[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-detail-meryl-vedros":3,"facets-baseline-false":138,"facets-{\"includeAuthors\":\"false\"}":317,"similar-websites-meryl-vedros":331},{"id":4,"name":5,"slug":6,"url":7,"dateUpdated":8,"fetchedAt":9,"coverId":10,"coverMobileId":11,"coverWidth":12,"coverHeight":13,"coverMobileWidth":14,"coverMobileHeight":15,"descriptionEn":16,"seoMeta":17,"industry":20,"styles":24,"credits":37,"pages":38,"typefaces":50,"technologiesByCategory":61,"pagespeedDesktop":105,"pagespeedMobile":106,"performanceDesktop":54,"performanceMobile":54,"colorBuckets":107,"colorPalette":120},"fd60a630-4909-489c-a486-dc22a77091df","Meryl Vedros","meryl-vedros","https:\u002F\u002Fmerylvedros.com","2026-05-23T19:26:28.000Z","2026-05-03T15:24:25.000Z","62e3ec1c-e068-4fdb-81ed-37a780976884","ff738625-44e5-4bf2-8e1e-28d81b855ac1",1440,900,780,1688,"Meryl Vedros is a sophisticated personal brand website for a creative leader, founder, and advocate. The site serves as a professional portfolio and digital calling card, positioning Vedros as a high-level creative director who bridges the gap between brand design and human-centric advocacy, specifically focusing on mental health and intentional career building.\n\nThe visual identity is defined by a striking, high-contrast aesthetic. Utilizing a bold monochrome palette and oversized, authoritative typography, the design exudes a sense of modern elegance and intellectual depth. The use of large-scale, black-and-white portraiture creates an immediate sense of intimacy and personal connection, targeting high-end clients, collaborators, and industry leaders who value both aesthetic excellence and purposeful leadership.",{"title":18,"meta_description":19},"Meryl Vedros | Creative Director & Brand Design Leader","Explore the work of Meryl Vedros, a creative director and brand design expert dedicated to intentional living and mental health advocacy.",{"name":21,"label":22,"slug":23},"Agency & Studio","Agencies","agencies",[25,29,33],{"name":26,"label":27,"slug":28},"Clean \u002F Minimalist","Minimalist","minimalist",{"name":30,"label":31,"slug":32},"Monochrome \u002F Grayscale","Monochrome","monochrome",{"name":34,"label":35,"slug":36},"Typographic \u002F Big Type","Typographic","typographic",[],[39],{"name":40,"title":41,"description":42,"url":43,"coverId":10,"coverMobileId":11,"alt":44,"altMobile":45,"pageType":46},"Homepage","Meryl Vedros, Founder and Creative Director","In her work as a creative leader and beyond, Meryl is an outspoken advocate for mental health and designing your career around the life you want to live.","https:\u002F\u002Fmerylvedros.com\u002F","A minimalist desktop landing page with a black background and large white typography reading 'MERYL VEDROS'. Below the headline is a large, square, black-and-white portrait of a woman against a light gray background. The layout is centered and spacious, emphasizing high contrast and clean design.","The mobile version maintains the high-contrast black and white theme, featuring the large 'MERYL VEDROS' headline at the top. The black-and-white portrait is repositioned to fill more of the vertical screen space, creating a stacked, portrait-oriented composition.",{"name":47,"label":48,"slug":49},"Home \u002F Landing Page","Home \u002F Landing","home-landing",[51,55,58],{"name":52,"label":52,"slug":53,"foundryName":54},"Inter","inter",null,{"name":56,"label":56,"slug":57,"foundryName":54},"Lora","lora",{"name":59,"label":59,"slug":60,"foundryName":54},"Open Sans","open-sans",{"Web servers":62,"JavaScript libraries":66,"CDN":75,"Databases":79,"Programming languages":83,"Page builders":87,"WordPress themes":91,"CMS":93,"Blogs":97,"SEO":99,"WordPress plugins":103},[63],{"name":64,"label":64,"slug":65},"Apache HTTP Server","apache-http-server",[67,70,73],{"name":68,"label":68,"slug":69},"jQuery","jquery",{"name":71,"label":71,"slug":72},"jQuery Migrate","jquery-migrate",{"name":74,"label":74,"slug":74},"scrollreveal",[76],{"name":77,"label":77,"slug":78},"jsDelivr","jsdelivr",[80],{"name":81,"label":81,"slug":82},"MySQL","mysql",[84],{"name":85,"label":85,"slug":86},"PHP","php",[88],{"name":89,"label":89,"slug":90},"Semplice","semplice",[92],{"name":89,"label":89,"slug":90},[94],{"name":95,"label":95,"slug":96},"WordPress","wordpress",[98],{"name":95,"label":95,"slug":96},[100],{"name":101,"label":101,"slug":102},"Yoast SEO","yoast-seo",[104],{"name":101,"label":101,"slug":102},[],[],[108,112,116],{"value":109,"label":110,"hex":111},"black","Black","#000000",{"value":113,"label":114,"hex":115},"white","White","#ffffff",{"value":117,"label":118,"hex":119},"gray","Gray","#737373",[121,123,126,129,132,135],{"hex":111,"percent":122},0.6476,{"hex":124,"percent":125},"#C4C4C4",0.2713,{"hex":127,"percent":128},"#FEFEFE",0.0305,{"hex":130,"percent":131},"#9A9A9A",0.0204,{"hex":133,"percent":134},"#707070",0.016,{"hex":136,"percent":137},"#393939",0.0143,{"facetDistribution":139,"facetLabels":226},{"industry":140,"styles":160,"technologies":175,"font_families":201,"page_type_name":215},{"Agency & Studio":141,"Art & Culture":142,"SaaS & Software":143,"Fashion & Apparel":144,"Architecture & Real Estate":145,"Entertainment & Media":146,"Food & Beverage":147,"Photography & Video":148,"Finance & Fintech":149,"Healthcare & Wellness":150,"Technology & Hardware":151,"Industrial & Manufacturing":152,"Beauty & Cosmetics":153,"Travel & Hospitality":154,"Non-Profit & Charity":155,"Education & Courses":156,"Crypto & Web3":157,"Sports & Fitness":158,"Automotive & Transportation":159},716,296,210,167,163,138,125,120,76,62,54,49,47,45,41,32,24,21,11,{"Clean \u002F Minimalist":161,"Typographic \u002F Big Type":162,"High-End \u002F Luxury":163,"Dark Mode":164,"Vibrant \u002F Colorful":165,"Monochrome \u002F Grayscale":166,"Fun \u002F Playful":167,"Brutalist \u002F Neo-Brutalist":168,"Corporate \u002F Professional":169,"Illustrative \u002F Hand-drawn":170,"Futuristic \u002F Sci-Fi":171,"3D \u002F Spatial":172,"Retro \u002F Vintage \u002F Y2K":173,"Glassmorphism":174,"Bento Grid":174},2056,1713,1012,570,393,317,257,236,205,87,69,55,33,15,{"jQuery":176,"PHP":177,"WordPress":178,"Node.js":179,"React":180,"Vercel":181,"Vue.js":182,"Shopify":183,"Next.js":184,"Klaviyo":185,"Nuxt.js":186,"Typekit":187,"Amazon