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Warsaw","Exhibition presents artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth.","05.06–13.09.2020 T H E P E N U M B R A L A G E Art in the Time of Planetary Change Curators: Sebastian Cichocki, Jagna Lewandowska [ Museum on the Vistula ](https:\u002F\u002Fwww.google.com\u002Fmaps?q=google+maps+muzeum+nad+wis%C5%82%C4%85 \"Opens new browser tab\") Anna & Lawrence Halprin, „Driftwood Village—Community,” Sea Ranch, California Courtesy of Lawrence Halprin Collection, The Architectural Archives, University of Pennsylvania. 01 The Exhibition The Museum of Modern Art in Warsaw invites to the exhibition “The Penumbral Age. Art in the Time of Planetary Change”, where we present artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth. It provides a space for discussion on “managing the irreversible” and new forms of solidarity, empathy and togetherness in the face of the climate crisis. We live in a time of planetary change affecting each and every one of us. Climate change influences every sphere of life, including thinking about art: the systems of its production and distribution, its social function and its relation to other disciplines, especially science. Audio introduction to the exhibition. Voice: Meagan Down Аудіо впровадження до вистави „Вік півтіні. Мистецтво в часи планетарної зміни” українською мовою. Голос: Тарас Гембік \u002F Taras Hembik The map-helper was created to facilitate movement in the exhibition space. With it, you can easily read the meanings of artistic works. There is no description of everything on the map. Instead, there are some questions that help in the independent reception of works. Download the map-helper (PDF) Vija Celmins, „Untitled (Ocean with Cross #1)”, 2005, paper, silkscreen print. Courtesy of the artist and Zuzāns Collection. 02 New ways to see the world The title of the exhibition is drawn from the book The Collapse of Western Civilization: A View from the Future by Naomi Oreskes and Erik M. Conway (2014), where the protagonists from the future date the “period of the penumbra” from the “shadow of anti-intellectualism that fell over the once-Enlightened techno-scientific nations of the Western world during the second half of the twentieth century, preventing them from acting on the scientific knowledge available at the time” and leading to tragedy. We are witnesses to this process: scientific findings have ceased to be regarded as dispositive and do not persuade people to act. > “Science becomes belief. Belief becomes science. Everything becomes nothing. Nothing becomes everything. All can believe and disbelieve all. We all can know everything and know nothing. Everyone lives as an expert on every subject\" Ibram X. Kendi as the American writer and historian Ibram X. Kendi wrote in The Atlantic, analysing scepticism about climate change or outright rejection of the threat (climate denialism). Observations by artists are akin to those of scientists, but they typically do not confront viewers with an excess of numbers, soaring bar graphs, or “pornographic” images of poverty and devastation. Art has “strange tools” (Alva Noë, 2015) at its disposal, which we can use to discern “wonders in the heavens and signs on the earth.” When ordinary tools of dialogue and persuasion fail, artists enable an “imaginative leap” by working on the emotions, confronting the incomprehensible and the unknown. As the theoretician of visual culture Nicholas Mirzoeff puts it: > we must “unsee” how the past “has taught us to see the world, and begin to imagine a different way to be with what used to be called nature. Ines Doujak, Ghostpopulations Ines Doujak, Ghostpopulations 03 Global art for a changing planet The “Penumbral Age. Art in the Time of Planetary Change” spans five decades, and highlights the strengthening of environmental reflections in the art of the late 1960s and early 1970s as well as the second decade of the 21st century. The first period is linked with intensification of pacifist, feminist and anti-racist movements and the formation of the contemporary ecological movement. At the same time new artistic phenomena arose, such as conceptualism, anti-form, land art and earth art. While introducing “geological” thinking about art, artists used impermanent organic materials or sought to entirely dematerialize the work of art. 1 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Snail Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 2 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Egg Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 3 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: Hot Dog Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York For us, land art is much more than a stream of Western art emblematic of the late 1960s and early 1970s. Following the thought of the Pakistani artist and activist Rasheed Araeen, drawing from his “ecoaesthetics” agenda, we seek “global art for a changing planet.” Actions connected with the “canonization” of land art, such as Richard Long’s Throwing a Stone around MacGillycuddy’s Reeks, in which the artist followed a stone he tossed before him, the “terraforming” plans of Robert Morris, or Gerry Schum’s television programme (an example of the use of new media to expose audiences to “organic” art practised in deserts or forests), are accompanied in this exhibition by works from the 21st century, employing ecological education (Futurefarmers, Ines Doujak, the Center for Land Use Interpretation), protest (Suzanne Husky, Akira Tsuboi), and involving spirituality and esoterics (Shana Moulton and Nick Hallett, Teresa Murak, Czekalska and Golec). Ice Stupa in Ladakh photo: Sonam Wangchuk, 2015 04 Solidarity and Care in the Museum The field of interest of artists sensitive to environmental change extends to such issues as the Anthropocene, the Capitalocene, the Chthulucene, climate debt, climate denialism, ecocide, the end of nature, fossil capitalism, geoengineering, irreversibility, the New Pangea, post- anthropocentrism, the sixth mass extinction, and terraforming. All of this is the context for land art, which in this sense is not confined to any one medium, material, or geographical region. It may include initiatives that do not operate under the banner of art. One such example would be the ice stupas in Ladakh, India—artificial glaciers created by engineer Sonam Wangchuk, with a fascinating form and the clearly defined function of supplying water to inhabitants of the desert at the foot of the Himalayas. > “No museums on a dead planet!” Life in a state of deepening crisis forces us to fundamentally change our thinking about the entire system of social organization and to confront ethical and existential dilemmas (climate migrations and new class conflicts). The world of art, with its museums and rituals for organizing objects and ideas, is no exception (to paraphrase the slogan of the Youth Strike for Climate, “No museums on a dead planet!”) and requires deep systemic transformation. We treat engagement in this discussion as a duty of the museum, and not as just another fashion or stream in art. Countering the calls for “ecological restoration” or the popularity of “art of the Anthropocene,” we stress the permanence of environmental reflection, based on continuity and responsibility. 1 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 2 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 3 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 4 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 5 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 6 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative Art will certainly not protect us against catastrophe, but it can help us arm ourselves with “strange tools” for the work of imagination and empathy. In her memorable manifesto from 1969, Mierle Laderman Ukeles posed the question: > „After the revolution, who’s going to pick up the garbage on Monday morning?” In works of art from recent decades we not only seek a visualization of processes occurring on our planet, but also discern possible proposals for the future. If ecological catastrophe is already happening (as the residents of the inundated islands of Nauru and Banaba in the Pacific would certainly agree), together let's wonder, will we ever manage to clean up our planetary mess and rebuild our relations with other sentient beings? Will we manage to start over again? Jonathas de Andrade, „O Peixe”, 16mm film shot transferred to 2K video, 2016 Courtesy of the artist and the Continua Gallery, a photograph by Meghan Marchetti. 05 The Cinema _At the Penumbral Cinema_ we regularly publish new and historical works related to environmental and ecological reflection. In addition to fragments of films that will be presented during the exhibition at the Museum on the Vistula, we also reach for other film materials collected while working on \"The Penumbral Age\". INTERPRT Earth Law: Site Pacific Ocean, 2018 INTERPRT collects and analyzes evidence in order to prosecute crimes committed in the natural environment, mainly in the Pacific. By using charts, films, interactive maps, exhibitions and lectures, INTERPRT members lobby for ecocide to be a criminal offense under international law. At the same time, they reflect on the need for system changes, such as the responsibility of large fuel companies for climate change. 