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Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.","Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …",true,1,"1",{"id":333,"height":13,"width":12,"blurhash":334},"cc28f65c-6c0c-448a-9543-4f6fc1dcd579","radial-gradient(at 0 0,#eeeeee,#00000000 50%),radial-gradient(at 33% 0,#f6f6f6,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#dddddd,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 100% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 0 100%,#dadada,#00000000 50%),radial-gradient(at 33% 100%,#dddddd,#00000000 50%),radial-gradient(at 67% 100%,#dddddd,#00000000 50%),radial-gradient(at 100% 100%,#dbdbdb,#00000000 50%)",{"id":336,"height":15,"width":14,"blurhash":337},"ee35a35b-7056-4b3b-a410-6d8fb821f9de",null,[339],{"directus_files_id":340},{"id":341},"d1e1dfc1-2478-4823-a5a8-615901f1ed26",[343],{"languages_code":344,"description":345},"en","Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives.\n\nThe visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector.","Agency & Studio",[30,348,34],"Monochrome \u002F Grayscale",[350],"Liebermann Kiepe Reddemann",[352],"Favorit",[230],[355,356,358,360],{"score":170,"category":70},{"score":357,"category":73},67,{"score":359,"category":76},96,{"score":170,"category":79},[362,363,364,365],{"score":175,"category":70},{"score":357,"category":73},{"score":359,"category":76},{"score":170,"category":79},[88,96,92],"Website: Sandra Doeller. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Sandra Doeller. Page description: Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.. Page content: Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …. 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I have a varied artistic practice to say the least, with wide explorations in painting, sculpture and large scale light and sound installations, as part of the artist collective B612. When painting, I work in an intuitive and meditative state of flow, exploring form, composition and visual narrative. The strokes quite literally explore the canvas through energetic lines, patterns and glyph-like compositions which resemble life’s myriad forms - both real and fictional. My bold use of colour and abstracted expressions draw inspiration from a fascination of ancient civilisations such as the Aztecs, the Egyptians, and as far back as cave paintings. I am particularly fascinated by the similarities that many ancient cultures share and the ways in which their stories have been told through art and architecture. A key topic of my interest and research revolves around the practice of shamanism and the depiction of supernatural experiences. Please feel free to contact me regarding any possible collaborations, project ideas and inquiries into the price, purchase or commission of artworks. ‍ lukaskeysell@gmail.com +45 52 78 10 47 @lukaskeysell Lukas Keysell. Artist. [ ](https:\u002F\u002Fwww.instagram.com\u002Flukaskeysell\u002F) Lukas Keysell. Artist. EDUCATION EXHIBITIONS & INSTALLATIONS ACKNOWLEDGEMENTS & AWARDS Bachelor of Arts Degree in Graphic Arts (specialised in Graphic Design) Winchester School of Art, United Kingdom September 2015 – July 2018 Masters Degree in Graphic Communication Design Royal Danish Academy, Denmark September 2019 – July 2021 Exchange Semester in Graphic Design & New Media UMPRUM, Czech Republic February – June 2020 Mycelium Rituals Monument Festival, Veggli, Norway, 2025. Installation. Produced as B612. ‍ Reflect Karrusel Festival, Copenhagen, Denmark, 2025. Installation. Produced as B612. ‍ Translumic Forest Distortion Festival, Copenhagen, Denmark, 2025. Installation. Produced as B612. ‍ Ancient Energy Brus, Copenhagen, Denmark, 2025. Solo exhibition. Curated by Heartclub. Lines & Lines VLM, Copenhagen, Denmark, 2024. Solo exhibition. Curated by Heartclub. ‍ Pop Up Arts Festival Pop Up Arts, Copenhagen, Denmark, 2024. Group exhibition. States of Re-Creation Distortion Festival, Copenhagen, Denmark, 2024. Installation. Produced as B612. Sampai Jumpa Lagi Heimdalsgade 22, Copenhagen, Denmark, 2023. Solo painting exhibition. ‍ Natural Connection Kunstraum in der Au, Munich, Germany, 2023. Interactive installation + Performances by Olivia Brix & Thom Blane. Produced as B612, in collaboration with Thom Blane. Is It Living? Valby Kulturhus, Copenhagen, Denmark, 2023. Installation. Produced as B612. ‍ Hieroglyphic Funk Kunstraum in der Au, Munich, Germany, 2022. Solo painting exhibition. Natural Connection Kune Festival, Copenhagen, Denmark, 2022. Produced as B612, in collaboration with Thom Blane. Tanfoolian Magenta Gallery, Copenhagen, Denmark, 2021. Solo painting exhibition + Live painting event. Framework Vayus Festival, Palanga, Lithuiania, 2021. Interactive installation. Produced as B612, in collaboration with Dominykas Savickas. ‍ Natural Connection Culture Box, Copenhagen, Denmark, 2021. Interactive installation + Performances by Olivia Brix & Thomas Mcgrath. Produced as B612, in collaboration with Thom Blane. Zlin Design Week – Best in Design Communication Design Winner, 2020 International competition for experiment in visual arts – Attempt 4 Grand Prix Winner, 2020 Wallpaper Magazine New