[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-detail-salomon-ligthelm":3,"facets-{\"includeAuthors\":\"false\"}":154,"facets-baseline-false":315,"similar-websites-salomon-ligthelm":346},{"id":4,"name":5,"slug":6,"url":7,"dateUpdated":8,"fetchedAt":9,"coverId":10,"coverMobileId":11,"coverWidth":12,"coverHeight":13,"coverMobileWidth":14,"coverMobileHeight":15,"descriptionEn":16,"seoMeta":17,"industry":20,"styles":24,"credits":36,"pages":42,"typefaces":77,"technologiesByCategory":86,"pagespeedDesktop":104,"pagespeedMobile":117,"performanceDesktop":107,"performanceMobile":119,"colorBuckets":123,"colorPalette":136},"dcee47f8-69d6-4587-b30d-a2f6625fce76","Salomon Ligthelm","salomon-ligthelm","https:\u002F\u002Fligthelm.work","2026-05-24T20:58:30.000Z","2026-05-05T15:57:07.000Z","d14d6b63-556e-41fa-8345-4000abecd64c","e42c1196-499f-4119-9d42-7067ae321c92",1440,900,780,1688,"Salomon Ligthelm’s portfolio is a masterclass in cinematic minimalism, serving as a high-impact visual archive for a filmmaker with a distinct international perspective. The website functions as a digital gallery, prioritizing raw, evocative imagery from narrative films, music videos, and commercials. By stripping away unnecessary UI elements, the site allows the texture, lighting, and mood of the film stills to command absolute attention.\n\nThe visual identity is defined by a sophisticated dark mode aesthetic and a strong typographic hierarchy. The use of a refined serif typeface for the brand name creates a sense of prestige and artistry, contrasting beautifully against the gritty, atmospheric cinematic frames. The layout is structured and rhythmic, utilizing a clean grid that feels both organized and expansive, perfectly catering to creative directors and industry professionals seeking high-end visual storytelling.",{"title":18,"meta_description":19},"Salomon Ligthelm | Filmmaker Portfolio","The professional portfolio of Salomon Ligthelm, a self-taught filmmaker specializing in narrative, music videos, and commercial cinematography.",{"name":21,"label":22,"slug":23},"Photography & Video","Photography","photography",[25,28,32],{"name":26,"label":26,"slug":27},"Dark Mode","dark-mode",{"name":29,"label":30,"slug":31},"Clean \u002F Minimalist","Minimalist","minimalist",{"name":33,"label":34,"slug":35},"Typographic \u002F Big Type","Typographic","typographic",[37],{"author":38,"roles":41},{"name":39,"label":39,"slug":40},"Mouthwash Studio","mouthwash-studio",[],[43,54,66],{"name":44,"title":45,"description":46,"url":47,"coverId":10,"coverMobileId":11,"alt":48,"altMobile":49,"pageType":50},"Homepage","Home — Salomon Ligthelm","Salomon is a self-taught filmmaker whose international background figures strongly in his distinctive, visual style.","https:\u002F\u002Fligthelm.work\u002F","The desktop homepage for filmmaker Salomon Ligthelm features a minimalist black background with white serif typography. A navigation menu on the left lists project categories, while the main content area displays a grid of cinematic project thumbnails, each labeled with a number and title. The layout is spacious, emphasizing high-contrast imagery and a clean, professional aesthetic.","The mobile version maintains the black and white color scheme but shifts to a single-column vertical layout. The navigation menu is condensed at the top with 'S.L.' and 'INFORMATION' links, while the project thumbnails are stacked vertically for easier scrolling on a smaller screen.",{"name":51,"label":52,"slug":53},"Home \u002F Landing Page","Home \u002F Landing","home-landing",{"name":55,"title":56,"description":46,"url":57,"coverId":58,"coverMobileId":59,"alt":60,"altMobile":61,"pageType":62},"Archive","Archive — Salomon Ligthelm","https:\u002F\u002Fligthelm.work\u002Farchive","cda6b3d4-87f0-4cf3-a2ee-2c9fff2e115e","c261cc3b-4934-4810-b38f-503d9d71f410","The Archive page features a minimalist black background with white text organized in a clean, multi-column grid layout. The header displays 'SALOMON LIGTHELM' in large serif typography, with 'INFORMATION' and 'ARCHIVE' in the corners. The main content lists various film projects with columns for index numbers, titles, descriptions, locations, and years.","The mobile version maintains the black and white minimalist aesthetic but transitions to a single-column vertical list for easier scrolling. The header is simplified to 'S.L.' and 'INFORMATION', while the project list displays titles and years in a condensed, stacked format.",{"name":63,"label":64,"slug":65},"Projects \u002F Portfolio","Portfolio","portfolio",{"name":67,"title":68,"description":46,"url":69,"coverId":70,"coverMobileId":71,"alt":72,"altMobile":72,"pageType":73},"Information","Information — Salomon Ligthelm","https:\u002F\u002Fligthelm.work\u002Finformation","dfd28d81-33fd-4a04-bd39-dcbdfc447fd7","97194b01-a0f7-4a98-9be6-40c9bb7677a3",null,{"name":74,"label":75,"slug":76},"About Us \u002F Team","About Us","about-us",[78,82],{"name":79,"label":79,"slug":80,"foundryName":81},"Akkurat","akkurat","Lineto",{"name":83,"label":83,"slug":84,"foundryName":85},"Neue Montreal","neue-montreal","Pangram Pangram",{"Analytics":87,"Security":91,"CDN":95,"PaaS":102},[88],{"name":89,"label":89,"slug":90},"Google Analytics","google-analytics",[92],{"name":93,"label":93,"slug":94},"HSTS","hsts",[96,99],{"name":97,"label":97,"slug":98},"jsDelivr","jsdelivr",{"name":100,"label":100,"slug":101},"Netlify","netlify",[103],{"name":100,"label":100,"slug":101},[105,108,111,114],{"category":106,"score":107},"performance",41,{"category":109,"score":110},"accessibility",95,{"category":112,"score":113},"best-practices",100,{"category":115,"score":116},"seo",91,[118,120,121,122],{"category":106,"score":119},93,{"category":109,"score":110},{"category":112,"score":113},{"category":115,"score":116},[124,128,132],{"value":125,"label":126,"hex":127},"black","Black","#000000",{"value":129,"label":130,"hex":131},"gray","Gray","#737373",{"value":133,"label":134,"hex":135},"white","White","#ffffff",[137,139,142,145,148,151],{"hex":127,"percent":138},0.8156,{"hex":140,"percent":141},"#131517",0.076,{"hex":143,"percent":144},"#36353E",0.0492,{"hex":146,"percent":147},"#6A7774",0.0303,{"hex":149,"percent":150},"#B2B7B2",0.0147,{"hex":152,"percent":153},"#F7F7F6",0.0142,{"facetDistribution":155,"facetLabels":230},{"industry":156,"styles":175,"technologies":190,"font_families":214,"page_type_name":228},{"Agency & Studio":157,"Art & Culture":158,"SaaS & Software":159,"Fashion & Apparel":160,"Architecture & Real Estate":161,"Entertainment & Media":162,"Food & Beverage":163,"Photography & Video":164,"Finance & Fintech":165,"Healthcare & Wellness":166,"Technology & Hardware":167,"Industrial & Manufacturing":168,"Beauty & Cosmetics":169,"Travel & Hospitality":170,"Non-Profit & Charity":107,"Education & Courses":171,"Crypto & Web3":172,"Sports & Fitness":173,"Automotive & Transportation":174},716,296,210,167,163,138,125,120,76,62,54,49,47,45,32,24,21,11,{"Clean \u002F Minimalist":176,"Typographic \u002F Big Type":177,"High-End \u002F Luxury":178,"Dark Mode":179,"Vibrant \u002F Colorful":180,"Monochrome \u002F Grayscale":181,"Fun \u002F Playful":182,"Brutalist \u002F Neo-Brutalist":183,"Corporate \u002F Professional":184,"Illustrative \u002F Hand-drawn":185,"Futuristic \u002F Sci-Fi":186,"3D \u002F Spatial":187,"Retro \u002F Vintage \u002F Y2K":188,"Glassmorphism":189,"Bento Grid":189},2056,1713,1012,570,393,317,257,236,205,87,69,55,33,15,{"jQuery":191,"PHP":192,"WordPress":193,"Node.js":194,"React":195,"Vercel":196,"Vue.js":197,"Shopify":198,"Next.js":199,"Klaviyo":200,"Nuxt.js":201,"Typekit":202,"Amazon Web Services":203,"reCAPTCHA":204,"YouTube":110,"MailChimp":205,"Modernizr":116,"Bootstrap":206,"Slick":207,"Google Font API":208,"Craft CMS":209,"Framer Sites":210,"Contact Form 7":211,"Stimulus":212,"Google Maps":213},875,629,504,320,311,262,207,196,161,149,147,141,129,117,92,85,82,79,66,65,64,59,58,{"Inter":215,"Times New Roman":216,"Roboto":217,"Open Sans":218,"Neue Haas Grotesk":218,"Suisse Intl":219,"Arial":186,"Poppins":209,"Helvetica Neue":211,"Montserrat":220,"Diatype":187,"Neue Montreal":167,"Lato":168,"Graphik":221,"Source Sans":222,"Monument Grotesk":223,"Noto Sans":224,"Helvetica":225,"Söhne":226,"DM Sans":226,"Founders Grotesk":226,"GT America":227,"Google Sans":227,"Editorial":188,"IBM Plex Mono":171},315,168,127,90,88,60,46,44,40,39,36,35,34,{"Home \u002F Landing Page":229},2397,{"industry":231,"styles":250,"page_type_name":263,"technologies":264,"font_families":290},{"Agency & Studio":232,"Art & Culture":233,"SaaS & Software":234,"Fashion & Apparel":235,"Architecture & Real Estate":236,"Entertainment & Media":237,"Food & Beverage":238,"Photography & Video":22,"Finance & Fintech":239,"Healthcare & Wellness":240,"Technology & Hardware":241,"Industrial & Manufacturing":242,"Beauty & Cosmetics":243,"Travel & Hospitality":244,"Non-Profit & Charity":245,"Education & Courses":246,"Crypto & Web3":247,"Sports & Fitness":248,"Automotive & Transportation":249},"Agencies","Art and Culture","Software","Fashion","Real Estate","Entertainment","Food and Drink","Fintech","Wellness","Technology","Industrial","Beauty","Travel","Non-Profit","Education","Web3","Sports","Automotive",{"Clean \u002F Minimalist":30,"Typographic \u002F Big Type":34,"High-End \u002F Luxury":251,"Dark Mode":26,"Vibrant \u002F Colorful":252,"Monochrome \u002F Grayscale":253,"Fun \u002F Playful":254,"Brutalist \u002F Neo-Brutalist":255,"Corporate \u002F Professional":256,"Illustrative \u002F Hand-drawn":257,"Futuristic \u002F Sci-Fi":258,"3D \u002F Spatial":259,"Retro \u002F Vintage \u002F Y2K":260,"Glassmorphism":261,"Bento Grid":262},"Luxury","Vibrant","Monochrome","Playful","Brutalist","Corporate","Illustrative","Futuristic","3D and Spatial","Retro and Y2K","Glassmorphism","Bento Grid",{"Home \u002F Landing Page":52},{"jQuery":265,"PHP":266,"WordPress":267,"Node.js":268,"React":269,"Vercel":270,"Vue.js":271,"Shopify":272,"Next.js":273,"Klaviyo":274,"Nuxt.js":275,"Typekit":276,"Amazon Web Services":277,"reCAPTCHA":278,"YouTube":279,"MailChimp":280,"Modernizr":281,"Bootstrap":282,"Slick":283,"Google Font API":284,"Craft CMS":285,"Framer Sites":286,"Contact Form 7":287,"Stimulus":288,"Google Maps":289},"jQuery","PHP","WordPress","Node.js","React","Vercel","Vue.js","Shopify","Next.js","Klaviyo","Nuxt.js","Typekit","Amazon Web Services","reCAPTCHA","YouTube","MailChimp","Modernizr","Bootstrap","Slick","Google Font API","Craft CMS","Framer Sites","Contact Form 7","Stimulus","Google Maps",{"Inter":291,"Times New Roman":292,"Roboto":293,"Open Sans":294,"Neue Haas Grotesk":295,"Suisse Intl":296,"Arial":297,"Poppins":298,"Helvetica Neue":299,"Montserrat":300,"Diatype":301,"Neue Montreal":83,"Lato":302,"Graphik":303,"Source Sans":304,"Monument Grotesk":305,"Noto Sans":306,"Helvetica":307,"Söhne":308,"DM Sans":309,"Founders Grotesk":310,"GT America":311,"Google Sans":312,"Editorial":313,"IBM Plex Mono":314},"Inter","Times New Roman","Roboto","Open Sans","Neue Haas Grotesk","Suisse Intl","Arial","Poppins","Helvetica Neue","Montserrat","Diatype","Lato","Graphik","Source Sans","Monument Grotesk","Noto Sans","Helvetica","Söhne","DM Sans","Founders Grotesk","GT America","Google Sans","Editorial","IBM Plex Mono",{"facetDistribution":316,"facetLabels":332},{"industry":317,"styles":318,"technologies":319,"font_families":320,"page_type_name":321},{"Agency & Studio":157,"Art & Culture":158,"SaaS & Software":159,"Fashion & Apparel":160,"Architecture & Real Estate":161,"Entertainment & Media":162,"Food & Beverage":163,"Photography & Video":164,"Finance & Fintech":165,"Healthcare & Wellness":166,"Technology & Hardware":167,"Industrial & Manufacturing":168,"Beauty & Cosmetics":169,"Travel & Hospitality":170,"Non-Profit & Charity":107,"Education & Courses":171,"Crypto & Web3":172,"Sports & Fitness":173,"Automotive & Transportation":174},{"Clean \u002F Minimalist":176,"Typographic \u002F Big Type":177,"High-End \u002F Luxury":178,"Dark Mode":179,"Vibrant \u002F Colorful":180,"Monochrome \u002F Grayscale":181,"Fun \u002F Playful":182,"Brutalist \u002F Neo-Brutalist":183,"Corporate \u002F Professional":184,"Illustrative \u002F Hand-drawn":185,"Futuristic \u002F Sci-Fi":186,"3D \u002F Spatial":187,"Retro \u002F Vintage \u002F Y2K":188,"Glassmorphism":189,"Bento Grid":189},{"jQuery":191,"PHP":192,"WordPress":193,"Node.js":194,"React":195,"Vercel":196,"Vue.js":197,"Shopify":198,"Next.js":199,"Klaviyo":200,"Nuxt.js":201,"Typekit":202,"Amazon Web Services":203,"reCAPTCHA":204,"YouTube":110,"MailChimp":205,"Modernizr":116,"Bootstrap":206,"Slick":207,"Google Font API":208,"Craft CMS":209,"Framer Sites":210,"Contact Form 7":211,"Stimulus":212,"Google Maps":213},{"Inter":215,"Times New Roman":216,"Roboto":217,"Open Sans":218,"Neue Haas Grotesk":218,"Suisse Intl":219,"Arial":186,"Poppins":209,"Helvetica Neue":211,"Montserrat":220,"Diatype":187,"Neue Montreal":167,"Lato":168,"Graphik":221,"Source Sans":222,"Monument Grotesk":223,"Noto Sans":224,"Helvetica":225,"Söhne":226,"DM Sans":226,"Founders Grotesk":226,"GT America":227,"Google Sans":227,"Editorial":188,"IBM Plex Mono":171},{"Home \u002F Landing Page":322,"About Us \u002F Team":323,"Projects \u002F Portfolio":324,"Contact Us":325,"Blog \u002F Article Layout":326,"Services \u002F Features":327,"Shop \u002F Catalog":328,"Careers \u002F Jobs":329,"Pricing Page":166,"Sign Up \u002F Login":330,"404 Error Page":331},2401,774,527,418,378,341,299,89,27,9,{"industry":333,"styles":334,"page_type_name":335,"technologies":344,"font_families":345},{"Agency & Studio":232,"Art & Culture":233,"SaaS & Software":234,"Fashion & Apparel":235,"Architecture & Real Estate":236,"Entertainment & Media":237,"Food & Beverage":238,"Photography & Video":22,"Finance & Fintech":239,"Healthcare & Wellness":240,"Technology & Hardware":241,"Industrial & Manufacturing":242,"Beauty & Cosmetics":243,"Travel & Hospitality":244,"Non-Profit & Charity":245,"Education & Courses":246,"Crypto & Web3":247,"Sports & Fitness":248,"Automotive & Transportation":249},{"Clean \u002F Minimalist":30,"Typographic \u002F Big Type":34,"High-End \u002F Luxury":251,"Dark Mode":26,"Vibrant \u002F Colorful":252,"Monochrome \u002F Grayscale":253,"Fun \u002F Playful":254,"Brutalist \u002F Neo-Brutalist":255,"Corporate \u002F Professional":256,"Illustrative \u002F Hand-drawn":257,"Futuristic \u002F Sci-Fi":258,"3D \u002F Spatial":259,"Retro \u002F Vintage \u002F Y2K":260,"Glassmorphism":261,"Bento Grid":262},{"Home \u002F Landing Page":52,"About Us \u002F Team":75,"Projects \u002F Portfolio":64,"Contact Us":336,"Blog \u002F Article