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The story of how I did it CASE STUDY Redesigning Manchester City Football Club Over an 18 month period, myself and Robin Gibson designed a new product suite for Manchester City: mobile apps, responsive website, ticketing platform, TV app and more. The brief, challenges and how we did it A visual summary of our work PRODUCT DESIGN 2011–2025 Rooster Money Senior Product Designer Mar 24 – current Slalom Build Principal Designer Jan 22 – March 24 NatWest UX Designer (contract) May 21 – Dec 21 Auden Principal Designer Sep 19 – Apr 21 Booking.com UX Designer (contract) Apr 19 – Aug 19 Manchester City FC Lead Designer (contract) Dec 17 – Mar 19 Barclays UX Designer (contract) Apr 16 – Nov 17 magneticNorth Senior UX Designer Aug 15 – Mar 16 BBC Senior UX Designer Apr 12 – Jul 15 Great Fridays Designer Jun 11 – Mar 12 GET IN TOUCH andy.myers@gmail.com \u002F LinkedIn ▲. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the SaaS & Software industry. 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The use of high-fidelity mobile UI mockups against soft, neutral backgrounds creates a modern, professional atmosphere that feels both approachable and highly polished, targeting design leaders and tech recruiters.",{"id":455,"website_id":456,"page_id":455,"name":457,"slug":458,"url":459,"website_name":457,"website_slug":458,"website_url":460,"result_url":459,"fetched_at":461,"score":127,"score_boost":368,"ai_score":229,"freshness_score":462,"scored_at":463,"page_name":40,"page_url":459,"page_title":457,"page_description":52,"page_content":464,"page_sort":368,"is_home":373,"is_home_rank":374,"page_type_id":375,"page_type_name":45,"cover":465,"cover_mobile":468,"cover_sequence":470,"translations":561,"industry":564,"styles":565,"credits":566,"font_families":568,"technologies":569,"pagespeed":570,"pagespeed_mobile":578,"buckets":584,"search_payload":585},"d672d17b-ded4-4cd2-b211-e5c13307aa37","f6658905-93cc-413f-8993-0e2797147103","Peter Lindbergh","peter-lindbergh","https:\u002F\u002Fpeterlindbergh.obys.agency\u002F","https:\u002F\u002Fpeterlindbergh.obys.agency","2026-05-04T07:46:24.000Z",74,"2026-05-23T20:24:02.000Z","Peter Lindbergh Home biography magazines portfolio Fashion photographer Peter peter Lindbergh lindbergh Loading— [ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fbiography\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fmagazines\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fportfolio\u002F) in memory of great fashion photographer. peter lindbergh 1944—2019 BIOGRAPHY Next chapter Peter Lindbergh Home biography magazines portfolio [ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fbiography\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fmagazines\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fportfolio\u002F) Peter’s biography 1944—2019 Peter was born in Lezno (Poland) in 1944, he spent his childhood in Duisburg. 01 1944 He enrolled the Berlin Academy of Fine Arts in the early 1960’s. 02 1960 Peter moved to Düsseldorf in 1971, he turned his attention to photography. and moved to Paris in 1978 to pursue his career. 03 1971—78 He offered a new interpretation of women post-1980’s without paying too much attention to the clothes. 04 1980s 90’s top models were photographed together for the first time by peter for British Vogue's legendary January 1990 cover. 05 1990 His work is best known for his simple and revealing portraits. 06 2000—2019 Peter Lindbergh has died, aged 74. And left a huge legacy that will inspire a lot of people around the world. 