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Page content: - HOME - ABOUT - CONTACT - WORK select brush select brush Creative Direction Copywriting Art Direction Fun Meetings AV Production Graphic Design After Work Beers Social Media Branded Content Tip Top Tuppers Strategy and positioning Branding Jokes Web Events WhatsApp Sticker Curation Influencer Marketing Creative Direction Copywriting Art Direction Fun Meetings AV Production Graphic Design After Work Beers Social Media Branded Content Tip Top Tuppers Strategy and positioning Branding Jokes Web Events WhatsApp Sticker Curation Influencer Marketing FLIRT is a full service CREATIVE AGENCY based in Barcelona We're SILLY enough to make surprising ideas And SELLY enough to make sure they work We know what we like And it's not stuffiness but lots of stuff Like not hating monday mornings And feeling proud of urself We also like like adverts Which is why we do it with bags of PASSION That's probably what makes us do it so well Anyway, that's us NICE TO MEET YA Have a good day xxxx CONTACT EMAIL: match@ohyouflirt.com TEL: +34 938 325 577 FLIRT 2026 · - Privacy Policy. A Fun \u002F Playful, Illustrative \u002F Hand-drawn, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Brown, Orange, Green. The typography features Helvetica (Sans Serif). Built using jQuery, PHP, Slick, WordPress. AI description: FLIRT is a full-service creative agency based in Barcelona that defies the traditional, stuffy norms of the industry. With a playful and irreverent attitude, the agency offers a wide spectrum of services including branding, web design, social media, and AV production. Their philosophy is encapsulated in their circular typographic motif: taking work seriously doesn't require a serious demeanor. The visual identity is a high-energy blend of bold, oversized typography and whimsical, hand-drawn illustrations. Utilizing a vibrant color palette and a clean, white-space-heavy layout, the design feels both professional and delightfully chaotic. The brand targets modern, forward-thinking businesses that value personality, creativity, and a fresh perspective over corporate rigidity.",{"id":473,"website_id":474,"page_id":473,"name":475,"slug":476,"url":477,"website_name":475,"website_slug":476,"website_url":478,"result_url":477,"fetched_at":479,"score":201,"score_boost":349,"ai_score":350,"freshness_score":159,"scored_at":480,"page_name":45,"page_url":477,"page_title":475,"page_description":481,"page_content":482,"page_sort":349,"is_home":354,"is_home_rank":355,"page_type_id":356,"page_type_name":51,"cover":483,"cover_mobile":486,"cover_sequence":488,"translations":579,"industry":21,"styles":582,"credits":583,"font_families":585,"technologies":586,"pagespeed":587,"pagespeed_mobile":593,"buckets":598,"search_payload":600},"ed6873be-0654-4283-b1a3-e61aa83e25a8","d8cb6761-26ee-48a5-a05f-212d401911c5","Claudia Piepenbrock","claudia-piepenbrock","https:\u002F\u002Fclaudia-piepenbrock.de\u002F","https:\u002F\u002Fclaudia-piepenbrock.de","2026-05-05T19:17:51.000Z","2026-05-23T19:23:58.000Z","Claudia Piepenbrock is an artist based in Bremen, Germany.","Claudia Piepenbrock Info Claudia Piepenbrock arbeitet skulptural und mit dem dreidimensionalen Raum. Sie interessiert sich für Bewegungsrichtungen und das Verhalten von Materialien und Menschen. Regelmäßig entstehen großformatige, abstrakte Arbeiten – sowohl für den Innenraum als auch Skulpturen im öffentlichen Raum. In der Regel nehmen ihre Arbeiten die Bedingungen und Gegebenheiten von Raum auf und schreiben neue Wahrnehmungsverhältnisse in ihn ein. Annette Hans, (2024). Zitat aus Eröffnungsrede Altes Kelloggs Gelände Stephanikirchenweide 19 28217 Bremen (Germany) kontakt@claudia-piepenbrock.de Ausbildung 2015-2016 - Meisterschülerin, Hochschule für Künste Bremen 2015 - MFA, University of Guelph, Kanada, Sandra Rechico 2010-2015 - Diplom, Hochschule für Künste Bremen, Prof. Franka Hörnschemeyer; Fritz Balthaus 2009-2010 - University of applied sciences and arts, Ottersberg, Prof. Jochen Stenschke 2006-2008 - Atelier 3210, Paderborn, Christina Strunz Auslandsaufenthalte in Russland (2021), Kanada, USA (2015\u002F16), Kuba, Bolivien, Peru, Ecuador, Kolumbien, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexiko (2012\u002F13), Neuseeland, Samoa, Thailand, Laos, Kambodscha (2008\u002F09) Einzelausstellungen 2022 - _Tilt_, Galerie Philipp Anders, Spinnerei Leipzig - _Signature: Principles of Negative Space_, Tisa-Stiftung, Dorsten 2021 - _Stilllife restaurant_, Garage Studios Moskow, RU - _Trigger & Trap_, Weserburg Museum für moderne Kunst, Bremen 2020 - _Sprechöse_, Kunsthalle Weseke 2019 - _steg zu steg_, Kunstverein Cuxhaven - _on hollows_, Josef Filipp Galerie, Spinnerei Leipzig - _zustand in zonen_, Gerhard Marcks Haus Bremen 2018 - _Transparentgetrennt_, Sparkassen Zentrale Hannover 2017 - _Blaues Zeitembargo_, Kunstverein Hannover - _Chronisten der Darstellung_, Kunsthaus Essen 2016 - _Tabula rasa_, Josef Filipp Galerie, Spinnerei Leipzig Gruppenausstellungen (Auswahl) 2024 - JUNGE KUNST Skulpturenpreis 2024, Skulpturenpark, Heidelberg - Enter Art Fair 2024, Kopenhagen, DNK - Comeback, Kunstverein, Rotenburg - the un in visit, WRG Sensor, Braunschweig - Heitland Foundation, Kunstverein Celle 2023 - Everyone an Island After All? GAK Gesellschaft für Aktuelle Kunst, Bremen - _So wie wir sind_, Weserburg Museum für moderne Kunst, Bremen 2022 - _So wie wir sind 4.0_, Weserburg Museum für moderne Kunst, Bremen 2021 - _48 Stunden Festival_, Novosibirsk, RU - _Tote gibt ́s hier genug, Fünf lebendige Positionen_, Worpswede - _So wie wir sind 3.0_, Weserburg Museum für moderne Kunst, Bremen 2020 - _twittering machine_, Burg Giebichenstein Halle 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft - _Conditions of production_, Eleftheria Tseliou Gallery, Athen, GRC 2016 - _In the Making_, Reiter prospect, Berlin - _Trafo of Art,_ OnArte, Minusio, CHE - _Heal the World_, Weserburg, Bremen 2015 - _LOT_, China Town Toronto, CAN \u002F North End Studios, Detroit, USA - _Kunststudenten stellen aus_, Bundeskunsthalle, Bonn 2014 - _Landgänge_, GAK Gesellschaft für aktuelle Kunst, Bremen - _Die große Kunstschau_, Roseliusmuseum, Worpswede 2013 - _space,_ Lichtenberg Studios, Berlin 2012 - _fuckingfast_, Begleitprogramm documenta XIII, MS Import\u002FExport, Kassel Projekte (Auswahl) 2021-2023 - _Stilllife train_, Trans-Seberian railway, andy&cloud, (André Sassenroth & Claudia Piepenbrock) 2022 - _ME AND MY MEAN GIRLFRIENDS_, art quarter budapest , HU since 2021 - _n.a.s.a__._, andy&cloud - _BZG__. Bremer Zonen Gang GbR_, Stadtentwicklung - _Brief an die Welt_, Hannover, IGS Langenhagen, andy&cloud 2015-2016 - _LOT__, Lack of transmission_, Wanderausstellung, Projekt Leitung since 2014 - _pass-port_, andy&cloud 2012 - _La Crueldad_, Bienal Internacional de Santa Cruz de la Sierra, Assistenz, BOL - _fuckingfast_, Begleitprogramm zur documenta XIII, MS Import\u002FExport, Co-project management, Kassel Auszeichnungen\u002FStipendien 2024 - Heitland Foundation, Kunstverein Celle 2022 - NEUSTART-Stipendium der Stiftung Kunstfonds 2020 - 8 Tisa-Preis, Dorsten 2021 - Garage Studios Moskow, Golubitskoe Art Residency, Zarya Center Vladivostock, Stipendium, RU 2019 - Bremer Kunst Satellit, Reisestipendium 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft (nominiert) 2016 - Preis des Kunst­vereins, Atelierstipendium Villa Minimo, Hannover - Karin Hollweg Preis, Bremen - New Materiality, Stipendium Banff-Center, Kanada 2015 - DAAD-Stipendium, Guelph, Kanada - fortress Studio Stipendium, Detroit, USA 2014 - Paula Modersohn-Becker-Förderpreis, Worpswede Publikation 2023 - _moving still life_, Kunst Satellit 14, Ursula van den Busch, Ivan Isaev, Susanne Schattenberg, Tim Voss, André Sassenroth und Claudia Piepenbrock 2022 - _ME AND MY MEAN GIRLFRIENDS_, Artist Book with Tímea Anita Piróth, Emese Kazár, Doris Weinberger, Bea Kusovszky, Pia Pollmanns, Claudia Piepenbrock 2020 - _6UL_, Dr. Bettina Ruhrberg, Uwe-Carsten Günther and the artists - _I Love Women In Art_, 100 Frauen vorgestellt von Frauen aus Kunst und Kultur 2019 - _zustand in zonen_, Gerhard Marcks Haus Bremen, Veronika Wiegartz, Arie Hartog, Guus van Engelshoven, Sam Cornish - _Artists´ Books for