Layout":337,"Services \u002F Features":338,"Shop \u002F Catalog":339,"Careers \u002F Jobs":340,"Pricing Page":341,"Sign Up \u002F Login":342,"404 Error Page":343},"Contact","Blog \u002F Article","Services","Shop \u002F Catalog","Careers","Pricing","Sign Up \u002F Login","404 Error",{"jQuery":265,"PHP":266,"WordPress":267,"Node.js":268,"React":269,"Vercel":270,"Vue.js":271,"Shopify":272,"Next.js":273,"Klaviyo":274,"Nuxt.js":275,"Typekit":276,"Amazon Web Services":277,"reCAPTCHA":278,"YouTube":279,"MailChimp":280,"Modernizr":281,"Bootstrap":282,"Slick":283,"Google Font API":284,"Craft CMS":285,"Framer Sites":286,"Contact Form 7":287,"Stimulus":288,"Google Maps":289},{"Inter":291,"Times New Roman":292,"Roboto":293,"Open Sans":294,"Neue Haas Grotesk":295,"Suisse Intl":296,"Arial":297,"Poppins":298,"Helvetica Neue":299,"Montserrat":300,"Diatype":301,"Neue Montreal":83,"Lato":302,"Graphik":303,"Source Sans":304,"Monument Grotesk":305,"Noto Sans":306,"Helvetica":307,"Söhne":308,"DM Sans":309,"Founders Grotesk":310,"GT America":311,"Google Sans":312,"Editorial":313,"IBM Plex Mono":314},{"hits":347},[348,491,620,749],{"id":349,"website_id":350,"page_id":349,"name":351,"slug":352,"url":353,"website_name":351,"website_slug":352,"website_url":354,"result_url":353,"fetched_at":355,"score":356,"score_boost":357,"ai_score":358,"freshness_score":359,"scored_at":360,"page_name":44,"page_url":353,"page_title":361,"page_description":362,"page_content":363,"page_sort":357,"is_home":364,"is_home_rank":365,"page_type_id":366,"page_type_name":51,"cover":367,"cover_mobile":370,"cover_sequence":372,"translations":463,"industry":467,"styles":468,"credits":471,"font_families":472,"technologies":473,"pagespeed":478,"pagespeed_mobile":483,"buckets":489,"search_payload":490},"31ab4b99-e357-4ecf-ac42-18889e9858f9","f641123f-9564-4fd8-b51b-09aabbd316a4","Photo requests from solitary","photo-requests-from-solitary","https:\u002F\u002Fphotorequestsfromsolitary.org\u002F","https:\u002F\u002Fphotorequestsfromsolitary.org","2026-05-04T07:49:59.000Z",83,0,84,74,"2026-05-23T19:17:55.000Z","Photo Requests from Solitary","What would someone in solitary confinement want to see?","[ 169 169 person deprived by solitary of sight, sound, and speech 169Attached is a brief description of a typical person s\u002Fhe in solitary confinement with they senses snatched away from them by the vicious oppressors. In my image I put a person behind prison walls with all of the limbs but the or faces of the face are gone (ears, eyes, mouth) cuz we can’t see, talk, or hear from our love ones causing division driving the ppl involved to insanity in the mind while the body remains in tact just like the terrible disease while your support team keeps their senses but fails to use them!Bring pain from my heart to your paint brush. Help me bleed on your portrait so ppl can recognize mass incarceration for what it really is i.e. profit for the oppressors ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F169-2\u002F)[ 174 174 ship of change tossing us lifesavers 174A huge ship in the ocean with lifesavers being tossed from the ship into the ocean that has people in it looking like they’re about to drown but is being saved. On the side of the ship I would love the name MAJOR CHANGEPlease make it as real as you can & thank you so much. I have 20 years in the hold & I’m only 44 ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F174-2\u002F)[ 17 17 old friend of mine looking pretty 17I would like to request a up to date photograph of a old friend of mine who use to be a member of the Tamms Year Ten by the name of Laurie Jo Reynolds.Just make her look pretty. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F17-2\u002F)[ 206 206 nice looking young lady with phat ass and pretty eyes 206A nice looking young lady wit banging body and some tights, shorts, showing that phat ass but able to see her face and pretty eyes at the same time, she can be black or spanish or white it all cool wit me. Also I’m trying to promote my two book I wrote. Log on www.prisonfoundation.org Make sure she showing the backshot but at same time showing face. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F206\u002F)[ 42 42 first lady Michelle Obama planting vegetables in the White House garden 42I would like to receive a photo of the first lady Michelle Obama planting vegetables in the White house garden. Thank you all very much for all the Love and support y’all have given me over the years. My God continue blessing y’all wonderful and caring hearts.Her standing around directing the children. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002Ffirst-lady-michelle-obama-planting-vegetables-in-the-white-house-garden\u002F)[ 98 98 world of opportunities on the outside, and a clock with no hands for the years in prison 98I would like to incorporate in my photo family, my marriage on a beach w\u002F sand when I get out, a clock w\u002F no hands for the years in here. A shattered heart, education (maybe a pile\u002Fstack of books). Or a person looking at a bookshelf full of books and on each spine something I want to do when I get out, a world of endless opportunities when given a chance. Hope this can give you a framework to work with.Be open, candid and let your artistic talent run wild w\u002F imagination and creativity. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F98-2\u002F)[ 219 219 Surya Bonaly in acrobatic sequence 219I would like to see a photograph of Soryah Bonally, the Afrikan acrobatic Ice Skater from France, in a fluid motion of her acrobatics on ice up-side down right side up twisting landing all in sequence in the photograph.As the movements take place have her in different outfits beginning with the colors Red, Black and Green over and over in each position. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002Fa-photo-of-surya-bonaly\u002F)[ 147 147 me carrying my aunt through a field of flowers 147This is a picture of me and my aunt. Can you draw a picture of me carrying her through a field of flowers? Can you draw her wearing a white dress with “R.I.P” somewhere on the picture so that the white dress is not confused for a wedding dress? Your more the appreciated, Thank you.You can throw the picture of me in the trash when your done but please send the picture of my aunt back to me. And I suggest that you keep from using words like “solitary watch” on the envelope because words like that usually don't make it in or out of prison. Thank you. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F147-2\u002F)[ 14 14 vigil to The Bald Knob Cross to pray for my deliverance from Tamms and for my parole 14“The Bald Knob Cross” in the Southern area of Illinois with someone of the Christian faith going there praying for me with the Grand Cross in the picture, praying that I am released from Tamms and that I make parole. I’ve been locked up 36 long years, and time in Tamms is hindering my chances of making parole! I am asking for corporeal intercessory prayers for my release from Tamms being initiated by this person and that Bald Knob Cross and the chain will cause my family and others to go there too.Be sure to kindly include the “Bald Knob Cross” in the picture and to pray for my release from Tamms and to make parole. My family and church will also finish linking the chain of this event to symbolically start praying me out of Tamms. Please join in too! \\[note on the back\\] Persistently offering prayers combined with solemn earnest efforts and devoted work does change things. God plus Tamms Year Ten is a dynamic team. Thank you! ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F14-2\u002F)[ 28 28 the Mexican flag at sunrise in the Zocalo in Mexico City 28I would like a picture of the Mexican flag at sunrise, at the Zocalo, in the capitol of Mexico City; while the sun is rising and it hits the Mexican flag un-furled, with the Zocalo in the foreground.Yes, please let it be the best color picture of the Mexican flag flying with the Zocalo glowing at sunrise. Thank you for this. Sergio ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F28-2\u002F)[ 192 192 photo collage of pyramids from all over the world 192If possible I would like a Photo Collage with Pyramids from all over the world including but not Limited to the Mayan, Egyptian, Sumerian, Babylonia Pyramid with the Center of the Photograph being the all seeing eye in the Center with the Phrase “To Dream is to be free” underneath it.Be Creative, when it comes to your Imagination Release your inhibitions, experience mental freedom!! and Thank you for this opportunity!!!!!! ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F192-2\u002F)[ 119 119 Long Beach, CA, with skyline, fishing piers, Queen Mary, and maybe myself 119A scenery of a view from Long Beach, Cal. With the “Queen Mary” ship, some fishing piers and a downtown skyline. I am from Long Beach, Cal & miss my city. Include my picture if possible (photo enclosed) Thank you!To try to use actual views from the city if possible ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F119-2\u002F)[ 186 186 Almighty God standing over ancient sites destroyed by Isis in Syria 186May I please have a picture of ALMIGHTY GOD. Not the prophets or my Lord JESUS CHRIST or prophet Muhammad OK? Thank you very much. I would like to see THE ALMIGHTY standing in Syria where ISIS forces destoryed that anciet collsium. And the Goddess ISIS crying. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F186-2\u002F)[ 202 202 fall scene with sunflowers and all the colors of fall 202A fall scene, with leaves on the ground, maybe a winding road or wooden fence (brown) with all the colors of fall involved. If sunflowers are possible that would be better.visual sun-rays if possible ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F202-2\u002F)[ 157 157 countryside with the simple things we take for granted 157Photo or Picture of “countryside, flowers & trees” The Simple Things We take for granted: The countryside, flowers & trees, sunshine, fresh-air & a cool breeze... Soaking in a hot tub or bubble bath, while the kids play, hearing them laugh... Being there for family & friends, extending love that never ends... The freedom to take a walk or go for a drive, appreciating being alive!!! ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F157-2\u002F)[ 25 25 Genesse Street in downtown Waukegan, IL 25I would like a picture of downtown Waukegan, IL located in Lake County, IL. Best place to photograph would be Genesse St. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F25-2\u002F)[ 52 52 fallen autumn leaves 52Dear Band of Brothers: My photo request is simple, yet, very poignant for me. I’d very much appreciate any photos of fallen autumn leaves. I have no particular preference of area or location; just any scene focusing on the beauty of autumn leaves, (which, as you know, we do not have access to in the concrete box that is deemed as “yard” here.)Thank you for “shedding your blood” with me, and proving your “manhood” is not cheap. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F52-2\u002F)[ 197 197 3 females in 80s attire in the hood 1973 females in 80s attire, in the hood!Take the photo on the stoop of a brownstone, if possible? ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F197-2\u002F)[ 183 183 street scene with children, teens, old men, and a woman with long dreads 183A woman with long dreads down her back out in the street, playing with a little boy and girl with two old men playing chess at a branch. On a mid day when the sun is going down and the sky is reddish. A few trees around with young teenagers who are on they phones, and red bandanna on they arms and back pocket. Make it look like it is a place in Time Square Manhattan ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F183-2\u002F)[ 34 34 Aztec Sun-Stone calendar from Mexico’s National Museum of Anthropology 34The Aztec Sun-Stone Calendar (stone of the fifth sun) its a basaltic disk abut 12 feet in diameter weighs about 24 metric tons its the center piece in Mexicos National Museum of AnthropologyNothing specific just a close up picture of this massive carving so I can try to see all the details of it. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F34-2\u002F)[ 193 193 the Statue of Liberty with broken handcuffs 193I would like the statue of liberty but, instead of the torch replace it with a handcuff key and a broken handcuff on that wristColor; Black & Red with Gold & Black crown. Above the statue in old english letters: “Black Liberty.” ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F193-2\u002F)[ 161 161 cliffside in Yosemite National Park, God’s wilderness 161I would absolutely love to see a photograph of Yosemite national park with the cliff side ‘the captain’ in it, for in Gods wilderness lies the hope of the world. Thank you so very much :)In its hues of pinks I think it is the most beautiful ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F161-2\u002F)[ 97 97 five-pointed star with a triangle and an all-seeing eye in the center 97A red 5-pointed star, with a triangle in the center of it, with an all seeing eye inside of it...I am from Chicago and know about Tamms... I am now doing a 2yr SHU, because my homophobic cellmate died in a cell fight... ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F97-2\u002F)[ 122 122 Lovers Point on the Monterey Peninsula as the sun is setting or rising 122“Lover’s point” as the sun is setting or rising.Lovers point is located in the Monterey Peninsula ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002Flovers-point-on-the-monterey-peninsula-as-the-sun-is-setting-or-rising\u002F)[ 43 43 trash can with two eyes peeking out rolling toward incinerator with caption: “I must be headed for bright future” 43At 66 yrs. of age I try to use a little humor: I want a picture of a trash can with the lid half off + on a 2 eyes peeking out of the half open lid as the trash can is rolling down the hill toward an incinerator with the caption: “I seem to be picking up speed I must be headed towards a bright future.”My federal number is: \\[redacted\\]. I was in Florence CO. so if you could get a picture of me in the Feds and in the state Max joints you could caption both: “From Max to Max and no end in sight.” ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F43-2\u002F)[ 190 190 Times Square with a tiger in a boxing ring 190Photographs of Time Square with the fork in middle. Drawing black & yellow tig …",true,1,"1",{"id":368,"height":13,"width":12,"blurhash":369},"d538afba-c4b5-4bc1-af72-8202cde73d3e","radial-gradient(at 0 0,#f9f9f9,#00000000 50%),radial-gradient(at 33% 0,#f7f7f7,#00000000 50%),radial-gradient(at 67% 0,#f7f7f7,#00000000 50%),radial-gradient(at 100% 0,#f5f5f5,#00000000 50%),radial-gradient(at 0 50%,#f2f2f2,#00000000 50%),radial-gradient(at 33% 50%,#f2f2f2,#00000000 50%),radial-gradient(at 67% 50%,#f2f2f2,#00000000 50%),radial-gradient(at 100% 50%,#f0f0f0,#00000000 50%),radial-gradient(at 0 100%,#f5f5f5,#00000000 50%),radial-gradient(at 33% 100%,#f2f2f2,#00000000 50%),radial-gradient(at 67% 100%,#f2f2f2,#00000000 50%),radial-gradient(at 100% 100%,#f2f2f2,#00000000 50%)",{"id":371,"height":15,"width":14,"blurhash":72},"02754a5f-eb6e-43ff-bf4e-80431c9aa215",[373,376,379,382,385,388,391,394,397,400,403,406,409,412,415,418,421,424,427,430,433,436,439,442,445,448,451,454,457,460],{"directus_files_id":374},{"id":375},"8d401766-ee5d-4906-9857-8acbfe897543",{"directus_files_id":377},{"id":378},"3b4be62f-fafe-43d9-b328-2048a96642dc",{"directus_files_id":380},{"id":381},"777c4e26-9934-4e23-88fb-1ab4e2cdd574",{"directus_files_id":383},{"id":384},"744d8701-595e-4142-b1ad-f971c64027e7",{"directus_files_id":386},{"id":387},"9e2d7624-a359-4614-9ff6-0ba7f409183d",{"directus_files_id":389},{"id":390},"5406b7c8-a6c8-405f-be6b-28b72fb2f0d9",{"directus_files_id":392},{"id":393},"926e0ce1-524f-4571-8669-3d480f083122",{"directus_files_id":395},{"id":396},"71054f99-e248-490c-8fe9-4ea3cd54c9c5",{"directus_files_id":398},{"id":399},"70827803-f827-42ca-b86e-37d785c5264e",{"directus_files_id":401},{"id":402},"84c923e5-d0d7-4e2e-9b25-11198d1ff60d",{"directus_files_id":404},{"id":405},"534e98cf-40d1-4aa8-b294-32c174414d81",{"directus_files_id":407},{"id":408},"d31dd57f-2ae5-4488-80ee-c9abea8f9c21",{"directus_files_id":410},{"id":411},"b33ba3ee-61c1-4a5a-999f-156209d2ed0a",{"directus_files_id":413},{"id":414},"5d840864-baba-4ad7-9036-52894cbaa426",{"directus_files_id":416},{"id":417},"180490d6-14cc-45f8-b07b-ebd248fd790e",{"directus_files_id":419},{"id":420},"799a3940-4bad-4aa3-af3f-d93d2455736b",{"directus_files_id":422},{"id":423},"4ee325df-69eb-4e01-9b11-943d28a353c1",{"directus_files_id":425},{"id":426},"4edb8708-5599-4f55-b635-97683a031721",{"directus_files_id":428},{"id":429},"83c1ac2d-92c3-4eaa-8bfc-d03f72d8ea22",{"directus_files_id":431},{"id":432},"3a396e89-efc2-438c-9fc8-60cf3f45f5d2",{"directus_files_id":434},{"id":435},"f31f1927-3632-416f-88c8-478cc0528ea5",{"directus_files_id":437},{"id":438},"43c2cb09-1f55-4ae7-8e4e-c8ff5cc179b3",{"directus_files_id":440},{"id":441},"91841519-b7c8-4408-a0c7-d8bc191f338a",{"directus_files_id":443},{"id":444},"5daf3e20-6cf7-4a00-9f34-c0e682dcf23c",{"directus_files_id":446},{"id":447},"d552c2bc-ecad-47f1-b1a1-d86f6c26516d",{"directus_files_id":449},{"id":450},"a090d5d3-306f-488e-b186-61c5176ec187",{"directus_files_id":452},{"id":453},"8657e5c1-a538-46ba-95b9-8d63454e014a",{"directus_files_id":455},{"id":456},"dd960aca-eb9d-46d2-8b00-f8130e42956b",{"directus_files_id":458},{"id":459},"b240deb7-d585-4c5b-87c8-b5041e148033",{"directus_files_id":461},{"id":462},"58b5c050-4200-4a82-8497-82a9c6026da9",[464],{"languages_code":465,"description":466},"en","Photo Requests from Solitary is a poignant digital archive and social project designed to bridge the sensory gap between incarcerated individuals in solitary confinement and the outside world. The platform serves as a repository for specific, evocative visual requests—ranging from landscapes to intimate portraits—that people in isolation long to see. It functions as both an art installation and a humanitarian tool, facilitating a unique form of connection through the power of imagery.\n\nThe visual identity is stark, intentional, and deeply impactful, utilizing a strict grid-based layout that mirrors the structured, confined nature of its subject matter. By employing a high-contrast, monochrome aesthetic and heavy typographic elements, the design strips away distraction to focus entirely on the raw, human yearning expressed in the text. The minimalist, bento-style organization creates a sense of cataloging individual souls and their specific desires, making the profound weight of each request feel immediate and undeniable.","Non-Profit & Charity",[262,469,29,470,33],"Brutalist \u002F Neo-Brutalist","Monochrome \u002F Grayscale",[],[301],[474,265,475,476,266,477,267],"Flickity","jQuery UI","Kinsta","Twitter",[479,480,481,482],{"score":359,"category":106},{"score":113,"category":109},{"score":113,"category":112},{"score":205,"category":115},[484,485,486,488],{"score":165,"category":106},{"score":113,"category":109},{"score":487,"category":112},96,{"score":205,"category":115},[133,125,129],"Website: Photo requests from solitary. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Photo Requests from Solitary. Page description: What would someone in solitary confinement want to see?. Page content: [ 169 169 person deprived by solitary of sight, sound, and speech 169Attached is a brief description of a typical person s\u002Fhe in solitary confinement with they senses snatched away from them by the vicious oppressors. In my image I put a person behind prison walls with all of the limbs but the or faces of the face are gone (ears, eyes, mouth) cuz we can’t see, talk, or hear from our love ones causing division driving the ppl involved to insanity in the mind while the body remains in tact just like the terrible disease while your support team keeps their senses but fails to use them!Bring pain from my heart to your paint brush. Help me bleed on your portrait so ppl can recognize mass incarceration for what it really is i.e. profit for the oppressors ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F169-2\u002F)[ 174 174 ship of change tossing us lifesavers 174A huge ship in the ocean with lifesavers being tossed from the ship into the ocean that has people in it looking like they’re about to drown but is being saved. On the side of the ship I would love the name MAJOR CHANGEPlease make it as real as you can & thank you so much. I have 20 years in the hold & I’m only 44 ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F174-2\u002F)[ 17 17 old friend of mine looking pretty 17I would like to request a up to date photograph of a old friend of mine who use to be a member of the Tamms Year Ten by the name of Laurie Jo Reynolds.Just make her look pretty. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F17-2\u002F)[ 206 206 nice looking young lady with phat ass and pretty eyes 206A nice looking young lady wit banging body and some tights, shorts, showing that phat ass but able to see her face and pretty eyes at the same time, she can be black or spanish or white it all cool wit me. Also I’m trying to promote my two book I wrote. Log on www.prisonfoundation.org Make sure she showing the backshot but at same time showing face. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F206\u002F)[ 42 42 first lady Michelle Obama planting vegetables in the White House garden 42I would like to receive a photo of the first lady Michelle Obama planting vegetables in the White house garden. Thank you all very much for all the Love and support y’all have given me over the years. My God continue blessing y’all wonderful and caring hearts.Her standing around directing the children. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002Ffirst-lady-michelle-obama-planting-vegetables-in-the-white-house-garden\u002F)[ 98 98 world of opportunities on the outside, and a clock with no hands for the years in prison 98I would like to incorporate in my photo family, my marriage on a beach w\u002F sand when I get out, a clock w\u002F no hands for the years in here. A shattered heart, education (maybe a pile\u002Fstack of books). Or a person looking at a bookshelf full of books and on each spine something I want to do when I get out, a world of endless opportunities when given a chance. Hope this can give you a framework to work with.Be open, candid and let your artistic talent run wild w\u002F imagination and creativity. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F98-2\u002F)[ 219 219 Surya Bonaly in acrobatic sequence 219I would like to see a photograph of Soryah Bonally, the Afrikan acrobatic Ice Skater from France, in a fluid motion of her acrobatics on ice up-side down right side up twisting landing all in sequence in the photograph.As the movements take place have her in different outfits beginning with the colors Red, Black and Green over and over in each position. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002Fa-photo-of-surya-bonaly\u002F)[ 147 147 me carrying my aunt through a field of flowers 147This is a picture of me and my aunt. Can you draw a picture of me carrying her through a field of flowers? Can you draw her wearing a white dress with “R.I.P” somewhere on the picture so that the white dress is not confused for a wedding dress? Your more the appreciated, Thank you.You can throw the picture of me in the trash when your done but please send the picture of my aunt back to me. And I suggest that you keep from using words like “solitary watch” on the envelope because words like that usually don't make it in or out of prison. Thank you. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F147-2\u002F)[ 14 14 vigil to The Bald Knob Cross to pray for my deliverance from Tamms and for my parole 14“The Bald Knob Cross” in the Southern area of Illinois with someone of the Christian faith going there praying for me with the Grand Cross in the picture, praying that I am released from Tamms and that I make parole. I’ve been locked up 36 long years, and time in Tamms is hindering my chances of making parole! I am asking for corporeal intercessory prayers for my release from Tamms being initiated by this person and that Bald Knob Cross and the chain will cause my family and others to go there too.Be sure to kindly include the “Bald Knob Cross” in the picture and to pray for my release from Tamms and to make parole. My family and church will also finish linking the chain of this event to symbolically start praying me out of Tamms. Please join in too! \\[note on the back\\] Persistently offering prayers combined with solemn earnest efforts and devoted work does change things. God plus Tamms Year Ten is a dynamic team. Thank you! ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F14-2\u002F)[ 28 28 the Mexican flag at sunrise in the Zocalo in Mexico City 28I would like a picture of the Mexican flag at sunrise, at the Zocalo, in the capitol of Mexico City; while the sun is rising and it hits the Mexican flag un-furled, with the Zocalo in the foreground.Yes, please let it be the best color picture of the Mexican flag flying with the Zocalo glowing at sunrise. Thank you for this. Sergio ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F28-2\u002F)[ 192 192 photo collage of pyramids from all over the world 192If possible I would like a Photo Collage with Pyramids from all over the world including but not Limited to the Mayan, Egyptian, Sumerian, Babylonia Pyramid with the Center of the Photograph being the all seeing eye in the Center with the Phrase “To Dream is to be free” underneath it.Be Creative, when it comes to your Imagination Release your inhibitions, experience mental freedom!! and Thank you for this opportunity!!!!!! ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F192-2\u002F)[ 119 119 Long Beach, CA, with skyline, fishing piers, Queen Mary, and maybe myself 119A scenery of a view from Long Beach, Cal. With the “Queen Mary” ship, some fishing piers and a downtown skyline. I am from Long Beach, Cal & miss my city. Include my picture if possible (photo enclosed) Thank you!To try to use actual views from the city if possible ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F119-2\u002F)[ 186 186 Almighty God standing over ancient sites destroyed by Isis in Syria 186May I please have a picture of ALMIGHTY GOD. Not the prophets or my Lord JESUS CHRIST or prophet Muhammad OK? Thank you very much. I would like to see THE ALMIGHTY standing in Syria where ISIS forces destoryed that anciet collsium. And the Goddess ISIS crying. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F186-2\u002F)[ 202 202 fall scene with sunflowers and all the colors of fall 202A fall scene, with leaves on the ground, maybe a winding road or wooden fence (brown) with all the colors of fall involved. If sunflowers are possible that would be better.visual sun-rays if possible ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F202-2\u002F)[ 157 157 countryside with the simple things we take for granted 157Photo or Picture of “countryside, flowers & trees” The Simple Things We take for granted: The countryside, flowers & trees, sunshine, fresh-air & a cool breeze... Soaking in a hot tub or bubble bath, while the kids play, hearing them laugh... Being there for family & friends, extending love that never ends... The freedom to take a walk or go for a drive, appreciating being alive!!! ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F157-2\u002F)[ 25 25 Genesse Street in downtown Waukegan, IL 25I would like a picture of downtown Waukegan, IL located in Lake County, IL. Best place to photograph would be Genesse St. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F25-2\u002F)[ 52 52 fallen autumn leaves 52Dear Band of Brothers: My photo request is simple, yet, very poignant for me. I’d very much appreciate any photos of fallen autumn leaves. I have no particular preference of area or location; just any scene focusing on the beauty of autumn leaves, (which, as you know, we do not have access to in the concrete box that is deemed as “yard” here.)Thank you for “shedding your blood” with me, and proving your “manhood” is not cheap. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F52-2\u002F)[ 197 197 3 females in 80s attire in the hood 1973 females in 80s attire, in the hood!Take the photo on the stoop of a brownstone, if possible? ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F197-2\u002F)[ 183 183 street scene with children, teens, old men, and a woman with long dreads 183A woman with long dreads down her back out in the street, playing with a little boy and girl with two old men playing chess at a branch. On a mid day when the sun is going down and the sky is reddish. A few trees around with young teenagers who are on they phones, and red bandanna on they arms and back pocket. Make it look like it is a place in Time Square Manhattan ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F183-2\u002F)[ 34 34 Aztec Sun-Stone calendar from Mexico’s National Museum of Anthropology 34The Aztec Sun-Stone Calendar (stone of the fifth sun) its a basaltic disk abut 12 feet in diameter weighs about 24 metric tons its the center piece in Mexicos National Museum of AnthropologyNothing specific just a close up picture of this massive carving so I can try to see all the details of it. ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F34-2\u002F)[ 193 193 the Statue of Liberty with broken handcuffs 193I would like the statue of liberty but, instead of the torch replace it with a handcuff key and a broken handcuff on that wristColor; Black & Red with Gold & Black crown. Above the statue in old english letters: “Black Liberty.” ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F193-2\u002F)[ 161 161 cliffside in Yosemite National Park, God’s wilderness 161I would absolutely love to see a photograph of Yosemite national park with the cliff side ‘the captain’ in it, for in Gods wilderness lies the hope of the world. Thank you so very much :)In its hues of pinks I think it is the most beautiful ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F161-2\u002F)[ 97 97 five-pointed star with a triangle and an all-seeing eye in the center 97A red 5-pointed star, with a triangle in the center of it, with an all seeing eye inside of it...I am from Chicago and know about Tamms... I am now doing a 2yr SHU, because my homophobic cellmate died in a cell fight... ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F97-2\u002F)[ 122 122 Lovers Point on the Monterey Peninsula as the sun is setting or rising 122“Lover’s point” as the sun is setting or rising.Lovers point is located in the Monterey Peninsula ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002Flovers-point-on-the-monterey-peninsula-as-the-sun-is-setting-or-rising\u002F)[ 43 43 trash can with two eyes peeking out rolling toward incinerator with caption: “I must be headed for bright future” 43At 66 yrs. of age I try to use a little humor: I want a picture of a trash can with the lid half off + on a 2 eyes peeking out of the half open lid as the trash can is rolling down the hill toward an incinerator with the caption: “I seem to be picking up speed I must be headed towards a bright future.”My federal number is: \\[redacted\\]. I was in Florence CO. so if you could get a picture of me in the Feds and in the state Max joints you could caption both: “From Max to Max and no end in sight.” ](https:\u002F\u002Fphotorequestsfromsolitary.org\u002F43-2\u002F)[ 190 190 Times Square with a tiger in a boxing ring 190Photographs of Time Square with the fork in middle. Drawing black & yellow tig …. A Bento Grid, Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Non-Profit & Charity industry. The overall color palette features White, Black, Gray. The typography features Diatype (Sans Serif, Dinamo). Built using Flickity, jQuery, jQuery UI, Kinsta, PHP, Twitter, WordPress. AI description: Photo Requests from Solitary is a poignant digital archive and social project designed to bridge the sensory gap between incarcerated individuals in solitary confinement and the outside world. The platform serves as a repository for specific, evocative visual requests—ranging from landscapes to intimate portraits—that people in isolation long to see. It functions as both an art installation and a humanitarian tool, facilitating a unique form of connection through the power of imagery. The visual identity is stark, intentional, and deeply impactful, utilizing a strict grid-based layout that mirrors the structured, confined nature of its subject matter. By employing a high-contrast, monochrome aesthetic and heavy typographic elements, the design strips away distraction to focus entirely on the raw, human yearning expressed in the text. The minimalist, bento-style organization creates a sense of cataloging individual souls and their specific desires, making the profound weight of each request feel immediate and undeniable.",{"id":492,"website_id":493,"page_id":492,"name":494,"slug":495,"url":496,"website_name":494,"website_slug":495,"website_url":497,"result_url":496,"fetched_at":498,"score":499,"score_boost":357,"ai_score":219,"freshness_score":359,"scored_at":500,"page_name":44,"page_url":496,"page_title":501,"page_description":502,"page_content":503,"page_sort":357,"is_home":364,"is_home_rank":365,"page_type_id":366,"page_type_name":51,"cover":504,"cover_mobile":507,"cover_sequence":509,"translations":600,"industry":603,"styles":604,"credits":605,"font_families":607,"technologies":608,"pagespeed":609,"pagespeed_mobile":613,"buckets":617,"search_payload":619},"6558d6c3-d1b1-4bb5-9236-c55fd4705236","f64e5d8e-6242-4d04-9a51-b2c682166e11","Prettybird","prettybird","https:\u002F\u002Fprettybird.co\u002F","https:\u002F\u002Fprettybird.co","2026-05-04T07:48:57.000Z",86,"2026-05-23T19:26:26.000Z","PRETTYBIRD","Prettybird is a creative think tank that provides clients with distinct visionary work across the ever-evolving entertainment landscape.","PRETTYBIRD Prettybird is a creative think tank that provides clients with distinct visionary work across the ever-evolving entertainment landscape. Regions Americas Europe Company - News - About - Team - Info Projects - Brand Content - Music Content - Live & Experiential Follow - Instagram - Twitter Partners - Ventureland - Division Global - Dela Revoluciøn Creators Artistic Intelligence Brand ContentMusic VideoFor Your Consideration Company - News - About - Team - Info Projects - Brand Content - Music Content - Live & Experiential Follow - Instagram - Twitter Partners - Ventureland - Division Global - Dela Revoluciøn [ J.B. Braud](\u002Fus\u002Ftalent\u002Fcreators\u002Fj-b-braud\u002Ffor-your-consideration\u002F) [ Susanna Fogel](\u002Fus\u002Ftalent\u002Fcreators\u002Fsusanna-fogel\u002Ffor-your-consideration\u002F) [ Garrett Bradley](\u002Fus\u002Ftalent\u002Fcreators\u002Fgarrett-bradley\u002Ffor-your-consideration\u002F) [ Lee Sung Jin](\u002Fus\u002Ftalent\u002Fcreators\u002Flee-sung-jin\u002Ffor-your-consideration\u002F) [ Alex Buono](\u002Fus\u002Ftalent\u002Fcreators\u002Falex-buono\u002Fbrand-content\u002F) [ Bryce Dallas Howard](\u002Fus\u002Ftalent\u002Fcreators\u002Fbryce-dallas-howard\u002Ffor-your-consideration\u002F) [ Miranda July](\u002Fus\u002Ftalent\u002Fcreators\u002Fmiranda-july\u002Ffor-your-consideration\u002F) [ Calmatic ](\u002Fus\u002Ftalent\u002Fcreators\u002Fcalmatic\u002Fbrand-content\u002F) [ C2\\_01193\\_R Sylvester Stallone stars as Rocky Balboa and Michael B. Jordan as Adonis Creed and in CREED II, a Metro Goldwyn Mayer Pictures and Warner Bros. Pictures film. Credit: Barry Wetcher \u002F Metro Goldwyn Mayer Pictures \u002F Warner Bros. Pictures © 2018 Metro-Goldwyn-Mayer Pictures Inc. and Warner Bros. Entertainment Inc. All Rights Reserved. Steven Caple Jr.](\u002Fus\u002Ftalent\u002Fcreators\u002Fsteven-caple-jr\u002Ffor-your-consideration\u002F) [ Hebru Brantley ](\u002Fus\u002Ftalent\u002Fcreators\u002Fhebru-brantley\u002Ffor-your-consideration\u002F) [ Lucrecia](\u002Fus\u002Ftalent\u002Fcreators\u002Flucrecia\u002Fbrand-content\u002F) [ Rami Hachache](\u002Fus\u002Ftalent\u002Fcreators\u002Frami-hachache\u002Fbrand-content\u002F) [ Michael Showalter](\u002Fus\u002Ftalent\u002Fcreators\u002Fmichael-showalter\u002Ffor-your-consideration\u002F) [ Tim & Eric ](\u002Fus\u002Ftalent\u002Fcreators\u002Ftim-eric\u002Fbrand-content\u002F) [ Andrew Renzi](\u002Fus\u002Ftalent\u002Fcreators\u002Fandrew-renzi\u002Ffor-your-consideration\u002F) [ Bradley & Pablo ](\u002Fus\u002Ftalent\u002Fcreators\u002Fbradley-pablo\u002Fbrand-content\u002F) [ A.V. Rockwell](\u002Fus\u002Ftalent\u002Fcreators\u002Fa-v-rockwell\u002Fbrand-content\u002F) [ Paul Hunter ](\u002Fus\u002Ftalent\u002Fcreators\u002Fpaul-hunter\u002Fbrand-content\u002F) [ Omar Jones](\u002Fus\u002Ftalent\u002Fcreators\u002Fomar-jones\u002Fbrand-content\u002F) [ Brian McGinn](\u002Fus\u002Ftalent\u002Fcreators\u002Fbrian-mcginn\u002Ffor-your-consideration\u002F) [ Janicza Bravo ](\u002Fus\u002Ftalent\u002Fcreators\u002Fjanicza-bravo\u002Fbrand-content\u002F) [ Daniels ](\u002Fus\u002Ftalent\u002Fcreators\u002Fdaniels\u002Fbrand-content\u002F) [ Joy Kilpatrick](\u002Fus\u002Ftalent\u002Fcreators\u002Fjoy-kilpatrick\u002Fbrand-content\u002F) [ Salomon Ligthelm](\u002Fus\u002Ftalent\u002Fcreators\u002Fsalomon-ligthelm\u002Fbrand-content\u002F) [ Rayka Zehtabchi](\u002Fus\u002Ftalent\u002Fcreators\u002Frayka-zehtabchi\u002Fbrand-content\u002F) [ Ian Schwartz](\u002Fus\u002Ftalent\u002Fcreators\u002Fian_schwartz\u002Fbrand-content\u002F) [ Yousef](\u002Fus\u002Ftalent\u002Fcreators\u002Fyousef\u002Fbrand-content\u002F) [ Nono Ayuso](\u002Fus\u002Ftalent\u002Fcreators\u002Fnono-ayuso\u002Fbrand-content\u002F) [ Loris Russier](\u002Fus\u002Ftalent\u002Fcreators\u002Floris-russier\u002Fbrand-content\u002F) [ Kirsten Lepore](\u002Fus\u002Ftalent\u002Fcreators\u002Fkirsten-lepore\u002Fbrand-content\u002F) [ Nick Knight](\u002Fus\u002Ftalent\u002Fcreators\u002Fnick-knight\u002Ffor-your-consideration\u002F) [ Megan Park](\u002Fus\u002Ftalent\u002Fcreators\u002Fmegan-park\u002Ffor-your-consideration\u002F) [ Carrie Brownstein](\u002Fus\u002Ftalent\u002Fcreators\u002Fcarrie-brownstein\u002Ffor-your-consideration\u002F) [ Max Malkin](\u002Fus\u002Ftalent\u002Fcreators\u002Fmax-malkin\u002Fbrand-content\u002F) [ Show Yanagisawa ](\u002Fus\u002Ftalent\u002Fcreators\u002Fshow-yanagisawa\u002Fbrand-content\u002F) [ Lauren Dunn](\u002Fus\u002Ftalent\u002Fcreators\u002Flauren-dunn\u002Fmusic-video\u002F) [ Eli Russell Linnetz](\u002Fus\u002Ftalent\u002Fcreators\u002Feli-russell-linnetz\u002Ffor-your-consideration\u002F) [ Matt Piedmont](\u002Fus\u002Ftalent\u002Fcreators\u002Fmatt-piedmont\u002Fbrand-content\u002F) [ Baloji](\u002Fus\u002Ftalent\u002Fcreators\u002Fbaloji\u002Ffor-your-consideration\u002F) [ Mikey Alfred](\u002Fus\u002Ftalent\u002Fcreators\u002Fmikey-alfred\u002Ffor-your-consideration\u002F) [ Nicholas Hatton](\u002Fus\u002Ftalent\u002Fcreators\u002Fnicholas-hatton\u002Ffor-your-consideration\u002F) [ Justin Chon](\u002Fus\u002Ftalent\u002Fcreators\u002Fjustin-chon\u002Ffor-your-consideration\u002F) [ Goh Iromoto](\u002Fus\u002Ftalent\u002Fcreators\u002Fgoh-iromoto\u002Fbrand-content\u002F) [ Bradley J Calder](\u002Fus\u002Ftalent\u002Fcreators\u002Fbradley-j-calder\u002Fmusic-video\u002F) [ THE COLES](\u002Fus\u002Ftalent\u002Fcreators\u002Fthe-coles-2\u002Fbrand-content\u002F) [ Tom Noakes ](\u002Fus\u002Ftalent\u002Fcreators\u002Ftom-noakes\u002Fbrand-content\u002F) [ Sophie Muller](\u002Fus\u002Ftalent\u002Fcreators\u002Fsophie-muller\u002Fmusic-video\u002F) [ Kitao Sakurai](\u002Fus\u002Ftalent\u002Fcreators\u002Fkitao-sakurai\u002Fbrand-content\u002F) [ Lacey Duke](\u002Fus\u002Ftalent\u002Fcreators\u002Flacey-duke\u002Fmusic-video\u002F) [ Nisha Ganatra](\u002Fus\u002Ftalent\u002Fcreators\u002Fnisha-ganatra\u002Ffor-your-consideration\u002F) Explore [ Paul Hunter Mazda 5 Sides of the CX-5 ](\u002Fus\u002Ffeatured\u002Fmazda-5-sides-of-the-cx-5\u002F) [ ‘I Am Legend 2’ Has Officially Found Its Director \\[Exclusive\\] Collider ](\u002Fnews\u002Fp\u002Fi-am-legend-2-has-officially-found-its-director-exclusive-collider\u002F) [ Eric Wareheim Novartis Relax your tight end. ](\u002Fus\u002Ffeatured\u002Fnovartis-relax-your-tight-end-2\u002F) [ The Beef Creator Is Locked in a Cycle of Greatness Esquire ](\u002Fnews\u002Fp\u002Fthe-beef-creator-is-locked-in-a-cycle-of-greatness-esquire\u002F) [ Salomon Ligthelm He Gets Us More ](\u002Fus\u002Ffeatured\u002Fhe-gets-us-more-2-2\u002F) [ Man on Fire Is Bringing the Heat This Summer Netflix ](\u002Fnews\u002Fp\u002Fman-on-fire-is-bringing-the-heat-to-netflix-in-april\u002F) [ Tim & Eric Bosch Just a Guy ](\u002Fus\u002Ffeatured\u002Fbosch-just-a-guy-2\u002F) [ ‘Street Fighter’ Movie Trailer Brings the Pain (and the Camp) The Hollywood Reporter ](\u002Fnews\u002Fp\u002Fstreet-fighter-movie-trailer-brings-the-pain-and-the-camp\u002F) [ Janicza Bravo Jordan Brand All or Everything ](\u002Fus\u002Ffeatured\u002Fjordan-brand-all-oe-everything\u002F) [ Connor Storrie Stars in Short Film That (Spoiler Alert!) Features His Butt in a Prominent Plot Twist Verizon ](\u002Fnews\u002Fp\u002Fconnor-storri …",{"id":505,"height":13,"width":12,"blurhash":506},"6a36c888-ec42-4070-bf20-6de3cf62559a","radial-gradient(at 0 0,#54504e,#00000000 50%),radial-gradient(at 33% 0,#2d2329,#00000000 50%),radial-gradient(at 67% 0,#1e0a11,#00000000 50%),radial-gradient(at 100% 0,#2d2223,#00000000 50%),radial-gradient(at 0 50%,#1b2018,#00000000 50%),radial-gradient(at 33% 50%,#2b332a,#00000000 50%),radial-gradient(at 67% 50%,#000000,#00000000 50%),radial-gradient(at 100% 50%,#3c3532,#00000000 50%),radial-gradient(at 0 100%,#2f302e,#00000000 50%),radial-gradient(at 33% 100%,#494a45,#00000000 50%),radial-gradient(at 67% 100%,#3c3833,#00000000 50%),radial-gradient(at 100% 100%,#4c403c,#00000000 50%)",{"id":508,"height":15,"width":14,"blurhash":72},"a463b399-c66d-431f-a139-86dd6509056f",[510,513,516,519,522,525,528,531,534,537,540,543,546,549,552,555,558,561,564,567,570,573,576,579,582,585,588,591,594,597],{"directus_files_id":511},{"id":512},"6bb787e5-36ae-402d-b2d7-1409b5b24cce",{"directus_files_id":514},{"id":515},"ae0f6866-43bf-48a2-9e5f-6a7803304cc4",{"directus_files_id":517},{"id":518},"bc3488d4-9d34-4294-a3a2-50f1b7db26a2",{"directus_files_id":520},{"id":521},"1ba3310b-4574-449a-b139-acec17dbe50e",{"directus_files_id":523},{"id":524},"6f1981a3-1f0f-4c5b-8d85-c0f1a73447f1",{"directus_files_id":526},{"id":527},"bd118742-735e-40ec-8365-509b4de9170d",{"directus_files_id":529},{"id":530},"10229d8b-9883-4233-8be2-a4b7e476a888",{"directus_files_id":532},{"id":533},"cc298b23-451c-4c13-9338-ffbab0aa34bf",{"directus_files_id":535},{"id":536},"b5894422-e04c-4701-9824-e6ff616f0fe1",{"directus_files_id":538},{"id":539},"f739113d-dba1-4383-8110-278b7c15942a",{"directus_files_id":541},{"id":542},"953de02b-c2ab-4d99-aa84-bb4c032bfa71",{"directus_files_id":544},{"id":545},"79b4cd8e-3618-4693-a391-7645ca895e29",{"directus_files_id":547},{"id":548},"70eeda99-931f-4559-be04-6446b796a672",{"directus_files_id":550},{"id":551},"b0f8911b-e2b7-45f9-b2c2-5aa7a9a14507",{"directus_files_id":553},{"id":554},"d68beb04-03d0-44fa-9c58-db1ca7e90986",{"directus_files_id":556},{"id":557},"15ffab32-efc2-4aa2-a905-d0ddce6952a5",{"directus_files_id":559},{"id":560},"721f0de3-8275-4d25-983c-873af50ac991",{"directus_files_id":562},{"id":563},"1b92a33a-64ff-479b-9ba1-3f209e13a30c",{"directus_files_id":565},{"id":566},"afe5cf11-6a9b-4f1d-b1ef-af172386e4ad",{"directus_files_id":568},{"id":569},"2150d712-5111-46f3-ac00-536b2a84c8c9",{"directus_files_id":571},{"id":572},"30ed36ef-1398-4699-88b9-e1b222027525",{"directus_files_id":574},{"id":575},"81d728f0-ad0f-4f3e-b344-8b6b481fd629",{"directus_files_id":577},{"id":578},"88c36491-b751-4502-be0d-3321ca4d9b16",{"directus_files_id":580},{"id":581},"b54fdd58-1482-4712-ba03-dc0be0e42ad2",{"directus_files_id":583},{"id":584},"ba2d7502-8fd3-4a1d-bfb1-94aa3cfa7e89",{"directus_files_id":586},{"id":587},"561a5333-15b3-4479-a165-2da04ed04879",{"directus_files_id":589},{"id":590},"5f9bb397-4c2d-4ff0-a57f-90b144b13904",{"directus_files_id":592},{"id":593},"16315ab8-718c-4f49-a17c-ad6451fc7e74",{"directus_files_id":595},{"id":596},"ffd13ae4-4aae-47b2-88b1-bc9fd92981ed",{"directus_files_id":598},{"id":599},"bb3430a5-94c3-4c75-940a-17aa2c007d1b",[601],{"languages_code":465,"description":602},"Prettybird is a high-octane creative think tank and production powerhouse operating at the intersection of entertainment and brand storytelling. The website serves as a cinematic portfolio, showcasing a diverse roster of visionary talent and high-production-value content that spans film, advertising, and digital media. Its purpose is to position the agency as a premier destination for brands seeking cutting-edge, culturally relevant visual narratives.