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content DCRIT ☰Menu - D-Crit - Updates - Reads - Events - Apply - Requirements - Timeline - Info Sessions - Program - Overview & Mission - Courses - Summer Intensive - People - Faculty & Lecturers - Students - Alumni SVA MA Design Research 136 W 21st St, 2nd Floor New York, NY 10011 designresearch@sva.edu (212) 592-2228 D-Crit on Facebook D-Crit on Twitter D-Crit on Instagram Visit the School of Visual Arts Homepage ©2022 School of Visual Arts Website by Morcos Key SVA D School of Visual Arts logo \\-CRIT MA Design Research, Writing and Criticism About D-Crit explores the contexts and consequences of design. - Watch: 2NDFL Thesis Show - Apply for free button Apply: Summer Intensive, June 1-12, 2026 Updates Recently spotted at @centerforarch: Learn More Recently spotted at @centerforarch: D-Crit students got an inside look at \"Searching for Superpublics\" as part of @ericschmerick’s Thesis Development Workshop. From Rockaway’s boardwalks to Staten Island’s Bluebelt to Broadway—and even the ever-elusive New York City public restroom—the exhibition charts the city spaces that stretch past neighborhood and borough boundaries. 🚽✨️ Huge thanks to @ivi\\_ivi and @jafferkolb, co-founders of @new\\_affiliates and curators of the show, for an inspiring tour through their research and practice. Did somebody say archives?! Learn More Did somebody say archives?! @adamhlevy's section of “Contemporary Issues in Design” started last week and features a D-Crit fan-favorite: a trip to the @nyplpicturecollection ! The Picture Collection at the NYPL was founded in 1915 and holds over a million pictures clipped out of books, magazines, and other media. Archival work is a major component of what we do on the 2NDFL, and Adam’s classroom is a great place to start digging into visual research. Virtual Info Session on 10\u002F28 Check us out on instagram! Learn More Thinking about joining one of the finest cohorts in town? D-Crit is looking for our classes of 2027 and 2028! D-Crit combines research, writing, and critical analysis to prepare students for careers in design journalism, curating, cultural programming, and strategy. Next week on October 28 join Program Chair @heintzmm along with faculty and alumni, for a conversation about the program's curriculum, community, and career outcomes. Register now at our link in bio! Reads Read _The Nation:_ “How Should Los Angeles Rebuild After the Fires?” on Medium 05.19.25 Author Bio: Karrie Jacobs Read _The Daily Heller:_ “Next Stop, the 2NDFL Design Journal” on Medium 05.20.25 Author Bio: Steven Heller Read _Madame Architect:_ “A Day in Stone Ridge with Design Writer Lila Allen (Class of 2016)” on Medium 09.14.25 Author Bio: Julia Gamolina Read _New York Times:_ “The Meaning of Trump's Gilded Age Rumpus Room” on Medium 08.04.25 Author Bio: Matt Shaw Read _PRINT:_ “The 2025 Typography Report: A March Toward Utopia” on Medium 02.18.25 Author Bio: Meg Farmer Read _Los Angeles Review of Architecture:_ “Catty Shack” on Medium 10.09.25 Author Bio: Eric Schwartau Read _PRINT:_ “Underground Ink: A Short History of India’s Queer Magazines” on Medium 01.28.25 Author Bio: Jyothi Hiremath Read _Metropolis:_ “For Kongjian Yu, Landscape Architecture is the 'Art of Survival'” on Medium 12.05.23 Author Bio: Evelyn Meynard Read It's Nice That: “Bitter Aftertaste: The Fraught World of Branding Cultural Food Products” on Medium 09.10.24 Author Bio: Roshita Thomas Read CNN: “Is Uzbekistan the next great architectural destination?” on Medium 10.01.25 Author Bio: Anne Quito Read _The Nation_ “On the Waterfront: The remaking of Bush Terminal” on Medium 11.11.25 Author Bio: Karrie Jacobs Read _PRINT:_ “Decolonizing Design: Ukraine’s Fight for Visual Identity” on Medium 12.10.24 Author Bio: El. Stern Read New York Review of Architecture: \"Scandi Darling\" on Medium 01.08.26 Author Bio: Eric Schwartau Read _New York Times:_ “Who Says Your Couch Can’t Match Your Sweater?” on Medium 09.13.24 Author Bio: Aileen Kwun More on Medium Events Monica Nelson, \"Edible Flowers\" 05.27.22 – 12:30pm STRATA-GIES: The D-Crit Class of 2022 Graduate Thesis Symposium 07.23.21 – 12:30pm Milton Glaser and Walter Bernard with Anne Quito, ” Mag Men: Fifty Years of Making Magazines” 12.03.19 – 6:30 pm Application deadline: 2023 Online Design Writing & Research Summer Intensive 04.01.10 – 11:59 pm Decorative image D-CRIT Thesis Symposium and 2NDFL Issue Two Launch 05.15.26 – 5:00 p.m. Decorative image D-Crit Summer Intensive: Virtual Info Session + Q&A 03.04.26 – 12 p.m. Decorative image D-Crit Spring Kickoff Salon + Open Mic 01.13.26 – 6:00 Decorative image D-Crit Virtual Info Session 01.07.26 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.17.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.10.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.03.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 11.21.25 – 12:00 p.m. Decorative image The Machine Is the Message: Writing and Reading in the Age of AI 11.20.25 – 6:30 p.m. Decorative image [D-Crit Virtual Info Session](https:\u002F\u002Fdesignresearch.sva.edu\u002Fhome\u002Fevents\u002Fd-crit-virtual-info-session-10-28 …",true,1,"1",{"id":408,"height":13,"width":12,"blurhash":409},"0c339730-3316-4cdb-8888-c4e54ef0b204","radial-gradient(at 0 0,#ffdee3,#00000000 50%),radial-gradient(at 33% 0,#fff8fa,#00000000 50%),radial-gradient(at 67% 0,#fff7f6,#00000000 50%),radial-gradient(at 100% 0,#ffe9eb,#00000000 50%),radial-gradient(at 0 50%,#d7bcc5,#00000000 50%),radial-gradient(at 33% 50%,#dbd5d9,#00000000 50%),radial-gradient(at 67% 50%,#e4dadb,#00000000 50%),radial-gradient(at 100% 50%,#e5cdcf,#00000000 50%),radial-gradient(at 0 100%,#8f6e6c,#00000000 50%),radial-gradient(at 33% 100%,#948879,#00000000 50%),radial-gradient(at 67% 100%,#b4af97,#00000000 50%),radial-gradient(at 100% 100%,#bdb7a2,#00000000 