Everthing_, Weserburg Museum für moderne Kunst Zentrum für Künstlerpublikationen 2018 - _Claudia Piepenbrock_, Kunstverein Hannover, Ute Stuffer, Sandra Hampe, Uwe Schramm, Elmas Senol - _Artist Kunstmagazin_, Ausgabe Nr. 115. Reiner Beßling 2017 - _RE\u002FTREATS OF THE CONTEMPORARY_, Vordemberge Gildewart Award, Kestner Gesellschaft Hannover 2016 - _HEAL THE WORLD_, Ingo Clauß, Peter Friese 2015 - _LOT. Lack of transmission_, online publikation. - _home art stories_, Städtische Galerie Delmenhorst, Sandra Hampe 2014 - _Paula Modersohn Becker Kunstpreis_ 2011 - _SOMMERANFANG KLEINERWERDEN_, Michael Glasmeier This Legal Notice complies with the German laws under § 5 TMG and § 55 RStV. Liability for Content: The contents of our website have been created with the greatest possible care. However, we cannot guarantee the contents’ accuracy, completeness, or topicality. According to Section 7, paragraph 1 of the TMG (Telemediengesetz - German Telemedia Act), we as service providers are liable for our content on these pages by general laws. However, according to Sections 8 to 10 of the TMG, we service providers are not obliged to monitor external information transmitted or stored or investigate circumstances pointing to illegal activity. Obligations to remove or block the use of information under general laws remain unaffected. However, a liability in this regard is only possible from the moment of knowledge of a specific infringement. Upon notification of such violations, we will remove the content immediately. Liability for Links: Our website contains links to external websites, over whose contents we have no control. Therefore, we cannot accept any liability for these external contents. The respective provider or operator of the websites is always responsible for the contents of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal contents were not identified at the time of linking. However, permanent monitoring of the contents of the linked pages is not reasonable without specific indications of a violation. Upon notification of violations, we will remove such links immediately. Copyright: The contents and works on these pages created by the site operator are subject to German copyright law. The duplication, processing, distribution, and any kind of utilization outside the limits of copyright require the written consent of the respective author or creator. Downloads and copies of these pages are only permitted for private, non-commercial use. In so far as the contents on this site were not created by the operator, the copyrights of third parties are respected. In particular, third-party content is marked as such. Should you become aware of a copyright infringement, please inform us accordingly. Upon notification of violations, we will remove such contents immediately. Design & Development: Cabinet Gold van d’Vlies, www.goldvandvlies.com 2024–2025 Seats Next Circuit - Public Space - Work Claudia Piepenbrock — Seats Next Circuit, 2024 2021–2023 moving still-life - Project - Publication Claudia Piepenbrock — moving still-life, 2021 2022 Tilt, Outlines Our Motion - Exhibition Claudia Piepenbrock — Tilt, Outlines Our Motion, 2022 2022 Signature: Principles of Negative Space - Installation - Work Claudia Piepenbrock — Signature: Principles of Negative Space, 2022 2022 Me and my mean girlfriends - [Project](https:\u002F\u002Fclaudia-piepenbrock.de\u002Fcategories:projec …",{"id":484,"height":13,"width":12,"blurhash":485},"473a188f-3237-4bdb-9eda-9e1c42c3ddb2","radial-gradient(at 0 0,#ecedea,#00000000 50%),radial-gradient(at 33% 0,#fcfcfa,#00000000 50%),radial-gradient(at 67% 0,#cfcecf,#00000000 50%),radial-gradient(at 100% 0,#78737d,#00000000 50%),radial-gradient(at 0 50%,#f5f6f2,#00000000 50%),radial-gradient(at 33% 50%,#fffffe,#00000000 50%),radial-gradient(at 67% 50%,#cccfc8,#00000000 50%),radial-gradient(at 100% 50%,#6d735e,#00000000 50%),radial-gradient(at 0 100%,#fffffd,#00000000 50%),radial-gradient(at 33% 100%,#ffffff,#00000000 50%),radial-gradient(at 67% 100%,#edefe8,#00000000 50%),radial-gradient(at 100% 100%,#c5c8bf,#00000000 50%)",{"id":487,"height":15,"width":14,"blurhash":46},"e114c165-dc04-4ded-a586-99d0d3125039",[489,492,495,498,501,504,507,510,513,516,519,522,525,528,531,534,537,540,543,546,549,552,555,558,561,564,567,570,573,576],{"directus_files_id":490},{"id":491},"31adac93-3db8-4b70-bd40-000f7448faa5",{"directus_files_id":493},{"id":494},"b1c33072-de7c-4fc1-be42-9d856499eca7",{"directus_files_id":496},{"id":497},"0f7a8d6d-08d8-4657-95fd-a1192b5a7826",{"directus_files_id":499},{"id":500},"50e6bdbc-95f2-459d-a0df-7c16007bb233",{"directus_files_id":502},{"id":503},"6f737310-8d61-4998-af72-004b2fe06beb",{"directus_files_id":505},{"id":506},"02e926c9-29f1-403e-90cf-8acb5bb19a38",{"directus_files_id":508},{"id":509},"60a3d59b-b470-437a-ba37-13a79b21a8d5",{"directus_files_id":511},{"id":512},"acff5291-3776-48d8-b4b0-aafed41d50fb",{"directus_files_id":514},{"id":515},"e1cf4fcb-3b3b-4905-999a-74e572385e82",{"directus_files_id":517},{"id":518},"ea782cab-94b8-4422-bbec-a93001df0535",{"directus_files_id":520},{"id":521},"3e137039-389f-4c23-8588-f709a88bae26",{"directus_files_id":523},{"id":524},"5c464839-7709-4370-aed4-a07265c17049",{"directus_files_id":526},{"id":527},"df5eea8e-b51d-4302-bf79-44f9ec2a2275",{"directus_files_id":529},{"id":530},"691e148f-a060-4a5b-9637-6ad8eb038252",{"directus_files_id":532},{"id":533},"32668954-1951-459b-adc1-c16bd17f2b07",{"directus_files_id":535},{"id":536},"779ffd63-9172-4cdb-a71d-bd6f9ef9ad05",{"directus_files_id":538},{"id":539},"2d8de8ef-7f8a-4c37-a5e1-6e1c8b448247",{"directus_files_id":541},{"id":542},"55909d6f-0500-4320-81ee-35221c2813f0",{"directus_files_id":544},{"id":545},"26f3fe6b-254c-45bc-818b-3127d4dd0307",{"directus_files_id":547},{"id":548},"993e7486-b9c3-4aef-a44a-f16d675803d2",{"directus_files_id":550},{"id":551},"a45096f1-3c15-442a-b1ff-357dce3f59f4",{"directus_files_id":553},{"id":554},"0c18a33d-3884-45db-bd43-a67a70d0fe84",{"directus_files_id":556},{"id":557},"a37e9060-ae06-4ae3-89d5-e74284a6c4c4",{"directus_files_id":559},{"id":560},"c30ddbea-8936-45c7-94bc-7495eeae3dd7",{"directus_files_id":562},{"id":563},"f3557a5d-80d7-4cba-b315-7f115ecd8882",{"directus_files_id":565},{"id":566},"af59d9ef-c51b-44c5-ba39-f2e5f7c79cff",{"directus_files_id":568},{"id":569},"895bba61-378f-4392-81f1-c6aa277fe6d9",{"directus_files_id":571},{"id":572},"2133c55c-108d-438b-b4c9-d2c0eb5c7238",{"directus_files_id":574},{"id":575},"26c04cdd-c514-4ce8-bc38-7c500f73a692",{"directus_files_id":577},{"id":578},"e20e9982-58ab-47fb-8975-294a29ed3899",[580],{"languages_code":443,"description":581},"Claudia Piepenbrock's digital portfolio serves as a sophisticated, minimalist archive for her multidisciplinary artistic practice. The website functions as a curated exhibition space, presenting a diverse range of projects including public installations, publications, and exhibitions. Through a structured, grid-based layout, the site allows viewers to navigate her body of work—from 'Seats Next Circuit' to 'moving still-life'—with ease, emphasizing the conceptual depth of each piece.\n\nThe visual identity is defined by a rigorous, high-end minimalist aesthetic that prioritizes whitespace and elegant typography. A clean, asymmetric grid system organizes text and imagery, creating a sense of rhythmic movement that mirrors the artist's themes of space and motion. The use of a neutral color palette and large-scale, high-quality imagery ensures that the focus remains entirely on the art itself, appealing to curators, collectors, and academic audiences seeking a professional and contemplative digital presence.",[30,26,34],[584],"Cabinet Gold van d’Vlies",[],[],[588,590,591,592],{"score":589,"category":96},98,{"score":100,"category":99},{"score":113,"category":102},{"score":113,"category":105},[594,595,596,597],{"score":109,"category":96},{"score":100,"category":99},{"score":113,"category":102},{"score":113,"category":105},[118,599,467],"gray","Website: Claudia Piepenbrock. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Claudia Piepenbrock. Page description: Claudia Piepenbrock is an artist based in Bremen, Germany.. Page content: Claudia Piepenbrock Info Claudia Piepenbrock arbeitet skulptural und mit dem dreidimensionalen Raum. Sie interessiert sich für Bewegungsrichtungen und das Verhalten von Materialien und Menschen. Regelmäßig entstehen großformatige, abstrakte Arbeiten – sowohl für den Innenraum als auch Skulpturen im öffentlichen Raum. In der Regel nehmen ihre Arbeiten die Bedingungen und Gegebenheiten von Raum auf und schreiben neue Wahrnehmungsverhältnisse in ihn ein. Annette Hans, (2024). Zitat aus Eröffnungsrede Altes Kelloggs Gelände Stephanikirchenweide 19 28217 Bremen (Germany) kontakt@claudia-piepenbrock.de Ausbildung 2015-2016 - Meisterschülerin, Hochschule für Künste Bremen 2015 - MFA, University of Guelph, Kanada, Sandra Rechico 2010-2015 - Diplom, Hochschule für Künste Bremen, Prof. Franka Hörnschemeyer; Fritz Balthaus 2009-2010 - University of applied sciences and arts, Ottersberg, Prof. Jochen Stenschke 2006-2008 - Atelier 3210, Paderborn, Christina Strunz Auslandsaufenthalte in Russland (2021), Kanada, USA (2015\u002F16), Kuba, Bolivien, Peru, Ecuador, Kolumbien, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexiko (2012\u002F13), Neuseeland, Samoa, Thailand, Laos, Kambodscha (2008\u002F09) Einzelausstellungen 2022 - _Tilt_, Galerie Philipp Anders, Spinnerei Leipzig - _Signature: Principles of Negative Space_, Tisa-Stiftung, Dorsten 2021 - _Stilllife restaurant_, Garage Studios Moskow, RU - _Trigger & Trap_, Weserburg Museum für moderne Kunst, Bremen 2020 - _Sprechöse_, Kunsthalle Weseke 2019 - _steg zu steg_, Kunstverein Cuxhaven - _on hollows_, Josef Filipp Galerie, Spinnerei Leipzig - _zustand in zonen_, Gerhard Marcks Haus Bremen 2018 - _Transparentgetrennt_, Sparkassen Zentrale Hannover 2017 - _Blaues Zeitembargo_, Kunstverein Hannover - _Chronisten der Darstellung_, Kunsthaus Essen 2016 - _Tabula rasa_, Josef Filipp Galerie, Spinnerei Leipzig Gruppenausstellungen (Auswahl) 2024 - JUNGE KUNST Skulpturenpreis 2024, Skulpturenpark, Heidelberg - Enter Art Fair 2024, Kopenhagen, DNK - Comeback, Kunstverein, Rotenburg - the un in visit, WRG Sensor, Braunschweig - Heitland Foundation, Kunstverein Celle 2023 - Everyone an Island After All? GAK Gesellschaft für Aktuelle Kunst, Bremen - _So wie wir sind_, Weserburg Museum für moderne Kunst, Bremen 2022 - _So wie wir sind 4.0_, Weserburg Museum für moderne Kunst, Bremen 2021 - _48 Stunden Festival_, Novosibirsk, RU - _Tote gibt ́s hier genug, Fünf lebendige Positionen_, Worpswede - _So wie wir sind 3.0_, Weserburg Museum für moderne Kunst, Bremen 2020 - _twittering machine_, Burg Giebichenstein Halle 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft - _Conditions of production_, Eleftheria Tseliou Gallery, Athen, GRC 2016 - _In the Making_, Reiter prospect, Berlin - _Trafo of Art,_ OnArte, Minusio, CHE - _Heal the World_, Weserburg, Bremen 2015 - _LOT_, China Town Toronto, CAN \u002F North End Studios, Detroit, USA - _Kunststudenten stellen aus_, Bundeskunsthalle, Bonn 2014 - _Landgänge_, GAK Gesellschaft für aktuelle Kunst, Bremen - _Die große Kunstschau_, Roseliusmuseum, Worpswede 2013 - _space,_ Lichtenberg Studios, Berlin 2012 - _fuckingfast_, Begleitprogramm documenta XIII, MS Import\u002FExport, Kassel Projekte (Auswahl) 2021-2023 - _Stilllife train_, Trans-Seberian railway, andy&cloud, (André Sassenroth & Claudia Piepenbrock) 2022 - _ME AND MY MEAN GIRLFRIENDS_, art quarter budapest , HU since 2021 - _n.a.s.a__._, andy&cloud - _BZG__. Bremer Zonen Gang GbR_, Stadtentwicklung - _Brief an die Welt_, Hannover, IGS Langenhagen, andy&cloud 2015-2016 - _LOT__, Lack of transmission_, Wanderausstellung, Projekt Leitung since 2014 - _pass-port_, andy&cloud 2012 - _La Crueldad_, Bienal Internacional de Santa Cruz de la Sierra, Assistenz, BOL - _fuckingfast_, Begleitprogramm zur documenta XIII, MS Import\u002FExport, Co-project management, Kassel Auszeichnungen\u002FStipendien 2024 - Heitland Foundation, Kunstverein Celle 2022 - NEUSTART-Stipendium der Stiftung Kunstfonds 2020 - 8 Tisa-Preis, Dorsten 2021 - Garage Studios Moskow, Golubitskoe Art Residency, Zarya Center Vladivostock, Stipendium, RU 2019 - Bremer Kunst Satellit, Reisestipendium 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft (nominiert) 2016 - Preis des Kunst­vereins, Atelierstipendium Villa Minimo, Hannover - Karin Hollweg Preis, Bremen - New Materiality, Stipendium Banff-Center, Kanada 2015 - DAAD-Stipendium, Guelph, Kanada - fortress Studio Stipendium, Detroit, USA 2014 - Paula Modersohn-Becker-Förderpreis, Worpswede Publikation 2023 - _moving still life_, Kunst Satellit 14, Ursula van den Busch, Ivan Isaev, Susanne Schattenberg, Tim Voss, André Sassenroth und Claudia Piepenbrock 2022 - _ME AND MY MEAN GIRLFRIENDS_, Artist Book with Tímea Anita Piróth, Emese Kazár, Doris Weinberger, Bea Kusovszky, Pia Pollmanns, Claudia Piepenbrock 2020 - _6UL_, Dr. Bettina Ruhrberg, Uwe-Carsten Günther and the artists - _I Love Women In Art_, 100 Frauen vorgestellt von Frauen aus Kunst und Kultur 2019 - _zustand in zonen_, Gerhard Marcks Haus Bremen, Veronika Wiegartz, Arie Hartog, Guus van Engelshoven, Sam Cornish - _Artists´ Books for Everthing_, Weserburg Museum für moderne Kunst Zentrum für Künstlerpublikationen 2018 - _Claudia Piepenbrock_, Kunstverein Hannover, Ute Stuffer, Sandra Hampe, Uwe Schramm, Elmas Senol - _Artist Kunstmagazin_, Ausgabe Nr. 115. Reiner Beßling 2017 - _RE\u002FTREATS OF THE CONTEMPORARY_, Vordemberge Gildewart Award, Kestner Gesellschaft Hannover 2016 - _HEAL THE WORLD_, Ingo Clauß, Peter Friese 2015 - _LOT. Lack of transmission_, online publikation. - _home art stories_, Städtische Galerie Delmenhorst, Sandra Hampe 2014 - _Paula Modersohn Becker Kunstpreis_ 2011 - _SOMMERANFANG KLEINERWERDEN_, Michael Glasmeier This Legal Notice complies with the German laws under § 5 TMG and § 55 RStV. Liability for Content: The contents of our website have been created with the greatest possible care. However, we cannot guarantee the contents’ accuracy, completeness, or topicality. According to Section 7, paragraph 1 of the TMG (Telemediengesetz - German Telemedia Act), we as service providers are liable for our content on these pages by general laws. However, according to Sections 8 to 10 of the TMG, we service providers are not obliged to monitor external information transmitted or stored or investigate circumstances pointing to illegal activity. Obligations to remove or block the use of information under general laws remain unaffected. However, a liability in this regard is only possible from the moment of knowledge of a specific infringement. Upon notification of such violations, we will remove the content immediately. Liability for Links: Our website contains links to external websites, over whose contents we have no control. Therefore, we cannot accept any liability for these external contents. The respective provider or operator of the websites is always responsible for the contents of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal contents were not identified at the time of linking. However, permanent monitoring of the contents of the linked pages is not reasonable without specific indications of a violation. Upon notification of violations, we will remove such links immediately. Copyright: The contents and works on these pages created by the site operator are subject to German copyright law. The duplication, processing, distribution, and any kind of utilization outside the limits of copyright require the written consent of the respective author or creator. Downloads and copies of these pages are only permitted for private, non-commercial use. In so far as the contents on this site were not created by the operator, the copyrights of third parties are respected. In particular, third-party content is marked as such. Should you become aware of a copyright infringement, please inform us accordingly. Upon notification of violations, we will remove such contents immediately. Design & Development: Cabinet Gold van d’Vlies, www.goldvandvlies.com 2024–2025 Seats Next Circuit - Public Space - Work Claudia Piepenbrock — Seats Next Circuit, 2024 2021–2023 moving still-life - Project - Publication Claudia Piepenbrock — moving still-life, 2021 2022 Tilt, Outlines Our Motion - Exhibition Claudia Piepenbrock — Tilt, Outlines Our Motion, 2022 2022 Signature: Principles of