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Madrid 13-15 oct ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F12\u002F06\u002Fla-maquina-que-ve\u002F) [ Digital Residency – MAMBO Bogotá - Colombia 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F08\u002F13\u002Fdigital-residency-mambo\u002F) [ Andrea Alfarano Scientific collaborator ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F25\u002Fandrea-alfarano\u002F) [ New Edited Volume Hertziana Studies in Art History, July 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F25\u002Fnew-edited-volume\u002F) [ Artificial Urban Imaginaries Lecture. UNESCO Chair Urban Landscape. University of Montreal. July 24 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F26\u002Fartificial-urban-imaginaries\u002F) [ Thesis Defense ! Valentine Bernasconi July 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F30\u002F981\u002F) [ Light Analysis of Paintings at Scale Using Spherical Harmonics Published article. Proceedings of the SYMPOSIUM ON ELECTRONIC IMAGING ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F25\u002Flight-analysis-of-paintings-at-scale-using-spherical-harmonics\u002F) [ DVS @ XCOAX Machinic Mimesis and Text-AI-les ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F23\u002Fdvs-xcoax\u002F) [ (Closed) AI & Cities 2024. Digital Double Symposium 24-25 Oct.2024 BHMPI, Rome ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F05\u002Faicities-2024-digital-double\u002F) [ Colors of AI. ICCC 2024 Workshop Workshop ICCC. June 18th ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F25\u002Fcolors-of-ai-computational-creativity\u002F) [ AI and Computational Thinking in Digital Art History Course, Spring Semester 2024 UZH ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fai-and-computational-thinking-in-digital-art-history\u002F) [ VORD Workshop May 17, 2024. UZH ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fvord-workshop\u002F) [ Nuria Rodriguez Ortega Visiting Scolar April-May 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F30\u002Fnuria-rodriguez-ortega\u002F) [ Ana Zapata Scientific Collaborator. VORD ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fana-zapata\u002F) [ TextAIles: Color Manipulations in the Latent Space of StyleGAN3 Paper. Conf. Computer Vision and Image Analysis of Art. San Francisco ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F22\u002Ftextailes-color-manipulations-in-the-latent-space-of-stylegan3\u002F) [ (Closed) Datathink 2024 \u002F AI & Cities Winter School, Rome. Deadline 5 Feb ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F18\u002Fdatathink-2024-ai-cities\u002F) [ Distant Viewing Light Analysis of Figurative Paintings Paper. Conf. Computer Vision and Image Analysis of Art. ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F22\u002F850\u002F) [ Show me your hand Round table at Istituto Svizzero, Rome, 17.01.23, 17h ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F12\u002Fshow-me-your-hand\u002F) [ New article: Cityscapes Transformed Designing Digital Humanities. Disegno Journal, Dec 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F21\u002Fnew-article-cityscapes-transformed\u002F) [ Text-AI-Le: disentangled color directions Paper - Cultural Data Analytics Conference 2023 in Tallinn ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F15\u002Ftext-ai-le-disentangled-color-directions-in-self-supervised-deep-learning-models-for-textile-image-generation\u002F) [ Clip & the City STRAND Conference in Belgrade, 7th Dec 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F15\u002Fclip-the-city\u002F) [ Data, Dictum Masterclass 29.11.23 Institute of Advanced Architecture of Catalonia ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F12\u002Fdata-dictum\u002F) [ (Closed) Call for Applications: Postdoctoral Researcher Postdoc in Computer Vision Deadline January 10, 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F11\u002F01\u002Fcall-for-applications-postdoctoral-researcher\u002F) [ What does AI do to Art History? 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Page content: Rotate your phone to navigate through the site properly Home Research About Contact Bluesky Linkedin Github CONTENTS All Events Projects Profiles Open Calls Research Areas Resources VIEW MODE Visual Textual Home Research About Contact Instagram MenuClose [ Noa García Visiting Scholar ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F04\u002F29\u002Fnoa-garcia\u002F) [ Unnatural Naturalism: A Computational Study of Caravaggio’s Light Public Lecture. 16.3.2026 Prado Museum, Madrid ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F02\u002F27\u002Funnatural-naturalism-a-computational-study-of-caravaggios-light\u002F) [ Generative Curation Symposium 28-29 Jan 2026. Centre Pompidou Málaga ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F01\u002F30\u002Fgneretaive-curation-symposium\u002F) [ IMPRS Multimodal Digital Humanities New project! ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F01\u002F14\u002Fimprs-mulimodal-digital-humanities\u002F) [ Diagrams and Diagramming Dec 11, KHIST, 18h, ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F11\u002F19\u002Fdiagrams-and-diagramming\u002F) [ Call for Contributions – Generative Curation Symposium Málaga, 28-29 Jan 2026 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F11\u002F07\u002Fcall-generative-curation-symposium\u002F) [ Between the Discrete and the Infinite: Attention and Latent Space Metaphors in Borges and Calvino Paper Presentation, XCOAX 2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F07\u002F07\u002Fbetween-the-discrete-and-the-infinite-attention-and-latent-space-metaphors-in-borges-and-calvino\u002F) [ Sympathies of Streets Lecture and Research Seminar - Michael Doyle. 10.6.2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F06\u002F02\u002Fsympathies-of-streets\u002F) [ Digital Architectural Histories Research Area ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F27\u002Fdigital-architectural-history\u002F) [ Digital F(r)ictions Presentation at MAMBO 16.05.2025 Bogotá ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F22\u002Fpresentation-at-mambo\u002F) [ Digital Visual Studies School Universidad de los Andes. Bogotá 12-16 May 2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F22\u002Fdigital-visual-studies-school\u002F) [ VORD PLATFORM (Visual Open Research Data) Media Art Histories 2025 & Festival de la Imagen. Manizales 5 May ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F06\u002F10\u002Fvord-platform-visual-open-research-data\u002F) [ Paul Guhennec Postdoctoral Fellow ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F27\u002Fpaul-guhennec\u002F) [ Uncertainty: Aesthetic Manifestations Symposium Zurich. March 6 9:15-18:30 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F02\u002F18\u002Funcertainty-aesthetic-manifestations-symposium\u002F) [ AI & Cities. Applied Machine Learning Days EPFL Feb 12, 2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F02\u002F18\u002Faicities-applied-machine-learning-days\u002F) [ List of publications 2024 ZORA UZH ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F02\u002F18\u002Flist-of-publications-2024\u002F) [ Simulating Urban Denkstile Talk, Symposium Dec 9zh. Zurich ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F12\u002F06\u002F1005\u002F) [ The City in a Bottle Lecture. Montréal, 20 Nov, 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F12\u002F06\u002Fthe-city-in-a-bottle\u002F) [ The Machine that sees \u002F La máquina que ve Conference and Workshop. 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Proceedings of the SYMPOSIUM ON ELECTRONIC IMAGING ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F25\u002Flight-analysis-of-paintings-at-scale-using-spherical-harmonics\u002F) [ DVS @ XCOAX Machinic Mimesis and Text-AI-les ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F23\u002Fdvs-xcoax\u002F) [ (Closed) AI & Cities 2024. Digital Double Symposium 24-25 Oct.2024 BHMPI, Rome ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F05\u002Faicities-2024-digital-double\u002F) [ Colors of AI. ICCC 2024 Workshop Workshop ICCC. June 18th ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F25\u002Fcolors-of-ai-computational-creativity\u002F) [ AI and Computational Thinking in Digital Art History Course, Spring Semester 2024 UZH ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fai-and-computational-thinking-in-digital-art-history\u002F) [ VORD Workshop May 17, 2024. UZH ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fvord-workshop\u002F) [ Nuria Rodriguez Ortega Visiting Scolar April-May 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F30\u002Fnuria-rodriguez-ortega\u002F) [ Ana Zapata Scientific Collaborator. VORD ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fana-zapata\u002F) [ TextAIles: Color Manipulations in the Latent Space of StyleGAN3 Paper. Conf. Computer Vision and Image Analysis of Art. San Francisco ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F22\u002Ftextailes-color-manipulations-in-the-latent-space-of-stylegan3\u002F) [ (Closed) Datathink 2024 \u002F AI & Cities Winter School, Rome. Deadline 5 Feb ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F18\u002Fdatathink-2024-ai-cities\u002F) [ Distant Viewing Light Analysis of Figurative Paintings Paper. Conf. Computer Vision and Image Analysis of Art. ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F22\u002F850\u002F) [ Show me your hand Round table at Istituto Svizzero, Rome, 17.01.23, 17h ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F12\u002Fshow-me-your-hand\u002F) [ New article: Cityscapes Transformed Designing Digital Humanities. Disegno Journal, Dec 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F21\u002Fnew-article-cityscapes-transformed\u002F) [ Text-AI-Le: disentangled color directions Paper - Cultural Data Analytics Conference 2023 in Tallinn ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F15\u002Ftext-ai-le-disentangled-color-directions-in-self-supervised-deep-learning-models-for-textile-image-generation\u002F) [ Clip & the City STRAND Conference in Belgrade, 7th Dec 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F15\u002Fclip-the-city\u002F) [ Data, Dictum Masterclass 29.11.23 Institute of Advanced Architecture