[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-detail-gt-walsheim":3,"facets-{\"includeAuthors\":\"false\"}":133,"facets-baseline-false":295,"similar-websites-gt-walsheim":328},{"id":4,"name":5,"slug":6,"url":7,"dateUpdated":8,"fetchedAt":9,"coverId":10,"coverMobileId":11,"coverWidth":12,"coverHeight":13,"coverMobileWidth":14,"coverMobileHeight":15,"descriptionEn":16,"seoMeta":17,"industry":20,"styles":24,"credits":36,"pages":37,"typefaces":49,"technologiesByCategory":52,"pagespeedDesktop":82,"pagespeedMobile":95,"performanceDesktop":85,"performanceMobile":97,"colorBuckets":102,"colorPalette":115},"f0e498a6-df75-499a-8bbf-892216e08b9b","GT Walsheim","gt-walsheim","https:\u002F\u002Fgt-walsheim.com","2026-05-23T19:24:41.000Z","2026-05-04T09:45:03.000Z","24b2628e-0be2-4b2d-a861-50ae4202e6c2","4894eb23-75dc-4602-8a10-0c3843cf82d4",1440,900,780,1688,"GT Walsheim is a sophisticated digital showcase for a geometric sans-serif typeface family, deeply rooted in the historical legacy of Swiss poster design. 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fonts - Fonts in use - About - License - FAQ - My account - Cart 0 - EN FR [ Fonts ](\u002Ffonts) Fonts made by the people and for the people, as a happiness to the maker and the user. 🡢 Continue reading 🡦 Font: Boogy Brut Poster White 🡢 Read our manifesto 🡥 Explore our catalog Meet the families Our artistic direction strikes a balance between legibility and visibility. We design our typefaces so they can be used in a wide range of contexts. Even our most radical creations stay sturdy in small sizes and stay legible. 🡢 Continue reading ⏷ Brut Grotesque⏷ Bold⏷ OpenType 144px 110% 0em 5 words A A A A Brut Grotesque 🡢 About Brut Grotesque 🡢 Try 🡢 Buy ⏷ Boogy Brut Poster⏷ White⏷ OpenType 144px 110% 0em 5 words A A A A Boogy Brut Poster 🡢 About Boogy Brut 🡢 Try 🡢 Buy ⏷ Ostia Antica⏷ Regular⏷ OpenType 144px 110% 0em 5 words A A A A Ostia Antica 🡢 About Ostia Antica 🡢 Try 🡢 Buy [ Aa ](\u002Ffamily\u002Fbrut-grotesque) [ Aa ](\u002Ffamily\u002Fboogy-brut-poster) [ Aa ](\u002Ffamily\u002Fbourrasque) [ Aa ](\u002Ffamily\u002Fbourrasque) [ Aa ](\u002Ffamily\u002Fdroulers-clarendon) [ Aa ](\u002Ffamily\u002Fdroulers) [ Aa ](\u002Ffamily\u002Fmatorral) [ Aa ](\u002Ffamily\u002Fmatorral) [ Aa ](\u002Ffamily\u002Fostia-antica) [ Aa ](\u002Ffamily\u002Fostia-antica) [ Aa ](\u002Ffamily\u002Froman-grotesque) [ Aa ](\u002Ffamily\u002Fround) [ Aa ](\u002Ffamily\u002Fround-ultra) [ Aa ](\u002Ffamily\u002Ftotentanz) [ Aa ](\u002Ffamily\u002Ftotentanz) [ Aa ](\u002Ffamily\u002Ftraulha) [ Aa ](\u002Ffamily\u002Ftraulha) [ Aa ](\u002Ffamily\u002Ftraulha-lineara) [ Aa ](\u002Ffamily\u002Fboogy-brut) [ A ](\u002Ffamily\u002Fboogy-brut-wild) [ Explore our catalog ](\u002Ffonts) What’s up, doc? Newsletter Sign up to stay up-to-date with everything going on in our foundry: latest releases, projects, events and what we ate yesterday. Try all our fonts, entirely, for free. Smiling cat face with sunglasses on an orange background It wouldn’t make sense to try on shoes without the laces. That is why we think it doesn’t make sense to try an incomplete font. Our test fonts include the full character set! Exactly the same you receive when buying a license. 🡢 Continue reading Students, get a free license! Winking cat face on a green background Studies are for practicing and learning, and we don’t agree with the idea of making you pay to use our fonts during your studies. That’s why our test fonts can be used for free to create school-related and non-commercial projects only. 🡢 Continue reading Need help? [ Understanding our licenses with 7 questions ](\u002Flicenses) 🡦 Font: Boogy Brut Poster White 🡢 Read our FAQ 🡥 Explore our license system We do custom typefaces We create fonts tailored to your needs and your vision. We work on logotypes for small brands as well as on large families for global communication purposes. 🡢 Explore all our custom typefaces To graphic designers: we also love to collaborate with design studios! 🡢 Tell us more about your project [ Carnault ](\u002Fcustom-fonts\u002Fcarnault) [ Pierre Droulers ](\u002Fcustom-fonts\u002Fpierre-droulers-charleroi-danse) [ Peclers Paris ](\u002Fcustom-fonts\u002Fpeclers-paris) [ Lebreton ](\u002Fcustom-fonts\u002Flebreton) [ paris-belleville ](\u002Fcustom-fonts\u002Fparis-belleville) [ Explore all our custom typefaces ](\u002Fcustom-fonts) We design fonts, you use them, and we love it. For us, a typeface left unused is only a relatively organized sign collection: it is the way you use it that gives it its purpose. 🡢 See more projects on _Fonts In Use_ Did you use our fonts? 🡢 Share your project BUREAU BRUT TYPE FOUNDRY 🡦 Font: Brut Grotesque Medium 🡢 About the foundry 🡢 Follow us on Instagram 🡢 Contact us Fonts - Boogy Brut - Boogy Brut Poster - Boogy Brut Wild - Bourrasque - Brut Grotesque - Brut Grotesque Mono - Droulers - Droulers Clarendon - Matorral - Ostia Antica - Roman Grotesque - Round - Round Condensed - Round Ultra - Totentanz - Traulha Help - Test fonts - License - FAQ - My account Information - About - Custom - Fonts In Use - Cookies Contact - Email - Newsletter - Instagram Fonts made by the people and for the people, as a happiness to the maker and the user. Copyright © 2015–2026. All rights reserved. Newsletter Sign up to stay up-to-date with everything going on in our foundry: latest releases, projects, events and what we ate yesterday. Welcome to bureaubrut.com. We use cookies for our visit statistics\\. Reject Accept \\* GDPR-compliant statistics, no third-party data sharing. See our legal notice. 