[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-detail-salmagundi":3,"facets-{\"includeAuthors\":\"false\"}":171,"facets-baseline-false":334,"similar-websites-salmagundi":364},{"id":4,"name":5,"slug":6,"url":7,"dateUpdated":8,"fetchedAt":9,"coverId":10,"coverMobileId":11,"coverWidth":12,"coverHeight":13,"coverMobileWidth":14,"coverMobileHeight":15,"descriptionEn":16,"seoMeta":17,"industry":20,"styles":24,"credits":33,"pages":34,"typefaces":91,"technologiesByCategory":96,"pagespeedDesktop":117,"pagespeedMobile":129,"performanceDesktop":120,"performanceMobile":131,"colorBuckets":135,"colorPalette":152},"e16b9bc5-11d3-47f1-8329-6365b717cd75","Salmagundi","salmagundi","https:\u002F\u002Fsalmagundi.skidmore.edu","2026-05-23T19:26:11.000Z","2026-05-04T22:08:31.000Z","8e244143-65ce-4b56-9b06-4baff035ff55","7d1b48d2-0f54-4fcc-a89d-137f13ed64ac",1440,900,780,1688,"Salmagundi Magazine serves as a sophisticated intellectual hub, offering a rigorous quarterly exploration of politics, culture, literature, and the arts. The platform is designed for a discerning, academic, and culturally engaged audience that seeks depth over brevity, providing a home for demanding fiction, long-form essays, and provocative criticism. \n\nThe visual identity is defined by a striking, high-contrast typographic approach that mirrors the magazine's uncompromising editorial stance. By utilizing a clean, grid-based layout paired with bold, serif-heavy imagery and a minimalist color palette, the design evokes the prestige of a traditional literary journal while maintaining a modern, accessible digital presence. The use of large-scale typography and structured navigation emphasizes clarity and intellectual weight.",{"title":18,"meta_description":19},"Salmagundi Magazine | Politics, Culture & Literature","An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College. Explore essays, poetry, and fiction.",{"name":21,"label":22,"slug":23},"Entertainment & Media","Entertainment","entertainment",[25,29],{"name":26,"label":27,"slug":28},"Clean \u002F Minimalist","Minimalist","minimalist",{"name":30,"label":31,"slug":32},"Typographic \u002F Big Type","Typographic","typographic",[],[35,46,59,70,82],{"name":36,"title":37,"description":38,"url":39,"coverId":10,"coverMobileId":11,"alt":40,"altMobile":41,"pageType":42},"Homepage","Home - Salmagundi Magazine","Salmagundi Magazine is an international quarterly magazine of politics, culture, literature and the arts published at Skidmore College","https:\u002F\u002Fsalmagundi.skidmore.edu\u002F","The desktop homepage features a split layout with a large image of the Salmagundi 60th Anniversary magazine cover on the left and a multi-column navigation menu on the right. The menu includes links like About, Current issue, and various content categories such as Essays and Poetry, set against a clean white background. A large headline 'The Home Key' is visible below the menu section.","The mobile version presents a simplified, single-column vertical layout. The Salmagundi logo and a search bar appear at the top, followed by a stacked list of navigation links including About, Current issue, and Back issues. The magazine cover image is positioned at the bottom of the screen, occupying the full width of the viewport.",{"name":43,"label":44,"slug":45},"Home \u002F Landing Page","Home \u002F Landing","home-landing",{"name":47,"title":48,"description":49,"url":50,"coverId":51,"coverMobileId":52,"alt":53,"altMobile":54,"pageType":55},"About","About - Salmagundi Magazine","Salmagundi is not a tame or genteel quarterly. It invites argument, and it makes a place for literature that is demanding, including novella-length fiction and essays that—in terms of length and r...","https:\u002F\u002Fsalmagundi.skidmore.edu\u002Fabout","3705012d-cb37-4aa4-b4bd-00bafc19f462","1e7e5f82-cce0-4565-a781-95760cb7089f","The desktop About page features a minimalist design with a large black and white photograph of Susan Sontag and Gary Indiana on the left. To the right, a multi-column navigation menu lists site sections like About, Current issue, and various literary categories against a white background.","The mobile version simplifies the layout, placing the Salmagundi logo and a hamburger menu icon at the top. The black and white hero image of Susan Sontag and Gary Indiana spans the full width of the screen above the introductory text.",{"name":56,"label":57,"slug":58},"About Us \u002F Team","About Us","about-us",{"name":60,"title":61,"description":38,"url":62,"coverId":63,"coverMobileId":64,"alt":65,"altMobile":66,"pageType":67},"Back Issues","Shop - Salmagundi Magazine","https:\u002F\u002Fsalmagundi.skidmore.edu\u002Fshop","7c3d117f-464f-46de-b80b-85da2c8fa14b","0ccca887-7281-4a72-b14e-540bf940b738","The desktop version of the Salmagundi shop page features a white background with a large image of the current magazine issue, Salmagundi #228-229, on the left. To the right, a bright blue section contains subscription options for individuals, institutions, and Skidmore students, each with a dropdown menu and a green 'Add To Cart' button. The layout is clean and uses high-contrast blue, white, and green elements.","The mobile version presents a vertically stacked layout with a bright blue background dominating the screen. The 'SUBSCRIBE' heading is prominent at the top, followed by subscription categories like 'For individuals' and 'For institutions' arranged in a single column. Each category includes a dropdown selector and a green 'Add To Cart' button with the price displayed next to it.",{"name":68,"label":68,"slug":69},"Shop \u002F Catalog","shop-catalog",{"name":71,"title":72,"description":38,"url":73,"coverId":74,"coverMobileId":75,"alt":76,"altMobile":77,"pageType":78},"Topics","Topics - Salmagundi Magazine","https:\u002F\u002Fsalmagundi.skidmore.edu\u002Ftopics","c60acbf9-c148-40ed-b2df-9175c438dc8b","e1b36044-2a0f-4fcd-8639-9499e69b6d39","The desktop version of the Salmagundi Topics page features a minimalist design with a white background and black text. A two-column navigation menu at the top provides links to site sections like About, Current issue, and Topics, while the main content area displays a large, alphabetical list of topic headings in a bold serif font.","The mobile version simplifies the layout, replacing the top navigation menu with a hamburger icon in the upper right corner. The main content remains a vertical, single-column list of large, bold topic headings such as aestheticism, Agriculture, and Anxiety, optimized for scrolling on a smaller screen.",{"name":79,"label":80,"slug":81},"Projects \u002F Portfolio","Portfolio","portfolio",{"name":83,"title":84,"description":38,"url":85,"coverId":86,"coverMobileId":87,"alt":88,"altMobile":89,"pageType":90},"Masthead","Masthead - Salmagundi Magazine","https:\u002F\u002Fsalmagundi.skidmore.edu\u002Fmasthead","f10fab0d-2540-428b-80a8-9ad5e1e06b15","32cc2a5c-92d1-41bb-b89b-4aaf45c2cc52","The desktop page features a large hero photograph of Robert Boyers and Peg Boyers at an anniversary celebration. Below the image, the masthead lists editorial staff including the Editor-in-Chief and Executive Editor in bold, black text against a white background. A multi-column navigation menu is visible on the right side of the header.","The mobile version displays a simplified layout with the Salmagundi logo and a hamburger menu icon at the top. The hero image of the editors remains prominent, followed by a single-column vertical list of editorial roles and names, such as Editor-in-Chief Robert Boyers and Executive Editor Peg Boyers.",{"name":56,"label":57,"slug":58},[92],{"name":93,"label":93,"slug":94,"foundryName":95},"Times New Roman","times-new-roman",null,{"Analytics":97,"Security":101,"CDN":105,"Programming languages":109,"Web frameworks":113},[98],{"name":99,"label":99,"slug":100},"Google Analytics","google-analytics",[102],{"name":103,"label":103,"slug":104},"HSTS","hsts",[106],{"name":107,"label":107,"slug":108},"jsDelivr","jsdelivr",[110],{"name":111,"label":111,"slug":112},"Ruby","ruby",[114],{"name":115,"label":115,"slug":116},"Ruby on Rails","ruby-on-rails",[118,121,124,127],{"category":119,"score":120},"performance",74,{"category":122,"score":123},"accessibility",82,{"category":125,"score":126},"best-practices",100,{"category":128,"score":126},"seo",[130,132,133,134],{"category":119,"score":131},64,{"category":122,"score":123},{"category":125,"score":126},{"category":128,"score":126},[136,140,144,148],{"value":137,"label":138,"hex":139},"white","White","#ffffff",{"value":141,"label":142,"hex":143},"violet","Violet","#8d51ff",{"value":145,"label":146,"hex":147},"gray","Gray","#737373",{"value":149,"label":150,"hex":151},"black","Black","#000000",[153,156,159,162,165,168],{"hex":154,"percent":155},"#FEFDFD",0.7209,{"hex":157,"percent":158},"#0155DF",0.0906,{"hex":160,"percent":161},"#584231",0.0666,{"hex":163,"percent":164},"#B7B4A7",0.0462,{"hex":166,"percent":167},"#8D7159",0.0447,{"hex":169,"percent":170},"#0B0B0A",0.031,{"facetDistribution":172,"facetLabels":248},{"industry":173,"styles":193,"technologies":208,"font_families":232,"page_type_name":246},{"Agency & Studio":174,"Art & Culture":175,"SaaS & Software":176,"Fashion & Apparel":177,"Architecture & Real Estate":178,"Entertainment & Media":179,"Food & Beverage":180,"Photography & Video":181,"Finance & Fintech":182,"Healthcare & Wellness":183,"Technology & Hardware":184,"Industrial & Manufacturing":185,"Beauty & Cosmetics":186,"Travel & Hospitality":187,"Non-Profit & Charity":188,"Education & Courses":189,"Crypto & Web3":190,"Sports & Fitness":191,"Automotive & Transportation":192},716,296,210,167,163,138,125,120,76,62,54,49,47,45,41,32,24,21,11,{"Clean \u002F Minimalist":194,"Typographic \u002F Big Type":195,"High-End \u002F Luxury":196,"Dark Mode":197,"Vibrant \u002F Colorful":198,"Monochrome \u002F Grayscale":199,"Fun \u002F Playful":200,"Brutalist \u002F Neo-Brutalist":201,"Corporate \u002F Professional":202,"Illustrative \u002F Hand-drawn":203,"Futuristic \u002F Sci-Fi":204,"3D \u002F Spatial":205,"Retro \u002F Vintage \u002F Y2K":206,"Glassmorphism":207,"Bento Grid":207},2056,1713,1012,570,393,317,257,236,205,87,69,55,33,15,{"jQuery":209,"PHP":210,"WordPress":211,"Node.js":212,"React":213,"Vercel":214,"Vue.js":215,"Shopify":216,"Next.js":217,"Klaviyo":218,"Nuxt.js":219,"Typekit":220,"Amazon Web Services":221,"reCAPTCHA":222,"YouTube":223,"MailChimp":224,"Modernizr":225,"Bootstrap":226,"Slick":123,"Google Font API":227,"Craft CMS":228,"Framer