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Page content: [ ](https:\u002F\u002Fvimeo.com\u002F1049777815) [ ](#linguini-clams-v1)[ ](#papardelle-bolognese-v1)[ ](#bucatini-roasted-eggplant-v3) [ ](#240904-tomato-salad-v2) [ ](#240904-nicoise-salad-close-v4)[ ](#240904-procuitto-melon-v2) [ ](#240904-greek-table-scape-wide-v1) [ ](#blue-v1)[ ](#white-v2)[ ](#gray-v1) [ ](#poke-bowl-kathy-v1)[ ](#breakfast-bao-buns-kathy-v6) [ ](#bread-cheese-truffle-honey-v5) [ ](#apple-tart-v9-2) [ ](#louisiana-crawfish-v-0002-6c17cc7c14091619d8691f6a33d07ce3)[ ](#pink-shrimp-v1-35814db5f1e88ab43aa70e1c0e2a51e1) [ ](#sausages-chicago-v1-e018f450c3f38ef78d19b9d1189918cc)[ ](#sausages-latin-v2-e018f450c3f38ef78d19b9d1189918cc)[ ](#sausages-asian-v2-e018f450c3f38ef78d19b9d1189918cc) [ ](#green-salad-v1-1-123264e768d539a995cd7f2d216fb010) [ ](https:\u002F\u002Fvimeo.com\u002F707029574)[ ](#burgers-all-american-bacon-smashed-mf4-6c17cc7c14091619d8691f6a33d07ce3) [ ](#fish-n-chips-talbescape-v1-6c17cc7c14091619d8691f6a33d07ce3)[ ](#still-life-woodland-v1-2-6c17cc7c14091619d8691f6a33d07ce3) [ ](#still-life-mackerel-v1-123264e768d539a995cd7f2d216fb010) [ ](#oysters-on-ice-v1-hero-1-e018f450c3f38ef78d19b9d1189918cc)[ ](#asparagus-v2-e018f450c3f38ef78d19b9d1189918cc)[ ](#hummus-v4-e018f450c3f38ef78d19b9d1189918cc) [ ](#med-table-setting-v1-1-123264e768d539a995cd7f2d216fb010) [ ](#parisian-carrots-v2)[ ](#garlic-scapes-v1) [ ](#ingrids-monkey-bread-v5-e018f450c3f38ef78d19b9d1189918cc)[ ](#winter-cocktail-v-0003-hero2-1-e018f450c3f38ef78d19b9d1189918cc)[ ](#whole-pompano-fish-cooked-v1-e018f450c3f38ef78d19b9d1189918cc) [ ](#oyster-mushroom-closeup-v1-1-6c17cc7c14091619d8691f6a33d07ce3)[ ](#seeded-yin-yang-bagels-v2-6c17cc7c14091619d8691f6a33d07ce3) [ ](https:\u002F\u002Fvimeo.com\u002F516505311\u002Fb835b72366)[ ](#donut-drip-v5-2022-05-09-135921-fxfi-6c17cc7c14091619d8691f6a33d07ce3) [ ](#roots-bulbs-tablescape-v3-123264e768d539a995cd7f2d216fb010) [ ](#octopus-v07-6c17cc7c14091619d8691f6a33d07ce3)[ ](#mixed-links-v1-6c17cc7c14091619d8691f6a33d07ce3) [ ](#roasted-carrots-v1-1-e018f450c3f38ef78d19b9d1189918cc)[ ](#champagne-cocktail-v2-hero-comp-e018f450c3f38ef78d19b9d1189918cc)[ ](#ribeye-steak-e018f450c3f38ef78d19b9d1189918cc) [ Choc Powder Donuts Stop Motion ](#choc-powder-donuts-stop-motion)[ ](#puerto-rican-leg-of-pork-v1-hero-2-6c17cc7c14091619d8691f6a33d07ce3) [ ](#mojito-v1-hero-1-e018f450c3f38ef78d19b9d1189918cc)[ ](#steamed-mussels-v7-e018f450c3f38ef78d19b9d1189918cc)[ ](#7502-karele-v1-1-e018f450c3f38ef78d19b9d1189918cc) [ ](#cocktail-trio-v1-hero-comp-6c17cc7c14091619d8691f6a33d07ce3)[ ](#1766-watermelon-still-life-v1-6c17cc7c14091619d8691f6a33d07ce3) [ ](#tomato-medley-v02-hero-6c17cc7c14091619d8691f6a33d07ce3)[ ](https:\u002F\u002Fvimeo.com\u002F105597348) [ ](#legumes-v7-1-6c17cc7c14091619d8691f6a33d07ce3)[ ](#greenbean-quinoa-salad-v7-6c17cc7c14091619d8691f6a33d07ce3) [ ](#grapefruit-salad-v7-123264e768d539a995cd7f2d216fb010) [ ](#double-pizza-pull-v1-e018f450c3f38ef78d19b9d1189918cc)[ ](#1-414-maringue-v1-123264e768d539a995cd7f2d216fb010)[ ](https:\u002F\u002Fd3djgrixmqnpqb.cloudfront.net\u002Fvideo-portfolio\u002FSteak-Web.webmhd.webm) [ ](#chicken-tenders-v1-2-6c17cc7c14091619d8691f6a33d07ce3)[ ](#ciopinno-soup-v1-hero-6c17cc7c14091619d8691f6a33d07ce3) Choc Powder Donuts Stop Motion. A Clean \u002F Minimalist, Dark Mode, High-End \u002F Luxury website in the Photography & Video industry. The overall color palette features Black, White, Brown, Gray. Built using Blitz, Craft CMS, Typekit. AI description: Stephen Hamilton Productions is a premium commercial production house specializing in high-end food and beverage photography and film direction. The website serves as a high-impact visual portfolio, showcasing a mastery of culinary aesthetics through vibrant, sensory-driven imagery that emphasizes authenticity and appetite appeal. It is designed to attract major food brands, advertising agencies, and marketing directors seeking top-tier visual assets for print, digital, and packaging. The visual identity is defined by a sophisticated, cinematic approach where the imagery takes center stage. Using a dark, elegant color palette and refined serif typography, the design allows the rich colors and textures of the food to pop with intense clarity. 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Some may be simple black cat scares, others may be more subdued or nuanced. Many come from films that aren’t necessarily “horror” but have elements or threads of horror, and all have the same general effect: unease, dread, fear, shock, disgust.","#Still of the Night (1982) Directed by Robert Benson #36 ↑ 0 ↓ My rating: 7\u002F10 No Comments Leave a Comment #Coma (1978) Directed by Michael Crichton #71 ↑ 0 ↓ You know that thing where you want to revisit a favorite from childhood, but you’re a little hesitant because you don’t know how it’ll hold up and you don’t want to sully the fond memories? While _Coma_ is a pretty lightweight little thriller that smacks hard of 1978 in virtually every way, it’s still a really compelling story with some pretty unforgettable imagery and heart-pounding sequences. File under: good movies for plane rides so nearby passengers don’t have to see decapitated heads or disembodied hands murdering scantily-clad teens. — B My rating: 7\u002F10 No Comments Leave a Comment #Invasion of the Body Snatchers (1979) Directed by Philip Kaufman #9 ↑ 0 ↓ My rating: 9\u002F10 No Comments Leave a Comment #Prince Of Darkness (1987) Directed by John Carpenter #82 ↑ 0 ↓ This is one of those seminal films that really helped forge the Horror fan that I am today. Particularly, _well-directed_ Horror. This film has so many striking visuals that stand the test of time. Apparently Alice Cooper has tried several times to convince director John Carpenter to film a sequel, stating he “… wants to see more than just the anti-God’s hand but the whole thing.” I really appreciate that we only ever catch glimpses — the silhouette from a distance, the hand coming out of the mirror. We’ve seen “the big reveal” fall flat on its face so many times in Horror films. And can we talk about Susan Blanchard’s bloody, peeling face for a moment? That image haunted and disturbed me as a child, yet I couldn’t tear my eyes away. To this day I still find it to be so very… unnerving. The juxtaposition of the blood against the pure blond hair is what pushes it over the edge for me. Like so many of John Carpenter’s films, _Prince Of Darkness_ didn’t perform well in theaters, but had a second life with home video and has since grown a large cult following. It’s apparently one of his personal favorites from his catalog, and I can understand why. — B My rating: 9\u002F10 No Comments Leave a Comment #The Eyes of My Mother (2016) Directed by Nicolas Pesce #48 ↑ 0 ↓ Suggested by Alexa Chermak My rating: 7\u002F10 No Comments Leave a Comment #Skinamarink (2022) Directed by Kyle Edward Ball #109 ↑ 0 ↓ So much has been written that there isn’t really much left to say. I’ll leave you with some recommendations that should help you get the most out of this film: - Try to watch this film as distraction-free as possible. - Lights out. - No other audio. - If you’re watching with others, try not to talk during the film. - Turn on captions\u002Fsubtitles. Without them you may not understand some of the dialog. Additionally, I found it much scarier when I heard something and subtitles would pop up telling me what the sound actually was. I follow these rules with virtually every film I watch, but it’s especially important with _Skinamarink_. The pace is glacial, to say the least. As expected, many Horror fans have been very vocal about just how slow this film is, but I find it absolutely necessary for the story. It’s all about making the viewer come closer. Pulling them into the room with Kaylee, Kevin, and whatever else might be lurking in the darkness. If you can be patient and succumb to the atmosphere, you might just find yourself experiencing something like you’ve never experienced before. — B My rating: 8\u002F10 No Comments Leave a Comment #The Orphanage (2007) Directed by J.A. Bayona #17 ↑ 0 ↓ My rating: 9\u002F10 No Comments Leave a Comment #Hush… Hush, Sweet Charlotte (1964) Directed by Robert Aldritch #84 ↑ 0 ↓ I used to suffer from terrible growing pains in my legs when I was young. My mother’s answer to every ailment was a warm wash rag and some Horse Liniment, an aggressively medicinal-smelling ointment meant for horses (it _stiiiiinnnggs_). On one particular night I was struggling with terrible pain and my mother was slathering the liniment around my knees. She asked what would make me feel better. I immediately replied, “I wanna watch TV in Joy’s room!” Joy, my sister, was staying at a friend’s house. Her room was all gauzy and ethereal, and I secretly coveted it. This was the early ’80s, and we had just gotten cable installed for the first time. In those days, the USA Network had a block they called _USA Saturday Nightmares_, which was a three-hour block that showed a movie from eight to ten, and at ten o’clock they would show two half-hour horror TV series. _Twilight Zone_, _Alfred Hitchcock Hour_, etc. I watched every single weekend. This night’s film happened