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Its mission is rooted in a human-centric philosophy, creating typefaces that serve as a source of joy for both the designer and the end-user. The website serves as a digital catalog and manifesto, showcasing unique, character-driven fonts that challenge conventional typographic norms.\n\nThe visual identity is unapologetically bold and high-impact, leaning heavily into a neo-brutalist aesthetic. By utilizing massive, high-contrast serif typefaces against vibrant, saturated color blocks, the design establishes an immediate sense of authority and artistic flair. The layout prioritizes scale and legibility through sheer size, targeting creative professionals, graphic designers, and brand agencies looking for distinctive typographic assets.","Agency & Studio",[450,33,451],"Brutalist \u002F Neo-Brutalist","Vibrant \u002F Colorful",[],[454,454,455,455,455,455,455,455,456,456,455,455,455,455,456,456,455,455,455,455,457,457,455,455,458,458,457,456,456,455,455,455,455,454,454,456,456,454,454,456,456,457,457,456,456,457,457,456,456,458,458,456,456,455,455,456,456,457,457,458,458,454,454,458,458,454,454,454,454,458,458,454,454,454,458,458,457,457,458,458,458,458,456,456,457,457,456,456,454,454,458,458,457,457,458,458,458,458,458,458,454,454,458,458,458,458,457,457,457,457,457,454,454,454,454,457,457,456,456,457,457,455,455,457,457,456,456,457,457,456,456,458,458,454,454,454,454,456,456,454,454,454,454,454,454,457,457,457,457,457,457,455,455,456,456,458,458,456,456,456,456,454,454,454,454,454,454,456,456,455,455,455,455,458,458,454,454,455,455,458,458,456,456],"Brut Grotesque","Roman Grotesque","Brut Grotesque Mono","Boogy Brut","Droulers Clarendon",[251],[461,462,463,465],{"score":185,"category":84},{"score":201,"category":87},{"score":464,"category":90},96,{"score":94,"category":93},[467,469,470,471],{"score":468,"category":84},56,{"score":201,"category":87},{"score":464,"category":90},{"score":94,"category":93},[108,473,104,112],"brown","Website: Bureau Brut. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Bureau Brut - Home. Page content: 0 Bureau Brut - Fonts - Custom - Test fonts - Fonts in use - About - License - FAQ - My account - Cart 0 - EN FR [ Fonts ](\u002Ffonts) Fonts made by the people and for the people, as a happiness to the maker and the user. 🡢 Continue reading 🡦 Font: Boogy Brut Poster White 🡢 Read our manifesto 🡥 Explore our catalog Meet the families Our artistic direction strikes a balance between legibility and visibility. We design our typefaces so they can be used in a wide range of contexts. Even our most radical creations stay sturdy in small sizes and stay legible. 🡢 Continue reading ⏷ Brut Grotesque⏷ Bold⏷ OpenType 144px 110% 0em 5 words A A A A Brut Grotesque 🡢 About Brut Grotesque 🡢 Try 🡢 Buy ⏷ Boogy Brut Poster⏷ White⏷ OpenType 144px 110% 0em 5 words A A A A Boogy Brut Poster 🡢 About Boogy Brut 🡢 Try 🡢 Buy ⏷ Ostia Antica⏷ Regular⏷ OpenType 144px 110% 0em 5 words A A A A Ostia Antica 🡢 About Ostia Antica 🡢 Try 🡢 Buy [ Aa ](\u002Ffamily\u002Fbrut-grotesque) [ Aa ](\u002Ffamily\u002Fboogy-brut-poster) [ Aa ](\u002Ffamily\u002Fbourrasque) [ Aa ](\u002Ffamily\u002Fbourrasque) [ Aa ](\u002Ffamily\u002Fdroulers-clarendon) [ Aa ](\u002Ffamily\u002Fdroulers) [ Aa ](\u002Ffamily\u002Fmatorral) [ Aa ](\u002Ffamily\u002Fmatorral) [ Aa ](\u002Ffamily\u002Fostia-antica) [ Aa ](\u002Ffamily\u002Fostia-antica) [ Aa ](\u002Ffamily\u002Froman-grotesque) [ Aa ](\u002Ffamily\u002Fround) [ Aa ](\u002Ffamily\u002Fround-ultra) [ Aa ](\u002Ffamily\u002Ftotentanz) [ Aa ](\u002Ffamily\u002Ftotentanz) [ Aa ](\u002Ffamily\u002Ftraulha) [ Aa ](\u002Ffamily\u002Ftraulha) [ Aa ](\u002Ffamily\u002Ftraulha-lineara) [ Aa ](\u002Ffamily\u002Fboogy-brut) [ A ](\u002Ffamily\u002Fboogy-brut-wild) [ Explore our catalog ](\u002Ffonts) What’s up, doc? Newsletter Sign up to stay up-to-date with everything going on in our foundry: latest releases, projects, events and what we ate yesterday. Try all our fonts, entirely, for free. Smiling cat face with sunglasses on an orange background It wouldn’t make sense to try on shoes without the laces. That is why we think it doesn’t make sense to try an incomplete font. Our test fonts include the full character set! Exactly the same you receive when buying a license. 🡢 Continue reading Students, get a free license! Winking cat face on a green background Studies are for practicing and learning, and we don’t agree with the idea of making you pay to use our fonts during your studies. That’s why our test fonts can be used for free to create school-related and non-commercial projects only. 🡢 Continue reading Need help? [ Understanding our licenses with 7 questions ](\u002Flicenses) 🡦 Font: Boogy Brut Poster White 🡢 Read our FAQ 🡥 Explore our license system We do custom typefaces We create fonts tailored to your needs and your vision. We work on logotypes for small brands as well as on large families for global communication purposes. 🡢 Explore all our custom typefaces To graphic designers: we also love to collaborate with design studios! 🡢 Tell us more about your project [ Carnault ](\u002Fcustom-fonts\u002Fcarnault) [ Pierre Droulers ](\u002Fcustom-fonts\u002Fpierre-droulers-charleroi-danse) [ Peclers Paris ](\u002Fcustom-fonts\u002Fpeclers-paris) [ Lebreton ](\u002Fcustom-fonts\u002Flebreton) [ paris-belleville ](\u002Fcustom-fonts\u002Fparis-belleville) [ Explore all our custom typefaces ](\u002Fcustom-fonts) We design fonts, you use them, and we love it. For us, a typeface left unused is only a relatively organized sign collection: it is the way you use it that gives it its purpose. 🡢 See more projects on _Fonts In Use_ Did you use our fonts? 