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It's for you.","The Outline [ Culture Mar 20 The Saddening I recently discovered two things: a term from fabric dyeing about how to drain things of their vibrancy, and an old family letter. They are somewhat related. ](\u002Fpost\u002F8859\u002Fleah-letter-the-saddening) [ Culture Apr 03 Unfair trade ](\u002Fpost\u002F8936\u002Fcoffee-capitalism-economy-starbucks-brazil?utm_source=)[ Power Apr 02 An open letter to my dog, who won’t come out from under the couch ](\u002Fpost\u002F8935\u002Fan-open-letter-to-my-dog-who-wont-come-out-from-under-the-couch?utm_source=)[ Power Mar 30 There was always a way to pay for the programs we need ](\u002Fpost\u002F8895\u002Fhow-will-we-pay-for-it-is-a-stupid-question?utm_source=)[ The Future Apr 02 “We just intuit what they need”: A zookeeper describes caring for animals during the coronavirus outbreak ](\u002Fpost\u002F8934\u002Fas-told-to-zookeeper-animals-pandemic?utm_source=)[ Culture Apr 02 Hanging on the telephone ](\u002Fpost\u002F8932\u002Fcell-phones-video-chat-text-messaging-quarantine?utm_source=)[ Power Apr 01 The Australian scientist who got magnets stuck up his nose should inspire us all ](\u002Fpost\u002F8929\u002Faustralian-magnet-guy-thanks-you-beautiful-moron?utm_source=) [ Read More ](\u002Fpost\u002F8843\u002Fcasu-marzu-cheese-sardinia-illegal-dangerous) Very online Well, at least there’s golf A Good Place: The alternate history of the C-SPAN archives _We have already reached alarming levels of bad quarantine content_ Here are some happy websites to go to if you’re sick of reading articles about coronavirus The outside world is scary enough right now. The internet doesn’t have to be scary, too. RuPaul is fracking at the end of the world Coronavirus is causing some real code-red graphic design Must 10 recipes for non-bakers with flour and time on their hands Bada bing, bada boo: Everyone should rewatch ‘The Sopranos’ as horror My dad, the Joe Biden voter America doesn’t have a health care system How much would you spend to save your pet’s life? Reads [ The Future It shouldn’t take a pandemic for everyone to be less disgusting Wash your hands!! Read More ](\u002Fpost\u002F8757\u002Fshouldnt-take-pandemic-be-less-disgusting) [ Culture Now is not the time for talk of your protest vote Voting for someone you don’t want is like getting your flu shot — you do it for everyone else. Read More ](\u002Fpost\u002F8819\u002Fprotest-vote-biden-sanders-election) Power We are all quite literally becoming more myopic ‘First Cow’ is a beautiful movie about how we all get milked by the system Did Canada really abolish solitary confinement? I don’t feel positive about my body One nation under God, even if you don’t want to be Culture We will never find dignity in air travel When you’re the alleged architect of the CIA’s alleged torture program but you also non-allegedly love dogs Dear God, do I really game that much? gimme a break “Toad sings Chandelier” is the most memorable song of the year [ Power Canada is fake What Americans think of as their friendly neighbor to the north, if they think of it at all, is a scam. Read More ](\u002Fpost\u002F8686\u002Fcanada-is-fake) Good advice AAFU: Should I end things with my much-younger partner? AAFU: Am I over my ex? AAFU: How can I stay friends with someone who rejected me? AAFU: I just found out my boyfriend is pro-life AAFU: I can’t tell if my wife is depressed or just lazy AAFU: I slept with my best friend’s boyfriend [ Culture I would love to date a man who can’t read Some of us are still trying to have some fun before we die and, I’m sorry, clever men are very rarely fun. Read More ](\u002Fpost\u002F8680\u002Fi-would-love-to-date-a-man-who-cant-read) [ Culture How a small-town Canadian museum became a shrine to Justin Bieber ](\u002Fpost\u002F8661\u002Fjustin-bieber-museum-steps-to-stardom-stratford-perth-changes)[ Culture We should all read more Jenny Diski ](\u002Fpost\u002F8669\u002Fwe-should-all-read-more-jenny-diski)[ Culture I watched too many videos about cute pigs and now I want to stop eating them ](\u002Fpost\u002F8501\u002Fask-a-fuck-up-stop-eating-pigs)[ Power Who is the world’s No. 1 bad guy? ](\u002Fpost\u002F8503\u002Ftrump-iran-response-qassem-soleimani)[ Power How to be wrong ](\u002Fpost\u002F8506\u002Fhow-to-be-wrong)[ Culture Working in the restaurant industry will haunt your dreams ![](https:\u002F\u002Foutline-prod.imgix.net\u002F2017070 …",true,1,"1",{"id":378,"height":13,"width":12,"blurhash":379},"aa021346-0f24-4733-af5e-dee05a01d363","radial-gradient(at 0 0,#9f5387,#00000000 50%),radial-gradient(at 33% 0,#b4546b,#00000000 50%),radial-gradient(at 67% 0,#a93e46,#00000000 50%),radial-gradient(at 100% 0,#964c73,#00000000 50%),radial-gradient(at 0 50%,#82496e,#00000000 50%),radial-gradient(at 33% 50%,#6b5f6d,#00000000 50%),radial-gradient(at 67% 50%,#476362,#00000000 50%),radial-gradient(at 100% 50%,#615065,#00000000 50%),radial-gradient(at 0 100%,#973855,#00000000 50%),radial-gradient(at 33% 100%,#83555a,#00000000 50%),radial-gradient(at 67% 100%,#565c52,#00000000 50%),radial-gradient(at 100% 100%,#714b60,#00000000 50%)",{"id":381,"height":15,"width":14,"blurhash":64},"8b363cf9-ef7a-44d8-a0ae-9c510aa730cd",[383],{"directus_files_id":384},{"id":385},"1f685afc-cb60-486b-adb1-2c2f7eeef6c5",[387],{"languages_code":388,"description":389},"en","The Outline is a subversive digital publication designed for a modern, intellectually curious audience that seeks depth beyond traditional news cycles. 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They are somewhat related. ](\u002Fpost\u002F8859\u002Fleah-letter-the-saddening) [ Culture Apr 03 Unfair trade ](\u002Fpost\u002F8936\u002Fcoffee-capitalism-economy-starbucks-brazil?utm_source=)[ Power Apr 02 An open letter to my dog, who won’t come out from under the couch ](\u002Fpost\u002F8935\u002Fan-open-letter-to-my-dog-who-wont-come-out-from-under-the-couch?utm_source=)[ Power Mar 30 There was always a way to pay for the programs we need ](\u002Fpost\u002F8895\u002Fhow-will-we-pay-for-it-is-a-stupid-question?utm_source=)[ The Future Apr 02 “We just intuit what they need”: A zookeeper describes caring for animals during the coronavirus outbreak ](\u002Fpost\u002F8934\u002Fas-told-to-zookeeper-animals-pandemic?utm_source=)[ Culture Apr 02 Hanging on the telephone ](\u002Fpost\u002F8932\u002Fcell-phones-video-chat-text-messaging-quarantine?utm_source=)[ Power Apr 01 The Australian scientist who got magnets stuck up his nose should inspire us all ](\u002Fpost\u002F8929\u002Faustralian-magnet-guy-thanks-you-beautiful-moron?utm_source=) [ Read More ](\u002Fpost\u002F8843\u002Fcasu-marzu-cheese-sardinia-illegal-dangerous) Very online Well, at least there’s golf A Good Place: The alternate history of the C-SPAN archives _We have already reached alarming levels of bad quarantine content_ Here are some happy websites to go to if you’re sick of reading articles about coronavirus The outside world is scary enough right now. 