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Show in public Collections — Remove this collection \\+ new Email — Clear \\[0\\]1724:\u002Fabout 1947:\\[1\\]\u002Fabout 21725:\\[2\\]\u002Fstaff 31683:\\[3\\]\u002Fhistory 34621:\\[4\\]\u002Fnews 22374:\\[5\\]\u002Fagenda 34619:\\[6\\]\u002Fwritings 34620:\\[7\\]\u002Fdocumentation \\[8\\]31732:\u002Fopen-sandberg-2026 83641:\\[9\\]\u002Fopen-sandberg-2026 78102:\\[10\\]\u002Fopen-sandberg-2025 72766:\\[11\\]\u002Fopen-sandberg-2024 67489:\\[12\\]\u002Fopen-sandberg-2023 60126:\\[13\\]\u002Fopen2022 \\[14\\]54043:\u002Fopen2021-information 55287: …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Education & Courses industry. The overall color palette features White, Black, Gray, Brown, Green. Built using jQuery, jQuery UI, Modernizr, Underscore.js, YouTube. AI description: Sandberg Instituut serves as a prestigious postgraduate hub for Fine Arts, Interior Architecture, and Design. The website functions as a dynamic digital archive and information portal, connecting prospective students, current researchers, and the broader creative community through news, event agendas, and academic documentation. The visual identity is defined by a sophisticated, avant-garde minimalism that mirrors the institution's experimental ethos. Utilizing a spacious, grid-based layout with high-contrast typography and an asymmetrical arrangement of imagery, the design feels more like a contemporary art monograph than a traditional academic site. The aesthetic is intellectual, raw, and highly curated, targeting a sophisticated audience of artists and designers who value conceptual depth and structural clarity.",{"id":394,"website_id":395,"page_id":394,"name":396,"slug":397,"url":398,"website_name":396,"website_slug":397,"website_url":399,"result_url":398,"fetched_at":400,"score":107,"score_boost":348,"ai_score":401,"freshness_score":402,"scored_at":403,"page_name":40,"page_url":398,"page_title":396,"page_description":404,"page_content":405,"page_sort":348,"is_home":67,"is_home_rank":353,"page_type_id":354,"page_type_name":46,"cover":406,"cover_mobile":409,"cover_sequence":411,"translations":502,"industry":505,"styles":506,"credits":508,"font_families":510,"technologies":511,"pagespeed":512,"pagespeed_mobile":518,"buckets":523,"search_payload":524},"ed6873be-0654-4283-b1a3-e61aa83e25a8","d8cb6761-26ee-48a5-a05f-212d401911c5","Claudia Piepenbrock","claudia-piepenbrock","https:\u002F\u002Fclaudia-piepenbrock.de\u002F","https:\u002F\u002Fclaudia-piepenbrock.de","2026-05-05T19:17:51.000Z",86,76,"2026-05-23T19:23:58.000Z","Claudia Piepenbrock is an artist based in Bremen, Germany.","Claudia Piepenbrock Info Claudia Piepenbrock arbeitet skulptural und mit dem dreidimensionalen Raum. Sie interessiert sich für Bewegungsrichtungen und das Verhalten von Materialien und Menschen. Regelmäßig entstehen großformatige, abstrakte Arbeiten – sowohl für den Innenraum als auch Skulpturen im öffentlichen Raum. In der Regel nehmen ihre Arbeiten die Bedingungen und Gegebenheiten von Raum auf und schreiben neue Wahrnehmungsverhältnisse in ihn ein. Annette Hans, (2024). Zitat aus Eröffnungsrede Altes Kelloggs Gelände Stephanikirchenweide 19 28217 Bremen (Germany) kontakt@claudia-piepenbrock.de Ausbildung 2015-2016 - Meisterschülerin, Hochschule für Künste Bremen 2015 - MFA, University of Guelph, Kanada, Sandra Rechico 2010-2015 - Diplom, Hochschule für Künste Bremen, Prof. Franka Hörnschemeyer; Fritz Balthaus 2009-2010 - University of applied sciences and arts, Ottersberg, Prof. Jochen Stenschke 2006-2008 - Atelier 3210, Paderborn, Christina Strunz Auslandsaufenthalte in Russland (2021), Kanada, USA (2015\u002F16), Kuba, Bolivien, Peru, Ecuador, Kolumbien, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexiko (2012\u002F13), Neuseeland, Samoa, Thailand, Laos, Kambodscha (2008\u002F09) Einzelausstellungen 2022 - _Tilt_, Galerie Philipp Anders, Spinnerei Leipzig - _Signature: Principles of Negative Space_, Tisa-Stiftung, Dorsten 2021 - _Stilllife restaurant_, Garage Studios Moskow, RU - _Trigger & Trap_, Weserburg Museum für moderne Kunst, Bremen 2020 - _Sprechöse_, Kunsthalle Weseke 2019 - _steg zu steg_, Kunstverein Cuxhaven - _on hollows_, Josef Filipp Galerie, Spinnerei Leipzig - _zustand in zonen_, Gerhard Marcks Haus Bremen 2018 - _Transparentgetrennt_, Sparkassen Zentrale Hannover 2017 - _Blaues Zeitembargo_, Kunstverein Hannover - _Chronisten der Darstellung_, Kunsthaus Essen 2016 - _Tabula rasa_, Josef Filipp Galerie, Spinnerei Leipzig Gruppenausstellungen (Auswahl) 2024 - JUNGE KUNST Skulpturenpreis 2024, Skulpturenpark, Heidelberg - Enter Art Fair 2024, Kopenhagen, DNK - Comeback, Kunstverein, Rotenburg - the un in visit, WRG Sensor, Braunschweig - Heitland Foundation, Kunstverein Celle 2023 - Everyone an Island After All? GAK Gesellschaft für Aktuelle Kunst, Bremen - _So wie wir sind_, Weserburg Museum für moderne Kunst, Bremen 2022 - _So wie wir sind 4.0_, Weserburg Museum für moderne Kunst, Bremen 2021 - _48 Stunden Festival_, Novosibirsk, RU - _Tote gibt ́s hier genug, Fünf lebendige Positionen_, Worpswede - _So wie wir sind 3.0_, Weserburg Museum für moderne Kunst, Bremen 2020 - _twittering machine_, Burg Giebichenstein Halle 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft - _Conditions of production_, Eleftheria Tseliou Gallery, Athen, GRC 2016 - _In the Making_, Reiter prospect, Berlin - _Trafo of Art,_ OnArte, Minusio, CHE - _Heal the World_, Weserburg, Bremen 2015 - _LOT_, China Town Toronto, CAN \u002F North End Studios, Detroit, USA - _Kunststudenten stellen aus_, Bundeskunsthalle, Bonn 2014 - _Landgänge_, GAK Gesellschaft für aktuelle Kunst, Bremen - _Die große Kunstschau_, Roseliusmuseum, Worpswede 2013 - _space,_ Lichtenberg Studios, Berlin 2012 - _fuckingfast_, Begleitprogramm documenta XIII, MS Import\u002FExport, Kassel Projekte (Auswahl) 2021-2023 - _Stilllife train_, Trans-Seberian railway, andy&cloud, (André Sassenroth & Claudia Piepenbrock) 2022 - _ME AND MY MEAN GIRLFRIENDS_, art quarter budapest , HU since 2021 - _n.a.s.a__._, andy&cloud - _BZG__. Bremer Zonen Gang GbR_, Stadtentwicklung - _Brief an die Welt_, Hannover, IGS Langenhagen, andy&cloud 2015-2016 - _LOT__, Lack of transmission_, Wanderausstellung, Projekt Leitung since 2014 - _pass-port_, andy&cloud 2012 - _La Crueldad_, Bienal Internacional de Santa Cruz de la Sierra, Assistenz, BOL - _fuckingfast_, Begleitprogramm zur documenta XIII, MS Import\u002FExport, Co-project management, Kassel Auszeichnungen\u002FStipendien 2024 - Heitland Foundation, Kunstverein Celle 2022 - NEUSTART-Stipendium der Stiftung Kunstfonds 2020 - 8 Tisa-Preis, Dorsten 2021 - Garage Studios Moskow, Golubitskoe Art Residency, Zarya Center Vladivostock, Stipendium, RU 2019 - Bremer Kunst Satellit, Reisestipendium 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft (nominiert) 2016 - Preis des Kunst­vereins, Atelierstipendium Villa Minimo, Hannover - Karin Hollweg Preis, Bremen - New Materiality, Stipendium Banff-Center, Kanada 2015 - DAAD-Stipendium, Guelph, Kanada - fortress Studio Stipendium, Detroit, USA 2014 - Paula Modersohn-Becker-Förderpreis, Worpswede Publikation 2023 - _moving still life_, Kunst Satellit 14, Ursula van den Busch, Ivan Isaev, Susanne Schattenberg, Tim Voss, André Sassenroth und Claudia Piepenbrock 2022 - _ME AND MY MEAN GIRLFRIENDS_, Artist Book with Tímea Anita Piróth, Emese Kazár, Doris Weinberger, Bea Kusovszky, Pia Pollmanns, Claudia Piepenbrock 2020 - _6UL_, Dr. Bettina Ruhrberg, Uwe-Carsten Günther and the artists - _I Love Women In Art_, 100 Frauen vorgestellt von Frauen aus Kunst und Kultur 2019 - _zustand in zonen_, Gerhard Marcks Haus Bremen, Veronika Wiegartz, Arie Hartog, Guus van Engelshoven, Sam Cornish - _Artists´ Books for Everthing_, Weserburg Museum für moderne Kunst Zentrum für Künstlerpublikationen 2018 - _Claudia Piepenbrock_, Kunstverein Hannover, Ute Stuffer, Sandra Hampe, Uwe Schramm, Elmas Senol - _Artist Kunstmagazin_, Ausgabe Nr. 115. Reiner Beßling 2017 - _RE\u002FTREATS OF THE CONTEMPORARY_, Vordemberge Gildewart Award, Kestner Gesellschaft Hannover 2016 - _HEAL THE WORLD_, Ingo Clauß, Peter Friese 2015 - _LOT. Lack of transmission_, online publikation. - _home art stories_, Städtische Galerie Delmenhorst, Sandra Hampe 2014 - _Paula Modersohn Becker Kunstpreis_ 2011 - _SOMMERANFANG KLEINERWERDEN_, Michael Glasmeier This Legal Notice complies with the German laws under § 5 TMG and § 55 RStV. Liability for Content: The contents of our website have been created with the greatest possible care. However, we cannot guarantee the contents’ accuracy, completeness, or topicality. According to Section 7, paragraph 1 of the TMG (Telemediengesetz - German Telemedia Act), we as service providers are liable for our content on these pages by general laws. However, according to Sections 8 to 10 of the TMG, we service providers are not obliged to monitor external information transmitted or stored or investigate circumstances pointing to illegal activity. Obligations to remove or block the use of information under general laws remain unaffected. However, a liability in this regard is only possible from the moment of knowledge of a specific infringement. Upon notification of such violations, we will remove the content immediately. Liability for Links: Our website contains links to external websites, over whose contents we have no control. Therefore, we cannot accept any liability for these external contents. The respective provider or operator of the websites is always responsible for the contents of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal contents were not identified at the time of linking. However, permanent monitoring of the contents of the linked pages is not reasonable without specific indications of a violation. Upon notification of violations, we will remove such links immediately. Copyright: The contents and works on these pages created by the site operator are subject to German copyright law. The duplication, processing, distribution, and any kind of utilization outside the limits of copyright require the written consent of the respective author or creator. Downloads and copies of these pages are only permitted for private, non-commercial use. In so far as the contents on this site were not created by the operator, the copyrights of third parties are respected. In particular, third-party content is marked as such. Should you become aware of a copyright infringement, please inform us accordingly. Upon notification of violations, we will remove such contents immediately. Design & Development: Cabinet Gold van d’Vlies, www.goldvandvlies.com 2024–2025 Seats Next Circuit - Public Space - Work Claudia Piepenbrock — Seats Next Circuit, 2024 2021–2023 moving still-life - Project - Publication Claudia Piepenbrock — moving still-life, 2021 2022 Tilt, Outlines Our Motion - Exhibition Claudia Piepenbrock — Tilt, Outlines Our Motion, 2022 2022 Signature: Principles of Negative Space - Installation - Work Claudia Piepenbrock — Signature: Principles of Negative Space, 2022 2022 Me and my mean girlfriends - [Project](https:\u002F\u002Fclaudia-piepenbrock.de\u002Fcategories:projec …",{"id":407,"height":13,"width":12,"blurhash":408},"473a188f-3237-4bdb-9eda-9e1c42c3ddb2","radial-gradient(at 0 0,#ecedea,#00000000 50%),radial-gradient(at 33% 0,#fcfcfa,#00000000 50%),radial-gradient(at 67% 0,#cfcecf,#00000000 50%),radial-gradient(at 100% 0,#78737d,#00000000 50%),radial-gradient(at 0 50%,#f5f6f2,#00000000 50%),radial-gradient(at 33% 50%,#fffffe,#00000000 50%),radial-gradient(at 67% 50%,#cccfc8,#00000000 50%),radial-gradient(at 100% 50%,#6d735e,#00000000 50%),radial-gradient(at 0 100%,#fffffd,#00000000 50%),radial-gradient(at 33% 100%,#ffffff,#00000000 50%),radial-gradient(at 67% 100%,#edefe8,#00000000 50%),radial-gradient(at 100% 100%,#c5c8bf,#00000000 50%)",{"id":410,"height":15,"width":14,"blurhash":44},"e114c165-dc04-4ded-a586-99d0d3125039",[412,415,418,421,424,427,430,433,436,439,442,445,448,451,454,457,460,463,466,469,472,475,478,481,484,487,490,493,496,499],{"directus_files_id":413},{"id":414},"31adac93-3db8-4b70-bd40-000f7448faa5",{"directus_files_id":416},{"id":417},"b1c33072-de7c-4fc1-be42-9d856499eca7",{"directus_files_id":419},{"id":420},"0f7a8d6d-08d8-4657-95fd-a1192b5a7826",{"directus_files_id":422},{"id":423},"50e6bdbc-95f2-459d-a0df-7c16007bb233",{"directus_files_id":425},{"id":426},"6f737310-8d61-4998-af72-004b2fe06beb",{"directus_files_id":428},{"id":429},"02e926c9-29f1-403e-90cf-8acb5bb19a38",{"directus_files_id":431},{"id":432},"60a3d59b-b470-437a-ba37-13a79b21a8d5",{"directus_files_id":434},{"id":435},"acff5291-3776-48d8-b4b0-aafed41d50fb",{"directus_files_id":437},{"id":438},"e1cf4fcb-3b3b-4905-999a-74e572385e82",{"directus_files_id":440},{"id":441},"ea782cab-94b8-4422-bbec-a93001df0535",{"directus_files_id":443},{"id":444},"3e137039-389f-4c23-8588-f709a88bae26",{"directus_files_id":446},{"id":447},"5c464839-7709-4370-aed4-a07265c17049",{"directus_files_id":449},{"id":450},"df5eea8e-b51d-4302-bf79-44f9ec2a2275",{"directus_files_id":452},{"id":453},"691e148f-a060-4a5b-9637-6ad8eb038252",{"directus_files_id":455},{"id":456},"32668954-1951-459b-adc1-c16bd17f2b07",{"directus_files_id":458},{"id":459},"779ffd63-9172-4cdb-a71d-bd6f9ef9ad05",{"directus_files_id":461},{"id":462},"2d8de8ef-7f8a-4c37-a5e1-6e1c8b448247",{"directus_files_id":464},{"id":465},"55909d6f-0500-4320-81ee-35221c2813f0",{"directus_files_id":467},{"id":468},"26f3fe6b-254c-45bc-818b-3127d4dd0307",{"directus_files_id":470},{"id":471},"993e7486-b9c3-4aef-a44a-f16d675803d2",{"directus_files_id":473},{"id":474},"a45096f1-3c15-442a-b1ff-357dce3f59f4",{"directus_files_id":476},{"id":477},"0c18a33d-3884-45db-bd43-a67a70d0fe84",{"directus_files_id":479},{"id":480},"a37e9060-ae06-4ae3-89d5-e74284a6c4c4",{"directus_files_id":482},{"id":483},"c30ddbea-8936-45c7-94bc-7495eeae3dd7",{"directus_files_id":485},{"id":486},"f3557a5d-80d7-4cba-b315-7f115ecd8882",{"directus_files_id":488},{"id":489},"af59d9ef-c51b-44c5-ba39-f2e5f7c79cff",{"directus_files_id":491},{"id":492},"895bba61-378f-4392-81f1-c6aa277fe6d9",{"directus_files_id":494},{"id":495},"2133c55c-108d-438b-b4c9-d2c0eb5c7238",{"directus_files_id":497},{"id":498},"26c04cdd-c514-4ce8-bc38-7c500f73a692",{"directus_files_id":500},{"id":501},"e20e9982-58ab-47fb-8975-294a29ed3899",[503],{"languages_code":366,"description":504},"Claudia Piepenbrock's digital portfolio serves as a sophisticated, minimalist archive for her multidisciplinary artistic practice. The website functions as a curated exhibition space, presenting a diverse range of projects including public installations, publications, and exhibitions. Through a structured, grid-based layout, the site allows viewers to navigate her body of work—from 'Seats Next Circuit' to 'moving still-life'—with ease, emphasizing the conceptual depth of each piece.\n\nThe visual identity is defined by a rigorous, high-end minimalist aesthetic that prioritizes whitespace and elegant typography. A clean, asymmetric grid system organizes text and imagery, creating a sense of rhythmic movement that mirrors the artist's themes of space and motion. The use of a neutral color palette and large-scale, high-quality imagery ensures that the focus remains entirely on the art itself, appealing to curators, collectors, and academic audiences seeking a professional and contemplative digital presence.","Art & Culture",[30,507,34],"High-End \u002F Luxury",[509],"Cabinet Gold van d’Vlies",[],[],[513,514,516,517],{"score":195,"category":94},{"score":515,"category":97},87,{"score":101,"category":100},{"score":101,"category":103},[519,520,521,522],{"score":197,"category":94},{"score":515,"category":97},{"score":101,"category":100},{"score":101,"category":103},[113,121,117],"Website: Claudia Piepenbrock. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Claudia Piepenbrock. Page description: Claudia Piepenbrock is an artist based in Bremen, Germany.. Page content: Claudia Piepenbrock Info Claudia Piepenbrock arbeitet skulptural und mit dem dreidimensionalen Raum. Sie interessiert sich für Bewegungsrichtungen und das Verhalten von Materialien und Menschen. Regelmäßig entstehen großformatige, abstrakte Arbeiten – sowohl für den Innenraum als auch Skulpturen im öffentlichen Raum. In der Regel nehmen ihre Arbeiten die Bedingungen und Gegebenheiten von Raum auf und schreiben neue Wahrnehmungsverhältnisse in ihn ein. Annette Hans, (2024). Zitat aus Eröffnungsrede Altes Kelloggs Gelände Stephanikirchenweide 19 28217 Bremen (Germany) kontakt@claudia-piepenbrock.de Ausbildung 2015-2016 - Meisterschülerin, Hochschule für Künste Bremen 2015 - MFA, University of Guelph, Kanada, Sandra Rechico 2010-2015 - Diplom, Hochschule für Künste Bremen, Prof. Franka Hörnschemeyer; Fritz Balthaus 2009-2010 - University of applied sciences and arts, Ottersberg, Prof. Jochen Stenschke 2006-2008 - Atelier 3210, Paderborn, Christina Strunz Auslandsaufenthalte in Russland (2021), Kanada, USA (2015\u002F16), Kuba, Bolivien, Peru, Ecuador, Kolumbien, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexiko (2012\u002F13), Neuseeland, Samoa, Thailand, Laos, Kambodscha (2008\u002F09) Einzelausstellungen 2022 - _Tilt_, Galerie Philipp Anders, Spinnerei Leipzig - _Signature: Principles of Negative Space_, Tisa-Stiftung, Dorsten 2021 - _Stilllife restaurant_, Garage Studios Moskow, RU - _Trigger & Trap_, Weserburg Museum für moderne Kunst, Bremen 2020 - _Sprechöse_, Kunsthalle Weseke 2019 - _steg zu steg_, Kunstverein Cuxhaven - _on hollows_, Josef Filipp Galerie, Spinnerei Leipzig - _zustand in zonen_, Gerhard Marcks Haus Bremen 2018 - _Transparentgetrennt_, Sparkassen Zentrale Hannover 2017 - _Blaues Zeitembargo_, Kunstverein Hannover - _Chronisten der Darstellung_, Kunsthaus Essen 2016 - _Tabula rasa_, Josef Filipp Galerie, Spinnerei Leipzig Gruppenausstellungen (Auswahl) 2024 - JUNGE KUNST Skulpturenpreis 2024, Skulpturenpark, Heidelberg - Enter Art Fair 2024, Kopenhagen, DNK - Comeback, Kunstverein, Rotenburg - the un in visit, WRG Sensor, Braunschweig - Heitland Foundation, Kunstverein Celle 2023 - Everyone an Island After All? GAK Gesellschaft für Aktuelle Kunst, Bremen - _So wie wir sind_, Weserburg Museum für moderne Kunst, Bremen 2022 - _So wie wir sind 4.0_, Weserburg Museum für moderne Kunst, Bremen 2021 - _48 Stunden Festival_, Novosibirsk, RU - _Tote gibt ́s hier genug, Fünf lebendige Positionen_, Worpswede - _So wie wir sind 3.0_, Weserburg Museum für moderne Kunst, Bremen 2020 - _twittering machine_, Burg Giebichenstein Halle 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft - _Conditions of production_, Eleftheria Tseliou Gallery, Athen, GRC 2016 - _In the Making_, Reiter prospect, Berlin - _Trafo of Art,_ OnArte, Minusio, CHE - _Heal the World_, Weserburg, Bremen 2015 - _LOT_, China Town Toronto, CAN \u002F North End Studios, Detroit, USA - _Kunststudenten stellen aus_, Bundeskunsthalle, Bonn 2014 - _Landgänge_, GAK Gesellschaft für aktuelle Kunst, Bremen - _Die große Kunstschau_, Roseliusmuseum, Worpswede 2013 - _space,_ Lichtenberg Studios, Berlin 2012 - _fuckingfast_, Begleitprogramm documenta XIII, MS Import\u002FExport, Kassel Projekte (Auswahl) 2021-2023 - _Stilllife train_, Trans-Seberian railway, andy&cloud, (André Sassenroth & Claudia Piepenbrock) 2022 - _ME AND MY MEAN GIRLFRIENDS_, art quarter budapest , HU since 2021 - _n.a.s.a__._, andy&cloud - _BZG__. Bremer Zonen Gang GbR_, Stadtentwicklung - _Brief an die Welt_, Hannover, IGS Langenhagen, andy&cloud 2015-2016 - _LOT__, Lack of transmission_, Wanderausstellung, Projekt Leitung since 2014 - _pass-port_, andy&cloud 2012 - _La Crueldad_, Bienal Internacional de Santa Cruz de la Sierra, Assistenz, BOL - _fuckingfast_, Begleitprogramm zur documenta XIII, MS Import\u002FExport, Co-project management, Kassel Auszeichnungen\u002FStipendien 2024 - Heitland Foundation, Kunstverein Celle 2022 - NEUSTART-Stipendium der Stiftung Kunstfonds 2020 - 8 Tisa-Preis, Dorsten 2021 - Garage Studios Moskow, Golubitskoe Art Residency, Zarya Center Vladivostock, Stipendium, RU 2019 - Bremer Kunst Satellit, Reisestipendium 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft (nominiert) 2016 - Preis des Kunst­vereins, Atelierstipendium Villa Minimo, Hannover - Karin Hollweg Preis, Bremen - New Materiality, Stipendium Banff-Center, Kanada 2015 - DAAD-Stipendium, Guelph, Kanada - fortress Studio Stipendium, Detroit, USA 2014 - Paula Modersohn-Becker-Förderpreis, Worpswede Publikation 2023 - _moving still life_, Kunst Satellit 14, Ursula van den Busch, Ivan Isaev, Susanne Schattenberg, Tim Voss, André Sassenroth und Claudia Piepenbrock 2022 - _ME AND MY MEAN GIRLFRIENDS_, Artist Book with Tímea Anita Piróth, Emese Kazár, Doris Weinberger, Bea Kusovszky, Pia Pollmanns, Claudia Piepenbrock 2020 - _6UL_, Dr. Bettina Ruhrberg, Uwe-Carsten Günther and the artists - _I Love Women In Art_, 100 Frauen vorgestellt von Frauen aus Kunst und Kultur 2019 - _zustand in zonen_, Gerhard Marcks Haus Bremen, Veronika Wiegartz, Arie Hartog, Guus van Engelshoven, Sam Cornish - _Artists´ Books for Everthing_, Weserburg Museum für moderne Kunst Zentrum für Künstlerpublikationen 2018 - _Claudia Piepenbrock_, Kunstverein Hannover, Ute Stuffer, Sandra Hampe, Uwe Schramm, Elmas Senol - _Artist Kunstmagazin_, Ausgabe Nr. 115. Reiner Beßling 2017 - _RE\u002FTREATS OF THE CONTEMPORARY_, Vordemberge Gildewart Award, Kestner Gesellschaft Hannover 2016 - _HEAL THE WORLD_, Ingo Clauß, Peter Friese 2015 - _LOT. Lack of transmission_, online publikation. - _home art stories_, Städtische Galerie Delmenhorst, Sandra Hampe 2014 - _Paula Modersohn Becker Kunstpreis_ 2011 - _SOMMERANFANG KLEINERWERDEN_, Michael Glasmeier This Legal Notice complies with the German laws under § 5 TMG and § 55 RStV. Liability for Content: The contents of our website have been created with the greatest possible care. However, we cannot guarantee the contents’ accuracy, completeness, or topicality. According to Section 7, paragraph 1 of the TMG (Telemediengesetz - German Telemedia Act), we as service providers are liable for our content on these pages by general laws. However, according to Sections 8 to 10 of the TMG, we service providers