 2008 and the Swiss Federal Design Award in 2010 for his typeface Tiina. In 2019, he received the Type Directors Club Certificate of Excellence in Type Design for his typeface Adobe Telugu. Brustaux collaborates with Optimo since 2012 both as licensing expert and type designer. Sandra Carrera, Project Management Type designer originally from Spain and Switzerland, Sandra Carrera lives and works in Geneva. She holds a BA in Visual Communication from the Haute école d’art et de design de Genève (HEAD), Geneva and obtained a master’s degree in art direction and type design at the École cantonale d’art de Lausanne (ECAL). For the summer of 2013, Carrera interned at Commercial Type in New York, after which she worked at Production Type in Paris. She occasionally teaches at HEAD. In 2015, she joined the Optimo team, where she has developed and coordinated many type design projects. Amélie Gallay, Type Design Amélie Gallay is a type designer living and working in Geneva, Switzerland. After a BA in Visual Communication at the Haute école d'art de design de Genève (HEAD), she obtained a master's degree in type design at the Ecole cantonale d'art de Lausanne (ECAL) where she was awarded the EXECAL award for her master's thesis on The History of Orientalism and Type Design. Her diploma project was granted the Jury Prize and the Type Design Gold Award from the NewOne Awards committee. In 2022, she joined Optimo as a type designer. Amélie works on the retail library and collaborates with the type designers on the development of their projects. Gilles Gavillet, Founder Following his studies at the École cantonale d’art de Lausanne (ECAL), Gilles Gavillet worked for Cornel Windlin in Zürich, before moving to Geneva, where he now lives and works. In 2001, he established his studio specializing in editorial and visual identity projects, predominantly working in the cultural sector. Gavillet has been teaching at the ECAL since 2008. He has received many distinctions for his work including the prestigious Jan Tschichold Prize in 2006 for his outstanding achievement in book design and the Swiss Grand Award for Design in 2012. From 2015 to 2021, he was the Head of the Jury of The Most Beautiful Swiss Books competition. In 1998, he co-founded Optimo and since then he has been directing the foundry’s operations. Tanja Kern, Library Management Originally from Lucerne, Tanja Kern currently lives and works in Geneva, Switzerland. Kern did an apprenticeship in graphic design, following one year in law school. In 2007, after collaborating with a non-profit organization specialized in intellectual property, she joined the Optimo team as a library manager, a role in which she assists the type foundry on diverse administrative tasks. Alizée Mabriez, Finance Alizée Mabriez lives and works in Geneva, Switzerland. In 2021, she joined the Optimo team, for whom she monitors accounts and reviews financial reports. Louise Paradis, Editor Louise Paradis grew up in the Centre-du-Québec region in Canada and now lives and works in Montreal. She obtained a master’s degree in art direction from the École cantonale d’art de Lausanne (ECAL), and holds a bachelor’s of art degree in graphic design from the Université du Québec à Montréal (UQAM). Paradis worked for several years as a graphic designer in Los Angeles, predominantly in the fashion industry. She is a professor at Université du Québec à Montréal (UQAM). Paradis is lead researcher, co-author, and co-designer of 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter, which was published by Lars Müller in 2013. A long-time collaborator of Optimo, she has managed licenses and communications from 2018 to 2021 and now edits the contents of the website. Joana Siniavskaja, Type Design Joana obtained a master's degree in type design at the Ecole cantonale d'art de Lausanne (ECAL). In 2024, she joined Optimo as a type designer. Alphabet Type Founded in 2014 in Berlin, Alphabet Type is a company specializing in font production and type technology. GrayBits GrayBits consults with clients on content architecture, business processes, and digital design. They create custom tools and user interfaces for organizational workflows. GrayBits developed the Optimo website and consulted on the internal licensing system and related front end and back end interfaces that handle the variety of purchase options Optimo offers. iKern Based in Italy, iKern is a company specializing in spacing and kerning founded and operated by engineer Igino Marini. Gerry Leonidas Gerry Leonidas is an Associate Professor of Typography at the University of Reading. He is also president of the Association Typographique Internationale (ATypI) and co-founder of the Institute for the Study of Typography & Visual Communication (ISTVC) and the Granshan Foundation. Titus Nemeth Titus Nemeth is a type designer and historian. His practice revolves around Arabic and multilingual type design and typography. His publications include the monograph Arabic Type-Making in the Machine Age (Brill, 2017) and Arabic Typography: History and Practice (Niggli, 2023). Office for Typography Based in Switzerland and in Japan, Office for Typography is the association of two brothers; Chi-Long and Chi-Binh Trieu. Together they work on graphic and type design projects. In collaboration with the Optimo team, Chi-Long designed the Optimo website. Alexei Vanyashin Alexei Vanyashin is a typeface designer, educator, and researcher. © 1998–2026 Optimo Sàrl, All rights reserved",{"id":1260,"height":37,"width":38,"blurhash":1261},"5ed70d6a-540a-4ce0-b666-cb14aca9272f","radial-gradient(at 0 0,#d9d6ce,#00000000 50%),radial-gradient(at 33% 0,#d4d1ca,#00000000 50%),radial-gradient(at 67% 0,#cdcbc5,#00000000 50%),radial-gradient(at 100% 0,#d0cec7,#00000000 50%),radial-gradient(at 0 50%,#f2f0e9,#00000000 50%),radial-gradient(at 33% 50%,#f0eee9,#00000000 50%),radial-gradient(at 67% 50%,#ebe9e5,#00000000 50%),radial-gradient(at 100% 50%,#edebe5,#00000000 50%),radial-gradient(at 0 100%,#f2f0ea,#00000000 50%),radial-gradient(at 33% 100%,#ebe9e3,#00000000 50%),radial-gradient(at 67% 100%,#dedcd8,#00000000 50%),radial-gradient(at 100% 100%,#e5e3dd,#00000000 50%)",{"id":1263,"height":42,"width":43,"blurhash":44},"5705028c-76b4-4adb-a285-40d4cbf6c094",[1265],{"languages_code":47,"description":1266},"Optimo is a sophisticated Swiss type foundry that serves as a premier destination for high-end typography. The website functions as both a commercial storefront for its extensive typeface catalogue and a scholarly resource, offering deep dives into type history and the creative process through its curated articles. It caters to a discerning audience of graphic designers, art directors, and branding agencies seeking bespoke typographic solutions and professional-grade fonts.\n\nThe visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the quality of its products. By employing massive, overlapping letterforms and a striking palette of deep blacks, stark whites, and vibrant greens, the design creates a sense of rhythmic movement and structural depth. The layout is unapologetically typographic, prioritizing scale and character over traditional UI elements, which establishes an immediate sense of authority and avant-garde Swiss design sensibility.",[51,111,53],[],[],[1271,1272,1273],"Ruby","Ruby on Rails","Stripe",[1275,1277,1279,1280],{"score":1276,"category":75},46,{"score":1278,"category":65},60,{"score":175,"category":68},{"score":318,"category":71},[1282,1284,1285,1286],{"score":1283,"category":75},41,{"score":1278,"category":65},{"score":70,"category":68},{"score":318,"category":71},[82,84,85,280,326],"Website: Optimo. Page: About. Page type: About Us \u002F Team. Page title: About « Optimo. Page description: Optimo is a Swiss type foundry that designs and publishes premium typefaces through its online catalogue and also offer custom fonts and bespoke versions.. Page content: About Optimo Team Valentin Brustaux, Licensing, Type Design Sandra Carrera, Project Management Amélie Gallay, Type Design Gilles Gavillet, Founder Tanja Kern, Library Management Alizée Mabriez, Finance Louise Paradis, Editor Joana Siniavskaja, Type Design Collaborators Alphabet Type GrayBits iKern Gerry Leonidas Titus Nemeth Office for Typography Alexei Vanyashin Established in Geneva, Switzerland, Optimo® is a type foundry that designs and publishes premium typefaces, which are engineered to the highest standards and offer graphic designers and type-users long-lasting tools with a distinctive identity. With the aim of releasing their own fonts, Gilles Gavillet, Stéphane Delgado, and David Rust founded Optimo® in 1998. First initiated as a student project at the École cantonale d’art de Lausanne (ECAL), Optimo has become an independent library of contemporary classics, drawn by influential designers. Investigating typographic paradigms from different eras, our catalogue demonstrates a commitment to revisiting type history with a contemporary perspective. We aim to create typefaces that will have a lasting impression on our culture. In addition to our retail library, we offer custom fonts, bespoke versions of our typefaces, and language extensions for clients who need tailor-made designs. With an international mindset, we have begun expanding the supported languages of our typefaces. For the moment, some of our typefaces offer Cyrillic, Greek and Arabic language supports, in addition to the Latin character set. All Optimo® fonts are available exclusively through this website. Valentin Brustaux, Licensing, Type Design Valentin Brustaux lives and works in Zürich, Switzerland. He studied typography at the University of Reading, United Kingdom, successfully earning a master’s degree in typeface design in 2007. Brustaux has worked for many type companies, including Adobe, Monotype, Tiro Typeworks, for various scripts and languages (Cyrillic, Greek, Kannada and Telugu). He received the Type Directors Club Certificate of Excellence in Type Design in 2008 and the Swiss Federal Design Award in 2010 for his typeface Tiina. In 2019, he received the Type Directors Club Certificate of Excellence in Type Design for his typeface Adobe Telugu. Brustaux collaborates with Optimo since 2012 both as licensing expert and type designer. Sandra Carrera, Project Management Type designer originally from Spain and Switzerland, Sandra Carrera lives and works in Geneva. She holds a BA in Visual Communication from the Haute école d’art et de design de Genève (HEAD), Geneva and obtained a master’s degree in art direction and type design at the École cantonale d’art de Lausanne (ECAL). For the summer of 2013, Carrera interned at Commercial Type in New York, after which she worked at Production Type in Paris. She occasionally teaches at HEAD. In 2015, she joined the Optimo team, where she has developed and coordinated many type design projects. Amélie Gallay, Type Design Amélie Gallay is a type designer living and working in Geneva, Switzerland. After a BA in Visual Communication at the Haute école d'art de design de Genève (HEAD), she obtained a master's degree in type design at the Ecole cantonale d'art de Lausanne (ECAL) where she was awarded the EXECAL award for her master's thesis on The History of Orientalism and Type Design. Her diploma project was granted the Jury Prize and the Type Design Gold Award from the NewOne Awards committee. In 2022, she joined Optimo as a type designer. Amélie works on the retail library and collaborates with the type designers on the development of their projects. Gilles Gavillet, Founder Following his studies at the École cantonale d’art de Lausanne (ECAL), Gilles Gavillet worked for Cornel Windlin in Zürich, before moving to Geneva, where he now lives and works. In 2001, he established his studio specializing in editorial and visual identity projects, predominantly working in the cultural sector. Gavillet has been teaching at the ECAL since 2008. He has received many distinctions for his work including the prestigious Jan Tschichold Prize in 2006 for his outstanding achievement in book design and the Swiss Grand Award for Design in 2012. From 2015 to 2021, he was the Head of the Jury of The Most Beautiful Swiss Books competition. In 1998, he co-founded Optimo and since then he has been directing the foundry’s operations. Tanja Kern, Library Management Originally from Lucerne, Tanja Kern currently lives and works in Geneva, Switzerland. Kern did an apprenticeship in graphic design, following one year in law school. In 2007, after collaborating with a non-profit organization specialized in intellectual property, she joined the Optimo team as a library manager, a role in which she assists the type foundry on diverse administrative tasks. Alizée Mabriez, Finance Alizée Mabriez lives and works in Geneva, Switzerland. In 2021, she joined the Optimo team, for whom she monitors accounts and reviews financial reports. Louise Paradis, Editor Louise Paradis grew up in the Centre-du-Québec region in Canada and now lives and works in Montreal. She obtained a master’s degree in art direction from the École cantonale d’art de Lausanne (ECAL), and holds a bachelor’s of art degree in graphic design from the Université du Québec à Montréal (UQAM). Paradis worked for several years as a graphic designer in Los Angeles, predominantly in the fashion industry. She is a professor at Université du Québec à Montréal (UQAM). Paradis is lead researcher, co-author, and co-designer of 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter, which was published by Lars Müller in 2013. A long-time collaborator of Optimo, she has managed licenses and communications from 2018 to 2021 and now edits the contents of the website. Joana Siniavskaja, Type Design Joana obtained a master's degree in type design at the Ecole cantonale d'art de Lausanne (ECAL). In 2024, she joined Optimo as a type designer. Alphabet Type Founded in 2014 in Berlin, Alphabet Type is a company specializing in font production and type technology. GrayBits GrayBits consults with clients on content architecture, business processes, and digital design. They create custom tools and user interfaces for organizational workflows. GrayBits developed the Optimo website and consulted on the internal licensing system and related front end and back end interfaces that handle the variety of purchase options Optimo offers. iKern Based in Italy, iKern is a company specializing in spacing and kerning founded and operated by engineer Igino Marini. Gerry Leonidas Gerry Leonidas is an Associate Professor of Typography at the University of Reading. He is also president of the Association Typographique Internationale (ATypI) and co-founder of the Institute for the Study of Typography & Visual Communication (ISTVC) and the Granshan Foundation. Titus Nemeth Titus Nemeth is a type designer and historian. His practice revolves around Arabic and multilingual type design and typography. His publications include the monograph Arabic Type-Making in the Machine Age (Brill, 2017) and Arabic Typography: History and Practice (Niggli, 2023). Office for Typography Based in Switzerland and in Japan, Office for Typography is the association of two brothers; Chi-Long and Chi-Binh Trieu. Together they work on graphic and type design projects. In collaboration with the Optimo team, Chi-Long designed the Optimo website. Alexei Vanyashin Alexei Vanyashin is a typeface designer, educator, and researcher. © 1998–2026 Optimo Sàrl, All rights reserved. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray, Orange, Green. Built using Ruby, Ruby on Rails, Stripe. AI description: Optimo is a sophisticated Swiss type foundry that serves as a premier destination for high-end typography. The website functions as both a commercial storefront for its extensive typeface catalogue and a scholarly resource, offering deep dives into type history and the creative process through its curated articles. It caters to a discerning audience of graphic designers, art directors, and branding agencies seeking bespoke typographic solutions and professional-grade fonts. The visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the quality of its products. By employing massive, overlapping letterforms and a striking palette of deep blacks, stark whites, and vibrant greens, the design creates a sense of rhythmic movement and structural depth. The layout is unapologetically typographic, prioritizing scale and character over traditional UI elements, which establishes an immediate sense of authority and avant-garde Swiss design sensibility.",{"id":1290,"website_id":1291,"page_id":1290,"name":1292,"slug":1293,"url":1294,"website_name":1292,"website_slug":1293,"website_url":1295,"result_url":1294,"fetched_at":1296,"score":173,"score_boost":25,"ai_score":429,"freshness_score":1297,"scored_at":1298,"page_name":97,"page_url":1294,"page_title":1299,"page_description":1300,"page_content":1301,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1302,"cover_mobile":1305,"cover_sequence":44,"translations":1307,"industry":626,"styles":1310,"credits":1311,"font_families":1312,"technologies":1313,"pagespeed":1314,"pagespeed_mobile":1319,"buckets":1324,"search_payload":1325},"c47ee832-1e74-43a2-85cd-fcd05cf8d0c6","e59cc8be-553f-42be-bba5-f5a37f5bafef","Satoshi Watanabe","satoshi-watanabe","https:\u002F\u002Fsatoshiwatanabe.org\u002Fabout","https:\u002F\u002Fsatoshiwatanabe.org","2026-05-24T20:04:20.000Z",1779653060,"2026-05-24T20:05:22.000Z","About | Satoshi Watanabe","渡邊 哲（hoth inc.代表）、映像ディレクター・フォトグラファー。広告、音楽、ファッションなど幅広い分野で活動。文化服装学院特別非常勤講師。Satoshi Watanabe (Representative Director, hoth inc.), Video Director & Photographer. Active in a wide range of fields including advertising, music, and fashion. Special Part-time Lecturer at Bunka Fashion College.","En Ja To view the full showreel, or for inquiries regarding projects, Please contact our sales representatives. Manager: Mai Igarashi Tel: 08038986114 Mail: mai.igarashi@hoth.st ( Copy ) Management Office: hoth inc. Satoshi Watanabe Director, Photographer, Special temporary lecturer of Bunka Fashion Collage, hoth inc. CEO, nuro studio inc. CEO. He worked at The 77 Bank, Ltd. before moving into the video industry. After joining DRAWING AND MANUAL in 2015, he established hoth inc in 2021. In 2025, nuro studio inc was established. In addition to working on commercials and music videos in a variety of genres, he is also active as a photographer in a wide range of fields, including advertising, fashion magazines, CD jackets, and artist photography.He has also participated in many works as a director of photography. Social Instagram Award 1. \\- Special Mention at Biennale di Venezia in 2016 2. \\- 61st ACC TOKYO CREATIVITY AWARDS FILM A(TVC) GOLD and CRAFT DIRECTOR AWARDS for “At the cafe” “Grandmother and her prescriptions” “A new father” by Yamato Transport Co Limited 3. \\- 65st ACC TOKYO CREATIVITY AWARDS FILM A(TVC) BLONZE for “OTONAJAN 06” by Suntory Holdings Limited Clients Apple, Asahi Soft Drinks, Coca-Cola, Glico, ITOCHU Corporation, ISUZU, Kao, KIRIN, LINE, LUX, Mandom, McDonald’s Corporation, Meiji, Microsoft, Mitsubishi Motors, NEC, Nescafe, Netflix, NISSAN, Nissay, NTT, P&G, Panasonic, Pokémon, Recruit, Suntory Holdings, Tosoh Corporation, Try Group, Under Armour, UNIQLO, Volkswagen, Yamato Holdings, etc. 全ての作品をご覧になりたい方、 案件に関するご相談など、 下記担当マネージャーまでお気軽にお問い合わせください。 マネージャー: 五十嵐 麻衣 Tel: 08038986114 メール: mai.igarashi@hoth.st ( Copy ) マネジメント: hoth inc. 渡邊 哲 ディレクター、フォトグラファー、文化服装学院特別非常勤講師、hoth株式会社代表取締役、nuro studio株式会社代表取締役。株式会社七十七銀行に勤務し、その後映像業界へ転身。2015年にDRAWING AND MANUAL株式会社に入社し、2021年にhoth株式会社を設立。2025年、nuro studio株式会社設立。ジャンルを問わずコマーシャルやミュージックビデオの制作に携わる一方、広告・ファッション誌・CDジャケット・アーティスト撮影など幅広い分野でフォトグラファーとしても活動している。撮影監督として参加した作品も多数ある。 Social Instagram 受賞歴 1. \\- ベネチアビエンナーレ 2016 特別賞 2. \\- ヤマト運輸株式会社の「いつものカフェ」「おばあさんと処方薬」「新米パパ」が、第61回ACC TOKYO CREATIVITY AWARDS フィルムA（TVC）部門にてゴールドおよびクラフト・ディレクター賞を受賞 3. \\- サントリーホールディングス株式会社の「大人じゃん 06」が、第65回ACC TOKYO CREATIVITY AWARDS フィルムA（TVC）部門にてブロンズを受賞 クライアント アサヒ飲料, Apple, Under Armour, 伊藤忠商事, いすゞ, NEC, NTT, 花王, KIRIN, グリコ, コカコーラ, サントリー, 東ソー, トライグループ, 日本生命, NISSAN, Nescafe, Netflix, Panasonic, P&G, ポケモン, Volkswagen, Microsoft, McDonald’s Corporation, マンダム, Meiji, 三菱自動車, LINE, LUX, リクルート, ヤマトホールディングス, UNIQLO, En Ja",{"id":1303,"height":37,"width":38,"blurhash":1304},"06502060-5f56-4849-9201-b69ca2b963ae","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#fafafa,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#f9f9f9,#00000000 50%),radial-gradient(at 67% 50%,#eeeeee,#00000000 50%),radial-gradient(at 100% 50%,#f2f2f2,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#fcfcfc,#00000000 50%),radial-gradient(at 67% 100%,#f1f1f1,#00000000 50%),radial-gradient(at 100% 100%,#f3f3f3,#00000000 50%)",{"id":1306,"height":42,"width":43,"blurhash":44},"78c8a873-77ff-4758-bc67-9a6d4a58696e",[1308],{"languages_code":47,"description":1309},"Satoshi Watanabe's digital portfolio serves as a sophisticated archive for a multi-disciplinary creative professional working at the intersection of film, photography, and fashion. The site functions as a high-level professional index, meticulously cataloging a prolific career through a structured, data-driven layout that highlights collaborations with global giants like Apple, Netflix, and Uniqlo.\n\nThe visual identity is defined by a rigorous, editorial minimalism. Utilizing a stark, typographic-heavy approach, the design prioritizes information hierarchy and clarity over decorative elements. The use of a clean grid, ample white space, and a monochromatic palette creates a sense of quiet authority, positioning Watanabe not just as a creator, but as a seasoned director and industry educator.",[51,111,53],[],[214],[],[1315,1316,1317,1318],{"score":531,"category":75},{"score":67,"category":65},{"score":70,"category":68},{"score":70,"category":71},[1320,1321,1322,1323],{"score":315,"category":75},{"score":513,"category":65},{"score":70,"category":68},{"score":70,"category":71},[82,84,85],"Website: Satoshi Watanabe. Page: About. Page type: About Us \u002F Team. Page title: About | Satoshi Watanabe. Page description: 渡邊 哲（hoth inc.代表）、映像ディレクター・フォトグラファー。広告、音楽、ファッションなど幅広い分野で活動。文化服装学院特別非常勤講師。Satoshi Watanabe (Representative Director, hoth inc.), Video Director & Photographer. Active in a wide range of fields including advertising, music, and fashion. Special Part-time Lecturer at Bunka Fashion College.. Page content: En Ja To view the full showreel, or for inquiries regarding projects, Please contact our sales representatives. Manager: Mai Igarashi Tel: 08038986114 Mail: mai.igarashi@hoth.st ( Copy ) Management Office: hoth inc. Satoshi Watanabe Director, Photographer, Special temporary lecturer of Bunka Fashion Collage, hoth inc. CEO, nuro studio inc. CEO. He worked at The 77 Bank, Ltd. before moving into the video industry. After joining DRAWING AND MANUAL in 2015, he established hoth inc in 2021. In 2025, nuro studio inc was established. In addition to working on commercials and music videos in a variety of genres, he is also active as a photographer in a wide range of fields, including advertising, fashion magazines, CD jackets, and artist photography.He has also participated in many works as a director of photography. Social Instagram Award 1. \\- Special Mention at Biennale di Venezia in 2016 2. \\- 61st ACC TOKYO CREATIVITY AWARDS FILM A(TVC) GOLD and CRAFT DIRECTOR AWARDS for “At the cafe” “Grandmother and her prescriptions” “A new father” by Yamato Transport Co Limited 3. \\- 65st ACC TOKYO CREATIVITY AWARDS FILM A(TVC) BLONZE for “OTONAJAN 06” by Suntory Holdings Limited Clients Apple, Asahi Soft Drinks, Coca-Cola, Glico, ITOCHU Corporation, ISUZU, Kao, KIRIN, LINE, LUX, Mandom, McDonald’s Corporation, Meiji, Microsoft, Mitsubishi Motors, NEC, Nescafe, Netflix, NISSAN, Nissay, NTT, P&G, Panasonic, Pokémon, Recruit, Suntory Holdings, Tosoh Corporation, Try Group, Under Armour, UNIQLO, Volkswagen, Yamato Holdings, etc. 全ての作品をご覧になりたい方、 案件に関するご相談など、 下記担当マネージャーまでお気軽にお問い合わせください。 マネージャー: 五十嵐 麻衣 Tel: 08038986114 メール: mai.igarashi@hoth.st ( Copy ) マネジメント: hoth inc. 渡邊 哲 ディレクター、フォトグラファー、文化服装学院特別非常勤講師、hoth株式会社代表取締役、nuro studio株式会社代表取締役。株式会社七十七銀行に勤務し、その後映像業界へ転身。2015年にDRAWING AND MANUAL株式会社に入社し、2021年にhoth株式会社を設立。2025年、nuro studio株式会社設立。ジャンルを問わずコマーシャルやミュージックビデオの制作に携わる一方、広告・ファッション誌・CDジャケット・アーティスト撮影など幅広い分野でフォトグラファーとしても活動している。撮影監督として参加した作品も多数ある。 Social Instagram 受賞歴 1. \\- ベネチアビエンナーレ 2016 特別賞 2. \\- ヤマト運輸株式会社の「いつものカフェ」「おばあさんと処方薬」「新米パパ」が、第61回ACC TOKYO CREATIVITY AWARDS フィルムA（TVC）部門にてゴールドおよびクラフト・ディレクター賞を受賞 3. \\- サントリーホールディングス株式会社の「大人じゃん 06」が、第65回ACC TOKYO CREATIVITY AWARDS フィルムA（TVC）部門にてブロンズを受賞 クライアント アサヒ飲料, Apple, Under Armour, 伊藤忠商事, いすゞ, NEC, NTT, 花王, KIRIN, グリコ, コカコーラ, サントリー, 東ソー, トライグループ, 日本生命, NISSAN, Nescafe, Netflix, Panasonic, P&G, ポケモン, Volkswagen, Microsoft, McDonald’s Corporation, マンダム, Meiji, 三菱自動車, LINE, LUX, リクルート, ヤマトホールディングス, UNIQLO, En Ja. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Photography & Video industry. The overall color palette features White, Black, Gray. The typography features Suisse Intl (Swiss Typefaces). AI description: Satoshi Watanabe's digital portfolio serves as a sophisticated archive for a multi-disciplinary creative professional working at the intersection of film, photography, and fashion. The site functions as a high-level professional index, meticulously cataloging a prolific career through a structured, data-driven layout that highlights collaborations with global giants like Apple, Netflix, and Uniqlo. The visual identity is defined by a rigorous, editorial minimalism. Utilizing a stark, typographic-heavy approach, the design prioritizes information hierarchy and clarity over decorative elements. The use of a clean grid, ample white space, and a monochromatic palette creates a sense of quiet authority, positioning Watanabe not just as a creator, but as a seasoned director and industry educator.",{"id":1327,"website_id":1328,"page_id":1327,"name":1329,"slug":1330,"url":1331,"website_name":1329,"website_slug":1330,"website_url":1332,"result_url":1331,"fetched_at":1333,"score":173,"score_boost":25,"ai_score":173,"freshness_score":1334,"scored_at":1335,"page_name":97,"page_url":1331,"page_title":1336,"page_description":1337,"page_content":1338,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1339,"cover_mobile":1342,"cover_sequence":44,"translations":1344,"industry":109,"styles":1347,"credits":1348,"font_families":1349,"technologies":1350,"pagespeed":1351,"pagespeed_mobile":1356,"buckets":1361,"search_payload":1362},"20ba7bb3-b1f2-45ef-9768-b127155e6744","d6a4d676-ef89-4f5c-8092-502ff7f4305b","Aetinx","aetinx","https:\u002F\u002Faetinx.dev\u002Fabout","https:\u002F\u002Faetinx.dev","2026-05-24T20:02:33.000Z",1779652953,"2026-05-24T20:03:35.000Z","About – Adrian Keim","Adrian Keim is a designer with a passion for creating magical and meaningful experiences.","Aetinx HomeAboutResume [ ](\u002F\u002Fx.com\u002Faetinx)[ ](\u002F\u002Fdiscord.com\u002Finvite\u002FXwp7enga7c)[ ](\u002F\u002Fgithub.com\u002Faetinx)",{"id":1340,"height":37,"width":38,"blurhash":1341},"c0e5e051-e7dd-4bac-89c5-e0b0ead4ca63","radial-gradient(at 0 0,#1b1c1d,#00000000 50%),radial-gradient(at 33% 0,#25211f,#00000000 50%),radial-gradient(at 67% 0,#1e1714,#00000000 50%),radial-gradient(at 100% 0,#0d0509,#00000000 50%),radial-gradient(at 0 50%,#111719,#00000000 50%),radial-gradient(at 33% 50%,#222326,#00000000 50%),radial-gradient(at 67% 50%,#1f2022,#00000000 50%),radial-gradient(at 100% 50%,#070b11,#00000000 50%),radial-gradient(at 0 100%,#1e170b,#00000000 50%),radial-gradient(at 33% 100%,#2e2213,#00000000 50%),radial-gradient(at 67% 100%,#312314,#00000000 50%),radial-gradient(at 100% 100%,#23180b,#00000000 50%)",{"id":1343,"height":42,"width":43,"blurhash":44},"bc5343bf-fe2d-423b-8f20-4400b383bb6a",[1345],{"languages_code":47,"description":1346},"Aetinx serves as the professional digital portfolio for Adrian Keim, a multidisciplinary designer and developer. The site is meticulously crafted to showcase a diverse range of creative projects, spanning from logomarks and visual identities to complex design systems. It functions as both a creative showcase and a functional resume, bridging the gap between aesthetic design and technical implementation.