[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-detail-lemoyneproject":3,"facets-{\"includeAuthors\":\"false\"}":146,"facets-baseline-false":306,"similar-websites-lemoyneproject":339},{"id":4,"name":5,"slug":6,"url":7,"dateUpdated":8,"fetchedAt":9,"coverId":10,"coverMobileId":11,"coverWidth":12,"coverHeight":13,"coverMobileWidth":14,"coverMobileHeight":15,"descriptionEn":16,"seoMeta":17,"industry":20,"styles":24,"credits":33,"pages":41,"typefaces":52,"technologiesByCategory":64,"pagespeedDesktop":94,"pagespeedMobile":107,"performanceDesktop":97,"performanceMobile":109,"colorBuckets":115,"colorPalette":128},"ecc3d1c9-9746-4117-aafb-64a40b5752b2","Lemoyne","lemoyneproject","https:\u002F\u002Flemoyneproject.com","2026-05-23T19:17:48.000Z","2026-05-04T10:41:25.000Z","dcf5990c-01f7-43c5-8ca6-1937b13f81d6","1d05c53c-c990-4edf-876e-38f899ae46c2",1440,900,780,1688,"Lemoyne is a dynamic nonprofit art space dedicated to showcasing a diverse range of international artists through its specialized «Room1» series. 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Strange Rules: Protocol Art ](https:\u002F\u002Fsimondenny.net\u002Fstrange-rules-protocol-art\u002F) - [ ### Rules Based Order ](https:\u002F\u002Fsimondenny.net\u002Frules-based-order\u002F) - [ ### The Future ](https:\u002F\u002Fsimondenny.net\u002Fthe-future\u002F) - [ ### Forces of the Unknown ](https:\u002F\u002Fsimondenny.net\u002Fforces-of-the-unknown\u002F) - [ ### Worldglimpsing: Roleplay and the Design of Alternate Realities ](https:\u002F\u002Fsimondenny.net\u002Fworldglimpsing-roleplay-and-the-design-of-alternate-realities-exhibition\u002F) - [ ### Machine Paintings - JW Marriott Hotel Berlin, presented by Kraupa–Tuskany Zeidler - Michael Lett, Auckland, NZ - Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, AT - Berggruen Arts and Culture Palazzo Diedo, Venice, IT - Kraupa Tuskany Zeidler, Munich, DE 2025 – ongoing ](https:\u002F\u002Fsimondenny.net\u002Fmachine-paintings-main\u002F) - [ ### Less Stale Attachment ](https:\u002F\u002Fsimondenny.net\u002Fless-stale-attachment-2006-exhibition\u002F) - [ ### Dungeon - Petzel Gallery, New York, US - Petzel Gallery, New York, US - ArkDes, Stockholm, SE 2024 ](https:\u002F\u002Fsimondenny.net\u002Fdungeon-main\u002F) - [ ### Metaverse Landscapes - Kunstverein Hannover, Hannover, DE - HEK (House of Electronic Arts), Basel, CH - Frans Masereel Centrum, Kasterlee, BE - Art Basel - Antenna Space Shanghai, Shanghai, CN - Dunkunsthalle, New York, US - Fine Arts, Sydney, Paddington, AU - National Taiwan Museum of Fine Arts, Taichung, TW - Altman Siegel, San Francisco, US - Espacio Fundación Telefónica, Madrid, ES - T293, Rome, IT - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE 2023 ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-main\u002F) - [ ### Secret Power - Te Papa Tongarewa, Wellington, NZ - New Zealand Pavillon, 56th Venice Biennale, Venice, IT - Schirn Kunsthalle Frankfurt, Frankfurt, DE - MAXXI - National Museum of 21st Century Art, Rome, IT - The Museum of Modern Art, New York, US 2015 ](https:\u002F\u002Fsimondenny.net\u002Fsecret-power-2\u002F) - [ ### Introductory Logic Video Tutorial - Auckland Art Gallery, Auckland, NZ - Artspace, Sydney 2010 ](https:\u002F\u002Fsimondenny.net\u002Fintroductory-logic-video-tutorial\u002F) - [ ### Mine - Petzel Gallery, New York, US - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE - MONA – Museum of Old and New Art, Berriedale, AU - Kunstmuseum Basel, Basel, CH - de Young Museum, San Francisco, US - Fine Arts, Sydney, Paddington, AU - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - La Kunsthalle Mulhouse, Mulhouse, FR - Kunstverein am Rosa–Luxemburg–Platz, Berlin, DE - Kunstverein Leipzig, Leipzig, DE - 6th Ural Biennial, Jekaterinburg, RU - Kunsthalle Baden-Baden, Baden Baden, DE - Kunstsammlung Nordrhein-Westfalen K20, Kunstsammlung Nordrhein-Westfalen, DE - The Drawing Center, New York, US - Annka Kultys Gallery, London, GB - DOX Centre for Contemporary Art, Prague, CZ - Heidelberger Kunstverein, Heidelberg, DE - Galerie Alte Schule Adlershof, Berlin, DE - National Taiwan Museum of Fine Arts, Taichung, TW - New Museum, New York, USA - The Warehouse, Dallas, US - Modern Art Museum of Fort Worth, Fort Worth, US 2019 ](https:\u002F\u002Fsimondenny.net\u002Fmine-main-project\u002F) - [ ### The Founder’s Paradox - Museum of Contemporary Art Cleveland, Cleveland, US - Blitz, Valetta, MLT - Michael Lett, Auckland, NZ - Zeppelin Museum, Friedrichshafen, DE - Dortmunder U, Dortmund, DE - Art Sonje Center for Contemporary Art, Seoul, KR - 6th Guangzhou Triennial, Guangzhou, CN - Goethe-Institut Peking, Beijing, CN - 12th Gwangju Biennale, Gwangju, KR - Christchurch Art Gallery Te Puna o Waiwhetū, Christchurch, NZ 2017 ](https:\u002F\u002Fsimondenny.net\u002Fthe-founders-paradox-main-project\u002F) - [ ### The Personal Effects of Kim Dotcom - Adam Art Gallery, Wellington, NZ - Firstsite, Colchester, GB - mumok, Vienna, AT - 13th Biennale de Lyon, Lyon, FR - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - Zabludowicz Collection, London, UK - Aksioma, Ljubljana, SVN - Kunsthalle Sankt Gallen, Gallen, CH - MoMA PS1, New York, US 2013 ](https:\u002F\u002Fsimondenny.net\u002Fkim-dotcom\u002F) - [ ### All You Need is Data - Fondazione Sandretto Re Rebaudengo, Turin, IT - Kunstverein München, Munich, DE - Petzel Gallery, New York, US - Andrew Kreps Gallery, New York, US - La Biennale de Montréal, Montreal, CA - Auckland Art Gallery, Auckland, NZ - Arnolfini, Bristol, GB - Hamburger Bahnhof - Museum für Gegenwart, Berlin, DE 2012 ](https:\u002F\u002Fsimondenny.net\u002Fall-you-need-is-data-main-project\u002F) Ongoing [ Kraupa Tuskany Zeidler, Munich, DE Rules Based Order 15.05.2026–31.07.2026 ](https:\u002F\u002Fwww.k-t-z.com\u002Fexhibitions\u002F84-rules-based-order-simon-denny\u002F) [ Berggruen Arts and Culture Palazzo Diedo, Venice, IT Monsters Between Worlds – Strange Rules: Protocol Art 04.05.2026–22.11.2026 ](https:\u002F\u002Fwww.berggruenarts.org\u002Fen\u002Fexhibitions\u002Fcurrent-exhibitions-palazzo-diedo\u002Fcurrent-exhibitions-palazzo-diedo-strange-rules) [ New Museum, New York, USA New Humans: Memories of the Future 21.03.2026–26.07.2026 ](https:\u002F\u002Fwww.newmuseum.org\u002Fexhibition\u002Fnew-humans-memories-of-the-future\u002F) [ ArkDes, Stockholm, SE Worldglimpsing: Roleplay and the Design of Alternate Realities 03.10.2025–30.08.2026 ](https:\u002F\u002Farkdes.se\u002Fen\u002Fexhibitions\u002Fworldglimpsing\u002F) Selected Press [ Artforum\\_EpicFURY\\_May2026 ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fartforum_epicfury_may2026\u002F) [ What Is Post-AI Art? –](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fwhat-is-post-ai-art\u002F) [ Hito Steyerl x Simon Denny– Conversation 2025 – Cura Blackout issue ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14475\u002F) [ Forces of the Unknown: Simon Denny on the Militarized Imagination and Power of Plotter Paintings ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fforces-of-the-unknown-simon-denny-on-the-militarized-imagination-and-power-of-plotter-paintings\u002F) [ Canon Fodder by Alex Estorick ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14211\u002F) [ Graveyard Spiral by Trent Crawford ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14207\u002F) [ The Art of Technology, The Technology of Art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-art-of-technology-the-technology-of-art\u002F) [ NZ Artist Simon Denny in Berlin and New York on NFTs, meta landscapes and space colonies ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fnz-artist-simon-denny-in-berlin-and-new-york-on-nfts-meta-landscapes-and-space-colonies\u002F) [ Peter Thiel is Taking A Break From Democracy ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fpeter-thiel-is-taking-a-break-from-democracy\u002F) [ Digital Dogma, Deconstructed ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fdigital-dogma-deconstructed\u002F) [ The future is round: why modern architecture turned doughnut-shaped ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-future-is-round-why-modern-architecture-turned-doughnut-shaped\u002F) [ Inside the secret world of NSA art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Finside-the-secret-world-of-nsa-art\u002F) [ The Apollo 40 under 40 podcast: Simon Denny ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-apollo-40-under-40-podcast-simon-denny\u002F) [![](https:\u002F\u002Fsimondenny.net\u002F …",true,1,"1",{"id":358,"height":13,"width":12,"blurhash":359},"7f3ebe3c-32d7-433a-aaaa-46ac81bab721","radial-gradient(at 0 0,#eae9e9,#00000000 50%),radial-gradient(at 33% 0,#dbdbdb,#00000000 50%),radial-gradient(at 67% 0,#efefef,#00000000 50%),radial-gradient(at 100% 0,#fdfdfd,#00000000 50%),radial-gradient(at 0 50%,#bcbcb9,#00000000 50%),radial-gradient(at 33% 50%,#9c9c98,#00000000 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Denny's digital portfolio serves as a sophisticated archive for his contemporary art practice, documenting ongoing projects, exhibitions, and critical press. The site functions as a professional nexus for curators, collectors, and art institutions, providing a clear chronological and thematic overview of his work within the global art circuit.