06 Guide Book We present the first issue of the newspaper \"The Penumbral Age\", which is a guide to _The Penumbral Age. Art in the Times of Planetary Change_ exhibition, still waiting for its opening. The publication contains a complete catalog of over seventy works of artists participating in the exhibition. The newspaper is designed by Jakub de Barbaro. Download the publication (PDF) Publication accompanying the „Repairing Earthquake project” by Nishiko. The catalogue includes stories of objects found by the artist after the tsunami that hit the shores of Japan in 2011. Download the publication (PDF) Martwa Natura (Nature Morte) The publication “Martwa Natura” (“Nature Morte”), which consists of interviews with Alice Creischer, Susanne Kriemann and Antje Majewski - the artists participating in the exhibition „THE PENUMBRAL AGE. Art in times of planetary change\", was created during the production of a play directed by Agnieszka Jakimiak in Teatr Powszechny im. Zygmunta Hübnera in Warsaw. During the pandemic times, many ideas and beliefs about art get destroyed. However, some of them may become stronger – like the conviction that art is used by us to create bonds and alliances, networks of understanding and support. 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The website's primary purpose is to contextualize and promote an exhibition exploring the intersection of artistic expression and planetary environmental shifts, providing visitors with essential information regarding curators, artists, and exhibition guides.\n\nThe visual identity is defined by a rigorous, high-end minimalism that mirrors the gravity of its subject matter. Utilizing a stark monochrome palette and expansive white space, the design relies heavily on elegant, high-contrast serif typography to establish an authoritative and intellectual tone. This editorial approach targets an academic and culturally engaged audience, offering a seamless, distraction-free browsing experience that prioritizes clarity and prestige.",[33,26,454],"Typographic \u002F Big Type",[456],"Huncwot",[290],[269,251],[460,462,464,465],{"score":461,"category":84},51,{"score":463,"category":87},77,{"score":211,"category":90},{"score":189,"category":92},[467,468,469,471],{"score":211,"category":84},{"score":463,"category":87},{"score":470,"category":90},31,{"score":189,"category":92},[102,114,110],"Website: The Penumbral Age. Page: Homepage. Page type: Home \u002F Landing Page. Page title: The Penumbral Age – Exhibition in the Museum of Moder Art in Warsaw. Page description: Exhibition presents artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth.. Page content: 05.06–13.09.2020 T H E P E N U M B R A L A G E Art in the Time of Planetary Change Curators: Sebastian Cichocki, Jagna Lewandowska [ Museum on the Vistula ](https:\u002F\u002Fwww.google.com\u002Fmaps?q=google+maps+muzeum+nad+wis%C5%82%C4%85 \"Opens new browser tab\") Anna & Lawrence Halprin, „Driftwood Village—Community,” Sea Ranch, California Courtesy of Lawrence Halprin Collection, The Architectural Archives, University of Pennsylvania. 01 The Exhibition The Museum of Modern Art in Warsaw invites to the exhibition “The Penumbral Age. Art in the Time of Planetary Change”, where we present artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth. It provides a space for discussion on “managing the irreversible” and new forms of solidarity, empathy and togetherness in the face of the climate crisis. We live in a time of planetary change affecting each and every one of us. Climate change influences every sphere of life, including thinking about art: the systems of its production and distribution, its social function and its relation to other disciplines, especially science. Audio introduction to the exhibition. Voice: Meagan Down Аудіо впровадження до вистави „Вік півтіні. Мистецтво в часи планетарної зміни” українською мовою. Голос: Тарас Гембік \u002F Taras Hembik The map-helper was created to facilitate movement in the exhibition space. With it, you can easily read the meanings of artistic works. There is no description of everything on the map. Instead, there are some questions that help in the independent reception of works. Download the map-helper (PDF) Vija Celmins, „Untitled (Ocean with Cross #1)”, 2005, paper, silkscreen print. Courtesy of the artist and Zuzāns Collection. 02 New ways to see the world The title of the exhibition is drawn from the book The Collapse of Western Civilization: A View from the Future by Naomi Oreskes and Erik M. Conway (2014), where the protagonists from the future date the “period of the penumbra” from the “shadow of anti-intellectualism that fell over the once-Enlightened techno-scientific nations of the Western world during the second half of the twentieth century, preventing them from acting on the scientific knowledge available at the time” and leading to tragedy. We are witnesses to this process: scientific findings have ceased to be regarded as dispositive and do not persuade people to act. > “Science becomes belief. Belief becomes science. Everything becomes nothing. Nothing becomes everything. All can believe and disbelieve all. We all can know everything and know nothing. Everyone lives as an expert on every subject\" Ibram X. Kendi as the American writer and historian Ibram X. Kendi wrote in The Atlantic, analysing scepticism about climate change or outright rejection of the threat (climate denialism). Observations by artists are akin to those of scientists, but they typically do not confront viewers with an excess of numbers, soaring bar graphs, or “pornographic” images of poverty and devastation. Art has “strange tools” (Alva Noë, 2015) at its disposal, which we can use to discern “wonders in the heavens and signs on the earth.” When ordinary tools of dialogue and persuasion fail, artists enable an “imaginative leap” by working on the emotions, confronting the incomprehensible and the unknown. As the theoretician of visual culture Nicholas Mirzoeff puts it: > we must “unsee” how the past “has taught us to see the world, and begin to imagine a different way to be with what used to be called nature. Ines Doujak, Ghostpopulations Ines Doujak, Ghostpopulations 03 Global art for a changing planet The “Penumbral Age. Art in the Time of Planetary Change” spans five decades, and highlights the strengthening of environmental reflections in the art of the late 1960s and early 1970s as well as the second decade of the 21st century. The first period is linked with intensification of pacifist, feminist and anti-racist movements and the formation of the contemporary ecological movement. At the same time new artistic phenomena arose, such as conceptualism, anti-form, land art and earth art. While introducing “geological” thinking about art, artists used impermanent organic materials or sought to entirely dematerialize the work of art. 1 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Snail Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 2 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Egg Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 3 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: Hot Dog Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York For us, land art is much more than a stream of Western art emblematic of the late 1960s and early 1970s. Following the thought of the Pakistani artist and activist Rasheed Araeen, drawing from his “ecoaesthetics” agenda, we seek “global art for a changing planet.” Actions connected with the “canonization” of land art, such as Richard Long’s Throwing a Stone around MacGillycuddy’s Reeks, in which the artist followed a stone he tossed before him, the “terraforming” plans of Robert Morris, or Gerry Schum’s television programme (an example of the use of new media to expose audiences to “organic” art practised in deserts or forests), are accompanied in this exhibition by works from the 21st century, employing ecological education (Futurefarmers, Ines Doujak, the Center for Land Use Interpretation), protest (Suzanne Husky, Akira Tsuboi), and involving spirituality and esoterics (Shana Moulton and Nick Hallett, Teresa Murak, Czekalska and Golec). Ice Stupa in Ladakh photo: Sonam Wangchuk, 2015 04 Solidarity and Care in the Museum The field of interest of artists sensitive to environmental change extends to such issues as the Anthropocene, the Capitalocene, the Chthulucene, climate debt, climate denialism, ecocide, the end of nature, fossil capitalism, geoengineering, irreversibility, the New Pangea, post- anthropocentrism, the sixth mass extinction, and terraforming. All of this is the context for land art, which in this sense is not confined to any one medium, material, or geographical region. It may include initiatives that do not operate under the banner of art. One such example would be the ice stupas in Ladakh, India—artificial glaciers created by engineer Sonam Wangchuk, with a fascinating form and the clearly defined function of supplying water to inhabitants of the desert at the foot of the Himalayas. > “No museums on a dead planet!” Life in a state of deepening crisis forces us to fundamentally change our thinking about the entire system of social organization and to confront ethical and existential dilemmas (climate migrations and new class conflicts). The world of art, with its museums and rituals for organizing objects and ideas, is no exception (to paraphrase the slogan of the Youth Strike for Climate, “No museums on a dead planet!”) and requires deep systemic transformation. We treat engagement in this discussion as a duty of the museum, and not as just another fashion or stream in art. Countering the calls for “ecological restoration” or the popularity of “art of the Anthropocene,” we stress the permanence of environmental reflection, based on continuity and responsibility. 