07 2019 magazines Next chapter Peter Lindbergh Home biography magazines portfolio [ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fbiography\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fmagazines\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fportfolio\u002F) magazines \u002F covers 1978—2019 \u002F stories The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... portfolio Next chapter",{"id":466,"height":13,"width":12,"blurhash":467},"a1e73c63-9e05-4218-bfc6-95c252688e5c","radial-gradient(at 0 0,#494949,#00000000 50%),radial-gradient(at 33% 0,#4b4b4b,#00000000 50%),radial-gradient(at 67% 0,#414141,#00000000 50%),radial-gradient(at 100% 0,#424242,#00000000 50%),radial-gradient(at 0 50%,#565656,#00000000 50%),radial-gradient(at 33% 50%,#636363,#00000000 50%),radial-gradient(at 67% 50%,#4c4c4c,#00000000 50%),radial-gradient(at 100% 50%,#585858,#00000000 50%),radial-gradient(at 0 100%,#595959,#00000000 50%),radial-gradient(at 33% 100%,#545454,#00000000 50%),radial-gradient(at 67% 100%,#474747,#00000000 50%),radial-gradient(at 100% 100%,#3d3d3d,#00000000 50%)",{"id":469,"height":15,"width":14,"blurhash":52},"2133976f-ab11-44e8-a394-191049e3d98d",[471,474,477,480,483,486,489,492,495,498,501,504,507,510,513,516,519,522,525,528,531,534,537,540,543,546,549,552,555,558],{"directus_files_id":472},{"id":473},"aa54a8e4-3b16-444c-9e22-471cdde16e08",{"directus_files_id":475},{"id":476},"bb4ad730-6982-4445-bbbc-3d7459af7b99",{"directus_files_id":478},{"id":479},"b29300ca-6144-43bd-a55d-3631d8122235",{"directus_files_id":481},{"id":482},"fbb184b9-64c9-42b4-a535-b843f85f7a84",{"directus_files_id":484},{"id":485},"654ee9e1-ad9c-4dff-9164-799775642731",{"directus_files_id":487},{"id":488},"1a83b67b-9266-46f1-8a89-076eb8940792",{"directus_files_id":490},{"id":491},"816170f3-5444-40b7-b010-32eb533afd21",{"directus_files_id":493},{"id":494},"70210909-45ae-4e51-aa49-5bda6c9b3ec2",{"directus_files_id":496},{"id":497},"bf05972f-7ee1-494e-a92e-eda54d051f82",{"directus_files_id":499},{"id":500},"c343f1e2-b589-45eb-a800-443c7d334f59",{"directus_files_id":502},{"id":503},"609cb9b7-a4eb-4cee-8d67-d1ce8093ae1f",{"directus_files_id":505},{"id":506},"e6d3bfe8-469a-4a7c-bb29-0a5ee70fb053",{"directus_files_id":508},{"id":509},"58b3283b-fa95-4ccc-a4c8-1fd802d8769f",{"directus_files_id":511},{"id":512},"2d15b10c-bbbb-4106-98c4-fac635bb61d1",{"directus_files_id":514},{"id":515},"ea7227c3-05a0-4e8a-ba55-c5ba79456ba1",{"directus_files_id":517},{"id":518},"cf51b5a1-4393-46ad-87ef-bd38e1baa157",{"directus_files_id":520},{"id":521},"a6aa6cbb-71fb-4912-9b4f-6348e8506271",{"directus_files_id":523},{"id":524},"ddf462d7-4ce6-4423-9d04-ca375a4fdb98",{"directus_files_id":526},{"id":527},"a926e743-7621-41ec-823d-f721dac7c011",{"directus_files_id":529},{"id":530},"01ba1ec8-a317-4925-808a-3190c2abd94f",{"directus_files_id":532},{"id":533},"dae9e92d-7720-40ad-963d-cb8e13d662ef",{"directus_files_id":535},{"id":536},"65c3c014-5666-4d7c-b819-de9a4e9f3152",{"directus_files_id":538},{"id":539},"05b73a3b-6b5f-4684-906e-8914f98f4717",{"directus_files_id":541},{"id":542},"a3bde43e-d2c5-4f84-a50c-e2eb9d063f4c",{"directus_files_id":544},{"id":545},"dc9a63ea-be0d-4bef-b7fb-5a47544ff94f",{"directus_files_id":547},{"id":548},"0884b228-62ea-4e95-a891-e0a81cf8a90f",{"directus_files_id":550},{"id":551},"2412a2bf-bb51-4cf2-88ea-a82c23b7b71e",{"directus_files_id":553},{"id":554},"0560aff3-ddc6-4434-a8d0-7475bddfcda0",{"directus_files_id":556},{"id":557},"e5e695d1-3f88-4c0f-b6c2-4cf111f49846",{"directus_files_id":559},{"id":560},"b0c18948-6991-41a4-b728-5a4478bc7d95",[562],{"languages_code":429,"description":563},"This website serves as a digital memorial and comprehensive archive for the legendary fashion photographer Peter Lindbergh. It is designed to preserve his artistic legacy, offering a curated journey through his biography, iconic magazine contributions, and expansive portfolio. The site acts as a high-end digital museum, catering to fashion historians, photographers, and connoisseurs of fine art photography.\n\nThe visual identity is profoundly sophisticated, utilizing a cinematic, monochrome aesthetic that mirrors Lindbergh's own signature black-and-white style. The design employs massive, elegant serif typography that commands attention and creates a sense of monumental importance. With its dark, textured background and minimalist navigation, the interface exudes a timeless, high-fashion luxury that respects the gravity of the subject matter.","Photography & Video",[26,271,30],[567],"Obys",[327,54,332],[109],[571,573,575,577],{"score":572,"category":441},51,{"score":574,"category":117},73,{"score":576,"category":120},96,{"score":216,"category":123},[579,581,582,583],{"score":580,"category":441},53,{"score":574,"category":117},{"score":576,"category":120},{"score":216,"category":123},[132,136,140],"Website: Peter Lindbergh. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Peter Lindbergh. Page content: Peter Lindbergh Home biography magazines portfolio Fashion photographer Peter peter Lindbergh lindbergh Loading— [ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fbiography\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fmagazines\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fportfolio\u002F) in memory of great fashion photographer. peter lindbergh 1944—2019 BIOGRAPHY Next chapter Peter Lindbergh Home biography magazines portfolio [ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fbiography\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fmagazines\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fportfolio\u002F) Peter’s biography 1944—2019 Peter was born in Lezno (Poland) in 1944, he spent his childhood in Duisburg. 01 1944 He enrolled the Berlin Academy of Fine Arts in the early 1960’s. 02 1960 Peter moved to Düsseldorf in 1971, he turned his attention to photography. and moved to Paris in 1978 to pursue his career. 03 1971—78 He offered a new interpretation of women post-1980’s without paying too much attention to the clothes. 04 1980s 90’s top models were photographed together for the first time by peter for British Vogue's legendary January 1990 cover. 05 1990 His work is best known for his simple and revealing portraits. 06 2000—2019 Peter Lindbergh has died, aged 74. And left a huge legacy that will inspire a lot of people around the world. 07 2019 magazines Next chapter Peter Lindbergh Home biography magazines portfolio [ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fbiography\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fmagazines\u002F)[ ](http:\u002F\u002Fpeterlindbergh.obys.agency\u002Fportfolio\u002F) magazines \u002F covers 1978—2019 \u002F stories The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... The New Yorker \u002F Allure \u002F Rolling Stone & more, more, more... portfolio Next chapter. A Clean \u002F Minimalist, Dark Mode, Monochrome \u002F Grayscale website in the Photography & Video industry. Designed by Obys. The overall color palette features Black, White, Gray. The typography features Montserrat (Sans Serif), Roboto (Sans Serif), Source Sans (Sans Serif). Built using Readymag. AI description: This website serves as a digital memorial and comprehensive archive for the legendary fashion photographer Peter Lindbergh. It is designed to preserve his artistic legacy, offering a curated journey through his biography, iconic magazine contributions, and expansive portfolio. The site acts as a high-end digital museum, catering to fashion historians, photographers, and connoisseurs of fine art photography. The visual identity is profoundly sophisticated, utilizing a cinematic, monochrome aesthetic that mirrors Lindbergh's own signature black-and-white style. 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Explore them by watching a series of fun animated videos.","> The chair is the closest thing to a human being. You can give it a personal expression. Hans J. Wegner 02:20 An introduction to Danish Modern It is impossible to discuss mid-century Danish chair design without talking about Danish Modern – a broad style of furniture, textiles, lighting and other housewares which gained international fame in the 1950s and 1960s. Most of them are admired to this day. Danish Modern was born of the urge to create more functional and usable objects. While partly influenced by the Bauhaus and other art movements of the 1920s, Danish modernists steered away from the machine aesthetic and from the search for a 'perfect' design; instead, they aimed for an 'appropriate' design, focusing on form, use and materials. 