🡢 Share your project BUREAU BRUT TYPE FOUNDRY 🡦 Font: Brut Grotesque Medium 🡢 About the foundry 🡢 Follow us on Instagram 🡢 Contact us Fonts - Boogy Brut - Boogy Brut Poster - Boogy Brut Wild - Bourrasque - Brut Grotesque - Brut Grotesque Mono - Droulers - Droulers Clarendon - Matorral - Ostia Antica - Roman Grotesque - Round - Round Condensed - Round Ultra - Totentanz - Traulha Help - Test fonts - License - FAQ - My account Information - About - Custom - Fonts In Use - Cookies Contact - Email - Newsletter - Instagram Fonts made by the people and for the people, as a happiness to the maker and the user. Copyright © 2015–2026. All rights reserved. Newsletter Sign up to stay up-to-date with everything going on in our foundry: latest releases, projects, events and what we ate yesterday. Welcome to bureaubrut.com. We use cookies for our visit statistics\\. Reject Accept \\* GDPR-compliant statistics, no third-party data sharing. See our legal notice. Your choice is remembered for 30 days.. A Brutalist \u002F Neo-Brutalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Agency & Studio industry. The overall color palette features White, Brown, Black, Gray. The typography features Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Boogy Brut (Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Boogy Brut (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Brut Grotesque (Sans Serif, Bureau Brut), Roman Grotesque (Bureau Brut), Roman Grotesque (Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Droulers Clarendon (Slab Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut), Brut Grotesque Mono (Sans Serif, Bureau Brut). Built using Vue.js. AI description: Bureau Brut is a specialized type foundry and creative studio dedicated to the craft of expressive typography. Its mission is rooted in a human-centric philosophy, creating typefaces that serve as a source of joy for both the designer and the end-user. The website serves as a digital catalog and manifesto, showcasing unique, character-driven fonts that challenge conventional typographic norms. The visual identity is unapologetically bold and high-impact, leaning heavily into a neo-brutalist aesthetic. By utilizing massive, high-contrast serif typefaces against vibrant, saturated color blocks, the design establishes an immediate sense of authority and artistic flair. 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We design high-quality fonts and publications.","DDOTT Type foundry Your browser does not support the video tag. This is Auto Grotesk: a wood-type-inspired sans with letterpress quirks alive on screen. Adjust pressure and weight, or make bold statements with the Cameo styles. View All All Typefaces Products Blog Auto Grotesk 12 Styles 2 Families New From €75 Try it! [ Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” ](https:\u002F\u002Fddott.net\u002Ffont\u002Fauto-grotesk\u002F) Auto Grotesk Cameo 2 Styles 1 Family New From €75 Try it! [ #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING ](https:\u002F\u002Fddott.net\u002Ffont\u002Fauto-grotesk-cameo\u002F) Aether 4 Styles 2 Families Version 1.010 From €75 Try it! [ In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS ](https:\u002F\u002Fddott.net\u002Ffont\u002Faether\u002F) Aether Mono 4 Styles 2 Families Version 1.011 From €75 Try it! [ PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” ](https:\u002F\u002Fddott.net\u002Ffont\u002Faether-mono\u002F) Archive01 – Aether 32 pages + 2 poster 22,2 x 31,4 cm Edition of 150 €25 See more Blending myth and science, this specimen shapes a new typographic reality. Nouveau Grande 22 Styles 2 Families Version 2.001 From €75 Try it! [ T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: ](https:\u002F\u002Fddott.net\u002Ffont\u002Fnouveau-grande\u002F) Nouveau Grotesque 22 Styles 2 Families Version 2.000 From €75 Try it! [ “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT ](https:\u002F\u002Fddott.net\u002Ffont\u002Fnouveau-grotesque\u002F) T-01 XS, S, M, L, XL Reflective Screen Printing Limited Edition €35 See more This unisex T-shirt is a tribute to the beauty in spelling mistakes. Diverse C 36 Styles 3 Families Version 1.000 From €75 Try it! [ GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse-c\u002F) Diverse B 36 Styles 3 Families Version 1.000 From €75 Try it! [ Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse-b\u002F) Diverse A 36 Styles 3 Families Version 1.000 From €75 Try it! [ ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse\u002F) Auto Grotesk – A Love Letter to Wood Type This project began with a fascination for the fragile beauty of letterpress. Auto Grotesk is my exploration of how centuries of wood type can still speak within a digital world. more",{"id":488,"height":13,"width":12,"blurhash":489},"7a9f1350-50bb-4125-a6ef-450fe55e4ffd","radial-gradient(at 0 0,#dac5be,#00000000 50%),radial-gradient(at 33% 0,#dfc8b6,#00000000 50%),radial-gradient(at 67% 0,#ede1da,#00000000 50%),radial-gradient(at 100% 0,#f4f0f4,#00000000 50%),radial-gradient(at 0 50%,#e8d1c0,#00000000 50%),radial-gradient(at 33% 50%,#ddc6b0,#00000000 50%),radial-gradient(at 67% 50%,#ebe0d9,#00000000 50%),radial-gradient(at 100% 50%,#faf8f8,#00000000 50%),radial-gradient(at 0 100%,#b7babf,#00000000 50%),radial-gradient(at 33% 100%,#b8babb,#00000000 50%),radial-gradient(at 67% 100%,#b7bec0,#00000000 50%),radial-gradient(at 100% 100%,#b8c3c5,#00000000 