of Catalonia ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F12\u002Fdata-dictum\u002F) [ (Closed) Call for Applications: Postdoctoral Researcher Postdoc in Computer Vision Deadline January 10, 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F11\u002F01\u002Fcall-for-applications-postdoctoral-researcher\u002F) [ What does AI do to Art History? Experiments in Art and Technology Institute of Art History, University of Zurich, Nov 2 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F11\u002F09\u002Fwhat-does-ai-to-art-history-experiments-in-art-and-technology\u002F) [ (Closed) Hiring! Mediator in Digital Visual Studies 50% Nov 2023-Nov 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F09\u002F08\u002Fhiring-postdoctoral-researcher-mediator-in-digital-visual-studies\u002F) [ New Methods for Visual Open Research Data in the Digital Humanities VORD. New project. Sept 2023-Dec 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F09\u002F08\u002Fnew-methods-for-accessing-visual-open-research-data-in-the-digital-humanities\u002F) [ Transhistorical Urban Landscape as Hypermap In ACM Hypertext Conference 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F08\u002F07\u002Ftranshistorical-urban-landscape-as-hypermap\u002F) [ URBAN GIST. Encoding cities in foundation models ![](https:\u002F\u002Fdvstudies.net\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fslide-URBAN-GIST-D.Negu …. A Clean \u002F Minimalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Art & Culture industry. Designed by Naranjo–Etxeberria, developed by Apn. The overall color palette features White, Yellow, Gray, Black. The typography features Suisse Intl (Swiss Typefaces), Suisse Intl (Swiss Typefaces). AI description: DVS (Digital Visual Studies) serves as a sophisticated digital hub for interdisciplinary research at the intersection of art, computation, and visual culture. The platform functions as a curated repository for academic profiles, upcoming symposia, and research projects, bridging the gap between high-level scholarly inquiry and contemporary visual discourse. It is designed for an audience of academics, researchers, artists, and technologists interested in the computational analysis of aesthetics. The visual identity is defined by a bold, avant-garde editorial aesthetic that rejects traditional academic austerity in favor of a vibrant, experimental layout. Utilizing a high-contrast color palette of primary yellows and blues, the site employs a grid-based modular system that feels both structured and kinetic. 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Here! PUB Englishes MOOC Sandberg Speakeasy Decolonial Futures Sandberg Series De School The Brewery Rietveld Pavilion Typeface Kunstvlaai The One Minutes rematriasi Workshops & Facilities Medialab About Team Workshops Rietveld + Sandberg Contact Newsletter Newsletter PS About Projects Exhibitions Publications Privacy Statement Internal Affairs Your Collection Start slideshow Save Print Share null 0 0 0 0 Please login to manage your collections. Show in public Collections — Remove this collection \\+ new Email — Clear \\[0\\]1724:\u002Fabout 1947:\\[1\\]\u002Fabout 21725:\\[2\\]\u002Fstaff 31683:\\[3\\]\u002Fhistory 34621:\\[4\\]\u002Fnews 22374:\\[5\\]\u002Fagenda 34619:\\[6\\]\u002Fwritings 34620:\\[7\\]\u002Fdocumentation \\[8\\]31732:\u002Fopen-sandberg-2026 83641:\\[9\\]\u002Fopen-sandberg-2026 78102:\\[10\\]\u002Fopen-sandberg-2025 72766:\\[11\\]\u002Fopen-sandberg-2024 67489:\\[12\\]\u002Fopen-sandberg-2023 60126:\\[13\\]\u002Fopen2022 \\[14\\]54043:\u002Fopen2021-information 55287: …",{"id":532,"height":13,"width":12,"blurhash":533},"d4cc1445-9c55-47b0-87ec-5c7eda48728b","radial-gradient(at 0 0,#eceeed,#00000000 50%),radial-gradient(at 33% 0,#e3e2e3,#00000000 50%),radial-gradient(at 67% 0,#d6d5d6,#00000000 50%),radial-gradient(at 100% 0,#e1e4e2,#00000000 50%),radial-gradient(at 0 50%,#fffdff,#00000000 50%),radial-gradient(at 33% 50%,#e9eaea,#00000000 50%),radial-gradient(at 67% 50%,#d8dcd8,#00000000 50%),radial-gradient(at 100% 50%,#f2f3f2,#00000000 50%),radial-gradient(at 0 100%,#f5f5f5,#00000000 50%),radial-gradient(at 33% 100%,#e2dee1,#00000000 50%),radial-gradient(at 67% 100%,#c8c7c8,#00000000 50%),radial-gradient(at 100% 100%,#e2e5e3,#00000000 50%)",{"id":535,"height":15,"width":14,"blurhash":38},"52b52875-d110-4abf-a8aa-68fdc2e22e8f",[537],{"directus_files_id":538},{"id":539},"aa7a2ce3-6309-42a2-8df1-59a1971df9f5",[541],{"languages_code":490,"description":542},"Sandberg Instituut serves as a prestigious postgraduate hub for Fine Arts, Interior Architecture, and Design. The website functions as a dynamic digital archive and information portal, connecting prospective students, current researchers, and the broader creative community through news, event agendas, and academic documentation.