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peer-reviewed conference focused on typography that seeks to examine design and typographic practice, and to make explicit existing connections between craft, research, theory, history, criticism and pedagogy. This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 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Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …",true,1,"1",{"id":337,"height":13,"width":12,"blurhash":338},"ee6ba0b9-978f-4682-94f5-f10503f98584","radial-gradient(at 0 0,#babaff,#00000000 50%),radial-gradient(at 33% 0,#7878ff,#00000000 50%),radial-gradient(at 67% 0,#b2b2ff,#00000000 50%),radial-gradient(at 100% 0,#dfdfff,#00000000 50%),radial-gradient(at 0 50%,#bfbfe8,#00000000 50%),radial-gradient(at 33% 50%,#a2a2e1,#00000000 50%),radial-gradient(at 67% 50%,#c6c6ed,#00000000 50%),radial-gradient(at 100% 50%,#dedef7,#00000000 50%),radial-gradient(at 0 100%,#b4b4e6,#00000000 50%),radial-gradient(at 33% 100%,#9c9cf7,#00000000 50%),radial-gradient(at 67% 100%,#b3b3f5,#00000000 50%),radial-gradient(at 100% 100%,#cbcbed,#00000000 50%)",{"id":340,"height":15,"width":14,"blurhash":53},"d4e07c88-6674-4460-9621-b66d952ea4f3",[342,345,348],{"directus_files_id":343},{"id":344},"b5f1f613-ecd9-4c14-8e2d-8bfcb012ccc8",{"directus_files_id":346},{"id":347},"2a247199-2226-423a-9962-6fd931df0026",{"directus_files_id":349},{"id":350},"09fdf48e-0b65-4ae6-bda7-9f4e6eb98664",[352],{"languages_code":353,"description":354},"en","Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. 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The layout is unapologetically structural, using scale and negative space to create a sense of intellectual authority and avant-garde elegance.",[30,356,34],"Monochrome \u002F Grayscale",[358],"Bong",[279],[252,253,361],"Three.js",[363,365,366,368],{"score":364,"category":74},99,{"score":132,"category":77},{"score":367,"category":80},96,{"score":186,"category":83},[370,371,372,373],{"score":87,"category":74},{"score":154,"category":77},{"score":367,"category":80},{"score":186,"category":83},[93,375,97,101],"blue","Website: Face Forward. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Face Forward. Page content: _Face Forward_ is an international peer-reviewed conference focused on typography that seeks to examine design and typographic practice, and to make explicit existing connections between craft, research, theory, history, criticism and pedagogy. This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Blue, Black, Gray. The typography features Times New Roman (Serif). Built using jQuery, PHP, Three.js. AI description: Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. The website serves as a scholarly hub, facilitating critical discourse between craft, research, theory, and pedagogy. It is designed to attract academics, designers, and typographic practitioners seeking to explore the intersection of visual communication and epistemological inquiry. The visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the site's subject matter. Through a striking combination of electric blue and stark monochrome, the design employs massive, experimental letterforms and a rigorous grid system. 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La gas­tro­no­mía, el es­pa­cio y la iden­ti­dad de _TIGRE_, tie­nen alma vie­ja, pero con una ex­pre­sión que los trae al pre­sen­te. .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_0 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_11.jpg); } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_1 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_02.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_1 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_02-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_1 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_03.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_1 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_03-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_08.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_08-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_2 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_07.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_2 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_07-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_3 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_04.jpg); } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_4 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_05.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_4 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_05-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_4 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_06.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_4 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_06-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_5 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_09.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_5 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_09-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_5 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_10.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_5 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_10-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .main\\_image .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_01-2.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .main\\_image .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_01-2-1024x631.jpg); } _CHARTER_ es una mar­ca de equi­pa­je de es­pí­ri­tu di­ná­mi­co y fun­cio­nal. La iden­ti­dad pri­ma­ria y sis­te­ma vi­sual está ins­pi­ra­da en las for­mas de las ma­le­tas y los sis­te­mas mo­du­la­res y api­la­bles que for­man par­te del uni­ver­so de los ae­ro­puer­tos y pun­tos de trán­si­to y em­bar­que. Char­ter ex­pre­sa en los co­lo­res, la vi­ta­li­dad y ener­gía de los via­jes y las aven­tu­ras. .slide\\[pn=\"Charter\"\\] .slide\\_number\\_0 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_02-1.jpg); } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_1 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_12.jpg); } .portrait .slide\\[pn=\"Charter\"\\] .slide\\_number\\_1 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_15.jpg); } @media screen and (max-width: 1024px) { .portrait .slide\\[pn=\"Charter\"\\] .slide\\_number\\_1 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_15-473x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_03.jpg); } .portrait .