are not obliged to monitor external information transmitted or stored or investigate circumstances pointing to illegal activity. Obligations to remove or block the use of information under general laws remain unaffected. However, a liability in this regard is only possible from the moment of knowledge of a specific infringement. Upon notification of such violations, we will remove the content immediately. Liability for Links: Our website contains links to external websites, over whose contents we have no control. Therefore, we cannot accept any liability for these external contents. The respective provider or operator of the websites is always responsible for the contents of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal contents were not identified at the time of linking. However, permanent monitoring of the contents of the linked pages is not reasonable without specific indications of a violation. Upon notification of violations, we will remove such links immediately. Copyright: The contents and works on these pages created by the site operator are subject to German copyright law. The duplication, processing, distribution, and any kind of utilization outside the limits of copyright require the written consent of the respective author or creator. Downloads and copies of these pages are only permitted for private, non-commercial use. In so far as the contents on this site were not created by the operator, the copyrights of third parties are respected. In particular, third-party content is marked as such. Should you become aware of a copyright infringement, please inform us accordingly. Upon notification of violations, we will remove such contents immediately. Design & Development: Cabinet Gold van d’Vlies, www.goldvandvlies.com 2024–2025 Seats Next Circuit - Public Space - Work Claudia Piepenbrock — Seats Next Circuit, 2024 2021–2023 moving still-life - Project - Publication Claudia Piepenbrock — moving still-life, 2021 2022 Tilt, Outlines Our Motion - Exhibition Claudia Piepenbrock — Tilt, Outlines Our Motion, 2022 2022 Signature: Principles of Negative Space - Installation - Work Claudia Piepenbrock — Signature: Principles of Negative Space, 2022 2022 Me and my mean girlfriends - [Project](https:\u002F\u002Fclaudia-piepenbrock.de\u002Fcategories:projec …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. Designed and developed by Cabinet Gold van d’Vlies. The overall color palette features White, Gray, Black. AI description: Claudia Piepenbrock's digital portfolio serves as a sophisticated, minimalist archive for her multidisciplinary artistic practice. The website functions as a curated exhibition space, presenting a diverse range of projects including public installations, publications, and exhibitions. Through a structured, grid-based layout, the site allows viewers to navigate her body of work—from 'Seats Next Circuit' to 'moving still-life'—with ease, emphasizing the conceptual depth of each piece. The visual identity is defined by a rigorous, high-end minimalist aesthetic that prioritizes whitespace and elegant typography. A clean, asymmetric grid system organizes text and imagery, creating a sense of rhythmic movement that mirrors the artist's themes of space and motion. The use of a neutral color palette and large-scale, high-quality imagery ensures that the focus remains entirely on the art itself, appealing to curators, collectors, and academic audiences seeking a professional and contemplative digital presence.",{"id":526,"website_id":527,"page_id":526,"name":528,"slug":529,"url":530,"website_name":528,"website_slug":529,"website_url":531,"result_url":530,"fetched_at":532,"score":533,"score_boost":348,"ai_score":198,"freshness_score":534,"scored_at":535,"page_name":40,"page_url":530,"page_title":536,"page_description":537,"page_content":538,"page_sort":348,"is_home":67,"is_home_rank":353,"page_type_id":354,"page_type_name":46,"cover":539,"cover_mobile":542,"cover_sequence":544,"translations":635,"industry":21,"styles":638,"credits":640,"font_families":641,"technologies":642,"pagespeed":645,"pagespeed_mobile":651,"buckets":657,"search_payload":658},"9a42adb9-20fd-466a-be48-c7f4f3765c1e","f6ff79d0-e912-41e2-b279-70c3a7a50ac0","Artbox","artbox","https:\u002F\u002Fartbox.nl\u002F","https:\u002F\u002Fartbox.nl","2026-05-04T07:23:45.000Z",81,74,"2026-05-23T19:21:36.000Z","Home - Artbox Amsterdam","We are a creative agency, production company and representation agency with over 40 years of experience in advertising.","Centre for creation View showreel [project 2025 Showreel](https:\u002F\u002Fartbox.nl\u002Fprojects\u002F2025-showreel) [project PROMPTR AI](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fspa-ai) [project a good beer](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fouwehands-dierenpark-2) [project Noisegraph](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Foakley) [project Florian Meimberg](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fpersil) [project a good beer](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Ffluvius) [project Carrefour a good beer](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fcarrefour) [project Total Care Job, Joris & Marieke](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Ftotal-care) [artist Made Up Illustration, Animation](https:\u002F\u002Fartbox.nl\u002Fartists\u002Fmade-up) [artist Olga Semklo Illustration](https:\u002F\u002Fartbox.nl\u002Fartists\u002Folga-semklo) [artist Bose Collins CGI, 3D, Animation](https:\u002F\u002Fartbox.nl\u002Fartists\u002Fbose-collins) [artist