Generation: Visual Communication Design Directory, 2019 It’s Nice That Architekton, 2018 Meditative Illustrations, 2020 Collide 24 Art of Seeing Interview, 2020 Die Epilog Illustration feature, 2021 Hoverstat.es Pneu Format Experiments, 2020 Forward Festival Online Feature, 2020 Cart 🛒",{"id":380,"height":13,"width":12,"blurhash":381},"9b1ebb9e-727b-4c2d-99de-aeed4565abd0","radial-gradient(at 0 0,#eb655e,#00000000 50%),radial-gradient(at 33% 0,#f86345,#00000000 50%),radial-gradient(at 67% 0,#c7aaae,#00000000 50%),radial-gradient(at 100% 0,#7ecee1,#00000000 50%),radial-gradient(at 0 50%,#ed8778,#00000000 50%),radial-gradient(at 33% 50%,#f98468,#00000000 50%),radial-gradient(at 67% 50%,#caaeb6,#00000000 50%),radial-gradient(at 100% 50%,#84cae1,#00000000 50%),radial-gradient(at 0 100%,#eb9565,#00000000 50%),radial-gradient(at 33% 100%,#fb9553,#00000000 50%),radial-gradient(at 67% 100%,#b68792,#00000000 50%),radial-gradient(at 100% 100%,#0072b4,#00000000 50%)",{"id":383,"height":15,"width":14,"blurhash":337},"d4c2db3b-b2f0-475b-9fb5-e01491cc65cf",[385],{"directus_files_id":386},{"id":387},"ce04d176-7eb8-457a-a8d4-076ea26c14d6",[389],{"languages_code":344,"description":390},"Lukas Keysell is the digital portfolio and storefront for a Copenhagen-based graphic artist whose work is centered on the pursuit of joy. The website serves as a vibrant gateway to his multifaceted practice, categorizing his output into distinct pillars of Art, Design, and a curated Shop. It is a highly intentional space designed to showcase creative versatility while inviting professional collaborations.\n\nThe visual identity is unapologetically bold, utilizing a high-contrast, color-blocked aesthetic that leans into maximalist joy. Through massive, heavy typography and a saturated, playful color palette, the site communicates a sense of confidence and creative energy. It targets creative directors, brands, and art enthusiasts looking for expressive, high-impact graphic work that breaks away from corporate minimalism.",[392,34,393],"Fun \u002F Playful","Vibrant \u002F Colorful",[],[],[397,398,236],"Readymag","Stripe",[400,402,404,405],{"score":401,"category":70},48,{"score":403,"category":73},80,{"score":77,"category":76},{"score":406,"category":79},61,[408,409,410,411],{"score":192,"category":70},{"score":325,"category":73},{"score":77,"category":76},{"score":406,"category":79},[413,414,415,416,88,92],"pink","teal","violet","red","Website: Lukas Keysell. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Lukas Keysell. Page description: Lukas is a graphic artist working to make life more joyful. Page content: [ ART ](\u002Fart\u002F) [ DESIGN ](\u002Fdesign\u002F) [ SHOP ](\u002Fshop\u002F) [ ](https:\u002F\u002Fb612.group\u002F) [ ABOUT LUKAS ](javascript:void\\(0\\))[ BACK TO TOP ](\u002Fhome\u002F) LUKAS KEYSELL [ ](javascript:void\\(0\\))[ ](javascript:void\\(0\\)) Hello, my name is Lukas Keysell and I'm a half Danish, half English artist based in Copenhagen. I have a varied artistic practice to say the least, with wide explorations in painting, sculpture and large scale light and sound installations, as part of the artist collective B612. When painting, I work in an intuitive and meditative state of flow, exploring form, composition and visual narrative. The strokes quite literally explore the canvas through energetic lines, patterns and glyph-like compositions which resemble life’s myriad forms - both real and fictional. My bold use of colour and abstracted expressions draw inspiration from a fascination of ancient civilisations such as the Aztecs, the Egyptians, and as far back as cave paintings. I am particularly fascinated by the similarities that many ancient cultures share and the ways in which their stories have been told through art and architecture. A key topic of my interest and research revolves around the practice of shamanism and the depiction of supernatural experiences. Please feel free to contact me regarding any possible collaborations, project ideas and inquiries into the price, purchase or commission of artworks. ‍ lukaskeysell@gmail.com +45 52 78 10 47 @lukaskeysell Lukas Keysell. Artist. [ ](https:\u002F\u002Fwww.instagram.com\u002Flukaskeysell\u002F) Lukas Keysell. Artist. EDUCATION EXHIBITIONS & INSTALLATIONS ACKNOWLEDGEMENTS & AWARDS Bachelor of Arts Degree in Graphic Arts (specialised in Graphic Design) Winchester School of Art, United Kingdom September 2015 – July 2018 Masters Degree in Graphic Communication Design Royal Danish Academy, Denmark September 2019 – July 2021 Exchange Semester in Graphic Design & New Media UMPRUM, Czech Republic February – June 2020 Mycelium Rituals Monument Festival, Veggli, Norway, 2025. Installation. Produced as B612. ‍ Reflect Karrusel Festival, Copenhagen, Denmark, 2025. Installation. Produced as B612. ‍ Translumic Forest Distortion Festival, Copenhagen, Denmark, 2025. Installation. Produced as B612. ‍ Ancient Energy Brus, Copenhagen, Denmark, 2025. Solo exhibition. Curated by Heartclub. Lines & Lines VLM, Copenhagen, Denmark, 2024. Solo exhibition. Curated by Heartclub. ‍ Pop Up Arts Festival Pop Up Arts, Copenhagen, Denmark, 2024. Group exhibition. States of Re-Creation Distortion