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_03.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_03-706x1024.jpg); } .portrait .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_03-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_04.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_04-706x1024.jpg); 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} } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_5 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_08.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_5 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_08-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_5 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_09.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_5 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_09-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_6 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_11.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_6 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_11-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_6 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_10.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_6 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_10 …",{"id":389,"height":13,"width":12,"blurhash":390},"6f5aec5f-067e-431f-be66-e2a2957b2b90","radial-gradient(at 0 0,#53544e,#00000000 50%),radial-gradient(at 33% 0,#5d5b5a,#00000000 50%),radial-gradient(at 67% 0,#595154,#00000000 50%),radial-gradient(at 100% 0,#544e4e,#00000000 50%),radial-gradient(at 0 50%,#3f4740,#00000000 50%),radial-gradient(at 33% 50%,#68726d,#00000000 50%),radial-gradient(at 67% 50%,#707872,#00000000 50%),radial-gradient(at 100% 50%,#5c5f5c,#00000000 50%),radial-gradient(at 0 100%,#4f4f4e,#00000000 50%),radial-gradient(at 33% 100%,#525555,#00000000 50%),radial-gradient(at 67% 100%,#5b5b5b,#00000000 50%),radial-gradient(at 100% 100%,#5f5d5c,#00000000 50%)",{"id":392,"height":15,"width":14,"blurhash":53},"41fce1ad-9ab3-4614-bb4a-8563768ed089",[394,397],{"directus_files_id":395},{"id":396},"67910c43-d9a0-4009-984f-d00f3c18538f",{"directus_files_id":398},{"id":399},"b561d7dc-a351-46e4-a1d2-9e77cb66f717",[401],{"languages_code":353,"description":402},"Sociedad Anónima is a high-end creative studio specializing in editorial design, art direction, and branding. The website serves as a sophisticated portfolio, showcasing a meticulous eye for detail through high-fidelity photography and minimalist layouts. It is clearly positioned to attract premium clients in the luxury, lifestyle, and beverage sectors who value avant-garde aesthetic sensibilities.\n\nThe visual identity is defined by a stark, editorial elegance. Utilizing large, crisp typography and a monochromatic-leaning palette, the design emphasizes negative space and high-contrast imagery. The use of dramatic shadows and tactile textures in the featured work creates a sensory experience that elevates the studio's brand from a mere service provider to a curator of visual excellence.","Agency & Studio",[30,405,34],"High-End \u002F Luxury",[],[408,408,408],"Scto Grotesk",[252,253,410,254],"Swiper",[412,413,415,416],{"score":181,"category":74},{"score":414,"category":77},81,{"score":414,"category":80},{"score":417,"category":83},77,[419,420,421,422],{"score":188,"category":74},{"score":417,"category":77},{"score":417,"category":80},{"score":417,"category":83},[101,97,93],"Website: Sociedad Anonima. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Sociedad Anonima. Page content: Swipe → Este ex­cep­cio­nal Ron cen­troa­me­ri­cano es una apo­lo­gía a las cul­tu­ras de la re­gión his­tó­ri­ca­men­te co­no­ci­da como Me­soa­mé­ri­ca. La bo­te­lla es un gui­ño a una urna ce­re­mo­nial, y la apli­ca­ción re­pre­sen­tan­do un mo­no­li­to de un ros­tro hu­mano, ha­cen con­tras­te con el len­gua­je mí­ni­mo y pul­cro de la eti­que­ta. .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_0 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Horizontal\\_04.jpg); } .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_1 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Vertical\\_04.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_1 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Vertical\\_04-706x1024.jpg); } } .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_1 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Vertical\\_05.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_1 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Vertical\\_05-706x1024.jpg); } } .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_2 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Horizontal\\_02.jpg); } .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_3 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Vertical\\_01.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_3 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Vertical\\_01-706x1024.jpg); } } .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_3 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Vertical\\_06.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_3 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Vertical\\_06-706x1024.jpg); } } .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_4 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Horizontal\\_03.jpg); } .portrait .