\n\nThe visual identity is defined by a sophisticated, avant-garde minimalism that mirrors the institution's experimental ethos. Utilizing a spacious, grid-based layout with high-contrast typography and an asymmetrical arrangement of imagery, the design feels more like a contemporary art monograph than a traditional academic site. The aesthetic is intellectual, raw, and highly curated, targeting a sophisticated audience of artists and designers who value conceptual depth and structural clarity.",[494,26,30],[],[],[126,547,328,548,326],"jQuery UI","Underscore.js",[550,551,553,555],{"score":242,"category":131},{"score":552,"category":134},53,{"score":554,"category":137},77,{"score":527,"category":140},[557,558,559,560],{"score":252,"category":131},{"score":552,"category":134},{"score":554,"category":137},{"score":527,"category":140},[149,153,157,562,563],"brown","green","Website: Sandberg Instituut. Page: Sandberg Instituut. Page type: Home \u002F Landing Page. Page title: Sandberg Instituut. Page description: Master Programmes in Fine Arts, Interior Architecture and Design. Page content: scroll to change weight drag mouse horizontally to slant drag mouse vertically to stretch shift-scroll to rotate pen ok | add to collection + [Sandberg Instituut ← Back ](\u002F) | Login | Library About +add to collection Sandberg Instituut About Staff History News Agenda Writings Documentation Open Day Open Sandberg 2026 Open Sandberg 2025 Open Sandberg 2024 Open Sandberg 2023 Open Sandberg 2022 Open Sandberg 2021 Information Programme Images Open Sandberg 2020 Open Sandberg 2019 Open Sandberg 2018 Apply Applications 2026–2028 Financial information Main Departments About Critical Studies Course Team Participants Design Course Projects & Activities Team Participants Dirty Art Department Course Team Participants Fine Arts Course Projects Workshops Team Participants Studio for Immediate Spaces Course Team Participants Temporary Programmes About Phantom Scores About Course Structure Team Monstrous Futurities About Course Structure Team Lumbung Practice About Artificial Times Course Team Participants Planetary Poetics Course Team Collaborations Climate Exchange Platform Public Program Re:master Opera Course Structure of the Course Team F for Fact Course Structure of the Course Team Participants Blacker Blackness Course Team Ecologies of Transformation Course Team Disarming Design Course Disclosing Discomforts Team Participants Solidarity Approaching Language Course Team Lecture Series Participants Resolution Course Team Participants The Commoners' Society Course Team Alumni Challenging Jewellery Course Team Alumni Shadow Channel Team Course Alumni Material Utopias School of Missing Studies Radical Cut-Up Course Team Alumni Cure Master Course Team Alumni Designing Democracy Course Team Alumni Fashion Matters Course Team Alumni Materialisation in Art and Design Course Team Alumni Reinventing Daily Life Course Team Alumni Master of Voice Course Team Projects Alumni Master Design of Experiences About Course Team Programme Partner Institute Alumni System D Academy Course Team Alumni Vacant NL Phantom Scores Rietveld Sandberg Research About Research Organisation Post Graduate Fellows Graduation Graduation 2025 Graduation 2024 Graduation 2023 Graduation 2022 Graduation 2021 Graduation 2020 Graduation 2019 Graduation 2018 Graduation 2017 Graduation 2016 Graduates 2016 Radio Sandberg Photos opening Burgerweeshuis Photos installation Burgerweeshuis Dirty Art Department photos Critical Studies photos Cure Master photos Design photos Designing Democracy photos Studio for Immediate Spaces photos System D Academy photos Fine Arts photos Graduation 2015 Graduation 2015 Graduates 2015 Burgerweeshuis Photos Students Current Alumni Alumni Theses Organisations About unsettling Unsettling Support Student Circle UNDER CONSTRUCTION Commissioned Critique Hear! Here! PUB Englishes MOOC Sandberg Speakeasy Decolonial Futures Sandberg Series De School The Brewery Rietveld Pavilion Typeface Kunstvlaai The One Minutes rematriasi Workshops & Facilities Medialab About Team Workshops Rietveld + Sandberg Contact Newsletter Newsletter PS About Projects Exhibitions Publications Privacy Statement Internal Affairs Your Collection Start slideshow Save Print Share null 0 0 0 0 Please login to manage your collections. Show in public Collections — Remove this collection \\+ new Email — Clear \\[0\\]1724:\u002Fabout 1947:\\[1\\]\u002Fabout 21725:\\[2\\]\u002Fstaff 31683:\\[3\\]\u002Fhistory 34621:\\[4\\]\u002Fnews 22374:\\[5\\]\u002Fagenda 34619:\\[6\\]\u002Fwritings 34620:\\[7\\]\u002Fdocumentation \\[8\\]31732:\u002Fopen-sandberg-2026 83641:\\[9\\]\u002Fopen-sandberg-2026 78102:\\[10\\]\u002Fopen-sandberg-2025 72766:\\[11\\]\u002Fopen-sandberg-2024 67489:\\[12\\]\u002Fopen-sandberg-2023 60126:\\[13\\]\u002Fopen2022 \\[14\\]54043:\u002Fopen2021-information 55287: …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Education & Courses industry. The overall color palette features White, Black, Gray, Brown, Green. Built using jQuery, jQuery UI, Modernizr, Underscore.js, YouTube. AI description: Sandberg Instituut serves as a prestigious postgraduate hub for Fine Arts, Interior Architecture, and Design. The website functions as a dynamic digital archive and information portal, connecting prospective students, current researchers, and the broader creative community through news, event agendas, and academic documentation. The visual identity is defined by a