Festival, Copenhagen, Denmark, 2024. Installation. Produced as B612. Sampai Jumpa Lagi Heimdalsgade 22, Copenhagen, Denmark, 2023. Solo painting exhibition. ‍ Natural Connection Kunstraum in der Au, Munich, Germany, 2023. Interactive installation + Performances by Olivia Brix & Thom Blane. Produced as B612, in collaboration with Thom Blane. Is It Living? Valby Kulturhus, Copenhagen, Denmark, 2023. Installation. Produced as B612. ‍ Hieroglyphic Funk Kunstraum in der Au, Munich, Germany, 2022. Solo painting exhibition. Natural Connection Kune Festival, Copenhagen, Denmark, 2022. Produced as B612, in collaboration with Thom Blane. Tanfoolian Magenta Gallery, Copenhagen, Denmark, 2021. Solo painting exhibition + Live painting event. Framework Vayus Festival, Palanga, Lithuiania, 2021. Interactive installation. Produced as B612, in collaboration with Dominykas Savickas. ‍ Natural Connection Culture Box, Copenhagen, Denmark, 2021. Interactive installation + Performances by Olivia Brix & Thomas Mcgrath. Produced as B612, in collaboration with Thom Blane. Zlin Design Week – Best in Design Communication Design Winner, 2020 International competition for experiment in visual arts – Attempt 4 Grand Prix Winner, 2020 Wallpaper Magazine New Generation: Visual Communication Design Directory, 2019 It’s Nice That Architekton, 2018 Meditative Illustrations, 2020 Collide 24 Art of Seeing Interview, 2020 Die Epilog Illustration feature, 2021 Hoverstat.es Pneu Format Experiments, 2020 Forward Festival Online Feature, 2020 Cart 🛒. A Fun \u002F Playful, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Art & Culture industry. The overall color palette features Pink, Teal, Violet, Red, White, Gray. Built using Readymag, Stripe, Vue.js. AI description: Lukas Keysell is the digital portfolio and storefront for a Copenhagen-based graphic artist whose work is centered on the pursuit of joy. The website serves as a vibrant gateway to his multifaceted practice, categorizing his output into distinct pillars of Art, Design, and a curated Shop. It is a highly intentional space designed to showcase creative versatility while inviting professional collaborations. The visual identity is unapologetically bold, utilizing a high-contrast, color-blocked aesthetic that leans into maximalist joy. Through massive, heavy typography and a saturated, playful color palette, the site communicates a sense of confidence and creative energy. It targets creative directors, brands, and art enthusiasts looking for expressive, high-impact graphic work that breaks away from corporate minimalism.",{"id":419,"website_id":420,"page_id":419,"name":421,"slug":422,"url":423,"website_name":421,"website_slug":422,"website_url":424,"result_url":423,"fetched_at":425,"score":403,"score_boost":324,"ai_score":426,"freshness_score":427,"scored_at":428,"page_name":421,"page_url":423,"page_title":421,"page_description":429,"page_content":430,"page_sort":324,"is_home":329,"is_home_rank":330,"page_type_id":331,"page_type_name":53,"cover":431,"cover_mobile":434,"cover_sequence":436,"translations":440,"industry":443,"styles":444,"credits":445,"font_families":446,"technologies":447,"pagespeed":450,"pagespeed_mobile":457,"buckets":462,"search_payload":465},"4f4c8da8-14b6-43ee-a9c5-bb1619805ed3","e8d6f32f-f0b1-4651-99db-7e79c18a0dc6","Sandberg Instituut","sandberg-instituut","https:\u002F\u002Fsandberg.nl\u002F","https:\u002F\u002Fsandberg.nl","2026-05-04T17:02:14.000Z",84,75,"2026-05-23T19:18:11.000Z","Master Programmes in Fine Arts, Interior Architecture and Design","scroll to change weight drag mouse horizontally to slant drag mouse vertically to stretch shift-scroll to rotate pen ok | add to collection + [Sandberg Instituut ← Back ](\u002F) | Login | Library About +add to collection Sandberg Instituut About Staff History News Agenda Writings Documentation Open Day Open Sandberg 2026 Open Sandberg 2025 Open Sandberg 2024 Open Sandberg 2023 Open Sandberg 2022 Open Sandberg 2021 Information Programme Images Open Sandberg 2020 Open Sandberg 2019 Open Sandberg 2018 Apply Applications 2026–2028 Financial information Main Departments About Critical Studies Course Team Participants Design Course Projects & Activities Team Participants Dirty Art Department Course Team Participants Fine Arts Course Projects Workshops Team Participants Studio for Immediate Spaces Course Team Participants Temporary Programmes About Phantom Scores About Course Structure Team Monstrous Futurities About Course Structure Team Lumbung Practice About Artificial Times Course Team Participants Planetary Poetics Course Team Collaborations Climate Exchange Platform Public Program Re:master Opera Course Structure of the Course Team F for Fact Course Structure of the Course Team Participants Blacker Blackness Course Team Ecologies of Transformation Course Team Disarming Design Course Disclosing Discomforts Team Participants Solidarity Approaching Language Course Team Lecture Series Participants Resolution Course Team Participants The Commoners' Society Course Team Alumni Challenging Jewellery Course Team Alumni Shadow Channel Team Course Alumni Material Utopias School of Missing Studies Radical Cut-Up Course Team Alumni Cure Master Course