\n\nThe visual identity is defined by a sophisticated dark mode aesthetic that utilizes high-contrast typography and vibrant, punchy accent colors. The design language is modern and highly polished, employing a clean, minimalist layout that allows the colorful project imagery to command attention. Through the use of bold sans-serif typefaces and rounded UI elements, the site communicates a sense of approachable professionalism and cutting-edge digital fluency, targeting high-end tech clients and creative agencies.",[51,256,53],[],[550,550,550,550,550,352],[],[1352,1353,1354,1355],{"score":635,"category":75},{"score":239,"category":65},{"score":70,"category":68},{"score":67,"category":71},[1357,1358,1359,1360],{"score":729,"category":75},{"score":239,"category":65},{"score":70,"category":68},{"score":67,"category":71},[84,82,1040,85,185],"Website: Aetinx. Page: About. Page type: About Us \u002F Team. Page title: About – Adrian Keim. Page description: Adrian Keim is a designer with a passion for creating magical and meaningful experiences.. Page content: Aetinx HomeAboutResume [ ](\u002F\u002Fx.com\u002Faetinx)[ ](\u002F\u002Fdiscord.com\u002Finvite\u002FXwp7enga7c)[ ](\u002F\u002Fgithub.com\u002Faetinx). A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features Black, White, Blue, Gray, Pink. The typography features Inter (Sans Serif), Inter (Sans Serif), Inter (Sans Serif), Inter (Sans Serif), Inter (Sans Serif), Univers (Sans Serif). AI description: Aetinx serves as the professional digital portfolio for Adrian Keim, a multidisciplinary designer and developer. The site is meticulously crafted to showcase a diverse range of creative projects, spanning from logomarks and visual identities to complex design systems. It functions as both a creative showcase and a functional resume, bridging the gap between aesthetic design and technical implementation. The visual identity is defined by a sophisticated dark mode aesthetic that utilizes high-contrast typography and vibrant, punchy accent colors. The design language is modern and highly polished, employing a clean, minimalist layout that allows the colorful project imagery to command attention. Through the use of bold sans-serif typefaces and rounded UI elements, the site communicates a sense of approachable professionalism and cutting-edge digital fluency, targeting high-end tech clients and creative agencies.",{"id":1364,"website_id":1365,"page_id":1364,"name":1366,"slug":1367,"url":1368,"website_name":1366,"website_slug":1367,"website_url":1369,"result_url":1368,"fetched_at":1370,"score":173,"score_boost":25,"ai_score":239,"freshness_score":1371,"scored_at":1372,"page_name":1373,"page_url":1368,"page_title":1374,"page_description":44,"page_content":1375,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1376,"cover_mobile":1379,"cover_sequence":44,"translations":1381,"industry":304,"styles":1384,"credits":1385,"font_families":1387,"technologies":1388,"pagespeed":1389,"pagespeed_mobile":1395,"buckets":1400,"search_payload":1401},"d8ce4924-744f-45cd-85b3-72ab5bac219c","d72625ec-8b40-4d33-83c2-2435d406015b","Simon Denny","simon-denny","https:\u002F\u002Fsimondenny.net\u002Fbiography","https:\u002F\u002Fsimondenny.net","2026-05-24T07:47:53.000Z",1779608873,"2026-05-24T07:49:31.000Z","Biography","Biography – Simon Denny","Biography Simon Denny, MNZM (b. 1982 Auckland) lives and works in Berlin. He makes artworks that unpack stories about technology using painting, web-based media, installation, sculpture, print and video. He studied at the Elam School of Fine Arts, University of Auckland (2005) and at the Städelschule, Frankfurt am Main (2009). He serves as a _Professor of Time-Based Media_ since 2018 at The Hochschule für bildende Künste (HFBK), Hamburg and co-founded the artist mentoring program BPA\u002F\u002FBerlin Program for Artists in 2016. Denny represented New Zealand at the 56th Venice Biennale in 2015, and was included in Massimiliano Gioni’s _‘The Encyclopedic Palace_‘ at the 55th Venice Biennale in 2013. His work was also included in the 16th Sydney Biennale (2008), 1st Brussels Biennale (2008), BNLMTL Montréal Biennale (2014), 11th Lyon Biennale (2015), 9th Berlin Biennale (2016), Manifesta 11 (2016), 12th Gwangju Biennale (2018), 6th Guangzhou Triennial (2018), 34th Ljubljana Biennial (2021), 7th Athens Biennial (2021), 6th Ural Biennial (2021), and 1st Diriyah Biennial (2021) and other major international group exhibitions. Denny has also presented many solo exhibitions, including a survey of his work at MoMA PS1, New York in 2015; Kunstverein Aachen (2011); Aspen Art Museum (2012); Kunstverein Munich (2013); MUMOK, Vienna (2013); Adam Art Gallery, Wellington (2014); Portikus, Frankfurt (2014); Serpentine Galleries, London (2015); WIELS Contemporary Art Centre, Brussels (2016); Hammer Museum, Los Angeles (2017); OCAT, Shenzhen (2017); MOCA, Cleveland (2018); the Museum of Old and New Art, Tasmania (2019); K21– Kunstsammlung Nordrhein-Westfalen, Düsseldorf (2020); and Kunstverein Hannover, Hannover (2023). Denny has co-curated exhibitions such as _Proof of Stake_ at Kunstverein in Hamburg (2021) and _Proof of Work_ at Schinkel Pavillon, Berlin (2018), _Remote Control_ at the Institute of Contemporary Art, London (2012) and _Verboten Liebe_ at the Kölnischer Kunstverein, (2010). His works are represented in major institutional collections including the Museum of Modern Art (New York), Museum of Contemporary Art (Chicago), Kunstsammlung Nordrhein Westfalen (Düsseldorf), Walker Art Center (Minneapolis), Buffalo AKG (Buffalo), Kunsthaus Zürich (Zürich), Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland (Berlin), Hamburger Kunsthalle (Hamburg) and Museum of New Zealand Te Papa Tongarewa (Wellington). He received the 14th Baloise Art Prize for his _Statements_ presentation at Art Basel in 2012, was nominated for New Zealand’s Walters Prize in 2012 and 2014 and Berlin’s Preis der Nationalgalerie in 2013 and was awarded the Ars viva-Preis für Bildende Kunst in 2012. In 2025, Denny was recognised as a Member of the New Zealand Order of Merit (MNZM). Solo Shows - 2026 - [ ‘Rules Based Order’, Kraupa Tuskany Zeidler, Munich, DE, Munich ](https:\u002F\u002Fsimondenny.net\u002Frules-based-order\u002F) - 2025 - [ ‘The Future’, Michael Lett, Auckland, NZ, Auckland ](https:\u002F\u002Fsimondenny.net\u002Fthe-future\u002F) - [ ‘Forces of the Unknown’, JW Marriott Hotel Berlin, presented by Kraupa–Tuskany Zeidler, Stauffenbergstraße 26 ](https:\u002F\u002Fsimondenny.net\u002Fforces-of-the-unknown\u002F) - [ ‘Less Stale Attachment’, KIN, Bussels, BE ](https:\u002F\u002Fsimondenny.net\u002Fless-stale-attachment-2006-exhibition\u002F) - [ ‘Sandbox Landscapes’, T293, Rome, IT, Rome ](https:\u002F\u002Fsimondenny.net\u002Fsandbox-landscapes-exhibition\u002F) - 2024 - [ ‘Read Write Own’, Dunkunsthalle, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fsolo-exhibition-dunkunsthalle\u002F) - [ ‘Multi-User Dungeon (MUD)’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fmulti-user-dungeon-mud-exhibition\u002F) - [ ‘Dungeon’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fdungeon\u002F) - 2023 - [ ‘Optimism’, Auckland Art Gallery, Auckland, NZ, Auckland ](https:\u002F\u002Fsimondenny.net\u002Foptimism-exhibition\u002F) - [ ‘Metaverse Landscapes’, Fine Arts, Sydney, Paddington, AU ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-fine-arts-sidney\u002F) - [ ‘Read, Write, Own ’, Altman Siegel, San Francisco, US, San Francisco ](https:\u002F\u002Fsimondenny.net\u002Fread-write-own-altman-siegel\u002F) - [ ‘Metaverse Landscapes’, Frans Masereel Centrum, Kasterlee, BE ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-frans-masereel\u002F) - [ ‘Metaverse Landscapes’, Kunstverein Hannover, Hannover, DE ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-hannover\u002F) - 2022 - [ ‘Merge’, Heidelberger Kunstverein, Heidelberg, DE, Heidelberg ](https:\u002F\u002Fsimondenny.net\u002Fmerge\u002F) - [ ‘Dotcom Seance’, Outernet Arts, London, UK ](https:\u002F\u002Fsimondenny.net\u002Fdotcom-seance-outernet-london\u002F) - [ ‘Creation Stories’, Michael Lett, Auckland, NZ, Auckland ](https:\u002F\u002Fsimondenny.net\u002Fcreation-stories-michael-lett\u002F) - 2021 - [ ‘Proof of Stake – Technological Claims’, Hamburg Kunstverein, Hamburg, DE, Hamburg ](https:\u002F\u002Fsimondenny.net\u002Fproof-of-stake-technological-claims\u002F) - [ ‘Mine’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fmine-2\u002F) - 2020 - [ ‘Mine’, Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE, Düsseldorf ](https:\u002F\u002Fsimondenny.net\u002Fsimon-denny-mine\u002F) - [ ‘Worker Cage Document Reliefs ’, Fine Arts, Sydney, Paddington, AU ](https:\u002F\u002Fsimondenny.net\u002Fworker-cage-document-reliefs\u002F) - [ ‘Security Through Obscurity’, Altman Siegel, San Francisco, US, San Francisco ](https:\u002F\u002Fsimondenny.net\u002Fsecurity-through-obscurity\u002F) - 2019 - [ ‘Regulation’, T293, Rome, IT, Rome ](https:\u002F\u002Fsimondenny.net\u002Fregulations\u002F) - [ ‘Mine’, MONA – Museum of Old and New Art, Berriedale, AU ](https:\u002F\u002Fsimondenny.net\u002Fmine\u002F) - 2018 - [ ‘The Founder’s Paradox’, Christchurch Art Gallery Te Puna o Waiwhetū, Christchurch, NZ, Christchurch ](https:\u002F\u002Fsimondenny.net\u002Fthe-founders-paradox\u002F) - [ ‘Proof of Work’, Schinkel Pavillon, Berlin, DE, Berlin ](https:\u002F\u002Fsimondenny.net\u002Fproof-of-work\u002F) - [ ‘Games of Decentralized Life’, Galerie Buchholz, Berlin\u002FCologne\u002FNew York, Berlin ](https:\u002F\u002Fsimondenny.net\u002Fgames-of-decentralized-life\u002F) - [ ‘The Founder’s Paradox’, Museum of Contemporary Art Cleveland, Cleveland, US, Cleveland ](https:\u002F\u002Fsimondenny.net\u002Fthe-founders-paradox-cleveland\u002F) - 2017 - [ ‘The Founder’s Paradox’, Michael Lett, Auckland, NZ, Auckland ](https:\u002F\u002Fsimondenny.net\u002F2597\u002F) - [ ‘Shenzhen Entrepreneurial Form’, Fine Arts, Sydney, Paddington, AU ](https:\u002F\u002Fsimondenny.net\u002Fshenzhen-entrepreneurial-form\u002F) - [ ‘Regulation’, BOZAR, Brussels, BE, Brussels ](https:\u002F\u002Fsimondenny.net\u002Fregulation-bozar\u002F) - [ ‘FaaS – Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance’, BOZAR, Brussels, BE, Brussels ](https:\u002F\u002Fsimondenny.net\u002Ffaas-feedback-as-a-service-reflecting-on-messaging-debate-and-criticality-inside-a-parliamentary-discussion-on-internet-governance\u002F) - [ ‘Real Mass Entrepreneurship’, OCAT Shenzhen, Shenzhen, CN ](https:\u002F\u002Fsimondenny.net\u002Fsimon-denny-real-mass-entrepreneurship\u002F) - [ ‘Hammer Projects: Simon Denny’, Hammer Museum, Los Angeles, US, Los Angeles ](https:\u002F\u002Fsimondenny.net\u002Fhammer-projects-simon-denny\u002F) - 2016 - [ ‘Secret Power’, Te Papa Tongarewa, Wellington, NZ, Wellington ](https:\u002F\u002Fsimondenny.net\u002Fsecret-power\u002F) - [ ‘Blockchain Future States’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fblockchain-future-states\u002F) - [ ‘Business Insider’, WIELS, Centre d’Art Contemporain, Forest, BE, Brussels ](https:\u002F\u002Fsimondenny.net\u002Fbusiness-insider\u002F) - 2015 - [ ‘Products for Organising’, Serpentine Galleries, London, Uk, London ](https:\u002F\u002Fsimondenny.net\u002Fproducts-for-organising\u002F) - [ ‘Secret Power’, New Zealand Pavillon, 56th Venice Biennale, Venice, IT, Venice ](https:\u002F\u002Fsimondenny.net\u002Fsecret-power-56th-venice-biennale\u002F) - [ ‘The Innovator’s Dilemma’, MoMA PS1, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fthe-innovators-dilemma\u002F) - 2014 - [ ‘The Personal Effects of Kim Dotcom’, Adam Art Gallery, Wellington, NZ, Wellington ](https:\u002F\u002Fsimondenny.net\u002Fthe-personal-effects-of-kim-dotcom\u002F) - [ ‘New Management’, Portikus, Frankfurt am Main, DE, Frankfurt am Main ](https:\u002F\u002Fsimondenny.net\u002Fnew-management\u002F) - [ ‘The Personal Effects of Kim Dotcom’, Firstsite, Colchester, GB, Colchester ](https:\u002F\u002Fsimondenny.net\u002Fthe-personal-effects-of-kim-dotcom-2\u002F) - [ ‘Disruptive Berlin’, Galerie Buchholz, Berlin\u002FCologne\u002FNew York, Berlin ](https:\u002F\u002Fsimondenny.net\u002Fdisruptive-berlin\u002F) - 2013 - [ ‘The Personal Effects of Kim Dotcom’, mumok, Vienna, AT, Vienna ](https:\u002F\u002Fsimondenny.net\u002Fthe-personal-effects-of-kim-dotcom-3\u002F) - [ ‘All You Need Is Data: the DLD 2012 Conference REDUX rerun’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fall-you-need-is-date\u002F) - [ ‘All You Need is Data’, Kunstverein München, Munich, DE, München ](https:\u002F\u002Fsimondenny.net\u002Fall-you-need-is-data-exhibition-munich\u002F) - 2012 - [ ‘Art Basel Statements 2012’, Michael Lett, Auckland, NZ, Basel, CHE ](https:\u002F\u002Fsimondenny.net\u002Fart-basel-statements-2012\u002F) - [ ‘Channel Document’, Art Statements (Prize), Art 43 Basel, CH, Michael Lett ](https:\u002F\u002Fsimondenny.net\u002Fchannel-document\u002F) - [ ‘Full Participation’, Aspen Art Museum, Aspen, US, Aspen ](https:\u002F\u002Fsimondenny.net\u002Ffull-participation\u002F) - [ ‘Envisaging Vocational Rehabilitation’, Westfälischer Kunstverein, Münster, DE, Münster ](https:\u002F\u002Fsimondenny.net\u002Fenvisaging-vocational-rehabilitation\u002F) - 2011 - [ ‘Corporate Video Decisions’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fcorporate-video-decisions\u002F) - [ ‘Corporate Video Decisions’, Michael Lett, Auckland, NZ, Auckland ](https:\u002F\u002Fsimondenny.net\u002Fcorporate-video-decisions-2\u002F) - [ ‘Chronic Expectation: CFS\u002FME Documentary Restoration’, T293, Rome, IT, Rome …",{"id":1377,"height":37,"width":38,"blurhash":1378},"a6251c4e-17d4-4a6a-84e3-e11993f7f929","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#fafafa,#00000000 50%),radial-gradient(at 67% 0,#f2f2f2,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#ececec,#00000000 50%),radial-gradient(at 67% 50%,#dcdcdc,#00000000 50%),radial-gradient(at 100% 50%,#f2f2f2,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#eaebeb,#00000000 50%),radial-gradient(at 67% 100%,#dadada,#00000000 50%),radial-gradient(at 100% 100%,#f1f1f1,#00000000 50%)",{"id":1380,"height":42,"width":43,"blurhash":44},"05e781a3-b0ab-4724-99e0-fba0b3638e17",[1382],{"languages_code":47,"description":1383},"Simon Denny's digital portfolio serves as a sophisticated archive for his contemporary art practice, documenting ongoing projects, exhibitions, and critical press. The site functions as a professional nexus for curators, collectors, and art institutions, providing a clear chronological and thematic overview of his work within the global art circuit.\n\nThe visual identity is defined by a rigorous, minimalist aesthetic that prioritizes high-quality imagery and expansive whitespace. Utilizing a refined typographic hierarchy and a structured grid, the design reflects the intellectual depth of the artist's work. The monochromatic palette and understated navigation ensure that the focus remains entirely on the visual documentation of his installations and conceptual projects.",[51,111,53],[1386],"Knoth & Renner",[],[118,120,168],[1390,1392,1393,1394],{"score":1391,"category":75},22,{"score":175,"category":65},{"score":70,"category":68},{"score":67,"category":71},[1396,1397,1398,1399],{"score":179,"category":75},{"score":67,"category":65},{"score":70,"category":68},{"score":67,"category":71},[82,85,84],"Website: Simon Denny. Page: Biography. Page type: About Us \u002F Team. Page title: Biography – Simon Denny. Page content: Biography Simon Denny, MNZM (b. 1982 Auckland) lives and works in Berlin. He makes artworks that unpack stories about technology using painting, web-based media, installation, sculpture, print and video. He studied at the Elam School of Fine Arts, University of Auckland (2005) and at the Städelschule, Frankfurt am Main (2009). He serves as a _Professor of Time-Based Media_ since 2018 at The Hochschule für bildende Künste (HFBK), Hamburg and co-founded the artist mentoring program BPA\u002F\u002FBerlin Program for Artists in 2016. Denny represented New Zealand at the 56th Venice Biennale in 2015, and was included in Massimiliano Gioni’s _‘The Encyclopedic Palace_‘ at the 55th Venice Biennale in 2013. His work was also included in the 16th Sydney Biennale (2008), 1st Brussels Biennale (2008), BNLMTL Montréal Biennale (2014), 11th Lyon Biennale (2015), 9th Berlin Biennale (2016), Manifesta 11 (2016), 12th Gwangju Biennale (2018), 6th Guangzhou Triennial (2018), 34th Ljubljana Biennial (2021), 7th Athens Biennial (2021), 6th Ural Biennial (2021), and 1st Diriyah Biennial (2021) and other major international group exhibitions. Denny has also presented many solo exhibitions, including a survey of his work at MoMA PS1, New York in 2015; Kunstverein Aachen (2011); Aspen Art Museum (2012); Kunstverein Munich (2013); MUMOK, Vienna (2013); Adam Art Gallery, Wellington (2014); Portikus, Frankfurt (2014); Serpentine Galleries, London (2015); WIELS Contemporary Art Centre, Brussels (2016); Hammer Museum, Los Angeles (2017); OCAT, Shenzhen (2017); MOCA, Cleveland (2018); the Museum of Old and New Art, Tasmania (2019); K21– Kunstsammlung Nordrhein-Westfalen, Düsseldorf (2020); and Kunstverein Hannover, Hannover (2023). Denny has co-curated exhibitions such as _Proof of Stake_ at Kunstverein in Hamburg (2021) and _Proof of Work_ at Schinkel Pavillon, Berlin (2018), _Remote Control_ at the Institute of Contemporary Art, London (2012) and _Verboten Liebe_ at the Kölnischer Kunstverein, (2010). His works are represented in major institutional collections including the Museum of Modern Art (New York), Museum of Contemporary Art (Chicago), Kunstsammlung Nordrhein Westfalen (Düsseldorf), Walker Art Center (Minneapolis), Buffalo AKG (Buffalo), Kunsthaus Zürich (Zürich), Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland (Berlin), Hamburger Kunsthalle (Hamburg) and Museum of New Zealand Te Papa Tongarewa (Wellington). He received the 14th Baloise Art Prize for his _Statements_ presentation at Art Basel in 2012, was nominated for New Zealand’s Walters Prize in 2012 and 2014 and Berlin’s Preis der Nationalgalerie in 2013 and was awarded the Ars viva-Preis für Bildende Kunst in 2012. In 2025, Denny was recognised as a Member of the New Zealand Order of Merit (MNZM). Solo Shows - 2026 - [ ‘Rules Based Order’, Kraupa Tuskany Zeidler, Munich, DE, Munich ](https:\u002F\u002Fsimondenny.net\u002Frules-based-order\u002F) - 2025 - [ ‘The Future’, Michael Lett, Auckland, NZ, Auckland ](https:\u002F\u002Fsimondenny.net\u002Fthe-future\u002F) - [ ‘Forces of the Unknown’, JW Marriott Hotel Berlin, presented by Kraupa–Tuskany Zeidler, Stauffenbergstraße 26 ](https:\u002F\u002Fsimondenny.net\u002Fforces-of-the-unknown\u002F) - [ ‘Less Stale Attachment’, KIN, Bussels, BE ](https:\u002F\u002Fsimondenny.net\u002Fless-stale-attachment-2006-exhibition\u002F) - [ ‘Sandbox Landscapes’, T293, Rome, IT, Rome ](https:\u002F\u002Fsimondenny.net\u002Fsandbox-landscapes-exhibition\u002F) - 2024 - [ ‘Read Write Own’, Dunkunsthalle, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fsolo-exhibition-dunkunsthalle\u002F) - [ ‘Multi-User Dungeon (MUD)’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fmulti-user-dungeon-mud-exhibition\u002F) - [ ‘Dungeon’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fdungeon\u002F) - 2023 - [ ‘Optimism’, Auckland Art Gallery, Auckland, NZ, Auckland ](https:\u002F\u002Fsimondenny.net\u002Foptimism-exhibition\u002F) - [ ‘Metaverse Landscapes’, Fine Arts, Sydney, Paddington, AU ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-fine-arts-sidney\u002F) - [ ‘Read, Write, Own ’, Altman Siegel, San Francisco, US, San Francisco ](https:\u002F\u002Fsimondenny.net\u002Fread-write-own-altman-siegel\u002F) - [ ‘Metaverse Landscapes’, Frans Masereel Centrum, Kasterlee, BE ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-frans-masereel\u002F) - [ ‘Metaverse Landscapes’, Kunstverein Hannover, Hannover, DE ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-hannover\u002F) - 2022 - [ ‘Merge’, Heidelberger Kunstverein, Heidelberg, DE, Heidelberg ](https:\u002F\u002Fsimondenny.net\u002Fmerge\u002F) - [ ‘Dotcom Seance’, Outernet Arts, London, UK ](https:\u002F\u002Fsimondenny.net\u002Fdotcom-seance-outernet-london\u002F) - [ ‘Creation Stories’, Michael Lett, Auckland, NZ, Auckland ](https:\u002F\u002Fsimondenny.net\u002Fcreation-stories-michael-lett\u002F) - 2021 - [ ‘Proof of Stake – Technological Claims’, Hamburg Kunstverein, Hamburg, DE, Hamburg ](https:\u002F\u002Fsimondenny.net\u002Fproof-of-stake-technological-claims\u002F) - [ ‘Mine’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fmine-2\u002F) - 2020 - [ ‘Mine’, Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE, Düsseldorf ](https:\u002F\u002Fsimondenny.net\u002Fsimon-denny-mine\u002F) - [ ‘Worker Cage Document Reliefs ’, Fine Arts, Sydney, Paddington, AU ](https:\u002F\u002Fsimondenny.net\u002Fworker-cage-document-reliefs\u002F) - [ ‘Security Through Obscurity’, Altman Siegel, San Francisco, US, San Francisco ](https:\u002F\u002Fsimondenny.net\u002Fsecurity-through-obscurity\u002F) - 2019 - [ ‘Regulation’, T293, Rome, IT, Rome ](https:\u002F\u002Fsimondenny.net\u002Fregulations\u002F) - [ ‘Mine’, MONA – Museum of Old and New Art, Berriedale, AU ](https:\u002F\u002Fsimondenny.net\u002Fmine\u002F) - 2018 - [ ‘The Founder’s Paradox’, Christchurch Art Gallery Te Puna o Waiwhetū, Christchurch, NZ, Christchurch ](https:\u002F\u002Fsimondenny.net\u002Fthe-founders-paradox\u002F) - [ ‘Proof of Work’, Schinkel Pavillon, Berlin, DE, Berlin ](https:\u002F\u002Fsimondenny.net\u002Fproof-of-work\u002F) - [ ‘Games of Decentralized Life’, Galerie Buchholz, Berlin\u002FCologne\u002FNew York, Berlin ](https:\u002F\u002Fsimondenny.net\u002Fgames-of-decentralized-life\u002F) - [ ‘The Founder’s Paradox’, Museum of Contemporary Art Cleveland, Cleveland, US, Cleveland ](https:\u002F\u002Fsimondenny.net\u002Fthe-founders-paradox-cleveland\u002F) - 2017 - [ ‘The Founder’s Paradox’, Michael Lett, Auckland, NZ, Auckland ](https:\u002F\u002Fsimondenny.net\u002F2597\u002F) - [ ‘Shenzhen Entrepreneurial Form’, Fine Arts, Sydney, Paddington, AU ](https:\u002F\u002Fsimondenny.net\u002Fshenzhen-entrepreneurial-form\u002F) - [ ‘Regulation’, BOZAR, Brussels, BE, Brussels ](https:\u002F\u002Fsimondenny.net\u002Fregulation-bozar\u002F) - [ ‘FaaS – Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance’, BOZAR, Brussels, BE, Brussels ](https:\u002F\u002Fsimondenny.net\u002Ffaas-feedback-as-a-service-reflecting-on-messaging-debate-and-criticality-inside-a-parliamentary-discussion-on-internet-governance\u002F) - [ ‘Real Mass Entrepreneurship’, OCAT Shenzhen, Shenzhen, CN ](https:\u002F\u002Fsimondenny.net\u002Fsimon-denny-real-mass-entrepreneurship\u002F) - [ ‘Hammer Projects: Simon Denny’, Hammer Museum, Los Angeles, US, Los Angeles ](https:\u002F\u002Fsimondenny.net\u002Fhammer-projects-simon-denny\u002F) - 2016 - [ ‘Secret Power’, Te Papa Tongarewa, Wellington, NZ, Wellington ](https:\u002F\u002Fsimondenny.net\u002Fsecret-power\u002F) - [ ‘Blockchain Future States’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fblockchain-future-states\u002F) - [ ‘Business Insider’, WIELS, Centre d’Art Contemporain, Forest, BE, Brussels ](https:\u002F\u002Fsimondenny.net\u002Fbusiness-insider\u002F) - 2015 - [ ‘Products for Organising’, Serpentine Galleries, London, Uk, London ](https:\u002F\u002Fsimondenny.net\u002Fproducts-for-organising\u002F) - [ ‘Secret Power’, New Zealand Pavillon, 56th Venice Biennale, Venice, IT, Venice ](https:\u002F\u002Fsimondenny.net\u002Fsecret-power-56th-venice-biennale\u002F) - [ ‘The Innovator’s Dilemma’, MoMA PS1, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fthe-innovators-dilemma\u002F) - 2014 - [ ‘The Personal Effects of Kim Dotcom’, Adam Art Gallery, Wellington, NZ, Wellington ](https:\u002F\u002Fsimondenny.net\u002Fthe-personal-effects-of-kim-dotcom\u002F) - [ ‘New Management’, Portikus, Frankfurt am Main, DE, Frankfurt am Main ](https:\u002F\u002Fsimondenny.net\u002Fnew-management\u002F) - [ ‘The Personal Effects of Kim Dotcom’, Firstsite, Colchester, GB, Colchester ](https:\u002F\u002Fsimondenny.net\u002Fthe-personal-effects-of-kim-dotcom-2\u002F) - [ ‘Disruptive Berlin’, Galerie Buchholz, Berlin\u002FCologne\u002FNew York, Berlin ](https:\u002F\u002Fsimondenny.net\u002Fdisruptive-berlin\u002F) - 2013 - [ ‘The Personal Effects of Kim Dotcom’, mumok, Vienna, AT, Vienna ](https:\u002F\u002Fsimondenny.net\u002Fthe-personal-effects-of-kim-dotcom-3\u002F) - [ ‘All You Need Is Data: the DLD 2012 Conference REDUX rerun’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fall-you-need-is-date\u002F) - [ ‘All You Need is Data’, Kunstverein München, Munich, DE, München ](https:\u002F\u002Fsimondenny.net\u002Fall-you-need-is-data-exhibition-munich\u002F) - 2012 - [ ‘Art Basel Statements 2012’, Michael Lett, Auckland, NZ, Basel, CHE ](https:\u002F\u002Fsimondenny.net\u002Fart-basel-statements-2012\u002F) - [ ‘Channel Document’, Art Statements (Prize), Art 43 Basel, CH, Michael Lett ](https:\u002F\u002Fsimondenny.net\u002Fchannel-document\u002F) - [ ‘Full Participation’, Aspen Art Museum, Aspen, US, Aspen ](https:\u002F\u002Fsimondenny.net\u002Ffull-participation\u002F) - [ ‘Envisaging Vocational Rehabilitation’, Westfälischer Kunstverein, Münster, DE, Münster ](https:\u002F\u002Fsimondenny.net\u002Fenvisaging-vocational-rehabilitation\u002F) - 2011 - [ ‘Corporate Video Decisions’, Petzel Gallery, New York, US, New York ](https:\u002F\u002Fsimondenny.net\u002Fcorporate-video-decisions\u002F) - [ ‘Corporate Video Decisions’, Michael Lett, Auckland, NZ, Auckland ](https:\u002F\u002Fsimondenny.net\u002Fcorporate-video-decisions-2\u002F) - [ ‘Chronic Expectation: CFS\u002FME Documentary Restoration’, T293, Rome, IT, Rome …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Gray, Black. Built using jQuery, PHP, WordPress. AI description: Simon Denny's digital portfolio serves as a sophisticated archive for his contemporary art practice, documenting ongoing projects, exhibitions, and critical press. The site functions as a professional nexus for curators, collectors, and art institutions, providing a clear chronological and thematic overview of his work within the global art circuit. The visual identity is defined by a rigorous, minimalist aesthetic that prioritizes high-quality imagery and expansive whitespace. Utilizing a refined typographic hierarchy and a structured grid, the design reflects the intellectual depth of the artist's work. The monochromatic palette and understated navigation ensure that the focus remains entirely on the visual documentation of his installations and conceptual projects.",{"id":1403,"website_id":1404,"page_id":1403,"name":1405,"slug":1406,"url":1407,"website_name":1405,"website_slug":1406,"website_url":1408,"result_url":1407,"fetched_at":1409,"score":173,"score_boost":25,"ai_score":318,"freshness_score":70,"scored_at":1410,"page_name":1411,"page_url":1407,"page_title":1412,"page_description":1413,"page_content":1414,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1415,"cover_mobile":1418,"cover_sequence":44,"translations":1420,"industry":1184,"styles":1423,"credits":1424,"font_families":1426,"technologies":1427,"pagespeed":1428,"pagespeed_mobile":1434,"buckets":1440,"search_payload":1441},"6a9e5180-b028-403b-a2a3-291b5bbc8c74","db8b1630-a4d0-40a7-88ee-9073fd3f2ded","Ubac","ubac","https:\u002F\u002Fubac-store.com\u002Fen\u002Fubac-vision","https:\u002F\u002Fubac-store.com","2026-05-23T20:35:42.000Z","2026-05-23T20:38:03.000Z","Vision","Ubac vision","Here, you can find all our values, our manufactures, our materials and many other things.","Ubac Vision Inspired by nature, designed for the future - Materials - Manufacturing - Actions - Transparency - Our certifications - Impact & end of life - Review Inspired by nature, designed for the future. Since its inception in 2018, Ubac has been offering sneakers made of natural and recycled materials. The word Ubac designates the side of the mountain least exposed to the sun, and therefore the most preserved from the human footprint. Ubac then becomes a symbol of a preserved and still wild nature that must be taken care of. It aspires to a feeling of freedom and protection that high mountain landscapes can provide. All Ubac products are manufactured by craftsmen in France or in Portugal in order to produce sustainably and value local industries. The most ecological materials are used, giving preference to natural and recycled materials for their exceptional qualities: recycled wool, hemp, recycled cotton, linen. It is also the promise to get out of a too strong dependence on the oil industry. Because we believe that a good deed is better than a long speech, we donate 1% of our turnover to the LPO, a French environmental protection association Read more Materials - Recycled wool Recycled wool - Mesclat Mesclat - Linen Linen - R-SKIN® R-SKIN® - Cobois™ Cobois™ - Hemp Hemp - Recycled cotton Recycled cotton - Green EVA® Green EVA® - Recycled rubber Recycled rubber - Extra Grip™ Extra Grip™ Recycled wool Advantages: Anti-bacterial, comfortable, resistant, breathable, thermo-regulating. And your sweaters become sneakers The recycled wool used at Ubac comes from French and European wool sweaters. No resources are taken from nature. Recycled wool has the same characteristics as new wool: it is light, comfortable, thermoregulating and breathable. A recycled wool, spun and woven in France Our recycled wool comes from used sweaters, collected from various recycling networks. They arrive sorted by color in our partner spinning mill located in Brassac (81), France, before being defibered and then blended to create new colors of yarn. The yarn is then sent to Pierre, still in the Tarn (81). We then obtain the final material that you find on our sneakers, a soft, supple material but dense enough to be strong and waterproof. Mesclat Advantages: natural, thermo-regulating, insulating and anti-bacterial. Mesclat (meaning \"mixture\" in Occitan) is made up of exactly 50% wool and 50% hemp. Saving wool from destruction For years, wool has been destined for destruction due to a lack of textile outlets. Virgocoop (our partner cooperative) collects wool from farmers in Lozère. This provides additional income for the producers, and adds value to a highly valuable material. Restoring hemp to its former glory Hemp grows without pesticides or irrigation, and cleans the soil. With its partner farmers, Virgocoop produces textile hemp, which is then processed into short fibres. 