50%)",{"id":411,"height":15,"width":14,"blurhash":93},"892605bb-86f9-4a58-8d2d-44d3ee994add",[413,416,419,422,425,428,431,434,437,440,443,446,449,452,455,458,461,464,467,470,473,476,479,482,485,488,491,494,497,500],{"directus_files_id":414},{"id":415},"213db5b5-daad-4b59-98fb-dfc07b1f9d33",{"directus_files_id":417},{"id":418},"a803458f-110c-4878-bd4a-a2ea2e72de5e",{"directus_files_id":420},{"id":421},"a268d694-fb91-44d7-a325-544991ea76c7",{"directus_files_id":423},{"id":424},"c159c755-bfe6-43aa-a331-7fb85b7f1f4f",{"directus_files_id":426},{"id":427},"1a36b1b4-e5f0-4d54-b5de-a6f7b2cd0104",{"directus_files_id":429},{"id":430},"0d182bcd-1829-4f3f-ae8d-f8e84c2cbead",{"directus_files_id":432},{"id":433},"6399cd7a-bb89-4a34-9b78-fa444796afe3",{"directus_files_id":435},{"id":436},"d37758d0-6869-41c7-a67b-0e21b323e054",{"directus_files_id":438},{"id":439},"f0710b20-f174-45c7-bce3-d7528bb67e5f",{"directus_files_id":441},{"id":442},"f5154b60-8bc9-4dcb-a6a3-ac41573b069d",{"directus_files_id":444},{"id":445},"ab1d1d0d-eb0b-40cf-ae3a-7cb3f78fea6e",{"directus_files_id":447},{"id":448},"add5d63f-7aca-43fe-b6e8-8cbd92fc8686",{"directus_files_id":450},{"id":451},"f1774567-5b2a-4b63-b0d8-d97ef1085021",{"directus_files_id":453},{"id":454},"c02fa61c-af7c-4fb3-9e1f-6f29d081b348",{"directus_files_id":456},{"id":457},"540d8e10-eb33-4852-a9d3-dccb853e77b4",{"directus_files_id":459},{"id":460},"9fbc4c09-c8c5-46e7-9377-385959df68a4",{"directus_files_id":462},{"id":463},"d15ba46b-6313-4cef-8dd3-35e86b77d753",{"directus_files_id":465},{"id":466},"4cae9661-5cf0-4b9a-8e5b-f782d64194d9",{"directus_files_id":468},{"id":469},"3d457b9e-d64e-4ff9-bb54-22ae1ade6102",{"directus_files_id":471},{"id":472},"a57692e2-79c0-4578-a95f-6ec71c7c8865",{"directus_files_id":474},{"id":475},"9eba66dd-c219-4de0-bbf2-f9a862c13964",{"directus_files_id":477},{"id":478},"7ed8bb4f-4562-4252-90be-81ae3dd7ab4f",{"directus_files_id":480},{"id":481},"2bdedbb6-d53d-407a-ade5-9da47b713042",{"directus_files_id":483},{"id":484},"15e293be-d142-452d-ad36-75b3a30bdb0c",{"directus_files_id":486},{"id":487},"42dff9df-3f2d-4b5b-9b95-ccb7b5547335",{"directus_files_id":489},{"id":490},"ba3236a7-3475-4848-8d50-cbc01b48bcfb",{"directus_files_id":492},{"id":493},"030b22ee-d844-4c57-951f-f561f113db4d",{"directus_files_id":495},{"id":496},"bc583451-a6a6-4e81-adf6-42ff255e7169",{"directus_files_id":498},{"id":499},"dbba59fa-06cd-457b-ace2-00b700b4d6e7",{"directus_files_id":501},{"id":502},"d19ed03a-e9de-44e5-a9ce-6ae546626de5",[504],{"languages_code":505,"description":506},"en","D-Crit is the digital home for the MA in Design Research, Writing, and Criticism at the School of Visual Arts. The website serves as a critical hub for academic discourse, showcasing program details, faculty expertise, and student achievements. It functions as both an informational portal for prospective graduate students and a curated archive of intellectual contributions to the design field.\n\nThe visual identity is bold, academic, and unapologetically typographic. Utilizing a high-contrast palette of vibrant red and stark white, the design employs oversized serif typefaces that command attention and signal authority. The layout balances a structured, editorial grid with playful, oversized interactive elements, creating a sophisticated yet energetic aesthetic that mirrors the rigorous and contemporary nature of design criticism.",[30,34],[],[335,357,345],[511,113,326],"Accessible360",[513,515,516,518],{"score":514,"category":143},72,{"score":252,"category":146},{"score":517,"category":149},96,{"score":252,"category":152},[520,522,523,524],{"score":521,"category":143},61,{"score":252,"category":146},{"score":517,"category":149},{"score":252,"category":152},[162,166,170,526],"red","Website: D-Crit. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home ~ D-Crit. Page content: Off screen link: Skip to content DCRIT ☰Menu - D-Crit - Updates - Reads - Events - Apply - Requirements - Timeline - Info Sessions - Program - Overview & Mission - Courses - Summer Intensive - People - Faculty & Lecturers - Students - Alumni SVA MA Design Research 136 W 21st St, 2nd Floor New York, NY 10011 designresearch@sva.edu (212) 592-2228 D-Crit on Facebook D-Crit on Twitter D-Crit on Instagram Visit the School of Visual Arts Homepage ©2022 School of Visual Arts Website by Morcos Key SVA D School of Visual Arts logo \\-CRIT MA Design Research, Writing and Criticism About D-Crit explores the contexts and consequences of design. - Watch: 2NDFL Thesis Show - Apply for free button Apply: Summer Intensive, June 1-12, 2026 Updates Recently spotted at @centerforarch: Learn More Recently spotted at @centerforarch: D-Crit students got an inside look at \"Searching for Superpublics\" as part of @ericschmerick’s Thesis Development Workshop. From Rockaway’s boardwalks to Staten Island’s Bluebelt to Broadway—and even the ever-elusive New York City public restroom—the exhibition charts the city spaces that stretch past neighborhood and borough boundaries. 🚽✨️ Huge thanks to @ivi\\_ivi and @jafferkolb, co-founders of @new\\_affiliates and curators of the show, for an inspiring tour through their research and practice. Did somebody say archives?! Learn More Did somebody say archives?! @adamhlevy's section of “Contemporary Issues in Design” started last week and features a D-Crit fan-favorite: a trip to the @nyplpicturecollection ! The Picture Collection at the NYPL was founded in 1915 and holds over a million pictures clipped out of books, magazines, and other media. Archival work is a major component of what we do on the 2NDFL, and Adam’s classroom is a great place to start digging into visual research. Virtual Info Session on 10\u002F28 Check us out on instagram! Learn More Thinking about joining one of the finest cohorts in town? D-Crit is looking for our classes of 2027 and 2028! D-Crit combines research, writing, and critical analysis to prepare students for careers in design journalism, curating, cultural programming, and strategy. Next week on October 28 join Program Chair @heintzmm along with faculty and alumni, for a conversation about the program's curriculum, community, and career outcomes. Register now at our link in bio! Reads Read _The Nation:_ “How Should Los Angeles Rebuild After the Fires?” on Medium 05.19.25 Author Bio: Karrie Jacobs Read _The Daily Heller:_ “Next Stop, the 2NDFL Design Journal” on Medium 05.20.25 Author Bio: Steven Heller Read _Madame Architect:_ “A Day in Stone Ridge with Design Writer Lila Allen (Class of 2016)” on Medium 09.14.25 Author Bio: Julia Gamolina Read _New York Times:_ “The Meaning of Trump's Gilded Age Rumpus Room” on Medium 08.04.25 Author Bio: Matt Shaw Read _PRINT:_ “The 2025 Typography Report: A March Toward Utopia” on Medium 02.18.25 Author Bio: Meg Farmer Read _Los Angeles Review of Architecture:_ “Catty Shack” on Medium 10.09.25 Author Bio: Eric Schwartau Read _PRINT:_ “Underground Ink: A Short History of India’s Queer Magazines” on Medium 01.28.25 Author Bio: Jyothi Hiremath Read _Metropolis:_ “For Kongjian Yu, Landscape Architecture is the 'Art of Survival'” on Medium 12.05.23 Author Bio: Evelyn Meynard Read It's Nice That: “Bitter Aftertaste: The Fraught World of Branding Cultural Food Products” on Medium 09.10.24 Author Bio: Roshita Thomas Read CNN: “Is Uzbekistan the next great architectural destination?” on Medium 10.01.25 Author Bio: Anne Quito Read _The Nation_ “On the Waterfront: The remaking of