Negative Space - Installation - Work Claudia Piepenbrock — Signature: Principles of Negative Space, 2022 2022 Me and my mean girlfriends - [Project](https:\u002F\u002Fclaudia-piepenbrock.de\u002Fcategories:projec …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. Designed and developed by Cabinet Gold van d’Vlies. The overall color palette features White, Gray, Black. AI description: Claudia Piepenbrock's digital portfolio serves as a sophisticated, minimalist archive for her multidisciplinary artistic practice. The website functions as a curated exhibition space, presenting a diverse range of projects including public installations, publications, and exhibitions. Through a structured, grid-based layout, the site allows viewers to navigate her body of work—from 'Seats Next Circuit' to 'moving still-life'—with ease, emphasizing the conceptual depth of each piece. The visual identity is defined by a rigorous, high-end minimalist aesthetic that prioritizes whitespace and elegant typography. A clean, asymmetric grid system organizes text and imagery, creating a sense of rhythmic movement that mirrors the artist's themes of space and motion. The use of a neutral color palette and large-scale, high-quality imagery ensures that the focus remains entirely on the art itself, appealing to curators, collectors, and academic audiences seeking a professional and contemplative digital presence.",{"id":602,"website_id":603,"page_id":602,"name":604,"slug":605,"url":606,"website_name":604,"website_slug":605,"website_url":607,"result_url":606,"fetched_at":608,"score":106,"score_boost":349,"ai_score":159,"freshness_score":113,"scored_at":609,"page_name":45,"page_url":606,"page_title":610,"page_description":46,"page_content":611,"page_sort":349,"is_home":354,"is_home_rank":355,"page_type_id":356,"page_type_name":51,"cover":612,"cover_mobile":615,"cover_sequence":617,"translations":621,"industry":21,"styles":624,"credits":626,"font_families":628,"technologies":629,"pagespeed":630,"pagespeed_mobile":636,"buckets":642,"search_payload":644},"70222d17-a6b4-4c97-b9d4-6dd375332982","da96d78d-f40a-4c03-b93e-43e4fdeb15a7","Plot Twist","pplottwistt","https:\u002F\u002Fpplottwistt.com\u002F","https:\u002F\u002Fpplottwistt.com","2026-05-23T19:23:26.000Z","2026-05-23T19:24:13.000Z","plot twist","Info - _plot twist_ was initiated by Jo Kali and Georgie Sinclair in 2018. From 2018 - 2020 it was held at fanfare, but the third season, which begins in November 2020, will take place online. - We borrow from Sara Ahmed’s citation policy in _Living a Feminist Life_, in which she encourages us to view citations as (re)productive technologies – a tool that circumscribes the world around certain bodies. As such, we prioritise the work of women, trans, non-binary, queer, black, indigenous, POC, working-class, disabled, and other marginalised bodies in our resources and reading materials: “Citations can be feminist bricks: they are the materials through which, from which, we create our dwellings.” Ahmed, _Living a Feminist Life_, p.16. - Announcements for our reading groups are sent to our mailing list every month, to which you must RSVP in order to participate. - There is a maximum of 12 spots for each session which are offered on a first come first serve basis. - All resources and materials are provided digitally prior to each session. - Meetings are held in English. - _fanfare_, our host venue for our in-person events and reading groups, is on the ground floor and wheelchair accessible. - _plot twist_ aims to offer a safe space for everyone involved. Any form of bigotry – racism, sexism, classism, homophobia, transphobia and ableism – is not tolerated, and you will be asked you to leave if you behave in a way that offends or upsets others. - See our community guidelines for more info on how we run things. - Occasionally, we organise public activities and events, which are announced via our social media channels. News July 13 2021 EMBRACING VALUE Max Haiven writes that western society is suffering a crisis of imagination, with the seamless spread of capitalism into every part of our lives. In the next and final session of the season, we are reading from the zine Radical Care: Embracing Feminist Finance, to challenge our thinking about money, explore ideas about finance that lie outside of our current economic paradigm, and think about how these may be put into practice. Within capitalism, economic systems impact us all yet they can often seem far removed or complex to the point of abstraction. For this session, you will need no prior knowledge of these topics as we will be learning together. We will look to hopeful models – such as open value cooperation and local currencies – to embrace different values, with a focus on locality, cooperation, and care. The zine asks the question: \"If you could break down one patriarchal structure within the current economic paradigm, which would it be and what would you replace it with?\" To answer this, we can look at suggested models from the zine and supporting texts, such as gift economies to social and artistic initiatives, to speculate on new ecosystems of value. Hosted by Kate Frances Lingard and Rebecca Gill Reading List July 2021 Radical Care: Embracing Feminist Finance Amateur Cities in collaboration with The Institute of Network Cultures News May 31 2021 BAD READER BAD READER\\ is an ongoing study group dedicated to exploring phenomenologies, politics, and practices of reading. The project is rooted in a desire to better understand our attachments and relationships to the textual form, and engage with wider questions around meaning, language, semiotics, citation, forms of writing, and alternative ways of knowing. In the first iteration of the BAD READER series, we will read Lydia Davis’ ‘Fragmentary or Unfinished’ from her latest essay collection Essays (2019), alongside a few passages from Roland Barthes’ The Pleasure of the Text (1973). Davis’ essay looks at the fragmentary text to ask questions about the idea of wholeness or completion in a work, and how the form lends itself to grief, thinking (as a process), incoherency, and the destruction of narrative. In The Pleasure of the Text, Barthes theorises on what it means to enjoy a text, insisting on the importance of developing an erotics of reading. It is also written in fragments ;-). \\BAD READER is a series of reading sessions organised by Jo Kali and Georgie Sinclair. It will be integrated periodically (as and when fit) into the plot twist programme between 2021-2022. Reading sessions are non-committal; you do not need to have participated in previous or plan to attend future iterations of BAD READER to join. We hope to share more information on the expanded programme soon. Reading List May 2021 'Fragmentary or Unfinished' from Essays Lydia Davis The Pleasure of the Text Roland Barthes News May 5 2020 THIS IS WHAT THE TRUTH FEELS LIKE \"it is often said that the internet is full of disinformation, but what is deemed disinformation in the eyes of one, is truthful and important information in the eyes of another. everyone should be able to establish their own truths. but at the same time, speaking for myself (Sarah), when people adhere to certain truths that i do not share (such as hard-core anti-vaxxers), i can become agitated or impatient. in this session, we will ask questions such as: what makes something ‘true’? what different types of truths exist? is it important to have shared truths? and when is it reasonable to try to correct someone’s personal truths?\" Hosted by Sarah Eskens Reading List May 2021 The State of the Fact The Believer w\u002F Morgan Parker & Rachel Khong Private Fears in Public Space Lida Maxwell The yoga world is riddled with anti-vaxxers and QAnon believers Cécile Guerin Seeking After Truth bell hooks If women are hesitant about the vaccine, it's because the health industry hasn't earned their trust Araw Mahdawi Why we can't have our facts back Noortje Marres News April 6 2021 TENDING RETREAT ‘I am becoming part of his vegetal network too.’