45 Chair, 1945 A quick look at Finn Juhl Together with Hans J. Wegner, Juhl was one of the first Danish designers to achieve international fame in the 1950s. He distanced himself from the highly mathematical approach of Kaare Klint, and instead designed furniture that was playful, expressive and organic-looking, often likened to pieces of sculpture. > Juhl was a Copenhagen fellow, international, always knowing what was going on everywhere more or less as it was happening. While still young he was a man of the world. We were more like carpenters. Hans J. Wegner 01:10 An introduction to Hans J. Wegner The son of a master cobbler, Wegner was exposed to the skilful craft of his father from the early years. Having discovered a love for wood, Wegner chose a cabinetmaker’s profession. His chairs achieved worldwide fame thanks to Wegner's organic understanding of form and his genuine interest in the interaction between products and users - both qualities of organic functionalism. His chair design process was rapid and well defined. To test ideas and learn about potential production challenges, Wegner used to create multiple 1:5 scale models of a chair. Several of these have actually been stolen at exhibitions. Panton Chair, 1960 A quick look at Verner Panton Panton took a more contemporary approach to interior design. By treating an entire room as a collection of abstract sculptural shapes, he expanded on other designers’ preoccupation with organic form. Chairs were turned into boxes on the floor or curves in a wall, and everything was saturated with colour, especially bold red. All this blended nicely into his psychedelic interiors. > You sit more comfortably on a colour that you like. Verner Panton GJ Chair, 1963 A quick look at Grete Jalk Inspired by the Finnish designer Alvar Aalto and the Americans Charles and Ray Eames, Grete Jalk experimented a lot with plywood. Her laminated chair (1963), with almost impossible-looking folds of bent plywood, is regarded as her best-known work. Due to the complexity of the chair's design, only 300 models were originally manufactured, with only a few copies still existing today. 01:18 An introduction to Arne Jacobsen Throughout his life, Jacobsen was constantly inspired by the natural world. As a child, he derived his creativity from nature around him and painted many watercolour landscapes and plants. As an adult, he became a skilled gardener and designed gardens and indoor green spaces for many of his buildings. Although he viewed himself primarily as an architect, Jacobsen created all interior details and furnishings in his buildings. Apart from the famous example of the SAS Royal Hotel, he also designed the St Catherine's College campus in Oxford, where he even chose the species of fish for the ornamental ponds. > One cannot create happiness with beautiful objects, but one can spoil quite a lot with bad ones. 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By utilizing engaging animated storytelling, the site transforms historical education into a visual journey, celebrating the legendary designers and the organic forms that defined an era of craftsmanship.\n\nThe visual identity is a masterclass in modern-retro aesthetics, employing a sophisticated palette of muted creams, deep plums, and bold terracotta. The design utilizes heavy, impactful typography and a structured grid system that mirrors the intentionality of the furniture it celebrates. It is a high-end, editorial experience tailored for design enthusiasts, historians, and lovers of mid-century modernism.",[662,663,34],"Fun \u002F Playful","Illustrative \u002F Hand-drawn",[],[666],"Roboto Mono",[294],[669,671,672,673],{"score":670,"category":441},61,{"score":367,"category":117},{"score":444,"category":120},{"score":217,"category":123},[675,677,678,679],{"score":676,"category":441},72,{"score":367,"category":117},{"score":444,"category":120},{"score":217,"category":123},[136,140,681],"brown","Website: The Danish Chair. Page: Homepage. Page type: Home \u002F Landing Page. Page title: The Danish Chair. Page description: The mid-20th century in Denmark produced some of the greatest works in furniture design history. Explore them by watching a series of fun animated videos.. Page content: > The chair is the closest thing to a human being. You can give it a personal expression. Hans J. Wegner 02:20 An introduction to Danish Modern It is impossible to discuss mid-century Danish chair design without talking about Danish Modern – a broad style of furniture, textiles, lighting and other housewares which gained international fame in the 1950s and 1960s. Most of them are admired to this day. Danish Modern was born of the urge to create more functional and usable objects. While partly influenced by the Bauhaus and other art movements of the 1920s, Danish modernists steered away from the machine aesthetic and from the search for a 'perfect' design; instead, they aimed for an 'appropriate' design, focusing on form, use and materials. 