to be _Hush… Hush, Sweet Charlotte_. The wind was howling outside, so I opened her windows to let the white, semi-transparent drapes dramatically flutter around me (her bed was situated under two large windows). Then I nestled into her unusually high, puffy bed, covered myself in several layers of blankets and a comforter, and watched my story. I remember just two things: the white gown with blood on it, and the head rolling down the stairs. I also remember that I was rendered defenseless and afraid after the movie and was too afraid to run to my room (her room was on the opposite side of the house from everyone else’s, and my Dad had a nasty habit of waiting in the darkness for a very long time just to scare the shit out of us). So I fell asleep in her room, realizing I’d completely forgotten about the pain while I was watching the film. That’s a great film! — B My rating: 7\u002F10 No Comments Leave a Comment #mother! (2017) Directed by Darren Aronofsky #44 ↑ 0 ↓ My rating: 8\u002F10 No Comments Leave a Comment #The Fog (1980) Directed by John Carpenter #11 ↑ 0 ↓ My rating: 9\u002F10 No Comments Leave a Comment #The Eclipse (2009) Directed by Conor McPherson #4 ↑ 0 ↓ My rating: 7\u002F10 No Comments Leave a Comment Get Notified! Want to know when a new scene is released? Here are a few ways you can keep up with Best Horror Scenes. - #### Web Notifications (recommended) Receive alerts in your browser when new scenes are posted. Unsubscribe here any time. Subscribe - #### RSS Do you use an RSS reader? How about a “read later” service? Use the link below to subscribe. RSS - #### Twitter Follow @besthorrorscene on Twitter. A tweet is posted with every new scene. @besthorrorscene - #### Newsletter E-mail newsletters are sent out on occasion and include a rollup of the latest scenes. E-mail Newsletter - #### YouTube Where it all started. We now have over 4,000 followers. YouTube Channel - #### Vimeo YouTube often flags videos with a copyright claim and blocks them. Vimeo is much less strict. Vimeo Channel #\\[REC\\] (2007) Directed by Jaume Balagueró and Paco Plaza #18 ↑ 0 ↓ My rating: 8\u002F10 No Comments Leave a Comment #Altered States (1980) Directed by Ken Russell #98 ↑ 0 ↓ Remember when you were a kid and you saw one of those shampoo commercials where the lady’s boobs were _just_ offscreen? Or you found a racy photo in one of your mom’s Cosmopolitans? Or that one tiny photo of Jan Michael Vincent in the nude in the back of a Playboy? Or that ad with Burt Reynolds in just the top half of a football jersey? That first source of adolescent fantasy that sets the stage for your future adult fantasies? Mine was William Hurt in _Altered States_. The first time I remember going, “Heeeeyyy… who is _thaaat_??” Also the movie was pretty neat. The effects are still largely pretty fantastic. Dated, yes, but not in a way that makes it seem cheap, which is saying a lot considering Ken Russell’s history of subpar visual stunts (ahem… _The Lair of the White Worm_). I still found myself often thinking, “I wonder how they did that??” This is William Hurt’s first film (and Drew Barrymore’s!), but he’s a good as he’s ever been, even working with material that could very easily have gone super pretentious and esoteric. And Bob Balaban! I know him mostly for his many appearances in Christopher Guest’s mockumentaries, but he’s great here as a young scientist. So while the film is definitely very of its time, it’s still an enjoyable (and _incredibly_ psychedelic) watch. Even better, it would make for a perfect film to play in the background at a party, or as a double feature with _The Holy Mountain_ (1973). — B My rating: 7\u002F10 No Comments Leave a Comment #Annihilation (2018) Directed by Alex Garland #25 ↑ 0 ↓ My rating: 8\u002F10 No Comments Leave a Comment #Hellraiser (1987) Directed by Clive Barker #32 ↑ 0 ↓ My rating: 7\u002F10 No Comments Leave a Comment #Hereditary (2018) Directed by Ari Aster #38 ↑ 0 ↓ My rating: 10\u002F10 No Comments Leave a Comment #The Taking of Deborah Logan (2014) Directed by Adam Robitel #110 ↑ 0 ↓ When I was a kid my favorite activity was going to our local video store, _The Video Station_, and perusing the Horror section for as long as my mother would allow. I would scan the familiar covers and squeal when I stumbled onto something I hadn’t noticed before. Then there were other videos. Videos that were always there, never checked-out. Videos you’ve historically glazed over based on some quality or taste issue with the cover art (_XTRO_), title (_Killer Klowns From Outer Space_), or both (_Chopping Mall_)1. _The Taking of Deborah Logan_ was this type of film for me. I added it to my wishlist but promptly deprioritized it based on some quick assumptions: It’s a found-footage film, and I was experiencing some level of fatigue for the sub-genre; the cover art felt lazy and unoriginal; I didn’t recognize any names attached to the project; and nobody I know had ever mentioned it. Months later a fellow Horror superfan I know and respect wrote about the film, saying it wasn’t at all what she expected and how pleasantly suprised (and shocked) she was. Based on her glowing recommendation I gave it a look, and I’m so glad I did. The premise (“documentary” about elderly Alzheimer’s woman descending into the depths of dementia… or is she?) doesn’t always go down so easily, primarily due in equal parts to the writing as well as the performance by lead Jill Larson. When things go left and the drama\u002Fhorror is ramped up she absolutely thrives, going all in. It’s in the quieter moments that I have a tough time really accepting her delivery. I also wish there was a clearer delineation between what is and what may not actually be dementia. But there are a few effective, shocking, and inventive segments that I think really elevate this film and make it something actually kind of special. * 1. Turns out later in life I would love many of those films for the very reasons I originally thought I would hate them then.↩ — B My rating: 6\u002F10 No Comments Leave a Comment #The Autopsy of Jane Doe ( …",{"id":459,"height":13,"width":12,"blurhash":460},"8a12ce9f-cd8a-4334-a18d-1313f794064a","radial-gradient(at 0 0,#ec4b40,#00000000 50%),radial-gradient(at 33% 0,#ea4a3f,#00000000 50%),radial-gradient(at 67% 0,#e9463b,#00000000 50%),radial-gradient(at 100% 0,#e94339,#00000000 50%),radial-gradient(at 0 50%,#e74b40,#00000000 50%),radial-gradient(at 33% 50%,#e6534a,#00000000 50%),radial-gradient(at 67% 50%,#e45750,#00000000 50%),radial-gradient(at 100% 50%,#e24d44,#00000000 50%),radial-gradient(at 0 100%,#e84a40,#00000000 50%),radial-gradient(at 33% 100%,#e74e44,#00000000 50%),radial-gradient(at 67% 100%,#e54e46,#00000000 50%),radial-gradient(at 100% 100%,#e3473f,#00000000 50%)",{"id":462,"height":15,"width":14,"blurhash":41},"bb6605c5-7e08-45ef-bcd9-d318b4bc7d3c",[464,467,470,473,476,479,482,485,488,491,494,497,500,503,506,509,512,515,518,521,524,527,530,533,536,539,542,545,548,551],{"directus_files_id":465},{"id":466},"eca35a47-d4d8-40fb-a653-58d6eb7da673",{"directus_files_id":468},{"id":469},"9bd3fbe1-a88f-4f6b-b8f3-f1eedb3aae85",{"directus_files_id":471},{"id":472},"dc0d8adc-4005-4aba-a3e7-dbdecc05585b",{"directus_files_id":474},{"id":475},"2e789853-7c45-4a70-aea9-dd2902a62835",{"directus_files_id":477},{"id":478},"e018587c-6d1b-4adf-953f-06c1f04a15a6",{"directus_files_id":480},{"id":481},"05aa6ed4-6351-48a2-9b19-f17088295fe9",{"directus_files_id":483},{"id":484},"98702460-444a-44aa-98d4-99710bd1b94a",{"directus_files_id":486},{"id":487},"49f83c85-ebd8-4c35-a74a-c3c86a45e4f7",{"directus_files_id":489},{"id":490},"b7edbce4-40fe-4dfe-96dc-6c017829998a",{"directus_files_id":492},{"id":493},"7c4ddbc0-9a1c-47ad-8b28-ceebe315d151",{"directus_files_id":495},{"id":496},"7b652249-4a67-46fe-ac15-bafdbde33314",{"directus_files_id":498},{"id":499},"31200cf2-29a1-4003-8b00-1daa7965d88f",{"directus_files_id":501},{"id":502},"84c3d943-b669-4dfa-a117-08794523528e",{"directus_files_id":504},{"id":505},"fd29d2da-d3f3-4dc2-b40b-0cb97a06beac",{"directus_files_id":507},{"id":508},"94b13766-4152-4317-94ac-e08c3107ea4a",{"directus_files_id":510},{"id":511},"870dcff9-3636-4aa7-8f2f-e8130664ac00",{"directus_files_id":513},{"id":514},"db4a5967-6381-45d4-a81e-8db5a668ac66",{"directus_files_id":516},{"id":517},"2aca62c4-d10d-4e95-975a-de67023eda7d",{"directus_files_id":519},{"id":520},"d1db9dae-41c3-40dc-887d-520f2a64439b",{"directus_files_id":522},{"id":523},"a1a2329d-9fa6-483d-954f-5abe53e122b9",{"directus_files_id":525},{"id":526},"3328ad52-fc26-4d28-a3a9-a32e26bfb3aa",{"directus_files_id":528},{"id":529},"d0d490a5-0683-4cf2-ade7-98b2f2ff8f0b",{"directus_files_id":531},{"id":532},"4cd5dee0-3c47-443f-8c8f-9cec1946ca8c",{"directus_files_id":534},{"id":535},"3e096d02-6edc-44e2-ae2c-42517b4a4548",{"directus_files_id":537},{"id":538},"1e663f03-da46-4d93-81d1-afeafb2d3b51",{"directus_files_id":540},{"id":541},"96b11e05-8a21-43f0-8929-21f1755ecc9d",{"directus_files_id":543},{"id":544},"9f70dcde-dd66-491a-bdb2-20081508720c",{"directus_files_id":546},{"id":547},"90ff8c3c-19bd-4f0a-bd7a-6c6991644267",{"directus_files_id":549},{"id":550},"7bb4c2c0-43e1-4662-aa7d-d0ecc252e61f",{"directus_files_id":552},{"id":553},"32485698-3e64-4d5b-be74-03681720384f",[555],{"languages_code":422,"description":556},"Best Horror Scenes is a curated digital archive dedicated to the most visceral and unsettling moments in cinematic history. Serving as a specialized repository for cinephiles and horror enthusiasts, the site transcends simple jump-scare compilations to explore the nuances of dread, unease, and psychological terror. It functions as both a tribute and a study of the genre's most affecting elements, ranging from overt shocks to subtle, atmospheric tension.