50%)",{"id":491,"height":15,"width":14,"blurhash":343},"83a2586e-2288-4c93-baf8-a26c07c5e64c",[493,496,499,502,505,508,511,514,517,520,523,526,529,532,535],{"directus_files_id":494},{"id":495},"0b506bd5-4cfd-43b3-9d93-775fd1894b00",{"directus_files_id":497},{"id":498},"f50cdb0d-834d-4554-a23f-85e13c077092",{"directus_files_id":500},{"id":501},"4ceed0e0-9d57-4abf-b5c6-aa248ffb3b03",{"directus_files_id":503},{"id":504},"e8cc3d8b-3106-487f-a5b0-fa05680b3b03",{"directus_files_id":506},{"id":507},"c5c331fe-c58f-420b-afad-397517340399",{"directus_files_id":509},{"id":510},"0e5b89f9-632a-4ea2-b4db-7fc8cf4a8bf8",{"directus_files_id":512},{"id":513},"56e01e4c-a997-47d1-9bcf-3e374066ee19",{"directus_files_id":515},{"id":516},"a444d034-7606-4b32-be75-e3112c5e38ea",{"directus_files_id":518},{"id":519},"71ecfa11-c4af-451e-ae3e-18584f4f6209",{"directus_files_id":521},{"id":522},"da05f520-e305-4a3d-8473-9a3d74e6cb98",{"directus_files_id":524},{"id":525},"8329afd5-ae76-438f-9f36-fd93c9e193a7",{"directus_files_id":527},{"id":528},"12ddebfe-3328-4b59-a461-7c815364ffbd",{"directus_files_id":530},{"id":531},"54dd6151-f1b3-4c7f-ac3c-4c675c97a594",{"directus_files_id":533},{"id":534},"48c14967-af7d-4b80-9413-b12a9ba7295b",{"directus_files_id":536},{"id":537},"c2f705bb-09ce-4f73-b458-30a70de1c4c7",[539],{"languages_code":446,"description":540},"DDOTT is a sophisticated contemporary type foundry that bridges the gap between historical craftsmanship and modern digital design. Based in Barcelona and Cologne, the studio specializes in the creation of high-quality typefaces, books, and posters, often drawing deep inspiration from traditional methods like wood type and letterpress. Their work is characterized by a profound respect for typographic history, reimagined through a lens of modern precision.\n\nThe visual identity of the website is unapologetically typographic, utilizing massive, expressive letterforms to showcase the very products they sell. The design language is minimalist and editorial, employing a neutral color palette and a structured layout that allows the character of each typeface to command attention. It caters to a discerning audience of graphic designers, art directors, and print enthusiasts who value both technical excellence and artistic soul in their typographic tools.",[29,542,33],"Monochrome \u002F Grayscale",[],[545,545],"Aether Mono",[],[548,549,550,551],{"score":191,"category":84},{"score":200,"category":87},{"score":91,"category":90},{"score":186,"category":93},[553,555,556,557],{"score":554,"category":84},38,{"score":165,"category":87},{"score":91,"category":90},{"score":186,"category":93},[108,104,112],"Website: DDOTT. Page: Homepage. Page type: Home \u002F Landing Page. Page title: DDOTT Type foundry — DDOTT. Page description: DDOTT is a contemporary type foundry based in Barcelona (Spain) and Cologne (Germany). We design high-quality fonts and publications.. Page content: DDOTT Type foundry Your browser does not support the video tag. This is Auto Grotesk: a wood-type-inspired sans with letterpress quirks alive on screen. Adjust pressure and weight, or make bold statements with the Cameo styles. View All All Typefaces Products Blog Auto Grotesk 12 Styles 2 Families New From €75 Try it! [ Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” Rob Roy Kelly: “My initial contact with Victorian wood types was in a loft containing used printing equipment. When the dust had been cleared from the top case and the type exposed, I saw little resemblance between these curved, pointed, and nervous-looking types and the clean Peignot sans serif that was in the back of my mind.” ](https:\u002F\u002Fddott.net\u002Ffont\u002Fauto-grotesk\u002F) Auto Grotesk Cameo 2 Styles 1 Family New From €75 Try it! [ #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING #(2The#)1whole#(12of#)12printing#4was#((2bound#))2by#3constraints#)4There#)4was#)4#(5little#3freedom#)4to#((5invent#3or#3experiment#))4#(12And yet it was the restrictions which led to typographic experiments#)12 #((1(...)#))1 ALAN KITCHING ](https:\u002F\u002Fddott.net\u002Ffont\u002Fauto-grotesk-cameo\u002F) Aether 4 Styles 2 Families Version 1.010 From €75 Try it! [ In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS In the math world they still use sign language. (…) a soundless world in which the most complex and delicate statements can be made, to anyone in the world who can read them without any trouble about the language barrier. ARTHUR PHILLIPS ](https:\u002F\u002Fddott.net\u002Ffont\u002Faether\u002F) Aether Mono 4 Styles 2 Families Version 1.011 From €75 Try it! [ PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” PAUL FISCHER:“Mission Control figured out that by retracting the point of the AG-7, Grumman could use the pen casing to throw the switch. The Space Pen saved the mission.” ](https:\u002F\u002Fddott.net\u002Ffont\u002Faether-mono\u002F) Archive01 – Aether 32 pages + 2 poster 22,2 x 31,4 cm Edition of 150 €25 See more Blending myth and science, this specimen shapes a new typographic reality. Nouveau Grande 22 Styles 2 Families Version 2.001 From €75 Try it! [ T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: T!Uwhen my pencil starts moving, S it must be allowed its head or ☆ nothing more happens. @henri de toulouse-lautrec: ](https:\u002F\u002Fddott.net\u002Ffont\u002Fnouveau-grande\u002F) Nouveau Grotesque 22 Styles 2 Families Version 2.000 From €75 Try it! [ “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT “Even when I have to write a simple letter ⟶ I’m scared as stiff, as if faced with looming seasickness!”GUSTAV KLIMT ](https:\u002F\u002Fddott.net\u002Ffont\u002Fnouveau-grotesque\u002F) T-01 XS, S, M, L, XL Reflective Screen Printing Limited Edition €35 See more This unisex T-shirt is a tribute to the beauty in spelling mistakes. Diverse C 36 Styles 3 Families Version 1.000 From €75 Try it! [ GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. GERRIT NOORDZIJ\\Writing is not a series of strokes, but space, divided into characteristic shapes by strokes. ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse-c\u002F) Diverse B 36 Styles 3 Families Version 1.000 From €75 Try it! [ Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: Life is way too short for kerning. (→). How many more pixels can I push before they start pushing me? ERIK SPIEKERMANN: ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse-b\u002F) Diverse A 36 Styles 3 Families Version 1.000 From €75 Try it! [ ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ADRIAN FRUTIGER: When I put my pen to a blank sheet, black isn’t added but rather the white sheet is deprived of light. \\[...\\] Thus I also grasped that the empty spaces are the most important aspect of a typeface. ](https:\u002F\u002Fddott.net\u002Ffont\u002Fdiverse\u002F) Auto Grotesk – A Love Letter to Wood Type This project began with a fascination for the fragile beauty of letterpress. Auto Grotesk is my exploration of how centuries of wood type can still speak within a digital world. more. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Aether Mono (Serif, DDOTT), Aether Mono (Serif, DDOTT). AI description: DDOTT is a sophisticated contemporary type foundry that bridges the gap between historical craftsmanship and modern digital design. Based in Barcelona and Cologne, the studio specializes in the creation of high-quality typefaces, books, and posters, often drawing deep inspiration from traditional methods like wood type and letterpress. Their work is characterized by a profound respect for typographic history, reimagined through a lens of modern precision. The visual identity of the website is unapologetically typographic, utilizing massive, expressive letterforms to showcase the very products they sell. The design language is minimalist and editorial, employing a neutral color palette and a structured layout that allows the character of each typeface to command attention. It caters to a discerning audience of graphic designers, art directors, and print enthusiasts who value both technical excellence and artistic soul in their typographic tools.",{"id":561,"website_id":562,"page_id":561,"name":563,"slug":564,"url":565,"website_name":563,"website_slug":564,"website_url":566,"result_url":565,"fetched_at":567,"score":568,"score_boost":339,"ai_score":309,"freshness_score":569,"scored_at":570,"page_name":39,"page_url":565,"page_title":571,"page_description":572,"page_content":573,"page_sort":339,"is_home":345,"is_home_rank":346,"page_type_id":347,"page_type_name":46,"cover":574,"cover_mobile":577,"cover_sequence":579,"translations":583,"industry":448,"styles":586,"credits":587,"font_families":588,"technologies":591,"pagespeed":343,"pagespeed_mobile":343,"buckets":594,"search_payload":598},"1a21a763-0b41-427d-ae99-7d960c80dfb7","ee977758-ba7d-4f3b-a1ab-96b1c923cc11","Raoul Gottschling","raoulgottschling","https:\u002F\u002Fraoulgottschling.de\u002F","https:\u002F\u002Fraoulgottschling.de","2026-05-04T10:52:08.000Z",86,74,"2026-05-23T19:22:03.000Z","Raoul Gottschling — Berlin based graphic designer and type designer","Berlin based graphic designer and type designer","[ Raoul Gottschling ](https:\u002F\u002Fraoulgottschling.de) - Projects - Typefaces - Download Trials - Cart - Licensing - Contact - Instagram - Newsletter Sign-Up - Projects - Typefaces - Download Trials - Cart - Licensing - Contact - Instagram - Newsletter Sign-Up Raoul Gottschling Berlin based graphic designer focusing on type-driven solutions and New York style pizza. Occasionally teaching and giving lectures. Explore Typefaces Raoul Gottschling View Projects Raoul Gottschling Previously at büro uebele, Stuttgart, Germany 2x4, New York Pentagram, New York — Collaborations with Something Special Studios, New York \u002F Los Angeles Collins, New York Bloomberg — Currently teaching at Universität der Künste, Berlin. Previously teaching at Peter Behrens School of Arts, Düsseldorf,. — Lectures at: ZHdK, Zürich School of Visual Arts, New York Pratt, New York Parsons, New York Koç, Istanbul —",{"id":575,"height":13,"width":12,"blurhash":576},"0c2bb180-0c20-442e-a329-df69a73b7d4b","radial-gradient(at 0 0,#f3f3f3,#00000000 50%),radial-gradient(at 33% 0,#f0f0f0,#00000000 50%),radial-gradient(at 67% 0,#eaeaea,#00000000 50%),radial-gradient(at 100% 0,#e5e5e5,#00000000 50%),radial-gradient(at 0 50%,#f6f6f6,#00000000 50%),radial-gradient(at 33% 50%,#f1f1f1,#00000000 50%),radial-gradient(at 67% 50%,#f3f3f3,#00000000 50%),radial-gradient(at 100% 50%,#efefef,#00000000 50%),radial-gradient(at 0 100%,#f6f6f6,#00000000 50%),radial-gradient(at 33% 100%,#f1f1f1,#00000000 50%),radial-gradient(at 67% 100%,#f2f2f2,#00000000 50%),radial-gradient(at 100% 100%,#eeeeee,#00000000 50%)",{"id":578,"height":15,"width":14,"blurhash":343},"72d3ceaf-4bfb-4b37-ad87-e4fa71a83c03",[580],{"directus_files_id":581},{"id":582},"343cfe21-1fc8-49e0-98f9-210dbb3a715a",[584],{"languages_code":446,"description":585},"Raoul Gottschling's digital presence is a masterclass in typographic authority and minimalist sophistication. Serving as a professional portfolio for the Berlin-based graphic and type designer, the site functions as both a showcase for high-impact visual projects and a commercial storefront for custom typefaces. The layout prioritizes legibility and structural clarity, using a spacious grid to allow the designer's work—ranging from brand identities to complex type specimens—to command undivided attention.