- Rebecca May Johnson In this session, we will explore the utopian potentials of land cultivation: the possibilities and pitfalls of retreating to the garden. Since March 2020, desires for the bucolic escape of #cottagecore have filtered across the socials- images of gardening, allotments, and analogue forms of domestic living offering both an aesthetic respite, and a stark contrast, to the varied experiences of an urban lockdown. Looking at various forms of pastoral maintenance we will discuss the ways these texts use land to explore themes of care, escape, and community- in addition to problematising the political undertones these trends can gesture to. How might issues of land ownership, climate grief, and gendered forms of care intertwine in a desire to grow our own herbs? Hosted by Loren Ewart Reading List April 2021 The Disturbances of the Garden Jamaica Kincaid Qualities of Earth Rebecca May Johnson Why queer teens are embracing cottagecore i-D News March 2 2021 Collective reading and discussion of Unknown Language by Huw Lemmey & Hildegard von Bingen \"Long before the collapse of the Information Age, in the twelfth century since the appearance of the prophet Christ, young Hildegard finds grace. In this story of survival and miracles, Hildegard encounters love, both queer and divine, and great peril. As the visionary healer travels through the unfamiliar landscape following a great cataclysm, she discovers the mythic quantum energy of viriditas in the natural world around her. Her journey becomes one of return, to the sacred truth of her own being. Hildegard’s tale is received in the plague year of 2020 by Alice Spawls, and then in the next century, in a sea cave with cracked amethyst walls. On planet Avaaz, once known as Earth, Bhanu Kapil’s Pinky Agarwalia finds fragments of a beautiful codex. Lingua Ignota, Hildegard's unknown language, bears seeds of renewal for a world in flux.\" Reading List March 2021 Unknown Language Huw Lemmey & Hildegard von Bingen News February 19 2021 OUT NOW: PLOT TWIST II plot twist ii is an anthology of short stories and essays from the hosts of our 2019-2020 programme. Our work as a reading group is often intangible to those who don't participate in the sessions, so – in lieu of our intended public event last summer – we chose to produce something in print to share with a wider audience. plot twist ii includes: - meditations on privacy, work, failure, and friendship - a sci-fi tale in four acts - auto-theory on books that 'stick' - two essays on food and the cultural politics of disgust - sensory creative fiction on dizziness and giddiness - an illustrated guide on practicing empathy - extended reading lists of our reading groups 2019-2020 - a BEAUTIFUL A3 limited-edition riso printed poster With contributions from Andreea Breazu, Angelica Sgouros, Elisa Grasso, Georgie Sinclair, Jo Kali, Juliette Lizotte, Loren Ewart, Lucia Dove, Naomi Credé, Rosie Haward, and Sarah Eskens. Designed by Juliette Lizotte and Lucie de Bréchard. It would mean the world to us if you could support us and these small book shops by buying a copy! San Serriffe (@sanserriffe) in Amsterdam, NL Rile\\* (rile.space) in Brussels, BE Good Press(good.press) in Glasgow, UK News February 2 2021 REMEMBERING, BARELY Lowkey writing workshop focused on autobiographical memory-writing Writing memories can change our perception of how life was. Feelings we might feel somewhat estranged from in this state of locked-up “half-living”, such as shame, desire, joy and loss are mediated through the temporal distance from our ‘other selves’. In this session, by looking at different writers’ approaches to memory-writing, we will experiment with what it means to remember. How do we write our past selves? The way memories feel might change over time: seen from a distance, we can put memories into their political, class or cultural context, like scattered pieces of a puzzle. Hosted by Ida Blom Reading List February 2021 from The Happening Annie Ernaux from Cockroaches Scholastique Mukasonga from Childhood Tove Ditlevsen News January 6 2020 CRIP-TIME: BENDING THE CLOCK “Crip time is flex time not just expanded but exploded; it requires re-imagining our notions of what can and should happen in time, or recognizing how expectations of 'how long things take' are based on very particular minds and bodies. Rather than bend disabled bodies and minds to meet the clock, crip time bends the clock to meet disabled bodies and minds.\" Alison Kafer In this session, we will think through the notion of ‘Crip Time’. Our brains and bodies all process and understand time in different ways, but for some people there is a heightened disparity between theirs and “regular” (often ableist) visions of time in daily life. In a culture where productivity and an attitude of “getting stuff done” is also a measure of self-worth, it’s important to recognise how these feed into and perpetuate the pathologization of people with disabilities. Being late, not finishing, sleeping too much or at irregular hours all spring from the same rigid and exclusionary sense that time is organised and experienced by everybody in the same way. Hosted by Elisa Grasso Reading List January 2020 Feminist Queer Crip Alison Kafer Six ways of looking at crip time Ellen Samuels The value of 'crip time': Discarding notions of productivity and guilt, to listen to the rhythms of our bodies Srinidhi Raghavan News December 8 2020 ATTENTION IS THE BEGINNING OF DEVOTION “Understand from the first this certainty. Butterflies don’t write books, neither do lilies or violets. Which doesn’t mean they don’t know, in their own way, what the …",{"id":613,"height":13,"width":12,"blurhash":614},"665e96c3-d671-4548-9d10-d438d44135aa","radial-gradient(at 0 0,#b3ac4e,#00000000 50%),radial-gradient(at 33% 0,#bfbba2,#00000000 50%),radial-gradient(at 67% 0,#eae98d,#00000000 50%),radial-gradient(at 100% 0,#efee00,#00000000 50%),radial-gradient(at 0 50%,#adb04f,#00000000 50%),radial-gradient(at 33% 50%,#aaaa8a,#00000000 50%),radial-gradient(at 67% 50%,#dbd974,#00000000 50%),radial-gradient(at 100% 50%,#e9e800,#00000000 50%),radial-gradient(at 0 100%,#b2b068,#00000000 50%),radial-gradient(at 33% 100%,#ceceb6,#00000000 50%),radial-gradient(at 67% 100%,#f3f49e,#00000000 50%),radial-gradient(at 100% 100%,#eeee00,#00000000 50%)",{"id":616,"height":15,"width":14,"blurhash":46},"5c09d851-04e7-4205-b5b7-d7cd8de6bf10",[618],{"directus_files_id":619},{"id":620},"e3f50637-5bc5-4157-bcf3-bbe4e3d3ba9f",[622],{"languages_code":443,"description":623},"Plot Twist is a vibrant digital hub serving as a literary collective, reading group, and alternative learning space. The website functions as a portal for creative intellectualism, bridging the gap between traditional publishing and modern internet-native community building. It positions itself as a sanctuary for readers and thinkers looking for unconventional educational experiences and curated literary content.\n\nThe visual identity is unapologetically bold, utilizing a high-contrast color palette dominated by a saturated electric yellow. The design leans into a neo-brutalist aesthetic, characterized by oversized, expressive serif typography and a raw, unpolished layout that prioritizes character over conventional corporate structure. This stylistic choice creates an immediate sense of artistic intentionality, appealing to a creative, avant-garde audience of writers, readers, and lifelong learners.",[625,447,34],"Brutalist \u002F Neo-Brutalist",[627],"Ben West",[],[80],[631,633,634,635],{"score":632,"category":96},93,{"score":115,"category":99},{"score":113,"category":102},{"score":351,"category":105},[637,639,640,641],{"score":638,"category":96},94,{"score":115,"category":99},{"score":113,"category":102},{"score":351,"category":105},[643,467,118,599],"yellow","Website: Plot Twist. Page: Homepage. Page type: Home \u002F Landing Page. Page title: plot twist. Page content: Info - _plot twist_ was initiated by Jo Kali and Georgie Sinclair in 2018. From 2018 - 2020 it was held at fanfare, but the third season, which begins in November 2020, will take place online. - We borrow from Sara Ahmed’s citation policy in _Living a Feminist Life_, in which she encourages us to view citations as (re)productive technologies – a tool that circumscribes the world around certain bodies. As such, we prioritise the work of women, trans, non-binary, queer, black, indigenous, POC, working-class, disabled, and