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Magazine is an international quarterly magazine of politics, culture, literature and the arts published at Skidmore College","About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Bia Hoi Junction, Hanoi. The View from Hanoi [ Brock Eldon ](\u002Farticles\u002F1704-the-view-from-hanoi) Salmagundi #228-229 (Fall 2025 - Winter 2026) Many Thousands Gone\\ [ Martha Bayles ](\u002Farticles\u002F1720-many-thousands-gone) Salmagundi #228-229 (Fall 2025 - Winter 2026) On Jewish Evil [ David Stromberg ](\u002Farticles\u002F1706-on-jewish-evil) Salmagundi #228-229 (Fall 2025 - Winter 2026) Partisanship & Denial: A Response To Andrew Sullivan and Finally Getting It [ William Deresiewicz ](\u002Farticles\u002F456-partisanship-denial) Salmagundi 218-219, Spring-Summer 2023 The Praxis of “Practice” [ Michael Kowalski ](\u002Farticles\u002F432-the-praxis-of-practice) Salmagundi 216-217, Fall 2022 - Winter 2023 The Pleasures of Censorship [ Adam Phillips ](\u002Farticles\u002F375-the-pleasures-of-censorship) Salmagundi 214-215, Spring - Summer 2022 A Selection from Elias Canetti’s _The Book Against Death_ [ Elias Canetti ](\u002Farticles\u002F343-a-selection-from-elias-canetti-s-_the-book-against-death_) Interviews Women, The Arts, & The Politics of Culture An Interview with Susan Sontag [ Susan Sontag ](\u002Farticles\u002F14-women-the-arts-the-politics-of-culture) Salmagundi No. 188\u002F189, 2015 Online Wielding the Lyric On _Now It’s Dark_ [ Ocean Vuong ](\u002Farticles\u002F274-wielding-the-lyric) What Now, Humanist?\\ [ Jennifer Delton ](\u002Farticles\u002F1707-what-now-humanist) Salmagundi #228-229 (Fall 2025 - Winter 2026) _The New Yorker_ at 100: A Personal Reflection [ Martin Jay ](\u002Farticles\u002F1705-the-new-yorker-at-100) Salmagundi #228-229 (Fall 2025 - Winter 2026) Online The Home Key #20 Defector From the Petty Wars [ Rick Moody ](\u002Farticles\u002F1638-the-home-key-20) The Field [ Ben Corvo ](\u002Farticles\u002F1543-the-field) Salmagundi 226-227, Spring - Summer 2025 Vanishing Acts [ Anne Kenner ](\u002Farticles\u002F1539-vanishing-acts) Salmagundi 226-227, Spring - Summer 2025 Rosanna Warren: An Interview\\ [ Rosanna Warren ](\u002Farticles\u002F1717-rosanna-warren-an-interview) Salmagundi #228-229 (Fall 2025 - Winter 2026) Will the Real Francis Picabia Please Stand Up? [ Barbara Purcell ](\u002Farticles\u002F1605-will-the-real-francis-picabia-please-stand-up) Salmagundi 226-227, Spring - Summer 2025 Crazy [ Philip Schultz ](\u002Farticles\u002F1542-crazy) Salmagundi 226-227, Spring - Summer 2025 Bunk [ Robert Cohen ](\u002Farticles\u002F1506-bunk) Salmagundi 226-227, Spring - Summer 2025 About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Special Features The Home Key The “Lost Girls” of the _Yellow Book_ [ Barbara Black ](\u002Farticles\u002F1721-the-lost-girls-of-the-yellow-book) Salmagundi #228-229 (Fall 2025 - Winter 2026) Five Poems [ Chase Twichell ](\u002Farticles\u002F1715-five-poems) Salmagundi #228-229 (Fall 2025 - Winter 2026) Notes on a Photograph from 1884 [ Nick Flynn ](\u002Farticles\u002F466-notes-on-a-photograph-from-1884) Salmagundi 218-219, Spring-Summer 2023 A Thousand Gentle Smotherings [ Celeste Marcus ](\u002Farticles\u002F441-a-thousand-gentle-smotherings) Salmagundi 216-217, Fall 2022 - Winter 2023 What Lurks Below the New Class War [ Roger Berkowitz ](\u002Farticles\u002F380-what-lurks-below-the-new-class-war) Salmagundi 214-215, Spring - Summer 2022 The Super-Ego in the Green World [ Mark Edmundson ](\u002Farticles\u002F373-the-super-ego-in-the-green-world) A Brooklyn Bovary (As Told by Her Son) [ David Mikics ](\u002Farticles\u002F90-a-brooklyn-bovary) Online Poetry “Sad Song” [ Chase Twichell ](\u002Farticles\u002F110-sad-song) Criticism Politics Emerging from Censorship [ J.M. Coetzee ](\u002Farticles\u002F9-emerging-from-censorship) Salmagundi No. 100, Fall 1993 Online Paul McCartney with Linda at Empire Theatre, Liverpool 1973 The Home Key #22: Paul McCartney, the Solo Years [ Rick Moody ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years),[ Marc Woodworth ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years), and[ Adam Braver ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years) [The Tragedy of Liberal Self-Doubt](\u002Farticles\u002F1572-the …",true,1,"1",{"id":398,"height":13,"width":12,"blurhash":399},"8e244143-65ce-4b56-9b06-4baff035ff55","radial-gradient(at 0 0,#edf4f5,#00000000 50%),radial-gradient(at 33% 0,#f0f2ec,#00000000 50%),radial-gradient(at 67% 0,#fafaf6,#00000000 50%),radial-gradient(at 100% 0,#fcfbfb,#00000000 50%),radial-gradient(at 0 50%,#cdc2c4,#00000000 50%),radial-gradient(at 33% 50%,#ad9386,#00000000 50%),radial-gradient(at 67% 50%,#d6cac4,#00000000 50%),radial-gradient(at 100% 50%,#f6f2f1,#00000000 50%),radial-gradient(at 0 100%,#d4d5d8,#00000000 50%),radial-gradient(at 33% 100%,#cbc4bc,#00000000 50%),radial-gradient(at 67% 100%,#e1dfda,#00000000 50%),radial-gradient(at 100% 100%,#f2f0f0,#00000000 50%)",{"id":401,"height":15,"width":14,"blurhash":402},"7d1b48d2-0f54-4fcc-a89d-137f13ed64ac",null,[404,407,410,413,416,419,422,425,428,431,434,437,440,443,446,449,452,455,458,461,464,467,470,473,476,479,482,485,488,491],{"directus_files_id":405},{"id":406},"71b52c58-440f-4174-9c66-a15fe5416204",{"directus_files_id":408},{"id":409},"bcdd0258-ebe9-43c9-b634-5fff7b6d6b0f",{"directus_files_id":411},{"id":412},"c2841b20-ee81-49f2-8058-121f01cb6fd0",{"directus_files_id":414},{"id":415},"e6413f52-cc85-41e1-8a0b-bf0c8834ed9e",{"directus_files_id":417},{"id":418},"2b716e5c-547a-4f7f-ae3e-a1d82e684736",{"directus_files_id":420},{"id":421},"c9629595-3b9b-4d90-8321-ac5992f556a1",{"directus_files_id":423},{"id":424},"bb7d1b52-0acd-4fbb-a8f7-09d850d2e19e",{"directus_files_id":426},{"id":427},"1f08f1ec-2c11-4981-bd46-ce4fab505ad6",{"directus_files_id":429},{"id":430},"b07bfda4-f330-464e-9401-9eac0d2d41bc",{"directus_files_id":432},{"id":433},"027795d6-f557-458e-9a82-52f60b0f4adc",{"directus_files_id":435},{"id":436},"8d90dca1-01b8-44a5-998b-efccaa933979",{"directus_files_id":438},{"id":439},"e002403f-b8cf-4691-bc9b-bf52a6e73207",{"directus_files_id":441},{"id":442},"0b15d71e-1dce-4996-8e0b-410c111eca5f",{"directus_files_id":444},{"id":445},"00ff0ffd-6ca8-4d60-a2c3-dac3411ee19d",{"directus_files_id":447},{"id":448},"0df549fe-44ec-4b35-ad1a-2ea97af6b32d",{"directus_files_id":450},{"id":451},"524fe1c5-d0f7-4680-a967-933992cd2683",{"directus_files_id":453},{"id":454},"33fb745f-9f8f-4aef-b6b3-9aafff286144",{"directus_files_id":456},{"id":457},"7b366636-3a71-4db5-bdf6-b3adad1c4455",{"directus_files_id":459},{"id":460},"77978e31-42e4-41d9-a41c-2791a5ee4ae6",{"directus_files_id":462},{"id":463},"1841d10b-af5d-457d-9fa7-e1c09ccd7a3c",{"directus_files_id":465},{"id":466},"40ac1f5f-7287-4f3d-aa7b-eb1f0e6f350e",{"directus_files_id":468},{"id":469},"5251c4a2-bdd9-4f6c-8ff3-d8fa31ea04a5",{"directus_files_id":471},{"id":472},"ff8e8b5b-e1f7-4646-a9e7-1619bc196c6b",{"directus_files_id":474},{"id":475},"3f83aa87-abe4-40b1-8d2e-53047fe437b8",{"directus_files_id":477},{"id":478},"c42b3485-2498-405d-b7b5-e5878ad170fb",{"directus_files_id":480},{"id":481},"9fe50101-f9cf-4567-ba7c-3f837da5e292",{"directus_files_id":483},{"id":484},"baa78dbb-02b6-4b33-99b4-2a586475e170",{"directus_files_id":486},{"id":487},"6394465f-cfa1-4932-a23f-dd9825a33b1d",{"directus_files_id":489},{"id":490},"3d66830a-4ab6-4b02-8bac-ed4e8354af5e",{"directus_files_id":492},{"id":493},"383aad9b-73fa-48ed-8dfe-7a78e88a9f88",[495],{"languages_code":496,"description":497},"en","Salmagundi Magazine serves as a sophisticated intellectual hub, offering a rigorous quarterly exploration of politics, culture, literature, and the arts. The platform is designed for a discerning, academic, and culturally engaged audience that seeks depth over brevity, providing a home for demanding fiction, long-form essays, and provocative criticism. \n\nThe visual identity is defined by a striking, high-contrast typographic approach that mirrors the magazine's uncompromising editorial stance. By utilizing a clean, grid-based layout paired with bold, serif-heavy imagery and a minimalist color palette, the design evokes the prestige of a traditional literary journal while maintaining a modern, accessible digital presence. The use of large-scale typography and structured navigation emphasizes clarity and intellectual weight.",[26,34],[],[323],[502,503],"Ruby","Ruby on Rails",[505,507,508,509],{"score":506,"category":128},74,{"score":240,"category":131},{"score":135,"category":134},{"score":135,"category":137},[511,512,513,514],{"score":244,"category":128},{"score":240,"category":131},{"score":135,"category":134},{"score":135,"category":137},[146,516,162,158],"violet","Website: Salmagundi. