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Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.","Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …",true,1,"1",{"id":329,"height":13,"width":12,"blurhash":330},"cc28f65c-6c0c-448a-9543-4f6fc1dcd579","radial-gradient(at 0 0,#eeeeee,#00000000 50%),radial-gradient(at 33% 0,#f6f6f6,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#dddddd,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 100% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 0 100%,#dadada,#00000000 50%),radial-gradient(at 33% 100%,#dddddd,#00000000 50%),radial-gradient(at 67% 100%,#dddddd,#00000000 50%),radial-gradient(at 100% 100%,#dbdbdb,#00000000 50%)",{"id":332,"height":15,"width":14,"blurhash":57},"ee35a35b-7056-4b3b-a410-6d8fb821f9de",[334],{"directus_files_id":335},{"id":336},"d1e1dfc1-2478-4823-a5a8-615901f1ed26",[338],{"languages_code":339,"description":340},"en","Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives.\n\nThe visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector.",[26,30,34],[343],"Liebermann Kiepe Reddemann",[345],"Favorit",[227],[348,349,351,353],{"score":71,"category":67},{"score":350,"category":70},67,{"score":352,"category":73},96,{"score":71,"category":76},[355,356,357,358],{"score":172,"category":67},{"score":350,"category":70},{"score":352,"category":73},{"score":71,"category":76},[85,89,93],"Website: Sandra Doeller. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Sandra Doeller. Page description: Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.. Page content: Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Favorit (Sans Serif, Dinamo). Built using jQuery. AI description: Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives. The visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture 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Illustration](\u002Fproject\u002Falten) 36 Days of type III [ 36 Days of type III Art Direction, CGI, Illustration, Typography](\u002Fproject\u002F36-days-of-type-3) Days [ Days Art Direction, CGI, Graphic design, Illustration](\u002Fproject\u002Fdays-2) Exacoralla [ Exacoralla Art Direction, CGI, Illustration](\u002Fproject\u002Fexacoralla) Harvard Business Review [ Harvard Business Review Art Direction, CGI, Illustration](\u002Fproject\u002Fharvard-business-review) Yeti Cycles [ Yeti Cycles Art Direction, CGI, Illustration](\u002Fproject\u002Fyeti) Barriere [ Barriere Art Direction, CGI, Motion](\u002Fproject\u002Fbarriere) R16 in river [ R16 in river Art Direction, CGI, Illustration](\u002Fproject\u002Fr16-in-river) Off-Square [ Off-Square Art Direction, CGI, Illustration](\u002Fproject\u002Foff-square) Devialet \u002F Dione [ Devialet \u002F Dione Art Direction, CGI, Illustration, Motion](\u002Fproject\u002Fdevialet) Google [ Google Art Direction, CGI, Illustration](\u002Fproject\u002Fgoogle) Antinomy [ Antinomy Art Direction, CGI, Illustration](\u002Fproject\u002Fantinomy) 36 days of type II [ 36 days of type II Art Direction, CGI, Illustration, Typography](\u002Fproject\u002F36-days-of-type-2) Ayco [ Ayco Art Direction, CGI, Illustration](\u002Fproject\u002Fayco) Lvmh [ Lvmh Art Direction, CGI, Graphic design](\u002Fproject\u002Flvmh) Hublot [ Hublot Art Direction, CGI, Motion](\u002Fproject\u002Fhublot) Byu Tv [ Byu Tv Art Direction, CGI, Identity](\u002Fproject\u002Fbyu-tv) Scale AI [ Scale AI CGI, Identity, Illustration](\u002Fproject\u002Fscale-ai) 36 Days of Type I [ 36 Days of Type I Art Direction, CGI, Typography](\u002Fproject\u002F36-days-of-type) Fast Company Magazine [ Fast Company Magazine Art Direction, CGI, Illustration](\u002Fproject\u002Ffast-company-magazine) Tous à table [ Tous à table Art Direction, CGI, Graphic design](\u002Fproject\u002Ftous-a-table) Bic [ Bic Art Direction, CGI, Graphic 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The use of large-scale, macro-focused imagery creates a sense of depth and luxury, establishing the studio as a leader in high-end, experimental visual design.",[474,26,214],"3D \u002F Spatial",[476],"Antinomy Studio",[478],"TWK Lausanne",[230,237,233],[481,483,484,485],{"score":482,"category":67},86,{"score":74,"category":70},{"score":74,"category":73},{"score":74,"category":76},[487,489,490,491],{"score":488,"category":67},68,{"score":74,"category":70},{"score":74,"category":73},{"score":74,"category":76},[89,85,93],"Website: Plasticbionic. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Plasticbionic | Art Direction, Graphic Design & Illustration. Page description: Plasticbionic is a contemporary design studio established by Julien Brisson, a french creative designer focused on art direction.. 