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Read More ](\u002Fpost\u002F8680\u002Fi-would-love-to-date-a-man-who-cant-read) [ Culture How a small-town Canadian museum became a shrine to Justin Bieber ](\u002Fpost\u002F8661\u002Fjustin-bieber-museum-steps-to-stardom-stratford-perth-changes)[ Culture We should all read more Jenny Diski ](\u002Fpost\u002F8669\u002Fwe-should-all-read-more-jenny-diski)[ Culture I watched too many videos about cute pigs and now I want to stop eating them ](\u002Fpost\u002F8501\u002Fask-a-fuck-up-stop-eating-pigs)[ Power Who is the world’s No. 1 bad guy? ](\u002Fpost\u002F8503\u002Ftrump-iran-response-qassem-soleimani)[ Power How to be wrong ](\u002Fpost\u002F8506\u002Fhow-to-be-wrong)[ Culture Working in the restaurant industry will haunt your dreams ![](https:\u002F\u002Foutline-prod.imgix.net\u002F2017070 …. A Brutalist \u002F Neo-Brutalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Entertainment & Media industry. 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A PLATFORM DEDICATED TO SUPPORTING COMMUNITIES, CELEBRATING THE OUTLIERS AND SHARING THOSE EXPERIENCES WITH OTHERS.","[CULT CLASSIC ISSUE 06: AVAILABLE NOW](https:\u002F\u002Fwww.kampgrizzly.com\u002Fshop\u002Fcult-classic-magazine-issue-05-cloudspotting-copy) Cult Classic is a multidisciplinary collective commissioning and publishing creative works. Our archival practice engages with artists and thinkers whose uninhibited perspectives are shaping the world we want to live in. Creative Direction by Justin Morris + Art & Photo Direction by Azha Ayanna Luckman + Art & Design Direction by Erika Nathanielsz + Editorial Direction by Apryl Fuentes + Production by Jeremy Schneier + Esra Canoğulları + Art Production by Camille Westerberg + Operations by Asharae Jones [ 2018-2025 Like most beautiful things, this one must come to an end. This is a sincere thank you to everyone who has contributed to the magazine over the years. We’re so glad we’ve been brought together. Long Live Cult ](\u002Ffeed\u002Ffarewell) [ Screenshot 2025-06-30 at 6.22.00 PM.png ](\u002Ffeed\u002Ffarewell) [ Copy of 0015_15.jpg PASSENGER PROGRAM Aerthship Artist Residency Story ](\u002Ffeed\u002Fpassenger-program) [ 030724_CultClassic_01_Nico_00240-MM-v2.jpg Precious Metals ft. Nico Corona, Georgina Treviño, and Phil Panza Story ](\u002Ffeed\u002Fprecious-metals) [ Artboard 1.png DWELLER Dwelling in Rememory Story ](\u002Ffeed\u002Fdweller) [ MIKECC01.jpg MIKE Music, Purpose, & Creative Connection Story ](\u002Ffeed\u002Fmike) [ NIA_ARCHIVES_CC_0524_26.jpg Nia Archives What does anybody know about jungle music these days? 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By commissioning and publishing works from artists, thinkers, and outliers, the magazine serves as a vital chronicle of the people currently shaping the global cultural landscape. It is a space dedicated to community support and the celebration of unconventional perspectives.\n\nThe visual identity is unapologetically bold and editorial, utilizing a high-contrast dark mode aesthetic that allows its diverse imagery to pop. The design leans into a sophisticated typographic approach, pairing heavy, impactful headers with a clean, grid-based layout that feels both archival and modern. It targets a culturally savvy, creative audience looking for depth, authenticity, and a departure from mainstream media narratives.",[524,265,30],"Clean \u002F Minimalist",[],[323,323],[],[529,531,532],{"score":530,"category":112},98,{"score":179,"category":115},{"score":116,"category":118},[534,535,536],{"score":530,"category":112},{"score":179,"category":115},{"score":116,"category":118},[132,128,136],"Website: Cult Classic. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Cult Classic Magazine. Page description: CULT CLASSIC IS A VISUAL MEMOIR CHRONICLING THE PEOPLE SHAPING THE CULTURAL LANDSCAPE. A PLATFORM DEDICATED TO SUPPORTING COMMUNITIES, CELEBRATING THE OUTLIERS AND SHARING THOSE EXPERIENCES WITH OTHERS.. Page content: [CULT CLASSIC ISSUE 06: AVAILABLE NOW](https:\u002F\u002Fwww.kampgrizzly.com\u002Fshop\u002Fcult-classic-magazine-issue-05-cloudspotting-copy) Cult Classic is a multidisciplinary collective commissioning and publishing creative works. Our archival practice engages with artists and thinkers whose uninhibited perspectives are shaping the world we want to live in. Creative Direction by Justin Morris + Art & Photo Direction by Azha Ayanna Luckman + Art & Design Direction by Erika Nathanielsz + Editorial Direction by Apryl Fuentes + Production by Jeremy Schneier + Esra Canoğulları + Art Production by Camille Westerberg + Operations by Asharae Jones [ 2018-2025 Like most beautiful things, this one must come to an end. This is a sincere thank you to everyone who has contributed to the magazine over the years. We’re so glad we’ve been brought together. Long Live Cult ](\u002Ffeed\u002Ffarewell) [ Screenshot 2025-06-30 at 6.22.00 PM.png ](\u002Ffeed\u002Ffarewell) [ Copy of 0015_15.jpg PASSENGER PROGRAM Aerthship Artist Residency Story ](\u002Ffeed\u002Fpassenger-program) [ 030724_CultClassic_01_Nico_00240-MM-v2.jpg Precious Metals ft. Nico Corona, Georgina Treviño, and Phil Panza Story ](\u002Ffeed\u002Fprecious-metals) [ Artboard 1.png DWELLER Dwelling in Rememory Story ](\u002Ffeed\u002Fdweller) [ MIKECC01.jpg MIKE Music, Purpose, & Creative Connection Story ](\u002Ffeed\u002Fmike) [ NIA_ARCHIVES_CC_0524_26.jpg Nia Archives What does anybody know about jungle music these days? Interview ](\u002Ffeed\u002Fnia-archives) [ 66927_JYU_CultClassicMagazine-Happy99_010_24-colorpass.jpg HAPPY99 Redefining the culture around design Interview ](\u002Ffeed\u002Fhappy-99) [ Screen Shot 2023-12-07 at 5.10.12 PM.png CHRYSALIS For Cult Classic Radio A ritualistic mix for the end of summer Mix ](\u002Fradio\u002Fccradiochrysalis) [ Screen Shot 2023-08-21 at 6.45.32 AM.png estoc For Cult Classic Radio a dip into the slow (but not soft) Mix ](\u002Fradio\u002Fccradioestoc) [ Screen Shot 2023-07-05 at 10.09.39 PM.png bastiengoat for Cult Classic Radio A glimpse of the Oakland underground Mix ](\u002Fradio\u002Fccradiobastiengoat) [ Screen Shot 2023-05-12 at 11.53.50 AM.png Sterling Juan Diaz For Cult Classic Radio \"what be making me wanna bounce\" Mix ](\u002Fradio\u002Fccradiosterlingjuandiaz) [ Screen Shot 2023-03-15 at 1.34.36 PM.png softchaos For Cult Classic Radio This mix isn't for dancing Mix ](\u002Fradio\u002Fccradiosoftchaos) [ Screen Shot 2022-12-20 at 8.39.45 PM.png Lil Zé For Cult Classic Radio A rhythmic chaos cacophony Mix ](\u002Fradio\u002Fccradiolilze) [ 2024_CC_OfferingRain_03.jpg Offering Rain Nourishment and growth Interview ](\u002Ffeed\u002Foffering-rain) [ DSC01793.jpg Aruni Dharmakirthi Intuition and Making Interview ](\u002Ffeed\u002Faruni-dharmakirthiin-conversation-with-erika-natha) [ Screenshot 2024-09-10 at 2.02.46 PM.png DELUGE Sonic Situations Film ](\u002Ffeed\u002Fdeluge) [ 0005_6.jpg James K An Electronic Evolution Interview ](\u002Ffeed\u002Fjames-ks-electronic-evolution) [ vb5.jpg Vivian Buenrostro Chocando Con El Tiempo Archive ](\u002Ffeed\u002Fvivian-buenrostro) [ Du Moution Noir_4_feed.png JALEN ELK The Cyborg Who Left His Will on Film Interview ](\u002Ffeed\u002Fjalen-elk-the-cyborg-who-left-his-will-on-film) [ Screen Shot 2022-11-10 at 5.32.38 PM.png Assaba For Cult Classic Radio A