[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-detail-now-you-see-me-moria":3,"facets-baseline-false":221,"facets-{\"includeAuthors\":\"false\"}":397,"similar-websites-now-you-see-me-moria":411},{"id":4,"name":5,"slug":6,"url":7,"dateUpdated":8,"fetchedAt":9,"coverId":10,"coverMobileId":11,"coverWidth":12,"coverHeight":13,"coverMobileWidth":14,"coverMobileHeight":15,"descriptionEn":16,"seoMeta":17,"industry":20,"styles":24,"credits":37,"pages":49,"typefaces":114,"technologiesByCategory":118,"pagespeedDesktop":170,"pagespeedMobile":183,"performanceDesktop":173,"performanceMobile":185,"colorBuckets":189,"colorPalette":202},"de8e9455-afa9-4823-b26b-b58c95dc53a7","Now You See Me Moria","now-you-see-me-moria","https:\u002F\u002Fnowyouseememoria.eu","2026-05-23T19:24:07.000Z","2026-05-05T21:40:21.000Z","408c22e0-14a5-44d8-9603-0fcb0d7573bf","1a9cb824-856c-4de8-892c-96c13e1b3fd7",1440,900,780,1688,"Now You See Me Moria is a powerful advocacy and awareness platform dedicated to highlighting the humanitarian crisis in the Moria refugee camp. 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is the nation’s first legal and civil rights organization serving low-income, immigrant, and underserved Asian and Pacific Islander communities.","Together We Build Power Since 1972, we’ve been fighting with Asian American and Pacific Islander communities for civil rights and systemic change that builds a more just and caring world. Explore our work [ Economic Security ](https:\u002F\u002Fwww.asianlawcaucus.org\u002Fissues) [ Immigrant Justice ](https:\u002F\u002Fwww.asianlawcaucus.org\u002Four-work) [ Multiracial Democracy ](https:\u002F\u002Fwww.asianlawcaucus.org\u002Fissues) Spotlight Guide for Immigrant Communities Every day, Asian Law Caucus attorneys and advocates work side by side with our clients and their loved ones to protect people’s rights and keep families together. Find know-your-rights resources and guides from our team and partners. Read More Large gathering of people holding up signs, picture focuses on one that says 'We Are Human'. Guides & Reports Know Your Rights: Guide for Immigrant Communities May 1, 2026 Guides & Reports Know Your Rights at Airports: International and Domestic May 1, 2026 Guides & Reports ធនធាន ALC សម្រាប់ប្រជាជនកម្ពុជាដែលមានសាលក្រមសម្រេចស្តីពីការនិរទេស April 29, 2026 News Statement from Asian Law Caucus on Supreme Court Decision in Louisiana v. Callais April 29, 2026 View More Join us Protecting Birthright Citizenship Birthright citizenship is the most powerful tool for immigrant integration in U.S. history, allowing the children of immigrants, refugees from across the globe, and countless others to become full citizens. What we knew then and know today is that Trump's executive order was never just about immigrants — it's an attempt to redefine the Fourteenth Amendment. Learn more Get Help Asian Law Caucus Legal Help We provide confidential legal information, assistance, and referrals for low-income community members to help you understand your rights. In some cases, we offer free legal consultation and representation to community members on immigrant detention and deportation, housing, workers’ rights, and civil and constitutional rights. Learn more Contribute Donate today to keep powering our work We're on the frontlines of community defense and care thanks to supporters like you. Donate From the 1970s to the 2020s We are determined SPOTLIGHT 2022 For years, Valstock Management harassed elderly tenants in Chinatown with intimidation tactics and created a climate of fear. The tenants advocated for their rights and in 2022, they won settlement in a discrimination case to remain in their long-time, rent-controlled homes without harassment. Our Work 4 individuals pose together for a photo next to a scroll of Chinese calligraphy. SPOTLIGHT 2002 Amid the heightened anti-immigrant discrimination and scapegoating following 9\u002F11, Bay Area Filipino airport screeners were treated as security risks based solely on their lawful non-citizenship status. ALC, Filipino Advocates for Justice, and other community groups helped them organize and fight for their jobs back. News & Resources An overshot view of an airport check-in with many people in line carrying luggage. SPOTLIGHT 1982 With other local organizations, we sued the U.S. Immigration and Naturalization Services (the precursor to ICE) to stop illegal workplace raids in factories. As a result of the lawsuit, International Molders & Allied Workers Union Local 164 v. Nelson, the federal agency banned warrantless raids. Issues An empty factory showing machines, hardhats, and other equipment. SPOTLIGHT 1972 In one of our earliest cases, Chann v. Scott, we defended Chinatown youth against the San Francisco Police Department’s racially discriminatory dragnets. The successful class action lawsuit solidified our role as the country’s first legal aid organization focused on serving low-income Asian Americans. 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Its purpose is to mobilize support, provide legal resources, and communicate critical news regarding social justice and legal advocacy. The site functions as both an information hub for those seeking help and a call-to-action center for donors and activists.\n\nThe visual identity is bold, urgent, and deeply rooted in community history. Utilizing a striking high-contrast palette of deep plum and vibrant yellow, the design employs massive, condensed typography that commands attention and conveys a sense of strength and solidarity. The use of archival, monochromatic photography layered with modern imagery creates a bridge between the organization's long-standing legacy and its ongoing fight for justice, making it resonate powerfully with its activist and community-focused audience.",[514,34,515],"Corporate \u002F Professional","Vibrant \u002F Colorful",[517],"Raygun",[519],"Aktiv Grotesk",[366,359,357,352,521],"Yii",[523,525,527,528],{"score":524,"category":172},80,{"score":526,"category":175},93,{"score":176,"category":178},{"score":185,"category":181},[530,531,532,533],{"score":289,"category":172},{"score":179,"category":175},{"score":176,"category":178},{"score":185,"category":181},[195,535,191,199],"yellow","Website: Asian Law Caucus. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Asian Law Caucus | Home. Page description: The Asian Law Caucus is the nation’s first legal and civil rights organization serving low-income, immigrant, and underserved Asian and Pacific Islander communities.. Page content: Together We Build Power Since 1972, we’ve been fighting with Asian American and Pacific Islander communities for civil rights and systemic change that builds a more just and caring world. Explore our work [ Economic Security ](https:\u002F\u002Fwww.asianlawcaucus.org\u002Fissues) [ Immigrant Justice ](https:\u002F\u002Fwww.asianlawcaucus.org\u002Four-work) [ Multiracial Democracy ](https:\u002F\u002Fwww.asianlawcaucus.org\u002Fissues) Spotlight Guide for Immigrant Communities Every day, Asian Law Caucus attorneys and advocates work side by side with our clients and their loved ones to protect people’s rights and keep families together. Find know-your-rights resources and guides from our team and partners. Read More Large gathering of people holding up signs, picture focuses on one that says 'We Are Human'. Guides & Reports Know Your Rights: Guide for Immigrant Communities May 1, 2026 Guides & Reports Know Your Rights at Airports: International and Domestic May 1, 2026 Guides & Reports ធនធាន ALC សម្រាប់ប្រជាជនកម្ពុជាដែលមានសាលក្រមសម្រេចស្តីពីការនិរទេស April 29, 2026 News Statement from Asian Law Caucus on Supreme Court Decision in Louisiana v. Callais April 29, 2026 View More Join us Protecting Birthright Citizenship Birthright citizenship is the most powerful tool for immigrant integration in U.S. history, allowing the children of immigrants, refugees from across the globe, and countless others to become full citizens. What we knew then and know today is that Trump's executive order was never just about immigrants — it's an attempt to redefine the Fourteenth Amendment. Learn more Get Help Asian Law Caucus Legal Help We provide confidential legal information, assistance, and referrals for low-income community members to help you understand your rights. In some cases, we offer free legal consultation and representation to community members on immigrant detention and deportation, housing, workers’ rights, and civil and constitutional rights. Learn more Contribute Donate today to keep powering our work We're on the frontlines of community defense and care thanks to supporters like you. Donate From the 1970s to the 2020s We are determined SPOTLIGHT 2022 For years, Valstock Management harassed elderly tenants in Chinatown with intimidation tactics and created a climate of fear. The tenants advocated for their rights and in 2022, they won settlement in a discrimination case to remain in their long-time, rent-controlled homes without harassment. Our Work 4 individuals pose together for a photo next to a scroll of Chinese calligraphy. SPOTLIGHT 2002 Amid the heightened anti-immigrant discrimination and scapegoating following 9\u002F11, Bay Area Filipino airport screeners were treated as security risks based solely on their lawful non-citizenship status. ALC, Filipino Advocates for Justice, and other community groups helped them organize and fight for their jobs back. News & Resources An overshot view of an airport check-in with many people in line carrying luggage. SPOTLIGHT 1982 With other local organizations, we sued the U.S. Immigration and Naturalization Services (the precursor to ICE) to stop illegal workplace raids in factories. As a result of the lawsuit, International Molders & Allied Workers Union Local 164 v. Nelson, the federal agency banned warrantless raids. Issues An empty factory showing machines, hardhats, and other equipment. SPOTLIGHT 1972 In one of our earliest cases, Chann v. Scott, we defended Chinatown youth against the San Francisco Police Department’s racially discriminatory dragnets. The successful class action lawsuit solidified our role as the country’s first legal aid organization focused on serving low-income Asian Americans. Our History News clipping with the heading 'Chinatown Arrest Brutality Charged'.. A Corporate \u002F Professional, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Non-Profit & Charity industry. Designed by Raygun. The overall color palette features Black, Yellow, White, Gray. The typography features Aktiv Grotesk (Sans Serif, Dalton Maag). Built using Craft CMS, reCAPTCHA, Typekit, Vue.js, Yii. AI description: The Asian Law Caucus website serves as a powerful digital platform for a pioneering civil rights organization dedicated to immigrant and underserved Asian and Pacific Islander communities. Its purpose is to mobilize support, provide legal resources, and communicate critical news regarding social justice and legal advocacy. The site functions as both an information hub for those seeking help and a call-to-action center for donors and activists. The visual identity is bold, urgent, and deeply rooted in community history. Utilizing a striking high-contrast palette of deep plum and vibrant yellow, the design employs massive, condensed typography that commands attention and conveys a sense of strength and solidarity. The use of archival, monochromatic photography layered with modern imagery creates a bridge between the organization's long-standing legacy and its ongoing fight for justice, making it resonate powerfully with its activist and community-focused audience.",{"id":538,"website_id":539,"page_id":538,"name":540,"slug":541,"url":542,"website_name":540,"website_slug":541,"website_url":543,"result_url":542,"fetched_at":544,"score":422,"score_boost":421,"ai_score":422,"freshness_score":545,"scored_at":546,"page_name":51,"page_url":542,"page_title":547,"page_description":548,"page_content":549,"page_sort":421,"is_home":428,"is_home_rank":429,"page_type_id":430,"page_type_name":57,"cover":550,"cover_mobile":553,"cover_sequence":555,"translations":646,"industry":21,"styles":649,"credits":651,"font_families":652,"technologies":654,"pagespeed":656,"pagespeed_mobile":662,"buckets":667,"search_payload":668},"dead5fd9-4054-40ce-afeb-a4654268d784","d540d2c2-551d-47da-a7d3-8a35b8ca3768","LEGO Foundation","legofoundation","https:\u002F\u002Flegofoundation.com\u002F","https:\u002F\u002Flegofoundation.com","2026-05-24T20:13:06.000Z",1779653586,"2026-05-24T20:14:05.000Z","LEGO Foundation — Every child deserves a childhood","Every child arrives with a whole world inside them. A spark, a will, a unique way of seeing. They start small and unshielded – ready to begin.","You control your data We and our business partners use technologies, including cookies, to collect information about you for various purposes, including: personalization of content and ads, analyzing our traffic, and providing access to social media features. By clicking ‘Accept’, you give your consent for all these purposes. You can also choose to specify the purposes you consent to by ticking the checkbox next to the purpose and clicking ‘Save settings’. You can withdraw your consent anytime by selecting the cookie consent settings icon at the bottom left of the screen. This icon looks like a circular arrow with a cookie symbol in the center. This will open your cookie preferences. You can read more about how we use cookies and other technologies and how we collect and process personal data by clicking the link. 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If you have any questions about our cookie policy, you are welcome to contact Cookie Information on their website. Settings Accept all Powered by: Cookie Information opens in new tab - Statistical [ ](\u002F) About the LEGO FoundationReports [ Annual Review 2025 ](\u002Fannual-review) [ ](\u002F) Menu Close - About the foundation - Reports - Annual Review 2025 - ## A childhood for _all_ - Frequently Asked Questions A c h i l d h o o d f o r _ a l l _ [ Play movie ](https:\u002F\u002Fvimeo.com\u002F1145231913) Every child deserves a childhood Every child arrives with a whole world inside them. A spark, a will, a unique way of seeing. They start small and unshielded – ready to begin. Children need environments that help them find their way: steadiness, safety, education, room to wonder. Spaces that protect their questions, nourish their courage, and let them feel the warmth of belonging. At the LEGO Foundation, we work alongside partners, communities and families to create these conditions, so every child, everywhere, can thrive and grow. Not only because children are a path to the future. But because they are the point of today. Here for every child We believe childhood is not just a phase of life _— it’s the making of one._ Since 1986, we have worked to nurture and protect childhood, supporting efforts that help children grow, learn