\n\nThe visual identity is unapologetically bold and high-impact, utilizing a striking red-and-white color palette that evokes blood, warning signs, and cinematic intensity. The design employs massive, heavy typography and a minimalist, almost brutalist layout that demands attention. By stripping away unnecessary ornamentation, the site focuses the user's attention on the content itself, creating a visceral browsing experience that mirrors the intensity of the horror scenes it showcases.","Entertainment & Media",[559,30,560],"Brutalist \u002F Neo-Brutalist","Typographic \u002F Big Type",[562],"Brandon Durham",[564],"Univers",[566,225,567],"Gatsby","Twitter",[569,571,572,574],{"score":570,"category":62},75,{"score":286,"category":65},{"score":573,"category":68},77,{"score":69,"category":71},[576,577,578,579],{"score":125,"category":62},{"score":174,"category":65},{"score":435,"category":68},{"score":69,"category":71},[581,81,582,89],"red","pink","Website: Best Horror Scenes. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home → Best Horror Scenes → An ever growing collection featuring some of the best scenes in horror.. Page description: “Best Horror Scenes” is a collection of scenes I feel are some of the most affecting in horror. Some may be simple black cat scares, others may be more subdued or nuanced. Many come from films that aren’t necessarily “horror” but have elements or threads of horror, and all have the same general effect: unease, dread, fear, shock, disgust.. Page content: #Still of the Night (1982) Directed by Robert Benson #36 ↑ 0 ↓ My rating: 7\u002F10 No Comments Leave a Comment #Coma (1978) Directed by Michael Crichton #71 ↑ 0 ↓ You know that thing where you want to revisit a favorite from childhood, but you’re a little hesitant because you don’t know how it’ll hold up and you don’t want to sully the fond memories? While _Coma_ is a pretty lightweight little thriller that smacks hard of 1978 in virtually every way, it’s still a really compelling story with some pretty unforgettable imagery and heart-pounding sequences. File under: good movies for plane rides so nearby passengers don’t have to see decapitated heads or disembodied hands murdering scantily-clad teens. — B My rating: 7\u002F10 No Comments Leave a Comment #Invasion of the Body Snatchers (1979) Directed by Philip Kaufman #9 ↑ 0 ↓ My rating: 9\u002F10 No Comments Leave a Comment #Prince Of Darkness (1987) Directed by John Carpenter #82 ↑ 0 ↓ This is one of those seminal films that really helped forge the Horror fan that I am today. Particularly, _well-directed_ Horror. This film has so many striking visuals that stand the test of time. Apparently Alice Cooper has tried several times to convince director John Carpenter to film a sequel, stating he “… wants to see more than just the anti-God’s hand but the whole thing.” I really appreciate that we only ever catch glimpses — the silhouette from a distance, the hand coming out of the mirror. We’ve seen “the big reveal” fall flat on its face so many times in Horror films. And can we talk about Susan Blanchard’s bloody, peeling face for a moment? That image haunted and disturbed me as a child, yet I couldn’t tear my eyes away. To this day I still find it to be so very… unnerving. The juxtaposition of the blood against the pure blond hair is what pushes it over the edge for me. Like so many of John Carpenter’s films, _Prince Of Darkness_ didn’t perform well in theaters, but had a second life with home video and has since grown a large cult following. It’s apparently one of his personal favorites from his catalog, and I can understand why. — B My rating: 9\u002F10 No Comments Leave a Comment #The Eyes of My Mother (2016) Directed by Nicolas Pesce #48 ↑ 0 ↓ Suggested by Alexa Chermak My rating: 7\u002F10 No Comments Leave a Comment #Skinamarink (2022) Directed by Kyle Edward Ball #109 ↑ 0 ↓ So much has been written that there isn’t really much left to say. I’ll leave you with some recommendations that should help you get the most out of this film: - Try to watch this film as distraction-free as possible. - Lights out. - No other audio. - If you’re watching with others, try not to talk during the film. - Turn on captions\u002Fsubtitles. Without them you may not understand some of the dialog. Additionally, I found it much scarier when I heard something and subtitles would pop up telling me what the sound actually was. I follow these rules with virtually every film I watch, but it’s especially important with _Skinamarink_. The pace is glacial, to say the least. As expected, many Horror fans have been very vocal about just how slow this film is, but I find it absolutely necessary for the story. It’s all about making the viewer come closer. Pulling them into the room with Kaylee, Kevin, and whatever else might be lurking in the darkness. If you can be patient and succumb to the atmosphere, you might just find yourself experiencing something like you’ve never experienced before. — B My rating: 8\u002F10 No Comments Leave a Comment #The Orphanage (2007) Directed by J.A. Bayona #17 ↑ 0 ↓ My rating: 9\u002F10 No Comments Leave a Comment #Hush… Hush, Sweet Charlotte (1964) Directed by Robert Aldritch #84 ↑ 0 ↓ I used to suffer from terrible growing pains in my legs when I was young. My mother’s answer to every ailment was a warm wash rag and some Horse Liniment, an aggressively medicinal-smelling ointment meant for horses (it _stiiiiinnnggs_). On one particular night I was struggling with terrible pain and my mother was slathering the liniment around my knees. She asked what would make me feel better. I immediately replied, “I wanna watch TV in Joy’s room!” Joy, my sister, was staying at a friend’s house. Her room was all gauzy and ethereal, and I secretly coveted it. This was the early ’80s, and we had just gotten cable installed for the first time. In those days, the USA Network had a block they called _USA Saturday Nightmares_, which was a three-hour block that showed a movie from eight to ten, and at ten o’clock they would show two half-hour horror TV series. _Twilight Zone_, _Alfred Hitchcock Hour_, etc. I watched every single weekend. This night’s film happened to be _Hush… Hush, Sweet Charlotte_. The wind was howling outside, so I opened her windows to let the white, semi-transparent drapes dramatically flutter around me (her bed was situated under two large windows). Then I nestled into her unusually high, puffy bed, covered myself in several layers of blankets and a comforter, and watched my story. I remember just two things: the white gown with blood on it, and the head rolling down the stairs. I also remember that I was rendered defenseless and afraid after the movie and was too afraid to run to my room (her room was on the opposite side of the house from everyone else’s, and my Dad had a nasty habit of waiting in the darkness for a very long time just to scare the shit out of us). So I fell asleep in her room, realizing I’d completely forgotten about the pain while I was watching the film. That’s a great film! — B My rating: 7\u002F10 No Comments Leave a Comment #mother! (2017) Directed by Darren Aronofsky #44 ↑ 0 ↓ My rating: 8\u002F10 No Comments Leave a Comment #The Fog (1980) Directed by John Carpenter #11 ↑ 0 ↓ My rating: 9\u002F10 No Comments Leave a Comment #The Eclipse (2009) Directed by Conor McPherson #4 ↑ 0 ↓ My rating: 7\u002F10 No Comments Leave a Comment Get Notified! Want to know when a new scene is released? Here are a few ways you can keep up with Best Horror Scenes. - #### Web Notifications (recommended) Receive alerts in your browser when new scenes are posted. Unsubscribe here any time. Subscribe - #### RSS Do you use an RSS reader? How about a “read later” service? Use the link below to subscribe. RSS - #### Twitter Follow @besthorrorscene on Twitter. A tweet is posted with every new scene. @besthorrorscene - #### Newsletter E-mail newsletters are sent out on occasion and include a rollup of the latest scenes. E-mail Newsletter - #### YouTube Where it all started. We now have over 4,000 followers. YouTube Channel - #### Vimeo YouTube often flags videos with a copyright claim and blocks them. Vimeo is much less strict. Vimeo Channel #\\[REC\\] (2007) Directed by Jaume Balagueró and Paco Plaza #18 ↑ 0 ↓ My rating: 8\u002F10 No Comments Leave a Comment #Altered States (1980) Directed by Ken Russell #98 ↑ 0 ↓ Remember when you were a kid and you saw one of those shampoo commercials where the lady’s boobs were _just_ offscreen? Or you found a racy photo in one of your mom’s Cosmopolitans? Or that one tiny photo of Jan Michael Vincent in the nude in the back of a Playboy? Or that ad with Burt Reynolds in just the top half of a football jersey? That first source of adolescent fantasy that sets the stage for your