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A 3D \u002F Spatial, Clean \u002F Minimalist, Dark Mode website in the Agency & Studio industry. Designed by Antinomy Studio. The overall color palette features Black, White, Gray. The typography features TWK Lausanne (Sans Serif, Weltkern). Built using Node.js, Nuxt.js, Vue.js. AI description: Plasticbionic is a high-concept contemporary design studio led by Julien Brisson, specializing in art direction, graphic design, and illustration. The website serves as a sophisticated digital portfolio, showcasing a portfolio that blends tactile, sculptural aesthetics with cutting-edge digital art direction. It is designed to attract premium clients in the creative, fashion, and tech sectors who value avant-garde visual storytelling. The visual identity is defined by a striking interplay of hyper-realistic 3D textures and bold, minimalist typography. Utilizing a dark, moody palette punctuated by vibrant, high-contrast imagery, the design feels both futuristic and grounded in physical materiality. The use of large-scale, macro-focused imagery creates a sense of depth and luxury, establishing the studio as a leader in high-end, experimental visual design.",{"id":495,"website_id":496,"page_id":495,"name":497,"slug":498,"url":499,"website_name":497,"website_slug":498,"website_url":500,"result_url":499,"fetched_at":501,"score":502,"score_boost":320,"ai_score":503,"freshness_score":321,"scored_at":504,"page_name":43,"page_url":499,"page_title":497,"page_description":57,"page_content":505,"page_sort":320,"is_home":325,"is_home_rank":326,"page_type_id":327,"page_type_name":50,"cover":506,"cover_mobile":509,"cover_sequence":511,"translations":602,"industry":605,"styles":606,"credits":608,"font_families":611,"technologies":612,"pagespeed":613,"pagespeed_mobile":619,"buckets":625,"search_payload":627},"ee1d99b1-126c-4510-be56-771b725a86a6","f343b8f2-1865-490e-8f64-ce858c17ac90","DVS","dvs","https:\u002F\u002Fdvstudies.net\u002F","https:\u002F\u002Fdvstudies.net","2026-05-04T08:54:09.000Z",81,83,"2026-05-23T19:17:47.000Z","Rotate your phone to navigate through the site properly Home Research About Contact Bluesky Linkedin Github CONTENTS All Events Projects Profiles Open Calls Research Areas Resources VIEW MODE Visual Textual Home Research About Contact Instagram MenuClose [ Noa García Visiting Scholar ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F04\u002F29\u002Fnoa-garcia\u002F) [ Unnatural Naturalism: A Computational Study of Caravaggio’s Light Public Lecture. 16.3.2026 Prado Museum, Madrid ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F02\u002F27\u002Funnatural-naturalism-a-computational-study-of-caravaggios-light\u002F) [ Generative Curation Symposium 28-29 Jan 2026. 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Disegno Journal, Dec 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F21\u002Fnew-article-cityscapes-transformed\u002F) [ Text-AI-Le: disentangled color directions Paper - Cultural Data Analytics Conference 2023 in Tallinn ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F15\u002Ftext-ai-le-disentangled-color-directions-in-self-supervised-deep-learning-models-for-textile-image-generation\u002F) [ Clip & the City STRAND Conference in Belgrade, 7th Dec 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F15\u002Fclip-the-city\u002F) [ Data, Dictum Masterclass 29.11.23 Institute of Advanced Architecture of Catalonia ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F12\u002Fdata-dictum\u002F) [ (Closed) Call for Applications: Postdoctoral Researcher Postdoc in Computer Vision Deadline January 10, 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F11\u002F01\u002Fcall-for-applications-postdoctoral-researcher\u002F) [ What does AI do to Art History? Experiments in Art and Technology Institute of Art History, University of Zurich, Nov 2 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F11\u002F09\u002Fwhat-does-ai-to-art-history-experiments-in-art-and-technology\u002F) [ (Closed) Hiring! Mediator in Digital Visual Studies 50% Nov 2023-Nov 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F09\u002F08\u002Fhiring-postdoctoral-researcher-mediator-in-digital-visual-studies\u002F) [ New Methods for Visual Open Research Data in the Digital Humanities VORD. New project. Sept 2023-Dec 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F09\u002F08\u002Fnew-methods-for-accessing-visual-open-research-data-in-the-digital-humanities\u002F) [ Transhistorical Urban Landscape as Hypermap In ACM Hypertext Conference 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F08\u002F07\u002Ftranshistorical-urban-landscape-as-hypermap\u002F) [ URBAN GIST. 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The platform functions as a curated repository for academic profiles, upcoming symposia, and research projects, bridging the gap between high-level scholarly inquiry and contemporary visual discourse. It is designed for an audience of academics, researchers, artists, and technologists interested in the computational analysis of aesthetics.