and become. We focus on the realities children face, addressing barriers, supporting learners of all abilities, and responding where children are touched by crises and humanitarian needs. By investing in the holistic ecosystems that shape childhood — from families and schools to communities and entire societies – we work to strengthen access to education, creativity and play. This includes both grantmaking and impact investments supporting solutions that can grow and reach more children over time. Through partnerships in Denmark and around the world, we work alongside those closest to children’s lives. Together, we build evidence to drive lasting change — improving systems, lifting up young learners, and creating the conditions for every child, everywhere to thrive and grow. - Crisis & humanitarian settings ### Protecting learning & education In times of crisis, children are among the most vulnerable. The LEGO Foundation acts to fund programmes that protect children’s access to education in crisis, ensuring that children can keep growing and learning, even in the hardest circumstances. - Impact Investments ### How we invest in impact Alongside our grant making, the LEGO Foundation makes impact investments. Together, these are complementary pathways to achieving meaningful outcomes for children. They enable us to support solutions that can grow sustainably and reach more children over time. By combining grants and impact investments, we can back innovation, scale what works, and strengthen efforts that improve children’s learning, wellbeing and development. Any financial returns are reinvested into our mission – supporting new grants and impact investments. This circular approach strengthens our ability to create lasting change. We see this as a natural extension of how we work: acting with urgency and care to support children’s learning, wellbeing and development – and to help build a childhood for all. - Special Educational Needs & learning opportunities ### The dignity of all children All children, regardless of ability, deserve the opportunity to learn and grow by taking part in a quality education. With a special focus on Autism and ADHD, we work closely with educational organisations to strengthen support for neurodivergent children and their families, delivering proven interventions to help more children thrive. - Denmark ### Thriving close to home As a Danish foundation, we are deeply engaged in supporting a thriving childhood for every child in the key institutions and digital environments that shape their lives. 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The site functions as a high-level communication tool for stakeholders, partners, and the public, articulating the foundation's mission to ensure every child has the opportunity to thrive through play and learning. \n\nThe visual identity is a masterclass in editorial elegance, eschewing the primary-colored playfulness typically associated with the LEGO brand in favor of a refined, human-centric aesthetic. Utilizing expansive white space, high-quality documentary-style photography, and sophisticated serif typography, the design communicates authority, empathy, and profound purpose. It targets a global audience of policymakers, educators, and social impact leaders, presenting a brand that is as intellectually serious as it is emotionally resonant.",[30,650,34],"High-End \u002F Luxury",[],[391,653],"Source Serif",[365,128,134,655],"ZURB Foundation",[657,659,660,661],{"score":658,"category":172},86,{"score":304,"category":175},{"score":185,"category":178},{"score":176,"category":181},[663,664,665,666],{"score":288,"category":172},{"score":304,"category":175},{"score":185,"category":178},{"score":176,"category":181},[191,195,199],"Website: LEGO Foundation. Page: Homepage. Page type: Home \u002F Landing Page. Page title: LEGO Foundation — Every child deserves a childhood. Page description: Every child arrives with a whole world inside them. A spark, a will, a unique way of seeing. They start small and unshielded – ready to begin.. 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If you have any questions about our cookie policy, you are welcome to contact Cookie Information on their website. Settings Accept all Powered by: Cookie Information opens in new tab - Statistical [ ](\u002F) About the LEGO FoundationReports [ Annual Review 2025 ](\u002Fannual-review) [ ](\u002F) Menu Close - About the foundation - Reports - Annual Review 2025 - ## A childhood for _all_ - Frequently Asked Questions A c h i l d h o o d f o r _ a l l _ [ Play movie ](https:\u002F\u002Fvimeo.com\u002F1145231913) Every child deserves a childhood Every child arrives with a whole world inside them. A spark, a will, a unique way of seeing. They start small and unshielded – ready to begin. Children need environments that help them find their way: steadiness, safety, education, room to wonder. Spaces that protect their questions, nourish their courage, and let them feel the warmth of belonging. At the LEGO Foundation, we work alongside partners, communities and families to create these conditions, so every child, everywhere, can thrive and grow. Not only because children are a path to the future. But because they are the point of today. Here for every child We believe childhood is not just a phase of life _— it’s the making of one._ Since 1986, we have worked to nurture and protect childhood, supporting efforts that help children grow, learn and become. We focus on the realities children face, addressing barriers, supporting learners of all abilities, and responding where children are touched by crises and humanitarian needs. By investing in the holistic ecosystems that shape childhood — from families and schools to communities and entire societies – we work to strengthen access to education, creativity and play. This includes both grantmaking and impact investments supporting solutions that can grow and reach more children over time. Through partnerships in Denmark and around the world, we work alongside those closest to children’s lives. Together, we build evidence to drive lasting change — improving systems, lifting up young learners, and creating the conditions for every child, everywhere to thrive and grow. - Crisis & humanitarian settings ### Protecting learning & education In times of crisis, children are among the most vulnerable. The LEGO Foundation acts to fund programmes that protect children’s access to education in crisis, ensuring that children can keep growing and learning, even in the hardest circumstances. - Impact Investments ### How we invest in impact Alongside our grant making, the LEGO Foundation makes impact investments. Together, these are complementary pathways to achieving meaningful outcomes for children. They enable us to support solutions that can grow sustainably and reach more children over time. By combining grants and impact investments, we can back innovation, scale what works, and strengthen efforts that improve children’s learning, wellbeing and development. Any financial returns are reinvested into our mission – supporting new grants and impact investments. This circular approach strengthens our ability to create lasting change. We see this as a natural extension of how we work: acting with urgency and care to support children’s learning, wellbeing and development – and to help build a childhood for all. - Special Educational Needs & learning opportunities ### The dignity of all children