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_4 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Vertical\\_08.jpg); } @media screen and (max-width: 1024px) { .portrait .slide\\[pn=\"Ron Mesoamericano\"\\] .slide\\_number\\_4 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FMesoamericano\\_Vertical\\_08-706x1024.jpg); } } El menú de _TIGRE_ es la nue­va pro­pues­ta del pre­ti­gio­so chef Da­vid Cas­tro Hus­song, la iden­ti­dad vi­sual se ins­pi­ra en em­ble­mas clá­si­cos de mar­cas de los se­sen­ta y se­ten­ta, jue­ga como un ele­men­to de con­tras­te pop y lú­di­co den­tro del es­pa­cio di­se­ña­do por Fran­cis­co Par­do, ins­pi­ra­do en las can­ti­nas tra­di­cio­na­les de Mé­xi­co. La gas­tro­no­mía, el es­pa­cio y la iden­ti­dad de _TIGRE_, tie­nen alma vie­ja, pero con una ex­pre­sión que los trae al pre­sen­te. .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_0 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_11.jpg); } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_1 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_02.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_1 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_02-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_1 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_03.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_1 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_03-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_08.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_08-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_2 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_07.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_2 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_07-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_3 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_04.jpg); } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_4 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_05.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_4 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_05-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_4 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_06.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_4 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_06-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_5 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_09.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_5 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_09-706x1024.jpg); } } .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_5 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_10.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Tigre\"\\] .slide\\_number\\_5 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002FTigre\\_Documentación\\_10-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .main\\_image .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_01-2.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .main\\_image .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_01-2-1024x631.jpg); } _CHARTER_ es una mar­ca de equi­pa­je de es­pí­ri­tu di­ná­mi­co y fun­cio­nal. La iden­ti­dad pri­ma­ria y sis­te­ma vi­sual está ins­pi­ra­da en las for­mas de las ma­le­tas y los sis­te­mas mo­du­la­res y api­la­bles que for­man par­te del uni­ver­so de los ae­ro­puer­tos y pun­tos de trán­si­to y em­bar­que. Char­ter ex­pre­sa en los co­lo­res, la vi­ta­li­dad y ener­gía de los via­jes y las aven­tu­ras. .slide\\[pn=\"Charter\"\\] .slide\\_number\\_0 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_02-1.jpg); } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_1 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_12.jpg); } .portrait .slide\\[pn=\"Charter\"\\] .slide\\_number\\_1 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_15.jpg); } @media screen and (max-width: 1024px) { .portrait .slide\\[pn=\"Charter\"\\] .slide\\_number\\_1 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_15-473x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_03.jpg); } .portrait .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_03.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_03-706x1024.jpg); } .portrait .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_03-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_04.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_2 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_04-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_3 .slide\\_full\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_05-1-e1684869456575.jpg); } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_4 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_06.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_4 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_06-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_4 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_07.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_4 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_07-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_5 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_08.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_5 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_08-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_5 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_09.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_5 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_09-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_6 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_11.