Sites":229,"Contact Form 7":131,"Stimulus":230,"Google Maps":231},875,629,504,320,311,262,207,196,161,149,147,141,129,117,95,92,91,85,79,66,65,59,58,{"Inter":233,"Times New Roman":234,"Roboto":235,"Open Sans":236,"Neue Haas Grotesk":236,"Suisse Intl":237,"Arial":204,"Poppins":228,"Helvetica Neue":131,"Montserrat":238,"Diatype":205,"Neue Montreal":184,"Lato":185,"Graphik":239,"Source Sans":240,"Monument Grotesk":241,"Noto Sans":242,"Helvetica":243,"Söhne":244,"DM Sans":244,"Founders Grotesk":244,"GT America":245,"Google Sans":245,"Editorial":206,"IBM Plex Mono":189},315,168,127,90,88,60,46,44,40,39,36,35,34,{"Home \u002F Landing Page":247},2397,{"industry":249,"styles":268,"page_type_name":282,"technologies":283,"font_families":309},{"Agency & Studio":250,"Art & Culture":251,"SaaS & Software":252,"Fashion & Apparel":253,"Architecture & Real Estate":254,"Entertainment & Media":22,"Food & Beverage":255,"Photography & Video":256,"Finance & Fintech":257,"Healthcare & Wellness":258,"Technology & Hardware":259,"Industrial & Manufacturing":260,"Beauty & Cosmetics":261,"Travel & Hospitality":262,"Non-Profit & Charity":263,"Education & Courses":264,"Crypto & Web3":265,"Sports & Fitness":266,"Automotive & Transportation":267},"Agencies","Art and Culture","Software","Fashion","Real Estate","Food and Drink","Photography","Fintech","Wellness","Technology","Industrial","Beauty","Travel","Non-Profit","Education","Web3","Sports","Automotive",{"Clean \u002F Minimalist":27,"Typographic \u002F Big Type":31,"High-End \u002F Luxury":269,"Dark Mode":270,"Vibrant \u002F Colorful":271,"Monochrome \u002F Grayscale":272,"Fun \u002F Playful":273,"Brutalist \u002F Neo-Brutalist":274,"Corporate \u002F Professional":275,"Illustrative \u002F Hand-drawn":276,"Futuristic \u002F Sci-Fi":277,"3D \u002F Spatial":278,"Retro \u002F Vintage \u002F Y2K":279,"Glassmorphism":280,"Bento Grid":281},"Luxury","Dark Mode","Vibrant","Monochrome","Playful","Brutalist","Corporate","Illustrative","Futuristic","3D and Spatial","Retro and Y2K","Glassmorphism","Bento Grid",{"Home \u002F Landing Page":44},{"jQuery":284,"PHP":285,"WordPress":286,"Node.js":287,"React":288,"Vercel":289,"Vue.js":290,"Shopify":291,"Next.js":292,"Klaviyo":293,"Nuxt.js":294,"Typekit":295,"Amazon Web Services":296,"reCAPTCHA":297,"YouTube":298,"MailChimp":299,"Modernizr":300,"Bootstrap":301,"Slick":302,"Google Font API":303,"Craft CMS":304,"Framer Sites":305,"Contact Form 7":306,"Stimulus":307,"Google Maps":308},"jQuery","PHP","WordPress","Node.js","React","Vercel","Vue.js","Shopify","Next.js","Klaviyo","Nuxt.js","Typekit","Amazon Web Services","reCAPTCHA","YouTube","MailChimp","Modernizr","Bootstrap","Slick","Google Font API","Craft CMS","Framer Sites","Contact Form 7","Stimulus","Google Maps",{"Inter":310,"Times New Roman":93,"Roboto":311,"Open Sans":312,"Neue Haas Grotesk":313,"Suisse Intl":314,"Arial":315,"Poppins":316,"Helvetica Neue":317,"Montserrat":318,"Diatype":319,"Neue Montreal":320,"Lato":321,"Graphik":322,"Source Sans":323,"Monument Grotesk":324,"Noto Sans":325,"Helvetica":326,"Söhne":327,"DM Sans":328,"Founders Grotesk":329,"GT America":330,"Google Sans":331,"Editorial":332,"IBM Plex Mono":333},"Inter","Roboto","Open Sans","Neue Haas Grotesk","Suisse Intl","Arial","Poppins","Helvetica Neue","Montserrat","Diatype","Neue Montreal","Lato","Graphik","Source Sans","Monument Grotesk","Noto Sans","Helvetica","Söhne","DM Sans","Founders Grotesk","GT America","Google Sans","Editorial","IBM Plex Mono",{"facetDistribution":335,"facetLabels":351},{"industry":336,"styles":337,"technologies":338,"font_families":339,"page_type_name":340},{"Agency & Studio":174,"Art & Culture":175,"SaaS & Software":176,"Fashion & Apparel":177,"Architecture & Real Estate":178,"Entertainment & Media":179,"Food & Beverage":180,"Photography & Video":181,"Finance & Fintech":182,"Healthcare & Wellness":183,"Technology & Hardware":184,"Industrial & Manufacturing":185,"Beauty & Cosmetics":186,"Travel & Hospitality":187,"Non-Profit & Charity":188,"Education & Courses":189,"Crypto & Web3":190,"Sports & Fitness":191,"Automotive & Transportation":192},{"Clean \u002F Minimalist":194,"Typographic \u002F Big Type":195,"High-End \u002F Luxury":196,"Dark Mode":197,"Vibrant \u002F Colorful":198,"Monochrome \u002F Grayscale":199,"Fun \u002F Playful":200,"Brutalist \u002F Neo-Brutalist":201,"Corporate \u002F Professional":202,"Illustrative \u002F Hand-drawn":203,"Futuristic \u002F Sci-Fi":204,"3D \u002F Spatial":205,"Retro \u002F Vintage \u002F Y2K":206,"Glassmorphism":207,"Bento Grid":207},{"jQuery":209,"PHP":210,"WordPress":211,"Node.js":212,"React":213,"Vercel":214,"Vue.js":215,"Shopify":216,"Next.js":217,"Klaviyo":218,"Nuxt.js":219,"Typekit":220,"Amazon Web Services":221,"reCAPTCHA":222,"YouTube":223,"MailChimp":224,"Modernizr":225,"Bootstrap":226,"Slick":123,"Google Font API":227,"Craft CMS":228,"Framer Sites":229,"Contact Form 7":131,"Stimulus":230,"Google Maps":231},{"Inter":233,"Times New Roman":234,"Roboto":235,"Open Sans":236,"Neue Haas Grotesk":236,"Suisse Intl":237,"Arial":204,"Poppins":228,"Helvetica Neue":131,"Montserrat":238,"Diatype":205,"Neue Montreal":184,"Lato":185,"Graphik":239,"Source Sans":240,"Monument Grotesk":241,"Noto Sans":242,"Helvetica":243,"Söhne":244,"DM Sans":244,"Founders Grotesk":244,"GT America":245,"Google Sans":245,"Editorial":206,"IBM Plex Mono":189},{"Home \u002F Landing Page":341,"About Us \u002F Team":342,"Projects \u002F Portfolio":343,"Contact Us":344,"Blog \u002F Article Layout":345,"Services \u002F Features":346,"Shop \u002F Catalog":347,"Careers \u002F Jobs":348,"Pricing Page":183,"Sign Up \u002F Login":349,"404 Error Page":350},2401,774,527,418,378,341,299,89,27,9,{"industry":352,"styles":353,"page_type_name":354,"technologies":362,"font_families":363},{"Agency & Studio":250,"Art & Culture":251,"SaaS & Software":252,"Fashion & Apparel":253,"Architecture & Real Estate":254,"Entertainment & Media":22,"Food & Beverage":255,"Photography & Video":256,"Finance & Fintech":257,"Healthcare & Wellness":258,"Technology & Hardware":259,"Industrial & Manufacturing":260,"Beauty & Cosmetics":261,"Travel & Hospitality":262,"Non-Profit & Charity":263,"Education & Courses":264,"Crypto & Web3":265,"Sports & Fitness":266,"Automotive & Transportation":267},{"Clean \u002F Minimalist":27,"Typographic \u002F Big Type":31,"High-End \u002F Luxury":269,"Dark Mode":270,"Vibrant \u002F Colorful":271,"Monochrome \u002F Grayscale":272,"Fun \u002F Playful":273,"Brutalist \u002F Neo-Brutalist":274,"Corporate \u002F Professional":275,"Illustrative \u002F Hand-drawn":276,"Futuristic \u002F Sci-Fi":277,"3D \u002F Spatial":278,"Retro \u002F Vintage \u002F Y2K":279,"Glassmorphism":280,"Bento Grid":281},{"Home \u002F Landing Page":44,"About Us \u002F Team":57,"Projects \u002F Portfolio":80,"Contact Us":355,"Blog \u002F Article Layout":356,"Services \u002F Features":357,"Shop \u002F Catalog":68,"Careers \u002F Jobs":358,"Pricing Page":359,"Sign Up \u002F Login":360,"404 Error Page":361},"Contact","Blog \u002F Article","Services","Careers","Pricing","Sign Up \u002F Login","404 Error",{"jQuery":284,"PHP":285,"WordPress":286,"Node.js":287,"React":288,"Vercel":289,"Vue.js":290,"Shopify":291,"Next.js":292,"Klaviyo":293,"Nuxt.js":294,"Typekit":295,"Amazon Web Services":296,"reCAPTCHA":297,"YouTube":298,"MailChimp":299,"Modernizr":300,"Bootstrap":301,"Slick":302,"Google Font API":303,"Craft CMS":304,"Framer Sites":305,"Contact Form 7":306,"Stimulus":307,"Google Maps":308},{"Inter":310,"Times New Roman":93,"Roboto":311,"Open Sans":312,"Neue Haas Grotesk":313,"Suisse Intl":314,"Arial":315,"Poppins":316,"Helvetica Neue":317,"Montserrat":318,"Diatype":319,"Neue Montreal":320,"Lato":321,"Graphik":322,"Source Sans":323,"Monument Grotesk":324,"Noto Sans":325,"Helvetica":326,"Söhne":327,"DM Sans":328,"Founders Grotesk":329,"GT America":330,"Google Sans":331,"Editorial":332,"IBM Plex Mono":333},{"hits":365},[366,499,625,675],{"id":367,"website_id":368,"page_id":367,"name":369,"slug":370,"url":371,"website_name":369,"website_slug":370,"website_url":372,"result_url":371,"fetched_at":373,"score":226,"score_boost":374,"ai_score":348,"freshness_score":120,"scored_at":375,"page_name":36,"page_url":371,"page_title":376,"page_description":377,"page_content":378,"page_sort":374,"is_home":379,"is_home_rank":380,"page_type_id":381,"page_type_name":43,"cover":382,"cover_mobile":385,"cover_sequence":387,"translations":472,"industry":476,"styles":477,"credits":478,"font_families":479,"technologies":480,"pagespeed":481,"pagespeed_mobile":489,"buckets":496,"search_payload":498},"f8244f66-f536-4c18-b617-4e19df313f58","fa2765d9-5067-4028-9197-fff65577c9a0","Tang Teaching Museum","tang-teaching-museum","https:\u002F\u002Ftang.skidmore.edu\u002F","https:\u002F\u002Ftang.skidmore.edu","2026-05-04T00:29:36.000Z",0,"2026-05-23T20:29:05.000Z","Home - Tang Teaching Museum","The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College","[ The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College 815 North Broadway Saratoga Springs, NY 12866 Phone: 518-580-8080 ](\u002F) - exhibitions - current - upcoming - past - calendar - today - upcoming - collection - explore - about - education - for college students - for faculty - for schools & libraries - art & ideas - about - staff - gallery - publications - support - visit - plan your visit - directions - tang guides skidmore skidmore We’re closed now. View the calendar to see what’s next Adding item... Tour ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view [ A close-up of a creamy-yellow, glossy ceramic surface blotched with red that undulates with folds and creases below two bright yellow, stick-like strips affixed to the surface. Kathy Butterly: Assume Yes ](\u002Fexhibitions\u002F715-kathy-butterly-assume-yes) [ A black and white photograph of a group of Black men marching in line wearing similar attire. Designing Power: The Black Panther Party ](\u002Fexhibitions\u002F791-designing-power-the-black-panther-party) [ A detail of multiple patterns and colors on textiles. Sheila Pepe: When & Where We Rest ](\u002Fexhibitions\u002F751-sheila-pepe-when-where-we-rest) [ 2018_39_1_93_banner-crop2.jpg All These Growing Things ](\u002Fexhibitions\u002F750-all-these-growing-things) [ A shirtless, light-skinned person seen from behind, from shoulder blades to the bottom of their head, with a tattoo in the middle of their neck reading “DYKE” in bold, illustrative font. Inked: Stigma, Otherness, and Art ](\u002Fexhibitions\u002F753-inked-stigma-otherness-and-art) [ A detail of an abstract, colorful painting by Carrie Moyer with various layers of paint and glitter. Explore the Collection ](\u002Fcollection) [ Two student interns wearing gloves crouch down to place objects into a life size diorama of a research station while an man looks on. What is a teaching museum? ](\u002Feducation) [ A group of people gather around the side of a table to look and talk about art laid out on the table. Art & Ideas ](\u002Feducation\u002Fart-and-ideas) - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 Anchor name: Right Angle Explore the Tang Dig deeper into the website for: - Exhibitions - Events - Publications - Tang collection - Art & Ideas * Senior Thesis Exhibition A tradition continues with Skidmore’s annual Studio Art majors’ _Senior Thesis Exhibition_, May 7-16! The opening reception is Friday, May 8, 6-8 pm. [ Tours Today at 2 PM Tang Guide Tour Take a guided tour of exhibitions with a Tang Guide. ](\u002Fcalendar\u002F2835-tang-guide-tour) [ Senior Thesis Exhibitions May 7–16 2026 Senior Thesis Exhibition A tradition continues with Skidmore’s annual studio art majors’ _Senior Thesis Exhibition_. ](\u002Fcalendar\u002F2847-2026-senior-thesis-exhibition) Anchor name: Video Tang 25 Anniversary Video Skidmore College students, alumni, President Marc C. Conner and Dayton Director Ian Berry reflect on the impact of the Tang Museum at Skidmore College in celebration of the Tang’s 25 Anniversary. [ Someday is Now: The Art of Corita Kent _Someday is Now: The Art of Corita Kent_, now in its second edition, is the first full-scale survey of influential pr… ](\u002Fpublications\u002F51-someday-is-now-the-art-of-corita-kent) [ 3-D Doings: The Imagist Object in Chicago Art, 1964-1980 Contemporaneous with the Pop art movement, Chicago Imagism can be characterized as warm and wacky—a stark contrast to… ](\u002Fpublications\u002F128-3-d-doings-the-imagist-object-in-chicago-art-1964-1980) [ Forms of Awakening: Tibetan Art From the Jack Shear Collection Presenting the richness of Tibetan Buddhist imagery, this magnificent collection explores key concepts and figures in… ](\u002Fpublications\u002F95-forms-of-awakening-tibetan-art-from-the-jack-shear-collection) Anchor name: Student Stories Student Story: Allie Serapilio ’25 In an essay, Allie Serapilio ’25 reflects on her experience organizing the 2025 Winter\u002FMiller Lecture with Nina Chanel Abney, as part of her 2024-25 Eleanor Linder Winter Internship at the Tang. Student Story: Chiara Garcia-Ugarte ’25 In a video, Chiara Garcia-Ugarte ’25 speaks about her many Tang experiences with classes as a student, with visitors as a Tang Guide, and as the 2023-24 Carole Marchand Endowed Intern at the Tang. Anchor name: Homepage Buckets [Tang in the News: WAMC Northeast Public Radio Ceramics are having a moment at The Tang](https:\u002F\u002Fwww.wamc.org\u002Fpodcast\u002Fthe-roundtable\u002F2026-04-09\u002Fceramics-are-having-a-moment-at-the-tang) [Two Coats of Paint Museum Exhibitions: Kathy Butterly’s small-scale magnitude](https:\u002F\u002Ftwocoatsofpaint.com\u002F2026\u002F03\u002Fkathy-butterlys-small-scale-magnitude.html) Anchor name: Diptych Explore the collection[ ](\u002Fexplore_the_collection) [ Frank Moore _drawing for dance or theater production_, probably 1980s pigment and colored pencil on paper ](\u002Fcollection\u002Fartworks\u002F2077-drawing-for-dance-or-theater-production) [ Unrecorded artist _title unknown_, mid-20th century gelatin silver print ](\u002Fcollection\u002Fartworks\u002F1053-title-unknown) Upcoming events View the full calendar Today at 2 PM Tang Guide Tour May 7, 12 PM 2026 Senior Thesis Exhibition May 9, 2 PM Family Saturday: Stories in Fabric Write your email address here and we’ll keep you up to date with an occasional email. [The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College](\u002F) 815 North Broadway Saratoga Springs, NY 12866 Phone: 518-580-8080 - contact - press & news - national advisory council - skidmore.edu fbfacebook iinstagram twtwitter vvimeo i Pattern as of May 3, 8:27:33 pm daily on-campus page views: 6 daily off-campus page views: 2293 current wind in Saratoga Springs: 7.53 mph, W Website design: Linked by Air",true,1,"1",{"id":383,"height":13,"width":12,"blurhash":384},"92b14659-ce25-43ad-a6b3-eda1d78f3df8","radial-gradient(at 0 0,#e4ece3,#00000000 50%),radial-gradient(at 33% 0,#dae5dc,#00000000 50%),radial-gradient(at 67% 0,#d9e3da,#00000000 50%),radial-gradient(at 100% 0,#dae2da,#00000000 50%),radial-gradient(at 0 50%,#bab3ba,#00000000 50%),radial-gradient(at 33% 50%,#9f9ca3,#00000000 50%),radial-gradient(at 67% 50%,#89848b,#00000000 50%),radial-gradient(at 100% 50%,#959095,#00000000 50%),radial-gradient(at 0 100%,#8b8b8a,#00000000 50%),radial-gradient(at 33% 100%,#6b7271,#00000000 50%),radial-gradient(at 67% 100%,#444749,#00000000 50%),radial-gradient(at 100% 100%,#635f63,#00000000 50%)",{"id":386,"height":15,"width":14,"blurhash":95},"ec9f1775-e60a-4f92-bbe4-700f3eb72518",[388,391,394,397,400,403,406,409,412,415,418,421,424,427,430,433,436,439,442,445,448,451,454,457,460,463,466,469],{"directus_files_id":389},{"id":390},"dc4abb00-50b6-4867-a142-5e79c27433a2",{"directus_files_id":392},{"id":393},"1a792627-6b3f-472d-8e75-a671aa70cccd",{"directus_files_id":395},{"id":396},"df21d170-57d7-4b8a-9f36-b6cf2a7d9342",{"directus_files_id":398},{"id":399},"8669f443-3c72-4163-a6b3-f30095cfcebd",{"directus_files_id":401},{"id":402},"aa743cc4-9fcb-4125-9798-465bdd7a4e4e",{"directus_files_id":404},{"id":405},"c380bbad-afba-492d-a478-e2920f1bd95e",{"directus_files_id":407},{"id":408},"8490340a-20a2-4659-aad9-4022cc603f49",{"directus_files_id":410},{"id":411},"8dc38979-342f-475a-9fa8-252e1969028f",{"directus_files_id":413},{"id":414},"c5f1e5dc-4793-455d-afc2-981a291de8c4",{"directus_files_id":416},{"id":417},"acc56a67-39c4-48d4-8dfc-1b58bad98835",{"directus_files_id":419},{"id":420},"7a6b6c9a-b073-40d6-9641-13a2c34fb418",{"directus_files_id":422},{"id":423},"73a127d3-0927-4b1c-8f62-073fab4a7283",{"directus_files_id":425},{"id":426},"aa70c6c1-0e3b-4fe3-b93c-f0eaec587e30",{"directus_files_id":428},{"id":429},"88155c06-7ab6-4887-81d1-4cb6310e200f",{"directus_files_id":431},{"id":432},"6eba7787-3a2d-456a-87c2-fbe1bcb9a5c9",{"directus_files_id":434},{"id":435},"d57fb42a-6de7-4f2c-b96a-9d9b94b01f53",{"directus_files_id":437},{"id":438},"e6c7f521-a575-4a27-bf59-8e1858ed753b",{"directus_files_id":440},{"id":441},"7945df05-2e2d-45ea-92ef-2f6c096cfca6",{"directus_files_id":443},{"id":444},"9e0763e2-c19b-4f3f-b43e-46b8ff2d4f29",{"directus_files_id":446},{"id":447},"4f9182c3-8e3e-4e81-a618-6ff2e8c5facd",{"directus_files_id":449},{"id":450},"14b95070-bc22-4383-901b-590bd1757833",{"directus_files_id":452},{"id":453},"a5582472-b055-4116-a6d9-2491cddd4290",{"directus_files_id":455},{"id":456},"b2e3befc-b502-44a2-9138-d809ffd3b2d3",{"directus_files_id":458},{"id":459},"74d6dba2-f24d-4e3b-ad57-9a8310f922bb",{"directus_files_id":461},{"id":462},"2135f81e-5f8e-4a4f-bd7a-7b3de274b93e",{"directus_files_id":464},{"id":465},"ee3ad88a-c2c2-47dd-9277-b58f82329ad4",{"directus_files_id":467},{"id":468},"d88e0479-b05a-4a14-86f1-e7ce81c1ad54",{"directus_files_id":470},{"id":471},"4d957ef0-8718-4dd7-b58f-be01b2ea8bef",[473],{"languages_code":474,"description":475},"en","The Tang Teaching Museum website serves as a sophisticated digital gateway for the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. It functions as a comprehensive resource for exploring current and upcoming exhibitions, the museum's permanent collection, and educational programming. The site is designed to engage a diverse audience ranging from Skidmore students and faculty to local community members and global art enthusiasts, providing seamless access to museum news, visitor information, and scholarly publications.\n\nThe visual identity is defined by a bold, avant-garde approach to academic curation. Utilizing a high-contrast typographic hierarchy and a striking grid-based layout, the design mirrors the experimental nature of contemporary art. The use of large-scale, immersive imagery—often presented in monochromatic or highly textured formats—creates a sense of prestige and intellectual depth. A playful yet structured use of whitespace and unconventional navigation elements ensures the experience feels both authoritative and cutting-edge, perfectly aligning with its mission as a teaching institution.","Art & Culture",[26,30],[],[],[296,111,115,307],[482,484,486,488],{"score":483,"category":119},56,{"score":485,"category":122},67,{"score":487,"category":125},96,{"score":224,"category":128},[490,492,494,495],{"score":491,"category":119},63,{"score":493,"category":122},75,{"score":487,"category":125},{"score":224,"category":128},[137,149,145,497],"orange","Website: Tang Teaching Museum. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home - Tang Teaching Museum. Page description: The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. Page content: [ The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College 815 North Broadway Saratoga Springs, NY 12866 Phone: 518-580-8080 ](\u002F) - exhibitions - current - upcoming - past - calendar - today - upcoming - collection - explore - about - education - for college students - for faculty - for schools & libraries - art & ideas - about - staff - gallery - publications - support - visit - plan your visit - directions - tang guides skidmore skidmore We’re closed now. View the calendar to see what’s next Adding item... Tour ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view ExhibitionsOn view [ A close-up of a creamy-yellow, glossy ceramic surface blotched with red that undulates with folds and creases below two bright yellow, stick-like strips affixed to the surface. Kathy Butterly: Assume Yes ](\u002Fexhibitions\u002F715-kathy-butterly-assume-yes) [ A black and white photograph of a group of Black men marching in line wearing similar attire. Designing Power: The Black Panther Party ](\u002Fexhibitions\u002F791-designing-power-the-black-panther-party) [ A detail of multiple patterns and colors on textiles. Sheila Pepe: When & Where We Rest ](\u002Fexhibitions\u002F751-sheila-pepe-when-where-we-rest) [ 2018_39_1_93_banner-crop2.jpg All These Growing Things ](\u002Fexhibitions\u002F750-all-these-growing-things) [ A shirtless, light-skinned person seen from behind, from shoulder blades to the bottom of their head, with a tattoo in the middle of their neck reading “DYKE” in bold, illustrative font. Inked: Stigma, Otherness, and Art ](\u002Fexhibitions\u002F753-inked-stigma-otherness-and-art) [ A detail of an abstract, colorful painting by Carrie Moyer with various layers of paint and glitter. Explore the Collection ](\u002Fcollection) [ Two student interns wearing gloves crouch down to place objects into a life size diorama of a research station while an man looks on. What is a teaching museum? ](\u002Feducation) [ A group of people gather around the side of a table to look and talk about art laid out on the table. Art & Ideas ](\u002Feducation\u002Fart-and-ideas) - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 Anchor name: Right Angle Explore the Tang Dig deeper into the website for: - Exhibitions - Events - Publications - Tang collection - Art & Ideas * Senior Thesis Exhibition A tradition continues with Skidmore’s annual Studio Art majors’ _Senior Thesis Exhibition_, May 7-16! The opening reception is Friday, May 8, 6-8 pm. [ Tours Today at 2 PM Tang Guide Tour Take a guided tour of exhibitions with a Tang Guide. ](\u002Fcalendar\u002F2835-tang-guide-tour) [ Senior Thesis Exhibitions May 7–16 2026 Senior Thesis Exhibition A tradition continues with Skidmore’s annual studio art majors’ _Senior Thesis Exhibition_. ](\u002Fcalendar\u002F2847-2026-senior-thesis-exhibition) Anchor name: Video Tang 25 Anniversary Video Skidmore College students, alumni, President Marc C. Conner and Dayton Director Ian Berry reflect on the impact of the Tang Museum at Skidmore College in celebration of the Tang’s 25 Anniversary. [ Someday is Now: The Art of Corita Kent _Someday is Now: The Art of Corita Kent_, now in its second edition, is the first full-scale survey of influential pr… ](\u002Fpublications\u002F51-someday-is-now-the-art-of-corita-kent) [ 3-D Doings: The Imagist Object in Chicago Art, 1964-1980 Contemporaneous with the Pop art movement, Chicago Imagism can be characterized as warm and wacky—a stark contrast to… ](\u002Fpublications\u002F128-3-d-doings-the-imagist-object-in-chicago-art-1964-1980) [ Forms of Awakening: Tibetan Art From the Jack Shear Collection Presenting the richness of Tibetan Buddhist imagery, this magnificent collection explores key concepts and figures in… ](\u002Fpublications\u002F95-forms-of-awakening-tibetan-art-from-the-jack-shear-collection) Anchor name: Student Stories Student Story: Allie Serapilio ’25 In an essay, Allie Serapilio ’25 reflects on her experience organizing the 2025 Winter\u002FMiller Lecture with Nina Chanel Abney, as part of her 2024-25 Eleanor Linder Winter Internship at the Tang. Student Story: Chiara Garcia-Ugarte ’25 In a video, Chiara Garcia-Ugarte ’25 speaks about her many Tang experiences with classes as a student, with visitors as a Tang Guide, and as the 2023-24 Carole Marchand Endowed Intern at the Tang. Anchor name: Homepage Buckets [Tang in the News: WAMC Northeast Public Radio Ceramics are having a moment at The Tang](https:\u002F\u002Fwww.wamc.org\u002Fpodcast\u002Fthe-roundtable\u002F2026-04-09\u002Fceramics-are-having-a-moment-at-the-tang) [Two Coats of Paint Museum Exhibitions: Kathy Butterly’s small-scale magnitude](https:\u002F\u002Ftwocoatsofpaint.com\u002F2026\u002F03\u002Fkathy-butterlys-small-scale-magnitude.html) Anchor name: Diptych Explore the collection[ ](\u002Fexplore_the_collection) [ Frank Moore _drawing for dance or theater production_, probably 1980s pigment and colored pencil on paper ](\u002Fcollection\u002Fartworks\u002F2077-drawing-for-dance-or-theater-production) [ Unrecorded artist _title unknown_, mid-20th century gelatin silver print ](\u002Fcollection\u002Fartworks\u002F1053-title-unknown) Upcoming events View the full calendar Today at 2 PM Tang Guide Tour May 7, 12 PM 2026 Senior Thesis Exhibition May 9, 2 PM Family Saturday: Stories in Fabric Write your email address here and we’ll keep you up to date with an occasional email. [The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College](\u002F) 815 North Broadway Saratoga Springs, NY 12866 Phone: 518-580-8080 - contact - press & news - national advisory council - skidmore.edu fbfacebook iinstagram twtwitter vvimeo i Pattern as of May 3, 8:27:33 pm daily on-campus page views: 6 daily off-campus page views: 2293 current wind in Saratoga Springs: 7.53 mph, W Website design: Linked by Air. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray, Orange. Built using Amazon Web Services, Ruby, Ruby on Rails, Stimulus. AI description: The Tang Teaching Museum website serves as a sophisticated digital gateway for the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. It functions as a comprehensive resource for exploring current and upcoming exhibitions, the museum's permanent collection, and educational programming. The site is designed to engage a diverse audience ranging from Skidmore students and faculty to local community members and global art enthusiasts, providing seamless access to museum news, visitor information, and scholarly publications. The visual identity is defined by a bold, avant-garde approach to academic curation. Utilizing a high-contrast typographic hierarchy and a striking grid-based layout, the design mirrors the experimental nature of contemporary art. The use of large-scale, immersive imagery—often presented in monochromatic or highly textured formats—creates a sense of prestige and intellectual depth. A playful yet structured use of whitespace and unconventional navigation elements ensures the experience feels both authoritative and cutting-edge, perfectly aligning with its mission as a teaching institution.",{"id":500,"website_id":501,"page_id":500,"name":502,"slug":503,"url":504,"website_name":502,"website_slug":503,"website_url":505,"result_url":504,"fetched_at":506,"score":507,"score_boost":374,"ai_score":507,"freshness_score":182,"scored_at":508,"page_name":36,"page_url":504,"page_title":509,"page_description":510,"page_content":511,"page_sort":374,"is_home":379,"is_home_rank":380,"page_type_id":381,"page_type_name":43,"cover":512,"cover_mobile":515,"cover_sequence":517,"translations":602,"industry":476,"styles":605,"credits":607,"font_families":608,"technologies":609,"pagespeed":611,"pagespeed_mobile":617,"buckets":622,"search_payload":624},"8c294f06-1390-45c6-baf4-cc083607dcd7","dd21e329-0c38-4100-94eb-316677f751b7","After 8 Books","after8books","https:\u002F\u002Fafter8books.com\u002F","https:\u002F\u002Fafter8books.com","2026-05-05T16:02:20.000Z",80,"2026-05-23T19:36:02.000Z","News, Events & Recent Deliveries — After 8 Books","After 8 Books is an independent bookstore and publisher based in Paris. The bookstore, onsite and online, welcomes the printed endeavours of contemporary artists, thinkers, writers, musicians, poets, and other art workers.","AFTER 8 BOOKS SEARCH , BOOKSTORE , PUBLISHING , EVENTS , CONTACT , AND MORE , , BASKET(0) “Please send tracking number.” X MENU ☺ (0) AFTER 8 BOOKS X AFTER 8 BOOKS BOOKSTORE PUBLISHING EVENTS CONTACT AND MORE BASKET(0) let’s be the buttons _let’s be the buttons_ Tuesday to Friday = Mardi-Vendredi: 11-1 pm + 2-7 pm Saturdays = Samedi: 2-7 pm After 8 Books 7 rue Jarry 75010 PARIS CALO, Susana ; PEREIRA, Godofredo Enes (eds) - Cerfi. Analysis Everywhere (Minor Compositions) - Cerfi. Analysis Everywhere (Minor Compositions)\") [CALO, Susana ; PEREIRA, Godofredo Enes (eds) Cerfi. Analysis Everywhere](analysis-everywhere.html) Between the radical energies of the 1960s and the shifting terrains of the 1980s, a group in France quietly detonated the boundaries of politics, psychiatry, and collective life. CERFI – the Centre for Institutional Study,… MAILLET MONORY, Clovis - Toutes nos larmes. L'antiféminisme et la mort (Éditions Cambourakis)\") [MAILLET MONORY, Clovis Toutes nos larmes. L'antiféminisme et la mort](toutes-nos-larmes.-lantiféminisme-et-la-mort.html) À partir de la mort d’une mère écrasée par l’antiféminisme et dissoute dans l’eau d’un fleuve, d’un texte retrouvé dans les affaires personnelles de la défunte et du surgissement des souvenirs de ce qui a été vécu dans… PEETERS, Julie (ed.) - BILL 6 (Bill) - BILL 6 (Bill)\") [PEETERS, Julie (ed.) BILL 6](bill-6.html) Oh my goddess! This is the new BILL!! With Rosemarie Trockel (cover & more), Hana Miletić, RareBooksParis, Thorben Gröbel, Line-Gry Hørup with ORBI Summer School, Yuji Agematsu, Claude Closky, Blommers\u002FSchumm, Michael… SIMS, KD - I Cut My Nails For You (Discount Guillotine)\") [SIMS, KD I Cut My Nails For You](i-cut-my-nails-for-you.html) “_I Cut My Nails For You_, again, proves that women invented poetry. KD Sims’ debut collection smears Persephonic perversity with buoyant, babyish puppy play, settling like honey at… GLÜCK, Robert - Purple Men 2000 (Ssnake Press)\") [GLÜCK, Robert Purple Men 2000](purple-men-2000.html) Trent and Daryl are a couple living together in San Francisco in the early nineties. This story follows them over the course of one day as they prepare to throw a dinner party, while dealing with— among other things—ailing… ELMESSIRI, A.M. (ed.) - The Palestinian Wedding. A Bilingual Reader of Resistance Poetry (Saqi Books) - The Palestinian Wedding. A Bilingual Reader of Resistance Poetry (Saqi Books)\") [ELMESSIRI, A.M. (ed.) The Palestinian Wedding. A Bilingual Reader of Resistance Poetry](the-palestinian-wedding.