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aqui mae! is about the freedom to be an individual in a society where the media and fashion industry dictate perceptions of beauty in our world. Rather than focusing on familiar, standard body modifications, the project is about futuristic possibilities of self-expression. A. Human was a theatrical pop-up art experience during New York Fashion Week that invited guests into the showroom of a futuristic fashion brand called A. Human. However, instead of designing clothing, A. Human designs body modifications. Imagine eyelashes that move of their own accord, back filaments that glow, and matching hearts you can design for you and your lover. This is the world of A. Human. The sold out experience took the form of a 750 sq. m physical showroom in downtown Manhattan for three weeks, but our presence extended into digital, social media and press headlines across the worlds of fashion, pop culture and entertainment. View the social campaign and art direction. > “Words like freakish and nightmarish were being used to describe Kim’s new accessory. If something is not the norm, it can’t be admired for its unique beauty. But that’s why projects like A. Human should be celebrated.”Metro UK As guests entered the space, a message from A. Huxley, founder of A. Human, was projected onto an 8m x 4m wall. The two rectangles at the end of the video outline the entrances. View the introduction video. Announcer: And now, a message from our founder. Voice of A. Huxley: _When I founded A. Human, I never dreamed so many of you would share my passion and curiosity for the adornment of the human body. But with your unwavering support and your eagerness to explore what it means to be you, our company has struck out into new territory. Beyond these doors is my most personal collection yet, no detail overlooked, no expense spared. Please take your time, explore, and ask: what if? To my returning clients, welcome back, and I hope you enjoy our newest offerings. To my first-time guests, I humbly offer this advice: Keep an open mind. You may see things you have never imagined, and that may unsettle you in the beginning. If at any time you need assistance, our A.Human associates will be happy to help. Be bold. Dare to explore. Leave the rules of what it means to be “human” at the door. And remember…_ A. Human Ursula SS19 Enchant and entice with dramatic bioreactive gemstones and cultured keratin that evoke deep sea treasure. Design and placement can be customized to your unique vibe. A. Human Corset SS19 Give the temple of your body an architectural makeover. Cultured keratin combines with intricate engineering to gird you in flexible, supportive armor. A. Human Empress SS19 Embrace your delicate side with lace-like finger webbing, designed to be both durable and ethereal. A. Human Heart SS19 Internal. Private. Romantic. For the first time ever, customize what's inside. Honor yourself, or share the most intimate experience of all – a bespoke heart, matched to or designed in coordination with those closest in your life. A. Human Nautilus SS19 Embrace your golden ratio with this chambered platform. The biological heel series reshapes the foot into beautiful, nature-inspired drama. Fake bodies and live actors with special effects makeup were displayed together to blur the line between fantasy and reality. Uniformed associates assisted clients in picking the right modifications for their future self-expression. Clients were encouraged to “try on” modifications and be creative in the fitting rooms. View more on A. Human’s Instagram. The website lets clients customize and create a one-of-a-kind A. Human heart to (literally) wear on their sleeve. In-store merchandise included tote bags for transporting modifications when not affixed to the body, special towels for drying off modifications during post-procedure care, and edibles (candy) that could be taken daily to relieve body modification muscle soreness. A. Human appeared as a challenge on Project Runway hosted by Karlie Kloss. View A.Human credits Society of Spectacle Team: Founder: Simon Huck Creative Direction: Jen Lu Spencer LaVallee Narration Design: Caitlin Starling Theatrical Direction: Michael Counts Travis Greisler Set Design & Lighting: De-Yan Production & Operation: Ghost Experiential Set Design & Fabrication: The Factory NYC Standard Transmission LeapStarr Productions Special Effects Makeup: Laura Dandridge Conor McCullagh and team Concept Design: Adam Milicevic Rayce Bird Makeup Application: Barney Burman Robin Pritchard Derek Garcia and team Hair: Dave Bova Actors: Matthew Brown Jordan Hall Dillon Greenberg Rebecca Tucker Nicole Orabona Keith Comley Arden Winant Steve R. Austin Ari Gold Jessy Smith Stasi Berezovskaya Ann Devine Saige Bynum Jeff Garber Justin Mock Jason Norris Delicia Glam Joyce Miller Reema Bounajem Brian Alford Mark Blane Casey Cudmore Molly Marx Digital: Nelson Vassalo Pedro Roxo Nogueira Rui Iniesta Furtado PR: PR Consulting Photography: Luke Abby Josiah Spencer Special Thanks: Neely Lisk is a poppin' haunted nightclub in the heart of Miami where guests party among the spirits and dance till they die. What makes Art Basel fun is not the art itself, but the vibrancy of the city that it’s viewed in. Before Miami was a bustling art scene, it was a safe haven for Cubans, who put it on the map. It was the epicenter of LGBTQ culture, giving the city its glamorous reputation. It was called the “Drug Capital of the World,” the city that cocaine built. It was the home to famous people and famous scandals. The Haunt opened during Art Basel. At The Haunt, Miami's past and future mingle, making it apparent that the heart and soul of this city is as eternal as the ghosts in our exhibit. Outside The Haunt, there was a sign, a velvet rope, and a bouncer (the gatekeeper) ushering people into the space. Guests entered the vibrant nightclub, where a bespoke mix of records were spinning and drinks awaited them. Guests viewed 3D ghost interpretations of real historical Miami figures through augmented reality, uncovering peculiar tales of the people whose after-hour parties became parties. Augmented reality plaques with stories floated next to each spirit. South Beach Wanda was the ultimate 90’s drag queen icon and was murdered tragically a few short years before the exhibit. She performed on the dance floor at The Haunt. Julia Tuttle was the mother of Miami and the founder of The Haunt – the original Miami spirit. David Fairchild was a famous botanist every Miami student learns about in school. He tended to the plants at the bar, the only living thing at The Haunt. Alberto Bravo, one of the ex-husbands of drug lord Griselda Blanco, guarded his hidden box of cocaine at The Haunt. Objects were used to symbolize some ghosts, such as Gianni Versace, whose ghost attempted to call the police when he was shot but there’s no reception in the afterlife. Mac Klein, owner of Mac’s Club Deuce bar, wore his signature Hawaiian printed shirt as he tended the bar at The Haunt. Our exhibit took place at Ocean Terrace Hotel, an art deco building that was slated to be demolished shortly after our exhibit ended. Barbara Capitman, the activist who saved South Beach’s Art Deco district, rallied to save Ocean Terrace at The Haunt. > “...The Haunt, even used \\Miami\\] as inspiration, constructing a nightclub for our deceased local icons, serving cocktails and using augmented reality to make the ghosts appear at the club. Gianni Versace is here, but so is Julia Tuttle. Mac Klein tends the bar. These organizers did their research.”[Miami New Times The Lost Boy represented the thousands of Cuban children that were sent to Miami without their parents in the ‘50s for a shot at a better life, building Miami into what it is today. The exhibit took place in a room in the Ocean Terrace Hotel. The Flamingo in the bathroom is inspired by zoo assistant Ron …",true,1,"1",{"id":362,"height":13,"width":12,"blurhash":363},"fc0e991e-75e7-4e97-bf2a-efb79f8a4b23","radial-gradient(at 0 0,#370000,#00000000 50%),radial-gradient(at 33% 0,#51130b,#00000000 50%),radial-gradient(at 67% 0,#351200,#00000000 50%),radial-gradient(at 100% 0,#000000,#00000000 50%),radial-gradient(at 0 50%,#650000,#00000000 50%),radial-gradient(at 33% 50%,#7c0a0a,#00000000 50%),radial-gradient(at 67% 50%,#720f0c,#00000000 50%),radial-gradient(at 100% 50%,#460000,#00000000 50%),radial-gradient(at 0 100%,#220000,#00000000 50%),radial-gradient(at 33% 100%,#4c262d,#00000000 50%),radial-gradient(at 67% 100%,#2b1e27,#00000000 50%),radial-gradient(at 100% 100%,#000000,#00000000 50%)",{"id":365,"height":15,"width":14,"blurhash":40},"685b3c29-a93d-4144-ba13-9869607a3796",[367,370,373,376,379,382,385,388,391,394,397,400,403,406,409,412,415,418,421,424,427,430,433,436,439,442,445,448,451,454],{"directus_files_id":368},{"id":369},"78ab8483-c09b-497d-871c-33f90083c08e",{"directus_files_id":371},{"id":372},"bfdcbbe9-3d2b-4be3-8130-2c4e8e58db8f",{"directus_files_id":374},{"id":375},"2c1d400f-6fa2-4efe-82e1-0f44f7554e22",{"directus_files_id":377},{"id":378},"fb890e95-fe2d-4270-a0a6-92cec8b88d31",{"directus_files_id":380},{"id":381},"090ef503-5063-4b98-bc5a-45c485f9cb0c",{"directus_files_id":383},{"id":384},"15eafeff-fe9f-4df7-b83c-7fd0bbe15789",{"directus_files_id":386},{"id":387},"4a1fb444-dc04-46c4-bce1-6473b30584e8",{"directus_files_id":389},{"id":390},"22dcbcde-0445-482c-bc0f-01e183d558b4",{"directus_files_id":392},{"id":393},"fefc1bae-5e66-4527-95fe-6364dafedb06",{"directus_files_id":395},{"id":396},"1675ba3a-ae89-44e0-8d30-ac4b6c5162fc",{"directus_files_id":398},{"id":399},"f2bb4600-b244-423a-a3b8-dae60ca9a3e8",{"directus_files_id":401},{"id":402},"a8e8d116-a6ae-4cdb-9558-b5386695841c",{"directus_files_id":404},{"id":405},"f8194785-bd75-43f1-89ef-834a42f8a695",{"directus_files_id":407},{"id":408},"15da003b-ec3c-4b2f-ae72-85ea4a25a52b",{"directus_files_id":410},{"id":411},"1f38da9d-f783-435a-9d47-85c716b423d0",{"directus_files_id":413},{"id":414},"a8192ef3-7550-453c-9ab9-a751c111b88e",{"directus_files_id":416},{"id":417},"ebf05194-7da3-498e-8ce6-ab97255e0712",{"directus_files_id":419},{"id":420},"aa81cd39-1d4c-4b51-81a6-777640568676",{"directus_files_id":422},{"id":423},"658b45cc-e6b3-4655-8284-f3163f6ef551",{"directus_files_id":425},{"id":426},"8a680ab1-5ee4-43a7-8b5a-4649cf4ba416",{"directus_files_id":428},{"id":429},"ad796caf-802a-4415-b5ae-113bedddaa59",{"directus_files_id":431},{"id":432},"8bb9341a-2b76-4cad-bdc5-e2812a6e4493",{"directus_files_id":434},{"id":435},"d0f6b523-9403-4049-bafb-cc0fd8b20559",{"directus_files_id":437},{"id":438},"207b5c02-ad8c-4cc2-9725-008e2dd61565",{"directus_files_id":440},{"id":441},"1c7f90f7-353d-4dfa-b860-eaf4ab16be67",{"directus_files_id":443},{"id":444},"ddc03df3-7809-4bed-be4d-1cda3681fed1",{"directus_files_id":446},{"id":447},"3d3fc006-c90f-4751-8570-6370cf0fd8d3",{"directus_files_id":449},{"id":450},"714aa1c5-48b4-4baa-b5a1-dad676866856",{"directus_files_id":452},{"id":453},"9c311b08-e568-4716-ab2d-1c309e9c6ba6",{"directus_files_id":455},{"id":456},"352e1dca-bc53-4211-91e3-3d1e0e9b15cf",[458],{"languages_code":459,"description":460},"en","Jen