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Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.","Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …",true,1,"1",{"id":366,"height":13,"width":12,"blurhash":367},"cc28f65c-6c0c-448a-9543-4f6fc1dcd579","radial-gradient(at 0 0,#eeeeee,#00000000 50%),radial-gradient(at 33% 0,#f6f6f6,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#dddddd,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 100% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 0 100%,#dadada,#00000000 50%),radial-gradient(at 33% 100%,#dddddd,#00000000 50%),radial-gradient(at 67% 100%,#dddddd,#00000000 50%),radial-gradient(at 100% 100%,#dbdbdb,#00000000 50%)",{"id":369,"height":15,"width":14,"blurhash":82},"ee35a35b-7056-4b3b-a410-6d8fb821f9de",[371],{"directus_files_id":372},{"id":373},"d1e1dfc1-2478-4823-a5a8-615901f1ed26",[375],{"languages_code":376,"description":377},"en","Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives.\n\nThe visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector.","Agency & Studio",[29,380,33],"Monochrome \u002F Grayscale",[382],"Liebermann Kiepe Reddemann",[384],"Favorit",[267],[387,388,390,392],{"score":207,"category":111},{"score":389,"category":114},67,{"score":391,"category":117},96,{"score":207,"category":120},[394,395,396,397],{"score":212,"category":111},{"score":389,"category":114},{"score":391,"category":117},{"score":207,"category":120},[399,130,134],"white","Website: Sandra Doeller. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Sandra Doeller. Page description: Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.. Page content: Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Favorit (Sans Serif, Dinamo). Built using jQuery. AI description: Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives. The visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. 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[ 1⁠—22 июня Со ср 13 мая дороже ](\u002Fcourses\u002Fpresentation-online\u002F?utm_source=bu-prw-c-presentationonline-050526) [ ](\u002Fburosfera\u002F) Бюросфера Про — профессиональное сообщество и биржа дизайнеров, редакторов, руководителей и всех причастных к созданию продуктов [ ](\u002Fprojects\u002Fbookshelf-editor\u002F?utm_source=bui-prw-b-editor-050526) Полка «Настольные книги редактора» обновлена — добавлена книга «Пиши, сокращай — 2025» [ ](\u002Fprojects\u002Fglvrd-certificates\u002F) Сертификаты Главреда подтверждают профессиональную пригодность редакторов Электронные книги и учебники Знания в интерактивной форме О нашем формате книг в манифесте❱ [ Все книги Издательства бюро Первый год 6990 ₽, затем 4990 ₽\u002Fгод ](\u002Fprojects\u002Fbookshelf-all\u002F?utm_source=bu-sg-b-all-050526)[ Учебники бюро Первый год 2990 ₽, затем 1990 ₽\u002Fгод ](\u002Fprojects\u002Fbookshelf-bureau\u002F?utm_source=bu-sg-b-bureau-050526)[ Редакторам Первый год 1990 ₽, затем 1190 ₽\u002Fгод ](\u002Fprojects\u002Fbookshelf-editor\u002F?utm_source=bu-sg-b-editor-050526)[ Искусство Первый год 1690 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbookshelf-levelone\u002F?utm_source=bu-sg-b-levelone-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-typography\u002F?utm_source=bu-sg-b-typography-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-ui\u002F?utm_source=bu-sg-b-ui-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-text\u002F?utm_source=bu-sg-b-text-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-howtowritethat\u002F?utm_source=bu-sg-b-howtowritethat-050526)[ Первый год 990 ₽, затем 660 ₽\u002Fгод ](\u002Fprojects\u002Fbook-kungfu\u002F?utm_source=bu-sg-b-kungfu-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-fff\u002F?utm_source=bu-sg-b-fff-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод 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Страница‑поздравление компании «Овен» с Новым годом 2025 ](\u002Fprojects\u002Fowen-ny2025\u002F) [ ](\u002Fprojects\u002Fowen-ny2025\u002F) [ Стра­ница‑поздрав­ле­ние ком­па­нии «Овен» с Новым годом 2025 Страница‑поздравление компании «Овен» с Новым годом 2025 ](\u002Fprojects\u002Fowen-ny2025\u002F) [ ](\u002Fnews\u002F2024\u002Fschoolx2\u002F) Школа ×2 — самое большое обновление Школы Бюро Горбунова с момента создания [ ](\u002Fprojects\u002Fworldchess-armageddon\u002F) Армагеддон — глобальный шахматный турнир Ворлд Чесс [ ](\u002Fprojects\u002Floginov-technology\u002F) Фирстиль и сайт Логинов Технолоджи, разработчика технологических решений с ИИ Лекции Учёба в удобном темпе без дедлайнов Все лекции❱ [ Типографика и вёрстка 2.0 с Михаилом Нозиком ](\u002Flectures\u002Ftypography\u002F?utm_source=bui-sg-l-typography-050526)[ Пользова­тельский интерфейс и представление информации с Ильёй Бирманом ](\u002Flectures\u002Fui\u002F?utm_source=bui-sg-l-ui-050526)[ Управление проектами, людьми и собой 2.0 с Николаем Товеровским ](\u002Flectures\u002Ffff\u002F?utm_source=bui-sg-l-fff-050526)[ Дизайн текста и визуальное повествование с Максимом Ильяховым ](\u002Flectures\u002Fvisual\u002F?utm_source=bui-sg-l-visual-050526)[ Холодное письмо с Максимом Ильяховым ](\u002Flectures\u002Fcoldemail\u002F?utm_source=bui-sg-l-coldemail-050526)[ Пиктограммы и системы знаков с Сергеем Чикиным ](\u002Flectures\u002Ficons\u002F?utm_source=bui-sg-l-icons-050526)[ Информа­ционный стиль и редактура текста 2.0 с Максимом Ильяховым ](\u002Flectures\u002Ftext\u002F?utm_source=bui-sg-l-text-050526)[ Переговоры и отношения с клиентами 2.0 с Ильёй Синельниковым ](\u002Flectures\u002Fclients\u002F?utm_source=bui-sg-l-clients-050526)[ Аналитика и маркетинг с Алексеем Куличевским ](\u002Flectures\u002Fanalytics\u002F?utm_source=bui-sg-l-analytics-050526)[ Все лекции бюро ](\u002Flectures\u002Fcollecture-all\u002F?utm_source=bui-sg-l-collectureall-050526) [ 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Their work bridges the gap between physical and digital experiences, offering a holistic approach to product and service development that ensures visual and functional unity.