\n\nThe visual identity is defined by a rigorous, high-contrast aesthetic that leans heavily into typographic expression. By utilizing bold, oversized lettering and a restrained color palette, the site communicates a sense of modern professionalism and avant-garde sensibility. It targets design agencies, fellow typographers, and creative directors looking for a designer who understands the intersection of structural form and expressive character.",[29,542,33],[],[589,590,280],"Oracle","Whyte",[77,246,592,593,247,259],"Stripe","Swiper",[108,104,595,596,597,112],"yellow","pink","violet","Website: Raoul Gottschling. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Raoul Gottschling — Berlin based graphic designer and type designer. Page description: Berlin based graphic designer and type designer. Page content: [ Raoul Gottschling ](https:\u002F\u002Fraoulgottschling.de) - Projects - Typefaces - Download Trials - Cart - Licensing - Contact - Instagram - Newsletter Sign-Up - Projects - Typefaces - Download Trials - Cart - Licensing - Contact - Instagram - Newsletter Sign-Up Raoul Gottschling Berlin based graphic designer focusing on type-driven solutions and New York style pizza. Occasionally teaching and giving lectures. Explore Typefaces Raoul Gottschling View Projects Raoul Gottschling Previously at büro uebele, Stuttgart, Germany 2x4, New York Pentagram, New York — Collaborations with Something Special Studios, New York \u002F Los Angeles Collins, New York Bloomberg — Currently teaching at Universität der Künste, Berlin. Previously teaching at Peter Behrens School of Arts, Düsseldorf,. — Lectures at: ZHdK, Zürich School of Visual Arts, New York Pratt, New York Parsons, New York Koç, Istanbul —. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Yellow, Pink, Violet, Gray. The typography features Oracle (Sans Serif, Dinamo), Whyte (Dinamo), Diatype (Sans Serif, Dinamo). Built using jQuery, PHP, Stripe, Swiper, WordPress, YouTube. AI description: Raoul Gottschling's digital presence is a masterclass in typographic authority and minimalist sophistication. Serving as a professional portfolio for the Berlin-based graphic and type designer, the site functions as both a showcase for high-impact visual projects and a commercial storefront for custom typefaces. The layout prioritizes legibility and structural clarity, using a spacious grid to allow the designer's work—ranging from brand identities to complex type specimens—to command undivided attention. The visual identity is defined by a rigorous, high-contrast aesthetic that leans heavily into typographic expression. By utilizing bold, oversized lettering and a restrained color palette, the site communicates a sense of modern professionalism and avant-garde sensibility. It targets design agencies, fellow typographers, and creative directors looking for a designer who understands the intersection of structural form and expressive character.",{"id":600,"website_id":601,"page_id":600,"name":602,"slug":603,"url":604,"website_name":602,"website_slug":603,"website_url":605,"result_url":604,"fetched_at":606,"score":149,"score_boost":339,"ai_score":607,"freshness_score":608,"scored_at":609,"page_name":39,"page_url":604,"page_title":602,"page_description":610,"page_content":611,"page_sort":339,"is_home":345,"is_home_rank":346,"page_type_id":347,"page_type_name":46,"cover":612,"cover_mobile":615,"cover_sequence":617,"translations":708,"industry":21,"styles":711,"credits":712,"font_families":714,"technologies":716,"pagespeed":719,"pagespeed_mobile":724,"buckets":730,"search_payload":731},"3107edf3-5c03-467b-8dee-e0f4fef07324","fae2bfa9-edf0-468f-9c31-00b4c94a5b2a","Garret Publications","garret-publications","https:\u002F\u002Fgarret.fi\u002F","https:\u002F\u002Fgarret.fi","2026-04-30T19:45:15.000Z",42,1777578315,"2026-05-24T21:03:11.000Z","Garret Publications is a Helsinki-based publishing house established in 2016 and dedicated to contemporary art, modern design and architecture with a focus on post-war Europe, especially Finland and Scandinavia.","Garret Publications: Books Books, Info, Distribution 2025[ Cruise , Jussi Puikkonen ](\u002Fbooks\u002Fcruise) 33,15, Buy 2025[ I for Iridescence , Jani Ruscica ](\u002Fbooks\u002Fi-for-iridescence) 36,50 2023[ ALA Architects Practice ](\u002Fbooks\u002Fala-architects-practice) 65€, Buy 2023[ Kustaa Saksi: Cosmos ](\u002Fbooks\u002Fkustaa-saksi-cosmos) 40,75€, Buy 2023[ Why Paintings Work , Jurriaan Benschop ](\u002Fbooks\u002Fwhy-paintings-work) 2022[ Dawn Chorus , Perttu Saksa ](\u002Fbooks\u002Fdawn-chorus) 48,00€ 2021[ New Standards , Berger, Tidwell & Vesikansa ](\u002Fbooks\u002Fnew-standards) 39,90€ 2021[ A I S T I T \u002F coming to our senses ](\u002Fbooks\u002Fa-i-s-t-i-t-coming-to-our-senses) 20,00€ 2020[ Vulnerability, Community, Animality , Terike Haapoja ](\u002Fbooks\u002Fvulnerability-community-animality) 2020[ Bud Book – Manual for Earthly Living , Gustafsson & Haapoja ](\u002Fbooks\u002Fbud-book-manual-for-earthly-living) 2019[ Jaakko Mattila: Works on Paper ](\u002Fbooks\u002Fjaakko-mattila-works-on-paper-9b90718f-07fd-4448-9782-60861226526f) 60,00€ 2019[ Antto Melasniemi and Rirkrit Tiravanija: Bastard Cookbook , with Finnish Cultural Institute in New York ](\u002Fbooks\u002Fantto-melasniemi-and-rirkrit-tiravanija-bastard-cookbook) €29,90, Buy 2019[ Jurriaan Benschop: Salt in the Wound – Encountering Contemporary Artists across Europe ](\u002Fbooks\u002Fjurriaan-benschop-salt-in-the-wound-encountering-contemporary-artists-across-europe) €18,00, Buy 2018[ Pilvi Takala: Second Shift , with Kiasma – Museum of Contemporary Art ](\u002Fbooks\u002Fpilvi-takala-second-shift) 2018[ The Midden , with Helsinki International Artist Programme ](\u002Fbooks\u002Fthe-midden) 2018[ Marko Vuokola ](\u002Fbooks\u002Fmarko-vuokola) 2018[ The Society Machine , with Malmö Art