45 Chair, 1945 A quick look at Finn Juhl Together with Hans J. Wegner, Juhl was one of the first Danish designers to achieve international fame in the 1950s. He distanced himself from the highly mathematical approach of Kaare Klint, and instead designed furniture that was playful, expressive and organic-looking, often likened to pieces of sculpture. > Juhl was a Copenhagen fellow, international, always knowing what was going on everywhere more or less as it was happening. While still young he was a man of the world. We were more like carpenters. Hans J. Wegner 01:10 An introduction to Hans J. Wegner The son of a master cobbler, Wegner was exposed to the skilful craft of his father from the early years. Having discovered a love for wood, Wegner chose a cabinetmaker’s profession. His chairs achieved worldwide fame thanks to Wegner's organic understanding of form and his genuine interest in the interaction between products and users - both qualities of organic functionalism. His chair design process was rapid and well defined. To test ideas and learn about potential production challenges, Wegner used to create multiple 1:5 scale models of a chair. Several of these have actually been stolen at exhibitions. Panton Chair, 1960 A quick look at Verner Panton Panton took a more contemporary approach to interior design. By treating an entire room as a collection of abstract sculptural shapes, he expanded on other designers’ preoccupation with organic form. Chairs were turned into boxes on the floor or curves in a wall, and everything was saturated with colour, especially bold red. All this blended nicely into his psychedelic interiors. > You sit more comfortably on a colour that you like. Verner Panton GJ Chair, 1963 A quick look at Grete Jalk Inspired by the Finnish designer Alvar Aalto and the Americans Charles and Ray Eames, Grete Jalk experimented a lot with plywood. Her laminated chair (1963), with almost impossible-looking folds of bent plywood, is regarded as her best-known work. Due to the complexity of the chair's design, only 300 models were originally manufactured, with only a few copies still existing today. 01:18 An introduction to Arne Jacobsen Throughout his life, Jacobsen was constantly inspired by the natural world. As a child, he derived his creativity from nature around him and painted many watercolour landscapes and plants. As an adult, he became a skilled gardener and designed gardens and indoor green spaces for many of his buildings. Although he viewed himself primarily as an architect, Jacobsen created all interior details and furnishings in his buildings. Apart from the famous example of the SAS Royal Hotel, he also designed the St Catherine's College campus in Oxford, where he even chose the species of fish for the ornamental ponds. > One cannot create happiness with beautiful objects, but one can spoil quite a lot with bad ones. Finn Juhl. A Fun \u002F Playful, Illustrative \u002F Hand-drawn, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Gray, Brown. The typography features Roboto Mono (Sans Serif). Built using jQuery. AI description: The Danish Chair is a beautifully curated digital retrospective that explores the rich history of mid-century Danish furniture design through a cinematic lens. By utilizing engaging animated storytelling, the site transforms historical education into a visual journey, celebrating the legendary designers and the organic forms that defined an era of craftsmanship. The visual identity is a masterclass in modern-retro aesthetics, employing a sophisticated palette of muted creams, deep plums, and bold terracotta. The design utilizes heavy, impactful typography and a structured grid system that mirrors the intentionality of the furniture it celebrates. 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