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To mark 20 years of architectural entertainment, one issue simply wasn’t enough, so we made ten — beautifully packaged in a specially designed box. Together, they ask: what marks the early 21st century? Which houses built since 2000 matter most? Which objects will come to represent its first quarter? And where do architecture, design, and culture stand today? A collector’s edition celebrating contemporary culture and 20 years of independent publishing. 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Described as the 'Magazine for Architectural Entertainment,' it curates high-concept visual storytelling that explores how built environments and objects shape our contemporary experience. The platform acts as both a historical record and a forward-looking tastemaker for the design world.\n\nThe visual identity is defined by a bold, high-impact typographic approach, utilizing massive sans-serif headings that command immediate attention. The design language balances a minimalist, white-space-heavy layout with vibrant, editorial photography and playful graphic elements like colorful organic shapes. This creates a high-end, avant-garde aesthetic that appeals to architects, designers, and art enthusiasts who value both intellectual depth and visual spectacle.",[30,34,497],"Vibrant \u002F Colorful",[499],"Jon Lucas",[342],[312,313,320,315,316],[503,504,505,506],{"score":239,"category":130},{"score":388,"category":133},{"score":137,"category":136},{"score":235,"category":139},[508,509,510,511],{"score":196,"category":130},{"score":388,"category":133},{"score":137,"category":136},{"score":235,"category":139},[148,152,513,514],"teal","pink","Website: PIN–UP Magazine. Page: Homepage. Page type: Home \u002F Landing Page. Page title: PIN–UP Magazine. Page description: The Magazine for Architectural Entertainment. Page content: StoriesInterviewsVideosKeywordsIssuesEventsContactPIN–UP HOME [ ISSUE 40 S\u002FS 2026 PIN–UP 40: The Independence Issue. To mark 20 years of architectural entertainment, one issue simply wasn’t enough, so we made ten — beautifully packaged in a specially designed box. Together, they ask: what marks the early 21st century? Which houses built since 2000 matter most? Which objects will come to represent its first quarter? And where do architecture, design, and culture stand today? A collector’s edition celebrating contemporary culture and 20 years of independent publishing. VIEW ISSUE → ](\u002Fissues\u002Fpinup-magazine-40-independence)[ Encyclopædia Saint Heronica ](https:\u002F\u002Fwww.pinupmagazine.org\u002Fsaintheronica) [ event CELEBRATING PIN–UP 40 DURING MILAN DESIGN WEEK by PIN–UP ](\u002Farticles\u002Fpinup-40-dinner-milan)[ Story THE GREAT HALL OVERHAUL BY PETERSON RICH OFFICE by Nathan Rich ](\u002Farticles\u002Fthe-met-metropolitan-museum-of-art-great-hall-peterson-rich-office)[ Story PRADA FRAMES TAKES ON THE IMAGE AT MILAN DESIGN WEEK by Rachel Hahn ](\u002Farticles\u002Fprada-frames-2026-milan-design-week) [ Story ISA GENZKEN, ARCHITECT by David Lê ](\u002Farticles\u002Fisa-genzken-architect-david-zwirner-galerie-bucholz)[ Story MCM LANDS ON MARS AT MILAN DESIGN WEEK by Rachel Hahn ](\u002Farticles\u002Fmcm-milan-design-week-2026-atelier-biagetti)[ Story CC-TAPIS AND FORNASETTI’S COLLABORATION IS PURE DOMESTIC DIVA by Julie Klein ](\u002Farticles\u002Fcc-tapis-fornasetti-rugs)[ Story SEX, DESIRE, AND DISCIPLINE IN SHAKER LIFE by Camille Okhio ](\u002Farticles\u002Fshaker-the-testament-of-ann-lee) [ Story ANDREA BRANZI BY TOYO ITO by Andrew Ayers ](\u002Farticles\u002Ftoyo-ito-andrea-branzi-triennale-milano-continuous-present)[ Interview YY SO SERIOUS by Angel Harvey-Ideozu ](\u002Farticles\u002Fyy-francisco-gaspar-tawanda-chiweshe-interview) [ Story JESSI REAVES’S DOMESTIC MISFITS by Oscar Peña ](\u002Farticles\u002Fjessi-reaves-process-invented-the-mirror-walker-art-center)[ Story THE WONDERFUL WORLD OF SAM CHERMAYEFF by Drew Zeiba ](\u002Farticles\u002Fsam-chermayeff)[ Story THE ALULA ARTS FESTIVAL IS REWRITING THE RULES OF LAND ART by Angel Harvey-Ideozu ](\u002Farticles\u002Falula-arts-festival-land-art)[ LUMINA’S ICONIC DAPHINE TURNS 50 ](\u002Farticles\u002Flumina-daphine-50th-anniversary) [ Story UZBEKISTAN UNDER CONSTRUCTION by Andrew Pasquier ](\u002Farticles\u002Fbukhara-biennial-uzbekistan-architecture-art-and-culture-foundation)[ Interview NEW AFFILIATES ON BUILDING THE MATERIAL WORLD OF BRUCE GOFF by Oscar Peña ](\u002Farticles\u002Fbruce-goff-new-affiliates-material-worlds-the-art-institute-of-chicago) [ Interview GRAFTON ARCHITECTS ON THEIR FIRST BUILDING IN THE UNITED STATES by Mimi Zeiger ](\u002Farticles\u002Fgrafton-architects-yvonne-farrell-anthony-timberlands-center-fayetteville-arkansas) [ Story RESTAGING HISTORY IN THE METROPOLITAN MUSEUM OF ART’S PERIOD ROOMS by Rachel Hahn ](\u002Farticles\u002Fperiod-rooms-metropolitan-museum-of-art)[ Interview ARCHITECTURE AS CARE WITH TATIANA