Team Alumni Designing Democracy Course Team Alumni Fashion Matters Course Team Alumni Materialisation in Art and Design Course Team Alumni Reinventing Daily Life Course Team Alumni Master of Voice Course Team Projects Alumni Master Design of Experiences About Course Team Programme Partner Institute Alumni System D Academy Course Team Alumni Vacant NL Phantom Scores Rietveld Sandberg Research About Research Organisation Post Graduate Fellows Graduation Graduation 2025 Graduation 2024 Graduation 2023 Graduation 2022 Graduation 2021 Graduation 2020 Graduation 2019 Graduation 2018 Graduation 2017 Graduation 2016 Graduates 2016 Radio Sandberg Photos opening Burgerweeshuis Photos installation Burgerweeshuis Dirty Art Department photos Critical Studies photos Cure Master photos Design photos Designing Democracy photos Studio for Immediate Spaces photos System D Academy photos Fine Arts photos Graduation 2015 Graduation 2015 Graduates 2015 Burgerweeshuis Photos Students Current Alumni Alumni Theses Organisations About unsettling Unsettling Support Student Circle UNDER CONSTRUCTION Commissioned Critique Hear! Here! PUB Englishes MOOC Sandberg Speakeasy Decolonial Futures Sandberg Series De School The Brewery Rietveld Pavilion Typeface Kunstvlaai The One Minutes rematriasi Workshops & Facilities Medialab About Team Workshops Rietveld + Sandberg Contact Newsletter Newsletter PS About Projects Exhibitions Publications Privacy Statement Internal Affairs Your Collection Start slideshow Save Print Share null 0 0 0 0 Please login to manage your collections. Show in public Collections — Remove this collection \\+ new Email — Clear \\[0\\]1724:\u002Fabout 1947:\\[1\\]\u002Fabout 21725:\\[2\\]\u002Fstaff 31683:\\[3\\]\u002Fhistory 34621:\\[4\\]\u002Fnews 22374:\\[5\\]\u002Fagenda 34619:\\[6\\]\u002Fwritings 34620:\\[7\\]\u002Fdocumentation \\[8\\]31732:\u002Fopen-sandberg-2026 83641:\\[9\\]\u002Fopen-sandberg-2026 78102:\\[10\\]\u002Fopen-sandberg-2025 72766:\\[11\\]\u002Fopen-sandberg-2024 67489:\\[12\\]\u002Fopen-sandberg-2023 60126:\\[13\\]\u002Fopen2022 \\[14\\]54043:\u002Fopen2021-information 55287: …",{"id":432,"height":13,"width":12,"blurhash":433},"d4cc1445-9c55-47b0-87ec-5c7eda48728b","radial-gradient(at 0 0,#eceeed,#00000000 50%),radial-gradient(at 33% 0,#e3e2e3,#00000000 50%),radial-gradient(at 67% 0,#d6d5d6,#00000000 50%),radial-gradient(at 100% 0,#e1e4e2,#00000000 50%),radial-gradient(at 0 50%,#fffdff,#00000000 50%),radial-gradient(at 33% 50%,#e9eaea,#00000000 50%),radial-gradient(at 67% 50%,#d8dcd8,#00000000 50%),radial-gradient(at 100% 50%,#f2f3f2,#00000000 50%),radial-gradient(at 0 100%,#f5f5f5,#00000000 50%),radial-gradient(at 33% 100%,#e2dee1,#00000000 50%),radial-gradient(at 67% 100%,#c8c7c8,#00000000 50%),radial-gradient(at 100% 100%,#e2e5e3,#00000000 50%)",{"id":435,"height":15,"width":14,"blurhash":337},"52b52875-d110-4abf-a8aa-68fdc2e22e8f",[437],{"directus_files_id":438},{"id":439},"aa7a2ce3-6309-42a2-8df1-59a1971df9f5",[441],{"languages_code":344,"description":442},"Sandberg Instituut serves as a prestigious postgraduate hub for Fine Arts, Interior Architecture, and Design. The website functions as a dynamic digital archive and information portal, connecting prospective students, current researchers, and the broader creative community through news, event agendas, and academic documentation.\n\nThe visual identity is defined by a sophisticated, avant-garde minimalism that mirrors the institution's experimental ethos. Utilizing a spacious, grid-based layout with high-contrast typography and an asymmetrical arrangement of imagery, the design feels more like a contemporary art monograph than a traditional academic site. The aesthetic is intellectual, raw, and highly curated, targeting a sophisticated audience of artists and designers who value conceptual depth and structural clarity.","Education & Courses",[30,348,34],[],[],[230,448,246,449,244],"jQuery UI","Underscore.js",[451,452,454,456],{"score":177,"category":70},{"score":453,"category":73},53,{"score":455,"category":76},77,{"score":427,"category":79},[458,459,460,461],{"score":186,"category":70},{"score":453,"category":73},{"score":455,"category":76},{"score":427,"category":79},[88,96,92,463,464],"brown","green","Website: Sandberg Instituut. Page: Sandberg Instituut. Page type: Home \u002F Landing Page. Page title: Sandberg Instituut. Page description: Master Programmes in Fine Arts, Interior Architecture and Design. Page content: scroll to change weight drag mouse horizontally to slant drag mouse vertically to stretch shift-scroll to rotate pen ok | add to collection + [Sandberg Instituut ← Back ](\u002F) | Login | Library About +add to collection Sandberg Instituut About Staff History News Agenda Writings Documentation Open Day Open Sandberg 2026 Open Sandberg 2025 Open Sandberg 2024 Open Sandberg 2023 Open Sandberg 2022 Open Sandberg 2021 Information Programme Images Open Sandberg 2020 Open Sandberg 2019 Open Sandberg 2018 Apply Applications 2026–2028 Financial information Main Departments About Critical Studies Course Team Participants Design Course Projects & Activities Team Participants Dirty Art Department Course Team Participants Fine Arts Course Projects