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Passionate about people, travel, and art.","Work About Contact [ ](https:\u002F\u002Fselinamiles.com\u002F) Passionate about the stories behind the lens. Directing Commercial Documentary Cinematography [ Silenced (2026) ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fsilenced-2026\u002F)[ Martha (2018) ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fmartha-2018\u002F)[ Harley and Katya (2022) ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fharley-and-katya-2022\u002F)[ Department of Health “Beforeplay” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fdepartment-of-health-beforeplay\u002F)[ Camilla and Marc “Ovaries Talk About Them” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fcamilla-and-marc-ovaries-talk-about-them\u002F)[ Sirena Tuna “Lunchtime Elevation” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fsirena-tuna-nothing-compares\u002F)[ Operation International “Saving Face” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Foperation-international-saving-face\u002F)[ Officeworks “The Holiday Planner” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fofficeworks-the-holiday-planner\u002F)[ Heaps Normal “Dutch Courage” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fheaps-normal-dutch-courage\u002F)[ VW Golf GTI “That Looks Fun” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fvw-golf-gti-that-looks-fun\u002F)[ Captain Morgan “Spice On” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fcaptain-morgan-spice-on\u002F)[ Barkaa “Blak Matriarchy” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fbarkaa-blak-matriarchy\u002F)[ Sofles “Limitless” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fsofles-limitless\u002F) Selina Miles is an awarded Australian Director based in Sydney who has worked in over 20 countries worldwide. Passionate about people, travel, and art. More about Selina Instagram © 2025 Instagram Top Made by Matt",{"id":457,"height":13,"width":12,"blurhash":458},"e0b76576-130b-41ba-acc1-1ec98bc4e016","radial-gradient(at 0 0,#9c9e9e,#00000000 50%),radial-gradient(at 33% 0,#afafaf,#00000000 50%),radial-gradient(at 67% 0,#979494,#00000000 50%),radial-gradient(at 100% 0,#565555,#00000000 50%),radial-gradient(at 0 50%,#757777,#00000000 50%),radial-gradient(at 33% 50%,#7d7c7c,#00000000 50%),radial-gradient(at 67% 50%,#585252,#00000000 50%),radial-gradient(at 100% 50%,#000000,#00000000 50%),radial-gradient(at 0 100%,#3c4242,#00000000 50%),radial-gradient(at 33% 100%,#5b5a5a,#00000000 50%),radial-gradient(at 67% 100%,#5d5757,#00000000 50%),radial-gradient(at 100% 100%,#232020,#00000000 50%)",{"id":460,"height":15,"width":14,"blurhash":340},"3acf4cc6-500d-449e-bcae-495c75081796",[462,465,468,471,474,477,480,483,486,489,492,495,498,501],{"directus_files_id":463},{"id":464},"593832f3-ec33-4125-a390-eede71a9c4d6",{"directus_files_id":466},{"id":467},"8fbda0b1-eba8-4526-83f3-0291fae514a9",{"directus_files_id":469},{"id":470},"2c9e91b4-5970-42f6-9c69-8b6cdd88885c",{"directus_files_id":472},{"id":473},"3a161a4c-26e0-47ad-829a-92a2f0d1b716",{"directus_files_id":475},{"id":476},"4dfcb8a8-8404-43a3-9bfc-7818b7c53438",{"directus_files_id":478},{"id":479},"edcdce35-ef19-4f70-8e50-ac4f19ec4df8",{"directus_files_id":481},{"id":482},"6423d140-b5b2-484f-93a3-3d354617fb7a",{"directus_files_id":484},{"id":485},"9cf6fee2-d47c-4ec1-a666-848d73b5f556",{"directus_files_id":487},{"id":488},"b368e749-0a70-43e7-a032-21681cb05d79",{"directus_files_id":490},{"id":491},"bc15c53c-bc97-4547-9236-11b08e8d1e0f",{"directus_files_id":493},{"id":494},"c54ea652-4629-4948-a228-dfcf6facb2c7",{"directus_files_id":496},{"id":497},"0e8443ef-8870-44a8-9a21-221dc5eada6f",{"directus_files_id":499},{"id":500},"8db52a62-9319-49fb-85ef-afa9a97ad309",{"directus_files_id":502},{"id":503},"2e8a6a5d-cb5a-4fbb-85e8-aec7731a9367",[505],{"languages_code":416,"description":506},"Selina Miles' portfolio website serves as a high-impact visual showcase for an award-winning Australian director specializing in commercial, documentary, and cinematography work. The site is designed to immediately establish professional authority through a cinematic presentation of her diverse filmography, ranging from Sundance-recognized projects to commercial campaigns.\n\nThe visual identity is defined by a bold, sophisticated dark mode aesthetic that prioritizes high-contrast typography and immersive imagery. Utilizing massive, heavy sans-serif typefaces paired with elegant serif subtext, the design creates a sense of scale and prestige. The minimalist layout allows the vibrant, storytelling-driven stills to command attention, reflecting a brand identity that is both authoritative and deeply humanistic.",[29,26,33],[509],"Matt Imling",[],[512,235,236],"Hostinger",[514,515,516,517],{"score":81,"category":74},{"score":81,"category":77},{"score":81,"category":80},{"score":81,"category":83},[519,521,522,523],{"score":520,"category":74},98,{"score":81,"category":77},{"score":81,"category":80},{"score":81,"category":83},[93,97,101],"Website: Selina Miles. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Work — Selina Miles. Page description: Selina Miles is an awarded Australian Director based in Sydney who has worked in over 20 countries worldwide. Passionate about people, travel, and art.. Page content: Work About Contact [ ](https:\u002F\u002Fselinamiles.com\u002F) Passionate about the stories behind the lens. Directing Commercial Documentary Cinematography [ Silenced (2026) ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fsilenced-2026\u002F)[ Martha (2018) ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fmartha-2018\u002F)[ Harley and Katya (2022) ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fharley-and-katya-2022\u002F)[ Department of Health “Beforeplay” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fdepartment-of-health-beforeplay\u002F)[ Camilla and Marc “Ovaries Talk About Them” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fcamilla-and-marc-ovaries-talk-about-them\u002F)[ Sirena Tuna “Lunchtime Elevation” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fsirena-tuna-nothing-compares\u002F)[ Operation International “Saving Face” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Foperation-international-saving-face\u002F)[ Officeworks “The Holiday Planner” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fofficeworks-the-holiday-planner\u002F)[ Heaps Normal “Dutch Courage” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fheaps-normal-dutch-courage\u002F)[ VW Golf GTI “That Looks Fun” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fvw-golf-gti-that-looks-fun\u002F)[ Captain Morgan “Spice On” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fcaptain-morgan-spice-on\u002F)[ Barkaa “Blak Matriarchy” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fbarkaa-blak-matriarchy\u002F)[ Sofles “Limitless” ](https:\u002F\u002Fselinamiles.com\u002Fproject\u002Fsofles-limitless\u002F) Selina Miles is an awarded Australian Director based in Sydney who has worked in over 20 countries worldwide. Passionate about people, travel, and art. More about Selina Instagram © 2025 Instagram Top Made by Matt. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Photography & Video industry. Designed by Matt Imling. The overall color palette features Black, White, Gray. Built using Hostinger, PHP, WordPress. AI description: Selina Miles' portfolio website serves as a high-impact visual showcase for an award-winning Australian director specializing in commercial, documentary, and cinematography work. The site is designed to immediately establish professional authority through a cinematic presentation of her diverse filmography, ranging from Sundance-recognized projects to commercial campaigns. The visual identity is defined by a bold, sophisticated dark mode aesthetic that prioritizes high-contrast typography and immersive imagery. Utilizing massive, heavy sans-serif typefaces paired with elegant serif subtext, the design creates a sense of scale and prestige. 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Read more ](#) [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Frefuge\u002F) [ Home Is Where The Hurt Is Refuge ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Frefuge\u002F) Bonnie MacRae [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Feli-lilly-2\u002F) [ Never Over Eli Lilly ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Feli-lilly-2\u002F) Martin & Lindsay [ Announcement Molly Burdett goes ‘Behind the Scream’ with Shots Magazine Read more ](#) [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Farlo-parks-5\u002F) [ 2Sided Arlo Parks ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Farlo-parks-5\u002F) Molly Burdett [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Frona\u002F) [ Homes of Hockey RONA ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Frona\u002F) Greg Hackett [ Announcement Spindle win at Ad Net Zero Awards Read more ](#) [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fshelter\u002F) [ Our House Is Not a Home Shelter ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fshelter\u002F) Milo Blake [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fseal-rescue-ireland\u002F) [ Leave Seals Alone Seal Rescue Ireland ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fseal-rescue-ireland\u002F) LIAKH [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fchloe-slater\u002F) [ Harriet Chloe Slater ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fchloe-slater\u002F) Bonnie MacRae [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Falltrails\u002F) [ Feels AllTrails ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Falltrails\u002F) Spencer MacDonald [ Announcement The Empty Seat wins YDA Read more ](#) [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fbig-yellow-self-storage\u002F) [ Get Some Space Big Yellow Self Storage ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fbig-yellow-self-storage\u002F) LIAKH [ Announcement Molly Burdett’s A Loud Piece Of Armour selected for Palm Springs Read more ](#) [ Announcement Hey Jude takes home the Clio Grand Winner! Read more ](#)",{"id":539,"height":13,"width":12,"blurhash":540},"b3593c38-97e5-4af1-ab0c-2c1741b2ee88","radial-gradient(at 0 0,#de4c3b,#00000000 50%),radial-gradient(at 33% 0,#d14032,#00000000 50%),radial-gradient(at 67% 0,#cd4d3f,#00000000 50%),radial-gradient(at 100% 0,#da5041,#00000000 50%),radial-gradient(at 0 50%,#d0463b,#00000000 50%),radial-gradient(at 33% 50%,#c93e2e,#00000000 50%),radial-gradient(at 67% 50%,#c14131,#00000000 50%),radial-gradient(at 100% 50%,#c94437,#00000000 50%),radial-gradient(at 0 100%,#de564a,#00000000 50%),radial-gradient(at 33% 100%,#d25040,#00000000 50%),radial-gradient(at 67% 100%,#ce5f51,#00000000 50%),radial-gradient(at 100% 100%,#d96051,#00000000 50%)",{"id":542,"height":15,"width":14,"blurhash":340},"9d80350d-a08d-4cdf-8f54-78b540a6fa39",[544],{"directus_files_id":545},{"id":546},"243c2dad-d7e5-4faa-8b3e-7ebe4b19b842",[548],{"languages_code":416,"description":549},"Spindle is a high-impact production studio that serves as a premier gateway to a diverse and progressive roster of directing talent. 