Bush Terminal” on Medium 11.11.25 Author Bio: Karrie Jacobs Read _PRINT:_ “Decolonizing Design: Ukraine’s Fight for Visual Identity” on Medium 12.10.24 Author Bio: El. Stern Read New York Review of Architecture: \"Scandi Darling\" on Medium 01.08.26 Author Bio: Eric Schwartau Read _New York Times:_ “Who Says Your Couch Can’t Match Your Sweater?” on Medium 09.13.24 Author Bio: Aileen Kwun More on Medium Events Monica Nelson, \"Edible Flowers\" 05.27.22 – 12:30pm STRATA-GIES: The D-Crit Class of 2022 Graduate Thesis Symposium 07.23.21 – 12:30pm Milton Glaser and Walter Bernard with Anne Quito, ” Mag Men: Fifty Years of Making Magazines” 12.03.19 – 6:30 pm Application deadline: 2023 Online Design Writing & Research Summer Intensive 04.01.10 – 11:59 pm Decorative image D-CRIT Thesis Symposium and 2NDFL Issue Two Launch 05.15.26 – 5:00 p.m. Decorative image D-Crit Summer Intensive: Virtual Info Session + Q&A 03.04.26 – 12 p.m. Decorative image D-Crit Spring Kickoff Salon + Open Mic 01.13.26 – 6:00 Decorative image D-Crit Virtual Info Session 01.07.26 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.17.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.10.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.03.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 11.21.25 – 12:00 p.m. Decorative image The Machine Is the Message: Writing and Reading in the Age of AI 11.20.25 – 6:30 p.m. Decorative image [D-Crit Virtual Info Session](https:\u002F\u002Fdesignresearch.sva.edu\u002Fhome\u002Fevents\u002Fd-crit-virtual-info-session-10-28 …. A Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Education & Courses industry. The overall color palette features White, Black, Gray, Red. The typography features Times New Roman (Serif), Editorial (Pangram Pangram), Neue Montreal (Sans Serif, Pangram Pangram). Built using Accessible360, jQuery, Slick. AI description: D-Crit is the digital home for the MA in Design Research, Writing, and Criticism at the School of Visual Arts. The website serves as a critical hub for academic discourse, showcasing program details, faculty expertise, and student achievements. It functions as both an informational portal for prospective graduate students and a curated archive of intellectual contributions to the design field. The visual identity is bold, academic, and unapologetically typographic. Utilizing a high-contrast palette of vibrant red and stark white, the design employs oversized serif typefaces that command attention and signal authority. The layout balances a structured, editorial grid with playful, oversized interactive elements, creating a sophisticated yet energetic aesthetic that mirrors the rigorous and contemporary nature of design criticism.",{"id":529,"website_id":530,"page_id":529,"name":531,"slug":532,"url":533,"website_name":531,"website_slug":532,"website_url":534,"result_url":533,"fetched_at":535,"score":254,"score_boost":399,"ai_score":536,"freshness_score":210,"scored_at":537,"page_name":401,"page_url":533,"page_title":531,"page_description":538,"page_content":539,"page_sort":399,"is_home":404,"is_home_rank":405,"page_type_id":406,"page_type_name":45,"cover":540,"cover_mobile":543,"cover_sequence":545,"translations":636,"industry":639,"styles":640,"credits":642,"font_families":644,"technologies":645,"pagespeed":646,"pagespeed_mobile":653,"buckets":658,"search_payload":659},"ed6873be-0654-4283-b1a3-e61aa83e25a8","d8cb6761-26ee-48a5-a05f-212d401911c5","Claudia Piepenbrock","claudia-piepenbrock","https:\u002F\u002Fclaudia-piepenbrock.de\u002F","https:\u002F\u002Fclaudia-piepenbrock.de","2026-05-05T19:17:51.000Z",86,"2026-05-23T19:23:58.000Z","Claudia Piepenbrock is an artist based in Bremen, Germany.","Claudia Piepenbrock Info Claudia Piepenbrock arbeitet skulptural und mit dem dreidimensionalen Raum. Sie interessiert sich für Bewegungsrichtungen und das Verhalten von Materialien und Menschen. Regelmäßig entstehen großformatige, abstrakte Arbeiten – sowohl für den Innenraum als auch Skulpturen im öffentlichen Raum. In der Regel nehmen ihre Arbeiten die Bedingungen und Gegebenheiten von Raum auf und schreiben neue Wahrnehmungsverhältnisse in ihn ein. Annette Hans, (2024). Zitat aus Eröffnungsrede Altes Kelloggs Gelände Stephanikirchenweide 19 28217 Bremen (Germany) kontakt@claudia-piepenbrock.de Ausbildung 2015-2016 - Meisterschülerin, Hochschule für Künste Bremen 2015 - MFA, University of Guelph, Kanada, Sandra Rechico 2010-2015 - Diplom, Hochschule für Künste Bremen, Prof. Franka Hörnschemeyer; Fritz Balthaus 2009-2010 - University of applied sciences and arts, Ottersberg, Prof. Jochen Stenschke 2006-2008 - Atelier 3210, Paderborn, Christina Strunz Auslandsaufenthalte in Russland (2021), Kanada, USA (2015\u002F16), Kuba, Bolivien, Peru, Ecuador, Kolumbien, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexiko (2012\u002F13), Neuseeland, Samoa, Thailand, Laos, Kambodscha (2008\u002F09) Einzelausstellungen 2022 - _Tilt_, Galerie Philipp Anders, Spinnerei Leipzig - _Signature: Principles of Negative Space_, Tisa-Stiftung, Dorsten 2021 - _Stilllife restaurant_, Garage Studios Moskow, RU - _Trigger & Trap_, Weserburg Museum für moderne Kunst, Bremen 2020 - _Sprechöse_, Kunsthalle Weseke 2019 - _steg zu steg_, Kunstverein Cuxhaven - _on hollows_, Josef Filipp Galerie, Spinnerei Leipzig - _zustand in zonen_, Gerhard Marcks Haus Bremen 2018 - _Transparentgetrennt_, Sparkassen Zentrale Hannover 2017 - _Blaues Zeitembargo_, Kunstverein Hannover - _Chronisten der Darstellung_, Kunsthaus Essen 2016 - _Tabula rasa_, Josef Filipp Galerie, Spinnerei Leipzig Gruppenausstellungen (Auswahl) 2024 - JUNGE KUNST Skulpturenpreis 2024, Skulpturenpark, Heidelberg - Enter Art Fair 2024, Kopenhagen, DNK - Comeback, Kunstverein, Rotenburg - the un in visit, WRG Sensor, Braunschweig - Heitland Foundation, Kunstverein Celle 2023 - Everyone an Island After All? GAK Gesellschaft für Aktuelle Kunst, Bremen - _So wie wir sind_, Weserburg Museum für moderne Kunst, Bremen 2022 - _So wie wir sind 4.0_, Weserburg Museum für moderne Kunst, Bremen 2021 - _48 Stunden Festival_, Novosibirsk, RU - _Tote gibt ́s hier genug, Fünf lebendige Positionen_, Worpswede - _So wie wir sind 3.0_, Weserburg Museum für moderne Kunst, Bremen 2020 - _twittering machine_, Burg Giebichenstein Halle 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft - _Conditions of production_, Eleftheria Tseliou Gallery, Athen, GRC 2016 - _In the Making_, Reiter prospect, Berlin - _Trafo of Art,_ OnArte, Minusio, CHE - _Heal the World_, Weserburg, Bremen 2015 - _LOT_, China Town Toronto, CAN \u002F North End Studios, Detroit, USA - _Kunststudenten stellen aus_, Bundeskunsthalle, Bonn 