other marginalised bodies in our resources and reading materials: “Citations can be feminist bricks: they are the materials through which, from which, we create our dwellings.” Ahmed, _Living a Feminist Life_, p.16. - Announcements for our reading groups are sent to our mailing list every month, to which you must RSVP in order to participate. - There is a maximum of 12 spots for each session which are offered on a first come first serve basis. - All resources and materials are provided digitally prior to each session. - Meetings are held in English. - _fanfare_, our host venue for our in-person events and reading groups, is on the ground floor and wheelchair accessible. - _plot twist_ aims to offer a safe space for everyone involved. Any form of bigotry – racism, sexism, classism, homophobia, transphobia and ableism – is not tolerated, and you will be asked you to leave if you behave in a way that offends or upsets others. - See our community guidelines for more info on how we run things. - Occasionally, we organise public activities and events, which are announced via our social media channels. News July 13 2021 EMBRACING VALUE Max Haiven writes that western society is suffering a crisis of imagination, with the seamless spread of capitalism into every part of our lives. In the next and final session of the season, we are reading from the zine Radical Care: Embracing Feminist Finance, to challenge our thinking about money, explore ideas about finance that lie outside of our current economic paradigm, and think about how these may be put into practice. Within capitalism, economic systems impact us all yet they can often seem far removed or complex to the point of abstraction. For this session, you will need no prior knowledge of these topics as we will be learning together. We will look to hopeful models – such as open value cooperation and local currencies – to embrace different values, with a focus on locality, cooperation, and care. The zine asks the question: \"If you could break down one patriarchal structure within the current economic paradigm, which would it be and what would you replace it with?\" To answer this, we can look at suggested models from the zine and supporting texts, such as gift economies to social and artistic initiatives, to speculate on new ecosystems of value. Hosted by Kate Frances Lingard and Rebecca Gill Reading List July 2021 Radical Care: Embracing Feminist Finance Amateur Cities in collaboration with The Institute of Network Cultures News May 31 2021 BAD READER BAD READER\\ is an ongoing study group dedicated to exploring phenomenologies, politics, and practices of reading. The project is rooted in a desire to better understand our attachments and relationships to the textual form, and engage with wider questions around meaning, language, semiotics, citation, forms of writing, and alternative ways of knowing. In the first iteration of the BAD READER series, we will read Lydia Davis’ ‘Fragmentary or Unfinished’ from her latest essay collection Essays (2019), alongside a few passages from Roland Barthes’ The Pleasure of the Text (1973). Davis’ essay looks at the fragmentary text to ask questions about the idea of wholeness or completion in a work, and how the form lends itself to grief, thinking (as a process), incoherency, and the destruction of narrative. In The Pleasure of the Text, Barthes theorises on what it means to enjoy a text, insisting on the importance of developing an erotics of reading. It is also written in fragments ;-). \\BAD READER is a series of reading sessions organised by Jo Kali and Georgie Sinclair. It will be integrated periodically (as and when fit) into the plot twist programme between 2021-2022. Reading sessions are non-committal; you do not need to have participated in previous or plan to attend future iterations of BAD READER to join. We hope to share more information on the expanded programme soon. Reading List May 2021 'Fragmentary or Unfinished' from Essays Lydia Davis The Pleasure of the Text Roland Barthes News May 5 2020 THIS IS WHAT THE TRUTH FEELS LIKE \"it is often said that the internet is full of disinformation, but what is deemed disinformation in the eyes of one, is truthful and important information in the eyes of another. everyone should be able to establish their own truths. but at the same time, speaking for myself (Sarah), when people adhere to certain truths that i do not share (such as hard-core anti-vaxxers), i can become agitated or impatient. in this session, we will ask questions such as: what makes something ‘true’? what different types of truths exist? is it important to have shared truths? and when is it reasonable to try to correct someone’s personal truths?\" Hosted by Sarah Eskens Reading List May 2021 The State of the Fact The Believer w\u002F Morgan Parker & Rachel Khong Private Fears in Public Space Lida Maxwell The yoga world is riddled with anti-vaxxers and QAnon believers Cécile Guerin Seeking After Truth bell hooks If women are hesitant about the vaccine, it's because the health industry hasn't earned their trust Araw Mahdawi Why we can't have our facts back Noortje Marres News April 6 2021 TENDING RETREAT ‘I am becoming part of his vegetal network too.’- Rebecca May Johnson In this session, we will explore the utopian potentials of land cultivation: the possibilities and pitfalls of retreating to the garden. Since March 2020, desires for the bucolic escape of #cottagecore have filtered across the socials- images of gardening, allotments, and analogue forms of domestic living offering both an aesthetic respite, and a stark contrast, to the varied experiences of an urban lockdown. Looking at various forms of pastoral maintenance we will discuss the ways these texts use land to explore themes of care, escape, and community- in addition to problematising the political undertones these trends can gesture to. How might issues of land ownership, climate grief, and gendered forms of care intertwine in a desire to grow our own herbs? Hosted by Loren Ewart Reading List April 2021 The Disturbances of the Garden Jamaica Kincaid Qualities of Earth Rebecca May Johnson Why queer teens are embracing cottagecore i-D News March 2 2021 Collective reading and discussion of Unknown Language by Huw Lemmey & Hildegard von Bingen \"Long before the collapse of the Information Age, in the twelfth century since the appearance of the prophet Christ, young Hildegard finds grace. In this story of survival and miracles, Hildegard encounters love, both queer and divine, and great peril. As the visionary healer travels through the unfamiliar landscape following a great cataclysm, she discovers the mythic quantum energy of viriditas in the natural world around her. Her journey becomes one of return, to the sacred truth of her own being. Hildegard’s tale is received in the plague year of 2020 by Alice Spawls, and then in the next century, in a sea cave with cracked amethyst walls. On planet Avaaz, once known as Earth, Bhanu Kapil’s Pinky Agarwalia finds fragments of a beautiful codex. Lingua Ignota, Hildegard's unknown language, bears seeds of renewal for a world in flux.