All children, regardless of ability, deserve the opportunity to learn and grow by taking part in a quality education. With a special focus on Autism and ADHD, we work closely with educational organisations to strengthen support for neurodivergent children and their families, delivering proven interventions to help more children thrive. - Denmark ### Thriving close to home As a Danish foundation, we are deeply engaged in supporting a thriving childhood for every child in the key institutions and digital environments that shape their lives. We collaborate with municip …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Non-Profit & Charity industry. The overall color palette features White, Black, Gray. The typography features DM Sans (Sans Serif), Source Serif (Serif). Built using Google Font API, jQuery, Lightbox, ZURB Foundation. AI description: The LEGO Foundation website serves as a sophisticated digital platform for the philanthropic arm of the LEGO Group, dedicated to advocating for the rights and well-being of children globally. The site functions as a high-level communication tool for stakeholders, partners, and the public, articulating the foundation's mission to ensure every child has the opportunity to thrive through play and learning. The visual identity is a masterclass in editorial elegance, eschewing the primary-colored playfulness typically associated with the LEGO brand in favor of a refined, human-centric aesthetic. Utilizing expansive white space, high-quality documentary-style photography, and sophisticated serif typography, the design communicates authority, empathy, and profound purpose. It targets a global audience of policymakers, educators, and social impact leaders, presenting a brand that is as intellectually serious as it is emotionally resonant.",{"id":670,"website_id":671,"page_id":670,"name":672,"slug":673,"url":674,"website_name":672,"website_slug":673,"website_url":675,"result_url":674,"fetched_at":676,"score":232,"score_boost":421,"ai_score":276,"freshness_score":677,"scored_at":678,"page_name":51,"page_url":674,"page_title":679,"page_description":680,"page_content":681,"page_sort":421,"is_home":428,"is_home_rank":429,"page_type_id":430,"page_type_name":57,"cover":682,"cover_mobile":685,"cover_sequence":687,"translations":778,"industry":781,"styles":782,"credits":784,"font_families":785,"technologies":786,"pagespeed":788,"pagespeed_mobile":795,"buckets":801,"search_payload":804},"d22e7d73-3240-4ccb-969e-4fdc5db7bfe4","dc32fce8-f12c-45fa-a4e1-a6c148d3f8b3","CSSConf","cssconf-2016","https:\u002F\u002Fcssconf.com\u002F","https:\u002F\u002Fcssconf.com","2026-05-24T20:12:33.000Z",1779653553,"2026-05-24T20:13:41.000Z","Home | CSSConf US 2016","CSS Conf 2016","Skip to main content About Videos & Slides Sponsors Boston, MA Sept 26-27 2016 Videos & Slides The Conference CSSConf is a conference dedicated to the designers, developers and engineers who build the world’s most engaging user interfaces. The presenters push the boundaries of what is possible — talking about the latest technologies, cutting edge techniques, and tools. CSSConf 2016 takes the show on the road anew, bringing two days of talks from experts around the community to Boston! Part of the international CSSconf family CSSconf Family Since the first CSSconf US in 2013, the CSSconf family has expanded around the globe. All CSSconf organizer teams share the vision of an international, diverse and creative CSS community, for which the CSSconf series offers a platform to meet, hack, share knowledge and build friendships. Talk Videos Sarah Drasner Creativity in Programming for Fun and Profit \\>> SARAH: Is that good? You have to do a lot of height adjustments when you're my size. All right. I'm Sarah Drasner. Hear to talk about creativity and programming for fun and profit. One of the really awesome things about being on this stage is that about a year ago I was on the stage before and I hadn't had a lot of experience speaking. Now I speak a ton. And it's because CSSconf really gave me a shot at it. And now I'm here giving a keynote. So I just wanted to thank CSSconf and Bocoup for allowing me to be up here again. Thanks. \\[ Applause \\] So creativity in programming is kind of like a huge topic, right? And there's no way to talk about all of it in 30 minutes. I'm going to talk about some of the key points that really make a difference for me and why it's even worth discussing. I think creativity tends to be something we push off to the side as being not that important. And maybe like secondary to a lot of other processes. But I'm going to talk today about how it's core to all processes. And like I said, my name is Sarah Drasner. I take being up here very seriously. This is me as a child, as well as my relationship to authority. I am a Web technologies consultant. So I get hired by companies to come and help out with some of their tech staff, including SVG animations and component libraries. So let's dive right in. What does it mean to be creative? Like why are we talking about this? Programming is not something that you think about and think, like, oh, creativity. But programming is, in essence, a creative act. This is a very normal kind of interview prep question, Fizz buzz. How do you write it out? Two possible scenarios. These are two functionally equivalent solutions to fizz buzz. And they look different. Every time you're giving instructions to a computer you're really communicating with other people. The compiler sees it a completely different way than the way you type it. And Kyle Simpson talks about how we spend 70% of our time maintaining code and only 30% of it writing. So this kind of the way that we write things and the way that we're communicating with each other is an act of creativity. It's the way we're expressing ourselves. The one on the bottom, only 58 characters, was a creative endeavor. That's not something you're probably going to put in a code base like the one on the top you can read and communicate with more humans more easily. So it's important to your business. When we're talking about, like, creative forces and questioning things and why we're even engaging in this, it might seem like that's secondary to business efforts, but Hewlett Packard puts a good amount of money into R&D. In 1999, $2 million and saw profits of 42.37 billion. That was a huge return on investment. Frito Lay had a cost savings of $600 million due to creativity programs. And CEOs, when interviewed say that creativity across the board is the number one thing they look for in potential candidates. Over being hard working, over being loyal. And that was a survey across 33 different industries and 60 different countries. It's also important for you. Let's go into why. A lot of you have probably heard of the phenomenon of flow. It's complete immersion in your tasks. What I mean by that, you lose track of time. You're engaged, totally, fully in that activity. You forget to go to the bathroom, forget to eat. Somebody has to tell you put the computer down now. Shares traits with hyper focus. And people get these two things mixed up a little bit. When you're really trained on finding the solution to something, you can be in hyper focus. But usually it's not the same thing. You will notice if you're hungry, stressed in hyper focus. Pushing out code for a deadline at work, you're often times in hyper focus, not in flow. And creative program tends to put you in a flow state. So you have