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_6 .image\\_1 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_11-706x1024.jpg); } } .slide\\[pn=\"Charter\"\\] .slide\\_number\\_6 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_10.jpg); } @media screen and (max-width: 1024px) { .slide\\[pn=\"Charter\"\\] .slide\\_number\\_6 .image\\_2 .half\\_image{ background-image:url(https:\u002F\u002Fsociedadanonima.mx\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FCharter\\_10 …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features Gray, Black, White. The typography features Scto Grotesk (Sans Serif, Schick Toikka), Scto Grotesk (Sans Serif, Schick Toikka), Scto Grotesk (Sans Serif, Schick Toikka). Built using jQuery, PHP, Swiper, WordPress. AI description: Sociedad Anónima is a high-end creative studio specializing in editorial design, art direction, and branding. The website serves as a sophisticated portfolio, showcasing a meticulous eye for detail through high-fidelity photography and minimalist layouts. It is clearly positioned to attract premium clients in the luxury, lifestyle, and beverage sectors who value avant-garde aesthetic sensibilities. The visual identity is defined by a stark, editorial elegance. Utilizing large, crisp typography and a monochromatic-leaning palette, the design emphasizes negative space and high-contrast imagery. The use of dramatic shadows and tactile textures in the featured work creates a sensory experience that elevates the studio's brand from a mere service provider to a curator of visual excellence.",{"id":426,"website_id":427,"page_id":426,"name":428,"slug":429,"url":430,"website_name":428,"website_slug":429,"website_url":431,"result_url":430,"fetched_at":432,"score":327,"score_boost":328,"ai_score":174,"freshness_score":132,"scored_at":433,"page_name":40,"page_url":430,"page_title":434,"page_description":435,"page_content":436,"page_sort":328,"is_home":333,"is_home_rank":334,"page_type_id":335,"page_type_name":46,"cover":437,"cover_mobile":440,"cover_sequence":442,"translations":497,"industry":500,"styles":501,"credits":502,"font_families":505,"technologies":506,"pagespeed":507,"pagespeed_mobile":512,"buckets":517,"search_payload":518},"de44bd5a-ad9a-4e6a-9126-9ad6e57ee506","d80ecc3c-85d9-4afa-a8f6-3dce656acbae","Transcript Magazine","transcript-magazine","https:\u002F\u002Ftranscriptmag.store\u002F","https:\u002F\u002Ftranscriptmag.store","2026-05-05T19:41:29.000Z","2026-05-23T19:36:47.000Z","TRANSCRIPT \u002F SEASONAL LITERARY MAGAZINE","TRANSCRIPT is a seasonal magazine, featuring literary essays, short stories, poetry, and everything in-between.","TRANSCRIPT Magazine A seasonal magazine, featuring literary essays, short stories, poetry, and everything in-between. [ ](.\u002Fissue-four) _ISSUE FOUR_ Fall ’25 With writing by Ella Frears, Nicholas Jeeves, Andrea Chapela, Jan van Tienen, Iris Cuppen and Daniël van der Winden. Visual contributions by Ade Hanft. Edition of 100. Now available! [ Read more ](.\u002Fissue-four) [ ](.\u002Fissue-three) _ISSUE THREE_ Spring ’25 With writing by Hunter A. Allund, Julie Peters, Luuk Vulkers and Micha Zaat. Visual contributions by Bernke Klein Zandvoort and Gabriël Kousbroek. Edition of 100. A few copies left. [ Read more ](.\u002Fissue-three) [ ](.\u002Fissue-two) _ISSUE TWO_ Winter ’24 With writing by Maia Kenney, Hilde Onis, Merel van Slobbe, Bernke Klein Zandvoort, Malina Suliman and Linus Bonduelle. Visual contributions by Hilde Onis and Janine Hendriks. Edition of 200. [ Read more ](.\u002Fissue-two) [ ](.\u002Fissue-one) _ISSUE ONE_ Summer ’24 With writing by Charlie Jermyn, Yasmin Veenman, Iris Cuppen and Daniël van der Winden. Visual contributions by Thomas & Jurgen and Ezekiel Aquino. Edition of 100—sold out. [ Read more ](.\u002Fissue-one) ABOUT _TRANSCRIPT_ was born out of a desire to create a long-lasting record of things in print. Designed and edited, from Rotterdam and Amsterdam, by Iris Cuppen and Daniël van der Winden. _ISSUE FOUR_ is available now. There are a few copies left of ISSUE THREE and ISSUE TWO, as well. Orders are shipping once per week. TRANSCRIPT Magazine Nieuwpoortkade 2a 1055 RX Amsterdam The Netherlands Contact Email Instagram Find us at Athenaeum (Amsterdam) De Utrechtse Boekenbar (Utrecht) Kiosk (Rotterdam) magCulture (London) Frab's Magazines (Milan)",{"id":438,"height":13,"width":12,"blurhash":439},"bbe52631-1b44-4a46-baba-b377d38d1477","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#fdfdfd,#00000000 50%),radial-gradient(at 67% 0,#f6f6f6,#00000000 50%),radial-gradient(at 100% 0,#fcfcfc,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#f7f7f7,#00000000 50%),radial-gradient(at 67% 50%,#efefef,#00000000 50%),radial-gradient(at 100% 50%,#f7f7f7,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#fefefe,#00000000 50%),radial-gradient(at 67% 100%,#fcfcfc,#00000000 50%),radial-gradient(at 100% 100%,#fcfcfc,#00000000 50%)",{"id":441,"height":15,"width":14,"blurhash":53},"f0218648-a9b6-45d2-bbd0-044f505b1090",[443,446,449,452,455,458,461,464,467,470,473,476,479,482,485,488,491,494],{"directus_files_id":444},{"id":445},"2ef10aaf-0596-4dba-9e20-c7bc3b461c03",{"directus_files_id":447},{"id":448},"68690b9f-bb67-4e11-94a7-5231f509d7a8",{"directus_files_id":450},{"id":451},"df9e0036-1e49-43c7-bbd0-397b85cef875",{"directus_files_id":453},{"id":454},"d9ac87e7-e71e-41e1-9a5f-2dd8978ab329",{"directus_files_id":456},{"id":457},"d05d8297-648c-4731-8f1a-8eb615baa831",{"directus_files_id":459},{"id":460},"a0f1e803-2667-466a-8209-0ba2c3187fb0",{"directus_files_id":462},{"id":463},"ee8dda9d-1240-41d9-a21a-5e736b3f4d44",{"directus_files_id":465},{"id":466},"54aed827-6918-41ad-b4ef-15a0ee4c8ce5",{"directus_files_id":468},{"id":469},"b258c2e8-2257-4227-8ec7-a4fcfa1b6b0f",{"directus_files_id":471},{"id":472},"7b883e89-ecd8-4366-84ef-d7767a81a724",{"directus_files_id":474},{"id":475},"a7c04946-993a-478d-8c0d-906c8619b0a9",{"directus_files_id":477},{"id":478},"a2b8f711-9f8e-47f8-b632-ef25614ff892",{"directus_files_id":480},{"id":481},"5bc8e26d-338f-4c3e-b6e1-a1af6a6ec344",{"directus_files_id":483},{"id":484},"d6e4fc44-356b-46e3-a677-ddb91fbf23a6",{"directus_files_id":486},{"id":487},"3a287f81-d243-42c1-9553-e1717a2a7b8c",{"directus_files_id":489},{"id":490},"64377595-08d5-47f4-b1e1-0c3ff5ec908b",{"directus_files_id":492},{"id":493},"6a09bb71-d8d7-405b-9902-1715e2e7de6f",{"directus_files_id":495},{"id":496},"1410b220-272c-492f-a9ab-72f31c32e5ab",[498],{"languages_code":353,"description":499},"Transcript Magazine is a sophisticated seasonal publication dedicated to the curation of literary essays, short stories, and poetry. The website serves as a digital storefront and archive for a limited-edition print magazine, emphasizing the tactile and collectible nature of its seasonal releases. It caters to a discerning audience of bibliophiles, writers, and art enthusiasts who value slow media and high-quality physical editions.