\n\nThe website's visual identity is bold, avant-garde, and unapologetically expressive. Utilizing high-contrast color palettes, striking typography, and a dynamic grid layout, the design reflects a sophisticated yet rebellious creative spirit. It targets high-end clients and brands looking for cutting-edge design solutions that stand out in a crowded marketplace through strong, character-driven aesthetics.",[514,33,515],"Brutalist \u002F Neo-Brutalist","Vibrant \u002F Colorful",[],[518,519,518,519,518,518,518,518,518,518,518,518,518,518,518,518,518,519,519,519,519,519,519,519,519,519,519,519,519,519],"Bureau Sans","Bureau Serif",[],[522,523,524,525],{"score":171,"category":111},{"score":389,"category":114},{"score":391,"category":117},{"score":207,"category":120},[527,528,530,531],{"score":225,"category":111},{"score":529,"category":114},73,{"score":391,"category":117},{"score":207,"category":120},[399,533,134,130,534],"red","pink","Website: Bureau. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Бюро Горбунова. Page description: Бюро помогает клиентам создавать новые продукты и услуги, которым требуется название, логотип, визуализация, интерфейс, сайт, упаковка, оформление бумажных и электронных изданий.. Page content: Вы отписались от новостей, акций и обновлений продуктов бюроПодписаться снова Мы напишем вам по адресу о новостях, акциях и обновлениях продуктов бюро Ваша подписка подтверждена [ Бюро Горбунова ](\u002F) Новости Проекты Биржа Дома Книги Школа Курсы Лекции Советы О нас [ ](\u002Fschool\u002Fclassroom\u002F)[ ](\u002Fburosfera\u002Fme) [ Навигация Навигация в Петербургском метро Совет Бирмана 🗩1 ](\u002F\u002Fbureau.ru\u002Fsoviet\u002F20260505\u002F) [ ](\u002Fprojects\u002Fmaximilyahov-paid\u002F) Упаковка платных материалов Максима Ильяхова [ ](\u002Fprojects\u002Fpeptidru-moscow\u002F) Магазин Пептид.ру в Москве [ Иконка дня Росстат Телеграм Сергея Чикина ](tg:\u002F\u002Fresolve?domain=brakodelnya) [ Подкаст Как исследуют в Авито ](https:\u002F\u002Fbureau.mave.digital) [ Новость Открыта запись на курс Ильи Бирмана «Пользовательский интерфейс и представление информации» с 6 июня по 5 июля — сэкономьте 30% при ранней записи О курсе ](news\u002F2026\u002Fui-online-open-20260606\u002F)[ Новость Открыта запись на курс Ильи Бир­мана «Поль­зо­ва­тель­ский интер­фейс и пред­став­ле­ние инфор­ма­ции» с 6 июня по 5 июля — сэко­номьте 30% при ран­ней записи О курсе ](news\u002F2026\u002Fui-online-open-20260606\u002F) [ Навигация Нави­га­ция в Петер­бург­ском метро Совет Бирмана 🗩1 ](\u002F\u002Fbureau.ru\u002Fsoviet\u002F20260505\u002F) Вызов Артёма Горбунова — «Бесплатно в Школу бюро за 25 дней» [ ](\u002Fcourses\u002Fschool-challenge\u002F) [ ](\u002Fcourses\u002Fschool-challenge\u002F) Вызов Артёма Горбунова — «Бесплатно в Школу бюро за 25 дней» [ ](\u002Fprojects\u002Fowen-advertising\u002F) [ Реклам­ные мате­ри­алы ком­па­нии «Овен» Рекламные материалы компании «Овен» ](\u002Fprojects\u002Fowen-advertising\u002F) [ ](\u002Fprojects\u002Fowen-advertising\u002F) [ Реклам­ные мате­ри­алы ком­па­нии «Овен» Рекламные материалы компании «Овен» ](\u002Fprojects\u002Fowen-advertising\u002F) [ ](\u002Fprojects\u002Fmarytrufel-dubai\u002F) Мэри Трюфель в Дубае — сайт и промостраница к открытию салона [ ](\u002Fprojects\u002Fowen-identity\u002F) Логотип и фирстиль компании «Овен», производителя оборудования автоматизации производства Дистанционные практические курсы Быстрый рост через практику Расписание курсов❱ [ Пользовательский интерфейс и представление информации ](\u002Fcourses\u002Fui-online\u002F?utm_source=bu-prw-c-uionline-050526) [ Главный фундаментальный курс об интерфейсе ](\u002Fcourses\u002Fui-online\u002F?utm_source=bu-prw-c-uionline-050526) [ 6 июня — 5 июля С пт 8 мая подорожает ](\u002Fcourses\u002Fui-online\u002F?utm_source=bu-prw-c-uionline-050526) Записаться за 5530 ₽\u002Fмес.5530 ₽\u002Fмес. 