\n\nThe visual identity is defined by a bold, avant-garde editorial aesthetic that rejects traditional academic austerity in favor of a vibrant, experimental layout. Utilizing a high-contrast color palette of primary yellows and blues, the site employs a grid-based modular system that feels both structured and kinetic. The heavy use of oversized typography, playful decorative flourishes, and a non-linear navigation structure creates a sense of intellectual curiosity and modern digital craftsmanship.","Art & Culture",[26,34,607],"Vibrant \u002F Colorful",[609,610],"Naranjo–Etxeberria","Apn",[257,257],[],[614,615,617,618],{"score":170,"category":67},{"score":616,"category":70},93,{"score":74,"category":73},{"score":71,"category":76},[620,622,623,624],{"score":621,"category":67},57,{"score":352,"category":70},{"score":74,"category":73},{"score":71,"category":76},[85,626,93,89],"yellow","Website: DVS. Page: Homepage. Page type: Home \u002F Landing Page. Page title: DVS. Page content: Rotate your phone to navigate through the site properly Home Research About Contact Bluesky Linkedin Github CONTENTS All Events Projects Profiles Open Calls Research Areas Resources VIEW MODE Visual Textual Home Research About Contact Instagram MenuClose [ Noa García Visiting Scholar ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F04\u002F29\u002Fnoa-garcia\u002F) [ Unnatural Naturalism: A Computational Study of Caravaggio’s Light Public Lecture. 16.3.2026 Prado Museum, Madrid ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F02\u002F27\u002Funnatural-naturalism-a-computational-study-of-caravaggios-light\u002F) [ Generative Curation Symposium 28-29 Jan 2026. Centre Pompidou Málaga ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F01\u002F30\u002Fgneretaive-curation-symposium\u002F) [ IMPRS Multimodal Digital Humanities New project! ](https:\u002F\u002Fdvstudies.net\u002F2026\u002F01\u002F14\u002Fimprs-mulimodal-digital-humanities\u002F) [ Diagrams and Diagramming Dec 11, KHIST, 18h, ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F11\u002F19\u002Fdiagrams-and-diagramming\u002F) [ Call for Contributions – Generative Curation Symposium Málaga, 28-29 Jan 2026 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F11\u002F07\u002Fcall-generative-curation-symposium\u002F) [ Between the Discrete and the Infinite: Attention and Latent Space Metaphors in Borges and Calvino Paper Presentation, XCOAX 2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F07\u002F07\u002Fbetween-the-discrete-and-the-infinite-attention-and-latent-space-metaphors-in-borges-and-calvino\u002F) [ Sympathies of Streets Lecture and Research Seminar - Michael Doyle. 10.6.2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F06\u002F02\u002Fsympathies-of-streets\u002F) [ Digital Architectural Histories Research Area ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F27\u002Fdigital-architectural-history\u002F) [ Digital F(r)ictions Presentation at MAMBO 16.05.2025 Bogotá ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F22\u002Fpresentation-at-mambo\u002F) [ Digital Visual Studies School Universidad de los Andes. Bogotá 12-16 May 2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F22\u002Fdigital-visual-studies-school\u002F) [ VORD PLATFORM (Visual Open Research Data) Media Art Histories 2025 & Festival de la Imagen. Manizales 5 May ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F06\u002F10\u002Fvord-platform-visual-open-research-data\u002F) [ Paul Guhennec Postdoctoral Fellow ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F05\u002F27\u002Fpaul-guhennec\u002F) [ Uncertainty: Aesthetic Manifestations Symposium Zurich. March 6 9:15-18:30 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F02\u002F18\u002Funcertainty-aesthetic-manifestations-symposium\u002F) [ AI & Cities. Applied Machine Learning Days EPFL Feb 12, 2025 ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F02\u002F18\u002Faicities-applied-machine-learning-days\u002F) [ List of publications 2024 ZORA UZH ](https:\u002F\u002Fdvstudies.net\u002F2025\u002F02\u002F18\u002Flist-of-publications-2024\u002F) [ Simulating Urban Denkstile Talk, Symposium Dec 9zh. Zurich ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F12\u002F06\u002F1005\u002F) [ The City in a Bottle Lecture. Montréal, 20 Nov, 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F12\u002F06\u002Fthe-city-in-a-bottle\u002F) [ The Machine that sees \u002F La máquina que ve Conference and Workshop. Madrid 13-15 oct ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F12\u002F06\u002Fla-maquina-que-ve\u002F) [ Digital Residency – MAMBO Bogotá - Colombia 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F08\u002F13\u002Fdigital-residency-mambo\u002F) [ Andrea Alfarano Scientific collaborator ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F25\u002Fandrea-alfarano\u002F) [ New Edited Volume Hertziana Studies in Art History, July 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F25\u002Fnew-edited-volume\u002F) [ Artificial Urban Imaginaries Lecture. UNESCO Chair Urban Landscape. University of Montreal. July 24 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F26\u002Fartificial-urban-imaginaries\u002F) [ Thesis Defense ! Valentine Bernasconi July 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F30\u002F981\u002F) [ Light Analysis of Paintings at Scale Using Spherical Harmonics Published article. Proceedings of the SYMPOSIUM ON ELECTRONIC IMAGING ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F25\u002Flight-analysis-of-paintings-at-scale-using-spherical-harmonics\u002F) [ DVS @ XCOAX Machinic Mimesis and Text-AI-les ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F23\u002Fdvs-xcoax\u002F) [ (Closed) AI & Cities 2024. Digital Double Symposium 24-25 Oct.2024 BHMPI, Rome ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F05\u002Faicities-2024-digital-double\u002F) [ Colors of AI. ICCC 2024 Workshop Workshop ICCC. June 18th ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F25\u002Fcolors-of-ai-computational-creativity\u002F) [ AI and Computational Thinking in Digital Art History Course, Spring Semester 2024 UZH ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fai-and-computational-thinking-in-digital-art-history\u002F) [ VORD Workshop May 17, 2024. UZH ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fvord-workshop\u002F) [ Nuria Rodriguez Ortega Visiting Scolar April-May 2024 ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F07\u002F30\u002Fnuria-rodriguez-ortega\u002F) [ Ana Zapata Scientific Collaborator. VORD ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F06\u002F04\u002Fana-zapata\u002F) [ TextAIles: Color Manipulations in the Latent Space of StyleGAN3 Paper. Conf. Computer Vision and Image Analysis of Art. San Francisco ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F22\u002Ftextailes-color-manipulations-in-the-latent-space-of-stylegan3\u002F) [ (Closed) Datathink 2024 \u002F AI & Cities Winter School, Rome. Deadline 5 Feb ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F18\u002Fdatathink-2024-ai-cities\u002F) [ Distant Viewing Light Analysis of Figurative Paintings Paper. Conf. Computer Vision and Image Analysis of Art. ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F22\u002F850\u002F) [ Show me your hand Round table at Istituto Svizzero, Rome, 17.01.23, 17h ](https:\u002F\u002Fdvstudies.net\u002F2024\u002F01\u002F12\u002Fshow-me-your-hand\u002F) [ New article: Cityscapes Transformed Designing Digital Humanities. Disegno Journal, Dec 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F21\u002Fnew-article-cityscapes-transformed\u002F) [ Text-AI-Le: disentangled color directions Paper - Cultural Data Analytics Conference 2023 in Tallinn ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F15\u002Ftext-ai-le-disentangled-color-directions-in-self-supervised-deep-learning-models-for-textile-image-generation\u002F) [ Clip & the City STRAND Conference in Belgrade, 7th Dec 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F15\u002Fclip-the-city\u002F) [ Data, Dictum Masterclass 29.11.23 Institute of Advanced Architecture of Catalonia ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F12\u002F12\u002Fdata-dictum\u002F) [ (Closed) Call for Applications: Postdoctoral Researcher Postdoc in Computer Vision Deadline January 10, 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F11\u002F01\u002Fcall-for-applications-postdoctoral-researcher\u002F) [ What does AI do to Art History? Experiments in Art and Technology Institute of Art History, University of Zurich, Nov 2 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F11\u002F09\u002Fwhat-does-ai-to-art-history-experiments-in-art-and-technology\u002F) [ (Closed) Hiring! Mediator in Digital Visual Studies 50% Nov 2023-Nov 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F09\u002F08\u002Fhiring-postdoctoral-researcher-mediator-in-digital-visual-studies\u002F) [ New Methods for Visual Open Research Data in the Digital Humanities VORD. New project. Sept 2023-Dec 2024 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F09\u002F08\u002Fnew-methods-for-accessing-visual-open-research-data-in-the-digital-humanities\u002F) [ Transhistorical Urban Landscape as Hypermap In ACM Hypertext Conference 2023 ](https:\u002F\u002Fdvstudies.net\u002F2023\u002F08\u002F07\u002Ftranshistorical-urban-landscape-as-hypermap\u002F) [ URBAN GIST. Encoding cities in foundation models ![](https:\u002F\u002Fdvstudies.net\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fslide-URBAN-GIST-D.Negu …. A Clean \u002F Minimalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Art & Culture industry. Designed by Naranjo–Etxeberria, developed by Apn. The overall color palette features White, Yellow, Gray, Black. The typography features Suisse Intl (Swiss Typefaces), Suisse Intl (Swiss Typefaces). AI description: DVS (Digital Visual Studies) serves as a sophisticated digital hub for interdisciplinary research at the intersection of art, computation, and visual culture. The platform functions as a curated repository for academic profiles, upcoming symposia, and research projects, bridging the gap between high-level scholarly inquiry and contemporary visual discourse. It is designed for an audience of academics, researchers, artists, and technologists interested in the computational analysis of aesthetics. The visual identity is defined by a bold, avant-garde editorial aesthetic that rejects traditional academic austerity in favor of a vibrant, experimental layout. Utilizing a high-contrast color palette of primary yellows and blues, the site employs a grid-based modular system that feels both structured and kinetic. The heavy use of oversized typography, playful decorative flourishes, and a non-linear navigation structure creates a sense of intellectual curiosity and modern digital