future adult fantasies? Mine was William Hurt in _Altered States_. The first time I remember going, “Heeeeyyy… who is _thaaat_??” Also the movie was pretty neat. The effects are still largely pretty fantastic. Dated, yes, but not in a way that makes it seem cheap, which is saying a lot considering Ken Russell’s history of subpar visual stunts (ahem… _The Lair of the White Worm_). I still found myself often thinking, “I wonder how they did that??” This is William Hurt’s first film (and Drew Barrymore’s!), but he’s a good as he’s ever been, even working with material that could very easily have gone super pretentious and esoteric. And Bob Balaban! I know him mostly for his many appearances in Christopher Guest’s mockumentaries, but he’s great here as a young scientist. So while the film is definitely very of its time, it’s still an enjoyable (and _incredibly_ psychedelic) watch. Even better, it would make for a perfect film to play in the background at a party, or as a double feature with _The Holy Mountain_ (1973). — B My rating: 7\u002F10 No Comments Leave a Comment #Annihilation (2018) Directed by Alex Garland #25 ↑ 0 ↓ My rating: 8\u002F10 No Comments Leave a Comment #Hellraiser (1987) Directed by Clive Barker #32 ↑ 0 ↓ My rating: 7\u002F10 No Comments Leave a Comment #Hereditary (2018) Directed by Ari Aster #38 ↑ 0 ↓ My rating: 10\u002F10 No Comments Leave a Comment #The Taking of Deborah Logan (2014) Directed by Adam Robitel #110 ↑ 0 ↓ When I was a kid my favorite activity was going to our local video store, _The Video Station_, and perusing the Horror section for as long as my mother would allow. I would scan the familiar covers and squeal when I stumbled onto something I hadn’t noticed before. Then there were other videos. Videos that were always there, never checked-out. Videos you’ve historically glazed over based on some quality or taste issue with the cover art (_XTRO_), title (_Killer Klowns From Outer Space_), or both (_Chopping Mall_)1. _The Taking of Deborah Logan_ was this type of film for me. I added it to my wishlist but promptly deprioritized it based on some quick assumptions: It’s a found-footage film, and I was experiencing some level of fatigue for the sub-genre; the cover art felt lazy and unoriginal; I didn’t recognize any names attached to the project; and nobody I know had ever mentioned it. Months later a fellow Horror superfan I know and respect wrote about the film, saying it wasn’t at all what she expected and how pleasantly suprised (and shocked) she was. Based on her glowing recommendation I gave it a look, and I’m so glad I did. The premise (“documentary” about elderly Alzheimer’s woman descending into the depths of dementia… or is she?) doesn’t always go down so easily, primarily due in equal parts to the writing as well as the performance by lead Jill Larson. When things go left and the drama\u002Fhorror is ramped up she absolutely thrives, going all in. It’s in the quieter moments that I have a tough time really accepting her delivery. I also wish there was a clearer delineation between what is and what may not actually be dementia. But there are a few effective, shocking, and inventive segments that I think really elevate this film and make it something actually kind of special. * 1. Turns out later in life I would love many of those films for the very reasons I originally thought I would hate them then.↩ — B My rating: 6\u002F10 No Comments Leave a Comment #The Autopsy of Jane Doe ( …. A Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Typographic \u002F Big Type website in the Entertainment & Media industry. Designed by Brandon Durham. The overall color palette features Red, White, Pink, Black. The typography features Univers (Sans Serif). Built using Gatsby, React, Twitter. AI description: Best Horror Scenes is a curated digital archive dedicated to the most visceral and unsettling moments in cinematic history. Serving as a specialized repository for cinephiles and horror enthusiasts, the site transcends simple jump-scare compilations to explore the nuances of dread, unease, and psychological terror. It functions as both a tribute and a study of the genre's most affecting elements, ranging from overt shocks to subtle, atmospheric tension. The visual identity is unapologetically bold and high-impact, utilizing a striking red-and-white color palette that evokes blood, warning signs, and cinematic intensity. 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Mimmo Cozzolino - 1949–> - C ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmimmo-cozzolino) [ - Archives - The Club - 1978 - 115 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fthe-club) [ - Archives - Reserve Bank Symbol & Artwork - 1960 - 190 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Freserve-bank-symbol) [ - Archives - Victorian Architect 34 - 1974 - 33 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fvictorian-architect-34) [ - Biographies - Brian Sadgrove - 1938–> - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fbrian-sadgrove) [ - Archives - Object & Idea - 1973 - 52 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fobject-idea) [ - Archives - Contemporary Art Society Exhibition - 1963 - 15 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fcontemporary-art-scoiety-exhibition-catalogue) [ - Archives - BP Maps - 1970s - 198 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fbp-maps) [ - Archives - Artificial Australia - 1967 - 180 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fartificial-australia) [ - Archives - A Walk Through Henry Talbot’s Head - 1968 - 148 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fa-walk-through-henry-talbot-s-head) [ - Retrospect - Garry Emery ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fretrospect-garry-emery) [ - Archives - National Bank Travel Booklet - 1970s - 1 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fnational-bank-travel-brochure) [ - Archives - Once Around the Sun - 1966 - 42 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fonce-around-the-sun) [ - Archives - Laminex Industries - 1980s - 136 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Flaminex-industries) [ - Archives - Candy Shoes - 1970s - 70 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fcandy-shoe-packaging) [ - Archives - Laugh or cry or yawn - 1970 - 193 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Flaugh-or-cry-or-yawn) [ - Biographies - Ken Cato - 1945–> - C ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fken-cato) [ - Archives - Recent International Forms in Art - 1976 - 138 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Frecent-international-forms-in-art) [ - Biographies - Les Mason - 1924–>2009 - M ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fles-mason) [ - Archives - Chelsea White Sugar - 1980s - 119 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fchelsea-white-sugar) [ - Biographies - Dianna Wells - 1961–> - W ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fdianna-wells) [ - Archives - Outlook - 1971 - 16 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Foutlook-exhibition-catalogue) [ - Biographies - Andy Schmid - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fandy-schmid) [ - Archives - The Prince Philip prize for Australian design ’68 - 1968 - 18 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fprince-philip-prize-advertisement) [ - Archives - State Bank SA - 1984 - 135 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fstate-bank-sa) [ - Archives - Liquid Air Welding Goggles - 1968 - 116 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fliquid-air-welding-goggles) [ - Archives - Alvin Purple - 1973 - 94 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Falvin-purple-logo) [ - Biographies - Geoff Digby - 1926–> - D ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fgeoff-digby) [ - Biographies - Max Robinson - 1934–> - R ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmax-robinson) [ - Biographies - Donald Fish - 1929–>2021 - F ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fdonald-fish) [ - Feature - POL ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fpol) [ - Feature - Visual Communications – the New Force in Art ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fvisual-communications-br-the-new-force-in-art) [ - Archives - Stepping Stones - 1983 - 38 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fstepping-stones-typeface) [ - Archives - RM Gow’s Washing Powder - 1979 - 7 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Frm-gow-s-washing-powder-packaging) [ - Biographies - Harry Williamson - 1940–> - W ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fharry-wiiliamson) [ - Archives - Harry Seidler 1955\u002F63 - 1963 - 3 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fharry-seidler) [ - Archives - Ludendorff - 1966 - 141 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fludendorff) [ - Archives - The Greatest Rally in Australia’s History - 1974 - 102 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fthe-greatest-rally) [ - Archives - Australian Conservation Foundation - 1972 - 4 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fconservation-logo) [ - Feature - Lyndon’s Roo ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Flyndon-s-roo) [ - Biographies - Richard Haughton ‘Jimmy’ James - 1906–>1985 - H ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Frichard-haughton-jimmy-james) [ - Archives - Picnic at Hanging Rock - 1967 - 43 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fpicnic-at-hanging-rock) [ - Archives - Department of Productivity - 1979–>1980 - 8 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fdaylight-at-work-brochure) [ - Archives - ICI Organic Chemistry - 1970s - 72 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fici-packaging) [ - Archives - MOMA Furlan Catalogue - 1962 - 25 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmoma-furlan-catalogue) [ - Archives - Ballarat Gemini Art Promotion - 1960s - 12 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fballarat-gemini-art-promotion) [ - Archives - Australian Pottery - 1970 - 179 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faustralian-pottery) [ The advertising profession pays dues with a regularity befitting a well-ordered society. - Feature - Judge’s Thoughts ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Faciaa-judge-s-thoughts) [ - Archives - Young & Sensitive - 1963 - 48 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fyoung-sensitive) [ To sort out the valid from the vapid. We should hasten to establish our commercial credentials. Soon. - Essay - Arthur Leydin: AGDA Hall of Fame ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fagda-hall-of-fame) [ - Archives - APPM Hold it! - 1974 - 47 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fappm-hold-it) [ - Archives - Theatre Australia - 1970s - 174 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Ftheatre-australia) [ - Archives - Bring Larks and Heroes - 1967 - 114 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fbring-larks-and-heroes) [ - Archives - OZ Magazine London Issue 1 - 1967 - 150 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Foz-london-issue-1) [ - Biographies - Pieter Huveneers - 1925–>2017 - H ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fpieter-huveneers) [ - Archives - Australian Productivity Council - 1980s - 161 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faustralian-productivity-council) [ - Biographies - Marita Leuver - L ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmarita-leuver) [ - Biographies - Richard Beck - 1912–>1985 - B ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Frichard-beck) [ - Archives - Ecostatin 3 - 1980 - 79 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fecostatin-3-packaging) [ - Archives - Johnson Tiles - 1967 - 173 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fjohnson-tiles) [ - Archives - A Brief History of The National Bank - 1960s - 189 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fa-brief-history-of-the-national-bank) [ - Biographies - Ha …",{"id":598,"height":13,"width":12,"blurhash":599},"8005a3ba-7a31-4e05-b5ed-bf3a1254c6f2","radial-gradient(at 0 0,#f6f6f6,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#d6d6d6,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#e3e3e3,#00000000 50%),radial-gradient(at 100% 50%,#ededed,#00000000 50%),radial-gradient(at 0 100%,#b2b2b2,#00000000 50%),radial-gradient(at 33% 100%,#cfcfcf,#00000000 50%),radial-gradient(at 67% 100%,#c8c8c8,#00000000 50%),radial-gradient(at 100% 100%,#d7d7d7,#00000000 50%)",{"id":601,"height":15,"width":14,"blurhash":41},"b9cb7189-d903-4ca0-92d2-509a690cca21",[603,606,609,612,615,618,621,624,627,630,633,636,639,642,645,648,651,654,657,660,663,666,669,672,675,678,681,684,687,690],{"directus_files_id":604},{"id":605},"a927f551-0bcd-4050-94a6-277f255d9cb7",{"directus_files_id":607},{"id":608},"c4a9b880-be9c-40e7-97e1-5a12f3cea6f6",{"directus_files_id":610},{"id":611},"9c539326-746e-4fb1-867f-f81f2701bf8b",{"directus_files_id":613},{"id":614},"6e4af1dd-0174-472b-979d-e87c25211fc0",{"directus_files_id":616},{"id":617},"91e3bd3c-20c2-4351-8fa6-826b4c7a292a",{"directus_files_id":619},{"id":620},"ffccab22-b265-476f-ab2a-931e4907c7f2",{"directus_files_id":622},{"id":623},"b47f1505-d5ed-457c-8305-d19213bb80f0",{"directus_files_id":625},{"id":626},"bc145299-f926-47b2-b3a7-80e31c40ee14",{"directus_files_id":628},{"id":629},"c9d4581b-ff3b-40ff-a652-088b898ced7b",{"directus_files_id":631},{"id":632},"bd6765cf-7dad-48bb-85bd-728c8f83b3b8",{"directus_files_id":634},{"id":635},"213d6e4b-d652-4e15-8635-82c9c9a5bd50",{"directus_files_id":637},{"id":638},"46fc1479-6dea-4b3a-bb86-d49de5a01737",{"directus_files_id":640},{"id":641},"5d9c628e-6007-494c-ba8d-43a5399b64ec",{"directus_files_id":643},{"id":644},"807e9ccf-d5bd-46e5-8d97-9940b75faec6",{"directus_files_id":646},{"id":647},"d2cbbb27-5d7e-4c1b-aa55-a74494209211",{"directus_files_id":649},{"id":650},"67bff308-17fa-48a6-b166-c36bc52994f4",{"directus_files_id":652},{"id":653},"3c33ce35-4daa-4dc8-babe-43b35617bc69",{"directus_files_id":655},{"id":656},"dc60263c-d6d3-430c-bb98-5855183f9e14",{"directus_files_id":658},{"id":659},"1538c401-6f17-4bb0-a280-5d539b6fcaeb",{"directus_files_id":661},{"id":662},"8302145d-bd51-4100-b4e3-8129e6c6fd0d",{"directus_files_id":664},{"id":665},"bf3c1f08-cfc1-4061-aa7b-3bc823105ee4",{"directus_files_id":667},{"id":668},"29701d72-293b-4af8-8f9a-96045cef0955",{"directus_files_id":670},{"id":671},"bf76b5db-6d5e-43e5-8ff0-51f4526a5ebf",{"directus_files_id":673},{"id":674},"766e4da7-09de-4ee1-8514-003e6042367b",{"directus_files_id":676},{"id":677},"e88d2db5-38ea-4d18-8c40-6c9fe91a8223",{"directus_files_id":679},{"id":680},"426c2c06-fba3-435f-8425-82792ee8387f",{"directus_files_id":682},{"id":683},"91348d9a-1c08-44fb-b9c6-2e1d5b4eeb48",{"directus_files_id":685},{"id":686},"e806d551-9cd8-447b-aa5e-3d50e60a6718",{"directus_files_id":688},{"id":689},"07fc6479-744f-4ba1-87dd-fbae980d8068",{"directus_files_id":691},{"id":692},"7d6267f2-cd6e-4038-a8df-e2334512f0b3",[694],{"languages_code":422,"description":695},"Re:collection is a sophisticated digital archive dedicated to the preservation and study of Australian graphic design from 1960 to 1990. The platform serves as a curated repository for historians, designers, and students, offering deep dives into specific biographies, corporate identities, and historical archives that shaped the visual landscape of Australia during these pivotal decades.\n\nThe visual identity is unapologetically editorial and high-concept, utilizing a stark, monochrome palette that mirrors the archival nature of its content. Through bold, oversized typography and a structured grid layout, the site creates a sense of authority and timelessness. The use of high-contrast black and white imagery, combined with a minimalist interface, ensures that the historical artifacts remain the primary focus, inviting users to explore the nuances of design history with academic rigor and aesthetic appreciation.","Art & Culture",[30,34,560],[699],"Public Office",[],[221,237,222,702],"Ubuntu",[704,706,707,708],{"score":705,"category":62},43,{"score":174,"category":65},{"score":124,"category":68},{"score":162,"category":71},[710,712,713,714],{"score":711,"category":62},53,{"score":174,"category":65},{"score":435,"category":68},{"score":162,"category":71},[81,89,85],"Website: Re:collection. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Re:collection | Home. Page content: [ - Biographies - Alistair Morrison - 1911–>1998 - M ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Falistair-morrison) [ - Archives - Maracorp Financial Services - 1980s - 23 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmaracorp-financial-services) [ - Archives - 1976–77 Victorian Council of the Arts - 1977 - 139 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fvictorian-council-br-of-the-arts) [ - Archives - Australian Architectural Convention 1962 - 1962 - 98 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Farchitecture-in-australia-spread) [ - Momentos - Melbourne Artists Supplies Card ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fmelbourne-artists-supplies-card-1987) [ - Archives - Australian Export Trends and Prospects - 1959 - 96 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faustralian-export-trends-and-prospects) [ - Biographies - Alex Stitt - 1937–>2016 - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Falex-stitt) [ - Archives - eftpos - 1986 - 184 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Feftpos) [ - Archives - Wollongong Out of Workers Dance - 1982 - 159 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fwollongong-out-of-workers-dance) [ - Archives - The Lambent Flame - 1974 - 32 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fthe-lambent-flame) [ - Archives - Ducats Milk Packaging - 1980s - 74 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fducats-milk-packaging) [ - Archives - Rural Research in CSIRO - 1970s - 197 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Frural-research-in-csiro) [ - Archives - ABPA Book Design Awards Annual 1978\u002F79 - 1979 - 57 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fabpa-book-design-awards-197879) [ - Archives - Pelaco - 1964 - 178 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fpelaco) [ - Archives - Aird Taylor Associates - 1960s - 107 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fatal-moving-notice) [ - Archives - All Australian Graffiti - 1975 - 124 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fall-australian-graphics) [ - Archives - Innova - 1978 - 59 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Finnova-newsletter) [ - Archives - IDCA 1965–66 Annual Report - 1966 - 170 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fidca-196566-annual-report) [ - Biographies - Lance Stirling - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Flance-stirling) [ - Archives - Aussie-Osities - 1988 - 157 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faussie-osities) [ - Archives - Fler Furniture - 1965 - 84 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Ffler-ad) [ - Archives - Miller - 1960s - 123 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmiller) [ - Archives - Sculpture – The Paddock - 1970 - 55 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmelbourne-university-sculpture-invite) [ - Archives - Finnskoga - 1970s - 127 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Ffinniskoga) [ - Archives - Art Director's Club of Melbourne Annual - 1969 - 144 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmelbourne-art-director-s-club-annual) [ - Archives - Gallery A Design group - 1962 - 131 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fgallery-a-design-group) [ - Biographies - Derek Wrigley - 1924–>2021 - W ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fderek-wrigley) [ - Archives - Ping Pong Ball Pack - 1960s - 50 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fping-pong-ball-pack) [ - Archives - Legacy 50th Anniversary - 1972 - 133 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Flegacy-50th-anniversary) [ - Retrospect - Barrie Tucker ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fbarrie-tucker) [ - Biographies - Heinz Grunwald - G ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fheinz-grunwald) [ - Biographies - Mimmo Cozzolino - 1949–> - C ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmimmo-cozzolino) [ - Archives - The Club - 1978 - 115 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fthe-club) [ - Archives - Reserve Bank Symbol & Artwork - 1960 - 190 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Freserve-bank-symbol) [ - Archives - Victorian Architect 34 - 1974 - 33 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fvictorian-architect-34) [ - Biographies - Brian Sadgrove - 1938–> - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fbrian-sadgrove) [ - Archives - Object & Idea - 1973 - 52 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fobject-idea) [ - Archives - Contemporary Art Society Exhibition - 1963 - 15 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fcontemporary-art-scoiety-exhibition-catalogue) [ - Archives - BP Maps - 1970s - 198 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fbp-maps) [ - Archives - Artificial Australia - 1967 - 180 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fartificial-australia) [ - Archives - A Walk Through Henry Talbot’s Head - 1968 - 148 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fa-walk-through-henry-talbot-s-head) [ - Retrospect - Garry Emery ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fretrospect-garry-emery) [ - Archives - National Bank Travel Booklet - 1970s - 1 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fnational-bank-travel-brochure) [ - Archives - Once Around the Sun - 1966 - 42 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fonce-around-the-sun) [ - Archives - Laminex Industries - 1980s - 136 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Flaminex-industries) [ - Archives - Candy Shoes - 1970s - 70 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fcandy-shoe-packaging) [ - Archives - Laugh or cry or yawn - 1970 - 193 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Flaugh-or-cry-or-yawn) [ - Biographies - Ken Cato - 1945–> - C ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fken-cato) [ - Archives - Recent International Forms in Art - 1976 - 138 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Frecent-international-forms-in-art) [ - Biographies - Les Mason - 1924–>2009 - M ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fles-mason) [ - Archives - Chelsea White Sugar - 1980s - 119 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fchelsea-white-sugar) [ - Biographies - Dianna Wells - 1961–> - W ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fdianna-wells) [ - Archives - Outlook - 1971 - 16 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Foutlook-exhibition-catalogue) [ - Biographies - Andy Schmid - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fandy-schmid) [ - Archives - The Prince Philip prize for Australian design ’68 - 1968 - 18 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fprince-philip-prize-advertisement) [ - Archives - State Bank SA - 1984 - 135 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fstate-bank-sa) [ - Archives - Liquid Air Welding Goggles - 1968 - 116 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fliquid-air-welding-goggles) [ - Archives - Alvin Purple - 1973 - 94 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Falvin-purple-logo) [ - Biographies - Geoff Digby - 1926–> - D ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fgeoff-digby) [ - Biographies - Max Robinson - 1934–> - R ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmax-robinson) [ - Biographies - Donald Fish - 1929–>2021 - F ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fdonald-fish) [ - Feature - POL ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fpol) [ - Feature - Visual Communications – the New Force in Art ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fvisual-communications-br-the-new-force-in-art) [ - Archives - Stepping Stones - 1983 - 38 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fstepping-stones-typeface) [ - Archives - RM Gow’s Washing Powder - 1979 - 7 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Frm-gow-s-washing-powder-packaging) [ - Biographies - Harry Williamson - 1940–> - W ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fharry-wiiliamson) [ - Archives - Harry Seidler 1955\u002F63 - 1963 - 3 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fharry-seidler) [ - Archives - Ludendorff - 1966 - 141 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fludendorff) [ - Archives - The Greatest Rally in Australia’s History - 1974 - 102 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fthe-greatest-rally) [ - Archives - Australian Conservation Foundation - 1972 - 4 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fconservation-logo) [ - Feature - Lyndon’s Roo ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Flyndon-s-roo) [ - Biographies - Richard Haughton ‘Jimmy’ James - 1906–>1985 - H ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Frichard-haughton-jimmy-james) [ - Archives - Picnic at Hanging Rock - 1967 - 43 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fpicnic-at-hanging-rock) [ - Archives - Department of Productivity - 1979–>1980 - 8 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fdaylight-at-work-brochure) [ - Archives - ICI Organic Chemistry - 1970s - 72 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fici-packaging) [ - Archives - MOMA Furlan Catalogue - 1962 - 25 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmoma-furlan-catalogue) [ - Archives - Ballarat Gemini Art Promotion - 1960s - 12 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fballarat-gemini-art-promotion) [ - Archives - Australian Pottery - 1970 - 179 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faustralian-pottery) [ The advertising profession pays dues with a regularity befitting a well-ordered society. - Feature - Judge’s Thoughts ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Faciaa-judge-s-thoughts) [ - Archives - Young & Sensitive - 1963 - 48 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fyoung-sensitive) [ To sort out the valid from the vapid. We should hasten to establish our commercial credentials. Soon. - Essay - Arthur Leydin: AGDA Hall of Fame ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fagda-hall-of-fame) [ - Archives - APPM Hold it! - 1974 - 47 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fappm-hold-it) [ - Archives - Theatre Australia - 1970s - 174 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Ftheatre-australia) [ - Archives - Bring Larks and Heroes - 1967 - 114 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fbring-larks-and-heroes) [ - Archives - OZ Magazine London Issue 1 - 1967 - 150 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Foz-london-issue-1) [ - Biographies - Pieter Huveneers - 1925–>2017 - H ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fpieter-huveneers) [ - Archives - Australian Productivity Council - 1980s - 161 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faustralian-productivity-council) [ - Biographies - Marita Leuver - L ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmarita-leuver) [ - Biographies - Richard Beck - 1912–>1985 - B ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Frichard-beck) [ - Archives - Ecostatin 3 - 1980 - 79 