100% french fabric By using short-fibre hemp mixed with wool, it is possible to carry out all the processing stages in carded spinning mills, a traditional Occitan industry. The result: a 100% French fabric, 100% natural and 0 dyes, which enhances the value of an entire industry. Linen Advantages: Anti-bacterial, comfortable, resistant, breathable. A responsible fiber Linen is one of the most ecological fibers in the textile world. It grows perfectly in France and requires almost no irrigation, pesticides or other chemicals. French from field to fabric With 80% of the world's production, France is the world's leading flax grower. However, it has been 25 years since the last spinning mills in the country closed and 90% of the flax production is sent to China and India for processing due to much lower labor costs. A textile sector to be upgraded After the loss of almost all the textile know-how in France in the last century, some people are now fighting to bring it back. This is the case of Emmanuel Lang, weaver, with whom Ubac has developed a resistant linen fabric cultivated in Normandy and woven in Alsace. R-SKIN® Advantages: Waterproof, comfortable, resistant. Recycled rubber R-SKIN® is a material made of 30% recycled rubber and 70% rubber. It is a strong, comfortable and easily recyclable alternative to leather. From production waste R-SKIN® reuses old soles and production scraps. The rubber elements are finely ground, devulcanized and mixed with new rubber to obtain a less impactful material. Recyclable When your sneaker reaches the end of its life, it can be sent back to us for recycling. It can be reintegrated into the circuit from which it originated to be part of future productions. Cobois™ Advantages: Light, comfortable, resistant, breathable. A zero plastic alternative While most knitwear are designed with plastic, Cobois™ is made of organic cotton and wood pulp. The goal is to work with nature, which offers fibers with properties of excellence such as lightness, flexibility, comfort. Knit made in Portugal Most knitwear is not only made of plastic, but also manufactured in Asia, where the know-how is. To be able to work with a Portuguese knit is extraordinary! It is also the proof that a more responsible fashion is possible. Hemp Advantages: Anti-bacterial, comfortable, resistant, breathable. The most ecological natural fiber in the textile world Hemp is a plant that grows locally, almost without water and without pesticides. This fiber, in addition to being ecological, is one of the strongest, it is 8 times more resistant to traction than cotton. Used for military clothing and marine ropes, hemp textiles are unwearable! It was therefore the best ally to offer you resistant, healthy and ecological sneakers. A textile industry to be upgraded At the beginning of the twentieth century and despite all its applications, hemp was abandoned in favor of cotton and polyester, easier to work and industrialize but also because of lobbies. Today, hemp is produced again in Europe but the textile know-how has left for China. Most of the fabrics come from this country. We are committed to relocation We participate in its textile relocation with hemp grown, spun and woven in Europe. We are also committed to Virgocoop, an organization whose objective is to put France back at the center of hemp production in textiles. Virgocoop is developing a hemp spinning mill in France: we support their project to hope one day to offer you French hemp! Recycled cotton Advantages: Anti-bacterial, comfortable, resistant, breathable. Cotton Conventional cotton is one of the most used materials in the textile world (50% of our clothes). However, this very fragile plant requires a lot of water and pesticides and has a heavy environmental impact. This is why we have chosen to turn to its recycled version, available in large quantities and locally. The recycled alternative Recycled cotton is preferred. The advantage is threefold: we limit the use of water, we use materials that have already arrived in Europe and are destined for the trash, and we create jobs with the sorting and recycling industries. And of course, we obtain a material as qualitative as the conventional version: flexible, resistant, soft and comfortable! Cotton recycling Cotton clothes are collected by organizations such as the relay. The pieces are sorted by color before being shredded. As the recovered fibers are not long enough to create a strong yarn, new ecovero cotton is added. The fibers then go through a conventional spinning process, to be spooled and woven. Green EVA® Advantages: Light, comfortable, resistant. An alternative to the classic EVA Green EVA (made from 70% sugarcane ethanol) is a natural and sustainable alternative to traditional EVA, a petrochemical-based polymer used in running shoes. While having a better footprint, it retains excellent technical properties such as lightness, resistance and cushioning. The manufacturing process of Green Eva Sugar cane is crushed and the liquid and molasses are extracted from the plant. These components are fermented and distilled to become natural ethanol. This ethanol is then dehydrated to make bio-ethylene, which will replace the conventional, non-renewable ethylene. This substance is polymerized with vinyl acetate. Recycled rubber Advantages: Waterproof, comfortable, resistant. From production scraps and old soles At Ubac, we use recycled rubber to make the soles, but also for our RSKIN material. Natural rubber is a material that is widely used in the footwear industry and can come from natural sources such as rubber trees. Recycling factory offcuts avoids wasting this precious resource: we use what was going to be thrown away. Recycling rubber into soles All unused rubber scraps are ground extremely fine and then mixed with natural rubber to give a new material of very good quality and less demand for \"new\" raw material. With this mixture, we form our soles or RSKIN strips. Extra Grip™ Advantages: Light, resistant, shock absorbing, anti-slip Made from 35% recycled materials Extra Grip™ is made of TR Extra Light and 35% recycled TR. This material is produced in Portugal, as close to our manufacturing facilities as possible. Its cushioning technology gives you the best comfort. Recyclable In addition to being partially recycled, Extra Grip™ is very easily recycled. The soles can be reused to reintegrate our future productions. [Learn more ](\u002Fen\u002Fubac-vision\u002F) Local manufacturing Our partners All Ubac products are manufactured in Portugal and France. The maximum distance travelled between Ubac's processors and customers is 1750 km. RECYCLED WOOL YARN Brassac (TARN) Located 30km from Castres in the Tarn (81), this family business is the European leader in carded yarns. After more than 10 years of research, it has succeeded in developing a unique process for recycling wool from sweaters coming from clothing relays. Since 1956 44 people WOOL SNEAKERS WOOL ACCESSORIES InterviewÉric Sales Manager It was during a summer job with his father, a printer, that Eric discovered spinning. He learned everything about his job on the job. What he is most passionate about is discovering countries, people who are passionate about their profession and particularly those committed to Sustainable Development with recycled products like Ubac! RECYCLED WOOL WEAVING Castres (TARN) At the head of a textile manufacturing company created by his father in 1950, Tissus A. Calvet, Pierre Calvet, 53, is a man for whom weaving holds no secrets. A fan of the circular economy, he helped Ubac develop its innovative fabric made of recycled wool. This famous fabric is the one found on sneakers and thanks to this know-how, it is soft, solid, water resistant and flexible. Since 1950 7 people WOOL SNEAKERS WOOL ACCESSORIES InterviewPierre Weaver from father to son Pierre's passion for weaving was passed on to him by his father, who founded the com …",{"id":1416,"height":37,"width":38,"blurhash":1417},"2d615d04-5c52-4efb-85e2-4df8750eb390","radial-gradient(at 0 0,#adaaab,#00000000 50%),radial-gradient(at 33% 0,#aeb0ad,#00000000 50%),radial-gradient(at 67% 0,#a9a9a9,#00000000 50%),radial-gradient(at 100% 0,#a9a7a8,#00000000 50%),radial-gradient(at 0 50%,#060000,#00000000 50%),radial-gradient(at 33% 50%,#18200e,#00000000 50%),radial-gradient(at 67% 50%,#0a0a00,#00000000 50%),radial-gradient(at 100% 50%,#000000,#00000000 50%),radial-gradient(at 0 100%,#dbdcda,#00000000 50%),radial-gradient(at 33% 100%,#dfdfdf,#00000000 50%),radial-gradient(at 67% 100%,#d6d6d6,#00000000 50%),radial-gradient(at 100% 100%,#d0d1d0,#00000000 50%)",{"id":1419,"height":42,"width":43,"blurhash":44},"ac7fe4ae-ceb7-4b65-9c03-b0bc7a43bd15",[1421],{"languages_code":47,"description":1422},"Ubac is a premium eco-conscious footwear brand specializing in high-performance, sustainable sneakers. The website serves as a digital flagship for their collections, emphasizing their commitment to local European manufacturing and the use of innovative recycled materials like Axolo R-Skin®. The brand's purpose is to bridge the gap between high-fashion aesthetics and environmental responsibility, offering products that are both ultra-waterproof and infinitely light.\n\nThe visual identity is defined by a sophisticated, minimalist aesthetic that leans into high-end editorial photography. Using a split-screen hero layout and a clean, grid-based structure, the design communicates a sense of modern luxury and technical precision. The typography is bold and authoritative, set against a palette of deep, natural tones and high-contrast imagery that highlights the tactile textures of the recycled wool and waterproof surfaces. It targets a discerning, environmentally-aware urban audience that values both style and ethical craftsmanship.",[51,52,53],[1425],"Akaru",[550],[],[1429,1431,1432,1433],{"score":1430,"category":75},38,{"score":77,"category":65},{"score":175,"category":68},{"score":70,"category":71},[1435,1437,1438,1439],{"score":1436,"category":75},30,{"score":175,"category":65},{"score":175,"category":68},{"score":70,"category":71},[82,84,85],"Website: Ubac. Page: Vision. Page type: About Us \u002F Team. Page title: Ubac vision. Page description: Here, you can find all our values, our manufactures, our materials and many other things.. Page content: Ubac Vision Inspired by nature, designed for the future - Materials - Manufacturing - Actions - Transparency - Our certifications - Impact & end of life - Review Inspired by nature, designed for the future. Since its inception in 2018, Ubac has been offering sneakers made of natural and recycled materials. The word Ubac designates the side of the mountain least exposed to the sun, and therefore the most preserved from the human footprint. Ubac then becomes a symbol of a preserved and still wild nature that must be taken care of. It aspires to a feeling of freedom and protection that high mountain landscapes can provide. All Ubac products are manufactured by craftsmen in France or in Portugal in order to produce sustainably and value local industries. The most ecological materials are used, giving preference to natural and recycled materials for their exceptional qualities: recycled wool, hemp, recycled cotton, linen. It is also the promise to get out of a too strong dependence on the oil industry. Because we believe that a good deed is better than a long speech, we donate 1% of our turnover to the LPO, a French environmental protection association Read more Materials - Recycled wool Recycled wool - Mesclat Mesclat - Linen Linen - R-SKIN® R-SKIN® - Cobois™ Cobois™ - Hemp Hemp - Recycled cotton Recycled cotton - Green EVA® Green EVA® - Recycled rubber Recycled rubber - Extra Grip™ Extra Grip™ Recycled wool Advantages: Anti-bacterial, comfortable, resistant, breathable, thermo-regulating. And your sweaters become sneakers The recycled wool used at Ubac comes from French and European wool sweaters. No resources are taken from nature. Recycled wool has the same characteristics as new wool: it is light, comfortable, thermoregulating and breathable. A recycled wool, spun and woven in France Our recycled wool comes from used sweaters, collected from various recycling networks. They arrive sorted by color in our partner spinning mill located in Brassac (81), France, before being defibered and then blended to create new colors of yarn. The yarn is then sent to Pierre, still in the Tarn (81). We then obtain the final material that you find on our sneakers, a soft, supple material but dense enough to be strong and waterproof. Mesclat Advantages: natural, thermo-regulating, insulating and anti-bacterial. Mesclat (meaning \"mixture\" in Occitan) is made up of exactly 50% wool and 50% hemp. Saving wool from destruction For years, wool has been destined for destruction due to a lack of textile outlets. Virgocoop (our partner cooperative) collects wool from farmers in Lozère. This provides additional income for the producers, and adds value to a highly valuable material. Restoring hemp to its former glory Hemp grows without pesticides or irrigation, and cleans the soil. With its partner farmers, Virgocoop produces textile hemp, which is then processed into short fibres. 100% french fabric By using short-fibre hemp mixed with wool, it is possible to carry out all the processing stages in carded spinning mills, a traditional Occitan industry. The result: a 100% French fabric, 100% natural and 0 dyes, which enhances the value of an entire industry. Linen Advantages: Anti-bacterial, comfortable, resistant, breathable. A responsible fiber Linen is one of the most ecological fibers in the textile world. It grows perfectly in France and requires almost no irrigation, pesticides or other chemicals. French from field to fabric With 80% of the world's production, France is the world's leading flax grower. However, it has been 25 years since the last spinning mills in the country closed and 90% of the flax production is sent to China and India for processing due to much lower labor costs. A textile sector to be upgraded After the loss of almost all the textile know-how in France in the last century, some people are now fighting to bring it back. This is the case of Emmanuel Lang, weaver, with whom Ubac has developed a resistant linen fabric cultivated in Normandy and woven in Alsace. R-SKIN® Advantages: Waterproof, comfortable, resistant. Recycled rubber R-SKIN® is a material made of 30% recycled rubber and 70% rubber. It is a strong, comfortable and easily recyclable alternative to leather. From production waste R-SKIN® reuses old soles and production scraps. The rubber elements are finely ground, devulcanized and mixed with new rubber to obtain a less impactful material. Recyclable When your sneaker reaches the end of its life, it can be sent back to us for recycling. It can be reintegrated into the circuit from which it originated to be part of future productions. Cobois™ Advantages: Light, comfortable, resistant, breathable. A zero plastic alternative While most knitwear are designed with plastic, Cobois™ is made of organic cotton and wood pulp. The goal is to work with nature, which offers fibers with properties of excellence such as lightness, flexibility, comfort. Knit made in Portugal Most knitwear is not only made of plastic, but also manufactured in Asia, where the know-how is. To be able to work with a Portuguese knit is extraordinary! It is also the proof that a more responsible fashion is possible. Hemp Advantages: Anti-bacterial, comfortable, resistant, breathable. The most ecological natural fiber in the textile world Hemp is a plant that grows locally, almost without water and without pesticides. This fiber, in addition to being ecological, is one of the strongest, it is 8 times more resistant to traction than cotton. Used for military clothing and marine ropes, hemp textiles are unwearable! It was therefore the best ally to offer you resistant, healthy and ecological sneakers. A textile industry to be upgraded At the beginning of the twentieth century and despite all its applications, hemp was abandoned in favor of cotton and polyester, easier to work and industrialize but also because of lobbies. Today, hemp is produced again in Europe but the textile know-how has left for China. Most of the fabrics come from this country. We are committed to relocation We participate in its textile relocation with hemp grown, spun and woven in Europe. We are also committed to Virgocoop, an organization whose objective is to put France back at the center of hemp production in textiles. Virgocoop is developing a hemp spinning mill in France: we support their project to hope one day to offer you French hemp! Recycled cotton Advantages: Anti-bacterial, comfortable, resistant, breathable. Cotton Conventional cotton is one of the most used materials in the textile world (50% of our clothes). However, this very fragile plant requires a lot of water and pesticides and has a heavy environmental impact. This is why we have chosen to turn to its recycled version, available in large quantities and locally. The recycled alternative Recycled cotton is preferred. The advantage is threefold: we limit the use of water, we use materials that have already arrived in Europe and are destined for the trash, and we create jobs with the sorting and recycling industries. And of course, we obtain a material as qualitative as the conventional version: flexible, resistant, soft and comfortable! Cotton recycling Cotton clothes are collected by organizations such as the relay. The pieces are sorted by color before being shredded. As the recovered fibers are not long enough to create a strong yarn, new ecovero cotton is added. The fibers then go through a conventional spinning process, to be spooled and woven. Green EVA® Advantages: Light, comfortable, resistant. An alternative to the classic EVA Green EVA (made from 70% sugarcane ethanol) is a natural and sustainable alternative to traditional EVA, a petrochemical-based polymer used in running shoes. While having a better footprint, it retains excellent technical properties such as lightness, resistance and cushioning. The manufacturing process of Green Eva Sugar cane is crushed and the liquid and molasses are extracted from the plant. These components are fermented and distilled to become natural ethanol. This ethanol is then dehydrated to make bio-ethylene, which will replace the conventional, non-renewable ethylene. This substance is polymerized with vinyl acetate. Recycled rubber Advantages: Waterproof, comfortable, resistant. From production scraps and old soles At Ubac, we use recycled rubber to make the soles, but also for our RSKIN material. Natural rubber is a material that is widely used in the footwear industry and can come from natural sources such as rubber trees. Recycling factory offcuts avoids wasting this precious resource: we use what was going to be thrown away. Recycling rubber into soles All unused rubber scraps are ground extremely fine and then mixed with natural rubber to give a new material of very good quality and less demand for \"new\" raw material. With this mixture, we form our soles or RSKIN strips. Extra Grip™ Advantages: Light, resistant, shock absorbing, anti-slip Made from 35% recycled materials Extra Grip™ is made of TR Extra Light and 35% recycled TR. This material is produced in Portugal, as close to our manufacturing facilities as possible. Its cushioning technology gives you the best comfort. Recyclable In addition to being partially recycled, Extra Grip™ is very easily recycled. The soles can be reused to reintegrate our future productions. [Learn more ](\u002Fen\u002Fubac-vision\u002F) Local manufacturing Our partners All Ubac products are manufactured in Portugal and France. The maximum distance travelled between Ubac's processors and customers is 1750 km. RECYCLED WOOL YARN Brassac (TARN) Located 30km from Castres in the Tarn (81), this family business is the European leader in carded yarns. After more than 10 years of research, it has succeeded in developing a unique process for recycling wool from sweaters coming from clothing relays. Since 1956 44 people WOOL SNEAKERS WOOL ACCESSORIES InterviewÉric Sales Manager It was during a summer job with his father, a printer, that Eric discovered spinning. He learned everything about his job on the job. What he is most passionate about is discovering countries, people who are passionate about their profession and particularly those committed to Sustainable Development with recycled products like Ubac! RECYCLED WOOL WEAVING Castres (TARN) At the head of a textile manufacturing company created by his father in 1950, Tissus A. Calvet, Pierre Calvet, 53, is a man for whom weaving holds no secrets. A fan of the circular economy, he helped Ubac develop its innovative fabric made of recycled wool. This famous fabric is the one found on sneakers and thanks to this know-how, it is soft, solid, water resistant and flexible. Since 1950 7 people WOOL SNEAKERS WOOL ACCESSORIES InterviewPierre Weaver from father to son Pierre's passion for weaving was passed on to him by his father, who founded the com …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Fashion & Apparel industry. Designed by Akaru. The overall color palette features White, Black, Gray. The typography features Inter (Sans Serif). AI description: Ubac is a premium eco-conscious footwear brand specializing in high-performance, sustainable sneakers. The website serves as a digital flagship for their collections, emphasizing their commitment to local European manufacturing and the use of innovative recycled materials like Axolo R-Skin®. The brand's purpose is to bridge the gap between high-fashion aesthetics and environmental responsibility, offering products that are both ultra-waterproof and infinitely light. The visual identity is defined by a sophisticated, minimalist aesthetic that leans into high-end editorial photography. Using a split-screen hero layout and a clean, grid-based structure, the design communicates a sense of modern luxury and technical precision. The typography is bold and authoritative, set against a palette of deep, natural tones and high-contrast imagery that highlights the tactile textures of the recycled wool and waterproof surfaces. It targets a discerning, environmentally-aware urban audience that values both style and ethical craftsmanship.",{"id":1443,"website_id":1444,"page_id":1443,"name":1445,"slug":1446,"url":1447,"website_name":1445,"website_slug":1446,"website_url":1448,"result_url":1447,"fetched_at":1449,"score":173,"score_boost":25,"ai_score":24,"freshness_score":531,"scored_at":1450,"page_name":97,"page_url":1447,"page_title":1451,"page_description":1452,"page_content":1453,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1454,"cover_mobile":1457,"cover_sequence":44,"translations":1459,"industry":626,"styles":1462,"credits":1463,"font_families":1465,"technologies":1466,"pagespeed":1469,"pagespeed_mobile":1474,"buckets":1478,"search_payload":1479},"4d5f509d-90dc-4351-9070-158c9838f37c","d8bff9df-ed00-4fa5-bde9-2bdd007f85f6","Stephen Hamilton Productions","stephen-hamilton","https:\u002F\u002Fstephenhamilton.com\u002Fabout","https:\u002F\u002Fstephenhamilton.com","2026-05-05T19:58:28.000Z","2026-05-23T19:26:24.000Z","Stephen Hamilton | About","Stephen Hamilton is an award-winning commercial food and beverage film director and photographer based out of Chicago IL. Steve is known for showcasing food in his natural style, always pushing the envelope to deliver honest, authentic imagery that heightens taste appeal across all categories.","About Stephen Hamilton built his career on a passion for showcasing food in a natural and enticing style, always pushing the envelope in pursuit of honest, authentic imagery that heightens taste appeal across all categories. He loves an integrated, sensory approach to food, as it allows him to expand the visual story and bring food to life. Team Leaders Stephen Steve is the owner, photographer, director, and sometimes janitor at Stephen Hamilton Productions. You’ll usually find him juggling multiple balls in the air and directing large crews, but his favorite work days are quiet, creative days shooting samples in the studio. He loves simple, well-prepared meals that create memories of the people you’re sharing them with. In the summer, he tries to spend as much time as he can on his boat enjoying food and wine with friends and family. Deirdre Deirdre is the executive producer and director of operations at SHP, but you can just call her ​“the cat wrangler.” She knows better than anyone that no day at the studio is the same, and she wouldn’t have it any other way. Outside of work, Deirdre loves spending time with her family and going for bike rides. If you need recommendations on where to find the best tacos in town – from carnitas to carne asada to fish – Deirdre is your gal. Ben Ben is the studio’s motion camera operator, occasional director of photography, video editor, digital tech, photo assistant, and chief jack-of-all-trades. His favorite part of work is collaborating with such a talent team… and getting to eat amazing food. When it comes to restaurants, there’s no place he’d rather be than waiting staring down a seafood tower at Bavette’s with a dirty martini in hand and a ribeye on the way. [See Portfolio ](https:\u002F\u002Fpreview.stephenhamilton.com\u002Fben) Sandy Sandy is a photographer at SHP, where she loves interacting with coworkers and clients who visit the studio. When the weather’s warm, she’s an avid gardener (especially tomatoes!) and bee keeper, and has a rabbit named Kevin. Her favorite Chicago food was the beef curry udon at Momotaro. [See Portfolio ](https:\u002F\u002Fpreview.stephenhamilton.com\u002Fsandy) Kate Kate is a photographer at SHP, where she enjoys getting creative and meeting challenges with the rest of the team. If she’s not working, you might find Kate kayaking, hiking, relaxing on the beach – or day-dreaming about her favorite food: mussels, served with crusty bread and an oaky Chardonnay. Her favorite Chicago restaurant is Piccolo Sogno, where she orders the spaghetti nero with clams, shrimp, calamari, and mussels. [See Portfolio ](https:\u002F\u002Fpreview.stephenhamilton.com\u002Fkate) Stephen Hamilton Director, Photographer, Publisher Stephen Hamilton is a food and beverage director and photographer whose work has appeared almost everywhere you see images of food—on television, in national magazines and cookbooks, on packaging, and across seven seasons of Bravo TV’s Top Chef (as well as appeared as a guest judge on Top Chef Masters). Stephen built his career showcasing ingredients in all their organic, beautiful reality. His natural lighting style and tight taste appeal let food’s honest, fresh allure speak for itself. Drips, pours, crumbs, bites – flaws aren’t necessarily flaws. Less is more in terms of styling; more is more in terms of exploration. Stephen brings a visual feast to life by taking an integrated, sensory approach to his subjects. This holistic perspective has garnered the attention of numerous agencies, international food companies, and restaurants. His work has won numerous awards over the years, including top honors for his ​“food porn” series at Graphis International, with seven images featured. In recent years, Stephen has grown his photography business into a full-service production company. Stephen Hamilton combines his talents with those of an on-staff producer and editor as well as a roster of skilled photographers. Flexible, generous studio space accommodates multiple simultaneous shoots, offering clients start-to-finish capabilities from pre-production to in-house retouching. Philanthropy & Sustainability No Leftovers Long time believers in giving back, our team has been diligent in making sure no excess product from a shoot goes to waste. For over 20 years, we’ve donated to food pantries, hunger relief, community centers, churches, homeless shelters and even inner city summer camps. Please contact us if you know a group that would like to be on our donation list. Images for Artisans During the pandemic Stephen realized he could support small food producers and artisans by photographing their specialties for use in sales and marketing materials. Images for Artisans was born. Stephen has shot delicious images of handmade bagels and cookies by Salt Spoon Bakehouse, to perfect produce grown by Urban Growers Collective and even hand-crafted Farmstead cheese made by 10 Jersey cows and Inga Witscher, the host of Around the Farm Table. The outcome of Images For Artisans has become a creative collaboration which benefits the participants on many levels including a feature story on the Who’s Hungry? Magazine website. If you would like to see if your artisan food or beverage specialty qualifies, please contact us.",{"id":1455,"height":37,"width":38,"blurhash":1456},"3d4acc65-f241-46cc-9710-6f7f6f0f6ceb","radial-gradient(at 0 0,#281520,#00000000 50%),radial-gradient(at 33% 0,#24111d,#00000000 50%),radial-gradient(at 67% 0,#220c1a,#00000000 50%),radial-gradient(at 100% 0,#200a18,#00000000 50%),radial-gradient(at 0 50%,#220d1a,#00000000 50%),radial-gradient(at 33% 50%,#25101f,#00000000 50%),radial-gradient(at 67% 50%,#24101e,#00000000 50%),radial-gradient(at 100% 50%,#1f0917,#00000000 50%),radial-gradient(at 0 100%,#1b0112,#00000000 50%),radial-gradient(at 33% 100%,#18000f,#00000000 50%),radial-gradient(at 67% 100%,#18000e,#00000000 50%),radial-gradient(at 100% 100%,#19000f,#00000000 50%)",{"id":1458,"height":42,"width":43,"blurhash":44},"00e7da11-cf1a-4999-af9e-a0919e1f8667",[1460],{"languages_code":47,"description":1461},"Stephen Hamilton Productions is a premium commercial production house specializing in high-end food and beverage photography and film direction. The website serves as a high-impact visual portfolio, showcasing a mastery of culinary aesthetics through vibrant, sensory-driven imagery that emphasizes authenticity and appetite appeal. It is designed to attract major food brands, advertising agencies, and marketing directors seeking top-tier visual assets for print, digital, and packaging.