\n\nThe visual identity is defined by a rigorous, minimalist aesthetic that prioritizes high-quality imagery and expansive whitespace. Utilizing a refined typographic hierarchy and a structured grid, the design reflects the intellectual depth of the artist's work. The monochromatic palette and understated navigation ensure that the focus remains entirely on the visual documentation of his installations and conceptual projects.",[26,458,30],"Monochrome \u002F Grayscale",[460],"Knoth & Renner",[],[77,258,259],[464,466,467,468],{"score":465,"category":96},22,{"score":103,"category":99},{"score":106,"category":102},{"score":198,"category":105},[470,471,472,473],{"score":159,"category":96},{"score":198,"category":99},{"score":106,"category":102},{"score":198,"category":105},[125,121,117],"Website: Simon Denny. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Simon Denny. Page content: Selected Projects - [ ### Monsters Between Worlds – Strange Rules: Protocol Art ](https:\u002F\u002Fsimondenny.net\u002Fstrange-rules-protocol-art\u002F) - [ ### Rules Based Order ](https:\u002F\u002Fsimondenny.net\u002Frules-based-order\u002F) - [ ### The Future ](https:\u002F\u002Fsimondenny.net\u002Fthe-future\u002F) - [ ### Forces of the Unknown ](https:\u002F\u002Fsimondenny.net\u002Fforces-of-the-unknown\u002F) - [ ### Worldglimpsing: Roleplay and the Design of Alternate Realities ](https:\u002F\u002Fsimondenny.net\u002Fworldglimpsing-roleplay-and-the-design-of-alternate-realities-exhibition\u002F) - [ ### Machine Paintings - JW Marriott Hotel Berlin, presented by Kraupa–Tuskany Zeidler - Michael Lett, Auckland, NZ - Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, AT - Berggruen Arts and Culture Palazzo Diedo, Venice, IT - Kraupa Tuskany Zeidler, Munich, DE 2025 – ongoing ](https:\u002F\u002Fsimondenny.net\u002Fmachine-paintings-main\u002F) - [ ### Less Stale Attachment ](https:\u002F\u002Fsimondenny.net\u002Fless-stale-attachment-2006-exhibition\u002F) - [ ### Dungeon - Petzel Gallery, New York, US - Petzel Gallery, New York, US - ArkDes, Stockholm, SE 2024 ](https:\u002F\u002Fsimondenny.net\u002Fdungeon-main\u002F) - [ ### Metaverse Landscapes - Kunstverein Hannover, Hannover, DE - HEK (House of Electronic Arts), Basel, CH - Frans Masereel Centrum, Kasterlee, BE - Art Basel - Antenna Space Shanghai, Shanghai, CN - Dunkunsthalle, New York, US - Fine Arts, Sydney, Paddington, AU - National Taiwan Museum of Fine Arts, Taichung, TW - Altman Siegel, San Francisco, US - Espacio Fundación Telefónica, Madrid, ES - T293, Rome, IT - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE 2023 ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-main\u002F) - [ ### Secret Power - Te Papa Tongarewa, Wellington, NZ - New Zealand Pavillon, 56th Venice Biennale, Venice, IT - Schirn Kunsthalle Frankfurt, Frankfurt, DE - MAXXI - National Museum of 21st Century Art, Rome, IT - The Museum of Modern Art, New York, US 2015 ](https:\u002F\u002Fsimondenny.net\u002Fsecret-power-2\u002F) - [ ### Introductory Logic Video Tutorial - Auckland Art Gallery, Auckland, NZ - Artspace, Sydney 2010 ](https:\u002F\u002Fsimondenny.net\u002Fintroductory-logic-video-tutorial\u002F) - [ ### Mine - Petzel Gallery, New York, US - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE - MONA – Museum of Old and New Art, Berriedale, AU - Kunstmuseum Basel, Basel, CH - de Young Museum, San Francisco, US - Fine Arts, Sydney, Paddington, AU - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - La Kunsthalle Mulhouse, Mulhouse, FR - Kunstverein am Rosa–Luxemburg–Platz, Berlin, DE - Kunstverein Leipzig, Leipzig, DE - 6th Ural Biennial, Jekaterinburg, RU - Kunsthalle Baden-Baden, Baden Baden, DE - Kunstsammlung Nordrhein-Westfalen K20, Kunstsammlung Nordrhein-Westfalen, DE - The Drawing Center, New York, US - Annka Kultys Gallery, London, GB - DOX Centre for Contemporary Art, Prague, CZ - Heidelberger Kunstverein, Heidelberg, DE - Galerie Alte Schule Adlershof, Berlin, DE - National Taiwan Museum of Fine Arts, Taichung, TW - New Museum, New York, USA - The Warehouse, Dallas, US - Modern Art Museum of Fort Worth, Fort Worth, US 2019 ](https:\u002F\u002Fsimondenny.net\u002Fmine-main-project\u002F) - [ ### The Founder’s Paradox - Museum of Contemporary Art Cleveland, Cleveland, US - Blitz, Valetta, MLT - Michael Lett, Auckland, NZ - Zeppelin Museum, Friedrichshafen, DE - Dortmunder U, Dortmund, DE - Art Sonje Center for Contemporary Art, Seoul, KR - 6th Guangzhou Triennial, Guangzhou, CN - Goethe-Institut Peking, Beijing, CN - 12th Gwangju Biennale, Gwangju, KR - Christchurch Art Gallery Te Puna o Waiwhetū, Christchurch, NZ 2017 ](https:\u002F\u002Fsimondenny.net\u002Fthe-founders-paradox-main-project\u002F) - [ ### The Personal Effects of Kim Dotcom - Adam Art Gallery, Wellington, NZ - Firstsite, Colchester, GB - mumok, Vienna, AT - 13th Biennale de Lyon, Lyon, FR - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - Zabludowicz Collection, London, UK - Aksioma, Ljubljana, SVN - Kunsthalle Sankt Gallen, Gallen, CH - MoMA PS1, New York, US 2013 ](https:\u002F\u002Fsimondenny.net\u002Fkim-dotcom\u002F) - [ ### All You Need is Data - Fondazione Sandretto Re Rebaudengo, Turin, IT - Kunstverein München, Munich, DE - Petzel Gallery, New York, US - Andrew Kreps Gallery, New York, US - La Biennale de Montréal, Montreal, CA - Auckland Art Gallery, Auckland, NZ - Arnolfini, Bristol, GB - Hamburger Bahnhof - Museum für Gegenwart, Berlin, DE 2012 ](https:\u002F\u002Fsimondenny.net\u002Fall-you-need-is-data-main-project\u002F) Ongoing [ Kraupa Tuskany Zeidler, Munich, DE Rules Based Order 15.05.2026–31.07.2026 ](https:\u002F\u002Fwww.k-t-z.com\u002Fexhibitions\u002F84-rules-based-order-simon-denny\u002F) [ Berggruen Arts and Culture Palazzo Diedo, Venice, IT Monsters Between Worlds – Strange Rules: Protocol Art 04.05.2026–22.11.2026 ](https:\u002F\u002Fwww.berggruenarts.org\u002Fen\u002Fexhibitions\u002Fcurrent-exhibitions-palazzo-diedo\u002Fcurrent-exhibitions-palazzo-diedo-strange-rules) [ New Museum, New York, USA New Humans: Memories of the Future 21.03.2026–26.07.2026 ](https:\u002F\u002Fwww.newmuseum.org\u002Fexhibition\u002Fnew-humans-memories-of-the-future\u002F) [ ArkDes, Stockholm, SE Worldglimpsing: Roleplay and the Design of Alternate Realities 03.10.2025–30.08.2026 ](https:\u002F\u002Farkdes.se\u002Fen\u002Fexhibitions\u002Fworldglimpsing\u002F) Selected Press [ Artforum\\_EpicFURY\\_May2026 ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fartforum_epicfury_may2026\u002F) [ What Is Post-AI Art? –](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fwhat-is-post-ai-art\u002F) [ Hito Steyerl x Simon Denny– Conversation 2025 – Cura Blackout issue ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14475\u002F) [ Forces of the Unknown: Simon Denny on the Militarized Imagination and Power of Plotter Paintings ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fforces-of-the-unknown-simon-denny-on-the-militarized-imagination-and-power-of-plotter-paintings\u002F) [ Canon Fodder by Alex Estorick ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14211\u002F) [ Graveyard Spiral by Trent Crawford ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14207\u002F) [ The Art of Technology, The Technology of Art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-art-of-technology-the-technology-of-art\u002F) [ NZ Artist Simon Denny in Berlin and New York on NFTs, meta landscapes and space colonies ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fnz-artist-simon-denny-in-berlin-and-new-york-on-nfts-meta-landscapes-and-space-colonies\u002F) [ Peter Thiel is Taking A Break From Democracy ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fpeter-thiel-is-taking-a-break-from-democracy\u002F) [ Digital Dogma, Deconstructed ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fdigital-dogma-deconstructed\u002F) [ The future is round: why modern architecture turned doughnut-shaped ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-future-is-round-why-modern-architecture-turned-doughnut-shaped\u002F) [ Inside the secret world of NSA art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Finside-the-secret-world-of-nsa-art\u002F) [ The Apollo 40 under 40 podcast: Simon Denny ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-apollo-40-under-40-podcast-simon-denny\u002F) [![](https:\u002F\u002Fsimondenny.net\u002F …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Gray, Black. Built using jQuery, PHP, WordPress. AI description: Simon Denny's digital portfolio serves as a sophisticated archive for his contemporary art practice, documenting ongoing projects, exhibitions, and critical press. The site functions as a professional nexus for curators, collectors, and art institutions, providing a clear chronological and thematic overview of his work within the global art circuit. The visual identity is defined by a rigorous, minimalist aesthetic that prioritizes high-quality imagery and expansive whitespace. Utilizing a refined typographic hierarchy and a structured grid, the design reflects the intellectual depth of the artist's work. The monochromatic palette and understated navigation ensure that the focus remains entirely on the visual documentation of his installations and conceptual projects.",{"id":477,"website_id":478,"page_id":477,"name":479,"slug":480,"url":481,"website_name":479,"website_slug":480,"website_url":481,"result_url":481,"fetched_at":482,"score":157,"score_boost":350,"ai_score":483,"freshness_score":157,"scored_at":484,"page_name":43,"page_url":481,"page_title":485,"page_description":486,"page_content":487,"page_sort":350,"is_home":354,"is_home_rank":355,"page_type_id":356,"page_type_name":49,"cover":488,"cover_mobile":491,"cover_sequence":493,"translations":584,"industry":21,"styles":587,"credits":588,"font_families":590,"technologies":591,"pagespeed":592,"pagespeed_mobile":599,"buckets":605,"search_payload":606},"a98d2f9a-adc4-4d15-bab6-4571c8505677","d8b9b7e7-8fc2-4dad-82b2-d23ff85df533","The Penumbral Age","the-penumbral-age","https:\u002F\u002Fwiekpolcienia.artmuseum.pl\u002Fen","2026-05-05T19:21:52.000Z",78,"2026-05-23T19:23:50.000Z","The Penumbral Age – Exhibition in the Museum of Moder Art in Warsaw","Exhibition presents artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth.","05.06–13.09.2020 T H E P E N U M B R A L A G E Art in the Time of Planetary Change Curators: Sebastian Cichocki, Jagna Lewandowska [ Museum on the Vistula ](https:\u002F\u002Fwww.google.com\u002Fmaps?q=google+maps+muzeum+nad+wis%C5%82%C4%85 \"Opens new browser tab\") Anna & Lawrence Halprin, „Driftwood Village—Community,” Sea Ranch, California Courtesy of Lawrence Halprin Collection, The Architectural Archives, University of Pennsylvania. 01 The Exhibition The Museum of Modern Art in Warsaw invites to the exhibition “The Penumbral Age. Art in the Time of Planetary Change”, where we present artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth. It provides a space for discussion on “managing the irreversible” and new forms of solidarity, empathy and togetherness in the face of the climate crisis. We live in a time of planetary change affecting each and every one of us. Climate change influences every sphere of life, including thinking about art: the systems of its production and distribution, its social function and its relation to other disciplines, especially science. Audio introduction to the exhibition. Voice: Meagan Down Аудіо впровадження до вистави „Вік півтіні. Мистецтво в часи планетарної зміни” українською мовою. Голос: Тарас Гембік \u002F Taras Hembik The map-helper was created to facilitate movement in the exhibition space. With it, you can easily read the meanings of artistic works. There is no description of everything on the map. Instead, there are some questions that help in the independent reception of works. Download the map-helper (PDF) Vija Celmins, „Untitled (Ocean with Cross #1)”, 2005, paper, silkscreen print. Courtesy of the artist and Zuzāns Collection. 02 New ways to see the world The title of the exhibition is drawn from the book The Collapse of Western Civilization: A View from the Future by Naomi Oreskes and Erik M. Conway (2014), where the protagonists from the future date the “period of the penumbra” from the “shadow of anti-intellectualism that fell over the once-Enlightened techno-scientific nations of the Western world during the second half of the twentieth century, preventing them from acting on the scientific knowledge available at the time” and leading to tragedy. We are witnesses to this process: scientific findings have ceased to be regarded as dispositive and do not persuade people to act. > “Science becomes belief. Belief becomes science. Everything becomes nothing. Nothing becomes everything. All can believe and disbelieve all. We all can know everything and know nothing. Everyone lives as an expert on every subject\" Ibram X. Kendi as the American writer and historian Ibram X. Kendi wrote in The Atlantic, analysing scepticism about climate change or outright rejection of the threat (climate denialism). Observations by artists are akin to those of scientists, but they typically do not confront viewers with an excess of numbers, soaring bar graphs, or “pornographic” images of poverty and devastation. Art has “strange tools” (Alva Noë, 2015) at its disposal, which we can use to discern “wonders in the heavens and signs on the earth.” When ordinary tools of dialogue and persuasion fail, artists enable an “imaginative leap” by working on the emotions, confronting the incomprehensible and the unknown. As the theoretician of visual culture Nicholas Mirzoeff puts it: > we must “unsee” how the past “has taught us to see the world, and begin to imagine a different way to be with what used to be called nature. Ines Doujak, Ghostpopulations Ines Doujak, Ghostpopulations 03 Global art for a changing planet The “Penumbral Age. Art in the Time of Planetary Change” spans five decades, and highlights the strengthening of environmental reflections in the art of the late 1960s and early 1970s as well as the second decade of the 21st century. The first period is linked with intensification of pacifist, feminist and anti-racist movements and the formation of the contemporary ecological movement. At the same time new artistic phenomena arose, such as conceptualism, anti-form, land art and earth art. While introducing “geological” thinking about art, artists used impermanent organic materials or sought to entirely dematerialize the work of art. 1 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Snail Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 2 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Egg Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 3 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: Hot Dog Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York For us, land art is much more than a stream of Western art emblematic of the late 1960s and early 1970s. Following the thought of the Pakistani artist and activist Rasheed Araeen, drawing from his “ecoaesthetics” agenda, we seek “global art for a changing planet.” Actions connected with the “canonization” of land art, such as Richard Long’s Throwing a Stone around MacGillycuddy’s Reeks, in which the artist followed a stone he tossed before him, the “terraforming” plans of Robert Morris, or Gerry Schum’s television programme (an example of the use of new media to expose audiences to “organic” art practised in deserts or forests), are accompanied in this exhibition by works from the 21st century, employing ecological education (Futurefarmers, Ines Doujak, the Center for Land Use Interpretation), protest (Suzanne Husky, Akira Tsuboi), and involving spirituality and esoterics (Shana Moulton and Nick Hallett, Teresa Murak, Czekalska and Golec). Ice Stupa in Ladakh photo: Sonam Wangchuk, 2015 04 Solidarity and Care in the Museum The field of interest of artists sensitive to environmental change extends to such issues as the Anthropocene, the