\n\nThe visual identity is unapologetically bold and immersive, utilizing a sophisticated dark mode aesthetic that allows high-resolution, cinematic imagery to take center stage. The design employs a sprawling, non-traditional grid layout that mimics the feeling of a film reel or a curated gallery. With heavy emphasis on large-scale typography and a minimalist navigation structure, the site targets high-level creative directors and global brands, projecting an aura of avant-garde professionalism and artistic authority.","Entertainment & Media",[29,26,33],[606],"Funkhaus",[],[268,275,271],[610,611,612],{"score":218,"category":109},{"score":487,"category":112},{"score":113,"category":115},[614,615,616],{"score":218,"category":109},{"score":113,"category":112},{"score":113,"category":115},[125,618,133,129],"brown","Website: Prettybird. Page: Homepage. Page type: Home \u002F Landing Page. Page title: PRETTYBIRD. Page description: Prettybird is a creative think tank that provides clients with distinct visionary work across the ever-evolving entertainment landscape.. Page content: PRETTYBIRD Prettybird is a creative think tank that provides clients with distinct visionary work across the ever-evolving entertainment landscape. Regions Americas Europe Company - News - About - Team - Info Projects - Brand Content - Music Content - Live & Experiential Follow - Instagram - Twitter Partners - Ventureland - Division Global - Dela Revoluciøn Creators Artistic Intelligence Brand ContentMusic VideoFor Your Consideration Company - News - About - Team - Info Projects - Brand Content - Music Content - Live & Experiential Follow - Instagram - Twitter Partners - Ventureland - Division Global - Dela Revoluciøn [ J.B. Braud](\u002Fus\u002Ftalent\u002Fcreators\u002Fj-b-braud\u002Ffor-your-consideration\u002F) [ Susanna Fogel](\u002Fus\u002Ftalent\u002Fcreators\u002Fsusanna-fogel\u002Ffor-your-consideration\u002F) [ Garrett Bradley](\u002Fus\u002Ftalent\u002Fcreators\u002Fgarrett-bradley\u002Ffor-your-consideration\u002F) [ Lee Sung Jin](\u002Fus\u002Ftalent\u002Fcreators\u002Flee-sung-jin\u002Ffor-your-consideration\u002F) [ Alex Buono](\u002Fus\u002Ftalent\u002Fcreators\u002Falex-buono\u002Fbrand-content\u002F) [ Bryce Dallas Howard](\u002Fus\u002Ftalent\u002Fcreators\u002Fbryce-dallas-howard\u002Ffor-your-consideration\u002F) [ Miranda July](\u002Fus\u002Ftalent\u002Fcreators\u002Fmiranda-july\u002Ffor-your-consideration\u002F) [ Calmatic ](\u002Fus\u002Ftalent\u002Fcreators\u002Fcalmatic\u002Fbrand-content\u002F) [ C2\\_01193\\_R Sylvester Stallone stars as Rocky Balboa and Michael B. Jordan as Adonis Creed and in CREED II, a Metro Goldwyn Mayer Pictures and Warner Bros. Pictures film. Credit: Barry Wetcher \u002F Metro Goldwyn Mayer Pictures \u002F Warner Bros. Pictures © 2018 Metro-Goldwyn-Mayer Pictures Inc. and Warner Bros. Entertainment Inc. All Rights Reserved. Steven Caple Jr.](\u002Fus\u002Ftalent\u002Fcreators\u002Fsteven-caple-jr\u002Ffor-your-consideration\u002F) [ Hebru Brantley ](\u002Fus\u002Ftalent\u002Fcreators\u002Fhebru-brantley\u002Ffor-your-consideration\u002F) [ Lucrecia](\u002Fus\u002Ftalent\u002Fcreators\u002Flucrecia\u002Fbrand-content\u002F) [ Rami Hachache](\u002Fus\u002Ftalent\u002Fcreators\u002Frami-hachache\u002Fbrand-content\u002F) [ Michael Showalter](\u002Fus\u002Ftalent\u002Fcreators\u002Fmichael-showalter\u002Ffor-your-consideration\u002F) [ Tim & Eric ](\u002Fus\u002Ftalent\u002Fcreators\u002Ftim-eric\u002Fbrand-content\u002F) [ Andrew Renzi](\u002Fus\u002Ftalent\u002Fcreators\u002Fandrew-renzi\u002Ffor-your-consideration\u002F) [ Bradley & Pablo ](\u002Fus\u002Ftalent\u002Fcreators\u002Fbradley-pablo\u002Fbrand-content\u002F) [ A.V. Rockwell](\u002Fus\u002Ftalent\u002Fcreators\u002Fa-v-rockwell\u002Fbrand-content\u002F) [ Paul Hunter ](\u002Fus\u002Ftalent\u002Fcreators\u002Fpaul-hunter\u002Fbrand-content\u002F) [ Omar Jones](\u002Fus\u002Ftalent\u002Fcreators\u002Fomar-jones\u002Fbrand-content\u002F) [ Brian McGinn](\u002Fus\u002Ftalent\u002Fcreators\u002Fbrian-mcginn\u002Ffor-your-consideration\u002F) [ Janicza Bravo ](\u002Fus\u002Ftalent\u002Fcreators\u002Fjanicza-bravo\u002Fbrand-content\u002F) [ Daniels ](\u002Fus\u002Ftalent\u002Fcreators\u002Fdaniels\u002Fbrand-content\u002F) [ Joy Kilpatrick](\u002Fus\u002Ftalent\u002Fcreators\u002Fjoy-kilpatrick\u002Fbrand-content\u002F) [ Salomon Ligthelm](\u002Fus\u002Ftalent\u002Fcreators\u002Fsalomon-ligthelm\u002Fbrand-content\u002F) [ Rayka Zehtabchi](\u002Fus\u002Ftalent\u002Fcreators\u002Frayka-zehtabchi\u002Fbrand-content\u002F) [ Ian Schwartz](\u002Fus\u002Ftalent\u002Fcreators\u002Fian_schwartz\u002Fbrand-content\u002F) [ Yousef](\u002Fus\u002Ftalent\u002Fcreators\u002Fyousef\u002Fbrand-content\u002F) [ Nono Ayuso](\u002Fus\u002Ftalent\u002Fcreators\u002Fnono-ayuso\u002Fbrand-content\u002F) [ Loris Russier](\u002Fus\u002Ftalent\u002Fcreators\u002Floris-russier\u002Fbrand-content\u002F) [ Kirsten Lepore](\u002Fus\u002Ftalent\u002Fcreators\u002Fkirsten-lepore\u002Fbrand-content\u002F) [ Nick Knight](\u002Fus\u002Ftalent\u002Fcreators\u002Fnick-knight\u002Ffor-your-consideration\u002F) [ Megan Park](\u002Fus\u002Ftalent\u002Fcreators\u002Fmegan-park\u002Ffor-your-consideration\u002F) [ Carrie Brownstein](\u002Fus\u002Ftalent\u002Fcreators\u002Fcarrie-brownstein\u002Ffor-your-consideration\u002F) [ Max Malkin](\u002Fus\u002Ftalent\u002Fcreators\u002Fmax-malkin\u002Fbrand-content\u002F) [ Show Yanagisawa ](\u002Fus\u002Ftalent\u002Fcreators\u002Fshow-yanagisawa\u002Fbrand-content\u002F) [ Lauren Dunn](\u002Fus\u002Ftalent\u002Fcreators\u002Flauren-dunn\u002Fmusic-video\u002F) [ Eli Russell Linnetz](\u002Fus\u002Ftalent\u002Fcreators\u002Feli-russell-linnetz\u002Ffor-your-consideration\u002F) [ Matt Piedmont](\u002Fus\u002Ftalent\u002Fcreators\u002Fmatt-piedmont\u002Fbrand-content\u002F) [ Baloji](\u002Fus\u002Ftalent\u002Fcreators\u002Fbaloji\u002Ffor-your-consideration\u002F) [ Mikey Alfred](\u002Fus\u002Ftalent\u002Fcreators\u002Fmikey-alfred\u002Ffor-your-consideration\u002F) [ Nicholas Hatton](\u002Fus\u002Ftalent\u002Fcreators\u002Fnicholas-hatton\u002Ffor-your-consideration\u002F) [ Justin Chon](\u002Fus\u002Ftalent\u002Fcreators\u002Fjustin-chon\u002Ffor-your-consideration\u002F) [ Goh Iromoto](\u002Fus\u002Ftalent\u002Fcreators\u002Fgoh-iromoto\u002Fbrand-content\u002F) [ Bradley J Calder](\u002Fus\u002Ftalent\u002Fcreators\u002Fbradley-j-calder\u002Fmusic-video\u002F) [ THE COLES](\u002Fus\u002Ftalent\u002Fcreators\u002Fthe-coles-2\u002Fbrand-content\u002F) [ Tom Noakes ](\u002Fus\u002Ftalent\u002Fcreators\u002Ftom-noakes\u002Fbrand-content\u002F) [ Sophie Muller](\u002Fus\u002Ftalent\u002Fcreators\u002Fsophie-muller\u002Fmusic-video\u002F) [ Kitao Sakurai](\u002Fus\u002Ftalent\u002Fcreators\u002Fkitao-sakurai\u002Fbrand-content\u002F) [ Lacey Duke](\u002Fus\u002Ftalent\u002Fcreators\u002Flacey-duke\u002Fmusic-video\u002F) [ Nisha Ganatra](\u002Fus\u002Ftalent\u002Fcreators\u002Fnisha-ganatra\u002Ffor-your-consideration\u002F) Explore [ Paul Hunter Mazda 5 Sides of the CX-5 ](\u002Fus\u002Ffeatured\u002Fmazda-5-sides-of-the-cx-5\u002F) [ ‘I Am Legend 2’ Has Officially Found Its Director \\[Exclusive\\] Collider ](\u002Fnews\u002Fp\u002Fi-am-legend-2-has-officially-found-its-director-exclusive-collider\u002F) [ Eric Wareheim Novartis Relax your tight end. ](\u002Fus\u002Ffeatured\u002Fnovartis-relax-your-tight-end-2\u002F) [ The Beef Creator Is Locked in a Cycle of Greatness Esquire ](\u002Fnews\u002Fp\u002Fthe-beef-creator-is-locked-in-a-cycle-of-greatness-esquire\u002F) [ Salomon Ligthelm He Gets Us More ](\u002Fus\u002Ffeatured\u002Fhe-gets-us-more-2-2\u002F) [ Man on Fire Is Bringing the Heat This Summer Netflix ](\u002Fnews\u002Fp\u002Fman-on-fire-is-bringing-the-heat-to-netflix-in-april\u002F) [ Tim & Eric Bosch Just a Guy ](\u002Fus\u002Ffeatured\u002Fbosch-just-a-guy-2\u002F) [ ‘Street Fighter’ Movie Trailer Brings the Pain (and the Camp) The Hollywood Reporter ](\u002Fnews\u002Fp\u002Fstreet-fighter-movie-trailer-brings-the-pain-and-the-camp\u002F) [ Janicza Bravo Jordan Brand All or Everything ](\u002Fus\u002Ffeatured\u002Fjordan-brand-all-oe-everything\u002F) [ Connor Storrie Stars in Short Film That (Spoiler Alert!) Features His Butt in a Prominent Plot Twist Verizon ](\u002Fnews\u002Fp\u002Fconnor-storri …. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features Black, Brown, White, Gray. Built using Node.js, Nuxt.js, Vue.js. AI description: Prettybird is a high-octane creative think tank and production powerhouse operating at the intersection of entertainment and brand storytelling. The website serves as a cinematic portfolio, showcasing a diverse roster of visionary talent and high-production-value content that spans film, advertising, and digital media. Its purpose is to position the agency as a premier destination for brands seeking cutting-edge, culturally relevant visual narratives. The visual identity is unapologetically bold and immersive, utilizing a sophisticated dark mode aesthetic that allows high-resolution, cinematic imagery to take center stage. The design employs a sprawling, non-traditional grid layout that mimics the feeling of a film reel or a curated gallery. With heavy emphasis on large-scale typography and a minimalist navigation structure, the site targets high-level creative directors and global brands, projecting an aura of avant-garde professionalism and artistic authority.",{"id":621,"website_id":622,"page_id":621,"name":623,"slug":624,"url":625,"website_name":623,"website_slug":624,"website_url":626,"result_url":625,"fetched_at":627,"score":499,"score_boost":357,"ai_score":185,"freshness_score":628,"scored_at":629,"page_name":44,"page_url":625,"page_title":623,"page_description":72,"page_content":630,"page_sort":357,"is_home":364,"is_home_rank":365,"page_type_id":366,"page_type_name":51,"cover":631,"cover_mobile":634,"cover_sequence":636,"translations":727,"industry":730,"styles":731,"credits":732,"font_families":734,"technologies":735,"pagespeed":736,"pagespeed_mobile":742,"buckets":747,"search_payload":748},"0d62dd3a-7789-411f-8238-7592012054b8","d72625ec-8b40-4d33-83c2-2435d406015b","Simon Denny","simon-denny","https:\u002F\u002Fsimondenny.net\u002F","https:\u002F\u002Fsimondenny.net","2026-05-24T07:47:53.000Z",1779608873,"2026-05-24T07:49:31.000Z","Selected Projects - [ ### Monsters Between Worlds – Strange Rules: Protocol Art ](https:\u002F\u002Fsimondenny.net\u002Fstrange-rules-protocol-art\u002F) - [ ### Rules Based Order ](https:\u002F\u002Fsimondenny.net\u002Frules-based-order\u002F) - [ ### The Future ](https:\u002F\u002Fsimondenny.net\u002Fthe-future\u002F) - [ ### Forces of the Unknown ](https:\u002F\u002Fsimondenny.net\u002Fforces-of-the-unknown\u002F) - [ ### Worldglimpsing: Roleplay and the Design of Alternate Realities ](https:\u002F\u002Fsimondenny.net\u002Fworldglimpsing-roleplay-and-the-design-of-alternate-realities-exhibition\u002F) - [ ### Machine Paintings - JW Marriott Hotel Berlin, presented by Kraupa–Tuskany Zeidler - Michael Lett, Auckland, NZ - Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, AT - Berggruen Arts and Culture Palazzo Diedo, Venice, IT - Kraupa Tuskany Zeidler, Munich, DE 2025 – ongoing ](https:\u002F\u002Fsimondenny.net\u002Fmachine-paintings-main\u002F) - [ ### Less Stale Attachment ](https:\u002F\u002Fsimondenny.net\u002Fless-stale-attachment-2006-exhibition\u002F) - [ ### Dungeon - Petzel Gallery, New York, US - Petzel Gallery, New York, US - ArkDes, Stockholm, SE 2024 ](https:\u002F\u002Fsimondenny.net\u002Fdungeon-main\u002F) - [ ### Metaverse Landscapes - Kunstverein Hannover, Hannover, DE - HEK (House of Electronic Arts), Basel, CH - Frans Masereel Centrum, Kasterlee, BE - Art Basel - Antenna Space Shanghai, Shanghai, CN - Dunkunsthalle, New York, US - Fine Arts, Sydney, Paddington, AU - National Taiwan Museum of Fine Arts, Taichung, TW - Altman Siegel, San Francisco, US - Espacio Fundación Telefónica, Madrid, ES - T293, Rome, IT - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE 2023 ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-main\u002F) - [ ### Secret Power - Te Papa Tongarewa, Wellington, NZ - New Zealand Pavillon, 56th Venice Biennale, Venice, IT - Schirn Kunsthalle Frankfurt, Frankfurt, DE - MAXXI - National Museum of 21st Century Art, Rome, IT - The Museum of Modern Art, New York, US 2015 ](https:\u002F\u002Fsimondenny.net\u002Fsecret-power-2\u002F) - [ ### Introductory Logic Video Tutorial - Auckland Art Gallery, Auckland, NZ - Artspace, Sydney 2010 ](https:\u002F\u002Fsimondenny.net\u002Fintroductory-logic-video-tutorial\u002F) - [ ### Mine - Petzel Gallery, New York, US - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE - MONA – Museum of Old and New Art, Berriedale, AU - Kunstmuseum Basel, Basel, CH - de Young Museum, San Francisco, US - Fine Arts, Sydney, Paddington, AU - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - La Kunsthalle Mulhouse, Mulhouse, FR - Kunstverein am Rosa–Luxemburg–Platz, Berlin, DE - Kunstverein Leipzig, Leipzig, DE - 6th Ural Biennial, Jekaterinburg, RU - Kunsthalle Baden-Baden, Baden Baden, DE - Kunstsammlung Nordrhein-Westfalen K20, Kunstsammlung Nordrhein-Westfalen, DE - The Drawing Center, New York, US - Annka Kultys Gallery, London, GB - DOX Centre for Contemporary Art, Prague, CZ - Heidelberger