\n\nThe visual identity is defined by a sophisticated, cinematic approach where the imagery takes center stage. Using a dark, elegant color palette and refined serif typography, the design allows the rich colors and textures of the food to pop with intense clarity. The layout is expansive and immersive, utilizing large-scale hero imagery and a seamless grid to communicate a sense of professional scale and creative excellence.",[51,256,52],[1464],"Static Interactive",[],[1467,1468,507],"Blitz","Craft CMS",[1470,1471,1472,1473],{"score":914,"category":75},{"score":70,"category":65},{"score":175,"category":68},{"score":70,"category":71},[1475,1476,1477],{"score":70,"category":65},{"score":175,"category":68},{"score":70,"category":71},[84,82,83,85],"Website: Stephen Hamilton Productions. Page: About. Page type: About Us \u002F Team. Page title: Stephen Hamilton | About. Page description: Stephen Hamilton is an award-winning commercial food and beverage film director and photographer based out of Chicago IL. Steve is known for showcasing food in his natural style, always pushing the envelope to deliver honest, authentic imagery that heightens taste appeal across all categories.. Page content: About Stephen Hamilton built his career on a passion for showcasing food in a natural and enticing style, always pushing the envelope in pursuit of honest, authentic imagery that heightens taste appeal across all categories. He loves an integrated, sensory approach to food, as it allows him to expand the visual story and bring food to life. Team Leaders Stephen Steve is the owner, photographer, director, and sometimes janitor at Stephen Hamilton Productions. You’ll usually find him juggling multiple balls in the air and directing large crews, but his favorite work days are quiet, creative days shooting samples in the studio. He loves simple, well-prepared meals that create memories of the people you’re sharing them with. In the summer, he tries to spend as much time as he can on his boat enjoying food and wine with friends and family. Deirdre Deirdre is the executive producer and director of operations at SHP, but you can just call her ​“the cat wrangler.” She knows better than anyone that no day at the studio is the same, and she wouldn’t have it any other way. Outside of work, Deirdre loves spending time with her family and going for bike rides. If you need recommendations on where to find the best tacos in town – from carnitas to carne asada to fish – Deirdre is your gal. Ben Ben is the studio’s motion camera operator, occasional director of photography, video editor, digital tech, photo assistant, and chief jack-of-all-trades. His favorite part of work is collaborating with such a talent team… and getting to eat amazing food. When it comes to restaurants, there’s no place he’d rather be than waiting staring down a seafood tower at Bavette’s with a dirty martini in hand and a ribeye on the way. [See Portfolio ](https:\u002F\u002Fpreview.stephenhamilton.com\u002Fben) Sandy Sandy is a photographer at SHP, where she loves interacting with coworkers and clients who visit the studio. When the weather’s warm, she’s an avid gardener (especially tomatoes!) and bee keeper, and has a rabbit named Kevin. Her favorite Chicago food was the beef curry udon at Momotaro. [See Portfolio ](https:\u002F\u002Fpreview.stephenhamilton.com\u002Fsandy) Kate Kate is a photographer at SHP, where she enjoys getting creative and meeting challenges with the rest of the team. If she’s not working, you might find Kate kayaking, hiking, relaxing on the beach – or day-dreaming about her favorite food: mussels, served with crusty bread and an oaky Chardonnay. Her favorite Chicago restaurant is Piccolo Sogno, where she orders the spaghetti nero with clams, shrimp, calamari, and mussels. [See Portfolio ](https:\u002F\u002Fpreview.stephenhamilton.com\u002Fkate) Stephen Hamilton Director, Photographer, Publisher Stephen Hamilton is a food and beverage director and photographer whose work has appeared almost everywhere you see images of food—on television, in national magazines and cookbooks, on packaging, and across seven seasons of Bravo TV’s Top Chef (as well as appeared as a guest judge on Top Chef Masters). Stephen built his career showcasing ingredients in all their organic, beautiful reality. His natural lighting style and tight taste appeal let food’s honest, fresh allure speak for itself. Drips, pours, crumbs, bites – flaws aren’t necessarily flaws. Less is more in terms of styling; more is more in terms of exploration. Stephen brings a visual feast to life by taking an integrated, sensory approach to his subjects. This holistic perspective has garnered the attention of numerous agencies, international food companies, and restaurants. His work has won numerous awards over the years, including top honors for his ​“food porn” series at Graphis International, with seven images featured. In recent years, Stephen has grown his photography business into a full-service production company. Stephen Hamilton combines his talents with those of an on-staff producer and editor as well as a roster of skilled photographers. Flexible, generous studio space accommodates multiple simultaneous shoots, offering clients start-to-finish capabilities from pre-production to in-house retouching. Philanthropy & Sustainability No Leftovers Long time believers in giving back, our team has been diligent in making sure no excess product from a shoot goes to waste. For over 20 years, we’ve donated to food pantries, hunger relief, community centers, churches, homeless shelters and even inner city summer camps. Please contact us if you know a group that would like to be on our donation list. Images for Artisans During the pandemic Stephen realized he could support small food producers and artisans by photographing their specialties for use in sales and marketing materials. Images for Artisans was born. Stephen has shot delicious images of handmade bagels and cookies by Salt Spoon Bakehouse, to perfect produce grown by Urban Growers Collective and even hand-crafted Farmstead cheese made by 10 Jersey cows and Inga Witscher, the host of Around the Farm Table. The outcome of Images For Artisans has become a creative collaboration which benefits the participants on many levels including a feature story on the Who’s Hungry? Magazine website. If you would like to see if your artisan food or beverage specialty qualifies, please contact us.. A Clean \u002F Minimalist, Dark Mode, High-End \u002F Luxury website in the Photography & Video industry. The overall color palette features Black, White, Brown, Gray. Built using Blitz, Craft CMS, Typekit. AI description: Stephen Hamilton Productions is a premium commercial production house specializing in high-end food and beverage photography and film direction. The website serves as a high-impact visual portfolio, showcasing a mastery of culinary aesthetics through vibrant, sensory-driven imagery that emphasizes authenticity and appetite appeal. It is designed to attract major food brands, advertising agencies, and marketing directors seeking top-tier visual assets for print, digital, and packaging. The visual identity is defined by a sophisticated, cinematic approach where the imagery takes center stage. Using a dark, elegant color palette and refined serif typography, the design allows the rich colors and textures of the food to pop with intense clarity. The layout is expansive and immersive, utilizing large-scale hero imagery and a seamless grid to communicate a sense of professional scale and creative excellence.",{"id":1481,"website_id":1482,"page_id":1481,"name":1483,"slug":1484,"url":1485,"website_name":1483,"website_slug":1484,"website_url":1486,"result_url":1485,"fetched_at":1487,"score":173,"score_boost":25,"ai_score":26,"freshness_score":531,"scored_at":1488,"page_name":97,"page_url":1485,"page_title":1489,"page_description":1490,"page_content":1491,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1492,"cover_mobile":1495,"cover_sequence":44,"translations":1497,"industry":1184,"styles":1500,"credits":1501,"font_families":1503,"technologies":1505,"pagespeed":1506,"pagespeed_mobile":1511,"buckets":1517,"search_payload":1518},"ba802202-a9bf-4d10-bead-6c8d09720f2d","d91c2802-2f66-4c0b-b24e-e7cde86319a4","Kye Intimates","kye-intimates","https:\u002F\u002Fkyeintimates.com\u002Fabout","https:\u002F\u002Fkyeintimates.com","2026-05-05T19:55:02.000Z","2026-05-23T19:36:55.000Z","About– Kye Intimates","Our Story\n\nKYE is a collection of considered intimates made for your everyday. Our pieces balance softness and functionality, sensuality and versatility, romanc","Our Story _KYE_ is a reimagining of essentials—pieces that are both foundational and sensual for the everyday. Grounded in softness, craftsmanship and the considered choices that shape our relationship with the earth, each piece is designed to become part of your everyday—to be worn and re-worn, lived in and treasured over time. Balancing softness with functionality, and romance with modernity, _KYE_ is guided by the belief that what we wear should deepen our connection—to ourselves, to one another and to the world we move through. Contact General inquiries office@kyeintimates.com Wholesale inquiries sales@kyeintimates.com LA Studio Hours: Weekdays, 12—5PM To schedule your appointment, please email office@kyeintimates.com Our Choices Each piece is lovingly designed and handmade in Los Angeles in close partnership with a local, female owned factory. Materials Our essentials are made from carefully selected deadstock materials to minimize our impact on the environment. We use certified lead and nickel free hardware to ensure comfort and ease of wear. The swim collection is made from a buttery, medium weight fabric with a luxurious hand feel, UPF 50+ protection and is OEKO-TEX® certified. It was carefully chosen for its ability to biodegrade—test results show that Amni Soul Eco® yarn degraded in just 5 years compared to decades for similar fabrications. Packaging Orders are sent to you with minimal packaging and 100% recycled mailers and tissue paper. We believe care for our planet is care for each other. Sustainability Practices Lightly worn samples are donated to _I Support The Girls_, an organization who collects and distributes bras and menstrual hygiene products to women experiencing homelessness, victims of domestic violence and refugees affected by natural disasters. As we continue to work towards improving our process, we hope you will join us in helping divert re-usable items going to landfills by donating your gently worn, non-compostable bras to women in need. For more information, please visit isupportthegirls.org. Swim references KYE swim is intended to nurture our connection with bodies of water. Taking inspiration from the spirit of Sea Ranch’s Ohlson Recreation Center, an open-air complex on the California coast where built structures complement the surrounding landscape, KYE swim offers harmony, comfort, and functionality. Striking yet timeless silhouettes evoke a modern purity of form and reflect the ethos of KYE’s core intimates collection. KYE swim was conceived, designed, and crafted in Los Angeles.",{"id":1493,"height":37,"width":38,"blurhash":1494},"f4fc3455-573c-4870-9a71-039f8e382d4c","radial-gradient(at 0 0,#f0f0ef,#00000000 50%),radial-gradient(at 33% 0,#eeeeee,#00000000 50%),radial-gradient(at 67% 0,#f0f0ee,#00000000 50%),radial-gradient(at 100% 0,#f2f2ef,#00000000 50%),radial-gradient(at 0 50%,#d7d7d6,#00000000 50%),radial-gradient(at 33% 50%,#d2d2d1,#00000000 50%),radial-gradient(at 67% 50%,#dededb,#00000000 50%),radial-gradient(at 100% 50%,#e8e8e5,#00000000 50%),radial-gradient(at 0 100%,#e0e0df,#00000000 50%),radial-gradient(at 33% 100%,#dfdfde,#00000000 50%),radial-gradient(at 67% 100%,#e5e5e3,#00000000 50%),radial-gradient(at 100% 100%,#eaeae7,#00000000 50%)",{"id":1496,"height":42,"width":43,"blurhash":44},"43e37cd2-01dc-455a-861b-1d8c9731e0a8",[1498],{"languages_code":47,"description":1499},"Kye Intimates is a premium lifestyle brand specializing in considered, everyday intimate apparel. The website serves as a digital flagship, blending e-commerce functionality with editorial storytelling through its 'Journal' and 'Community' sections. The brand positions itself at the intersection of softness and versatility, offering pieces designed to transition seamlessly from vacation settings to daily life.\n\nThe visual identity is defined by a sophisticated, high-end minimalist aesthetic. Utilizing expansive whitespace, muted tones, and cinematic, soft-focus photography, the design evokes a sense of calm and effortless sensuality. The typography is clean and understated, allowing the imagery to lead the narrative and appeal to a discerning, modern audience that values both aesthetic elegance and functional comfort.",[51,52],[1502],"1 ⁄ 1 Studio",[116,1504,1504],"Untitled Serif",[264,265,266,552],[1507,1508,1509,1510],{"score":173,"category":75},{"score":67,"category":65},{"score":70,"category":68},{"score":67,"category":71},[1512,1514,1515,1516],{"score":1513,"category":75},65,{"score":67,"category":65},{"score":70,"category":68},{"score":67,"category":71},[82,85,84],"Website: Kye Intimates. Page: About. Page type: About Us \u002F Team. Page title: About– Kye Intimates. Page description: Our Story\n\nKYE is a collection of considered intimates made for your everyday. Our pieces balance softness and functionality, sensuality and versatility, romanc. Page content: Our Story _KYE_ is a reimagining of essentials—pieces that are both foundational and sensual for the everyday. Grounded in softness, craftsmanship and the considered choices that shape our relationship with the earth, each piece is designed to become part of your everyday—to be worn and re-worn, lived in and treasured over time. Balancing softness with functionality, and romance with modernity, _KYE_ is guided by the belief that what we wear should deepen our connection—to ourselves, to one another and to the world we move through. Contact General inquiries office@kyeintimates.com Wholesale inquiries sales@kyeintimates.com LA Studio Hours: Weekdays, 12—5PM To schedule your appointment, please email office@kyeintimates.com Our Choices Each piece is lovingly designed and handmade in Los Angeles in close partnership with a local, female owned factory. Materials Our essentials are made from carefully selected deadstock materials to minimize our impact on the environment. We use certified lead and nickel free hardware to ensure comfort and ease of wear. The swim collection is made from a buttery, medium weight fabric with a luxurious hand feel, UPF 50+ protection and is OEKO-TEX® certified. It was carefully chosen for its ability to biodegrade—test results show that Amni Soul Eco® yarn degraded in just 5 years compared to decades for similar fabrications. Packaging Orders are sent to you with minimal packaging and 100% recycled mailers and tissue paper. We believe care for our planet is care for each other. Sustainability Practices Lightly worn samples are donated to _I Support The Girls_, an organization who collects and distributes bras and menstrual hygiene products to women experiencing homelessness, victims of domestic violence and refugees affected by natural disasters. As we continue to work towards improving our process, we hope you will join us in helping divert re-usable items going to landfills by donating your gently worn, non-compostable bras to women in need. For more information, please visit isupportthegirls.org. Swim references KYE swim is intended to nurture our connection with bodies of water. Taking inspiration from the spirit of Sea Ranch’s Ohlson Recreation Center, an open-air complex on the California coast where built structures complement the surrounding landscape, KYE swim offers harmony, comfort, and functionality. Striking yet timeless silhouettes evoke a modern purity of form and reflect the ethos of KYE’s core intimates collection. KYE swim was conceived, designed, and crafted in Los Angeles.. A Clean \u002F Minimalist, High-End \u002F Luxury website in the Fashion & Apparel industry. The overall color palette features White, Gray, Black. The typography features Times New Roman (Serif), Untitled Serif (Serif, Klim Type), Untitled Serif (Serif, Klim Type). Built using Next.js, Node.js, React, Vercel. AI description: Kye Intimates is a premium lifestyle brand specializing in considered, everyday intimate apparel. The website serves as a digital flagship, blending e-commerce functionality with editorial storytelling through its 'Journal' and 'Community' sections. The brand positions itself at the intersection of softness and versatility, offering pieces designed to transition seamlessly from vacation settings to daily life. The visual identity is defined by a sophisticated, high-end minimalist aesthetic. Utilizing expansive whitespace, muted tones, and cinematic, soft-focus photography, the design evokes a sense of calm and effortless sensuality. The typography is clean and understated, allowing the imagery to lead the narrative and appeal to a discerning, modern audience that values both aesthetic elegance and functional comfort.",{"id":1520,"website_id":1521,"page_id":1520,"name":1522,"slug":1523,"url":1524,"website_name":1522,"website_slug":1523,"website_url":1525,"result_url":1524,"fetched_at":1526,"score":173,"score_boost":25,"ai_score":24,"freshness_score":531,"scored_at":1527,"page_name":97,"page_url":1524,"page_title":1528,"page_description":1529,"page_content":1530,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1531,"cover_mobile":1534,"cover_sequence":44,"translations":1536,"industry":109,"styles":1539,"credits":1540,"font_families":1541,"technologies":1542,"pagespeed":1543,"pagespeed_mobile":1548,"buckets":1553,"search_payload":1554},"22250bd2-6e57-414a-b3b8-b258fbac1252","d8a87046-0356-42e7-a150-b9497df96b73","Endless","endless","https:\u002F\u002Fendless.design\u002Fabout","https:\u002F\u002Fendless.design","2026-05-05T19:19:49.000Z","2026-05-23T19:09:35.000Z","About - Endless","Endless was founded in 2023 by designer Daryl Ginn.","IndexProcessAbout Endless was founded in 2023 by Daryl Ginn Hey, I'm Daryl Ginn, I've been designing for over 20 years, and I've always wanted to put together the strongest team of designers I possibly could in the effort to have a larger impact in design. Since starting Endless, we've worked with some of the largest companies in the world, and helped many new and existing companies raise millions of capital. I'm a big believer in being humble, but I do truly believe we do some of the best work in this space. And the day I no longer do will be the day we stop. Daryl Ginn,Founder",{"id":1532,"height":37,"width":38,"blurhash":1533},"552de6f3-502b-434b-a29e-336590d5cbd5","radial-gradient(at 0 0,#f8f8f8,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#e8e8e8,#00000000 50%),radial-gradient(at 33% 50%,#f6f6f6,#00000000 50%),radial-gradient(at 67% 50%,#ffffff,#00000000 50%),radial-gradient(at 100% 50%,#fbfbfb,#00000000 50%),radial-gradient(at 0 100%,#fdfdfd,#00000000 50%),radial-gradient(at 33% 100%,#ffffff,#00000000 50%),radial-gradient(at 67% 100%,#ffffff,#00000000 50%),radial-gradient(at 100% 100%,#ffffff,#00000000 50%)",{"id":1535,"height":42,"width":43,"blurhash":44},"a17bcdc9-b604-48e7-b0ac-7d8e7768ceb5",[1537],{"languages_code":47,"description":1538},"Endless is a high-caliber design partner specifically tailored for the next generation of technology, focusing on AI, Web3, and ambitious startups. The studio positions itself as a strategic extension of its clients' teams, offering a comprehensive suite of services ranging from brand sprints and product design to UX auditing and social assets. By emphasizing a flexible, subscription-based model, Endless caters to the fast-paced needs of modern founders who require elite design expertise without the overhead of a traditional agency.\n\nThe visual identity is a masterclass in contemporary digital minimalism, utilizing a sophisticated monochrome palette punctuated by vibrant, high-fidelity mobile interface mockups. The typography is bold and authoritative, creating a clear hierarchy that guides the user through their impressive client list and service offerings. The design language feels premium and tech-forward, blending clean whitespace with lush, colorful gradients that showcase the studio's ability to craft world-class user experiences.",[51,256,53],[],[550],[],[1544,1545,1546,1547],{"score":269,"category":75},{"score":64,"category":65},{"score":70,"category":68},{"score":67,"category":71},[1549,1550,1551,1552],{"score":315,"category":75},{"score":64,"category":65},{"score":70,"category":68},{"score":67,"category":71},[82,280,85,795,84],"Website: Endless. Page: About. Page type: About Us \u002F Team. Page title: About - Endless. Page description: Endless was founded in 2023 by designer Daryl Ginn.. Page content: IndexProcessAbout Endless was founded in 2023 by Daryl Ginn Hey, I'm Daryl Ginn, I've been designing for over 20 years, and I've always wanted to put together the strongest team of designers I possibly could in the effort to have a larger impact in design. Since starting Endless, we've worked with some of the largest companies in the world, and helped many new and existing companies raise millions of capital. I'm a big believer in being humble, but I do truly believe we do some of the best work in this space. And the day I no longer do will be the day we stop. Daryl Ginn,Founder. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Orange, Gray, Teal, Black. The typography features Inter (Sans Serif). AI description: Endless is a high-caliber design partner specifically tailored for the next generation of technology, focusing on AI, Web3, and ambitious startups. The studio positions itself as a strategic extension of its clients' teams, offering a comprehensive suite of services ranging from brand sprints and product design to UX auditing and social assets. By emphasizing a flexible, subscription-based model, Endless caters to the fast-paced needs of modern founders who require elite design expertise without the overhead of a traditional agency. The visual identity is a masterclass in contemporary digital minimalism, utilizing a sophisticated monochrome palette punctuated by vibrant, high-fidelity mobile interface mockups. The typography is bold and authoritative, creating a clear hierarchy that guides the user through their impressive client list and service offerings. The design language feels premium and tech-forward, blending clean whitespace with lush, colorful gradients that showcase the studio's ability to craft world-class user experiences.",{"id":1556,"website_id":1557,"page_id":1556,"name":1558,"slug":1559,"url":1560,"website_name":1558,"website_slug":1559,"website_url":1561,"result_url":1560,"fetched_at":1562,"score":173,"score_boost":25,"ai_score":26,"freshness_score":531,"scored_at":1563,"page_name":97,"page_url":1560,"page_title":44,"page_description":44,"page_content":1564,"page_sort":5,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1565,"cover_mobile":1568,"cover_sequence":44,"translations":1570,"industry":109,"styles":1573,"credits":1574,"font_families":1575,"technologies":1576,"pagespeed":1577,"pagespeed_mobile":1582,"buckets":1587,"search_payload":1588},"e7504818-f0d8-47c8-9164-af27ce27cb3c","da335e95-0c85-4b0d-8bf3-1108dd93a5aa","Kilo","kilodesign","https:\u002F\u002Fkilodesign.dk\u002Fabout","https:\u002F\u002Fkilodesign.dk","2026-05-05T19:12:17.000Z","2026-05-23T20:28:29.000Z","",{"id":1566,"height":37,"width":38,"blurhash":1567},"91ea95ca-e478-4853-8bd7-11fd8d8b8924","radial-gradient(at 0 0,#edf1f3,#00000000 50%),radial-gradient(at 33% 0,#dad5d4,#00000000 50%),radial-gradient(at 67% 0,#e2e0db,#00000000 50%),radial-gradient(at 100% 0,#f4faf8,#00000000 50%),radial-gradient(at 0 50%,#d9dcd9,#00000000 50%),radial-gradient(at 33% 50%,#bcb3a9,#00000000 50%),radial-gradient(at 67% 50%,#ccc7bb,#00000000 50%),radial-gradient(at 100% 50%,#eaeeeb,#00000000 50%),radial-gradient(at 0 100%,#d0cdc9,#00000000 50%),radial-gradient(at 33% 100%,#aea198,#00000000 50%),radial-gradient(at 67% 100%,#baafa3,#00000000 50%),radial-gradient(at 100% 100%,#e0e0db,#00000000 50%)",{"id":1569,"height":42,"width":43,"blurhash":44},"9525a55b-4017-4ed1-98a8-246026ae73ee",[1571],{"languages_code":47,"description":1572},"Kilo is a multidisciplinary design studio that bridges the gap between abstract strategy and tangible production. The website serves as a high-impact portfolio, showcasing a diverse range of work from industrial product design to large-scale technological concepts. Its purpose is to demonstrate a sophisticated mastery of form, function, and manufacturing feasibility, positioning the studio as a premium partner for brands looking to bring complex ideas to life.\n\nThe visual identity is defined by a bold, editorial aesthetic characterized by expansive whitespace, high-resolution macro photography, and striking typographic layouts. By utilizing a minimalist color palette punctuated by sudden, high-contrast blocks of color, the design directs focus toward the tactile qualities of the products featured. The overall atmosphere is one of refined professionalism and avant-garde sensibility, appealing to high-end tech, industrial, and lifestyle brands.",[51,52,53],[],[],[120,168],[1578,1579,1580,1581],{"score":77,"category":75},{"score":173,"category":65},{"score":70,"category":68},{"score":67,"category":71},[1583,1584,1585,1586],{"score":79,"category":75},{"score":173,"category":65},{"score":70,"category":68},{"score":67,"category":71},[82,85,84],"Website: Kilo. Page: About. Page type: About Us \u002F Team. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Gray, Black. Built using PHP, WordPress. AI description: Kilo is a multidisciplinary design studio that bridges the gap between abstract strategy and tangible production. The website serves as a high-impact portfolio, showcasing a diverse range of work from industrial product design to large-scale technological concepts. Its purpose is to demonstrate a sophisticated mastery of form, function, and manufacturing feasibility, positioning the studio as a premium partner for brands looking to bring complex ideas to life. The visual identity is defined by a bold, editorial aesthetic characterized by expansive whitespace, high-resolution macro photography, and striking typographic layouts. By utilizing a minimalist color palette punctuated by sudden, high-contrast blocks of color, the design directs focus toward the tactile qualities of the products featured. The overall atmosphere is one of refined professionalism and avant-garde sensibility, appealing to high-end tech, industrial, and lifestyle brands.",{"id":1590,"website_id":1591,"page_id":1590,"name":1592,"slug":1593,"url":1594,"website_name":1592,"website_slug":1593,"website_url":1595,"result_url":1594,"fetched_at":1596,"score":173,"score_boost":25,"ai_score":24,"freshness_score":531,"scored_at":1597,"page_name":97,"page_url":1594,"page_title":1592,"page_description":1598,"page_content":1599,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1600,"cover_mobile":1603,"cover_sequence":44,"translations":1605,"industry":254,"styles":1608,"credits":1609,"font_families":1610,"technologies":1612,"pagespeed":1613,"pagespeed_mobile":1618,"buckets":1623,"search_payload":1624},"69c0f341-8710-490b-8837-2a810d03043b","d61c1753-8f0c-4351-b70f-6b468fe917d2","Retro","retro","https:\u002F\u002Fretro.app\u002Fethos","https:\u002F\u002Fretro.app","2026-05-05T18:50:52.000Z","2026-05-23T19:25:54.000Z","A friends-only photo journal for moments big and small","Retro Why We Started Retro Retro is a social app that feels like a joy, not a habit. It’s a friends-only photo journal where you share for yourself as much as your friends. It gently nudges you to find at least one moment each week to remember and then put that moment out there in a post so your friends know what you’re up to. One early indicator that we’re on the right track is that our friends that deeply value privacy and safety feel comfortable enough to share photos of their kids’ faces and flight itineraries and wild parties — things they wouldn’t feel comfortable sharing elsewhere. We started working on it when we realized something: after all that has been built in social since the iPhone, we now see less of our friends on social than we did 5 years ago. The apps that have traditionally served this purpose well have pivoted toward entertainment created by people you don’t know, and even though this content is entertaining, it also crowds out the other content that friends share with each other. So now we’re left sorting through a ton of message threads to see what’s going on with friends, or most commonly, we just don’t get that update at all. That’s a superpower lost. Even though consumer social is insanely hard, we decided to do this together because it’s the app we wanted for ourselves, and we think it’s important that people have a place that remains dedicated to being the best place to catch up with friends and family. So give it a whirl! If you’ve taken a photo on your iPhone in the last month, you have enough to get started. And as you use it over the course of a couple weeks, we hope it helps you appreciate moments big and small in your own life and in the lives of your friends and family. The Ethos Behind Retro We’re an ethos-driven company, and for Retro, we wanted to capture some of the guiding ideas that went into this first version of Retro: 1\u002F Remembering and appreciating life is an active process. Ferris Bueller was right: “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.” You’re likely already taking a ton of photos and videos on your camera phone. Retro helps you to pick the ones that you’ll want to remember each week so that you can look back on your weeks and appreciate all that has happened. 2\u002F Social apps are better when everyone participates. Who wants to go out on a limb to share something small from their day when no one else is sharing small moments? Posting can sometimes make you feel vulnerable, like you’re the only one on the dance floor, and it’s so much better when all your friends on are the dance floor together. Retro gets everyone on the dance floor by nudging everyone to share at least once a week. 3\u002F The ability to keep up with your extended circle of friends is a superpower. When your phone started shipping with a high quality camera, you suddenly had this amazing ability to see and be seen by almost all of the people you care about. That’s magic. But that magic is lost if there’s not a space that makes sharing those moments comfortable. Retro want to retrieve and sustain that super power for people. 4\u002F Your apps should respect your intention and your attention. If you’re opening an app to see friends and family, it should be easy to see family and friends first. And you shouldn’t have to wade through a sea of other content and fall down rabbit holes just to get there. You should be able to close the app session and feel like you got exactly what you were looking for. 5\u002F Craft means optimizing for people, not business. We appreciate the need to create a business, and Retro must become a profitable business if our larger company is going to serve the world in the way we hope. But we think there’s a difference between creating a thriving business and optimizing every pixel in your app for a business outcome. We’re optimizing for people first. In every detail of our product, we want you to see the fingerprints of a team that cares about your delight as an end in itself. Terms & Privacy © 2026 Lone Palm Labs, Inc. AboutCompanyCareers Download on the App StoreGet it on Google Play",{"id":1601,"height":37,"width":38,"blurhash":1602},"225291e3-980e-4b64-8aa5-709d2adb00f4","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#f5f5f5,#00000000 50%),radial-gradient(at 67% 50%,#f0f0f0,#00000000 50%),radial-gradient(at 100% 50%,#f9f9f9,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#f4f4f4,#00000000 50%),radial-gradient(at 67% 100%,#ededed,#00000000 50%),radial-gradient(at 100% 100%,#f7f7f7,#00000000 50%)",{"id":1604,"height":42,"width":43,"blurhash":44},"ebd0d8ae-7fc7-4b40-8aa7-a2425e0e0d82",[1606],{"languages_code":47,"description":1607},"Retro is a niche social photography app designed to foster genuine connection through a private, friends-only photo journal. Eschewing the performative nature of mainstream social media, the platform encourages users to document small, authentic moments week-to-week, creating a shared digital scrapbook for close circles.