2014 - _Landgänge_, GAK Gesellschaft für aktuelle Kunst, Bremen - _Die große Kunstschau_, Roseliusmuseum, Worpswede 2013 - _space,_ Lichtenberg Studios, Berlin 2012 - _fuckingfast_, Begleitprogramm documenta XIII, MS Import\u002FExport, Kassel Projekte (Auswahl) 2021-2023 - _Stilllife train_, Trans-Seberian railway, andy&cloud, (André Sassenroth & Claudia Piepenbrock) 2022 - _ME AND MY MEAN GIRLFRIENDS_, art quarter budapest , HU since 2021 - _n.a.s.a__._, andy&cloud - _BZG__. Bremer Zonen Gang GbR_, Stadtentwicklung - _Brief an die Welt_, Hannover, IGS Langenhagen, andy&cloud 2015-2016 - _LOT__, Lack of transmission_, Wanderausstellung, Projekt Leitung since 2014 - _pass-port_, andy&cloud 2012 - _La Crueldad_, Bienal Internacional de Santa Cruz de la Sierra, Assistenz, BOL - _fuckingfast_, Begleitprogramm zur documenta XIII, MS Import\u002FExport, Co-project management, Kassel Auszeichnungen\u002FStipendien 2024 - Heitland Foundation, Kunstverein Celle 2022 - NEUSTART-Stipendium der Stiftung Kunstfonds 2020 - 8 Tisa-Preis, Dorsten 2021 - Garage Studios Moskow, Golubitskoe Art Residency, Zarya Center Vladivostock, Stipendium, RU 2019 - Bremer Kunst Satellit, Reisestipendium 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft (nominiert) 2016 - Preis des Kunst­vereins, Atelierstipendium Villa Minimo, Hannover - Karin Hollweg Preis, Bremen - New Materiality, Stipendium Banff-Center, Kanada 2015 - DAAD-Stipendium, Guelph, Kanada - fortress Studio Stipendium, Detroit, USA 2014 - Paula Modersohn-Becker-Förderpreis, Worpswede Publikation 2023 - _moving still life_, Kunst Satellit 14, Ursula van den Busch, Ivan Isaev, Susanne Schattenberg, Tim Voss, André Sassenroth und Claudia Piepenbrock 2022 - _ME AND MY MEAN GIRLFRIENDS_, Artist Book with Tímea Anita Piróth, Emese Kazár, Doris Weinberger, Bea Kusovszky, Pia Pollmanns, Claudia Piepenbrock 2020 - _6UL_, Dr. Bettina Ruhrberg, Uwe-Carsten Günther and the artists - _I Love Women In Art_, 100 Frauen vorgestellt von Frauen aus Kunst und Kultur 2019 - _zustand in zonen_, Gerhard Marcks Haus Bremen, Veronika Wiegartz, Arie Hartog, Guus van Engelshoven, Sam Cornish - _Artists´ Books for Everthing_, Weserburg Museum für moderne Kunst Zentrum für Künstlerpublikationen 2018 - _Claudia Piepenbrock_, Kunstverein Hannover, Ute Stuffer, Sandra Hampe, Uwe Schramm, Elmas Senol - _Artist Kunstmagazin_, Ausgabe Nr. 115. Reiner Beßling 2017 - _RE\u002FTREATS OF THE CONTEMPORARY_, Vordemberge Gildewart Award, Kestner Gesellschaft Hannover 2016 - _HEAL THE WORLD_, Ingo Clauß, Peter Friese 2015 - _LOT. Lack of transmission_, online publikation. - _home art stories_, Städtische Galerie Delmenhorst, Sandra Hampe 2014 - _Paula Modersohn Becker Kunstpreis_ 2011 - _SOMMERANFANG KLEINERWERDEN_, Michael Glasmeier This Legal Notice complies with the German laws under § 5 TMG and § 55 RStV. Liability for Content: The contents of our website have been created with the greatest possible care. However, we cannot guarantee the contents’ accuracy, completeness, or topicality. According to Section 7, paragraph 1 of the TMG (Telemediengesetz - German Telemedia Act), we as service providers are liable for our content on these pages by general laws. However, according to Sections 8 to 10 of the TMG, we service providers are not obliged to monitor external information transmitted or stored or investigate circumstances pointing to illegal activity. Obligations to remove or block the use of information under general laws remain unaffected. However, a liability in this regard is only possible from the moment of knowledge of a specific infringement. Upon notification of such violations, we will remove the content immediately. Liability for Links: Our website contains links to external websites, over whose contents we have no control. Therefore, we cannot accept any liability for these external contents. The respective provider or operator of the websites is always responsible for the contents of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal contents were not identified at the time of linking. 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Design & Development: Cabinet Gold van d’Vlies, www.goldvandvlies.com 2024–2025 Seats Next Circuit - Public Space - Work Claudia Piepenbrock — Seats Next Circuit, 2024 2021–2023 moving still-life - Project - Publication Claudia Piepenbrock — moving still-life, 2021 2022 Tilt, Outlines Our Motion - Exhibition Claudia Piepenbrock — Tilt, Outlines Our Motion, 2022 2022 Signature: Principles of Negative Space - Installation - Work Claudia Piepenbrock — Signature: Principles of Negative Space, 2022 2022 Me and my mean girlfriends - [Project](https:\u002F\u002Fclaudia-piepenbrock.de\u002Fcategories:projec …",{"id":541,"height":13,"width":12,"blurhash":542},"473a188f-3237-4bdb-9eda-9e1c42c3ddb2","radial-gradient(at 0 0,#ecedea,#00000000 50%),radial-gradient(at 33% 0,#fcfcfa,#00000000 50%),radial-gradient(at 67% 0,#cfcecf,#00000000 50%),radial-gradient(at 100% 0,#78737d,#00000000 50%),radial-gradient(at 0 50%,#f5f6f2,#00000000 50%),radial-gradient(at 33% 50%,#fffffe,#00000000 50%),radial-gradient(at 67% 50%,#cccfc8,#00000000 50%),radial-gradient(at 100% 50%,#6d735e,#00000000 50%),radial-gradient(at 0 100%,#fffffd,#00000000 50%),radial-gradient(at 33% 100%,#ffffff,#00000000 50%),radial-gradient(at 67% 100%,#edefe8,#00000000 50%),radial-gradient(at 100% 100%,#c5c8bf,#00000000 50%)",{"id":544,"height":15,"width":14,"blurhash":93},"e114c165-dc04-4ded-a586-99d0d3125039",[546,549,552,555,558,561,564,567,570,573,576,579,582,585,588,591,594,597,600,603,606,609,612,615,618,621,624,627,630,633],{"directus_files_id":547},{"id":548},"31adac93-3db8-4b70-bd40-000f7448faa5",{"directus_files_id":550},{"id":551},"b1c33072-de7c-4fc1-be42-9d856499eca7",{"directus_files_id":553},{"id":554},"0f7a8d6d-08d8-4657-95fd-a1192b5a7826",{"directus_files_id":556},{"id":557},"50e6bdbc-95f2-459d-a0df-7c16007bb233",{"directus_files_id":559},{"id":560},"6f737310-8d61-4998-af72-004b2fe06beb",{"directus_files_id":562},{"id":563},"02e926c9-29f1-403e-90cf-8acb5bb19a38",{"directus_files_id":565},{"id":566},"60a3d59b-b470-437a-ba37-13a79b21a8d5",{"directus_files_id":568},{"id":569},"acff5291-3776-48d8-b4b0-aafed41d50fb",{"directus_files_id":571},{"id":572},"e1cf4fcb-3b3b-4905-999a-74e572385e82",{"directus_files_id":574},{"id":575},"ea782cab-94b8-4422-bbec-a93001df0535",{"directus_files_id":577},{"id":578},"3e137039-389f-4c23-8588-f709a88bae26",{"directus_files_id":580},{"id":581},"5c464839-7709-4370-aed4-a07265c17049",{"directus_files_id":583},{"id":584},"df5eea8e-b51d-4302-bf79-44f9ec2a2275",{"directus_files_id":586},{"id":587},"691e148f-a