cinematic soundscape Mix ](\u002Fradio\u002Fccradioassaba) [ Screen Shot 2022-07-14 at 6.36.17 PM.png Donis For Cult Classic Radio A musical dialogue between New York, The UK and South Africa Mix ](\u002Fradio\u002Fccradiodonis) [ Screen Shot 2022-06-03 at 11.04.10 AM.png San Farafina For Cult Classic Radio The perfect soundtrack for easing into the heat of summer Mix ](\u002Fradio\u002Fccradiosanfarafina) [ Screen Shot 2022-04-07 at 1.21.14 PM.png Loris For Cult Classic Radio Siete Catorce, Toumba, Hassan Abou Alam and more Mix ](\u002Fradio\u002Fccradioloris) [ Screen Shot 2022-03-15 at 9.49.51 AM.png KG For Cult Classic Radio 45 minutes of pure dancefloor romance Mix ](\u002Fradio\u002Fccradio012) [ Screen Shot 2022-02-22 at 7.10.08 PM.png 8ULENTINA For Cult Classic Radio Percussion, breaks and little bit of TikTok love songs Mix ](\u002Fradio\u002Fccradio0121) [ Screen Shot 2022-01-20 at 09.17.33.png Half Queen For Cult Classic Radio A villainous soundtrack and a love letter to club music Mix ](\u002Fradio\u002Fccradio01131) [ Screen Shot 2022-01-11 at 2.28.25 PM.png cry$cross For Cult Classic Radio PinkPantheress, DJ Rashad, FAUZIA and more Mix ](\u002Fradio\u002Fccradio0113) [ Screen Shot 2021-08-30 at 3.49.39 PM.png Ariel Zetina For Cult Classic Radio Nostalgia-tinged Indie electronica Mix ](\u002Fradio\u002Fccradio011) [ Jared Brown For Cult Classic Radio Jared Brown For Cult Classic Radio Mix ](\u002Fradio\u002Fccradio01) [ CC02 Launch New York @Lot45 Video ](\u002Ffeed\u002Fcc02-launch-recap) [ DR_JUS SOLI_CALLEJON.jpg JUS SOLI Images created in Costa Chica, Oaxaca Archive ](\u002Ffeed\u002Fjus-soli) [ CC_NBT_21.jpg Nourished By Time Echoes of Reality Interview ](\u002Ffeed\u002Fnourished-by-time) [ Screen Shot 2024-02-12 at 11.40.39 AM.png JUS SOLI Time Based Theater: Darryl Richardson Film ](\u002Ffeed\u002Fjussoli) [ Bernie x cult 8.jpg Bernice Mulenga Service to Memory Archive ](\u002Ffeed\u002Fbernicemulenga) [ 000085260008.jpg A Path That Calls Blue A Path That Calls Blue Interview ](\u002Ffeed\u002Fa-path-that-calls-blue) [ tajah_oos7.jpg Out of Seam A Studio Visit with Tajah Ellis Interview ](\u002Ffeed\u002Fout-of-seam) [ lyric - 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A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features Black, White, Gray. The typography features GT America (Sans Serif, Grilli Type), GT America (Sans Serif, Grilli Type). AI description: Cult Classic is a multidisciplinary visual memoir and cultural platform that functions as a curated archive of contemporary creative expression. By commissioning and publishing works from artists, thinkers, and outliers, the magazine serves as a vital chronicle of the people currently shaping the global cultural landscape. It is a space dedicated to community support and the celebration of unconventional perspectives. The visual identity is unapologetically bold and editorial, utilizing a high-contrast dark mode aesthetic that allows its diverse imagery to pop. The design leans into a sophisticated typographic approach, pairing heavy, impactful headers with a clean, grid-based layout that feels both archival and modern. 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From 2018 - 2020 it was held at fanfare, but the third season, which begins in November 2020, will take place online. - We borrow from Sara Ahmed’s citation policy in _Living a Feminist Life_, in which she encourages us to view citations as (re)productive technologies – a tool that circumscribes the world around certain bodies. As such, we prioritise the work of women, trans, non-binary, queer, black, indigenous, POC, working-class, disabled, and other marginalised bodies in our resources and reading materials: “Citations can be feminist bricks: they are the materials through which, from which, we create our dwellings.” Ahmed, _Living a Feminist Life_, p.16. - Announcements for our reading groups are sent to our mailing list every month, to which you must RSVP in order to participate. - There is a maximum of 12 spots for each session which are offered on a first come first serve basis. - All resources and materials are provided digitally prior to each session. - Meetings are held in English. - _fanfare_, our host venue for our in-person events and reading groups, is on the ground floor and wheelchair accessible. - _plot twist_ aims to offer a safe space for everyone involved. Any form of bigotry – racism, sexism, classism, homophobia, transphobia and ableism – is not tolerated, and you will be asked you to leave if you behave in a way that offends or upsets others. - See our community guidelines for more info on how we run things. - Occasionally, we organise public activities and events, which are announced via our social media channels. News July 13 2021 EMBRACING VALUE Max Haiven writes that western society is suffering a crisis of imagination, with the seamless spread of capitalism into every part of our lives. In the next and final session of the season, we are reading from the zine Radical Care: Embracing Feminist Finance, to challenge our thinking about money, explore ideas about finance that lie outside of our current economic paradigm, and think about how these may be put into practice. Within capitalism, economic systems impact us all yet they can often seem far removed or complex to the point of abstraction. For this session, you will need no prior knowledge of these topics as we will be learning together. We will look to hopeful models – such as open value cooperation and local currencies – to embrace different values, with a focus on locality, cooperation, and care. The zine asks the question: \"If you could break down one patriarchal structure within the current economic paradigm, which would it be and what would you replace it with?\" To answer this, we can look at suggested models from the zine and supporting texts, such as gift economies to social and artistic initiatives, to speculate on new ecosystems of value. Hosted by Kate Frances Lingard and Rebecca Gill Reading List July 2021 Radical Care: Embracing Feminist Finance Amateur Cities in collaboration with The Institute of Network Cultures News May 31 2021 BAD READER BAD READER\\ is an ongoing study group dedicated to exploring phenomenologies, politics, and practices of reading. The project is rooted in a desire to better understand our attachments and relationships to the textual form, and engage with wider questions around meaning, language, semiotics, citation, forms of writing, and alternative ways of knowing. In the first iteration of the BAD READER series, we will read Lydia Davis’ ‘Fragmentary or Unfinished’ from her latest essay collection Essays (2019), alongside a few passages from Roland Barthes’ The Pleasure of the Text (1973). Davis’ essay looks at the fragmentary text to ask questions about the idea of wholeness or completion in a work, and how the form lends itself to grief, thinking (as a process), incoherency, and the destruction of narrative. In The Pleasure of the Text, Barthes theorises on what it means to enjoy a text, insisting on the importance of developing an erotics of reading. It is also written in fragments ;-). \\BAD READER