Web Services":188,"reCAPTCHA":189,"YouTube":190,"MailChimp":191,"Modernizr":192,"Bootstrap":193,"Slick":194,"Google Font API":195,"Craft CMS":196,"Framer Sites":197,"Contact Form 7":198,"Stimulus":199,"Google Maps":200},875,629,504,320,311,262,207,196,161,149,147,141,129,117,95,92,91,85,82,79,66,65,64,59,58,{"Inter":202,"Times New Roman":203,"Roboto":204,"Open Sans":205,"Neue Haas Grotesk":205,"Suisse Intl":206,"Arial":171,"Poppins":196,"Helvetica Neue":198,"Montserrat":207,"Diatype":172,"Neue Montreal":151,"Lato":152,"Graphik":208,"Source Sans":209,"Monument Grotesk":210,"Noto Sans":211,"Helvetica":212,"Söhne":213,"DM Sans":213,"Founders Grotesk":213,"GT America":214,"Google Sans":214,"Editorial":173,"IBM Plex Mono":156},315,168,127,90,88,60,46,44,40,39,36,35,34,{"Home \u002F Landing Page":216,"About Us \u002F Team":217,"Projects \u002F Portfolio":218,"Contact Us":219,"Blog \u002F Article Layout":220,"Services \u002F Features":221,"Shop \u002F Catalog":222,"Careers \u002F Jobs":223,"Pricing Page":150,"Sign Up \u002F Login":224,"404 Error Page":225},2401,774,527,418,378,341,299,89,27,9,{"industry":227,"styles":246,"page_type_name":259,"technologies":270,"font_families":293},{"Agency & Studio":22,"Art & Culture":228,"SaaS & Software":229,"Fashion & Apparel":230,"Architecture & Real Estate":231,"Entertainment & Media":232,"Food & Beverage":233,"Photography & Video":234,"Finance & Fintech":235,"Healthcare & Wellness":236,"Technology & Hardware":237,"Industrial & Manufacturing":238,"Beauty & Cosmetics":239,"Travel & Hospitality":240,"Non-Profit & Charity":241,"Education & Courses":242,"Crypto & Web3":243,"Sports & Fitness":244,"Automotive & Transportation":245},"Art and Culture","Software","Fashion","Real Estate","Entertainment","Food and Drink","Photography","Fintech","Wellness","Technology","Industrial","Beauty","Travel","Non-Profit","Education","Web3","Sports","Automotive",{"Clean \u002F Minimalist":27,"Typographic \u002F Big Type":35,"High-End \u002F Luxury":247,"Dark Mode":248,"Vibrant \u002F Colorful":249,"Monochrome \u002F Grayscale":31,"Fun \u002F Playful":250,"Brutalist \u002F Neo-Brutalist":251,"Corporate \u002F Professional":252,"Illustrative \u002F Hand-drawn":253,"Futuristic \u002F Sci-Fi":254,"3D \u002F Spatial":255,"Retro \u002F Vintage \u002F Y2K":256,"Glassmorphism":257,"Bento Grid":258},"Luxury","Dark Mode","Vibrant","Playful","Brutalist","Corporate","Illustrative","Futuristic","3D and Spatial","Retro and Y2K","Glassmorphism","Bento Grid",{"Home \u002F Landing Page":48,"About Us \u002F Team":260,"Projects \u002F Portfolio":261,"Contact Us":262,"Blog \u002F Article Layout":263,"Services \u002F Features":264,"Shop \u002F Catalog":265,"Careers \u002F Jobs":266,"Pricing Page":267,"Sign Up \u002F Login":268,"404 Error Page":269},"About Us","Portfolio","Contact","Blog \u002F Article","Services","Shop \u002F Catalog","Careers","Pricing","Sign Up \u002F Login","404 Error",{"jQuery":68,"PHP":85,"WordPress":95,"Node.js":271,"React":272,"Vercel":273,"Vue.js":274,"Shopify":275,"Next.js":276,"Klaviyo":277,"Nuxt.js":278,"Typekit":279,"Amazon Web Services":280,"reCAPTCHA":281,"YouTube":282,"MailChimp":283,"Modernizr":284,"Bootstrap":285,"Slick":286,"Google Font API":287,"Craft CMS":288,"Framer Sites":289,"Contact Form 7":290,"Stimulus":291,"Google Maps":292},"Node.js","React","Vercel","Vue.js","Shopify","Next.js","Klaviyo","Nuxt.js","Typekit","Amazon Web Services","reCAPTCHA","YouTube","MailChimp","Modernizr","Bootstrap","Slick","Google Font API","Craft CMS","Framer Sites","Contact Form 7","Stimulus","Google Maps",{"Inter":52,"Times New Roman":294,"Roboto":295,"Open Sans":59,"Neue Haas Grotesk":296,"Suisse Intl":297,"Arial":298,"Poppins":299,"Helvetica Neue":300,"Montserrat":301,"Diatype":302,"Neue Montreal":303,"Lato":304,"Graphik":305,"Source Sans":306,"Monument Grotesk":307,"Noto Sans":308,"Helvetica":309,"Söhne":310,"DM Sans":311,"Founders Grotesk":312,"GT America":313,"Google Sans":314,"Editorial":315,"IBM Plex Mono":316},"Times New Roman","Roboto","Neue Haas Grotesk","Suisse Intl","Arial","Poppins","Helvetica Neue","Montserrat","Diatype","Neue Montreal","Lato","Graphik","Source Sans","Monument Grotesk","Noto Sans","Helvetica","Söhne","DM Sans","Founders Grotesk","GT America","Google Sans","Editorial","IBM Plex Mono",{"facetDistribution":318,"facetLabels":325},{"industry":319,"styles":320,"technologies":321,"font_families":322,"page_type_name":323},{"Agency & Studio":141,"Art & Culture":142,"SaaS & Software":143,"Fashion & Apparel":144,"Architecture & Real Estate":145,"Entertainment & Media":146,"Food & Beverage":147,"Photography & Video":148,"Finance & Fintech":149,"Healthcare & Wellness":150,"Technology & Hardware":151,"Industrial & Manufacturing":152,"Beauty & Cosmetics":153,"Travel & Hospitality":154,"Non-Profit & Charity":155,"Education & Courses":156,"Crypto & Web3":157,"Sports & Fitness":158,"Automotive & Transportation":159},{"Clean \u002F Minimalist":161,"Typographic \u002F Big Type":162,"High-End \u002F Luxury":163,"Dark Mode":164,"Vibrant \u002F Colorful":165,"Monochrome \u002F Grayscale":166,"Fun \u002F Playful":167,"Brutalist \u002F Neo-Brutalist":168,"Corporate \u002F Professional":169,"Illustrative \u002F Hand-drawn":170,"Futuristic \u002F Sci-Fi":171,"3D \u002F Spatial":172,"Retro \u002F Vintage \u002F Y2K":173,"Glassmorphism":174,"Bento Grid":174},{"jQuery":176,"PHP":177,"WordPress":178,"Node.js":179,"React":180,"Vercel":181,"Vue.js":182,"Shopify":183,"Next.js":184,"Klaviyo":185,"Nuxt.js":186,"Typekit":187,"Amazon Web Services":188,"reCAPTCHA":189,"YouTube":190,"MailChimp":191,"Modernizr":192,"Bootstrap":193,"Slick":194,"Google Font API":195,"Craft CMS":196,"Framer Sites":197,"Contact Form 7":198,"Stimulus":199,"Google Maps":200},{"Inter":202,"Times New Roman":203,"Roboto":204,"Open Sans":205,"Neue Haas Grotesk":205,"Suisse Intl":206,"Arial":171,"Poppins":196,"Helvetica Neue":198,"Montserrat":207,"Diatype":172,"Neue Montreal":151,"Lato":152,"Graphik":208,"Source Sans":209,"Monument Grotesk":210,"Noto Sans":211,"Helvetica":212,"Söhne":213,"DM Sans":213,"Founders Grotesk":213,"GT America":214,"Google