Rosa Snijders Illustration](https:\u002F\u002Fartbox.nl\u002Fartists\u002Frosa-snijders) [project L'OR Smart Barista Menno Fokma](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Flors-smart-barista) [project Biotin 'The Strand' FOUND Studio](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fbiotin-the-strand) [project Oranje Fonds Mardo El-Noor](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Forange-fonds) [project 'Before we leave' - 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OETKER LOVE IT! MARLIES VAN DER WEL](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fdr-oetker) [project NESPRESSO VERTUO Hyperculture & Katananga & Manuel Ferrari](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fnespresso-vertuo) [project GOOGLE THIS YEAR SEARCH Oscar Llorens](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fgoogle) [project SAMSUNG GALAXY BOOKS Mitsi](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fsamsung) [project ZEEMAN AIR Menno Fokma, Manuel Ferrari & Freek van Haagen](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fzeeman-air) [project FASHION WEEK LONDON Hyperculture](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fsuperdry) [project WHATSAPP GROWTH Manuel Ferrari, Freek van Haagen, Yngwie Boley](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fwhatsapp) [project DUBBELFRISSS BIZARRELY REFRESHING HyperCulture](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fdubbel-frisss) [project Skyteam Care & Protect](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fskyteam) [project B-BETTER Studio Mitsi](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fb-better) [project VOEDINGSCENTRUM EETWISSEL Studio Katananga](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fvoedingscentrum-eetwissel) [project PLUS JOSEPH JOSEPH KITCHEN TOOLS Marlies van der Wel](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fplus) [project Deutsche Bank Everything is Connected TA\\\\VO Studio](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fdeutsche-bank-everything-is-connected) [project APPROVED BY YIM RECYCLE LOOP A Good Beer, Eric Smilde](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fyim) [project The Forgotten Child Stop changing Caregivers Griffin](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fthe-forgotten-child-stop-changing-caregivers) [project DENTAL CLINICS EXPEDITIE TANDARTICA Ollanski](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fexpeditie-tandartica) [project SINGAPORE AIRLINES SEAMLESS LOOPS Molistudio](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fsingapore-airlines) [artist HyperCulture Animation & Film, CGI\u002F3D, Direction](https:\u002F\u002Fartbox.nl\u002Fartists\u002Fhyperculture) [project BAVARIA FAMILY FACTS OR FABLES? Hugo Goudswaard, Eduardo Bertone](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fbavaria) [project LINKEDIN FEATURES Dani Montesinos](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Flinkedin) [artist A Day Off Animation & Film, Direction, Photography](https:\u002F\u002Fartbox.nl\u002Fartists\u002Fa-day-off) [project XENOS ONGEWOON WEKEN Vera van Wolferen](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fxenos) [project EMIRATES NBD SMALL CHANGE Marlies van der Wel, Freek van Haagen, Yngwie Boley](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Femirates-nbd-small-change) [project TRAVEL EVENT CLICK A Good Beer](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fbooking) [project ABN Amro Beleggen Basis Rutger Paulusse, Eric Smilde, Kees Sparnaaij](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fabn-amro) [project Merck Group Breaktrough begins with curiosity TAVO](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fmerck-group) [project Ford Maintenance on your car Yngwie Boley](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fford) [project G-star Wrapped up in light Menno Fokma](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fg-star) [project Rabobank You will need it later OddOne](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Frabobank) [project ABN AMRO MISSION 2030 Sjoerd Verbeek](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fabn-amro-mission-2030) [project NAKD SIMPLY YUMMY Zender, Christiaan Dros](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fnakd) [project PAND NOORD Zenk One](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fpand-noord) [project TOMMY LOVE Eduardo Bertone, Jeroen W. 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The website serves as a high-impact digital portfolio designed to showcase a diverse roster of talent and a sophisticated body of work ranging from high-end animation to cinematic photography. It is clearly aimed at global brands, advertising agencies, and production studios seeking top-tier visual storytelling and creative expertise.\n\nThe visual identity is unapologetically bold and cinematic, utilizing full-bleed, high-resolution imagery that commands immediate attention. By employing massive, impactful typography overlaid on striking visual content—from hyper-realistic animal close-ups to vibrant 3D animations—the design communicates a sense of scale and creative mastery. 