craftsmanship.",{"id":629,"website_id":630,"page_id":629,"name":631,"slug":632,"url":633,"website_name":631,"website_slug":632,"website_url":634,"result_url":633,"fetched_at":635,"score":636,"score_boost":320,"ai_score":147,"freshness_score":637,"scored_at":638,"page_name":43,"page_url":633,"page_title":631,"page_description":639,"page_content":640,"page_sort":320,"is_home":325,"is_home_rank":326,"page_type_id":327,"page_type_name":50,"cover":641,"cover_mobile":644,"cover_sequence":646,"translations":701,"industry":21,"styles":704,"credits":705,"font_families":707,"technologies":708,"pagespeed":57,"pagespeed_mobile":57,"buckets":710,"search_payload":711},"5130323e-3223-454f-a4d2-42bcb5944aa4","e63de997-1092-4b24-8afe-461316932839","Walter Santomauro","waltersantomauro","https:\u002F\u002Fwaltersantomauro.com\u002F","https:\u002F\u002Fwaltersantomauro.com","2026-05-04T19:22:06.000Z",84,75,"2026-05-23T19:22:19.000Z","Walter Santomauro is an Italian graphic designer based in Turin. He specializes in typography, art direction, and editorial design, which result in publications, websites, visual identities for exhibitions, cultural institutions, architectural studios, and both national and international brands.","- Case - One Shot - Info - 44\\. Catalog published by CURA. Books for the exhibition _Jonas Mekas. Images are real_ curated by Francesco Urbano Ragazzi and held at the Mattatoio in collaboration with the Lithuanian Culture Institute and the Embassy of the Republic of Lithuania in Rome. - 43\\. New website for CURA.: a curation and editorial platform based in Rome which includes magazine and publishing company. - 42\\. Visual identity and website for AVTO, a non profit center for research-based artistic practice in Istanbul. - 41\\. New brand identity and an extensive graphic system for TIMEMADE, a personal research project developed by Studio David Dolcini, where time, materials, and the handmade production process form the foundation of his wooden sculptures. - 40\\. Published on the occasion of Eugenio Tibaldi's exhibition ET 2020\u002F24 at the Fondazione La Rocca, this book is at once a catalog, a monograph, and artist's book. - 39\\. A visual identity and a website for LOCALES a curatorial platform that aims to inspire a reflection on the public sphere through artistic practices. - 38\\. Developed in a single stylistic set, Arena is a unique typeface characterized by narrow and rounded forms. - 37\\. Visual identity and exhibition design for the exhibition of the MAXXI Collection titled _What a Wonderful World_: this innovative presentation brings together major installations by fifteen international artists, curated by Bartolomeo Pietromarchi and the museum's curatorial team. - 36\\. Published on the occasion of the exhibition _Roma, a portrait_. Festival of Foreign Academies and Cultural Institutes is the first edition of a project that annually transforms Palazzo Esposizioni into a privileged observatory for the visions and research of foreign artists and scholars who spend a residency period in Rome. Published by CURA. Books. - 35\\. Publication, visual identity, and poster for _Isolario_, a project organized by the artistic and curatorial collective FRICHE in collaboration with the University IUAV of Venice and the École des Études en Science Social in Paris. - 34\\. Visual communication, printed matter and signage system for the exhibitions _visibileinvisibile Merz\u002FGupta_ at Palazzo Ardinghelli, MAXXI L’Aquila curated from Bartolomeo Pietromarchi e Nina Borel. Courtesy MAXXI Museum. Photo: Claudio Cerasoli. - 33\\. Visual identity and catalogues for Battaglia Foundry Sculpture Price #02 & #03, an international prize for young artists dedicated to bronze casting. Project undertaken with CURA. - 32\\. A dynamic identity for the exhibition held at the MAXXI Museum, _REAL\\_ITALY_ that presents the 2017 winning works of the first two editions of the competition held by the MiBACT Italian Council General Direction for Contemporary Creativity. Project realized in collaboration with CURA. - 31\\. A promotional brochure for Tubes _Step by Step_ radiators designed by Alberto Meda. - 30\\. Website and identity for Lugano based architecture firm Leuzinger e Associati. - 29\\. Identity and catalogue for the Informal Inclusion, Eugenio Tibaldi exhibitions at the Italian Pavilion, maltabiennale.art 2024. - 28\\. _BBG_ is the pseudonym for Bench Blue Gradient, a personal design product project. - 27\\. _Guhl_ is a typeface inspired by the rugged and concrete forms of the industrial design pioneer Willy Guhl. - 26\\. Visual identity for the Turkish school Renk Art Akademi, which assists students in gaining admission to universities specializing in art, design, and architecture. - 25\\. Graphic for Design, I love you but you’re bringing me down - Four Typographic Rugs an exhibition organised by Hansel Grotesque Studio at OPAL. - 24\\. _Apophenia_, a small publication about new digital materialism between art and artificial intelligence. - 23\\. Two-color website showcasing the works of the studio we architettura based in Lugano. - 22\\. Visual identity for the exhibition