-a-bilingual-reader-of-resistance-poetry.html) Poetry has long been Palestine’s most vital art form – a space where memory is safeguarded and resistance given voice. Spanning a century of upheaval and endurance, _The Palestinian Wedding_ brings together 21 major… SEPUYA, Paul Mpagi - SHOOT (Primary Information)\") [SEPUYA, Paul Mpagi SHOOT](shoot.html) _SHOOT_ was a self-published zine produced by photographer Paul Mpagi Sepuya from 2005–2008. Each of the zine’s issues was an experiment by the artist in conceiving of an extended portrait, using contact sheets,… MATICK, Joseph - Good Looking Pomes (Far West Press)\") [MATICK, Joseph Good Looking Pomes](good-looking-pomes.html) _I came, I saw, I acclimated I was unsatisfied I came back You can be me now You can be anyone Anyone else_ “Joseph Matick is a former poet, now bird. He flies over pastures and… GOLDBERG, Nicola Maye - Other Women – And Other Stories (Verso)\") [GOLDBERG, Nicola Maye Other Women – And Other Stories](other-women-and-other-stories.html) After dropping out of college, a young woman wanders through New York both invisible and vulnerable, studying the city’s strong magic and longing for a man she knows will never love her back. Salvation appears to arrive… DURBIN, Andrew - The Wonderful World That Almost Was: A Life of Peter Hujar and Paul Thek [US EDITION] (Farrar Straus & Giroux)\") [DURBIN, Andrew The Wonderful World That Almost Was: A Life of Peter Hujar and Paul Thek \\US EDITION\\] When Paul Thek met Peter Hujar in the winter of 1956 in Coral Gables, Florida, a slow-simmering connection began to burn. Thek, 23 and living in Miami, was handsome and itching to make it as a painter; in the 22-year-old… BUCHANAN, Beverly - Lila's Story (Bierke Verlag)\") [BUCHANAN, Beverly Lila's Story](lilas-story.html) Buchanan is best known for her later work, her sculptures of shacks, her architectural fragmentations. But she always kept a practice deeply producing various forms of printed matter. Personal notebooks, journals, scrapbooks,… BALGIU, Alex; DE LA TORRE, Mónica (eds.) - Women in Concrete Poetry: 1959-1979 (Primary Information) - Women in Concrete Poetry: 1959-1979 (Primary Information)\") [BALGIU, Alex; DE LA TORRE, Mónica (eds.) Women in Concrete Poetry: 1959-1979](women-in-concrete-poetry-1959-1979.html) BACK IN PRINT! _Women in Concrete Poetry: 1959-1979_ is expansive anthology focused on concrete poetry written by women in the groundbreaking movement’s early history. It features 50 writers and artists from Europe,… PAGEARD, Camille - La durée de la parole (Même pas l'hiver)\") [PAGEARD, Camille La durée de la parole](la-durée-de-la-parole.html) À partir de 1972, le poète et critique d’art américain David Antin performe de longs monologues improvisés qu’il nomme _talk_ _poems_ (« poèmes parlés »). Après les avoir enregistrés, l’auteur les transcrit… WOMEN'S HISTORY MUSUEM - Grisette à l’enfer (Bierke Verlag)\") [WOMEN'S HISTORY MUSUEM Grisette à l’enfer](grisette-à-lenfers.html) Conceived as a hybrid between an exhibition catalog and a fashion lookbook, _Grisette à l’enfer_ – released on the occasion of the first institutional exhibition in the U.S. of Women’s History Museum – interweaves… MAIOR, A - Vancouverama (Bierke Verlag,Western Front,Art Metropole)\") [MAIOR, A Vancouverama](vancouverama.html) Once upon a time there was a strip mall in South Vancouver, on Granville Street across from the big Safeway, just next to the public library, and not far from the Fraser River. On the morning of January 3, a dead woman… CALLEJA, Jen - Goblinhood, en mode gobelin (Rag)\") [CALLEJA, Jen Goblinhood, en mode gobelin](goblinhood-en-mode-gobelin.html) La figure du gobelin est espiègle, marginale, répugnante et fascinante et le mode gobelin peut être envisagé comme un mode de vie à part entière. Jen Calleja, depuis son obsession pour les objets verts et les marionettes,… FARRAH, Raouf; DADOO, Suraya (eds.) - Rising for Palestine: Africans in Solidarity for Decolonisation and Liberation (Pluto Press) - Rising for Palestine: Africans in Solidarity for Decolonisation and Liberation (Pluto Press)\") [FARRAH, Raouf; DADOO, Suraya (eds.) Rising for Palestine: Africans in Solidarity for Decolonisation and Liberation](rising-for-palestine-africans-in-solidarity-for-decolonisation-and-liberation.html) What does true global solidarity look like, and how can it help us fight for the oppressed? _Rising for Palestine_ is a groundbreaking anthology that reveals the deep ties between some of the world’s most powerful… VELVETYNE; CHAMARET, Sandra (ed.) - Velvetyne Saved My Life. Typographie libre pour tous·tes depuis 2011 \u002F Libre fonts for everyone since 2011 (Surfaces Utiles) - Velvetyne Saved My Life. Typographie libre pour tous·tes depuis 2011 \u002F Libre fonts for everyone since 2011 (Surfaces Utiles)\") [VELVETYNE; CHAMARET, Sandra (ed.) Velvetyne Saved My Life. Typographie libre pour tous·tes depuis 2011 \u002F Libre fonts for everyone since 2011](velvetyne-saved-my-life.-typographie-libre-pour-tous·tes-depuis-2011-\u002F-libre-fonts-for-everyone-since-2011.html) Depuis 2011, le collectif Velvetyne se consacre à la création et à la diffusion de polices de caractères sous licences libres. Ses membres défendent et partagent une pratique typo­graphique décomplexée, orientée par des… STRICKLER, Yancey (ed.) - The Dark Forest Anthology of the Internet (DARK FOREST COLLECTIVE) - The Dark Forest Anthology of the Internet (DARK FOREST COLLECTIVE)\") [STRICKLER, Yancey (ed.) The Dark Forest Anthology of the Internet](the-dark-forest-anthology-of-the-internet.html) BACK IN STO …",{"id":513,"height":13,"width":12,"blurhash":514},"b5d4230a-fd1b-47a2-a6b6-5aa105e23210","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#eeebec,#00000000 50%),radial-gradient(at 67% 0,#f1eeec,#00000000 50%),radial-gradient(at 100% 0,#f7fcfb,#00000000 50%),radial-gradient(at 0 50%,#d6d4d3,#00000000 50%),radial-gradient(at 33% 50%,#bd8789,#00000000 50%),radial-gradient(at 67% 50%,#a27176,#00000000 50%),radial-gradient(at 100% 50%,#b3b3b2,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#efedee,#00000000 50%),radial-gradient(at 67% 100%,#eaeeec,#00000000 50%),radial-gradient(at 100% 100%,#f4fafa,#00000000 50%)",{"id":516,"height":15,"width":14,"blurhash":95},"db5b4d89-e9e2-4d9e-bf55-01e4f3ff1284",[518,521,524,527,530,533,536,539,542,545,548,551,554,557,560,563,566,569,572,575,578,581,584,587,590,593,596,599],{"directus_files_id":519},{"id":520},"3daa2bab-96fa-4d89-9b79-9e3c7b5ee2b7",{"directus_files_id":522},{"id":523},"4eac2865-7c0f-4ccd-b210-0add9574d4e4",{"directus_files_id":525},{"id":526},"0fb42847-a84d-4961-a77f-26a408157269",{"directus_files_id":528},{"id":529},"120da118-3c1f-467a-b2ff-fa20d5646629",{"directus_files_id":531},{"id":532},"0d9748c1-9011-4cfa-8cbb-25e79704db00",{"directus_files_id":534},{"id":535},"d8cc00f2-195e-4b30-9d52-e411dbdaa566",{"directus_files_id":537},{"id":538},"48b34668-40f2-4d27-98b2-9eb7ebc39ee0",{"directus_files_id":540},{"id":541},"f9582cea-7b4b-47ac-965e-93da8dda55ab",{"directus_files_id":543},{"id":544},"a64aef71-20f6-4b86-89a6-28f98a191927",{"directus_files_id":546},{"id":547},"5fc79488-cae5-4658-85aa-6af89895c9d9",{"directus_files_id":549},{"id":550},"4f1c4786-4c7a-4ceb-89e6-6a5678e58923",{"directus_files_id":552},{"id":553},"195428da-bd90-4088-9ea1-a4ae8d761877",{"directus_files_id":555},{"id":556},"510d4b49-b036-4f65-a2ab-b9230616b054",{"directus_files_id":558},{"id":559},"410ac106-2f05-4157-9b66-31b5413c460f",{"directus_files_id":561},{"id":562},"bbbf3da5-a609-4236-bb30-dffcbbd400d8",{"directus_files_id":564},{"id":565},"ec467ea2-8f8e-49d5-ba19-c6e767bd7928",{"directus_files_id":567},{"id":568},"9e068984-9857-4fd4-9e44-ea464546517c",{"directus_files_id":570},{"id":571},"2da6d75f-f1b1-42fd-8ed2-f29b8db62b30",{"directus_files_id":573},{"id":574},"3550d45c-7e1e-4226-bf09-f79a4d2f3439",{"directus_files_id":576},{"id":577},"6c53ad6c-4a3b-41b9-9e1f-1bb0a134a677",{"directus_files_id":579},{"id":580},"935716ef-fc9b-4d88-b82c-2cdc30054938",{"directus_files_id":582},{"id":583},"53e2db93-1cb8-45bc-8026-f004ce130145",{"directus_files_id":585},{"id":586},"df27ed78-5e6d-430f-a6f9-e53d4a6eaf48",{"directus_files_id":588},{"id":589},"87a49654-0cef-4f58-bdf5-d74da8acd446",{"directus_files_id":591},{"id":592},"fb1bc64f-d784-4e4f-a065-a03008c5270d",{"directus_files_id":594},{"id":595},"5d0d5277-98c8-4cf5-9a1c-6e60443c9593",{"directus_files_id":597},{"id":598},"af3bebc0-4c94-41ff-96ad-77fcca4cb451",{"directus_files_id":600},{"id":601},"ebdfb7c9-6066-4f78-bf90-c1205aa29610",[603],{"languages_code":474,"description":604},"After 8 Books is a curated sanctuary for contemporary thought, serving as both an independent Parisian bookstore and a niche publishing house. The platform acts as a vital conduit for the printed works of artists, thinkers, poets, and musicians, emphasizing the physical materiality of books as objects of art. Its purpose extends beyond mere retail, functioning as a cultural archive that celebrates avant-garde and intellectual endeavors.\n\nThe visual identity is unapologetically raw and intellectual, utilizing a high-contrast, typographic-driven layout that mirrors the experimental nature of its catalog. By blending hand-drawn illustrations with a structured, grid-based presentation, the design strikes a balance between playful whimsy and academic rigor. The aesthetic is deeply rooted in the indie publishing tradition, appealing to a sophisticated audience of art workers, academics, and bibliophiles who value unique, tactile, and conceptually driven media.",[26,606,30],"Monochrome \u002F Grayscale",[],[314],[610,284,299,285],"FancyBox",[612,613,615,616],{"score":236,"category":119},{"score":614,"category":122},78,{"score":126,"category":125},{"score":126,"category":128},[618,619,620,621],{"score":182,"category":119},{"score":614,"category":122},{"score":126,"category":125},{"score":126,"category":128},[137,149,145,623],"red","Website: After 8 Books. Page: Homepage. Page type: Home \u002F Landing Page. Page title: News, Events & Recent Deliveries — After 8 Books. Page description: After 8 Books is an independent bookstore and publisher based in Paris. The bookstore, onsite and online, welcomes the printed endeavours of contemporary artists, thinkers, writers, musicians, poets, and other art workers.. Page content: AFTER 8 BOOKS SEARCH , BOOKSTORE , PUBLISHING , EVENTS , CONTACT , AND MORE , , BASKET(0) “Please send tracking number.” X MENU ☺ (0) AFTER 8 BOOKS X AFTER 8 BOOKS BOOKSTORE PUBLISHING EVENTS CONTACT AND MORE BASKET(0) let’s be the buttons _let’s be the buttons_ Tuesday to Friday = Mardi-Vendredi: 11-1 pm + 2-7 pm Saturdays = Samedi: 2-7 pm After 8 Books 7 rue Jarry 75010 PARIS CALO, Susana ; PEREIRA, Godofredo Enes (eds) - Cerfi. Analysis Everywhere (Minor Compositions) - Cerfi. Analysis Everywhere (Minor Compositions)\") [CALO, Susana ; PEREIRA, Godofredo Enes (eds) Cerfi. Analysis Everywhere](analysis-everywhere.html) Between the radical energies of the 1960s and the shifting terrains of the 1980s, a group in France quietly detonated the boundaries of politics, psychiatry, and collective life. CERFI – the Centre for Institutional Study,… MAILLET MONORY, Clovis - Toutes nos larmes. L'antiféminisme et la mort (Éditions Cambourakis)\") [MAILLET MONORY, Clovis Toutes nos larmes. L'antiféminisme et la mort](toutes-nos-larmes.