\n\nThe visual identity is strikingly minimalist and editorial, utilizing high-contrast typography and a clean, spacious layout. The design leans into a sophisticated, almost lo-fi aesthetic that mirrors the app's focus on raw, unpolished life moments. By combining a monochromatic base with expressive, bold serif headlines and a tactile, photographic focus, Retro positions itself as a premium yet intimate sanctuary for digital intimacy.",[51,111,53],[],[1611],"Editorial",[552],[1614,1615,1616,1617],{"score":290,"category":75},{"score":64,"category":65},{"score":70,"category":68},{"score":77,"category":71},[1619,1620,1621,1622],{"score":692,"category":75},{"score":390,"category":65},{"score":70,"category":68},{"score":77,"category":71},[82,84,85,83],"Website: Retro. Page: About. Page type: About Us \u002F Team. Page title: Retro. Page description: A friends-only photo journal for moments big and small. Page content: Retro Why We Started Retro Retro is a social app that feels like a joy, not a habit. It’s a friends-only photo journal where you share for yourself as much as your friends. It gently nudges you to find at least one moment each week to remember and then put that moment out there in a post so your friends know what you’re up to. One early indicator that we’re on the right track is that our friends that deeply value privacy and safety feel comfortable enough to share photos of their kids’ faces and flight itineraries and wild parties — things they wouldn’t feel comfortable sharing elsewhere. We started working on it when we realized something: after all that has been built in social since the iPhone, we now see less of our friends on social than we did 5 years ago. The apps that have traditionally served this purpose well have pivoted toward entertainment created by people you don’t know, and even though this content is entertaining, it also crowds out the other content that friends share with each other. So now we’re left sorting through a ton of message threads to see what’s going on with friends, or most commonly, we just don’t get that update at all. That’s a superpower lost. Even though consumer social is insanely hard, we decided to do this together because it’s the app we wanted for ourselves, and we think it’s important that people have a place that remains dedicated to being the best place to catch up with friends and family. So give it a whirl! If you’ve taken a photo on your iPhone in the last month, you have enough to get started. And as you use it over the course of a couple weeks, we hope it helps you appreciate moments big and small in your own life and in the lives of your friends and family. The Ethos Behind Retro We’re an ethos-driven company, and for Retro, we wanted to capture some of the guiding ideas that went into this first version of Retro: 1\u002F Remembering and appreciating life is an active process. Ferris Bueller was right: “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.” You’re likely already taking a ton of photos and videos on your camera phone. Retro helps you to pick the ones that you’ll want to remember each week so that you can look back on your weeks and appreciate all that has happened. 2\u002F Social apps are better when everyone participates. Who wants to go out on a limb to share something small from their day when no one else is sharing small moments? Posting can sometimes make you feel vulnerable, like you’re the only one on the dance floor, and it’s so much better when all your friends on are the dance floor together. Retro gets everyone on the dance floor by nudging everyone to share at least once a week. 3\u002F The ability to keep up with your extended circle of friends is a superpower. When your phone started shipping with a high quality camera, you suddenly had this amazing ability to see and be seen by almost all of the people you care about. That’s magic. But that magic is lost if there’s not a space that makes sharing those moments comfortable. Retro want to retrieve and sustain that super power for people. 4\u002F Your apps should respect your intention and your attention. If you’re opening an app to see friends and family, it should be easy to see family and friends first. And you shouldn’t have to wade through a sea of other content and fall down rabbit holes just to get there. You should be able to close the app session and feel like you got exactly what you were looking for. 5\u002F Craft means optimizing for people, not business. We appreciate the need to create a business, and Retro must become a profitable business if our larger company is going to serve the world in the way we hope. But we think there’s a difference between creating a thriving business and optimizing every pixel in your app for a business outcome. We’re optimizing for people first. In every detail of our product, we want you to see the fingerprints of a team that cares about your delight as an end in itself. Terms & Privacy © 2026 Lone Palm Labs, Inc. AboutCompanyCareers Download on the App StoreGet it on Google Play. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the SaaS & Software industry. The overall color palette features White, Black, Gray, Brown. The typography features Editorial (Pangram Pangram). Built using Vercel. AI description: Retro is a niche social photography app designed to foster genuine connection through a private, friends-only photo journal. Eschewing the performative nature of mainstream social media, the platform encourages users to document small, authentic moments week-to-week, creating a shared digital scrapbook for close circles. The visual identity is strikingly minimalist and editorial, utilizing high-contrast typography and a clean, spacious layout. The design leans into a sophisticated, almost lo-fi aesthetic that mirrors the app's focus on raw, unpolished life moments. By combining a monochromatic base with expressive, bold serif headlines and a tactile, photographic focus, Retro positions itself as a premium yet intimate sanctuary for digital intimacy.",{"id":1626,"website_id":1627,"page_id":1626,"name":1628,"slug":1629,"url":1630,"website_name":1628,"website_slug":1629,"website_url":1631,"result_url":1630,"fetched_at":1632,"score":173,"score_boost":25,"ai_score":290,"freshness_score":531,"scored_at":1633,"page_name":97,"page_url":1630,"page_title":1634,"page_description":44,"page_content":1564,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1635,"cover_mobile":1638,"cover_sequence":44,"translations":1640,"industry":1643,"styles":1644,"credits":1646,"font_families":1648,"technologies":1650,"pagespeed":1652,"pagespeed_mobile":1658,"buckets":1664,"search_payload":1665},"5130f5a6-3965-4080-aa0d-e2474799a167","d58615a3-f186-4aaf-8831-2f2277af9487","Moonbeam","moonbeam","https:\u002F\u002Fmoonbeam.network\u002Fabout","https:\u002F\u002Fmoonbeam.network","2026-05-05T18:47:36.000Z","2026-05-23T19:35:35.000Z","About Moonbeam Network | Moonbeam",{"id":1636,"height":37,"width":38,"blurhash":1637},"e8afd216-c84c-421b-ad76-0b2f3dd3c5f6","radial-gradient(at 0 0,#151515,#00000000 50%),radial-gradient(at 33% 0,#0b0b0b,#00000000 50%),radial-gradient(at 67% 0,#020202,#00000000 50%),radial-gradient(at 100% 0,#040404,#00000000 50%),radial-gradient(at 0 50%,#000000,#00000000 50%),radial-gradient(at 33% 50%,#000000,#00000000 50%),radial-gradient(at 67% 50%,#000000,#00000000 50%),radial-gradient(at 100% 50%,#000000,#00000000 50%),radial-gradient(at 0 100%,#060606,#00000000 50%),radial-gradient(at 33% 100%,#020202,#00000000 50%),radial-gradient(at 67% 100%,#000000,#00000000 50%),radial-gradient(at 100% 100%,#000000,#00000000 50%)",{"id":1639,"height":42,"width":43,"blurhash":44},"84b1ba76-43b4-4edd-a6e8-89733e0224d2",[1641],{"languages_code":47,"description":1642},"Moonbeam is a sophisticated smart contract platform designed to facilitate seamless cross-chain connectivity within the Polkadot ecosystem. The website serves as a high-tech gateway for developers and Web3 enthusiasts, providing real-time network statistics and clear pathways for building, growing, and exploring decentralized applications. Its purpose is to position Moonbeam as a vital, interoperable infrastructure layer for the next generation of the internet.\n\nThe visual identity is striking and immersive, utilizing a cinematic dark mode aesthetic paired with ethereal, 3D-rendered landscapes. The use of high-contrast typography against a deep, cosmic backdrop creates a sense of vastness and technological frontier. By blending organic, dreamlike imagery with precise, data-driven UI elements, the design communicates a brand that is both visionary and technically robust, targeting a highly technical audience of blockchain architects and innovators.","Crypto & Web3",[161,256,1645],"Futuristic \u002F Sci-Fi",[1647],"View Source",[1649,262],"Banana Grotesk",[946,1651],"Sanity",[1653,1655,1656,1657],{"score":1654,"category":75},64,{"score":77,"category":65},{"score":175,"category":68},{"score":70,"category":71},[1659,1661,1662,1663],{"score":1660,"category":75},59,{"score":77,"category":65},{"score":175,"category":68},{"score":70,"category":71},[84,85,83,82],"Website: Moonbeam. Page: About. Page type: About Us \u002F Team. Page title: About Moonbeam Network | Moonbeam. A 3D \u002F Spatial, Dark Mode, Futuristic \u002F Sci-Fi website in the Crypto & Web3 industry. Designed by View Source. The overall color palette features Black, Gray, Brown, White. The typography features Banana Grotesk (Sans Serif, MNKY Type), Space Mono (Colophon). Built using Amazon Web Services, Sanity. AI description: Moonbeam is a sophisticated smart contract platform designed to facilitate seamless cross-chain connectivity within the Polkadot ecosystem. The website serves as a high-tech gateway for developers and Web3 enthusiasts, providing real-time network statistics and clear pathways for building, growing, and exploring decentralized applications. Its purpose is to position Moonbeam as a vital, interoperable infrastructure layer for the next generation of the internet. The visual identity is striking and immersive, utilizing a cinematic dark mode aesthetic paired with ethereal, 3D-rendered landscapes. The use of high-contrast typography against a deep, cosmic backdrop creates a sense of vastness and technological frontier. By blending organic, dreamlike imagery with precise, data-driven UI elements, the design communicates a brand that is both visionary and technically robust, targeting a highly technical audience of blockchain architects and innovators.",{"id":1667,"website_id":1668,"page_id":1667,"name":1669,"slug":1670,"url":1671,"website_name":1669,"website_slug":1670,"website_url":1672,"result_url":1671,"fetched_at":1673,"score":173,"score_boost":25,"ai_score":26,"freshness_score":531,"scored_at":1674,"page_name":97,"page_url":1671,"page_title":1675,"page_description":44,"page_content":1676,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1677,"cover_mobile":1680,"cover_sequence":44,"translations":1682,"industry":626,"styles":1685,"credits":1686,"font_families":1687,"technologies":1689,"pagespeed":1690,"pagespeed_mobile":1695,"buckets":1701,"search_payload":1702},"9201774c-d0ff-49aa-8965-ba2017be99f9","d7f8994a-e0c2-470e-bf5b-c66c64e09e9f","Chiarabonetti","chiarabonetti","https:\u002F\u002Fchiarabonetti.com\u002Fabout","https:\u002F\u002Fchiarabonetti.com","2026-05-05T18:20:48.000Z","2026-05-23T19:09:20.000Z","CHIARA BONETTI — ABOUT","- About - Archive - Shop - About - Archive - Shop CHIARA BONETTI CONTCTS (+49) 152 335 27 800 hi@chiarabonetti.com For commercial inquiries: GERMANY mail@juliawaldmann.com ITALY hello@futureyes-agency.com INSTAGRAM VIMEO I am a self-made Italian photographer and director, currently working between Germany and Italy. My work focus on cultural nuances and seldom-documented communities, exploring identity, memories, traditions, and rituals often on the verge of vanishing in the rush to modernity. True, tangible character-focused stories emerge from my lens, seamlessly blending the mediums of photography and video serving as my storytelling tools. CLIENTS YEPODA LIU-JO ORLEBAR BROWN ESCADA HBO ARTE MAGAZINES EQUIPE STERN MAGAZINE ZEIT MAGAZINE ZEIT CAMPUS VICE HUCK FISHEYE EXHIBITIONS 2021. 8 ROOMS - BERLIN (DE) 2021 GATE 26 - MODENA (IT) 2016 MONAT DER FOTOGRAFIE - BERLIN (DE) FILM FESTIVAL LALIF - LOS ANGELES (USA) GIFF - GUANAJUATO (MX) DUMBO - NEW YORK (USA)",{"id":1678,"height":37,"width":38,"blurhash":1679},"52762ec2-2c19-4713-a56b-622e8f0b5d76","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#fbfbfb,#00000000 50%),radial-gradient(at 67% 0,#fbfbfa,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#fafafa,#00000000 50%),radial-gradient(at 67% 50%,#fcfcfd,#00000000 50%),radial-gradient(at 100% 50%,#ffffff,#00000000 50%),radial-gradient(at 0 100%,#fcfcfb,#00000000 50%),radial-gradient(at 33% 100%,#e2e2e2,#00000000 50%),radial-gradient(at 67% 100%,#ebebeb,#00000000 50%),radial-gradient(at 100% 100%,#ffffff,#00000000 50%)",{"id":1681,"height":42,"width":43,"blurhash":44},"34eed29c-cca2-44f6-8be2-c3abc3dc16a5",[1683],{"languages_code":47,"description":1684},"Chiarabonetti is a sophisticated digital portfolio showcasing the work of a professional photographer, likely specializing in fashion, portraiture, and editorial lifestyle. The website serves as a visual archive that balances high-concept imagery with a curated, editorial feel, positioning the artist as a key player in the creative industries of Rome and Berlin.\n\nThe design identity is defined by a minimalist, high-end aesthetic that allows the photography to command absolute attention. Utilizing expansive white space, clean sans-serif typography, and an asymmetrical grid layout, the site evokes the feeling of a premium fashion magazine. The visual language is airy and refined, targeting high-fashion clients, creative directors, and luxury brands seeking a distinct, cinematic photographic voice.",[51,52,53],[],[116,1688,1688,1688,1688],"Circular",[],[1691,1692,1693,1694],{"score":67,"category":75},{"score":26,"category":65},{"score":175,"category":68},{"score":67,"category":71},[1696,1698,1699,1700],{"score":1697,"category":75},62,{"score":635,"category":65},{"score":175,"category":68},{"score":67,"category":71},[82,84,83,85],"Website: Chiarabonetti. Page: About. Page type: About Us \u002F Team. Page title: CHIARA BONETTI — ABOUT. Page content: - About - Archive - Shop - About - Archive - Shop CHIARA BONETTI CONTCTS (+49) 152 335 27 800 hi@chiarabonetti.com For commercial inquiries: GERMANY mail@juliawaldmann.com ITALY hello@futureyes-agency.com INSTAGRAM VIMEO I am a self-made Italian photographer and director, currently working between Germany and Italy. My work focus on cultural nuances and seldom-documented communities, exploring identity, memories, traditions, and rituals often on the verge of vanishing in the rush to modernity. True, tangible character-focused stories emerge from my lens, seamlessly blending the mediums of photography and video serving as my storytelling tools. CLIENTS YEPODA LIU-JO ORLEBAR BROWN ESCADA HBO ARTE MAGAZINES EQUIPE STERN MAGAZINE ZEIT MAGAZINE ZEIT CAMPUS VICE HUCK FISHEYE EXHIBITIONS 2021. 8 ROOMS - BERLIN (DE) 2021 GATE 26 - MODENA (IT) 2016 MONAT DER FOTOGRAFIE - BERLIN (DE) FILM FESTIVAL LALIF - LOS ANGELES (USA) GIFF - GUANAJUATO (MX) DUMBO - NEW YORK (USA). A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Photography & Video industry. The overall color palette features White, Black, Brown, Gray. The typography features Times New Roman (Serif), Circular (Sans Serif, Lineto), Circular (Sans Serif, Lineto), Circular (Sans Serif, Lineto), Circular (Sans Serif, Lineto). AI description: Chiarabonetti is a sophisticated digital portfolio showcasing the work of a professional photographer, likely specializing in fashion, portraiture, and editorial lifestyle. The website serves as a visual archive that balances high-concept imagery with a curated, editorial feel, positioning the artist as a key player in the creative industries of Rome and Berlin. The design identity is defined by a minimalist, high-end aesthetic that allows the photography to command absolute attention. Utilizing expansive white space, clean sans-serif typography, and an asymmetrical grid layout, the site evokes the feeling of a premium fashion magazine. The visual language is airy and refined, targeting high-fashion clients, creative directors, and luxury brands seeking a distinct, cinematic photographic voice.",{"id":1704,"website_id":1705,"page_id":1704,"name":1706,"slug":1707,"url":1708,"website_name":1706,"website_slug":1707,"website_url":1709,"result_url":1708,"fetched_at":1710,"score":173,"score_boost":25,"ai_score":24,"freshness_score":531,"scored_at":693,"page_name":1711,"page_url":1708,"page_title":1712,"page_description":44,"page_content":1713,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1714,"cover_mobile":1717,"cover_sequence":44,"translations":1719,"industry":626,"styles":1722,"credits":1723,"font_families":1724,"technologies":1725,"pagespeed":1727,"pagespeed_mobile":1732,"buckets":1737,"search_payload":1738},"56131e97-34ed-4837-855d-35d8275c560d","da583d04-8af0-4557-85d1-cf89ae9846b4","byAksel","byaksel","https:\u002F\u002Fbyaksel.com\u002Fabout","https:\u002F\u002Fbyaksel.com","2026-05-05T17:55:52.000Z","About & Contact","About & Contact | byAksel","About & Contact I’ve never been great at sports. For a start, I was always a lousy shot. But I do know how to shoot with a camera. And I love to tell stories. In fact, I’ve told hundreds of them. Bedtime stories for my daughter, tall tales and heroic sagas in many bars with my mates and others. So, yes, you could say I’m addicted to stories. A good story stays with you a long time. It ignites your imagination and takes you places. It’s not always perfect, but that’s OK. Because a good story often needs a bit of grit and grime. So, I follow my gut. And you should too. You see, that’s the only way to tell a good story. Do you want to tell your story? Aksel Jermstad (+47) 902 03 749 aksel@byaksel.com [Sandakerveien 52 ](https:\u002F\u002Fwww.google.no\u002Fmaps\u002Fplace\u002FSandakerveien+52,+0477+Oslo\u002F@59.9370961,10.7629433,17z\u002Fdata=!3m1!4b1!4m5!3m4!1s0x46416e14587b3939:0xf2e69ae71e058218!8m2!3d59.9370961!4d10.7651321)0477 Oslo Norway Facebook \u002F Instagram Some of my awesome clients Volkswagen \u002F VY \u002F Gjensidige \u002F DNB \u002F GSport \u002F Telenor \u002F The Thief \u002F Norheim \u002F Skoda \u002F Dæhlie Sportswear \u002F Amundsen Sports \u002F Sweet Protection \u002F Intersport \u002F Hurtigruta \u002F Gaitline \u002F Canal Digital \u002F Obos \u002F Equinor \u002F Morgenbladet \u002F KAOS \u002F Widerøes \u002F NHO \u002F Burger King \u002F Coop \u002F Rema 1000 \u002F And some of my good friends Dinamo \u002F TRY \u002F POL \u002F Æra \u002F The Oslo Company \u002F GR&EI \u002F Kitchen \u002F Ernö \u002F SMFB \u002F McCann \u002F Mavericks \u002F Blake \u002F Los & Co \u002F Awards 2019 Visuelt gold byaksel.com 2018 Gullsnitt bronze Sweet Protection 2017 DOGA award Dæhlie sportswear 2016 Epica bronze Bad teddy 2016 Gullsnitt silver VikenFiber 2015 Gullsnitt agency award Bad teddy 2015 Gullsnitt gold Bad teddy 2015 Gullsnitt gold Morgenbladet 2015 Gullsnitt diploma Bad teddy 2015 Gullsnitt diploma Volkswagen 2015 Gullsnitt bronze Jens Bredberg 2014 Gullsnitt newcomer Aksel Jermstad This site was created by Skogen. Cheers for your brilliant work!",{"id":1715,"height":37,"width":38,"blurhash":1716},"01717d52-4a4f-4db5-88a1-9a9598b8ce2a","radial-gradient(at 0 0,#000000,#00000000 50%),radial-gradient(at 33% 0,#4a4a36,#00000000 50%),radial-gradient(at 67% 0,#3f4233,#00000000 50%),radial-gradient(at 100% 0,#000000,#00000000 50%),radial-gradient(at 0 50%,#00221b,#00000000 50%),radial-gradient(at 33% 50%,#636b6c,#00000000 50%),radial-gradient(at 67% 50%,#595a65,#00000000 50%),radial-gradient(at 100% 50%,#000000,#00000000 50%),radial-gradient(at 0 100%,#2e3c3a,#00000000 50%),radial-gradient(at 33% 100%,#95999f,#00000000 50%),radial-gradient(at 67% 100%,#868792,#00000000 50%),radial-gradient(at 100% 100%,#000001,#00000000 50%)",{"id":1718,"height":42,"width":43,"blurhash":44},"c4eacce6-798b-4944-b098-914b359dc017",[1720],{"languages_code":47,"description":1721},"byAksel is a high-impact visual storytelling portfolio that captures the raw, visceral essence of adventure and human experience. Through cinematic imagery and a focus on motion, the site serves as a digital gallery for a creator who specializes in translating grit and emotion into compelling visual narratives. The purpose is clearly to showcase professional expertise to brands looking for authentic, high-stakes content.\n\nThe design identity is defined by a sophisticated, minimalist aesthetic that allows the photography to command center stage. Utilizing expansive, full-bleed imagery and elegant serif typography, the site evokes a sense of premium editorial quality. The visual language is cinematic and atmospheric, targeting outdoor brands, sports enthusiasts, and premium lifestyle industries that value storytelling over mere documentation.",[51,52,53],[],[116],[1468,1726],"Yii",[1728,1729,1730,1731],{"score":635,"category":75},{"score":70,"category":65},{"score":70,"category":68},{"score":67,"category":71},[1733,1734,1735,1736],{"score":513,"category":75},{"score":64,"category":65},{"score":70,"category":68},{"score":67,"category":71},[82,84,85],"Website: byAksel. Page: About & Contact. Page type: About Us \u002F Team. Page title: About & Contact | byAksel. Page content: About & Contact I’ve never been great at sports. For a start, I was always a lousy shot. But I do know how to shoot with a camera. And I love to tell stories. In fact, I’ve told hundreds of them. Bedtime stories for my daughter, tall tales and heroic sagas in many bars with my mates and others. So, yes, you could say I’m addicted to stories. A good story stays with you a long time. It ignites your imagination and takes you places. It’s not always perfect, but that’s OK. Because a good story often needs a bit of grit and grime. So, I follow my gut. And you should too. You see, that’s the only way to tell a good story. Do you want to tell your story? Aksel Jermstad (+47) 902 03 749 aksel@byaksel.com [Sandakerveien 52 ](https:\u002F\u002Fwww.google.no\u002Fmaps\u002Fplace\u002FSandakerveien+52,+0477+Oslo\u002F@59.9370961,10.7629433,17z\u002Fdata=!3m1!4b1!4m5!3m4!1s0x46416e14587b3939:0xf2e69ae71e058218!8m2!3d59.9370961!4d10.7651321)0477 Oslo Norway Facebook \u002F Instagram Some of my awesome clients Volkswagen \u002F VY \u002F Gjensidige \u002F DNB \u002F GSport \u002F Telenor \u002F The Thief \u002F Norheim \u002F Skoda \u002F Dæhlie Sportswear \u002F Amundsen Sports \u002F Sweet Protection \u002F Intersport \u002F Hurtigruta \u002F Gaitline \u002F Canal Digital \u002F Obos \u002F Equinor \u002F Morgenbladet \u002F KAOS \u002F Widerøes \u002F NHO \u002F Burger King \u002F Coop \u002F Rema 1000 \u002F And some of my good friends Dinamo \u002F TRY \u002F POL \u002F Æra \u002F The Oslo Company \u002F GR&EI \u002F Kitchen \u002F Ernö \u002F SMFB \u002F McCann \u002F Mavericks \u002F Blake \u002F Los & Co \u002F Awards 2019 Visuelt gold byaksel.com 2018 Gullsnitt bronze Sweet Protection 2017 DOGA award Dæhlie sportswear 2016 Epica bronze Bad teddy 2016 Gullsnitt silver VikenFiber 2015 Gullsnitt agency award Bad teddy 2015 Gullsnitt gold Bad teddy 2015 Gullsnitt gold Morgenbladet 2015 Gullsnitt diploma Bad teddy 2015 Gullsnitt diploma Volkswagen 2015 Gullsnitt bronze Jens Bredberg 2014 Gullsnitt newcomer Aksel Jermstad This site was created by Skogen. Cheers for your brilliant work!. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Photography & Video industry. The overall color palette features White, Black, Gray. The typography features Times New Roman (Serif). Built using Craft CMS, Yii. AI description: byAksel is a high-impact visual storytelling portfolio that captures the raw, visceral essence of adventure and human experience. Through cinematic imagery and a focus on motion, the site serves as a digital gallery for a creator who specializes in translating grit and emotion into compelling visual narratives. The purpose is clearly to showcase professional expertise to brands looking for authentic, high-stakes content. The design identity is defined by a sophisticated, minimalist aesthetic that allows the photography to command center stage. Utilizing expansive, full-bleed imagery and elegant serif typography, the site evokes a sense of premium editorial quality. The visual language is cinematic and atmospheric, targeting outdoor brands, sports enthusiasts, and premium lifestyle industries that value storytelling over mere documentation.",{"id":1740,"website_id":1741,"page_id":1740,"name":1742,"slug":1743,"url":1744,"website_name":1742,"website_slug":1743,"website_url":1745,"result_url":1744,"fetched_at":1746,"score":173,"score_boost":25,"ai_score":26,"freshness_score":531,"scored_at":1747,"page_name":8,"page_url":1744,"page_title":1748,"page_description":44,"page_content":1749,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1750,"cover_mobile":1753,"cover_sequence":44,"translations":1755,"industry":109,"styles":1758,"credits":1759,"font_families":1760,"technologies":1762,"pagespeed":1765,"pagespeed_mobile":1770,"buckets":1775,"search_payload":1776},"d630d7ed-422c-4f28-9cce-2fee8adae5c1","da90a2bd-a55c-40d2-8c42-5e83ba16b9e8","Yatofu","yatofu","https:\u002F\u002Fyatofu.com\u002Fabout-us","https:\u002F\u002Fyatofu.com","2026-05-05T17:19:54.000Z","2026-05-23T19:19:52.000Z","Yatofu – About us","We are Yatofu Yatofu was founded in Helsinki in 2017, and has consistently grown with an international presence and team. A global understanding of design and business is built straight into our DNA. Our innate sensitivity to cultural nuances allows us to bravely challenge boundaries while celebrating diversity. Services – - Interior Architecture - Product and Furniture Design - Visual Communication - Creative Direction Our Motivation – Our work is anything but ordinary. We believe that by creating meaningful experiences and uncovering emotional echoes, we can elevate and transform the mundane aspects of everyday life. Designing for a Shared Experience – We are a team of explorers, tinkerers, artists, and storytellers who believe that design is just as synonymous with Solutions as it is with Exploration. Our process allows us to collaborate boldly and bravely with our clients, producing outcomes and results that are both intuitive and striking. How we work – At Yatofu every project is an opportunity to challenge our curiosities. Through imagination, research, and an empathetic understanding of our clients, we create valuable design solutions that both surprises and resonates. 1. ### Consultation and Brief (Free of charge) \\[+\\] READ MORE We are always interested in getting to know your projects. Whether you already have an ongoing project or are just in the exploratory phase, we are more than willing to have a conversation and provide expertise on how to proceed. 2. ### Project Proposal (free of charge) \\[+\\] READ MORE When you are ready to proceed, we can provide a service proposal and quotation based on your project brief. We tailor all proposals according to our clients’ needs as we understand that every project is unique! 3. ### Research \\[+\\] READ MORE Our process always starts with research. This includes research into the business model, the industry, benchmarking cases and user profiles. Only with the proper foundation of understanding can we create solutions that are both visually and functionally valuable. 4. ### Concept and Design \\[+\\] READ MORE In this step, we develop interesting and relevant concept directions based on our research and client needs. The concepts are taken through selections, iterations and in-depth development to become the final design solution. 5. ### Production \\[+\\] READ MORE Depending on your project needs, our production phase deliverables could range from visual guidelines documents to complete hotel interiors. We ensure that our results are fitting to your needs, and will work with you to take the next steps, whether that means a brand launch or moving into your dream space. 