BILBAO by Shumi Bose ](\u002Farticles\u002Ftatiana-bilbao-interview)[ Interview HENRIKE NAUMANN ON FASCISM IN FURNITURE, SURVEILLANCE AND THE POLITICS OF THE FLINTSTONES by Victoria Camblin ](\u002Farticles\u002Fhenrike-naumann-interview) [ Interview FRANK GEHRY REFLECTS ON HIS LEGACY by Mimi Zeiger ](\u002Farticles\u002Ffrank-gehry-interview)[ Story KONSTANTIN GRCIC’S MIURA STOOL, 20 YEARS LATER by Julie Klein ](\u002Farticles\u002Fkonstantin-grcic-miura-stool-florian-bohm)[ Story 22RE BUILDS ON THE FANTASY OF LOS ANGELES by Nicholas Korody ](\u002Farticles\u002Fdean-levin-22re)[ Story INSIDE JOSÉ LÉON CERRILLO’S MEXICO CITY TOWNHOUSE by Suleman Anaya ](\u002Farticles\u002Fjose-leon-cerrillo-mexico-city-pinup-magazine) [ Story A POSTMODERN RETREAT ON WATER ISLAND COMES BACK TO LIFE by Charlie Porter ](\u002Farticles\u002Ftop-hat-blum-house-water-island-roger-ferri-charlie-porter)[ Story FRIDA ESCOBEDO’S TERTULIA by Layla Fassa, Axelle Dechelette ](\u002Farticles\u002Ffrida-escobedo-tertulia-pin-up-39) [ Interview LINA GHOTMEH’S ARCHAEOLOGY OF THE FUTURE by Andrew Ayers ](\u002Farticles\u002Flina-ghotmeh-interview)[ Interview RISING ACTION: ISABELLA BURLEY TALKS BUILDING CLIMAX by Angel Harvey-Ideozu ](\u002Farticles\u002Fisabella-burley-climax-london-interview) [ Interview ISAIAH DAVIS IS PLAYING WITH FIRE by Morgan Becker ](\u002Farticles\u002Fisaiah-davis-confessions-of-fire)[ Interview ERIKO HORIKI ON BUILDING WITH WASHI by Rachel Hahn ](\u002Farticles\u002Feriko-horiki-suntory-washi)[ Story JENNA FLETCHER’S FAVORITE THINGS by Angel Harvey-Ideozu, jf ](\u002Farticles\u002Fjf-jenna-fletcher-twelve-design-items) [ Story DETROIT, UNESCO CITY OF DESIGN, TEN YEARS LATER by Michael Bullock ](\u002Farticles\u002Fdetroit-unesco-city-of-design-week)[ Story JUDD’S RESTORED ARCHITECTURE OFFICE BRINGS HIS VISION BACK TO LIFE by Ted Barrow ](\u002Farticles\u002Fjudd-architecture-office-marfa) [ Interview PETER SAVILLE WEAVES HIS COLOR CODE IN WOOL FOR KVADRAT by Rachel Hahn ](\u002Farticles\u002Fpeter-saville-technicolour-kvadrat-interview)[ Story PIN–UP INTERVIEWS, VOL. 1 by PIN–UP ](\u002Farticles\u002Fpin-up-interviews-book-volume-1) - Stories - Interviews - Videos - Keywords - Contact - Magazine - Shop - PIN–UP Home The Magazine for Architectural Entertainment TwitterInstagramFacebook. A Clean \u002F Minimalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Entertainment & Media industry. The overall color palette features White, Black, Teal, Pink. The typography features Arial (Sans Serif). Built using jQuery, Node.js, Nuxt.js, Vercel, Vue.js. AI description: PIN–UP Magazine serves as a sophisticated cultural platform dedicated to the intersection of architecture, design, and lifestyle. Described as the 'Magazine for Architectural Entertainment,' it curates high-concept visual storytelling that explores how built environments and objects shape our contemporary experience. The platform acts as both a historical record and a forward-looking tastemaker for the design world. The visual identity is defined by a bold, high-impact typographic approach, utilizing massive sans-serif headings that command immediate attention. The design language balances a minimalist, white-space-heavy layout with vibrant, editorial photography and playful graphic elements like colorful organic shapes. This creates a high-end, avant-garde aesthetic that appeals to architects, designers, and art enthusiasts who value both intellectual depth and visual spectacle.",{"id":517,"website_id":518,"page_id":517,"name":519,"slug":520,"url":521,"website_name":519,"website_slug":520,"website_url":522,"result_url":521,"fetched_at":523,"score":387,"score_boost":386,"ai_score":524,"freshness_score":525,"scored_at":526,"page_name":57,"page_url":521,"page_title":519,"page_description":400,"page_content":527,"page_sort":386,"is_home":392,"is_home_rank":393,"page_type_id":394,"page_type_name":64,"cover":528,"cover_mobile":531,"cover_sequence":533,"translations":624,"industry":627,"styles":628,"credits":629,"font_families":630,"technologies":632,"pagespeed":635,"pagespeed_mobile":641,"buckets":646,"search_payload":647},"2a29eb19-13b0-434e-bfe5-eff79077890f","d513f02b-4b3e-428d-a0de-caa8d6b93a56","Sofia Pusa","sofiapusa","https:\u002F\u002Fsofiapusa.com\u002F","https:\u002F\u002Fsofiapusa.com","2026-05-24T22:16:50.000Z",84,1779661010,"2026-05-24T22:17:18.000Z","Sofia Pusa is a creative director, illustrator & podcast host – _welcome to her universe_. Branding Studio Explore → Sofia transforms beauty, culture, and lifestyle brands by bridging the gap between their current presence and their true potential. She uses a mix of strategy and human empathy to find a brand’s real voice, then imagines and builds a whole world around it. Illustration Atelier Explore → Sofia’s illustrations blend painterly textures with bold, surreal colour shifts. Inspired by Finnish forests, fleeting memories and the spaces between reality and imagination, she