060-4a5b-9637-6ad8eb038252",{"directus_files_id":589},{"id":590},"32668954-1951-459b-adc1-c16bd17f2b07",{"directus_files_id":592},{"id":593},"779ffd63-9172-4cdb-a71d-bd6f9ef9ad05",{"directus_files_id":595},{"id":596},"2d8de8ef-7f8a-4c37-a5e1-6e1c8b448247",{"directus_files_id":598},{"id":599},"55909d6f-0500-4320-81ee-35221c2813f0",{"directus_files_id":601},{"id":602},"26f3fe6b-254c-45bc-818b-3127d4dd0307",{"directus_files_id":604},{"id":605},"993e7486-b9c3-4aef-a44a-f16d675803d2",{"directus_files_id":607},{"id":608},"a45096f1-3c15-442a-b1ff-357dce3f59f4",{"directus_files_id":610},{"id":611},"0c18a33d-3884-45db-bd43-a67a70d0fe84",{"directus_files_id":613},{"id":614},"a37e9060-ae06-4ae3-89d5-e74284a6c4c4",{"directus_files_id":616},{"id":617},"c30ddbea-8936-45c7-94bc-7495eeae3dd7",{"directus_files_id":619},{"id":620},"f3557a5d-80d7-4cba-b315-7f115ecd8882",{"directus_files_id":622},{"id":623},"af59d9ef-c51b-44c5-ba39-f2e5f7c79cff",{"directus_files_id":625},{"id":626},"895bba61-378f-4392-81f1-c6aa277fe6d9",{"directus_files_id":628},{"id":629},"2133c55c-108d-438b-b4c9-d2c0eb5c7238",{"directus_files_id":631},{"id":632},"26c04cdd-c514-4ce8-bc38-7c500f73a692",{"directus_files_id":634},{"id":635},"e20e9982-58ab-47fb-8975-294a29ed3899",[637],{"languages_code":505,"description":638},"Claudia Piepenbrock's digital portfolio serves as a sophisticated, minimalist archive for her multidisciplinary artistic practice. The website functions as a curated exhibition space, presenting a diverse range of projects including public installations, publications, and exhibitions. Through a structured, grid-based layout, the site allows viewers to navigate her body of work—from 'Seats Next Circuit' to 'moving still-life'—with ease, emphasizing the conceptual depth of each piece.\n\nThe visual identity is defined by a rigorous, high-end minimalist aesthetic that prioritizes whitespace and elegant typography. A clean, asymmetric grid system organizes text and imagery, creating a sense of rhythmic movement that mirrors the artist's themes of space and motion. The use of a neutral color palette and large-scale, high-quality imagery ensures that the focus remains entirely on the art itself, appealing to curators, collectors, and academic audiences seeking a professional and contemplative digital presence.","Art & Culture",[26,641,34],"High-End \u002F Luxury",[643],"Cabinet Gold van d’Vlies",[],[],[647,649,650,652],{"score":648,"category":143},98,{"score":231,"category":146},{"score":651,"category":149},100,{"score":651,"category":152},[654,655,656,657],{"score":265,"category":143},{"score":231,"category":146},{"score":651,"category":149},{"score":651,"category":152},[162,170,166],"Website: Claudia Piepenbrock. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Claudia Piepenbrock. Page description: Claudia Piepenbrock is an artist based in Bremen, Germany.. Page content: Claudia Piepenbrock Info Claudia Piepenbrock arbeitet skulptural und mit dem dreidimensionalen Raum. Sie interessiert sich für Bewegungsrichtungen und das Verhalten von Materialien und Menschen. Regelmäßig entstehen großformatige, abstrakte Arbeiten – sowohl für den Innenraum als auch Skulpturen im öffentlichen Raum. In der Regel nehmen ihre Arbeiten die Bedingungen und Gegebenheiten von Raum auf und schreiben neue Wahrnehmungsverhältnisse in ihn ein. Annette Hans, (2024). Zitat aus Eröffnungsrede Altes Kelloggs Gelände Stephanikirchenweide 19 28217 Bremen (Germany) kontakt@claudia-piepenbrock.de Ausbildung 2015-2016 - Meisterschülerin, Hochschule für Künste Bremen 2015 - MFA, University of Guelph, Kanada, Sandra Rechico 2010-2015 - Diplom, Hochschule für Künste Bremen, Prof. Franka Hörnschemeyer; Fritz Balthaus 2009-2010 - University of applied sciences and arts, Ottersberg, Prof. Jochen Stenschke 2006-2008 - Atelier 3210, Paderborn, Christina Strunz Auslandsaufenthalte in Russland (2021), Kanada, USA (2015\u002F16), Kuba, Bolivien, Peru, Ecuador, Kolumbien, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexiko (2012\u002F13), Neuseeland, Samoa, Thailand, Laos, Kambodscha (2008\u002F09) Einzelausstellungen 2022 - _Tilt_, Galerie Philipp Anders, Spinnerei Leipzig - _Signature: Principles of Negative Space_, Tisa-Stiftung, Dorsten 2021 - _Stilllife restaurant_, Garage Studios Moskow, RU - _Trigger & Trap_, Weserburg Museum für moderne Kunst, Bremen 2020 - _Sprechöse_, Kunsthalle Weseke 2019 - _steg zu steg_, Kunstverein Cuxhaven - _on hollows_, Josef Filipp Galerie, Spinnerei Leipzig - _zustand in zonen_, Gerhard Marcks Haus Bremen 2018 - _Transparentgetrennt_, Sparkassen Zentrale Hannover 2017 - _Blaues Zeitembargo_, Kunstverein Hannover - _Chronisten der Darstellung_, Kunsthaus Essen 2016 - _Tabula rasa_, Josef Filipp Galerie, Spinnerei Leipzig Gruppenausstellungen (Auswahl) 2024 - JUNGE KUNST Skulpturenpreis 2024, Skulpturenpark, Heidelberg - Enter Art Fair 2024, Kopenhagen, DNK - Comeback, Kunstverein, Rotenburg - the un in visit, WRG Sensor, Braunschweig - Heitland Foundation, Kunstverein Celle 2023 - Everyone an Island After All? GAK Gesellschaft für Aktuelle Kunst, Bremen - _So wie wir sind_, Weserburg Museum für moderne Kunst, Bremen 2022 - _So wie wir sind 4.0_, Weserburg Museum für moderne Kunst, Bremen 2021 - _48 Stunden Festival_, Novosibirsk, RU - _Tote gibt ́s hier genug, Fünf lebendige Positionen_, Worpswede - _So wie wir sind 3.0_, Weserburg Museum für moderne Kunst, Bremen 2020 - _twittering machine_, Burg Giebichenstein Halle 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft - _Conditions of production_, Eleftheria Tseliou Gallery, Athen, GRC 2016 - _In the Making_, Reiter prospect, Berlin - _Trafo of Art,_ OnArte, Minusio, CHE - _Heal the World_, Weserburg, Bremen 2015 - _LOT_, China Town Toronto, CAN \u002F North End Studios, Detroit, USA - _Kunststudenten stellen aus_, Bundeskunsthalle, Bonn 2014 - _Landgänge_, GAK Gesellschaft für aktuelle Kunst, Bremen - _Die große Kunstschau_, Roseliusmuseum, Worpswede 2013 - _space,_ Lichtenberg Studios, Berlin 2012 - _fuckingfast_, Begleitprogramm documenta XIII, MS Import\u002FExport, Kassel Projekte (Auswahl) 2021-2023 - _Stilllife train_, Trans-Seberian railway, andy&cloud, (André Sassenroth & Claudia Piepenbrock) 2022 - _ME AND MY MEAN GIRLFRIENDS_, art quarter budapest , HU since 2021 - _n.a.s.a__._, andy&cloud - _BZG__. Bremer Zonen Gang GbR_, Stadtentwicklung - _Brief an die Welt_, Hannover, IGS Langenhagen, andy&cloud 2015-2016 - _LOT__, Lack of transmission_, Wanderausstellung, Projekt Leitung since 2014 - _pass-port_, andy&cloud 2012 - _La Crueldad_, Bienal Internacional de Santa Cruz de la Sierra, Assistenz, BOL - _fuckingfast_, Begleitprogramm