is a series of reading sessions organised by Jo Kali and Georgie Sinclair. It will be integrated periodically (as and when fit) into the plot twist programme between 2021-2022. Reading sessions are non-committal; you do not need to have participated in previous or plan to attend future iterations of BAD READER to join. We hope to share more information on the expanded programme soon. Reading List May 2021 'Fragmentary or Unfinished' from Essays Lydia Davis The Pleasure of the Text Roland Barthes News May 5 2020 THIS IS WHAT THE TRUTH FEELS LIKE \"it is often said that the internet is full of disinformation, but what is deemed disinformation in the eyes of one, is truthful and important information in the eyes of another. everyone should be able to establish their own truths. but at the same time, speaking for myself (Sarah), when people adhere to certain truths that i do not share (such as hard-core anti-vaxxers), i can become agitated or impatient. in this session, we will ask questions such as: what makes something ‘true’? what different types of truths exist? is it important to have shared truths? and when is it reasonable to try to correct someone’s personal truths?\" Hosted by Sarah Eskens Reading List May 2021 The State of the Fact The Believer w\u002F Morgan Parker & Rachel Khong Private Fears in Public Space Lida Maxwell The yoga world is riddled with anti-vaxxers and QAnon believers Cécile Guerin Seeking After Truth bell hooks If women are hesitant about the vaccine, it's because the health industry hasn't earned their trust Araw Mahdawi Why we can't have our facts back Noortje Marres News April 6 2021 TENDING RETREAT ‘I am becoming part of his vegetal network too.’- Rebecca May Johnson In this session, we will explore the utopian potentials of land cultivation: the possibilities and pitfalls of retreating to the garden. Since March 2020, desires for the bucolic escape of #cottagecore have filtered across the socials- images of gardening, allotments, and analogue forms of domestic living offering both an aesthetic respite, and a stark contrast, to the varied experiences of an urban lockdown. Looking at various forms of pastoral maintenance we will discuss the ways these texts use land to explore themes of care, escape, and community- in addition to problematising the political undertones these trends can gesture to. How might issues of land ownership, climate grief, and gendered forms of care intertwine in a desire to grow our own herbs? Hosted by Loren Ewart Reading List April 2021 The Disturbances of the Garden Jamaica Kincaid Qualities of Earth Rebecca May Johnson Why queer teens are embracing cottagecore i-D News March 2 2021 Collective reading and discussion of Unknown Language by Huw Lemmey & Hildegard von Bingen \"Long before the collapse of the Information Age, in the twelfth century since the appearance of the prophet Christ, young Hildegard finds grace. In this story of survival and miracles, Hildegard encounters love, both queer and divine, and great peril. As the visionary healer travels through the unfamiliar landscape following a great cataclysm, she discovers the mythic quantum energy of viriditas in the natural world around her. Her journey becomes one of return, to the sacred truth of her own being. Hildegard’s tale is received in the plague year of 2020 by Alice Spawls, and then in the next century, in a sea cave with cracked amethyst walls. On planet Avaaz, once known as Earth, Bhanu Kapil’s Pinky Agarwalia finds fragments of a beautiful codex. Lingua Ignota, Hildegard's unknown language, bears seeds of renewal for a world in flux.\" Reading List March 2021 Unknown Language Huw Lemmey & Hildegard von Bingen News February 19 2021 OUT NOW: PLOT TWIST II plot twist ii is an anthology of short stories and essays from the hosts of our 2019-2020 programme. Our work as a reading group is often intangible to those who don't participate in the sessions, so – in lieu of our intended public event last summer – we chose to produce something in print to share with a wider audience. plot twist ii includes: - meditations on privacy, work, failure, and friendship - a sci-fi tale in four acts - auto-theory on books that 'stick' - two essays on food and the cultural politics of disgust - sensory creative fiction on dizziness and giddiness - an illustrated guide on practicing empathy - extended reading lists of our reading groups 2019-2020 - a BEAUTIFUL A3 limited-edition riso printed poster With contributions from Andreea Breazu, Angelica Sgouros, Elisa Grasso, Georgie Sinclair, Jo Kali, Juliette Lizotte, Loren Ewart, Lucia Dove, Naomi Credé, Rosie Haward, and Sarah Eskens. Designed by Juliette Lizotte and Lucie de Bréchard. It would mean the world to us if you could support us and these small book shops by buying a copy! San Serriffe (@sanserriffe) in Amsterdam, NL Rile\\* (rile.space) in Brussels, BE Good Press(good.press) in Glasgow, UK News February 2 2021 REMEMBERING, BARELY Lowkey writing workshop focused on autobiographical memory-writing Writing memories can change our perception of how life was. Feelings we might feel somewhat estranged from in this state of locked-up “half-living”, such as shame, desire, joy and loss are mediated through the temporal distance from our ‘other selves’. In this session, by looking at different writers’ approaches to memory-writing, we will experiment with what it means to remember. How do we write our past selves? The way memories feel might change over time: seen from a distance, we can put memories into their political, class or cultural context, like scattered pieces of a puzzle. Hosted by Ida Blom Reading List February 2021 from The Happening Annie Ernaux from Cockroaches Scholastique Mukasonga from Childhood Tove Ditlevsen News January 6 2020 CRIP-TIME: BENDING THE CLOCK “Crip time is flex time not just expanded but exploded; it requires re-imagining our notions of what can and should happen in time, or recognizing how expectations of 'how long things take' are based on very particular minds and bodies. Rather than bend disabled bodies and minds to meet the clock, crip time bends the clock to meet disabled bodies and minds.