a loss of self reflective consciousness and your experience of time is kind of altered. What ends up happening, people who experience flow talk about this being some of the happiest points in their entire life. So when we're talking about burn out at a company, if you're continually programming in order to get something pushed out and continually programming to get something done and you're stressed when you're programming, you have this association with programming and this stress. So it's actually like a way that you can fight burnout. Burnout is fought a lot of times by resting. But it's not the only way you can fight burn out. The way that your brain works, neural pathways get set, you have the joined synapse and they're firing, programming and stress and programming and stress, you lock those two things together. If you start to do creative activities, you start to refocus the neural pathways, join them. You actually increase plasticity in your brain and you can start to tie that creative and happiness and fun along to programming in a way that you didn't before. If you have done a side project that works really well. Sometimes I did really drudgey things at work and work on something that was a side project in my spare time, and come to work rejuvenated, feeling happy and excited. And that's contagious. That actually kind of ekes into all of your program processes. So flow plus this thinking can actually reduce stress and cause happiness while you're programming other tasks. So I made this kind of like little silly demo. If this is your understanding of things and these are all the things out there that you can learn, every time you're pulling something into that sphere, it's actually growing your understanding. But if you try to learn too much at once, it's not really going to work, right? You're going to glaze over it. You have to focus on that activity and bring it into that sphere. So we talked a lot about the whys. Now let's get into the hows. I'm just going to talk about my hows. I'm not going through every way you can go through creative programming. There's tons and tons of ways. But we're going to break down as many as possible in this short amount of time. So one big thing is questioning the base premises. Another is to impose artificial bounds. Another is re purposing, another is combining, and the last one is using open source as a tool. So let's start with questioning the base premises. Because that's a really, really big one. So when we're thinking linearly. Thinking A equals B, think of something like we reduce cost by spending less money, right? So if you're thinking laterally, okay, what if that's not true? What if we spend more money? What if we spend more money, but on fewer vendors, and place larger orders on some vendors and get bigger price breaks. The source here, if you want to read more, is igniting innovation. And more than a million dollars’ worth of savings at a company based on one hour creativity sessions. This is happening in programming as well. So you have the Ethernet. A series of computer networks, there were token ring networks. And you can think of token ring networks, they're kind of like planned or coordinated systems where it's similar to a talking stick in kindergarten. The kid holds and talks and passes it on. It's kind of coordinated and organized. What ether net did was question the base premise of that. What if we don't wait? What if we do a completely different system? An emergent system. That's a little bit more like a discussion. Computer cans all say stuff at the same time, but if they see somebody else is talking, they kind of back off. And this system is way more chaotic, but ended up being surprisingly more efficient. So React questioned base premises. Whether you like it or not, this was tons of weird best practicing thrown out the windows. What if we write in line JavaScript right in the component? What if we don't lose the DOM? Use a virtual DOM to be diving? What if we replace the syntax? These are base premises thrown out the window. Sass did this as well. We don't have X in CSS. CSS needed a hero. What if we have variables and four loops and mix ins and we can dry out our code? This shaped our specs. We didn't wait for variables in CSS. They are here now, and Lea is going to talk about them later today with a great talk. But this questioning and taking action actually pushed our Web forward. So the second thing that we can do is impose artificial balance. Sometimes when you look at a blank page or a blank state, if I was saying, you know why creativity is important. Go make a creative program. It's kind of okay. Where am I going to start? By imposing artificial bounds you have some rules to follow and some ways to be creative. A lot of times when you have an assignment for something, you find your brain is actively thinking of new ways of working with something. So I just wrote an article called the nerds guide to color on the Web and talked about MSLA. There's hexadecimals, and all these ways of working with color on the Web were meant so the computer knows what color you're using. But HSLA was special, so humans could understand what color. It used a way of thinking about color. So H, the hue, is rotating. It's a complete circle. So as I'm scrolling this list it's just going to go around in a circle. Whereas saturation goes from zero to 100%. Lightness, zero to 100%, and the opacity, zero to 100. Similar to 1 to 100%. I can do stuff? Sass, write colors and mix ins. This was done with this color function here. Also, because it's a full circle I can hope that my demo loads. On my local host server. What you're not seeing is a full circle of color. What's really nice about that is there's no errors. Even if I pass in 480 degrees, I'll still have a color. There's no like top or bottom. So another thing we can do with that, kind of impose balance. So I made this city construction site. Get it? It's like a Website. Bad, bad joke. I'm on a comedy stage. I got to. \\[ Laughter \\] And so I can hit this button and I can change the hues and saturation values. And this one's slightly different than the other one and not exactly the same. But they're relative color mixing. So they're going to play off of each other. And I can get weird colors and set it back to normal and play with perspective and do a lot of other weird stuff because it's fun. So and that's really simple. I'm using GreenSock in my animation. And they allow for the color mixing. Just caching the HSL, doing it relative to the color it's already at. So another way we can impose bounds and write artificial physics. If you have made Canvas or anything like that, it's familiar to you. If you're programming in the computer and you have a thing that's got …",{"id":683,"height":13,"width":12,"blurhash":684},"34025ce9-d138-47f3-bb59-331d92c0162b","radial-gradient(at 0 0,#f6e2ff,#00000000 50%),radial-gradient(at 33% 0,#f2ddeb,#00000000 50%),radial-gradient(at 67% 0,#ddc8d0,#00000000 50%),radial-gradient(at 100% 0,#f0d4e8,#00000000 50%),radial-gradient(at 0 50%,#d5ceea,#00000000 50%),radial-gradient(at 33% 50%,#d19bc3,#00000000 50%),radial-gradient(at 67% 50%,#a67e95,#00000000 50%),radial-gradient(at 100% 50%,#c7b2c2,#00000000 50%),radial-gradient(at 0 100%,#d6d3f2,#00000000 50%),radial-gradient(at 33% 100%,#c4b7ba,#00000000 50%),radial-gradient(at 67% 100%,#83748f,#00000000 50%),radial-gradient(at 100% 100%,#b79ecb,#00000000 