\" Reading List March 2021 Unknown Language Huw Lemmey & Hildegard von Bingen News February 19 2021 OUT NOW: PLOT TWIST II plot twist ii is an anthology of short stories and essays from the hosts of our 2019-2020 programme. Our work as a reading group is often intangible to those who don't participate in the sessions, so – in lieu of our intended public event last summer – we chose to produce something in print to share with a wider audience. plot twist ii includes: - meditations on privacy, work, failure, and friendship - a sci-fi tale in four acts - auto-theory on books that 'stick' - two essays on food and the cultural politics of disgust - sensory creative fiction on dizziness and giddiness - an illustrated guide on practicing empathy - extended reading lists of our reading groups 2019-2020 - a BEAUTIFUL A3 limited-edition riso printed poster With contributions from Andreea Breazu, Angelica Sgouros, Elisa Grasso, Georgie Sinclair, Jo Kali, Juliette Lizotte, Loren Ewart, Lucia Dove, Naomi Credé, Rosie Haward, and Sarah Eskens. Designed by Juliette Lizotte and Lucie de Bréchard. It would mean the world to us if you could support us and these small book shops by buying a copy! San Serriffe (@sanserriffe) in Amsterdam, NL Rile\\* (rile.space) in Brussels, BE Good Press(good.press) in Glasgow, UK News February 2 2021 REMEMBERING, BARELY Lowkey writing workshop focused on autobiographical memory-writing Writing memories can change our perception of how life was. Feelings we might feel somewhat estranged from in this state of locked-up “half-living”, such as shame, desire, joy and loss are mediated through the temporal distance from our ‘other selves’. In this session, by looking at different writers’ approaches to memory-writing, we will experiment with what it means to remember. How do we write our past selves? The way memories feel might change over time: seen from a distance, we can put memories into their political, class or cultural context, like scattered pieces of a puzzle. Hosted by Ida Blom Reading List February 2021 from The Happening Annie Ernaux from Cockroaches Scholastique Mukasonga from Childhood Tove Ditlevsen News January 6 2020 CRIP-TIME: BENDING THE CLOCK “Crip time is flex time not just expanded but exploded; it requires re-imagining our notions of what can and should happen in time, or recognizing how expectations of 'how long things take' are based on very particular minds and bodies. Rather than bend disabled bodies and minds to meet the clock, crip time bends the clock to meet disabled bodies and minds.\" Alison Kafer In this session, we will think through the notion of ‘Crip Time’. Our brains and bodies all process and understand time in different ways, but for some people there is a heightened disparity between theirs and “regular” (often ableist) visions of time in daily life. In a culture where productivity and an attitude of “getting stuff done” is also a measure of self-worth, it’s important to recognise how these feed into and perpetuate the pathologization of people with disabilities. Being late, not finishing, sleeping too much or at irregular hours all spring from the same rigid and exclusionary sense that time is organised and experienced by everybody in the same way. Hosted by Elisa Grasso Reading List January 2020 Feminist Queer Crip Alison Kafer Six ways of looking at crip time Ellen Samuels The value of 'crip time': Discarding notions of productivity and guilt, to listen to the rhythms of our bodies Srinidhi Raghavan News December 8 2020 ATTENTION IS THE BEGINNING OF DEVOTION “Understand from the first this certainty. Butterflies don’t write books, neither do lilies or violets. Which doesn’t mean they don’t know, in their own way, what the …. A Brutalist \u002F Neo-Brutalist, Fun \u002F Playful, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features Yellow, Black, White, Gray. Built using PHP. AI description: Plot Twist is a vibrant digital hub serving as a literary collective, reading group, and alternative learning space. The website functions as a portal for creative intellectualism, bridging the gap between traditional publishing and modern internet-native community building. It positions itself as a sanctuary for readers and thinkers looking for unconventional educational experiences and curated literary content. The visual identity is unapologetically bold, utilizing a high-contrast color palette dominated by a saturated electric yellow. The design leans into a neo-brutalist aesthetic, characterized by oversized, expressive serif typography and a raw, unpolished layout that prioritizes character over conventional corporate structure. This stylistic choice creates an immediate sense of artistic intentionality, appealing to a creative, avant-garde audience of writers, readers, and lifelong learners.",{"id":646,"website_id":647,"page_id":646,"name":648,"slug":649,"url":650,"website_name":648,"website_slug":649,"website_url":651,"result_url":650,"fetched_at":652,"score":348,"score_boost":349,"ai_score":350,"freshness_score":351,"scored_at":653,"page_name":45,"page_url":650,"page_title":654,"page_description":655,"page_content":656,"page_sort":349,"is_home":354,"is_home_rank":355,"page_type_id":356,"page_type_name":51,"cover":657,"cover_mobile":660,"cover_sequence":662,"translations":753,"industry":445,"styles":756,"credits":758,"font_families":759,"technologies":760,"pagespeed":762,"pagespeed_mobile":769,"buckets":774,"search_payload":775},"d383668f-ec44-4514-821b-96a85df04bd8","e6292906-2477-4bf1-9ced-02d15b277e6c","Manuel Raeder","manuelraeder","https:\u002F\u002Fmanuelraeder.com\u002F","https:\u002F\u002Fmanuelraeder.com","2026-05-04T19:24:54.000Z","2026-05-23T19:21:57.000Z","Studio Manuel Raeder","Studio Manuel Raeder is an interdisciplinary design studio based in Berlin and Mexico City, founded by Manuel Raeder in 2003.","Work Year Artist \u002F Client Reset all filters [ Arts of the Working Class _Arts of the Working Class_, Issue №40 ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Farts-of-the-working-class-40\u002F) [ MD72—Door Slamming Festival (2007–2018) MD72—Door Slamming Festival (2007–2018) ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fmd72-door-slamming-festival\u002F) [ Nicola L. I Am The Last Woman Object Nicola L. _I Am The Last Woman Object_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fnicola-l-i-am-the-last-woman-object\u002F) [Your browser does not support the video tag. Rose Lowder, _Bouquets_](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Frose-lowder-bouquets\u002F) [ Bukhara Biennial: Recipes for Broken Hearts Bukhara Biennial: _Recipes for Broken Hearts_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fbukhara-biennial-recipes-for-broken-hearts\u002F) [ Martha Hellion, Hojas Sueltas. Ediciones Sin Límites Martha Hellion, _Hojas Sueltas. Ediciones Sin Límites_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fmartha-hellion-hojas-sueltas-ediciones-sin-limites\u002F) [ Rodrigo Hernández, With What Eyes? Rodrigo Hernández, With What Eyes? ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Frodrigo-hernandez-with-what-eyes\u002F) [ Lentil Space. Recipes from Artists’ Homes Lentil Space. Recipes from Artists’ Homes ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Flentil-space-recipes-from-artists-homes\u002F) [ Cooperación Comunitaria, Arquitectura participativa Cooperación Comunitaria, _Arquitectura participativa_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fcooperacion-comunitaria-arquitectura-participativa\u002F) [ Lenke Rothman, Life as Cloth – Liv som tyg Lenke Rothman, _Life as Cloth – Liv som tyg_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Flife-as-cloth-liv-som-tyg-by-lenke-rothman\u002F) [ Natalie Häusler, Corals Natalie Häusler, _Corals_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fcorals-by-natalie-hausler\u002F) [ VILLA Franz Erhard Walther VILLA Franz Erhard Walther ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fvilla-franz-erhard-walther-collection-seng-franz-erhard-walther-foundation\u002F) [ nervi delle volpi website nervi delle volpi website ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fnervi-delle-volpi-website\u002F) [ William Kentridge, Je n’attends plus William Kentridge, _Je n’attends plus_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fwilliam-kentridge-je-nattends-plus\u002F) [ William Kentridge: The Great Yes, The Great No William Kentridge: _The Great Yes, The Great No_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fwilliam-kentridge-the-great-yes-the-great-no\u002F) [ Sylvia Kouvali Sylvia Kouvali ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fsylvia-kouvali\u002F) [ BLESS Multicollection T-shirts BLESS Multicollection T-shirts ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fbless-multicollection-t-shirts\u002F) [ Solange Pessoa Solange Pessoa ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fsolange-pessoa\u002F) [ Silvia Bächli, Partitura Silvia Bächli, _Partitura_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fsilvia-bachli\u002F) [ EKA Stand-In School _EKA Stand-In School_, Scenography & Furniture Workshop ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Feka-stand-in-school\u002F) [ School of Casablanca _School of Casablanca_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fschool-of-casablanca\u002F) [ BLESS Celebrating 25 Years of Always Stress with BLESS​ N° 42 – N° 74 _BLESS Celebrating 25 Years of Always Stress with BLESS​ N° 42 – N° 74_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fbless-celebrating-25-years-of-always-stress-with-bless-n-42-n-74\u002F) [ BLESS pins BLESS pins ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fbless-pins\u002F) [ BLESSSUPREME BLESSSUPREME ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fblesssupreme\u002F) [ Katalin Ladik, Ooooooooo-pus Katalin Ladik, _Ooooooooo-pus_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fkatalin-ladik-ooooooooo-pus\u002F) [ Clément Cogitore Clément Cogitore, _Ferdinandea_ 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Manuel Raeder is a multidisciplinary design practice that operates at the intersection of fine art, graphic design, and spatial experimentation. 