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fecostatin-3-packaging) [ - Archives - Johnson Tiles - 1967 - 173 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fjohnson-tiles) [ - Archives - A Brief History of The National Bank - 1960s - 189 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fa-brief-history-of-the-national-bank) [ - Biographies - Ha …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. Designed and developed by Public Office. The overall color palette features White, Black, Gray. Built using jQuery, Modernizr, PHP, Ubuntu. AI description: Re:collection is a sophisticated digital archive dedicated to the preservation and study of Australian graphic design from 1960 to 1990. The platform serves as a curated repository for historians, designers, and students, offering deep dives into specific biographies, corporate identities, and historical archives that shaped the visual landscape of Australia during these pivotal decades. The visual identity is unapologetically editorial and high-concept, utilizing a stark, monochrome palette that mirrors the archival nature of its content. Through bold, oversized typography and a structured grid layout, the site creates a sense of authority and timelessness. The use of high-contrast black and white imagery, combined with a minimalist interface, ensures that the historical artifacts remain the primary focus, inviting users to explore the nuances of design history with academic rigor and aesthetic appreciation.",{"id":718,"website_id":719,"page_id":718,"name":720,"slug":721,"url":722,"website_name":720,"website_slug":721,"website_url":723,"result_url":722,"fetched_at":724,"score":593,"score_boost":316,"ai_score":163,"freshness_score":725,"scored_at":726,"page_name":40,"page_url":722,"page_title":727,"page_description":728,"page_content":729,"page_sort":316,"is_home":321,"is_home_rank":322,"page_type_id":323,"page_type_name":46,"cover":730,"cover_mobile":733,"cover_sequence":735,"translations":742,"industry":696,"styles":745,"credits":747,"font_families":749,"technologies":750,"pagespeed":751,"pagespeed_mobile":756,"buckets":761,"search_payload":762},"8a16f0c5-2562-4d4e-8055-22b4f4bdcc99","df9ae9c9-06c5-4d0e-b6ad-aae4db40f93b","Sissy Screens","sissy-screens","https:\u002F\u002Fsissyscreens.com\u002F","https:\u002F\u002Fsissyscreens.com","2026-05-24T07:31:31.000Z",1779607891,"2026-05-24T20:58:58.000Z","Sissy Screens - Queer Screen Culture","Queer Screen Culture","Review Wojnarowicz [ ](https:\u002F\u002Fsissyscreens.com\u002Fwojnarowicz-f-k-you-f-ggot-f-ker\u002F) Photography Collections (Past & Present) [ ](https:\u002F\u002Fsissyscreens.com\u002Fcollections-past-present-photography-project\u002F) Review Benedetta [ ](https:\u002F\u002Fsissyscreens.com\u002Freview-benedetta\u002F) Article Wild Combination [ ](https:\u002F\u002Fsissyscreens.com\u002Fwild-combination-arthur-russell-on-film\u002F) Article Nakhane [ ](https:\u002F\u002Fsissyscreens.com\u002Fnakhane-you-will-not-die-album-interview\u002F) Interview Slava Mogutin [ ](https:\u002F\u002Fsissyscreens.com\u002Fslava-mogutin-polaroid-rage\u002F) Interview Saint-Narcisse [ ](https:\u002F\u002Fsissyscreens.com\u002Fsaint-narcisse-love-thyself-and-thy-twin\u002F) Article Zackary Drucker [ ](https:\u002F\u002Fsissyscreens.com\u002Fzackary-drucker-interview\u002F) Review Portrait of a Gaze on Fire [ ](https:\u002F\u002Fsissyscreens.com\u002Fportrait-of-a-lady-on-fire-film-review\u002F) Article Bloodsisters [ ](https:\u002F\u002Fsissyscreens.com\u002Fbloodsisters-leather-dykes-sadomasochism\u002F) Merch 'I'm A Sissy' Socks [ ](https:\u002F\u002Fsissyscreens.com\u002Fim-a-sissy-fundrasing-socks-merchandise\u002F) Uncategorized We're Hiring - Marketing & Communications Manager [ ](https:\u002F\u002Fsissyscreens.com\u002Fwere-hiring-marketing-communications-manager\u002F) Video Firsts: Carlos [ ](https:\u002F\u002Fsissyscreens.com\u002Ffirsts-video-series-carlos-estrada-first-heartbreak\u002F) Article Shakedown [ ](https:\u002F\u002Fsissyscreens.com\u002Fshakedown-documentary-interview-with-director-leilah-weinraub\u002F) Photography Mariette Pathy Allen [ ](https:\u002F\u002Fsissyscreens.com\u002Fmariette-pathy-allen-photography\u002F) Review Happiest Season [ ](https:\u002F\u002Fsissyscreens.com\u002Fnot-so-happiest-season-film-review\u002F) Article Champions of Pride [ ](https:\u002F\u002Fsissyscreens.com\u002Fchampions-of-pride\u002F) Photography Beach Boys [ ](https:\u002F\u002Fsissyscreens.com\u002Fbeach-boys-photography-sara-sousa\u002F) Video Sui Zhen X Alanis Morissette [ ](https:\u002F\u002Fsissyscreens.com\u002Fsissy-songs-sui-zhen-alanis-morisette\u002F) Merch 'I'm A Sissy' Long Sleeve Shirt [ ](https:\u002F\u002Fsissyscreens.com\u002Fim-a-sissy-fundraising-long-sleeve-shirt-merchandise\u002F) Interview Kajillionaire [ ](https:\u002F\u002Fsissyscreens.com\u002Fkajillionaire\u002F) Photography FANTASTIC THE PARTY [ ](https:\u002F\u002Fsissyscreens.com\u002Fone-night-only-inside-melbournes-fantastic-sex-party\u002F) Video Firsts: Hunter [ ](https:\u002F\u002Fsissyscreens.com\u002Ffirsts-video-series-hunters-first-time-packing\u002F) Interview Queering the Map [ ](https:\u002F\u002Fsissyscreens.com\u002Fqueering-the-map-interview\u002F) Review Hollywood [ ](https:\u002F\u002Fsissyscreens.com\u002Fhollywood-netflix-tv-show-review\u002F) Interview Ponyboi [ ](https:\u002F\u002Fsissyscreens.com\u002Friver-gallo-ponyboi-interview\u002F) Review The L Word: OG VS GQ [ ](https:\u002F\u002Fsissyscreens.com\u002Fthe-l-word-original-vs-generation-q-tv-review\u002F) Article The Carrot [ ](https:\u002F\u002Fsissyscreens.com\u002Fasis-dorange-performs-the-carrot-online-premiere\u002F) Merch 'I'm A Sissy'Jockstrap [ ](https:\u002F\u002Fsissyscreens.com\u002Fim-a-sissy-fundraising-jockstrap-merchandise\u002F) Photography Invisible Project [ ](https:\u002F\u002Fsissyscreens.com\u002Fphotography-series-invisible-project\u002F) Video Firsts: Twink Next Door [ ](https:\u002F\u002Fsissyscreens.com\u002Ffirsts-video-series-twink-next-doors-first-time-camming\u002F) Article Double-Coded Villains [ ](https:\u002F\u002Fsissyscreens.com\u002Fdouble-coded-villains-queer-and-disability-representation-article\u002F) Review The Perfection [ ](https:\u002F\u002Fsissyscreens.com\u002Fthe-perfection-netflix-tv-review\u002F) Interview Something To Talk About [ ](https:\u002F\u002Fsissyscreens.com\u002Fsomething-to-talk-about-wynne-neilly-photography-series\u002F) Review The Bisexual [ ](https:\u002F\u002Fsissyscreens.com\u002Fthe-bisexual-tv-show-review\u002F) Video Firsts: Darcy Vescio [ ](https:\u002F\u002Fsissyscreens.com\u002Ffirsts-video-series-darcy-vescio\u002F) Photography Fantasy, Man [ ](https:\u002F\u002Fsissyscreens.com\u002Ffantasy-man-matthew-papa-photography\u002F) Interview One Land To Another [ ](https:\u002F\u002Fsissyscreens.com\u002Fgary-xuguanyu-one-land-to-another-photography-series\u002F) Article Making a Monster [ ](https:\u002F\u002Fsissyscreens.com\u002Fmaking-a-monster-queer-horror-article\u002F) Video Queer Elders: Crystal Love [ ](https:\u002F\u002Fsissyscreens.com\u002Fqueer-elders-video-series-crystal-love-trailer\u002F) Interview What exactly is a Blue Corn Moon? [ ](https:\u002F\u002Fsissyscreens.com\u002Fwhat-the-fuck-is-a-blue-corn-moon\u002F) Review Pain and Glory [ ](https:\u002F\u002Fsissyscreens.com\u002Fpain-and-glory-film-review\u002F) Interview Almost Touching [ ](https:\u002F\u002Fsissyscreens.com\u002Fyael-malka-almost-touching-photo-series\u002F) Review Mare of Easttown [ ](https:\u002F\u002Fsissyscreens.com\u002Fmare-of-easttown-tv-review\u002F) Video Proof That We Existed [ ](https:\u002F\u002Fsissyscreens.com\u002Fproof-that-we-existed-finn-grey-paul-interview\u002F) Merch 'I'm A Sissy' Harness [ ](https:\u002F\u002Fsissyscreens.com\u002Fim-a-sissy-fundraising-harness-merchandise\u002F) Video Housewarming Ball [ ](https:\u002F\u002Fsissyscreens.com\u002Fhouse-of-devinhousewarming-ball\u002F) Article Music for the Doom Generation [ ](https:\u002F\u002Fsissyscreens.com\u002Fgregg-araki-music-for-the-doom-generation-article\u002F) Review Legendary [ ](https:\u002F\u002Fsissyscreens.com\u002Flegendary-tv-review\u002F) Video Are You Still Watching? [ ](https:\u002F\u002Fsissyscreens.com\u002Fare-you-still-watching\u002F) Wojnarowicz: F--k You F-ggot F--ker David Wojnarowicz made furious art only by necessity, spewing back hatred to highlight its ugliness. Chris McKim’s documentary unearths the kindness David never had much time to publicly display, while still screaming ‘fuck you’ at those responsible for his death ...READ MORE Read More Read More Read More Collections (Past & Present): Curated by Parker Blain A photography project documenting transgender\u002Fnon-binary people and their prized possessions, past and present. ...READ MORE Read More Read More Read More Benedetta: Film Review Paul Verhoeven, the puckish meister of porno-noir strikes at our silly loins once again with a filthy, explicit lesbian love story ...READ MORE Read More Read More Read More Wild Combination: Arthur Russell on Film Whilst Arthur Russell left behind a cache of amazing recordings, he is also sur …",{"id":731,"height":13,"width":12,"blurhash":732},"f21d6e9c-d6fa-42fa-87b1-6341b02a024b","radial-gradient(at 0 0,#a7b7ba,#00000000 50%),radial-gradient(at 33% 0,#ccd7d8,#00000000 50%),radial-gradient(at 67% 0,#dcdcdb,#00000000 50%),radial-gradient(at 100% 0,#cfcecd,#00000000 50%),radial-gradient(at 0 50%,#7c7a94,#00000000 50%),radial-gradient(at 33% 50%,#abb1bc,#00000000 50%),radial-gradient(at 67% 50%,#a9a4aa,#00000000 50%),radial-gradient(at 100% 50%,#8a7e90,#00000000 50%),radial-gradient(at 0 100%,#6d8386,#00000000 50%),radial-gradient(at 33% 100%,#c0c9c8,#00000000 50%),radial-gradient(at 67% 100%,#cdcdcc,#00000000 50%),radial-gradient(at 100% 100%,#b1b3b8,#00000000 50%)",{"id":734,"height":15,"width":14,"blurhash":41},"3fea7ee8-6eef-4b68-bb48-eb7448c6b326",[736,739],{"directus_files_id":737},{"id":738},"edb23312-8183-4852-b780-59d973186373",{"directus_files_id":740},{"id":741},"46b36049-0e77-42e3-b0c1-15cd9be7340f",[743],{"languages_code":422,"description":744},"Sissy Screens is a high-energy, avant-garde digital platform dedicated to queer screen culture and the promotion of LGBTQIA+ artists. Functioning as both a media outlet and a production collective via Sissy Studios, the site serves as a vital hub for interviews, reviews, and visual storytelling. It seamlessly bridges the gap between editorial content and community support through its integrated merchandise fundraising model.