1 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 2 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 3 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 4 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 5 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 6 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative Art will certainly not protect us against catastrophe, but it can help us arm ourselves with “strange tools” for the work of imagination and empathy. In her memorable manifesto from 1969, Mierle Laderman Ukeles posed the question: > „After the revolution, who’s going to pick up the garbage on Monday morning?” In works of art from recent decades we not only seek a visualization of processes occurring on our planet, but also discern possible proposals for the future. If ecological catastrophe is already happening (as the residents of the inundated islands of Nauru and Banaba in the Pacific would certainly agree), together let's wonder, will we ever manage to clean up our planetary mess and rebuild our relations with other sentient beings? Will we manage to start over again? Jonathas de Andrade, „O Peixe”, 16mm film shot transferred to 2K video, 2016 Courtesy of the artist and the Continua Gallery, a photograph by Meghan Marchetti. 05 The Cinema _At the Penumbral Cinema_ we regularly publish new and historical works related to environmental and ecological reflection. In addition to fragments of films that will be presented during the exhibition at the Museum on the Vistula, we also reach for other film materials collected while working on \"The Penumbral Age\". INTERPRT Earth Law: Site Pacific Ocean, 2018 INTERPRT collects and analyzes evidence in order to prosecute crimes committed in the natural environment, mainly in the Pacific. By using charts, films, interactive maps, exhibitions and lectures, INTERPRT members lobby for ecocide to be a criminal offense under international law. At the same time, they reflect on the need for system changes, such as the responsibility of large fuel companies for climate change. 06 Guide Book We present the first issue of the newspaper \"The Penumbral Age\", which is a guide to _The Penumbral Age. Art in the Times of Planetary Change_ exhibition, still waiting for its opening. The publication contains a complete catalog of over seventy works of artists participating in the exhibition. The newspaper is designed by Jakub de Barbaro. Download the publication (PDF) Publication accompanying the „Repairing Earthquake project” by Nishiko. The catalogue includes stories of objects found by the artist after the tsunami that hit the shores of Japan in 2011. Download the publication (PDF) Martwa Natura (Nature Morte) The publication “Martwa Natura” (“Nature Morte”), which consists of interviews with Alice Creischer, Susanne Kriemann and Antje Majewski - the artists participating in the exhibition „THE PENUMBRAL AGE. Art in times of planetary change\", was created during the production of a play directed by Agnieszka Jakimiak in Teatr Powszechny im. Zygmunta Hübnera in Warsaw. During the pandemic times, many ideas and beliefs about art get destroyed. However, some of them may become stronger – like the conviction that art is used by us to create bonds and alliances, networks of understanding and support. Joseph Beuys - an activist and a rebellious artist, a relentless spokesperson for the concern of the natural environment - is a starting point for a journey through these areas o …. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. The typography features Source Sans (Sans Serif). Built using Google Font API, PHP. AI description: The Penumbral Age serves as a sophisticated digital gateway for a specialized art exhibition hosted by the Museum of Modern Art in Warsaw. The website's primary purpose is to contextualize and promote an exhibition exploring the intersection of artistic expression and planetary environmental shifts, providing visitors with essential information regarding curators, artists, and exhibition guides. The visual identity is defined by a rigorous, high-end minimalism that mirrors the gravity of its subject matter. 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Meanwhile, His Company is Forcing Out Another Indigenous Tribe for Coal Billionaire Gautam Adani is accused of building a global energy empire through bribes, bypassing sanctions, violating tribal rights, and targeting journalists. [ ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Fthis-indian-billionaire-is-trying-to-get-trump-to-drop-bribery-charges-meanwhile-his-company-is-forcing-out-another-indigenous-tribe-for-coal\u002F) Ocean Health Policy Social Justice Contested Waters Collaborative cartographies against displacement along The Gambian shores. [ Collaborative cartographies against displacement along The Gambian shores. ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Fcontested-waters\u002F) Built Environment Culture Ecosystems Architecture, Ecology, and the Carbon Talk How might a “Spanish attitude” to architecture deepen our understanding of space and materials within landscapes fragmented by the energy transition? [ ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Farchitecture-ecology-and-the-carbon-talk\u002F) Adaptation Policy Social Justice Heavy Lies the Grain Punjab's agricultural landscape reveals the human and environmental toll of India's Green Revolution. [ ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Fheavy-lies-the-grain\u002F) Design Disaster Voices Architectural Futures in the New Fire Age Designing for resilience at the advent of a new Fire Age. [ ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Farchitectural-futures-in-the-new-fire-age\u002F) view all articles",{"id":488,"height":13,"width":12,"blurhash":489},"8b12a282-dddc-4979-82f6-9c17ae8cc793","radial-gradient(at 0 0,#b0bcc0,#00000000 50%),radial-gradient(at 33% 0,#afb9bb,#00000000 50%),radial-gradient(at 67% 0,#aeb8bd,#00000000 50%),radial-gradient(at 100% 0,#aab3ba,#00000000 50%),radial-gradient(at 0 50%,#939995,#00000000 50%),radial-gradient(at 33% 50%,#9aa1a0,#00000000 50%),radial-gradient(at 67% 50%,#9fa4a2,#00000000 50%),radial-gradient(at 100% 50%,#a2a59f,#00000000 50%),radial-gradient(at 0 100%,#423225,#00000000 50%),radial-gradient(at 33% 100%,#3b2a07,#00000000 50%),radial-gradient(at 67% 100%,#2e0100,#00000000 50%),radial-gradient(at 100% 100%,#371100,#00000000 50%)",{"id":491,"height":15,"width":14,"blurhash":357},"96eb034f-a4eb-414c-9fd3-02dc07b89e15",[493,496,499,502,505,508,511,514,517,520,523,526,529,532,535,538,541,544,547,550,553,556,559,562],{"directus_files_id":494},{"id":495},"b84975d9-39fe-468a-9468-99373cdffaa7",{"directus_files_id":497},{"id":498},"52eeeaf3-2535-4523-a0fa-2b1914bcb6d9",{"directus_files_id":500},{"id":501},"f96b03a3-f7ec-4653-8248-50e2378112a7",{"directus_files_id":503},{"id":504},"ed282330-6f1b-4570-8fa7-ba099bcefd6a",{"directus_files_id":506},{"id":507},"14515777-4a5c-4483-80d8-fe34bbd2962a",{"directus_files_id":509},{"id":510},"2867bd3e-16ce-463e-ac44-3e786dc17ef6",{"directus_files_id":512},{"id":513},"30597c43-9ca2-4a4a-be7e-35fabff6fce0",{"directus_files_id":515},{"id":516},"370be2d0-837d-4192-be37-ae0e820d2767",{"directus_files_id":518},{"id":519},"37c2b10c-a088-47d2-80f7-714d56f93f21",{"directus_files_id":521},{"id":522},"fdc5f7e0-6709-4993-a553-d7a33f1ab6d9",{"directus_files_id":524},{"id":525},"eca0f5f3-677f-4fef-9bd2-f3b7f6d457be",{"directus_files_id":527},{"id":528},"bb96181b-e35a-43b8-a804-683f8e082b29",{"directus_files_id":530},{"id":531},"f2213791-c5c2-4835-a3f8-b1057bc0cae9",{"directus_files_id":533},{"id":534},"dcaae5ae-f84f-4d4a-9ca5-e36751932ab3",{"directus_files_id":536},{"id":537},"ec9798ea-7665-4d52-9573-ee5f14801362",{"directus_files_id":539},{"id":540},"0abc75aa-548a-4e10-a39d-cafb0bcddce7",{"directus_files_id":542},{"id":543},"65fb65e9-753f-4245-9c9d-e8185b486232",{"directus_files_id":545},{"id":546},"c073b83b-36f2-450a-9448-c44eea298543",{"directus_files_id":548},{"id":549},"4103b6df-3c76-4df8-a7dd-af27fbdf97e7",{"directus_files_id":551},{"id":552},"1b32c27c-5207-4fde-b77d-7ff8a93612fa",{"directus_files_id":554},{"id":555},"29d7a5fe-0af7-4905-b1f7-68163c456d6d",{"directus_files_id":557},{"id":558},"d9658bcd-b755-4620-b55e-9e425e704570",{"directus_files_id":560},{"id":561},"e5035bb9-4c24-4f82-9f0f-06d0aa9edfbc",{"directus_files_id":563},{"id":564},"91c05074-95ae-4e5c-bd95-f143259e412f",[566],{"languages_code":451,"description":567},"Icarus Complex is a sophisticated digital and print publication dedicated to systemic storytelling surrounding the global climate crisis. Eschewing the sensationalism of mainstream media, the platform adopts a multidisciplinary lens—examining the intersections of economics, politics, law, and ecology to provide a nuanced understanding of our changing world. It serves as both a journalistic endeavor and a call to action, aiming to transform climate anxiety into informed, solution-based engagement.