turns the ordinary into the utopian. ready to create? Get in Touch → Have a vision, an idea, or just want to say hi? Let’s talk. Whether you're looking for strategic branding, illustration, or a world built from scratch, every inquiry is an opportunity to create something extraordinary. Get in touch to start the conversation. Featured Projects [ ](https:\u002F\u002Fwww.sofiapusa.com\u002Fillustrationatelier\u002Fkamp-galleria) Kämp Galleria Blending fashion and florals to create an immersive visual world at Kämp Galleria shopping centre entrances Art Direction Window Display Illustration Summer Campaign [ ](\u002Fillustrationatelier\u002Flumene) Lumene Illustrating the hidden magic beneath the snow for Lumene’s holiday collection Illustration Packaging Beauty Holiday Campaign [ ](\u002Fbranding-studio\u002Fshared-space) Helsinki Art Museum HAM A poetic visual identity for an exhibition without walls Exhibition Design Visual Identity Typography Art & Culture [ ](\u002Fbranding-studio\u002Fhaut-drops ) Haut Drops Fluid, playful and irresistible – branding beauty’s next must-have drop Visual Identity Illustration Animation Beauty Social Media [ ](\u002Fbranding-studio\u002Ficed-media) Iced Media A bold identity for the agency shaping the future of beauty e-commerce Branding Art Direction Brand Photography E-commerce Beauty [ ](\u002Fbranding-studio\u002Ffotonokka) [ ](\u002Fbranding-studio\u002Ffotonokka) Studio Fotonokka Elevating a photography agency’s brand to match its world-class talent. Visual Identity Web Design Creative Direction [ ](\u002Fillustrationatelier\u002Fgina-grnw) GINA GRNW A fusion of photography and illustration for a zero-waste fashion brand. lllustration Photography Fashion Sustainability [ ](\u002Fbranding-studio\u002Fillustrationtriennial) Mikkeli Art Museum A dynamic identity celebrating Finnish illustration. Visual Identity Illustration Creative Direction Exhibition Design Art & Culture [ ](\u002Fbranding-studio\u002Ficed-media) Iced Media A bold identity for the agency shaping the future of beauty e-commerce. Branding Art Direction Brand Photography E-commerce Beauty [ ](\u002Fbranding-studio\u002Fsafa) The Finnish Association of Architects SAFA A timeless identity bridging Finland’s architectural past and future. Visual Identity Art Direction Architecture Rebrand [ ](\u002Fillustrationatelier\u002Fgallivant) [ ](\u002Fillustrationatelier\u002Fgallivant) Gallivant Translating fragrance into landscapes of escapism and discovery. Illustration Photography Beauty Lifestyle [ ](\u002Fillustrationatelier\u002Fthe-wild-mushroom-cookbook) Sami Tallbert Reimagining the cookbook – where bold design, psychedelic hues and wild mushrooms collide. Art Direction Illustration Editorial Design Food Photography Lifestyle [ ](\u002Fbranding-studio\u002Fyfestival) Y Festival A bold, dynamic identity for a festival shaping the future of equality and culture. Visual Identity Illustration Animation Culture Diversity [ ](\u002Fillustrationatelier\u002Flumene) Lumene Illustrating the magic of Nordic nature for Lumene’s gift sets. Illustration Packaging Beauty Gift Sets [ ](\u002Fillustrationatelier\u002Fpanda) Panda Reinterpreting Panda’s iconic Lakukka® liquorice through a surreal candy world that celebrates form, flavour, and Finnish design. Illustration Brand Campaign Food & Confectionery Poster Ready to Create? any questions? Get in Touch → got a project? 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Illustration Atelier Explore → Sofia’s illustrations blend painterly textures with bold, surreal colour shifts. Inspired by Finnish forests, fleeting memories and the spaces between reality and imagination, she turns the ordinary into the utopian. ready to create? Get in Touch → Have a vision, an idea, or just want to say hi? Let’s talk. Whether you're looking for strategic branding, illustration, or a world built from scratch, every inquiry is an opportunity to create something extraordinary. Get in touch to start the conversation. Featured Projects [ ](https:\u002F\u002Fwww.sofiapusa.com\u002Fillustrationatelier\u002Fkamp-galleria) Kämp Galleria Blending fashion and florals to create an immersive visual world at Kämp Galleria shopping centre entrances Art Direction Window Display Illustration Summer Campaign [ ](\u002Fillustrationatelier\u002Flumene) Lumene Illustrating the hidden magic beneath the snow for Lumene’s holiday collection Illustration Packaging Beauty Holiday Campaign [ ](\u002Fbranding-studio\u002Fshared-space) Helsinki Art Museum HAM A poetic visual identity for an exhibition without walls Exhibition Design Visual Identity Typography Art & Culture [ ](\u002Fbranding-studio\u002Fhaut-drops ) Haut Drops Fluid, playful and irresistible – branding beauty’s next must-have drop Visual Identity Illustration Animation Beauty Social Media [ ](\u002Fbranding-studio\u002Ficed-media) Iced Media A bold identity for the agency shaping the future of beauty e-commerce Branding Art