-lantiféminisme-et-la-mort.html) À partir de la mort d’une mère écrasée par l’antiféminisme et dissoute dans l’eau d’un fleuve, d’un texte retrouvé dans les affaires personnelles de la défunte et du surgissement des souvenirs de ce qui a été vécu dans… PEETERS, Julie (ed.) - BILL 6 (Bill) - BILL 6 (Bill)\") [PEETERS, Julie (ed.) BILL 6](bill-6.html) Oh my goddess! This is the new BILL!! With Rosemarie Trockel (cover & more), Hana Miletić, RareBooksParis, Thorben Gröbel, Line-Gry Hørup with ORBI Summer School, Yuji Agematsu, Claude Closky, Blommers\u002FSchumm, Michael… SIMS, KD - I Cut My Nails For You (Discount Guillotine)\") [SIMS, KD I Cut My Nails For You](i-cut-my-nails-for-you.html) “_I Cut My Nails For You_, again, proves that women invented poetry. KD Sims’ debut collection smears Persephonic perversity with buoyant, babyish puppy play, settling like honey at… GLÜCK, Robert - Purple Men 2000 (Ssnake Press)\") [GLÜCK, Robert Purple Men 2000](purple-men-2000.html) Trent and Daryl are a couple living together in San Francisco in the early nineties. This story follows them over the course of one day as they prepare to throw a dinner party, while dealing with— among other things—ailing… ELMESSIRI, A.M. (ed.) - The Palestinian Wedding. A Bilingual Reader of Resistance Poetry (Saqi Books) - The Palestinian Wedding. A Bilingual Reader of Resistance Poetry (Saqi Books)\") [ELMESSIRI, A.M. (ed.) The Palestinian Wedding. A Bilingual Reader of Resistance Poetry](the-palestinian-wedding.-a-bilingual-reader-of-resistance-poetry.html) Poetry has long been Palestine’s most vital art form – a space where memory is safeguarded and resistance given voice. Spanning a century of upheaval and endurance, _The Palestinian Wedding_ brings together 21 major… SEPUYA, Paul Mpagi - SHOOT (Primary Information)\") [SEPUYA, Paul Mpagi SHOOT](shoot.html) _SHOOT_ was a self-published zine produced by photographer Paul Mpagi Sepuya from 2005–2008. Each of the zine’s issues was an experiment by the artist in conceiving of an extended portrait, using contact sheets,… MATICK, Joseph - Good Looking Pomes (Far West Press)\") [MATICK, Joseph Good Looking Pomes](good-looking-pomes.html) _I came, I saw, I acclimated I was unsatisfied I came back You can be me now You can be anyone Anyone else_ “Joseph Matick is a former poet, now bird. He flies over pastures and… GOLDBERG, Nicola Maye - Other Women – And Other Stories (Verso)\") [GOLDBERG, Nicola Maye Other Women – And Other Stories](other-women-and-other-stories.html) After dropping out of college, a young woman wanders through New York both invisible and vulnerable, studying the city’s strong magic and longing for a man she knows will never love her back. Salvation appears to arrive… DURBIN, Andrew - The Wonderful World That Almost Was: A Life of Peter Hujar and Paul Thek [US EDITION] (Farrar Straus & Giroux)\") [DURBIN, Andrew The Wonderful World That Almost Was: A Life of Peter Hujar and Paul Thek \\US EDITION\\] When Paul Thek met Peter Hujar in the winter of 1956 in Coral Gables, Florida, a slow-simmering connection began to burn. Thek, 23 and living in Miami, was handsome and itching to make it as a painter; in the 22-year-old… BUCHANAN, Beverly - Lila's Story (Bierke Verlag)\") [BUCHANAN, Beverly Lila's Story](lilas-story.html) Buchanan is best known for her later work, her sculptures of shacks, her architectural fragmentations. But she always kept a practice deeply producing various forms of printed matter. Personal notebooks, journals, scrapbooks,… BALGIU, Alex; DE LA TORRE, Mónica (eds.) - Women in Concrete Poetry: 1959-1979 (Primary Information) - Women in Concrete Poetry: 1959-1979 (Primary Information)\") [BALGIU, Alex; DE LA TORRE, Mónica (eds.) Women in Concrete Poetry: 1959-1979](women-in-concrete-poetry-1959-1979.html) BACK IN PRINT! _Women in Concrete Poetry: 1959-1979_ is expansive anthology focused on concrete poetry written by women in the groundbreaking movement’s early history. It features 50 writers and artists from Europe,… PAGEARD, Camille - La durée de la parole (Même pas l'hiver)\") [PAGEARD, Camille La durée de la parole](la-durée-de-la-parole.html) À partir de 1972, le poète et critique d’art américain David Antin performe de longs monologues improvisés qu’il nomme _talk_ _poems_ (« poèmes parlés »). Après les avoir enregistrés, l’auteur les transcrit… WOMEN'S HISTORY MUSUEM - Grisette à l’enfer (Bierke Verlag)\") [WOMEN'S HISTORY MUSUEM Grisette à l’enfer](grisette-à-lenfers.html) Conceived as a hybrid between an exhibition catalog and a fashion lookbook, _Grisette à l’enfer_ – released on the occasion of the first institutional exhibition in the U.S. of Women’s History Museum – interweaves… MAIOR, A - Vancouverama (Bierke Verlag,Western Front,Art Metropole)\") [MAIOR, A Vancouverama](vancouverama.html) Once upon a time there was a strip mall in South Vancouver, on Granville Street across from the big Safeway, just next to the public library, and not far from the Fraser River. On the morning of January 3, a dead woman… CALLEJA, Jen - Goblinhood, en mode gobelin (Rag)\") [CALLEJA, Jen Goblinhood, en mode gobelin](goblinhood-en-mode-gobelin.html) La figure du gobelin est espiègle, marginale, répugnante et fascinante et le mode gobelin peut être envisagé comme un mode de vie à part entière. Jen Calleja, depuis son obsession pour les objets verts et les marionettes,… FARRAH, Raouf; DADOO, Suraya (eds.) - Rising for Palestine: Africans in Solidarity for Decolonisation and Liberation (Pluto Press) - Rising for Palestine: Africans in Solidarity for Decolonisation and Liberation (Pluto Press)\") [FARRAH, Raouf; DADOO, Suraya (eds.) Rising for Palestine: Africans in Solidarity for Decolonisation and Liberation](rising-for-palestine-africans-in-solidarity-for-decolonisation-and-liberation.html) What does true global solidarity look like, and how can it help us fight for the oppressed? _Rising for Palestine_ is a groundbreaking anthology that reveals the deep ties between some of the world’s most powerful… VELVETYNE; CHAMARET, Sandra (ed.) - Velvetyne Saved My Life. Typographie libre pour tous·tes depuis 2011 \u002F Libre fonts for everyone since 2011 (Surfaces Utiles) - Velvetyne Saved My Life. Typographie libre pour tous·tes depuis 2011 \u002F Libre fonts for everyone since 2011 (Surfaces Utiles)\") [VELVETYNE; CHAMARET, Sandra (ed.) Velvetyne Saved My Life. Typographie libre pour tous·tes depuis 2011 \u002F Libre fonts for everyone since 2011](velvetyne-saved-my-life.-typographie-libre-pour-tous·tes-depuis-2011-\u002F-libre-fonts-for-everyone-since-2011.html) Depuis 2011, le collectif Velvetyne se consacre à la création et à la diffusion de polices de caractères sous licences libres. Ses membres défendent et partagent une pratique typo­graphique décomplexée, orientée par des… STRICKLER, Yancey (ed.) - The Dark Forest Anthology of the Internet (DARK FOREST COLLECTIVE) - The Dark Forest Anthology of the Internet (DARK FOREST COLLECTIVE)\") [STRICKLER, Yancey (ed.) The Dark Forest Anthology of the Internet](the-dark-forest-anthology-of-the-internet.html) BACK IN STO …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray, Red. The typography features Suisse Intl (Swiss Typefaces). Built using FancyBox, jQuery, MailChimp, PHP. AI description: After 8 Books is a curated sanctuary for contemporary thought, serving as both an independent Parisian bookstore and a niche publishing house. The platform acts as a vital conduit for the printed works of artists, thinkers, poets, and musicians, emphasizing the physical materiality of books as objects of art. Its purpose extends beyond mere retail, functioning as a cultural archive that celebrates avant-garde and intellectual endeavors. The visual identity is unapologetically raw and intellectual, utilizing a high-contrast, typographic-driven layout that mirrors the experimental nature of its catalog. By blending hand-drawn illustrations with a structured, grid-based presentation, the design strikes a balance between playful whimsy and academic rigor. The aesthetic is deeply rooted in the indie publishing tradition, appealing to a sophisticated audience of art workers, academics, and bibliophiles who value unique, tactile, and conceptually driven media.",{"id":626,"website_id":627,"page_id":626,"name":628,"slug":629,"url":630,"website_name":628,"website_slug":629,"website_url":631,"result_url":630,"fetched_at":632,"score":633,"score_boost":374,"ai_score":634,"freshness_score":120,"scored_at":635,"page_name":36,"page_url":630,"page_title":628,"page_description":95,"page_content":636,"page_sort":374,"is_home":379,"is_home_rank":380,"page_type_id":381,"page_type_name":43,"cover":637,"cover_mobile":640,"cover_sequence":642,"translations":652,"industry":476,"styles":655,"credits":656,"font_families":658,"technologies":659,"pagespeed":661,"pagespeed_mobile":667,"buckets":672,"search_payload":674},"cf9f198b-d6ac-4ca6-a7eb-d14d9f6c4fc2","f9fbdbd5-d5d4-450b-8457-f6edaab30558","Face Forward","face-forward","https:\u002F\u002Ffaceforward.typography.ie\u002F","https:\u002F\u002Ffaceforward.typography.ie","2026-05-04T09:21:59.000Z",84,86,"2026-05-23T19:09:49.000Z","_Face Forward_ is an international peer-reviewed conference focused on typography that seeks to examine design and typographic practice, and to make explicit existing connections between craft, research, theory, history, criticism and pedagogy. This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …",{"id":638,"height":13,"width":12,"blurhash":639},"ee6ba0b9-978f-4682-94f5-f10503f98584","radial-gradient(at 0 0,#babaff,#00000000 50%),radial-gradient(at 33% 0,#7878ff,#00000000 50%),radial-gradient(at 67% 0,#b2b2ff,#00000000 50%),radial-gradient(at 100% 0,#dfdfff,#00000000 50%),radial-gradient(at 0 50%,#bfbfe8,#00000000 50%),radial-gradient(at 33% 50%,#a2a2e1,#00000000 50%),radial-gradient(at 67% 50%,#c6c6ed,#00000000 50%),radial-gradient(at 100% 50%,#dedef7,#00000000 50%),radial-gradient(at 0 100%,#b4b4e6,#00000000 50%),radial-gradient(at 33% 100%,#9c9cf7,#00000000 50%),radial-gradient(at 67% 100%,#b3b3f5,#00000000 50%),radial-gradient(at 100% 100%,#cbcbed,#00000000 50%)",{"id":641,"height":15,"width":14,"blurhash":95},"d4e07c88-6674-4460-9621-b66d952ea4f3",[643,646,649],{"directus_files_id":644},{"id":645},"b5f1f613-ecd9-4c14-8e2d-8bfcb012ccc8",{"directus_files_id":647},{"id":648},"2a247199-2226-423a-9962-6fd931df0026",{"directus_files_id":650},{"id":651},"09fdf48e-0b65-4ae6-bda7-9f4e6eb98664",[653],{"languages_code":474,"description":654},"Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. The website serves as a scholarly hub, facilitating critical discourse between craft, research, theory, and pedagogy. It is designed to attract academics, designers, and typographic practitioners seeking to explore the intersection of visual communication and epistemological inquiry.