Lu's digital portfolio serves as a visceral, immersive gateway into the world of an experiential artist. The website functions as a high-impact visual manifesto, showcasing work that blurs the lines between physical installations, fashion, and digital presence. It is designed to provoke curiosity and establish a strong, avant-garde brand identity for an artist working at the intersection of pop culture and sensory experience.\n\nThe visual identity is unapologetically bold, utilizing a high-contrast dark mode aesthetic punctuated by aggressive, blood-red serif typography. The use of organic, surreal imagery set against a void-like black background creates a sense of mystery and high-end edge. The design language leans into a neo-brutalist sensibility, prioritizing raw impact and atmospheric tension over traditional navigational clarity, perfectly mirroring the provocative nature of the art itself.",[462,26,33],"Brutalist \u002F Neo-Brutalist",[345],[73],[466,282,467],"Gatsby","Ubuntu",[469,470,472,473],{"score":209,"category":97},{"score":471,"category":100},93,{"score":104,"category":103},{"score":204,"category":106},[475,477,479,480],{"score":476,"category":97},51,{"score":478,"category":100},84,{"score":104,"category":103},{"score":107,"category":106},[125,482,483,117,121],"red","brown","Website: Jen Lu. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Jen.Lu. Page description: Portfolio of Jen Lu, an experiential artist.. Page content: JEN LU EXPERIENTIAL ARTIST olha aqui mae! is about the freedom to be an individual in a society where the media and fashion industry dictate perceptions of beauty in our world. Rather than focusing on familiar, standard body modifications, the project is about futuristic possibilities of self-expression. A. Human was a theatrical pop-up art experience during New York Fashion Week that invited guests into the showroom of a futuristic fashion brand called A. Human. However, instead of designing clothing, A. Human designs body modifications. Imagine eyelashes that move of their own accord, back filaments that glow, and matching hearts you can design for you and your lover. This is the world of A. Human. The sold out experience took the form of a 750 sq. m physical showroom in downtown Manhattan for three weeks, but our presence extended into digital, social media and press headlines across the worlds of fashion, pop culture and entertainment. View the social campaign and art direction. > “Words like freakish and nightmarish were being used to describe Kim’s new accessory. If something is not the norm, it can’t be admired for its unique beauty. But that’s why projects like A. Human should be celebrated.”Metro UK As guests entered the space, a message from A. Huxley, founder of A. Human, was projected onto an 8m x 4m wall. The two rectangles at the end of the video outline the entrances. View the introduction video. Announcer: And now, a message from our founder. Voice of A. Huxley: _When I founded A. Human, I never dreamed so many of you would share my passion and curiosity for the adornment of the human body. But with your unwavering support and your eagerness to explore what it means to be you, our company has struck out into new territory. Beyond these doors is my most personal collection yet, no detail overlooked, no expense spared. Please take your time, explore, and ask: what if? To my returning clients, welcome back, and I hope you enjoy our newest offerings. To my first-time guests, I humbly offer this advice: Keep an open mind. You may see things you have never imagined, and that may unsettle you in the beginning. If at any time you need assistance, our A.Human associates will be happy to help. Be bold. Dare to explore. Leave the rules of what it means to be “human” at the door. And remember…_ A. Human Ursula SS19 Enchant and entice with dramatic bioreactive gemstones and cultured keratin that evoke deep sea treasure. Design and placement can be customized to your unique vibe. A. Human Corset SS19 Give the temple of your body an architectural makeover. Cultured keratin combines with intricate engineering to gird you in flexible, supportive armor. A. Human Empress SS19 Embrace your delicate side with lace-like finger webbing, designed to be both durable and ethereal. A. Human Heart SS19 Internal. Private. Romantic. For the first time ever, customize what's inside. Honor yourself, or share the most intimate experience of all – a bespoke heart, matched to or designed in coordination with those closest in your life. A. Human Nautilus SS19 Embrace your golden ratio with this chambered platform. The biological heel series reshapes the foot into beautiful, nature-inspired drama. Fake bodies and live actors with special effects makeup were displayed together to blur the line between fantasy and reality. Uniformed associates assisted clients in picking the right modifications for their future self-expression. Clients were encouraged to “try on” modifications and be creative in the fitting rooms. View more on A. Human’s Instagram. The website lets clients customize and create a one-of-a-kind A. Human heart to (literally) wear on their sleeve. In-store merchandise included tote bags for transporting modifications when not affixed to the body, special towels for drying off modifications during post-procedure care, and edibles (candy) that could be taken daily to relieve body modification muscle soreness. A. Human appeared as a challenge on Project Runway hosted by Karlie Kloss. View A.Human credits Society of Spectacle Team: Founder: Simon Huck Creative Direction: Jen Lu Spencer LaVallee Narration Design: Caitlin Starling Theatrical Direction: Michael Counts Travis Greisler Set Design & Lighting: De-Yan Production & Operation: Ghost Experiential Set Design & Fabrication: The Factory NYC Standard Transmission LeapStarr Productions Special Effects Makeup: Laura Dandridge Conor McCullagh and team Concept Design: Adam Milicevic Rayce Bird Makeup Application: Barney Burman Robin Pritchard Derek Garcia and team Hair: Dave Bova Actors: Matthew Brown Jordan Hall Dillon Greenberg Rebecca Tucker Nicole Orabona Keith Comley Arden Winant Steve R. Austin Ari Gold Jessy Smith Stasi Berezovskaya Ann Devine Saige Bynum Jeff Garber Justin Mock Jason Norris Delicia Glam Joyce Miller Reema Bounajem Brian Alford Mark Blane Casey Cudmore Molly Marx Digital: Nelson Vassalo Pedro Roxo Nogueira Rui Iniesta Furtado PR: PR Consulting Photography: Luke Abby Josiah Spencer Special Thanks: Neely Lisk is a poppin' haunted nightclub in the heart of Miami where guests party among the spirits and dance till they die. What makes Art Basel fun is not the art itself, but the vibrancy of the city that it’s viewed in. Before Miami was a bustling art scene, it was a safe haven for Cubans, who put it on the map. It was the epicenter of LGBTQ culture, giving the city its glamorous reputation. It was called the “Drug Capital of the World,” the city that cocaine built. It was the home to famous people and famous scandals. The Haunt opened during Art Basel. At The Haunt, Miami's past and future mingle, making it apparent that the heart and soul of this city is as eternal as the ghosts in our exhibit. Outside The Haunt, there was a sign, a velvet rope, and a bouncer (the gatekeeper) ushering people into the space. Guests entered the vibrant nightclub, where a bespoke mix of records were spinning and drinks awaited them. Guests viewed 3D ghost interpretations of real historical Miami figures through augmented reality, uncovering peculiar tales of the people whose after-hour parties became parties. Augmented reality plaques with stories floated next to each spirit. South Beach Wanda was the ultimate 90’s drag queen icon and was murdered tragically a few short years before the exhibit. She performed on the dance floor at The Haunt. Julia Tuttle was the mother of Miami and the founder of The Haunt – the original Miami spirit. David Fairchild was a famous botanist every Miami student learns about in school. He tended to the plants at the bar, the only living thing at The Haunt. Alberto Bravo, one of the ex-husbands of drug lord Griselda Blanco, guarded his hidden box of cocaine at The Haunt. Objects were used to symbolize some ghosts, such as Gianni Versace, whose ghost attempted to call the police when he was shot but there’s no reception in the afterlife. Mac Klein, owner of Mac’s Club Deuce bar, wore his signature Hawaiian printed shirt as he tended the bar at The Haunt. Our exhibit took place at Ocean Terrace Hotel, an art deco building that was slated to be demolished shortly after our exhibit ended. Barbara Capitman, the activist who saved South Beach’s Art Deco district, rallied to save Ocean Terrace at The Haunt. > “...The Haunt, even used \\Miami\\] as inspiration, constructing a nightclub for our deceased local icons, serving cocktails and using augmented reality to make the ghosts appear at the club. Gianni Versace is here, but so is Julia Tuttle. Mac Klein tends the bar. These organizers did their research.”