Direction Brand Photography E-commerce Beauty [ ](\u002Fbranding-studio\u002Ffotonokka) [ ](\u002Fbranding-studio\u002Ffotonokka) Studio Fotonokka Elevating a photography agency’s brand to match its world-class talent. Visual Identity Web Design Creative Direction [ ](\u002Fillustrationatelier\u002Fgina-grnw) GINA GRNW A fusion of photography and illustration for a zero-waste fashion brand. lllustration Photography Fashion Sustainability [ ](\u002Fbranding-studio\u002Fillustrationtriennial) Mikkeli Art Museum A dynamic identity celebrating Finnish illustration. Visual Identity Illustration Creative Direction Exhibition Design Art & Culture [ ](\u002Fbranding-studio\u002Ficed-media) Iced Media A bold identity for the agency shaping the future of beauty e-commerce. Branding Art Direction Brand Photography E-commerce Beauty [ ](\u002Fbranding-studio\u002Fsafa) The Finnish Association of Architects SAFA A timeless identity bridging Finland’s architectural past and future. Visual Identity Art Direction Architecture Rebrand [ ](\u002Fillustrationatelier\u002Fgallivant) [ ](\u002Fillustrationatelier\u002Fgallivant) Gallivant Translating fragrance into landscapes of escapism and discovery. Illustration Photography Beauty Lifestyle [ ](\u002Fillustrationatelier\u002Fthe-wild-mushroom-cookbook) Sami Tallbert Reimagining the cookbook – where bold design, psychedelic hues and wild mushrooms collide. Art Direction Illustration Editorial Design Food Photography Lifestyle [ ](\u002Fbranding-studio\u002Fyfestival) Y Festival A bold, dynamic identity for a festival shaping the future of equality and culture. Visual Identity Illustration Animation Culture Diversity [ ](\u002Fillustrationatelier\u002Flumene) Lumene Illustrating the magic of Nordic nature for Lumene’s gift sets. Illustration Packaging Beauty Gift Sets [ ](\u002Fillustrationatelier\u002Fpanda) Panda Reinterpreting Panda’s iconic Lakukka® liquorice through a surreal candy world that celebrates form, flavour, and Finnish design. Illustration Brand Campaign Food & Confectionery Poster Ready to Create? any questions? Get in Touch → got a project? Client Enquiries → * Subscribe to the Newsletter. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Gray, Black. The typography features Acumin (Sans Serif), Acumin (Sans Serif). Built using reCAPTCHA, Squarespace, Squarespace Commerce, Stimulus, Typekit. AI description: Sofia Pusa is a sophisticated personal brand website serving as a multi-disciplinary portfolio for a creative director, illustrator, and podcast host. The site functions as a digital gateway to her 'universe,' showcasing high-end branding projects, intricate illustration work, and editorial-style photography. It is designed to attract premium clients in the beauty, lifestyle, and creative industries seeking a cohesive, artistic vision. The visual identity is a masterclass in editorial elegance, blending high-fashion aesthetics with organic, fluid design elements. 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It moves with you, breathes with your body, and even its wrinkles are enchanting. The particular linens we used in our latest collection were sourced from small family mills in Ireland: human scale operations not unlike ours. You will not find fabrics better than these. ABOUT Every Samuel Snider garment begins in our Brooklyn studio where our small team works on every detail. The studio is a collaborative space where input is valued and decisions are made together. We value originality in process, refining ideas, folding in feedback, and evolving thoughtfully. Each garment is patterned, cut, sewn and refined in-studio, then produced with care in New York’s Garment District. This proximity allows for hands-on attention at every stage and helps maintain the integrity of our work. It also allows us to work at a pace that prioritizes quality over scale. Our knitwear, which requires different expertise, is crafted internationally by artisans who share our values. The Glean Coat Inspired by utilitarian and archival forms, our coats and jackets are unisex in design. Shop Inspired by utilitarian and archival forms, our coats and jackets are unisex in design. [ Glean Coat Glean Coat British Waxed Cotton 1 2 3 4 5 Olive ](\u002Fproducts\u002Fspring-summer-26-unisex-glean-coat-british-olive-waxed-cotton) Discover Collection [ Glean Coat Glean Coat Irish Linen Glen Check 1 3 4 5 Tan Brown & Cornflower Blue ](\u002Fproducts\u002Fspring-summer-26-unisex-glean-coat-irish-glen-check-linen) [ Technician Shirt Technician Shirt Irish Linen Pinstripe 1 2 3 4 5 Natural & Black ](\u002Fproducts\u002Fspring-summer-26-unisex-technician-shirt-irish-linen-pinstripe) [ Knitted Tee Knitted Tee Italian Hemp Yarn 1 2 3 4 Natural ](\u002Fproducts\u002Fspring-summer-26-unisex-knitted-tee-italian-natural-hemp) The Emery Coat Shop A unisex transitional coat in a luxurious Irish twill woven from linen, wool, silk, and cashmere. Ideal for early spring evenings or crisp autumn days when a full winter coat feels too heavy. The lightweight nature of the fabric provides warmth and structure without bulk, while its soft hand lends a relaxed, effortless drape. 