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When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” ](https:\u002F\u002Fddott.net\u002Ffont\u002Fauto-grotesk\u002F) Auto Grotesk Cameo 2 Styles 1 Family New From €75 Try it! 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[ “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT ](https:\u002F\u002Fddott.net\u002Ffont\u002Fnouveau-grotesque\u002F) T-01 XS, S, M, L, XL Reflective Screen Printing Limited Edition €35 See more This unisex T-shirt is a tribute to the beauty in spelling mistakes. Diverse C 36 Styles 3 Families Version 1.000 From €75 Try it! [ GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. 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[ ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. 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Adjust pressure and weight, or make bold statements with the Cameo styles. View All All Typefaces Products Blog Auto Grotesk 12 Styles 2 Families New From €75 Try it! [ Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. 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[ In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS ](https:\u002F\u002Fddott.net\u002Ffont\u002Faether\u002F) Aether Mono 4 Styles 2 Families Version 1.011 From €75 Try it! [ PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” ](https:\u002F\u002Fddott.net\u002Ffont\u002Faether-mono\u002F) Archive01 – Aether 32 pages + 2 poster 22,2 x 31,4 cm Edition of 150 €25 See more Blending myth and science, this specimen shapes a new typographic reality. Nouveau Grande 22 Styles 2 Families Version 2.001 From €75 Try it! [ T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: ](https:\u002F\u002Fddott.net\u002Ffont\u002Fnouveau-grande\u002F) Nouveau Grotesque 22 Styles 2 Families Version 2.000 From €75 Try it! [ “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT ](https:\u002F\u002Fddott.net\u002Ffont\u002Fnouveau-grotesque\u002F) T-01 XS, S, M, L, XL Reflective Screen Printing Limited Edition €35 See more This unisex T-shirt is a tribute to the beauty in spelling mistakes. Diverse C 36 Styles 3 Families Version 1.000 From €75 Try it! [ GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse-c\u002F) Diverse B 36 Styles 3 Families Version 1.000 From €75 Try it! [ Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse-b\u002F) Diverse A 36 Styles 3 Families Version 1.000 From €75 Try it! [ ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse\u002F) Auto Grotesk – A Love Letter to Wood Type This project began with a fascination for the fragile beauty of letterpress. Auto Grotesk is my exploration of how centuries of wood type can still speak within a digital world. more. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Aether Mono (Serif, DDOTT), Aether Mono (Serif, DDOTT). AI description: DDOTT is a sophisticated contemporary type foundry that bridges the gap between historical craftsmanship and modern digital design. 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The layout is clean yet punchy, targeting forward-thinking tech companies and enterprises looking for a design partner that prioritizes psychological impact and strategic depth.",[549,26,30],"Brutalist \u002F Neo-Brutalist",[],[304,308],[553,281,288,284],"Calendly",[555,556,558,559],{"score":163,"category":93},{"score":557,"category":96},83,{"score":158,"category":99},{"score":100,"category":102},[561,563,564,565],{"score":562,"category":93},37,{"score":557,"category":96},{"score":158,"category":99},{"score":100,"category":102},[123,111,567],"pink","Website: Dumbo. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Digital Product Design Studio × DUMBO. Page description: Wir helfen Unternehmen zu Wachstum durch Relevanz. Im Herzen digitaler Produkte und Services gestalten wir Erlebnisse, die das Leben bereichern.. Page content: Deign, das Menschen bewegt Aus einem jährlichen Kontakt wurde monatliches Engagement Niemand interagiert freiwillig mit seinem Energieanbieter. Unsere spielerischen Challenges sprechen grundlegende Motivationen an und bauen Schritt für Schritt Gewohnheiten auf. Bei Yello: 20% mehr aktive Nutzer pro Monat und 3x mehr Engagement. [ Case Study ](\u002Finsights\u002Fcase-study-yello-app\u002F) Täglich Verluste – wir holten 4,8M € zurück Features entwickeln sich weiter. Nach Release steigerten wir die Conversion um 30%. A Brutalist \u002F Neo-Brutalist, Fun \u002F Playful, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features Red, White, Pink. The typography features Times New Roman (Serif), Suisse Intl (Swiss Typefaces). Built using Calendly, Node.js, Nuxt.js, Vue.js. AI description: Dumbo is a high-impact digital product design studio that positions itself at the intersection of strategic design and user behavior. The agency focuses on creating digital experiences that drive growth and relevance, moving beyond mere imitation to set new industry standards. 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Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.","Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …",{"id":582,"height":13,"width":12,"blurhash":583},"cc28f65c-6c0c-448a-9543-4f6fc1dcd579","radial-gradient(at 0 0,#eeeeee,#00000000 50%),radial-gradient(at 33% 0,#f6f6f6,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#dddddd,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 100% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 0 100%,#dadada,#00000000 50%),radial-gradient(at 33% 100%,#dddddd,#00000000 50%),radial-gradient(at 67% 100%,#dddddd,#00000000 50%),radial-gradient(at 100% 100%,#dbdbdb,#00000000 50%)",{"id":585,"height":15,"width":14,"blurhash":58},"ee35a35b-7056-4b3b-a410-6d8fb821f9de",[587],{"directus_files_id":588},{"id":589},"d1e1dfc1-2478-4823-a5a8-615901f1ed26",[591],{"languages_code":413,"description":592},"Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives.\n\nThe visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector.",[416,417,30],[595],"Liebermann Kiepe Reddemann",[597],"Favorit",[278],[600,601,603,604],{"score":198,"category":93},{"score":602,"category":96},67,{"score":97,"category":99},{"score":198,"category":102},[606,607,608,609],{"score":203,"category":93},{"score":602,"category":96},{"score":97,"category":99},{"score":198,"category":102},[111,434,115],"Website: Sandra Doeller. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Sandra Doeller. Page description: Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.. Page content: Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Favorit (Sans Serif, Dinamo). Built using jQuery. AI description: Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives. The visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector.",{"id":613,"website_id":614,"page_id":613,"name":615,"slug":616,"url":617,"website_name":615,"website_slug":616,"website_url":618,"result_url":617,"fetched_at":619,"score":620,"score_boost":352,"ai_score":621,"freshness_score":577,"scored_at":622,"page_name":44,"page_url":617,"page_title":623,"page_description":624,"page_content":625,"page_sort":352,"is_home":357,"is_home_rank":358,"page_type_id":359,"page_type_name":51,"cover":626,"cover_mobile":629,"cover_sequence":631,"translations":695,"industry":21,"styles":698,"credits":700,"font_families":701,"technologies":707,"pagespeed":709,"pagespeed_mobile":714,"buckets":719,"search_payload":722},"c3ed8393-32d5-469d-ac5b-5db666cadfba","f22afbc6-8c6d-49b6-b8a3-1b6fd46117fd","Studio Plush","chloe-ford","https:\u002F\u002Fchloeford.co.uk\u002F","https:\u002F\u002Fchloeford.co.uk","2026-05-04T08:57:37.000Z",81,84,"2026-05-23T19:09:49.000Z","STUDIO PLUSH | Graphic design for beauty + wellness brands","Graphic design studio for beauty brands by Chloe Ford. Strategically making e-commerce products, packaging and Shopify websites look so beautiful they sell themselves.","Large, bold, dark brown text