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home - Salmagundi Magazine. Page description: Salmagundi Magazine is an international quarterly magazine of politics, culture, literature and the arts published at Skidmore College. Page content: About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Bia Hoi Junction, Hanoi. The View from Hanoi [ Brock Eldon ](\u002Farticles\u002F1704-the-view-from-hanoi) Salmagundi #228-229 (Fall 2025 - Winter 2026) Many Thousands Gone\\ [ Martha Bayles ](\u002Farticles\u002F1720-many-thousands-gone) Salmagundi #228-229 (Fall 2025 - Winter 2026) On Jewish Evil [ David Stromberg ](\u002Farticles\u002F1706-on-jewish-evil) Salmagundi #228-229 (Fall 2025 - Winter 2026) Partisanship & Denial: A Response To Andrew Sullivan and Finally Getting It [ William Deresiewicz ](\u002Farticles\u002F456-partisanship-denial) Salmagundi 218-219, Spring-Summer 2023 The Praxis of “Practice” [ Michael Kowalski ](\u002Farticles\u002F432-the-praxis-of-practice) Salmagundi 216-217, Fall 2022 - Winter 2023 The Pleasures of Censorship [ Adam Phillips ](\u002Farticles\u002F375-the-pleasures-of-censorship) Salmagundi 214-215, Spring - Summer 2022 A Selection from Elias Canetti’s _The Book Against Death_ [ Elias Canetti ](\u002Farticles\u002F343-a-selection-from-elias-canetti-s-_the-book-against-death_) Interviews Women, The Arts, & The Politics of Culture An Interview with Susan Sontag [ Susan Sontag ](\u002Farticles\u002F14-women-the-arts-the-politics-of-culture) Salmagundi No. 188\u002F189, 2015 Online Wielding the Lyric On _Now It’s Dark_ [ Ocean Vuong ](\u002Farticles\u002F274-wielding-the-lyric) What Now, Humanist?\\ [ Jennifer Delton ](\u002Farticles\u002F1707-what-now-humanist) Salmagundi #228-229 (Fall 2025 - Winter 2026) _The New Yorker_ at 100: A Personal Reflection [ Martin Jay ](\u002Farticles\u002F1705-the-new-yorker-at-100) Salmagundi #228-229 (Fall 2025 - Winter 2026) Online The Home Key #20 Defector From the Petty Wars [ Rick Moody ](\u002Farticles\u002F1638-the-home-key-20) The Field [ Ben Corvo ](\u002Farticles\u002F1543-the-field) Salmagundi 226-227, Spring - Summer 2025 Vanishing Acts [ Anne Kenner ](\u002Farticles\u002F1539-vanishing-acts) Salmagundi 226-227, Spring - Summer 2025 Rosanna Warren: An Interview\\ [ Rosanna Warren ](\u002Farticles\u002F1717-rosanna-warren-an-interview) Salmagundi #228-229 (Fall 2025 - Winter 2026) Will the Real Francis Picabia Please Stand Up? [ Barbara Purcell ](\u002Farticles\u002F1605-will-the-real-francis-picabia-please-stand-up) Salmagundi 226-227, Spring - Summer 2025 Crazy [ Philip Schultz ](\u002Farticles\u002F1542-crazy) Salmagundi 226-227, Spring - Summer 2025 Bunk [ Robert Cohen ](\u002Farticles\u002F1506-bunk) Salmagundi 226-227, Spring - Summer 2025 About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Special Features The Home Key The “Lost Girls” of the _Yellow Book_ [ Barbara Black ](\u002Farticles\u002F1721-the-lost-girls-of-the-yellow-book) Salmagundi #228-229 (Fall 2025 - Winter 2026) Five Poems [ Chase Twichell ](\u002Farticles\u002F1715-five-poems) Salmagundi #228-229 (Fall 2025 - Winter 2026) Notes on a Photograph from 1884 [ Nick Flynn ](\u002Farticles\u002F466-notes-on-a-photograph-from-1884) Salmagundi 218-219, Spring-Summer 2023 A Thousand Gentle Smotherings [ Celeste Marcus ](\u002Farticles\u002F441-a-thousand-gentle-smotherings) Salmagundi 216-217, Fall 2022 - Winter 2023 What Lurks Below the New Class War [ Roger Berkowitz ](\u002Farticles\u002F380-what-lurks-below-the-new-class-war) Salmagundi 214-215, Spring - Summer 2022 The Super-Ego in the Green World [ Mark Edmundson ](\u002Farticles\u002F373-the-super-ego-in-the-green-world) A Brooklyn Bovary (As Told by Her Son) [ David Mikics ](\u002Farticles\u002F90-a-brooklyn-bovary) Online Poetry “Sad Song” [ Chase Twichell ](\u002Farticles\u002F110-sad-song) Criticism Politics Emerging from Censorship [ J.M. Coetzee ](\u002Farticles\u002F9-emerging-from-censorship) Salmagundi No. 100, Fall 1993 Online Paul McCartney with Linda at Empire Theatre, Liverpool 1973 The Home Key #22: Paul McCartney, the Solo Years [ Rick Moody ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years),[ Marc Woodworth ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years), and[ Adam Braver ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years) [The Tragedy of Liberal Self-Doubt](\u002Farticles\u002F1572-the …. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Violet, Gray, Black. The typography features Times New Roman (Serif). Built using Ruby, Ruby on Rails. AI description: Salmagundi Magazine serves as a sophisticated intellectual hub, offering a rigorous quarterly exploration of politics, culture, literature, and the arts. The platform is designed for a discerning, academic, and culturally engaged audience that seeks depth over brevity, providing a home for demanding fiction, long-form essays, and provocative criticism. The visual identity is defined by a striking, high-contrast typographic approach that mirrors the magazine's uncompromising editorial stance. By utilizing a clean, grid-based layout paired with bold, serif-heavy imagery and a minimalist color palette, the design evokes the prestige of a traditional literary journal while maintaining a modern, accessible digital presence. The use of large-scale typography and structured navigation emphasizes clarity and intellectual weight.",{"id":519,"website_id":520,"page_id":519,"name":521,"slug":522,"url":523,"website_name":521,"website_slug":522,"website_url":524,"result_url":523,"fetched_at":525,"score":240,"score_boost":387,"ai_score":526,"freshness_score":506,"scored_at":527,"page_name":40,"page_url":523,"page_title":521,"page_description":402,"page_content":528,"page_sort":387,"is_home":394,"is_home_rank":395,"page_type_id":396,"page_type_name":46,"cover":529,"cover_mobile":532,"cover_sequence":534,"translations":625,"industry":21,"styles":628,"credits":630,"font_families":631,"technologies":633,"pagespeed":634,"pagespeed_mobile":641,"buckets":647,"search_payload":648},"c6e1c668-61ff-49ba-a488-5e6683c481a3","fc6807b2-2e93-437c-9eb1-ae769222f4aa","Africa Is a Country","africa-is-a-country","https:\u002F\u002Fafricasacountry.com\u002F","https:\u002F\u002Fafricasacountry.com","2026-05-03T20:16:06.000Z",86,"2026-05-23T19:17:57.000Z","From Mubarak to Sisi - Hossam el-Hamalawy - Politics 4.30.2026 What began as a familiar security state has hardened into something new: a unified coercive order that governs Egypt through violence, surveillance, and permanent emergency. 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Follow Us - Twitter - Instagram - YouTube - TikTok - Bluesky Culture - Culture 4.13.2026 The,Women,Workers,In,The,Textile,Factory,In,The,Capital Whose progress? - Robel Mulat A new documentary reveals how Ethiopia’s manufacturing push redistributes land, labor, and opportunity — delivering gains for some while displacing others. - Culture 4.10.2026 Art has never been innocent - Tajla Vale - Culture 4.07.2026 45 single record of Beatles "Let It Be" The making of Arundhati Roy - Bárbara Rousseaux - Culture 3.25.2026 Cooking up the city - Muthoni Kihara - Culture 3.24.2026 Who owns the memory of struggle? - Azeezah Adekanmbi [3.19.2026 A life in struggle ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fa-life-in-struggle) [3.17.2026 David Hundeyin may not be a false prophet ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fdavid-hundeyin-may-not-be-a-false-prophet) [3.04.2026 Afrobeats after Fela ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fafrobeats-after-fela) [2.18.2026 The roots of our storytelling ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F02\u002Fthe-roots-of-our-storytelling) [3.02.2026 There is no vernacular ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fthere-is-no-vernacular) [3.03.2026 Whose language is the nation’s? ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fwhose-language-is-the-nations) [2.27.2026 Progress is exhausting ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F02\u002Fprogress-is-exhausting) [2.25.2026 Remember AFCON? ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F02\u002Fremember-afcon) Shop Now Politics - Politics 4.14.2026 The debts our parents left us - Ivan Mayabi The language of fiscal consolidation is meant to sound inevitable. But for Kenya's informal workers, the human cost is anything but abstract. - Politics 4.08.2026 Darfour,sudan\u002Fsudan-21.07.2007:,Thousands,Of,Refugees,Living,In,The,Darfur,Region,Of Who gets to be a civilian? - Eglal Hamid - Politics 4.03.2026 Lake Naivasha, Keny The human cost of Kenya’s expanding lakes - Frank Njugi - Politics 4.01.2026 Nigerian soldiers in black tactical gear stand with motorcycles during a demonstration at the African Land Force Summit in Abuja Being right at the wrong time - Dengiyefa Angalapu - Politics 3.31.2026 Mountain lake. Where mining and conservation meet - Emmanuelle Roth - Aby L. Sène - Gregg Mitman [3.31.2026 Could expanding protected land undermine biodiversity? ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fcould-expanding-protected-land-undermine-biodiversity) [3.27.2026 Trumpism in Nigeria ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Ftrumpism-in-nigeria) [3.26.2026 After the subcontracting state ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fafter-the-subcontracting-state) [3.23.2026 Greater Israel and the new regional order ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fgreater-israel-and-the-new-regional-order) [3.20.2026 Senegal’s theater of morality ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fsenegals-theater-of-morality) [3.10.2026 The Imam against the insurgents ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fthe-imam-against-the-insurgents) [3.18.2026 Where do the borders really lie? ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fwhere-do-the-borders-really-lie) [3.16.2026 Pilgrimage to power ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fpilgrimage-to-power) African Perspectives on Iran 3.26.2026 Berbera,,Somaliland,-,August,21,,2024:,Berbera,Port,,Located,On After the subcontracting state - Abdullahi Mohamed Boru The withdrawal from the port city of Berbera by regional powers distracted by war, marks the end of an external system that managed the Horn of Africa — and the beginning of a deeper structural collapse. 3.23.2026 [![](https:\u002F\u002Fmedia.africasacountry. …",{"id":530,"height":13,"width":12,"blurhash":531},"df71ff6f-bc5f-4c37-bf17-f8c6d0edae08","radial-gradient(at 0 0,#d4d4d4,#00000000 50%),radial-gradient(at 33% 0,#d9d9d8,#00000000 50%),radial-gradient(at 67% 0,#dededd,#00000000 50%),radial-gradient(at 100% 0,#d9d9d8,#00000000 50%),radial-gradient(at 0 50%,#000000,#00000000 50%),radial-gradient(at 33% 50%,#000400,#00000000 50%),radial-gradient(at 67% 50%,#000000,#00000000 50%),radial-gradient(at 100% 50%,#000000,#00000000 50%),radial-gradient(at 0 100%,#545554,#00000000 50%),radial-gradient(at 33% 100%,#585957,#00000000 50%),radial-gradient(at 67% 100%,#5e5e5d,#00000000 50%),radial-gradient(at 100% 100%,#626261,#00000000 50%)",{"id":533,"height":15,"width":14,"blurhash":402},"9a2e2272-5f35-407a-97f1-8a27699221e8",[535,538,541,544,547,550,553,556,559,562,565,568,571,574,577,580,583,586,589,592,595,598,601,604,607,610,613,616,619,622],{"directus_files_id":536},{"id":537},"3688ec52-2f82-474f-85cf-ea13820b5e49",{"directus_files_id":539},{"id":540},"1c711296-081a-4125-b8dc-1660d75bdf1f",{"directus_files_id":542},{"id":543},"f9d7c6d0-9543-4a62-9a62-1ad345c1ee16",{"directus_files_id":545},{"id":546},"6496123b-bba1-40d5-9802-6fa604a19c5f",{"directus_files_id":548},{"id":549},"2b4074be-87a2-43de-ad04-eae6b8cec887",{"directus_files_id":551},{"id":552},"eb11ae67-7d68-4e21-afc7-b221ea50e4d5",{"directus_files_id":554},{"id":555},"533fa922-52e1-4af7-8658-021cf0fa6330",{"directus_files_id":557},{"id":558},"a81da5a6-2b43-405d-be99-861d83c9fc98",{"directus_files_id":560},{"id":561},"3ac019eb-5159-4fa9-aa9a-e304a95c00ab",{"directus_files_id":563},{"id":564},"99e51bd0-5ed6-4137-89b3-a5c26b6f8ac9",{"directus_files_id":566},{"id":567},"29e5b88c-e0ec-4ab6-ab8a-e8aa156a4ded",{"directus_files_id":569},{"id":570},"3e1b559f-214c-4075-a8fa-e4c0dd70a92f",{"directus_files_id":572},{"id":573},"d2c482a5-9b1b-4378-a24c-59a1837dd92c",{"directus_files_id":575},{"id":576},"d3950a05-be72-4af3-9341-d042624016db",{"directus_files_id":578},{"id":579},"4d5a3419-ba4d-452c-8f0f-4da70884a4e5",{"directus_files_id":581},{"id":582},"f66f0cf8-71fe-4f82-87ae-8ebc0e62b672",{"directus_files_id":584},{"id":585},"2405b3af-2133-4068-aefc-f358defd5e63",{"directus_files_id":587},{"id":588},"9d1b09f0-7daa-43c8-bb31-8b01f2532922",{"directus_files_id":590},{"id":591},"eed9c77c-0c45-4ae9-8493-9f038c8b6fa8",{"directus_files_id":593},{"id":594},"dc38457d-abf7-4d72-93e0-2a4e278de98f",{"directus_files_id":596},{"id":597},"f8e8aa97-0ff9-45aa-923d-590fefa26921",{"directus_files_id":599},{"id":600},"54ce3632-18dd-4a12-9953-e2f0838a96c5",{"directus_files_id":602},{"id":603},"c87b5c68-7ba7-4d1e-b1b0-84a25160966a",{"directus_files_id":605},{"id":606},"6e7b2863-6606-40c8-8e56-212821e96f5b",{"directus_files_id":608},{"id":609},"7dbd16a3-02e7-426e-b778-4b1dec972935",{"directus_files_id":611},{"id":612},"a546c0b9-442b-4428-8918-41902ff8f046",{"directus_files_id":614},{"id":615},"1cd839e9-e099-40d1-bc28-73cb65ebf1d3",{"directus_files_id":617},{"id":618},"9ee9947d-5db8-44a7-8499-596c52298bdd",{"directus_files_id":620},{"id":621},"b7ff4742-cdeb-4da1-b6e1-54be55a1b263",{"directus_files_id":623},{"id":624},"7d1fb2e6-e991-4faf-a4db-6216d9f04c96",[626],{"languages_code":496,"description":627},"Africa Is a Country is a sophisticated digital media platform dedicated to providing nuanced, long-form journalism and cultural commentary on the African continent. Moving beyond mainstream tropes, the site serves as a vital intellectual hub for political analysis, sports culture, and social critique. Its purpose is to center African perspectives through high-quality storytelling that challenges conventional narratives.\n\nThe visual identity is unapologetically avant-garde, utilizing a neo-brutalist design language characterized by heavy borders, asymmetric grid layouts, and oversized typography. The use of a dark, moody color palette paired with stark white outlines creates a sense of urgency and seriousness. This high-contrast, editorial aesthetic appeals to an intellectually curious, global audience of academics, journalists, and culturally engaged readers who value depth over superficiality.",[629,285,34],"Brutalist \u002F Neo-Brutalist",[],[632],"Space Mono",[116,120,124],[635,637,638,639],{"score":636,"category":128},57,{"score":389,"category":131},{"score":135,"category":134},{"score":640,"category":137},83,[642,644,645,646],{"score":643,"category":128},53,{"score":195,"category":131},{"score":135,"category":134},{"score":640,"category":137},[146,158,162],"Website: Africa Is a Country. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Africa Is a Country. Page content: From Mubarak to Sisi - Hossam el-Hamalawy - Politics 4.30.2026 What began as a familiar security state has hardened into something new: a unified coercive order that governs Egypt through violence, surveillance, and permanent emergency. Latest - Politics 4.30.2026 Protestors carry anti-IMF sign in Nakuru, Kenya. When the peacemaker clocks out - Ethan Woolf Moñino Kenya’s shift toward trade-led diplomacy underscores the difficulty of sustaining regional leadership under conditions of fiscal dependence. - Politics 4.29.2026 Nairobi buildings from above. Kenya’s goon economy - Tribeless Youth - Odipo Dev - Politics 4.27.2026 Pope Leo XIV and Paul Biya on a couch. Pope Leo and the strongmen - Zahra Rahmouni - Culture 4.26.2026 Man with head floating above water in the ocean. The heart of the South African film industry - Tsogo Kupa - SPORTS - Culture 4.24.2026 A soccer match in Eldoret, Kenya. The game behind the game - Kenyua Gachecheh [4.23.2026 The shadow of the fatherland ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F04\u002Fthe-shadow-of-the-fatherland) [4.23.2026 After the Jamahiriya ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F04\u002Fafter-the-jamahiriya) [4.22.2026 How to fix a match for $280 ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F04\u002Fhow-to-fix-a-match-for-280) [4.21.2026 The music is not yours ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F04\u002Fthe-music-is-not-yours) [4.20.2026 Sovereignty beyond the nation ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F04\u002Fsovereignty-beyond-the-nation) [4.17.2026 Fields of dependency ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F04\u002Ffields-of-dependency) [4.16.2026 More commerce than chaos ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F04\u002Fmore-commerce-than-chaos) [4.15.2026 The demographic dividend no one wants to pay ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F04\u002Fthe-demographic-dividend-no-one-wants-to-pay) [ SPORTS ](https:\u002F\u002Fafricasacountry.com\u002Fdepartment\u002Ffootball-is-a-country) 4.22.2026 How to fix a match for $280 - Romain Molina Burundi’s football league rarely draws headlines — making it an easy target for match-fixing networks now entrenched in its top division. Follow Us - Twitter - Instagram - YouTube - TikTok - Bluesky Culture - Culture 4.13.2026 The,Women,Workers,In,The,Textile,Factory,In,The,Capital Whose progress? - Robel Mulat A new documentary reveals how Ethiopia’s manufacturing push redistributes land, labor, and opportunity — delivering gains for some while displacing others. - Culture 4.10.2026 Art has never been innocent - Tajla Vale - Culture 4.07.2026 45 single record of Beatles "Let It Be" The making of Arundhati Roy - Bárbara Rousseaux - Culture 3.25.2026 Cooking up the city - Muthoni Kihara - Culture 3.24.2026 Who owns the memory of struggle? - Azeezah Adekanmbi [3.19.2026 A life in struggle ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fa-life-in-struggle) [3.17.2026 David Hundeyin may not be a false prophet ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fdavid-hundeyin-may-not-be-a-false-prophet) [3.04.2026 Afrobeats after Fela ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fafrobeats-after-fela) [2.18.2026 The roots of our storytelling ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F02\u002Fthe-roots-of-our-storytelling) [3.02.2026 There is no vernacular ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fthere-is-no-vernacular) [3.03.2026 Whose language is the nation’s? ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fwhose-language-is-the-nations) [2.27.2026 Progress is exhausting ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F02\u002Fprogress-is-exhausting) [2.25.2026 Remember AFCON? ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F02\u002Fremember-afcon) Shop Now Politics - Politics 4.14.2026 The debts our parents left us - Ivan Mayabi The language of fiscal consolidation is meant to sound inevitable. But for Kenya's informal workers, the human cost is anything but abstract. - Politics 4.08.2026 Darfour,sudan\u002Fsudan-21.07.2007:,Thousands,Of,Refugees,Living,In,The,Darfur,Region,Of Who gets to be a civilian? - Eglal Hamid - Politics 4.03.2026 Lake Naivasha, Keny The human cost of Kenya’s expanding lakes - Frank Njugi - Politics 4.01.2026 Nigerian soldiers in black tactical gear stand with motorcycles during a demonstration at the African Land Force Summit in Abuja Being right at the wrong time - Dengiyefa Angalapu - Politics 3.31.2026 Mountain lake. Where mining and conservation meet - Emmanuelle Roth - Aby L. Sène - Gregg Mitman [3.31.2026 Could expanding protected land undermine biodiversity? ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fcould-expanding-protected-land-undermine-biodiversity) [3.27.2026 Trumpism in Nigeria ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Ftrumpism-in-nigeria) [3.26.2026 After the subcontracting state ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fafter-the-subcontracting-state) [3.23.2026 Greater Israel and the new regional order ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fgreater-israel-and-the-new-regional-order) [3.20.2026 Senegal’s theater of morality ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fsenegals-theater-of-morality) [3.10.2026 The Imam against the insurgents ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fthe-imam-against-the-insurgents) [3.18.2026 Where do the borders really lie? ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fwhere-do-the-borders-really-lie) [3.16.2026 Pilgrimage to power ](https:\u002F\u002Fafricasacountry.com\u002F2026\u002F03\u002Fpilgrimage-to-power) African Perspectives on Iran 3.26.2026 Berbera,,Somaliland,-,August,21,,2024:,Berbera,Port,,Located,On After the subcontracting state - Abdullahi Mohamed Boru The withdrawal from the port city of Berbera by regional powers distracted by war, marks the end of an external system that managed the Horn of Africa — and the beginning of a deeper structural collapse. 3.23.2026 [![](https:\u002F\u002Fmedia.africasacountry. …. A Brutalist \u002F Neo-Brutalist, Dark Mode, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Black, Gray. The typography features Space Mono (Colophon). Built using reCAPTCHA, Stripe, Vue.js. AI description: Africa Is a Country is a sophisticated digital media platform dedicated to providing nuanced, long-form journalism and cultural commentary on the African continent. Moving beyond mainstream tropes, the site serves as a vital intellectual hub for political analysis, sports culture, and social critique. Its purpose is to center African perspectives through high-quality storytelling that challenges conventional narratives. The visual identity is unapologetically avant-garde, utilizing a neo-brutalist design language characterized by heavy borders, asymmetric grid layouts, and oversized typography. The use of a dark, moody color palette paired with stark white outlines creates a sense of urgency and seriousness. This high-contrast, editorial aesthetic appeals to an intellectually curious, global audience of academics, journalists, and culturally engaged readers who value depth over superficiality.",{"id":650,"website_id":651,"page_id":650,"name":652,"slug":653,"url":654,"website_name":652,"website_slug":653,"website_url":655,"result_url":654,"fetched_at":656,"score":239,"score_boost":387,"ai_score":216,"freshness_score":506,"scored_at":657,"page_name":40,"page_url":654,"page_title":658,"page_description":659,"page_content":660,"page_sort":387,"is_home":394,"is_home_rank":395,"page_type_id":396,"page_type_name":46,"cover":661,"cover_mobile":664,"cover_sequence":666,"translations":757,"industry":21,"styles":760,"credits":762,"font_families":764,"technologies":766,"pagespeed":767,"pagespeed_mobile":772,"buckets":777,"search_payload":779},"6173119e-014d-412f-9a99-89a4ab573cdb","eea7f266-2c54-4b8d-a952-5f60661b8d9f","Works in Progress","works-in-progress","https:\u002F\u002Fworksinprogress.co\u002F","https:\u002F\u002Fworksinprogress.co","2026-05-04T11:15:59.000Z","2026-05-23T19:22:01.000Z","Works in Progress Magazine","A magazine dedicated to new and underrated ideas to improve the world, featuring original