Capitalocene, the Chthulucene, climate debt, climate denialism, ecocide, the end of nature, fossil capitalism, geoengineering, irreversibility, the New Pangea, post- anthropocentrism, the sixth mass extinction, and terraforming. All of this is the context for land art, which in this sense is not confined to any one medium, material, or geographical region. It may include initiatives that do not operate under the banner of art. One such example would be the ice stupas in Ladakh, India—artificial glaciers created by engineer Sonam Wangchuk, with a fascinating form and the clearly defined function of supplying water to inhabitants of the desert at the foot of the Himalayas. > “No museums on a dead planet!” Life in a state of deepening crisis forces us to fundamentally change our thinking about the entire system of social organization and to confront ethical and existential dilemmas (climate migrations and new class conflicts). The world of art, with its museums and rituals for organizing objects and ideas, is no exception (to paraphrase the slogan of the Youth Strike for Climate, “No museums on a dead planet!”) and requires deep systemic transformation. We treat engagement in this discussion as a duty of the museum, and not as just another fashion or stream in art. Countering the calls for “ecological restoration” or the popularity of “art of the Anthropocene,” we stress the permanence of environmental reflection, based on continuity and responsibility. 1 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 2 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 3 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 4 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 5 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 6 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative Art will certainly not protect us against catastrophe, but it can help us arm ourselves with “strange tools” for the work of imagination and empathy. In her memorable manifesto from 1969, Mierle Laderman Ukeles posed the question: > „After the revolution, who’s going to pick up the garbage on Monday morning?” In works of art from recent decades we not only seek a visualization of processes occurring on our planet, but also discern possible proposals for the future. If ecological catastrophe is already happening (as the residents of the inundated islands of Nauru and Banaba in the Pacific would certainly agree), together let's wonder, will we ever manage to clean up our planetary mess and rebuild our relations with other sentient beings? Will we manage to start over again? Jonathas de Andrade, „O Peixe”, 16mm film shot transferred to 2K video, 2016 Courtesy of the artist and the Continua Gallery, a photograph by Meghan Marchetti. 05 The Cinema _At the Penumbral Cinema_ we regularly publish new and historical works related to environmental and ecological reflection. In addition to fragments of films that will be presented during the exhibition at the Museum on the Vistula, we also reach for other film materials collected while working on \"The Penumbral Age\". INTERPRT Earth Law: Site Pacific Ocean, 2018 INTERPRT collects and analyzes evidence in order to prosecute crimes committed in the natural environment, mainly in the Pacific. By using charts, films, interactive maps, exhibitions and lectures, INTERPRT members lobby for ecocide to be a criminal offense under international law. At the same time, they reflect on the need for system changes, such as the responsibility of large fuel companies for climate change. 06 Guide Book We present the first issue of the newspaper \"The Penumbral Age\", which is a guide to _The Penumbral Age. Art in the Times of Planetary Change_ exhibition, still waiting for its opening. The publication contains a complete catalog of over seventy works of artists participating in the exhibition. The newspaper is designed by Jakub de Barbaro. Download the publication (PDF) Publication accompanying the „Repairing Earthquake project” by Nishiko. The catalogue includes stories of objects found by the artist after the tsunami that hit the shores of Japan in 2011. Download the publication (PDF) Martwa Natura (Nature Morte) The publication “Martwa Natura” (“Nature Morte”), which consists of interviews with Alice Creischer, Susanne Kriemann and Antje Majewski - the artists participating in the exhibition „THE PENUMBRAL AGE. Art in times of planetary change\", was created during the production of a play directed by Agnieszka Jakimiak in Teatr Powszechny im. Zygmunta Hübnera in Warsaw. During the pandemic times, many ideas and beliefs about art get destroyed. However, some of them may become stronger – like the conviction that art is used by us to create bonds and alliances, networks of understanding and support. Joseph Beuys - an activist and a rebellious artist, a relentless spokesperson for the concern of the natural environment - is a starting point for a journey through these areas o …",{"id":489,"height":13,"width":12,"blurhash":490},"48c47db0-7e4b-42df-aed2-2de352097439","radial-gradient(at 0 0,#fefefe,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#f7f7f7,#00000000 50%),radial-gradient(at 67% 50%,#f3f3f3,#00000000 50%),radial-gradient(at 100% 50%,#f9f9f9,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#fdfdfd,#00000000 50%),radial-gradient(at 67% 100%,#fafafa,#00000000 50%),radial-gradient(at 100% 100%,#fefefe,#00000000 50%)",{"id":492,"height":15,"width":14,"blurhash":56},"9ca710a3-cee4-4871-b568-968fc239cc1f",[494,497,500,503,506,509,512,515,518,521,524,527,530,533,536,539,542,545,548,551,554,557,560,563,566,569,572,575,578,581],{"directus_files_id":495},{"id":496},"24403df2-7242-42d0-a853-bfbdd3f5cb13",{"directus_files_id":498},{"id":499},"46f84e10-8262-4eea-b944-2a9fb4b207d4",{"directus_files_id":501},{"id":502},"69a26290-b429-4c49-b482-c91b327c5b73",{"directus_files_id":504},{"id":505},"17371152-fa89-4792-9963-8d69de907a25",{"directus_files_id":507},{"id":508},"152c623b-c521-4bd2-b13c-b7cab15e26b8",{"directus_files_id":510},{"id":511},"f71e2705-298c-4f11-8efc-5ba33613a1c9",{"directus_files_id":513},{"id":514},"be32c74c-5794-4f54-8336-c0d04a5d4a32",{"directus_files_id":516},{"id":517},"3d0160d5-9aa5-45a3-adc9-3689016b159c",{"directus_files_id":519},{"id":520},"e6f30993-d6a9-40ea-987c-513d76e83435",{"directus_files_id":522},{"id":523},"fb6d46b5-bbe0-40c1-8b56-e362c66b5f24",{"directus_files_id":525},{"id":526},"45140041-b814-404b-8598-2a066fb8ca99",{"directus_files_id":528},{"id":529},"50230272-72e0-41f4-bed0-df3e7e2d3035",{"directus_files_id":531},{"id":532},"4ef217fa-4356-4b4b-8ba5-88a25a79a9e1",{"directus_files_id":534},{"id":535},"a908dbb0-2942-4374-a10a-34440ba013d7",{"directus_files_id":537},{"id":538},"8461bd1c-0ea9-4085-b7c1-4b405aa590a2",{"directus_files_id":540},{"id":541},"54d7ec03-cae7-4c01-a4c8-7e3b9eb4acbf",{"directus_files_id":543},{"id":544},"eda51815-772e-4d7b-a2ac-0c3ab70c36f5",{"directus_files_id":546},{"id":547},"9ae4a478-33a3-4a39-a65b-29ee5ad4cfcb",{"directus_files_id":549},{"id":550},"47e6ccc8-8967-4220-b1d3-f6fb0546c90b",{"directus_files_id":552},{"id":553},"cf7473ed-5dc5-4d21-b176-69003d8acdfd",{"directus_files_id":555},{"id":556},"748a1107-334a-4b91-b776-2a2cce95e717",{"directus_files_id":558},{"id":559},"9a8cf0ae-8acf-4525-911b-db9c036f9f5d",{"directus_files_id":561},{"id":562},"e87ee43f-a727-46a8-8ebc-e002202fa3a2",{"directus_files_id":564},{"id":565},"f6e0a875-abbb-444e-92ed-28e554c9b7b6",{"directus_files_id":567},{"id":568},"d3a7caf2-d387-481a-9d54-9dfc1d0fa214",{"directus_files_id":570},{"id":571},"da5b5782-fd13-4944-a6b2-05e3b62b5134",{"directus_files_id":573},{"id":574},"1cea3dcd-104b-41c9-bc50-deb60bfb621a",{"directus_files_id":576},{"id":577},"64a002a1-f96e-46c6-a105-1d06dbadf230",{"directus_files_id":579},{"id":580},"bddf1460-1bd1-4c0d-83f5-59e65193800d",{"directus_files_id":582},{"id":583},"dfb64e28-f692-46de-b0bb-7748e3c8717f",[585],{"languages_code":455,"description":586},"The Penumbral Age serves as a sophisticated digital gateway for a specialized art exhibition hosted by the Museum of Modern Art in Warsaw. The website's primary purpose is to contextualize and promote an exhibition exploring the intersection of artistic expression and planetary environmental shifts, providing visitors with essential information regarding curators, artists, and exhibition guides.