\" Alison Kafer In this session, we will think through the notion of ‘Crip Time’. Our brains and bodies all process and understand time in different ways, but for some people there is a heightened disparity between theirs and “regular” (often ableist) visions of time in daily life. In a culture where productivity and an attitude of “getting stuff done” is also a measure of self-worth, it’s important to recognise how these feed into and perpetuate the pathologization of people with disabilities. Being late, not finishing, sleeping too much or at irregular hours all spring from the same rigid and exclusionary sense that time is organised and experienced by everybody in the same way. Hosted by Elisa Grasso Reading List January 2020 Feminist Queer Crip Alison Kafer Six ways of looking at crip time Ellen Samuels The value of 'crip time': Discarding notions of productivity and guilt, to listen to the rhythms of our bodies Srinidhi Raghavan News December 8 2020 ATTENTION IS THE BEGINNING OF DEVOTION “Understand from the first this certainty. Butterflies don’t write books, neither do lilies or violets. Which doesn’t mean they don’t know, in their own way, what the …",{"id":551,"height":13,"width":12,"blurhash":552},"665e96c3-d671-4548-9d10-d438d44135aa","radial-gradient(at 0 0,#b3ac4e,#00000000 50%),radial-gradient(at 33% 0,#bfbba2,#00000000 50%),radial-gradient(at 67% 0,#eae98d,#00000000 50%),radial-gradient(at 100% 0,#efee00,#00000000 50%),radial-gradient(at 0 50%,#adb04f,#00000000 50%),radial-gradient(at 33% 50%,#aaaa8a,#00000000 50%),radial-gradient(at 67% 50%,#dbd974,#00000000 50%),radial-gradient(at 100% 50%,#e9e800,#00000000 50%),radial-gradient(at 0 100%,#b2b068,#00000000 50%),radial-gradient(at 33% 100%,#ceceb6,#00000000 50%),radial-gradient(at 67% 100%,#f3f49e,#00000000 50%),radial-gradient(at 100% 100%,#eeee00,#00000000 50%)",{"id":554,"height":15,"width":14,"blurhash":64},"5c09d851-04e7-4205-b5b7-d7cd8de6bf10",[556],{"directus_files_id":557},{"id":558},"e3f50637-5bc5-4157-bcf3-bbe4e3d3ba9f",[560],{"languages_code":388,"description":561},"Plot Twist is a vibrant digital hub serving as a literary collective, reading group, and alternative learning space. The website functions as a portal for creative intellectualism, bridging the gap between traditional publishing and modern internet-native community building. It positions itself as a sanctuary for readers and thinkers looking for unconventional educational experiences and curated literary content.\n\nThe visual identity is unapologetically bold, utilizing a high-contrast color palette dominated by a saturated electric yellow. The design leans into a neo-brutalist aesthetic, characterized by oversized, expressive serif typography and a raw, unpolished layout that prioritizes character over conventional corporate structure. This stylistic choice creates an immediate sense of artistic intentionality, appealing to a creative, avant-garde audience of writers, readers, and lifelong learners.","Art & Culture",[391,26,30],[565],"Ben West",[],[278],[569,571,572,573],{"score":570,"category":109},93,{"score":121,"category":112},{"score":116,"category":115},{"score":402,"category":118},[575,577,578,579],{"score":576,"category":109},94,{"score":121,"category":112},{"score":116,"category":115},{"score":402,"category":118},[140,132,128,136],"Website: Plot Twist. Page: Homepage. Page type: Home \u002F Landing Page. Page title: plot twist. Page content: Info - _plot twist_ was initiated by Jo Kali and Georgie Sinclair in 2018. From 2018 - 2020 it was held at fanfare, but the third season, which begins in November 2020, will take place online. - We borrow from Sara Ahmed’s citation policy in _Living a Feminist Life_, in which she encourages us to view citations as (re)productive technologies – a tool that circumscribes the world around certain bodies. As such, we prioritise the work of women, trans, non-binary, queer, black, indigenous, POC, working-class, disabled, and other marginalised bodies in our resources and reading materials: “Citations can be feminist bricks: they are the materials through which, from which, we create our dwellings.” Ahmed, _Living a Feminist Life_, p.16. - Announcements for our reading groups are sent to our mailing list every month, to which you must RSVP in order to participate. - There is a maximum of 12 spots for each session which are offered on a first come first serve basis. - All resources and materials are provided digitally prior to each session. - Meetings are held in English. - _fanfare_, our host venue for our in-person events and reading groups, is on the ground floor and wheelchair accessible. - _plot twist_ aims to offer a safe space for everyone involved. Any form of bigotry – racism, sexism, classism, homophobia, transphobia and ableism – is not tolerated, and you will be asked you to leave if you behave in a way that offends or upsets others. - See our community guidelines for more info on how we run things. - Occasionally, we organise public activities and events, which are announced via our social media channels. News July 13 2021 EMBRACING VALUE Max Haiven writes that western society is suffering a crisis of imagination, with the seamless spread of capitalism into every part of our lives. In the next and final session of the season, we are reading from the zine Radical Care: Embracing Feminist Finance, to challenge our thinking about money, explore ideas about finance that lie outside of our current economic paradigm, and think about how these may be put into practice. Within capitalism, economic systems impact us all yet they can often seem far removed or complex to the point of abstraction. For this session, you will need no prior knowledge of these topics as we will be learning together. We will look to hopeful models – such as open value cooperation and local currencies – to embrace different values, with a focus on locality, cooperation, and care. The zine asks the question: \"If you could break down one patriarchal structure within the current economic paradigm, which would it be and what would you replace it with?\" To answer this, we can look at suggested models from the zine and supporting texts, such as gift economies to social and artistic initiatives, to speculate on new ecosystems of value. Hosted by Kate Frances Lingard and Rebecca Gill Reading List July 2021 Radical Care: Embracing Feminist Finance Amateur Cities in collaboration with The Institute of Network Cultures News May 31 2021 BAD READER BAD READER\\ is an ongoing study group dedicated to exploring phenomenologies, politics, and practices of reading. The project is rooted in a desire to better understand our attachments and relationships to the textual form, and engage with wider questions around meaning, language, semiotics, citation, forms of writing, and alternative ways of knowing. In the first iteration of the BAD READER series, we will read Lydia Davis’ ‘Fragmentary or Unfinished’ from her latest essay collection Essays (2019), alongside a few passages from Roland Barthes’ The Pleasure of the Text (1973). Davis’ essay looks at the fragmentary text to ask questions about the idea of wholeness or completion in a work, and how the form lends itself to grief, thinking (as a process), incoherency, and the destruction of narrative. In The Pleasure of the Text, Barthes theorises on what it means to enjoy a text, insisting on the importance of developing an erotics of reading. It is also written in fragments ;-). \\BAD READER is a series of reading sessions organised by Jo Kali and Georgie Sinclair. It will be integrated periodically (as and when fit) into the plot twist programme between 2021-2022. Reading sessions are non-committal; you do not need to have participated in previous or plan to attend future iterations of BAD READER to join. We hope to share more information on the expanded programme soon. Reading List May 2021 'Fragmentary or Unfinished' from Essays Lydia Davis The Pleasure of the Text Roland Barthes News May 5 2020 THIS IS WHAT THE TRUTH FEELS LIKE \"it is often said that the internet is full of disinformation, but what is deemed disinformation in the eyes of one, is truthful and important information in the eyes of another. everyone should be able to establish their own truths. but at the same time, speaking for myself (Sarah), when people adhere to certain truths that i do not share (such as hard-core anti-vaxxers), i can become agitated or impatient. in this session, we will ask questions such as: what makes something ‘true’? what different types of truths exist? is it important to have shared truths? and when is it reasonable to try to correct someone’s personal truths?