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[ 1⁠—22 июня Со ср 13 мая дороже ](\u002Fcourses\u002Fpresentation-online\u002F?utm_source=bu-prw-c-presentationonline-050526) [ ](\u002Fburosfera\u002F) Бюросфера Про — профессиональное сообщество и биржа дизайнеров, редакторов, руководителей и всех причастных к созданию продуктов [ ](\u002Fprojects\u002Fbookshelf-editor\u002F?utm_source=bui-prw-b-editor-050526) Полка «Настольные книги редактора» обновлена — добавлена книга «Пиши, сокращай — 2025» [ ](\u002Fprojects\u002Fglvrd-certificates\u002F) Сертификаты Главреда подтверждают профессиональную пригодность редакторов Электронные книги и учебники Знания в интерактивной форме О нашем формате книг в манифесте❱ [ Все книги Издательства бюро Первый год 6990 ₽, затем 4990 ₽\u002Fгод ](\u002Fprojects\u002Fbookshelf-all\u002F?utm_source=bu-sg-b-all-050526)[ Учебники бюро Первый год 2990 ₽, затем 1990 ₽\u002Fгод ](\u002Fprojects\u002Fbookshelf-bureau\u002F?utm_source=bu-sg-b-bureau-050526)[ Редакторам Первый год 1990 ₽, затем 1190 ₽\u002Fгод ](\u002Fprojects\u002Fbookshelf-editor\u002F?utm_source=bu-sg-b-editor-050526)[ Искусство Первый год 1690 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbookshelf-levelone\u002F?utm_source=bu-sg-b-levelone-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-typography\u002F?utm_source=bu-sg-b-typography-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-ui\u002F?utm_source=bu-sg-b-ui-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-text\u002F?utm_source=bu-sg-b-text-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-howtowritethat\u002F?utm_source=bu-sg-b-howtowritethat-050526)[ Первый год 990 ₽, затем 660 ₽\u002Fгод ](\u002Fprojects\u002Fbook-kungfu\u002F?utm_source=bu-sg-b-kungfu-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-fff\u002F?utm_source=bu-sg-b-fff-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-talksgym\u002F?utm_source=bu-sg-b-talksgym-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-html\u002F?utm_source=bu-sg-b-html-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-metro\u002F?utm_source=bu-sg-b-metro-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-carphoto\u002F?utm_source=bu-sg-b-carphoto-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-chess\u002F?utm_source=bu-sg-b-chess-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-japanese\u002F?utm_source=bu-sg-b-japanese-050526)[ Первый год 990 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-wtf\u002F?utm_source=bu-sg-b-wtf-050526)[ Первый год 1200 ₽, затем 990 ₽\u002Fгод ](\u002Fprojects\u002Fbook-pishi\u002F?utm_source=bu-sg-b-pishi-050526) [ ](\u002Fprojects\u002Fowen-ny2025\u002F) [ Стра­ница‑поздрав­ле­ние ком­па­нии «Овен» с Новым годом 2025 Страница‑поздравление компании «Овен» с Новым годом 2025 ](\u002Fprojects\u002Fowen-ny2025\u002F) [ ](\u002Fprojects\u002Fowen-ny2025\u002F) [ Стра­ница‑поздрав­ле­ние ком­па­нии «Овен» с Новым годом 2025 Страница‑поздравление компании «Овен» с Новым годом 2025 ](\u002Fprojects\u002Fowen-ny2025\u002F) [ ](\u002Fnews\u002F2024\u002Fschoolx2\u002F) Школа ×2 — самое большое обновление Школы Бюро Горбунова с момента создания [ ](\u002Fprojects\u002Fworldchess-armageddon\u002F) Армагеддон — глобальный шахматный турнир Ворлд Чесс [ ](\u002Fprojects\u002Floginov-technology\u002F) Фирстиль и сайт Логинов Технолоджи, разработчика технологических решений с ИИ Лекции Учёба в удобном темпе без дедлайнов Все лекции❱ [ Типографика и вёрстка 2.0 с Михаилом Нозиком ](\u002Flectures\u002Ftypography\u002F?utm_source=bui-sg-l-typography-050526)[ Пользова­тельский интерфейс и представление информации с Ильёй Бирманом ](\u002Flectures\u002Fui\u002F?utm_source=bui-sg-l-ui-050526)[ Управление проектами, людьми и собой 2.0 с Николаем Товеровским ](\u002Flectures\u002Ffff\u002F?utm_source=bui-sg-l-fff-050526)[ Дизайн текста и визуальное повествование с Максимом Ильяховым ](\u002Flectures\u002Fvisual\u002F?utm_source=bui-sg-l-visual-050526)[ Холодное письмо с Максимом Ильяховым ](\u002Flectures\u002Fcoldemail\u002F?utm_source=bui-sg-l-coldemail-050526)[ Пиктограммы и системы знаков с Сергеем Чикиным ](\u002Flectures\u002Ficons\u002F?utm_source=bui-sg-l-icons-050526)[ Информа­ционный стиль и редактура текста 2.0 с Максимом Ильяховым ](\u002Flectures\u002Ftext\u002F?utm_source=bui-sg-l-text-050526)[ Переговоры и отношения с клиентами 2.0 с Ильёй Синельниковым ](\u002Flectures\u002Fclients\u002F?utm_source=bui-sg-l-clients-050526)[ Аналитика и маркетинг с Алексеем Куличевским ](\u002Flectures\u002Fanalytics\u002F?utm_source=bui-sg-l-analytics-050526)[ Все лекции бюро ](\u002Flectures\u002Fcollecture-all\u002F?utm_source=bui-sg-l-collectureall-050526) [ ](\u002Fmusic\u002Fgorbunov\u002Foverload\u002F) [**Новая песня …. A Brutalist \u002F Neo-Brutalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Agency & Studio industry. The overall color palette features White, Red, Gray, Black, Pink. The typography features Bureau Sans (Sans Serif), Bureau Serif (Serif), Bureau Sans (Sans Serif), Bureau Serif (Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Sans (Sans Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif), Bureau Serif (Serif). AI description: Bureau is a multidisciplinary creative agency that specializes in building cohesive brand identities through naming, logo design, packaging, and digital interfaces. Their work bridges the gap between physical and digital experiences, offering a holistic approach to product and service development that ensures visual and functional unity. The website's visual identity is bold, avant-garde, and unapologetically expressive. Utilizing high-contrast color palettes, striking typography, and a dynamic grid layout, the design reflects a sophisticated yet rebellious creative spirit. It targets high-end clients and brands looking for cutting-edge design solutions that stand out in a crowded marketplace through strong, character-driven