6. ### Follow-up \\[+\\] READ MORE We follow up on all our projects to make sure that what we have delivered is fulfilling its purpose. We take pride in our work and are only happy when our clients are happy! FOUNDERS Bio The two founding designers of Yatofu Creatives, Angela Lindahl and Yihan Xiang, possess a combined geographic background that spreads across Asia, North America and Europe. The duo started their design studio with the intention of bringing an accessible approach to designing for an international audience. Angela Lindahl, a Taiwanese-Canadian, has studied and worked in multiple design industries, in multiple countries. Her interests in the business of design started well before her Bachelors of Industrial Design studies in New York’s Pratt Institute, and took on another form when she moved to Helsinki to complete her Masters studies in Interior Architecture（spatial and furniture design）. Having studied and worked with both products and spaces, Angela’s understanding of design and scale allows success in design projects that are detailed as well as multi-faceted. Yihan Xiang boasts a prestigious Bachelors degree in Interior Architecture from Tsinghua University Beijing, after which his pursuit for a more global perspective of art and design brought him to Helsinki where he completed his Masters degree in Interior Architecture (spatial and furniture design) in addition to working across multiple European cities. Yihan’s fluent understanding of cultures and their context manifests itself in his artistic and sensitive approach to the design process.",{"id":1751,"height":37,"width":38,"blurhash":1752},"d07d87f0-33f4-45aa-8d75-d354266a01d6","radial-gradient(at 0 0,#f9fafb,#00000000 50%),radial-gradient(at 33% 0,#f3ebec,#00000000 50%),radial-gradient(at 67% 0,#ede0e1,#00000000 50%),radial-gradient(at 100% 0,#f2eeef,#00000000 50%),radial-gradient(at 0 50%,#f6fbfc,#00000000 50%),radial-gradient(at 33% 50%,#e4d4d5,#00000000 50%),radial-gradient(at 67% 50%,#d5abac,#00000000 50%),radial-gradient(at 100% 50%,#e5d8d9,#00000000 50%),radial-gradient(at 0 100%,#f8fbfc,#00000000 50%),radial-gradient(at 33% 100%,#f3f0f1,#00000000 50%),radial-gradient(at 67% 100%,#efe8e9,#00000000 50%),radial-gradient(at 100% 100%,#f3f1f2,#00000000 50%)",{"id":1754,"height":42,"width":43,"blurhash":44},"f55738c5-98cd-4192-9c05-8542e21bbbe8",[1756],{"languages_code":47,"description":1757},"Yatofu is a multidisciplinary creative studio specializing in the intersection of spatial design and visual identity. Their work spans interior architecture, product and furniture design, and visual communication, aiming to bridge the gap between poetic environments and meaningful branding. The studio approaches each project with a sense of curiosity, treating the design process as an exploration of different angles and perspectives.\n\nThe visual identity is defined by a sophisticated, high-end aesthetic that favors large, elegant typography and expansive, high-quality imagery. By utilizing a minimalist layout and a muted, earthy color palette, the website mirrors the studio's architectural sensibilities. The design feels curated and intentional, appealing to luxury brands and clients seeking a deep, tactile connection between their physical spaces and their brand narratives.",[51,52,53],[],[1761],"Favorit",[1763,1068,1764,118,120,168],"Bluehost","GSAP",[1766,1767,1768,1769],{"score":219,"category":75},{"score":173,"category":65},{"score":175,"category":68},{"score":429,"category":71},[1771,1772,1773,1774],{"score":1513,"category":75},{"score":318,"category":65},{"score":175,"category":68},{"score":429,"category":71},[82,85,84,83],"Website: Yatofu. Page: About Us. Page type: About Us \u002F Team. Page title: Yatofu – About us. Page content: We are Yatofu Yatofu was founded in Helsinki in 2017, and has consistently grown with an international presence and team. A global understanding of design and business is built straight into our DNA. Our innate sensitivity to cultural nuances allows us to bravely challenge boundaries while celebrating diversity. Services – - Interior Architecture - Product and Furniture Design - Visual Communication - Creative Direction Our Motivation – Our work is anything but ordinary. We believe that by creating meaningful experiences and uncovering emotional echoes, we can elevate and transform the mundane aspects of everyday life. Designing for a Shared Experience – We are a team of explorers, tinkerers, artists, and storytellers who believe that design is just as synonymous with Solutions as it is with Exploration. Our process allows us to collaborate boldly and bravely with our clients, producing outcomes and results that are both intuitive and striking. How we work – At Yatofu every project is an opportunity to challenge our curiosities. Through imagination, research, and an empathetic understanding of our clients, we create valuable design solutions that both surprises and resonates. 1. ### Consultation and Brief (Free of charge) \\[+\\] READ MORE We are always interested in getting to know your projects. Whether you already have an ongoing project or are just in the exploratory phase, we are more than willing to have a conversation and provide expertise on how to proceed. 2. ### Project Proposal (free of charge) \\[+\\] READ MORE When you are ready to proceed, we can provide a service proposal and quotation based on your project brief. We tailor all proposals according to our clients’ needs as we understand that every project is unique! 3. ### Research \\[+\\] READ MORE Our process always starts with research. This includes research into the business model, the industry, benchmarking cases and user profiles. Only with the proper foundation of understanding can we create solutions that are both visually and functionally valuable. 4. ### Concept and Design \\[+\\] READ MORE In this step, we develop interesting and relevant concept directions based on our research and client needs. The concepts are taken through selections, iterations and in-depth development to become the final design solution. 5. ### Production \\[+\\] READ MORE Depending on your project needs, our production phase deliverables could range from visual guidelines documents to complete hotel interiors. We ensure that our results are fitting to your needs, and will work with you to take the next steps, whether that means a brand launch or moving into your dream space. 6. ### Follow-up \\[+\\] READ MORE We follow up on all our projects to make sure that what we have delivered is fulfilling its purpose. We take pride in our work and are only happy when our clients are happy! FOUNDERS Bio The two founding designers of Yatofu Creatives, Angela Lindahl and Yihan Xiang, possess a combined geographic background that spreads across Asia, North America and Europe. The duo started their design studio with the intention of bringing an accessible approach to designing for an international audience. Angela Lindahl, a Taiwanese-Canadian, has studied and worked in multiple design industries, in multiple countries. Her interests in the business of design started well before her Bachelors of Industrial Design studies in New York’s Pratt Institute, and took on another form when she moved to Helsinki to complete her Masters studies in Interior Architecture（spatial and furniture design）. Having studied and worked with both products and spaces, Angela’s understanding of design and scale allows success in design projects that are detailed as well as multi-faceted. Yihan Xiang boasts a prestigious Bachelors degree in Interior Architecture from Tsinghua University Beijing, after which his pursuit for a more global perspective of art and design brought him to Helsinki where he completed his Masters degree in Interior Architecture (spatial and furniture design) in addition to working across multiple European cities. Yihan’s fluent understanding of cultures and their context manifests itself in his artistic and sensitive approach to the design process.. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Gray, Black, Brown. The typography features Favorit (Sans Serif, Dinamo). Built using Bluehost, Contact Form 7, GSAP, jQuery, PHP, WordPress. AI description: Yatofu is a multidisciplinary creative studio specializing in the intersection of spatial design and visual identity. Their work spans interior architecture, product and furniture design, and visual communication, aiming to bridge the gap between poetic environments and meaningful branding. The studio approaches each project with a sense of curiosity, treating the design process as an exploration of different angles and perspectives. The visual identity is defined by a sophisticated, high-end aesthetic that favors large, elegant typography and expansive, high-quality imagery. By utilizing a minimalist layout and a muted, earthy color palette, the website mirrors the studio's architectural sensibilities. The design feels curated and intentional, appealing to luxury brands and clients seeking a deep, tactile connection between their physical spaces and their brand narratives.",{"id":1778,"website_id":1779,"page_id":1778,"name":1780,"slug":1781,"url":1782,"website_name":1780,"website_slug":1781,"website_url":1783,"result_url":1782,"fetched_at":1784,"score":173,"score_boost":25,"ai_score":77,"freshness_score":531,"scored_at":1785,"page_name":1786,"page_url":1782,"page_title":1787,"page_description":1788,"page_content":1789,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1790,"cover_mobile":1793,"cover_sequence":44,"translations":1795,"industry":109,"styles":1798,"credits":1799,"font_families":1800,"technologies":1803,"pagespeed":1804,"pagespeed_mobile":1809,"buckets":1815,"search_payload":1816},"a30ce61e-93cf-473c-bb24-777b3932f552","dd736c08-0892-4186-94fe-ad85e3067d62","Bureau","bureau","https:\u002F\u002Fbureau.ru\u002Fabout","https:\u002F\u002Fbureau.ru","2026-05-05T16:58:27.000Z","2026-05-23T19:09:31.000Z","О нас","О ООО","Бюро Горбунова открыто в 2007 году. Бюро помогает клиентам создавать новые и улучшать существующие продукты и услуги, которым требуется название, логотип, визуализация, интерфейс, сайт, упаковка, оформление бумажных и электронных изданий. Мы делаем всё это вместе, чтобы клиент получал цельную систему","[ Бюро Горбунова ](\u002F) Новости Проекты Биржа Дома Книги Школа Курсы Лекции Советы О нас [ ](\u002Fschool\u002Fclassroom\u002F)[ ](\u002Fburosfera\u002Fme) Стать клиентом О компании О компании Вакансии О компании - Советы - Интерактивные книги - Практические курсы - Школы дизайнеров, редакторов и руководителей - Расширяемые дома - Дизайн продуктов и услуг - Логотипы и фирстили - Сайты и интранеты - Пользовательский интерфейс - Мобильные приложения - Навигация в общественных местах - Визуализация и инфографика - Книги и СМИ Без бороды Бюро Горбунова открыто в 2007 году. Миссия бюро — передача дизайнерских знаний, идей пользы и работоспособного дизайна. Рубрика «Советы» — главный русскоязычный источник практических знаний о дизайне. Бюро издаёт книги и проводит курсы о дизайне, отношениях с клиентами, навигации, редактуре и управлении. Длительные программы Школ бюро дают билет в профессию дизайнерам, редакторам и руководителям. В 2022 году бюро открыло архитектурное направление и делает большие кайфовые загородные дома, которые постепенно растут вместе с семьёй. Идея архитектурной платформы в двух словах — «доступный кайф». Клиентам‑компаниям бюро помогает создавать новые и улучшать существующие продукты и услуги, которым требуется название, логотип, визуализация, интерфейс, сайт, упаковка, оформление бумажных и электронных изданий. Мы делаем всё это вместе, чтобы клиент получал цельную систему. Сервис «Руки» Название, логотип, фирстиль, мобильное приложение, сайт, реклама Деликат Логотип, фирстиль, мерчендайзинг, фасады, стандарты и обучение кассиров Ворлдчесс Сайт, интерфейс игры, турниры, трансляции Майндбокс Логотип, документация, таблички, презентация, сайт и блог Ваш репетитор Логотип, сайт и мобильное приложение Свадебный салон «Мэри Трюфель» Логотип, сайт и оформление салона Картриджи «Т2» Логотип, фирменный стиль, упаковка, рекламные ролики, сайт РашаДискавери Логотип, эмблемы, документы, сувениры, рассылка, шрифт Главбух Сайт, журнал и справочная система Энви Логотип, сайт, шрифт, фотогайдлайны, страница Гонолулу Сервис авиабилетов «Раз‑два‑трип» Название, элементы стиля и интерфейс Связной банк Сайт, интернет‑банк, приложение, терминал Детское питание «Я расту» Название, логотип, упаковка, интернет‑магазин Джинсы «Гетвеар» Логотип, конструктор, интернет‑магазин, джинсы, упаковка Интерфейс — зло Удобный интерфейс и красивая упаковка не гарантируют успех. В основе успешного продукта — работоспособная система. Мы исследуем и используем законы, приёмы и идеи работоспособного дизайна, а первое, о чём думаем — как обойтись без интерфейса. Интерфейс — зло Наш традиционный конёк — представление сложной по содержанию и структуре информации в форме, максимально способствующей восприятию и анализу, избегающей двусмысленностей, многословности, текстового и графического шума. Работая над сайтами и изданиями, мы следуем принципам пользы, честности и информативности. Бюро запускает проекты в срок. Мы руководствуемся принципом несдвигаемых дедлайнов и гибкой функциональности, которому боятся следовать другие разработчики. Мы работаем с клиентами по многу лет, но у нас не бывает проектов по году — мы двигаемся короткими эффективными итерациями. - Система «Ресурс» - Коворкафе В бюро принята система «Ресурс». Мы работаем где и когда удобно. Это вдохновило нас открыть Коворкафе — удобное и тихое пространство для труда, знакомства, обмена знаниями с единомышленниками: бюрошниками, предпринимателями и дизайнерами из других студий. - Система «Ресурс» - Коворкафе Стать клиентом бюро: ответить на вопросы · ознакомиться с принципами работы · проверить техсовместимость · заключить договор Стать клиентом бюро: - ответить на вопросы - ознакомиться с принципами работы - проверить техсовместимость - заключить договор - Советы - Интерактивные книги - Практические курсы - Школы дизайнеров, редакторов и руководителей - Расширяемые дома - Дизайн продуктов и услуг - Логотипы и фирстили - Сайты и интранеты - Пользовательский интерфейс - Мобильные приложения - Навигация в общественных местах - Визуализация и инфографика - Книги и СМИ Без бороды Полезно 40 40 Непонятно 16 16 Войдите в Бюросферу, чтобы голосовать Отправить Поделиться Запинить Твитнуть Когда выйдет новый проект Оставьте почту, чтобы узнавать о выходе новых проектов и обновлениях других продуктов бюро. Расскажите о своём продукте команде бюро Стать клиентом Новости Проекты Биржа Дома Книги Школа Курсы Лекции Советы О нас Бюро Горбунова mail@bureau.ru +7 495 646‑84‑89 Стать клиентом Большая. Новодмитровская улица., 36, строение. 1 Москва, Россия, 127015 Реквизиты [ ](\u002Fnews\u002Frss\u002F) [ ](https:\u002F\u002Fwww.youtube.com\u002Fbureaugorbunov) [ ](tg:\u002F\u002Fresolve?domain=bureaugorbunov) [ ](https:\u002F\u002Fvk.com\u002Fburosfera) [ ](https:\u002F\u002Fmax.ru\u002Fid9715398280_biz) [ ](https:\u002F\u002Fdzen.ru\u002Fbureau) Вход в Бюросферу Адрес для входа или регистрации. Если у вас есть Бюросфера, используйте адрес оттуда × Вход в Бюросферу По адресу \\[missing %{email} value\\] отправлена ссылка на вашу Бюросферу",{"id":1791,"height":37,"width":38,"blurhash":1792},"933bcf04-201d-4146-9fc9-09d28ed3afcb","radial-gradient(at 0 0,#fcfcfe,#00000000 50%),radial-gradient(at 33% 0,#fbfcfc,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#efedf0,#00000000 50%),radial-gradient(at 33% 50%,#e7e6e6,#00000000 50%),radial-gradient(at 67% 50%,#ebeced,#00000000 50%),radial-gradient(at 100% 50%,#f6f6f8,#00000000 50%),radial-gradient(at 0 100%,#f4f5f7,#00000000 50%),radial-gradient(at 33% 100%,#f0f0f1,#00000000 50%),radial-gradient(at 67% 100%,#f3f4f4,#00000000 50%),radial-gradient(at 100% 100%,#f9fbfc,#00000000 50%)",{"id":1794,"height":42,"width":43,"blurhash":44},"ff6a7778-e10b-47f6-8d83-203ae06e13eb",[1796],{"languages_code":47,"description":1797},"Bureau is a multidisciplinary creative agency that specializes in building cohesive brand identities through naming, logo design, packaging, and digital interfaces. Their work bridges the gap between physical and digital experiences, offering a holistic approach to product and service development that ensures visual and functional unity.\n\nThe website's visual identity is bold, avant-garde, and unapologetically expressive. Utilizing high-contrast color palettes, striking typography, and a dynamic grid layout, the design reflects a sophisticated yet rebellious creative spirit. It targets high-end clients and brands looking for cutting-edge design solutions that stand out in a crowded marketplace through strong, character-driven aesthetics.",[496,53,162],[],[1801,1802,1801,1802,1801,1801,1801,1801,1801,1801,1801,1801,1801,1801,1801,1801,1801,1802,1802,1802,1802,1802,1802,1802,1802,1802,1802,1802,1802,1802],"Bureau Sans","Bureau Serif",[],[1805,1806,1807,1808],{"score":74,"category":75},{"score":1074,"category":65},{"score":175,"category":68},{"score":67,"category":71},[1810,1812,1813,1814],{"score":1811,"category":75},40,{"score":79,"category":65},{"score":175,"category":68},{"score":67,"category":71},[82,135,85,84,185],"Website: Bureau. Page: О нас. Page type: About Us \u002F Team. Page title: О ООО. Page description: Бюро Горбунова открыто в 2007 году. Бюро помогает клиентам создавать новые и улучшать существующие продукты и услуги, которым требуется название, логотип, визуализация, интерфейс, сайт, упаковка, оформление бумажных и электронных изданий. Мы делаем всё это вместе, чтобы клиент получал цельную систему. Page content: [ Бюро Горбунова ](\u002F) Новости Проекты Биржа Дома Книги Школа Курсы Лекции Советы О нас [ ](\u002Fschool\u002Fclassroom\u002F)[ ](\u002Fburosfera\u002Fme) Стать клиентом О компании О компании Вакансии О компании - Советы - Интерактивные книги - Практические курсы - Школы дизайнеров, редакторов и руководителей - Расширяемые дома - Дизайн продуктов и услуг - Логотипы и фирстили - Сайты и интранеты - Пользовательский интерфейс - Мобильные приложения - Навигация в общественных местах - Визуализация и инфографика - Книги и СМИ Без бороды Бюро Горбунова открыто в 2007 году. Миссия бюро — передача дизайнерских знаний, идей пользы и работоспособного дизайна. Рубрика «Советы» — главный русскоязычный источник практических знаний о дизайне. Бюро издаёт книги и проводит курсы о дизайне, отношениях с клиентами, навигации, редактуре и управлении. Длительные программы Школ бюро дают билет в профессию дизайнерам, редакторам и руководителям. В 2022 году бюро открыло архитектурное направление и делает большие кайфовые загородные дома, которые постепенно растут вместе с семьёй. Идея архитектурной платформы в двух словах — «доступный кайф». Клиентам‑компаниям бюро помогает создавать новые и улучшать существующие продукты и услуги, которым требуется название, логотип, визуализация, интерфейс, сайт, упаковка, оформление бумажных и электронных изданий. Мы делаем всё это вместе, чтобы клиент получал цельную систему. Сервис «Руки» Название, логотип, фирстиль, мобильное приложение, сайт, реклама Деликат Логотип, фирстиль, мерчендайзинг, фасады, стандарты и обучение кассиров Ворлдчесс Сайт, интерфейс игры, турниры, трансляции Майндбокс Логотип, документация, таблички, презентация, сайт и блог Ваш репетитор Логотип, сайт и мобильное приложение Свадебный салон «Мэри Трюфель» Логотип, сайт и оформление салона Картриджи «Т2» Логотип, фирменный стиль, упаковка, рекламные ролики, сайт РашаДискавери Логотип, эмблемы, документы, сувениры, рассылка, шрифт Главбух Сайт, журнал и справочная система Энви Логотип, сайт, шрифт, фотогайдлайны, страница Гонолулу Сервис авиабилетов «Раз‑два‑трип» Название, элементы стиля и интерфейс Связной банк Сайт, интернет‑банк, приложение, терминал Детское питание «Я расту» Название, логотип, упаковка, интернет‑магазин Джинсы «Гетвеар» Логотип, конструктор, интернет‑магазин, джинсы, упаковка Интерфейс — зло Удобный интерфейс и красивая упаковка не гарантируют успех. В основе успешного продукта — работоспособная система. Мы исследуем и используем законы, приёмы и идеи работоспособного дизайна, а первое, о чём думаем — как обойтись без интерфейса. Интерфейс — зло Наш традиционный конёк — представление сложной по содержанию и структуре информации в форме, максимально способствующей восприятию и анализу, избегающей двусмысленностей, многословности, текстового и графического шума. Работая над сайтами и изданиями, мы следуем принципам пользы, честности и информативности. Бюро запускает проекты в срок. Мы руководствуемся принципом несдвигаемых дедлайнов и гибкой функциональности, которому боятся следовать другие разработчики. Мы работаем с клиентами по многу лет, но у нас не бывает проектов по году — мы двигаемся короткими эффективными итерациями. - Система «Ресурс» - Коворкафе В бюро принята система «Ресурс». Мы работаем где и когда удобно. Это вдохновило нас открыть Коворкафе — удобное и тихое пространство для труда, знакомства, обмена знаниями с единомышленниками: бюрошниками, предпринимателями и дизайнерами из других студий. - Система «Ресурс» - Коворкафе Стать клиентом бюро: ответить на вопросы · ознакомиться с принципами работы · проверить техсовместимость · заключить договор Стать клиентом бюро: - ответить на вопросы - ознакомиться с принципами работы - проверить техсовместимость - заключить договор - Советы - Интерактивные книги - Практические курсы - Школы дизайнеров, редакторов и руководителей - Расширяемые дома - Дизайн продуктов и услуг - Логотипы и фирстили - Сайты и интранеты - Пользовательский интерфейс - Мобильные приложения - Навигация в общественных местах - Визуализация и инфографика - Книги и СМИ Без бороды Полезно 40 40 Непонятно 16 16 Войдите в Бюросферу, чтобы голосовать Отправить Поделиться Запинить Твитнуть Когда выйдет новый проект Оставьте почту, чтобы узнавать о выходе новых проектов и обновлениях других продуктов бюро. Расскажите о своём продукте команде бюро Стать клиентом Новости Проекты Биржа Дома Книги Школа Курсы Лекции Советы О нас Бюро Горбунова mail@bureau.ru +7 495 646‑84‑89 Стать клиентом Большая. Новодмитровская улица., 36, строение. 1 Москва, Россия, 127015 Реквизиты [ ](\u002Fnews\u002Frss\u002F) [ ](https:\u002F\u002Fwww.youtube.com\u002Fbureaugorbunov) [ ](tg:\u002F\u002Fresolve?domain=bureaugorbunov) [ ](https:\u002F\u002Fvk.com\u002Fburosfera) [ ](https:\u002F\u002Fmax.ru\u002Fid9715398280_biz) [ ](https:\u002F\u002Fdzen.ru\u002Fbureau) Вход в Бюросферу Адрес для входа или регистрации. Если у вас есть Бюросфера, используйте адрес оттуда × Вход в Бюросферу По адресу \\[missing %{email} value\\] отправлена ссылка на вашу Бюросферу. A Brutalist \u002F Neo-Brutalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Agency & Studio industry. The overall color palette features White, Red, Gray, Black, Pink. The typography features Bureau Sans (Sans Serif), Bureau Serif (Serif), Bureau Sans (Sans Serif), Bureau Serif (Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif). AI description: Bureau is a multidisciplinary creative agency that specializes in building cohesive brand identities through naming, logo design, packaging, and digital interfaces. Their work bridges the gap between physical and digital experiences, offering a holistic approach to product and service development that ensures visual and functional unity. The website's visual identity is bold, avant-garde, and unapologetically expressive. Utilizing high-contrast color palettes, striking typography, and a dynamic grid layout, the design reflects a sophisticated yet rebellious creative spirit. It targets high-end clients and brands looking for cutting-edge design solutions that stand out in a crowded marketplace through strong, character-driven aesthetics.",{"id":1818,"website_id":1819,"page_id":1818,"name":1820,"slug":1821,"url":1822,"website_name":1820,"website_slug":1821,"website_url":1823,"result_url":1822,"fetched_at":1824,"score":173,"score_boost":25,"ai_score":290,"freshness_score":531,"scored_at":1825,"page_name":1826,"page_url":1822,"page_title":1827,"page_description":1828,"page_content":1829,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1830,"cover_mobile":1833,"cover_sequence":44,"translations":1835,"industry":304,"styles":1838,"credits":1839,"font_families":1841,"technologies":1842,"pagespeed":1843,"pagespeed_mobile":1848,"buckets":1853,"search_payload":1854},"0c9f831c-d348-48e6-b56f-76474e56e2b3","ded4e10b-b642-4c47-afbd-db4caebbe7a6","LOEWE FOUNDATION Craft Prize","loewe-foundation-craft-prize","https:\u002F\u002Fcraftprizeexhibition.loewe.com\u002Fexhibition","https:\u002F\u002Fcraftprizeexhibition.loewe.com","2026-05-05T16:37:31.000Z","2026-05-23T19:17:24.000Z","Exhibition","LOEWE FOUNDATION Craft Prize Exhibition","Experience the pinnacle of craft at the 2025 LOEWE FOUNDATION Craft Prize exhibition. View the works of exceptional artisans from around the world.","[ ](\u002F) 0.15 The LOEWE FOUNDATION Craft Prize Conceived in 2016, the annual LOEWE FOUNDATION Craft Prize celebrates excellence, artistic merit, and newness in modern craftsmanship. Emphasising the importance of craft in contemporary culture, it also honours LOEWE’s beginnings as a collective craft workshop in 1846. The eighth edition of the LOEWE FOUNDATION Craft Prize presents a plurality of artisanal excellence that explores new material and creative possibilities. Chosen by a panel of experts from over 4,600 submissions by artisans representing 133 countries and regions, the showcase of 30 finalists spans 18 countries and regions. An amalgamation of the palpable, the intuitive, and the time-worn, each of the finalists’ works reimagines tradition in ways that are playful and poignant. This year, each piece expresses a timely yearning for new models, systems, and sentiments. The result is a spirited expansion of craft that opens new multidisciplinary frontiers. Digital exhibition Explore 30 shortlisted works alongside information about the shortlisted artists and their processes, as well as exclusive studio tours. Thyssen-Bornemisza National Museum See the works in person at Thyssen-Bornemisza National Museum, 30 May – 29 June, 2025. LOEWE 2025 CRAFT PRIZE RGB CROPPED 4x5 HERO GROUP SHOOT 00003 LOEWE 2025 CRAFT PRIZE RGB CROPPED 4x5 HERO GROUP SHOOT 00005 LOEWE 2025 CRAFT PRIZE RGB CROPPED 4x5 HERO GROUP SHOOT 00006 1 \u002F 3 THYSSEN-BORNEMISZA NATIONAL MUSEUM The eighth edition of the LOEWE FOUNDATION Craft Prize will be shown at the Thyssen-Bornemisza National Museum and documented in an exhibition catalogue. Originally a private collection, the Thyssen-Bornemisza National Museum was acquired by the Spanish government in 1993 and houses one of the most important pictorial collections in the world. Gathered over seven decades, almost 900 works of art reflect the exquisite taste of Baron Heinrich Thyssen-Bornemisza (1875-1947), his son Baron Hans Heinrich Thyssen-Bornemisza (1921-2002), as well as contemporary works donated by Carmen Thyssen-Bornemisza. The Craft Prize sits comfortably inside this institution where movements, genres, and styles interlace with ease, honouring the museum’s ongoing efforts to expand access to art and culture. Address Thyssen-Bornemisza National Museum Paseo del Prado, 8 28014 Madrid Opening 30 May – 29 June, 2025 Monday: 12pm–4pm Tuesday to Friday and Sunday: 10am–7pm Saturday: 10am–11pm Free entry LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 1 1 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 1 1 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 2 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 2 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 3 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 3 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 8 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 8 1 \u002F 4 Winner [ LOEWE 2025 CRAFT WINNER PIECE RGB CROPPED 4x5 LOEWE 2025 CRAFT WINNER PIECE RGB CROPPED 4x5 Kunimasa Aoki Realm of Living Things 19 2024 ](\u002Fartists\u002Fkunimasa-aoki) Special mention [ LOEWE 2025 CRAFT SM 1 PIECE RGB CROPPED 4x5 LOEWE 2025 CRAFT SM 1 PIECE RGB CROPPED 4x5 Studio Sumakshi Singh Monument 2024 ](\u002Fartists\u002Fstudio-sumakshi-singh) [ LOEWE 2025 CRAFT SM 2 PIECE RGB CROPPED 4x5 LOEWE 2025 CRAFT SM 2 PIECE RGB CROPPED 4x5 Nifemi Marcus-Bello TM Bench with Bowl 2023 ](\u002Fartists\u002Fnifemi-marcus-bello) The jury LOEWE 2025 CRAFT PRIZE JURY GROUP SHOOT CROPPED 2880 X1620 01 LOEWE 2025 CRAFT PRIZE JURY GROUP SHOOT CROPPED 2880 X1620 01 LOEWE 2025 CRAFT PRIZE JURY GROUP RGB 1800 X1198 00001 LOEWE 2025 CRAFT PRIZE JURY GROUP RGB 1800 X1198 00001 1 \u002F 2 The jury ANDRÉS ANZA Winner of the LOEWE FOUNDATION Craft Prize 2024 MINSUK CHO Architect and winner of the Golden Lion at the Venice Architecture Biennale 2014 FRIDA ESCOBEDO Essayist and architect NAOTO FUKASAWA Designer and Director, Japan Folk Crafts Museum, Tokyo OLIVIER GABET Director of the Decorative Art Department at the Louvre Museum, Paris SHEILA LOEWE (Chairwoman) President, LOEWE FOUNDATION MAGDALENE ODUNDO Ceramicist WANG SHU Architect and winner of the Pritzker Prize DEYAN SUDJIC Essayist and Director Emeritus, Design Museum, London ABRAHAM THOMAS Curator of Modern Architecture, Design and Decorative Arts, Metropolitan Museum of Art, New York PATRICIA URQUIOLA Architect and industrial designer ANATXU ZABALBEASCOA Architecture and Design Correspondent, El País The Expert Panel ANDREW BONACINA Independent curator ANTONIA BOSTRÖM Former Director of Collections, Victoria & Albert Museum, London HYEYOUNG CHO Chairwoman, Korea Association of Art and Design MICHELLE FISHER Curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston SARA FLYNN Ceramicist and LOEWE FOUNDATION Craft Prize 2017 finalist KEVIN GREY Metal artist and finalist of the LOEWE FOUNDATION Craft Prize 2024 WOLFGANG LÖSCHE Former Head of Exhibition and Fairs, Chamber of Skilled Trades, Munich IBRAHIM MAHAMA Mixed media artist JUHA MARTTILA Designer AYA OKI Glass artist and finalist of the LOEWE FOUNDATION Craft Prize 2024 ANATXU ZABALBEASCOA (Executive Secretary) Architecture and Design Correspondent, El País LOEWE 2025 CRAFT PRIZE JURY GROUP SHOOT CROPPED 2880 X1620 01 LOEWE 2025 CRAFT PRIZE JURY GROUP SHOOT CROPPED 2880 X1620 01 The jury ANDRÉS ANZA Winner of the LOEWE FOUNDATION Craft Prize 2024 MINSUK CHO Architect and winner of the Golden Lion at the Venice Architecture Biennale 2014 FRIDA ESCOBEDO Essayist and architect NAOTO FUKASAWA Designer and Director, Japan Folk Crafts Museum, Tokyo OLIVIER GABET Director of the Decorative Art Department at the Louvre Museum, Paris SHEILA LOEWE (Chairwoman) President, LOEWE FOUNDATION MAGDALENE ODUNDO Ceramicist WANG SHU Architect and winner of the Pritzker Prize DEYAN SUDJIC Essayist and Director Emeritus, Design Museum, London ABRAHAM THOMAS Curator of Modern Architecture, Design and Decorative Arts, Metropolitan Museum of Art, New York PATRICIA URQUIOLA Architect and industrial designer ANATXU ZABALBEASCOA Architecture and Design Correspondent, El País LOEWE 2025 CRAFT PRIZE JURY GROUP RGB 1800 X1198 00001 LOEWE 2025 CRAFT PRIZE JURY GROUP RGB 1800 X1198 00001 The Expert Panel ANDREW BONACINA Independent curator ANTONIA BOSTRÖM Former Director of Collections, Victoria & Albert Museum, London HYEYOUNG CHO Chairwoman, Korea Association of Art and Design MICHELLE FISHER Curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston SARA FLYNN Ceramicist and LOEWE FOUNDATION Craft Prize 2017 finalist KEVIN GREY Metal artist and finalist of the LOEWE FOUNDATION Craft Prize 2024 WOLFGANG LÖSCHE Former Head of Exhibition and Fairs, Chamber of Skilled Trades, Munich IBRAHIM MAHAMA Mixed media artist JUHA MARTTILA Designer AYA OKI Glass artist and finalist of the LOEWE FOUNDATION Craft Prize 2024 ANATXU ZABALBEASCOA (Executive Secretary) Architecture and Design Correspondent, El País LOEWE FOUNDATION The LOEWE FOUNDATION was established as a private cultural foundation in 1988 by Enrique Loewe Lynch, a fourth-generation member of LOEWE’s founding family. Today, under the direction of his daughter Sheila Loewe, the Foundation continues to promote creativity, organise educational programs and protect cultural heritage in the fields of craft, design, photography, poetry and dance. The Foundation was awarded the Gold Medal for Merit in the Fine Arts by the Spanish government in 2002. [ @LOEWEFOUNDATION ](https:\u002F\u002Fwww.blogfundacionloewe.es\u002Fen\u002F) LOEWE Created in Spain in 1846, LOEWE has a rich legacy of craftsmanship. Founded as a leather makers’ collective workshop, its specialised artisanal techniques and unique approach to design and manufacture has seen it evolve into one of the world’s major luxury houses. Over the past decade, the brand has started a new chapter, presenting itself to the world as a house focused on craft and culture; evidenced through an intellectual yet playful approach to fashion, a bold and vibrant Spanish lifestyle, and unmatched expertise with leather. These core values are reflected in the brand’s belief in the importance of craft in today’s culture, its modern interpretations of historical artistic achievements and its commitment to supporting contemporary art, craft, and culture around the world. CREDITS Photography Dan McMahon Estelle Hanania Video Estelle Hanania",{"id":1831,"height":37,"width":38,"blurhash":1832},"821ab6ff-a345-4193-aedd-b85c81bdabd8","radial-gradient(at 0 0,#e4e6e5,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#c2bfba,#00000000 50%),radial-gradient(at 100% 0,#7b7e77,#00000000 50%),radial-gradient(at 0 50%,#e7e7e7,#00000000 50%),radial-gradient(at 33% 50%,#ffffff,#00000000 50%),radial-gradient(at 67% 50%,#b7b5b8,#00000000 50%),radial-gradient(at 100% 50%,#5f5f62,#00000000 50%),radial-gradient(at 0 100%,#faf6f5,#00000000 50%),radial-gradient(at 33% 100%,#ffffff,#00000000 50%),radial-gradient(at 67% 100%,#dcdad6,#00000000 50%),radial-gradient(at 100% 100%,#aaa5a1,#00000000 50%)",{"id":1834,"height":42,"width":43,"blurhash":44},"6540d99f-b4c5-4fd7-959d-e4aac9a4cd66",[1836],{"languages_code":47,"description":1837},"The LOEWE FOUNDATION Craft Prize website serves as a sophisticated digital gallery and archive, dedicated to celebrating global excellence in contemporary craft. It provides an immersive platform for users to explore the works of shortlisted artisans, learn about the exhibition's history, and engage with the intricate details of individual masterpieces through high-fidelity imagery and curated storytelling.