sophisticated, avant-garde minimalism that mirrors the institution's experimental ethos. Utilizing a spacious, grid-based layout with high-contrast typography and an asymmetrical arrangement of imagery, the design feels more like a contemporary art monograph than a traditional academic site. The aesthetic is intellectual, raw, and highly curated, targeting a sophisticated audience of artists and designers who value conceptual depth and structural clarity.",{"id":566,"website_id":567,"page_id":566,"name":568,"slug":569,"url":570,"website_name":568,"website_slug":569,"website_url":571,"result_url":570,"fetched_at":572,"score":526,"score_boost":384,"ai_score":573,"freshness_score":386,"scored_at":574,"page_name":36,"page_url":570,"page_title":568,"page_description":38,"page_content":575,"page_sort":384,"is_home":389,"is_home_rank":390,"page_type_id":391,"page_type_name":43,"cover":576,"cover_mobile":579,"cover_sequence":581,"translations":591,"industry":492,"styles":594,"credits":595,"font_families":597,"technologies":598,"pagespeed":600,"pagespeed_mobile":606,"buckets":611,"search_payload":613},"cf9f198b-d6ac-4ca6-a7eb-d14d9f6c4fc2","f9fbdbd5-d5d4-450b-8457-f6edaab30558","Face Forward","face-forward","https:\u002F\u002Ffaceforward.typography.ie\u002F","https:\u002F\u002Ffaceforward.typography.ie","2026-05-04T09:21:59.000Z",86,"2026-05-23T19:09:49.000Z","_Face Forward_ is an international peer-reviewed conference focused on typography that seeks to examine design and typographic practice, and to make explicit existing connections between craft, research, theory, history, criticism and pedagogy. This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …",{"id":577,"height":13,"width":12,"blurhash":578},"ee6ba0b9-978f-4682-94f5-f10503f98584","radial-gradient(at 0 0,#babaff,#00000000 50%),radial-gradient(at 33% 0,#7878ff,#00000000 50%),radial-gradient(at 67% 0,#b2b2ff,#00000000 50%),radial-gradient(at 100% 0,#dfdfff,#00000000 50%),radial-gradient(at 0 50%,#bfbfe8,#00000000 50%),radial-gradient(at 33% 50%,#a2a2e1,#00000000 50%),radial-gradient(at 67% 50%,#c6c6ed,#00000000 50%),radial-gradient(at 100% 50%,#dedef7,#00000000 50%),radial-gradient(at 0 100%,#b4b4e6,#00000000 50%),radial-gradient(at 33% 100%,#9c9cf7,#00000000 50%),radial-gradient(at 67% 100%,#b3b3f5,#00000000 50%),radial-gradient(at 100% 100%,#cbcbed,#00000000 50%)",{"id":580,"height":15,"width":14,"blurhash":38},"d4e07c88-6674-4460-9621-b66d952ea4f3",[582,585,588],{"directus_files_id":583},{"id":584},"b5f1f613-ecd9-4c14-8e2d-8bfcb012ccc8",{"directus_files_id":586},{"id":587},"2a247199-2226-423a-9962-6fd931df0026",{"directus_files_id":589},{"id":590},"09fdf48e-0b65-4ae6-bda7-9f4e6eb98664",[592],{"languages_code":490,"description":593},"Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. 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This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Blue, Black, Gray. The typography features Times New Roman (Serif). Built using jQuery, PHP, Three.js. AI description: Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. The website serves as a scholarly hub, facilitating critical discourse between craft, research, theory, and pedagogy. It is designed to attract academics, designers, and typographic practitioners seeking to explore the intersection of visual communication and epistemological inquiry. The visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the site's subject matter. 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View the calendar to see what’s next Adding item... Tour ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view [ A close-up of a creamy-yellow, glossy ceramic surface blotched with red that undulates with folds and creases below two bright yellow, stick-like strips affixed to the surface. Kathy Butterly: Assume Yes ](\u002Fexhibitions\u002F715-kathy-butterly-assume-yes) [ A black and white photograph of a group of Black men marching in line wearing similar attire. Designing Power: The Black Panther Party ](\u002Fexhibitions\u002F791-designing-power-the-black-panther-party) [ A detail of multiple patterns and colors on textiles. Sheila Pepe: When & Where We Rest ](\u002Fexhibitions\u002F751-sheila-pepe-when-where-we-rest) [ 2018_39_1_93_banner-crop2.jpg All These Growing Things ](\u002Fexhibitions\u002F750-all-these-growing-things) [ A shirtless, light-skinned person seen from behind, from shoulder blades to the bottom of their head, with a tattoo in the middle of their neck reading “DYKE” in bold, illustrative font. Inked: Stigma, Otherness, and Art ](\u002Fexhibitions\u002F753-inked-stigma-otherness-and-art) [ A detail of an abstract, colorful painting by Carrie Moyer with various layers of paint and glitter. Explore the Collection ](\u002Fcollection) [ Two student interns wearing gloves crouch down to place objects into a life size diorama of a research station while an man looks on. What is a teaching museum? ](\u002Feducation) [ A group of people gather around the side of a table to look and talk about art laid out on the table. Art & Ideas ](\u002Feducation\u002Fart-and-ideas) - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 Anchor name: Right Angle Explore the Tang Dig deeper into the website for: - Exhibitions - Events - Publications - Tang collection - Art & Ideas * Senior Thesis Exhibition A tradition continues with Skidmore’s annual Studio Art majors’ _Senior Thesis Exhibition_, May 7-16! The opening reception is Friday, May 8, 6-8 pm. [ Tours Today at 2 PM Tang Guide Tour Take a guided tour of exhibitions with a Tang Guide. ](\u002Fcalendar\u002F2835-tang-guide-tour) [ Senior Thesis Exhibitions May 7–16 2026 Senior Thesis Exhibition A tradition continues with Skidmore’s annual studio art majors’ _Senior Thesis Exhibition_. ](\u002Fcalendar\u002F2847-2026-senior-thesis-exhibition) Anchor name: Video Tang 25 Anniversary Video Skidmore College students, alumni, President Marc C. Conner and Dayton Director Ian Berry reflect on the impact of the Tang Museum at Skidmore College in celebration of the Tang’s 25 Anniversary. [ Someday is Now: The Art of Corita Kent _Someday is Now: The Art of Corita Kent_, now in its second edition, is the first full-scale survey of influential pr… ](\u002Fpublications\u002F51-someday-is-now-the-art-of-corita-kent) [ 3-D Doings: The Imagist Object in Chicago Art, 1964-1980 Contemporaneous with the Pop art movement, Chicago Imagism can be characterized as warm and wacky—a stark contrast to… ](\u002Fpublications\u002F128-3-d-doings-the-imagist-object-in-chicago-art-1964-1980) [ Forms of Awakening: Tibetan Art From the Jack Shear Collection Presenting the richness of Tibetan Buddhist imagery, this magnificent collection explores key concepts and figures in… ](\u002Fpublications\u002F95-forms-of-awakening-tibetan-art-from-the-jack-shear-collection) Anchor name: Student Stories Student Story: Allie Serapilio ’25 In an essay, Allie Serapilio ’25 reflects on her experience organizing the 2025 Winter\u002FMiller Lecture with Nina Chanel Abney, as part of her 2024-25 Eleanor Linder Winter Internship at the Tang. Student Story: Chiara Garcia-Ugarte ’25 In a video, Chiara Garcia-Ugarte ’25 speaks about her many Tang experiences with classes as a student, with visitors as a Tang Guide, and as the 2023-24 Carole Marchand Endowed Intern at the Tang. Anchor name: Homepage Buckets [Tang in the News: WAMC Northeast Public Radio Ceramics are having a moment at The Tang](https:\u002F\u002Fwww.wamc.org\u002Fpodcast\u002Fthe-roundtable\u002F2026-04-09\u002Fceramics-are-having-a-moment-at-the-tang) [Two Coats of Paint Museum Exhibitions: Kathy Butterly’s small-scale magnitude](https:\u002F\u002Ftwocoatsofpaint.com\u002F2026\u002F03\u002Fkathy-butterlys-small-scale-magnitude.html) Anchor name: Diptych Explore the collection[ ](\u002Fexplore_the_collection) [ Frank Moore _drawing for dance or theater production_, probably 1980s pigment and colored pencil on paper ](\u002Fcollection\u002Fartworks\u002F2077-drawing-for-dance-or-theater-production) [ Unrecorded artist _title unknown_, mid-20th century gelatin silver print ](\u002Fcollection\u002Fartworks\u002F1053-title-unknown) Upcoming events View the full calendar Today at 2 PM Tang Guide Tour May 7, 12 PM 2026 Senior Thesis Exhibition May 9, 2 PM Family Saturday: Stories in Fabric Write your email address here and we’ll keep you up to date with an occasional email. [The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College](\u002F) 815 North Broadway Saratoga Springs, NY 12866 Phone: 518-580-8080 - contact - press & news - national advisory council - skidmore.edu fbfacebook iinstagram twtwitter vvimeo i Pattern as of May 3, 8:27:33 pm daily on-campus page views: 6 daily off-campus page views: 2293 current wind in Saratoga Springs: 7.53 mph, W Website design: Linked by Air",{"id":627,"height":13,"width":12,"blurhash":628},"92b14659-ce25-43ad-a6b3-eda1d78f3df8","radial-gradient(at 0 0,#e4ece3,#00000000 50%),radial-gradient(at 33% 0,#dae5dc,#00000000 50%),radial-gradient(at 67% 0,#d9e3da,#00000000 50%),radial-gradient(at 100% 0,#dae2da,#00000000 50%),radial-gradient(at 0 50%,#bab3ba,#00000000 50%),radial-gradient(at 33% 50%,#9f9ca3,#00000000 50%),radial-gradient(at 67% 50%,#89848b,#00000000 50%),radial-gradient(at 100% 50%,#959095,#00000000 50%),radial-gradient(at 0 100%,#8b8b8a,#00000000 50%),radial-gradient(at 33% 100%,#6b7271,#00000000 50%),radial-gradient(at 67% 100%,#444749,#00000000 50%),radial-gradient(at 100% 100%,#635f63,#00000000 50%)",{"id":630,"height":15,"width":14,"blurhash":38},"ec9f1775-e60a-4f92-bbe4-700f3eb72518",[632,635,638,641,644,647,650,653,656,659,662,665,668,671,674,677,680,683,686,689,692,695,698,701,704,707,710,713],{"directus_files_id":633},{"id":634},"dc4abb00-50b6-4867-a142-5e79c27433a2",{"directus_files_id":636},{"id":637},"1a792627-6b3f-472d-8e75-a671aa70cccd",{"directus_files_id":639},{"id":640},"df21d170-57d7-4b8a-9f36-b6cf2a7d9342",{"directus_files_id":642},{"id":643},"8669f443-3c72-4163-a6b3-f30095cfcebd",{"directus_files_id":645},{"id":646},"aa743cc4-9fcb-4125-9798-465bdd7a4e4e",{"directus_files_id":648},{"id":649},"c380bbad-afba-492d-a478-e2920f1bd95e",{"directus_files_id":651},{"id":652},"8490340a-20a2-4659-aad9-4022cc603f49",{"directus_files_id":654},{"id":655},"8dc38979-342f-475a-9fa8-252e1969028f",{"directus