\n\nThe visual identity is defined by a rigorous, high-end minimalism that mirrors the gravity of its subject matter. Utilizing a stark monochrome palette and expansive white space, the design relies heavily on elegant, high-contrast serif typography to establish an authoritative and intellectual tone. This editorial approach targets an academic and culturally engaged audience, offering a seamless, distraction-free browsing experience that prioritizes clarity and prestige.",[26,244,30],[589],"Huncwot",[295],[275,258],[593,595,597,598],{"score":594,"category":96},51,{"score":596,"category":99},77,{"score":218,"category":102},{"score":198,"category":105},[600,601,602,604],{"score":218,"category":96},{"score":596,"category":99},{"score":603,"category":102},31,{"score":198,"category":105},[125,117,121],"Website: The Penumbral Age. Page: Homepage. Page type: Home \u002F Landing Page. Page title: The Penumbral Age – Exhibition in the Museum of Moder Art in Warsaw. Page description: Exhibition presents artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth.. Page content: 05.06–13.09.2020 T H E P E N U M B R A L A G E Art in the Time of Planetary Change Curators: Sebastian Cichocki, Jagna Lewandowska [ Museum on the Vistula ](https:\u002F\u002Fwww.google.com\u002Fmaps?q=google+maps+muzeum+nad+wis%C5%82%C4%85 \"Opens new browser tab\") Anna & Lawrence Halprin, „Driftwood Village—Community,” Sea Ranch, California Courtesy of Lawrence Halprin Collection, The Architectural Archives, University of Pennsylvania. 01 The Exhibition The Museum of Modern Art in Warsaw invites to the exhibition “The Penumbral Age. Art in the Time of Planetary Change”, where we present artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth. It provides a space for discussion on “managing the irreversible” and new forms of solidarity, empathy and togetherness in the face of the climate crisis. We live in a time of planetary change affecting each and every one of us. Climate change influences every sphere of life, including thinking about art: the systems of its production and distribution, its social function and its relation to other disciplines, especially science. Audio introduction to the exhibition. Voice: Meagan Down Аудіо впровадження до вистави „Вік півтіні. Мистецтво в часи планетарної зміни” українською мовою. Голос: Тарас Гембік \u002F Taras Hembik The map-helper was created to facilitate movement in the exhibition space. With it, you can easily read the meanings of artistic works. There is no description of everything on the map. Instead, there are some questions that help in the independent reception of works. Download the map-helper (PDF) Vija Celmins, „Untitled (Ocean with Cross #1)”, 2005, paper, silkscreen print. Courtesy of the artist and Zuzāns Collection. 02 New ways to see the world The title of the exhibition is drawn from the book The Collapse of Western Civilization: A View from the Future by Naomi Oreskes and Erik M. Conway (2014), where the protagonists from the future date the “period of the penumbra” from the “shadow of anti-intellectualism that fell over the once-Enlightened techno-scientific nations of the Western world during the second half of the twentieth century, preventing them from acting on the scientific knowledge available at the time” and leading to tragedy. We are witnesses to this process: scientific findings have ceased to be regarded as dispositive and do not persuade people to act. > “Science becomes belief. Belief becomes science. Everything becomes nothing. Nothing becomes everything. All can believe and disbelieve all. We all can know everything and know nothing. Everyone lives as an expert on every subject\" Ibram X. Kendi as the American writer and historian Ibram X. Kendi wrote in The Atlantic, analysing scepticism about climate change or outright rejection of the threat (climate denialism). Observations by artists are akin to those of scientists, but they typically do not confront viewers with an excess of numbers, soaring bar graphs, or “pornographic” images of poverty and devastation. Art has “strange tools” (Alva Noë, 2015) at its disposal, which we can use to discern “wonders in the heavens and signs on the earth.” When ordinary tools of dialogue and persuasion fail, artists enable an “imaginative leap” by working on the emotions, confronting the incomprehensible and the unknown. As the theoretician of visual culture Nicholas Mirzoeff puts it: > we must “unsee” how the past “has taught us to see the world, and begin to imagine a different way to be with what used to be called nature. Ines Doujak, Ghostpopulations Ines Doujak, Ghostpopulations 03 Global art for a changing planet The “Penumbral Age. Art in the Time of Planetary Change” spans five decades, and highlights the strengthening of environmental reflections in the art of the late 1960s and early 1970s as well as the second decade of the 21st century. The first period is linked with intensification of pacifist, feminist and anti-racist movements and the formation of the contemporary ecological movement. At the same time new artistic phenomena arose, such as conceptualism, anti-form, land art and earth art. While introducing “geological” thinking about art, artists used impermanent organic materials or sought to entirely dematerialize the work of art. 1 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Snail Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 2 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Egg Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 3 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: Hot Dog Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York For us, land art is much more than a stream of Western art emblematic of the late 1960s and early 1970s. Following the thought of the Pakistani artist and activist Rasheed Araeen, drawing from his “ecoaesthetics” agenda, we seek “global art for a changing planet.” Actions connected with the “canonization” of land art, such as Richard Long’s Throwing a Stone around MacGillycuddy’s Reeks, in which the artist followed a stone he tossed before him, the “terraforming” plans of Robert Morris, or Gerry Schum’s television programme (an example of the use of new media to expose audiences to “organic” art practised in deserts or forests), are accompanied in this exhibition by works from the 21st century, employing ecological education (Futurefarmers, Ines Doujak, the Center for Land Use Interpretation), protest (Suzanne Husky, Akira Tsuboi), and involving spirituality and esoterics (Shana Moulton and Nick Hallett, Teresa Murak, Czekalska and Golec). Ice Stupa in Ladakh photo: Sonam Wangchuk, 2015 04 Solidarity and Care in the Museum The field of interest of artists sensitive to environmental change extends to such issues as the Anthropocene, the Capitalocene, the Chthulucene, climate debt, climate denialism, ecocide, the end of nature, fossil capitalism, geoengineering, irreversibility, the New Pangea, post- anthropocentrism, the sixth mass extinction, and terraforming. All of this is the context for land art, which in this sense is not confined to any one medium, material, or geographical region. It may include initiatives that do not operate under the banner of art. One such example would be the ice stupas in Ladakh, India—artificial glaciers created by engineer Sonam Wangchuk, with a fascinating form and the clearly defined function of supplying water to inhabitants of the desert at the foot of the Himalayas. > “No museums on a dead planet!” Life in a state of deepening crisis forces us to fundamentally change our thinking about the entire system of social organization and to confront ethical and existential dilemmas (climate migrations and new class conflicts). The world of art, with its museums and rituals for organizing objects and ideas, is no exception (to paraphrase the slogan of the Youth Strike for Climate, “No museums on a dead planet!”) and requires deep systemic transformation. We treat engagement in this discussion as a duty of the museum, and not as just another fashion or stream in art. Countering the calls for “ecological restoration” or the popularity of “art of the Anthropocene,” we stress the permanence of environmental reflection, based on continuity and responsibility. 