Museum ](\u002Fbooks\u002Fthe-society-machine) 2017[ Anna Tuori, Paintings ](\u002Fbooks\u002Fanna-tuori-paintings) 44,90€, Buy 2017[ Orgs: From Slime Mold to Silicon Valley and Beyond , Jenna Sutela (Ed.) ](\u002Fbooks\u002Forgs-from-slime-mold-to-silicon-valley-and-beyond) €14,90, Buy 2017[ Jacob Dahlgren: From A to Z ](\u002Fbooks\u002Fjacob-dahlgren-from-a-to-z) €75, Buy 2016[ Finnish Landscape , with Checkpoint Helsinki ](\u002Fbooks\u002Ffinnish-landscape) €26, Buy 2025[ Cruise , Jussi Puikkonen ](\u002Fbooks\u002Fcruise) 33,15, Buy 2025[ I for Iridescence , Jani Ruscica ](\u002Fbooks\u002Fi-for-iridescence) 36,50 2023[ ALA Architects Practice ](\u002Fbooks\u002Fala-architects-practice) 65€, Buy 2023[ Kustaa Saksi: Cosmos ](\u002Fbooks\u002Fkustaa-saksi-cosmos) 40,75€, Buy 2023[ Why Paintings Work , Jurriaan Benschop ](\u002Fbooks\u002Fwhy-paintings-work) 2022[ Dawn Chorus , Perttu Saksa ](\u002Fbooks\u002Fdawn-chorus) 48,00€ 2021[ New Standards , Berger, Tidwell & Vesikansa ](\u002Fbooks\u002Fnew-standards) 39,90€ 2021[ A I S T I T \u002F coming to our senses ](\u002Fbooks\u002Fa-i-s-t-i-t-coming-to-our-senses) 20,00€ 2020[ Vulnerability, Community, Animality , Terike Haapoja ](\u002Fbooks\u002Fvulnerability-community-animality) 2020[ Bud Book – Manual for Earthly Living , Gustafsson & Haapoja ](\u002Fbooks\u002Fbud-book-manual-for-earthly-living) 2019[ Jaakko Mattila: Works on Paper ](\u002Fbooks\u002Fjaakko-mattila-works-on-paper-9b90718f-07fd-4448-9782-60861226526f) 60,00€ 2019[ Antto Melasniemi and Rirkrit Tiravanija: Bastard Cookbook , with Finnish Cultural Institute in New York ](\u002Fbooks\u002Fantto-melasniemi-and-rirkrit-tiravanija-bastard-cookbook) €29,90, Buy 2019[ Jurriaan Benschop: Salt in the Wound – Encountering Contemporary Artists across Europe ](\u002Fbooks\u002Fjurriaan-benschop-salt-in-the-wound-encountering-contemporary-artists-across-europe) €18,00, Buy 2018[ Pilvi Takala: Second Shift , with Kiasma – Museum of Contemporary Art ](\u002Fbooks\u002Fpilvi-takala-second-shift) 2018[ The Midden , with Helsinki International Artist Programme ](\u002Fbooks\u002Fthe-midden) 2018[ Marko Vuokola ](\u002Fbooks\u002Fmarko-vuokola) 2018[ The Society Machine , with Malmö Art Museum ](\u002Fbooks\u002Fthe-society-machine) 2017[ Anna Tuori, Paintings ](\u002Fbooks\u002Fanna-tuori-paintings) 44,90€, Buy 2017[ Orgs: From Slime Mold to Silicon Valley and Beyond , Jenna Sutela (Ed.) ](\u002Fbooks\u002Forgs-from-slime-mold-to-silicon-valley-and-beyond) €14,90, Buy 2017[ Jacob Dahlgren: From A to Z ](\u002Fbooks\u002Fjacob-dahlgren-from-a-to-z) €75, Buy 2016[ Finnish Landscape , with Checkpoint Helsinki ](\u002Fbooks\u002Ffinnish-landscape) €26, Buy qwerty qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 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garret.fi123 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 ' or 1=1 limit 1 -- -+ 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 1234567 qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 1234567 qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 1234567 qwerty 123456789 admin@garret.fi garret.fi garret.fi123 ' or '1'='1 adminadmin pass 12345678 password Admin123 1234567 qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 1234567 qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 12345 Admin admin12 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Publications is a specialized Helsinki-based publishing house that serves as a curated archive for contemporary art, modern design, and architecture. With a specific editorial focus on post-war Europe and the Scandinavian aesthetic, the platform acts as a sophisticated bridge between historical design movements and modern visual culture, catering to architects, collectors, and design enthusiasts.\n\nThe visual identity is defined by a rigorous, high-concept minimalism that mirrors the precision of the subjects it documents. Utilizing a stark dark mode aesthetic, the design relies heavily on sophisticated typography and a structured, list-based hierarchy. This typographic-centric approach eliminates all unnecessary ornamentation, creating a digital environment that feels more like a high-end monograph or a gallery catalog than a traditional commercial website.",[29,26,33],[713],"&Ende",[271,715],"Otto",[249,717,718],"Ruby","Ruby on Rails",[720,721,722,723],{"score":202,"category":84},{"score":340,"category":87},{"score":91,"category":90},{"score":91,"category":93},[725,726,728,729],{"score":168,"category":84},{"score":727,"category":87},61,{"score":91,"category":90},{"score":91,"category":93},[104,112],"Website: Garret Publications. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Garret Publications. Page description: Garret Publications is a Helsinki-based publishing house established in 2016 and dedicated to contemporary art, modern design and architecture with a focus on post-war Europe, especially Finland and Scandinavia.. Page content: Garret Publications: Books Books, Info, Distribution 2025[ Cruise , Jussi Puikkonen ](\u002Fbooks\u002Fcruise) 33,15, Buy 2025[ I for Iridescence , Jani Ruscica ](\u002Fbooks\u002Fi-for-iridescence) 36,50 2023[ ALA Architects Practice ](\u002Fbooks\u002Fala-architects-practice) 65€, Buy 2023[ Kustaa Saksi: Cosmos ](\u002Fbooks\u002Fkustaa-saksi-cosmos) 40,75€, Buy 2023[ Why Paintings Work , Jurriaan Benschop ](\u002Fbooks\u002Fwhy-paintings-work) 2022[ Dawn Chorus , Perttu Saksa ](\u002Fbooks\u002Fdawn-chorus) 48,00€ 2021[ New Standards , Berger, Tidwell & Vesikansa ](\u002Fbooks\u002Fnew-standards) 39,90€ 2021[ A I S T I T \u002F coming to our senses ](\u002Fbooks\u002Fa-i-s-t-i-t-coming-to-our-senses) 