Sans":214,"Editorial":173,"IBM Plex Mono":156},{"Home \u002F Landing Page":324},2397,{"industry":326,"styles":327,"page_type_name":328,"technologies":329,"font_families":330},{"Agency & Studio":22,"Art & Culture":228,"SaaS & Software":229,"Fashion & Apparel":230,"Architecture & Real Estate":231,"Entertainment & Media":232,"Food & Beverage":233,"Photography & Video":234,"Finance & Fintech":235,"Healthcare & Wellness":236,"Technology & Hardware":237,"Industrial & Manufacturing":238,"Beauty & Cosmetics":239,"Travel & Hospitality":240,"Non-Profit & Charity":241,"Education & Courses":242,"Crypto & Web3":243,"Sports & Fitness":244,"Automotive & Transportation":245},{"Clean \u002F Minimalist":27,"Typographic \u002F Big Type":35,"High-End \u002F Luxury":247,"Dark Mode":248,"Vibrant \u002F Colorful":249,"Monochrome \u002F Grayscale":31,"Fun \u002F Playful":250,"Brutalist \u002F Neo-Brutalist":251,"Corporate \u002F Professional":252,"Illustrative \u002F Hand-drawn":253,"Futuristic \u002F Sci-Fi":254,"3D \u002F Spatial":255,"Retro \u002F Vintage \u002F Y2K":256,"Glassmorphism":257,"Bento Grid":258},{"Home \u002F Landing Page":48},{"jQuery":68,"PHP":85,"WordPress":95,"Node.js":271,"React":272,"Vercel":273,"Vue.js":274,"Shopify":275,"Next.js":276,"Klaviyo":277,"Nuxt.js":278,"Typekit":279,"Amazon Web Services":280,"reCAPTCHA":281,"YouTube":282,"MailChimp":283,"Modernizr":284,"Bootstrap":285,"Slick":286,"Google Font API":287,"Craft CMS":288,"Framer Sites":289,"Contact Form 7":290,"Stimulus":291,"Google Maps":292},{"Inter":52,"Times New Roman":294,"Roboto":295,"Open Sans":59,"Neue Haas Grotesk":296,"Suisse Intl":297,"Arial":298,"Poppins":299,"Helvetica Neue":300,"Montserrat":301,"Diatype":302,"Neue Montreal":303,"Lato":304,"Graphik":305,"Source Sans":306,"Monument Grotesk":307,"Noto Sans":308,"Helvetica":309,"Söhne":310,"DM Sans":311,"Founders Grotesk":312,"GT America":313,"Google Sans":314,"Editorial":315,"IBM Plex Mono":316},{"hits":332},[333,386,434,478],{"id":334,"website_id":335,"page_id":334,"name":336,"slug":337,"url":338,"website_name":336,"website_slug":337,"website_url":339,"result_url":338,"fetched_at":340,"score":194,"score_boost":341,"ai_score":193,"freshness_score":342,"scored_at":343,"page_name":40,"page_url":338,"page_title":336,"page_description":344,"page_content":345,"page_sort":341,"is_home":346,"is_home_rank":347,"page_type_id":348,"page_type_name":47,"cover":349,"cover_mobile":352,"cover_sequence":354,"translations":358,"industry":21,"styles":362,"credits":363,"font_families":365,"technologies":367,"pagespeed":368,"pagespeed_mobile":379,"buckets":384,"search_payload":385},"c676bd7d-71f0-404f-976b-80b184183b89","ebf00b58-bf20-41a6-933d-8e7d3a286519","Sandra Doeller","sandradoeller","https:\u002F\u002Fsandradoeller.com\u002F","https:\u002F\u002Fsandradoeller.com","2026-05-04T12:38:30.000Z",0,74,"2026-05-23T19:20:43.000Z","Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.","Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …",true,1,"1",{"id":350,"height":13,"width":12,"blurhash":351},"cc28f65c-6c0c-448a-9543-4f6fc1dcd579","radial-gradient(at 0 0,#eeeeee,#00000000 50%),radial-gradient(at 33% 0,#f6f6f6,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#dddddd,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 100% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 0 100%,#dadada,#00000000 50%),radial-gradient(at 33% 100%,#dddddd,#00000000 50%),radial-gradient(at 67% 100%,#dddddd,#00000000 50%),radial-gradient(at 100% 100%,#dbdbdb,#00000000 50%)",{"id":353,"height":15,"width":14,"blurhash":54},"ee35a35b-7056-4b3b-a410-6d8fb821f9de",[355],{"directus_files_id":356},{"id":357},"d1e1dfc1-2478-4823-a5a8-615901f1ed26",[359],{"languages_code":360,"description":361},"en","Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives.\n\nThe visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector.",[26,30,34],[364],"Liebermann Kiepe Reddemann",[366],"Favorit",[68],[369,371,374,377],{"score":191,"category":370},"performance",{"score":372,"category":373},67,"accessibility",{"score":375,"category":376},96,"best-practices",{"score":191,"category":378},"seo",[380,381,382,383],{"score":196,"category":370},{"score":372,"category":373},{"score":375,"category":376},{"score":191,"category":378},[113,109,117],"Website: Sandra Doeller. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Sandra Doeller. Page description: Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.. Page content: Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Favorit (Sans Serif, Dinamo). Built using jQuery. AI description: Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives. The visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector.",{"id":387,"website_id":388,"page_id":387,"name":389,"slug":390,"url":391,"website_name":389,"website_slug":390,"website_url":392,"result_url":391,"fetched_at":393,"score":394,"score_boost":341,"ai_score":193,"freshness_score":342,"scored_at":395,"page_name":40,"page_url":391,"page_title":389,"page_description":396,"page_content":397,"page_sort":341,"is_home":346,"is_home_rank":347,"page_type_id":348,"page_type_name":47,"cover":398,"cover_mobile":401,"cover_sequence":403,"translations":407,"industry":410,"styles":411,"credits":412,"font_families":413,"technologies":415,"pagespeed":418,"pagespeed_mobile":425,"buckets":431,"search_payload":433},"6c570d4e-2280-4178-b540-837619a58529","f42c1106-2bb1-4171-b1b6-0540af0cfd4d","Parsons MPS Communication Design","parsons-mps-communication-design","https:\u002F\u002Fmpscd.parsons.edu\u002F","https:\u002F\u002Fmpscd.parsons.edu","2026-05-04T10:34:54.000Z",83,"2026-05-23T19:24:40.000Z","A one-year graduate degree program for Digital Product Design.","OK Cookies Parsons School of Design — MPS Communication Design — Digital Product Design Info Parsons MPS Communication Design Digital Product Design - #### Curriculum - #### Faculty - #### Students - #### Apply Designing for the Digital Age In an increasingly digital world, designers are often challenged to create technology-driven products and services for a variety of platforms and human needs. Parsons’ Master of Professional Studies in Communication Design (MPS CD) features a concentration in Digital