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Page content: Centre for creation View showreel [project 2025 Showreel](https:\u002F\u002Fartbox.nl\u002Fprojects\u002F2025-showreel) [project PROMPTR AI](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fspa-ai) [project a good beer](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fouwehands-dierenpark-2) [project Noisegraph](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Foakley) [project Florian Meimberg](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fpersil) [project a good beer](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Ffluvius) [project Carrefour a good beer](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fcarrefour) [project Total Care Job, Joris & Marieke](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Ftotal-care) [artist Made Up Illustration, Animation](https:\u002F\u002Fartbox.nl\u002Fartists\u002Fmade-up) [artist Olga Semklo Illustration](https:\u002F\u002Fartbox.nl\u002Fartists\u002Folga-semklo) [artist Bose Collins CGI, 3D, Animation](https:\u002F\u002Fartbox.nl\u002Fartists\u002Fbose-collins) [artist Rosa Snijders Illustration](https:\u002F\u002Fartbox.nl\u002Fartists\u002Frosa-snijders) [project L'OR Smart Barista Menno Fokma](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Flors-smart-barista) [project Biotin 'The Strand' FOUND Studio](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Fbiotin-the-strand) [project Oranje Fonds Mardo El-Noor](https:\u002F\u002Fartbox.nl\u002Fprojects\u002Forange-fonds) [project 'Before we leave' - 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Page content: Rotate your phone to navigate through the site properly Home Research About Contact Bluesky Linkedin Github CONTENTS All Events Projects Profiles Open Calls Research Areas Resources VIEW MODE Visual Textual Home Research About Contact Instagram MenuClose [ Noa García Visiting Scholar ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F04\u002F29\u002Fnoa-garcia\u002F) [ Unnatural Naturalism: A Computational Study of Caravaggio’s Light Public Lecture. 16.3.2026 Prado Museum, Madrid ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F02\u002F27\u002Funnatural-naturalism-a-computational-study-of-caravaggios-light\u002F) [ Generative Curation Symposium 28-29 Jan 2026. Centre Pompidou Málaga ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F01\u002F30\u002Fgneretaive-curation-symposium\u002F) [ IMPRS Multimodal Digital Humanities New project! ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F01\u002F14\u002Fimprs-mulimodal-digital-humanities\u002F) [ Diagrams and Diagramming Dec 11, KHIST, 18h, ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F11\u002F19\u002Fdiagrams-and-diagramming\u002F) [ Call for Contributions – Generative Curation Symposium Málaga, 28-29 Jan 2026 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F11\u002F07\u002Fcall-generative-curation-symposium\u002F) [ Between the Discrete and the Infinite: Attention and Latent Space Metaphors in Borges and Calvino Paper Presentation, XCOAX 2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F07\u002F07\u002Fbetween-the-discrete-and-the-infinite-attention-and-latent-space-metaphors-in-borges-and-calvino\u002F) [ Sympathies of Streets Lecture and Research Seminar - Michael Doyle. 10.6.2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F06\u002F02\u002Fsympathies-of-streets\u002F) [ Digital Architectural Histories Research Area ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F27\u002Fdigital-architectural-history\u002F) [ Digital F(r)ictions Presentation at MAMBO 16.05.2025 Bogotá ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F22\u002Fpresentation-at-mambo\u002F) [ Digital Visual Studies School Universidad de los Andes. Bogotá 12-16 May 2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F22\u002Fdigital-visual-studies-school\u002F) [ VORD PLATFORM (Visual Open Research Data) Media Art Histories 2025 & Festival de la Imagen. Manizales 5 May ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F06\u002F10\u002Fvord-platform-visual-open-research-data\u002F) [ Paul Guhennec Postdoctoral Fellow ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F27\u002Fpaul-guhennec\u002F) [ Uncertainty: Aesthetic Manifestations Symposium Zurich. March 6 9:15-18:30 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F02\u002F18\u002Funcertainty-aesthetic-manifestations-symposium\u002F) [ AI & Cities. Applied Machine Learning Days EPFL Feb 12, 2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F02\u002F18\u002Faicities-applied-machine-learning-days\u002F) [ List of publications 2024 ZORA UZH ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F02\u002F18\u002Flist-of-publications-2024\u002F) [ Simulating Urban Denkstile Talk, Symposium Dec 9zh. Zurich ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F12\u002F06\u002F1005\u002F) [ The City in a Bottle Lecture. Montréal, 20 Nov, 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F12\u002F06\u002Fthe-city-in-a-bottle\u002F) [ The Machine that sees \u002F La máquina que ve Conference and Workshop. Madrid 13-15 oct ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F12\u002F06\u002Fla-maquina-que-ve\u002F) [ Digital Residency – MAMBO Bogotá - Colombia 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F08\u002F13\u002Fdigital-residency-mambo\u002F) [ Andrea Alfarano Scientific collaborator ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F25\u002Fandrea-alfarano\u002F) [ New Edited Volume Hertziana Studies in Art History, July 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F25\u002Fnew-edited-volume\u002F) [ Artificial Urban Imaginaries Lecture. UNESCO Chair Urban Landscape. University of Montreal. July 24 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F26\u002Fartificial-urban-imaginaries\u002F) [ Thesis Defense ! Valentine Bernasconi July 