zur documenta XIII, MS Import\u002FExport, Co-project management, Kassel Auszeichnungen\u002FStipendien 2024 - Heitland Foundation, Kunstverein Celle 2022 - NEUSTART-Stipendium der Stiftung Kunstfonds 2020 - 8 Tisa-Preis, Dorsten 2021 - Garage Studios Moskow, Golubitskoe Art Residency, Zarya Center Vladivostock, Stipendium, RU 2019 - Bremer Kunst Satellit, Reisestipendium 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft (nominiert) 2016 - Preis des Kunst­vereins, Atelierstipendium Villa Minimo, Hannover - Karin Hollweg Preis, Bremen - New Materiality, Stipendium Banff-Center, Kanada 2015 - DAAD-Stipendium, Guelph, Kanada - fortress Studio Stipendium, Detroit, USA 2014 - Paula Modersohn-Becker-Förderpreis, Worpswede Publikation 2023 - _moving still life_, Kunst Satellit 14, Ursula van den Busch, Ivan Isaev, Susanne Schattenberg, Tim Voss, André Sassenroth und Claudia Piepenbrock 2022 - _ME AND MY MEAN GIRLFRIENDS_, Artist Book with Tímea Anita Piróth, Emese Kazár, Doris Weinberger, Bea Kusovszky, Pia Pollmanns, Claudia Piepenbrock 2020 - _6UL_, Dr. Bettina Ruhrberg, Uwe-Carsten Günther and the artists - _I Love Women In Art_, 100 Frauen vorgestellt von Frauen aus Kunst und Kultur 2019 - _zustand in zonen_, Gerhard Marcks Haus Bremen, Veronika Wiegartz, Arie Hartog, Guus van Engelshoven, Sam Cornish - _Artists´ Books for Everthing_, Weserburg Museum für moderne Kunst Zentrum für Künstlerpublikationen 2018 - _Claudia Piepenbrock_, Kunstverein Hannover, Ute Stuffer, Sandra Hampe, Uwe Schramm, Elmas Senol - _Artist Kunstmagazin_, Ausgabe Nr. 115. Reiner Beßling 2017 - _RE\u002FTREATS OF THE CONTEMPORARY_, Vordemberge Gildewart Award, Kestner Gesellschaft Hannover 2016 - _HEAL THE WORLD_, Ingo Clauß, Peter Friese 2015 - _LOT. Lack of transmission_, online publikation. - _home art stories_, Städtische Galerie Delmenhorst, Sandra Hampe 2014 - _Paula Modersohn Becker Kunstpreis_ 2011 - _SOMMERANFANG KLEINERWERDEN_, Michael Glasmeier This Legal Notice complies with the German laws under § 5 TMG and § 55 RStV. Liability for Content: The contents of our website have been created with the greatest possible care. However, we cannot guarantee the contents’ accuracy, completeness, or topicality. According to Section 7, paragraph 1 of the TMG (Telemediengesetz - German Telemedia Act), we as service providers are liable for our content on these pages by general laws. However, according to Sections 8 to 10 of the TMG, we service providers are not obliged to monitor external information transmitted or stored or investigate circumstances pointing to illegal activity. Obligations to remove or block the use of information under general laws remain unaffected. However, a liability in this regard is only possible from the moment of knowledge of a specific infringement. Upon notification of such violations, we will remove the content immediately. Liability for Links: Our website contains links to external websites, over whose contents we have no control. Therefore, we cannot accept any liability for these external contents. The respective provider or operator of the websites is always responsible for the contents of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal contents were not identified at the time of linking. However, permanent monitoring of the contents of the linked pages is not reasonable without specific indications of a violation. Upon notification of violations, we will remove such links immediately. Copyright: The contents and works on these pages created by the site operator are subject to German copyright law. The duplication, processing, distribution, and any kind of utilization outside the limits of copyright require the written consent of the respective author or creator. Downloads and copies of these pages are only permitted for private, non-commercial use. In so far as the contents on this site were not created by the operator, the copyrights of third parties are respected. In particular, third-party content is marked as such. Should you become aware of a copyright infringement, please inform us accordingly. Upon notification of violations, we will remove such contents immediately. Design & Development: Cabinet Gold van d’Vlies, www.goldvandvlies.com 2024–2025 Seats Next Circuit - Public Space - Work Claudia Piepenbrock — Seats Next Circuit, 2024 2021–2023 moving still-life - Project - Publication Claudia Piepenbrock — moving still-life, 2021 2022 Tilt, Outlines Our Motion - Exhibition Claudia Piepenbrock — Tilt, Outlines Our Motion, 2022 2022 Signature: Principles of Negative Space - Installation - Work Claudia Piepenbrock — Signature: Principles of Negative Space, 2022 2022 Me and my mean girlfriends - [Project](https:\u002F\u002Fclaudia-piepenbrock.de\u002Fcategories:projec …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. Designed and developed by Cabinet Gold van d’Vlies. The overall color palette features White, Gray, Black. AI description: Claudia Piepenbrock's digital portfolio serves as a sophisticated, minimalist archive for her multidisciplinary artistic practice. The website functions as a curated exhibition space, presenting a diverse range of projects including public installations, publications, and exhibitions. Through a structured, grid-based layout, the site allows viewers to navigate her body of work—from 'Seats Next Circuit' to 'moving still-life'—with ease, emphasizing the conceptual depth of each piece. The visual identity is defined by a rigorous, high-end minimalist aesthetic that prioritizes whitespace and elegant typography. A clean, asymmetric grid system organizes text and imagery, creating a sense of rhythmic movement that mirrors the artist's themes of space and motion. The use of a neutral color palette and large-scale, high-quality imagery ensures that the focus remains entirely on the art itself, appealing to curators, collectors, and academic audiences seeking a professional and contemplative digital presence.",{"id":661,"website_id":662,"page_id":661,"name":663,"slug":664,"url":665,"website_name":663,"website_slug":664,"website_url":666,"result_url":665,"fetched_at":667,"score":255,"score_boost":399,"ai_score":254,"freshness_score":668,"scored_at":669,"page_name":401,"page_url":665,"page_title":663,"page_description":670,"page_content":671,"page_sort":399,"is_home":404,"is_home_rank":405,"page_type_id":406,"page_type_name":45,"cover":672,"cover_mobile":675,"cover_sequence":677,"translations":681,"industry":684,"styles":685,"credits":686,"font_families":688,"technologies":690,"pagespeed":691,"pagespeed_mobile":697,"buckets":702,"search_payload":703},"c676bd7d-71f0-404f-976b-80b184183b89","ebf00b58-bf20-41a6-933d-8e7d3a286519","Sandra