[Miami New Times The Lost Boy represented the thousands of Cuban children that were sent to Miami without their parents in the ‘50s for a shot at a better life, building Miami into what it is today. The exhibit took place in a room in the Ocean Terrace Hotel. The Flamingo in the bathroom is inspired by zoo assistant Ron …. A Brutalist \u002F Neo-Brutalist, Dark Mode, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features Black, Red, Brown, Gray, White. The typography features Helvetica (Sans Serif). Built using Gatsby, React, Ubuntu. AI description: Jen Lu's digital portfolio serves as a visceral, immersive gateway into the world of an experiential artist. The website functions as a high-impact visual manifesto, showcasing work that blurs the lines between physical installations, fashion, and digital presence. 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The design language leans into a neo-brutalist sensibility, prioritizing raw impact and atmospheric tension over traditional navigational clarity, perfectly mirroring the provocative nature of the art itself.",{"id":486,"website_id":487,"page_id":486,"name":488,"slug":489,"url":490,"website_name":488,"website_slug":489,"website_url":491,"result_url":490,"fetched_at":492,"score":493,"score_boost":351,"ai_score":494,"freshness_score":353,"scored_at":495,"page_name":39,"page_url":490,"page_title":488,"page_description":496,"page_content":497,"page_sort":351,"is_home":358,"is_home_rank":359,"page_type_id":360,"page_type_name":45,"cover":498,"cover_mobile":501,"cover_sequence":503,"translations":594,"industry":597,"styles":598,"credits":601,"font_families":603,"technologies":604,"pagespeed":605,"pagespeed_mobile":610,"buckets":615,"search_payload":618},"5ff399db-f511-445b-9a57-ab2a212bd4e8","e0714588-9d84-4d74-a261-f6090eaf9fb7","PIN–UP Magazine","pin-up-magazine","https:\u002F\u002Fpinupmagazine.org\u002F","https:\u002F\u002Fpinupmagazine.org","2026-05-05T08:30:41.000Z",81,83,"2026-05-23T19:24:23.000Z","The Magazine for Architectural Entertainment","StoriesInterviewsVideosKeywordsIssuesEventsContactPIN–UP HOME [ ISSUE 40 S\u002FS 2026 PIN–UP 40: The Independence Issue. To mark 20 years of architectural entertainment, one issue simply wasn’t enough, so we made ten — beautifully packaged in a specially designed box. Together, they ask: what marks the early 21st century? Which houses built since 2000 matter most? Which objects will come to represent its first quarter? And where do architecture, design, and culture stand today? A collector’s edition celebrating contemporary culture and 20 years of independent publishing. VIEW ISSUE → ](\u002Fissues\u002Fpinup-magazine-40-independence)[ Encyclopædia Saint Heronica ](https:\u002F\u002Fwww.pinupmagazine.org\u002Fsaintheronica) [ event CELEBRATING PIN–UP 40 DURING MILAN DESIGN WEEK by PIN–UP ](\u002Farticles\u002Fpinup-40-dinner-milan)[ Story THE GREAT HALL OVERHAUL BY PETERSON RICH OFFICE by Nathan Rich ](\u002Farticles\u002Fthe-met-metropolitan-museum-of-art-great-hall-peterson-rich-office)[ Story PRADA FRAMES TAKES ON THE IMAGE AT MILAN DESIGN WEEK by Rachel Hahn ](\u002Farticles\u002Fprada-frames-2026-milan-design-week) [ Story ISA GENZKEN, ARCHITECT by David Lê ](\u002Farticles\u002Fisa-genzken-architect-david-zwirner-galerie-bucholz)[ Story MCM LANDS ON MARS AT MILAN DESIGN WEEK by Rachel Hahn ](\u002Farticles\u002Fmcm-milan-design-week-2026-atelier-biagetti)[ Story CC-TAPIS AND FORNASETTI’S COLLABORATION IS PURE DOMESTIC DIVA by Julie Klein ](\u002Farticles\u002Fcc-tapis-fornasetti-rugs)[ Story SEX, DESIRE, AND DISCIPLINE IN SHAKER LIFE by Camille Okhio ](\u002Farticles\u002Fshaker-the-testament-of-ann-lee) [ Story ANDREA BRANZI BY TOYO ITO by Andrew Ayers ](\u002Farticles\u002Ftoyo-ito-andrea-branzi-triennale-milano-continuous-present)[ Interview YY SO SERIOUS by Angel Harvey-Ideozu ](\u002Farticles\u002Fyy-francisco-gaspar-tawanda-chiweshe-interview) [ Story JESSI REAVES’S DOMESTIC MISFITS by Oscar Peña ](\u002Farticles\u002Fjessi-reaves-process-invented-the-mirror-walker-art-center)[ Story THE WONDERFUL WORLD OF SAM CHERMAYEFF by Drew Zeiba ](\u002Farticles\u002Fsam-chermayeff)[ Story THE ALULA ARTS FESTIVAL IS REWRITING THE RULES OF LAND ART by Angel Harvey-Ideozu ](\u002Farticles\u002Falula-arts-festival-land-art)[ LUMINA’S ICONIC DAPHINE TURNS 50 ](\u002Farticles\u002Flumina-daphine-50th-anniversary) [ Story UZBEKISTAN UNDER CONSTRUCTION by Andrew Pasquier ](\u002Farticles\u002Fbukhara-biennial-uzbekistan-architecture-art-and-culture-foundation)[ Interview NEW AFFILIATES ON BUILDING THE MATERIAL WORLD OF BRUCE GOFF by Oscar Peña ](\u002Farticles\u002Fbruce-goff-new-affiliates-material-worlds-the-art-institute-of-chicago) [ Interview GRAFTON ARCHITECTS ON THEIR FIRST BUILDING IN THE UNITED STATES by Mimi Zeiger ](\u002Farticles\u002Fgrafton-architects-yvonne-farrell-anthony-timberlands-center-fayetteville-arkansas) [ Story RESTAGING HISTORY IN THE METROPOLITAN MUSEUM OF ART’S PERIOD ROOMS by Rachel Hahn ](\u002Farticles\u002Fperiod-rooms-metropolitan-museum-of-art)[ Interview ARCHITECTURE AS CARE WITH TATIANA BILBAO by Shumi Bose ](\u002Farticles\u002Ftatiana-bilbao-interview)[ Interview HENRIKE NAUMANN ON FASCISM IN FURNITURE, SURVEILLANCE AND THE POLITICS OF THE FLINTSTONES by Victoria Camblin ](\u002Farticles\u002Fhenrike-naumann-interview) [ Interview FRANK GEHRY REFLECTS ON HIS LEGACY by Mimi Zeiger ](\u002Farticles\u002Ffrank-gehry-interview)[ Story KONSTANTIN GRCIC’S MIURA STOOL, 20 YEARS LATER by Julie Klein ](\u002Farticles\u002Fkonstantin-grcic-miura-stool-florian-bohm)[ Story 22RE BUILDS ON THE FANTASY OF LOS ANGELES by Nicholas Korody ](\u002Farticles\u002Fdean-levin-22re)[ Story INSIDE JOSÉ LÉON CERRILLO’S MEXICO CITY TOWNHOUSE by Suleman Anaya ](\u002Farticles\u002Fjose-leon-cerrillo-mexico-city-pinup-magazine) [ Story A POSTMODERN RETREAT ON WATER ISLAND COMES BACK TO LIFE by Charlie Porter ](\u002Farticles\u002Ftop-hat-blum-house-water-island-roger-ferri-charlie-porter)[ Story FRIDA ESCOBEDO’S TERTULIA by Layla Fassa, Axelle Dechelette ](\u002Farticles\u002Ffrida-escobedo-tertulia-pin-up-39) [ Interview LINA GHOTMEH’S ARCHAEOLOGY OF THE FUTURE by Andrew Ayers ](\u002Farticles\u002Flina-ghotmeh-interview)[ Interview RISING ACTION: ISABELLA BURLEY TALKS BUILDING CLIMAX by Angel Harvey-Ideozu ](\u002Farticles\u002Fisabella-burley-climax-london-interview) [ Interview ISAIAH DAVIS IS PLAYING WITH FIRE by Morgan Becker ](\u002Farticles\u002Fisaiah-davis-confessions-of-fire)[ Interview ERIKO HORIKI ON BUILDING WITH WASHI by Rachel Hahn ](\u002Farticles\u002Feriko-horiki-suntory-washi)[ Story JENNA FLETCHER’S FAVORITE THINGS by Angel Harvey-Ideozu, jf ](\u002Farticles\u002Fjf-jenna-fletcher-twelve-design-items) [ Story DETROIT, UNESCO CITY OF DESIGN, TEN YEARS LATER by Michael Bullock ](\u002Farticles\u002Fdetroit-unesco-city-of-design-week)[ Story JUDD’S RESTORED ARCHITECTURE OFFICE BRINGS HIS VISION BACK TO LIFE by Ted Barrow ](\u002Farticles\u002Fjudd-architecture-office-marfa) [ Interview PETER SAVILLE WEAVES HIS COLOR CODE IN WOOL FOR KVADRAT by Rachel Hahn ](\u002Farticles\u002Fpeter-saville-technicolour-kvadrat-interview)[ Story PIN–UP INTERVIEWS, VOL. 1 by PIN–UP ](\u002Farticles\u002Fpin-up-interviews-book-volume-1) - 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Described as the 'Magazine for Architectural Entertainment,' it curates high-concept visual storytelling that explores how built environments and objects shape our contemporary experience. The platform acts as both a historical record and a forward-looking tastemaker for the design world.\n\nThe visual identity is defined by a bold, high-impact typographic approach, utilizing massive sans-serif headings that command immediate attention. The design language balances a minimalist, white-space-heavy layout with vibrant, editorial photography and playful graphic elements like colorful organic shapes. This creates a high-end, avant-garde aesthetic that appeals to architects, designers, and art enthusiasts who value both intellectual depth and visual spectacle.","Entertainment & Media",[599,33,600],"Clean \u002F Minimalist","Vibrant \u002F Colorful",[602],"Jon Lucas",[308],[278,281,287,93,283],[606,607,608,609],{"score":207,"category":97},{"score":353,"category":100},{"score":113,"category":103},{"score":204,"category":106},[611,612,613,614],{"score":165,"category":97},{"score":353,"category":100},{"score":113,"category":103},{"score":204,"category":106},[121,125,616,617],"teal","pink","Website: PIN–UP Magazine. Page: Homepage. Page type: Home \u002F Landing Page. Page title: PIN–UP Magazine. Page description: The Magazine for Architectural Entertainment. Page content: StoriesInterviewsVideosKeywordsIssuesEventsContactPIN–UP HOME [ ISSUE 40 S\u002FS 2026 PIN–UP 40: The Independence Issue. To mark 20 years of architectural entertainment, one issue simply wasn’t enough, so we made ten — beautifully packaged in a specially designed box. Together, they ask: what marks the early 21st century? Which houses built since 2000 matter most? Which objects will come to represent its first quarter? And where do architecture, design, and culture stand today? A collector’s edition celebrating contemporary culture and 20 years of independent publishing. VIEW ISSUE → ](\u002Fissues\u002Fpinup-magazine-40-independence)[ Encyclopædia Saint Heronica ](https:\u002F\u002Fwww.pinupmagazine.org\u002Fsaintheronica) [ event CELEBRATING PIN–UP 40 DURING MILAN DESIGN WEEK by PIN–UP ](\u002Farticles\u002Fpinup-40-dinner-milan)[ Story THE GREAT HALL OVERHAUL BY PETERSON RICH OFFICE by Nathan Rich ](\u002Farticles\u002Fthe-met-metropolitan-museum-of-art-great-hall-peterson-rich-office)[ Story PRADA FRAMES TAKES ON THE IMAGE AT MILAN DESIGN WEEK by Rachel Hahn ](\u002Farticles\u002Fprada-frames-2026-milan-design-week) [ Story ISA GENZKEN, ARCHITECT by David Lê ](\u002Farticles\u002Fisa-genzken-architect-david-zwirner-galerie-bucholz)[ Story MCM LANDS ON MARS AT MILAN DESIGN WEEK by Rachel Hahn ](\u002Farticles\u002Fmcm-milan-design-week-2026-atelier-biagetti)[ Story CC-TAPIS AND FORNASETTI’S COLLABORATION IS PURE DOMESTIC DIVA by Julie Klein ](\u002Farticles\u002Fcc-tapis-fornasetti-rugs)[ Story SEX, DESIRE, AND DISCIPLINE IN SHAKER LIFE by Camille Okhio ](\u002Farticles\u002Fshaker-the-testament-of-ann-lee) [ Story ANDREA BRANZI BY TOYO ITO by Andrew Ayers ](\u002Farticles\u002Ftoyo-ito-andrea-branzi-triennale-milano-continuous-present)[ Interview YY SO SERIOUS by Angel Harvey-Ideozu ](\u002Farticles\u002Fyy-francisco-gaspar-tawanda-chiweshe-interview) [ Story JESSI REAVES’S DOMESTIC MISFITS by Oscar Peña ](\u002Farticles\u002Fjessi-reaves-process-invented-the-mirror-walker-art-center)[ Story THE WONDERFUL WORLD OF SAM CHERMAYEFF by Drew Zeiba ](\u002Farticles\u002Fsam-chermayeff)[ Story THE ALULA ARTS FESTIVAL IS REWRITING THE RULES OF LAND ART by Angel Harvey-Ideozu ](\u002Farticles\u002Falula-arts-festival-land-art)[ LUMINA’S ICONIC DAPHINE TURNS 50 ](\u002Farticles\u002Flumina-daphine-50th-anniversary) [ Story UZBEKISTAN UNDER CONSTRUCTION by Andrew Pasquier ](\u002Farticles\u002Fbukhara-biennial-uzbekistan-architecture-art-and-culture-foundation)[ Interview NEW AFFILIATES ON BUILDING THE MATERIAL WORLD OF BRUCE GOFF by Oscar Peña ](\u002Farticles\u002Fbruce-goff-new-affiliates-material-worlds-the-art-institute-of-chicago) [ Interview GRAFTON ARCHITECTS ON THEIR FIRST BUILDING IN THE UNITED STATES by Mimi Zeiger ](\u002Farticles\u002Fgrafton-architects-yvonne-farrell-anthony-timberlands-center-fayetteville-arkansas) [ Story RESTAGING HISTORY IN THE METROPOLITAN MUSEUM OF ART’S PERIOD ROOMS by Rachel Hahn ](\u002Farticles\u002Fperiod-rooms-metropolitan-museum-of-art)[ Interview ARCHITECTURE AS CARE WITH TATIANA BILBAO by Shumi Bose ](\u002Farticles\u002Ftatiana-bilbao-interview)[ Interview HENRIKE NAUMANN ON FASCISM IN FURNITURE, SURVEILLANCE AND THE POLITICS OF THE FLINTSTONES by Victoria Camblin ](\u002Farticles\u002Fhenrike-naumann-interview) [ Interview FRANK GEHRY REFLECTS ON HIS LEGACY by Mimi Zeiger ](\u002Farticles\u002Ffrank-gehry-interview)[ Story KONSTANTIN GRCIC’S MIURA STOOL, 20 YEARS LATER by Julie Klein ](\u002Farticles\u002Fkonstantin-grcic-miura-stool-florian-bohm)[ Story 22RE BUILDS ON THE FANTASY OF LOS ANGELES by Nicholas Korody ](\u002Farticles\u002Fdean-levin-22re)[ Story INSIDE JOSÉ LÉON CERRILLO’S MEXICO CITY TOWNHOUSE by Suleman Anaya ](\u002Farticles\u002Fjose-leon-cerrillo-mexico-city-pinup-magazine) [ Story A POSTMODERN RETREAT ON WATER ISLAND COMES BACK TO LIFE by Charlie Porter ](\u002Farticles\u002Ftop-hat-blum-house-water-island-roger-ferri-charlie-porter)[ Story FRIDA ESCOBEDO’S TERTULIA by Layla Fassa, Axelle Dechelette ](\u002Farticles\u002Ffrida-escobedo-tertulia-pin-up-39) [ Interview LINA GHOTMEH’S ARCHAEOLOGY OF THE FUTURE by Andrew Ayers ](\u002Farticles\u002Flina-ghotmeh-interview)[ Interview RISING ACTION: ISABELLA BURLEY TALKS BUILDING CLIMAX by Angel Harvey-Ideozu ](\u002Farticles\u002Fisabella-burley-climax-london-interview) [ Interview ISAIAH DAVIS IS PLAYING WITH FIRE by Morgan Becker ](\u002Farticles\u002Fisaiah-davis-confessions-of-fire)[ Interview ERIKO HORIKI ON BUILDING WITH WASHI by Rachel Hahn ](\u002Farticles\u002Feriko-horiki-suntory-washi)[ Story JENNA FLETCHER’S FAVORITE THINGS by Angel Harvey-Ideozu, jf ](\u002Farticles\u002Fjf-jenna-fletcher-twelve-design-items) [ Story DETROIT, UNESCO CITY OF DESIGN, TEN YEARS LATER by Michael Bullock ](\u002Farticles\u002Fdetroit-unesco-city-of-design-week)[ Story JUDD’S RESTORED ARCHITECTURE OFFICE BRINGS HIS VISION BACK TO LIFE by Ted Barrow ](\u002Farticles\u002Fjudd-architecture-office-marfa) [ Interview PETER SAVILLE WEAVES HIS COLOR CODE IN WOOL FOR KVADRAT by Rachel Hahn ](\u002Farticles\u002Fpeter-saville-technicolour-kvadrat-interview)[ Story PIN–UP INTERVIEWS, VOL. 1 by PIN–UP ](\u002Farticles\u002Fpin-up-interviews-book-volume-1) - Stories - Interviews - Videos - Keywords - Contact - Magazine - Shop - PIN–UP Home The Magazine for Architectural Entertainment TwitterInstagramFacebook. A Clean \u002F Minimalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Entertainment & Media industry. The overall color palette features White, Black, Teal, Pink. The typography features Arial (Sans Serif). Built using jQuery, Node.js, Nuxt.js, Vercel, Vue.js. AI description: PIN–UP Magazine serves as a sophisticated cultural platform dedicated to the intersection of architecture, design, and lifestyle. Described as the 'Magazine for Architectural Entertainment,' it curates high-concept visual storytelling that explores how built environments and objects shape our contemporary experience. The platform acts as both a historical record and a forward-looking tastemaker for the design world. The visual identity is defined by a bold, high-impact typographic approach, utilizing massive sans-serif headings that command immediate attention. The design language balances a minimalist, white-space-heavy layout with vibrant, editorial photography and playful graphic elements like colorful organic shapes. 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](\u002Fexhibitions2026\u002Fxavier-noiret-thome-reviver) Currently at +1: Xavier Noiret-Thomé ‘REVIVER’ 28.03.2026 — 25.04.2026 [ Upcoming: PLAYGROUNDS: DEUCE ](\u002Fexhibitions2026\u002Fplaygrounds) Upcoming: PLAYGROUNDS: DEUCE ‘PLAYGROUNDS: DEUCE\"‘ 14.05.2026 — 17.05.2026 [ ‘Temporal Grounds’ ](\u002Fexhibitions2026\u002Ftemporal-grounds) ‘Temporal Grounds’ Group exhibition 29.01.2026 — 14.03.2026 2025 Featured [ ](\u002Fexhibitions2025\u002Fafter-painting-after-painting-after-painting-n5tb5) After Painting After Painting (After Painting) Group exhibition Part 2: 22.11.2025 — 20.12.2025 [ ](\u002Fexhibitions2025\u002Fafter-painting-after-painting-after-painting) After Painting After Painting (After Painting) Group exhibition Part 1: 11.10.2025 — 15.11.2025 [ ](\u002Fexhibitions2025\u002Fserban-ionescu-viscus) Serban Ionescu ‘Viscus’ 30.08.2025 — 04.10.2025 [ ](\u002Fexhibitions2025\u002Fjosse-pyl-well-digand-dig-and-well-dig-and-dig-well) Josse Pyl ‘We’ll Dig and Dig And We’ll Dig and Dig Well’ 30.08.2025 — 04.10.2025 [ ](\u002Fexhibitions2025\u002Fnelleke-cloosterman-between-what-is-ours-2t5zy) Summer Selection Summer group presentation Beni Bischof, Daan Couzijn, Nelleke Cloosterman, Bram Kinsbergen, Roy Mordechay, Florian Tomballe and Victor Verhelst. 13.08.2025 — 23.08.2025 [ ](\u002Fexhibitions2025\u002Fnelleke-cloosterman-between-what-is-ours) Nelleke Cloosterman ‘Between What Is Ours’ 12.06.2025 — 19.07.2025 [ ](\u002Fexhibitions2025\u002Finstroom-art-migration-is-normal) InstroomArt ‘MIGRATION IS NORMAL’ 29.05.2025 — 01.06.2025 [ ](\u002Fexhibitions2025\u002Fvictor-verhelst-alien-elvis-vs-the-casino-kaijus-wx6f7) Clarisse M ‘Apparentia’ 08.05.2025 — 24.05.2025 [ ](\u002Fexhibitions2025\u002Fvictor-verhelst-alien-elvis-vs-the-casino-kaijus) Victor Verhelst ‘ALIEN ELVIS vs THE CASINO KAIJU'S’ 03.04.2025 — 03.05.2025 [ ](\u002Fexhibitions2025\u002Farvida-bystrom-wink) Arvida Byström “Wink” 20.02.2025 — 29.03.2025 [ ](\u002Fexhibitions2025\u002Fbram-kinsbergen-waking-up-the-roads) Bram Kinsbergen ’Waking up the roads’ 09.01.2025 — 16.02.2025 2024 Featured [ ](\u002Fexhibitions-2024\u002Ftatjana-gerhard-glashaus) Tatjana Gerhard ’Glashaus’ 30.11.2024 — 05.01.2025 [ ](\u002Fexhibitions-2024\u002Fbeni-bischof-no-more-reality) Beni Bischof ’No More Reality’ 12.10.2024 — 24.11.2024 [ ](\u002Fexhibitions-2024\u002Fwilliam-ludwig-lutgens-fantasy-supplement) William Ludwig Lutgens ’Fantasy Supplement’ 12.10.2024 — 17.11.2024 [ ](\u002Fexhibitions-2024\u002Fhadassah-emmerich-creole-collidoscope) Hadassah Emmerich ’Creole Collidoscope’ 07.09.2024 — 06.10.2024 [ ](\u002Fexhibitions-2024\u002Fflorian-tomballe-sculptures-and-drawings) Florian Tomballe ’Sculptures and Drawings’ 07.09.2024 — 06.10.2024 [ ](\u002Fexhibitions-2024\u002Fliquid-marks) ‘Liquid Marks’ Group exhibition Bent Van Looy, Bram Kinsbergen, Frederik Heyman, József Csató, Roy Mordechay, Tatjana Gerhard 22.06.2024 — 01.09.2024 [ ](\u002Fexhibitions-2024\u002Fwhisper-in-the-breeze-seeking-shade) ‘Whispers in the breeze, seeking shade’ Group exhibition Filip Vervaet, Jean-Pierre Temmerman, Lars Morell, Renée Pevernagie 22.06.2024 — 01.09.2024 [ ](\u002Fexhibitions-2024\u002Fsebastien-reuze-mascleta) Sébastien Reuzé ’Mascletà’ 16.05.2024 — 16.06.2024 [ ](\u002Fexhibitions-2024\u002Faesthetic-echoes) ‘Aesthetic Echoes’ Group exhibition 16.05.2024 — 16.06.2024 [ ](\u002Fexhibitions-2024\u002Fbert-danckaert-the-state-of-things) Bert Danckaert ’THE STATE OF THINGS’ 30.03.2024 — 05.05.2024 [ ](\u002Fexhibitions-2024\u002Froy-mordechay-silent-partners) Roy Mordechay ’Silent Partners’ 24.02.2024 — 24.03.2024 [ ](\u002Fexhibitions-2024\u002Fdisabstraction-sunrise) ‘Disabstraction Sunrise’ Group exhibition Tatjana Gerhard, Aurélie Gravas, Julien Meert, Nadia Naveau, Xavier-Noiret Thomé, Sébastien Reuzé, Carole Vanderlinden, Franck Scurti, Sven 't Jolle, Sophie Ullrich 24.02.2024 — 24.03.2024 [ ](\u002Fexhibitions-2024\u002Flaurens-legiers-a-whimsy-odyssey) Laurens Legiers ’A Whimsy Odyssey’ 13.01.2024 — 18.02.2024 2023 Featured [ ](\u002Fexhibitions-2023\u002Fface-time) Nov 25, 2023 ‘FACE TIME’ Nov 25, 2023 Group exhibition 25.11.2023 — 07.01.2024 Nov 25, 2023 [ ](\u002Fexhibitions-2023\u002Fnelleke-cloosterman-dawn-goes-down-to-day) Nov 