\n\nThe visual identity is defined by a refined, editorial aesthetic that leans heavily into classical typography and minimalist composition. By utilizing expansive white space and elegant serif typefaces, the design evokes the feeling of a high-end art book or a boutique literary journal. The use of abstract, geometric line art adds a contemporary, cerebral layer to the brand, positioning it as a bridge between traditional literature and modern visual art.","Entertainment & Media",[30,356,34],[503,504],"Daniël van der Winden","Iris Cuppen",[278],[273,256],[508,509,510,511],{"score":364,"category":74},{"score":187,"category":77},{"score":367,"category":80},{"score":84,"category":83},[513,514,515,516],{"score":87,"category":74},{"score":204,"category":77},{"score":367,"category":80},{"score":84,"category":83},[93,97,101],"Website: Transcript Magazine. Page: Homepage. Page type: Home \u002F Landing Page. Page title: TRANSCRIPT \u002F SEASONAL LITERARY MAGAZINE. Page description: TRANSCRIPT is a seasonal magazine, featuring literary essays, short stories, poetry, and everything in-between.. Page content: TRANSCRIPT Magazine A seasonal magazine, featuring literary essays, short stories, poetry, and everything in-between. [ ](.\u002Fissue-four) _ISSUE FOUR_ Fall ’25 With writing by Ella Frears, Nicholas Jeeves, Andrea Chapela, Jan van Tienen, Iris Cuppen and Daniël van der Winden. Visual contributions by Ade Hanft. Edition of 100. Now available! [ Read more ](.\u002Fissue-four) [ ](.\u002Fissue-three) _ISSUE THREE_ Spring ’25 With writing by Hunter A. Allund, Julie Peters, Luuk Vulkers and Micha Zaat. Visual contributions by Bernke Klein Zandvoort and Gabriël Kousbroek. Edition of 100. A few copies left. [ Read more ](.\u002Fissue-three) [ ](.\u002Fissue-two) _ISSUE TWO_ Winter ’24 With writing by Maia Kenney, Hilde Onis, Merel van Slobbe, Bernke Klein Zandvoort, Malina Suliman and Linus Bonduelle. Visual contributions by Hilde Onis and Janine Hendriks. Edition of 200. [ Read more ](.\u002Fissue-two) [ ](.\u002Fissue-one) _ISSUE ONE_ Summer ’24 With writing by Charlie Jermyn, Yasmin Veenman, Iris Cuppen and Daniël van der Winden. Visual contributions by Thomas & Jurgen and Ezekiel Aquino. Edition of 100—sold out. [ Read more ](.\u002Fissue-one) ABOUT _TRANSCRIPT_ was born out of a desire to create a long-lasting record of things in print. Designed and edited, from Rotterdam and Amsterdam, by Iris Cuppen and Daniël van der Winden. _ISSUE FOUR_ is available now. There are a few copies left of ISSUE THREE and ISSUE TWO, as well. Orders are shipping once per week. TRANSCRIPT Magazine Nieuwpoortkade 2a 1055 RX Amsterdam The Netherlands Contact Email Instagram Find us at Athenaeum (Amsterdam) De Utrechtse Boekenbar (Utrecht) Kiosk (Rotterdam) magCulture (London) Frab's Magazines (Milan). A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Entertainment & Media industry. Designed by Daniël van der Winden and Iris Cuppen. The overall color palette features White, Black, Gray. The typography features Inter (Sans Serif). Built using Framer Sites, React. AI description: Transcript Magazine is a sophisticated seasonal publication dedicated to the curation of literary essays, short stories, and poetry. The website serves as a digital storefront and archive for a limited-edition print magazine, emphasizing the tactile and collectible nature of its seasonal releases. It caters to a discerning audience of bibliophiles, writers, and art enthusiasts who value slow media and high-quality physical editions. The visual identity is defined by a refined, editorial aesthetic that leans heavily into classical typography and minimalist composition. By utilizing expansive white space and elegant serif typefaces, the design evokes the feeling of a high-end art book or a boutique literary journal. The use of abstract, geometric line art adds a contemporary, cerebral layer to the brand, positioning it as a bridge between traditional literature and modern visual art.",{"id":520,"website_id":521,"page_id":520,"name":522,"slug":523,"url":524,"website_name":522,"website_slug":523,"website_url":525,"result_url":524,"fetched_at":526,"score":175,"score_boost":328,"ai_score":327,"freshness_score":330,"scored_at":527,"page_name":40,"page_url":524,"page_title":528,"page_description":529,"page_content":530,"page_sort":328,"is_home":333,"is_home_rank":334,"page_type_id":335,"page_type_name":46,"cover":531,"cover_mobile":534,"cover_sequence":536,"translations":627,"industry":403,"styles":630,"credits":632,"font_families":633,"technologies":635,"pagespeed":638,"pagespeed_mobile":644,"buckets":650,"search_payload":654},"29bf6059-a107-4047-90ae-da480a032693","ef539bc9-b345-49b6-85ec-d8e35f9cba04","Assemble Studio","assemble-studio","https:\u002F\u002Fassemble.studio\u002F","https:\u002F\u002Fassemble.studio","2026-05-04T11:35:11.000Z","2026-05-23T19:19:48.000Z","Assemble | Assemble Studio | Digital Development Partners","We work with ambitious design studios and creative agencies to build detail-focused websites and digital platforms.","[ Assemble™ ](\u002F) A digital development partner Contact Digital development partner to world-class designers Using Sanity, Shopify, Twill, Craft, Drupal, GSAP, Vercel, Next.js & D3.js Ch A timeline of the history of African American Music for Carnegie Hall More info Neue High performance visitor website and online store for Neue Galerie More info Pressio Shopify Plus for Pressio the world’s most advanced compression wear More info Musson Best-in-class Shopify e-commerce for Musson Jewellers More info Recorp A new business focused on sustainable packaging is born for Recorp More info Aspect Multi-territory website for renowned landscape architects Aspect More info Bayport Group 7 Website for property development and construction firm Bayport More info Abodo Custom website, ecommerce and knowledge base for Abodo Wood More info Westpac A new platform for innovation with Westpac Innovation Fund More info BARLIS WEDLICK Website and identity for upstate NY Architects Barlis Wedlick More info John Coltrane FB9 T93 Musson ASPECT Studios News Shanghai East Library2 2023 02 21 064012 rqnk Karangahake House Tundra Cladding in Sioox Abodo Wood 8 2017 A48 443 HR [ Latest news Latest work