Kunstverein, Heidelberg, DE - Galerie Alte Schule Adlershof, Berlin, DE - National Taiwan Museum of Fine Arts, Taichung, TW - New Museum, New York, USA - The Warehouse, Dallas, US - Modern Art Museum of Fort Worth, Fort Worth, US 2019 ](https:\u002F\u002Fsimondenny.net\u002Fmine-main-project\u002F) - [ ### The Founder’s Paradox - Museum of Contemporary Art Cleveland, Cleveland, US - Blitz, Valetta, MLT - Michael Lett, Auckland, NZ - Zeppelin Museum, Friedrichshafen, DE - Dortmunder U, Dortmund, DE - Art Sonje Center for Contemporary Art, Seoul, KR - 6th Guangzhou Triennial, Guangzhou, CN - Goethe-Institut Peking, Beijing, CN - 12th Gwangju Biennale, Gwangju, KR - Christchurch Art Gallery Te Puna o Waiwhetū, Christchurch, NZ 2017 ](https:\u002F\u002Fsimondenny.net\u002Fthe-founders-paradox-main-project\u002F) - [ ### The Personal Effects of Kim Dotcom - Adam Art Gallery, Wellington, NZ - Firstsite, Colchester, GB - mumok, Vienna, AT - 13th Biennale de Lyon, Lyon, FR - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - Zabludowicz Collection, London, UK - Aksioma, Ljubljana, SVN - Kunsthalle Sankt Gallen, Gallen, CH - MoMA PS1, New York, US 2013 ](https:\u002F\u002Fsimondenny.net\u002Fkim-dotcom\u002F) - [ ### All You Need is Data - Fondazione Sandretto Re Rebaudengo, Turin, IT - Kunstverein München, Munich, DE - Petzel Gallery, New York, US - Andrew Kreps Gallery, New York, US - La Biennale de Montréal, Montreal, CA - Auckland Art Gallery, Auckland, NZ - Arnolfini, Bristol, GB - Hamburger Bahnhof - Museum für Gegenwart, Berlin, DE 2012 ](https:\u002F\u002Fsimondenny.net\u002Fall-you-need-is-data-main-project\u002F) Ongoing [ Kraupa Tuskany Zeidler, Munich, DE Rules Based Order 15.05.2026–31.07.2026 ](https:\u002F\u002Fwww.k-t-z.com\u002Fexhibitions\u002F84-rules-based-order-simon-denny\u002F) [ Berggruen Arts and Culture Palazzo Diedo, Venice, IT Monsters Between Worlds – Strange Rules: Protocol Art 04.05.2026–22.11.2026 ](https:\u002F\u002Fwww.berggruenarts.org\u002Fen\u002Fexhibitions\u002Fcurrent-exhibitions-palazzo-diedo\u002Fcurrent-exhibitions-palazzo-diedo-strange-rules) [ New Museum, New York, USA New Humans: Memories of the Future 21.03.2026–26.07.2026 ](https:\u002F\u002Fwww.newmuseum.org\u002Fexhibition\u002Fnew-humans-memories-of-the-future\u002F) [ ArkDes, Stockholm, SE Worldglimpsing: Roleplay and the Design of Alternate Realities 03.10.2025–30.08.2026 ](https:\u002F\u002Farkdes.se\u002Fen\u002Fexhibitions\u002Fworldglimpsing\u002F) Selected Press [ Artforum\\_EpicFURY\\_May2026 ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fartforum_epicfury_may2026\u002F) [ What Is Post-AI Art? –](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fwhat-is-post-ai-art\u002F) [ Hito Steyerl x Simon Denny– Conversation 2025 – Cura Blackout issue ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14475\u002F) [ Forces of the Unknown: Simon Denny on the Militarized Imagination and Power of Plotter Paintings ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fforces-of-the-unknown-simon-denny-on-the-militarized-imagination-and-power-of-plotter-paintings\u002F) [ Canon Fodder by Alex Estorick ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14211\u002F) [ Graveyard Spiral by Trent Crawford ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14207\u002F) [ The Art of Technology, The Technology of Art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-art-of-technology-the-technology-of-art\u002F) [ NZ Artist Simon Denny in Berlin and New York on NFTs, meta landscapes and space colonies ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fnz-artist-simon-denny-in-berlin-and-new-york-on-nfts-meta-landscapes-and-space-colonies\u002F) [ Peter Thiel is Taking A Break From Democracy ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fpeter-thiel-is-taking-a-break-from-democracy\u002F) [ Digital Dogma, Deconstructed ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fdigital-dogma-deconstructed\u002F) [ The future is round: why modern architecture turned doughnut-shaped ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-future-is-round-why-modern-architecture-turned-doughnut-shaped\u002F) [ Inside the secret world of NSA art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Finside-the-secret-world-of-nsa-art\u002F) [ The Apollo 40 under 40 podcast: Simon Denny ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-apollo-40-under-40-podcast-simon-denny\u002F) [![](https:\u002F\u002Fsimondenny.net\u002F …",{"id":632,"height":13,"width":12,"blurhash":633},"7f3ebe3c-32d7-433a-aaaa-46ac81bab721","radial-gradient(at 0 0,#eae9e9,#00000000 50%),radial-gradient(at 33% 0,#dbdbdb,#00000000 50%),radial-gradient(at 67% 0,#efefef,#00000000 50%),radial-gradient(at 100% 0,#fdfdfd,#00000000 50%),radial-gradient(at 0 50%,#bcbcb9,#00000000 50%),radial-gradient(at 33% 50%,#9c9c98,#00000000 50%),radial-gradient(at 67% 50%,#dcdcda,#00000000 50%),radial-gradient(at 100% 50%,#fefefc,#00000000 50%),radial-gradient(at 0 100%,#cccccd,#00000000 50%),radial-gradient(at 33% 100%,#aeaeae,#00000000 50%),radial-gradient(at 67% 100%,#cdcdcd,#00000000 50%),radial-gradient(at 100% 100%,#dbdbdb,#00000000 50%)",{"id":635,"height":15,"width":14,"blurhash":72},"c80ba8b7-9cb7-48a2-888f-f5b163056c90",[637,640,643,646,649,652,655,658,661,664,667,670,673,676,679,682,685,688,691,694,697,700,703,706,709,712,715,718,721,724],{"directus_files_id":638},{"id":639},"4e929e4a-4006-49eb-8db5-7a0e95663182",{"directus_files_id":641},{"id":642},"1be95c6e-0197-42eb-89cc-8fe074de5378",{"directus_files_id":644},{"id":645},"bdd00e36-a254-405c-a7aa-408dfbc1dcc0",{"directus_files_id":647},{"id":648},"08f689be-71b5-43ef-b999-347bc4952c2d",{"directus_files_id":650},{"id":651},"15c9a215-87be-42d7-8aed-4a5fc1ff97da",{"directus_files_id":653},{"id":654},"bd59836b-31ca-4732-92b4-9336b1324bd7",{"directus_files_id":656},{"id":657},"dd13c9a6-2e29-47df-9c59-350bc2b2efb7",{"directus_files_id":659},{"id":660},"e8d7cc8b-fe05-4f61-84af-6e6938b7f241",{"directus_files_id":662},{"id":663},"2f97b1dd-5fb3-43a5-8f8e-60d002ffcbd7",{"directus_files_id":665},{"id":666},"e2558d9b-db00-4565-bcb6-064359cc482a",{"directus_files_id":668},{"id":669},"42d74739-9d75-4227-94eb-c394e4064522",{"directus_files_id":671},{"id":672},"7c2b3c12-f8c2-4430-9f6b-9c4c27948429",{"directus_files_id":674},{"id":675},"f7e80d59-7edc-44af-865c-679459ee5b21",{"directus_files_id":677},{"id":678},"95111986-a434-49ab-a602-9577f3cce58c",{"directus_files_id":680},{"id":681},"51570615-47ca-40ab-8aa8-d1c1ef90f9e2",{"directus_files_id":683},{"id":684},"be15c082-54c3-41dc-bc4c-2ceba3725798",{"directus_files_id":686},{"id":687},"8501bc69-68ad-4d88-af30-ebd37762a620",{"directus_files_id":689},{"id":690},"5d2c88ef-8094-468b-9085-13b63270c38f",{"directus_files_id":692},{"id":693},"3f32fbaf-2b46-4fb7-a792-00df259226f7",{"directus_files_id":695},{"id":696},"12f1c7a0-3273-413b-931f-a76ecc9c944a",{"directus_files_id":698},{"id":699},"d5422ac3-d669-4134-abae-1974f1c72865",{"directus_files_id":701},{"id":702},"b312d77c-e55f-4684-b3e8-66103140246d",{"directus_files_id":704},{"id":705},"b98002fc-e93e-4ef9-b692-03c17e40cf6b",{"directus_files_id":707},{"id":708},"2893766d-a3e5-45e9-9bdc-481db19f1a73",{"directus_files_id":710},{"id":711},"1141949a-b133-4c67-b234-760e5b58bd21",{"directus_files_id":713},{"id":714},"a2cd7b5d-216c-4f24-ad79-0f4dfd4f234f",{"directus_files_id":716},{"id":717},"8062bd31-2df3-45d8-889f-6f43598b4205",{"directus_files_id":719},{"id":720},"0c2ec595-11ca-448f-a4b7-8785f08dc4e3",{"directus_files_id":722},{"id":723},"eb7988b9-11e2-4375-afff-55a9bd71ec38",{"directus_files_id":725},{"id":726},"7cedf7ef-ed9e-4e0f-8960-6854f1764f83",[728],{"languages_code":465,"description":729},"Simon Denny's digital portfolio serves as a sophisticated archive for his contemporary art practice, documenting ongoing projects, exhibitions, and critical press. The site functions as a professional nexus for curators, collectors, and art institutions, providing a clear chronological and thematic overview of his work within the global art circuit.\n\nThe visual identity is defined by a rigorous, minimalist aesthetic that prioritizes high-quality imagery and expansive whitespace. Utilizing a refined typographic hierarchy and a structured grid, the design reflects the intellectual depth of the artist's work. The monochromatic palette and understated navigation ensure that the focus remains entirely on the visual documentation of his installations and conceptual projects.","Art & Culture",[29,470,33],[733],"Knoth & Renner",[],[265,266,267],[737,739,740,741],{"score":738,"category":106},22,{"score":487,"category":109},{"score":113,"category":112},{"score":205,"category":115},[743,744,745,746],{"score":167,"category":106},{"score":205,"category":109},{"score":113,"category":112},{"score":205,"category":115},[133,129,125],"Website: Simon Denny. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Simon Denny. Page content: Selected Projects - [ ### Monsters Between Worlds – Strange Rules: Protocol Art ](https:\u002F\u002Fsimondenny.net\u002Fstrange-rules-protocol-art\u002F) - [ ### Rules Based Order ](https:\u002F\u002Fsimondenny.net\u002Frules-based-order\u002F) - [ ### The Future ](https:\u002F\u002Fsimondenny.net\u002Fthe-future\u002F) - [ ### Forces of the Unknown ](https:\u002F\u002Fsimondenny.net\u002Fforces-of-the-unknown\u002F) - [ ### Worldglimpsing: Roleplay and the Design of Alternate Realities ](https:\u002F\u002Fsimondenny.net\u002Fworldglimpsing-roleplay-and-the-design-of-alternate-realities-exhibition\u002F) - [ ### Machine Paintings - JW Marriott Hotel Berlin, presented by Kraupa–Tuskany Zeidler - Michael Lett, Auckland, NZ - Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, AT - Berggruen Arts and Culture Palazzo Diedo, Venice, IT - Kraupa Tuskany Zeidler, Munich, DE 2025 – ongoing ](https:\u002F\u002Fsimondenny.net\u002Fmachine-paintings-main\u002F) - [ ### Less Stale Attachment ](https:\u002F\u002Fsimondenny.net\u002Fless-stale-attachment-2006-exhibition\u002F) - [ ### Dungeon - Petzel Gallery, New York, US - Petzel Gallery, New York, US - ArkDes, Stockholm, SE 2024 ](https:\u002F\u002Fsimondenny.net\u002Fdungeon-main\u002F) - [ ### Metaverse Landscapes - Kunstverein Hannover, Hannover, DE - HEK (House of Electronic Arts), Basel, CH - Frans Masereel Centrum, Kasterlee, BE - Art Basel - Antenna Space Shanghai, Shanghai, CN - Dunkunsthalle, New York, US - Fine Arts, Sydney, Paddington, AU - National Taiwan Museum of Fine Arts, Taichung, TW - Altman Siegel, San Francisco, US - Espacio Fundación Telefónica, Madrid, ES - T293, Rome, IT - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE 2023 ](https:\u002F\u002Fsimondenny.net\u002Fmetaverse-landscapes-main\u002F) - [ ### Secret Power - Te Papa Tongarewa, Wellington, NZ - New Zealand Pavillon, 56th Venice Biennale, Venice, IT - Schirn Kunsthalle Frankfurt, Frankfurt, DE - MAXXI - National Museum of 21st Century Art, Rome, IT - The Museum of Modern Art, New York, US 2015 ](https:\u002F\u002Fsimondenny.net\u002Fsecret-power-2\u002F) - [ ### Introductory Logic Video Tutorial - Auckland Art Gallery, Auckland, NZ - Artspace, Sydney 2010 ](https:\u002F\u002Fsimondenny.net\u002Fintroductory-logic-video-tutorial\u002F) - [ ### Mine - Petzel Gallery, New York, US - Kunstsammlung Nordrhein-Westfalen K21, Düsseldorf, DE - MONA – Museum of Old and New Art, Berriedale, AU - Kunstmuseum Basel, Basel, CH - de Young Museum, San Francisco, US - Fine Arts, Sydney, Paddington, AU - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - La Kunsthalle Mulhouse, Mulhouse, FR - Kunstverein am Rosa–Luxemburg–Platz, Berlin, DE - Kunstverein Leipzig, Leipzig, DE - 6th Ural Biennial, Jekaterinburg, RU - Kunsthalle Baden-Baden, Baden Baden, DE - Kunstsammlung Nordrhein-Westfalen K20, Kunstsammlung Nordrhein-Westfalen, DE - The Drawing Center, New York, US - Annka Kultys Gallery, London, GB - DOX Centre for Contemporary Art, Prague, CZ - Heidelberger Kunstverein, Heidelberg, DE - Galerie Alte Schule Adlershof, Berlin, DE - National Taiwan Museum of Fine Arts, Taichung, TW - New Museum, New York, USA - The Warehouse, Dallas, US - Modern Art Museum of Fort Worth, Fort Worth, US 2019 ](https:\u002F\u002Fsimondenny.net\u002Fmine-main-project\u002F) - [ ### The Founder’s Paradox - Museum of Contemporary Art Cleveland, Cleveland, US - Blitz, Valetta, MLT - Michael Lett, Auckland, NZ - Zeppelin Museum, Friedrichshafen, DE - Dortmunder U, Dortmund, DE - Art Sonje Center for Contemporary Art, Seoul, KR - 6th Guangzhou Triennial, Guangzhou, CN - Goethe-Institut Peking, Beijing, CN - 12th Gwangju Biennale, Gwangju, KR - Christchurch Art Gallery Te Puna o Waiwhetū, Christchurch, NZ 2017 ](https:\u002F\u002Fsimondenny.net\u002Fthe-founders-paradox-main-project\u002F) - [ ### The Personal Effects of Kim Dotcom - Adam Art Gallery, Wellington, NZ - Firstsite, Colchester, GB - mumok, Vienna, AT - 13th Biennale de Lyon, Lyon, FR - Galerie Buchholz, Berlin\u002FCologne\u002FNew York - Zabludowicz Collection, London, UK - Aksioma, Ljubljana, SVN - Kunsthalle Sankt Gallen, Gallen, CH - MoMA PS1, New York, US 2013 ](https:\u002F\u002Fsimondenny.net\u002Fkim-dotcom\u002F) - [ ### All You Need is Data - Fondazione Sandretto Re Rebaudengo, Turin, IT - Kunstverein München, Munich, DE - Petzel Gallery, New York, US - Andrew Kreps Gallery, New York, US - La Biennale de Montréal, Montreal, CA - Auckland Art Gallery, Auckland, NZ - Arnolfini, Bristol, GB - Hamburger Bahnhof - Museum für Gegenwart, Berlin, DE 2012 ](https:\u002F\u002Fsimondenny.net\u002Fall-you-need-is-data-main-project\u002F) Ongoing [ Kraupa Tuskany Zeidler, Munich, DE Rules Based Order 15.05.2026–31.07.2026 ](https:\u002F\u002Fwww.k-t-z.com\u002Fexhibitions\u002F84-rules-based-order-simon-denny\u002F) [ Berggruen Arts and Culture Palazzo Diedo, Venice, IT Monsters Between Worlds – Strange Rules: Protocol Art 04.05.2026–22.11.2026 ](https:\u002F\u002Fwww.berggruenarts.org\u002Fen\u002Fexhibitions\u002Fcurrent-exhibitions-palazzo-diedo\u002Fcurrent-exhibitions-palazzo-diedo-strange-rules) [ New Museum, New York, USA New Humans: Memories of the Future 21.03.2026–26.07.2026 ](https:\u002F\u002Fwww.newmuseum.org\u002Fexhibition\u002Fnew-humans-memories-of-the-future\u002F) [ ArkDes, Stockholm, SE Worldglimpsing: Roleplay and the Design of Alternate Realities 03.10.2025–30.08.2026 ](https:\u002F\u002Farkdes.se\u002Fen\u002Fexhibitions\u002Fworldglimpsing\u002F) Selected Press [ Artforum\\_EpicFURY\\_May2026 ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fartforum_epicfury_may2026\u002F) [ What Is Post-AI