\n\nThe visual identity is unapologetically bold, utilizing a neo-brutalist aesthetic characterized by massive, high-contrast typography and a raw, collage-like layout. The design rejects traditional polished web conventions in favor of a chaotic yet rhythmic structure, employing vibrant color gradients, heavy borders, and a non-linear navigation style. This aesthetic choice perfectly mirrors the subversive and expressive nature of the queer artists it champions, creating a digital space that feels as radical as the content it hosts.",[559,560,746],"Vibrant \u002F Colorful",[748],"Thought & Found",[],[221,222,232,223],[752,753,754,755],{"score":168,"category":62},{"score":570,"category":65},{"score":69,"category":68},{"score":72,"category":71},[757,758,759,760],{"score":129,"category":62},{"score":570,"category":65},{"score":69,"category":68},{"score":72,"category":71},[81,89,85,582],"Website: Sissy Screens. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Sissy Screens - Queer Screen Culture. Page description: Queer Screen Culture. Page content: Review Wojnarowicz [ ](https:\u002F\u002Fsissyscreens.com\u002Fwojnarowicz-f-k-you-f-ggot-f-ker\u002F) Photography Collections (Past & Present) [ ](https:\u002F\u002Fsissyscreens.com\u002Fcollections-past-present-photography-project\u002F) Review Benedetta [ ](https:\u002F\u002Fsissyscreens.com\u002Freview-benedetta\u002F) Article Wild Combination [ ](https:\u002F\u002Fsissyscreens.com\u002Fwild-combination-arthur-russell-on-film\u002F) Article Nakhane [ ](https:\u002F\u002Fsissyscreens.com\u002Fnakhane-you-will-not-die-album-interview\u002F) Interview Slava Mogutin [ ](https:\u002F\u002Fsissyscreens.com\u002Fslava-mogutin-polaroid-rage\u002F) Interview Saint-Narcisse [ ](https:\u002F\u002Fsissyscreens.com\u002Fsaint-narcisse-love-thyself-and-thy-twin\u002F) Article Zackary Drucker [ ](https:\u002F\u002Fsissyscreens.com\u002Fzackary-drucker-interview\u002F) Review Portrait of a Gaze on Fire [ ](https:\u002F\u002Fsissyscreens.com\u002Fportrait-of-a-lady-on-fire-film-review\u002F) Article Bloodsisters [ ](https:\u002F\u002Fsissyscreens.com\u002Fbloodsisters-leather-dykes-sadomasochism\u002F) Merch 'I'm A Sissy' Socks [ ](https:\u002F\u002Fsissyscreens.com\u002Fim-a-sissy-fundrasing-socks-merchandise\u002F) Uncategorized We're Hiring - Marketing & Communications Manager [ ](https:\u002F\u002Fsissyscreens.com\u002Fwere-hiring-marketing-communications-manager\u002F) Video Firsts: Carlos [ ](https:\u002F\u002Fsissyscreens.com\u002Ffirsts-video-series-carlos-estrada-first-heartbreak\u002F) Article Shakedown [ ](https:\u002F\u002Fsissyscreens.com\u002Fshakedown-documentary-interview-with-director-leilah-weinraub\u002F) Photography Mariette Pathy Allen [ ](https:\u002F\u002Fsissyscreens.com\u002Fmariette-pathy-allen-photography\u002F) Review Happiest Season [ ](https:\u002F\u002Fsissyscreens.com\u002Fnot-so-happiest-season-film-review\u002F) Article Champions of Pride [ ](https:\u002F\u002Fsissyscreens.com\u002Fchampions-of-pride\u002F) Photography Beach Boys [ ](https:\u002F\u002Fsissyscreens.com\u002Fbeach-boys-photography-sara-sousa\u002F) Video Sui Zhen X Alanis Morissette [ ](https:\u002F\u002Fsissyscreens.com\u002Fsissy-songs-sui-zhen-alanis-morisette\u002F) Merch 'I'm A Sissy' Long Sleeve Shirt [ ](https:\u002F\u002Fsissyscreens.com\u002Fim-a-sissy-fundraising-long-sleeve-shirt-merchandise\u002F) Interview Kajillionaire [ ](https:\u002F\u002Fsissyscreens.com\u002Fkajillionaire\u002F) Photography FANTASTIC THE PARTY [ ](https:\u002F\u002Fsissyscreens.com\u002Fone-night-only-inside-melbournes-fantastic-sex-party\u002F) Video Firsts: Hunter [ ](https:\u002F\u002Fsissyscreens.com\u002Ffirsts-video-series-hunters-first-time-packing\u002F) Interview Queering the Map [ ](https:\u002F\u002Fsissyscreens.com\u002Fqueering-the-map-interview\u002F) Review Hollywood [ ](https:\u002F\u002Fsissyscreens.com\u002Fhollywood-netflix-tv-show-review\u002F) Interview Ponyboi [ ](https:\u002F\u002Fsissyscreens.com\u002Friver-gallo-ponyboi-interview\u002F) Review The L Word: OG VS GQ [ ](https:\u002F\u002Fsissyscreens.com\u002Fthe-l-word-original-vs-generation-q-tv-review\u002F) Article The Carrot [ ](https:\u002F\u002Fsissyscreens.com\u002Fasis-dorange-performs-the-carrot-online-premiere\u002F) Merch 'I'm A Sissy'Jockstrap [ ](https:\u002F\u002Fsissyscreens.com\u002Fim-a-sissy-fundraising-jockstrap-merchandise\u002F) Photography Invisible Project [ ](https:\u002F\u002Fsissyscreens.com\u002Fphotography-series-invisible-project\u002F) Video Firsts: Twink Next Door [ ](https:\u002F\u002Fsissyscreens.com\u002Ffirsts-video-series-twink-next-doors-first-time-camming\u002F) Article Double-Coded Villains [ ](https:\u002F\u002Fsissyscreens.com\u002Fdouble-coded-villains-queer-and-disability-representation-article\u002F) Review The Perfection [ ](https:\u002F\u002Fsissyscreens.com\u002Fthe-perfection-netflix-tv-review\u002F) Interview Something To Talk About [ ](https:\u002F\u002Fsissyscreens.com\u002Fsomething-to-talk-about-wynne-neilly-photography-series\u002F) Review The Bisexual [ ](https:\u002F\u002Fsissyscreens.com\u002Fthe-bisexual-tv-show-review\u002F) Video Firsts: Darcy Vescio [ ](https:\u002F\u002Fsissyscreens.com\u002Ffirsts-video-series-darcy-vescio\u002F) Photography Fantasy, Man [ ](https:\u002F\u002Fsissyscreens.com\u002Ffantasy-man-matthew-papa-photography\u002F) Interview One Land To Another [ ](https:\u002F\u002Fsissyscreens.com\u002Fgary-xuguanyu-one-land-to-another-photography-series\u002F) Article Making a Monster [ ](https:\u002F\u002Fsissyscreens.com\u002Fmaking-a-monster-queer-horror-article\u002F) Video Queer Elders: Crystal Love [ ](https:\u002F\u002Fsissyscreens.com\u002Fqueer-elders-video-series-crystal-love-trailer\u002F) Interview What exactly is a Blue Corn Moon? 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[ ](https:\u002F\u002Fsissyscreens.com\u002Fare-you-still-watching\u002F) Wojnarowicz: F--k You F-ggot F--ker David Wojnarowicz made furious art only by necessity, spewing back hatred to highlight its ugliness. Chris McKim’s documentary unearths the kindness David never had much time to publicly display, while still screaming ‘fuck you’ at those responsible for his death ...READ MORE Read More Read More Read More Collections (Past & Present): Curated by Parker Blain A photography project documenting transgender\u002Fnon-binary people and their prized possessions, past and present. ...READ MORE Read More Read More Read More Benedetta: Film Review Paul Verhoeven, the puckish meister of porno-noir strikes at our silly loins once again with a filthy, explicit lesbian love story ...READ MORE Read More Read More Read More Wild Combination: Arthur Russell on Film Whilst Arthur Russell left behind a cache of amazing recordings, he is also sur …. A Brutalist \u002F Neo-Brutalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Art & Culture industry. Designed by Thought & Found. The overall color palette features White, Black, Gray, Pink. Built using jQuery, PHP, Typekit, WordPress. AI description: Sissy Screens is a high-energy, avant-garde digital platform dedicated to queer screen culture and the promotion of LGBTQIA+ artists. Functioning as both a media outlet and a production collective via Sissy Studios, the site serves as a vital hub for interviews, reviews, and visual storytelling. It seamlessly bridges the gap between editorial content and community support through its integrated merchandise fundraising model. The visual identity is unapologetically bold, utilizing a neo-brutalist aesthetic characterized by massive, high-contrast typography and a raw, collage-like layout. The design rejects traditional polished web conventions in favor of a chaotic yet rhythmic structure, employing vibrant color gradients, heavy borders, and a non-linear navigation style. This aesthetic choice perfectly mirrors the subversive and expressive nature of the queer artists it champions, creating a digital space that feels as radical as the content it hosts."]