\n\nThe visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the site's subject matter. Through a striking combination of electric blue and stark monochrome, the design employs massive, experimental letterforms and a rigorous grid system. The layout is unapologetically structural, using scale and negative space to create a sense of intellectual authority and avant-garde elegance.",[26,606,30],[657],"Bong",[93],[284,285,660],"Three.js",[662,664,665,666],{"score":663,"category":119},99,{"score":182,"category":122},{"score":487,"category":125},{"score":236,"category":128},[668,669,670,671],{"score":223,"category":119},{"score":204,"category":122},{"score":487,"category":125},{"score":236,"category":128},[137,673,149,145],"blue","Website: Face Forward. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Face Forward. Page content: _Face Forward_ is an international peer-reviewed conference focused on typography that seeks to examine design and typographic practice, and to make explicit existing connections between craft, research, theory, history, criticism and pedagogy. This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Blue, Black, Gray. The typography features Times New Roman (Serif). Built using jQuery, PHP, Three.js. AI description: Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. The website serves as a scholarly hub, facilitating critical discourse between craft, research, theory, and pedagogy. It is designed to attract academics, designers, and typographic practitioners seeking to explore the intersection of visual communication and epistemological inquiry. The visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the site's subject matter. Through a striking combination of electric blue and stark monochrome, the design employs massive, experimental letterforms and a rigorous grid system. The layout is unapologetically structural, using scale and negative space to create a sense of intellectual authority and avant-garde elegance.",{"id":676,"website_id":677,"page_id":676,"name":678,"slug":679,"url":680,"website_name":678,"website_slug":679,"website_url":681,"result_url":680,"fetched_at":682,"score":225,"score_boost":374,"ai_score":225,"freshness_score":683,"scored_at":684,"page_name":36,"page_url":680,"page_title":685,"page_description":686,"page_content":687,"page_sort":374,"is_home":379,"is_home_rank":380,"page_type_id":381,"page_type_name":43,"cover":688,"cover_mobile":691,"cover_sequence":693,"translations":784,"industry":21,"styles":787,"credits":790,"font_families":791,"technologies":796,"pagespeed":797,"pagespeed_mobile":802,"buckets":808,"search_payload":810},"4b83146a-70f6-479b-9dd2-c358eb0aae1a","f6d7b485-e14d-4d32-941b-4c300a707b25","Pudding","pudding","https:\u002F\u002Fpudding.cool\u002F","https:\u002F\u002Fpudding.cool","2026-05-04T07:25:44.000Z",1777879544,"2026-05-24T20:59:16.000Z","The Pudding","The Pudding explains ideas with visual essays.","our_faves sticker Our Faves popular sticker Popular updating sticker Updating your_input sticker Your Input video sticker Video audio sticker Audio AllOur FavesPopularUpdatingYour InputVideoAudio - #216 Mar 2026 [ thumbnail for story ### infertility journey An interactive journey about IVF, told from two perspectives. ](https:\u002F\u002Fpudding.cool\u002F2026\u002F03\u002Fivf) - #215 Feb 2026 [ thumbnail for story ### happy map Mapping 100,000 moments of human happiness. ](https:\u002F\u002Fpudding.cool\u002F2026\u002F02\u002Fhappy-map) - #214 Feb 2026 [ thumbnail for story ### women's sizing The inter-generational struggle to find clothes that fit more than a tiny portion of women. ](https:\u002F\u002Fpudding.cool\u002F2026\u002F02\u002Fwomens-sizing) - #213 Dec 2025 [ thumbnail for story ### musical motifs Visualizing how musicals use motifs to tell stories. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F12\u002Fmotifs) - #212 Nov 2025 [ thumbnail for story ### democracy Every time someone said 'democracy' in Congress. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F11\u002Fdemocracy) - #211 Oct 2025 [ thumbnail for story ### walkachusetts A visually-aided journal of a very long walk home. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F10\u002Fwalk) - #210 Aug 2025 [ thumbnail for story ### dicing onions What is the best way to dice an onion to get the most uniform piece sizes? ](https:\u002F\u002Fpudding.cool\u002F2025\u002F08\u002Fonions) - mailbox sticker Get The Pudding in your inbox: - #209 Jul 2025 [ thumbnail for story ### nyc street view What if you could search every visible word on New York City’s streets? ](https:\u002F\u002Fpudding.cool\u002F2025\u002F07\u002Fstreet-view) - #208 Jul 2025 [ thumbnail for story ### kids book animals How and why do we gender animals in stories? ](https:\u002F\u002Fpudding.cool\u002F2025\u002F07\u002Fkids-books) - #207 Jun 2025 [ thumbnail for story ### strangers talking Watch hundreds of strangers talk for 30 minutes, and track how their moods change. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F06\u002Fhello-stranger) - #206 Jun 2025 [ thumbnail for story ### loneliness video A six-minute video about the loneliness epidemic, in data. ](https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=h7w339vE2F8) - #205 May 2025 [ thumbnail for story ### asian representation How accurately are Asian Americans cast in Hollywood? ](https:\u002F\u002Fpudding.cool\u002F2025\u002F05\u002Faapi-casting) - #204 May 2025 [ thumbnail for story ### birthday effect Are you more likely to die on your birthday? Yes. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F04\u002Fbirthday-effect) - #203 Apr 2025 [ thumbnail for story ### wine animals We try to predict the price and quality of a bottle of wine based on the animal on the label. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F04\u002Fwine-animals) - Some of my favorite projects: making it big, defining punk and abortion mazes. [headshot of Caitlyn Ralph Caitlyn Ralph Pudding Staff ](\u002Fauthor\u002Fcaitlyn-ralph) - #202 Apr 2025 [ thumbnail for story ### music dna legacies We trace musical DNA from the classical \"Hall of the Mountain King\" to 2pac's \"Hit Em Up.\" ](https:\u002F\u002Fpudding.cool\u002F2025\u002F04\u002Fmusic-dna) - #201 Mar 2025 [ thumbnail for story ### tv apologies What we can learn from watching reality stars apologize. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F03\u002Fhousewives) - #200 Mar 2025 [ thumbnail for story ### animal sounds Analyzing animal onomatopoeia across languages can demystify how we shape sound into meaning. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F03\u002Flanguage) - #199 Mar 2025 [ thumbnail for story ### middle school sucks Follow hundreds of kids as they navigate their trecherous middle school years. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F02\u002Fmiddle-school) - #198 Nov 2024 [ thumbnail for story ### sitters vs standers The American worker divide: Those who sit, and those who stand. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F11\u002Fsitters-standers) - #197 Nov 2024 [ thumbnail for story ### love songs Is love dead in pop music? We checked all 5,141 Top 10 hits since 1958. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F11\u002Flove-songs) - #196 Oct 2024 [ thumbnail for story ### queueing theory Queues are everywhere we go—discover the hidden mechanics that keep them moving smoothly. ](https:\u002F\u002Fyoutu.be\u002F2r3gElTiLik) - #195 Oct 2024 [ thumbnail for story ### nba jersey colors We took a look at the data behind the increasingly vibrant (and maybe a little confusing) landscape of NBA jerseys. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F10\u002Fnba-uniforms) - #194 Oct 2024 [ thumbnail for story ### abortion mazes A maze for each state where the difficulty is calculated by the state’s abortion policies. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F10\u002Fabortion-mazes) - #193 Oct 2024 [ thumbnail for story ### all about crokinole Welcome to Crokinole, the greatest game you’ve never heard of. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F10\u002Fcrokinole) - If you like our stories, you’ll love our merch pudding tee with a skeleton working on a computer a red and yellow technical sticker that reads The Pudding: Visual Data Stories About Just About Everything a green blob sticker that reads Pudding Dot Cool Shop our swag - #192 Oct 2024 [ thumbnail for story ### k-pop generations Organize these K-pop groups by generation, and we'll make an article using the results. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F10\u002Fkpop-survey) - #191 Oct 2024 [ thumbnail for story ### fanfic ships We looked at a decade of fanfic couples. See who gets shipped and why. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F10\u002Ffanfic) - #190 Sep 2024 [ thumbnail for story ### baseball lineups See how modern stats are reshaping baseball’s batting lineups. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F09\u002Flineup) Load More Stories",{"id":689,"height":13,"width":12,"blurhash":690},"afdd4633-6189-483c-b3b8-aea4c09b93ed","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#fffeff,#00000000 50%),radial-gradient(at 67% 0,#f6f7fa,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#efeae2,#00000000 50%),radial-gradient(at 33% 50%,#d4d6da,#00000000 50%),radial-gradient(at 67% 50%,#bccfd6,#00000000 50%),radial-gradient(at 100% 50%,#deeadd,#00000000 50%),radial-gradient(at 0 100%,#d8ced1,#00000000 50%),radial-gradient(at 33% 100%,#abaab6,#00000000 50%),radial-gradient(at 67% 100%,#99a9b7,#00000000 50%),radial-gradient(at 100% 100%,#d4ddd6,#00000000 