Product Design, which offers you the cutting-edge conceptual design methods and technical skills you need to meet this growing marketplace demand. Creative Vision In this one-year, 30-credit curriculum, you develop creative problem-solving strategies to relay and translate messages, information, and ideas. Your full-time course of study is built on four components: instruction in advanced core design competencies, practices and methods courses, external partnerships, and the core studio sequence. Parsons faculty — skilled at bringing together design thinking, aesthetics, and technology—guide you to explore innovative composition and visualization methods, interaction design, typography, and industry best practices. Industry Ready You graduate from the program with your own unique, forward-looking aesthetic anchored in professional skills acquired throughout the program, which include entrepreneurship, strategic working methodologies, and contemporary prototyping. You are prepared for digital design work settings, with competence in various industry-standard technologies, including front-end development skills (HTML, CSS, and JavaScript), and experience navigating professional partnerships with teams and clients. - # Curriculum - # Faculty - # Students - # Apply - ###### Request Information More info can be found in the Admissions Office’s Admissions Request Form - ###### Admission Contact Admissions Office: thinkparsonsgrad@newschool.edu - ###### Admission Events Find out about upcoming events using the Graduate Admission Events Calendar - ###### Program Contact Andrew LeClair, Director: leclaira@newschool.edu Parsons The New School for Design Colophon This site was built with the help of Parsons MPS faculty and students (Patrick, Stephany, Yifu, and Defne) in collaboration with XXIX. Must-See: End Exhibition FOMO Perfect Fragrance: Helping You Find the Right Perfume Habit Rabbit Error as Aesthetic Hua: A Personalized and Purposeful Flower-Booking Experience Moodsy: Your AI Mood Matcher Buddy Accountable Rendered Realities: A Collection of 3D Art “Challenges” Feature for AllTrails Leadership in Action: A Scenario-Based Challenge “Templates” Feature for Apple Notes Buyer Customization Feature for Depop “Mirror” Extension for Robinhood Crosstown Descend Everything 2025 - Categories - Student Work - Events - Experience - Years - 2025 - 2024 - 2023 - 2022 - 2021 - 2020 - 2019 - 2018 Explore",{"id":399,"height":13,"width":12,"blurhash":400},"2b3e6be4-5009-4695-b65b-d06f99e4714f","radial-gradient(at 0 0,#f1e8ec,#00000000 50%),radial-gradient(at 33% 0,#fdfdfc,#00000000 50%),radial-gradient(at 67% 0,#d9ede3,#00000000 50%),radial-gradient(at 100% 0,#a2cebf,#00000000 50%),radial-gradient(at 0 50%,#dcd7dc,#00000000 50%),radial-gradient(at 33% 50%,#f0efec,#00000000 50%),radial-gradient(at 67% 50%,#c7d5d6,#00000000 50%),radial-gradient(at 100% 50%,#80b3b6,#00000000 50%),radial-gradient(at 0 100%,#dfd7dd,#00000000 50%),radial-gradient(at 33% 100%,#eeece8,#00000000 50%),radial-gradient(at 67% 100%,#c6d2d4,#00000000 50%),radial-gradient(at 100% 100%,#7199a1,#00000000 50%)",{"id":402,"height":15,"width":14,"blurhash":54},"def9238b-9579-4624-b3ad-58425ade9c20",[404],{"directus_files_id":405},{"id":406},"16bd985f-c08a-45c2-9c0a-b2b3d208cdb2",[408],{"languages_code":360,"description":409},"Parsons MPS Communication Design serves as a sophisticated digital gateway for its premier graduate program in Digital Product Design. The website functions as both an informational hub and a recruitment tool, meticulously detailing the curriculum, faculty expertise, and student success stories to attract high-caliber design talent seeking to master the intersection of technology and human-centric design.\n\nThe visual identity is unapologetically avant-garde, leaning heavily into a high-concept typographic aesthetic. By utilizing oversized, experimental typefaces and a structured, grid-based layout, the site communicates a sense of academic rigor blended with cutting-edge creative practice. The use of soft, blurred gradients and a clean, spacious composition creates a modern, ethereal atmosphere that mirrors the forward-thinking nature of the digital product design industry.","Education & Courses",[26,34],[],[414,297],"Suisse Works",[416,68,417],"GitHub Pages","jQuery UI",[419,420,422,424],{"score":205,"category":370},{"score":421,"category":373},80,{"score":423,"category":376},100,{"score":192,"category":378},[426,427,429,430],{"score":170,"category":370},{"score":428,"category":373},81,{"score":423,"category":376},{"score":192,"category":378},[113,432,109,117],"teal","Website: Parsons MPS Communication Design. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Parsons MPS Communication Design. Page description: A one-year graduate degree program for Digital Product Design.. Page content: OK Cookies Parsons School of Design — MPS Communication Design — Digital Product Design Info Parsons MPS Communication Design Digital Product Design - #### Curriculum - #### Faculty - #### Students - #### Apply Designing for the Digital Age In an increasingly digital world, designers are often challenged to create technology-driven products and services for a variety of platforms and human needs. Parsons’ Master of Professional Studies in Communication Design (MPS CD) features a concentration in Digital Product Design, which offers you the cutting-edge conceptual design methods and technical skills you need to meet this growing marketplace demand. Creative Vision In this one-year, 30-credit curriculum, you develop creative problem-solving strategies to relay and translate messages, information, and ideas. Your full-time course of study is built on four components: instruction in advanced core design competencies, practices and methods courses, external partnerships, and the core studio sequence. Parsons faculty — skilled at bringing together design thinking, aesthetics, and technology—guide you to explore innovative composition and visualization methods, interaction design, typography, and industry best practices. Industry Ready You graduate from the program with your own unique, forward-looking aesthetic anchored in professional skills acquired throughout