spelling 'PRESTIGE' on a black background. A perfume bottle with a white cap and gold rim, filled with pink liquid, is placed on a yellow and pink abstract background. STUDIO _BY_CHLOE FORD DESIGN STUDIO FOR BEAUTY + WELLNESS BRANDS Products, packaging + Shopify _strategically_ making products, packaging + SHOPIFY STORES look so _beautiful_ they sell themselves. services services LATEST WORK VIEW ALL VIEW ALL Our work [ ](\u002Four-work\u002Finked) Shopify INKED BY DANI Shopify Shopify [ ](\u002Four-work\u002Fimani-imani) Strategy, Branding, Shopify IMANI IMANI STUDIO Strategy, Branding, Shopify Strategy, Branding, Shopify [ ](\u002Four-work\u002Fraye-beauty) Strategy, Branding, Packaging, Shopify RAYE BEAUTY Strategy, Branding, Packaging, Shopify Strategy, Branding, Packaging, Shopify [ ](\u002Four-work\u002Fkjh-brand) Strategy, Branding, Packaging, Shopify KJH.BRAND Strategy, Branding, Packaging, Shopify Strategy, Branding, Packaging, Shopify [ ](\u002Four-work\u002Finked-apfkz) Shopify Range Beauty Shopify Shopify [ ](\u002Four-work\u002Finked-apfkz-rectr) Shopify K’DARA Shopify Shopify [ ](\u002Four-work\u002Fsoft-rows) Shopify SOFT ROWS Shopify Shopify [ ](\u002Four-work\u002Fmossy-skin) Strategy, Branding, Packaging, Shopify MOSSY SKIN Strategy, Branding, Packaging, Shopify Strategy, Branding, Packaging, Shopify [ ](\u002Four-work\u002Fstudiofeelgood) Strategy, Branding Studio Feel Good Strategy, Branding Strategy, Branding [ ](\u002Four-work\u002Fhomebody) Strategy, Branding, Shopify HOMEBODY Strategy, Branding, Shopify Strategy, Branding, Shopify OUR CLIENTS HAVE FEATURED IN A person sitting on the ground while another person stands nearby, with a child and a woman standing in the background. It appears to be a group involved in an outdoor setting. The image contains a white bowl filled with a mixture of raw ground meat, spices, and herbs, placed on a wooden surface. Nearby, there are fresh herbs, garlic, and a bottle of oil or vinegar visible. Silhouette of a girl running or jumping on a beach during sunset or sunrise. A person wearing a black jacket, light-colored pants, and sunglasses standing near large rocks and a body of water. A person bowling, about to release a bowling ball down the lane. Empty black screen A skincare product in a pump bottle placed on a textured glass stand surrounded by flowers against a warm, glowing background. _Let’s create_ your brand universe. We specialise in the beauty world, so we know ALL about creating IRL packaging designs and URL web experiences for your customers. Find out how we can build your brand universe from the ground up. 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It targets ambitious e-commerce founders and wellness brands looking for a premium, editorial-grade presence that commands attention in a crowded digital marketplace.",[416,699,30],"High-End \u002F Luxury",[],[308,303,307,308,309,702,303,315,312,312,319,306,703,704,310,305,705,317,706],"Abril Fatface","Oswald","Playfair Display","Roboto Slab","Work Sans",[278,708,81,85,89,289],"MailerLite",[710,711,712,713],{"score":179,"category":93},{"score":199,"category":96},{"score":100,"category":99},{"score":198,"category":102},[715,716,717,718],{"score":162,"category":93},{"score":199,"category":96},{"score":100,"category":99},{"score":198,"category":102},[111,720,721],"brown","orange","Website: Studio Plush. Page: Homepage. Page type: Home \u002F Landing Page. Page title: STUDIO PLUSH | Graphic design for beauty + wellness brands. Page description: Graphic design studio for beauty brands by Chloe Ford. Strategically making e-commerce products, packaging and Shopify websites look so beautiful they sell themselves.. Page content: Large, bold, dark brown text spelling 'PRESTIGE' on a black background. A perfume bottle with a white cap and gold rim, filled with pink liquid, is placed on a yellow and pink abstract background. STUDIO _BY_CHLOE FORD DESIGN STUDIO FOR BEAUTY + WELLNESS BRANDS Products, packaging + Shopify _strategically_ making products, packaging + SHOPIFY STORES look so _beautiful_ they sell themselves. services services LATEST WORK VIEW ALL VIEW ALL Our work [ ](\u002Four-work\u002Finked) Shopify INKED BY DANI Shopify Shopify [ ](\u002Four-work\u002Fimani-imani) Strategy, Branding, Shopify IMANI IMANI STUDIO Strategy, Branding, Shopify Strategy, Branding, Shopify [ ](\u002Four-work\u002Fraye-beauty) Strategy, Branding, Packaging, Shopify RAYE BEAUTY Strategy, Branding, Packaging, Shopify Strategy, Branding, Packaging, Shopify [ ](\u002Four-work\u002Fkjh-brand) Strategy, Branding, Packaging, Shopify KJH.BRAND Strategy, Branding, Packaging, Shopify Strategy, Branding, Packaging, Shopify [ ](\u002Four-work\u002Finked-apfkz) Shopify Range Beauty Shopify Shopify [ ](\u002Four-work\u002Finked-apfkz-rectr) Shopify K’DARA Shopify Shopify [ ](\u002Four-work\u002Fsoft-rows) Shopify SOFT ROWS Shopify Shopify [ ](\u002Four-work\u002Fmossy-skin) Strategy, Branding, Packaging, Shopify MOSSY SKIN Strategy, Branding, Packaging, Shopify Strategy, Branding, Packaging, Shopify [ ](\u002Four-work\u002Fstudiofeelgood) Strategy, Branding Studio Feel Good Strategy, Branding Strategy, Branding [ ](\u002Four-work\u002Fhomebody) Strategy, Branding, Shopify HOMEBODY Strategy, Branding, Shopify Strategy, Branding, Shopify OUR CLIENTS HAVE FEATURED IN A person sitting on the ground while another person stands nearby, with a child and a woman standing in the background. It appears to be a group involved in an outdoor setting. The image contains a white bowl filled with a mixture of raw ground meat, spices, and herbs, placed on a wooden surface. Nearby, there are fresh herbs, garlic, and a bottle of oil or vinegar visible. Silhouette of a girl running or jumping on a beach during sunset or sunrise. A person wearing a black jacket, light-colored pants, and sunglasses standing near large rocks and a body of water. A person bowling, about to release a bowling ball down the lane. Empty black screen A skincare product in a pump bottle placed on a textured glass stand surrounded by flowers against a warm, glowing background. _Let’s create_ your brand universe. We specialise in the beauty world, so we know ALL about creating IRL packaging designs and URL web experiences for your customers. Find out how we can build your brand universe from the ground up. Services Services. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Brown, Orange. The typography features Suisse Intl (Swiss Typefaces), Inter (Sans Serif), Neue Haas Grotesk (Sans Serif, Commercial Type), Suisse Intl (Swiss Typefaces), Arial (Sans Serif), Abril Fatface (Serif), Inter (Sans Serif), Lato (Sans Serif), Montserrat (Sans Serif), Montserrat (Sans Serif), Noto Sans (Sans Serif), Open Sans (Sans Serif), Oswald (Sans Serif), Playfair Display, Poppins (Sans Serif), Roboto (Sans Serif), Roboto Slab (Slab Serif), Source Sans (Sans Serif), Work Sans (Sans Serif). Built using jQuery, MailerLite, Squarespace, Squarespace Commerce, Stimulus, Typekit. AI description: Studio Plush by Chloe Ford is a specialized graphic design studio dedicated to the beauty and wellness sectors. The studio focuses on high-impact visual storytelling, offering strategic branding, packaging design, and Shopify e-commerce development. By blending aesthetic elegance with commercial strategy, the studio aims to create 'brand universes' that elevate products from simple commodities to aspirational lifestyle icons. The visual identity is unapologetically bold and high-end, characterized by massive, heavy typography and a warm, sun-drenched color palette. The design language utilizes organic textures, golden hues, and sophisticated layouts to mirror the luxury of the beauty industry. It targets ambitious e-commerce founders and wellness brands looking for a premium, editorial-grade presence that commands attention in a crowded digital marketplace."]