1 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 2 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 3 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 4 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 5 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 6 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative Art will certainly not protect us against catastrophe, but it can help us arm ourselves with “strange tools” for the work of imagination and empathy. In her memorable manifesto from 1969, Mierle Laderman Ukeles posed the question: > „After the revolution, who’s going to pick up the garbage on Monday morning?” In works of art from recent decades we not only seek a visualization of processes occurring on our planet, but also discern possible proposals for the future. If ecological catastrophe is already happening (as the residents of the inundated islands of Nauru and Banaba in the Pacific would certainly agree), together let's wonder, will we ever manage to clean up our planetary mess and rebuild our relations with other sentient beings? Will we manage to start over again? Jonathas de Andrade, „O Peixe”, 16mm film shot transferred to 2K video, 2016 Courtesy of the artist and the Continua Gallery, a photograph by Meghan Marchetti. 05 The Cinema _At the Penumbral Cinema_ we regularly publish new and historical works related to environmental and ecological reflection. In addition to fragments of films that will be presented during the exhibition at the Museum on the Vistula, we also reach for other film materials collected while working on \"The Penumbral Age\". INTERPRT Earth Law: Site Pacific Ocean, 2018 INTERPRT collects and analyzes evidence in order to prosecute crimes committed in the natural environment, mainly in the Pacific. By using charts, films, interactive maps, exhibitions and lectures, INTERPRT members lobby for ecocide to be a criminal offense under international law. At the same time, they reflect on the need for system changes, such as the responsibility of large fuel companies for climate change. 06 Guide Book We present the first issue of the newspaper \"The Penumbral Age\", which is a guide to _The Penumbral Age. Art in the Times of Planetary Change_ exhibition, still waiting for its opening. The publication contains a complete catalog of over seventy works of artists participating in the exhibition. The newspaper is designed by Jakub de Barbaro. Download the publication (PDF) Publication accompanying the „Repairing Earthquake project” by Nishiko. The catalogue includes stories of objects found by the artist after the tsunami that hit the shores of Japan in 2011. Download the publication (PDF) Martwa Natura (Nature Morte) The publication “Martwa Natura” (“Nature Morte”), which consists of interviews with Alice Creischer, Susanne Kriemann and Antje Majewski - the artists participating in the exhibition „THE PENUMBRAL AGE. Art in times of planetary change\", was created during the production of a play directed by Agnieszka Jakimiak in Teatr Powszechny im. Zygmunta Hübnera in Warsaw. During the pandemic times, many ideas and beliefs about art get destroyed. However, some of them may become stronger – like the conviction that art is used by us to create bonds and alliances, networks of understanding and support. Joseph Beuys - an activist and a rebellious artist, a relentless spokesperson for the concern of the natural environment - is a starting point for a journey through these areas o …. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. The typography features Source Sans (Sans Serif). Built using Google Font API, PHP. AI description: The Penumbral Age serves as a sophisticated digital gateway for a specialized art exhibition hosted by the Museum of Modern Art in Warsaw. The website's primary purpose is to contextualize and promote an exhibition exploring the intersection of artistic expression and planetary environmental shifts, providing visitors with essential information regarding curators, artists, and exhibition guides. The visual identity is defined by a rigorous, high-end minimalism that mirrors the gravity of its subject matter. Utilizing a stark monochrome palette and expansive white space, the design relies heavily on elegant, high-contrast serif typography to establish an authoritative and intellectual tone. This editorial approach targets an academic and culturally engaged audience, offering a seamless, distraction-free browsing experience that prioritizes clarity and 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and Dig Well’ 30.08.2025 — 04.10.2025 [ ](\u002Fexhibitions2025\u002Fnelleke-cloosterman-between-what-is-ours-2t5zy) Summer Selection Summer group presentation Beni Bischof, Daan Couzijn, Nelleke Cloosterman, Bram Kinsbergen, Roy Mordechay, Florian Tomballe and Victor Verhelst. 13.08.2025 — 23.08.2025 [ ](\u002Fexhibitions2025\u002Fnelleke-cloosterman-between-what-is-ours) Nelleke Cloosterman ‘Between What Is Ours’ 12.06.2025 — 19.07.2025 [ ](\u002Fexhibitions2025\u002Finstroom-art-migration-is-normal) InstroomArt ‘MIGRATION IS NORMAL’ 29.05.2025 — 01.06.2025 [ ](\u002Fexhibitions2025\u002Fvictor-verhelst-alien-elvis-vs-the-casino-kaijus-wx6f7) Clarisse M ‘Apparentia’ 08.05.2025 — 24.05.2025 [ ](\u002Fexhibitions2025\u002Fvictor-verhelst-alien-elvis-vs-the-casino-kaijus) Victor Verhelst ‘ALIEN ELVIS vs THE CASINO KAIJU'S’ 03.04.2025 — 03.05.2025 [ ](\u002Fexhibitions2025\u002Farvida-bystrom-wink) Arvida Byström “Wink” 20.02.2025 — 29.03.2025 [ ](\u002Fexhibitions2025\u002Fbram-kinsbergen-waking-up-the-roads) Bram Kinsbergen ’Waking up the roads’ 09.01.2025 — 16.02.2025 2024 Featured [ ](\u002Fexhibitions-2024\u002Ftatjana-gerhard-glashaus) Tatjana Gerhard ’Glashaus’ 30.11.2024 — 05.01.2025 [ ](\u002Fexhibitions-2024\u002Fbeni-bischof-no-more-reality) Beni Bischof ’No More Reality’ 12.10.2024 — 24.11.2024 [ ](\u002Fexhibitions-2024\u002Fwilliam-ludwig-lutgens-fantasy-supplement) William Ludwig Lutgens ’Fantasy Supplement’ 12.10.2024 — 17.11.2024 [ ](\u002Fexhibitions-2024\u002Fhadassah-emmerich-creole-collidoscope) Hadassah Emmerich ’Creole Collidoscope’ 07.09.2024 — 06.10.2024 [ ](\u002Fexhibitions-2024\u002Fflorian-tomballe-sculptures-and-drawings) Florian Tomballe ’Sculptures and Drawings’ 07.09.2024 — 06.10.2024 [ ](\u002Fexhibitions-2024\u002Fliquid-marks) ‘Liquid Marks’ Group exhibition Bent Van Looy, Bram Kinsbergen, Frederik Heyman, József Csató, Roy Mordechay, Tatjana Gerhard 22.06.2024 — 01.09.2024 [ ](\u002Fexhibitions-2024\u002Fwhisper-in-the-breeze-seeking-shade) ‘Whispers in the breeze, seeking shade’ Group exhibition Filip Vervaet, Jean-Pierre Temmerman, Lars Morell, Renée Pevernagie 22.06.2024 — 01.09.2024 [ ](\u002Fexhibitions-2024\u002Fsebastien-reuze-mascleta) Sébastien Reuzé ’Mascletà’ 16.05.2024 — 16.06.2024 [ ](\u002Fexhibitions-2024\u002Faesthetic-echoes) ‘Aesthetic Echoes’ Group exhibition 16.05.2024 — 16.06.2024 [ ](\u002Fexhibitions-2024\u002Fbert-danckaert-the-state-of-things) Bert Danckaert ’THE STATE OF THINGS’ 30.03.2024 — 05.05.2024 [ ](\u002Fexhibitions-2024\u002Froy-mordechay-silent-partners) Roy Mordechay ’Silent Partners’ 24.02.2024 — 24.03.2024 [ ](\u002Fexhibitions-2024\u002Fdisabstraction-sunrise) ‘Disabstraction Sunrise’ Group exhibition Tatjana Gerhard, Aurélie Gravas, Julien Meert, Nadia Naveau, Xavier-Noiret Thomé, Sébastien Reuzé, Carole Vanderlinden, Franck Scurti, Sven 't Jolle, Sophie Ullrich 24.02.2024 — 24.03.2024 [ ](\u002Fexhibitions-2024\u002Flaurens-legiers-a-whimsy-odyssey) Laurens Legiers ’A Whimsy Odyssey’ 13.01.2024 — 18.02.2024 2023 Featured [ ](\u002Fexhibitions-2023\u002Fface-time) Nov 25, 2023 ‘FACE TIME’ Nov 25, 2023 Group exhibition 25.11.2023 — 07.01.2024 Nov 25, 2023 [ ](\u002Fexhibitions-2023\u002Fnelleke-cloosterman-dawn-goes-down-to-day) Nov 25, 2023 Nelleke Cloosterman Nov 25, 2023 ’Dawn goes down to day’ 25.11.2023 — 07.01.2024 Nov 25, 2023 [ ](\u002Fexhibitions-2023\u002Fjudit-kristensen-vanity) Oct 14, 2023 Judit Kristensen Oct 14, 2023 ’Vanity’ 14.10.2023 — 19.11.2023 Oct 14, 2023 [ ](\u002Fexhibitions-2023\u002Fsven-tjolle-vroeger-was-ik-ook-voor-de-vrede) Oct 14, 2023 Sven ‘t Jolle Oct 14, 2023 ‘Vroeger was ik ook voor de vrede’ 14.10.2023 — 19.11.2023 Oct 14, 2023 [ ](\u002Fexhibitions-2023\u002Fand-thats-only-half-the-story) Sep 2, 2023 ‘…And that’s only (half) the story’ Sep 2, 2023 Group exhibition Jonas Lund, Daan Couzijn, Harm van den Dorpel, Libby Heaney, Sarah Meyohas, Victor Verhelst, Arvida Byström, Gretta Louw, Frederik De Wilde 02.09.2023 — 08.10.2023 Sep 2, 2023 [ ](\u002Fexhibitions-2023\u002Fceline-mathieu-hifi-stereo-vacuum-tube) Jun 24, 2023 Céline Mathieu Jun 24, 2023 ‘Hifi Stereo Vacuum Tube’ 24.06.2023 — 27.08.2023 Jun 24, 2023 [ ](\u002Fexhibitions-2023\u002Fmanor-grunewald-external-hard-disk-1-2) Jun 24, 2023 Manor Grunewald Jun 24, 2023 'EXTERNAL HARD DISK \u002F WORK' Part I & II 24.06.2023 — 27.08.2023 Jun 24, 2023 [ ](\u002Fexhibitions-2023\u002Fritsart-gobyn-prologue) May 18, 2023 Ritsart Gobyn May 18, 2023 ’Prologue’ 18.05.2023 — 18.06.2023 May 18, 2023 [ ](\u002Fexhibitions-2023\u002Fmevlana-lipp-soleil) May 13, 2023 Mevlana Lipp May 13, 2023 ‘Soleil’ 13.05.2023 — 18.06.2023 May 13, 2023 [ ](\u002Fexhibitions-2023\u002Fjozsef-csato-hair-hours-skin-minutes-bone-seconds) Apr 1, 2023 József Csató Apr 1, 2023 ‘Hair hours, Skin minutes, Bone seconds’ 01.04.2023 — 07.05.2023 Apr 1, 2023 [ ](\u002Fexhibitions-2023\u002Finterstate-of-mind) Mar 25, 2023 ‘INTERSTATE OF MIND’ Mar 25, 2023 Group exhibition Jenny Brosinski, Corydon Cowansage, Max Frintrop, Tatjana Gerhard, Nicholas William Johnson, Judit Kristensen, Jean-Pierre Temmerman, Julia Trybala, Sharon Van Overmeiren 25.03.2023 — 26.04.2023 Mar 25, 2023 [ ](\u002Fexhibitions-2023\u002Ffilip-vervaet-passages) Feb 25, 2023 Filip Vervaet Feb 25, 2023 ’Passages’ 24.02.2023 — 25.03.2023 Feb 25, 2023 [ ](\u002Fexhibitions-2023\u002Fkasper-de-vos-sluimertijd) Jan 14, 2023 Kasper De Vos Jan 14, 2023 ’Sluimertijd’ 14.01.2023 — 19.02.2023 Jan 14, 2023 2022 Featured [ ](\u002Fexhibitions-2022\u002Fvictor-verhelst-toxic-hawaii) Dec 3, 2022 Victor Verhelst Dec 3, 2022 ‘TOXIC HAWAII’ 03.12.2022 — 08.01.2023 Dec 3, 2022 [ ](\u002Fexhibitions-2022\u002Fdamien-meade) Nov 26, 2022 Damien Meade Nov 26, 2022 Damien Meade 26.11.2022 — 08.01.2023 Nov 26, 2022 [ ](\u002Fexhibitions-2022\u002Fcarole-vanderlinden-a-slipping-glance) Oct 15, 2022 Carole Vanderlinden Oct 15, 2022 ‘A slipping glance’ 15.10.2022 — 20.11.2022 Oct 15, 2022 [ ](\u002Fexhibitions-2022\u002Fwilliam-ludwig-lutgens-my-mind-is-the-mind-of-a-fish) Sep 3, 2022 William Ludwig Lutgens Sep 3, 2022 ‘My mind is the mind of a fish’ 03.09.2022 — 10.10.2022 Sep 3, 2022 [ ](\u002Fexhibitions-2022\u002Flysandre-begijn-echos-answer) Sep 1, 2022 Lysandre Begijn Sep 1, 2022 ‘Echo's Answer’ 01.09.2022 — 16.10.2022 Sep 1, 2022 [ ](\u002Fexhibitions-2022\u002Finfinite-flowers-part-4) Jun 25, 2022 ‘Infinite Flowers’ (part 4) Jun 25, 2022 Group exhibition Werner Mannaers József Csató, Manor Grunewald, Nicholas William Johnson, Sven ‘t Jolle, Sergio De Beukelaer, Laurens Legiers, Xavier Noiret Thomé, Mevlana Lipp, Lysandre Begijn, Rik De Boe, Nelleke Cloosterman, Sean Crossley, Kendell Geers, Daan Gielis, Milan Kunc, Sam Druant, Juliane Noll, Victor Verhelst, Beni Bischof, Bernd Lohaus, Carole Vanderlinden, Celina Vleugels, Ralf Kokke, Amber Andrews, Lily Van der Stokker, Heidi Ukonnen, Tony Matelli, Michael Johansson 25.05.2022 — 21.08.2022 Jun 25, 2022 [ ](\u002Fexhibitions-2022\u002Fproof-of-work-whats-at-stake) May 26, 2022 ‘Proof of Work, What's at Stake?’ May 26, 2022 Group exhibition Nicholas William Johnson, Victor Verhelst, Anne-Mie Van Kerckhoven, Frederik Heyman, Vaast Colson, Yannick Val Gesto and Beni Bisschof 26.05.2022 — 26.06.2022 May 26, 2022 [ ](\u002Fexhibitions-2022\u002Ftatjana-gerhard-the-power-of-illusion-the-illusion-of-power …",{"id":622,"height":13,"width":12,"blurhash":623},"874feca0-8288-48c7-83c3-35b29160f226","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#fffffe,#00000000 50%),radial-gradient(at 67% 0,#f6f5fa,#00000000 50%),radial-gradient(at 100% 0,#eeedf6,#00000000 50%),radial-gradient(at 0 50%,#fff8f6,#00000000 50%),radial-gradient(at 33% 50%,#fffcfb,#00000000 50%),radial-gradient(at 67% 50%,#faf6fa,#00000000 50%),radial-gradient(at 100% 50%,#f1f1f5,#00000000 50%),radial-gradient(at 0 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is a contemporary art space and gallery dedicated to showcasing diverse artistic voices through curated exhibitions and fairs. The website serves as a digital extension of the physical gallery, providing a streamlined platform for visitors to explore upcoming shows, artist rosters, and news regarding the Antwerp art scene.\n\nThe visual identity is defined by a sophisticated, minimalist aesthetic that prioritizes the artwork itself. Utilizing expansive white space, a clean sans-serif typographic hierarchy, and a high-contrast monochrome palette, the design mirrors the architectural clarity of a professional white-cube gallery. This editorial approach creates a high-end, calm atmosphere that appeals to collectors, artists, and cultural enthusiasts.",[26,721,30],"High-End \u002F Luxury",[],[],[270,725,726,279],"Squarespace","Squarespace Commerce",[728,729,731,732],{"score":109,"category":96},{"score":730,"category":99},94,{"score":103,"category":102},{"score":198,"category":105},[734,735,736,737],{"score":159,"category":96},{"score":198,"category":99},{"score":103,"category":102},{"score":198,"category":105},[125,121,117],"Website: Plus-one. Page: Homepage. Page type: Home \u002F Landing Page. Page title: +1. Page content: Exhibitions 2026 Featured [ Currently at +1: Xavier Noiret-Thomé ](\u002Fexhibitions2026\u002Fxavier-noiret-thome-reviver) Currently at +1: Xavier Noiret-Thomé ‘REVIVER’ 28.03.2026 — 25.04.2026 [ Upcoming: PLAYGROUNDS: DEUCE ](\u002Fexhibitions2026\u002Fplaygrounds) Upcoming: PLAYGROUNDS: DEUCE ‘PLAYGROUNDS: DEUCE\"‘ 14.05.2026 — 17.05.2026 [ ‘Temporal Grounds’ ](\u002Fexhibitions2026\u002Ftemporal-grounds) ‘Temporal Grounds’ Group exhibition 29.01.2026 — 14.03.2026 2025 Featured [ ](\u002Fexhibitions2025\u002Fafter-painting-after-painting-after-painting-n5tb5) After Painting After Painting (After Painting) Group exhibition Part 2: 22.11.2025 — 20.12.2025 [ ](\u002Fexhibitions2025\u002Fafter-painting-after-painting-after-painting) After Painting After Painting (After Painting) Group exhibition Part 1: 11.10.2025 — 15.11.2025 [ ](\u002Fexhibitions2025\u002Fserban-ionescu-viscus) Serban Ionescu ‘Viscus’ 30.08.2025 — 04.10.2025 [ ](\u002Fexhibitions2025\u002Fjosse-pyl-well-digand-dig-and-well-dig-and-dig-well) Josse Pyl ‘We’ll Dig and Dig And We’ll Dig and Dig Well’ 30.08.2025 — 04.10.2025 [ ](\u002Fexhibitions2025\u002Fnelleke-cloosterman-between-what-is-ours-2t5zy) Summer Selection Summer group presentation Beni Bischof, Daan Couzijn, Nelleke Cloosterman, Bram Kinsbergen, Roy Mordechay, Florian Tomballe and Victor Verhelst. 13.08.2025 — 23.08.2025 [ ](\u002Fexhibitions2025\u002Fnelleke-cloosterman-between-what-is-ours) Nelleke Cloosterman ‘Between What Is Ours’ 12.06.2025 — 19.07.2025 [ ](\u002Fexhibitions2025\u002Finstroom-art-migration-is-normal) InstroomArt ‘MIGRATION IS NORMAL’ 29.05.2025 — 01.06.2025 [ ](\u002Fexhibitions2025\u002Fvictor-verhelst-alien-elvis-vs-the-casino-kaijus-wx6f7) Clarisse M ‘Apparentia’ 08.05.2025 — 24.05.2025 [ ](\u002Fexhibitions2025\u002Fvictor-verhelst-alien-elvis-vs-the-casino-kaijus) Victor Verhelst ‘ALIEN ELVIS vs THE CASINO KAIJU'S’ 03.04.2025 — 03.05.2025 [ ](\u002Fexhibitions2025\u002Farvida-bystrom-wink) Arvida Byström “Wink” 20.02.2025 — 29.03.2025 [ ](\u002Fexhibitions2025\u002Fbram-kinsbergen-waking-up-the-roads) Bram Kinsbergen ’Waking up the roads’ 09.01.2025 — 16.02.2025 2024 Featured [ ](\u002Fexhibitions-2024\u002Ftatjana-gerhard-glashaus) Tatjana Gerhard ’Glashaus’ 30.11.2024 — 05.01.2025 [ ](\u002Fexhibitions-2024\u002Fbeni-bischof-no-more-reality) Beni Bischof ’No More Reality’ 12.10.2024 — 24.11.2024 [ ](\u002Fexhibitions-2024\u002Fwilliam-ludwig-lutgens-fantasy-supplement) William Ludwig Lutgens ’Fantasy Supplement’ 12.10.2024 — 17.11.2024 [ ](\u002Fexhibitions-2024\u002Fhadassah-emmerich-creole-collidoscope) Hadassah Emmerich ’Creole Collidoscope’ 07.09.2024 — 06.10.2024 [ ](\u002Fexhibitions-2024\u002Fflorian-tomballe-sculptures-and-drawings) Florian Tomballe ’Sculptures and Drawings’ 07.09.2024 — 06.10.2024 [ ](\u002Fexhibitions-2024\u002Fliquid-marks) ‘Liquid Marks’ Group exhibition Bent Van Looy, Bram Kinsbergen, Frederik Heyman, József Csató, Roy Mordechay, Tatjana Gerhard 22.06.2024 — 01.09.2024 [ ](\u002Fexhibitions-2024\u002Fwhisper-in-the-breeze-seeking-shade) ‘Whispers in the breeze, seeking shade’ Group exhibition Filip Vervaet, Jean-Pierre Temmerman, Lars Morell, Renée Pevernagie 22.06.2024 — 01.09.2024 [ ](\u002Fexhibitions-2024\u002Fsebastien-reuze-mascleta) Sébastien Reuzé ’Mascletà’ 16.05.2024 — 16.06.2024 [ ](\u002Fexhibitions-2024\u002Faesthetic-echoes) ‘Aesthetic Echoes’ Group exhibition 16.05.2024 — 16.06.2024 [ ](\u002Fexhibitions-2024\u002Fbert-danckaert-the-state-of-things) Bert Danckaert ’THE STATE