50%)",{"id":686,"height":15,"width":14,"blurhash":52},"609195a9-03ec-4d0c-abb1-def71319b2a9",[688,691,694,697,700,703,706,709,712,715,718,721,724,727,730,733,736,739,742,745,748,751,754,757,760,763,766,769,772,775],{"directus_files_id":689},{"id":690},"679338d4-dfed-4f32-8e82-94c1fc028990",{"directus_files_id":692},{"id":693},"166440e2-555f-4e8e-b007-076a10a04a79",{"directus_files_id":695},{"id":696},"859b257d-1a6d-4978-baae-0a4abe617a14",{"directus_files_id":698},{"id":699},"612b157f-52b0-4623-aae7-8446082a8523",{"directus_files_id":701},{"id":702},"8302331c-87cc-41e4-b230-42b7bdb46fa7",{"directus_files_id":704},{"id":705},"ff23b1cc-cfd8-4a33-a758-011337b554ba",{"directus_files_id":707},{"id":708},"079e5980-f0e1-4a32-9fa2-27d1242318d1",{"directus_files_id":710},{"id":711},"67185060-8bd4-43ca-9bb2-50faf52081d8",{"directus_files_id":713},{"id":714},"fc8276cb-d4d5-4905-a158-5ae79f795077",{"directus_files_id":716},{"id":717},"8feaff22-66cd-4378-b568-896e7e2b6afc",{"directus_files_id":719},{"id":720},"93b04a75-660c-472b-aada-88d390b5a863",{"directus_files_id":722},{"id":723},"e42bf40c-681d-4a61-9550-806b343adc1f",{"directus_files_id":725},{"id":726},"23f4bc0d-5d8c-46e8-9c0c-71c125b5ce92",{"directus_files_id":728},{"id":729},"22841888-0624-4a60-bce9-e7180edf43f7",{"directus_files_id":731},{"id":732},"7a8488e0-f3b0-4db1-bc57-ae11a15271f7",{"directus_files_id":734},{"id":735},"43a85ba8-01cd-4277-9a0e-a8522c3b5d62",{"directus_files_id":737},{"id":738},"b59b294d-cba7-48c0-8169-3b8fde5f1d25",{"directus_files_id":740},{"id":741},"2e089d7e-d454-48bf-9c5c-d2c526a6ec39",{"directus_files_id":743},{"id":744},"b14d089e-e348-4ca6-ba66-7e28d84ba262",{"directus_files_id":746},{"id":747},"7856ddf3-ca62-4ecf-9803-b233514a7551",{"directus_files_id":749},{"id":750},"a68d492c-92d1-4b0f-a2c9-1c92809ee771",{"directus_files_id":752},{"id":753},"08531fab-7e34-4fb8-a98c-9306d8b0054d",{"directus_files_id":755},{"id":756},"f2ec4b12-f72e-4371-bae6-37afdbeca83c",{"directus_files_id":758},{"id":759},"7b8be704-1a18-492c-9dff-2a3d7da1bc6b",{"directus_files_id":761},{"id":762},"a49822cf-8150-4d82-8d83-e9a4a49ee1ee",{"directus_files_id":764},{"id":765},"990fdc5a-77d6-4809-a1fa-e1f8eb565468",{"directus_files_id":767},{"id":768},"3108ab9a-ecd9-4a8e-bc88-585edc22e70f",{"directus_files_id":770},{"id":771},"e432d0a4-e1eb-4362-9595-52bcaf6a0d8b",{"directus_files_id":773},{"id":774},"f7e0cd58-7572-46ce-861d-60c086a8c43c",{"directus_files_id":776},{"id":777},"3d722099-1a0b-441e-9b98-842bfc3463ed",[779],{"languages_code":511,"description":780},"CSSConf 2016 serves as a digital archive and landing page for a premier web development conference. 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Page content: Skip to main content About Videos & Slides Sponsors Boston, MA Sept 26-27 2016 Videos & Slides The Conference CSSConf is a conference dedicated to the designers, developers and engineers who build the world’s most engaging user interfaces. The presenters push the boundaries of what is possible — talking about the latest technologies, cutting edge techniques, and tools. CSSConf 2016 takes the show on the road anew, bringing two days of talks from experts around the community to Boston! Part of the international CSSconf family CSSconf Family Since the first CSSconf US in 2013, the CSSconf family has expanded around the globe. All CSSconf organizer teams share the vision of an international, diverse and creative CSS community, for which the CSSconf series offers a platform to meet, hack, share knowledge and build friendships. Talk Videos Sarah Drasner Creativity in Programming for Fun and Profit \\>> SARAH: Is that good? You have to do a lot of height adjustments when you're my size. All right. I'm Sarah Drasner. Hear to talk about creativity and programming for fun and profit. One of the really awesome things about being on this stage is that about a year ago I was on the stage before and I hadn't had a lot of experience speaking. Now I speak a ton. And it's because CSSconf really gave me a shot at it. And now I'm here giving a keynote. So I just wanted to thank CSSconf and Bocoup for allowing me to be up here again. Thanks. \\[ Applause \\] So creativity in programming is kind of like a huge topic, right? And there's no way to talk about all of it in 30 minutes. I'm going to talk about some of the key points that really make a difference for me and why it's even worth discussing. I think creativity tends to be something we push off to the side as being not that important. And maybe like secondary to a lot of other processes. But I'm going to talk today about how it's core to all processes. And like I said, my name is Sarah Drasner. I take being up here very seriously. This is me as a child, as well as my relationship to authority. I am a Web technologies consultant. So I get hired by companies to come and help out with some of their tech staff, including SVG animations and component libraries. So let's dive right in. What does it mean to be creative? Like why are we talking about this? Programming is not something that you think about and think, like, oh, creativity. But programming is, in essence, a creative act. This is a very normal kind of interview prep question, Fizz buzz. How do you write it out? Two possible scenarios. These are two functionally equivalent solutions to fizz buzz. And they look different. Every time you're giving instructions to a computer you're really communicating with other people. The compiler sees it a completely different way than the way you type it. And Kyle Simpson talks about how we spend 70% of our time maintaining code and only 30% of it writing. So this kind of the way that we write things and the way that we're communicating with each other is an act of creativity. It's the way we're expressing ourselves. The one on the bottom, only 58 characters, was a creative endeavor. That's not something you're probably going to put in a code base like the one on the top you can read and communicate with more humans more easily. So it's important to your business. When we're talking about, like, creative forces and questioning things and why we're even engaging in this, it might seem like that's secondary to business efforts, but Hewlett Packard puts a good amount of money into R&D. In 1999, $2 million and saw profits of 42.37 billion. That was a huge return on investment. Frito Lay had a cost savings of $600 million due to creativity programs. And CEOs, when interviewed say that creativity across the board is the number one thing they look for in potential candidates. Over being hard working, over being loyal. And that was a survey across 33 different industries and 60 different countries. It's also important for you. Let's go into why. A lot of you have probably heard of the phenomenon of flow. It's complete immersion in your tasks. What I mean by that, you lose track of time. You're engaged, totally, fully in that activity. You forget to go to the bathroom, forget to eat. Somebody has to tell you put the computer down now. Shares traits with hyper focus. And people get these two things mixed up a little bit. When you're really trained on finding the solution to something, you can be in hyper focus. But usually it's not the same thing. You will notice if you're hungry, stressed in hyper focus. Pushing out code for a deadline at work, you're often times in hyper focus, not in flow. And creative program tends to put you in a flow state. So you have a loss of self reflective consciousness and your experience