writing from the world's most interesting thinkers.","Works in Progress [ Spotlight Issue 23 ](\u002Fissue-23\u002F) [ We’re freezing our eggs; maybe you should too ](\u002Fissue\u002Fwere-freezing-our-eggs-maybe-you-should-too\u002F) Words by Luzia Bruckamp & Ruxandra Teslo Science has largely solved the problem of reproductive ageing for women, but they have to prepare while they’re young. [ Read more → ](\u002Fissue\u002Fwere-freezing-our-eggs-maybe-you-should-too\u002F) Spain [ Engineering the disposable diaper ](\u002Fissue\u002Fengineering-the-disposable-diaper\u002F) Words by Virginia Postrel Benjamin Spock told mothers in the mid-twentieth century to buy six dozen cloth diapers and a covered pail. Within a decade, both were obsolete. Read more → Plumbing [ Modern Hindu temples ](\u002Fissue\u002Fmodern-hindu-temples\u002F) Words by Tilak Parekh Most ancient architectural traditions have withered, but one is enjoying a golden age: Hindu temple architecture. Read more → Trads [ The invention of buses ](\u002Fissue\u002Fthe-invention-of-buses\u002F) Words by Samuel Hughes Wheeled vehicles existed for 5,000 years before someone thought of running a bus service. Read more → Inevitability [ The world’s most complex machine ](\u002Fissue\u002Fthe-worlds-most-complex-machine\u002F) Words by Neil Hacker By betting on extreme ultraviolet lithography long before it worked, ASML became the chokepoint for cutting-edge chips. Read more → Dutchmen [ How Britain learned and unlearned nuclear ](\u002Fissue\u002Fhow-the-uk-learned-and-unlearned-nuclear\u002F) Words by Alex Chalmers Britain gave an elite group of engineers sweeping power and massive resources to deliver a nuclear power revolution. But their nuclear dreams crumbled. Read more → Technocrats [ How Australia really stopped the boats ](\u002Fissue\u002Fhow-australia-really-stopped-the-boats\u002F) Words by Amelia Wood Many countries want to copy Australia’s immigration rules. But its most-copied border policy is not the one that worked. Read more → Turnbacks [ Why Japan has such good railways ](\u002Fissue\u002Fwhy-japan-has-such-good-railways\u002F) Words by Matthew Bornholt & Benedict Springbett Japan’s railways are the finest in the world. Other countries can copy its formula. Read more → Privatization [ A brief history of instant coffee ](\u002Fissue\u002Fa-brief-history-of-instant-coffee\u002F) Words by Benjamin Stubbing & Oscar Sykes Instant coffee seems unremarkable. It’s just powder and hot water. But making it work took decades. Read more → Maltodextrin [ Escaping the Ogallala trap ](\u002Fissue\u002Fescaping-the-ogallala-trap\u002F) Words by Ben Southwood There is a closing window to stop driverless cars from creating omnigridlock. Read more → Tolls Get the best of WIP in your inbox A free newsletter on the ideas driving scientific and technological progress [ Spotlight Issue 22 ](\u002Fissue-22\u002F) ### Why Europe doesn’t have a Tesla Words by Pieter Garicano Europe’s cutting edge firms are falling far behind the American frontier because of restrictive labor laws. [ Read more → ](\u002Fissue\u002Fwhy-europe-doesnt-have-a-tesla\u002F) Failure costs [ How TV learned to sell itself ](\u002Fissue\u002Fhow-tv-learned-to-sell-itself\u002F) Words by Virginia Postrel Sports solved a problem that nearly killed television. Read more → Boxing [ The market for marriage ](\u002Fissue\u002Fmarriage-customs-very-different-from-ours\u002F) Words by Olympia Campbell It is a truth universally acknowledged, that a single man in possession of a good agricultural surplus, must be in want of a wife. Read more → Bachelor cults [ Meet your greens ](\u002Fissue\u002Fsculpting-cabbages\u002F) Words by Alex Wakeman How a single unappetizing shrub became dozens of different vegetables. Read more → Polyploidy [ Why Communist reforms nearly always failed ](\u002Fissue\u002Fwhy-communist-reforms-nearly-always-failed\u002F) Words by Michael Hill Communism had reforming optimists too. Understanding why they failed can help today’s reformers to avoid the same fate. Read more → Freedom [ The NIMBY problem ](\u002Fissue\u002Fthe-nimby-problem\u002F) Words by David Foster & Joseph Warren Not all NIMBYs are alike. Dividing the most unreasonable ones from the rest might be the key to getting homes built. Read more → SB 79 [ The perks of being a mole rat ](\u002Fissue\u002Fthe-perks-of-being-a-mole-rat\u002F) Words by Aria Schrecker The secrets to extending human lifespans might lie in the animals that can already live for centuries. Read more → Metabolism [ Urban expansion in the age of liberalism ](\u002Fissue\u002Furban-expansion-in-the-age-of-liberalism\u002F) Words by Samuel Hughes Many Victorian cities grew by tenfold in a century. Could ours ever do the same? Read more → Hotelling's Law [ The gold plating of American water ](\u002Fissue\u002Fthe-gold-plating-of-american-water\u002F) Words by Judge Glock Clean drinking water is a modern miracle. But it has become expensive, and it doesn’t need to be. Read more → ALARA [ The United States needs fewer bus stops ](\u002Fissue\u002Fthe-united-states-needs-fewer-bus-stops\u002F) Words by Nithin Vejendla Bus stop balancing is fast, cheap, and effective. It can turn a service people tolerate into one they’re happy to use. Read more → Walksheds [ Get the print magazine * Subscribe for $100 to receive six beautiful issues per year. Subscribe today to receive a copy of Issue 23. Subscribe Matthew Bornholt and Benedict Springbett on Japanese railways Luzia Bruckkamp and Ruxandra Teslo on freezing eggs Alex Chalmers on building nuclear reactors Neil Hacker on the genius of ASML Samuel Hughes on the invention of buses Tilak Parekh on modern Hindu temples Ben Southwood on the Ogallala trap Oscar Sykes and Ben Stubbing on the history of instant coffee Amelia Wood on offshore processing ](https:\u002F\u002Fworksinprogress.co\u002Fprint) [ Notes ](\u002Fnotes-on-progress\u002F) [ The wonder of modern drywall ](\u002Fissue\u002Fthe-wonder-of-modern-drywall\u002F) Words by Yassine Meskhout No person should get excited about a blank wall. But your wall at home is a reminder that most advancements are almost entirely invisible. Read more → Sandwiches [ The dysfunctional tiger ](\u002Fissue\u002Fthe-dysfunctional-tiger\u002F) Words by Benedict Springbett Hong Kong has land to build on, an autocratic government, and the world’s most expensive housing. Why doesn’t it build more? Read more → Anglosphere [ Fixing retail with land value capture ](\u002Fissue\u002Ffixing-retail-with-land-value-capture\u002F) Words by Phil Levin & Ben Southwood How to create beautiful shopping streets everywhere. Read more → Wine Bars [ Fermenting revolution ](\u002Fissue\u002Ffermenting-revolution\u002F) Words by Phoebe Arslanagic-Little The scientific and technological battle against bad bread had a role in women’s liberation. Read more → Tea Rooms [ Cheap ornament and status games ](\u002Fissue\u002Fcheap-ornament-and-status-games\u002F) Words by Samuel Hughes Was modernism originally a way to signal taste instead of wealth? Read more → Modernism [ The value of technological progress ](\u002Fissue\u002Fthe-value-of-technological-progress\u002F) Words by Matt Clancy Evidence from the life of Matt Clancy. Read more → Spotify [ Spotlight Issue 21 ](\u002Fissue-21\u002F) [ The Great Downzoning ](\u002Fissue\u002Fthe-great-downzoning\u002F) Words by Samuel Hughes It was once legal to build almost anything, everywhere. Then, in the space of a few decades, nearly every city in the Western world banned densification. What happened? [ Read more → ](\u002Fissue\u002Fthe-great-downzoning\u002F) Covenants [ Were classical statues painted horribly? ](\u002Fissue\u002Fwere-classical-statues-painted-horribly\u002F) Words by Ralph S Weir It is often suggested that modern viewers dislike painted reconstructions of Greek and Roman statues because our taste differs from that of the ancients. This essay proposes an alternative. Read more → Chromophobes [ Two is already too many ](\u002Fissue\u002Ftwo-is-already-too-many\u002F) Words by [Phoebe …",{"id":662,"height":13,"width":12,"blurhash":663},"11ad8ed2-b1d9-4cce-87d6-13c8801be134","radial-gradient(at 0 0,#fffffe,#00000000 50%),radial-gradient(at 33% 0,#f3e8ed,#00000000 50%),radial-gradient(at 67% 0,#f9f2f4,#00000000 50%),radial-gradient(at 100% 0,#fffffe,#00000000 50%),radial-gradient(at 0 50%,#a29d8f,#00000000 50%),radial-gradient(at 33% 50%,#7c6e5c,#00000000 50%),radial-gradient(at 67% 50%,#bfb6ad,#00000000 50%),radial-gradient(at 100% 50%,#e9e2df,#00000000 50%),radial-gradient(at 0 100%,#e4e1e2,#00000000 50%),radial-gradient(at 33% 100%,#adaabc,#00000000 50%),radial-gradient(at 67% 100%,#cbc5d1,#00000000 50%),radial-gradient(at 100% 100%,#f7f1f1,#00000000 50%)",{"id":665,"height":15,"width":14,"blurhash":402},"37d6cfc3-2a5c-4542-834f-17c3074fcd7e",[667,670,673,676,679,682,685,688,691,694,697,700,703,706,709,712,715,718,721,724,727,730,733,736,739,742,745,748,751,754],{"directus_files_id":668},{"id":669},"5b51366e-d75e-42e0-b835-44c097654a5b",{"directus_files_id":671},{"id":672},"8ddb3d40-fc59-4233-9787-7b195be8c57a",{"directus_files_id":674},{"id":675},"2f2cfa59-1c67-4c4a-b8c7-92980cdb356c",{"directus_files_id":677},{"id":678},"6f3bdb3d-09ca-41b8-9947-c8ba02f96d74",{"directus_files_id":680},{"id":681},"70b65201-6963-41ea-b67d-0dfad91ef2db",{"directus_files_id":683},{"id":684},"d9a362e6-c702-4be6-acce-d11b6e25ad3a",{"directus_files_id":686},{"id":687},"e27f4368-f3fa-4f7b-8984-db8714e6cc5d",{"directus_files_id":689},{"id":690},"7a3c9706-1fc7-40b0-8921-69d878cab23e",{"directus_files_id":692},{"id":693},"cd44f7eb-9f6f-46d4-811f-51598e8cbaf2",{"directus_files_id":695},{"id":696},"d9c8961d-9b3e-4976-ab2e-1b0d95035c69",{"directus_files_id":698},{"id":699},"3005661e-9d94-4f56-b66f-ff97f1a0918c",{"directus_files_id":701},{"id":702},"1c79a4e8-c1a2-464e-a4a9-a1aa3c4e583d",{"directus_files_id":704},{"id":705},"cbc4e4a9-8528-4c7e-a246-6f1c77d8ccf3",{"directus_files_id":707},{"id":708},"511749e5-33da-4f0c-8a7c-4dddae77bc11",{"directus_files_id":710},{"id":711},"7ebd873a-32b7-42b9-b132-176b0b19e326",{"directus_files_id":713},{"id":714},"1ba95c31-0d7c-435f-92e8-a01cf6f02a51",{"directus_files_id":716},{"id":717},"da9efda1-2ab0-4fa2-b742-952ed82475a6",{"directus_files_id":719},{"id":720},"d0627c6a-177e-496d-b473-edd5767da0df",{"directus_files_id":722},{"id":723},"d4d5a75d-88f8-4cc2-9b6b-d7b0f8851114",{"directus_files_id":725},{"id":726},"85bdc3e8-8674-4014-a4d8-155604b1d83f",{"directus_files_id":728},{"id":729},"0e345f96-7a45-415d-a2e6-d7ff95f88c5f",{"directus_files_id":731},{"id":732},"a212371c-9639-4617-ad23-cc77591572db",{"directus_files_id":734},{"id":735},"da035909-4baf-4a70-be2b-f226b8c19d51",{"directus_files_id":737},{"id":738},"7c683bfd-6336-49c7-a996-fb131755dfb0",{"directus_files_id":740},{"id":741},"c5a1c9b8-39b7-40ef-a971-1f19ab6a8cc9",{"directus_files_id":743},{"id":744},"5d826ea6-aa5a-4ffe-abd2-10a89b42c53e",{"directus_files_id":746},{"id":747},"a1417bd1-183c-4bd5-b21d-eeef7d002b22",{"directus_files_id":749},{"id":750},"3806b6d2-5c08-49a9-8fc0-905209be06f5",{"directus_files_id":752},{"id":753},"bd796ec2-dafb-4584-88e3-a0c37494a2ef",{"directus_files_id":755},{"id":756},"2caf8eaa-e234-4b57-a123-1a649bfba8aa",[758],{"languages_code":496,"description":759},"Works in Progress is a high-concept intellectual magazine dedicated to exploring underrated ideas that drive global progress. Its purpose is to serve as a platform for deep-dive essays on complex topics ranging from economic growth and technology to metascience and urban policy. The publication positions itself as a vital resource for thinkers, policymakers, and curious minds looking to understand the underlying mechanics of a changing world.\n\nThe visual identity is sophisticated and editorial, characterized by a striking blend of bold, typographic layouts and whimsical, high-quality illustrations. The design utilizes a structured grid system that balances intellectual rigor with artistic flair, employing a palette of deep navy, cream, and mustard yellow. The aesthetic is decidedly modern and intellectual, eschewing traditional news layouts for a more curated, boutique magazine feel that emphasizes storytelling and visual depth.",[26,761,34],"Illustrative \u002F Hand-drawn",[763],"And—Now",[765,765],"GT America Mono",[],[768,769,770,771],{"score":135,"category":128},{"score":216,"category":131},{"score":135,"category":134},{"score":135,"category":137},[773,774,775,776],{"score":526,"category":128},{"score":216,"category":131},{"score":135,"category":134},{"score":135,"category":137},[146,158,778,162],"brown","Website: Works in Progress. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Works in Progress Magazine. Page description: A magazine dedicated to new and underrated ideas to improve the world, featuring original writing from the world's most interesting thinkers.. Page content: Works in Progress [ Spotlight Issue 23 ](\u002Fissue-23\u002F) [ We’re freezing our eggs; maybe you should too ](\u002Fissue\u002Fwere-freezing-our-eggs-maybe-you-should-too\u002F) Words by Luzia Bruckamp & Ruxandra Teslo Science has largely solved the problem of reproductive ageing for women, but they have to prepare while they’re young. [ Read more → ](\u002Fissue\u002Fwere-freezing-our-eggs-maybe-you-should-too\u002F) Spain [ Engineering the disposable diaper ](\u002Fissue\u002Fengineering-the-disposable-diaper\u002F) Words by Virginia Postrel Benjamin Spock told mothers in the mid-twentieth century to buy six dozen cloth diapers and a covered pail. Within a decade, both were obsolete. Read more → Plumbing [ Modern Hindu temples ](\u002Fissue\u002Fmodern-hindu-temples\u002F) Words by Tilak Parekh Most ancient architectural traditions have withered, but one is enjoying a golden age: Hindu temple architecture. Read more → Trads [ The invention of buses ](\u002Fissue\u002Fthe-invention-of-buses\u002F) Words by Samuel Hughes Wheeled vehicles existed for 5,000 years before someone thought of running a bus service. Read more → Inevitability [ The world’s most complex machine ](\u002Fissue\u002Fthe-worlds-most-complex-machine\u002F) Words by Neil Hacker By betting on extreme ultraviolet lithography long before it worked, ASML became the chokepoint for cutting-edge chips. Read more → Dutchmen [ How Britain learned and unlearned nuclear ](\u002Fissue\u002Fhow-the-uk-learned-and-unlearned-nuclear\u002F) Words by Alex Chalmers Britain gave an elite group of engineers sweeping power and massive resources to deliver a nuclear power revolution. But their nuclear dreams crumbled. Read more → Technocrats [ How Australia really stopped the boats ](\u002Fissue\u002Fhow-australia-really-stopped-the-boats\u002F) Words by Amelia Wood Many countries want to copy Australia’s immigration rules. But its most-copied border policy is not the one that worked. Read more → Turnbacks [ Why Japan has such good railways ](\u002Fissue\u002Fwhy-japan-has-such-good-railways\u002F) Words by Matthew Bornholt & Benedict Springbett Japan’s railways are the finest in the world. Other countries can copy its formula. Read more → Privatization [ A brief history of instant coffee ](\u002Fissue\u002Fa-brief-history-of-instant-coffee\u002F) Words by Benjamin Stubbing & Oscar Sykes Instant coffee seems unremarkable. It’s just powder and hot water. But making it work took decades. Read more → Maltodextrin [ Escaping the Ogallala trap ](\u002Fissue\u002Fescaping-the-ogallala-trap\u002F) Words by Ben Southwood There is a closing window to stop driverless cars from creating omnigridlock. Read more → Tolls Get the best of WIP in your inbox A free newsletter on the ideas driving scientific and technological progress [ Spotlight Issue 22 ](\u002Fissue-22\u002F) ### Why Europe doesn’t have a Tesla Words by Pieter Garicano Europe’s cutting edge firms are falling far behind the American frontier because of restrictive labor laws. [ Read more → ](\u002Fissue\u002Fwhy-europe-doesnt-have-a-tesla\u002F) Failure costs [ How TV learned to