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F30\u002F981\u002F) [ Light Analysis of Paintings at Scale Using Spherical Harmonics Published article. Proceedings of the SYMPOSIUM ON ELECTRONIC IMAGING ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F25\u002Flight-analysis-of-paintings-at-scale-using-spherical-harmonics\u002F) [ DVS @ XCOAX Machinic Mimesis and Text-AI-les ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F23\u002Fdvs-xcoax\u002F) [ (Closed) AI & Cities 2024. Digital Double Symposium 24-25 Oct.2024 BHMPI, Rome ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F05\u002Faicities-2024-digital-double\u002F) [ Colors of AI. ICCC 2024 Workshop Workshop ICCC. June 18th ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F25\u002Fcolors-of-ai-computational-creativity\u002F) [ AI and Computational Thinking in Digital Art History Course, Spring Semester 2024 UZH ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fai-and-computational-thinking-in-digital-art-history\u002F) [ VORD Workshop May 17, 2024. UZH ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fvord-workshop\u002F) [ Nuria Rodriguez Ortega Visiting Scolar April-May 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F30\u002Fnuria-rodriguez-ortega\u002F) [ Ana Zapata Scientific Collaborator. VORD ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fana-zapata\u002F) [ TextAIles: Color Manipulations in the Latent Space of StyleGAN3 Paper. Conf. Computer Vision and Image Analysis of Art. San Francisco ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F22\u002Ftextailes-color-manipulations-in-the-latent-space-of-stylegan3\u002F) [ (Closed) Datathink 2024 \u002F AI & Cities Winter School, Rome. Deadline 5 Feb ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F18\u002Fdatathink-2024-ai-cities\u002F) [ Distant Viewing Light Analysis of Figurative Paintings Paper. Conf. Computer Vision and Image Analysis of Art. ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F22\u002F850\u002F) [ Show me your hand Round table at Istituto Svizzero, Rome, 17.01.23, 17h ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F12\u002Fshow-me-your-hand\u002F) [ New article: Cityscapes Transformed Designing Digital Humanities. Disegno Journal, Dec 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F21\u002Fnew-article-cityscapes-transformed\u002F) [ Text-AI-Le: disentangled color directions Paper - Cultural Data Analytics Conference 2023 in Tallinn ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F15\u002Ftext-ai-le-disentangled-color-directions-in-self-supervised-deep-learning-models-for-textile-image-generation\u002F) [ Clip & the City STRAND Conference in Belgrade, 7th Dec 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F15\u002Fclip-the-city\u002F) [ Data, Dictum Masterclass 29.11.23 Institute of Advanced Architecture of Catalonia ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F12\u002Fdata-dictum\u002F) [ (Closed) Call for Applications: Postdoctoral Researcher Postdoc in Computer Vision Deadline January 10, 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F11\u002F01\u002Fcall-for-applications-postdoctoral-researcher\u002F) [ What does AI do to Art History? Experiments in Art and Technology Institute of Art History, University of Zurich, Nov 2 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F11\u002F09\u002Fwhat-does-ai-to-art-history-experiments-in-art-and-technology\u002F) [ (Closed) Hiring! Mediator in Digital Visual Studies 50% Nov 2023-Nov 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F09\u002F08\u002Fhiring-postdoctoral-researcher-mediator-in-digital-visual-studies\u002F) [ New Methods for Visual Open Research Data in the Digital Humanities VORD. New project. Sept 2023-Dec 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F09\u002F08\u002Fnew-methods-for-accessing-visual-open-research-data-in-the-digital-humanities\u002F) [ Transhistorical Urban Landscape as Hypermap In ACM Hypertext Conference 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F08\u002F07\u002Ftranshistorical-urban-landscape-as-hypermap\u002F) [ URBAN GIST. Encoding cities in foundation models ![](https:\u002F\u002Fdvstudies.net\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fslide-URBAN-GIST-D.Negu …. A Clean \u002F Minimalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Art & Culture industry. Designed by Naranjo–Etxeberria, developed by Apn. The overall color palette features White, Yellow, Gray, Black. The typography features Suisse Intl (Swiss Typefaces), Suisse Intl (Swiss Typefaces). AI description: DVS (Digital Visual Studies) serves as a sophisticated digital hub for interdisciplinary research at the intersection of art, computation, and visual culture. The platform functions as a curated repository for academic profiles, upcoming symposia, and research projects, bridging the gap between high-level scholarly inquiry and contemporary visual discourse. It is designed for an audience of academics, researchers, artists, and technologists interested in the computational analysis of aesthetics. The visual identity is defined by a bold, avant-garde editorial aesthetic that rejects traditional academic austerity in favor of a vibrant, experimental layout. Utilizing a high-contrast color palette of primary yellows and blues, the site employs a grid-based modular system that feels both structured and kinetic. The heavy use of oversized typography, playful decorative flourishes, and a non-linear navigation structure creates a sense of intellectual curiosity and modern digital craftsmanship."]