Workshops Team Participants Studio for Immediate Spaces Course Team Participants Temporary Programmes About Phantom Scores About Course Structure Team Monstrous Futurities About Course Structure Team Lumbung Practice About Artificial Times Course Team Participants Planetary Poetics Course Team Collaborations Climate Exchange Platform Public Program Re:master Opera Course Structure of the Course Team F for Fact Course Structure of the Course Team Participants Blacker Blackness Course Team Ecologies of Transformation Course Team Disarming Design Course Disclosing Discomforts Team Participants Solidarity Approaching Language Course Team Lecture Series Participants Resolution Course Team Participants The Commoners' Society Course Team Alumni Challenging Jewellery Course Team Alumni Shadow Channel Team Course Alumni Material Utopias School of Missing Studies Radical Cut-Up Course Team Alumni Cure Master Course Team Alumni Designing Democracy Course Team Alumni Fashion Matters Course Team Alumni Materialisation in Art and Design Course Team Alumni Reinventing Daily Life Course Team Alumni Master of Voice Course Team Projects Alumni Master Design of Experiences About Course Team Programme Partner Institute Alumni System D Academy Course Team Alumni Vacant NL Phantom Scores Rietveld Sandberg Research About Research Organisation Post Graduate Fellows Graduation Graduation 2025 Graduation 2024 Graduation 2023 Graduation 2022 Graduation 2021 Graduation 2020 Graduation 2019 Graduation 2018 Graduation 2017 Graduation 2016 Graduates 2016 Radio Sandberg Photos opening Burgerweeshuis Photos installation Burgerweeshuis Dirty Art Department photos Critical Studies photos Cure Master photos Design photos Designing Democracy photos Studio for Immediate Spaces photos System D Academy photos Fine Arts photos Graduation 2015 Graduation 2015 Graduates 2015 Burgerweeshuis Photos Students Current Alumni Alumni Theses Organisations About unsettling Unsettling Support Student Circle UNDER CONSTRUCTION Commissioned Critique Hear! Here! PUB Englishes MOOC Sandberg Speakeasy Decolonial Futures Sandberg Series De School The Brewery Rietveld Pavilion Typeface Kunstvlaai The One Minutes rematriasi Workshops & Facilities Medialab About Team Workshops Rietveld + Sandberg Contact Newsletter Newsletter PS About Projects Exhibitions Publications Privacy Statement Internal Affairs Your Collection Start slideshow Save Print Share null 0 0 0 0 Please login to manage your collections. Show in public Collections — Remove this collection \\+ new Email — Clear \\[0\\]1724:\u002Fabout 1947:\\[1\\]\u002Fabout 21725:\\[2\\]\u002Fstaff 31683:\\[3\\]\u002Fhistory 34621:\\[4\\]\u002Fnews 22374:\\[5\\]\u002Fagenda 34619:\\[6\\]\u002Fwritings 34620:\\[7\\]\u002Fdocumentation \\[8\\]31732:\u002Fopen-sandberg-2026 83641:\\[9\\]\u002Fopen-sandberg-2026 78102:\\[10\\]\u002Fopen-sandberg-2025 72766:\\[11\\]\u002Fopen-sandberg-2024 67489:\\[12\\]\u002Fopen-sandberg-2023 60126:\\[13\\]\u002Fopen2022 \\[14\\]54043:\u002Fopen2021-information 55287: …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Education & Courses industry. The overall color palette features White, Black, Gray, Brown, Green. Built using jQuery, jQuery UI, Modernizr, Underscore.js, YouTube. AI description: Sandberg Instituut serves as a prestigious postgraduate hub for Fine Arts, Interior Architecture, and Design. The website functions as a dynamic digital archive and information portal, connecting prospective students, current researchers, and the broader creative community through news, event agendas, and academic documentation. The visual identity is defined by a sophisticated, avant-garde minimalism that mirrors the institution's experimental ethos. Utilizing a spacious, grid-based layout with high-contrast typography and an asymmetrical arrangement of imagery, the design feels more like a contemporary art monograph than a traditional academic site. The aesthetic is intellectual, raw, and highly curated, targeting a sophisticated audience of artists and designers who value conceptual depth and structural clarity.",{"id":467,"website_id":468,"page_id":467,"name":469,"slug":470,"url":471,"website_name":469,"website_slug":470,"website_url":472,"result_url":471,"fetched_at":473,"score":474,"score_boost":324,"ai_score":172,"freshness_score":129,"scored_at":475,"page_name":47,"page_url":471,"page_title":469,"page_description":476,"page_content":477,"page_sort":324,"is_home":329,"is_home_rank":330,"page_type_id":331,"page_type_name":53,"cover":478,"cover_mobile":481,"cover_sequence":483,"translations":487,"industry":346,"styles":490,"credits":491,"font_families":493,"technologies":494,"pagespeed":496,"pagespeed_mobile":501,"buckets":506,"search_payload":507},"b4a4e819-88bd-4953-828c-67198ed1d8b1","dbef2545-d061-4be7-9759-9b707f292701","Franziska Brunner","franziska-brunner","https:\u002F\u002Ffranziskabrunner.com\u002F","https:\u002F\u002Ffranziskabrunner.com","2026-05-05T14:57:36.000Z",83,"2026-05-23T19:23:55.000Z","Franziska Brunner is a Creative Director, currently working globally for Mercedes-Benz.","Cooking... Franziska Brunner Franziska Brunner is a Creative Director, currently working globally for