sell itself ](\u002Fissue\u002Fhow-tv-learned-to-sell-itself\u002F) Words by Virginia Postrel Sports solved a problem that nearly killed television. Read more → Boxing [ The market for marriage ](\u002Fissue\u002Fmarriage-customs-very-different-from-ours\u002F) Words by Olympia Campbell It is a truth universally acknowledged, that a single man in possession of a good agricultural surplus, must be in want of a wife. Read more → Bachelor cults [ Meet your greens ](\u002Fissue\u002Fsculpting-cabbages\u002F) Words by Alex Wakeman How a single unappetizing shrub became dozens of different vegetables. Read more → Polyploidy [ Why Communist reforms nearly always failed ](\u002Fissue\u002Fwhy-communist-reforms-nearly-always-failed\u002F) Words by Michael Hill Communism had reforming optimists too. Understanding why they failed can help today’s reformers to avoid the same fate. Read more → Freedom [ The NIMBY problem ](\u002Fissue\u002Fthe-nimby-problem\u002F) Words by David Foster & Joseph Warren Not all NIMBYs are alike. Dividing the most unreasonable ones from the rest might be the key to getting homes built. Read more → SB 79 [ The perks of being a mole rat ](\u002Fissue\u002Fthe-perks-of-being-a-mole-rat\u002F) Words by Aria Schrecker The secrets to extending human lifespans might lie in the animals that can already live for centuries. Read more → Metabolism [ Urban expansion in the age of liberalism ](\u002Fissue\u002Furban-expansion-in-the-age-of-liberalism\u002F) Words by Samuel Hughes Many Victorian cities grew by tenfold in a century. Could ours ever do the same? Read more → Hotelling's Law [ The gold plating of American water ](\u002Fissue\u002Fthe-gold-plating-of-american-water\u002F) Words by Judge Glock Clean drinking water is a modern miracle. But it has become expensive, and it doesn’t need to be. Read more → ALARA [ The United States needs fewer bus stops ](\u002Fissue\u002Fthe-united-states-needs-fewer-bus-stops\u002F) Words by Nithin Vejendla Bus stop balancing is fast, cheap, and effective. It can turn a service people tolerate into one they’re happy to use. Read more → Walksheds [ Get the print magazine * Subscribe for $100 to receive six beautiful issues per year. Subscribe today to receive a copy of Issue 23. Subscribe Matthew Bornholt and Benedict Springbett on Japanese railways Luzia Bruckkamp and Ruxandra Teslo on freezing eggs Alex Chalmers on building nuclear reactors Neil Hacker on the genius of ASML Samuel Hughes on the invention of buses Tilak Parekh on modern Hindu temples Ben Southwood on the Ogallala trap Oscar Sykes and Ben Stubbing on the history of instant coffee Amelia Wood on offshore processing ](https:\u002F\u002Fworksinprogress.co\u002Fprint) [ Notes ](\u002Fnotes-on-progress\u002F) [ The wonder of modern drywall ](\u002Fissue\u002Fthe-wonder-of-modern-drywall\u002F) Words by Yassine Meskhout No person should get excited about a blank wall. But your wall at home is a reminder that most advancements are almost entirely invisible. Read more → Sandwiches [ The dysfunctional tiger ](\u002Fissue\u002Fthe-dysfunctional-tiger\u002F) Words by Benedict Springbett Hong Kong has land to build on, an autocratic government, and the world’s most expensive housing. Why doesn’t it build more? Read more → Anglosphere [ Fixing retail with land value capture ](\u002Fissue\u002Ffixing-retail-with-land-value-capture\u002F) Words by Phil Levin & Ben Southwood How to create beautiful shopping streets everywhere. Read more → Wine Bars [ Fermenting revolution ](\u002Fissue\u002Ffermenting-revolution\u002F) Words by Phoebe Arslanagic-Little The scientific and technological battle against bad bread had a role in women’s liberation. Read more → Tea Rooms [ Cheap ornament and status games ](\u002Fissue\u002Fcheap-ornament-and-status-games\u002F) Words by Samuel Hughes Was modernism originally a way to signal taste instead of wealth? Read more → Modernism [ The value of technological progress ](\u002Fissue\u002Fthe-value-of-technological-progress\u002F) Words by Matt Clancy Evidence from the life of Matt Clancy. Read more → Spotify [ Spotlight Issue 21 ](\u002Fissue-21\u002F) [ The Great Downzoning ](\u002Fissue\u002Fthe-great-downzoning\u002F) Words by Samuel Hughes It was once legal to build almost anything, everywhere. Then, in the space of a few decades, nearly every city in the Western world banned densification. What happened? [ Read more → ](\u002Fissue\u002Fthe-great-downzoning\u002F) Covenants [ Were classical statues painted horribly? ](\u002Fissue\u002Fwere-classical-statues-painted-horribly\u002F) Words by Ralph S Weir It is often suggested that modern viewers dislike painted reconstructions of Greek and Roman statues because our taste differs from that of the ancients. This essay proposes an alternative. Read more → Chromophobes [ Two is already too many ](\u002Fissue\u002Ftwo-is-already-too-many\u002F) Words by [Phoebe …. A Clean \u002F Minimalist, Illustrative \u002F Hand-drawn, Typographic \u002F Big Type website in the Entertainment & Media industry. Designed by And—Now. The overall color palette features White, Black, Brown, Gray. The typography features GT America Mono (Sans Serif, Grilli Type), GT America Mono (Sans Serif, Grilli Type). AI description: Works in Progress is a high-concept intellectual magazine dedicated to exploring underrated ideas that drive global progress. Its purpose is to serve as a platform for deep-dive essays on complex topics ranging from economic growth and technology to metascience and urban policy. The publication positions itself as a vital resource for thinkers, policymakers, and curious minds looking to understand the underlying mechanics of a changing world. The visual identity is sophisticated and editorial, characterized by a striking blend of bold, typographic layouts and whimsical, high-quality illustrations. The design utilizes a structured grid system that balances intellectual rigor with artistic flair, employing a palette of deep navy, cream, and mustard yellow. The aesthetic is decidedly modern and intellectual, eschewing traditional news layouts for a more curated, boutique magazine feel that emphasizes storytelling and visual depth.",{"id":781,"website_id":782,"page_id":781,"name":783,"slug":784,"url":785,"website_name":783,"website_slug":784,"website_url":786,"result_url":785,"fetched_at":787,"score":788,"score_boost":387,"ai_score":239,"freshness_score":195,"scored_at":789,"page_name":40,"page_url":785,"page_title":790,"page_description":791,"page_content":792,"page_sort":387,"is_home":394,"is_home_rank":395,"page_type_id":396,"page_type_name":46,"cover":793,"cover_mobile":796,"cover_sequence":798,"translations":871,"industry":874,"styles":875,"credits":876,"font_families":877,"technologies":878,"pagespeed":879,"pagespeed_mobile":887,"buckets":892,"search_payload":893},"6bb55517-6429-4bed-b4a0-267ebf415a05","df6163de-504a-4901-8e05-725dc164b7e5","Migrant Journal","migrantjournal","https:\u002F\u002Fmigrantjournal.com\u002F","https:\u002F\u002Fmigrantjournal.com","2026-05-05T15:46:46.000Z",84,"2026-05-23T19:36:33.000Z","MIGRANT JOURNAL","Migrant Journal is a six-issue publication exploring the circulation of people, goods, information, and even fauna and flora, around the world.","Migrant Journal is a six-issue publication exploring the circulation of people, goods, information, fauna and flora around the world and the transformative impact they have on space. ISSUE 6: FOREIGN AGENTS Migrant subjects create migrant imaginaries. The very notion of culture is inseparable from these processes of diffusion, friction, transformation and creolization. When the journeys and experiences of people on the move are documented and represented, migration itself becomes the subject of culture. Rituals and institutions, knowledge and identities, phonemes, pigments and pixels, notions of taste, class, gender or ethnicity migrate across time and space at any given epoch. Pause slideshow Play slideshow - Slide 1 - Slide 2 - Slide 3 - Slide 4 In the