[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-detail-cleon-peterson":3,"facets-baseline-false":145,"facets-{\"includeAuthors\":\"false\"}":324,"similar-websites-cleon-peterson":338},{"id":4,"name":5,"slug":6,"url":7,"dateUpdated":8,"fetchedAt":9,"coverId":10,"coverMobileId":11,"coverWidth":12,"coverHeight":13,"coverMobileWidth":14,"coverMobileHeight":15,"descriptionEn":16,"seoMeta":17,"industry":20,"styles":24,"credits":37,"pages":43,"typefaces":77,"technologiesByCategory":78,"pagespeedDesktop":95,"pagespeedMobile":107,"performanceDesktop":98,"performanceMobile":109,"colorBuckets":113,"colorPalette":126},"dba59ece-c35d-4c6c-be38-489cd2e0ff15","Cleon Peterson","cleon-peterson","https:\u002F\u002Fcleonpeterson.com","2026-05-23T19:09:55.000Z","2026-05-05T15:02:35.000Z","e514a887-85fe-4ba7-b06a-06364ef59122","f693f89a-5381-4411-b148-5625a17cb8d7",1440,900,780,1688,"Cleon Peterson's website serves as a sophisticated digital portfolio and exhibition announcement platform for the Los Angeles-based contemporary artist. The site is designed to showcase his large-scale, graphic paintings that explore themes of power, submission, and primal struggle. It functions both as an archival space for his past projects and a promotional tool for upcoming international exhibitions, such as his solo show at Kaikai Kiki in Tokyo.\n\nThe visual identity is unapologetically bold and high-contrast, mirroring the intensity of the artwork itself. Utilizing massive, high-contrast serif typography and a stark monochrome palette, the design creates a sense of monumental scale and gravity. The layout is minimalist and editorial, allowing the visceral, stylized compositions of the paintings to command absolute attention while maintaining a professional, gallery-grade aesthetic.",{"title":18,"meta_description":19},"Cleon Peterson | Contemporary Artist Portfolio","Official website of LA-based artist Cleon Peterson. 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Large, bold serif typography on the left side lists the artist's name, exhibition title, and navigation links like 'PROJECTS' and 'STORE'. The layout is minimalist with a white background and significant negative space.","The mobile version presents a vertically stacked layout optimized for smaller screens. The large painting is centered at the top, followed by the title 'Under the Sun, the Moon, and the Stars' and exhibition details in centered text. The descriptive text about the artist and exhibition follows below, creating a single-column reading experience.",{"name":50,"label":51,"slug":52},"Home \u002F Landing Page","Home \u002F Landing","home-landing",{"name":5,"title":54,"description":55,"url":56,"coverId":57,"coverMobileId":58,"alt":59,"altMobile":60,"pageType":61},"Cleon Peterson | Cleon Peterson",null,"https:\u002F\u002Fcleonpeterson.com\u002Fabout","b8125c6e-fe20-42ad-b769-db1f78af6f23","a5119195-d456-463b-b409-59777e422c2b","The desktop version features a minimalist white background with large, black serif typography. A black and white portrait of Cleon Peterson is positioned on the right, while large vertical text and a brief bio occupy the left and bottom sections.","The mobile version presents a vertical layout with the black and white portrait at the top, followed by the word 'BIO' and the artist's biography. 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Worlds – Strange Rules: Protocol Art ](https:\u002F\u002Fsimondenny.net\u002Fstrange-rules-protocol-art\u002F) - [ ### Rules Based Order ](https:\u002F\u002Fsimondenny.net\u002Frules-based-order\u002F) - [ ### The Future ](https:\u002F\u002Fsimondenny.net\u002Fthe-future\u002F) - [ ### Forces of the Unknown ](https:\u002F\u002Fsimondenny.net\u002Fforces-of-the-unknown\u002F) - [ ### Worldglimpsing: Roleplay and the Design of Alternate Realities ](https:\u002F\u002Fsimondenny.net\u002Fworldglimpsing-roleplay-and-the-design-of-alternate-realities-exhibition\u002F) - [ ### Machine Paintings - JW Marriott Hotel Berlin, presented by Kraupa–Tuskany Zeidler - Michael Lett, Auckland, NZ - Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, AT - Berggruen Arts and Culture Palazzo Diedo, Venice, IT - Kraupa Tuskany Zeidler, Munich, DE 2025 – ongoing ](https:\u002F\u002Fsimondenny.net\u002Fmachine-paintings-main\u002F) - [ ### Less Stale Attachment ](https:\u002F\u002Fsimondenny.net\u002Fless-stale-attachment-2006-exhibition\u002F) - [ ### Dungeon - Petzel Gallery, New York, US - Petzel Gallery, New York, US - ArkDes, Stockholm, SE 2024 ](https:\u002F\u002Fsimondenny.net\u002Fdungeon-main\u002F) - [ ### Metaverse Landscapes - Kunstverein Hannover, Hannover, DE - HEK (House of Electronic Arts), Basel, CH - Frans Masereel Centrum, Kasterlee, BE - Art Basel - Antenna Space Shanghai, Shanghai, CN - Dunkunsthalle, New York, US - Fine Arts, Sydney, Paddington, AU - National Taiwan Museum of Fine Arts, Taichung, TW - Altman Siegel, San Francisco, US - Espacio Fundación Telefónica, Madrid, ES - T293, Rome, IT - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE 2023 ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-main\u002F) - [ ### Secret Power - Te Papa Tongarewa, Wellington, NZ - New Zealand Pavillon, 56th Venice Biennale, Venice, IT - Schirn Kunsthalle Frankfurt, Frankfurt, DE - MAXXI - National Museum of 21st Century Art, Rome, IT - The Museum of Modern Art, New York, US 2015 ](https:\u002F\u002Fsimondenny.net\u002Fsecret-power-2\u002F) - [ ### Introductory Logic Video Tutorial - Auckland Art Gallery, Auckland, NZ - Artspace, Sydney 2010 ](https:\u002F\u002Fsimondenny.net\u002Fintroductory-logic-video-tutorial\u002F) - [ ### Mine - Petzel Gallery, New York, US - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE - MONA – Museum of Old and New Art, Berriedale, AU - Kunstmuseum Basel, Basel, CH - de Young Museum, San Francisco, US - Fine Arts, Sydney, Paddington, AU - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - La Kunsthalle Mulhouse, Mulhouse, FR - Kunstverein am Rosa–Luxemburg–Platz, Berlin, DE - Kunstverein Leipzig, Leipzig, DE - 6th Ural Biennial, Jekaterinburg, RU - Kunsthalle Baden-Baden, Baden Baden, DE - Kunstsammlung Nordrhein-Westfalen