for Carnegie Hall, featured in It’s Nice That ](https:\u002F\u002Fwww.itsnicethat.com\u002Fnews\u002Fsynoptic-apple-music-carnegie-hall-timeline-of-african-american-music-graphic-design-240222) Get in touch Looking for safe pairs of hands for your next digital project? Get in touch with our team today. [ Sign up to our newsletter ](#newsletter-form)info@assemble.studio Contact Carnegie Hall Close Carnegie Hall is a world-renown concert venue and cultural landmark, located in New York City. Established in the 1890's, its history is rich with iconic performances by classical and popular musicians, orchestras, and ensembles. Assemble™ partnered with Synoptic Office and Carnegie Hall's Archives team to build an online Timeline of African American Music using Next, D3 and Twill CMS. The project is based on research by Dr. Portia K. Maultsby, showcasing the rich cultural contributions of African American musicians and their impact on American music and global culture. By documenting these pivotal moments, the timeline serves as an educational tool, celebrating the resilience, creativity, and innovation of African American music through the ages. View the project here. Neue Galerie New York Close Neue Galerie New York is a museum devoted to early twentieth-century German and Austrian art and design, featuring artworks from modern masters such as Gustav Klimt, Egon Schiele, Vasily Kandinsky and Paul Klee. Assemble™ was engaged by Synoptic Office to develop a modern, interactive website to showcase Neue Galerie’s diverse collection and upcoming exhibitions. The new website seamlessly enables viewers to explore and engage with the museum’s offerings, make bookings and purchase gifts from the museum’s extensive online shop. The project was delivered using Next.js, Sanity and Shopify. View the project here. Pressio Close After a successful exit with LVMH from his previous venture 2XU, founder Jamie Hunt engaged Assemble™ to help launch Pressio – the World’s most advanced compression-wear brand. Together with General Studios, Assemble™ developed a custom, multi-territory e-commerce website to help establish the brand internationally and drive direct-to-consumer revenue. The website is built using Preact, Web Components and Shopify Plus. View the project here. Musson Close For over half a century, Musson has helped capture their customers’ stories through timeless engagement rings and statement jewellery pieces. Assemble™ partnered with Re Design to create an immersive, high-performing e-commerce store, with custom development on Shopify Plus. View the project here. Recorp Close Recorp is an innovative, best-in-class aluminium can manufacturer created on a mission to transform the beverage industry in Australasia. Assemble™ partnered with General Studios to deliver an engaging, custom website built on Craft CMS. View the project here. Aspect Studios Close ASPECT Studios is an international design practice, built from a global team of landscape architects, urban designers, architects, wayfinding specialists, strategists, and graphic designers. Assemble™ partnered with Harley Johnston Design to build a custom, multi-territory website on Craft CMS empowering ASPECT to tailor content and case studies to each respective region. View the project here. Bayport Close Bayport is a full-service property development, construction and landscaping based in Melbourne, Australia. Alongside their own development initiatives, Bayport works with both private operators and the public sector alike. Assemble™ partnered with A Friend of Mine to deliver an engaging digital experience, custom built on Craft CMS. The website features an engaging panoramic feature, showcasing Bayport's development projects from a unique perspective. View the project here. Abodo Wood Close Abodo crafts beautiful, lasting timbers that are favoured by the best architects and builders. Assemble™ partnered with Richards Partners to develop a digital presence that showcases Abodo’s range of products to a design-literate audience, while empowering professionals to easily order samples and access technical information to aid in the design and construction process. A comprehensive knowledge base was built to Abodo’s customers to find helpful technical assets online and enable specifiers to quickly determine the precise requirements for their projects through intuitive product calculators. The project utilizes Vue and Craft CMS. View the project here. Westpac Close The Innovation Fund is jointly supported and run by Westpac and the New Zealand government. The fund's sole purpose is to provide support for innovators who are committed to solving problems and uncovering opportunities, big and small for the benefit of all New Zealanders. Assemble™ partnered with General Studios to deliver a vibrant, inspiring website with unique case studies to help further propel the Innovation Fund forward. View the project here. Barlis Wedlick Close BarlisWedlick is an award-winning, full-service architecture and interiors firm at the forefront of high-design-meets-high-performance construction. They are committed to creating a sustainable future and are pioneers in Passive House design in the United States. Assemble™ partnered with General Studios to create a beautiful portfolio website showcasing Barlis Wedlick's work. View the project here. Newsletter Close Thanks for subscribing! Contact Close Get in touch to discuss your project needs. About Founded in 2014 in Auckland, New Zealand. Our team and collaborators are based in Toyko, San Francisco, Hong Kong, Melbourne, London and New York. Email — info@assemble.studio",{"id":532,"height":13,"width":12,"blurhash":533},"d2e8a6b7-a43c-4104-82bd-e1243552ae54","radial-gradient(at 0 0,#faf23a,#00000000 50%),radial-gradient(at 33% 0,#fbf23a,#00000000 50%),radial-gradient(at 67% 0,#fff63a,#00000000 50%),radial-gradient(at 100% 0,#fff63a,#00000000 50%),radial-gradient(at 0 50%,#f9f139,#00000000 50%),radial-gradient(at 33% 50%,#f7ef38,#00000000 50%),radial-gradient(at 67% 50%,#fbf238,#00000000 50%),radial-gradient(at 100% 50%,#fdf438,#00000000 50%),radial-gradient(at 0 100%,#fff93a,#00000000 50%),radial-gradient(at 