\n\nThe visual identity is characterized by a high-end editorial aesthetic that balances raw, evocative photography with refined typography. The design utilizes a spacious, minimalist layout that allows powerful imagery to command attention, creating a sense of urgency without sacrificing sophistication. Through a muted yet impactful color palette and a structured grid, the website establishes itself as a credible, intellectual authority for an audience of thinkers, activists, and global citizens seeking depth over headlines.","Entertainment & Media",[33,570,454],"High-End \u002F Luxury",[],[285,276],[250,574,265,251,254,575,576,252],"Lightbox","Stripe","WooCommerce",[102,114,110],"Website: Icarus Complex. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Homepage - Icarus Complex. Page content: Sound Ecologies Yuri Tuma on an active era of listening. read more [ Buy ISSUE 7 ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Fproduct\u002Fissue-7\u002F) - Most recent - Adaptation - Built Environment - Business - Climate × Sports - Culture - Design - Disaster - Economic Systems - Ecosystems - Energy - Films - Food Systems - Health - Legal Systems - Ocean Health - Policy - Regeneration - Social Justice - Technology - Visual Storytelling - Voices - Water - View all Food Systems Social Justice Voices Our Responsibility is to Know the Story Cristopher Rogel Blanquet discusses knowing the story, reflecting on it, and deciding how and whether to tell it. [ ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Four-responsibility-is-to-know-the-story\u002F) Ocean Health Visual Storytelling Temporary Views Belgium’s North Sea coast is a landscape shaped as much by human ambition as by natural forces. Stretching just 67 kilometres, it is a remarkably compressed territory serving a... [ ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Ftemporary-views\u002F) Food Systems Ocean Health Mauritania’s Fishing Sector – A Cornerstone of Sahelian Security Mauritania’s Atlantic coastline supports a fisheries sector central to livelihoods and national exports. [ ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Fmauritanias-fishing-sector-a-cornerstone-of-sahelian-security\u002F) Economic Systems Policy This Indian Billionaire is Trying to Get Trump to Drop Bribery Charges. Meanwhile, His Company is Forcing Out Another Indigenous Tribe for Coal Billionaire Gautam Adani is accused of building a global energy empire through bribes, bypassing sanctions, violating tribal rights, and targeting journalists. [ ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Fthis-indian-billionaire-is-trying-to-get-trump-to-drop-bribery-charges-meanwhile-his-company-is-forcing-out-another-indigenous-tribe-for-coal\u002F) Ocean Health Policy Social Justice Contested Waters Collaborative cartographies against displacement along The Gambian shores. [ Collaborative cartographies against displacement along The Gambian shores. ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Fcontested-waters\u002F) Built Environment Culture Ecosystems Architecture, Ecology, and the Carbon Talk How might a “Spanish attitude” to architecture deepen our understanding of space and materials within landscapes fragmented by the energy transition? [ ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Farchitecture-ecology-and-the-carbon-talk\u002F) Adaptation Policy Social Justice Heavy Lies the Grain Punjab's agricultural landscape reveals the human and environmental toll of India's Green Revolution. [ ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Fheavy-lies-the-grain\u002F) Design Disaster Voices Architectural Futures in the New Fire Age Designing for resilience at the advent of a new Fire Age. [ ](https:\u002F\u002Ficaruscomplexmagazine.com\u002Farchitectural-futures-in-the-new-fire-age\u002F) view all articles. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Black, Gray. The typography features Montserrat (Sans Serif), Inter (Sans Serif). Built using jQuery, Lightbox, MailChimp, PHP, React, Stripe, WooCommerce, WordPress. AI description: Icarus Complex is a sophisticated digital and print publication dedicated to systemic storytelling surrounding the global climate crisis. Eschewing the sensationalism of mainstream media, the platform adopts a multidisciplinary lens—examining the intersections of economics, politics, law, and ecology to provide a nuanced understanding of our changing world. It serves as both a journalistic endeavor and a call to action, aiming to transform climate anxiety into informed, solution-based engagement. The visual identity is characterized by a high-end editorial aesthetic that balances raw, evocative photography with refined typography. The design utilizes a spacious, minimalist layout that allows powerful imagery to command attention, creating a sense of urgency without sacrificing sophistication. 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The Garden is free and open daily from 6 am to 12 midnight.","Minneapolis Sculpture Garden From the iconic _Spoonbridge and Cherry_ to the inspiring _Okciyapi_, explore more than 60 sculptures from the Walker’s collection across 11 scenic acres in the heart of Minneapolis. About the Garden Know Before You Go Sculptures Garden Fund About the Garden Children play on a large circular swing in a park with city buildings, green grass, and trees in the background. A tall blue rooster sculpture is visible in the distance under a clear sky. The Minneapolis Sculpture Garden is the largest urban sculpture garden in the United States and one of the Midwest’s most visited sites. Anchored by the beloved _Spoonbridge and Cherry_, the 11-acre garden features more than 60 works by artists including Theaster Gates, Alexander Calder, and Angela Two Stars. Part outdoor gallery, part public park, it’s an ideal gateway to the Walker—and a perfect spot for a date, picnic, or quiet moment. The Minneapolis Sculpture Garden is a project of the Walker Art Center and the Minneapolis Park & Recreation Board. The Land You’re Standing On This parkland has seen many changes over time. A landscape shaped by glaciers more than 10,000 years ago, the area was once an expanse of marshland and home to Minnesota’s first people, the Dakota and the Ojibwe. In the late 1800s, the site held an armory and parade grounds. In the early 1900s, formal gardens and a series of sports fields were established by the Park Board. When the Minneapolis Sculpture Garden opened in 1988, it was one of the first major public\u002Fprivate urban sculpture parks of its kind in the United States. The Nature of the Art The Minneapolis Sculpture Garden is home to more than 60 outdoor sculptures. Generations of artists from 10 different countries around the world created these artworks. Many of the works are site-specific and made especially for this public park—from the iconic _Spoonbridge and Cherry_ centerpiece to structures that offer spaces for gathering, conversation, or dreaming. Rediscover the Garden’s art and natural beauty through Minnesota’s ever-changing seasons. It Takes a Village What happens when experts from many fields—architects, curators, designers, artists, landscape architects, gardeners, environmentalists, writers, scientists, and many others—come together with community members to reimagine a beloved public space? The result of this multifaceted partnership is a forward-thinking design for the Minneapolis Sculpture Garden, which was fully reconstructed in 2017. The site features ecologically sustainable water management, a flourishing habitat for plants and wildlife, and creative landscape elements that showcase the artworks in nature. Sustainability People are relaxing and sitting on a grassy hill in a park on a sunny day, with trees in the background and a large modern sculpture in the center of the scene. The sky is blue with a few wispy clouds. To reconstruct the Minneapolis Sculpture Garden’s north end, the site—formerly a marshland—needed to be considered carefully. Landscape architects worked in partnership with the Mississippi Watershed Management Organization to envision ways that this land might be used to better support the art, plants, and wildlife, while also more responsibly managing stormwater as a resource rather than a waste product. The Fresh Meadow Improving the park’s sustainability, a fresh meadow filled with native plants and engineered soils helps absorb runoff from stormwater, returning the landscape to a more natural state. This environment is interspersed with three “islands” that showcase contemporary sculptures from the Walker Art Center’s collection. A young child stands in tall, golden grass holding a green toy airplane, looking up. Trees and soft sunlight fill the background, creating a peaceful outdoor scene. Saving Water At the center of the park is an underground cistern, or water collection tank, near the Spoonbridge and Cherry. This feature helps to water the garden and nearby ball fields and also keeps more than 4 million gallons of runoff out of the storm sewers each year, thus reducing pollution in the Mississippi River basin. A large spoon sculpture with a cherry on top sprays water into the air in a sunny park, with people gathered and trees