the program, which include entrepreneurship, strategic working methodologies, and contemporary prototyping. You are prepared for digital design work settings, with competence in various industry-standard technologies, including front-end development skills (HTML, CSS, and JavaScript), and experience navigating professional partnerships with teams and clients. - # Curriculum - # Faculty - # Students - # Apply - ###### Request Information More info can be found in the Admissions Office’s Admissions Request Form - ###### Admission Contact Admissions Office: thinkparsonsgrad@newschool.edu - ###### Admission Events Find out about upcoming events using the Graduate Admission Events Calendar - ###### Program Contact Andrew LeClair, Director: leclaira@newschool.edu Parsons The New School for Design Colophon This site was built with the help of Parsons MPS faculty and students (Patrick, Stephany, Yifu, and Defne) in collaboration with XXIX. Must-See: End Exhibition FOMO Perfect Fragrance: Helping You Find the Right Perfume Habit Rabbit Error as Aesthetic Hua: A Personalized and Purposeful Flower-Booking Experience Moodsy: Your AI Mood Matcher Buddy Accountable Rendered Realities: A Collection of 3D Art “Challenges” Feature for AllTrails Leadership in Action: A Scenario-Based Challenge “Templates” Feature for Apple Notes Buyer Customization Feature for Depop “Mirror” Extension for Robinhood Crosstown Descend Everything 2025 - Categories - Student Work - Events - Experience - Years - 2025 - 2024 - 2023 - 2022 - 2021 - 2020 - 2019 - 2018 Explore. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Education & Courses industry. The overall color palette features White, Teal, Black, Gray. The typography features Suisse Works (Swiss Typefaces), Suisse Intl (Swiss Typefaces). Built using GitHub Pages, jQuery, jQuery UI. AI description: Parsons MPS Communication Design serves as a sophisticated digital gateway for its premier graduate program in Digital Product Design. The website functions as both an informational hub and a recruitment tool, meticulously detailing the curriculum, faculty expertise, and student success stories to attract high-caliber design talent seeking to master the intersection of technology and human-centric design. The visual identity is unapologetically avant-garde, leaning heavily into a high-concept typographic aesthetic. By utilizing oversized, experimental typefaces and a structured, grid-based layout, the site communicates a sense of academic rigor blended with cutting-edge creative practice. The use of soft, blurred gradients and a clean, spacious composition creates a modern, ethereal atmosphere that mirrors the forward-thinking nature of the digital product design industry.",{"id":435,"website_id":436,"page_id":435,"name":437,"slug":438,"url":439,"website_name":437,"website_slug":438,"website_url":440,"result_url":439,"fetched_at":441,"score":421,"score_boost":341,"ai_score":442,"freshness_score":342,"scored_at":443,"page_name":40,"page_url":439,"page_title":444,"page_description":445,"page_content":446,"page_sort":341,"is_home":346,"is_home_rank":347,"page_type_id":348,"page_type_name":47,"cover":447,"cover_mobile":450,"cover_sequence":452,"translations":456,"industry":21,"styles":459,"credits":461,"font_families":462,"technologies":464,"pagespeed":465,"pagespeed_mobile":471,"buckets":476,"search_payload":477},"7f66b747-2a86-42ad-a14e-057566a7522b","fbdfd27b-3cac-45de-98df-b704b133dbd1","Teel","teel","https:\u002F\u002Fteel.group\u002F","https:\u002F\u002Fteel.group","2026-05-03T20:59:01.000Z",84,"2026-05-23T19:26:18.000Z","Teel | Brand, Design & Digital Studio","Teel is an Austin-based branding and creative studio founded in 2018. We shape how companies are perceived and how they compete. Our work defines identity, sharpens position, and builds enduring digital experiences.","Scroll to explore [ Work ](\u002Fwork)[ Studio ](\u002Fstudio)[ Contact ](\u002Fcontact) Austin 03:58 PM WorkStudioContact Austin 03:58 PM Menu Close %202.avif) Good Life Meds [ View project ](\u002Fwork\u002Fgood-life-meds) 01 \u002F 29 Good Life Meds [ View project ](\u002Fwork\u002Fgood-life-meds) 01 \u002F 29 %203%20(1).avif).avif) Good Life Meds [ View project ](\u002Fwork\u002Fgood-life-meds) 01 \u002F 29 Good Life Meds [ View project ](\u002Fwork\u002Fgood-life-meds) 01 \u002F 29 Good Life Meds [ View project ](\u002Fwork\u002Fgood-life-meds) 01 \u002F 29 %2010.avif)%2011.avif) Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 .avif) Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 %201.avif) Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 %2010.avif) Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 .avif) Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 .gif) Buchanan Capital [ View project ](\u002Fwork\u002Fbuchanan-capital-partners) 01 \u002F 29 .avif) Buchanan Capital [ View project ](\u002Fwork\u002Fbuchanan-capital-partners) 01 \u002F 29 Zydeco Development [ View project ](\u002Fwork\u002Fzydeco-development) 01 \u002F 29 %201%20(1)%206%20(1).avif) Zydeco Development [ View project ](\u002Fwork\u002Fzydeco-development) 01 \u002F 29 Trona [ View project ](\u002Fwork\u002Ftrona) 01 \u002F 29 Trona [ View project ](\u002Fwork\u002Ftrona) 01 \u002F 29 Trona [ View project ](\u002Fwork\u002Ftrona) 01 \u002F 29 %202.avif) Trona [ View project ](\u002Fwork\u002Ftrona) 01 \u002F 29 %201.avif) The Emerald [ View project ](\u002Fwork\u002Fthe-emerald) 01 \u002F 29 .avif) The Emerald [ View project ](\u002Fwork\u002Fthe-emerald) 01 \u002F 29 Inn Cahoots [ View project ](\u002Fwork\u002Fthe-emerald) 01 \u002F 29 Inn Cahoots [ View project ](\u002Fwork\u002Fthe-emerald) 01 \u002F 29 Townhouse Partners [ View project ](\u002Fwork\u002Ftownhouse-partners) 01 \u002F 29 .avif).avif) Townhouse Partners [ View project ](\u002Fwork\u002Ftownhouse-partners) 01 \u002F 29 Eastside Paddle Club [ View project ](\u002Fwork\u002Feastside-paddle-club) 01 \u002F 29 %204.avif)%201.avif) Austin Oyster Co. [ View project ](\u002Fwork\u002Faustin-oyster-co) 01 \u002F 29 .avif) Austin Oyster Co. [ View project ](\u002Fwork\u002Faustin-oyster-co) 01 \u002F 29",{"id":448,"height":13,"width":12,"blurhash":449},"6d2c141d-11fd-4039-8728-3635402e72ca","radial-gradient(at 