of time is kind of altered. What ends up happening, people who experience flow talk about this being some of the happiest points in their entire life. So when we're talking about burn out at a company, if you're continually programming in order to get something pushed out and continually programming to get something done and you're stressed when you're programming, you have this association with programming and this stress. So it's actually like a way that you can fight burnout. Burnout is fought a lot of times by resting. But it's not the only way you can fight burn out. The way that your brain works, neural pathways get set, you have the joined synapse and they're firing, programming and stress and programming and stress, you lock those two things together. If you start to do creative activities, you start to refocus the neural pathways, join them. You actually increase plasticity in your brain and you can start to tie that creative and happiness and fun along to programming in a way that you didn't before. If you have done a side project that works really well. Sometimes I did really drudgey things at work and work on something that was a side project in my spare time, and come to work rejuvenated, feeling happy and excited. And that's contagious. That actually kind of ekes into all of your program processes. So flow plus this thinking can actually reduce stress and cause happiness while you're programming other tasks. So I made this kind of like little silly demo. If this is your understanding of things and these are all the things out there that you can learn, every time you're pulling something into that sphere, it's actually growing your understanding. But if you try to learn too much at once, it's not really going to work, right? You're going to glaze over it. You have to focus on that activity and bring it into that sphere. So we talked a lot about the whys. Now let's get into the hows. I'm just going to talk about my hows. I'm not going through every way you can go through creative programming. There's tons and tons of ways. But we're going to break down as many as possible in this short amount of time. So one big thing is questioning the base premises. Another is to impose artificial bounds. Another is re purposing, another is combining, and the last one is using open source as a tool. So let's start with questioning the base premises. Because that's a really, really big one. So when we're thinking linearly. Thinking A equals B, think of something like we reduce cost by spending less money, right? So if you're thinking laterally, okay, what if that's not true? What if we spend more money? What if we spend more money, but on fewer vendors, and place larger orders on some vendors and get bigger price breaks. The source here, if you want to read more, is igniting innovation. And more than a million dollars’ worth of savings at a company based on one hour creativity sessions. This is happening in programming as well. So you have the Ethernet. A series of computer networks, there were token ring networks. And you can think of token ring networks, they're kind of like planned or coordinated systems where it's similar to a talking stick in kindergarten. The kid holds and talks and passes it on. It's kind of coordinated and organized. What ether net did was question the base premise of that. What if we don't wait? What if we do a completely different system? An emergent system. That's a little bit more like a discussion. Computer cans all say stuff at the same time, but if they see somebody else is talking, they kind of back off. And this system is way more chaotic, but ended up being surprisingly more efficient. So React questioned base premises. Whether you like it or not, this was tons of weird best practicing thrown out the windows. What if we write in line JavaScript right in the component? What if we don't lose the DOM? Use a virtual DOM to be diving? What if we replace the syntax? These are base premises thrown out the window. Sass did this as well. We don't have X in CSS. CSS needed a hero. What if we have variables and four loops and mix ins and we can dry out our code? This shaped our specs. We didn't wait for variables in CSS. They are here now, and Lea is going to talk about them later today with a great talk. But this questioning and taking action actually pushed our Web forward. So the second thing that we can do is impose artificial balance. Sometimes when you look at a blank page or a blank state, if I was saying, you know why creativity is important. Go make a creative program. It's kind of okay. Where am I going to start? By imposing artificial bounds you have some rules to follow and some ways to be creative. A lot of times when you have an assignment for something, you find your brain is actively thinking of new ways of working with something. So I just wrote an article called the nerds guide to color on the Web and talked about MSLA. There's hexadecimals, and all these ways of working with color on the Web were meant so the computer knows what color you're using. But HSLA was special, so humans could understand what color. It used a way of thinking about color. So H, the hue, is rotating. It's a complete circle. So as I'm scrolling this list it's just going to go around in a circle. Whereas saturation goes from zero to 100%. Lightness, zero to 100%, and the opacity, zero to 100. Similar to 1 to 100%. I can do stuff? Sass, write colors and mix ins. This was done with this color function here. Also, because it's a full circle I can hope that my demo loads. On my local host server. What you're not seeing is a full circle of color. What's really nice about that is there's no errors. Even if I pass in 480 degrees, I'll still have a color. There's no like top or bottom. So another thing we can do with that, kind of impose balance. So I made this city construction site. Get it? It's like a Website. Bad, bad joke. I'm on a comedy stage. I got to. \\[ Laughter \\] And so I can hit this button and I can change the hues and saturation values. And this one's slightly different than the other one and not exactly the same. But they're relative color mixing. So they're going to play off of each other. And I can get weird colors and set it back to normal and play with perspective and do a lot of other weird stuff because it's fun. So and that's really simple. I'm using GreenSock in my animation. And they allow for the color mixing. Just caching the HSL, doing it relative to the color it's already at. So another way we can impose bounds and write artificial physics. If you have made Canvas or anything like that, it's familiar to you. If you're programming in the computer and you have a thing that's got …. A Fun \u002F Playful, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Technology & Hardware industry. The overall color palette features White, Pink, Gray, Black, Green. Built using Amazon Web Services, jQuery, Snap.svg, YouTube. AI description: CSSConf 2016 serves as a digital archive and landing page for a premier web development conference. Its primary purpose is to provide developers and designers with access to recorded sessions, presentation slides, and transcripts, ensuring the knowledge shared during the live event in Boston remains accessible to the global tech community. The visual identity is a masterclass in high-energy, expressive design that breaks away from the sterile aesthetics often found in tech. Utilizing a vibrant palette of neon pinks, purples, and teals, the site employs organic, fluid shapes and heavy typographic elements to create a sense of movement and creativity. 