33% 100%,#fff73a,#00000000 50%),radial-gradient(at 67% 100%,#fff73a,#00000000 50%),radial-gradient(at 100% 100%,#fff73a,#00000000 50%)",{"id":535,"height":15,"width":14,"blurhash":53},"f212f1f9-5467-4d51-8c65-c2a05250e1f1",[537,540,543,546,549,552,555,558,561,564,567,570,573,576,579,582,585,588,591,594,597,600,603,606,609,612,615,618,621,624],{"directus_files_id":538},{"id":539},"83958192-4d49-49f6-81e9-81cd37732371",{"directus_files_id":541},{"id":542},"19953e6e-2f27-4a02-87dc-cc1be16bb000",{"directus_files_id":544},{"id":545},"8c2580d6-e0bc-42bd-9a76-b99bb09a6eb9",{"directus_files_id":547},{"id":548},"47da3c6d-7e65-46b2-b9cc-88d580ebb6e8",{"directus_files_id":550},{"id":551},"27dbb5fc-1be0-4ca7-af4f-c7f529a09de7",{"directus_files_id":553},{"id":554},"92a05ebc-3ae2-4529-8006-554a3ec7fce4",{"directus_files_id":556},{"id":557},"8dbfcf05-91c2-4530-a4cd-be402ebf8c15",{"directus_files_id":559},{"id":560},"fbeee965-cb9e-4a39-81eb-b8be2695e99a",{"directus_files_id":562},{"id":563},"a1770875-41d6-4df8-bb4f-137bf723bab1",{"directus_files_id":565},{"id":566},"5f73209a-167e-447d-9a49-fb84280015a7",{"directus_files_id":568},{"id":569},"80da0b47-01aa-422f-aeff-a988a5bc3fe6",{"directus_files_id":571},{"id":572},"fb4935e0-46ac-4ca1-add0-c0ac7c5a509b",{"directus_files_id":574},{"id":575},"929bf35e-10e9-4ffc-93bb-e2b6ccfc6ded",{"directus_files_id":577},{"id":578},"09c3e973-2d74-41b2-83f6-227032197b35",{"directus_files_id":580},{"id":581},"dd3bdc85-deb4-435f-b088-3dca491a0693",{"directus_files_id":583},{"id":584},"8df2fb31-ec95-4dcc-bee0-e4d596bbf74e",{"directus_files_id":586},{"id":587},"96e3eef2-c288-4aa0-90b4-939cba0139d8",{"directus_files_id":589},{"id":590},"71bbe7f5-f82d-4898-a855-46c1a1a6fa99",{"directus_files_id":592},{"id":593},"928dcb51-f0b6-4692-ba8e-a49ac485bc4b",{"directus_files_id":595},{"id":596},"fe2fd626-40f0-4ba7-afca-51098edbf75e",{"directus_files_id":598},{"id":599},"16eec0b7-e441-4382-8d6c-1b3cc88acf48",{"directus_files_id":601},{"id":602},"1cec19fe-77dc-46cf-9ac0-a3ba60f801a6",{"directus_files_id":604},{"id":605},"9454d5c1-30f0-4289-9d24-9e3d7cced0c8",{"directus_files_id":607},{"id":608},"fec057bb-4c44-4cbb-a7e6-8794eec1e5cc",{"directus_files_id":610},{"id":611},"c0c89564-d766-4d31-ad9f-6ad9b6cdd2ba",{"directus_files_id":613},{"id":614},"5aeb9f01-67a2-4819-9f84-7a0c07678db2",{"directus_files_id":616},{"id":617},"2dcc434a-c2dc-4811-a566-a680be396ce6",{"directus_files_id":619},{"id":620},"2b772aff-2bf4-4de8-a91e-7ee8aa6a4705",{"directus_files_id":622},{"id":623},"a8b403cc-5aca-4cc8-9fc7-284b9c91102b",{"directus_files_id":625},{"id":626},"af2667ee-0224-40b2-853b-f854af05f1a9",[628],{"languages_code":353,"description":629},"Assemble Studio is a specialized digital development partner dedicated to bringing high-end design visions to life. They position themselves as the technical backbone for ambitious design studios and creative agencies, bridging the gap between complex aesthetic concepts and robust, functional digital platforms. By leveraging a sophisticated tech stack including Sanity, Shopify, and Next.js, they cater to a clientele that demands both technical precision and uncompromising visual integrity.\n\nThe visual identity is unapologetically bold and high-impact, characterized by a vibrant, high-contrast color palette and massive, confident typography. The design language leans into a modern, neo-brutalist aesthetic, utilizing expansive blocks of color and a structured, grid-adjacent layout that feels both energetic and authoritative. It is a brand built for the creative elite, signaling a mastery of both code and contemporary digital culture.",[26,30,34,631],"Vibrant \u002F Colorful",[],[634],"Messina Sans",[272,261,636,637],"SEOmatic","Yii",[639,641,642,643],{"score":640,"category":74},67,{"score":417,"category":77},{"score":81,"category":80},{"score":81,"category":83},[645,646,648,649],{"score":188,"category":74},{"score":647,"category":77},70,{"score":81,"category":80},{"score":81,"category":83},[651,97,101,652,653],"yellow","brown","orange","Website: Assemble Studio. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Assemble | Assemble Studio | Digital Development Partners. Page description: We work with ambitious design studios and creative agencies to build detail-focused websites and digital platforms.. Page content: [ Assemble™ ](\u002F) A digital development partner Contact Digital development partner to world-class designers Using Sanity, Shopify, Twill, Craft, Drupal, GSAP, Vercel, Next.js & D3.js Ch A timeline of the history of African American Music for Carnegie Hall More info Neue High performance visitor website and online store for Neue Galerie More info Pressio Shopify Plus for Pressio the world’s most advanced compression wear More info Musson Best-in-class Shopify e-commerce for Musson Jewellers More info Recorp A new business focused on sustainable packaging is born for Recorp More info Aspect Multi-territory website for renowned landscape architects Aspect More info Bayport Group 7 Website for property development and construction firm Bayport More info Abodo Custom website, ecommerce and knowledge base for Abodo Wood More info Westpac A new platform for innovation with Westpac Innovation Fund More info BARLIS WEDLICK Website and identity for upstate NY Architects Barlis Wedlick More info John Coltrane FB9 T93 Musson ASPECT Studios News Shanghai East Library2 2023 02 21 064012 rqnk Karangahake House Tundra Cladding in Sioox Abodo Wood 8 2017 A48 443 HR [ Latest news Latest work for Carnegie Hall, featured in It’s Nice That ](https:\u002F\u002Fwww.itsnicethat.com\u002Fnews\u002Fsynoptic-apple-music-carnegie-hall-timeline-of-african-american-music-graphic-design-240222) Get in touch Looking for safe pairs of hands for your next digital project? Get in touch with our team today. [ Sign up to our newsletter ](#newsletter-form)info@assemble.studio Contact Carnegie Hall Close Carnegie Hall is a world-renown concert venue and cultural landmark, located in New York City. Established in the 1890's, its history is rich with iconic performances by classical and popular musicians, orchestras, and ensembles. Assemble™ partnered with Synoptic Office and