25, 2023 Nelleke Cloosterman Nov 25, 2023 ’Dawn goes down to day’ 25.11.2023 — 07.01.2024 Nov 25, 2023 [ ](\u002Fexhibitions-2023\u002Fjudit-kristensen-vanity) Oct 14, 2023 Judit Kristensen Oct 14, 2023 ’Vanity’ 14.10.2023 — 19.11.2023 Oct 14, 2023 [ ](\u002Fexhibitions-2023\u002Fsven-tjolle-vroeger-was-ik-ook-voor-de-vrede) Oct 14, 2023 Sven ‘t Jolle Oct 14, 2023 ‘Vroeger was ik ook voor de vrede’ 14.10.2023 — 19.11.2023 Oct 14, 2023 [ ](\u002Fexhibitions-2023\u002Fand-thats-only-half-the-story) Sep 2, 2023 ‘…And that’s only (half) the story’ Sep 2, 2023 Group exhibition Jonas Lund, Daan Couzijn, Harm van den Dorpel, Libby Heaney, Sarah Meyohas, Victor Verhelst, Arvida Byström, Gretta Louw, Frederik De Wilde 02.09.2023 — 08.10.2023 Sep 2, 2023 [ ](\u002Fexhibitions-2023\u002Fceline-mathieu-hifi-stereo-vacuum-tube) Jun 24, 2023 Céline Mathieu Jun 24, 2023 ‘Hifi Stereo Vacuum Tube’ 24.06.2023 — 27.08.2023 Jun 24, 2023 [ ](\u002Fexhibitions-2023\u002Fmanor-grunewald-external-hard-disk-1-2) Jun 24, 2023 Manor Grunewald Jun 24, 2023 'EXTERNAL HARD DISK \u002F WORK' Part I & II 24.06.2023 — 27.08.2023 Jun 24, 2023 [ ](\u002Fexhibitions-2023\u002Fritsart-gobyn-prologue) May 18, 2023 Ritsart Gobyn May 18, 2023 ’Prologue’ 18.05.2023 — 18.06.2023 May 18, 2023 [ ](\u002Fexhibitions-2023\u002Fmevlana-lipp-soleil) May 13, 2023 Mevlana Lipp May 13, 2023 ‘Soleil’ 13.05.2023 — 18.06.2023 May 13, 2023 [ ](\u002Fexhibitions-2023\u002Fjozsef-csato-hair-hours-skin-minutes-bone-seconds) Apr 1, 2023 József Csató Apr 1, 2023 ‘Hair hours, Skin minutes, Bone seconds’ 01.04.2023 — 07.05.2023 Apr 1, 2023 [ ](\u002Fexhibitions-2023\u002Finterstate-of-mind) Mar 25, 2023 ‘INTERSTATE OF MIND’ Mar 25, 2023 Group exhibition Jenny Brosinski, Corydon Cowansage, Max Frintrop, Tatjana Gerhard, Nicholas William Johnson, Judit Kristensen, Jean-Pierre Temmerman, Julia Trybala, Sharon Van Overmeiren 25.03.2023 — 26.04.2023 Mar 25, 2023 [ ](\u002Fexhibitions-2023\u002Ffilip-vervaet-passages) Feb 25, 2023 Filip Vervaet Feb 25, 2023 ’Passages’ 24.02.2023 — 25.03.2023 Feb 25, 2023 [ ](\u002Fexhibitions-2023\u002Fkasper-de-vos-sluimertijd) Jan 14, 2023 Kasper De Vos Jan 14, 2023 ’Sluimertijd’ 14.01.2023 — 19.02.2023 Jan 14, 2023 2022 Featured [ ](\u002Fexhibitions-2022\u002Fvictor-verhelst-toxic-hawaii) Dec 3, 2022 Victor Verhelst Dec 3, 2022 ‘TOXIC HAWAII’ 03.12.2022 — 08.01.2023 Dec 3, 2022 [ ](\u002Fexhibitions-2022\u002Fdamien-meade) Nov 26, 2022 Damien Meade Nov 26, 2022 Damien Meade 26.11.2022 — 08.01.2023 Nov 26, 2022 [ ](\u002Fexhibitions-2022\u002Fcarole-vanderlinden-a-slipping-glance) Oct 15, 2022 Carole Vanderlinden Oct 15, 2022 ‘A slipping glance’ 15.10.2022 — 20.11.2022 Oct 15, 2022 [ ](\u002Fexhibitions-2022\u002Fwilliam-ludwig-lutgens-my-mind-is-the-mind-of-a-fish) Sep 3, 2022 William Ludwig Lutgens Sep 3, 2022 ‘My mind is the mind of a fish’ 03.09.2022 — 10.10.2022 Sep 3, 2022 [ ](\u002Fexhibitions-2022\u002Flysandre-begijn-echos-answer) Sep 1, 2022 Lysandre Begijn Sep 1, 2022 ‘Echo's Answer’ 01.09.2022 — 16.10.2022 Sep 1, 2022 [ ](\u002Fexhibitions-2022\u002Finfinite-flowers-part-4) Jun 25, 2022 ‘Infinite Flowers’ (part 4) Jun 25, 2022 Group exhibition Werner Mannaers József Csató, Manor Grunewald, Nicholas William Johnson, Sven ‘t Jolle, Sergio De Beukelaer, Laurens Legiers, Xavier Noiret Thomé, Mevlana Lipp, Lysandre Begijn, Rik De Boe, Nelleke Cloosterman, Sean Crossley, Kendell Geers, Daan Gielis, Milan Kunc, Sam Druant, Juliane Noll, Victor Verhelst, Beni Bischof, Bernd Lohaus, Carole Vanderlinden, Celina Vleugels, Ralf Kokke, Amber Andrews, Lily Van der Stokker, Heidi Ukonnen, Tony Matelli, Michael Johansson 25.05.2022 — 21.08.2022 Jun 25, 2022 [ ](\u002Fexhibitions-2022\u002Fproof-of-work-whats-at-stake) May 26, 2022 ‘Proof of Work, What's at Stake?’ May 26, 2022 Group exhibition Nicholas William Johnson, Victor Verhelst, Anne-Mie Van Kerckhoven, Frederik Heyman, Vaast Colson, Yannick Val Gesto and Beni Bisschof 26.05.2022 — 26.06.2022 May 26, 2022 [ ](\u002Fexhibitions-2022\u002Ftatjana-gerhard-the-power-of-illusion-the-illusion-of-power …",{"id":632,"height":13,"width":12,"blurhash":633},"874feca0-8288-48c7-83c3-35b29160f226","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#fffffe,#00000000 50%),radial-gradient(at 67% 0,#f6f5fa,#00000000 50%),radial-gradient(at 100% 0,#eeedf6,#00000000 50%),radial-gradient(at 0 50%,#fff8f6,#00000000 50%),radial-gradient(at 33% 50%,#fffcfb,#00000000 50%),radial-gradient(at 67% 50%,#faf6fa,#00000000 50%),radial-gradient(at 100% 50%,#f1f1f5,#00000000 50%),radial-gradient(at 0 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is a contemporary art space and gallery dedicated to showcasing diverse artistic voices through curated exhibitions and fairs. The website serves as a digital extension of the physical gallery, providing a streamlined platform for visitors to explore upcoming shows, artist rosters, and news regarding the Antwerp art scene.\n\nThe visual identity is defined by a sophisticated, minimalist aesthetic that prioritizes the artwork itself. Utilizing expansive white space, a clean sans-serif typographic hierarchy, and a high-contrast monochrome palette, the design mirrors the architectural clarity of a professional white-cube gallery. This editorial approach creates a high-end, calm atmosphere that appeals to collectors, artists, and cultural enthusiasts.",[599,731,33],"High-End \u002F Luxury",[],[],[290,735,736,300],"Squarespace","Squarespace Commerce",[738,739,741,742],{"score":185,"category":97},{"score":740,"category":100},94,{"score":104,"category":103},{"score":203,"category":106},[744,745,746,747],{"score":164,"category":97},{"score":203,"category":100},{"score":104,"category":103},{"score":203,"category":106},[121,117,125],"Website: Plus-one. Page: Homepage. Page type: Home \u002F Landing Page. Page title: +1. Page content: Exhibitions 2026 Featured [ Currently at +1: Xavier Noiret-Thomé ](\u002Fexhibitions2026\u002Fxavier-noiret-thome-reviver) Currently at +1: Xavier Noiret-Thomé ‘REVIVER’ 28.03.2026 — 25.04.2026 [ Upcoming: PLAYGROUNDS: DEUCE ](\u002Fexhibitions2026\u002Fplaygrounds) Upcoming: PLAYGROUNDS: DEUCE ‘PLAYGROUNDS: DEUCE\"‘ 14.05.2026 — 17.05.2026 [ ‘Temporal Grounds’ ](\u002Fexhibitions2026\u002Ftemporal-grounds) ‘Temporal Grounds’ Group exhibition 29.01.2026 — 14.03.2026 2025 Featured [ ](\u002Fexhibitions2025\u002Fafter-painting-after-painting-after-painting-n5tb5) After Painting After Painting (After Painting) Group exhibition Part 2: 22.11.2025 — 20.12.2025 [ ](\u002Fexhibitions2025\u002Fafter-painting-after-painting-after-painting) After Painting After Painting (After Painting) Group exhibition Part 1: 11.10.2025 — 15.11.2025 [ ](\u002Fexhibitions2025\u002Fserban-ionescu-viscus) Serban Ionescu ‘Viscus’ 30.08.2025 — 04.10.2025 [ ](\u002Fexhibitions2025\u002Fjosse-pyl-well-digand-dig-and-well-dig-and-dig-well) Josse Pyl ‘We’ll Dig and Dig And We’ll Dig and Dig Well’ 30.08.2025 — 04.10.2025 [ ](\u002Fexhibitions2025\u002Fnelleke-cloosterman-between-what-is-ours-2t5zy) Summer Selection Summer group presentation Beni Bischof, Daan Couzijn, Nelleke Cloosterman, Bram Kinsbergen, Roy Mordechay, Florian Tomballe and Victor Verhelst. 13.08.2025 — 23.08.2025 [ ](\u002Fexhibitions2025\u002Fnelleke-cloosterman-between-what-is-ours) Nelleke Cloosterman ‘Between What Is Ours’ 12.06.2025 — 19.07.2025 [ ](\u002Fexhibitions2025\u002Finstroom-art-migration-is-normal) InstroomArt ‘MIGRATION IS NORMAL’ 29.05.2025 — 01.06.2025 [ ](\u002Fexhibitions2025\u002Fvictor-verhelst-alien-elvis-vs-the-casino-kaijus-wx6f7) Clarisse M ‘Apparentia’ 08.05.2025 — 24.05.2025 [ ](\u002Fexhibitions2025\u002Fvictor-verhelst-alien-elvis-vs-the-casino-kaijus) Victor Verhelst ‘ALIEN ELVIS vs THE CASINO KAIJU'S’ 03.04.2025 — 03.05.2025 [ ](\u002Fexhibitions2025\u002Farvida-bystrom-wink) Arvida Byström “Wink” 20.02.2025 — 29.03.2025 [ ](\u002Fexhibitions2025\u002Fbram-kinsbergen-waking-up-the-roads) Bram Kinsbergen ’Waking up the roads’ 09.01.2025 — 16.02.2025 2024 Featured [ ](\u002Fexhibitions-2024\u002Ftatjana-gerhard-glashaus) Tatjana Gerhard ’Glashaus’ 30.11.2024 — 05.01.2025 [ ](\u002Fexhibitions-2024\u002Fbeni-bischof-no-more-reality) Beni Bischof ’No More Reality’ 12.10.2024 — 24.11.2024 [ ](\u002Fexhibitions-2024\u002Fwilliam-ludwig-lutgens-fantasy-supplement) William Ludwig Lutgens ’Fantasy Supplement’ 12.10.2024 — 17.11.2024 [ ](\u002Fexhibitions-2024\u002Fhadassah-emmerich-creole-collidoscope) Hadassah Emmerich ’Creole Collidoscope’ 07.09.2024 — 06.10.2024 [ ](\u002Fexhibitions-2024\u002Fflorian-tomballe-sculptures-and-drawings) Florian Tomballe ’Sculptures and Drawings’ 07.09.2024 — 06.10.2024 [ ](\u002Fexhibitions-2024\u002Fliquid-marks) ‘Liquid Marks’ Group exhibition Bent Van Looy, Bram Kinsbergen, Frederik Heyman, József Csató, Roy Mordechay, Tatjana Gerhard 22.06.2024 — 01.09.2024 [ ](\u002Fexhibitions-2024\u002Fwhisper-in-the-breeze-seeking-shade) ‘Whispers in the breeze, seeking shade’ Group exhibition Filip Vervaet, Jean-Pierre Temmerman, Lars Morell, Renée Pevernagie 22.06.2024 — 01.09.2024 [ ](\u002Fexhibitions-2024\u002Fsebastien-reuze-mascleta) Sébastien Reuzé ’Mascletà’ 16.05.2024 — 16.06.2024 [ ](\u002Fexhibitions-2024\u002Faesthetic-echoes) ‘Aesthetic Echoes’ Group exhibition 16.05.2024 — 16.06.2024 [ ](\u002Fexhibitions-2024\u002Fbert-danckaert-the-state-of-things) Bert Danckaert ’THE STATE OF THINGS’ 30.03.2024 — 05.05.2024 [ ](\u002Fexhibitions-2024\u002Froy-mordechay-silent-partners) Roy Mordechay ’Silent Partners’ 24.02.2024 — 24.03.2024 [ ](\u002Fexhibitions-2024\u002Fdisabstraction-sunrise) ‘Disabstraction Sunrise’ Group exhibition Tatjana Gerhard, Aurélie Gravas, Julien Meert, Nadia Naveau, Xavier-Noiret Thomé, Sébastien Reuzé, Carole Vanderlinden, Franck Scurti, Sven 't Jolle, Sophie Ullrich 24.02.2024 — 24.03.2024 [ ](\u002Fexhibitions-2024\u002Flaurens-legiers-a-whimsy-odyssey) Laurens