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Read more ](#) [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Frefuge\u002F) [ Home Is Where The Hurt Is Refuge ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Frefuge\u002F) Bonnie MacRae [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Feli-lilly-2\u002F) [ Never Over Eli Lilly ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Feli-lilly-2\u002F) Martin & Lindsay [ Announcement Molly Burdett goes ‘Behind the Scream’ with Shots Magazine Read more ](#) [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Farlo-parks-5\u002F) [ 2Sided Arlo Parks ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Farlo-parks-5\u002F) Molly Burdett [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Frona\u002F) [ Homes of Hockey RONA ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Frona\u002F) Greg Hackett [ Announcement Spindle win at Ad Net Zero Awards Read more ](#) [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fshelter\u002F) [ Our House Is Not a Home Shelter ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fshelter\u002F) Milo Blake [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fseal-rescue-ireland\u002F) [ Leave Seals Alone Seal Rescue Ireland ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fseal-rescue-ireland\u002F) LIAKH [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fchloe-slater\u002F) [ Harriet Chloe Slater ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fchloe-slater\u002F) Bonnie MacRae [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Falltrails\u002F) [ Feels AllTrails ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Falltrails\u002F) Spencer MacDonald [ Announcement The Empty Seat wins YDA Read more ](#) [ ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fbig-yellow-self-storage\u002F) [ Get Some Space Big Yellow Self Storage ](https:\u002F\u002Fwww.spindle.co\u002Fwork\u002Fbig-yellow-self-storage\u002F) LIAKH [ Announcement Molly Burdett’s A Loud Piece Of Armour selected for Palm Springs Read more ](#) [ Announcement Hey Jude takes home the Clio Grand Winner! Read more ](#). A Clean \u002F Minimalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Photography & Video industry. The overall color palette features Red, Black, Gray, White. The typography features Adobe Caslon (Serif), Neue Haas Grotesk (Sans Serif, Commercial Type), Neue Haas Grotesk (Sans Serif, Commercial Type), Domaine (Klim Type). Built using Google Maps, GSAP, jQuery, PHP, scrollreveal, Typekit, WordPress, WP Engine. AI description: Spindle is a high-impact production studio that serves as a premier gateway to a diverse and progressive roster of directing talent. The website functions as a curated portfolio, designed to showcase the unique creative voices of its directors through a bold, cinematic lens. It targets high-end commercial clients, advertising agencies, and brand managers looking for fresh, authentic storytelling. The visual identity is defined by a striking, maximalist approach to typography and color. Utilizing massive, heavy serif typefaces that dominate the viewport, the design commands immediate attention and exudes confidence. The use of a high-contrast, saturated color palette—specifically a bold terracotta red—combined with a clean, grid-based layout of film stills, creates a sophisticated yet edgy aesthetic that feels both contemporary and timelessly editorial.",{"id":572,"website_id":573,"page_id":572,"name":574,"slug":575,"url":576,"website_name":574,"website_slug":575,"website_url":577,"result_url":576,"fetched_at":578,"score":178,"score_boost":326,"ai_score":579,"freshness_score":451,"scored_at":580,"page_name":44,"page_url":576,"page_title":581,"page_description":582,"page_content":583,"page_sort":326,"is_home":332,"is_home_rank":333,"page_type_id":334,"page_type_name":51,"cover":584,"cover_mobile":587,"cover_sequence":589,"translations":680,"industry":683,"styles":684,"credits":685,"font_families":687,"technologies":688,"pagespeed":695,"pagespeed_mobile":700,"buckets":707,"search_payload":708},"2d0be9d1-57d7-4a2c-9e85-98ca3cd9e167","eb503eb6-f1c1-484c-9824-6f905848a965","Filmtopia","filmtopia","https:\u002F\u002Ffilmtopia.net\u002F","https:\u002F\u002Ffilmtopia.net","2026-05-04T12:25:58.000Z",80,"2026-05-23T19:10:17.000Z","Filmtopia, el millor cinema fet per dones","La primera web especialitzada en informació sobre cinema fet per dones. Passat, present i futur del talent cinematogràfic femení.","MENÚ - SUBSCRIU-TE - INICIAR SESSIÓ - [ (0)](https:\u002F\u002Ffilmtopia.net\u002Fcistella\u002F) MENÚ INICIAR SESSIÓ - ACTUALITAT - ENTREVISTES - CRÍTIQUES - FILMORETRATS - REPORTATGES - FESTIVALS - LLIBRES - AGENDA - VÍDEOS - TRESORS - PROFESSIONS - Arxiu - Botiga - Nosaltres - Subscripcions NEWSLETTER - Català - Español Filmtopia Un projecte de Marta Armengou Escala i