Mercedes-Benz. info 2024 [ Only a G-Class can judge a G-Class Mercedes-Benz ](\u002Fprojects\u002Fonly-a-g-class-can-judge-a-g-class) Only a G-Class can judge a G-Class [ ](\u002Fprojects\u002Fonly-a-g-class-can-judge-a-g-class) 2022 [ Psychoanalysis in Metaverse Vienna Tourism ](\u002Fprojects\u002Fpsychoanalysis-in-metaverse) Psychoanalysis in Metaverse [ ](\u002Fprojects\u002Fpsychoanalysis-in-metaverse) 2025 [ In Her Shoes Mercedes-Benz ](\u002Fprojects\u002Fin-her-shoes) In Her Shoes [ ](\u002Fprojects\u002Fin-her-shoes) 2020 [ Magenta Multiverse Telekom \u002F Magenta ](\u002Fprojects\u002Fmagenta-contains-multitudes) Magenta Multiverse [ ](\u002Fprojects\u002Fmagenta-contains-multitudes) 2022 [ Clean out your Creeps Federal Ministry for Climate ](\u002Fprojects\u002Fclean-out-your-creeps) Clean out your Creeps [ ](\u002Fprojects\u002Fclean-out-your-creeps) 2021 [ The iPhone Rumours T-Mobile ](\u002Fprojects\u002Fthe-iphone-rumours) The iPhone Rumours [ ](\u002Fprojects\u002Fthe-iphone-rumours) 2022 [ Ode to the Unseen Erste Foundation ](\u002Fprojects\u002Fode-to-the-unseen) Ode to the Unseen [ ](\u002Fprojects\u002Fode-to-the-unseen) 2022 [ Fairytale gone different Falter Journalism ](\u002Fprojects\u002Ffairytale-gone-different) Fairytale gone different [ ](\u002Fprojects\u002Ffairytale-gone-different) 2021 [ Vienna \\\\\\\\\\\\ on OnlyFans Vienna Tourism ](\u002Fprojects\u002Fvienna-on-onlyfans) Vienna \\\\\\\\\\\\ on OnlyFans [ ](\u002Fprojects\u002Fvienna-on-onlyfans) 2024 [ Because it’s Mercedes-Benz Mercedes-Benz ](\u002Fprojects\u002Fbecause-its-mercedes-benz) Because it’s Mercedes-Benz [ ](\u002Fprojects\u002Fbecause-its-mercedes-benz) 2019 [ The Future is Now Apple Pay ](\u002Fprojects\u002Fthe-future-is-now) The Future is Now [ ](\u002Fprojects\u002Fthe-future-is-now) 2025 [ Double Portraits for Women’s Day Mercedes-Benz ](\u002Fprojects\u002Fdouble-portraits) Double Portraits for Women’s Day [ ](\u002Fprojects\u002Fdouble-portraits) 2018 [ A Gingerbread Sacrifice T-Mobile ](\u002Fprojects\u002Fa-gingerbread-sacrifice) A Gingerbread Sacrifice [ ](\u002Fprojects\u002Fa-gingerbread-sacrifice) 2020 [ President turns Drone Pilot Federal President of Austria ](\u002Fprojects\u002Fpresident-turns-drone-pilot) President turns Drone Pilot [ ](\u002Fprojects\u002Fpresident-turns-drone-pilot) 2024 [ More than a car Mercedes-Benz ](\u002Fprojects\u002Fmore-than-a-car) More than a car [ ](\u002Fprojects\u002Fmore-than-a-car) Franziska Brunner is a Creative Director, currently working globally for Mercedes-Benz. close Background Growing up as a creative yet sensitive kid in a small, Shire-esque village in the countryside, where every neighbor knows what the other had for dinner, I unknowingly learned something important early on: the dynamics of perception. Fresh out of high school, with a focus on languages, I went on to study expressive disciplines such as film, design, writing, typography, illustration, art history, psychology, and brand strategy at the University of Applied Arts in Vienna. While completing my Master’s, a rise at Jung von Matt brought opportunities to work for clients of all sizes, with budgets ranging from modest to major. First as an Art Director, then as a Copywriter, I contributed to culturally relevant campaigns, including zeitgeist-inspired stunts, economically significant mergers, and political crisis communication. After moving to Berlin, I became Creative Director on Mercedes-Benz’s global account, managing multi-market (incl. the U.S. and China), full-funnel brand campaigns, product launches, and an international team by the age of 28. To me, that’s still insane, but I promised myself to turn off the imposter. Currently, I’m helping steer the brand into a more approachable direction – the next chapter after its luxury-only approach. Apart from that, there's always a smaller creative thingy I'm thinking about or working on. ‍ I thrive on close collaboration with ambitious and curious partners, bringing together clear, strategic, cross-disciplinary thinking, a genuine love for craft, sharp attention to detail, and a relentless drive to find solutions, particularly in moments of complexity and change. It may sound like some polished LinkedIn bio, but it's still the truth. How I lead people is best described as what business consultants call _servant leadership_ – with a strong belief in open and inclusive conversations, participation and ownership, and respect for the diversity of individual experiences. ‍ The work I value is considerate, impactful, surprising, and excellently executed. Education and Work 2023 - today: antoni Berlin\u002Fteam x (bespoke global agency for Mercedes-Benz; since 2025 part of BBDO) 2017 - 2022: Jung von Matt 2012 - 2017: Freelance Writer, Illustrator and Visual Designer 2014 - 2018: Master's degree at the University of Applied Arts Vienna (Concept Class; Matthias Spaetgens, prev. Walter Lürzer) Recognition I’ve been lucky to help shape work that has earned recognition across the creative industry by the Art Directors Club, New York Festivals, The One Show, Ad Age, Adweek, Campaign, Cannes, and Effie, among others. More importantly, it has sparked thoughts, conversations, and