\n\nThe visual identity is defined by an uncompromising commitment to minimalism and high-end luxury. Utilizing expansive white space, bold typographic hierarchies, and a restrained color palette, the design allows the textures and forms of the artwork to remain the primary focus. The layout feels editorial and museum-grade, catering to an audience of art connoisseurs, designers, and cultural enthusiasts who value craftsmanship and aesthetic precision.",[51,52,53],[1840],"Giga",[],[265,1149,59,508],[1844,1845,1846,1847],{"score":74,"category":75},{"score":239,"category":65},{"score":175,"category":68},{"score":70,"category":71},[1849,1850,1851,1852],{"score":1276,"category":75},{"score":290,"category":65},{"score":175,"category":68},{"score":70,"category":71},[82,84,85],"Website: LOEWE FOUNDATION Craft Prize. Page: Exhibition. Page type: About Us \u002F Team. Page title: LOEWE FOUNDATION Craft Prize Exhibition. Page description: Experience the pinnacle of craft at the 2025 LOEWE FOUNDATION Craft Prize exhibition. View the works of exceptional artisans from around the world.. Page content: [ ](\u002F) 0.15 The LOEWE FOUNDATION Craft Prize Conceived in 2016, the annual LOEWE FOUNDATION Craft Prize celebrates excellence, artistic merit, and newness in modern craftsmanship. Emphasising the importance of craft in contemporary culture, it also honours LOEWE’s beginnings as a collective craft workshop in 1846. The eighth edition of the LOEWE FOUNDATION Craft Prize presents a plurality of artisanal excellence that explores new material and creative possibilities. Chosen by a panel of experts from over 4,600 submissions by artisans representing 133 countries and regions, the showcase of 30 finalists spans 18 countries and regions. An amalgamation of the palpable, the intuitive, and the time-worn, each of the finalists’ works reimagines tradition in ways that are playful and poignant. This year, each piece expresses a timely yearning for new models, systems, and sentiments. The result is a spirited expansion of craft that opens new multidisciplinary frontiers. Digital exhibition Explore 30 shortlisted works alongside information about the shortlisted artists and their processes, as well as exclusive studio tours. Thyssen-Bornemisza National Museum See the works in person at Thyssen-Bornemisza National Museum, 30 May – 29 June, 2025. LOEWE 2025 CRAFT PRIZE RGB CROPPED 4x5 HERO GROUP SHOOT 00003 LOEWE 2025 CRAFT PRIZE RGB CROPPED 4x5 HERO GROUP SHOOT 00005 LOEWE 2025 CRAFT PRIZE RGB CROPPED 4x5 HERO GROUP SHOOT 00006 1 \u002F 3 THYSSEN-BORNEMISZA NATIONAL MUSEUM The eighth edition of the LOEWE FOUNDATION Craft Prize will be shown at the Thyssen-Bornemisza National Museum and documented in an exhibition catalogue. Originally a private collection, the Thyssen-Bornemisza National Museum was acquired by the Spanish government in 1993 and houses one of the most important pictorial collections in the world. Gathered over seven decades, almost 900 works of art reflect the exquisite taste of Baron Heinrich Thyssen-Bornemisza (1875-1947), his son Baron Hans Heinrich Thyssen-Bornemisza (1921-2002), as well as contemporary works donated by Carmen Thyssen-Bornemisza. The Craft Prize sits comfortably inside this institution where movements, genres, and styles interlace with ease, honouring the museum’s ongoing efforts to expand access to art and culture. Address Thyssen-Bornemisza National Museum Paseo del Prado, 8 28014 Madrid Opening 30 May – 29 June, 2025 Monday: 12pm–4pm Tuesday to Friday and Sunday: 10am–7pm Saturday: 10am–11pm Free entry LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 1 1 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 1 1 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 2 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 2 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 3 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 3 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 8 LOEWE 2025 CRAFT PRIZE SPACE CAPTURE CROPPED 2250x3000 8 1 \u002F 4 Winner [ LOEWE 2025 CRAFT WINNER PIECE RGB CROPPED 4x5 LOEWE 2025 CRAFT WINNER PIECE RGB CROPPED 4x5 Kunimasa Aoki Realm of Living Things 19 2024 ](\u002Fartists\u002Fkunimasa-aoki) Special mention [ LOEWE 2025 CRAFT SM 1 PIECE RGB CROPPED 4x5 LOEWE 2025 CRAFT SM 1 PIECE RGB CROPPED 4x5 Studio Sumakshi Singh Monument 2024 ](\u002Fartists\u002Fstudio-sumakshi-singh) [ LOEWE 2025 CRAFT SM 2 PIECE RGB CROPPED 4x5 LOEWE 2025 CRAFT SM 2 PIECE RGB CROPPED 4x5 Nifemi Marcus-Bello TM Bench with Bowl 2023 ](\u002Fartists\u002Fnifemi-marcus-bello) The jury LOEWE 2025 CRAFT PRIZE JURY GROUP SHOOT CROPPED 2880 X1620 01 LOEWE 2025 CRAFT PRIZE JURY GROUP SHOOT CROPPED 2880 X1620 01 LOEWE 2025 CRAFT PRIZE JURY GROUP RGB 1800 X1198 00001 LOEWE 2025 CRAFT PRIZE JURY GROUP RGB 1800 X1198 00001 1 \u002F 2 The jury ANDRÉS ANZA Winner of the LOEWE FOUNDATION Craft Prize 2024 MINSUK CHO Architect and winner of the Golden Lion at the Venice Architecture Biennale 2014 FRIDA ESCOBEDO Essayist and architect NAOTO FUKASAWA Designer and Director, Japan Folk Crafts Museum, Tokyo OLIVIER GABET Director of the Decorative Art Department at the Louvre Museum, Paris SHEILA LOEWE (Chairwoman) President, LOEWE FOUNDATION MAGDALENE ODUNDO Ceramicist WANG SHU Architect and winner of the Pritzker Prize DEYAN SUDJIC Essayist and Director Emeritus, Design Museum, London ABRAHAM THOMAS Curator of Modern Architecture, Design and Decorative Arts, Metropolitan Museum of Art, New York PATRICIA URQUIOLA Architect and industrial designer ANATXU ZABALBEASCOA Architecture and Design Correspondent, El País The Expert Panel ANDREW BONACINA Independent curator ANTONIA BOSTRÖM Former Director of Collections, Victoria & Albert Museum, London HYEYOUNG CHO Chairwoman, Korea Association of Art and Design MICHELLE FISHER Curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston SARA FLYNN Ceramicist and LOEWE FOUNDATION Craft Prize 2017 finalist KEVIN GREY Metal artist and finalist of the LOEWE FOUNDATION Craft Prize 2024 WOLFGANG LÖSCHE Former Head of Exhibition and Fairs, Chamber of Skilled Trades, Munich IBRAHIM MAHAMA Mixed media artist JUHA MARTTILA Designer AYA OKI Glass artist and finalist of the LOEWE FOUNDATION Craft Prize 2024 ANATXU ZABALBEASCOA (Executive Secretary) Architecture and Design Correspondent, El País LOEWE 2025 CRAFT PRIZE JURY GROUP SHOOT CROPPED 2880 X1620 01 LOEWE 2025 CRAFT PRIZE JURY GROUP SHOOT CROPPED 2880 X1620 01 The jury ANDRÉS ANZA Winner of the LOEWE FOUNDATION Craft Prize 2024 MINSUK CHO Architect and winner of the Golden Lion at the Venice Architecture Biennale 2014 FRIDA ESCOBEDO Essayist and architect NAOTO FUKASAWA Designer and Director, Japan Folk Crafts Museum, Tokyo OLIVIER GABET Director of the Decorative Art Department at the Louvre Museum, Paris SHEILA LOEWE (Chairwoman) President, LOEWE FOUNDATION MAGDALENE ODUNDO Ceramicist WANG SHU Architect and winner of the Pritzker Prize DEYAN SUDJIC Essayist and Director Emeritus, Design Museum, London ABRAHAM THOMAS Curator of Modern Architecture, Design and Decorative Arts, Metropolitan Museum of Art, New York PATRICIA URQUIOLA Architect and industrial designer ANATXU ZABALBEASCOA Architecture and Design Correspondent, El País LOEWE 2025 CRAFT PRIZE JURY GROUP RGB 1800 X1198 00001 LOEWE 2025 CRAFT PRIZE JURY GROUP RGB 1800 X1198 00001 The Expert Panel ANDREW BONACINA Independent curator ANTONIA BOSTRÖM Former Director of Collections, Victoria & Albert Museum, London HYEYOUNG CHO Chairwoman, Korea Association of Art and Design MICHELLE FISHER Curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston SARA FLYNN Ceramicist and LOEWE FOUNDATION Craft Prize 2017 finalist KEVIN GREY Metal artist and finalist of the LOEWE FOUNDATION Craft Prize 2024 WOLFGANG LÖSCHE Former Head of Exhibition and Fairs, Chamber of Skilled Trades, Munich IBRAHIM MAHAMA Mixed media artist JUHA MARTTILA Designer AYA OKI Glass artist and finalist of the LOEWE FOUNDATION Craft Prize 2024 ANATXU ZABALBEASCOA (Executive Secretary) Architecture and Design Correspondent, El País LOEWE FOUNDATION The LOEWE FOUNDATION was established as a private cultural foundation in 1988 by Enrique Loewe Lynch, a fourth-generation member of LOEWE’s founding family. Today, under the direction of his daughter Sheila Loewe, the Foundation continues to promote creativity, organise educational programs and protect cultural heritage in the fields of craft, design, photography, poetry and dance. The Foundation was awarded the Gold Medal for Merit in the Fine Arts by the Spanish government in 2002. [ @LOEWEFOUNDATION ](https:\u002F\u002Fwww.blogfundacionloewe.es\u002Fen\u002F) LOEWE Created in Spain in 1846, LOEWE has a rich legacy of craftsmanship. Founded as a leather makers’ collective workshop, its specialised artisanal techniques and unique approach to design and manufacture has seen it evolve into one of the world’s major luxury houses. Over the past decade, the brand has started a new chapter, presenting itself to the world as a house focused on craft and culture; evidenced through an intellectual yet playful approach to fashion, a bold and vibrant Spanish lifestyle, and unmatched expertise with leather. These core values are reflected in the brand’s belief in the importance of craft in today’s culture, its modern interpretations of historical artistic achievements and its commitment to supporting contemporary art, craft, and culture around the world. CREDITS Photography Dan McMahon Estelle Hanania Video Estelle Hanania. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. Designed and developed by Giga. The overall color palette features White, Black, Gray. Built using Node.js, Nuxt.js, reCAPTCHA, Vue.js. AI description: The LOEWE FOUNDATION Craft Prize website serves as a sophisticated digital gallery and archive, dedicated to celebrating global excellence in contemporary craft. It provides an immersive platform for users to explore the works of shortlisted artisans, learn about the exhibition's history, and engage with the intricate details of individual masterpieces through high-fidelity imagery and curated storytelling. The visual identity is defined by an uncompromising commitment to minimalism and high-end luxury. Utilizing expansive white space, bold typographic hierarchies, and a restrained color palette, the design allows the textures and forms of the artwork to remain the primary focus. The layout feels editorial and museum-grade, catering to an audience of art connoisseurs, designers, and cultural enthusiasts who value craftsmanship and aesthetic precision.",{"id":1856,"website_id":1857,"page_id":1856,"name":1858,"slug":1859,"url":1860,"website_name":1858,"website_slug":1859,"website_url":1861,"result_url":1860,"fetched_at":1862,"score":173,"score_boost":25,"ai_score":26,"freshness_score":531,"scored_at":1863,"page_name":97,"page_url":1860,"page_title":1864,"page_description":1865,"page_content":1866,"page_sort":151,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1867,"cover_mobile":1870,"cover_sequence":44,"translations":1872,"industry":626,"styles":1875,"credits":1876,"font_families":1877,"technologies":1878,"pagespeed":1879,"pagespeed_mobile":1885,"buckets":1890,"search_payload":1891},"a2a63c82-dd0c-4308-8b51-fb9253bbec3c","dec2f163-08e8-439b-ba6e-ecbbff01416c","Giant Owl","giant-owl","https:\u002F\u002Fgiantowl.co.uk\u002Fabout","https:\u002F\u002Fgiantowl.co.uk","2026-05-05T16:37:18.000Z","2026-05-23T19:18:01.000Z","Giant Owl - About","We are a collaborative group of creatives who are passionate and meticulous about what we do. We take great care in looking after each and every project, down to the last frame.","About We are a collaborative group of creatives who are passionate and meticulous about what we do. We take great care in looking after each and every project, down to the last frame. - Work - About - Careers - Contact About - Work - About - Careers - Contact We are a collaborative collaborative group of creatives who are passionate passionate and meticulous meticulous about what we do. We take great care in looking after each and every project, down to the last frame. Services AV \u002F CONTENT Trailers. TV Spots. Creative Editorial. Sizzle Reels. Music Composition. Sound Design. Featurettes. Behind the Scenes. Social First. VISUAL DESIGN 2D\u002F3D Animation. Motion Graphics. Key Art. Logos. Title Treatments. Title Sequences. Motion Graphics. Visual Effects PRE & POST Concept Creation. Live-Action Production. Stills Production. Edit. Sound Design. Stereo Mix. 5.1. Finishing. Beauty. Colour. Clients",{"id":1868,"height":37,"width":38,"blurhash":1869},"7b5c38b7-0cab-4562-a961-c7c231e18414","radial-gradient(at 0 0,#f8f9f9,#00000000 50%),radial-gradient(at 33% 0,#f4f4f4,#00000000 50%),radial-gradient(at 67% 0,#f2f3f3,#00000000 50%),radial-gradient(at 100% 0,#f6f7f7,#00000000 50%),radial-gradient(at 0 50%,#dedfdf,#00000000 50%),radial-gradient(at 33% 50%,#dedfdf,#00000000 50%),radial-gradient(at 67% 50%,#dbdcdc,#00000000 50%),radial-gradient(at 100% 50%,#dfe0e0,#00000000 50%),radial-gradient(at 0 100%,#e1e2e2,#00000000 50%),radial-gradient(at 33% 100%,#e0e1e1,#00000000 50%),radial-gradient(at 67% 100%,#e0e1e1,#00000000 50%),radial-gradient(at 100% 100%,#e3e4e4,#00000000 50%)",{"id":1871,"height":42,"width":43,"blurhash":44},"b1015dab-642e-4fe4-8f9f-694b08e2892a",[1873],{"languages_code":47,"description":1874},"Giant Owl is a high-end creative production studio specializing in cinematic visual storytelling. By positioning themselves as a collaborative collective of meticulous artists, they cater to major entertainment players like Disney and FX, offering premium post-production and creative services that emphasize detail and frame-by-frame excellence.\n\nThe visual identity is defined by a bold, cinematic approach that uses immersive, full-bleed video imagery to immediately establish authority. The design language is unapologetically typographic, utilizing massive, heavy sans-serif headings that command attention and create a sense of scale. This minimalist yet impactful aesthetic allows the studio's high-caliber work to remain the primary focus, signaling a sophisticated and modern brand presence.",[51,53],[],[],[265,1149,508],[1880,1882,1883,1884],{"score":1881,"category":75},56,{"score":390,"category":65},{"score":70,"category":68},{"score":70,"category":71},[1886,1887,1888,1889],{"score":24,"category":75},{"score":64,"category":65},{"score":70,"category":68},{"score":70,"category":71},[84,82,83,85],"Website: Giant Owl. Page: About. Page type: About Us \u002F Team. Page title: Giant Owl - About. Page description: We are a collaborative group of creatives who are passionate and meticulous about what we do. We take great care in looking after each and every project, down to the last frame.. Page content: About We are a collaborative group of creatives who are passionate and meticulous about what we do. We take great care in looking after each and every project, down to the last frame. - Work - About - Careers - Contact About - Work - About - Careers - Contact We are a collaborative collaborative group of creatives who are passionate passionate and meticulous meticulous about what we do. We take great care in looking after each and every project, down to the last frame. Services AV \u002F CONTENT Trailers. TV Spots. Creative Editorial. Sizzle Reels. Music Composition. Sound Design. Featurettes. Behind the Scenes. Social First. VISUAL DESIGN 2D\u002F3D Animation. Motion Graphics. Key Art. Logos. Title Treatments. Title Sequences. Motion Graphics. Visual Effects PRE & POST Concept Creation. Live-Action Production. Stills Production. Edit. Sound Design. Stereo Mix. 5.1. Finishing. Beauty. Colour. Clients. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Photography & Video industry. The overall color palette features Black, White, Brown, Gray. Built using Node.js, Nuxt.js, Vue.js. AI description: Giant Owl is a high-end creative production studio specializing in cinematic visual storytelling. By positioning themselves as a collaborative collective of meticulous artists, they cater to major entertainment players like Disney and FX, offering premium post-production and creative services that emphasize detail and frame-by-frame excellence. The visual identity is defined by a bold, cinematic approach that uses immersive, full-bleed video imagery to immediately establish authority. The design language is unapologetically typographic, utilizing massive, heavy sans-serif headings that command attention and create a sense of scale. This minimalist yet impactful aesthetic allows the studio's high-caliber work to remain the primary focus, signaling a sophisticated and modern brand presence.",{"id":1893,"website_id":1894,"page_id":1893,"name":1895,"slug":1896,"url":1897,"website_name":1895,"website_slug":1896,"website_url":1898,"result_url":1897,"fetched_at":1899,"score":173,"score_boost":25,"ai_score":26,"freshness_score":531,"scored_at":1900,"page_name":1373,"page_url":1897,"page_title":1901,"page_description":1902,"page_content":1903,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1904,"cover_mobile":1907,"cover_sequence":44,"translations":1909,"industry":304,"styles":1912,"credits":1913,"font_families":1914,"technologies":1917,"pagespeed":1919,"pagespeed_mobile":1926,"buckets":1931,"search_payload":1932},"56c516b9-1abf-4854-a91d-4735bc8f1239","dd3e6b6f-331c-43c9-8870-d52e9f472472","Max Siedentopf","maxsiedentopf","https:\u002F\u002Fmaxsiedentopf.com\u002Fabout","https:\u002F\u002Fmaxsiedentopf.com\u002Fwork","2026-05-05T15:51:11.000Z","2026-05-23T19:10:00.000Z","MAX SIEDENTOPF — BIOGRAPHY","Max Siedentopf (1991) is a Namibian-German artist, photographer, director and publisher. Max grew up in Windhoek, Namibia and continued to work in Berlin, Los Angeles and Amsterdam. He is currently based in London.","[ MAX SIEDENTOPF ](https:\u002F\u002Fmaxsiedentopf.com) - MAX SIEDENTOPF - ARTWORKS - BIOGRAPHY - CONTACT - MAX SIEDENTOPF - ARTWORKS - BIOGRAPHY - CONTACT MAX SIEDENTOPF Max Siedentopf (1991) is a multi-disciplinary conceptual artist and Emmy-award winning director working across video, photography, sculpture, creative direction and everything in-between and is the founder of the art publication ORDINARY. From 2013 - 2020 Max Siedentopf has been creative director of the _'legendary and unorthodox'_ creative agency KesselsKramer, which was founded in 1996 by the dutch artist Erik Kessels, and is the only one that has worked at all three offices and becoming the youngest partner at the age of 25. Over the past 6 years Siedentopf has been a key creative collaborator of the Italian fashion house Gucci, developing campaigns, the overall brand image and launching special projects such as Gucci's experimental platform Gucci Vault where he was responsible for the naming and overall creative art direction from digital, campaigns to retail spaces. Max has been described by Vogue Italy as viral artist and his installation _Toto Forever_ was included in artnet’s _'10 Extraordinary Artworks You Need to Travel to the Edge of the World to See'_ next to _‘Prada Marfa’_ by Elmgreen & Dragset’s, _‘Yellow Pumpkin’_ by Yayoi Kusama’s and _‘Notre Dame du Haut’_ by Le Corbusier’s. In June 2019, Siedentopf starred in the music video for _'Mine Right Now'_, a song by Norwegian singer Sigrid Max was supposed to direct. This was due to Sigrid’s flight being cancelled, the singer therefore being unable to appear in the video herself. In 2023 Max won an Emmy Award. Next to this he is the founder of Ordinary Magazine which was nominated for Magazine Of The Year, Best Art Direction and Best use of Photography by the Stack Awards. His Gommi 'Psychosis' music video he was awarded the 'Most Bizarre Video' at the Berlin Music Video Awards and was also nominated Best New Director at the UKMVAs. In 2021 Siedentopf won the Impression Award for best digital fashion campaign for his GUCCI ‘#ACCIDENTALINFLUENCER’ SPRING 2020 campaign. In 2023 the European commission of Friends Of Europe has nominated Max among 46 young European talents under 40 to represent Germanyto discuss and find new solution sfor current and future European and international challenges to create a more positive world for the next generations. ENQUIRIES maxsiedentopf@gmail.com INSTAGRAM @maxsiedentopf SELECTED CLIENTS Apple, Adidas, Angus Chiang, arte, Axel Arigato, Balenciaga, BBC, Bimba y Lola, Boucheron, David Yurman, Double J, Dropbox, Fairphone, Fila, Frans Hals Museum, Ginori 1735, Google, Gucci, Gucci Beauty, Gucci Osteria, Greenpeace, Happy Socks, Hermès, Hinge, Jacquemus, KaDeWe, Kraken, MLB (Major League Baseball), MVRDV, Museum Of Contempary Art Los Angeles (MOCA), Museum Of London, Nickelodeon, Nike, NEMO Science Museum, NRW-FORUM Düsseldorf, Nike Italy, Palace Skateboards, Parco, Polaroid, SZ Magazin, San Pellegrino, Rimac, Rimowa, Selfridges, Swarovski, TikTok, Triennale Di Milano, Vans, Veja, VF CORP Global Innovation, Vogue, VooStore Berlin, ZEIT SELECTED EXHIBITIONS 2024 *_Zeitgeist_, solo exhibition, Weserhalle Gallery, Berlin, DE_Home Sweet Home_, solo exhibition, Lisbon, PT_Dancing Plates - Salon del Mobile_, Palazzo Belgioso, Milan, IT _Joke Shop_, Selfridges, London, UK 2022 _Don't Worry, Be Happy_, Berlin Art Week, Soho House, Berlin, DE_Subversive Design_, NRW-FORUM Düsseldorf, Düsseldorf, DE 2021 _Misa Discoveries_, König Galerie, Berlin, DE _Lachen,_ Museum Villa Rot, Rot, DE _Messe In St. Agnes_, König Gallerie, Berlin, DE _BUMS_, Dio Horia, Mykonos, GR _Paintings League_, Galerie Kernweine, Stuttgart, DE _Ever Seen, Never Seen_, Akkurat Labs, Berlin, DE _19 Chairs_, Protein Studios, London, GB _Banho de Prata_, A Drogaria, Porto, PT 2020 _Possibility of Life_, Taipei Photography Festival, Taipei, TW _Home Alone_, Tiff Festival, Wroclaw, PL 2019 _Use Me Abuse Me_, KK Outlet, London, GB _Happy Birthday to the Recontres!_, Arles Les Rencontres De La Photographie, Arles, FR _Stock im Arsch_, Galerie Kernweine, Stuttgart, DE 2018 _Welcome To Düsseldorf_, Düsseldorf Photo, Düsseldorf, DE 58th Krakow Film Festival, Kraków, PL Milano Photo Week 2018, Milan, IT _Spaß Haben_, Autostadt, Wolfsburg, DE _Why so serious?_, Hotel Brillantengrund, Vienna, AU 2017 _ORDINARY_, Photoville, New York, US 57th Krakow Film Festival, Kraków, PL Chongqing International Festival, Chongqing, CN _Wish You Were Here Vol. 3_, Los Angeles Month of Photography, Los Angeles, US LA Art Show, Los Angeles, US _Ones To Watch_, It’s Nice That, London, GB 2016 _ORDINARY_, KK Outlet, London, GB Lianzhou Foto Festival, Lianzhou, CN _All Inclusive_, HVW8 Galerie, Berlin, DE _Reproduced Paradise_, Villa Váncza, Budapest, HU _Horribly Happy Holidays_, ENA Viewing Space, Budapest, HU _Fiat Lux_, Festival Images Vevey, Vevey, CH _30cm x 30cm_, Galerie Pouloeuff, Naarden, NL Mandarin Plaza’s Moon Festival, Los Angeles, US _21st Century. Design After Design._, XXI Triennale International Exhibition, Milan, IT _Modern Love_, KK Outlet, London, GB SELECTED TALKS 2024 Forward Festival, Berlin, DE 2022 In conversation with SLEEK Magazine at Soho House, Berlin Art Week, Berlin, DE 2021 Forward Festival, Berlin, DE Off Festival, online event 2020 Melba Design Festival, Sophia, BG Forward Festival, Vienna, AU MagCulture Live, online event ADC Festival, Hamburg, DE 2019 Forward Festival, Munich, DE Forward Festival, Hamburg, DE 2018 IT’S NICE THAT’S NICER TUESDAYS, London, GB Modmag, London, GB SELECTED PUBLICATIONS 2025 THE FASIONOGRAPHY | _Gentle Monster Show “More Is More” at HAUS NOWHERE_ HYPEBEAST | _Max Siedentopf and Gentle Monster's HAUS NOWHERE Unveils \"More Is More\"_ VOGUE US | _Miu Miu’s Wander and Arcadie Open Up About Their Love of Literature_ BERLINER MORGENPOST | _Plan mit Panne: Max Siedentopf in der Weserhalle_ 2024 BORED PANDA | _Artist Uses Hyperrealistic Sculptures To Explore Society Through Absurdity_THE INSPIRATION GRID | _Democracy & Other Hyper-Realistic Sculptures by Max Siedentopf_ VOGUE | _All The Fashion Highlights From Milan Design Week 2024_ AD | _The Salone Del Mobile 2024 Has Begun: What You Should Know About The Most Important International Design Fair_ AD | _These 13 Young German Creatives Should Be on Your Style Radar Now!_ ELLE DECOR | _Cosa Vedere Al Fuorisalone Venerdì 19 Aprile 2024_ VISLA MAGAZINE | _Parco 2024: Believe It or Not!_ DEZEEN | _Selfridges Launches The Joke Shop With Playful Slapstick Generator Artwork_ CREATIVE VIEW | _Selfridges Puts a Stylish Spin on The Classic Joke Shop_ 2023 COLOSSAL | _Vibrant Makeup Mirrors Sweet Frozen Treats in Max Siedentopf' Pleasure Portraits_ PH MUSEUM | _A Guide to February 2023 Photo Awards & Opportunities_ CREAPILLS | _Le Photographe Max Siedentopf Associe Les Glaces à Des Maquillages Créatifs_ VMAGAZINE | _Gucci Marks a New Dawn in Their Latest Year of The Rabbit Campaign_ OLD SKULL | _Los Retratos de Placer Del Artista Conceptual Max Siedentopf_ WALLPAPER | _Fall Down The Rabbit Hole With Gucci's Lunar New Year Watches_ ANOTHER | _Brilliant Things to Buy For The Year of The Rabbit_ 2022* YAHOO FINANCE | _TK Maxx unveils its 2022 Christmas advert_Campaign UK | _TK Maxx Releases biggest Christmas Campaign to Date_AW | _High Five! TK Maxx Shopper Celebrated in Style in Its Christmas Campaign_LBD | _TK Maxx Nails Christmas with a Festive High Five-Worthy Campaign from W+K London_VOGUE NL | _De Nieuwe Palace Gucci-Collectie is Het Ultieme Mode-Experiment_VOGUE FR | _Palace Gucci: Tout Ce Qu'il Faut Savoir Sur La Collection Star Du Moment_ THE IMPRESSION | _Gucci x Palace Fall 2022 Ad Campaign_HYPEBEAST ZH | _First Look At The Latest Gucci x Palace Skateboards Collection_I-D ITALY | _Moncler Maya 70 by Palm Angels, La Collezione Palace Gucci e Altre Novità Dal Mondo Della Moda_WWD | _Gucci and Palace Team Up for High-low, Logo-heavy Collaboration for Vault_[COMPLEX | _Gucci and Palace Skateboards Dropping Collab Coll …",{"id":1905,"height":37,"width":38,"blurhash":1906},"aa25eb3d-6f5c-4775-b301-9ed308a2abc9","radial-gradient(at 0 0,#e5e5e5,#00000000 50%),radial-gradient(at 33% 0,#dcdcdc,#00000000 50%),radial-gradient(at 67% 0,#d5d5d5,#00000000 50%),radial-gradient(at 100% 0,#e1e1e1,#00000000 50%),radial-gradient(at 0 50%,#eaeaea,#00000000 50%),radial-gradient(at 33% 50%,#e8e8e8,#00000000 50%),radial-gradient(at 67% 50%,#ebebeb,#00000000 50%),radial-gradient(at 100% 50%,#eeeeee,#00000000 50%),radial-gradient(at 0 100%,#e8e8e8,#00000000 50%),radial-gradient(at 33% 100%,#e6e6e6,#00000000 50%),radial-gradient(at 67% 100%,#e8e8e8,#00000000 50%),radial-gradient(at 100% 100%,#eaeaea,#00000000 50%)",{"id":1908,"height":42,"width":43,"blurhash":44},"efb8e1d1-c0a0-486c-a9eb-e085c4987b45",[1910],{"languages_code":47,"description":1911},"Max Siedentopf’s digital portfolio serves as a high-impact visual archive for a multidisciplinary artist whose work spans photography, sculpture, film, and publishing. The site functions as a curated gallery, presenting a diverse body of work that ranges from high-fashion campaigns for brands like Gucci and Rimowa to surrealist interventions and conceptual art. It is designed to showcase the artist's unique ability to blend commercial polish with avant-garde, often absurdist, creative vision.