Doeller","sandradoeller","https:\u002F\u002Fsandradoeller.com\u002F","https:\u002F\u002Fsandradoeller.com","2026-05-04T12:38:30.000Z",74,"2026-05-23T19:20:43.000Z","Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.","Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …",{"id":673,"height":13,"width":12,"blurhash":674},"cc28f65c-6c0c-448a-9543-4f6fc1dcd579","radial-gradient(at 0 0,#eeeeee,#00000000 50%),radial-gradient(at 33% 0,#f6f6f6,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#dddddd,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 100% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 0 100%,#dadada,#00000000 50%),radial-gradient(at 33% 100%,#dddddd,#00000000 50%),radial-gradient(at 67% 100%,#dddddd,#00000000 50%),radial-gradient(at 100% 100%,#dbdbdb,#00000000 50%)",{"id":676,"height":15,"width":14,"blurhash":93},"ee35a35b-7056-4b3b-a410-6d8fb821f9de",[678],{"directus_files_id":679},{"id":680},"d1e1dfc1-2478-4823-a5a8-615901f1ed26",[682],{"languages_code":505,"description":683},"Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives.\n\nThe visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector.","Agency & Studio",[26,30,34],[687],"Liebermann Kiepe Reddemann",[689],"Favorit",[113],[692,693,695,696],{"score":252,"category":143},{"score":694,"category":146},67,{"score":517,"category":149},{"score":252,"category":152},[698,699,700,701],{"score":257,"category":143},{"score":694,"category":146},{"score":517,"category":149},{"score":252,"category":152},[162,166,170],"Website: Sandra Doeller. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Sandra Doeller. Page description: Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.. Page content: Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Favorit (Sans Serif, Dinamo). Built using jQuery. AI description: Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives. The visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. 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Architektur, Innenarchitektur, Gestaltung - Individuell & identitätsstiftend für den Kunden.","- HAKRO | KANTINE - PRAXIS T - LOFT CT - HAKRO | LAUBENGANG - HAUS CH Schlagwortliste - Bauen im Bestand - Lichtplanung - Interior - Büro - Installation - Ausstellung - Agentur - Aussenansicht - Neubau - Innenausbau - Museum - Glas - Hotel - Holzbau - Wettbewerb - Wohnhaus - Retail - Villa - Vinothek - Klinker - Veranstaltung - Boutiquehotel - \\\\\\* Plus - Vortrag - Literatur - Wein - Innenarchitektur - Braustube - Kegelbahn - Sternerestaurant - Rohbau - Aussenanlage - Automotive - Jazzclub - Hochschule Stuttgart - Briefmarke Adresse Architekturbüro Stuttgart Stöckachstraße 11A 70190 Stuttgart Deutschland Kontakt Mail: info@seebald.net Telefon: +49 711 400 497 00 FACEBOOK | PINTEREST | INSTAGRAM | LINKEDIN Navigation - Home - Projekte - Journal - Studio - Kontakt © Copyright 2026 Seebald. [ TREPPENRÄUME Schrozberg – ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Ftreppenraeume\u002F) [ GARTENHAUS H Schrozberg – 2025 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fgartenhaus\u002F) [ HAKRO | KANTINE Schrozberg – 2024 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhakro-kantine\u002F) [ PRAXIS T Stuttgart - Bad Cannstatt – 2024 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fpraxis-t\u002F) [ CONCEPTSTORE 2 Schrozberg – 2025 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fconceptstore-2\u002F) [ LINDE Schrozberg – 2024 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Flinde\u002F) [ LOFT CT Meran – 2024 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Floft-ct\u002F) [ STUDIO Stuttgart – 2024 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Farchitekturbuero-stuttgart\u002F) [ HAUS CH Remshalden – 2023 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-ch\u002F) [ HAUS TM Böblingen – 2020 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-tm\u002F) [ SCHROOZ AM MARKT SCHROZBERG – 2022 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fschrooz-am-markt\u002F) [ HAKRO | LAUBENGANG SCHROZBERG – 2022 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhakro-laubengang\u002F) [ BEST WORKSPACES 2022 Stuttgart – 2022 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fbest-workspaces-2022\u002F) [ HAKRO | SCHAURAUM SCHROZBERG – 2020 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhakro-schauraum\u002F) [ In Progress Surfhouse Portugal – 2021 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fin-progress-surfhouse\u002F) [ COWORKING-SPACE FREI Stuttgart – 2021 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fcoworking-space-frei\u002F) [ AGENTUR WERBEWELT Stuttgart – 2020 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fagentur-werbewelt\u002F) [ HAKRO | Messestand Stuttgart – 2020 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhakro-messestand\u002F) [ HAUS G STUTTGART – 2019 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-g\u002F) [ BURG HÜLSHOFF Burg Hülshoff – 2018 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fwettbewerb-burg-huelshoff\u002F) [ @ SATTLER Lightning Göppingen – 2018 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fseebald\u002F) [ BISCHOFFS Bad Urach – 2016 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fbischoffs\u002F) [ KESSELHAUS Bad Urach – 2016 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fkesselhaus\u002F) [ Vortrag @ Pauline51 Stuttgart – 2017 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fvortrag-pauline51\u002F) [ AUSSEN R Stuttgart – 2016 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Faussen-r\u002F) [ AGENTUR T Stuttgart – 2017 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fagentur-t\u002F) [ Vortrag „Wilder Mann“ Stuttgart – 2016 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fvortrag-wilder-mann\u002F) [ Wilder Mann Bad Urach – 2016 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fwilder-mann\u002F) [ Bücher Stuttgart – 2016 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002F1295\u002F) [ HAUS SCH Pliezhausen – 2015 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fhaus-sch\u002F) [ Der Wilde Mann Bad Urach – 2015 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fder-wilde-mann\u002F) [ BLOCKPARTY Stuttgart – 2015 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fblockparty\u002F) [ HHQ Stuttgart – 2015 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhhq\u002F) [ Bräustüble Bad Urach – 2014 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fwilder-mann\u002F) [ Foto Porschemuseum Stuttgart realisiert durch Architekturbüro SEEBALD. Porsche Museum Stuttgart – 2005 