\" Hosted by Sarah Eskens Reading List May 2021 The State of the Fact The Believer w\u002F Morgan Parker & Rachel Khong Private Fears in Public Space Lida Maxwell The yoga world is riddled with anti-vaxxers and QAnon believers Cécile Guerin Seeking After Truth bell hooks If women are hesitant about the vaccine, it's because the health industry hasn't earned their trust Araw Mahdawi Why we can't have our facts back Noortje Marres News April 6 2021 TENDING RETREAT ‘I am becoming part of his vegetal network too.’- Rebecca May Johnson In this session, we will explore the utopian potentials of land cultivation: the possibilities and pitfalls of retreating to the garden. Since March 2020, desires for the bucolic escape of #cottagecore have filtered across the socials- images of gardening, allotments, and analogue forms of domestic living offering both an aesthetic respite, and a stark contrast, to the varied experiences of an urban lockdown. Looking at various forms of pastoral maintenance we will discuss the ways these texts use land to explore themes of care, escape, and community- in addition to problematising the political undertones these trends can gesture to. How might issues of land ownership, climate grief, and gendered forms of care intertwine in a desire to grow our own herbs? Hosted by Loren Ewart Reading List April 2021 The Disturbances of the Garden Jamaica Kincaid Qualities of Earth Rebecca May Johnson Why queer teens are embracing cottagecore i-D News March 2 2021 Collective reading and discussion of Unknown Language by Huw Lemmey & Hildegard von Bingen \"Long before the collapse of the Information Age, in the twelfth century since the appearance of the prophet Christ, young Hildegard finds grace. In this story of survival and miracles, Hildegard encounters love, both queer and divine, and great peril. As the visionary healer travels through the unfamiliar landscape following a great cataclysm, she discovers the mythic quantum energy of viriditas in the natural world around her. Her journey becomes one of return, to the sacred truth of her own being. Hildegard’s tale is received in the plague year of 2020 by Alice Spawls, and then in the next century, in a sea cave with cracked amethyst walls. On planet Avaaz, once known as Earth, Bhanu Kapil’s Pinky Agarwalia finds fragments of a beautiful codex. Lingua Ignota, Hildegard's unknown language, bears seeds of renewal for a world in flux.\" Reading List March 2021 Unknown Language Huw Lemmey & Hildegard von Bingen News February 19 2021 OUT NOW: PLOT TWIST II plot twist ii is an anthology of short stories and essays from the hosts of our 2019-2020 programme. Our work as a reading group is often intangible to those who don't participate in the sessions, so – in lieu of our intended public event last summer – we chose to produce something in print to share with a wider audience. plot twist ii includes: - meditations on privacy, work, failure, and friendship - a sci-fi tale in four acts - auto-theory on books that 'stick' - two essays on food and the cultural politics of disgust - sensory creative fiction on dizziness and giddiness - an illustrated guide on practicing empathy - extended reading lists of our reading groups 2019-2020 - a BEAUTIFUL A3 limited-edition riso printed poster With contributions from Andreea Breazu, Angelica Sgouros, Elisa Grasso, Georgie Sinclair, Jo Kali, Juliette Lizotte, Loren Ewart, Lucia Dove, Naomi Credé, Rosie Haward, and Sarah Eskens. Designed by Juliette Lizotte and Lucie de Bréchard. It would mean the world to us if you could support us and these small book shops by buying a copy! San Serriffe (@sanserriffe) in Amsterdam, NL Rile\\* (rile.space) in Brussels, BE Good Press(good.press) in Glasgow, UK News February 2 2021 REMEMBERING, BARELY Lowkey writing workshop focused on autobiographical memory-writing Writing memories can change our perception of how life was. Feelings we might feel somewhat estranged from in this state of locked-up “half-living”, such as shame, desire, joy and loss are mediated through the temporal distance from our ‘other selves’. In this session, by looking at different writers’ approaches to memory-writing, we will experiment with what it means to remember. How do we write our past selves? The way memories feel might change over time: seen from a distance, we can put memories into their political, class or cultural context, like scattered pieces of a puzzle. Hosted by Ida Blom Reading List February 2021 from The Happening Annie Ernaux from Cockroaches Scholastique Mukasonga from Childhood Tove Ditlevsen News January 6 2020 CRIP-TIME: BENDING THE CLOCK “Crip time is flex time not just expanded but exploded; it requires re-imagining our notions of what can and should happen in time, or recognizing how expectations of 'how long things take' are based on very particular minds and bodies. Rather than bend disabled bodies and minds to meet the clock, crip time bends the clock to meet disabled bodies and minds.\" Alison Kafer In this session, we will think through the notion of ‘Crip Time’. Our brains and bodies all process and understand time in different ways, but for some people there is a heightened disparity between theirs and “regular” (often ableist) visions of time in daily life. In a culture where productivity and an attitude of “getting stuff done” is also a measure of self-worth, it’s important to recognise how these feed into and perpetuate the pathologization of people with disabilities. Being late, not finishing, sleeping too much or at irregular hours all spring from the same rigid and exclusionary sense that time is organised and experienced by everybody in the same way. Hosted by Elisa Grasso Reading List January 2020 Feminist Queer Crip Alison Kafer Six ways of looking at crip time Ellen Samuels The value of 'crip time': Discarding notions of productivity and guilt, to listen to the rhythms of our bodies Srinidhi Raghavan News December 8 2020 ATTENTION IS THE BEGINNING OF DEVOTION “Understand from the first this certainty. Butterflies don’t write books, neither do lilies or violets. Which doesn’t mean they don’t know, in their own way, what the …. A Brutalist \u002F Neo-Brutalist, Fun \u002F Playful, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features Yellow, Black, White, Gray. Built using PHP. AI description: Plot Twist is a vibrant digital hub serving as a literary collective, reading group, and alternative learning space. The website functions as a portal for creative intellectualism, bridging the gap between traditional publishing and modern internet-native community building. It positions itself as a sanctuary for readers and thinkers looking for unconventional educational experiences and curated literary content. The visual identity is unapologetically bold, utilizing a high-contrast color palette dominated by a saturated electric yellow. The design leans into a neo-brutalist aesthetic, characterized by oversized, expressive serif typography and a raw, unpolished layout that prioritizes character over conventional corporate structure. 