Nuria Vidal Villa ÉS UN ESPAI PER INFORMAR, VISIBILITZAR, REIVINDICAR I CELEBRAR EL CINEMA FET PER DONES DEL PASSAT, DEL PRESENT I DEL FUTUR, DE TOTS ELS ÀMBITS, DE TOTES LES PROFESSIONS I DE TOT EL MÓN, INDEPENDENTMENT DE L'ORIGEN, LA IDENTITAT DE GÈNERE, L’ORIENTACIÓ SEXUAL, LA CLASSE SOCIAL, L'EDAT, L'IDIOMA, EL PODER ADQUISITIU... La primera web especialitzada en informació sobre cinema impulsat i creat per dones i\u002Fo sobre dones amb una mirada crítica, en profunditat i amb perspectiva feminista, interseccional i inclusiva. MENÚ- NEWSLETTER - SUBSCRIU-TE - INICIAR SESSIÓ - [ (0)](https:\u002F\u002Ffilmtopia.net\u002Fcistella\u002F) CADA DIVENDRES, NOUS CONTINGUTS DESCOBREIX NOVES SECCIONS [ COMPRA PRODUCTES FILMTOPIA A LA NOSTRA BOTIGA ](https:\u002F\u002Ffilmtopia.net\u002Fbotiga) [ Crítica 'Todo lo que fuimos' El trauma que s'hereta ](https:\u002F\u002Ffilmtopia.net\u002Fcritica-todo-lo-que-fuimos\u002F) [ Entrevista Marta Bassols i Marta Loza Creadores de la sèrie 'Yo siempre a veces' ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-marta-bassols-loza\u002F) Newsletter No et perdis res El nostre canal de vídeos Visualitza els nostres continguts audiovisuals un rere l'altre de forma aleatòria \\[cky\\_video\\_placeholder\\_title\\] ENTREVISTES[ Tatiana Huezo — Directora, guionista i muntadora \"Especialment m'enamoren els personatges femenins que es mouen de lloc, que no es conformen del tot amb allò establert. I els personatges femenins d’El Eco són així.\" ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-tatiana-huezo\u002F) ENTREVISTES[ Rocío Jadue Zarhi — Productora \"Fa molts anys que som grans admiradors del treball de Maite Alberdi. Ens agrada molt la manera amb la qual enfronta la seva història, el seu punt de vista, la... ](https:\u002F\u002Ffilmtopia.net\u002Frocio-jadue-zarhi-maite-alberdi\u002F) ENTREVISTES[ Paola Cortellesi — Directora i guionista \"Hi ha dones que han fet coses increïbles, però no se les recordarà mai, no hi haurà plaques ni estàtues per recordar-les enlloc. Jo volia dedicar-li-ho a elles\". ](https:\u002F\u002Ffilmtopia.net\u002Fpaola-cortellesi\u002F) ENTREVISTES[ Mar Coll Després de la seva estrena internacional a la Secció Concorso Internazionale del Festival de cinema de Locarno, on la pel·lícula va ser reconeguda amb una menció especial del jurat oficial... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-mar-coll\u002F) ENTREVISTES[ Nicole García — Actriu i directora \"El risc de l’actuació és molt gran, perquè has d'arribar al personatge en el temps d’una presa. No és com el teatre on hi ha temps per assajar. Al cinema... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-nicole-garcia\u002F) ENTREVISTES[ Tsitsi Dangarembga — Escriptora, directora i productora Escriptora, directora i productora, la zimbabuesa s'ha convertit en tot un exemple per a les noves generacions de directores africanes. ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-tsitsi-dangarembga\u002F) ENTREVISTES[ Milagros Mumenthaler, Isabel Aimé González Sola — Directora, actriu Milagros Mumenthaler és un dels noms de referència del cinema argentí, però també una directora amb una filmografia poc habitual. Només ha dirigit tres llargmetratges en quinze anys, a més... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-mumenthaler-aime\u002F) ENTREVISTES[ Laura Mulvey — Cineasta, crítica i teòrica \"A part de la mirada masculina, el gran problema avui en dia a les xarxes socials és com les dones joves es presenten elles mateixes com a espectacle\". ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-laura-mulvey\u002F) ENTREVISTES[ Lucile Hadžihalilović — Directora Al Festival de Berlín de 2025, \"La torre de hielo\", de Lucile Hadžihalilović, va rebre un premi molt especial: l'Ós de Plata a la Contribució Artística, que reconeixia la bellesa... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-lucile-hadzihalilovic\u002F) ENTREVISTES[ Paula Ortiz — Directora i guionista Paula Ortiz s'acosta al personatge complex i ple de capes de Teresa de Jesús des de la poètica del seu llenguatge i amb la certesa que, encara avui, el... ](https:\u002F\u002Ffilmtopia.net\u002Fpaula-ortiz-la-modernitat-del-pensament-de-teresa-de-jesus\u002F) ENTREVISTES[ Su Friedrich — Cineasta La Filmoteca de Catalunya, en col·laboració amb el Festival Punto de Vista, va dedicar una retrospectiva el mes de març a la figura de la directora nord-americana Su Friedrich. El... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-su-friedrich\u002F) ENTREVISTES[ Agnieszka Holland — Directora \"Franz Kafka\", l'últim film de la veterana directora polonesa Agnieszka Holland, es va estrenar a la Secció Oficial del Festival de Sant Sebastià on vam tenir ocasió de parlar amb... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-agnieszka-holland\u002F) ENTREVISTES[ Lola Arias — Directora i guionista \"Les cançons són originals per a la pel·lícula i les lletres les vaig escriure basant-me en les històries que elles em van explicar\". ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-lola-arias\u002F) ENTREVISTES[ Delphine Girard — Directora i guionista \"És magnífic que les dones s'ajudin per sobreviure\". ](https:\u002F\u002Ffilmtopia.net\u002Fdelphine-girard\u002F) ENTREVISTES[ Anna Cornudella — Directora i guionista Aquesta artista multidisciplinar barcelonesa competeix amb la seva òpera prima, The Human Hibernation, en la secció Forum de la Berlinale, a més d'optar al premi que el festival atorga a... ](https:\u002F\u002Ffilmtopia.net\u002Fanna-cornudella-de-vaques-cargols-i-essers-humans\u002F) ENTREVISTES[ Barbie Ferreira — Actriu \"Em dic Barbie Ferreira. El meu nom de naixement és Bárbara Ferreira. Vaig néixer com Bárbara Ferreira, però d'adolescent vaig decidir canviar-me'l a Barbie, perquè vaig pensar que em quedava... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-barbie-ferreira\u002F) ENTREVISTES[ Constance Tsang — Directora \"Durant l'època del COVID, formava part d'un context en el qual les notícies informaven de crims d'odi contra asiàtics i de tots els tirotejos. Això se'm va quedar gravat i... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-constance-tsang\u002F) ENTREVISTES[ Lila Avilés — Directora i guionista \"Tótem és una pel·lícula molt complexa, és senzilla, però és fràgil\" ](https:\u002F\u002Ffilmtopia.net\u002Flila-aviles-una-mirada-al-microcosmos\u002F) ENTREVISTES[ Claudia Pinto i Carme Elias La directora veneçolana Claudia Pinto i l’actriu catalana Carme Elias, ens regalen un documental que és un acte d’amor, d’amistat, de confiança i de risc. ](https:\u002F\u002Ffilmtopia.net\u002Fclaudia-pinto-i-carme-elias-el-rastre-de-la-memoria-perduda\u002F) ENTREVISTES[ Thea Hvistendahl — Directora i guionista La directora noruega Thea Hvistendahl debuta al llargmetratge amb 'Descansa en paz', una pel·lícula protagonitzada per zombis que escapa dels clixés del cinema de terror. ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-thea-hvistendahl\u002F) ENTREVISTES[ Patricia Reyes Spíndola — Actriu Actriu, productora i directora mexicana (Oaxaca, 1953), la seva trajectòria al cinema comença el 1974 amb la pel·lícula El señor de Osanto de Jaime Humberto Hermosillo. Ha treballat en més... ](https:\u002F\u002Ffilmtopia.net\u002Fpatricia-cinema-mexica\u002F) ENTREVISTES[ Rebecca Zlotowski — Directora Rebecca Zlotowski és, malgrat el seu cognom, una directora francesa nascuda el 1980. Va debutar el 2010 amb \"Belle épine\", però la seva consagració internacional va arribar el 2022 amb... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-rebecca-zlotowski\u002F) ENTREVISTES[ Irene Iborra — Directora i guionista \"En stop-motion, com que treballes amb materials, estàs exposada als accidents. La imperfecció i els accidents són coses que m'agraden molt, perquè reflecteixen la vida, allò real, allò orgànic. \" ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-irene-iborra\u002F) ENTREVISTES[ Marianela Maldonado — Directora Hi ha moltes maneres de retratar la realitat d’una societat en crisi. La que ha escollit la directora veneçolana en el seu primer documental després d'una carrera com a guionista,... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-marianela-maldonado\u002F) ENTREVISTES[ Janet Novás — Actriu i ballarina La ballarina i coreògrafa Janet Novás (Porriño, Pontevedra, 1982) ha guanyat el Goya a la millor actriu revelació pel seu paper a O corno, dirigida per Jaione Camborda. Les altres... ](https:\u002F\u002Ffilmtopia.net\u002Fgoya-a-la-millor-actriu-revelacio-per-o-corno-dirigida-per-jaione-camborda\u002F) ENTREVISTES[ Lilja Ingolfsdottir — Directora \"Al principi de la pel·lícula, ella és molt masculina. Dura, forta, té una cuirassa, està enfadada perquè se sent paralitzada. En realitat és molt feble i es va fent més... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-lilja-ingolfsdottir\u002F) ENTREVISTES[ Anahit Simonian — Compositora i directora El públic habitual de la Filmoteca de Catalunya probablement coneixerà Anahit Simonian, ja que la compositora i intèrpret ha posat música a moltes de les sessions de cinema mut que... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-anahit-simonian\u002F) ENTREVISTES[ Blanca Camell — Directora i guionista \"Sempre m'ha interessat molt explorar el desig amorós perquè trobo que és un motor de vida, d‘intensitat i inclús de bellesa molt potent\". ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-blanca-camell\u002F) ENTREVISTES[ Naomi Kawase — Directora i guionista \"Fent cinema busco respostes de les coses que no entenc.\" ](https:\u002F\u002Ffilmtopia.net\u002Fnaomi-kawase\u002F) ENTREVISTES[ Rosa Vergés — Directora El Premi Gaudí d'Honor d'aquest any ha estat concedit a Rosa Vergés, una dona de cinema. Directora, guionista, divulgadora i docent. ](https:\u002F\u002Ffilmtopia.net\u002Fgaudi-dhonor\u002F) ENTREVISTES[ Eva Libertad i Miriam Garlo — Directora i guionista, i actriu \"Ha estat una sorpresa adonar-me que el públic oient té moltes ganes, té molta curiositat, té moltes preguntes. Tinc una imatge gravada que és meravellosa i no se'm pot oblidar,... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-libertad-garlo\u002F) ENTREVISTES[ Leticia Dolera — Creadora i guionista \"Volia enmarcar la sèrie dins l'àmbit de la cultura popular perquè em sembla una cosa molt local, però alhora molt universal. Totes les regions del món tenen la seva cultura... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-leticia-dolera\u002F) ENTREVISTES[ Claudine Nougaret — Sonidista \"Es fa so per a una imatge, però cal que la imatge deixi espai al so\". ](https:\u002F\u002Ffilmtopia.net\u002Fclaudine-nougaret-el-so-com-a-creacio\u002F) ENTREVISTES[ Nataša Petrešin-Bachelez — Comissària de l'exposició Des de l'11 de juliol fins al 17 de novembre e …",{"id":585,"height":13,"width":12,"blurhash":586},"f8c283b6-24ae-40e4-a54a-f35f730216c3","radial-gradient(at 0 0,#564e4e,#00000000 50%),radial-gradient(at 33% 0,#6c6b6b,#00000000 50%),radial-gradient(at 67% 0,#6f6f6f,#00000000 50%),radial-gradient(at 100% 0,#595656,#00000000 50%),radial-gradient(at 0 50%,#7f7f7f,#00000000 50%),radial-gradient(at 33% 50%,#939292,#00000000 50%),radial-gradient(at 67% 50%,#aaa7a7,#00000000 50%),radial-gradient(at 100% 50%,#979595,#00000000 50%),radial-gradient(at 0 100%,#463c3c,#00000000 50%),radial-gradient(at 33% 100%,#5f5d5d,#00000000 50%),radial-gradient(at 67% 100%,#797979,#00000000 50%),radial-gradient(at 100% 100%,#686565,#00000000 50%)",{"id":588,"height":15,"width":14,"blurhash":340},"18025fee-2039-4ff6-acdc-f27b7dac97f1",[590,593,596,599,602,605,608,611,614,617,620,623,626,629,632,635,638,641,644,647,650,653,656,659,662,665,668,671,674,677],{"directus_files_id":591},{"id":592},"e1657dba-7ab3-442b-a4df-553dae582972",{"directus_files_id":594},{"id":595},"98b39437-d8cb-4f72-b1e2-5e08b47ea6ef",{"directus_files_id":597},{"id":598},"e11af544-b7c5-4265-928a-72e7ad84e9f1",{"directus_files_id":600},{"id":601},"a7a84140-45bb-4e1b-8eff-2cfc5c3936e7",{"directus_files_id":603},{"id":604},"fd6b9f82-c3fe-4321-ad6b-29137b93af2f",{"directus_files_id":606},{"id":607},"608e7341-9b8f-42ef-b53c-83e6756b2060",{"directus_files_id":609},{"id":610},"9277cd16-0c5f-4f16-8ef0-c77d612abd35",{"directus_files_id":612},{"id":613},"1ff780da-378c-4588-8e3a-3acae76d6854",{"directus_files_id":615},{"id":616},"3757731f-520e-4456-ab14-1459bac34cbe",{"directus_files_id":618},{"id":619},"ff97b596-05fe-4540-9397-0d120fc6fb57",{"directus_files_id":621},{"id":622},"3f23f80d-56f5-4dcd-af50-4d425a7ce49d",{"directus_files_id":624},{"id":625},"6f4179ca-d926-4b57-8314-5a48c06fdd10",{"directus_files_id":627},{"id":628},"8f93e990-8dcc-4b73-bd20-a5211c779ab5",{"directus_files_id":630},{"id":631},"c499812c-4472-44cb-8222-a7b89ca4da1f",{"directus_files_id":633},{"id":634},"9f30655a-b46c-4b9c-863c-f5875ab2923b",{"directus_files_id":636},{"id":637},"5416b91c-0667-4faf-a140-f22cc18add17",{"directus_files_id":639},{"id":640},"e3f91c48-08f9-4914-b9dc-2373fdba37e1",{"directus_files_id":642},{"id":643},"f49b6b63-84cc-4465-a92f-c90115306377",{"directus_files_id":645},{"id":646},"1d5fb667-6fb9-4268-b557-02ec14803903",{"directus_files_id":648},{"id":649},"1625d734-5ce0-4502-b9d6-3550cff4a322",{"directus_files_id":651},{"id":652},"1fc78e97-c419-488a-8c2b-9b20d647e588",{"directus_files_id":654},{"id":655},"999366a7-332e-4517-b669-c99e2835276b",{"directus_files_id":657},{"id":658},"8d950c0c-58a9-4272-ba2a-508bf5a45eb9",{"directus_files_id":660},{"id":661},"e70395b1-8ddf-4248-ae96-15d402adcad7",{"directus_files_id":663},{"id":664},"beb89482-eb2e-4c5c-b0c6-8e7a54fe69a6",{"directus_files_id":666},{"id":667},"ad0a374c-d7f1-4f76-86ce-5f1fca17ffac",{"directus_files_id":669},{"id":670},"6b6e8b80-3558-4bd4-b5be-c5457c9f2b30",{"directus_files_id":672},{"id":673},"ceb5cf0b-b1c7-49b7-9cf5-bcdb36d7c8c6",{"directus_files_id":675},{"id":676},"7b2bf1d3-0157-4815-805d-d48d3eb76fd2",{"directus_files_id":678},{"id":679},"7864b2f7-cce2-403a-9f81-27fe3c6a37f4",[681],{"languages_code":416,"description":682},"Filmtopia is a dedicated digital platform and community hub focused on celebrating and visibility of cinema created by women. 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Page content: MENÚ - SUBSCRIU-TE - INICIAR SESSIÓ - [ (0)](https:\u002F\u002Ffilmtopia.net\u002Fcistella\u002F) MENÚ INICIAR SESSIÓ - ACTUALITAT - ENTREVISTES - CRÍTIQUES - FILMORETRATS - REPORTATGES - FESTIVALS - LLIBRES - AGENDA - VÍDEOS - TRESORS - PROFESSIONS - Arxiu - Botiga - Nosaltres - Subscripcions NEWSLETTER - Català - Español Filmtopia Un projecte de Marta Armengou Escala i Nuria Vidal Villa ÉS UN ESPAI PER INFORMAR, VISIBILITZAR, REIVINDICAR I CELEBRAR EL CINEMA FET PER DONES DEL PASSAT, DEL PRESENT I DEL FUTUR, DE TOTS ELS ÀMBITS, DE TOTES LES PROFESSIONS I DE TOT EL MÓN, INDEPENDENTMENT DE L'ORIGEN, LA IDENTITAT DE GÈNERE, L’ORIENTACIÓ SEXUAL, LA CLASSE SOCIAL, L'EDAT, L'IDIOMA, EL PODER ADQUISITIU... La primera web especialitzada en informació sobre cinema impulsat i creat per dones i\u002Fo sobre dones amb una mirada crítica, en profunditat i amb perspectiva feminista, interseccional i inclusiva. MENÚ- NEWSLETTER - SUBSCRIU-TE - INICIAR SESSIÓ - [ (0)](https:\u002F\u002Ffilmtopia.net\u002Fcistella\u002F) CADA DIVENDRES, NOUS CONTINGUTS DESCOBREIX NOVES SECCIONS [ COMPRA PRODUCTES FILMTOPIA A LA NOSTRA BOTIGA ](https:\u002F\u002Ffilmtopia.net\u002Fbotiga) [ Crítica 'Todo lo que fuimos' El trauma que s'hereta ](https:\u002F\u002Ffilmtopia.net\u002Fcritica-todo-lo-que-fuimos\u002F) [ Entrevista Marta Bassols i Marta Loza Creadores de la sèrie 'Yo siempre a veces' ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-marta-bassols-loza\u002F) Newsletter No et perdis res El nostre canal de vídeos Visualitza els nostres continguts audiovisuals un rere l'altre de forma aleatòria \\[cky\\_video\\_placeholder\\_title\\] ENTREVISTES[ Tatiana Huezo — Directora, guionista i muntadora \"Especialment m'enamoren els personatges femenins que es mouen de lloc, que no es conformen del tot amb allò establert. I els personatges femenins d’El Eco són així.\" ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-tatiana-huezo\u002F) ENTREVISTES[ Rocío Jadue Zarhi — Productora \"Fa molts anys que som grans admiradors del treball de Maite Alberdi. Ens agrada molt la manera amb la qual enfronta la seva història, el seu punt de vista, la... ](https:\u002F\u002Ffilmtopia.net\u002Frocio-jadue-zarhi-maite-alberdi\u002F) ENTREVISTES[ Paola Cortellesi — Directora i guionista \"Hi ha dones que han fet coses increïbles, però no se les recordarà mai, no hi haurà plaques ni estàtues per recordar-les enlloc. Jo volia dedicar-li-ho a elles\". ](https:\u002F\u002Ffilmtopia.net\u002Fpaola-cortellesi\u002F) ENTREVISTES[ Mar Coll Després de la seva estrena internacional a la Secció Concorso Internazionale del Festival de cinema de Locarno, on la pel·lícula va ser reconeguda amb una menció especial del jurat oficial... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-mar-coll\u002F) ENTREVISTES[ Nicole García — Actriu i directora \"El risc de l’actuació és molt gran, perquè has d'arribar al personatge en el temps d’una presa. No és com el teatre on hi ha temps per assajar. Al cinema... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-nicole-garcia\u002F) ENTREVISTES[ Tsitsi Dangarembga — Escriptora, directora i productora Escriptora, directora i productora, la zimbabuesa s'ha convertit en tot un exemple per a les noves generacions de directores africanes. ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-tsitsi-dangarembga\u002F) ENTREVISTES[ Milagros Mumenthaler, Isabel Aimé González Sola — Directora, actriu Milagros Mumenthaler és un dels noms de referència del cinema argentí, però també una directora amb una filmografia poc habitual. Només ha dirigit tres llargmetratges en quinze anys, a més... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-mumenthaler-aime\u002F) ENTREVISTES[ Laura Mulvey — Cineasta, crítica i teòrica \"A part de la mirada masculina, el gran problema avui en dia a les xarxes socials és com les dones joves es presenten elles mateixes com a espectacle\". ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-laura-mulvey\u002F) ENTREVISTES[ Lucile Hadžihalilović — Directora Al Festival de Berlín de 2025, \"La torre de hielo\", de Lucile Hadžihalilović, va rebre un premi molt especial: l'Ós de Plata a la Contribució Artística, que reconeixia la bellesa... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-lucile-hadzihalilovic\u002F) ENTREVISTES[ Paula Ortiz — Directora i guionista Paula Ortiz s'acosta al personatge complex i ple de capes de Teresa de Jesús des de la poètica del seu llenguatge i amb la certesa que, encara avui, el... ](https:\u002F\u002Ffilmtopia.net\u002Fpaula-ortiz-la-modernitat-del-pensament-de-teresa-de-jesus\u002F) ENTREVISTES[ Su Friedrich — Cineasta La Filmoteca de Catalunya, en col·laboració amb el Festival Punto de Vista, va dedicar una retrospectiva el mes de març a la figura de la directora nord-americana Su Friedrich. El... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-su-friedrich\u002F) ENTREVISTES[ Agnieszka Holland — Directora \"Franz Kafka\", l'últim film de la veterana directora polonesa Agnieszka Holland, es va estrenar a la Secció Oficial del Festival de Sant Sebastià on vam tenir ocasió de parlar amb... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-agnieszka-holland\u002F) ENTREVISTES[ Lola Arias — Directora i guionista \"Les cançons són originals per a la pel·lícula i les lletres les vaig escriure basant-me en les històries que elles em van explicar\". ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-lola-arias\u002F) ENTREVISTES[ Delphine Girard — Directora i guionista \"És magnífic que les dones s'ajudin per sobreviure\". ](https:\u002F\u002Ffilmtopia.net\u002Fdelphine-girard\u002F) ENTREVISTES[ Anna Cornudella — Directora i guionista Aquesta artista multidisciplinar barcelonesa competeix amb la seva òpera prima, The Human Hibernation, en la secció Forum de la Berlinale, a més d'optar al premi que el festival atorga a... ](https:\u002F\u002Ffilmtopia.net\u002Fanna-cornudella-de-vaques-cargols-i-essers-humans\u002F) ENTREVISTES[ Barbie Ferreira — Actriu \"Em dic Barbie Ferreira. El meu nom de naixement és Bárbara Ferreira. Vaig néixer com Bárbara Ferreira, però d'adolescent vaig decidir canviar-me'l a Barbie, perquè vaig pensar que em quedava... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-barbie-ferreira\u002F) ENTREVISTES[ Constance Tsang — Directora \"Durant l'època del COVID, formava part d'un context en el qual les notícies informaven de crims d'odi contra asiàtics i de tots els tirotejos. Això se'm va quedar gravat i... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-constance-tsang\u002F) ENTREVISTES[ Lila Avilés — Directora i guionista \"Tótem és una pel·lícula molt complexa, és senzilla, però és fràgil\" ](https:\u002F\u002Ffilmtopia.net\u002Flila-aviles-una-mirada-al-microcosmos\u002F) ENTREVISTES[ Claudia Pinto i Carme Elias La directora veneçolana Claudia Pinto i l’actriu catalana Carme Elias, ens regalen un documental que és un acte d’amor, d’amistat, de confiança i de risc. ](https:\u002F\u002Ffilmtopia.net\u002Fclaudia-pinto-i-carme-elias-el-rastre-de-la-memoria-perduda\u002F) ENTREVISTES[ Thea Hvistendahl — Directora i guionista La directora noruega Thea Hvistendahl debuta al llargmetratge amb 'Descansa en paz', una pel·lícula protagonitzada per zombis que escapa dels clixés del cinema de terror. ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-thea-hvistendahl\u002F) ENTREVISTES[ Patricia Reyes Spíndola — Actriu Actriu, productora i directora mexicana (Oaxaca, 1953), la seva trajectòria al cinema comença el 1974 amb la pel·lícula El señor de Osanto de Jaime Humberto Hermosillo. Ha treballat en més... ](https:\u002F\u002Ffilmtopia.net\u002Fpatricia-cinema-mexica\u002F) ENTREVISTES[ Rebecca Zlotowski — Directora Rebecca Zlotowski és, malgrat el seu cognom, una directora francesa nascuda el 1980. Va debutar el 2010 amb \"Belle épine\", però la seva consagració internacional va arribar el 2022 amb... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-rebecca-zlotowski\u002F) ENTREVISTES[ Irene Iborra — Directora i guionista \"En stop-motion, com que treballes amb materials, estàs exposada als accidents. La imperfecció i els accidents són coses que m'agraden molt, perquè reflecteixen la vida, allò real, allò orgànic. \" ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-irene-iborra\u002F) ENTREVISTES[ Marianela Maldonado — Directora Hi ha moltes maneres de retratar la realitat d’una societat en crisi. La que ha escollit la directora veneçolana en el seu primer documental després d'una carrera com a guionista,... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-marianela-maldonado\u002F) ENTREVISTES[ Janet Novás — Actriu i ballarina La ballarina i coreògrafa Janet Novás (Porriño, Pontevedra, 1982) ha guanyat el Goya a la millor actriu revelació pel seu paper a O corno, dirigida per Jaione Camborda. Les altres... ](https:\u002F\u002Ffilmtopia.net\u002Fgoya-a-la-millor-actriu-revelacio-per-o-corno-dirigida-per-jaione-camborda\u002F) ENTREVISTES[ Lilja Ingolfsdottir — Directora \"Al principi de la pel·lícula, ella és molt masculina. Dura, forta, té una cuirassa, està enfadada perquè se sent paralitzada. En realitat és molt feble i es va fent més... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-lilja-ingolfsdottir\u002F) ENTREVISTES[ Anahit Simonian — Compositora i directora El públic habitual de la Filmoteca de Catalunya probablement coneixerà Anahit Simonian, ja que la compositora i intèrpret ha posat música a moltes de les sessions de cinema mut que... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-anahit-simonian\u002F) ENTREVISTES[ Blanca Camell — Directora i guionista \"Sempre m'ha interessat molt explorar el desig amorós perquè trobo que és un motor de vida, d‘intensitat i inclús de bellesa molt potent\". ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-blanca-camell\u002F) ENTREVISTES[ Naomi Kawase — Directora i guionista \"Fent cinema busco respostes de les coses que no entenc.\" ](https:\u002F\u002Ffilmtopia.net\u002Fnaomi-kawase\u002F) ENTREVISTES[ Rosa Vergés — Directora El Premi Gaudí d'Honor d'aquest any ha estat concedit a Rosa Vergés, una dona de cinema. Directora, guionista, divulgadora i docent. ](https:\u002F\u002Ffilmtopia.net\u002Fgaudi-dhonor\u002F) ENTREVISTES[ Eva Libertad i Miriam Garlo — Directora i guionista, i actriu \"Ha estat una sorpresa adonar-me que el públic oient té moltes ganes, té molta curiositat, té moltes preguntes. Tinc una imatge gravada que és meravellosa i no se'm pot oblidar,... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-libertad-garlo\u002F) ENTREVISTES[ Leticia Dolera — Creadora i guionista \"Volia enmarcar la sèrie dins l'àmbit de la cultura popular perquè em sembla una cosa molt local, però alhora molt universal. Totes les regions del món tenen la seva cultura... ](https:\u002F\u002Ffilmtopia.net\u002Fentrevista-leticia-dolera\u002F) ENTREVISTES[ Claudine Nougaret — Sonidista \"Es fa so per a una imatge, però cal que la imatge deixi espai al so\". ](https:\u002F\u002Ffilmtopia.net\u002Fclaudine-nougaret-el-so-com-a-creacio\u002F) ENTREVISTES[ Nataša Petrešin-Bachelez — Comissària de l'exposició Des de l'11 de juliol fins al 17 de novembre e …. A Brutalist \u002F Neo-Brutalist, Dark Mode, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features Black, White, Gray, Brown. The typography features Inter (Sans Serif), Diatype (Sans Serif, Dinamo), Diatype (Sans Serif, Dinamo). Built using jQuery, Kinsta, MailChimp, MailChimp for WooCommerce, PHP, Underscore.js, WooCommerce, WooCommerce Multilingual, WordPress, WPML, YouTube. AI description: Filmtopia is a dedicated digital platform and community hub focused on celebrating and visibility of cinema created by women. Through a lens of intersectional feminism, the site explores the past, present, and future of female filmmaking, offering critical perspectives that transcend gender, race, and social class. It serves as both an educational resource and a cultural archive, bridging the gap between historical achievements and contemporary cinematic movements. The visual identity is bold, unapologetic, and highly impactful, utilizing a high-contrast design language. Massive, heavy typography dominates the layout, acting as a structural element rather than just text. The use of vibrant, clashing color blocks—ranging from deep reds to bright oranges and purples—creates a sense of urgency and energy that mirrors the site's mission of social advocacy. This maximalist approach, combined with a dark mode aesthetic, positions Filmtopia as a modern, activist-driven media brand."]