0 0,#433317,#00000000 50%),radial-gradient(at 33% 0,#42361f,#00000000 50%),radial-gradient(at 67% 0,#41331d,#00000000 50%),radial-gradient(at 100% 0,#513d29,#00000000 50%),radial-gradient(at 0 50%,#7d6d60,#00000000 50%),radial-gradient(at 33% 50%,#73645c,#00000000 50%),radial-gradient(at 67% 50%,#73685e,#00000000 50%),radial-gradient(at 100% 50%,#6f645a,#00000000 50%),radial-gradient(at 0 100%,#18231a,#00000000 50%),radial-gradient(at 33% 100%,#353d2b,#00000000 50%),radial-gradient(at 67% 100%,#41473a,#00000000 50%),radial-gradient(at 100% 100%,#5a584c,#00000000 50%)",{"id":451,"height":15,"width":14,"blurhash":54},"a6c287ba-7ff4-4fa6-bb3c-7b513889441c",[453],{"directus_files_id":454},{"id":455},"f61e23bc-1f76-4154-809e-ca5684fb7ebb",[457],{"languages_code":360,"description":458},"Teel is a sophisticated branding and digital design studio that specializes in shaping brand perception and competitive positioning. Their work is characterized by a high-end, editorial aesthetic that bridges the gap between physical product identity and seamless digital experiences. The studio focuses on creating enduring brand legacies through meticulous attention to detail and strategic design thinking.\n\nThe visual identity is defined by a minimalist, premium atmosphere, utilizing a muted, earthy color palette and high-quality product photography. The use of generous whitespace, refined typography, and a structured layout communicates a sense of calm authority and luxury. This design language is tailored for ambitious companies looking to establish a polished, professional, and modern presence in their respective markets.",[26,460,34],"High-End \u002F Luxury",[],[297,297,463],"Garamond",[68],[466,468,469,470],{"score":467,"category":370},26,{"score":190,"category":373},{"score":200,"category":376},{"score":423,"category":378},[472,473,474,475],{"score":212,"category":370},{"score":423,"category":373},{"score":200,"category":376},{"score":423,"category":378},[109,117],"Website: Teel. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Teel | Brand, Design & Digital Studio. Page description: Teel is an Austin-based branding and creative studio founded in 2018. We shape how companies are perceived and how they compete. Our work defines identity, sharpens position, and builds enduring digital experiences.. Page content: Scroll to explore [ Work ](\u002Fwork)[ Studio ](\u002Fstudio)[ Contact ](\u002Fcontact) Austin 03:58 PM WorkStudioContact Austin 03:58 PM Menu Close %202.avif) Good Life Meds [ View project ](\u002Fwork\u002Fgood-life-meds) 01 \u002F 29 Good Life Meds [ View project ](\u002Fwork\u002Fgood-life-meds) 01 \u002F 29 %203%20(1).avif).avif) Good Life Meds [ View project ](\u002Fwork\u002Fgood-life-meds) 01 \u002F 29 Good Life Meds [ View project ](\u002Fwork\u002Fgood-life-meds) 01 \u002F 29 Good Life Meds [ View project ](\u002Fwork\u002Fgood-life-meds) 01 \u002F 29 %2010.avif)%2011.avif) Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 .avif) Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 %201.avif) Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 %2010.avif) Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 .avif) Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 Hotel Lorünser [ View project ](\u002Fwork\u002Fhotel-lorunser) 01 \u002F 29 .gif) Buchanan Capital [ View project ](\u002Fwork\u002Fbuchanan-capital-partners) 01 \u002F 29 .avif) Buchanan Capital [ View project ](\u002Fwork\u002Fbuchanan-capital-partners) 01 \u002F 29 Zydeco Development [ View project ](\u002Fwork\u002Fzydeco-development) 01 \u002F 29 %201%20(1)%206%20(1).avif) Zydeco Development [ View project ](\u002Fwork\u002Fzydeco-development) 01 \u002F 29 Trona [ View project ](\u002Fwork\u002Ftrona) 01 \u002F 29 Trona [ View project ](\u002Fwork\u002Ftrona) 01 \u002F 29 Trona [ View project ](\u002Fwork\u002Ftrona) 01 \u002F 29 %202.avif) Trona [ View project ](\u002Fwork\u002Ftrona) 01 \u002F 29 %201.avif) The Emerald [ View project ](\u002Fwork\u002Fthe-emerald) 01 \u002F 29 .avif) The Emerald [ View project ](\u002Fwork\u002Fthe-emerald) 01 \u002F 29 Inn Cahoots [ View project ](\u002Fwork\u002Fthe-emerald) 01 \u002F 29 Inn Cahoots [ View project ](\u002Fwork\u002Fthe-emerald) 01 \u002F 29 Townhouse Partners [ View project ](\u002Fwork\u002Ftownhouse-partners) 01 \u002F 29 .avif).avif) Townhouse Partners [ View project ](\u002Fwork\u002Ftownhouse-partners) 01 \u002F 29 Eastside Paddle Club [ View project ](\u002Fwork\u002Feastside-paddle-club) 01 \u002F 29 %204.avif)%201.avif) Austin Oyster Co. [ View project ](\u002Fwork\u002Faustin-oyster-co) 01 \u002F 29 .avif) Austin Oyster Co. [ View project ](\u002Fwork\u002Faustin-oyster-co) 01 \u002F 29. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features Black, Gray. The typography features Suisse Intl (Swiss Typefaces), Suisse Intl (Swiss Typefaces), Garamond (Serif). Built using jQuery. AI description: Teel is a sophisticated branding and digital design studio that specializes in shaping brand perception and competitive positioning. Their work is characterized by a high-end, editorial aesthetic that bridges the gap between physical product identity and seamless digital experiences. The studio focuses on creating enduring brand legacies through meticulous attention to detail and strategic design thinking. The visual identity is defined by a minimalist, premium atmosphere, utilizing a muted, earthy color palette and high-quality product photography. The use of generous whitespace, refined typography, and a structured layout communicates a sense of calm authority and luxury. This design language is tailored for ambitious companies looking to establish a polished, professional, and modern presence in their respective markets.",{"id":479,"website_id":480,"page_id":479,"name":481,"slug":482,"url":483,"website_name":481,"website_slug":482,"website_url":484,"result_url":483,"fetched_at":485,"score":486,"score_boost":341,"ai_score":421,"freshness_score":342,"scored_at":487,"page_name":40,"page_url":483,"page_title":488,"page_description":489,"page_content":490,"page_sort":341,"is_home":346,"is_home_rank":347,"page_type_id":348,"page_type_name":47,"cover":491,"cover_mobile":494,"cover_sequence":496,"translations":587,"industry":21,"styles":590,"credits":591,"font_families":592,"technologies":594,"pagespeed":597,"pagespeed_mobile":604,"buckets":609,"search_payload":610},"bb082ac3-adfe-4fee-a5d9-15f0a2813a67","ecbee30b-5f43-4430-bed0-0a9259127e2b","David