in the background. Flora and Fauna Throughout the Minneapolis Sculpture Garden, more than 300 native trees, shrubs, perennial plants, and grasses not only create a natural frame for the art but also offer a thriving habitat for birds, butterflies, and other creatures. This dynamic ecosystem supports the long-term stability of the site, one of the crown jewels of the city’s park system. Lavender plants in full bloom fill the foreground, with green hedges and a lawn behind them. Tall city buildings and a blue sky with scattered clouds are visible in the distant background. Know Before You Go The Minneapolis Sculpture Garden is free and open daily from 6 am to 12 midnight every day, all year. Do I need tickets? No, the Minneapolis Sculpture Garden does not require tickets and is always free to the public. How much does it cost? The Minneapolis Sculpture Garden is always and forever free, made possible by the generosity of our supporters. How will I find my way around? Our free digital guide on Bloomberg Connects offers an easy-to-follow guide and history of the grounds. Our self-guided tour is designed for all ages. We also offer free tours and private tours tailored to your interests and schedule. The friendly people at the Walker’s Main Lobby desk can help you with all of this. Is there free WiFi in the garden? There sure is. Look for “Walker&Garden” on your device. What if I get hungry? Cardamom is a casual restaurant by Chef Daniel del Prado, located just south of the Garden at the Walker Art Center. How can I support the Garden? We welcome 100% tax-deductible donations to help keep the garden growing. Donate to the Garden Fund. Sculptures Close Artwork Artist(s) Date Medium Description More information View Artwork Items on this map - ### Hand for Minneapolis 2024 More info - ### Magic 2008 More info - ### Okciyapi 2021 More info - ### Adam and Eve 2021 More info - ### Privileged Points 2011\u002F2017 More info - ### Eliza Winston from the series Shadows at the Crossroads 2019 More info - ### Time from the series Shadows at the Crossroads 2019 More info - ### Harriet Robinson Scott from the series Shadows at the Crossroads 2019 More info - ### Kirk Washington, Jr. from the series Shadows at the Crossroads 2019 More info - ### Maḣpiya Wic̣aṡṭa (Cloud Man) from the series Shadows at the Crossroads 2019 More info - ### Siah Armajani from the series Shadows at the Crossroads 2019 More info - ### Untitled (Child) from the series Shadows at the Crossroads 2019 More info - ### Hahn\u002FCock 2013\u002F2017 More info - ### Spoonbridge and Cherry 1985–1988 More info - ### Black Vessel for a Saint 2017 More info - ### September Room (Room with Two Reclining Figures and Composition with Long Verticals) 2017 More info - ### Untitled (gate) 2014 More info - ### Gog & Magog (Ampersand) 1987-1988 More info - ### Garden Seating, Reading, Thinking 1987\u002F2017 More info - ### Seat-Leg Table 1986\u002F1991 More info - ### Octopus 1964 More info - ### Tombstone for Phùng Vo from All your deeds shall in water be writ, but this in marble 2010 More info - ### X 2013 More info - ### Arcs from four corners, with alternating bands of white and brown stone. The floor is bordered and divided horizontally and vertically by a black stone band 1988\u002F2016 More info - ### Three x Four x Three 1984 More info - ### Salute to Painting 1985–1986 More info - ### Geometric Mouse - Scale A 1969\u002F1971 More info - ![](https:\u002F\u002Fwalker2025-asse …",{"id":593,"height":13,"width":12,"blurhash":594},"f569ffbb-0100-456e-872b-0df4027a7b44","radial-gradient(at 0 0,#fafbfc,#00000000 50%),radial-gradient(at 33% 0,#f8f9fa,#00000000 50%),radial-gradient(at 67% 0,#f3f6f6,#00000000 50%),radial-gradient(at 100% 0,#f6f7f8,#00000000 50%),radial-gradient(at 0 50%,#f1f1ed,#00000000 50%),radial-gradient(at 33% 50%,#eef0ec,#00000000 50%),radial-gradient(at 67% 50%,#edf0ec,#00000000 50%),radial-gradient(at 100% 50%,#f3f4f1,#00000000 50%),radial-gradient(at 0 100%,#e2e3e4,#00000000 50%),radial-gradient(at 33% 100%,#e7e9ec,#00000000 50%),radial-gradient(at 67% 100%,#e5e8ed,#00000000 50%),radial-gradient(at 100% 100%,#e2e4e7,#00000000 50%)",{"id":596,"height":15,"width":14,"blurhash":357},"52c447b1-5fb9-4938-989f-5ed7b76a317c",[598,601,604,607,610,613,616,619,622,625,628,631,634,637,640,643,646,649,652,655,658,661,664,667,670,673,676,679,682,685],{"directus_files_id":599},{"id":600},"9a263064-c4f7-4b32-86c3-6366826d4d73",{"directus_files_id":602},{"id":603},"68b958c0-64ce-43de-831a-a2f0a1b3655b",{"directus_files_id":605},{"id":606},"ef6e5ef3-7a3a-4f6c-8347-cb0df8f62371",{"directus_files_id":608},{"id":609},"0e8f75db-bd08-4f91-8929-f124b63496c4",{"directus_files_id":611},{"id":612},"d6c525b7-f3aa-452e-bea2-2b30f00d0aae",{"directus_files_id":614},{"id":615},"beb8e976-82c0-4114-baa7-f07a85dc1e6e",{"directus_files_id":617},{"id":618},"e86ba85a-4111-48d6-ab25-3ed3db86d490",{"directus_files_id":620},{"id":621},"bd79534f-30f6-4e1e-a0c0-409b51fea7c8",{"directus_files_id":623},{"id":624},"c752917b-d542-45ac-8b18-838f93473e54",{"directus_files_id":626},{"id":627},"fbc8bb12-bac0-4140-8b5c-f7c5561dcf3f",{"directus_files_id":629},{"id":630},"96d208a3-8fc6-40c2-953c-228ba8ea322c",{"directus_files_id":632},{"id":633},"191dc6e1-ec84-4d66-a87e-e5eecf7dbb9b",{"directus_files_id":635},{"id":636},"66aa19c2-9e86-4f7f-af94-8482f5d977c4",{"directus_files_id":638},{"id":639},"24db8a68-473c-4f1b-ba6c-9c5e8bc236ea",{"directus_files_id":641},{"id":642},"05b89c31-f37a-46cc-ac84-88602bc93055",{"directus_files_id":644},{"id":645},"eebad610-9317-4c83-be60-7cd8899e6f71",{"directus_files_id":647},{"id":648},"11f4a509-29d6-42b5-9c6d-3b464181306c",{"directus_files_id":650},{"id":651},"02672e2b-f9f5-4262-bd6b-3a82c284d243",{"directus_files_id":653},{"id":654},"2a5bd3a0-9729-4649-a058-734d308c70f2",{"directus_files_id":656},{"id":657},"19cd1824-adbf-4e6f-8506-b0d212b65bc2",{"directus_files_id":659},{"id":660},"5b7feb99-9dc7-491a-83d5-a7e622d7b352",{"directus_files_id":662},{"id":663},"9f796a79-e323-4d0c-bc41-74552d2b5b3d",{"directus_files_id":665},{"id":666},"0cdb91f4-219c-49ee-90af-bd2e02f2527a",{"directus_files_id":668},{"id":669},"260a76f0-2d98-463f-90b2-758f0cfce6ee",{"directus_files_id":671},{"id":672},"f83e6aea-fac1-4196-bd24-650a4905c967",{"directus_files_id":674},{"id":675},"c73c9aab-7ddc-4b96-b5ad-6fa3ec53d4f7",{"directus_files_id":677},{"id":678},"1fb1f126-5eb4-490e-9259-07a609e3e3e0",{"directus_files_id":680},{"id":681},"c3d743aa-0453-42cf-8c21-5dc79db7133e",{"directus_files_id":683},{"id":684},"5579d211-a57b-48be-ab91-a2b942a9cd58",{"directus_files_id":686},{"id":687},"0a6d9eb1-db17-4f8a-891f-b2539a0316ba",[689],{"languages_code":451,"description":690},"The Walker Art Garden website serves as a digital gateway to the Minneapolis Sculpture Garden, an expansive outdoor museum featuring over 60 iconic works. The site is designed to facilitate visitor planning, offering essential information on logistics, sculpture locations, and ways to support the garden's mission. It acts as both an educational resource and a practical tool for locals and tourists seeking cultural engagement in an urban green space.\n\nVisually, the website embraces a sophisticated, minimalist aesthetic that mirrors the curated nature of the garden itself. Utilizing bold, high-contrast typography and a clean grid-based layout, the design allows the vibrant photography of the sculptures and landscapes to take center stage. The interface is highly functional and airy, employing ample white space and clear navigational cues to create a seamless, user-friendly experience that feels both modern and institutional.",[33,454],[],[298,298,278],[262,695,274,250,251,252],"ClickCease",[697,698,700,701],{"score":209,"category":84},{"score":699,"category":87},94,{"score":483,"category":90},{"score":189,"category":92},[703,704,705,706],{"score":150,"category":84},{"score":190,"category":87},{"score":483,"category":90},{"score":189,"category":92},[102,114,110],"Website: Walker Art Garden. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Walker Art Center | Minneapolis Sculpture Garden. Page description: Explore more than 60 sculptures from the Walker's collection across 11 scenic acres in the heart of Minneapolis. The Garden is free and open daily from 6 am to 12 midnight.. Page content: Minneapolis Sculpture Garden From the iconic _Spoonbridge and Cherry_ to the inspiring _Okciyapi_, explore more than 60 sculptures from the Walker’s collection across 11 scenic acres in the heart of Minneapolis. About the Garden Know Before You Go Sculptures Garden Fund About the Garden Children play on a large circular swing in a park with city buildings, green grass, and trees in the background. A tall blue rooster sculpture is visible in the distance under a clear sky. The Minneapolis Sculpture Garden is the largest urban sculpture garden in the United States and one of the Midwest’s most visited sites. Anchored by the beloved _Spoonbridge and Cherry_, the 11-acre garden features more than 60 works by artists including Theaster Gates, Alexander Calder, and Angela Two Stars. Part outdoor gallery, part public park, it’s an ideal gateway to the Walker—and a perfect spot for a date, picnic, or quiet moment. The Minneapolis Sculpture Garden is a project of the Walker Art Center and the Minneapolis Park & Recreation Board. The Land You’re Standing On This parkland has seen many changes over time. A landscape shaped by glaciers more than 10,000 years ago, the area was once an expanse of marshland and home to Minnesota’s first people, the Dakota and the Ojibwe. In the late 1800s, the site held an armory and parade grounds. In the early 1900s, formal gardens and a series of sports fields were established by the Park Board. When the Minneapolis Sculpture Garden opened in 1988, it was one of the first major public\u002Fprivate urban sculpture parks of its kind in the United States. The Nature of the Art The Minneapolis Sculpture Garden is home to more than 60 outdoor sculptures. Generations of artists from 10 different countries around the world created these artworks. Many of the works are site-specific and made especially for this public park—from the iconic _Spoonbridge and Cherry_ centerpiece to structures that offer spaces for gathering, conversation, or dreaming. Rediscover the Garden’s art and natural beauty through Minnesota’s ever-changing seasons. It Takes a Village What happens when experts from many fields—architects, curators, designers, artists, landscape architects, gardeners, environmentalists, writers, scientists, and many others—come together with community members to reimagine a beloved public space? The result of this multifaceted partnership is a forward-thinking design for the Minneapolis Sculpture Garden, which was fully reconstructed in 2017. The site features ecologically sustainable water management, a flourishing habitat for plants and wildlife, and creative landscape elements that showcase the artworks in nature. Sustainability People are relaxing and sitting on a grassy hill in a park on a sunny day, with trees in the background and a large modern sculpture in the center of the scene. The sky is blue with a few wispy clouds. To reconstruct the Minneapolis Sculpture Garden’s north end, the site—formerly a marshland—needed to be considered carefully. Landscape architects worked in partnership with the Mississippi Watershed Management Organization to envision ways that this land might be used to better support the art, plants, and wildlife, while also more responsibly managing stormwater as a resource rather than a waste product. The Fresh Meadow Improving the park’s sustainability, a fresh meadow filled with native plants and engineered soils helps absorb runoff from stormwater, returning the landscape to a more natural state. This environment is interspersed with three “islands” that showcase contemporary sculptures from the Walker Art Center’s collection. A young child stands in tall, golden grass holding a green toy airplane, looking up. Trees and soft sunlight fill the background, creating a peaceful outdoor scene. Saving Water At the center of the park is an underground cistern, or water collection tank, near the Spoonbridge and Cherry. This feature helps to water the garden and nearby ball fields and also keeps more than 4 million gallons of runoff out of the storm sewers each year, thus reducing pollution in the Mississippi River basin. A large spoon sculpture with a cherry on top sprays water into the air in a sunny park, with people gathered and trees in the background. Flora and Fauna Throughout the Minneapolis Sculpture Garden, more than 300 native trees, shrubs, perennial plants, and grasses not only create a natural frame for the art but also offer a thriving habitat for birds, butterflies, and other creatures. This dynamic ecosystem supports the long-term stability of the site, one of the crown jewels of the city’s park system. Lavender plants in full bloom fill the foreground, with green hedges and a lawn behind them. Tall city buildings and a blue sky with scattered clouds are visible in the distant background. Know Before You Go The Minneapolis Sculpture Garden is free and open daily from 6 am to 12 midnight every day, all year. Do I need tickets? No, the Minneapolis Sculpture Garden does not require tickets and is always free to the public. How much does it cost? The Minneapolis Sculpture Garden is always and forever free, made possible by the generosity of our supporters. How will I find my way around? Our free digital guide on Bloomberg Connects offers an easy-to-follow guide and history of the grounds. Our self-guided tour is designed for all ages. We also offer free tours and private tours tailored to your interests and schedule. The friendly people at the Walker’s Main Lobby desk can help you with all of this. Is there free WiFi in the garden? There sure is. Look for “Walker&Garden” on your device. What if I get hungry? Cardamom is a casual restaurant by Chef Daniel del Prado, located just south of the Garden at the Walker Art Center. How can I support the Garden? We welcome 100% tax-deductible donations to help keep the garden growing. Donate to the Garden Fund. Sculptures Close Artwork Artist(s) Date Medium Description More information View Artwork Items on this map - ### Hand for Minneapolis 2024 More info - ### Magic 2008 More info - ### Okciyapi 2021 More info - ### Adam and Eve 2021 More info - ### Privileged Points 2011\u002F2017 More info - ### Eliza Winston from the series Shadows at the Crossroads 2019 More info - ### Time from the series Shadows at the Crossroads 2019 More info - ### Harriet Robinson Scott from the series Shadows at the Crossroads 2019 More info - ### Kirk Washington, Jr. from the series Shadows at the Crossroads 2019 More info - ### Maḣpiya Wic̣aṡṭa (Cloud Man) from the series Shadows at the Crossroads 2019 More info - ### Siah Armajani from the series Shadows at the Crossroads 2019 More info - ### Untitled (Child) from the series Shadows at the Crossroads 2019 More info - ### Hahn\u002FCock 2013\u002F2017 More info - ### Spoonbridge and Cherry 1985–1988 More info - ### Black Vessel for a Saint 2017 More info - ### September Room (Room with Two Reclining Figures and Composition with Long Verticals) 2017 More info - ### Untitled (gate) 2014 More info - ### Gog & Magog (Ampersand) 1987-1988 More info - ### Garden Seating, Reading, Thinking 1987\u002F2017 More info - ### Seat-Leg Table 1986\u002F1991 More info - ### Octopus 1964 More info - ### Tombstone for Phùng Vo from All your deeds shall in water be writ, but this in marble 2010 More info - ### X 2013 More info - ### Arcs from four corners, with alternating bands of white and brown stone. The floor is bordered and divided horizontally and vertically by a black stone band 1988\u002F2016 More info - ### Three x Four x Three 1984 More info - ### Salute to Painting 1985–1986 More info - ### Geometric Mouse - Scale A 1969\u002F1971 More info - ![](https:\u002F\u002Fwalker2025-asse …. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. The typography features Google Sans, Google Sans, Roboto (Sans Serif). Built using Amazon Web Services, ClickCease, Google Maps, jQuery, PHP, WordPress. AI description: The Walker Art Garden website serves as a digital gateway to the Minneapolis Sculpture Garden, an expansive outdoor museum featuring over 60 iconic works. The site is designed to facilitate visitor planning, offering essential information on logistics, sculpture locations, and ways to support the garden's mission. It acts as both an educational resource and a practical tool for locals and tourists seeking cultural engagement in an urban green space. Visually, the website embraces a sophisticated, minimalist aesthetic that mirrors the curated nature of the garden itself. Utilizing bold, high-contrast typography and a clean grid-based layout, the design allows the vibrant photography of the sculptures and landscapes to take center stage. 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See Who's on The List [DESIGN Warkentin Associates and Bench Architecture Transform a Former Pencil Factory into a Creator Hub ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fwarkentin-associates-bench-architecture-the-lighthouse\u002F) [FASHIOH A Demi-Couture Debut, the Eternity Yacht, and a “Diva Dance” Finale: Kim Shui’s Fall\u002FWinter 2026 Runway ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fkim-shui-fall-winter-2026\u002F) [DESIGN Ulysses de Santi and Ashlee Harrison’s ‘Crossings’ Convenes 53 West 53’s Diagrid With Art and Collectible Design ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fulysses-de-santi-ashlee-harrison-crossings-53-west-53\u002F) [PHOTOGRAPHY François Halard's ‘Details of Exception’ Photography for The Glenrothes ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ffrancois-halard-the-glenrothes-details-of-exception\u002F) [ART New York's Neue Galerie Opens “Egon Schiele: Portrait of Dr. Erwin von Graff” ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fneue-galerie-egon-schiele-portrait-of-dr-erwin-von-graff-exhibition\u002F) [ART Carsten Höller Encourages Communal Dreaming at the MIT Museum ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcarsten-holler-communal-dreams-mit-museum\u002F) [DESIGN Behind the Design of Bad Bunny’s Super Bowl LX Halftime Show ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbehind-the-design-of-bad-bunny-super-bowl-lx-halftime-show\u002F) [ART PS21’s ‘The Dark’ Winter Festival Connects Columbia County Through Performance ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fps21-the-dark-winter-festival-2026\u002F) [DESIGN ATRA Form Gallery’s Mythic Zona Maco Design Curation ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fatra-form-zona-maco-design-curation-georgina-pounds\u002F) [DESIGN Pierre Yovanovitch Reintroduces Ecart ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fpierre-yovanovitch-reintroduces-ecart\u002F) [Designer of the Day Designer of the Day: Chen Chen & Kai Williams ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigner-of-the-day-chen-chen-kai-williams\u002F) [DESIGN DISPATCH Heritage of London Trust Will Open David Bowie's Childhood Home to the Public, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fheritage-london-trust-david-bowie-home-restoration\u002F) [FILM To Save and Project: The MoMA International Festival of Film Preservation Returns ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002F22nd-moma-international-festival-of-film-preservation\u002F) [ARCHITECTURE Transit Studio Transforms a South London Bottling Plant into a Cocktail Bar](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ftransit-studio-thames-distillers-fords-gin\u002F) [ARCHITECTURE Suchi Reddy’s Spiral Pavilion for Mumbai’s Architecture and Design Film Festival ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fsuchi-reddys-sift-pavilion-mumbai-architecture-and-design-film-festival\u002F) [DESIGN In Scotland, Bard’s Latest Exhibition Finds Inspiration in the Hardware Store ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbard-edinburgh-bardware-exhibition\u002F) [DESIGN DISPATCH The Obama Presidential Center Begins Its Newest Installation, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fobama-presidential-center-you-are-america-installation\u002F) [ART Illustrator Cesar Canseco’s FIFA World Cup 2026 Art Commission ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcesar-canseco-fifa-world-cup-2026-art-commission\u002F) Top Stories 1. [1 ##### A Charity Raffle's €100 Pablo Picasso Painting, and Other News. Plus, the Bennett Prize award increases and a long-lost film by Georges Méliès was rediscovered. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fone-hundred-euro-picasso-painting\u002F) read more 2. [2 ##### Strong Sales at the 2026 Edition of EXPO Chicago, and Other News. Plus, a festival of young European photography and Soho House opens in Tokyo ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fstrong-sales-expo-chicago-2026\u002F) read more 3. [3 ##### Art Dubai Will Host a Scaled-Back \"Special Edition,\" and Other News. Plus, LACMA comes to life and Barneys may return to Madison Avenue. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fart-dubai-may-2026\u002F) read more 4. [4 ##### Artsy and Artnet are Now Under the Same Ownership, and Other News. Plus, Basquiat works are heading to Bed-Stuy and Bjarke Ingels Group revealed plans for Tennessee Performing Arts Center. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fartsy-and-artnet-consolidation\u002F) read more 5. [5 ##### Thomas Lélu Lends His Wit (Again!) to W Hotels New hats, totes, and notecards bear the Paris-based artist’s playful text ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fthomas-lelu-w-hotels\u002F) read more 6. [6 ##### Inside Public Art Fund’s Annual Silent Auction, Dinner, and After Party Featuring art activations by Genesis Belager (who provided creative direction for the whole immersive event), Juan Veloz, and Kambui Olujimi; a silent auction that included works by lauded contemporary artists like Hank Willis Thomas; a multi-course seated dinner by Canard; and an after party led by DJs Matthew Mazur and Dances, Public Art Fund’s largest annual gathering was both substantive and spectacular. The organization—which programs ambitious free art installations across all five New York City boroughs—will utilize proceeds from the event for its 2026 season, which includes exhibitions from Woody De Othello, Gabriel Orozco, Camille Henrot, as well as the “Between Tides” group exhibition artists at Rockaway Beach. A sweet touch to the after party: custom cookies by Emily Sigall of Emily’s Cookie Art. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finside-public-art-fund-2026-dinner\u002F) read more 7. [7 ##### For Mirazur’s 20th Anniversary, Chef Mauro Colagreco Welcomed Ferran Adrià into His Kitchen Their boldly imaginative M20 menu is running through May 17 ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fmirazur-20th-anniversary-menu-mauro-colagreco-ferran-adria\u002F) read more 8. [8 ##### IWC Schaffhausen Introduced a Spaceflight Wristwatch in Partnership with Vast The Pilot’s Venturer Vertical Drive underwent rigorous testing by the watch brand's aerospace partner, which is currently developing the world’s first commercial space station. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fiwc-schaffhausen-pilots-venturer-vertical-drive\u002F) [read m …",{"id":722,"height":13,"width":12,"blurhash":723},"6c22c072-0dad-41e7-8df5-9e5a352e9eb1","radial-gradient(at 0 0,#d2d2d1,#00000000 50%),radial-gradient(at 33% 0,#d2d2d0,#00000000 50%),radial-gradient(at 67% 0,#b6b5b4,#00000000 50%),radial-gradient(at 100% 0,#cecece,#00000000 50%),radial-gradient(at 0 50%,#bbc0c6,#00000000 50%),radial-gradient(at 33% 50%,#b2b3b8,#00000000 50%),radial-gradient(at 67% 50%,#b3afb1,#00000000 50%),radial-gradient(at 100% 50%,#d6d7d7,#00000000 50%),radial-gradient(at 0 100%,#bcbab6,#00000000 50%),radial-gradient(at 33% 100%,#bbb0ae,#00000000 50%),radial-gradient(at 67% 100%,#bda8a9,#00000000 50%),radial-gradient(at 100% 100%,#d7cece,#00000000 50%)",{"id":725,"height":15,"width":14,"blurhash":357},"c76e4368-fe25-45c4-858b-20e7a6578d22",[727,730,733,736,739,742,745,748,751,754,757,760,763,766,769,772,775,778,781,784,787,790,793,796],{"directus_files_id":728},{"id":729},"64672290-9206-42c4-87a1-3118cfebf869",{"directus_files_id":731},{"id":732},"f677fa2a-9e8b-4295-bbff-efcd2eba866d",{"directus_files_id":734},{"id":735},"f93b125e-4819-441d-b84f-4ee57a62ddc3",{"directus_files_id":737},{"id":738},"44f6b032-f246-496f-993f-f45c0bf33e8b",{"directus_files_id":740},{"id":741},"772997c3-061f-4a46-b30a-3607a17229ba",{"directus_files_id":743},{"id":744},"ff947f09-2c02-465a-a3b9-400cb5e36cbd",{"directus_files_id":746},{"id":747},"57029743-4e10-43bc-81cc-84f1f1b07389",{"directus_files_id":749},{"id":750},"f55bd195-609d-4e13-8c91-ae8888e30db8",{"directus_files_id":752},{"id":753},"47e23e94-bd28-45c4-ad2d-2369bbea258d",{"directus_files_id":755},{"id":756},"adba7945-3373-4b83-a155-16bd3d9cb744",{"directus_files_id":758},{"id":759},"fe737964-9f37-49fa-8c66-9e9b68047729",{"directus_files_id":761},{"id":762},"98fb886f-6ac2-44cf-a07e-759b09dae289",{"directus_files_id":764},{"id":765},"7a197520-5fb7-468b-bcfe-4e2e89463bf2",{"directus_files_id":767},{"id":768},"746c048b-2215-4509-b1d9-3fefd95b6e46",{"directus_files_id":770},{"id":771},"5981f93d-90b2-43f6-8015-54a688fb7404",{"directus_files_id":773},{"id":774},"49b99888-5760-443e-a4df-86954408bf92",{"directus_files_id":776},{"id":777},"9ee839ed-2426-441d-a528-71deca6b23b6",{"directus_files_id":779},{"id":780},"ed2746ab-3387-4561-9b3f-d0e81d705ab5",{"directus_files_id":782},{"id":783},"502bbfdd-603e-41d7-a0a5-af9c1c7bf277",{"directus_files_id":785},{"id":786},"972c42dd-50d2-49e7-a19a-31443340d37c",{"directus_files_id":788},{"id":789},"eb877353-c18e-4bc9-bfc9-615625022081",{"directus_files_id":791},{"id":792},"25ed0ef1-f4cd-44b2-9ebf-2e539b0da2f0",{"directus_files_id":794},{"id":795},"14a92e7d-b129-498d-9806-26858350826f",{"directus_files_id":797},{"id":798},"ed3edfe2-3bc0-4074-8e8b-411e68a81e9b",[800],{"languages_code":451,"description":801},"Surface is a premier digital publication dedicated to the intersection of design, architecture, art, fashion, and travel. 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By utilizing a spacious, grid-based layout and a restrained color palette, the design allows the vibrant photography and compelling storytelling to take center stage, evoking the prestige of a high-end print magazine in a digital-native format.",[33,570,454],[804],"King & Partners",[806,806,807,807],"Stempel Garamond","Neue Haas Unica",[53,250,251,809,252],"Pure CSS",[811,813,814,815],{"score":812,"category":84},38,{"score":192,"category":87},{"score":88,"category":90},{"score":189,"category":92},[817,819,820,821],{"score":818,"category":84},29,{"score":85,"category":87},{"score":88,"category":90},{"score":189,"category":92},[102,110,114,106],"Website: Surface. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Design, Architecture, Art, Fashion and Travel – SURFACE. Page description: The digital home of Surface Magazine, covering the worlds of design, architecture, art, fashion, and travel with a focus on contemporary culture.. Page content: 1 \u002F 4 [Photography ScanLAB Projects Depicts the Sonoran's Cinematic Movement in \"FRAMERATE: Desert Pulse\" In Phoenix, Arizona’s Desert Botanical Garden, the London–based creative studio artfully ruminates upon the relationship between a unique natural environment and the passing of time ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fscanlab-projects-framerate-desert-pulse\u002F) 2 \u002F 4 [Culture Club AvroKO’s Lunar New Year Party with Chef Sam Yoo and Leiti Hsu Lauded interior design firm AvroKO welcomed a sophisticated suite of guests to its high-concept hospitality and design gallery, HOST on Howard, for a Lunar New Year party. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Favroko-lunar-new-year-party-2026-chef-sam-yoo-leiti-hsu\u002F) 3 \u002F 4 [art The Real, Imagined, and Experienced Landscapes of Cooper Cox's \"The View From Upstairs\" At Ochi Gallery, running concurrently with Frieze Los Angeles, a staggering artistic achievement from the Brooklyn-based painter. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcooper-cox-the-view-from-upstairs-ochi\u002F) 4 \u002F 4 [Travel The Travel Infrastructure of Lando Norris The F1 champion measures his year in departures; airports, hotel rooms, paddocks, and transfer vans form the invisible architecture of his life. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finterview-lando-norris-tumi\u002F) [CUISINE Michelin-Starred Grégory Marchand Turned an Entire Parisian Street into a Culinary Destination ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finterview-chef-gregory-marchand-rue-du-nil\u002F) [DESIGN IWC Schaffhausen Introduced a Spaceflight Wristwatch in Partnership with Vast ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fiwc-schaffhausen-pilots-venturer-vertical-drive\u002F) [PERFORMANCE ART The Met Cloisters’ Site-Specific Sonic Installation by Gerard & Kelly ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fthe-met-cloisters-saints-at-a-disco\u002F) [ARCHITECTURE Limbo Museum and Art Omi Partner on a Two-Part, Site-Specific Architecture Commission ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Flimbo-accra-art-omi-architecture-commission\u002F) [DESIGN Designing the Textured, Sophisticated Atmosphere of Moss Members' Club ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigning-moss-members-club\u002F) [DESIGNER OF THE DAY Designer of the Day: Jean-Marc Flack ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigner-of-the-day-jean-marc-flack-hortulus-animae\u002F) Introducing the definitive directory of _Surface_\\-approved design firms, brands, and more. See Who's on The List [DESIGN Warkentin Associates and Bench Architecture Transform a Former Pencil Factory into a Creator Hub ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fwarkentin-associates-bench-architecture-the-lighthouse\u002F) [FASHIOH A Demi-Couture Debut, the Eternity Yacht, and a “Diva Dance” Finale: Kim Shui’s Fall\u002FWinter 2026 Runway ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fkim-shui-fall-winter-2026\u002F) [DESIGN Ulysses de Santi and Ashlee Harrison’s ‘Crossings’ Convenes 53 West 53’s Diagrid With Art and Collectible Design ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fulysses-de-santi-ashlee-harrison-crossings-53-west-53\u002F) [PHOTOGRAPHY François Halard's ‘Details of Exception’ Photography for The Glenrothes ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ffrancois-halard-the-glenrothes-details-of-exception\u002F) [ART New York's Neue Galerie Opens “Egon Schiele: Portrait of Dr. Erwin von Graff” ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fneue-galerie-egon-schiele-portrait-of-dr-erwin-von-graff-exhibition\u002F) [ART Carsten Höller Encourages Communal Dreaming at the MIT Museum ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcarsten-holler-communal-dreams-mit-museum\u002F) [DESIGN Behind the Design of Bad Bunny’s Super Bowl LX Halftime Show ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbehind-the-design-of-bad-bunny-super-bowl-lx-halftime-show\u002F) [ART PS21’s ‘The Dark’ Winter Festival Connects Columbia County Through Performance ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fps21-the-dark-winter-festival-2026\u002F) [DESIGN ATRA Form Gallery’s Mythic Zona Maco Design Curation ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fatra-form-zona-maco-design-curation-georgina-pounds\u002F) [DESIGN Pierre Yovanovitch Reintroduces Ecart ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fpierre-yovanovitch-reintroduces-ecart\u002F) [Designer of the Day Designer of the Day: Chen Chen & Kai Williams ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigner-of-the-day-chen-chen-kai-williams\u002F) [DESIGN DISPATCH Heritage of London Trust Will Open David Bowie's Childhood Home to the Public, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fheritage-london-trust-david-bowie-home-restoration\u002F) [FILM To Save and Project: The MoMA International Festival of Film Preservation Returns ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002F22nd-moma-international-festival-of-film-preservation\u002F) [ARCHITECTURE Transit Studio Transforms a South London Bottling Plant into a Cocktail Bar](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ftransit-studio-thames-distillers-fords-gin\u002F) [ARCHITECTURE Suchi Reddy’s Spiral Pavilion for Mumbai’s Architecture and Design Film Festival ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fsuchi-reddys-sift-pavilion-mumbai-architecture-and-design-film-festival\u002F) [DESIGN In Scotland, Bard’s Latest Exhibition Finds Inspiration in the Hardware Store ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbard-edinburgh-bardware-exhibition\u002F) [DESIGN DISPATCH The Obama Presidential Center Begins Its Newest Installation, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fobama-presidential-center-you-are-america-installation\u002F) [ART Illustrator Cesar Canseco’s FIFA World Cup 2026 Art Commission ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcesar-canseco-fifa-world-cup-2026-art-commission\u002F) Top Stories 1. [1 ##### A Charity Raffle's €100 Pablo Picasso Painting, and Other News. Plus, the Bennett Prize award increases and a long-lost film by Georges Méliès was rediscovered. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fone-hundred-euro-picasso-painting\u002F) read more 2. [2 ##### Strong Sales at the 2026 Edition of EXPO Chicago, and Other News. Plus, a festival of young European photography and Soho House opens in Tokyo ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fstrong-sales-expo-chicago-2026\u002F) read more 3. [3 ##### Art Dubai Will Host a Scaled-Back \"Special Edition,\" and Other News. Plus, LACMA comes to life and Barneys may return to Madison Avenue. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fart-dubai-may-2026\u002F) read more 4. [4 ##### Artsy and Artnet are Now Under the Same Ownership, and Other News. Plus, Basquiat works are heading to Bed-Stuy and Bjarke Ingels Group revealed plans for Tennessee Performing Arts Center. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fartsy-and-artnet-consolidation\u002F) read more 5. [5 ##### Thomas Lélu Lends His Wit (Again!) to W Hotels New hats, totes, and notecards bear the Paris-based artist’s playful text ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fthomas-lelu-w-hotels\u002F) read more 6. [6 ##### Inside Public Art Fund’s Annual Silent Auction, Dinner, and After Party Featuring art activations by Genesis Belager (who provided creative direction for the whole immersive event), Juan Veloz, and Kambui Olujimi; a silent auction that included works by lauded contemporary artists like Hank Willis Thomas; a multi-course seated dinner by Canard; and an after party led by DJs Matthew Mazur and Dances, Public Art Fund’s largest annual gathering was both substantive and spectacular. The organization—which programs ambitious free art installations across all five New York City boroughs—will utilize proceeds from the event for its 2026 season, which includes exhibitions from Woody De Othello, Gabriel Orozco, Camille Henrot, as well as the “Between Tides” group exhibition artists at Rockaway Beach. A sweet touch to the after party: custom cookies by Emily Sigall of Emily’s Cookie Art. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finside-public-art-fund-2026-dinner\u002F) read more 7. [7 ##### For Mirazur’s 20th Anniversary, Chef Mauro Colagreco Welcomed Ferran Adrià into His Kitchen Their boldly imaginative M20 menu is running through May 17 ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fmirazur-20th-anniversary-menu-mauro-colagreco-ferran-adria\u002F) read more 8. [8 ##### IWC Schaffhausen Introduced a Spaceflight Wristwatch in Partnership with Vast The Pilot’s Venturer Vertical Drive underwent rigorous testing by the watch brand's aerospace partner, which is currently developing the world’s first commercial space station. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fiwc-schaffhausen-pilots-venturer-vertical-drive\u002F) [read m …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Gray, Black, Brown. The typography features Stempel Garamond (Serif), Stempel Garamond (Serif), Neue Haas Unica (Sans Serif), Neue Haas Unica (Sans Serif). Built using Alpine.js, jQuery, PHP, Pure CSS, WordPress. AI description: Surface is a premier digital publication dedicated to the intersection of design, architecture, art, fashion, and travel. It serves as a sophisticated cultural compass for a global audience of tastemakers, professionals, and enthusiasts who seek deep dives into contemporary aesthetics and the creative forces shaping modern life. The website's visual identity is defined by a clean, editorial-first approach that prioritizes high-impact imagery and elegant typography. By utilizing a spacious, grid-based layout and a restrained color palette, the design allows the vibrant photography and compelling storytelling to take center stage, evoking the prestige of a high-end print magazine in a digital-native format."]