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Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Bia Hoi Junction, Hanoi. The View from Hanoi [ Brock Eldon ](\u002Farticles\u002F1704-the-view-from-hanoi) Salmagundi #228-229 (Fall 2025 - Winter 2026) Many Thousands Gone\\ [ Martha Bayles ](\u002Farticles\u002F1720-many-thousands-gone) Salmagundi #228-229 (Fall 2025 - Winter 2026) On Jewish Evil [ David Stromberg ](\u002Farticles\u002F1706-on-jewish-evil) Salmagundi #228-229 (Fall 2025 - Winter 2026) Partisanship & Denial: A Response To Andrew Sullivan and Finally Getting It [ William Deresiewicz ](\u002Farticles\u002F456-partisanship-denial) Salmagundi 218-219, Spring-Summer 2023 The Praxis of “Practice” [ Michael Kowalski ](\u002Farticles\u002F432-the-praxis-of-practice) Salmagundi 216-217, Fall 2022 - Winter 2023 The Pleasures of Censorship [ Adam Phillips ](\u002Farticles\u002F375-the-pleasures-of-censorship) Salmagundi 214-215, Spring - Summer 2022 A Selection from Elias Canetti’s _The Book Against Death_ [ Elias Canetti ](\u002Farticles\u002F343-a-selection-from-elias-canetti-s-_the-book-against-death_) Interviews Women, The Arts, & The Politics of Culture An Interview with Susan Sontag [ Susan Sontag ](\u002Farticles\u002F14-women-the-arts-the-politics-of-culture) Salmagundi No. 188\u002F189, 2015 Online Wielding the Lyric On _Now It’s Dark_ [ Ocean Vuong ](\u002Farticles\u002F274-wielding-the-lyric) What Now, Humanist?\\ [ Jennifer Delton ](\u002Farticles\u002F1707-what-now-humanist) Salmagundi #228-229 (Fall 2025 - Winter 2026) _The New Yorker_ at 100: A Personal Reflection [ Martin Jay ](\u002Farticles\u002F1705-the-new-yorker-at-100) Salmagundi #228-229 (Fall 2025 - Winter 2026) Online The Home Key #20 Defector From the Petty Wars [ Rick Moody ](\u002Farticles\u002F1638-the-home-key-20) The Field [ Ben Corvo ](\u002Farticles\u002F1543-the-field) Salmagundi 226-227, Spring - Summer 2025 Vanishing Acts [ Anne Kenner ](\u002Farticles\u002F1539-vanishing-acts) Salmagundi 226-227, Spring - Summer 2025 Rosanna Warren: An Interview\\ [ Rosanna Warren ](\u002Farticles\u002F1717-rosanna-warren-an-interview) Salmagundi #228-229 (Fall 2025 - Winter 2026) Will the Real Francis Picabia Please Stand Up? [ Barbara Purcell ](\u002Farticles\u002F1605-will-the-real-francis-picabia-please-stand-up) Salmagundi 226-227, Spring - Summer 2025 Crazy [ Philip Schultz ](\u002Farticles\u002F1542-crazy) Salmagundi 226-227, Spring - Summer 2025 Bunk [ Robert Cohen ](\u002Farticles\u002F1506-bunk) Salmagundi 226-227, Spring - Summer 2025 About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Special Features The Home Key The “Lost Girls” of the _Yellow Book_ [ Barbara Black ](\u002Farticles\u002F1721-the-lost-girls-of-the-yellow-book) Salmagundi #228-229 (Fall 2025 - Winter 2026) Five Poems [ Chase Twichell ](\u002Farticles\u002F1715-five-poems) Salmagundi #228-229 (Fall 2025 - Winter 2026) Notes on a Photograph from 1884 [ Nick Flynn ](\u002Farticles\u002F466-notes-on-a-photograph-from-1884) Salmagundi 218-219, Spring-Summer 2023 A Thousand Gentle Smotherings [ Celeste Marcus ](\u002Farticles\u002F441-a-thousand-gentle-smotherings) Salmagundi 216-217, Fall 2022 - Winter 2023 What Lurks Below the New Class War [ Roger Berkowitz ](\u002Farticles\u002F380-what-lurks-below-the-new-class-war) Salmagundi 214-215, Spring - Summer 2022 The Super-Ego in the Green World [ Mark Edmundson ](\u002Farticles\u002F373-the-super-ego-in-the-green-world) A Brooklyn Bovary (As Told by Her Son) [ David Mikics ](\u002Farticles\u002F90-a-brooklyn-bovary) Online Poetry “Sad Song” [ Chase Twichell ](\u002Farticles\u002F110-sad-song) Criticism Politics Emerging from Censorship [ J.M. Coetzee ](\u002Farticles\u002F9-emerging-from-censorship) Salmagundi No. 100, Fall 1993 Online Paul McCartney with Linda at Empire Theatre, Liverpool 1973 The Home Key #22: Paul McCartney, the Solo Years [ Rick Moody ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years),[ Marc Woodworth ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years), and[ Adam Braver ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years) [The Tragedy of Liberal Self-Doubt](\u002Farticles\u002F1572-the …",{"id":596,"height":13,"width":12,"blurhash":597},"8e244143-65ce-4b56-9b06-4baff035ff55","radial-gradient(at 0 0,#edf4f5,#00000000 50%),radial-gradient(at 33% 0,#f0f2ec,#00000000 50%),radial-gradient(at 67% 0,#fafaf6,#00000000 50%),radial-gradient(at 100% 0,#fcfbfb,#00000000 50%),radial-gradient(at 0 50%,#cdc2c4,#00000000 50%),radial-gradient(at 33% 50%,#ad9386,#00000000 50%),radial-gradient(at 67% 50%,#d6cac4,#00000000 50%),radial-gradient(at 100% 50%,#f6f2f1,#00000000 50%),radial-gradient(at 0 100%,#d4d5d8,#00000000 50%),radial-gradient(at 33% 100%,#cbc4bc,#00000000 50%),radial-gradient(at 67% 100%,#e1dfda,#00000000 50%),radial-gradient(at 100% 100%,#f2f0f0,#00000000 50%)",{"id":599,"height":15,"width":14,"blurhash":64},"7d1b48d2-0f54-4fcc-a89d-137f13ed64ac",[601,604,607,610,613,616,619,622,625,628,631,634,637,640,643,646,649,652,655,658,661,664,667,670,673,676,679,682,685,688],{"directus_files_id":602},{"id":603},"71b52c58-440f-4174-9c66-a15fe5416204",{"directus_files_id":605},{"id":606},"bcdd0258-ebe9-43c9-b634-5fff7b6d6b0f",{"directus_files_id":608},{"id":609},"c2841b20-ee81-49f2-8058-121f01cb6fd0",{"directus_files_id":611},{"id":612},"e6413f52-cc85-41e1-8a0b-bf0c8834ed9e",{"directus_files_id":614},{"id":615},"2b716e5c-547a-4f7f-ae3e-a1d82e684736",{"directus_files_id":617},{"id":618},"c9629595-3b9b-4d90-8321-ac5992f556a1",{"directus_files_id":620},{"id":621},"bb7d1b52-0acd-4fbb-a8f7-09d850d2e19e",{"directus_files_id":623},{"id":624},"1f08f1ec-2c11-4981-bd46-ce4fab505ad6",{"directus_files_id":626},{"id":627},"b07bfda4-f330-464e-9401-9eac0d2d41bc",{"directus_files_id":629},{"id":630},"027795d6-f557-458e-9a82-52f60b0f4adc",{"directus_files_id":632},{"id":633},"8d90dca1-01b8-44a5-998b-efccaa933979",{"directus_files_id":635},{"id":636},"e002403f-b8cf-4691-bc9b-bf52a6e73207",{"directus_files_id":638},{"id":639},"0b15d71e-1dce-4996-8e0b-410c111eca5f",{"directus_files_id":641},{"id":642},"00ff0ffd-6ca8-4d60-a2c3-dac3411ee19d",{"directus_files_id":644},{"id":645},"0df549fe-44ec-4b35-ad1a-2ea97af6b32d",{"directus_files_id":647},{"id":648},"524fe1c5-d0f7-4680-a967-933992cd2683",{"directus_files_id":650},{"id":651},"33fb745f-9f8f-4aef-b6b3-9aafff286144",{"directus_files_id":653},{"id":654},"7b366636-3a71-4db5-bdf6-b3adad1c4455",{"directus_files_id":656},{"id":657},"77978e31-42e4-41d9-a41c-2791a5ee4ae6",{"directus_files_id":659},{"id":660},"1841d10b-af5d-457d-9fa7-e1c09ccd7a3c",{"directus_files_id":662},{"id":663},"40ac1f5f-7287-4f3d-aa7b-eb1f0e6f350e",{"directus_files_id":665},{"id":666},"5251c4a2-bdd9-4f6c-8ff3-d8fa31ea04a5",{"directus_files_id":668},{"id":669},"ff8e8b5b-e1f7-4646-a9e7-1619bc196c6b",{"directus_files_id":671},{"id":672},"3f83aa87-abe4-40b1-8d2e-53047fe437b8",{"directus_files_id":674},{"id":675},"c42b3485-2498-405d-b7b5-e5878ad170fb",{"directus_files_id":677},{"id":678},"9fe50101-f9cf-4567-ba7c-3f837da5e292",{"directus_files_id":680},{"id":681},"baa78dbb-02b6-4b33-99b4-2a586475e170",{"directus_files_id":683},{"id":684},"6394465f-cfa1-4932-a23f-dd9825a33b1d",{"directus_files_id":686},{"id":687},"3d66830a-4ab6-4b02-8bac-ed4e8354af5e",{"directus_files_id":689},{"id":690},"383aad9b-73fa-48ed-8dfe-7a78e88a9f88",[692],{"languages_code":388,"description":693},"Salmagundi