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The typography is understated and elegant, allowing the imagery and the narrative of the garments to drive the brand's high-end, artisanal persona.","Fashion & Apparel",[30,26,762],"Monochrome \u002F Grayscale",[764,765],"Thomas Hervé Studio","Open Statement",[767],"Folio",[317],[770,771,772,773],{"score":134,"category":130},{"score":248,"category":133},{"score":234,"category":136},{"score":234,"category":139},[775,777,778,779],{"score":776,"category":130},67,{"score":248,"category":133},{"score":142,"category":136},{"score":234,"category":139},[148,156,152],"Website: Samuel Snider. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Samuel Snider. Page description: Samuel Snider founded his eponymous brand to create a wardrobe that imbues meaning through wear.. Page content: Experience the joy of our new collection Discover Linen is an ancient fiber yet it carries the significance of its history with such ease. It moves with you, breathes with your body, and even its wrinkles are enchanting. The particular linens we used in our latest collection were sourced from small family mills in Ireland: human scale operations not unlike ours. You will not find fabrics better than these. ABOUT Every Samuel Snider garment begins in our Brooklyn studio where our small team works on every detail. The studio is a collaborative space where input is valued and decisions are made together. We value originality in process, refining ideas, folding in feedback, and evolving thoughtfully. Each garment is patterned, cut, sewn and refined in-studio, then produced with care in New York’s Garment District. This proximity allows for hands-on attention at every stage and helps maintain the integrity of our work. It also allows us to work at a pace that prioritizes quality over scale. Our knitwear, which requires different expertise, is crafted internationally by artisans who share our values. The Glean Coat Inspired by utilitarian and archival forms, our coats and jackets are unisex in design. Shop Inspired by utilitarian and archival forms, our coats and jackets are unisex in design. [ Glean Coat Glean Coat British Waxed Cotton 1 2 3 4 5 Olive ](\u002Fproducts\u002Fspring-summer-26-unisex-glean-coat-british-olive-waxed-cotton) Discover Collection [ Glean Coat Glean Coat Irish Linen Glen Check 1 3 4 5 Tan Brown & Cornflower Blue ](\u002Fproducts\u002Fspring-summer-26-unisex-glean-coat-irish-glen-check-linen) [ Technician Shirt Technician Shirt Irish Linen Pinstripe 1 2 3 4 5 Natural & Black ](\u002Fproducts\u002Fspring-summer-26-unisex-technician-shirt-irish-linen-pinstripe) [ Knitted Tee Knitted Tee Italian Hemp Yarn 1 2 3 4 Natural ](\u002Fproducts\u002Fspring-summer-26-unisex-knitted-tee-italian-natural-hemp) The Emery Coat Shop A unisex transitional coat in a luxurious Irish twill woven from linen, wool, silk, and cashmere. Ideal for early spring evenings or crisp autumn days when a full winter coat feels too heavy. The lightweight nature of the fabric provides warmth and structure without bulk, while its soft hand lends a relaxed, effortless drape. [ Emery Coat Emery Coat Irish Linen Wool Silk Cashmere Twill 1 2 3 5 Midnight ](\u002Fproducts\u002Fspring-summer-26-unisex-emery-coat-irish-midnight-wool-linen-cashmere-silk). A Clean \u002F Minimalist, High-End \u002F Luxury, Monochrome \u002F Grayscale website in the Fashion & Apparel industry. Designed by Thomas Hervé Studio, developed by Open Statement. The overall color palette features White, Gray, Black. The typography features Folio (Sans Serif). Built using Shopify. AI description: Samuel Snider is a premium lifestyle and apparel brand dedicated to creating a meaningful wardrobe through the use of heritage fabrics and thoughtful design. The website serves as a digital flagship, blending an e-commerce experience with editorial storytelling through its 'Journal' section, which explores the rhythms and rituals of admired individuals. The brand positions itself at the intersection of slow fashion and intentional living, emphasizing the tactile quality of natural fibers like linen. The visual identity is defined by a sophisticated, minimalist aesthetic that leans heavily into organic textures and a muted, earthy color palette. High-quality, cinematic photography takes center stage, utilizing soft natural light and raw, unpolished architectural backgrounds to evoke a sense of timelessness and authenticity. The typography is understated and elegant, allowing the imagery and the narrative of the garments to drive the brand's high-end, artisanal