\n\nThe visual identity is defined by a bold, unapologetic typographic hierarchy and a minimalist, grid-based layout that allows the imagery to command total attention. Utilizing heavy, condensed sans-serif typefaces for navigation and headings, the design leans into a contemporary brutalist aesthetic. The clean white space and structured masonry grid provide a sophisticated framework that elevates the eclectic and often surreal nature of the photographic and sculptural content, appealing to a high-end audience of curators, fashion directors, and art collectors.",[496,51,53],[],[116,1761,1024,1915,1024,1916],"Futura","Helvetica",[118,120,1918,168],"Swiper",[1920,1922,1923,1925],{"score":1921,"category":75},80,{"score":635,"category":65},{"score":1924,"category":68},69,{"score":67,"category":71},[1927,1928,1929,1930],{"score":531,"category":75},{"score":635,"category":65},{"score":67,"category":68},{"score":67,"category":71},[82,84,85,83],"Website: Max Siedentopf. Page: Biography. Page type: About Us \u002F Team. Page title: MAX SIEDENTOPF — BIOGRAPHY. Page description: Max Siedentopf (1991) is a Namibian-German artist, photographer, director and publisher. Max grew up in Windhoek, Namibia and continued to work in Berlin, Los Angeles and Amsterdam. He is currently based in London.. Page content: [ MAX SIEDENTOPF ](https:\u002F\u002Fmaxsiedentopf.com) - MAX SIEDENTOPF - ARTWORKS - BIOGRAPHY - CONTACT - MAX SIEDENTOPF - ARTWORKS - BIOGRAPHY - CONTACT MAX SIEDENTOPF Max Siedentopf (1991) is a multi-disciplinary conceptual artist and Emmy-award winning director working across video, photography, sculpture, creative direction and everything in-between and is the founder of the art publication ORDINARY. From 2013 - 2020 Max Siedentopf has been creative director of the _'legendary and unorthodox'_ creative agency KesselsKramer, which was founded in 1996 by the dutch artist Erik Kessels, and is the only one that has worked at all three offices and becoming the youngest partner at the age of 25. Over the past 6 years Siedentopf has been a key creative collaborator of the Italian fashion house Gucci, developing campaigns, the overall brand image and launching special projects such as Gucci's experimental platform Gucci Vault where he was responsible for the naming and overall creative art direction from digital, campaigns to retail spaces. Max has been described by Vogue Italy as viral artist and his installation _Toto Forever_ was included in artnet’s _'10 Extraordinary Artworks You Need to Travel to the Edge of the World to See'_ next to _‘Prada Marfa’_ by Elmgreen & Dragset’s, _‘Yellow Pumpkin’_ by Yayoi Kusama’s and _‘Notre Dame du Haut’_ by Le Corbusier’s. In June 2019, Siedentopf starred in the music video for _'Mine Right Now'_, a song by Norwegian singer Sigrid Max was supposed to direct. This was due to Sigrid’s flight being cancelled, the singer therefore being unable to appear in the video herself. In 2023 Max won an Emmy Award. Next to this he is the founder of Ordinary Magazine which was nominated for Magazine Of The Year, Best Art Direction and Best use of Photography by the Stack Awards. His Gommi 'Psychosis' music video he was awarded the 'Most Bizarre Video' at the Berlin Music Video Awards and was also nominated Best New Director at the UKMVAs. In 2021 Siedentopf won the Impression Award for best digital fashion campaign for his GUCCI ‘#ACCIDENTALINFLUENCER’ SPRING 2020 campaign. In 2023 the European commission of Friends Of Europe has nominated Max among 46 young European talents under 40 to represent Germanyto discuss and find new solution sfor current and future European and international challenges to create a more positive world for the next generations. ENQUIRIES maxsiedentopf@gmail.com INSTAGRAM @maxsiedentopf SELECTED CLIENTS Apple, Adidas, Angus Chiang, arte, Axel Arigato, Balenciaga, BBC, Bimba y Lola, Boucheron, David Yurman, Double J, Dropbox, Fairphone, Fila, Frans Hals Museum, Ginori 1735, Google, Gucci, Gucci Beauty, Gucci Osteria, Greenpeace, Happy Socks, Hermès, Hinge, Jacquemus, KaDeWe, Kraken, MLB (Major League Baseball), MVRDV, Museum Of Contempary Art Los Angeles (MOCA), Museum Of London, Nickelodeon, Nike, NEMO Science Museum, NRW-FORUM Düsseldorf, Nike Italy, Palace Skateboards, Parco, Polaroid, SZ Magazin, San Pellegrino, Rimac, Rimowa, Selfridges, Swarovski, TikTok, Triennale Di Milano, Vans, Veja, VF CORP Global Innovation, Vogue, VooStore Berlin, ZEIT SELECTED EXHIBITIONS 2024 *_Zeitgeist_, solo exhibition, Weserhalle Gallery, Berlin, DE_Home Sweet Home_, solo exhibition, Lisbon, PT_Dancing Plates - Salon del Mobile_, Palazzo Belgioso, Milan, IT _Joke Shop_, Selfridges, London, UK 2022 _Don't Worry, Be Happy_, Berlin Art Week, Soho House, Berlin, DE_Subversive Design_, NRW-FORUM Düsseldorf, Düsseldorf, DE 2021 _Misa Discoveries_, König Galerie, Berlin, DE _Lachen,_ Museum Villa Rot, Rot, DE _Messe In St. Agnes_, König Gallerie, Berlin, DE _BUMS_, Dio Horia, Mykonos, GR _Paintings League_, Galerie Kernweine, Stuttgart, DE _Ever Seen, Never Seen_, Akkurat Labs, Berlin, DE _19 Chairs_, Protein Studios, London, GB _Banho de Prata_, A Drogaria, Porto, PT 2020 _Possibility of Life_, Taipei Photography Festival, Taipei, TW _Home Alone_, Tiff Festival, Wroclaw, PL 2019 _Use Me Abuse Me_, KK Outlet, London, GB _Happy Birthday to the Recontres!_, Arles Les Rencontres De La Photographie, Arles, FR _Stock im Arsch_, Galerie Kernweine, Stuttgart, DE 2018 _Welcome To Düsseldorf_, Düsseldorf Photo, Düsseldorf, DE 58th Krakow Film Festival, Kraków, PL Milano Photo Week 2018, Milan, IT _Spaß Haben_, Autostadt, Wolfsburg, DE _Why so serious?_, Hotel Brillantengrund, Vienna, AU 2017 _ORDINARY_, Photoville, New York, US 57th Krakow Film Festival, Kraków, PL Chongqing International Festival, Chongqing, CN _Wish You Were Here Vol. 3_, Los Angeles Month of Photography, Los Angeles, US LA Art Show, Los Angeles, US _Ones To Watch_, It’s Nice That, London, GB 2016 _ORDINARY_, KK Outlet, London, GB Lianzhou Foto Festival, Lianzhou, CN _All Inclusive_, HVW8 Galerie, Berlin, DE _Reproduced Paradise_, Villa Váncza, Budapest, HU _Horribly Happy Holidays_, ENA Viewing Space, Budapest, HU _Fiat Lux_, Festival Images Vevey, Vevey, CH _30cm x 30cm_, Galerie Pouloeuff, Naarden, NL Mandarin Plaza’s Moon Festival, Los Angeles, US _21st Century. Design After Design._, XXI Triennale International Exhibition, Milan, IT _Modern Love_, KK Outlet, London, GB SELECTED TALKS 2024 Forward Festival, Berlin, DE 2022 In conversation with SLEEK Magazine at Soho House, Berlin Art Week, Berlin, DE 2021 Forward Festival, Berlin, DE Off Festival, online event 2020 Melba Design Festival, Sophia, BG Forward Festival, Vienna, AU MagCulture Live, online event ADC Festival, Hamburg, DE 2019 Forward Festival, Munich, DE Forward Festival, Hamburg, DE 2018 IT’S NICE THAT’S NICER TUESDAYS, London, GB Modmag, London, GB SELECTED PUBLICATIONS 2025 THE FASIONOGRAPHY | _Gentle Monster Show “More Is More” at HAUS NOWHERE_ HYPEBEAST | _Max Siedentopf and Gentle Monster's HAUS NOWHERE Unveils \"More Is More\"_ VOGUE US | _Miu Miu’s Wander and Arcadie Open Up About Their Love of Literature_ BERLINER MORGENPOST | _Plan mit Panne: Max Siedentopf in der Weserhalle_ 2024 BORED PANDA | _Artist Uses Hyperrealistic Sculptures To Explore Society Through Absurdity_THE INSPIRATION GRID | _Democracy & Other Hyper-Realistic Sculptures by Max Siedentopf_ VOGUE | _All The Fashion Highlights From Milan Design Week 2024_ AD | _The Salone Del Mobile 2024 Has Begun: What You Should Know About The Most Important International Design Fair_ AD | _These 13 Young German Creatives Should Be on Your Style Radar Now!_ ELLE DECOR | _Cosa Vedere Al Fuorisalone Venerdì 19 Aprile 2024_ VISLA MAGAZINE | _Parco 2024: Believe It or Not!_ DEZEEN | _Selfridges Launches The Joke Shop With Playful Slapstick Generator Artwork_ CREATIVE VIEW | _Selfridges Puts a Stylish Spin on The Classic Joke Shop_ 2023 COLOSSAL | _Vibrant Makeup Mirrors Sweet Frozen Treats in Max Siedentopf' Pleasure Portraits_ PH MUSEUM | _A Guide to February 2023 Photo Awards & Opportunities_ CREAPILLS | _Le Photographe Max Siedentopf Associe Les Glaces à Des Maquillages Créatifs_ VMAGAZINE | _Gucci Marks a New Dawn in Their Latest Year of The Rabbit Campaign_ OLD SKULL | _Los Retratos de Placer Del Artista Conceptual Max Siedentopf_ WALLPAPER | _Fall Down The Rabbit Hole With Gucci's Lunar New Year Watches_ ANOTHER | _Brilliant Things to Buy For The Year of The Rabbit_ 2022* YAHOO FINANCE | _TK Maxx unveils its 2022 Christmas advert_Campaign UK | _TK Maxx Releases biggest Christmas Campaign to Date_AW | _High Five! TK Maxx Shopper Celebrated in Style in Its Christmas Campaign_LBD | _TK Maxx Nails Christmas with a Festive High Five-Worthy Campaign from W+K London_VOGUE NL | _De Nieuwe Palace Gucci-Collectie is Het Ultieme Mode-Experiment_VOGUE FR | _Palace Gucci: Tout Ce Qu'il Faut Savoir Sur La Collection Star Du Moment_ THE IMPRESSION | _Gucci x Palace Fall 2022 Ad Campaign_HYPEBEAST ZH | _First Look At The Latest Gucci x Palace Skateboards Collection_I-D ITALY | _Moncler Maya 70 by Palm Angels, La Collezione Palace Gucci e Altre Novità Dal Mondo Della Moda_WWD | _Gucci and Palace Team Up for High-low, Logo-heavy Collaboration for Vault_[COMPLEX | _Gucci and Palace Skateboards Dropping Collab Coll …. A Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray, Brown. The typography features Times New Roman (Serif), Favorit (Sans Serif, Dinamo), Helvetica Neue (Sans Serif), Futura (Sans Serif), Helvetica Neue (Sans Serif), Helvetica (Sans Serif). Built using jQuery, PHP, Swiper, WordPress. AI description: Max Siedentopf’s digital portfolio serves as a high-impact visual archive for a multidisciplinary artist whose work spans photography, sculpture, film, and publishing. The site functions as a curated gallery, presenting a diverse body of work that ranges from high-fashion campaigns for brands like Gucci and Rimowa to surrealist interventions and conceptual art. It is designed to showcase the artist's unique ability to blend commercial polish with avant-garde, often absurdist, creative vision. The visual identity is defined by a bold, unapologetic typographic hierarchy and a minimalist, grid-based layout that allows the imagery to command total attention. Utilizing heavy, condensed sans-serif typefaces for navigation and headings, the design leans into a contemporary brutalist aesthetic. The clean white space and structured masonry grid provide a sophisticated framework that elevates the eclectic and often surreal nature of the photographic and sculptural content, appealing to a high-end audience of curators, fashion directors, and art collectors.",{"id":1934,"website_id":1935,"page_id":1934,"name":1936,"slug":1937,"url":1938,"website_name":1936,"website_slug":1937,"website_url":1939,"result_url":1938,"fetched_at":1940,"score":173,"score_boost":25,"ai_score":290,"freshness_score":531,"scored_at":1941,"page_name":8,"page_url":1938,"page_title":1942,"page_description":1943,"page_content":1944,"page_sort":32,"is_home":33,"is_home_rank":25,"page_type_id":34,"page_type_name":6,"cover":1945,"cover_mobile":1948,"cover_sequence":44,"translations":1950,"industry":1184,"styles":1953,"credits":1954,"font_families":1955,"technologies":1957,"pagespeed":1958,"pagespeed_mobile":1963,"buckets":1969,"search_payload":1970},"eedca669-43b8-4581-868f-bc9d002291f6","dad6f2f7-b897-41b2-b261-8bc5402b6cfc","Vollebak","vollebak","https:\u002F\u002Fvollebak.com\u002Fen-us\u002Fpages\u002Fabout-us","https:\u002F\u002Fvollebak.com","2026-05-05T15:15:06.000Z","2026-05-23T19:24:46.000Z","About Us | Vollebak","We design clothes for the next century, not the next season In every industry there’s someone building the future, whether it’s technology, architecture, food, cars or space rockets. In clothing it’s us. Founded by Nick and Steve Tidball, we use science and technology to create clothes from the future.","We design clothes for the next century, not the next season In every industry there’s someone building the future, whether it’s technology, architecture, food, cars or space rockets. In clothing it’s us. Founded by twin brothers, designers and athletes Nick and Steve Tidball, we use science and technology to create clothes from the future. Startups normally begin with two kids in a garage with a dream But we were two guys in a desert. On a really long run. And that’s where the idea for Vollebak first started – running through the Amazon, Alps and Namib desert. While surviving heatstroke, broken bones, bullet ants, hallucinations, angry snakes, tarantulas, and falling asleep while running, we wondered couldn’t the clothes we were wearing do a bit more to help? What if they could help you sleep, or at least relax? Or light you up at night? Or keep you alive? And while we’re at it, what are we going to be wearing to keep us alive on Mars? Vollebak Spaceshop: Behind the scenes documentary Part spaceship, part shop, the Vollebak Spaceshop offers a glimpse into a future of interplanetary kit deliveries between Earth, the Moon and Mars. We designed and built the prototype craft with the help of SAGA Space Architects whose work you’ll find on the International Space Station, and Bang & Olufsen – which is why it feels like you’re standing in front of a sonic boom. After leaving Copenhagen, it heads off on a tour of Earth …before one day servicing nearby galaxies. And this film is the story of how we built it. Watch the full film on YouTube June 2025, in a galaxy far, far away (Copenhagen) we launched the Vollebak Spaceshop. Luckily, Jonathan Bell from Wallpaper\\ was on hand to tell the story behind it Read the story in Wallpaper\\ See how we’re using material technology to build the future. Today we work with the most advanced materials in the world. Some started their life at NASA. Others started their life in nature. Read more A short history of how we’ve been building the future From the invisibility cloaks and Indestructible Hoodies of today, to the Relaxation Hoodies that started our journey, this is the story of where we’ve been. See the Vollebak Timeline “What the world needs now is gear for Mars.” When journalist and author Tom Vanderbilt decided to write the story of Vollebak for Outside magazine, the first thing we decided to do was throw him out of a helicopter. Read the story in Outside",{"id":1946,"height":37,"width":38,"blurhash":1947},"62f82713-4794-43ee-abc9-1895d0ea304f","radial-gradient(at 0 0,#969496,#00000000 50%),radial-gradient(at 33% 0,#a2a1a3,#00000000 50%),radial-gradient(at 67% 0,#94979a,#00000000 50%),radial-gradient(at 100% 0,#8f9092,#00000000 50%),radial-gradient(at 0 50%,#504048,#00000000 50%),radial-gradient(at 33% 50%,#91888b,#00000000 50%),radial-gradient(at 67% 50%,#a49a9c,#00000000 50%),radial-gradient(at 100% 50%,#796d6f,#00000000 50%),radial-gradient(at 0 100%,#8d9092,#00000000 50%),radial-gradient(at 33% 100%,#c6cbcc,#00000000 50%),radial-gradient(at 67% 100%,#d0d6d7,#00000000 50%),radial-gradient(at 100% 100%,#a4a9ab,#00000000 50%)",{"id":1949,"height":42,"width":43,"blurhash":44},"cc7b15d2-2061-410e-a6a5-9a059de428af",[1951],{"languages_code":47,"description":1952},"Vollebak is a radical apparel brand that positions itself at the intersection of high-performance gear and speculative science. Rather than following seasonal trends, the brand focuses on 'clothing from the future,' developing experimental pieces designed for extreme environments, space travel, and long-term survival. Its purpose is to push the boundaries of textile technology, treating garments as essential tools for human evolution and resilience.\n\nThe visual identity is unapologetically bold and avant-garde, utilizing a high-contrast, brutalist aesthetic. The design leans heavily on massive, impactful typography and a stark, almost clinical layout that mirrors its scientific ambitions. By blending gritty, high-concept imagery with a minimalist color palette, Vollebak speaks directly to an audience of early adopters, tech enthusiasts, and explorers who value innovation over conventional luxury.",[496,51,1645],[],[214,214,214,1956,502],"Suisse Intl Mono",[505,506],[1959,1960,1961,1962],{"score":1080,"category":75},{"score":181,"category":65},{"score":67,"category":68},{"score":429,"category":71},[1964,1966,1967,1968],{"score":1965,"category":75},37,{"score":290,"category":65},{"score":175,"category":68},{"score":429,"category":71},[82,84,85],"Website: Vollebak. Page: About Us. Page type: About Us \u002F Team. Page title: About Us | Vollebak. Page description: We design clothes for the next century, not the next season In every industry there’s someone building the future, whether it’s technology, architecture, food, cars or space rockets. In clothing it’s us. Founded by Nick and Steve Tidball, we use science and technology to create clothes from the future.. Page content: We design clothes for the next century, not the next season In every industry there’s someone building the future, whether it’s technology, architecture, food, cars or space rockets. In clothing it’s us. Founded by twin brothers, designers and athletes Nick and Steve Tidball, we use science and technology to create clothes from the future. Startups normally begin with two kids in a garage with a dream But we were two guys in a desert. On a really long run. And that’s where the idea for Vollebak first started – running through the Amazon, Alps and Namib desert. While surviving heatstroke, broken bones, bullet ants, hallucinations, angry snakes, tarantulas, and falling asleep while running, we wondered couldn’t the clothes we were wearing do a bit more to help? What if they could help you sleep, or at least relax? Or light you up at night? Or keep you alive? And while we’re at it, what are we going to be wearing to keep us alive on Mars? Vollebak Spaceshop: Behind the scenes documentary Part spaceship, part shop, the Vollebak Spaceshop offers a glimpse into a future of interplanetary kit deliveries between Earth, the Moon and Mars. We designed and built the prototype craft with the help of SAGA Space Architects whose work you’ll find on the International Space Station, and Bang & Olufsen – which is why it feels like you’re standing in front of a sonic boom. After leaving Copenhagen, it heads off on a tour of Earth …before one day servicing nearby galaxies. And this film is the story of how we built it. Watch the full film on YouTube June 2025, in a galaxy far, far away (Copenhagen) we launched the Vollebak Spaceshop. Luckily, Jonathan Bell from Wallpaper\\ was on hand to tell the story behind it Read the story in Wallpaper\\ See how we’re using material technology to build the future. Today we work with the most advanced materials in the world. Some started their life at NASA. Others started their life in nature. Read more A short history of how we’ve been building the future From the invisibility cloaks and Indestructible Hoodies of today, to the Relaxation Hoodies that started our journey, this is the story of where we’ve been. See the Vollebak Timeline “What the world needs now is gear for Mars.” When journalist and author Tom Vanderbilt decided to write the story of Vollebak for Outside magazine, the first thing we decided to do was throw him out of a helicopter. Read the story in Outside. A Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Futuristic \u002F Sci-Fi website in the Fashion & Apparel industry. The overall color palette features White, Black, Gray. The typography features Suisse Intl (Swiss Typefaces), Suisse Intl (Swiss Typefaces), Suisse Intl (Swiss Typefaces), Suisse Intl Mono (Swiss Typefaces), GT Standard (Sans Serif, Grilli Type). Built using Klaviyo, Shopify. AI description: Vollebak is a radical apparel brand that positions itself at the intersection of high-performance gear and speculative science. Rather than following seasonal trends, the brand focuses on 'clothing from the future,' developing experimental pieces designed for extreme environments, space travel, and long-term survival. Its purpose is to push the boundaries of textile technology, treating garments as essential tools for human evolution and resilience. The visual identity is unapologetically bold and avant-garde, utilizing a high-contrast, brutalist aesthetic. The design leans heavily on massive, impactful typography and a stark, almost clinical layout that mirrors its scientific ambitions. By blending gritty, high-concept imagery with a minimalist color palette, Vollebak speaks directly to an audience of early adopters, tech enthusiasts, and explorers who value innovation over conventional luxury.",764,{"facetDistribution":1973,"facetLabels":2035},{"industry":1974,"styles":1988,"technologies":2000,"font_families":2017,"page_type_name":2026},{"Agency & Studio":1975,"Art & Culture":1976,"SaaS & Software":1977,"Fashion & Apparel":1978,"Architecture & Real Estate":1979,"Entertainment & Media":1980,"Food & Beverage":1981,"Photography & Video":1982,"Finance & Fintech":531,"Healthcare & Wellness":1697,"Technology & Hardware":179,"Industrial & Manufacturing":1983,"Beauty & Cosmetics":321,"Travel & Hospitality":74,"Non-Profit & Charity":1283,"Education & Courses":1984,"Crypto & Web3":1985,"Sports & Fitness":1986,"Automotive & Transportation":1987},716,296,210,167,163,138,125,120,49,32,24,21,11,{"Clean \u002F Minimalist":1989,"Typographic \u002F Big Type":1990,"High-End \u002F Luxury":1991,"Dark Mode":1992,"Vibrant \u002F Colorful":1993,"Monochrome \u002F Grayscale":1994,"Fun \u002F Playful":1995,"Brutalist \u002F Neo-Brutalist":1996,"Corporate \u002F Professional":1997,"Illustrative \u002F Hand-drawn":239,"Futuristic \u002F Sci-Fi":1924,"3D \u002F Spatial":1157,"Retro \u002F Vintage \u002F Y2K":1998,"Glassmorphism":1999,"Bento Grid":1999},2056,1713,1012,570,393,317,257,236,205,33,15,{"jQuery":2001,"PHP":2002,"WordPress":2003,"Node.js":2004,"React":2005,"Vercel":2006,"Vue.js":2007,"Shopify":2008,"Next.js":2009,"Klaviyo":2010,"Nuxt.js":2011,"Typekit":2012,"Amazon Web Services":2013,"reCAPTCHA":2014,"YouTube":64,"MailChimp":67,"Modernizr":77,"Bootstrap":429,"Slick":181,"Google Font API":219,"Craft CMS":2015,"Framer Sites":1513,"Contact Form 7":1654,"Stimulus":1660,"Google Maps":2016},875,629,504,320,311,262,207,196,161,149,147,141,129,117,66,58,{"Inter":2018,"Times New Roman":2019,"Roboto":2020,"Open Sans":290,"Neue Haas Grotesk":290,"Suisse Intl":24,"Arial":1924,"Poppins":2015,"Helvetica Neue":1654,"Montserrat":1278,"Diatype":1157,"Neue Montreal":179,"Lato":1983,"Graphik":1276,"Source Sans":2021,"Monument Grotesk":1811,"Noto Sans":2022,"Helvetica":2023,"Söhne":2024,"DM Sans":2024,"Founders Grotesk":2024,"GT America":2025,"Google Sans":2025,"Editorial":1998,"IBM Plex Mono":1984},315,168,127,44,39,36,35,34,{"Home \u002F Landing Page":2027,"About Us \u002F Team":14,"Projects \u002F Portfolio":2028,"Contact Us":2029,"Blog \u002F Article Layout":2030,"Services \u002F Features":2031,"Shop \u002F Catalog":2032,"Careers \u002F Jobs":26,"Pricing Page":1697,"Sign Up \u002F Login":2033,"404 Error Page":2034},2401,527,418,378,341,299,27,9,{"industry":2036,"styles":2056,"page_type_name":2071,"technologies":2082,"font_families":2088},{"Agency & Studio":2037,"Art & Culture":2038,"SaaS & Software":2039,"Fashion & Apparel":2040,"Architecture & Real Estate":2041,"Entertainment & Media":2042,"Food & Beverage":2043,"Photography & Video":2044,"Finance & Fintech":2045,"Healthcare & Wellness":2046,"Technology & Hardware":2047,"Industrial & Manufacturing":2048,"Beauty & Cosmetics":2049,"Travel & Hospitality":2050,"Non-Profit & Charity":2051,"Education & Courses":2052,"Crypto & Web3":2053,"Sports & Fitness":2054,"Automotive & Transportation":2055},"Agencies","Art and Culture","Software","Fashion","Real Estate","Entertainment","Food and Drink","Photography","Fintech","Wellness","Technology","Industrial","Beauty","Travel","Non-Profit","Education","Web3","Sports","Automotive",{"Clean \u002F Minimalist":2057,"Typographic \u002F Big Type":2058,"High-End \u002F Luxury":2059,"Dark Mode":256,"Vibrant \u002F Colorful":2060,"Monochrome \u002F Grayscale":2061,"Fun \u002F Playful":2062,"Brutalist \u002F Neo-Brutalist":2063,"Corporate \u002F Professional":2064,"Illustrative \u002F Hand-drawn":2065,"Futuristic \u002F Sci-Fi":2066,"3D \u002F Spatial":2067,"Retro \u002F Vintage \u002F Y2K":2068,"Glassmorphism":2069,"Bento Grid":2070},"Minimalist","Typographic","Luxury","Vibrant","Monochrome","Playful","Brutalist","Corporate","Illustrative","Futuristic","3D and Spatial","Retro and Y2K","Glassmorphism","Bento Grid",{"Home \u002F Landing Page":2072,"About Us \u002F Team":8,"Projects \u002F Portfolio":2073,"Contact Us":2074,"Blog \u002F Article Layout":2075,"Services \u002F Features":2076,"Shop \u002F Catalog":2077,"Careers \u002F Jobs":2078,"Pricing Page":2079,"Sign Up \u002F Login":2080,"404 Error Page":2081},"Home \u002F Landing","Portfolio","Contact","Blog \u002F Article","Services","Shop \u002F Catalog","Careers","Pricing","Sign Up \u002F Login","404 Error",{"jQuery":118,"PHP":120,"WordPress":168,"Node.js":265,"React":266,"Vercel":552,"Vue.js":508,"Shopify":506,"Next.js":264,"Klaviyo":505,"Nuxt.js":1149,"Typekit":507,"Amazon Web Services":946,"reCAPTCHA":59,"YouTube":2083,"MailChimp":903,"Modernizr":1070,"Bootstrap":2084,"Slick":2085,"Google Font API":2086,"Craft CMS":1468,"Framer Sites":1027,"Contact Form 7":1068,"Stimulus":2087,"Google Maps":1069},"YouTube","Bootstrap","Slick","Google Font API","Stimulus",{"Inter":550,"Times New Roman":116,"Roboto":944,"Open Sans":2089,"Neue Haas Grotesk":590,"Suisse Intl":214,"Arial":2090,"Poppins":2091,"Helvetica Neue":1024,"Montserrat":2092,"Diatype":2093,"Neue Montreal":670,"Lato":501,"Graphik":1022,"Source Sans":2094,"Monument Grotesk":2095,"Noto Sans":2096,"Helvetica":1916,"Söhne":2097,"DM Sans":2098,"Founders Grotesk":166,"GT America":2099,"Google Sans":1066,"Editorial":1611,"IBM Plex Mono":988},"Open Sans","Arial","Poppins","Montserrat","Diatype","Source Sans","Monument Grotesk","Noto Sans","Söhne","DM Sans","GT America",{"facetDistribution":2101,"facetLabels":2108},{"industry":2102,"styles":2103,"technologies":2104,"font_families":2105,"page_type_name":2106},{"Agency & Studio":1975,"Art & Culture":1976,"SaaS & Software":1977,"Fashion & Apparel":1978,"Architecture & Real Estate":1979,"Entertainment & Media":1980,"Food & Beverage":1981,"Photography & Video":1982,"Finance & Fintech":531,"Healthcare & Wellness":1697,"Technology & Hardware":179,"Industrial & Manufacturing":1983,"Beauty & Cosmetics":321,"Travel & Hospitality":74,"Non-Profit & Charity":1283,"Education & Courses":1984,"Crypto & Web3":1985,"Sports & Fitness":1986,"Automotive & Transportation":1987},{"Clean \u002F Minimalist":1989,"Typographic \u002F Big Type":1990,"High-End \u002F Luxury":1991,"Dark Mode":1992,"Vibrant \u002F Colorful":1993,"Monochrome \u002F Grayscale":1994,"Fun \u002F Playful":1995,"Brutalist \u002F Neo-Brutalist":1996,"Corporate \u002F Professional":1997,"Illustrative \u002F Hand-drawn":239,"Futuristic \u002F Sci-Fi":1924,"3D \u002F Spatial":1157,"Retro \u002F Vintage \u002F Y2K":1998,"Glassmorphism":1999,"Bento Grid":1999},{"jQuery":2001,"PHP":2002,"WordPress":2003,"Node.js":2004,"React":2005,"Vercel":2006,"Vue.js":2007,"Shopify":2008,"Next.js":2009,"Klaviyo":2010,"Nuxt.js":2011,"Typekit":2012,"Amazon Web Services":2013,"reCAPTCHA":2014,"YouTube":64,"MailChimp":67,"Modernizr":77,"Bootstrap":429,"Slick":181,"Google Font API":219,"Craft CMS":2015,"Framer Sites":1513,"Contact Form 7":1654,"Stimulus":1660,"Google Maps":2016},{"Inter":2018,"Times New Roman":2019,"Roboto":2020,"Open Sans":290,"Neue Haas Grotesk":290,"Suisse Intl":24,"Arial":1924,"Poppins":2015,"Helvetica Neue":1654,"Montserrat":1278,"Diatype":1157,"Neue Montreal":179,"Lato":1983,"Graphik":1276,"Source Sans":2021,"Monument Grotesk":1811,"Noto Sans":2022,"Helvetica":2023,"Söhne":2024,"DM Sans":2024,"Founders Grotesk":2024,"GT America":2025,"Google Sans":2025,"Editorial":1998,"IBM Plex Mono":1984},{"Home \u002F Landing Page":2107},2397,{"industry":2109,"styles":2110,"page_type_name":2111,"technologies":2112,"font_families":2113},{"Agency & Studio":2037,"Art & Culture":2038,"SaaS & Software":2039,"Fashion & Apparel":2040,"Architecture & Real Estate":2041,"Entertainment & Media":2042,"Food & Beverage":2043,"Photography & Video":2044,"Finance & Fintech":2045,"Healthcare & Wellness":2046,"Technology & Hardware":2047,"Industrial & Manufacturing":2048,"Beauty & Cosmetics":2049,"Travel & Hospitality":2050,"Non-Profit & Charity":2051,"Education & Courses":2052,"Crypto & Web3":2053,"Sports & Fitness":2054,"Automotive & Transportation":2055},{"Clean \u002F Minimalist":2057,"Typographic \u002F Big Type":2058,"High-End \u002F Luxury":2059,"Dark Mode":256,"Vibrant \u002F Colorful":2060,"Monochrome \u002F Grayscale":2061,"Fun \u002F Playful":2062,"Brutalist \u002F Neo-Brutalist":2063,"Corporate \u002F Professional":2064,"Illustrative \u002F Hand-drawn":2065,"Futuristic \u002F Sci-Fi":2066,"3D \u002F Spatial":2067,"Retro \u002F Vintage \u002F Y2K":2068,"Glassmorphism":2069,"Bento Grid":2070},{"Home \u002F Landing Page":2072},{"jQuery":118,"PHP":120,"WordPress":168,"Node.js":265,"React":266,"Vercel":552,"Vue.js":508,"Shopify":506,"Next.js":264,"Klaviyo":505,"Nuxt.js":1149,"Typekit":507,"Amazon Web Services":946,"reCAPTCHA":59,"YouTube":2083,"MailChimp":903,"Modernizr":1070,"Bootstrap":2084,"Slick":2085,"Google Font API":2086,"Craft CMS":1468,"Framer Sites":1027,"Contact Form 7":1068,"Stimulus":2087,"Google Maps":1069},{"Inter":550,"Times New Roman":116,"Roboto":944,"Open Sans":2089,"Neue Haas Grotesk":590,"Suisse Intl":214,"Arial":2090,"Poppins":2091,"Helvetica Neue":1024,"Montserrat":2092,"Diatype":2093,"Neue Montreal":670,"Lato":501,"Graphik":1022,"Source Sans":2094,"Monument Grotesk":2095,"Noto Sans":2096,"Helvetica":1916,"Söhne":2097,"DM Sans":2098,"Founders Grotesk":166,"GT America":2099,"Google Sans":1066,"Editorial":1611,"IBM Plex Mono":988}]