sixth and final issue of MIGRANT JOURNAL, you will follow the journeys of Diamond Painting across China, the real-life utopia of Esperanto, the bedazzled domes of Jerusalem and the digital landscapes of Poland, an exploration of Freud's 'uncanny' and Borges's labyrinths, but also _buddae jjigae_ and fusion-style Polish carp among many other stories. Pause slideshow Play slideshow - Slide 1 - Slide 2 - Slide 3 - Slide 4 TABLE OF CONTENTS Jesse Connuck → SPAM AMERICANA Paul Wilson → ESPERANTUJO, LAND OF THE HOPEFUL Reinhard Schmidt and Gabriel Amza → PALMS ON BALCONIES Jonathan Liebembuk → UNCANNY LABYRINTHS Dima Srouji → BEDAZZLED JERUSALEM: CITY SIMULACRA AND UNORIGINAL TRUTHS Pol Esteve and Dennis Pohl → POST-IMAGE EU: FROM TV SETS TO DATA FLOWS Benjamin Orlow → ASAFO FLAGS Martina Muzi → 5D DIAMOND FAMILY PORTRAIT Nice Katlehong → MASKANDI, THE TRAVELLING MAN’S MUSIC Mirjam Kooiman → RUN, FOREST, RUN! Dámaso Randulfe → DISLOCATIONS Marta Michalowska → CYPRINUS CARPIO FROM TESCO Andrew Scheinman → THE LAND WHERE LAURELS GROW Kaspar Hauser → THE COMFORTING SHADOW OF KNOWLEDGE Subscribe to our newsletter",{"id":794,"height":13,"width":12,"blurhash":795},"c3287984-acdc-4ac5-924b-4a31f358d69b","radial-gradient(at 0 0,#a6a2ab,#00000000 50%),radial-gradient(at 33% 0,#aeaeb2,#00000000 50%),radial-gradient(at 67% 0,#b6b8b9,#00000000 50%),radial-gradient(at 100% 0,#adadaf,#00000000 50%),radial-gradient(at 0 50%,#000000,#00000000 50%),radial-gradient(at 33% 50%,#61685a,#00000000 50%),radial-gradient(at 67% 50%,#879384,#00000000 50%),radial-gradient(at 100% 50%,#404b3b,#00000000 50%),radial-gradient(at 0 100%,#3e2838,#00000000 50%),radial-gradient(at 33% 100%,#70766c,#00000000 50%),radial-gradient(at 67% 100%,#8f9e8c,#00000000 50%),radial-gradient(at 100% 100%,#70766c,#00000000 50%)",{"id":797,"height":15,"width":14,"blurhash":402},"7ef791ef-6965-4949-919b-e1fde7dcdf67",[799,802,805,808,811,814,817,820,823,826,829,832,835,838,841,844,847,850,853,856,859,862,865,868],{"directus_files_id":800},{"id":801},"7fb0a379-49c9-40db-8857-2da33707817b",{"directus_files_id":803},{"id":804},"978088eb-7be0-406d-87b9-f31e50e0ab36",{"directus_files_id":806},{"id":807},"43f2cba8-6589-4415-bfe0-50cc4dc8293d",{"directus_files_id":809},{"id":810},"c0e7c452-84c1-4cca-ad1d-858e46ba24fd",{"directus_files_id":812},{"id":813},"fe1a6bc1-9afe-4eec-8dfb-19ee42be31d6",{"directus_files_id":815},{"id":816},"42355f32-d0a6-46cb-b6db-325e347e426e",{"directus_files_id":818},{"id":819},"185d6bb0-b45f-414b-90e8-80aeb93edaec",{"directus_files_id":821},{"id":822},"64b3eb87-951a-4f9e-9ab6-173b1a705ed7",{"directus_files_id":824},{"id":825},"844d9b51-2e72-4686-b07f-1257b684ea3f",{"directus_files_id":827},{"id":828},"e79881a8-3f06-4820-892d-6f9d9597b3d6",{"directus_files_id":830},{"id":831},"8f26ce7e-f075-4cb1-a92b-f1664467c740",{"directus_files_id":833},{"id":834},"059f238c-e481-45e0-90d1-d92ce225944a",{"directus_files_id":836},{"id":837},"ff97f281-e58c-4a7f-bb86-c43509e8bb4e",{"directus_files_id":839},{"id":840},"f3b4d33c-b066-4c9d-934b-d1ff92491d85",{"directus_files_id":842},{"id":843},"52c8d2ee-8d64-4891-8099-2c8787b60441",{"directus_files_id":845},{"id":846},"89fbaacd-a369-4535-9a93-9ecddf6c0797",{"directus_files_id":848},{"id":849},"2bb805b1-fc0b-4b65-a76b-4aa71b0f617e",{"directus_files_id":851},{"id":852},"1e3dbc9a-2625-4fdb-9244-b714aedbac5c",{"directus_files_id":854},{"id":855},"d3498c14-dccc-4a8f-b36b-52809b9df003",{"directus_files_id":857},{"id":858},"cc361331-b0ad-4870-8df3-106a4d1b6ee5",{"directus_files_id":860},{"id":861},"2d281cf4-02d0-479c-840d-607cd880b988",{"directus_files_id":863},{"id":864},"225c3b60-073e-4023-888f-7b53cdabc6f4",{"directus_files_id":866},{"id":867},"49d50aea-815c-423e-8689-d67e06031bd6",{"directus_files_id":869},{"id":870},"4aef38dd-7b80-46fd-bf8a-22c546546044",[872],{"languages_code":496,"description":873},"Migrant Journal is a sophisticated, multi-issue publication that serves as a vessel for exploring the complex global circulation of people, goods, and information. Its digital presence mirrors the intellectual depth of its content, utilizing a high-contrast, avant-garde aesthetic to engage a discerning audience of academics, artists, and cultural theorists.\n\nThe visual identity is defined by a bold, experimental use of color and typography. By pairing deep, dark backgrounds with vibrant, neon-adjacent accents and striking graphic layouts, the site establishes a sense of urgency and contemporary relevance. The design feels less like a traditional e-commerce storefront and more like a curated digital gallery, emphasizing the tactile and artistic value of the physical journal.","Art & Culture",[26,285,34],[],[],[311,304],[880,882,884,886],{"score":881,"category":128},98,{"score":883,"category":131},97,{"score":885,"category":134},96,{"score":135,"category":137},[888,889,890,891],{"score":216,"category":128},{"score":135,"category":131},{"score":237,"category":134},{"score":135,"category":137},[146,158,162],"Website: Migrant Journal. Page: Homepage. Page type: Home \u002F Landing Page. Page title: MIGRANT JOURNAL. Page description: Migrant Journal is a six-issue publication exploring the circulation of people, goods, information, and even fauna and flora, around the world.. Page content: Migrant Journal is a six-issue publication exploring the circulation of people, goods, information, fauna and flora around the world and the transformative impact they have on space. ISSUE 6: FOREIGN AGENTS Migrant subjects create migrant imaginaries. The very notion of culture is inseparable from these processes of diffusion, friction, transformation and creolization. When the journeys and experiences of people on the move are documented and represented, migration itself becomes the subject of culture. Rituals and institutions, knowledge and identities, phonemes, pigments and pixels, notions of taste, class, gender or ethnicity migrate across time and space at any given epoch. Pause slideshow Play slideshow - Slide 1 - Slide 2 - Slide 3 - Slide 4 In the sixth and final issue of MIGRANT JOURNAL, you will follow the journeys of Diamond Painting across China, the real-life utopia of Esperanto, the bedazzled domes of Jerusalem and the digital landscapes of Poland, an exploration of Freud's 'uncanny' and Borges's labyrinths, but also _buddae jjigae_ and fusion-style Polish carp among many other stories. Pause slideshow Play slideshow - Slide 1 - Slide 2 - Slide 3 - Slide 4 TABLE OF CONTENTS Jesse Connuck → SPAM AMERICANA Paul Wilson → ESPERANTUJO, LAND OF THE HOPEFUL Reinhard Schmidt and Gabriel Amza → PALMS ON BALCONIES Jonathan Liebembuk → UNCANNY LABYRINTHS Dima Srouji → BEDAZZLED JERUSALEM: CITY SIMULACRA AND UNORIGINAL TRUTHS Pol Esteve and Dennis Pohl → POST-IMAGE EU: FROM TV SETS TO DATA FLOWS Benjamin Orlow → ASAFO FLAGS Martina Muzi → 5D DIAMOND FAMILY PORTRAIT Nice Katlehong → MASKANDI, THE TRAVELLING MAN’S MUSIC Mirjam Kooiman → RUN, FOREST, RUN! Dámaso Randulfe → DISLOCATIONS Marta Michalowska → CYPRINUS CARPIO FROM TESCO Andrew Scheinman → THE LAND WHERE LAURELS GROW Kaspar Hauser → THE COMFORTING SHADOW OF KNOWLEDGE Subscribe to our newsletter. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. Built using MailChimp, Shopify. AI description: Migrant Journal is a sophisticated, multi-issue publication that serves as a vessel for exploring the complex global circulation of people, goods, and information. Its digital presence mirrors the intellectual depth of its content, utilizing a high-contrast, avant-garde aesthetic to engage a discerning audience of academics, artists, and cultural theorists. The visual identity is defined by a bold, experimental use of color and typography. By pairing deep, dark backgrounds with vibrant, neon-adjacent accents and striking graphic layouts, the site establishes a sense of urgency and contemporary relevance. The design feels less like a traditional e-commerce storefront and more like a curated digital gallery, emphasizing the tactile and artistic value of the physical journal."]