Art? –](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fwhat-is-post-ai-art\u002F) [ Hito Steyerl x Simon Denny– Conversation 2025 – Cura Blackout issue ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14475\u002F) [ Forces of the Unknown: Simon Denny on the Militarized Imagination and Power of Plotter Paintings ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fforces-of-the-unknown-simon-denny-on-the-militarized-imagination-and-power-of-plotter-paintings\u002F) [ Canon Fodder by Alex Estorick ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14211\u002F) [ Graveyard Spiral by Trent Crawford ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002F14207\u002F) [ The Art of Technology, The Technology of Art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-art-of-technology-the-technology-of-art\u002F) [ NZ Artist Simon Denny in Berlin and New York on NFTs, meta landscapes and space colonies ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fnz-artist-simon-denny-in-berlin-and-new-york-on-nfts-meta-landscapes-and-space-colonies\u002F) [ Peter Thiel is Taking A Break From Democracy ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fpeter-thiel-is-taking-a-break-from-democracy\u002F) [ Digital Dogma, Deconstructed ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fdigital-dogma-deconstructed\u002F) [ The future is round: why modern architecture turned doughnut-shaped ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-future-is-round-why-modern-architecture-turned-doughnut-shaped\u002F) [ Inside the secret world of NSA art ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Finside-the-secret-world-of-nsa-art\u002F) [ The Apollo 40 under 40 podcast: Simon Denny ](https:\u002F\u002Fsimondenny.net\u002Fpress\u002Fthe-apollo-40-under-40-podcast-simon-denny\u002F) [![](https:\u002F\u002Fsimondenny.net\u002F …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Gray, Black. Built using jQuery, PHP, WordPress. AI description: Simon Denny's digital portfolio serves as a sophisticated archive for his contemporary art practice, documenting ongoing projects, exhibitions, and critical press. The site functions as a professional nexus for curators, collectors, and art institutions, providing a clear chronological and thematic overview of his work within the global art circuit. The visual identity is defined by a rigorous, minimalist aesthetic that prioritizes high-quality imagery and expansive whitespace. Utilizing a refined typographic hierarchy and a structured grid, the design reflects the intellectual depth of the artist's work. The monochromatic palette and understated navigation ensure that the focus remains entirely on the visual documentation of his installations and conceptual projects.",{"id":750,"website_id":751,"page_id":750,"name":752,"slug":753,"url":754,"website_name":752,"website_slug":753,"website_url":755,"result_url":754,"fetched_at":756,"score":359,"score_boost":357,"ai_score":757,"freshness_score":758,"scored_at":759,"page_name":44,"page_url":754,"page_title":760,"page_description":72,"page_content":761,"page_sort":357,"is_home":364,"is_home_rank":365,"page_type_id":366,"page_type_name":51,"cover":762,"cover_mobile":765,"cover_sequence":767,"translations":810,"industry":730,"styles":813,"credits":814,"font_families":815,"technologies":816,"pagespeed":818,"pagespeed_mobile":824,"buckets":830,"search_payload":831},"d674124c-8b4e-4cb0-93ba-7fa74005ec29","fd68d266-a953-4d77-accf-e9b141930d84","Possible Monuments","possible-monuments","https:\u002F\u002Fpossiblemonuments.se\u002F","https:\u002F\u002Fpossiblemonuments.se","2026-05-03T15:23:23.000Z",78,73,"2026-05-23T19:25:51.000Z","Possible Monuments?","Possible Monuments? Watch the Seminar SV ↓↑ [ Jimmy Robert Le Sacre du Printemps Jimmy Robert – Le Sacre du Printemps – Jimmy Robert – Le Sacre du Printemps – ](#)[ Daniela Ortiz In the Celebration of Our Struggles Is Their Collapse Daniela Ortiz – In the Celebration of Our Struggles Is Their Collapse – Daniela Ortiz – In the Celebration of Our Struggles Is Their Collapse – ](#)[ Morgan Quaintance Gestural Politics: Decolonisation and the Cosmetic Regime Morgan Quaintance – Gestural Politics: Decolonisation and the Cosmetic Regime – Morgan Quaintance – Gestural Politics: Decolonisation and the Cosmetic Regime – ](#)[ Runo Lagomarsino Geography of Haunted Places Runo Lagomarsino – Geography of Haunted Places – Runo Lagomarsino – Geography of Haunted Places – Runo Lagomarsino – Geography of Haunted Places – Runo Lagomarsino – Geography of Haunted Places – ](#)[ Ayesha Hameed Trading Winds Ayesha Hameed – Trading Winds – Ayesha Hameed – Trading Winds – Ayesha Hameed – Trading Winds – Ayesha Hameed – Trading Winds – ](#)[ Hanan Benammar A Memorial to the French Plots of Land Hanan Benammar – A Memorial to the French Plots of Land – Hanan Benammar – A Memorial to the French Plots of Land ](#)[ Aria Dean New Monument for Franska tomten Aria Dean - New Monument for Franska tomten – New Monument for Franska tomten – for Fransk tomten – ](#)[ Ylva Habel The Delaware Monument(s) and Swedish materializations of colonial memory Ylva Habel – The Delaware Monument(s) and Swedish materializations of colonial memory – ](#)[ Fatima Moallim Legera Fatima Moallim – Legera – Fatima Moallim – Legera – Fatima Moallim – Legera – Fatima Moallim – Legera – ](#) The programme is a collaboration between Göteborg International Biennial for Contemporary Art and Public Art Agency Sweden. Possible Monuments? The Role of Art in Making Swedish Colonial History Publicly Visible Online seminar November 26 16.00-18.30 CET Since 2019, Göteborg International Biennial for Contemporary Art has initiated a series of seminars and artistic commissions on the topic of the visual representation in public space of Sweden’s colonial past and its contemporary consequences. For the project _Possible Monuments?_ artists and writers have been invited to respond to Franska tomten, a site in Gothenburg harbour with connections to Sweden’s colonial activities in the Caribbean. Their responses are hosted here and have been discussed in an online seminar on November 26th. The project is organised in collaboration by Göteborg International Biennial for Contemporary Art and Public Art Agency Sweden. Contributors: Aria Dean, Ayesha Hameed, Daniela Ortiz, Fatima Moallim, Hanan Benammar, Jimmy Robert, Morgan Quaintance, Runo Lagomarsino, Ylva Habel, in dialogue with Lisa Rosendahl, curator GIBCA 2019 & 2021. Considering recent actions directed at public statues with colonial connotations, as well as the underdiscussed Swedish involvement in colonial trade, the seminar addresses the need of remembrance and memorialization in honour of the victims of colonialism and its contemporary consequences. How can we open existing monuments to re-contextualization? What role can art play in making Swedish colonial history publicly visible? How can new monuments, be it material or immaterial, trace past to present? How should a potential future commissioning process be conducted to avoid reproducing existing structures of inequality and exclusion? Is there indeed such a thing as a possible monument, and if so: for whom and by whom should such monuments be made? Franska tomten got its name in 1784 when it was exchanged for the Caribbean Island of Saint Barthélemy as part of a trade agreement between Sweden and France. While the French were given free trade rights in Gothenburg, Sweden took over the colonial administration of Saint Barthélemy. Until 1847, Sweden’s economic activities connected to the island were almost exclusively concerned with slave trade. In 1878 the territory was sold back to France. Today, no official information acknowledging Sweden´s involvement in colonial violence, nor any commemorative gesture honouring its victims, exist on site. Furthermore, there are no public monuments or memorials in the country as a whole acknowledging Sweden’s colonial relations and those who suffered their consequences. The country´s colonial activities, of which Saint Barthélemy is but one example, are also not generally part of how the narrative of the formation of the Swedish industrial Welfare State is told. What does remain on site at Franska tomten are artworks commissioned in the first half of the 20th century by modern day transatlantic shipping companies. As power structures of colonialism, anti-blackness and white supremacy continue to inform our present, artists are invited to reflect and comment on these visual traces of political and aesthetic ideologies. The project is also part of the biennial’s ongoing engagement with Franska tomten and alternative historiography. Previous seminars and commissions related to Franska tomten include: _Franska tomten: Shedding Light on Swedish Colonial History_, in collaboration with Public Art Agency Sweden, with the participation of artists Jeannette Ehlers and Eric Magassa, GIBCA curator Lisa Rosendahl, Judith Wielander, curator of Visible Projects, Mathias Danbolt, art historian; Sarah Hansson, curator for Göteborg konst and Lotta Mossum, curator for Public Art Agency Sweden; _Swedish Colonial History – Abolition of Slavery and Contemporary European Discourses_, lectures by Françoise Vergès and Klas Rönnbäck; _Listening to Colonial Traces in Public Space in Gothenburg_, lectures and panel with Maria Ripenberg, Lena Sawyer, Nana Osei-Kofi, Sandra Grehn and Therese Svensson; and commissions in public space by Eric Magassa and Ibrahim Mahama. The eleventh edition of the biennial, _The Ghost Ship and the Sea Change_, opens in two phases on June 5th and September 11th, 2021. Image: Delaware Monument at Stenpiren, Gothenburg. Photo: Malin Griffiths © Carl Milles \u002F Bildupphovsrätt 2020. Trading Winds _Trading Winds_ is a multichannel sound installation and series of textile panels installed in Gothenburg. It references the twin city plans based on canal systems made for Gothenburg and Batavia (now Jakarta) and the 1852 hurricane that struck Saint Barthélemy, Sweden’s only slave colony in the Caribbean. Trading Winds thinks about tunnels of wind through these two cities and the Caribbean island and their relationship to colonialism and slavery. _Trading Winds_ is plotted along a five-minute walk that starts from Packhusplatsen 6–7, the canal side of the Customs House, where goods from the Transatlantic slave trade were stored. It ends at the Gothenburg City Museum, located in the former East India Trade Company building. Over the course of this five-minute walk then, we travel from one phase of Franska tomten’s history to another—from its participation in the Transatlantic slave trade, to its role as a hub of colonial trade. The walk that _Trading Winds_ traces along the historical canal of Franska tomten evokes another set of canals: those in Batavia, the old Dutch bastion town in contemporary Jakarta that was twinned with Gothenburg as they were both designed under the Dutch colonial empire. It links this buried history with another lesser-known history: that of Sweden’s only colony in the Caribbean, Saint Barthélemy. This is what _Trading Winds_ will look like. Installed along the canal as one walks from the Customs House to the City Museum, will be a series of speakers that play street sounds recorded in Saint Barthélemy and Jakarta. In St Barthélemy the sound will be recorded during a walk through the historic port of St. Gustavia. And in Jakarta, the sound recorded will be from a walk along one of the canals in the historic Batavia. As you walk from Packhusplatsen 6–7 you hear the sound of St. Gustavia, and when you arrive at the City Museum you hear the sounds of Jakarta along the canal. During the walk the sound of Saint Barthélemy will gradually overlap with the sound from Jakarta forming a blurred soundscape. As you near the City Museum, the sounds of Jakarta will get louder and those of Saint Barthélemy will fade, but in between there will be an indeterminate sonic blending between the two cities that Gothenburg is historically and intimately connected with. The textile panels that will be planted above each speaker along the canal refer to both Saint Barthélemy’s and Batavia\u002FJakarta’s colonial trading history. Goods being traded in Batavia included nutmeg, peppers, cloves, cinnamon, coffee, tea, cacao, tobacco, rubber, and sugar. The canals were not suitable for the conditions in the region: they constantly silted over and had to be dredged: an ecological manifestation of the colonial violence of imposing modular city planning. Saint Barthélemy, a volcanic and arid island, could not support the conditions for a plantation system of slavery, so the Swedes established the island as a free trade zone for the purchase of slaves. This was an even more dire commodification of enslaved men and women. The textiles will bear traces of that history—from Jacques Gentes’ unsuccessful attempt to cultivate cacao in the 17th century; to the commercial production of salt, visualized here in the mangroves that were able to grow the saline swamps around the island and that mitigated the currents of the windy sea that buffeted the island; to the flamboyant, a tree indigenous to Madagascar but planted in tropical and subtropical regions all over the world and evoked here to consider flora disseminated through colonialism; and finally to the barbary fig, which is reported to have been used as a cactus fence as a defense against rival colonizing countries from Europe, like Britain. The textiles will be dyed using pigments from these spices and plants. And the images themselves will form the basis of what is printed onto the fabrics. Their colour and scent will fade with time in the outdoor weather of Gothenburg. Winds fuelled the currents of trade winds in the Indian Ocean, steering ships to all parts of the world, and blew seeds from island to island in the Caribbean. > Images from Wikipedia > > Sample sounds from Freesound: > > “embedded muezzin-chants in moderate traffic-noise at 12h am” (jakarta) source https:\u002F\u002Ffreesound.org\u002Fs\u002F27520\u002F > author palem > This work is licensed under the Creative Commons 0 License. > > “A windy afternoon in St Croix. Birds singing, wind blowing through house.” source: https:\u002F\u002Ffreesound.org\u002Fpeople\u002Fnyseagull\u002Fsounds\u002F400379\u002F > au …",{"id":763,"height":13,"width":12,"blurhash":764},"8306bce1-2a61-4cef-8d0e-425a4e843454","radial-gradient(at 0 0,#f7f6f7,#00000000 50%),radial-gradient(at 33% 0,#e8e7e8,#00000000 50%),radial-gradient(at 67% 0,#ededee,#00000000 50%),radial-gradient(at 100% 0,#f7f7f7,#00000000 50%),radial-gradient(at 0 50%,#f0f1f0,#00000000 50%),radial-gradient(at 33% 50%,#ebecec,#00000000 50%),radial-gradient(at 67% 50%,#e9e9e9,#00000000 50%),radial-gradient(at 100% 50%,#ebebea,#00000000 50%),radial-gradient(at 0 100%,#eae9e9,#00000000 50%),radial-gradient(at 33% 100%,#d4d3d3,#00000000 50%),radial-gradient(at 67% 100%,#dddcdb,#00000000 50%),radial-gradient(at 100% 100%,#f0efee,#00000000 50%)",{"id":766,"height":15,"width":14,"blurhash":72},"094532e5-633b-4e3c-8e3d-79114e4a1239",[768,771,774,777,780,783,786,789,792,795,798,801,804,807],{"directus_files_id":769},{"id":770},"a130cef7-3db9-437a-8a9e-d1acb51b872f",{"directus_files_id":772},{"id":773},"f913808a-9d11-4c90-8788-32d6dc7e9fe2",{"directus_files_id":775},{"id":776},"34b2c4c4-7e28-4507-9064-a06c845d88fc",{"directus_files_id":778},{"id":779},"4a1a9218-451e-4b36-953e-a43ab3fc4282",{"directus_files_id":781},{"id":782},"56e037ad-e4ea-4ef0-b624-9b7ff16fc292",{"directus_files_id":784},{"id":785},"513826b2-adc2-4fd3-b164-34e4fd361ba7",{"directus_files_id":787},{"id":788},"5c27e783-5f82-4e98-b581-d8172f1392d1",{"directus_files_id":790},{"id":791},"4e17cc8f-3d7a-4ddb-bc7a-194580aa7de7",{"directus_files_id":793},{"id":794},"dc28a6e2-7faa-45ee-8b17-84a3d57fedb0",{"directus_files_id":796},{"id":797},"5fafe98b-8f59-40ae-a36b-0e58c0998cfc",{"directus_files_id":799},{"id":800},"e004f06c-1d17-4f5d-9d0b-76865bcbc45d",{"directus_files_id":802},{"id":803},"2fb7420c-9401-4798-9268-39e242daf7df",{"directus_files_id":805},{"id":806},"a37d5945-a2f8-410d-ab24-e963afb417d2",{"directus_files_id":808},{"id":809},"00975b56-740b-4852-8c2d-1f4ca70b1b44",[811],{"languages_code":465,"description":812},"Possible Monuments serves as a sophisticated digital archive and platform for contemporary art, exploring themes of memory, landscape, and cultural identity. The website functions as a curated exhibition space, presenting a diverse array of artists and their works through a lens of intellectual inquiry and historical reflection.