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By pairing raw, documentary-style photography with a vibrant red-on-muted-tones color palette, the design communicates a sense of intellectual rigor and artistic rebellion. 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This neo-brutalist approach, combined with large-scale, high-quality product photography, creates a sense of curated exclusivity and artistic authority, perfectly resonating with an audience of design enthusiasts, interior architects, and serious collectors.","Art & Culture",[26,30,34],[557,558],"Amalia Aranguren","Fernando Espeso",[560],"Circular",[262,562,269,563],"jQuery UI","Yotpo Loyalty & Referrals",[565,566,567,568],{"score":161,"category":93},{"score":205,"category":96},{"score":473,"category":99},{"score":569,"category":102},77,[571,573,574,575],{"score":572,"category":93},51,{"score":205,"category":96},{"score":473,"category":99},{"score":569,"category":102},[111,123,577,482,115],"violet","Website: Grutta. Page: Homepage. Page type: Home \u002F Landing Page. Page title: GRUTTA. Page content: A curated selection of talented designers reshaping the notion of collectible pieces. 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is a specialized digital design studio dedicated to crafting bespoke web experiences for the creative sectors. By bridging the gap between local artistry and international business needs, the agency positions itself as a vital partner for brands that prioritize aesthetic distinction and cultural relevance. Their work serves as a digital canvas for photographers, artists, and creative professionals seeking to elevate their online presence through sophisticated, high-impact design.\n\nThe visual identity of Grafik is defined by a bold, editorial sensibility that leans heavily into high-fashion aesthetics and avant-garde layouts. Utilizing a sophisticated grid system, large-scale typography, and a curated palette of earthy tones and stark monochrome, the design feels both timeless and cutting-edge. The use of high-quality portraiture and unconventional framing creates a sense of depth and human connection, making the website itself a testament to the studio's ability to handle complex, visually-driven projects.",[30,460,34],[298,582],[],[],[694,696,697,698],{"score":695,"category":93},86,{"score":215,"category":96},{"score":162,"category":99},{"score":201,"category":102},[700,701,702,703],{"score":167,"category":93},{"score":215,"category":96},{"score":162,"category":99},{"score":201,"category":102},[111,115,123],"Website: Grafik. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Grafik. Page description: We create websites for businesses both locally and internationally, within the creative sectors.. Page content: Grafik About Contact Grafik Hi 1 Beings, Talent Platform 2025 — Digital design, Digital development, Identity design Coming Soon [ ](\u002Fproject\u002Ftom-gould\u002F) 2 Tom Gould, Photographer \u002F Director 2024 — Digital design, Digital development, Identity design View Work 3 Jhana MIllers, Art Gallery 2024 — Digital design, Digital development, Identity design Coming Soon [ Today Design Today Design Today Design Today Design Today Design Today Design Today Design Today Design Today Design Today Design ](\u002Fproject\u002Ftoday\u002F) 4 Today Design Digital Agency 2022 — Digital design, Front-end development View Work [ ](\u002Fproject\u002Fmotion-sickness\u002F) 5 Motion Sickness, Agency 2023 — Digital design, Digital development, Identity design View Work [ ](\u002Fproject\u002Fvictoria-spicer\u002F) 6 Victoria Spicer, Set designer 2017 – 2022 Digital design, Digital development, Animation View Work [ ](\u002Fproject\u002Fmatch\u002F) 7 Match, Photographic Agency 2022 — Digital design, Digital development, Identity design View Work [ ![](https:\u002F\u002Fimages.prismic.io\u002Fgrafik\u002F928ac798-3ac0-4268-8337-e41a9ab92c11_grafik-gandw.jpg?ixlib=vue-2.8.4&auto=format%2C%20compress&f …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. Designed and developed by Graphik. The overall color palette features White, Black, Gray. AI description: Grafik is a specialized digital design studio dedicated to crafting bespoke web experiences for the creative sectors. By bridging the gap between local artistry and international business needs, the agency positions itself as a vital partner for brands that prioritize aesthetic distinction and cultural relevance. Their work serves as a digital canvas for photographers, artists, and creative professionals seeking to elevate their online presence through sophisticated, high-impact design. The visual identity of Grafik is defined by a bold, editorial sensibility that leans heavily into high-fashion aesthetics and avant-garde layouts. 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Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.","Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …",{"id":718,"height":13,"width":12,"blurhash":719},"cc28f65c-6c0c-448a-9543-4f6fc1dcd579","radial-gradient(at 0 0,#eeeeee,#00000000 50%),radial-gradient(at 33% 0,#f6f6f6,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#dddddd,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 100% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 0 100%,#dadada,#00000000 50%),radial-gradient(at 33% 100%,#dddddd,#00000000 50%),radial-gradient(at 67% 100%,#dddddd,#00000000 50%),radial-gradient(at 100% 100%,#dbdbdb,#00000000 50%)",{"id":721,"height":15,"width":14,"blurhash":58},"ee35a35b-7056-4b3b-a410-6d8fb821f9de",[723],{"directus_files_id":724},{"id":725},"d1e1dfc1-2478-4823-a5a8-615901f1ed26",[727],{"languages_code":457,"description":728},"Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives.\n\nThe visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector.",[30,730,34],"Monochrome \u002F Grayscale",[732],"Liebermann Kiepe Reddemann",[734],"Favorit",[262],[737,738,740,741],{"score":201,"category":93},{"score":739,"category":96},67,{"score":473,"category":99},{"score":201,"category":102},[743,744,745,746],{"score":206,"category":93},{"score":739,"category":96},{"score":473,"category":99},{"score":201,"category":102},[111,115,123],"Website: Sandra Doeller. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Sandra Doeller. Page description: Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.. Page content: Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Favorit (Sans Serif, Dinamo). Built using jQuery. AI description: Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives. The visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector."]