aesthetics.",{"id":537,"website_id":538,"page_id":537,"name":539,"slug":540,"url":541,"website_name":539,"website_slug":540,"website_url":542,"result_url":541,"fetched_at":543,"score":209,"score_boost":357,"ai_score":221,"freshness_score":188,"scored_at":544,"page_name":44,"page_url":541,"page_title":545,"page_description":546,"page_content":547,"page_sort":357,"is_home":362,"is_home_rank":363,"page_type_id":364,"page_type_name":50,"cover":548,"cover_mobile":551,"cover_sequence":553,"translations":599,"industry":378,"styles":602,"credits":603,"font_families":604,"technologies":606,"pagespeed":607,"pagespeed_mobile":612,"buckets":618,"search_payload":619},"f60be655-3d59-4479-b462-6bdd138af62c","ffd336b8-1f4a-4aa0-a89e-9adc0aeeec04","DDOTT","ddott","https:\u002F\u002Fddott.net\u002F","https:\u002F\u002Fddott.net","2026-04-29T07:24:52.000Z","2026-05-23T19:26:04.000Z","DDOTT Type foundry — DDOTT","DDOTT is a contemporary type foundry based in Barcelona (Spain) and Cologne (Germany). We design high-quality fonts and publications.","DDOTT Type foundry Your browser does not support the video tag. This is Auto Grotesk: a wood-type-inspired sans with letterpress quirks alive on screen. Adjust pressure and weight, or make bold statements with the Cameo styles. View All All Typefaces Products Blog Auto Grotesk 12 Styles 2 Families New From €75 Try it! [ Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” ](https:\u002F\u002Fddott.net\u002Ffont\u002Fauto-grotesk\u002F) Auto Grotesk Cameo 2 Styles 1 Family New From €75 Try it! [ #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING ](https:\u002F\u002Fddott.net\u002Ffont\u002Fauto-grotesk-cameo\u002F) Aether 4 Styles 2 Families Version 1.010 From €75 Try it! [ In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS ](https:\u002F\u002Fddott.net\u002Ffont\u002Faether\u002F) Aether Mono 4 Styles 2 Families Version 1.011 From €75 Try it! [ PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” ](https:\u002F\u002Fddott.net\u002Ffont\u002Faether-mono\u002F) Archive01 – Aether 32 pages + 2 poster 22,2 x 31,4 cm Edition of 150 €25 See more Blending myth and science, this specimen shapes a new typographic reality. Nouveau Grande 22 Styles 2 Families Version 2.001 From €75 Try it! [ T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: ](https:\u002F\u002Fddott.net\u002Ffont\u002Fnouveau-grande\u002F) Nouveau Grotesque 22 Styles 2 Families Version 2.000 From €75 Try it! [ “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT ](https:\u002F\u002Fddott.net\u002Ffont\u002Fnouveau-grotesque\u002F) T-01 XS, S, M, L, XL Reflective Screen Printing Limited Edition €35 See more This unisex T-shirt is a tribute to the beauty in spelling mistakes. Diverse C 36 Styles 3 Families Version 1.000 From €75 Try it! [ GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse-c\u002F) Diverse B 36 Styles 3 Families Version 1.000 From €75 Try it! [ Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse-b\u002F) Diverse A 36 Styles 3 Families Version 1.000 From €75 Try it! [ ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse\u002F) Auto Grotesk – A Love Letter to Wood Type This project began with a fascination for the fragile beauty of letterpress. Auto Grotesk is my exploration of how centuries of wood type can still speak within a digital world. more",{"id":549,"height":13,"width":12,"blurhash":550},"7a9f1350-50bb-4125-a6ef-450fe55e4ffd","radial-gradient(at 0 0,#dac5be,#00000000 50%),radial-gradient(at 33% 0,#dfc8b6,#00000000 50%),radial-gradient(at 67% 0,#ede1da,#00000000 50%),radial-gradient(at 100% 0,#f4f0f4,#00000000 50%),radial-gradient(at 0 50%,#e8d1c0,#00000000 50%),radial-gradient(at 33% 50%,#ddc6b0,#00000000 50%),radial-gradient(at 67% 50%,#ebe0d9,#00000000 50%),radial-gradient(at 100% 50%,#faf8f8,#00000000 50%),radial-gradient(at 0 100%,#b7babf,#00000000 50%),radial-gradient(at 33% 100%,#b8babb,#00000000 50%),radial-gradient(at 67% 100%,#b7bec0,#00000000 50%),radial-gradient(at 100% 100%,#b8c3c5,#00000000 50%)",{"id":552,"height":15,"width":14,"blurhash":82},"83a2586e-2288-4c93-baf8-a26c07c5e64c",[554,557,560,563,566,569,572,575,578,581,584,587,590,593,596],{"directus_files_id":555},{"id":556},"0b506bd5-4cfd-43b3-9d93-775fd1894b00",{"directus_files_id":558},{"id":559},"f50cdb0d-834d-4554-a23f-85e13c077092",{"directus_files_id":561},{"id":562},"4ceed0e0-9d57-4abf-b5c6-aa248ffb3b03",{"directus_files_id":564},{"id":565},"e8cc3d8b-3106-487f-a5b0-fa05680b3b03",{"directus_files_id":567},{"id":568},"c5c331fe-c58f-420b-afad-397517340399",{"directus_files_id":570},{"id":571},"0e5b89f9-632a-4ea2-b4db-7fc8cf4a8bf8",{"directus_files_id":573},{"id":574},"56e01e4c-a997-47d1-9bcf-3e374066ee19",{"directus_files_id":576},{"id":577},"a444d034-7606-4b32-be75-e3112c5e38ea",{"directus_files_id":579},{"id":580},"71ecfa11-c4af-451e-ae3e-18584f4f6209",{"directus_files_id":582},{"id":583},"da05f520-e305-4a3d-8473-9a3d74e6cb98",{"directus_files_id":585},{"id":586},"8329afd5-ae76-438f-9f36-fd93c9e193a7",{"directus_files_id":588},{"id":589},"12ddebfe-3328-4b59-a461-7c815364ffbd",{"directus_files_id":591},{"id":592},"54dd6151-f1b3-4c7f-ac3c-4c675c97a594",{"directus_files_id":594},{"id":595},"48c14967-af7d-4b80-9413-b12a9ba7295b",{"directus_files_id":597},{"id":598},"c2f705bb-09ce-4f73-b458-30a70de1c4c7",[600],{"languages_code":376,"description":601},"DDOTT is a sophisticated contemporary type foundry that bridges the gap between historical craftsmanship and modern digital design. Based in Barcelona and Cologne, the studio specializes in the creation of high-quality typefaces, books, and posters, often drawing deep inspiration from traditional methods like wood type and letterpress. Their work is characterized by a profound respect for typographic history, reimagined through a lens of modern precision.