50%)",{"id":692,"height":15,"width":14,"blurhash":95},"4b894a6d-f8f5-49e3-b59f-99761b6c57a1",[694,697,700,703,706,709,712,715,718,721,724,727,730,733,736,739,742,745,748,751,754,757,760,763,766,769,772,775,778,781],{"directus_files_id":695},{"id":696},"351891a3-df70-4fc4-bd46-15676b5dba71",{"directus_files_id":698},{"id":699},"f5dcbaab-9557-4625-b68f-2e0d2aa53f83",{"directus_files_id":701},{"id":702},"917cecb1-1d1f-4dc1-b730-dd17ee72d019",{"directus_files_id":704},{"id":705},"2b56d61f-7fb3-49b1-9d80-c09e9fc8ce76",{"directus_files_id":707},{"id":708},"cd266862-8530-42df-b3a2-8096d78966b1",{"directus_files_id":710},{"id":711},"56b8648f-f730-4922-8bd1-87d600d4ba19",{"directus_files_id":713},{"id":714},"7f1650da-881a-493b-b314-435294c8aca9",{"directus_files_id":716},{"id":717},"bc3bc7ca-5c0e-48b2-b971-b18231d39fd6",{"directus_files_id":719},{"id":720},"d4102bc1-1c8b-40c5-b8b9-3b6f88926e99",{"directus_files_id":722},{"id":723},"36228efe-4dd8-4118-8996-9931b69b84ec",{"directus_files_id":725},{"id":726},"fb9acbe9-0f59-4f38-81fa-26ddc115e96b",{"directus_files_id":728},{"id":729},"e9a7afef-86ea-406c-9af3-a3a2995430a5",{"directus_files_id":731},{"id":732},"1496f1ef-1498-4873-9b91-4423a450ca29",{"directus_files_id":734},{"id":735},"e1497328-0f21-4c0a-9d35-51ec0138604f",{"directus_files_id":737},{"id":738},"6e9060a0-8ed1-4586-a058-0e47a504d6af",{"directus_files_id":740},{"id":741},"3a5ecbf1-2ee8-4e55-800c-8b032e6112c9",{"directus_files_id":743},{"id":744},"4335815f-6888-4b78-bd01-d0960049e9c6",{"directus_files_id":746},{"id":747},"0689a016-8e63-412c-9a81-8df3bef5e696",{"directus_files_id":749},{"id":750},"b54b7ea2-44b7-4a54-9b0e-7734b164e0ec",{"directus_files_id":752},{"id":753},"0d9e3d1d-a8d6-4af6-84bc-bfabebfeaddd",{"directus_files_id":755},{"id":756},"88dce317-ca49-495a-88a8-dd229b95cb9c",{"directus_files_id":758},{"id":759},"661fafd2-ab79-4e8e-8b0b-6de08c333a32",{"directus_files_id":761},{"id":762},"3cac4b54-d433-413d-a4f6-a7f32031dc1e",{"directus_files_id":764},{"id":765},"bd9ccbf6-8941-46c5-88b3-be2de507c42a",{"directus_files_id":767},{"id":768},"adfdd237-d6b8-44e9-843e-7deffd49feb5",{"directus_files_id":770},{"id":771},"a46ef29e-f504-432b-9213-c3b82253fcb8",{"directus_files_id":773},{"id":774},"4e4a1727-233c-4bec-bb7a-ee0d583cda75",{"directus_files_id":776},{"id":777},"053cd9f6-9f83-4515-96bb-2b8eb8dcf381",{"directus_files_id":779},{"id":780},"3b7df234-5e66-4bd5-b2cd-7cedccb69e8d",{"directus_files_id":782},{"id":783},"46d1ff3f-f859-4b00-8351-e662f59c2b51",[785],{"languages_code":474,"description":786},"The Pudding is a premier digital publication dedicated to visual journalism, transforming complex data into engaging, interactive, and highly aesthetic essays. By blending rigorous data analysis with sophisticated storytelling, the platform explores diverse cultural, social, and scientific topics, making information not just digestible, but deeply immersive and visually arresting.\n\nThe design identity is unapologetically bold and expressive, characterized by a vibrant, high-contrast color palette and heavy, playful typography. It rejects the sterile aesthetic of traditional data journalism in favor of a maximalist, editorial approach that feels both contemporary and experimental. The layout uses a dynamic grid system that prioritizes large-scale imagery and clear, impactful headings, catering to a curious, digitally-native audience that values both intellectual depth and visual spectacle.",[788,30,789],"Fun \u002F Playful","Vibrant \u002F Colorful",[],[792,793,794,795],"Tiempos","Atlas Grotesk","Atlas Typewriter","Source Serif",[296],[798,799,800,801],{"score":223,"category":119},{"score":236,"category":122},{"score":126,"category":125},{"score":126,"category":128},[803,805,806,807],{"score":804,"category":119},83,{"score":226,"category":122},{"score":126,"category":125},{"score":126,"category":128},[137,149,145,809,141],"yellow","Website: Pudding. Page: Homepage. Page type: Home \u002F Landing Page. Page title: The Pudding. Page description: The Pudding explains ideas with visual essays.. Page content: our_faves sticker Our Faves popular sticker Popular updating sticker Updating your_input sticker Your Input video sticker Video audio sticker Audio AllOur FavesPopularUpdatingYour InputVideoAudio - #216 Mar 2026 [ thumbnail for story ### infertility journey An interactive journey about IVF, told from two perspectives. ](https:\u002F\u002Fpudding.cool\u002F2026\u002F03\u002Fivf) - #215 Feb 2026 [ thumbnail for story ### happy map Mapping 100,000 moments of human happiness. ](https:\u002F\u002Fpudding.cool\u002F2026\u002F02\u002Fhappy-map) - #214 Feb 2026 [ thumbnail for story ### women's sizing The inter-generational struggle to find clothes that fit more than a tiny portion of women. ](https:\u002F\u002Fpudding.cool\u002F2026\u002F02\u002Fwomens-sizing) - #213 Dec 2025 [ thumbnail for story ### musical motifs Visualizing how musicals use motifs to tell stories. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F12\u002Fmotifs) - #212 Nov 2025 [ thumbnail for story ### democracy Every time someone said 'democracy' in Congress. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F11\u002Fdemocracy) - #211 Oct 2025 [ thumbnail for story ### walkachusetts A visually-aided journal of a very long walk home. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F10\u002Fwalk) - #210 Aug 2025 [ thumbnail for story ### dicing onions What is the best way to dice an onion to get the most uniform piece sizes? ](https:\u002F\u002Fpudding.cool\u002F2025\u002F08\u002Fonions) - mailbox sticker Get The Pudding in your inbox: - #209 Jul 2025 [ thumbnail for story ### nyc street view What if you could search every visible word on New York City’s streets? ](https:\u002F\u002Fpudding.cool\u002F2025\u002F07\u002Fstreet-view) - #208 Jul 2025 [ thumbnail for story ### kids book animals How and why do we gender animals in stories? ](https:\u002F\u002Fpudding.cool\u002F2025\u002F07\u002Fkids-books) - #207 Jun 2025 [ thumbnail for story ### strangers talking Watch hundreds of strangers talk for 30 minutes, and track how their moods change. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F06\u002Fhello-stranger) - #206 Jun 2025 [ thumbnail for story ### loneliness video A six-minute video about the loneliness epidemic, in data. ](https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=h7w339vE2F8) - #205 May 2025 [ thumbnail for story ### asian representation How accurately are Asian Americans cast in Hollywood? ](https:\u002F\u002Fpudding.cool\u002F2025\u002F05\u002Faapi-casting) - #204 May 2025 [ thumbnail for story ### birthday effect Are you more likely to die on your birthday? Yes. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F04\u002Fbirthday-effect) - #203 Apr 2025 [ thumbnail for story ### wine animals We try to predict the price and quality of a bottle of wine based on the animal on the label. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F04\u002Fwine-animals) - Some of my favorite projects: making it big, defining punk and abortion mazes. [headshot of Caitlyn Ralph Caitlyn Ralph Pudding Staff ](\u002Fauthor\u002Fcaitlyn-ralph) - #202 Apr 2025 [ thumbnail for story ### music dna legacies We trace musical DNA from the classical \"Hall of the Mountain King\" to 2pac's \"Hit Em Up.\" ](https:\u002F\u002Fpudding.cool\u002F2025\u002F04\u002Fmusic-dna) - #201 Mar 2025 [ thumbnail for story ### tv apologies What we can learn from watching reality stars apologize. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F03\u002Fhousewives) - #200 Mar 2025 [ thumbnail for story ### animal sounds Analyzing animal onomatopoeia across languages can demystify how we shape sound into meaning. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F03\u002Flanguage) - #199 Mar 2025 [ thumbnail for story ### middle school sucks Follow hundreds of kids as they navigate their trecherous middle school years. ](https:\u002F\u002Fpudding.cool\u002F2025\u002F02\u002Fmiddle-school) - #198 Nov 2024 [ thumbnail for story ### sitters vs standers The American worker divide: Those who sit, and those who stand. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F11\u002Fsitters-standers) - #197 Nov 2024 [ thumbnail for story ### love songs Is love dead in pop music? We checked all 5,141 Top 10 hits since 1958. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F11\u002Flove-songs) - #196 Oct 2024 [ thumbnail for story ### queueing theory Queues are everywhere we go—discover the hidden mechanics that keep them moving smoothly. ](https:\u002F\u002Fyoutu.be\u002F2r3gElTiLik) - #195 Oct 2024 [ thumbnail for story ### nba jersey colors We took a look at the data behind the increasingly vibrant (and maybe a little confusing) landscape of NBA jerseys. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F10\u002Fnba-uniforms) - #194 Oct 2024 [ thumbnail for story ### abortion mazes A maze for each state where the difficulty is calculated by the state’s abortion policies. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F10\u002Fabortion-mazes) - #193 Oct 2024 [ thumbnail for story ### all about crokinole Welcome to Crokinole, the greatest game you’ve never heard of. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F10\u002Fcrokinole) - If you like our stories, you’ll love our merch pudding tee with a skeleton working on a computer a red and yellow technical sticker that reads The Pudding: Visual Data Stories About Just About Everything a green blob sticker that reads Pudding Dot Cool Shop our swag - #192 Oct 2024 [ thumbnail for story ### k-pop generations Organize these K-pop groups by generation, and we'll make an article using the results. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F10\u002Fkpop-survey) - #191 Oct 2024 [ thumbnail for story ### fanfic ships We looked at a decade of fanfic couples. See who gets shipped and why. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F10\u002Ffanfic) - #190 Sep 2024 [ thumbnail for story ### baseball lineups See how modern stats are reshaping baseball’s batting lineups. ](https:\u002F\u002Fpudding.cool\u002F2024\u002F09\u002Flineup) Load More Stories. A Fun \u002F Playful, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Entertainment & Media industry. The overall color palette features White, Black, Gray, Yellow, Violet. The typography features Tiempos (Serif, Klim Type), Atlas Grotesk (Sans Serif, Commercial Type), Atlas Typewriter (Sans Serif, Commercial Type), Source Serif (Serif). Built using Amazon Web Services. AI description: The Pudding is a premier digital publication dedicated to visual journalism, transforming complex data into engaging, interactive, and highly aesthetic essays. By blending rigorous data analysis with sophisticated storytelling, the platform explores diverse cultural, social, and scientific topics, making information not just digestible, but deeply immersive and visually arresting. The design identity is unapologetically bold and expressive, characterized by a vibrant, high-contrast color palette and heavy, playful typography. It rejects the sterile aesthetic of traditional data journalism in favor of a maximalist, editorial approach that feels both contemporary and experimental. The layout uses a dynamic grid system that prioritizes large-scale imagery and clear, impactful headings, catering to a curious, digitally-native audience that values both intellectual depth and visual spectacle."]