20,00€ 2020[ Vulnerability, Community, Animality , Terike Haapoja ](\u002Fbooks\u002Fvulnerability-community-animality) 2020[ Bud Book – Manual for Earthly Living , Gustafsson & Haapoja ](\u002Fbooks\u002Fbud-book-manual-for-earthly-living) 2019[ Jaakko Mattila: Works on Paper ](\u002Fbooks\u002Fjaakko-mattila-works-on-paper-9b90718f-07fd-4448-9782-60861226526f) 60,00€ 2019[ Antto Melasniemi and Rirkrit Tiravanija: Bastard Cookbook , with Finnish Cultural Institute in New York ](\u002Fbooks\u002Fantto-melasniemi-and-rirkrit-tiravanija-bastard-cookbook) €29,90, Buy 2019[ Jurriaan Benschop: Salt in the Wound – Encountering Contemporary Artists across Europe ](\u002Fbooks\u002Fjurriaan-benschop-salt-in-the-wound-encountering-contemporary-artists-across-europe) €18,00, Buy 2018[ Pilvi Takala: Second Shift , with Kiasma – Museum of Contemporary Art ](\u002Fbooks\u002Fpilvi-takala-second-shift) 2018[ The Midden , with Helsinki International Artist Programme ](\u002Fbooks\u002Fthe-midden) 2018[ Marko Vuokola ](\u002Fbooks\u002Fmarko-vuokola) 2018[ The Society Machine , with Malmö Art Museum ](\u002Fbooks\u002Fthe-society-machine) 2017[ Anna Tuori, Paintings ](\u002Fbooks\u002Fanna-tuori-paintings) 44,90€, Buy 2017[ Orgs: From Slime Mold to Silicon Valley and Beyond , Jenna Sutela (Ed.) ](\u002Fbooks\u002Forgs-from-slime-mold-to-silicon-valley-and-beyond) €14,90, Buy 2017[ Jacob Dahlgren: From A to Z ](\u002Fbooks\u002Fjacob-dahlgren-from-a-to-z) €75, Buy 2016[ Finnish Landscape , with Checkpoint Helsinki ](\u002Fbooks\u002Ffinnish-landscape) €26, Buy 2025[ Cruise , Jussi Puikkonen ](\u002Fbooks\u002Fcruise) 33,15, Buy 2025[ I for Iridescence , Jani Ruscica ](\u002Fbooks\u002Fi-for-iridescence) 36,50 2023[ ALA Architects Practice ](\u002Fbooks\u002Fala-architects-practice) 65€, Buy 2023[ Kustaa Saksi: Cosmos ](\u002Fbooks\u002Fkustaa-saksi-cosmos) 40,75€, Buy 2023[ Why Paintings Work , Jurriaan Benschop ](\u002Fbooks\u002Fwhy-paintings-work) 2022[ Dawn Chorus , Perttu Saksa ](\u002Fbooks\u002Fdawn-chorus) 48,00€ 2021[ New Standards , Berger, Tidwell & Vesikansa ](\u002Fbooks\u002Fnew-standards) 39,90€ 2021[ A I S T I T \u002F coming to our senses ](\u002Fbooks\u002Fa-i-s-t-i-t-coming-to-our-senses) 20,00€ 2020[ Vulnerability, Community, Animality , Terike Haapoja ](\u002Fbooks\u002Fvulnerability-community-animality) 2020[ Bud Book – Manual for Earthly Living , Gustafsson & Haapoja ](\u002Fbooks\u002Fbud-book-manual-for-earthly-living) 2019[ Jaakko Mattila: Works on Paper ](\u002Fbooks\u002Fjaakko-mattila-works-on-paper-9b90718f-07fd-4448-9782-60861226526f) 60,00€ 2019[ Antto Melasniemi and Rirkrit Tiravanija: Bastard Cookbook , with Finnish Cultural Institute in New York ](\u002Fbooks\u002Fantto-melasniemi-and-rirkrit-tiravanija-bastard-cookbook) €29,90, Buy 2019[ Jurriaan Benschop: Salt in the Wound – Encountering Contemporary Artists across Europe ](\u002Fbooks\u002Fjurriaan-benschop-salt-in-the-wound-encountering-contemporary-artists-across-europe) €18,00, Buy 2018[ Pilvi Takala: Second Shift , with Kiasma – Museum of Contemporary Art ](\u002Fbooks\u002Fpilvi-takala-second-shift) 2018[ The Midden , with Helsinki International Artist Programme ](\u002Fbooks\u002Fthe-midden) 2018[ Marko Vuokola ](\u002Fbooks\u002Fmarko-vuokola) 2018[ The Society Machine , with Malmö Art Museum ](\u002Fbooks\u002Fthe-society-machine) 2017[ Anna Tuori, Paintings ](\u002Fbooks\u002Fanna-tuori-paintings) 44,90€, Buy 2017[ Orgs: From Slime Mold to Silicon Valley and Beyond , Jenna Sutela (Ed.) ](\u002Fbooks\u002Forgs-from-slime-mold-to-silicon-valley-and-beyond) €14,90, Buy 2017[ Jacob Dahlgren: From A to Z ](\u002Fbooks\u002Fjacob-dahlgren-from-a-to-z) €75, Buy 2016[ Finnish Landscape , with Checkpoint Helsinki ](\u002Fbooks\u002Ffinnish-landscape) €26, Buy qwerty qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 1234567 admin@admin adminadmin '=''or' 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 1234567 qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 12345 Admin admin12 pass 12345678 password Admin123 1234567 qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 1234567 qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 1234567 qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 1234567 qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 ' or 1=1 limit 1 -- -+ 123456 admin admin123 admin@123 12345 Admin admin12 admin@admin adminadmin pass 12345678 password Admin123 1234567 qwerty 123456789 admin@garret.fi garret.fi garret.fi123 123456 admin admin123 admin@123 12345 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A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features Black, Gray. The typography features Times New Roman (Serif), Otto (Dinamo). Built using React, Ruby, Ruby on Rails. AI description: Garret Publications is a specialized Helsinki-based publishing house that serves as a curated archive for contemporary art, modern design, and architecture. With a specific editorial focus on post-war Europe and the Scandinavian aesthetic, the platform acts as a sophisticated bridge between historical design movements and modern visual culture, catering to architects, collectors, and design enthusiasts. The visual identity is defined by a rigorous, high-concept minimalism that mirrors the precision of the subjects it documents. Utilizing a stark dark mode aesthetic, the design relies heavily on sophisticated typography and a structured, list-based hierarchy. This typographic-centric approach eliminates all unnecessary ornamentation, creating a digital environment that feels more like a high-end monograph or a gallery catalog than a traditional commercial website."]