\n\nThe visual identity of the website is unapologetically typographic, utilizing massive, expressive letterforms to showcase the very products they sell. The design language is minimalist and editorial, employing a neutral color palette and a structured layout that allows the character of each typeface to command attention. It caters to a discerning audience of graphic designers, art directors, and print enthusiasts who value both technical excellence and artistic soul in their typographic tools.",[29,380,33],[],[605,605],"Aether Mono",[],[608,609,610,611],{"score":213,"category":111},{"score":222,"category":114},{"score":118,"category":117},{"score":207,"category":120},[613,615,616,617],{"score":614,"category":111},38,{"score":187,"category":114},{"score":118,"category":117},{"score":207,"category":120},[399,130,134],"Website: DDOTT. Page: Homepage. Page type: Home \u002F Landing Page. Page title: DDOTT Type foundry — DDOTT. Page description: DDOTT is a contemporary type foundry based in Barcelona (Spain) and Cologne (Germany). We design high-quality fonts and publications.. Page content: DDOTT Type foundry Your browser does not support the video tag. This is Auto Grotesk: a wood-type-inspired sans with letterpress quirks alive on screen. Adjust pressure and weight, or make bold statements with the Cameo styles. View All All Typefaces Products Blog Auto Grotesk 12 Styles 2 Families New From €75 Try it! [ Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” ](https:\u002F\u002Fddott.net\u002Ffont\u002Fauto-grotesk\u002F) Auto Grotesk Cameo 2 Styles 1 Family New From €75 Try it! [ #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING ](https:\u002F\u002Fddott.net\u002Ffont\u002Fauto-grotesk-cameo\u002F) Aether 4 Styles 2 Families Version 1.010 From €75 Try it! [ In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS ](https:\u002F\u002Fddott.net\u002Ffont\u002Faether\u002F) Aether Mono 4 Styles 2 Families Version 1.011 From €75 Try it! [ PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” ](https:\u002F\u002Fddott.net\u002Ffont\u002Faether-mono\u002F) Archive01 – Aether 32 pages + 2 poster 22,2 x 31,4 cm Edition of 150 €25 See more Blending myth and science, this specimen shapes a new typographic reality. Nouveau Grande 22 Styles 2 Families Version 2.001 From €75 Try it! [ T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: ](https:\u002F\u002Fddott.net\u002Ffont\u002Fnouveau-grande\u002F) Nouveau Grotesque 22 Styles 2 Families Version 2.000 From €75 Try it! [ “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT ](https:\u002F\u002Fddott.net\u002Ffont\u002Fnouveau-grotesque\u002F) T-01 XS, S, M, L, XL Reflective Screen Printing Limited Edition €35 See more This unisex T-shirt is a tribute to the beauty in spelling mistakes. Diverse C 36 Styles 3 Families Version 1.000 From €75 Try it! [ GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse-c\u002F) Diverse B 36 Styles 3 Families Version 1.000 From €75 Try it! [ Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse-b\u002F) Diverse A 36 Styles 3 Families Version 1.000 From €75 Try it! [ ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse\u002F) Auto Grotesk – A Love Letter to Wood Type This project began with a fascination for the fragile beauty of letterpress. Auto Grotesk is my exploration of how centuries of wood type can still speak within a digital world. more. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Aether Mono (Serif, DDOTT), Aether Mono (Serif, DDOTT). AI description: DDOTT is a sophisticated contemporary type foundry that bridges the gap between historical craftsmanship and modern digital design. Based in Barcelona and Cologne, the studio specializes in the creation of high-quality typefaces, books, and posters, often drawing deep inspiration from traditional methods like wood type and letterpress. Their work is characterized by a profound respect for typographic history, reimagined through a lens of modern precision. The visual identity of the website is unapologetically typographic, utilizing massive, expressive letterforms to showcase the very products they sell. The design language is minimalist and editorial, employing a neutral color palette and a structured layout that allows the character of each typeface to command attention. It caters to a discerning audience of graphic designers, art directors, and print enthusiasts who value both technical excellence and artistic soul in their typographic