Genco","davidgenco","https:\u002F\u002Fdavidgenco.com\u002F","https:\u002F\u002Fdavidgenco.com","2026-05-04T10:40:22.000Z",77,"2026-05-23T19:22:03.000Z","david genco","graphic design, art direction, branding, motion, typography, et cetera.","prev \u002F next Back to selected work david genco creative direction & design contact@davidgenco.com apple \u002F MIT museum \u002F princeton architectural press \u002F cooper hewitt design museum \u002F soho hospitality group \u002F nowness \u002F studio joseph \u002F museum of the city of new york \u002F unilever \u002F nuori \u002F artwrld \u002F diesel \u002F LOVE magazine \u002F national building museum \u002F hennessy [ Unpack.gif 0 New Spanish Playing Cards ](https:\u002F\u002Fwww.newspanish.cards)[ Screen-Shot-2015-08-24-at-11.54.44-AM.gif 0 museum of the city of new york ](\u002Fmcny\u002F)[ apple.png 0 apple inc. ](\u002Fdiesel-reboot-1\u002F)[ amor-de-la-calle.gif 0 amor de la calle ](\u002Famordelacalle\u002F)[ PULSE_2.gif 0 pulse ](\u002Fpulse\u002F)[ TheSenses_Thumbnail.gif 0 the senses: design beyond vision, 2018 ](\u002Fdesignbeyondvision\u002F)[ artwrld.gif 0 artwrld ](\u002Fartwrld\u002F)[ nuori.gif 0 nuori ](\u002Fnuori\u002F)[ ShomaHair_F-2.jpg 0 i don't oil my hair anymore ](\u002Famor-de-la-calle-copy\u002F)[ MIT.gif 0 massachusetts institute of technology museum, 2018 ](\u002Fmit\u002F)[ barprimi.jpg 0 bar primi ](\u002Fbarprimi\u002F)[ NBM.gif 0 national building museum ](\u002Fnom\u002F)[ Kalenner_Thumbnail.jpg 0 kalenner, luxembourg ](\u002Fkalenner\u002F)[ ami.gif 0 anders media inc. ](\u002Fander-media-inc\u002F)[ synesthesia.gif 0 synesthesia ](\u002Fsynesthesia\u002F)[ rigolo.jpg 0 pas des rigolos ](\u002Fpas-des-rigolos\u002F)[ georgejensen.gif 0 george jensen ](\u002Fgeorgejensen\u002F)[ senses_wall.jpg 0 the senses: design beyond vision, 2018 ](\u002Fthesenses-exhibition\u002F)[ sandback2.jpg 0 the davis museum ](\u002Fthe-davis-museum\u002F)[ NEW2.jpg 0 meyer davis studio ](\u002Fmeyerdavisinc\u002F)[ web.jpg 0 dailysun ](\u002Fdailysun\u002F)[ hennessylesvisites.gif 0 hennessy, les visites ](\u002Fhennessy-les-visites\u002F)[ debora.jpg 0 restauració d'art debora genco identity ](\u002Frestauracio\u002F)[ Web.gif 0 studio bitonti ](\u002Fstudiobitonti\u002F)[ luxrwb.gif 0 rout, wäiss, blo ](\u002Froutwaissblo\u002F)[ logo.jpg 0 annecy classic festival 2011 ](\u002Fannecyclassic\u002F)[ hennessy250.gif 0 hennessy 250th anniversary ](\u002Fh250\u002F)[ LOCKNESTERS-3.gif 0 locknesters ](\u002Fnew-page-2\u002F)[ twoh.jpg 0 twohustlers ](\u002Ftwohustlers\u002F)[ rubrica.png 0 rubrica ](\u002Frubrica\u002F)[ tpr.gif 0 théâtre royal du parc ](\u002Ftrp\u002F)[ bathhouse.jpg 0 bath house studio nyc ](\u002Fbath-house-studio-nyc\u002F)[ lovemagazine.gif 0 love magazine ](\u002Flove-magazine\u002F)[ Screen Shot 2016-11-17 at 8.10.10 PM.png 0 aveera ](\u002Faver\u002F)[ LIANNE.gif 0 lianne lahavas ](\u002Fliannelahavas\u002F)[ MM_WEB.gif 0 metamason ](\u002Fmetamason\u002F)[ LEXSET.gif 0 lexset ](\u002Flexset\u002F)[ 2.jpg 0 soren rose studio ](\u002Fsoren-rose-studio\u002F)[ DIESELTRIBUTE4.gif 0 diesel reboot ](\u002Fdiesel-reboot\u002F)[ desktyp_sq.gif 0 desktyp ](\u002Fdesktyp\u002F)[ volunteeer.jpg 0 volunteeer ](\u002Fvolunteeer\u002F)[ sun.gif 0 the sun also rises ](\u002Fthesunalsorises\u002F)",{"id":492,"height":13,"width":12,"blurhash":493},"07e6d366-84d3-45c6-8c9f-2e62b0d67394","radial-gradient(at 0 0,#f3eee7,#00000000 50%),radial-gradient(at 33% 0,#f6f3ee,#00000000 50%),radial-gradient(at 67% 0,#f9f8f7,#00000000 50%),radial-gradient(at 100% 0,#f6f4f6,#00000000 50%),radial-gradient(at 0 50%,#bdb6ae,#00000000 50%),radial-gradient(at 33% 50%,#ccc9c3,#00000000 50%),radial-gradient(at 67% 50%,#dadcd9,#00000000 50%),radial-gradient(at 100% 50%,#dddfde,#00000000 50%),radial-gradient(at 0 100%,#b08e7b,#00000000 50%),radial-gradient(at 33% 100%,#beaba0,#00000000 50%),radial-gradient(at 67% 100%,#cfcbc8,#00000000 50%),radial-gradient(at 100% 100%,#ccc9cb,#00000000 50%)",{"id":495,"height":15,"width":14,"blurhash":54},"4f07bf63-c269-45a8-afc4-513745e00dac",[497,500,503,506,509,512,515,518,521,524,527,530,533,536,539,542,545,548,551,554,557,560,563,566,569,572,575,578,581,584],{"directus_files_id":498},{"id":499},"37acbaa7-ca37-4059-b18b-c564adb17b30",{"directus_files_id":501},{"id":502},"46a3aa1c-0f82-4047-a3fd-232153e1e70e",{"directus_files_id":504},{"id":505},"7e6f17a2-bd63-4167-aac4-d8ff585eefd9",{"directus_files_id":507},{"id":508},"616c1a8c-2838-4c5e-869b-ccf64c4f8d3b",{"directus_files_id":510},{"id":511},"33de5988-10a7-41f2-8ee3-9b69840e83e8",{"directus_files_id":513},{"id":514},"88cc1423-c901-4bcc-affd-56fb2dfc5ef4",{"directus_files_id":516},{"id":517},"54654408-f046-4dd1-9f5c-98b788566d4e",{"directus_files_id":519},{"id":520},"48270da2-ea18-4184-8d07-6afa2f7de249",{"directus_files_id":522},{"id":523},"f9dd01fd-4f81-4082-8669-a53759d821bb",{"directus_files_id":525},{"id":526},"ea3d5f1a-fda5-49de-bcc1-190f800abeb4",{"directus_files_id":528},{"id":529},"57d87ecc-6f4e-42f3-9c6a-607942b3566a",{"directus_files_id":531},{"id":532},"b186e65c-f492-4629-a86a-5666663cecff",{"directus_files_id":534},{"id":535},"c7514160-002e-4919-97ba-159fd485fe7a",{"directus_files_id":537},{"id":538},"62763da8-5df4-430a-a49f-4a88b2711be7",{"directus_files_id":540},{"id":541},"d1dd8549-ce3d-4845-a9cb-3c81d63d852d",{"directus_files_id":543},{"id":544},"fbe6bf68-62c6-4e4d-b42b-fc2c80ff3214",{"directus_files_id":546},{"id":547},"64db01ac-3efa-48e8-b235-9329aaf4f52d",{"directus_files_id":549},{"id":550},"c77d9bff-c1eb-45fd-9d94-e6049576f1ef",{"directus_files_id":552},{"id":553},"34194134-2b3d-4c4c-8f1e-e125db162ae1",{"directus_files_id":555},{"id":556},"69cfc36e-22b3-4127-87f9-58ee8da32e3f",{"directus_files_id":558},{"id":559},"2d9f1ced-cdbd-4dad-b1d5-efbedc27dfa2",{"directus_files_id":561},{"id":562},"d6bdb38b-ad67-4aa7-bfee-4c3b73cd4026",{"directus_files_id":564},{"id":565},"383d624b-39db-4bf7-aa22-5532b4ce2ac1",{"directus_files_id":567},{"id":568},"efbbe37a-bc5a-42f1-8dd0-d96fbf3e1f95",{"directus_files_id":570},{"id":571},"6ae14fc7-3fa1-45fd-9f34-f0015f483906",{"directus_files_id":573},{"id":574},"ebf1c7f0-2229-46e9-8f3e-978e9ac64ff4",{"directus_files_id":576},{"id":577},"e36768a9-a900-47f7-8f91-63fc5330f567",{"directus_files_id":579},{"id":580},"fb000c25-56e8-47d7-ae97-1e5f7297202a",{"directus_files_id":582},{"id":583},"a24848e5-e8d2-4b4b-90cb-dde7219a6152",{"directus_files_id":585},{"id":586},"66e67d52-f166-4487-870d-306586ba71ac",[588],{"languages_code":360,"description":589},"David