OF THINGS’ 30.03.2024 — 05.05.2024 [ ](\u002Fexhibitions-2024\u002Froy-mordechay-silent-partners) Roy Mordechay ’Silent Partners’ 24.02.2024 — 24.03.2024 [ ](\u002Fexhibitions-2024\u002Fdisabstraction-sunrise) ‘Disabstraction Sunrise’ Group exhibition Tatjana Gerhard, Aurélie Gravas, Julien Meert, Nadia Naveau, Xavier-Noiret Thomé, Sébastien Reuzé, Carole Vanderlinden, Franck Scurti, Sven 't Jolle, Sophie Ullrich 24.02.2024 — 24.03.2024 [ ](\u002Fexhibitions-2024\u002Flaurens-legiers-a-whimsy-odyssey) Laurens Legiers ’A Whimsy Odyssey’ 13.01.2024 — 18.02.2024 2023 Featured [ ](\u002Fexhibitions-2023\u002Fface-time) Nov 25, 2023 ‘FACE TIME’ Nov 25, 2023 Group exhibition 25.11.2023 — 07.01.2024 Nov 25, 2023 [ ](\u002Fexhibitions-2023\u002Fnelleke-cloosterman-dawn-goes-down-to-day) Nov 25, 2023 Nelleke Cloosterman Nov 25, 2023 ’Dawn goes down to day’ 25.11.2023 — 07.01.2024 Nov 25, 2023 [ ](\u002Fexhibitions-2023\u002Fjudit-kristensen-vanity) Oct 14, 2023 Judit Kristensen Oct 14, 2023 ’Vanity’ 14.10.2023 — 19.11.2023 Oct 14, 2023 [ ](\u002Fexhibitions-2023\u002Fsven-tjolle-vroeger-was-ik-ook-voor-de-vrede) Oct 14, 2023 Sven ‘t Jolle Oct 14, 2023 ‘Vroeger was ik ook voor de vrede’ 14.10.2023 — 19.11.2023 Oct 14, 2023 [ ](\u002Fexhibitions-2023\u002Fand-thats-only-half-the-story) Sep 2, 2023 ‘…And that’s only (half) the story’ Sep 2, 2023 Group exhibition Jonas Lund, Daan Couzijn, Harm van den Dorpel, Libby Heaney, Sarah Meyohas, Victor Verhelst, Arvida Byström, Gretta Louw, Frederik De Wilde 02.09.2023 — 08.10.2023 Sep 2, 2023 [ ](\u002Fexhibitions-2023\u002Fceline-mathieu-hifi-stereo-vacuum-tube) Jun 24, 2023 Céline Mathieu Jun 24, 2023 ‘Hifi Stereo Vacuum Tube’ 24.06.2023 — 27.08.2023 Jun 24, 2023 [ ](\u002Fexhibitions-2023\u002Fmanor-grunewald-external-hard-disk-1-2) Jun 24, 2023 Manor Grunewald Jun 24, 2023 'EXTERNAL HARD DISK \u002F WORK' Part I & II 24.06.2023 — 27.08.2023 Jun 24, 2023 [ ](\u002Fexhibitions-2023\u002Fritsart-gobyn-prologue) May 18, 2023 Ritsart Gobyn May 18, 2023 ’Prologue’ 18.05.2023 — 18.06.2023 May 18, 2023 [ ](\u002Fexhibitions-2023\u002Fmevlana-lipp-soleil) May 13, 2023 Mevlana Lipp May 13, 2023 ‘Soleil’ 13.05.2023 — 18.06.2023 May 13, 2023 [ ](\u002Fexhibitions-2023\u002Fjozsef-csato-hair-hours-skin-minutes-bone-seconds) Apr 1, 2023 József Csató Apr 1, 2023 ‘Hair hours, Skin minutes, Bone seconds’ 01.04.2023 — 07.05.2023 Apr 1, 2023 [ ](\u002Fexhibitions-2023\u002Finterstate-of-mind) Mar 25, 2023 ‘INTERSTATE OF MIND’ Mar 25, 2023 Group exhibition Jenny Brosinski, Corydon Cowansage, Max Frintrop, Tatjana Gerhard, Nicholas William Johnson, Judit Kristensen, Jean-Pierre Temmerman, Julia Trybala, Sharon Van Overmeiren 25.03.2023 — 26.04.2023 Mar 25, 2023 [ ](\u002Fexhibitions-2023\u002Ffilip-vervaet-passages) Feb 25, 2023 Filip Vervaet Feb 25, 2023 ’Passages’ 24.02.2023 — 25.03.2023 Feb 25, 2023 [ ](\u002Fexhibitions-2023\u002Fkasper-de-vos-sluimertijd) Jan 14, 2023 Kasper De Vos Jan 14, 2023 ’Sluimertijd’ 14.01.2023 — 19.02.2023 Jan 14, 2023 2022 Featured [ ](\u002Fexhibitions-2022\u002Fvictor-verhelst-toxic-hawaii) Dec 3, 2022 Victor Verhelst Dec 3, 2022 ‘TOXIC HAWAII’ 03.12.2022 — 08.01.2023 Dec 3, 2022 [ ](\u002Fexhibitions-2022\u002Fdamien-meade) Nov 26, 2022 Damien Meade Nov 26, 2022 Damien Meade 26.11.2022 — 08.01.2023 Nov 26, 2022 [ ](\u002Fexhibitions-2022\u002Fcarole-vanderlinden-a-slipping-glance) Oct 15, 2022 Carole Vanderlinden Oct 15, 2022 ‘A slipping glance’ 15.10.2022 — 20.11.2022 Oct 15, 2022 [ ](\u002Fexhibitions-2022\u002Fwilliam-ludwig-lutgens-my-mind-is-the-mind-of-a-fish) Sep 3, 2022 William Ludwig Lutgens Sep 3, 2022 ‘My mind is the mind of a fish’ 03.09.2022 — 10.10.2022 Sep 3, 2022 [ ](\u002Fexhibitions-2022\u002Flysandre-begijn-echos-answer) Sep 1, 2022 Lysandre Begijn Sep 1, 2022 ‘Echo's Answer’ 01.09.2022 — 16.10.2022 Sep 1, 2022 [ ](\u002Fexhibitions-2022\u002Finfinite-flowers-part-4) Jun 25, 2022 ‘Infinite Flowers’ (part 4) Jun 25, 2022 Group exhibition Werner Mannaers József Csató, Manor Grunewald, Nicholas William Johnson, Sven ‘t Jolle, Sergio De Beukelaer, Laurens Legiers, Xavier Noiret Thomé, Mevlana Lipp, Lysandre Begijn, Rik De Boe, Nelleke Cloosterman, Sean Crossley, Kendell Geers, Daan Gielis, Milan Kunc, Sam Druant, Juliane Noll, Victor Verhelst, Beni Bischof, Bernd Lohaus, Carole 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A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Gray, Black. Built using reCAPTCHA, Squarespace, Squarespace Commerce, Stimulus. AI description: Plus-one is a contemporary art space and gallery dedicated to showcasing diverse artistic voices through curated exhibitions and fairs. The website serves as a digital extension of the physical gallery, providing a streamlined platform for visitors to explore upcoming shows, artist rosters, and news regarding the Antwerp art scene. The visual identity is defined by a sophisticated, minimalist aesthetic that prioritizes the artwork itself. Utilizing expansive white space, a clean sans-serif typographic hierarchy, and a high-contrast monochrome palette, the design mirrors the architectural clarity of a professional white-cube gallery. 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Pakathi + more [ ](\u002Fhub\u002Farticle\u002Fdirt) Pamela Rosenkranz + Jenna Sutela [ ](\u002Fhub\u002Farticle\u002Fthe-machine-monologues) Eli Cortiñas [ ](\u002Fhub\u002Farticle\u002Fready-mix) Lucy Raven [ ](\u002Fhub\u002Farticle\u002Fquantum-soup) Libby Heaney [ ](\u002Fhub\u002Farticle\u002Fpaxartaward2023) UBERMORGEN, Johanna Müller, Giulia Essyad [ ](\u002Fhub\u002Farticle\u002Fnox) Lawrence Lek [ ](\u002Fhub\u002Farticle\u002Fhypertension23) Cécile B. 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Pakathi + more [ ](\u002Fhub\u002Farticle\u002Fdirt) Pamela Rosenkranz + Jenna Sutela [ ](\u002Fhub\u002Farticle\u002Fthe-machine-monologues) Eli Cortiñas [ ](\u002Fhub\u002Farticle\u002Fready-mix) Lucy Raven [ ](\u002Fhub\u002Farticle\u002Fquantum-soup) Libby Heaney [ ](\u002Fhub\u002Farticle\u002Fpaxartaward2023) UBERMORGEN, Johanna Müller, Giulia Essyad [ ](\u002Fhub\u002Farticle\u002Fnox) Lawrence Lek [ ](\u002Fhub\u002Farticle\u002Fhypertension23) Cécile B. 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Lynn Hershman Leeson [ ](\u002Fhub\u002Farticle\u002Fzona-cero-cenotafio-digital) Yosi Negrín [ ](\u002Fhub\u002Farticle\u002Fritual-nature-is-healing) Theo Triantafyllidis [ ](\u002Fhub\u002Farticle\u002Fplasma-magazine-5) [ ](\u002Fhub\u002Farticle\u002Fsensorial-divinities) Paulo Arraiano [ ](\u002Fhub\u002Farticle\u002Fdeliquescing) Steve Bishop [ ](\u002Fhub\u002Farticle\u002Fhard-core-soft-bodies) Stine Deja [ ](\u002Fhub\u002Farticle\u002Frandom-access-memory-ram) Ralf Bæcker [ ](\u002Fhub\u002Farticle\u002Finterface) Coralie Vogelaar [ ](\u002Fhub\u002Farticle\u002Fsymbolic-grounding) Christian Faubel, Wolfgang Spahn [ ](\u002Fhub\u002Farticle\u002Ffanscreen) Henk Stallinga [ ](\u002Fhub\u002Farticle\u002Fare-you-online-now) !Mediengruppe Bitnik [ ](\u002Fhub\u002Farticle\u002Focuka_milan_mazur) Milan Mazúr [ ](\u002Fhub\u002Farticle\u002Fintervention-misalignment_yang_minha) Min-ha Yang [ ](\u002Fhub\u002Farticle\u002Fryoichi_kurokawa_oscillating-continuum) Ryoichi Kurokawa [ 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A Dark Mode, Futuristic \u002F Sci-Fi, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features Gray, White, Black, Violet. The typography features Helvetica (Sans Serif), Suisse Intl (Swiss Typefaces), Suisse Intl (Swiss Typefaces), Suisse Intl (Swiss Typefaces), Suisse Intl (Swiss Typefaces). Built using Vercel. AI description: Pylon Hub serves as a multidisciplinary creative platform, bridging the gap between experimental art, media installation, and technological exploration. Through its 'Hub' and 'Lab' sections, the site functions as both a showcase for immersive media projects and a sandbox for technical experimentation, positioning itself at the intersection of digital media and physical installation art. The visual identity is defined by a striking, avant-garde aesthetic that utilizes high-contrast imagery and a sophisticated dark mode interface. The design employs bold, vertical typography and a non-traditional grid, creating a sense of spatial depth and raw, industrial texture. It targets a sophisticated audience of curators, digital artists, and tech-forward creatives who value experimental media and high-concept visual storytelling."]