Legiers ’A Whimsy Odyssey’ 13.01.2024 — 18.02.2024 2023 Featured [ ](\u002Fexhibitions-2023\u002Fface-time) Nov 25, 2023 ‘FACE TIME’ Nov 25, 2023 Group exhibition 25.11.2023 — 07.01.2024 Nov 25, 2023 [ ](\u002Fexhibitions-2023\u002Fnelleke-cloosterman-dawn-goes-down-to-day) Nov 25, 2023 Nelleke Cloosterman Nov 25, 2023 ’Dawn goes down to day’ 25.11.2023 — 07.01.2024 Nov 25, 2023 [ ](\u002Fexhibitions-2023\u002Fjudit-kristensen-vanity) Oct 14, 2023 Judit Kristensen Oct 14, 2023 ’Vanity’ 14.10.2023 — 19.11.2023 Oct 14, 2023 [ ](\u002Fexhibitions-2023\u002Fsven-tjolle-vroeger-was-ik-ook-voor-de-vrede) Oct 14, 2023 Sven ‘t Jolle Oct 14, 2023 ‘Vroeger was ik ook voor de vrede’ 14.10.2023 — 19.11.2023 Oct 14, 2023 [ ](\u002Fexhibitions-2023\u002Fand-thats-only-half-the-story) Sep 2, 2023 ‘…And that’s only (half) the story’ Sep 2, 2023 Group exhibition Jonas Lund, Daan Couzijn, Harm van den Dorpel, Libby Heaney, Sarah Meyohas, Victor Verhelst, Arvida Byström, Gretta Louw, Frederik De Wilde 02.09.2023 — 08.10.2023 Sep 2, 2023 [ ](\u002Fexhibitions-2023\u002Fceline-mathieu-hifi-stereo-vacuum-tube) Jun 24, 2023 Céline Mathieu Jun 24, 2023 ‘Hifi Stereo Vacuum Tube’ 24.06.2023 — 27.08.2023 Jun 24, 2023 [ ](\u002Fexhibitions-2023\u002Fmanor-grunewald-external-hard-disk-1-2) Jun 24, 2023 Manor Grunewald Jun 24, 2023 'EXTERNAL HARD DISK \u002F WORK' Part I & II 24.06.2023 — 27.08.2023 Jun 24, 2023 [ ](\u002Fexhibitions-2023\u002Fritsart-gobyn-prologue) May 18, 2023 Ritsart Gobyn May 18, 2023 ’Prologue’ 18.05.2023 — 18.06.2023 May 18, 2023 [ ](\u002Fexhibitions-2023\u002Fmevlana-lipp-soleil) May 13, 2023 Mevlana Lipp May 13, 2023 ‘Soleil’ 13.05.2023 — 18.06.2023 May 13, 2023 [ ](\u002Fexhibitions-2023\u002Fjozsef-csato-hair-hours-skin-minutes-bone-seconds) Apr 1, 2023 József Csató Apr 1, 2023 ‘Hair hours, Skin minutes, Bone seconds’ 01.04.2023 — 07.05.2023 Apr 1, 2023 [ ](\u002Fexhibitions-2023\u002Finterstate-of-mind) Mar 25, 2023 ‘INTERSTATE OF MIND’ Mar 25, 2023 Group exhibition Jenny Brosinski, Corydon Cowansage, Max Frintrop, Tatjana Gerhard, Nicholas William Johnson, Judit Kristensen, Jean-Pierre Temmerman, Julia Trybala, Sharon Van Overmeiren 25.03.2023 — 26.04.2023 Mar 25, 2023 [ ](\u002Fexhibitions-2023\u002Ffilip-vervaet-passages) Feb 25, 2023 Filip Vervaet Feb 25, 2023 ’Passages’ 24.02.2023 — 25.03.2023 Feb 25, 2023 [ ](\u002Fexhibitions-2023\u002Fkasper-de-vos-sluimertijd) Jan 14, 2023 Kasper De Vos Jan 14, 2023 ’Sluimertijd’ 14.01.2023 — 19.02.2023 Jan 14, 2023 2022 Featured [ ](\u002Fexhibitions-2022\u002Fvictor-verhelst-toxic-hawaii) Dec 3, 2022 Victor Verhelst Dec 3, 2022 ‘TOXIC HAWAII’ 03.12.2022 — 08.01.2023 Dec 3, 2022 [ ](\u002Fexhibitions-2022\u002Fdamien-meade) Nov 26, 2022 Damien Meade Nov 26, 2022 Damien Meade 26.11.2022 — 08.01.2023 Nov 26, 2022 [ ](\u002Fexhibitions-2022\u002Fcarole-vanderlinden-a-slipping-glance) Oct 15, 2022 Carole Vanderlinden Oct 15, 2022 ‘A slipping glance’ 15.10.2022 — 20.11.2022 Oct 15, 2022 [ ](\u002Fexhibitions-2022\u002Fwilliam-ludwig-lutgens-my-mind-is-the-mind-of-a-fish) Sep 3, 2022 William Ludwig Lutgens Sep 3, 2022 ‘My mind is the mind of a fish’ 03.09.2022 — 10.10.2022 Sep 3, 2022 [ ](\u002Fexhibitions-2022\u002Flysandre-begijn-echos-answer) Sep 1, 2022 Lysandre Begijn Sep 1, 2022 ‘Echo's Answer’ 01.09.2022 — 16.10.2022 Sep 1, 2022 [ ](\u002Fexhibitions-2022\u002Finfinite-flowers-part-4) Jun 25, 2022 ‘Infinite Flowers’ (part 4) Jun 25, 2022 Group exhibition Werner Mannaers József Csató, Manor Grunewald, Nicholas William Johnson, Sven ‘t Jolle, Sergio De Beukelaer, Laurens Legiers, Xavier Noiret Thomé, Mevlana Lipp, Lysandre Begijn, Rik De Boe, Nelleke Cloosterman, Sean Crossley, Kendell Geers, Daan Gielis, Milan Kunc, Sam Druant, Juliane Noll, Victor Verhelst, Beni Bischof, Bernd Lohaus, Carole Vanderlinden, Celina Vleugels, Ralf Kokke, Amber Andrews, Lily Van der Stokker, Heidi Ukonnen, Tony Matelli, Michael Johansson 25.05.2022 — 21.08.2022 Jun 25, 2022 [ ](\u002Fexhibitions-2022\u002Fproof-of-work-whats-at-stake) May 26, 2022 ‘Proof of Work, What's at Stake?’ May 26, 2022 Group exhibition Nicholas William Johnson, Victor Verhelst, Anne-Mie Van Kerckhoven, Frederik Heyman, Vaast Colson, Yannick Val Gesto and Beni Bisschof 26.05.2022 — 26.06.2022 May 26, 2022 [ ](\u002Fexhibitions-2022\u002Ftatjana-gerhard-the-power-of-illusion-the-illusion-of-power …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Gray, Black. Built using reCAPTCHA, Squarespace, Squarespace Commerce, Stimulus. AI description: Plus-one is a contemporary art space and gallery dedicated to showcasing diverse artistic voices through curated exhibitions and fairs. The website serves as a digital extension of the physical gallery, providing a streamlined platform for visitors to explore upcoming shows, artist rosters, and news regarding the Antwerp art scene. The visual identity is defined by a sophisticated, minimalist aesthetic that prioritizes the artwork itself. Utilizing expansive white space, a clean sans-serif typographic hierarchy, and a high-contrast monochrome palette, the design mirrors the architectural clarity of a professional white-cube gallery. This editorial approach creates a high-end, calm atmosphere that appeals to collectors, artists, and cultural enthusiasts.",{"id":751,"website_id":752,"page_id":751,"name":753,"slug":754,"url":755,"website_name":753,"website_slug":754,"website_url":756,"result_url":755,"fetched_at":757,"score":758,"score_boost":351,"ai_score":183,"freshness_score":759,"scored_at":760,"page_name":39,"page_url":755,"page_title":761,"page_description":40,"page_content":762,"page_sort":351,"is_home":358,"is_home_rank":359,"page_type_id":360,"page_type_name":45,"cover":763,"cover_mobile":766,"cover_sequence":768,"translations":859,"industry":862,"styles":863,"credits":864,"font_families":865,"technologies":866,"pagespeed":869,"pagespeed_mobile":874,"buckets":880,"search_payload":881},"eac9fb48-93e1-4921-b162-51d4c1de3710","d4bf49cd-2abf-459a-81b2-cfd1cc6bb247","Haruko Hayakawa","haruko-hayakawa","https:\u002F\u002Fharuko.co\u002F","https:\u002F\u002Fharuko.co","2026-05-24T21:31:52.000Z",86,1779658312,"2026-05-24T21:32:23.000Z","WORK - HARUKO HAYAKAWA","HARUKO HAYAKAWA - INFO - WORK - INFO - WORK Haruko Hayakawa is a CG Artist & Creative Director. She was previously an Associate Creative Director at Superunion. She has experience in branding, packaging, photography and 3D\u002FCG. Learn more about her here. Haruko Hayakawa is a CG Artist and Creative Director. She was previously an Associate Creative Director at Superunion. She has experience in branding, packaging, photography and 3D\u002FCG. Feel free to learn more about me here. Haruko Hayakawa is a CG Artist and Creative Director. She was previously an Associate Creative Director at Superunion. She has experience in branding, packaging, photography and 3D\u002FCG. Feel free to learn more about me here. Haruko Hayakawa is a CG Artist and Creative Director. She was previously an Associate Creative Director at Superunion. She has experience in branding, packaging, photography and 3D\u002FCG. Feel free to learn more about me here. Haruko Hayakawa is an Independent CG Artist and Creative Director. She was previously an Associate Creative Director with Superunion. She has experience in branding, packaging, photography, and 3D\u002FCG. - CAPABILITES: - CG Product Visualization - 3D Modeling & Rendering - Smart Object Product Mockups - Art Direction - Editorial Illustration - Art Licensing - CLIENTS INCLUDE: - Apple - The New York Times - Google Creative Lab - Poppi - FOLLOW: - Instagram - Twitter - Linkedin PROJECTS [ Fleeting Moments 3D rendering and animation Fleeting Moments ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fstolen-moments)[ Fleeting Moments3D rendering and animation ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fstolen-moments \"Fleeting Moments\") [ Bubble Cleanser Launch 3D MODELING + RENDERING + ANIMATION Bubble Cleanser Launch ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fbubble-cleanser-launch)[ Bubble Cleanser Launch3D MODELING + RENDERING + ANIMATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fbubble-cleanser-launch \"Bubble Cleanser Launch\") [ Gimme Seaweed KBBQ 3D RENDERING + ANIMATION Gimme Seaweed KBBQ ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fgimme-seaweed-kbbq)[ Gimme Seaweed KBBQ3D RENDERING + ANIMATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fgimme-seaweed-kbbq \"Gimme Seaweed KBBQ\") [ The Washington Post: Nutrition Labels EDITORIAL ILLUSTRATION The Washington Post: Nutrition Labels ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fwashington-post-nutrition-labels)[ The Washington Post: Nutrition LabelsEDITORIAL ILLUSTRATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fwashington-post-nutrition-labels \"The Washington Post: Nutrition Labels\") [ Fly by Jing Chengdu Crunch 3D MODELING + RENDERING Fly by Jing Chengdu Crunch ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffly-by-jing-chengdu-crunch)[ Fly by Jing Chengdu Crunch3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffly-by-jing-chengdu-crunch \"Fly by Jing Chengdu Crunch\") [ Cometeer 3D MODELING + RENDERING Cometeer ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcometeer)[ Cometeer3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcometeer \"Cometeer\") [ Ta-ku 'Songs to Come Home To' Album Art 3D MODELING + RENDERING Ta-ku ‘Songs to Come Home To’ Album Art ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fta-ku-songs-to-come-home-to-album-art)[ Ta-ku 'Songs to Come Home To' Album Art3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fta-ku-songs-to-come-home-to-album-art \"Ta-ku 'Songs to Come Home To' Album Art\") [ Connection 3D ILLUSTRATION Connection ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fconnection)[ Connection3D ILLUSTRATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fconnection \"Connection\") [ LA Times: The Official Bottled Water Power Ranking 3D Modeling + Animation LA Times: The Official Bottled Water Power Ranking ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fla-times-the-official-bottled-water-power-ranking)[ LA Times: The Official Bottled Water Power Ranking3D Modeling + Animation ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fla-times-the-official-bottled-water-power-ranking \"LA Times: The Official Bottled Water Power Ranking\") [ Floral Explorations 3D ANIMATION Floral Explorations ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffloral-explorations)[ Floral Explorations3D ANIMATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffloral-explorations \"Floral Explorations\") [ Bon Appetit: The Future of Food 3D Modeling + Rendering Bon Appetit: The Future of Food ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fbon-appetit-future-of-food)[ Bon Appetit: The Future of Food3D Modeling + Rendering ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fbon-appetit-future-of-food \"Bon Appetit: The Future of Food\") [ Poppi 3D MODELING + ANIMATION Poppi ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fpoppi)[ Poppi3D MODELING + ANIMATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fpoppi \"Poppi\") [ REM Beauty 3D MODELING + RENDERING REM Beauty ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Frem-beauty)[ REM Beauty3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Frem-beauty \"REM Beauty\") [ JIMMY CHOO 3D MODELING & RENDERING JIMMY CHOO ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fjimmy-choo)[ JIMMY CHOO3D MODELING & RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fjimmy-choo \"JIMMY CHOO\") [ Blueland 3D MODELING + RENDERING Blueland ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fblueland)[ Blueland3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fblueland \"Blueland\") [ SKKN by Kim Kardashian 3D Modeling + Rendering SKKN by Kim Kardashian ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fskkn-by-kim-kardashian)[ SKKN by Kim Kardashian3D Modeling + Rendering ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fskkn-by-kim-kardashian \"SKKN by Kim Kardashian\") [ Moon Prism Power, Make Up 3D Animation Moon Prism Power, Make Up ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fmoon-prism-power-make-up)[ Moon Prism Power, Make Up3D Animation ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fmoon-prism-power-make-up \"Moon Prism Power, Make Up\") [ Flow Water 3D MODELING + RENDERING Flow Water ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fflow-water)[ Flow Water3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fflow-water \"Flow Water\") [ High Tide Sound System Vol. 54 3D Modeling & Rendering High Tide Sound System Vol. 54 ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fhigh-tide-sound-system-vol-54)[ High Tide Sound System Vol. 543D Modeling & Rendering ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fhigh-tide-sound-system-vol-54 \"High Tide Sound System Vol. 54\") [ Casa Malka 3D Modeling + Rendering Casa Malka ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcasa-malca)[ Casa Malka3D Modeling + Rendering ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcasa-malca \"Casa Malka\") [ The Telegraph Magazine 3D MODELING + ANIMATION The Telegraph Magazine ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftelegraph-whiskey-cover)[ The Telegraph Magazine3D MODELING + ANIMATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftelegraph-whiskey-cover \"The Telegraph Magazine\") [ Objects of Desire 3D MODELING + RENDERING Objects of Desire ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fobjects-of-desire)[ Objects of Desire3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fobjects-of-desire \"Objects of Desire\") [ Telegraph: Tweakments 3D MODELING & RENDERING Telegraph: Tweakments ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftelegraph-tweakments)[ Telegraph: Tweakments3D MODELING & RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftelegraph-tweakments \"Telegraph: Tweakments\") [ Scotria 3D MODELING & RENDERING Scotria ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fscotria)[ Scotria3D MODELING & RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fscotria \"Scotria\") [ HeartBurger 3D MODELING + RENDERING HeartBurger ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fheartburger)[ HeartBurger3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fheartburger \"HeartBurger\") [ Cocktails 3D Modeling + Animation Cocktails ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcocktails)[ Cocktails3D Modeling + Animation ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcocktails \"Cocktails\") [ Fly By Jing Art Direction & Photography Fly By Jing ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffly-by-jing)[ Fly By JingArt Direction & Photography ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffly-by-jing \"Fly By Jing\") [ Cyborgs 3D MODELING + RENDERING Cyborgs ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcyborgs)[ Cyborgs3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcyborgs \"Cyborgs\") [ New York Times: Tiny Architect-Designed Houses ANIMATION & PROP STYLING New York Times: Tiny Architect-Designed Houses ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ft-magazine-tiny-architect-designed-houses)[ New York Times: Tiny Architect-Designed HousesANIMATION & PROP STYLING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ft-magazine-tiny-architect-designed-houses \"New York Times: Tiny Architect-Designed Houses\") [ Precious Metals 3D MODELING + RENDERING Precious Metals ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fprecious-metals)[ Precious Metals3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fprecious-metals \"Precious Metals\") [ Tom Ford 3D Modeling + Rendering Tom Ford ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftom-ford)[ Tom Ford3D Modeling + Rendering ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftom-ford \"Tom Ford\") [ The New York Times: Paper Dolls PHOTOGRAPHY, PROP STYLING & ANIMATION ![The New York Times: Paper Dolls](https:\u002F\u002Fwww.haruko.co\u002Fwp-content\u002Fuploads\u002F2020\u002F06\u002FNY …",{"id":764,"height":13,"width":12,"blurhash":765},"274772a6-6759-4f8c-96a2-67c134757e4a","radial-gradient(at 0 0,#f8eef0,#00000000 50%),radial-gradient(at 33% 0,#f5f7f9,#00000000 50%),radial-gradient(at 67% 0,#f1fbfe,#00000000 50%),radial-gradient(at 100% 0,#f9f4f2,#00000000 50%),radial-gradient(at 0 50%,#f4e0e3,#00000000 50%),radial-gradient(at 33% 50%,#e7e7ec,#00000000 50%),radial-gradient(at 67% 50%,#deebf2,#00000000 50%),radial-gradient(at 100% 50%,#ede5e4,#00000000 50%),radial-gradient(at 0 100%,#e26497,#00000000 50%),radial-gradient(at 33% 100%,#c88db9,#00000000 50%),radial-gradient(at 67% 100%,#b49ac2,#00000000 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Hayakawa’s portfolio serves as a high-octane showcase for a premier CG Artist and Creative Director specializing in hyper-realistic 3D visualization. The site functions as a digital gallery, presenting a sophisticated array of product mockups, branding, and editorial illustrations that bridge the gap between digital art and commercial advertising. Through a curated selection of vibrant, high-fidelity projects, the site communicates a mastery of texture, lighting, and surrealist composition.\n\nThe visual identity is defined by a striking tension between minimalist Swiss-inspired typography and maximalist, color-saturated imagery. Utilizing a clean, grid-based layout with ample white space, the design allows the explosive colors and intricate 3D details of the work to command undivided attention. The aesthetic is professional yet avant-garde, targeting high-end creative agencies, global consumer brands, and editorial publications looking for cutting-edge visual storytelling.","Photography & Video",[599,731,33],[753],[306,303],[278,279,867,868,280],"scrollreveal","Semplice",[870,871,872,873],{"score":110,"category":97},{"score":113,"category":100},{"score":350,"category":103},{"score":205,"category":106},[875,877,878,879],{"score":876,"category":97},61,{"score":113,"category":100},{"score":350,"category":103},{"score":205,"category":106},[121,617,482,616,125],"Website: Haruko Hayakawa. Page: Homepage. Page type: Home \u002F Landing Page. Page title: WORK - HARUKO HAYAKAWA. Page content: HARUKO HAYAKAWA - INFO - WORK - INFO - WORK Haruko Hayakawa is a CG Artist & Creative Director. She was previously an Associate Creative Director at Superunion. She has experience in branding, packaging, photography and 3D\u002FCG. Learn more about her here. Haruko Hayakawa is a CG Artist and Creative Director. She was previously an Associate Creative Director at Superunion. She has experience in branding, packaging, photography and 3D\u002FCG. Feel free to learn more about me here. Haruko Hayakawa is a CG Artist and Creative Director. She was previously an Associate Creative Director at Superunion. She has experience in branding, packaging, photography and 3D\u002FCG. Feel free to learn more about me here. Haruko Hayakawa is a CG Artist and Creative Director. She was previously an Associate Creative Director at Superunion. She has experience in branding, packaging, photography and 3D\u002FCG. Feel free to learn more about me here. Haruko Hayakawa is an Independent CG Artist and Creative Director. She was previously an Associate Creative Director with Superunion. She has experience in branding, packaging, photography, and 3D\u002FCG. - CAPABILITES: - CG Product Visualization - 3D Modeling & Rendering - Smart Object Product Mockups - Art Direction - Editorial Illustration - Art Licensing - CLIENTS INCLUDE: - Apple - The New York Times - Google Creative Lab - Poppi - FOLLOW: - Instagram - Twitter - Linkedin PROJECTS [ Fleeting Moments 3D rendering and animation Fleeting Moments ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fstolen-moments)[ Fleeting Moments3D rendering and animation ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fstolen-moments \"Fleeting Moments\") [ Bubble Cleanser Launch 3D MODELING + RENDERING + ANIMATION Bubble Cleanser Launch ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fbubble-cleanser-launch)[ Bubble Cleanser Launch3D MODELING + RENDERING + ANIMATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fbubble-cleanser-launch \"Bubble Cleanser Launch\") [ Gimme Seaweed KBBQ 3D RENDERING + ANIMATION Gimme Seaweed KBBQ ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fgimme-seaweed-kbbq)[ Gimme Seaweed KBBQ3D RENDERING + ANIMATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fgimme-seaweed-kbbq \"Gimme Seaweed KBBQ\") [ The Washington Post: Nutrition Labels EDITORIAL ILLUSTRATION The Washington Post: Nutrition Labels ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fwashington-post-nutrition-labels)[ The Washington Post: Nutrition LabelsEDITORIAL ILLUSTRATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fwashington-post-nutrition-labels \"The Washington Post: Nutrition Labels\") [ Fly by Jing Chengdu Crunch 3D MODELING + RENDERING Fly by Jing Chengdu Crunch ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffly-by-jing-chengdu-crunch)[ Fly by Jing Chengdu Crunch3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffly-by-jing-chengdu-crunch \"Fly by Jing Chengdu Crunch\") [ Cometeer 3D MODELING + RENDERING Cometeer ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcometeer)[ Cometeer3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcometeer \"Cometeer\") [ Ta-ku 'Songs to Come Home To' Album Art 3D MODELING + RENDERING Ta-ku ‘Songs to Come Home To’ Album Art ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fta-ku-songs-to-come-home-to-album-art)[ Ta-ku 'Songs to Come Home To' Album Art3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fta-ku-songs-to-come-home-to-album-art \"Ta-ku 'Songs to Come Home To' Album Art\") [ Connection 3D ILLUSTRATION Connection ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fconnection)[ Connection3D ILLUSTRATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fconnection \"Connection\") [ LA Times: The Official Bottled Water Power Ranking 3D Modeling + Animation LA Times: The Official Bottled Water Power Ranking ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fla-times-the-official-bottled-water-power-ranking)[ LA Times: The Official Bottled Water Power Ranking3D Modeling + Animation ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fla-times-the-official-bottled-water-power-ranking \"LA Times: The Official Bottled Water Power Ranking\") [ Floral Explorations 3D ANIMATION Floral Explorations ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffloral-explorations)[ Floral Explorations3D ANIMATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffloral-explorations \"Floral Explorations\") [ Bon Appetit: The Future of Food 3D Modeling + Rendering Bon Appetit: The Future of Food ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fbon-appetit-future-of-food)[ Bon Appetit: The Future of Food3D Modeling + Rendering ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fbon-appetit-future-of-food \"Bon Appetit: The Future of Food\") [ Poppi 3D MODELING + ANIMATION Poppi ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fpoppi)[ Poppi3D MODELING + ANIMATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fpoppi \"Poppi\") [ REM Beauty 3D MODELING + RENDERING REM Beauty ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Frem-beauty)[ REM Beauty3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Frem-beauty \"REM Beauty\") [ JIMMY CHOO 3D MODELING & RENDERING JIMMY CHOO ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fjimmy-choo)[ JIMMY CHOO3D MODELING & RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fjimmy-choo \"JIMMY CHOO\") [ Blueland 3D MODELING + RENDERING Blueland ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fblueland)[ Blueland3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fblueland \"Blueland\") [ SKKN by Kim Kardashian 3D Modeling + Rendering SKKN by Kim Kardashian ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fskkn-by-kim-kardashian)[ SKKN by Kim Kardashian3D Modeling + Rendering ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fskkn-by-kim-kardashian \"SKKN by Kim Kardashian\") [ Moon Prism Power, Make Up 3D Animation Moon Prism Power, Make Up ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fmoon-prism-power-make-up)[ Moon Prism Power, Make Up3D Animation ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fmoon-prism-power-make-up \"Moon Prism Power, Make Up\") [ Flow Water 3D MODELING + RENDERING Flow Water ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fflow-water)[ Flow Water3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fflow-water \"Flow Water\") [ High Tide Sound System Vol. 54 3D Modeling & Rendering High Tide Sound System Vol. 54 ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fhigh-tide-sound-system-vol-54)[ High Tide Sound System Vol. 543D Modeling & Rendering ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fhigh-tide-sound-system-vol-54 \"High Tide Sound System Vol. 54\") [ Casa Malka 3D Modeling + Rendering Casa Malka ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcasa-malca)[ Casa Malka3D Modeling + Rendering ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcasa-malca \"Casa Malka\") [ The Telegraph Magazine 3D MODELING + ANIMATION The Telegraph Magazine ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftelegraph-whiskey-cover)[ The Telegraph Magazine3D MODELING + ANIMATION ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftelegraph-whiskey-cover \"The Telegraph Magazine\") [ Objects of Desire 3D MODELING + RENDERING Objects of Desire ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fobjects-of-desire)[ Objects of Desire3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fobjects-of-desire \"Objects of Desire\") [ Telegraph: Tweakments 3D MODELING & RENDERING Telegraph: Tweakments ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftelegraph-tweakments)[ Telegraph: Tweakments3D MODELING & RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftelegraph-tweakments \"Telegraph: Tweakments\") [ Scotria 3D MODELING & RENDERING Scotria ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fscotria)[ Scotria3D MODELING & RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fscotria \"Scotria\") [ HeartBurger 3D MODELING + RENDERING HeartBurger ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fheartburger)[ HeartBurger3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fheartburger \"HeartBurger\") [ Cocktails 3D Modeling + Animation Cocktails ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcocktails)[ Cocktails3D Modeling + Animation ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcocktails \"Cocktails\") [ Fly By Jing Art Direction & Photography Fly By Jing ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffly-by-jing)[ Fly By JingArt Direction & Photography ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ffly-by-jing \"Fly By Jing\") [ Cyborgs 3D MODELING + RENDERING Cyborgs ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcyborgs)[ Cyborgs3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fcyborgs \"Cyborgs\") [ New York Times: Tiny Architect-Designed Houses ANIMATION & PROP STYLING New York Times: Tiny Architect-Designed Houses ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ft-magazine-tiny-architect-designed-houses)[ New York Times: Tiny Architect-Designed HousesANIMATION & PROP STYLING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ft-magazine-tiny-architect-designed-houses \"New York Times: Tiny Architect-Designed Houses\") [ Precious Metals 3D MODELING + RENDERING Precious Metals ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fprecious-metals)[ Precious Metals3D MODELING + RENDERING ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Fprecious-metals \"Precious Metals\") [ Tom Ford 3D Modeling + Rendering Tom Ford ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftom-ford)[ Tom Ford3D Modeling + Rendering ](https:\u002F\u002Fwww.haruko.co\u002Fproject\u002Ftom-ford \"Tom Ford\") [ The New York Times: Paper Dolls PHOTOGRAPHY, PROP STYLING & ANIMATION ![The New York Times: Paper Dolls](https:\u002F\u002Fwww.haruko.co\u002Fwp-content\u002Fuploads\u002F2020\u002F06\u002FNY …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Photography & Video industry. Designed by Haruko Hayakawa. The overall color palette features White, Pink, Red, Teal, Black. The typography features Open Sans (Sans Serif), Inter (Sans Serif). Built using jQuery, PHP, scrollreveal, Semplice, WordPress. AI description: Haruko Hayakawa’s portfolio serves as a high-octane showcase for a premier CG Artist and Creative Director specializing in hyper-realistic 3D visualization. The site functions as a digital gallery, presenting a sophisticated array of product mockups, branding, and editorial illustrations that bridge the gap between digital art and commercial advertising. Through a curated selection of vibrant, high-fidelity projects, the site communicates a mastery of texture, lighting, and surrealist composition. The visual identity is defined by a striking tension between minimalist Swiss-inspired typography and maximalist, color-saturated imagery. Utilizing a clean, grid-based layout with ample white space, the design allows the explosive colors and intricate 3D details of the work to command undivided attention. The aesthetic is professional yet avant-garde, targeting high-end creative agencies, global consumer brands, and editorial publications looking for cutting-edge visual storytelling."]