Magazine serves as a sophisticated intellectual hub, offering a rigorous quarterly exploration of politics, culture, literature, and the arts. The platform is designed for a discerning, academic, and culturally engaged audience that seeks depth over brevity, providing a home for demanding fiction, long-form essays, and provocative criticism. \n\nThe visual identity is defined by a striking, high-contrast typographic approach that mirrors the magazine's uncompromising editorial stance. By utilizing a clean, grid-based layout paired with bold, serif-heavy imagery and a minimalist color palette, the design evokes the prestige of a traditional literary journal while maintaining a modern, accessible digital presence. The use of large-scale typography and structured navigation emphasizes clarity and intellectual weight.",[524,30],[],[303],[698,699],"Ruby","Ruby on Rails",[701,703,704,705],{"score":702,"category":109},74,{"score":220,"category":112},{"score":116,"category":115},{"score":116,"category":118},[707,708,709,710],{"score":224,"category":109},{"score":220,"category":112},{"score":116,"category":115},{"score":116,"category":118},[128,144,136,132],"Website: Salmagundi. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home - Salmagundi Magazine. Page description: Salmagundi Magazine is an international quarterly magazine of politics, culture, literature and the arts published at Skidmore College. Page content: About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Bia Hoi Junction, Hanoi. The View from Hanoi [ Brock Eldon ](\u002Farticles\u002F1704-the-view-from-hanoi) Salmagundi #228-229 (Fall 2025 - Winter 2026) Many Thousands Gone\\ [ Martha Bayles ](\u002Farticles\u002F1720-many-thousands-gone) Salmagundi #228-229 (Fall 2025 - Winter 2026) On Jewish Evil [ David Stromberg ](\u002Farticles\u002F1706-on-jewish-evil) Salmagundi #228-229 (Fall 2025 - Winter 2026) Partisanship & Denial: A Response To Andrew Sullivan and Finally Getting It [ William Deresiewicz ](\u002Farticles\u002F456-partisanship-denial) Salmagundi 218-219, Spring-Summer 2023 The Praxis of “Practice” [ Michael Kowalski ](\u002Farticles\u002F432-the-praxis-of-practice) Salmagundi 216-217, Fall 2022 - Winter 2023 The Pleasures of Censorship [ Adam Phillips ](\u002Farticles\u002F375-the-pleasures-of-censorship) Salmagundi 214-215, Spring - Summer 2022 A Selection from Elias Canetti’s _The Book Against Death_ [ Elias Canetti ](\u002Farticles\u002F343-a-selection-from-elias-canetti-s-_the-book-against-death_) Interviews Women, The Arts, & The Politics of Culture An Interview with Susan Sontag [ Susan Sontag ](\u002Farticles\u002F14-women-the-arts-the-politics-of-culture) Salmagundi No. 188\u002F189, 2015 Online Wielding the Lyric On _Now It’s Dark_ [ Ocean Vuong ](\u002Farticles\u002F274-wielding-the-lyric) What Now, Humanist?\\ [ Jennifer Delton ](\u002Farticles\u002F1707-what-now-humanist) Salmagundi #228-229 (Fall 2025 - Winter 2026) _The New Yorker_ at 100: A Personal Reflection [ Martin Jay ](\u002Farticles\u002F1705-the-new-yorker-at-100) Salmagundi #228-229 (Fall 2025 - Winter 2026) Online The Home Key #20 Defector From the Petty Wars [ Rick Moody ](\u002Farticles\u002F1638-the-home-key-20) The Field [ Ben Corvo ](\u002Farticles\u002F1543-the-field) Salmagundi 226-227, Spring - Summer 2025 Vanishing Acts [ Anne Kenner ](\u002Farticles\u002F1539-vanishing-acts) Salmagundi 226-227, Spring - Summer 2025 Rosanna Warren: An Interview\\ [ Rosanna Warren ](\u002Farticles\u002F1717-rosanna-warren-an-interview) Salmagundi #228-229 (Fall 2025 - Winter 2026) Will the Real Francis Picabia Please Stand Up? [ Barbara Purcell ](\u002Farticles\u002F1605-will-the-real-francis-picabia-please-stand-up) Salmagundi 226-227, Spring - Summer 2025 Crazy [ Philip Schultz ](\u002Farticles\u002F1542-crazy) Salmagundi 226-227, Spring - Summer 2025 Bunk [ Robert Cohen ](\u002Farticles\u002F1506-bunk) Salmagundi 226-227, Spring - Summer 2025 About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Special Features The Home Key The “Lost Girls” of the _Yellow Book_ [ Barbara Black ](\u002Farticles\u002F1721-the-lost-girls-of-the-yellow-book) Salmagundi #228-229 (Fall 2025 - Winter 2026) Five Poems [ Chase Twichell ](\u002Farticles\u002F1715-five-poems) Salmagundi #228-229 (Fall 2025 - Winter 2026) Notes on a Photograph from 1884 [ Nick Flynn ](\u002Farticles\u002F466-notes-on-a-photograph-from-1884) Salmagundi 218-219, Spring-Summer 2023 A Thousand Gentle Smotherings [ Celeste Marcus ](\u002Farticles\u002F441-a-thousand-gentle-smotherings) Salmagundi 216-217, Fall 2022 - Winter 2023 What Lurks Below the New Class War [ Roger Berkowitz ](\u002Farticles\u002F380-what-lurks-below-the-new-class-war) Salmagundi 214-215, Spring - Summer 2022 The Super-Ego in the Green World [ Mark Edmundson ](\u002Farticles\u002F373-the-super-ego-in-the-green-world) A Brooklyn Bovary (As Told by Her Son) [ David Mikics ](\u002Farticles\u002F90-a-brooklyn-bovary) Online Poetry “Sad Song” [ Chase Twichell ](\u002Farticles\u002F110-sad-song) Criticism Politics Emerging from Censorship [ J.M. Coetzee ](\u002Farticles\u002F9-emerging-from-censorship) Salmagundi No. 100, Fall 1993 Online Paul McCartney with Linda at Empire Theatre, Liverpool 1973 The Home Key #22: Paul McCartney, the Solo Years [ Rick Moody ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years),[ Marc Woodworth ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years), and[ Adam Braver ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years) [The Tragedy of Liberal Self-Doubt](\u002Farticles\u002F1572-the …. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Violet, Gray, Black. The typography features Times New Roman (Serif). Built using Ruby, Ruby on Rails. AI description: Salmagundi Magazine serves as a sophisticated intellectual hub, offering a rigorous quarterly exploration of politics, culture, literature, and the arts. The platform is designed for a discerning, academic, and culturally engaged audience that seeks depth over brevity, providing a home for demanding fiction, long-form essays, and provocative criticism. The visual identity is defined by a striking, high-contrast typographic approach that mirrors the magazine's uncompromising editorial stance. By utilizing a clean, grid-based layout paired with bold, serif-heavy imagery and a minimalist color palette, the design evokes the prestige of a traditional literary journal while maintaining a modern, accessible digital presence. The use of large-scale typography and structured navigation emphasizes clarity and intellectual weight."]