at the Fondazione Memmo featuring the work of the Moroccan artist Latifa Echakhch. - 21\\. Concept and exhibition design for the _Pier Paolo Pasolini. Tutto è Santo_ exhibition at the MAXXI Museum in Rome. - 20\\. Website for Studio Lys a studio stretches between design and media, embracing both. - 19\\. _Frammenti di Paradiso_ is the catalogue of the third solo exhibition curated by the Collezione Agovino. - 18\\. A 400 copy edition _Trasformazioni, Transformations, Transformationen_ is a trilingual publication developed for the architecture practise Inches Geleta based in Locarno. - 17\\. _Six Horizons, Six Roads, Ten Landscapes_ is a publication released on occasion of the participation of the Italian artist Francesco Arena to the Art Basel Unlimited 2017 exhibitions. - 16\\. Website and documented archive for the Italian video-artist Yuri Ancarani. - 15\\. Website designed for studioconcreto, a curatorial duo from Lecce. - 14\\. Identity and exhibitions design for _Bob Dylan._ _Retrospectrum_ exhibition at MAXXI Museum in Rome. - 13\\. Poster for the exhibition _Conversation Piece V_ curated by Marcello Smarrelli at the Fondazione Memmo. - 12\\. Website for the Fondazione Merz, a contemporary art center established in 2005 in Turin. - 11\\. Poster for the exhibitions _I sette messaggeri_, a group show of seven Italian artists in the Marsèlleria space in Milan. - 10\\. Catalogue published by CURA. Books on occasion of the exhibition _Home Beirut. Sounding the neighbors_ curated by Hou Hanru and Giulia Ferracci at MAXXI. - 09\\. Together with Samuele Anzellotti we have designed the visual identity and website for Il Colorificio, a little art space in Milan. - 08\\. _Dio c’è_ is a book which gathers a selection of works belonging to Fabio Agovino’s private collection. Published in 600 copies by CURA. Books editor. - 07\\. A minimal layout for the website of the Italian Nico Vascellari. Project carried out in collaboration with CURA. - 06\\. The catalogue _Elemento_, published by CURA. Books, presents the new collection of the Dutch artist Maaike Schoorel’s pictorial works in 2016. - 05\\. Graphic design of _2%\u002F717\u002F1949_ catalogue, which conveys the meaning of the 2% law: art in Italian public space. - 04\\. Identity for the Fondazione Ermanno Casoli based in Marche, which is a pioneer in investigating the potential of dialogue between art and factory. - 03\\. Issued by De Vleeshal, FRAC Champagne-Ardenne and Monitor Gallery the book highlights Francesco Arena’s most important works between 2004-2014. - 02\\. A funny website for Rio Grande, a multidisciplinary organisation from Milan. - 01\\. Logo for Nisi Masa, a no-profit French organisation and European network for young cinema associations. Walter Santomauro Graphic, web & type designer For any collaboration or requests please get in touch. info@waltersantomauro.com Instagram @wltrae Walter Santomauro is an Italian graphic designer based in Turin. He specializes in typography, art direction, and editorial design, which result in publications, websites, visual identities for exhibitions, cultural institutions, architectural studios, and both national and international brands. Some digital works: Alieta, AVTO, BPE, CURA, Exteta, FEC, Fondazione Merz, Form\\_a, Giorgia Boraso, iaa, Juma, LOCALES, Massimo Adario, Neodecortech, renk, studioconcreto, Studio Lys, studio we architettura, TIMEMADE, Yuri Ancarani.",{"id":642,"height":13,"width":12,"blurhash":643},"0a34a525-5087-4905-ba3b-579561684cc8","radial-gradient(at 0 0,#ebebeb,#00000000 50%),radial-gradient(at 33% 0,#ededed,#00000000 50%),radial-gradient(at 67% 0,#f0f0f0,#00000000 50%),radial-gradient(at 100% 0,#f5f5f5,#00000000 50%),radial-gradient(at 0 50%,#d7d7d7,#00000000 50%),radial-gradient(at 33% 50%,#d9d9d9,#00000000 50%),radial-gradient(at 67% 50%,#dddddd,#00000000 50%),radial-gradient(at 100% 50%,#e3e3e3,#00000000 50%),radial-gradient(at 0 100%,#e3e3e3,#00000000 50%),radial-gradient(at 33% 100%,#e3e3e3,#00000000 50%),radial-gradient(at 67% 100%,#e8e8e8,#00000000 50%),radial-gradient(at 100% 100%,#efefef,#00000000 50%)",{"id":645,"height":15,"width":14,"blurhash":57},"eafa3eb0-1844-4c77-a01b-a53af10f4042",[647,650,653,656,659,662,665,668,671,674,677,680,683,686,689,692,695,698],{"directus_files_id":648},{"id":649},"b9071905-df07-41e2-a066-6261a56ab582",{"directus_files_id":651},{"id":652},"cb9f3598-d8a5-465d-82ee-ffd362384f22",{"directus_files_id":654},{"id":655},"7dc77689-0134-4117-b1c9-7d507e8f3b8e",{"directus_files_id":657},{"id":658},"4a79bbdb-a799-4580-93e3-08fdeda6c1ea",{"directus_files_id":660},{"id":661},"39319008-10c1-4148-8ed7-3b7b7701f6cf",{"directus_files_id":663},{"id":664},"56802ec4-13de-4a4f-aa52-ba9d86cacf94",{"directus_files_id":666},{"id":667},"74ab2cab-fb91-4e50-951f-e767a3efeb0a",{"directus_files_id":669},{"id":670},"78c4dd64-a107-4c6c-9989-ce90c2c639a7",{"directus_files_id":672},{"id":673},"64809c90-5ec8-4234-a2c5-6844fff44c5b",{"directus_files_id":675},{"id":676},"1e12f383-7d39-4101-9ec7-8f1dccf0ab9b",{"directus_files_id":678},{"id":679},"62731cc0-ce34-4f5f-af44-0bc3cbcb140d",{"directus_files_id":681},{"id":682},"83bf994b-1b16-468c-8c1d-6ce1a5d98994",{"directus_files_id":684},{"id":685},"1c00c880-709e-4fc7-8112-59a273801228",{"directus_files_id":687},{"id":688},"8659c7eb-2412-4527-b209-d13947ba5ac8",{"directus_files_id":690},{"id":691},"5a7a8e7a-20f4-4122-ae2a-e7fc83269a05",{"directus_files_id":693},{"id":694},"69df51eb-cc06-4b05-ba41-e597b2bb481e",{"directus_files_id":696},{"id":697},"b9561ccc-39e2-46c0-a501-9e07155b4f55",{"directus_files_id":699},{"id":700},"8e30b4fc-1a96-4117-97eb-cebf9fb9e0f7",[702],{"languages_code":339,"description":703},"Walter