K20, Kunstsammlung Nordrhein-Westfalen, DE - The Drawing Center, New York, US - Annka Kultys Gallery, London, GB - DOX Centre for Contemporary Art, Prague, CZ - Heidelberger Kunstverein, Heidelberg, DE - Galerie Alte Schule Adlershof, Berlin, DE - National Taiwan Museum of Fine Arts, Taichung, TW - New Museum, New York, USA - The Warehouse, Dallas, US - Modern Art Museum of Fort Worth, Fort Worth, US 2019 ](https:\u002F\u002Fsimondenny.net\u002Fmine-main-project\u002F) - [ ### The Founder’s Paradox - Museum of Contemporary Art Cleveland, Cleveland, US - Blitz, Valetta, MLT - Michael Lett, Auckland, NZ - Zeppelin Museum, Friedrichshafen, DE - Dortmunder U, Dortmund, DE - Art Sonje Center for Contemporary Art, Seoul, KR - 6th Guangzhou Triennial, Guangzhou, CN - Goethe-Institut Peking, Beijing, CN - 12th Gwangju Biennale, Gwangju, KR - Christchurch Art Gallery Te Puna o Waiwhetū, Christchurch, NZ 2017 ](https:\u002F\u002Fsimondenny.net\u002Fthe-founders-paradox-main-project\u002F) - [ ### The Personal Effects of Kim Dotcom - Adam Art Gallery, Wellington, NZ - Firstsite, Colchester, GB - mumok, Vienna, AT - 13th Biennale de Lyon, Lyon, FR - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - Zabludowicz Collection, London, UK - Aksioma, Ljubljana, SVN - Kunsthalle Sankt Gallen, Gallen, CH - MoMA PS1, New York, US 2013 ](https:\u002F\u002Fsimondenny.net\u002Fkim-dotcom\u002F) - [ ### All You Need is Data - Fondazione Sandretto Re Rebaudengo, Turin, IT - Kunstverein München, Munich, DE - Petzel Gallery, New York, US - Andrew Kreps Gallery, New York, US - La Biennale de Montréal, Montreal, CA - Auckland Art Gallery, Auckland, NZ - Arnolfini, Bristol, GB - Hamburger Bahnhof - Museum für Gegenwart, Berlin, DE 2012 ](https:\u002F\u002Fsimondenny.net\u002Fall-you-need-is-data-main-project\u002F) Ongoing [ Kraupa Tuskany Zeidler, Munich, DE Rules Based Order 15.05.2026–31.07.2026 ](https:\u002F\u002Fwww.k-t-z.com\u002Fexhibitions\u002F84-rules-based-order-simon-denny\u002F) [ Berggruen Arts and Culture Palazzo Diedo, Venice, IT Monsters Between Worlds – Strange Rules: Protocol Art 04.05.2026–22.11.2026 ](https:\u002F\u002Fwww.berggruenarts.org\u002Fen\u002Fexhibitions\u002Fcurrent-exhibitions-palazzo-diedo\u002Fcurrent-exhibitions-palazzo-diedo-strange-rules) [ New Museum, New York, USA New Humans: Memories of the Future 21.03.2026–26.07.2026 ](https:\u002F\u002Fwww.newmuseum.org\u002Fexhibition\u002Fnew-humans-memories-of-the-future\u002F) [ ArkDes, Stockholm, SE Worldglimpsing: Roleplay and the Design of Alternate Realities 03.10.2025–30.08.2026 ](https:\u002F\u002Farkdes.se\u002Fen\u002Fexhibitions\u002Fworldglimpsing\u002F) Selected Press [ Artforum\\_EpicFURY\\_May2026 ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fartforum_epicfury_may2026\u002F) [ What Is Post-AI Art? –](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fwhat-is-post-ai-art\u002F) [ Hito Steyerl x Simon Denny– Conversation 2025 – Cura Blackout issue ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14475\u002F) [ Forces of the Unknown: Simon Denny on the Militarized Imagination and Power of Plotter Paintings ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fforces-of-the-unknown-simon-denny-on-the-militarized-imagination-and-power-of-plotter-paintings\u002F) [ Canon Fodder by Alex Estorick ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14211\u002F) [ Graveyard Spiral by Trent Crawford ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14207\u002F) [ The Art of Technology, The Technology of Art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-art-of-technology-the-technology-of-art\u002F) [ NZ Artist Simon Denny in Berlin and New York on NFTs, meta landscapes and space colonies ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fnz-artist-simon-denny-in-berlin-and-new-york-on-nfts-meta-landscapes-and-space-colonies\u002F) [ Peter Thiel is Taking A Break From Democracy ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fpeter-thiel-is-taking-a-break-from-democracy\u002F) [ Digital Dogma, Deconstructed ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fdigital-dogma-deconstructed\u002F) [ The future is round: why modern architecture turned doughnut-shaped ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-future-is-round-why-modern-architecture-turned-doughnut-shaped\u002F) [ Inside the secret world of NSA art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Finside-the-secret-world-of-nsa-art\u002F) [ The Apollo 40 under 40 podcast: Simon Denny ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-apollo-40-under-40-podcast-simon-denny\u002F) [![](https:\u002F\u002Fsimondenny.net\u002F …",true,1,"1",{"id":358,"height":13,"width":12,"blurhash":359},"7f3ebe3c-32d7-433a-aaaa-46ac81bab721","radial-gradient(at 0 0,#eae9e9,#00000000 50%),radial-gradient(at 33% 0,#dbdbdb,#00000000 50%),radial-gradient(at 67% 0,#efefef,#00000000 50%),radial-gradient(at 100% 0,#fdfdfd,#00000000 50%),radial-gradient(at 0 50%,#bcbcb9,#00000000 50%),radial-gradient(at 33% 50%,#9c9c98,#00000000 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Denny's digital portfolio serves as a sophisticated archive for his contemporary art practice, documenting ongoing projects, exhibitions, and critical press. The site functions as a professional nexus for curators, collectors, and art institutions, providing a clear chronological and thematic overview of his work within the global art circuit.\n\nThe visual identity is defined by a rigorous, minimalist aesthetic that prioritizes high-quality imagery and expansive whitespace. Utilizing a refined typographic hierarchy and a structured grid, the design reflects the intellectual depth of the artist's work. The monochromatic palette and understated navigation ensure that the focus remains entirely on the visual documentation of his installations and conceptual projects.",[26,30,34],[459],"Knoth & Renner",[],[85,93,275],[463,465,467,468],{"score":464,"category":97},22,{"score":466,"category":100},96,{"score":101,"category":103},{"score":198,"category":106},[470,471,472,473],{"score":158,"category":97},{"score":198,"category":100},{"score":101,"category":103},{"score":198,"category":106},[115,123,119],"Website: Simon Denny. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Simon Denny. Page content: Selected Projects - [ ### Monsters Between Worlds – Strange Rules: Protocol Art ](https:\u002F\u002Fsimondenny.net\u002Fstrange-rules-protocol-art\u002F) - [ ### Rules Based Order ](https:\u002F\u002Fsimondenny.net\u002Frules-based-order\u002F) - [ ### The Future ](https:\u002F\u002Fsimondenny.net\u002Fthe-future\u002F) - [ ### Forces of the Unknown ](https:\u002F\u002Fsimondenny.net\u002Fforces-of-the-unknown\u002F) - [ ### Worldglimpsing: Roleplay and the Design of Alternate Realities ](https:\u002F\u002Fsimondenny.net\u002Fworldglimpsing-roleplay-and-the-design-of-alternate-realities-exhibition\u002F) - [ ### Machine Paintings - JW Marriott Hotel Berlin, presented by Kraupa–Tuskany Zeidler - Michael Lett, Auckland, NZ - Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, AT - Berggruen Arts and Culture Palazzo Diedo, Venice, IT - Kraupa Tuskany Zeidler, Munich, DE 2025 – ongoing ](https:\u002F\u002Fsimondenny.net\u002Fmachine-paintings-main\u002F) - [ ### Less Stale Attachment ](https:\u002F\u002Fsimondenny.net\u002Fless-stale-attachment-2006-exhibition\u002F) - [ ### Dungeon - Petzel Gallery, New York, US - Petzel Gallery, New York, US - ArkDes, Stockholm, SE 2024 ](https:\u002F\u002Fsimondenny.net\u002Fdungeon-main\u002F) - [ ### Metaverse Landscapes - Kunstverein Hannover, Hannover, DE - HEK (House of Electronic Arts), Basel, CH - Frans Masereel Centrum, Kasterlee, BE - Art Basel - Antenna Space Shanghai, Shanghai, CN - Dunkunsthalle, New York, US - Fine Arts, Sydney, Paddington, AU - National Taiwan Museum of Fine Arts, Taichung, TW - Altman Siegel, San Francisco, US - Espacio Fundación Telefónica, Madrid, ES - T293, Rome, IT - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE 2023 ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-main\u002F) - [ ### Secret Power - Te Papa Tongarewa, Wellington, NZ - New Zealand Pavillon, 56th Venice Biennale, Venice, IT - Schirn Kunsthalle Frankfurt, Frankfurt, DE - MAXXI - National Museum of 21st Century Art, Rome, IT - The Museum of Modern Art, New York, US 2015 ](https:\u002F\u002Fsimondenny.net\u002Fsecret-power-2\u002F) - [ ### Introductory Logic Video Tutorial - Auckland Art Gallery, Auckland, NZ - Artspace, Sydney 2010 ](https:\u002F\u002Fsimondenny.net\u002Fintroductory-logic-video-tutorial\u002F) - [ ### Mine - Petzel Gallery, New York, US - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE - MONA – Museum of Old and New Art, Berriedale, AU - Kunstmuseum Basel, Basel, CH - de Young Museum, San Francisco, US - Fine Arts, Sydney, Paddington, AU - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - La Kunsthalle Mulhouse, Mulhouse, FR - Kunstverein am Rosa–Luxemburg–Platz, Berlin, DE - Kunstverein Leipzig, Leipzig, DE - 6th Ural Biennial, Jekaterinburg, RU - Kunsthalle Baden-Baden, Baden Baden, DE - Kunstsammlung Nordrhein-Westfalen K20, Kunstsammlung Nordrhein-Westfalen, DE - The Drawing Center, New York, US - Annka Kultys Gallery, London, GB - DOX Centre for Contemporary Art, Prague, CZ - Heidelberger Kunstverein, Heidelberg, DE - Galerie Alte Schule Adlershof, Berlin, DE - National Taiwan Museum of Fine Arts, Taichung, TW - New Museum, New York, USA - The Warehouse, Dallas, US - Modern Art Museum of Fort Worth, Fort Worth, US 2019 ](https:\u002F\u002Fsimondenny.net\u002Fmine-main-project\u002F) - [ ### The Founder’s Paradox - Museum of Contemporary Art Cleveland, Cleveland, US - Blitz, Valetta, MLT - Michael Lett, Auckland, NZ - Zeppelin Museum, Friedrichshafen, DE - Dortmunder U, Dortmund, DE - Art Sonje Center for Contemporary Art, Seoul, KR - 6th Guangzhou Triennial, Guangzhou, CN - Goethe-Institut Peking, Beijing, CN - 12th Gwangju Biennale, Gwangju, KR - Christchurch Art Gallery Te Puna o Waiwhetū, Christchurch, NZ 2017 ](https:\u002F\u002Fsimondenny.net\u002Fthe-founders-paradox-main-project\u002F) - [ ### The Personal Effects of Kim Dotcom - Adam Art Gallery, Wellington, NZ - Firstsite, Colchester, GB - mumok, Vienna, AT - 13th Biennale de Lyon, Lyon, FR - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - Zabludowicz Collection, London, UK - Aksioma, Ljubljana, SVN - Kunsthalle Sankt Gallen, Gallen, CH - MoMA PS1, New York, US 2013 ](https:\u002F\u002Fsimondenny.net\u002Fkim-dotcom\u002F) - [ ### All You Need is Data - Fondazione Sandretto Re Rebaudengo, Turin, IT - Kunstverein München, Munich, DE - Petzel Gallery, New York, US - Andrew Kreps Gallery, New York, US - La Biennale de Montréal, Montreal, CA - Auckland Art Gallery, Auckland, NZ - Arnolfini, Bristol, GB - Hamburger Bahnhof - Museum für Gegenwart, Berlin, DE 2012 ](https:\u002F\u002Fsimondenny.net\u002Fall-you-need-is-data-main-project\u002F) Ongoing [ Kraupa Tuskany Zeidler, Munich, DE Rules Based Order 15.05.2026–31.07.2026 ](https:\u002F\u002Fwww.k-t-z.com\u002Fexhibitions\u002F84-rules-based-order-simon-denny\u002F) [ Berggruen Arts and Culture Palazzo Diedo, Venice, IT Monsters Between Worlds – Strange Rules: Protocol Art 04.05.2026–22.11.2026 ](https:\u002F\u002Fwww.berggruenarts.org\u002Fen\u002Fexhibitions\u002Fcurrent-exhibitions-palazzo-diedo\u002Fcurrent-exhibitions-palazzo-diedo-strange-rules) [ New Museum, New York, USA New Humans: Memories of the Future 21.03.2026–26.07.2026 ](https:\u002F\u002Fwww.newmuseum.org\u002Fexhibition\u002Fnew-humans-memories-of-the-future\u002F) [ ArkDes, Stockholm, SE Worldglimpsing: Roleplay and the Design of Alternate Realities 03.10.2025–30.08.2026 ](https:\u002F\u002Farkdes.se\u002Fen\u002Fexhibitions\u002Fworldglimpsing\u002F) Selected Press [ Artforum\\_EpicFURY\\_May2026 ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fartforum_epicfury_may2026\u002F) [ What Is Post-AI Art? –](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fwhat-is-post-ai-art\u002F) [ Hito Steyerl x Simon Denny– Conversation 2025 – Cura Blackout issue ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14475\u002F) [ Forces of the Unknown: Simon Denny on the Militarized Imagination and Power of Plotter Paintings ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fforces-of-the-unknown-simon-denny-on-the-militarized-imagination-and-power-of-plotter-paintings\u002F) [ Canon Fodder by Alex Estorick ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14211\u002F) [ Graveyard Spiral by Trent Crawford ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14207\u002F) [ The Art of Technology, The Technology of Art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-art-of-technology-the-technology-of-art\u002F) [ NZ Artist Simon Denny in Berlin and New York on NFTs, meta landscapes and space colonies ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fnz-artist-simon-denny-in-berlin-and-new-york-on-nfts-meta-landscapes-and-space-colonies\u002F) [ Peter Thiel is Taking A Break From Democracy ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fpeter-thiel-is-taking-a-break-from-democracy\u002F) [ Digital Dogma, Deconstructed ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fdigital-dogma-deconstructed\u002F) [ The future is round: why modern architecture turned doughnut-shaped ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-future-is-round-why-modern-architecture-turned-doughnut-shaped\u002F) [ Inside the secret world of NSA art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Finside-the-secret-world-of-nsa-art\u002F) [ The Apollo 40 under 40 podcast: Simon Denny ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-apollo-40-under-40-podcast-simon-denny\u002F) [![](https:\u002F\u002Fsimondenny.net\u002F …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Gray, Black. Built using jQuery, PHP, WordPress. AI description: Simon Denny's digital portfolio serves as a sophisticated archive for his contemporary art practice, documenting ongoing projects, exhibitions, and critical press. The site functions as a professional nexus for curators, collectors, and art institutions, providing a clear chronological and thematic overview of his work within the global art circuit. The visual identity is defined by a rigorous, minimalist aesthetic that prioritizes high-quality imagery and expansive whitespace. Utilizing a refined typographic hierarchy and a structured grid, the design reflects the intellectual depth of the artist's work. The monochromatic palette and understated navigation ensure that the focus remains entirely on the visual documentation of his installations and conceptual projects.",{"id":477,"website_id":478,"page_id":477,"name":479,"slug":480,"url":481,"website_name":479,"website_slug":480,"website_url":482,"result_url":481,"fetched_at":483,"score":201,"score_boost":349,"ai_score":484,"freshness_score":485,"scored_at":486,"page_name":352,"page_url":481,"page_title":487,"page_description":488,"page_content":489,"page_sort":349,"is_home":354,"is_home_rank":355,"page_type_id":356,"page_type_name":50,"cover":490,"cover_mobile":493,"cover_sequence":495,"translations":586,"industry":21,"styles":589,"credits":590,"font_families":592,"technologies":595,"pagespeed":596,"pagespeed_mobile":603,"buckets":609,"search_payload":611},"e7a079bc-60a4-425c-82d4-acc84b33a31f","e3a127ad-553a-42f0-a237-8a7534113485","PST ART","pst-art","https:\u002F\u002Fpst.art\u002F","https:\u002F\u002Fpst.art","2026-05-04T20:32:20.000Z",84,75,"2026-05-23T20:28:14.000Z","PST ART | A region-wide art experience | PST ART: Art & Science Collide","PST ART returns in 2030 with scores of exhibitions and events organized around the exploration of artistic and cultural exchange between LA and the Pacific...","Full Moon, Pasadena, California, 1930 by Chiura Obata Every five years, Getty and cultural partners across Southern California stage PST ART, a region-wide art experience built around one powerful theme. PST ART returns in 2030 with scores of exhibitions and events organized around the exploration of artistic and cultural exchange between Los Angeles and the Pacific Rim. Success! Thank you for signing up. About E v e r y f i v e y e a r s , G e t t y a n d c u l t u r a l p a r t n e r s a c r o s s S o u t h e r n C a l i f o r n i a s t a g e P S T A R T , a r e g i o n \\- w i d e a r t e x p e r i e n c e b u i l t a r o u n d o n e p o w e r f u l t h e m e : - _Art in L.A., 1945–1980_ (2011-2012), an upending of art history through the stories of Southern California’s innovative artists, curators, and museums. - _LA \u002F LA_ (2017_–_2018), the largest ever exploration of Latin American art and Latino artists, creating new knowledge and exchange between LA and Latin America. - _Art & Science Collide_ (2024_–_2025), an exploration of the surprising ways art and science have interacted from ancient times to present day. - PST ART 2030 (2030_–_2031), an exploration of artistic and cultural exchange between Los Angeles and the Pacific Rim. In aggregate, PST ART has instigated more than 200 exhibitions, 120 publications, and thousands of public programs and performances. PST Art 2030 How it works PST ART is realized through Getty’s support of dozens of cultural organizations across Southern California as part of a five-year cycle with two funding stages: research & planning and implementation. To be eligible, applicants must be registered non-profit cultural organizations in the following California counties: Los Angeles, Orange, San Diego, Ventura, Santa Barbara, Riverside, San Bernardino, and Imperial. 2030 PST ART TIMELINE June 1, 2026 Letter of Inquiry Deadline. Sept. 1, 2026 Research Application Deadline. 2027 Research applications accepted and grants awarded. 2028 Implementation applications accepted and grants awarded; Public programs (performing arts, film & media, event-based programs) applications open, and grants awarded. 