Carnegie Hall's Archives team to build an online Timeline of African American Music using Next, D3 and Twill CMS. The project is based on research by Dr. Portia K. Maultsby, showcasing the rich cultural contributions of African American musicians and their impact on American music and global culture. By documenting these pivotal moments, the timeline serves as an educational tool, celebrating the resilience, creativity, and innovation of African American music through the ages. View the project here. Neue Galerie New York Close Neue Galerie New York is a museum devoted to early twentieth-century German and Austrian art and design, featuring artworks from modern masters such as Gustav Klimt, Egon Schiele, Vasily Kandinsky and Paul Klee. Assemble™ was engaged by Synoptic Office to develop a modern, interactive website to showcase Neue Galerie’s diverse collection and upcoming exhibitions. The new website seamlessly enables viewers to explore and engage with the museum’s offerings, make bookings and purchase gifts from the museum’s extensive online shop. The project was delivered using Next.js, Sanity and Shopify. View the project here. Pressio Close After a successful exit with LVMH from his previous venture 2XU, founder Jamie Hunt engaged Assemble™ to help launch Pressio – the World’s most advanced compression-wear brand. Together with General Studios, Assemble™ developed a custom, multi-territory e-commerce website to help establish the brand internationally and drive direct-to-consumer revenue. The website is built using Preact, Web Components and Shopify Plus. View the project here. Musson Close For over half a century, Musson has helped capture their customers’ stories through timeless engagement rings and statement jewellery pieces. Assemble™ partnered with Re Design to create an immersive, high-performing e-commerce store, with custom development on Shopify Plus. View the project here. Recorp Close Recorp is an innovative, best-in-class aluminium can manufacturer created on a mission to transform the beverage industry in Australasia. Assemble™ partnered with General Studios to deliver an engaging, custom website built on Craft CMS. View the project here. Aspect Studios Close ASPECT Studios is an international design practice, built from a global team of landscape architects, urban designers, architects, wayfinding specialists, strategists, and graphic designers. Assemble™ partnered with Harley Johnston Design to build a custom, multi-territory website on Craft CMS empowering ASPECT to tailor content and case studies to each respective region. View the project here. Bayport Close Bayport is a full-service property development, construction and landscaping based in Melbourne, Australia. Alongside their own development initiatives, Bayport works with both private operators and the public sector alike. Assemble™ partnered with A Friend of Mine to deliver an engaging digital experience, custom built on Craft CMS. The website features an engaging panoramic feature, showcasing Bayport's development projects from a unique perspective. View the project here. Abodo Wood Close Abodo crafts beautiful, lasting timbers that are favoured by the best architects and builders. Assemble™ partnered with Richards Partners to develop a digital presence that showcases Abodo’s range of products to a design-literate audience, while empowering professionals to easily order samples and access technical information to aid in the design and construction process. A comprehensive knowledge base was built to Abodo’s customers to find helpful technical assets online and enable specifiers to quickly determine the precise requirements for their projects through intuitive product calculators. The project utilizes Vue and Craft CMS. View the project here. Westpac Close The Innovation Fund is jointly supported and run by Westpac and the New Zealand government. The fund's sole purpose is to provide support for innovators who are committed to solving problems and uncovering opportunities, big and small for the benefit of all New Zealanders. Assemble™ partnered with General Studios to deliver a vibrant, inspiring website with unique case studies to help further propel the Innovation Fund forward. View the project here. Barlis Wedlick Close BarlisWedlick is an award-winning, full-service architecture and interiors firm at the forefront of high-design-meets-high-performance construction. They are committed to creating a sustainable future and are pioneers in Passive House design in the United States. Assemble™ partnered with General Studios to create a beautiful portfolio website showcasing Barlis Wedlick's work. View the project here. Newsletter Close Thanks for subscribing! Contact Close Get in touch to discuss your project needs. About Founded in 2014 in Auckland, New Zealand. Our team and collaborators are based in Toyko, San Francisco, Hong Kong, Melbourne, London and New York. Email — info@assemble.studio. A Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Agency & Studio industry. The overall color palette features Yellow, Black, Gray, Brown, Orange. The typography features Messina Sans (Sans Serif, Luzi Type). Built using Craft CMS, Klaviyo, SEOmatic, Yii. AI description: Assemble Studio is a specialized digital development partner dedicated to bringing high-end design visions to life. They position themselves as the technical backbone for ambitious design studios and creative agencies, bridging the gap between complex aesthetic concepts and robust, functional digital platforms. By leveraging a sophisticated tech stack including Sanity, Shopify, and Next.js, they cater to a clientele that demands both technical precision and uncompromising visual integrity. The visual identity is unapologetically bold and high-impact, characterized by a vibrant, high-contrast color palette and massive, confident typography. The design language leans into a modern, neo-brutalist aesthetic, utilizing expansive blocks of color and a structured, grid-adjacent layout that feels both energetic and authoritative. It is a brand built for the creative elite, signaling a mastery of both code and contemporary digital culture."]