Santomauro’s portfolio is a masterclass in typographic precision and editorial rigor. The website functions as a sophisticated digital archive, presenting a curated selection of graphic design projects that span visual identities, exhibition design, and complex publication layouts. The layout prioritizes legibility and structural clarity, allowing the weight and character of the typography to drive the user experience.\n\nThe visual identity is unapologetically minimalist and intellectual, targeting cultural institutions, architectural studios, and high-end brands. By utilizing a stark, high-contrast typographic hierarchy and a disciplined grid, the site mirrors the meticulous nature of the designer's work. It is a refined, professional showcase that communicates authority through restraint and exceptional attention to detail.",[26,30,34],[631,706],"Simone Ballesio",[],[709,244,228,229],"Aruba.it",[85,89,93],"Website: Walter Santomauro. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Walter Santomauro. Page description: Walter Santomauro is an Italian graphic designer based in Turin. He specializes in typography, art direction, and editorial design, which result in publications, websites, visual identities for exhibitions, cultural institutions, architectural studios, and both national and international brands.. Page content: - Case - One Shot - Info - 44\\. Catalog published by CURA. Books for the exhibition _Jonas Mekas. Images are real_ curated by Francesco Urbano Ragazzi and held at the Mattatoio in collaboration with the Lithuanian Culture Institute and the Embassy of the Republic of Lithuania in Rome. - 43\\. New website for CURA.: a curation and editorial platform based in Rome which includes magazine and publishing company. - 42\\. Visual identity and website for AVTO, a non profit center for research-based artistic practice in Istanbul. - 41\\. New brand identity and an extensive graphic system for TIMEMADE, a personal research project developed by Studio David Dolcini, where time, materials, and the handmade production process form the foundation of his wooden sculptures. - 40\\. Published on the occasion of Eugenio Tibaldi's exhibition ET 2020\u002F24 at the Fondazione La Rocca, this book is at once a catalog, a monograph, and artist's book. - 39\\. A visual identity and a website for LOCALES a curatorial platform that aims to inspire a reflection on the public sphere through artistic practices. - 38\\. Developed in a single stylistic set, Arena is a unique typeface characterized by narrow and rounded forms. - 37\\. Visual identity and exhibition design for the exhibition of the MAXXI Collection titled _What a Wonderful World_: this innovative presentation brings together major installations by fifteen international artists, curated by Bartolomeo Pietromarchi and the museum's curatorial team. - 36\\. Published on the occasion of the exhibition _Roma, a portrait_. Festival of Foreign Academies and Cultural Institutes is the first edition of a project that annually transforms Palazzo Esposizioni into a privileged observatory for the visions and research of foreign artists and scholars who spend a residency period in Rome. Published by CURA. Books. - 35\\. Publication, visual identity, and poster for _Isolario_, a project organized by the artistic and curatorial collective FRICHE in collaboration with the University IUAV of Venice and the École des Études en Science Social in Paris. - 34\\. Visual communication, printed matter and signage system for the exhibitions _visibileinvisibile Merz\u002FGupta_ at Palazzo Ardinghelli, MAXXI L’Aquila curated from Bartolomeo Pietromarchi e Nina Borel. Courtesy MAXXI Museum. Photo: Claudio Cerasoli. - 33\\. Visual identity and catalogues for Battaglia Foundry Sculpture Price #02 & #03, an international prize for young artists dedicated to bronze casting. Project undertaken with CURA. - 32\\. A dynamic identity for the exhibition held at the MAXXI Museum, _REAL\\_ITALY_ that presents the 2017 winning works of the first two editions of the competition held by the MiBACT Italian Council General Direction for Contemporary Creativity. Project realized in collaboration with CURA. - 31\\. A promotional brochure for Tubes _Step by Step_ radiators designed by Alberto Meda. - 30\\. Website and identity for Lugano based architecture firm Leuzinger e Associati. - 29\\. Identity and catalogue for the Informal Inclusion, Eugenio Tibaldi exhibitions at the Italian Pavilion, maltabiennale.art 2024. - 28\\. _BBG_ is the pseudonym for Bench Blue Gradient, a personal design product project. - 27\\. _Guhl_ is a typeface