Genco is a multidisciplinary creative studio specializing in art direction, graphic design, branding, and typography. The website serves as a high-end portfolio, showcasing a sophisticated range of work for prestigious clients including Apple, MIT Museum, and Diesel. It functions as a digital gallery that bridges the gap between tactile print media and modern digital motion.\n\nThe visual identity is defined by a refined, editorial aesthetic that leans heavily into minimalist and typographic excellence. Utilizing a structured grid layout and a muted, sophisticated color palette, the design emphasizes the imagery and the quality of the work itself. The use of ample white space and clean sans-serif typography creates a sense of professional calm, positioning the brand as a premium service for institutions and global brands seeking elevated visual storytelling.",[26,30,34],[],[593],"Futura",[68,595,596,279],"Squarespace","Squarespace Commerce",[598,599,601,603],{"score":174,"category":370},{"score":600,"category":373},93,{"score":602,"category":376},73,{"score":191,"category":378},[605,606,607,608],{"score":467,"category":370},{"score":600,"category":373},{"score":602,"category":376},{"score":191,"category":378},[113,109,117],"Website: David Genco. Page: Homepage. Page type: Home \u002F Landing Page. Page title: david genco. Page description: graphic design, art direction, branding, motion, typography, et cetera.. Page content: prev \u002F next Back to selected work david genco creative direction & design contact@davidgenco.com apple \u002F MIT museum \u002F princeton architectural press \u002F cooper hewitt design museum \u002F soho hospitality group \u002F nowness \u002F studio joseph \u002F museum of the city of new york \u002F unilever \u002F nuori \u002F artwrld \u002F diesel \u002F LOVE magazine \u002F national building museum \u002F hennessy [ Unpack.gif 0 New Spanish Playing Cards ](https:\u002F\u002Fwww.newspanish.cards)[ Screen-Shot-2015-08-24-at-11.54.44-AM.gif 0 museum of the city of new york ](\u002Fmcny\u002F)[ apple.png 0 apple inc. ](\u002Fdiesel-reboot-1\u002F)[ amor-de-la-calle.gif 0 amor de la calle ](\u002Famordelacalle\u002F)[ PULSE_2.gif 0 pulse ](\u002Fpulse\u002F)[ TheSenses_Thumbnail.gif 0 the senses: design beyond vision, 2018 ](\u002Fdesignbeyondvision\u002F)[ artwrld.gif 0 artwrld ](\u002Fartwrld\u002F)[ nuori.gif 0 nuori ](\u002Fnuori\u002F)[ ShomaHair_F-2.jpg 0 i don't oil my hair anymore ](\u002Famor-de-la-calle-copy\u002F)[ MIT.gif 0 massachusetts institute of technology museum, 2018 ](\u002Fmit\u002F)[ barprimi.jpg 0 bar primi ](\u002Fbarprimi\u002F)[ NBM.gif 0 national building museum ](\u002Fnom\u002F)[ Kalenner_Thumbnail.jpg 0 kalenner, luxembourg ](\u002Fkalenner\u002F)[ ami.gif 0 anders media inc. ](\u002Fander-media-inc\u002F)[ synesthesia.gif 0 synesthesia ](\u002Fsynesthesia\u002F)[ rigolo.jpg 0 pas des rigolos ](\u002Fpas-des-rigolos\u002F)[ georgejensen.gif 0 george jensen ](\u002Fgeorgejensen\u002F)[ senses_wall.jpg 0 the senses: design beyond vision, 2018 ](\u002Fthesenses-exhibition\u002F)[ sandback2.jpg 0 the davis museum ](\u002Fthe-davis-museum\u002F)[ NEW2.jpg 0 meyer davis studio ](\u002Fmeyerdavisinc\u002F)[ web.jpg 0 dailysun ](\u002Fdailysun\u002F)[ hennessylesvisites.gif 0 hennessy, les visites ](\u002Fhennessy-les-visites\u002F)[ debora.jpg 0 restauració d'art debora genco identity ](\u002Frestauracio\u002F)[ Web.gif 0 studio bitonti ](\u002Fstudiobitonti\u002F)[ luxrwb.gif 0 rout, wäiss, blo ](\u002Froutwaissblo\u002F)[ logo.jpg 0 annecy classic festival 2011 ](\u002Fannecyclassic\u002F)[ hennessy250.gif 0 hennessy 250th anniversary ](\u002Fh250\u002F)[ LOCKNESTERS-3.gif 0 locknesters ](\u002Fnew-page-2\u002F)[ twoh.jpg 0 twohustlers ](\u002Ftwohustlers\u002F)[ rubrica.png 0 rubrica ](\u002Frubrica\u002F)[ tpr.gif 0 théâtre royal du parc ](\u002Ftrp\u002F)[ bathhouse.jpg 0 bath house studio nyc ](\u002Fbath-house-studio-nyc\u002F)[ lovemagazine.gif 0 love magazine ](\u002Flove-magazine\u002F)[ Screen Shot 2016-11-17 at 8.10.10 PM.png 0 aveera ](\u002Faver\u002F)[ LIANNE.gif 0 lianne lahavas ](\u002Fliannelahavas\u002F)[ MM_WEB.gif 0 metamason ](\u002Fmetamason\u002F)[ LEXSET.gif 0 lexset ](\u002Flexset\u002F)[ 2.jpg 0 soren rose studio ](\u002Fsoren-rose-studio\u002F)[ DIESELTRIBUTE4.gif 0 diesel reboot ](\u002Fdiesel-reboot\u002F)[ desktyp_sq.gif 0 desktyp ](\u002Fdesktyp\u002F)[ volunteeer.jpg 0 volunteeer ](\u002Fvolunteeer\u002F)[ sun.gif 0 the sun also rises ](\u002Fthesunalsorises\u002F). A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Futura (Sans Serif). Built using jQuery, Squarespace, Squarespace Commerce, Typekit. AI description: David Genco is a multidisciplinary creative studio specializing in art direction, graphic design, branding, and typography. The website serves as a high-end portfolio, showcasing a sophisticated range of work for prestigious clients including Apple, MIT Museum, and Diesel. It functions as a digital gallery that bridges the gap between tactile print media and modern digital motion. The visual identity is defined by a refined, editorial aesthetic that leans heavily into minimalist and typographic excellence. Utilizing a structured grid layout and a muted, sophisticated color palette, the design emphasizes the imagery and the quality of the work itself. The use of ample white space and clean sans-serif typography creates a sense of professional calm, positioning the brand as a premium service for institutions and global brands seeking elevated visual storytelling."]