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The design appeals to a sophisticated, culturally-driven audience of curators, art directors, and collectors who value intellectual depth and subversive visual storytelling.",[625,34,757],"Vibrant \u002F Colorful",[],[],[270,80,761,90],"Ubuntu",[763,765,767,768],{"score":764,"category":96},78,{"score":766,"category":99},72,{"score":113,"category":102},{"score":113,"category":105},[770,771,772,773],{"score":103,"category":96},{"score":111,"category":99},{"score":454,"category":102},{"score":113,"category":105},[599,118,467,468,469],"Website: Manuel Raeder. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Studio Manuel Raeder. Page description: Studio Manuel Raeder is an interdisciplinary design studio based in Berlin and Mexico City, founded by Manuel Raeder in 2003.. Page content: Work Year Artist \u002F Client Reset all filters [ Arts of the Working Class _Arts of the Working Class_, Issue №40 ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Farts-of-the-working-class-40\u002F) [ MD72—Door Slamming Festival (2007–2018) MD72—Door Slamming Festival (2007–2018) ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fmd72-door-slamming-festival\u002F) [ Nicola L. I Am The Last Woman Object Nicola L. _I Am The Last Woman Object_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fnicola-l-i-am-the-last-woman-object\u002F) [Your browser does not support the video tag. Rose Lowder, _Bouquets_](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Frose-lowder-bouquets\u002F) [ Bukhara Biennial: Recipes for Broken Hearts Bukhara Biennial: _Recipes for Broken Hearts_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fbukhara-biennial-recipes-for-broken-hearts\u002F) [ Martha Hellion, Hojas Sueltas. Ediciones Sin Límites Martha Hellion, _Hojas Sueltas. Ediciones Sin Límites_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fmartha-hellion-hojas-sueltas-ediciones-sin-limites\u002F) [ Rodrigo Hernández, With What Eyes? Rodrigo Hernández, With What Eyes? ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Frodrigo-hernandez-with-what-eyes\u002F) [ Lentil Space. Recipes from Artists’ Homes Lentil Space. Recipes from Artists’ Homes ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Flentil-space-recipes-from-artists-homes\u002F) [ Cooperación Comunitaria, Arquitectura participativa Cooperación Comunitaria, _Arquitectura participativa_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fcooperacion-comunitaria-arquitectura-participativa\u002F) [ Lenke Rothman, Life as Cloth – Liv som tyg Lenke Rothman, _Life as Cloth – Liv som tyg_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Flife-as-cloth-liv-som-tyg-by-lenke-rothman\u002F) [ Natalie Häusler, Corals Natalie Häusler, _Corals_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fcorals-by-natalie-hausler\u002F) [ VILLA Franz Erhard Walther VILLA Franz Erhard Walther ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fvilla-franz-erhard-walther-collection-seng-franz-erhard-walther-foundation\u002F) [ nervi delle volpi website nervi delle volpi website ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fnervi-delle-volpi-website\u002F) [ William Kentridge, Je n’attends plus William Kentridge, _Je n’attends plus_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fwilliam-kentridge-je-nattends-plus\u002F) [ William Kentridge: The Great Yes, The Great No William Kentridge: _The Great Yes, The Great No_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fwilliam-kentridge-the-great-yes-the-great-no\u002F) [ Sylvia Kouvali Sylvia Kouvali ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fsylvia-kouvali\u002F) [ BLESS Multicollection T-shirts BLESS Multicollection T-shirts ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fbless-multicollection-t-shirts\u002F) [ Solange Pessoa Solange Pessoa ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fsolange-pessoa\u002F) [ Silvia Bächli, Partitura Silvia Bächli, _Partitura_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fsilvia-bachli\u002F) [ EKA Stand-In School _EKA Stand-In School_, Scenography & Furniture Workshop ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Feka-stand-in-school\u002F) [ School of Casablanca _School of Casablanca_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fschool-of-casablanca\u002F) [ BLESS Celebrating 25 Years of Always Stress with BLESS​ N° 42 – N° 74 _BLESS Celebrating 25 Years of Always Stress with BLESS​ N° 42 – N° 74_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fbless-celebrating-25-years-of-always-stress-with-bless-n-42-n-74\u002F) [ BLESS pins BLESS pins ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fbless-pins\u002F) [ BLESSSUPREME BLESSSUPREME ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fblesssupreme\u002F) [ Katalin Ladik, Ooooooooo-pus Katalin Ladik, _Ooooooooo-pus_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fkatalin-ladik-ooooooooo-pus\u002F) [ Clément Cogitore Clément Cogitore, _Ferdinandea_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fclement-cogitore\u002F) [ Pallavi Paul, How Love Moves: Prelude Pallavi Paul, _How Love Moves: Prelude_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fpallavi-paul-how-love-moves-prelude\u002F) [ June Crespo, Vieron su casa hacerse campo June Crespo, _Vieron su casa hacerse campo_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fjune-crespo-vieron-su-casa-hacerse-campo\u002F) [ Mariana Castillo Deball, Ixiptla Volume V Amarantus Mariana Castillo Deball, Ixiptla Volume V _Amarantus_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fmariana-castillo-deball-ixiptla-volume-v-amarantus\u002F) [ Ursula Pokorny, FUGA Ursula Pokorny, _FUGA_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Ffuga\u002F) [ Daniel Steegman Mangrané, A Leaf Shapes the Eye Daniel Steegmann Mangrané, _A Leaf Shapes the Eye_ ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fdaniel-steegman-mangrane-a-leaf-shapes-the-eye\u002F) [ BLESS Packaging System BLESS Packaging System ](https:\u002F\u002Fmanuelraeder.com\u002Fproject\u002Fbless-packaging-system\u002F). A Brutalist \u002F Neo-Brutalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Agency & Studio industry. The overall color palette features Gray, White, Black, Brown, Orange. Built using MailChimp, PHP, Ubuntu, WordPress. AI description: Studio Manuel Raeder is a multidisciplinary design practice that operates at the intersection of fine art, graphic design, and spatial experimentation. The website serves as a curated digital archive of the studio's diverse output, ranging from editorial publishing and typography to sculptural objects and immersive installations. Its purpose is to showcase a highly conceptual approach to visual communication, positioning the studio as a bridge between traditional craftsmanship and avant-garde contemporary art. The visual identity is defined by a bold, experimental aesthetic that rejects conventional web layouts in favor of a collage-like, editorial feel. Utilizing a striking lavender background paired with high-contrast neon yellow typography, the site embraces a maximalist color palette and a non-linear grid. The design appeals to a sophisticated, culturally-driven audience of curators, art directors, and collectors who value intellectual depth and subversive visual storytelling."]