inspired by the rugged and concrete forms of the industrial design pioneer Willy Guhl. - 26\\. Visual identity for the Turkish school Renk Art Akademi, which assists students in gaining admission to universities specializing in art, design, and architecture. - 25\\. Graphic for Design, I love you but you’re bringing me down - Four Typographic Rugs an exhibition organised by Hansel Grotesque Studio at OPAL. - 24\\. _Apophenia_, a small publication about new digital materialism between art and artificial intelligence. - 23\\. Two-color website showcasing the works of the studio we architettura based in Lugano. - 22\\. Visual identity for the exhibition at the Fondazione Memmo featuring the work of the Moroccan artist Latifa Echakhch. - 21\\. Concept and exhibition design for the _Pier Paolo Pasolini. Tutto è Santo_ exhibition at the MAXXI Museum in Rome. - 20\\. Website for Studio Lys a studio stretches between design and media, embracing both. - 19\\. _Frammenti di Paradiso_ is the catalogue of the third solo exhibition curated by the Collezione Agovino. - 18\\. A 400 copy edition _Trasformazioni, Transformations, Transformationen_ is a trilingual publication developed for the architecture practise Inches Geleta based in Locarno. - 17\\. _Six Horizons, Six Roads, Ten Landscapes_ is a publication released on occasion of the participation of the Italian artist Francesco Arena to the Art Basel Unlimited 2017 exhibitions. - 16\\. Website and documented archive for the Italian video-artist Yuri Ancarani. - 15\\. Website designed for studioconcreto, a curatorial duo from Lecce. - 14\\. Identity and exhibitions design for _Bob Dylan._ _Retrospectrum_ exhibition at MAXXI Museum in Rome. - 13\\. Poster for the exhibition _Conversation Piece V_ curated by Marcello Smarrelli at the Fondazione Memmo. - 12\\. Website for the Fondazione Merz, a contemporary art center established in 2005 in Turin. - 11\\. Poster for the exhibitions _I sette messaggeri_, a group show of seven Italian artists in the Marsèlleria space in Milan. - 10\\. Catalogue published by CURA. Books on occasion of the exhibition _Home Beirut. Sounding the neighbors_ curated by Hou Hanru and Giulia Ferracci at MAXXI. - 09\\. Together with Samuele Anzellotti we have designed the visual identity and website for Il Colorificio, a little art space in Milan. - 08\\. _Dio c’è_ is a book which gathers a selection of works belonging to Fabio Agovino’s private collection. Published in 600 copies by CURA. Books editor. - 07\\. A minimal layout for the website of the Italian Nico Vascellari. Project carried out in collaboration with CURA. - 06\\. The catalogue _Elemento_, published by CURA. Books, presents the new collection of the Dutch artist Maaike Schoorel’s pictorial works in 2016. - 05\\. Graphic design of _2%\u002F717\u002F1949_ catalogue, which conveys the meaning of the 2% law: art in Italian public space. - 04\\. Identity for the Fondazione Ermanno Casoli based in Marche, which is a pioneer in investigating the potential of dialogue between art and factory. - 03\\. Issued by De Vleeshal, FRAC Champagne-Ardenne and Monitor Gallery the book highlights Francesco Arena’s most important works between 2004-2014. - 02\\. A funny website for Rio Grande, a multidisciplinary organisation from Milan. - 01\\. Logo for Nisi Masa, a no-profit French organisation and European network for young cinema associations. Walter Santomauro Graphic, web & type designer For any collaboration or requests please get in touch. info@waltersantomauro.com Instagram @wltrae Walter Santomauro is an Italian graphic designer based in Turin. He specializes in typography, art direction, and editorial design, which result in publications, websites, visual identities for exhibitions, cultural institutions, architectural studios, and both national and international brands. Some digital works: Alieta, AVTO, BPE, CURA, Exteta, FEC, Fondazione Merz, Form\\_a, Giorgia Boraso, iaa, Juma, LOCALES, Massimo Adario, Neodecortech, renk, studioconcreto, Studio Lys, studio we architettura, TIMEMADE, Yuri Ancarani.. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. Designed by Walter Santomauro, developed by Simone Ballesio. The overall color palette features White, Black, Gray. Built using Aruba.it, Bootstrap, PHP, WordPress. AI description: Walter Santomauro’s portfolio is a masterclass in typographic precision and editorial rigor. The website functions as a sophisticated digital archive, presenting a curated selection of graphic design projects that span visual identities, exhibition design, and complex publication layouts. The layout prioritizes legibility and structural clarity, allowing the weight and character of the typography to drive the user experience. The visual identity is unapologetically minimalist and intellectual, targeting cultural institutions, architectural studios, and high-end brands. By utilizing a stark, high-contrast typographic hierarchy and a disciplined grid, the site mirrors the meticulous nature of the designer's work. It is a refined, professional showcase that communicates authority through restraint and exceptional attention to detail."]