tools.",{"id":621,"website_id":622,"page_id":621,"name":623,"slug":624,"url":625,"website_name":623,"website_slug":624,"website_url":626,"result_url":625,"fetched_at":627,"score":187,"score_boost":357,"ai_score":330,"freshness_score":628,"scored_at":629,"page_name":44,"page_url":625,"page_title":630,"page_description":631,"page_content":632,"page_sort":357,"is_home":362,"is_home_rank":363,"page_type_id":364,"page_type_name":50,"cover":633,"cover_mobile":636,"cover_sequence":638,"translations":711,"industry":378,"styles":714,"credits":715,"font_families":716,"technologies":717,"pagespeed":719,"pagespeed_mobile":726,"buckets":731,"search_payload":733},"aca16cd0-e205-476d-89f6-ea7328f44e60","d74acf81-eddc-4edc-b3bc-022991a5c355","Spring\u002FSummer","spring-summer","https:\u002F\u002Fspringsummer.dk\u002F","https:\u002F\u002Fspringsummer.dk","2026-05-23T20:38:05.000Z",1779568685,"2026-05-24T20:58:56.000Z","Spring\u002FSummer | Copenhagen based digital first Design & Brand Agency","Strategic digital experiences & brand identities from Copenhagen, Scandinavian design meets innovative technology.","Spring\u002FSummer is a Copenhagen based strategic design and technology agency creating impactful brands, websites, and eCommerce experiences. 12x CCA We have 12 shortlists at this years Creative Circle Awards! Most shortlisted agency in Digital Design. Thank you to our fantastic, daring and trusting clients - we all know it takes two to make a baby. And to the hard working Spring\u002FSummer team doing alchemy across industries. Langelands Efterskole A Living Digital Universe [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ 493679795 1225973436197824 3498369389530593995 n ](\u002Flangelands-efterskole) Hempel Foundation Accelerating Change [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ Boudhayan bardhan 60tata Lk J0 U unsplash ](\u002Fhempel-foundation) Polène Online Flagship Store [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ 3 Z3 A5679 ](\u002Fpolene) Susanne Kaufmann In Rhythm with Nature [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ ](\u002Fsusanne-kaufmann) Nationalmuseet Designing a digital presence where past meets present [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ Background image04 ](\u002Fnationalmuseet) Implement Online Headquarters [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Craft CMS ](\u002Fcategory\u002Fcraft-cms) [ IM Cover Final 1 ](\u002Fimplement-consulting-group-2023) Support Greenland Kalaallit Nunaat Kalaallit Pigaat [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ Colorful houses in Qaanaaq Photo by Lone Bjørn Visit Greenland copy ](\u002Fsupport-greenland) NORR11 Online Flagship Store [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ NORR11 Case Full image ](\u002Fnorr11) Nitex Brand, Storytelling and Business Impact [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ NITEX Hero Image2 ](\u002Fnitex) CURIN Curated Inspiration, Beyond the Algorithms [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ CURIN background image ](\u002Fcurin) Pérez Art Museum Miami Capturing the feeling of being in the museum [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ Case Full Image ](\u002Fperez-art-museum-miami) The Footprint Firm Bridging Today’s Companies with Tomorrow’s Ventures [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ ](\u002Fthe-footprint-firm) ORCA Labs Innovating the Future of Hearing [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ BG Full image min 1 ](\u002Forca-labs) Soren Rose Studio A tailored portfolio [ Websites ](\u002Fcategory\u002Fwebsites)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Webflow ](\u002Fcategory\u002Fwebflow) [ NUMERO SEPT TAUPE GRAINE 1622 2000x2800px 1 ](\u002Fsoren-rose-studio) Hans Just Brand identity for the 150 year old wine and spirits distributor [ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Hospitality & Gastronomy ](\u002Fcategory\u002Fhospitality-gastronomy) [ Image ](\u002Fhans-just-identity) Satius The curated private member's club of the digital age [ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Hospitality & Gastronomy ](\u002Fcategory\u002Fhospitality-gastronomy) [ Satius Hero Background Img1 ](\u002Fsatius) American Express Various project types [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Investment & Finance ](\u002Fcategory\u002Finvestment-finance) [ Card Amex Gold ](\u002Famerican-express) Langelands Efterskole A Living Digital Universe [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ 493679795 1225973436197824 3498369389530593995 n ](\u002Flangelands-efterskole) Hempel Foundation Accelerating Change [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ Boudhayan bardhan 60tata Lk J0 U unsplash ](\u002Fhempel-foundation) Polène Online Flagship Store [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ 3 Z3 A5679 ](\u002Fpolene) Susanne Kaufmann In Rhythm with Nature [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ ](\u002Fsusanne-kaufmann) Nationalmuseet Designing a digital presence where past meets present [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ Background image04 ](\u002Fnationalmuseet) Implement Online Headquarters [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Craft CMS ](\u002Fcategory\u002Fcraft-cms) [ IM Cover Final 1 ](\u002Fimplement-consulting-group-2023) Support Greenland Kalaallit Nunaat Kalaallit Pigaat [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ Colorful houses in Qaanaaq Photo by Lone Bjørn Visit Greenland copy ](\u002Fsupport-greenland) NORR11 Online Flagship Store [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ NORR11 Case Full image ](\u002Fnorr11) Nitex Brand, Storytelling and