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Saturday 6 June, 3-4pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fjulius-von-bismarck-this-is-not-the-storm-%e4%b8%ad%e6%96%87%e5%af%bc%e8%a7%88-chinese-language-tour-with-ah-ah-ah-art\u002F) [ Drawing Club | Expanded Drawing with Lauren Simmonds Wednesday 10 June, 5.30-8.30pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fdrawing-club-expanded-drawing-with-lauren-simmonds\u002F) Dive Deeper ACCA (Australian Centre for Contemporary Art)\") · Artist Talk and Book Launch: with r e a, Judith Ryan AM and Myles Russell-Cook ACCA (Australian Centre for Contemporary Art)\") · We need to talk: with Tourmaline and Sophie Prince [ ACCA Education Bookings are open for ACCA’s free arts learning programs ](https:\u002F\u002Facca.melbourne\u002Feducation\u002F) [ NEWS| Maree Clarke, Lisa Bowman and Elisa Clements join the ACCA Board Read the press release ](https:\u002F\u002Facca.melbourne\u002Fpress_release\u002Fmaree-clarke-lisa-bowman-and-elisa-clements-join-the-acca-board\u002F) 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Australian Centre for Contemporary Art (ACCA) website serves as a sophisticated digital gateway for one of Melbourne's most significant cultural institutions. The site is designed to showcase current exhibitions, educational programs, and multimedia content, acting as both an information hub for visitors and a deep-dive archive for art enthusiasts. Its purpose is to facilitate engagement with contemporary art through a seamless blend of visual storytelling and practical utility.\n\nVisually, the identity is defined by a bold, avant-garde aesthetic that mirrors the experimental nature of the art it hosts. The use of a distinctive, muted teal color palette paired with large-scale, high-impact imagery creates a sense of space and contemplation. The layout utilizes a sophisticated typographic hierarchy and an asymmetrical grid, leaning into a modern, editorial style that feels both authoritative and cutting-edge. It targets a discerning audience of artists, curators, and culturally engaged citizens who value high-concept design and intellectual depth.","Art & Culture",[30,34],[],[],[150,357,162,168,912,360],"WP Engine",[914,915,917,918],{"score":235,"category":172},{"score":916,"category":175},78,{"score":281,"category":178},{"score":185,"category":181},[920,921,923,924],{"score":236,"category":172},{"score":922,"category":175},81,{"score":281,"category":178},{"score":185,"category":181},[802,926,195,199,191,927],"teal","brown","Website: ACCA. Page: Homepage. Page type: Home \u002F Landing Page. Page title: ACCA – Australian Centre for Contemporary Art. Page description: Now Showing\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat's On\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDive Deeper\n\n\n\n\n\n\n\nACCA (Australian Centre for Contemporary Art) · Artist Talk and Book Launch: with r e a, Judith Ryan AM and Myles Russell-Cook\n\n\n\nACCA (Australian Centre for Contemporary Art) · We need to talk: with Tourmal. Page content: Now Showing [ Julius von Bismarck: This is not the storm Friday 17 April–Sunday 14 June 2026 ](https:\u002F\u002Facca.melbourne\u002Fexhibition\u002Fjulius-von-bismarck-this-is-not-the-storm\u002F) *What’s On [ ACCA X MADA Publication Launch – The Second Studio: Drawing on Contemporary Art in the Gallery Thursday 7 May, 6-8pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Facca-x-mada-publication-launch-the-second-studio-drawing-on-contemporary-art-in-the-gallery\u002F) [ Masterclass Series | Exhibition Design and Installation with Samantha Vawdrey Monday 18 May, 1-4pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fteacher-professional-learning-exhibition-design-and-installation-with-samantha-vawdrey-senior-exhibitions-manager-registrar\u002F) [ We Need To Talk: Zena Cumpston and Shelley McSpedden Saturday 23 May, 3-4pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fwe-need-to-talk-zena-cumpston-and-shelley-mcspedden\u002F) [ Family Art Day | Julius von Bismarck Saturday 30 May, 11am-2pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Ffamily-art-day-julius-von-bismarck-this-is-not-the-storm\u002F) [ Julius von Bismarck: This is not the storm: 中文导览 Chinese Language Tour with ah ah ah art! Saturday 6 June, 3-4pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fjulius-von-bismarck-this-is-not-the-storm-%e4%b8%ad%e6%96%87%e5%af%bc%e8%a7%88-chinese-language-tour-with-ah-ah-ah-art\u002F) [ Drawing Club | Expanded Drawing with Lauren Simmonds Wednesday 10 June, 5.30-8.30pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fdrawing-club-expanded-drawing-with-lauren-simmonds\u002F) Dive Deeper ACCA (Australian Centre for Contemporary Art)\") · Artist Talk and Book Launch: with r e a, Judith Ryan AM and Myles Russell-Cook ACCA (Australian Centre for Contemporary Art)\") · We need to talk: with Tourmaline and Sophie Prince [ ACCA Education Bookings are open for ACCA’s free arts learning programs ](https:\u002F\u002Facca.melbourne\u002Feducation\u002F) [ NEWS| Maree Clarke, Lisa Bowman and Elisa Clements join the ACCA Board Read the press release ](https:\u002F\u002Facca.melbourne\u002Fpress_release\u002Fmaree-clarke-lisa-bowman-and-elisa-clements-join-the-acca-board\u002F) Picks from the ACCA Shop* [ r e a : c l a i m e d Monograph Dive into a practice spanning over thirty years. ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-catalogue\u002F)[ Tourmaline: Transcendent Tees Designed in collaboration with Alpha60 ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Ftourmaline-transcendent-t-shirt\u002F) [ r e a : c l a i m e d i Print Single limited edition print ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-i-limited-edition-print\u002F)[ r e a : c l a i m e d ii Print Single limited edition print ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-ii-limited-edition-print\u002F)[ r e a : c l a i m e d iii Print Single limited edition print ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-iii-limited-edition-print\u002F). A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features Pink, Teal, Black, Gray, White, Brown. Built using PHP, Typekit, WordPress, WordPress Block Editor, WP Engine, YouTube. AI description: The Australian Centre for Contemporary Art (ACCA) website serves as a sophisticated digital gateway for one of Melbourne's most significant cultural institutions. The site is designed to showcase current exhibitions, educational programs, and multimedia content, acting as both an information hub for visitors and a deep-dive archive for art enthusiasts. Its purpose is to facilitate engagement with contemporary art through a seamless blend of visual storytelling and practical utility. Visually, the identity is defined by a bold, avant-garde aesthetic that mirrors the experimental nature of the art it hosts. The use of a distinctive, muted teal color palette paired with large-scale, high-impact imagery creates a sense of space and contemplation. The layout utilizes a sophisticated typographic hierarchy and an asymmetrical grid, leaning into a modern, editorial style that feels both authoritative and cutting-edge. It targets a discerning audience of artists, curators, and culturally engaged citizens who value high-concept design and intellectual depth."]