2030 PST ART opens to the public. NewsThe Latest News and Highlights from PST ART news, updates & events 02 [ Huntington dragons den News New PST ART Theme Explores Exchange Between Los Angeles and the Pacific Rim.Announcement sets the stage for Southern California’s landmark arts event to return in 2030. ](https:\u002F\u002Fwww.getty.edu\u002Fnews\u002Fnew-pst-art-theme-explores-exchange-between-los-angeles-and-the-pacific-rim) [ Janm 2005 187 68 m News ARTnews: Getty’s Next PST ART to Focus on Exchange Between Los Angeles and Pacific Rim. ](https:\u002F\u002Fwww.artnews.com\u002Fart-news\u002Fnews\u002Fgetty-pst-art-2030-los-angeles-pacific-rim-1234775811) ArchivesExplore hundreds of exhibitions and programs from the past 15 years. [ 1045 PST Gen Ruscha Hollywood 2 S 1024x305 20112012 Art in L.A. 1945-1980 Saving endangered histories of postwar art in Southern California. LEARN MORE ](https:\u002F\u002Farchive.pacificstandardtime.org\u002Fpast\u002Fartinla\u002Findex.html) [ La Raza East LA High School Walkouts 1968 20172018 LA\u002FLA New research related to Latin American and Latino art LEARN MORE ](https:\u002F\u002Farchive.pacificstandardtime.org\u002Flala\u002Findex.html) [ 091224 hammer install 21 20242025 Art & Science Collide Creating civic dialogue around urgent problems of our time by examining past and present connections between art and science. LEARN MORE ](https:\u002F\u002Farchive.pst.art) Grant InformationVisit Getty's website for more information on PST 2030. 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The website functions as an information hub and community builder, connecting the Getty and its regional partners to an audience of art enthusiasts, scholars, and the general public. It aims to build anticipation for its quinquennial exhibitions by fostering a sense of shared regional identity and artistic exploration.\n\nThe visual identity is bold, sophisticated, and deeply rooted in fine art. By utilizing a striking palette of deep crimson and midnight blues, paired with large-scale, painterly imagery, the design evokes a sense of prestige and cultural depth. The typography is clean and authoritative, while the layout uses high-contrast color blocking to create a modern, editorial feel that mirrors the curated nature of the art experience itself.",[26,254,34],[591],"Wild",[593,594],"GT Walsheim","Source Code",[],[597,599,601,602],{"score":598,"category":97},56,{"score":600,"category":100},97,{"score":101,"category":103},{"score":198,"category":106},[604,606,607,608],{"score":605,"category":97},67,{"score":98,"category":100},{"score":101,"category":103},{"score":198,"category":106},[119,123,610,115],"red","Website: PST ART. Page: Homepage. Page type: Home \u002F Landing Page. Page title: PST ART | A region-wide art experience | PST ART: Art & Science Collide. Page description: PST ART returns in 2030 with scores of exhibitions and events organized around the exploration of artistic and cultural exchange between LA and the Pacific.... Page content: Full Moon, Pasadena, California, 1930 by Chiura Obata Every five years, Getty and cultural partners across Southern California stage PST ART, a region-wide art experience built around one powerful theme. PST ART returns in 2030 with scores of exhibitions and events organized around the exploration of artistic and cultural exchange between Los Angeles and the Pacific Rim. Success! Thank you for signing up. About E v e r y f i v e y e a r s , G e t t y a n d c u l t u r a l p a r t n e r s a c r o s s S o u t h e r n C a l i f o r n i a s t a g e P S T A R T , a r e g i o n \\- w i d e a r t e x p e r i e n c e b u i l t a r o u n d o n e p o w e r f u l t h e m e : - _Art in L.A., 1945–1980_ (2011-2012), an upending of art history through the stories of Southern California’s innovative artists, curators, and museums. - _LA \u002F LA_ (2017_–_2018), the largest ever exploration of Latin American art and Latino artists, creating new knowledge and exchange between LA and Latin America. - _Art & Science Collide_ (2024_–_2025), an exploration of the surprising ways art and science have interacted from ancient times to present day. - PST ART 2030 (2030_–_2031), an exploration of artistic and cultural exchange between Los Angeles and the Pacific Rim. In aggregate, PST ART has instigated more than 200 exhibitions, 120 publications, and thousands of public programs and performances. PST Art 2030 How it works PST ART is realized through Getty’s support of dozens of cultural organizations across Southern California as part of a five-year cycle with two funding stages: research & planning and implementation. To be eligible, applicants must be registered non-profit cultural organizations in the following California counties: Los Angeles, Orange, San Diego, Ventura, Santa Barbara, Riverside, San Bernardino, and Imperial. 2030 PST ART TIMELINE June 1, 2026 Letter of Inquiry Deadline. Sept. 1, 2026 Research Application Deadline. 2027 Research applications accepted and grants awarded. 2028 Implementation applications accepted and grants awarded; Public programs (performing arts, film & media, event-based programs) applications open, and grants awarded. 2030 PST ART opens to the public. NewsThe Latest News and Highlights from PST ART news, updates & events 02 [ Huntington dragons den News New PST ART Theme Explores Exchange Between Los Angeles and the Pacific Rim.Announcement sets the stage for Southern California’s landmark arts event to return in 2030. ](https:\u002F\u002Fwww.getty.edu\u002Fnews\u002Fnew-pst-art-theme-explores-exchange-between-los-angeles-and-the-pacific-rim) [ Janm 2005 187 68 m News ARTnews: Getty’s Next PST ART to Focus on Exchange Between Los Angeles and Pacific Rim. ](https:\u002F\u002Fwww.artnews.com\u002Fart-news\u002Fnews\u002Fgetty-pst-art-2030-los-angeles-pacific-rim-1234775811) ArchivesExplore hundreds of exhibitions and programs from the past 15 years. [ 1045 PST Gen Ruscha Hollywood 2 S 1024x305 20112012 Art in L.A. 1945-1980 Saving endangered histories of postwar art in Southern California. LEARN MORE ](https:\u002F\u002Farchive.pacificstandardtime.org\u002Fpast\u002Fartinla\u002Findex.html) [ La Raza East LA High School Walkouts 1968 20172018 LA\u002FLA New research related to Latin American and Latino art LEARN MORE ](https:\u002F\u002Farchive.pacificstandardtime.org\u002Flala\u002Findex.html) [ 091224 hammer install 21 20242025 Art & Science Collide Creating civic dialogue around urgent problems of our time by examining past and present connections between art and science. LEARN MORE ](https:\u002F\u002Farchive.pst.art) Grant InformationVisit Getty's website for more information on PST 2030. Learn more. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Art & Culture industry. Designed by Wild. The overall color palette features Black, Gray, Red, White. The typography features GT Walsheim (Grilli Type), Source Code (Sans Serif). 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As a team of artists, entrepreneurs, and creatives, we build and fund ventures that spark inspiration, elevate lifestyle, and foster community.","[ ](#) - Ethos, - Arts, - Ventures - Connect © 2023 Pardon. All rights reserved. Privacy PolicyTerms Of Use [ CONNECT ](\u002Fconnect) Menu + Shaping culture at the intersection of Arts & Entrepreneurship‍ Pardon is a modern family office and venture studio. We invest in visionary ventures — and the people behind them — across the arts, well‑being, and lifestyle. We thrive where creativity meets capital. By supporting artists, founders, and culture shapers, we spark community, deepen meaning, and embody living more intentionally. We seek out the culture shapers because of their ability to turn art into enterprise, heritage into legacy, and values into lasting wealth. Ethos We move with intention, curiosity, and care. Every project begins with the Atelier understanding its essence, then building with artistry, discipline, and compassion.We uphold five core values that guide every decision: Intentional, Intrepid, Discerning, Compassionate and Virtuous. More > _View of Moris's, Origen misterioso y El Noble, 2024. Collage, enamel, cements, and transfer on fabric. 84 x 59 in._ Arts Artistic exploration is our catalyst. Through Pardon Arts, including the Pardon Collection, Revue Collé, Cannery Village Gallery, and New Projects, we collaborate with contemporary artists whose work shifts how we see, feel, and build — inside our ventures and out in the world. More > New acquistion to the Pardon Collection Ventures We invest in the arts, media, and experiences that reimagine how people connect, learn, and live — from Optimism’s inbox‑first media brands to founders building the next wave of culture‑shaping endeavors. More > _Optimism Cal Tri Newport Dunes_ About HomeEthosArtsVenturesWork with us Connect InstagramLinkedin Thank you! You've been subscribed to Inside Pardon. That didn't work. Please try again. © 2024 Pardon. All rights reserved. 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The layout is airy and editorial, mirroring the experience of browsing a premium art monograph or a luxury lifestyle magazine, effectively communicating a brand that is as much about culture as it is about capital.","Finance & Fintech",[26,685,34],"High-End \u002F Luxury",[687],"Article",[689,690],"Tiempos","Work Sans",[285,692,292,85],"Campaign Monitor",[694,695,696,697],{"score":484,"category":97},{"score":199,"category":100},{"score":101,"category":103},{"score":101,"category":106},[699,701,702,703],{"score":700,"category":97},57,{"score":348,"category":100},{"score":101,"category":103},{"score":101,"category":106},[115,119,123],"Website: Pardon. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home. Page description: Pardon is a modern family office. As a team of artists, entrepreneurs, and creatives, we build and fund ventures that spark inspiration, elevate lifestyle, and foster community.. Page content: [ ](#) - Ethos, - Arts, - Ventures - Connect © 2023 Pardon. All rights reserved. Privacy PolicyTerms Of Use [ CONNECT ](\u002Fconnect) Menu + Shaping culture at the intersection of Arts & Entrepreneurship‍ Pardon is a modern family office and venture studio. We invest in visionary ventures — and the people behind them — across the arts, well‑being, and lifestyle. We thrive where creativity meets capital. By supporting artists, founders, and culture shapers, we spark community, deepen meaning, and embody living more intentionally. We seek out the culture shapers because of their ability to turn art into enterprise, heritage into legacy, and values into lasting wealth. Ethos We move with intention, curiosity, and care. Every project begins with the Atelier understanding its essence, then building with artistry, discipline, and compassion.We uphold five core values that guide every decision: Intentional, Intrepid, Discerning, Compassionate and Virtuous. More > _View of Moris's, Origen misterioso y El Noble, 2024. Collage, enamel, cements, and transfer on fabric. 84 x 59 in._ Arts Artistic exploration is our catalyst. Through Pardon Arts, including the Pardon Collection, Revue Collé, Cannery Village Gallery, and New Projects, we collaborate with contemporary artists whose work shifts how we see, feel, and build — inside our ventures and out in the world. More > New acquistion to the Pardon Collection Ventures We invest in the arts, media, and experiences that reimagine how people connect, learn, and live — from Optimism’s inbox‑first media brands to founders building the next wave of culture‑shaping endeavors. More > _Optimism Cal Tri Newport Dunes_ About HomeEthosArtsVenturesWork with us Connect InstagramLinkedin Thank you! You've been subscribed to Inside Pardon. That didn't work. Please try again. © 2024 Pardon. All rights reserved. Privacy PolicyTerms Of Use. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Finance & Fintech industry. The overall color palette features White, Black, Gray. The typography features Tiempos (Serif, Klim Type), Work Sans (Sans Serif). Built using Amazon Web Services, Campaign Monitor, Google Font API, jQuery. AI description: Pardon is a sophisticated modern family office and venture studio that operates at the unique intersection of artistic expression and entrepreneurial drive. The platform serves as a gateway to their multifaceted ecosystem, which includes curated art collections, strategic venture funding, and community-focused initiatives. It is designed for high-net-worth individuals, creative entrepreneurs, and cultural tastemakers who seek to invest in ventures that prioritize both aesthetic value and social impact. The visual identity is defined by a high-end, minimalist aesthetic that leans heavily into bold, oversized typography and expansive white space. 