Business Impact [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ NITEX Hero Image2 ](\u002Fnitex) CURIN Curated Inspiration, Beyond the Algorithms [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ CURIN background image ](\u002Fcurin) Pérez Art Museum Miami Capturing the feeling of being in the museum [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ Case Full Image ](\u002Fperez-art-museum-miami) The Footprint Firm Bridging Today’s Companies with Tomorrow’s Ventures [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ ](\u002Fthe-footprint-firm) ORCA Labs Innovating the Future of Hearing [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ BG Full image min 1 ](\u002Forca-labs) Soren Rose Studio A tailored portfolio [ Websites ](\u002Fcategory\u002Fwebsites)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Webflow ](\u002Fcategory\u002Fwebflow) [ NUMERO SEPT TAUPE GRAINE 1622 2000x2800px 1 ](\u002Fsoren-rose-studio) Hans Just Brand identity for the 150 year old wine and spirits distributor [ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Hospitality & Gastronomy ](\u002Fcategory\u002Fhospitality-gastronomy) [ Image ](\u002Fhans-just-identity) Satius The curated private member's club of the digital age [ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Hospitality & Gastronomy ](\u002Fcategory\u002Fhospitality-gastronomy) [ Satius Hero Background Img1 ](\u002Fsatius) American Express Various project types [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Investment & Finance ](\u002Fcategory\u002Finvestment-finance) [ Card Amex Gold ](\u002Famerican-express) Some of our work …",{"id":634,"height":13,"width":12,"blurhash":635},"769fa751-4b05-4131-a78b-bf73cfa8282f","radial-gradient(at 0 0,#ff3939,#00000000 50%),radial-gradient(at 33% 0,#f63636,#00000000 50%),radial-gradient(at 67% 0,#f63939,#00000000 50%),radial-gradient(at 100% 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The layout breaks away from traditional corporate minimalism in favor of a more visceral, editorial aesthetic that demands attention and signals a modern, trend-setting approach to digital craftsmanship.",[514,33,515],[623],[],[286,270,276,279,718,272],"SEOmatic",[720,722,724,725],{"score":721,"category":111},43,{"score":723,"category":114},81,{"score":207,"category":117},{"score":207,"category":120},[727,728,729,730],{"score":225,"category":111},{"score":723,"category":114},{"score":207,"category":117},{"score":207,"category":120},[533,130,732],"brown","Website: Spring\u002FSummer. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Spring\u002FSummer | Copenhagen based digital first Design & Brand Agency. Page description: Strategic digital experiences & brand identities from Copenhagen, Scandinavian design meets innovative technology.. Page content: Spring\u002FSummer is a Copenhagen based strategic design and technology agency creating impactful brands, websites, and eCommerce experiences. 12x CCA We have 12 shortlists at this years Creative Circle Awards! Most shortlisted agency in Digital Design. Thank you to our fantastic, daring and trusting clients - we all know it takes two to make a baby. And to the hard working Spring\u002FSummer team doing alchemy across industries. Langelands Efterskole A Living Digital Universe [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ 493679795 1225973436197824 3498369389530593995 n ](\u002Flangelands-efterskole) Hempel Foundation Accelerating Change [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ Boudhayan bardhan 60tata Lk J0 U unsplash ](\u002Fhempel-foundation) Polène Online Flagship Store [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ 3 Z3 A5679 ](\u002Fpolene) Susanne Kaufmann In Rhythm with Nature [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ ](\u002Fsusanne-kaufmann) Nationalmuseet Designing a digital presence where past meets present [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ Background image04 ](\u002Fnationalmuseet) Implement Online Headquarters [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Craft CMS ](\u002Fcategory\u002Fcraft-cms) [ IM Cover Final 1 ](\u002Fimplement-consulting-group-2023) Support Greenland Kalaallit Nunaat Kalaallit Pigaat [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ Colorful houses in Qaanaaq Photo by Lone Bjørn Visit Greenland copy ](\u002Fsupport-greenland) NORR11 Online Flagship Store [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ NORR11 Case Full image ](\u002Fnorr11) Nitex Brand, Storytelling and Business Impact [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ NITEX Hero Image2 ](\u002Fnitex) CURIN Curated Inspiration, Beyond the Algorithms [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ CURIN background image ](\u002Fcurin) Pérez Art Museum Miami Capturing the feeling of being in the museum [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ Case Full Image ](\u002Fperez-art-museum-miami) The Footprint Firm Bridging Today’s Companies with Tomorrow’s Ventures [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ ](\u002Fthe-footprint-firm) ORCA Labs Innovating the Future of Hearing [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ BG Full image min 1 ](\u002Forca-labs) Soren Rose Studio A tailored portfolio [ Websites ](\u002Fcategory\u002Fwebsites)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Webflow ](\u002Fcategory\u002Fwebflow) [ NUMERO SEPT TAUPE GRAINE 1622 2000x2800px 1 ](\u002Fsoren-rose-studio) Hans Just Brand identity for the 150 year old wine and spirits distributor [ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Hospitality & Gastronomy ](\u002Fcategory\u002Fhospitality-gastronomy) [ Image ](\u002Fhans-just-identity) Satius The curated private member's club of the digital age [ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Hospitality & Gastronomy ](\u002Fcategory\u002Fhospitality-gastronomy) [ Satius Hero Background Img1 ](\u002Fsatius) American Express Various project types [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Investment & Finance ](\u002Fcategory\u002Finvestment-finance) [ Card Amex Gold ](\u002Famerican-express) Langelands Efterskole A Living Digital Universe [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ 493679795 1225973436197824 3498369389530593995 n ](\u002Flangelands-efterskole) Hempel Foundation Accelerating Change [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ Boudhayan bardhan 60tata Lk J0 U unsplash ](\u002Fhempel-foundation) Polène Online Flagship Store [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ 3 Z3 A5679 ](\u002Fpolene) Susanne Kaufmann In Rhythm with Nature [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ ](\u002Fsusanne-kaufmann) Nationalmuseet Designing a digital presence where past meets present [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ Background image04 ](\u002Fnationalmuseet) Implement Online Headquarters [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Craft CMS ](\u002Fcategory\u002Fcraft-cms) [ IM Cover Final 1 ](\u002Fimplement-consulting-group-2023) Support Greenland Kalaallit Nunaat Kalaallit Pigaat [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ Colorful houses in Qaanaaq Photo by Lone Bjørn Visit Greenland copy ](\u002Fsupport-greenland) NORR11 Online Flagship Store [ E-Commerce ](\u002Fcategory\u002Fe-commerce)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Shopify ](\u002Fcategory\u002Fshopify) [ NORR11 Case Full image ](\u002Fnorr11) Nitex Brand, Storytelling and Business Impact [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ NITEX Hero Image2 ](\u002Fnitex) CURIN Curated Inspiration, Beyond the Algorithms [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ CURIN background image ](\u002Fcurin) Pérez Art Museum Miami Capturing the feeling of being in the museum [ Websites ](\u002Fcategory\u002Fwebsites)[ Art & Culture ](\u002Fcategory\u002Fart-culture)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ Case Full Image ](\u002Fperez-art-museum-miami) The Footprint Firm Bridging Today’s Companies with Tomorrow’s Ventures [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Sanity CMS ](\u002Fcategory\u002Fsanity-cms) [ ](\u002Fthe-footprint-firm) ORCA Labs Innovating the Future of Hearing [ Websites ](\u002Fcategory\u002Fwebsites)[ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Wordpress ](\u002Fcategory\u002Fwordpress) [ BG Full image min 1 ](\u002Forca-labs) Soren Rose Studio A tailored portfolio [ Websites ](\u002Fcategory\u002Fwebsites)[ Fashion & Lifestyle ](\u002Fcategory\u002Ffashion-lifestyle)[ Webflow ](\u002Fcategory\u002Fwebflow) [ NUMERO SEPT TAUPE GRAINE 1622 2000x2800px 1 ](\u002Fsoren-rose-studio) Hans Just Brand identity for the 150 year old wine and spirits distributor [ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Hospitality & Gastronomy ](\u002Fcategory\u002Fhospitality-gastronomy) [ Image ](\u002Fhans-just-identity) Satius The curated private member's club of the digital age [ Brand Identities ](\u002Fcategory\u002Fbrand-identity)[ Hospitality & Gastronomy ](\u002Fcategory\u002Fhospitality-gastronomy) [ Satius Hero Background Img1 ](\u002Fsatius) American Express Various project types [ Websites ](\u002Fcategory\u002Fwebsites)[ Professional Services ](\u002Fcategory\u002Fprofessional-services)[ Investment & Finance ](\u002Fcategory\u002Finvestment-finance) [ Card Amex Gold ](\u002Famerican-express) Some of our work …. A Brutalist \u002F Neo-Brutalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Agency & Studio industry. Designed by Spring\u002FSummer. The overall color palette features Red, Black, Brown. Built using Craft CMS, Node.js, Nuxt.js, reCAPTCHA, SEOmatic, Vue.js. AI description: Spring\u002FSummer is a high-octane Copenhagen-based digital agency that blends strategic design with cutting-edge technology. The site serves as a bold manifesto for their capability in crafting impactful brand identities, sophisticated websites, and seamless eCommerce experiences, positioning themselves as a premier partner for brands seeking a competitive edge in the digital landscape. The visual identity is unapologetically loud and high-impact, characterized by a maximalist use of heavy, oversized typography and a high-contrast color palette. By utilizing massive sans-serif typefaces and a striking red-and-black scheme, the design communicates confidence and creative authority. The layout breaks away from traditional corporate minimalism in favor of a more visceral, editorial aesthetic that demands attention and signals a modern, trend-setting approach to digital craftsmanship."]