\n\nThe visual identity is defined by a bold, editorial aesthetic that prioritizes high-contrast typography and a structured, grid-based layout. By utilizing expansive serif typefaces and a monochromatic foundation, the design creates a sense of permanence and gravity, mirroring the 'monumental' nature of its subject matter. The interplay between large-scale text and evocative, often grainy or high-contrast imagery lends the site a gallery-like atmosphere that is both avant-garde and deeply academic.",[29,470,33],[],[],[265,266,817,267,279],"Ubuntu",[819,820,822,823],{"score":171,"category":106},{"score":821,"category":109},61,{"score":167,"category":112},{"score":356,"category":115},[825,827,828,829],{"score":826,"category":106},30,{"score":821,"category":109},{"score":167,"category":112},{"score":356,"category":115},[133,125,129],"Website: Possible Monuments. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Possible Monuments?. Page content: Possible Monuments? Watch the Seminar SV ↓↑ [ Jimmy Robert Le Sacre du Printemps Jimmy Robert – Le Sacre du Printemps – Jimmy Robert – Le Sacre du Printemps – ](#)[ Daniela Ortiz In the Celebration of Our Struggles Is Their Collapse Daniela Ortiz – In the Celebration of Our Struggles Is Their Collapse – Daniela Ortiz – In the Celebration of Our Struggles Is Their Collapse – ](#)[ Morgan Quaintance Gestural Politics: Decolonisation and the Cosmetic Regime Morgan Quaintance – Gestural Politics: Decolonisation and the Cosmetic Regime – Morgan Quaintance – Gestural Politics: Decolonisation and the Cosmetic Regime – ](#)[ Runo Lagomarsino Geography of Haunted Places Runo Lagomarsino – Geography of Haunted Places – Runo Lagomarsino – Geography of Haunted Places – Runo Lagomarsino – Geography of Haunted Places – Runo Lagomarsino – Geography of Haunted Places – ](#)[ Ayesha Hameed Trading Winds Ayesha Hameed – Trading Winds – Ayesha Hameed – Trading Winds – Ayesha Hameed – Trading Winds – Ayesha Hameed – Trading Winds – ](#)[ Hanan Benammar A Memorial to the French Plots of Land Hanan Benammar – A Memorial to the French Plots of Land – Hanan Benammar – A Memorial to the French Plots of Land ](#)[ Aria Dean New Monument for Franska tomten Aria Dean - New Monument for Franska tomten – New Monument for Franska tomten – for Fransk tomten – ](#)[ Ylva Habel The Delaware Monument(s) and Swedish materializations of colonial memory Ylva Habel – The Delaware Monument(s) and Swedish materializations of colonial memory – ](#)[ Fatima Moallim Legera Fatima Moallim – Legera – Fatima Moallim – Legera – Fatima Moallim – Legera – Fatima Moallim – Legera – ](#) The programme is a collaboration between Göteborg International Biennial for Contemporary Art and Public Art Agency Sweden. Possible Monuments? The Role of Art in Making Swedish Colonial History Publicly Visible Online seminar November 26 16.00-18.30 CET Since 2019, Göteborg International Biennial for Contemporary Art has initiated a series of seminars and artistic commissions on the topic of the visual representation in public space of Sweden’s colonial past and its contemporary consequences. For the project _Possible Monuments?_ artists and writers have been invited to respond to Franska tomten, a site in Gothenburg harbour with connections to Sweden’s colonial activities in the Caribbean. Their responses are hosted here and have been discussed in an online seminar on November 26th. The project is organised in collaboration by Göteborg International Biennial for Contemporary Art and Public Art Agency Sweden. Contributors: Aria Dean, Ayesha Hameed, Daniela Ortiz, Fatima Moallim, Hanan Benammar, Jimmy Robert, Morgan Quaintance, Runo Lagomarsino, Ylva Habel, in dialogue with Lisa Rosendahl, curator GIBCA 2019 & 2021. Considering recent actions directed at public statues with colonial connotations, as well as the underdiscussed Swedish involvement in colonial trade, the seminar addresses the need of remembrance and memorialization in honour of the victims of colonialism and its contemporary consequences. How can we open existing monuments to re-contextualization? What role can art play in making Swedish colonial history publicly visible? How can new monuments, be it material or immaterial, trace past to present? How should a potential future commissioning process be conducted to avoid reproducing existing structures of inequality and exclusion? Is there indeed such a thing as a possible monument, and if so: for whom and by whom should such monuments be made? Franska tomten got its name in 1784 when it was exchanged for the Caribbean Island of Saint Barthélemy as part of a trade agreement between Sweden and France. While the French were given free trade rights in Gothenburg, Sweden took over the colonial administration of Saint Barthélemy. Until 1847, Sweden’s economic activities connected to the island were almost exclusively concerned with slave trade. In 1878 the territory was sold back to France. Today, no official information acknowledging Sweden´s involvement in colonial violence, nor any commemorative gesture honouring its victims, exist on site. Furthermore, there are no public monuments or memorials in the country as a whole acknowledging Sweden’s colonial relations and those who suffered their consequences. The country´s colonial activities, of which Saint Barthélemy is but one example, are also not generally part of how the narrative of the formation of the Swedish industrial Welfare State is told. What does remain on site at Franska tomten are artworks commissioned in the first half of the 20th century by modern day transatlantic shipping companies. As power structures of colonialism, anti-blackness and white supremacy continue to inform our present, artists are invited to reflect and comment on these visual traces of political and aesthetic ideologies. The project is also part of the biennial’s ongoing engagement with Franska tomten and alternative historiography. Previous seminars and commissions related to Franska tomten include: _Franska tomten: Shedding Light on Swedish Colonial History_, in collaboration with Public Art Agency Sweden, with the participation of artists Jeannette Ehlers and Eric Magassa, GIBCA curator Lisa Rosendahl, Judith Wielander, curator of Visible Projects, Mathias Danbolt, art historian; Sarah Hansson, curator for Göteborg konst and Lotta Mossum, curator for Public Art Agency Sweden; _Swedish Colonial History – Abolition of Slavery and Contemporary European Discourses_, lectures by Françoise Vergès and Klas Rönnbäck; _Listening to Colonial Traces in Public Space in Gothenburg_, lectures and panel with Maria Ripenberg, Lena Sawyer, Nana Osei-Kofi, Sandra Grehn and Therese Svensson; and commissions in public space by Eric Magassa and Ibrahim Mahama. The eleventh edition of the biennial, _The Ghost Ship and the Sea Change_, opens in two phases on June 5th and September 11th, 2021. Image: Delaware Monument at Stenpiren, Gothenburg. Photo: Malin Griffiths © Carl Milles \u002F Bildupphovsrätt 2020. Trading Winds _Trading Winds_ is a multichannel sound installation and series of textile panels installed in Gothenburg. It references the twin city plans based on canal systems made for Gothenburg and Batavia (now Jakarta) and the 1852 hurricane that struck Saint Barthélemy, Sweden’s only slave colony in the Caribbean. Trading Winds thinks about tunnels of wind through these two cities and the Caribbean island and their relationship to colonialism and slavery. _Trading Winds_ is plotted along a five-minute walk that starts from Packhusplatsen 6–7, the canal side of the Customs House, where goods from the Transatlantic slave trade were stored. It ends at the Gothenburg City Museum, located in the former East India Trade Company building. Over the course of this five-minute walk then, we travel from one phase of Franska tomten’s history to another—from its participation in the Transatlantic slave trade, to its role as a hub of colonial trade. The walk that _Trading Winds_ traces along the historical canal of Franska tomten evokes another set of canals: those in Batavia, the old Dutch bastion town in contemporary Jakarta that was twinned with Gothenburg as they were both designed under the Dutch colonial empire. It links this buried history with another lesser-known history: that of Sweden’s only colony in the Caribbean, Saint Barthélemy. This is what _Trading Winds_ will look like. Installed along the canal as one walks from the Customs House to the City Museum, will be a series of speakers that play street sounds recorded in Saint Barthélemy and Jakarta. In St Barthélemy the sound will be recorded during a walk through the historic port of St. Gustavia. And in Jakarta, the sound recorded will be from a walk along one of the canals in the historic Batavia. As you walk from Packhusplatsen 6–7 you hear the sound of St. Gustavia, and when you arrive at the City Museum you hear the sounds of Jakarta along the canal. During the walk the sound of Saint Barthélemy will gradually overlap with the sound from Jakarta forming a blurred soundscape. As you near the City Museum, the sounds of Jakarta will get louder and those of Saint Barthélemy will fade, but in between there will be an indeterminate sonic blending between the two cities that Gothenburg is historically and intimately connected with. The textile panels that will be planted above each speaker along the canal refer to both Saint Barthélemy’s and Batavia\u002FJakarta’s colonial trading history. Goods being traded in Batavia included nutmeg, peppers, cloves, cinnamon, coffee, tea, cacao, tobacco, rubber, and sugar. The canals were not suitable for the conditions in the region: they constantly silted over and had to be dredged: an ecological manifestation of the colonial violence of imposing modular city planning. Saint Barthélemy, a volcanic and arid island, could not support the conditions for a plantation system of slavery, so the Swedes established the island as a free trade zone for the purchase of slaves. This was an even more dire commodification of enslaved men and women. The textiles will bear traces of that history—from Jacques Gentes’ unsuccessful attempt to cultivate cacao in the 17th century; to the commercial production of salt, visualized here in the mangroves that were able to grow the saline swamps around the island and that mitigated the currents of the windy sea that buffeted the island; to the flamboyant, a tree indigenous to Madagascar but planted in tropical and subtropical regions all over the world and evoked here to consider flora disseminated through colonialism; and finally to the barbary fig, which is reported to have been used as a cactus fence as a defense against rival colonizing countries from Europe, like Britain. The textiles will be dyed using pigments from these spices and plants. And the images themselves will form the basis of what is printed onto the fabrics. Their colour and scent will fade with time in the outdoor weather of Gothenburg. Winds fuelled the currents of trade winds in the Indian Ocean, steering ships to all parts of the world, and blew seeds from island to island in the Caribbean. > Images from Wikipedia > > Sample sounds from Freesound: > > “embedded muezzin-chants in moderate traffic-noise at 12h am” (jakarta) source https:\u002F\u002Ffreesound.org\u002Fs\u002F27520\u002F > author palem > This work is licensed under the Creative Commons 0 License. > > “A windy afternoon in St Croix. Birds singing, wind blowing through house.” source: https:\u002F\u002Ffreesound.org\u002Fpeople\u002Fnyseagull\u002Fsounds\u002F400379\u002F > au …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. Built using jQuery, PHP, Ubuntu, WordPress, YouTube. AI description: Possible Monuments serves as a sophisticated digital archive and platform for contemporary art, exploring themes of memory, landscape, and cultural identity. The website functions as a curated exhibition space, presenting a diverse array of artists and their works through a lens of intellectual inquiry and historical reflection. The visual identity is defined by a bold, editorial aesthetic that prioritizes high-contrast typography and a structured, grid-based layout. By utilizing expansive serif typefaces and a monochromatic foundation, the design creates a sense of permanence and gravity, mirroring the 'monumental' nature of its subject matter. The interplay between large-scale text and evocative, often grainy or high-contrast imagery lends the site a gallery-like atmosphere that is both avant-garde and deeply academic."]