_files_id":657},{"id":658},"c5f1e5dc-4793-455d-afc2-981a291de8c4",{"directus_files_id":660},{"id":661},"acc56a67-39c4-48d4-8dfc-1b58bad98835",{"directus_files_id":663},{"id":664},"7a6b6c9a-b073-40d6-9641-13a2c34fb418",{"directus_files_id":666},{"id":667},"73a127d3-0927-4b1c-8f62-073fab4a7283",{"directus_files_id":669},{"id":670},"aa70c6c1-0e3b-4fe3-b93c-f0eaec587e30",{"directus_files_id":672},{"id":673},"88155c06-7ab6-4887-81d1-4cb6310e200f",{"directus_files_id":675},{"id":676},"6eba7787-3a2d-456a-87c2-fbe1bcb9a5c9",{"directus_files_id":678},{"id":679},"d57fb42a-6de7-4f2c-b96a-9d9b94b01f53",{"directus_files_id":681},{"id":682},"e6c7f521-a575-4a27-bf59-8e1858ed753b",{"directus_files_id":684},{"id":685},"7945df05-2e2d-45ea-92ef-2f6c096cfca6",{"directus_files_id":687},{"id":688},"9e0763e2-c19b-4f3f-b43e-46b8ff2d4f29",{"directus_files_id":690},{"id":691},"4f9182c3-8e3e-4e81-a618-6ff2e8c5facd",{"directus_files_id":693},{"id":694},"14b95070-bc22-4383-901b-590bd1757833",{"directus_files_id":696},{"id":697},"a5582472-b055-4116-a6d9-2491cddd4290",{"directus_files_id":699},{"id":700},"b2e3befc-b502-44a2-9138-d809ffd3b2d3",{"directus_files_id":702},{"id":703},"74d6dba2-f24d-4e3b-ad57-9a8310f922bb",{"directus_files_id":705},{"id":706},"2135f81e-5f8e-4a4f-bd7a-7b3de274b93e",{"directus_files_id":708},{"id":709},"ee3ad88a-c2c2-47dd-9277-b58f82329ad4",{"directus_files_id":711},{"id":712},"d88e0479-b05a-4a14-86f1-e7ce81c1ad54",{"directus_files_id":714},{"id":715},"4d957ef0-8718-4dd7-b58f-be01b2ea8bef",[717],{"languages_code":490,"description":718},"The Tang Teaching Museum website serves as a sophisticated digital gateway for the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. It functions as a comprehensive resource for exploring current and upcoming exhibitions, the museum's permanent collection, and educational programming. The site is designed to engage a diverse audience ranging from Skidmore students and faculty to local community members and global art enthusiasts, providing seamless access to museum news, visitor information, and scholarly publications.\n\nThe visual identity is defined by a bold, avant-garde approach to academic curation. Utilizing a high-contrast typographic hierarchy and a striking grid-based layout, the design mirrors the experimental nature of contemporary art. The use of large-scale, immersive imagery—often presented in monochromatic or highly textured formats—creates a sense of prestige and intellectual depth. A playful yet structured use of whitespace and unconventional navigation elements ensures the experience feels both authoritative and cutting-edge, perfectly aligning with its mission as a teaching institution.",[494,30],[],[],[324,723,724,334],"Ruby","Ruby on Rails",[726,728,730,731],{"score":727,"category":131},56,{"score":729,"category":134},67,{"score":138,"category":137},{"score":135,"category":140},[733,735,736,737],{"score":734,"category":131},63,{"score":527,"category":134},{"score":138,"category":137},{"score":135,"category":140},[149,153,157,739],"orange","Website: Tang Teaching Museum. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home - Tang Teaching Museum. Page description: The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. Page content: [ The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College 815 North Broadway Saratoga Springs, NY 12866 Phone: 518-580-8080 ](\u002F) - exhibitions - current - upcoming - past - calendar - today - upcoming - collection - explore - about - education - for college students - for faculty - for schools & libraries - art & ideas - about - staff - gallery - publications - support - visit - plan your visit - directions - tang guides skidmore skidmore We’re closed now. View the calendar to see what’s next Adding item... Tour ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view [ A close-up of a creamy-yellow, glossy ceramic surface blotched with red that undulates with folds and creases below two bright yellow, stick-like strips affixed to the surface. Kathy Butterly: Assume Yes ](\u002Fexhibitions\u002F715-kathy-butterly-assume-yes) [ A black and white photograph of a group of Black men marching in line wearing similar attire. Designing Power: The Black Panther Party ](\u002Fexhibitions\u002F791-designing-power-the-black-panther-party) [ A detail of multiple patterns and colors on textiles. Sheila Pepe: When & Where We Rest ](\u002Fexhibitions\u002F751-sheila-pepe-when-where-we-rest) [ 2018_39_1_93_banner-crop2.jpg All These Growing Things ](\u002Fexhibitions\u002F750-all-these-growing-things) [ A shirtless, light-skinned person seen from behind, from shoulder blades to the bottom of their head, with a tattoo in the middle of their neck reading “DYKE” in bold, illustrative font. Inked: Stigma, Otherness, and Art ](\u002Fexhibitions\u002F753-inked-stigma-otherness-and-art) [ A detail of an abstract, colorful painting by Carrie Moyer with various layers of paint and glitter. Explore the Collection ](\u002Fcollection) [ Two student interns wearing gloves crouch down to place objects into a life size diorama of a research station while an man looks on. What is a teaching museum? ](\u002Feducation) [ A group of people gather around the side of a table to look and talk about art laid out on the table. Art & Ideas ](\u002Feducation\u002Fart-and-ideas) - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 Anchor name: Right Angle Explore the Tang Dig deeper into the website for: - Exhibitions - Events - Publications - Tang collection - Art & Ideas * Senior Thesis Exhibition A tradition continues with Skidmore’s annual Studio Art majors’ _Senior Thesis Exhibition_, May 7-16! The opening reception is Friday, May 8, 6-8 pm. [ Tours Today at 2 PM Tang Guide Tour Take a guided tour of exhibitions with a Tang Guide. ](\u002Fcalendar\u002F2835-tang-guide-tour) [ Senior Thesis Exhibitions May 7–16 2026 Senior Thesis Exhibition A tradition continues with Skidmore’s annual studio art majors’ _Senior Thesis Exhibition_. ](\u002Fcalendar\u002F2847-2026-senior-thesis-exhibition) Anchor name: Video Tang 25 Anniversary Video Skidmore College students, alumni, President Marc C. Conner and Dayton Director Ian Berry reflect on the impact of the Tang Museum at Skidmore College in celebration of the Tang’s 25 Anniversary. [ Someday is Now: The Art of Corita Kent _Someday is Now: The Art of Corita Kent_, now in its second edition, is the first full-scale survey of influential pr… ](\u002Fpublications\u002F51-someday-is-now-the-art-of-corita-kent) [ 3-D Doings: The Imagist Object in Chicago Art, 1964-1980 Contemporaneous with the Pop art movement, Chicago Imagism can be characterized as warm and wacky—a stark contrast to… ](\u002Fpublications\u002F128-3-d-doings-the-imagist-object-in-chicago-art-1964-1980) [ Forms of Awakening: Tibetan Art From the Jack Shear Collection Presenting the richness of Tibetan Buddhist imagery, this magnificent collection explores key concepts and figures in… ](\u002Fpublications\u002F95-forms-of-awakening-tibetan-art-from-the-jack-shear-collection) Anchor name: Student Stories Student Story: Allie Serapilio ’25 In an essay, Allie Serapilio ’25 reflects on her experience organizing the 2025 Winter\u002FMiller Lecture with Nina Chanel Abney, as part of her 2024-25 Eleanor Linder Winter Internship at the Tang. Student Story: Chiara Garcia-Ugarte ’25 In a video, Chiara Garcia-Ugarte ’25 speaks about her many Tang experiences with classes as a student, with visitors as a Tang Guide, and as the 2023-24 Carole Marchand Endowed Intern at the Tang. Anchor name: Homepage Buckets [Tang in the News: WAMC Northeast Public Radio Ceramics are having a moment at The Tang](https:\u002F\u002Fwww.wamc.org\u002Fpodcast\u002Fthe-roundtable\u002F2026-04-09\u002Fceramics-are-having-a-moment-at-the-tang) [Two Coats of Paint Museum Exhibitions: Kathy Butterly’s small-scale magnitude](https:\u002F\u002Ftwocoatsofpaint.com\u002F2026\u002F03\u002Fkathy-butterlys-small-scale-magnitude.html) Anchor name: Diptych Explore the collection[ ](\u002Fexplore_the_collection) [ Frank Moore _drawing for dance or theater production_, probably 1980s pigment and colored pencil on paper ](\u002Fcollection\u002Fartworks\u002F2077-drawing-for-dance-or-theater-production) [ Unrecorded artist _title unknown_, mid-20th century gelatin silver print ](\u002Fcollection\u002Fartworks\u002F1053-title-unknown) Upcoming events View the full calendar Today at 2 PM Tang Guide Tour May 7, 12 PM 2026 Senior Thesis Exhibition May 9, 2 PM Family Saturday: Stories in Fabric Write your email address here and we’ll keep you up to date with an occasional email. [The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College](\u002F) 815 North Broadway Saratoga Springs, NY 12866 Phone: 518-580-8080 - contact - press & news - national advisory council - skidmore.edu fbfacebook iinstagram twtwitter vvimeo i Pattern as of May 3, 8:27:33 pm daily on-campus page views: 6 daily off-campus page views: 2293 current wind in Saratoga Springs: 7.53 mph, W Website design: Linked by Air. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray, Orange. Built using Amazon Web Services, Ruby, Ruby on Rails, Stimulus. AI description: The Tang Teaching Museum website serves as a sophisticated digital gateway for the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. It functions as a comprehensive resource for exploring current and upcoming exhibitions, the museum's permanent collection, and educational programming. The site is designed to engage a diverse audience ranging from Skidmore students and faculty to local community members and global art enthusiasts, providing seamless access to museum news, visitor information, and scholarly publications. The visual identity is defined by a bold, avant-garde approach to academic curation. Utilizing a high-contrast typographic hierarchy and a striking grid-based layout, the design mirrors the experimental nature of contemporary art. The use of large-scale, immersive imagery—often presented in monochromatic or highly textured formats—creates a sense of prestige and intellectual depth. A playful yet structured use of whitespace and unconventional navigation elements ensures the experience feels both authoritative and cutting-edge, perfectly aligning with its mission as a teaching institution."]