persona.",{"id":783,"website_id":784,"page_id":783,"name":785,"slug":786,"url":787,"website_name":785,"website_slug":786,"website_url":788,"result_url":787,"fetched_at":789,"score":790,"score_boost":386,"ai_score":791,"freshness_score":388,"scored_at":792,"page_name":57,"page_url":787,"page_title":793,"page_description":794,"page_content":795,"page_sort":386,"is_home":392,"is_home_rank":393,"page_type_id":394,"page_type_name":64,"cover":796,"cover_mobile":799,"cover_sequence":801,"translations":892,"industry":21,"styles":895,"credits":896,"font_families":897,"technologies":898,"pagespeed":901,"pagespeed_mobile":906,"buckets":911,"search_payload":913},"0ea7aece-e108-4972-bb0d-d61630415873","e16b9bc5-11d3-47f1-8329-6365b717cd75","Salmagundi","salmagundi","https:\u002F\u002Fsalmagundi.skidmore.edu\u002F","https:\u002F\u002Fsalmagundi.skidmore.edu","2026-05-04T22:08:31.000Z",73,71,"2026-05-23T19:26:10.000Z","Home - Salmagundi Magazine","Salmagundi Magazine is an international quarterly magazine of politics, culture, literature and the arts published at Skidmore College","About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Bia Hoi Junction, Hanoi. The View from Hanoi [ Brock Eldon ](\u002Farticles\u002F1704-the-view-from-hanoi) Salmagundi #228-229 (Fall 2025 - Winter 2026) Many Thousands Gone\\ [ Martha Bayles ](\u002Farticles\u002F1720-many-thousands-gone) Salmagundi #228-229 (Fall 2025 - Winter 2026) On Jewish Evil [ David Stromberg ](\u002Farticles\u002F1706-on-jewish-evil) Salmagundi #228-229 (Fall 2025 - Winter 2026) Partisanship & Denial: A Response To Andrew Sullivan and Finally Getting It [ William Deresiewicz ](\u002Farticles\u002F456-partisanship-denial) Salmagundi 218-219, Spring-Summer 2023 The Praxis of “Practice” [ Michael Kowalski ](\u002Farticles\u002F432-the-praxis-of-practice) Salmagundi 216-217, Fall 2022 - Winter 2023 The Pleasures of Censorship [ Adam Phillips ](\u002Farticles\u002F375-the-pleasures-of-censorship) Salmagundi 214-215, Spring - Summer 2022 A Selection from Elias Canetti’s _The Book Against Death_ [ Elias Canetti ](\u002Farticles\u002F343-a-selection-from-elias-canetti-s-_the-book-against-death_) Interviews Women, The Arts, & The Politics of Culture An Interview with Susan Sontag [ Susan Sontag ](\u002Farticles\u002F14-women-the-arts-the-politics-of-culture) Salmagundi No. 188\u002F189, 2015 Online Wielding the Lyric On _Now It’s Dark_ [ Ocean Vuong ](\u002Farticles\u002F274-wielding-the-lyric) What Now, Humanist?\\ [ Jennifer Delton ](\u002Farticles\u002F1707-what-now-humanist) Salmagundi #228-229 (Fall 2025 - Winter 2026) _The New Yorker_ at 100: A Personal Reflection [ Martin Jay ](\u002Farticles\u002F1705-the-new-yorker-at-100) Salmagundi #228-229 (Fall 2025 - Winter 2026) Online The Home Key #20 Defector From the Petty Wars [ Rick Moody ](\u002Farticles\u002F1638-the-home-key-20) The Field [ Ben Corvo ](\u002Farticles\u002F1543-the-field) Salmagundi 226-227, Spring - Summer 2025 Vanishing Acts [ Anne Kenner ](\u002Farticles\u002F1539-vanishing-acts) Salmagundi 226-227, Spring - Summer 2025 Rosanna Warren: An Interview\\ [ Rosanna Warren ](\u002Farticles\u002F1717-rosanna-warren-an-interview) Salmagundi #228-229 (Fall 2025 - Winter 2026) Will the Real Francis Picabia Please Stand Up? [ Barbara Purcell ](\u002Farticles\u002F1605-will-the-real-francis-picabia-please-stand-up) Salmagundi 226-227, Spring - Summer 2025 Crazy [ Philip Schultz ](\u002Farticles\u002F1542-crazy) Salmagundi 226-227, Spring - Summer 2025 Bunk [ Robert Cohen ](\u002Farticles\u002F1506-bunk) Salmagundi 226-227, Spring - Summer 2025 About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Special Features The Home Key The “Lost Girls” of the _Yellow Book_ [ Barbara Black ](\u002Farticles\u002F1721-the-lost-girls-of-the-yellow-book) Salmagundi #228-229 (Fall 2025 - Winter 2026) Five Poems [ Chase Twichell ](\u002Farticles\u002F1715-five-poems) Salmagundi #228-229 (Fall 2025 - Winter 2026) Notes on a Photograph from 1884 [ Nick Flynn ](\u002Farticles\u002F466-notes-on-a-photograph-from-1884) Salmagundi 218-219, Spring-Summer 2023 A Thousand Gentle Smotherings [ Celeste Marcus ](\u002Farticles\u002F441-a-thousand-gentle-smotherings) Salmagundi 216-217, Fall 2022 - Winter 2023 What Lurks Below the New Class War [ Roger Berkowitz ](\u002Farticles\u002F380-what-lurks-below-the-new-class-war) Salmagundi 214-215, Spring - Summer 2022 The Super-Ego in the Green World [ Mark Edmundson ](\u002Farticles\u002F373-the-super-ego-in-the-green-world) A Brooklyn Bovary (As Told by Her Son) [ David Mikics ](\u002Farticles\u002F90-a-brooklyn-bovary) Online Poetry “Sad Song” [ Chase Twichell ](\u002Farticles\u002F110-sad-song) Criticism Politics Emerging from Censorship [ J.M. Coetzee ](\u002Farticles\u002F9-emerging-from-censorship) Salmagundi No. 100, Fall 1993 Online Paul McCartney with Linda at Empire Theatre, Liverpool 1973 The Home Key #22: Paul McCartney, the Solo Years [ Rick Moody ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years),[ Marc Woodworth ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years), and[ Adam Braver ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years) [The Tragedy of Liberal Self-Doubt](\u002Farticles\u002F1572-the …",{"id":797,"height":13,"width":12,"blurhash":798},"8e244143-65ce-4b56-9b06-4baff035ff55","radial-gradient(at 0 0,#edf4f5,#00000000 50%),radial-gradient(at 33% 0,#f0f2ec,#00000000 50%),radial-gradient(at 67% 0,#fafaf6,#00000000 50%),radial-gradient(at 100% 0,#fcfbfb,#00000000 50%),radial-gradient(at 0 50%,#cdc2c4,#00000000 50%),radial-gradient(at 33% 50%,#ad9386,#00000000 50%),radial-gradient(at 67% 50%,#d6cac4,#00000000 50%),radial-gradient(at 100% 50%,#f6f2f1,#00000000 50%),radial-gradient(at 0 100%,#d4d5d8,#00000000 50%),radial-gradient(at 33% 100%,#cbc4bc,#00000000 50%),radial-gradient(at 67% 100%,#e1dfda,#00000000 50%),radial-gradient(at 100% 100%,#f2f0f0,#00000000 50%)",{"id":800,"height":15,"width":14,"blurhash":400},"7d1b48d2-0f54-4fcc-a89d-137f13ed64ac",[802,805,808,811,814,817,820,823,826,829,832,835,838,841,844,847,850,853,856,859,862,865,868,871,874,877,880,883,886,889],{"directus_files_id":803},{"id":804},"71b52c58-440f-4174-9c66-a15fe5416204",{"directus_files_id":806},{"id":807},"bcdd0258-ebe9-43c9-b634-5fff7b6d6b0f",{"directus_files_id":809},{"id":810},"c2841b20-ee81-49f2-8058-121f01cb6fd0",{"directus_files_id":812},{"id":813},"e6413f52-cc85-41e1-8a0b-bf0c8834ed9e",{"directus_files_id":815},{"id":816},"2b716e5c-547a-4f7f-ae3e-a1d82e684736",{"directus_files_id":818},{"id":819},"c9629595-3b9b-4d90-8321-ac5992f556a1",{"directus_files_id":821},{"id":822},"bb7d1b52-0acd-4fbb-a8f7-09d850d2e19e",{"directus_files_id":824},{"id":825},"1f08f1ec-2c11-4981-bd46-ce4fab505ad6",{"directus_files_id":827},{"id":828},"b07bfda4-f330-464e-9401-9eac0d2d41bc",{"directus_files_id":830},{"id":831},"027795d6-f557-458e-9a82-52f60b0f4adc",{"directus_files_id":833},{"id":834},"8d90dca1-01b8-44a5-998b-efccaa933979",{"directus_files_id":836},{"id":837},"e002403f-b8cf-4691-bc9b-bf52a6e73207",{"directus_files_id":839},{"id":840},"0b15d71e-1dce-4996-8e0b-410c111eca5f",{"directus_files_id":842},{"id":843},"00ff0ffd-6ca8-4d60-a2c3-dac3411ee19d",{"directus_files_id":845},{"id":846},"0df549fe-44ec-4b35-ad1a-2ea97af6b32d",{"directus_files_id":848},{"id":849},"524fe1c5-d0f7-4680-a967-933992cd2683",{"directus_files_id":851},{"id":852},"33fb745f-9f8f-4aef-b6b3-9aafff286144",{"directus_files_id":854},{"id":855},"7b366636-3a71-4db5-bdf6-b3adad1c4455",{"directus_files_id":857},{"id":858},"77978e31-42e4-41d9-a41c-2791a5ee4ae6",{"directus_files_id":860},{"id":861},"1841d10b-af5d-457d-9fa7-e1c09ccd7a3c",{"directus_files_id":863},{"id":864},"40ac1f5f-7287-4f3d-aa7b-eb1f0e6f350e",{"directus_files_id":866},{"id":867},"5251c4a2-bdd9-4f6c-8ff3-d8fa31ea04a5",{"directus_files_id":869},{"id":870},"ff8e8b5b-e1f7-4646-a9e7-1619bc196c6b",{"directus_files_id":872},{"id":873},"3f83aa87-abe4-40b1-8d2e-53047fe437b8",{"directus_files_id":875},{"id":876},"c42b3485-2498-405d-b7b5-e5878ad170fb",{"directus_files_id":878},{"id":879},"9fe50101-f9cf-4567-ba7c-3f837da5e292",{"directus_files_id":881},{"id":882},"baa78dbb-02b6-4b33-99b4-2a586475e170",{"directus_files_id":884},{"id":885},"6394465f-cfa1-4932-a23f-dd9825a33b1d",{"directus_files_id":887},{"id":888},"3d66830a-4ab6-4b02-8bac-ed4e8354af5e",{"directus_files_id":890},{"id":891},"383aad9b-73fa-48ed-8dfe-7a78e88a9f88",[893],{"languages_code":494,"description":894},"Salmagundi Magazine serves as a sophisticated intellectual hub, offering a rigorous quarterly exploration of politics, culture, literature, and the arts. The platform is designed for a discerning, academic, and culturally engaged audience that seeks depth over brevity, providing a home for demanding fiction, long-form essays, and provocative criticism. \n\nThe visual identity is defined by a striking, high-contrast typographic approach that mirrors the magazine's uncompromising editorial stance. By utilizing a clean, grid-based layout paired with bold, serif-heavy imagery and a minimalist color palette, the design evokes the prestige of a traditional literary journal while maintaining a modern, accessible digital presence. The use of large-scale typography and structured navigation emphasizes clarity and intellectual weight.",[30,34],[],[337],[899,900],"Ruby","Ruby on Rails",[902,903,904,905],{"score":657,"category":130},{"score":237,"category":133},{"score":137,"category":136},{"score":137,"category":139},[907,908,909,910],{"score":241,"category":130},{"score":237,"category":133},{"score":137,"category":136},{"score":137,"category":139},[148,912,156,152],"violet","Website: Salmagundi. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home - Salmagundi Magazine. Page description: Salmagundi Magazine is an international quarterly magazine of politics, culture, literature and the arts published at Skidmore College. Page content: About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Bia Hoi Junction, Hanoi. The View from Hanoi [ Brock Eldon ](\u002Farticles\u002F1704-the-view-from-hanoi) Salmagundi #228-229 (Fall 2025 - Winter 2026) Many Thousands Gone\\ [ Martha Bayles ](\u002Farticles\u002F1720-many-thousands-gone) Salmagundi #228-229 (Fall 2025 - Winter 2026) On Jewish Evil [ David Stromberg ](\u002Farticles\u002F1706-on-jewish-evil) Salmagundi #228-229 (Fall 2025 - Winter 2026) Partisanship & Denial: A Response To Andrew Sullivan and Finally Getting It [ William Deresiewicz ](\u002Farticles\u002F456-partisanship-denial) Salmagundi 218-219, Spring-Summer 2023 The Praxis of “Practice” [ Michael Kowalski ](\u002Farticles\u002F432-the-praxis-of-practice) Salmagundi 216-217, Fall 2022 - Winter 2023 The Pleasures of Censorship [ Adam Phillips ](\u002Farticles\u002F375-the-pleasures-of-censorship) Salmagundi 214-215, Spring - Summer 2022 A Selection from Elias Canetti’s _The Book Against Death_ [ Elias Canetti ](\u002Farticles\u002F343-a-selection-from-elias-canetti-s-_the-book-against-death_) Interviews Women, The Arts, & The Politics of Culture An Interview with Susan Sontag [ Susan Sontag ](\u002Farticles\u002F14-women-the-arts-the-politics-of-culture) Salmagundi No. 188\u002F189, 2015 Online Wielding the Lyric On _Now It’s Dark_ [ Ocean Vuong ](\u002Farticles\u002F274-wielding-the-lyric) What Now, Humanist?\\ [ Jennifer Delton ](\u002Farticles\u002F1707-what-now-humanist) Salmagundi #228-229 (Fall 2025 - Winter 2026) _The New Yorker_ at 100: A Personal Reflection [ Martin Jay ](\u002Farticles\u002F1705-the-new-yorker-at-100) Salmagundi #228-229 (Fall 2025 - Winter 2026) Online The Home Key #20 Defector From the Petty Wars [ Rick Moody ](\u002Farticles\u002F1638-the-home-key-20) The Field [ Ben Corvo ](\u002Farticles\u002F1543-the-field) Salmagundi 226-227, Spring - Summer 2025 Vanishing Acts [ Anne Kenner ](\u002Farticles\u002F1539-vanishing-acts) Salmagundi 226-227, Spring - Summer 2025 Rosanna Warren: An Interview\\ [ Rosanna Warren ](\u002Farticles\u002F1717-rosanna-warren-an-interview) Salmagundi #228-229 (Fall 2025 - Winter 2026) Will the Real Francis Picabia Please Stand Up? [ Barbara Purcell ](\u002Farticles\u002F1605-will-the-real-francis-picabia-please-stand-up) Salmagundi 226-227, Spring - Summer 2025 Crazy [ Philip Schultz ](\u002Farticles\u002F1542-crazy) Salmagundi 226-227, Spring - Summer 2025 Bunk [ Robert Cohen ](\u002Farticles\u002F1506-bunk) Salmagundi 226-227, Spring - Summer 2025 About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Special Features The Home Key The “Lost Girls” of the _Yellow Book_ [ Barbara Black ](\u002Farticles\u002F1721-the-lost-girls-of-the-yellow-book) Salmagundi #228-229 (Fall 2025 - Winter 2026) Five Poems [ Chase Twichell ](\u002Farticles\u002F1715-five-poems) Salmagundi #228-229 (Fall 2025 - Winter 2026) Notes on a Photograph from 1884 [ Nick Flynn ](\u002Farticles\u002F466-notes-on-a-photograph-from-1884) Salmagundi 218-219, Spring-Summer 2023 A Thousand Gentle Smotherings [ Celeste Marcus ](\u002Farticles\u002F441-a-thousand-gentle-smotherings) Salmagundi 216-217, Fall 2022 - Winter 2023 What Lurks Below the New Class War [ Roger Berkowitz ](\u002Farticles\u002F380-what-lurks-below-the-new-class-war) Salmagundi 214-215, Spring - Summer 2022 The Super-Ego in the Green World [ Mark Edmundson ](\u002Farticles\u002F373-the-super-ego-in-the-green-world) A Brooklyn Bovary (As Told by Her Son) [ David Mikics ](\u002Farticles\u002F90-a-brooklyn-bovary) Online Poetry “Sad Song” [ Chase Twichell ](\u002Farticles\u002F110-sad-song) Criticism Politics Emerging from Censorship [ J.M. Coetzee ](\u002Farticles\u002F9-emerging-from-censorship) Salmagundi No. 100, Fall 1993 Online Paul McCartney with Linda at Empire Theatre, Liverpool 1973 The Home Key #22: Paul McCartney, the Solo Years [ Rick Moody ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years),[ Marc Woodworth ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years), and[ Adam Braver ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years) [The Tragedy of Liberal Self-Doubt](\u002Farticles\u002F1572-the …. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Violet, Gray, Black. The typography features Times New Roman (Serif). Built using Ruby, Ruby on Rails. AI description: Salmagundi Magazine serves as a sophisticated intellectual hub, offering a rigorous quarterly exploration of politics, culture, literature, and the arts. The platform is designed for a discerning, academic, and culturally engaged audience that seeks depth over brevity, providing a home for demanding fiction, long-form essays, and provocative criticism. The visual identity is defined by a striking, high-contrast typographic approach that mirrors the magazine's uncompromising editorial stance. By utilizing a clean, grid-based layout paired with bold, serif-heavy imagery and a minimalist color palette, the design evokes the prestige of a traditional literary journal while maintaining a modern, accessible digital presence. The use of large-scale typography and structured navigation emphasizes clarity and intellectual weight."]