emotions worldwide, while also establishing, shifting, or deepening the perception and narrative of various brands, institutions and personalities. Selected Clients Mercedes-Benz (incl. the iconic G-Class, Mercedes-AMG Motorsport and Mercedes-Maybach), T-Mobile (Telekom\u002FMagenta), Erste Group, Vienna Tourism, Federal President Van der Bellen, Apple, Sony Pictures, the Austrian Federal Government (Climate, Energy, Mobility, Innovation and Technology; Arts, Culture, Civil Service and Sport; Justice), the Federal Chancellery, Red Cross, European Forum Alpbach, Leopold Museum, Falter, Burger King, Caritas, several start-ups across different industries, and many more. [ writing... ](mailto:franziska-brunner@gmx.at) ImprintPrivacy Policy © 2026 Franziska Brunner and the respective partners.",{"id":479,"height":13,"width":12,"blurhash":480},"4b7ededf-d481-45a5-9b77-33334dfc29ee","radial-gradient(at 0 0,#fafafa,#00000000 50%),radial-gradient(at 33% 0,#fcfcfc,#00000000 50%),radial-gradient(at 67% 0,#fefefe,#00000000 50%),radial-gradient(at 100% 0,#fdfdfd,#00000000 50%),radial-gradient(at 0 50%,#f6f6f6,#00000000 50%),radial-gradient(at 33% 50%,#f5f5f5,#00000000 50%),radial-gradient(at 67% 50%,#f5f5f5,#00000000 50%),radial-gradient(at 100% 50%,#f4f4f4,#00000000 50%),radial-gradient(at 0 100%,#fbfbfb,#00000000 50%),radial-gradient(at 33% 100%,#fafafa,#00000000 50%),radial-gradient(at 67% 100%,#fafafa,#00000000 50%),radial-gradient(at 100% 100%,#fafafa,#00000000 50%)",{"id":482,"height":15,"width":14,"blurhash":337},"07163970-876d-4398-8e9c-19c7a6f27a0c",[484],{"directus_files_id":485},{"id":486},"07538d9a-a8d8-43e2-aea4-c623389d8278",[488],{"languages_code":344,"description":489},"Franziska Brunner’s portfolio serves as a sophisticated digital archive for a high-level Creative Director. The site functions as a curated gallery of conceptual and commercial projects, showcasing work for global powerhouses like Mercedes-Benz, T-Mobile, and Vienna Tourism. The layout is intentionally sparse, prioritizing the narrative weight of each project title and its associated year, allowing the professional's pedigree to speak through a minimalist, grid-based structure.\n\nThe visual identity is defined by an editorial, high-fashion sensibility. Utilizing a clean, monochrome palette and expansive white space, the design leans into a typographic-driven aesthetic that feels both timeless and avant-garde. It targets high-end brand stakeholders and creative agencies, projecting an image of intellectual rigor and polished creative leadership through its understated yet confident presentation.",[30,26,34],[492],"Aldo Heubel",[262],[230,495],"Webflow",[497,498,499,500],{"score":82,"category":70},{"score":171,"category":73},{"score":77,"category":76},{"score":77,"category":79},[502,503,504,505],{"score":130,"category":70},{"score":74,"category":73},{"score":77,"category":76},{"score":77,"category":79},[88,92,96],"Website: Franziska Brunner. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Franziska Brunner. Page description: Franziska Brunner is a Creative Director, currently working globally for Mercedes-Benz.. Page content: Cooking... Franziska Brunner Franziska Brunner is a Creative Director, currently working globally for Mercedes-Benz. info 2024 [ Only a G-Class can judge a G-Class Mercedes-Benz ](\u002Fprojects\u002Fonly-a-g-class-can-judge-a-g-class) Only a G-Class can judge a G-Class [ ](\u002Fprojects\u002Fonly-a-g-class-can-judge-a-g-class) 2022 [ Psychoanalysis in Metaverse Vienna Tourism ](\u002Fprojects\u002Fpsychoanalysis-in-metaverse) Psychoanalysis in Metaverse [ ](\u002Fprojects\u002Fpsychoanalysis-in-metaverse) 2025 [ In Her Shoes Mercedes-Benz ](\u002Fprojects\u002Fin-her-shoes) In Her Shoes [ ](\u002Fprojects\u002Fin-her-shoes) 2020 [ Magenta Multiverse Telekom \u002F Magenta ](\u002Fprojects\u002Fmagenta-contains-multitudes) Magenta Multiverse [ ](\u002Fprojects\u002Fmagenta-contains-multitudes) 2022 [ Clean out your Creeps Federal Ministry for Climate ](\u002Fprojects\u002Fclean-out-your-creeps) Clean out your Creeps [ ](\u002Fprojects\u002Fclean-out-your-creeps) 2021 [ The iPhone Rumours T-Mobile ](\u002Fprojects\u002Fthe-iphone-rumours) The iPhone Rumours [ ](\u002Fprojects\u002Fthe-iphone-rumours) 2022 [ Ode to the Unseen Erste Foundation ](\u002Fprojects\u002Fode-to-the-unseen) Ode to the Unseen [ ](\u002Fprojects\u002Fode-to-the-unseen) 2022 [ Fairytale gone different Falter Journalism ](\u002Fprojects\u002Ffairytale-gone-different) Fairytale gone different [ ](\u002Fprojects\u002Ffairytale-gone-different) 2021 [ Vienna \\\\\\\\\\\\ on OnlyFans Vienna Tourism ](\u002Fprojects\u002Fvienna-on-onlyfans) Vienna \\\\\\\\\\\\ on OnlyFans [ ](\u002Fprojects\u002Fvienna-on-onlyfans) 2024 [ Because it’s Mercedes-Benz Mercedes-Benz ](\u002Fprojects\u002Fbecause-its-mercedes-benz) Because it’s Mercedes-Benz [ ](\u002Fprojects\u002Fbecause-its-mercedes-benz) 2019 [ The Future is Now Apple Pay ](\u002Fprojects\u002Fthe-future-is-now) The Future is Now [ ](\u002Fprojects\u002Fthe-future-is-now) 2025 [ Double Portraits for Women’s Day Mercedes-Benz ](\u002Fprojects\u002Fdouble-portraits) Double Portraits for Women’s Day [ ](\u002Fprojects\u002Fdouble-portraits) 2018 [ A Gingerbread Sacrifice T-Mobile ](\u002Fprojects\u002Fa-gingerbread-sacrifice) A Gingerbread Sacrifice [ ](\u002Fprojects\u002Fa-gingerbread-sacrifice) 2020 [ President turns Drone Pilot Federal President of Austria ](\u002Fprojects\u002Fpresident-turns-drone-pilot) President turns Drone Pilot [ ](\u002Fprojects\u002Fpresident-turns-drone-pilot) 2024 [ More than a car Mercedes-Benz ](\u002Fprojects\u002Fmore-than-a-car) More than a car [ ](\u002Fprojects\u002Fmore-than-a-car) Franziska Brunner is a Creative Director, currently working globally for Mercedes-Benz. close Background Growing up as a creative yet sensitive kid in a small, Shire-esque village in the countryside, where every neighbor knows what the other had for dinner, I unknowingly learned something important early on: the dynamics of perception. Fresh out of high school, with a focus on languages, I went on to study expressive disciplines such as film, design, writing, typography, illustration, art history, psychology, and brand strategy at the University of Applied Arts in Vienna. While completing my Master’s, a rise at Jung von Matt brought opportunities to work for clients of all sizes, with budgets ranging from modest to major. First as an Art Director, then as a Copywriter, I contributed to culturally relevant campaigns, including zeitgeist-inspired stunts, economically significant mergers, and political crisis communication. After moving to Berlin, I became Creative Director on Mercedes-Benz’s global account, managing multi-market (incl. the U.S. and China), full-funnel brand campaigns, product launches, and an international team by the age of 28. To me, that’s still insane, but I promised myself to turn off the imposter. Currently, I’m helping steer the brand into a more approachable direction – the next chapter after its luxury-only approach. Apart from that, there's always a smaller creative thingy I'm thinking about or working on. ‍ I thrive on close collaboration with ambitious and curious partners, bringing together clear, strategic, cross-disciplinary thinking, a genuine love for craft, sharp attention to detail, and a relentless drive to find solutions, particularly in moments of complexity and change. It may sound like some polished LinkedIn bio, but it's still the truth. How I lead people is best described as what business consultants call _servant leadership_ – with a strong belief in open and inclusive conversations, participation and ownership, and respect for the diversity of individual experiences. ‍ The work I value is considerate, impactful, surprising, and excellently executed. Education and Work 2023 - today: antoni Berlin\u002Fteam x (bespoke global agency for Mercedes-Benz; since 2025 part of BBDO) 2017 - 2022: Jung von Matt 2012 - 2017: Freelance Writer, Illustrator and Visual Designer 2014 - 2018: Master's degree at the University of Applied Arts Vienna (Concept Class; Matthias Spaetgens, prev. Walter Lürzer) Recognition I’ve been lucky to help shape work that has earned recognition across the creative industry by the Art Directors Club, New York Festivals, The One Show, Ad Age, Adweek, Campaign, Cannes, and Effie, among others. More importantly, it has sparked thoughts, conversations, and emotions worldwide, while also establishing, shifting, or deepening the perception and narrative of various brands, institutions and personalities. Selected Clients Mercedes-Benz (incl. the iconic G-Class, Mercedes-AMG Motorsport and Mercedes-Maybach), T-Mobile (Telekom\u002FMagenta), Erste Group, Vienna Tourism, Federal President Van der Bellen, Apple, Sony Pictures, the Austrian Federal Government (Climate, Energy, Mobility, Innovation and Technology; Arts, Culture, Civil Service and Sport; Justice), the Federal Chancellery, Red Cross, European Forum Alpbach, Leopold Museum, Falter, Burger King, Caritas, several start-ups across different industries, and many more. [ writing... ](mailto:franziska-brunner@gmx.at) ImprintPrivacy Policy © 2026 Franziska Brunner and the respective partners.. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. Designed and developed by Aldo Heubel. The overall color palette features White, Gray, Black. The typography features Arial (Sans Serif). Built using jQuery, Webflow. AI description: Franziska Brunner’s portfolio serves as a sophisticated digital archive for a high-level Creative Director. The site functions as a curated gallery of conceptual and commercial projects, showcasing work for global powerhouses like Mercedes-Benz, T-Mobile, and Vienna Tourism. The layout is intentionally sparse, prioritizing the narrative weight of each project title and its associated year, allowing the professional's pedigree to speak through a minimalist, grid-based structure. The visual identity is defined by an editorial, high-fashion sensibility. Utilizing a clean, monochrome palette and expansive white space, the design leans into a typographic-driven aesthetic that feels both timeless and avant-garde. It targets high-end brand stakeholders and creative agencies, projecting an image of intellectual rigor and polished creative leadership through its understated yet confident presentation."]