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Programa PICE AC\u002FE. [● TAN VIVO, TAN MUERTO, TAN FRÁGIL, TAN FUERTE](https:\u002F\u002Fcarloszorromono.es\u002Fproject\u002Ftan-vivo-tan-muerto) Action \u002F Videos \\_\\_2022\u002F23 pantallazos-videos-4 → Videos 2222RRRR XIX Arte en la tierra Rioja, Santa Lucía de Ocón ● UMBRAL Exhibition \u002F XIX Arte en la Tierra \\_\\_2022 → Choperas IMG_2873 → Cuevas Viernes-055 → Bodegas IMG_3150 → Collaborative actions IMG_2743 Studio view. Espaciocomun, Nalda ● EL CUERPO PENDIENTE DE ANDAR NO AVANZA Artwork\\_\\_2022 fuente de poder – apero#12 – 2 Caprovin Arte 2021 ● FUENTE DE PODER Action\\_\\_2021 RITUAL FRAGMENTS 1 Espacio arte Vaca, Viniegra de Abajo ● FRAGMENTOS RITUALES Exhibition. Arte Vaca \u002F Lavadero \\_\\_2021 . → Lavadero \u002F Extrato II ExposicionLaNaturalezaDeLaBestia_Zorromono_IRJ_Esdir_NovDic2020_Página_24 Programa de profesionalización. XXXV Muestra de Arte Joven en La Rioja ● LA NATURALEZA DE LA BESTIA Exhibition\\_\\_2020 CARLOS-ZORROMONO-LA-NATURALEZA-DE-LA-BESTIA12-scaled → Estudio periferia (act I) Action \u002F 2019 WhatsApp Image 2020-05-27 at 21.29.44 → Estudio periferia (act II) Action \u002F 2020 carlos-ramirez-zorromono-letal-veneno-letal-6 → Veneno letal Artwork \u002F 2020 BUNKER-PROJECT-SPACE-_-The-Sinister-Figures-Google-Chrome-19_05_2020-9_13_43 → Bombas al altar Exhibition \u002F 2020 CARLOS ZORROMONO- campo de batalla en el infierno – luz blanca05 CEART, Madrid ● CAMPO DE BATALLA EN EL INFIERNO Exhibition\\_\\_2019 . Tabacalera2018_Cantera_ALTA20-1 Tabacalera, Madrid ● SACRIFICIO A LOS NUEVOS DIOSES Exhibition\\_\\_2018 RESIDENCIA-TABACALERA-MADRID-CARLOS-ZORROMONO-5 Residencia artística,Tabacalera cantera, Madrid → Artistic residency Process Carlos_01 La Lonja, La Rioja ● UN MUNDO FELIZ Exhibition\\_\\_2017 IMG_7540 Residencia artística,La Lonja, La Rioja → Artistic residency Process ZORROMONO-BALADA-01 Sala Amos Salvador, La Rioja ● BALADA DE CONSENTIMIENTO A ESTE MUNDO (vol II) Exhibition\\_\\_2017 ZORROMONO-BALADA-MONTAJE-05 Installation process. Sala Amos Salvador, La Rioja art-jaen-la-lonja-2 Patio central del Palacio de Villardompardo, Jaén [● BALADA DE CONSENTIMIENTO A ESTE MUNDO (vol I)](https:\u002F\u002Fcarloszorromono.es\u002Fproject\u002Fbalada-de-consentimiento-a-este-mundo) Exhibition\\_\\_2017 footer Email: info@carloszorromono.es Instagram: @carloszorromono (EN) Hello, welcome to my website. Update is once or twice an year. If you want my full cv \u002F portfolio, or to submit a proposal, send me an email. (ES) Hola, bienvenida a mi sitio web. La actualización es una o dos veces al año. Si quieres mi cv \u002F portafolio completo, o lanzarme una propuesta, envíame un correo electrónico.",{"id":718,"height":13,"width":12,"blurhash":719},"0a081fc9-af85-476a-aff1-ab2604aa2cef","radial-gradient(at 0 0,#efede3,#00000000 50%),radial-gradient(at 33% 0,#e8e7da,#00000000 50%),radial-gradient(at 67% 0,#ebeade,#00000000 50%),radial-gradient(at 100% 0,#fffff8,#00000000 50%),radial-gradient(at 0 50%,#b0b3b8,#00000000 50%),radial-gradient(at 33% 50%,#8d9094,#00000000 50%),radial-gradient(at 67% 50%,#93959a,#00000000 50%),radial-gradient(at 100% 50%,#dddddd,#00000000 50%),radial-gradient(at 0 100%,#999099,#00000000 50%),radial-gradient(at 33% 100%,#8f8582,#00000000 50%),radial-gradient(at 67% 100%,#9f9893,#00000000 50%),radial-gradient(at 100% 100%,#dbd7d8,#00000000 50%)",{"id":721,"height":15,"width":14,"blurhash":55},"0ce14e08-d5a5-473c-9b8d-935e481994d3",[723,726,729,732,735,738,741,744,747,750,753,756,759,762,765,768,771,774,777,780,783,786,789,792,795,798,801,804,807,810],{"directus_files_id":724},{"id":725},"66ff7e5a-5bcf-4fbd-ab96-63e4fed61029",{"directus_files_id":727},{"id":728},"94f16352-b14e-4214-8351-9e8df13849de",{"directus_files_id":730},{"id":731},"b6abcfa1-be10-440c-9b9c-6428cd7c3010",{"directus_files_id":733},{"id":734},"ea35dc11-a6c6-4b78-b0dd-d363138322c4",{"directus_files_id":736},{"id":737},"fcd3c1a8-13d8-46f5-8375-d25dfb4ff094",{"directus_files_id":739},{"id":740},"89d1acb3-c9d2-4ec2-8a6c-1cd6df0717c6",{"directus_files_id":742},{"id":743},"4df9fae1-b151-4e88-bcba-44788d4d0f97",{"directus_files_id":745},{"id":746},"0f82306c-e026-46fd-ac8c-1a8e7dff0f9f",{"directus_files_id":748},{"id":749},"8b202142-b231-4b82-bc24-35cad4356e90",{"directus_files_id":751},{"id":752},"0fd61b41-5602-4490-afc4-488e9f0ddfdd",{"directus_files_id":754},{"id":755},"0ce74ba9-9481-4a35-b42a-0e4400da0d7e",{"directus_files_id":757},{"id":758},"3874b61f-ad8a-4e78-b9f4-b18570da32db",{"directus_files_id":760},{"id":761},"c3b84d67-e9d1-4a58-b957-a37d620be01f",{"directus_files_id":763},{"id":764},"1922ddca-7628-42a1-b4a2-aaa7e8f1b3e8",{"directus_files_id":766},{"id":767},"57ed8273-7d0b-4e0d-a94e-19ffd7c359f5",{"directus_files_id":769},{"id":770},"66d412a7-083f-4f53-ba2d-3684a9cdd399",{"directus_files_id":772},{"id":773},"5bf0be79-33fc-4be0-a0bc-a44a4e8e8f7d",{"directus_files_id":775},{"id":776},"9e6c62b3-16f3-4033-9636-09bb8d813661",{"directus_files_id":778},{"id":779},"1e1b3841-1e6f-4d24-b410-9d1e2f4a2073",{"directus_files_id":781},{"id":782},"5e44e8c3-0d19-4468-b022-ab50c35dc001",{"directus_files_id":784},{"id":785},"5318d502-32bb-4af5-9210-73cec5a22d90",{"directus_files_id":787},{"id":788},"d2326ff9-6173-49a2-9da0-4ffcfd3e290c",{"directus_files_id":790},{"id":791},"0442c455-61ea-455a-a7b2-97ec9141114d",{"directus_files_id":793},{"id":794},"de472cef-0367-48c4-b46d-84d094432fac",{"directus_files_id":796},{"id":797},"91ef51d1-2c7a-4c81-b846-5e8972748254",{"directus_files_id":799},{"id":800},"b3638c19-150d-47d3-8271-bfd5fe389a08",{"directus_files_id":802},{"id":803},"9e15a122-f801-4830-8045-a7dafe90ec01",{"directus_files_id":805},{"id":806},"500e7621-72eb-4cce-8d41-552833aa622a",{"directus_files_id":808},{"id":809},"7e23663f-80c0-4212-af46-3bc9cee30b6f",{"directus_files_id":811},{"id":812},"35147bf1-2d80-4ec4-b5c0-2a13c5dae4d0",[814],{"languages_code":455,"description":815},"Carlos Zorromono's digital portfolio serves as a stark, immersive gallery for his contemporary art practice. The website functions as a visual archive, showcasing installations, photography, and experimental works that explore raw, visceral themes. Through a curated sequence of high-impact imagery, the site provides a window into the artist's process and his ability to manipulate texture, light, and form within physical spaces.\n\nThe design identity is defined by a rigorous minimalist aesthetic that prioritizes the artwork above all else. Utilizing a clean, spacious layout with bold typographic headers, the site avoids decorative clutter to ensure the viewer's focus remains on the grit and complexity of the pieces. The monochromatic palette and structured grid create a sophisticated, gallery-like atmosphere that appeals to curators, collectors, and art enthusiasts seeking a profound sensory experience.",[26,30,34],[],[302,819,320,320,820,299],"Archivo","Lora",[85,93,822,275],"Semplice",[824,825,826,827],{"score":211,"category":97},{"score":197,"category":100},{"score":101,"category":103},{"score":198,"category":106},[829,830,831,832],{"score":205,"category":97},{"score":197,"category":100},{"score":101,"category":103},{"score":198,"category":106},[115,119,123],"Website: Carlos Zorromono. Page: Homepage. Page type: Home \u002F Landing Page. Page title: WORK Images - CARLOS ZORROMONO | ARTIST. Page content: - ABOUT ZORROMONO - WORK - ABOUT ZORROMONO - WORK conjunto de todos los estados posibles – carlos zorromono (25) ● CONUNTO DE TODOS LOS ESTADOS POSIBLES (Hasta el 08\u002F03\u002F2026 CCR \u002F Logroño) Solo Show \\_\\_ 2026 las cosas brillan – relucen entre prosperidad y supervivencia (9) ● LAS COSAS BRILLAN RELUCEN - ENTRE LA PROSPERIDAD Y LA SUPERVIVENCIA Action\\_\\_ 2025 0000012 ● AQUELLA NOCHE DEJO PELADOS LOS HUESOS DEL POLLO Action \\_\\_ 2025 carloszorromono – por-un-hueco-abierto-en-la-pared – 2024 – -000-(9) ● POR UN HUECO ABIERTO EN LA PARED Artwork \\_\\_ 2024 03 ● TRANSICIÓN ENTRE CUALQUIER COSA, MENOS UN ESTADO DE AGOTAMIENTO Action \\_\\_ 2024 01- manar desde tierra y cuerpos_2 – frame at 0m2s ● MANAR DESDE TIERRA Y CUERPO Artwork\\_\\_ 2023-24 DSC0037 Premios destinados para la creación artística, ayuntamiento de Logroño. 2023 ● EL ÚLTIMO ESTIAJE Artworks \u002F Studio view \\_\\_ 2023 NO-SELF-CONTROL_018 ● SUAVE COMO UNA ESPINA Group Show \u002F Artwork\\_\\_ 2023 CARLOS_ZORROMONO_-SOFT-AS-A-THORN-02 Artworks\\_\\_ 2023 IMG-20221113-WA0009 Centro coreográfico rural. Programa PICE AC\u002FE. [● TAN VIVO, TAN MUERTO, TAN FRÁGIL, TAN FUERTE](https:\u002F\u002Fcarloszorromono.es\u002Fproject\u002Ftan-vivo-tan-muerto) Action \u002F Videos \\_\\_2022\u002F23 pantallazos-videos-4 → Videos 2222RRRR XIX Arte en la tierra Rioja, Santa Lucía de Ocón ● UMBRAL Exhibition \u002F XIX Arte en la Tierra \\_\\_2022 → Choperas IMG_2873 → Cuevas Viernes-055 → Bodegas IMG_3150 → Collaborative actions IMG_2743 Studio view. Espaciocomun, Nalda ● EL CUERPO PENDIENTE DE ANDAR NO AVANZA Artwork\\_\\_2022 fuente de poder – apero#12 – 2 Caprovin Arte 2021 ● FUENTE DE PODER Action\\_\\_2021 RITUAL FRAGMENTS 1 Espacio arte Vaca, Viniegra de Abajo ● FRAGMENTOS RITUALES Exhibition. Arte Vaca \u002F Lavadero \\_\\_2021 . → Lavadero \u002F Extrato II ExposicionLaNaturalezaDeLaBestia_Zorromono_IRJ_Esdir_NovDic2020_Página_24 Programa de profesionalización. XXXV Muestra de Arte Joven en La Rioja ● LA NATURALEZA DE LA BESTIA Exhibition\\_\\_2020 CARLOS-ZORROMONO-LA-NATURALEZA-DE-LA-BESTIA12-scaled → Estudio periferia (act I) Action \u002F 2019 WhatsApp Image 2020-05-27 at 21.29.44 → Estudio periferia (act II) Action \u002F 2020 carlos-ramirez-zorromono-letal-veneno-letal-6 → Veneno letal Artwork \u002F 2020 BUNKER-PROJECT-SPACE-_-The-Sinister-Figures-Google-Chrome-19_05_2020-9_13_43 → Bombas al altar Exhibition \u002F 2020 CARLOS ZORROMONO- campo de batalla en el infierno – luz blanca05 CEART, Madrid ● CAMPO DE BATALLA EN EL INFIERNO Exhibition\\_\\_2019 . Tabacalera2018_Cantera_ALTA20-1 Tabacalera, Madrid ● SACRIFICIO A LOS NUEVOS DIOSES Exhibition\\_\\_2018 RESIDENCIA-TABACALERA-MADRID-CARLOS-ZORROMONO-5 Residencia artística,Tabacalera cantera, Madrid → Artistic residency Process Carlos_01 La Lonja, La Rioja ● UN MUNDO FELIZ Exhibition\\_\\_2017 IMG_7540 Residencia artística,La Lonja, La Rioja → Artistic residency Process ZORROMONO-BALADA-01 Sala Amos Salvador, La Rioja ● BALADA DE CONSENTIMIENTO A ESTE MUNDO (vol II) Exhibition\\_\\_2017 ZORROMONO-BALADA-MONTAJE-05 Installation process. Sala Amos Salvador, La Rioja art-jaen-la-lonja-2 Patio central del Palacio de Villardompardo, Jaén [● BALADA DE CONSENTIMIENTO A ESTE MUNDO (vol I)](https:\u002F\u002Fcarloszorromono.es\u002Fproject\u002Fbalada-de-consentimiento-a-este-mundo) Exhibition\\_\\_2017 footer Email: info@carloszorromono.es Instagram: @carloszorromono (EN) Hello, welcome to my website. Update is once or twice an year. If you want my full cv \u002F portfolio, or to submit a proposal, send me an email. (ES) Hola, bienvenida a mi sitio web. La actualización es una o dos veces al año. Si quieres mi cv \u002F portafolio completo, o lanzarme una propuesta, envíame un correo electrónico.. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. The typography features Open Sans (Sans Serif), Archivo (Sans Serif), GT America (Sans Serif, Grilli Type), GT America (Sans Serif, Grilli Type), Lora (Serif), Inter (Sans Serif). Built using jQuery, PHP, Semplice, WordPress. AI description: Carlos Zorromono's digital portfolio serves as a stark, immersive gallery for his contemporary art practice. The website functions as a visual archive, showcasing installations, photography, and experimental works that explore raw, visceral themes. Through a curated sequence of high-impact imagery, the site provides a window into the artist's process and his ability to manipulate texture, light, and form within physical spaces. The design identity is defined by a rigorous minimalist aesthetic that prioritizes the artwork above all else. Utilizing a clean, spacious layout with bold typographic headers, the site avoids decorative clutter to ensure the viewer's focus remains on the grit and complexity of the pieces. The monochromatic palette and structured grid create a sophisticated, gallery-like atmosphere that appeals to curators, collectors, and art enthusiasts seeking a profound sensory experience."]