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fporsche-museum\u002F) [ Besucherzentrum Rehau Erlangen – 2011 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fbesucherzentrum-rehau\u002F) [ Mercedes Benz Campus Stuttgart – 2012 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fmercedes-benz-campus\u002F) [ Haus der Zukunft Berlin – 2012 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-der-zukunft\u002F) [ SHOWROOM BURGBAD GREDING – 2012 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fwb-showroom-burgbad\u002F) [ PLACES Stuttgart – 2010 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fplaces\u002F) [ HAUS R Gerlingen – 2012 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-r\u002F) [ BIX @ Briefmarke Stuttgart – 2015 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fbix-briefmarke\u002F) [ HAUS M STUTTGART – 2004 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-m\u002F) [ Nachhaltiges Bauen in Ludwigsburg bei Stuttgart Halle 2Z Ludwigsburg – 2009 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhalle-2z\u002F) [ Foyer Werkzentrum Ludwigsburg – 2006 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Ffoyer-werkzentrum\u002F) [ Publicmotor Stuttgart – 2008 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fpublic-phaidon\u002F) [ HHQ Stuttgart – 2015 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fhhq\u002F) [ Pulsmacher Ludwigsburg – 2005 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fpu …",{"id":718,"height":13,"width":12,"blurhash":719},"bfdb18aa-6578-4d17-a178-1a6bdd6ac326","radial-gradient(at 0 0,#d2d4c9,#00000000 50%),radial-gradient(at 33% 0,#d1d2c8,#00000000 50%),radial-gradient(at 67% 0,#d2cfc9,#00000000 50%),radial-gradient(at 100% 0,#d1d0c9,#00000000 50%),radial-gradient(at 0 50%,#000000,#00000000 50%),radial-gradient(at 33% 50%,#2a1816,#00000000 50%),radial-gradient(at 67% 50%,#4b3732,#00000000 50%),radial-gradient(at 100% 50%,#301a1d,#00000000 50%),radial-gradient(at 0 100%,#695b5c,#00000000 50%),radial-gradient(at 33% 100%,#826d69,#00000000 50%),radial-gradient(at 67% 100%,#897776,#00000000 50%),radial-gradient(at 100% 100%,#776d70,#00000000 50%)",{"id":721,"height":15,"width":14,"blurhash":93},"5c6cf4ff-495f-45fd-b422-d32f0fd1c56e",[723],{"directus_files_id":724},{"id":725},"9ddfaff9-b0fc-450a-8916-c5024b3cb75d",[727],{"languages_code":505,"description":728},"SEEBALD. is a sophisticated interdisciplinary studio based in Stuttgart, specializing in the intersection of architecture, interior design, and spatial identity. The website serves as a high-end digital portfolio, showcasing a curated selection of projects that emphasize materiality, light, and structural harmony. It is designed for discerning clients and collaborators seeking bespoke architectural solutions that blend functional precision with aesthetic character.\n\nThe visual identity is defined by a rigorous, editorial minimalism. Utilizing a stark monochrome palette and expansive whitespace, the design allows the high-quality architectural photography to command full attention. The typography is bold and authoritative, employing large, clean sans-serif typefaces that act as structural elements within the layout. The user experience is seamless and understated, mirroring the studio's own design philosophy of intentionality and refined simplicity.","Architecture & Real Estate",[26,641,34],[],[356,356,336],[330,332,113,119,311,312,734],"WPML",[736,737,738,739],{"score":694,"category":143},{"score":266,"category":146},{"score":651,"category":149},{"score":651,"category":152},[741,743,744,745],{"score":742,"category":143},63,{"score":266,"category":146},{"score":651,"category":149},{"score":651,"category":152},[162,166,170],"Website: SEEBALD.. Page: Homepage. Page type: Home \u002F Landing Page. Page title: SEEBALD. — Studio für Architektur & Gestaltung. Page description: Interdisziplinäres Studio für Architektur & Gestaltung in Stuttgart. Architektur, Innenarchitektur, Gestaltung - Individuell & identitätsstiftend für den Kunden.. Page content: - HAKRO | KANTINE - PRAXIS T - LOFT CT - HAKRO | LAUBENGANG - HAUS CH Schlagwortliste - Bauen im Bestand - Lichtplanung - Interior - Büro - Installation - Ausstellung - Agentur - Aussenansicht - Neubau - Innenausbau - Museum - Glas - Hotel - Holzbau - Wettbewerb - Wohnhaus - Retail - Villa - Vinothek - Klinker - Veranstaltung - Boutiquehotel - \\\\\\* Plus - Vortrag - Literatur - Wein - Innenarchitektur - Braustube - Kegelbahn - Sternerestaurant - Rohbau - Aussenanlage - Automotive - Jazzclub - Hochschule Stuttgart - Briefmarke Adresse Architekturbüro Stuttgart Stöckachstraße 11A 70190 Stuttgart Deutschland Kontakt Mail: info@seebald.net Telefon: +49 711 400 497 00 FACEBOOK | PINTEREST | INSTAGRAM | LINKEDIN Navigation - Home - Projekte - Journal - Studio - Kontakt © Copyright 2026 Seebald. [ TREPPENRÄUME Schrozberg – ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Ftreppenraeume\u002F) [ GARTENHAUS H Schrozberg – 2025 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fgartenhaus\u002F) [ HAKRO | KANTINE Schrozberg – 2024 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhakro-kantine\u002F) [ PRAXIS T Stuttgart - Bad Cannstatt – 2024 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fpraxis-t\u002F) [ CONCEPTSTORE 2 Schrozberg – 2025 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fconceptstore-2\u002F) [ LINDE Schrozberg – 2024 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Flinde\u002F) [ LOFT CT Meran – 2024 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Floft-ct\u002F) [ STUDIO Stuttgart – 2024 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Farchitekturbuero-stuttgart\u002F) [ HAUS CH Remshalden – 2023 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-ch\u002F) [ HAUS TM Böblingen – 2020 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-tm\u002F) [ SCHROOZ AM MARKT SCHROZBERG – 2022 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fschrooz-am-markt\u002F) [ HAKRO | LAUBENGANG SCHROZBERG – 2022 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhakro-laubengang\u002F) [ BEST WORKSPACES 2022 Stuttgart – 2022 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fbest-workspaces-2022\u002F) [ HAKRO | SCHAURAUM SCHROZBERG – 2020 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhakro-schauraum\u002F) [ In Progress Surfhouse Portugal – 2021 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fin-progress-surfhouse\u002F) [ COWORKING-SPACE FREI Stuttgart – 2021 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fcoworking-space-frei\u002F) [ AGENTUR WERBEWELT Stuttgart – 2020 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fagentur-werbewelt\u002F) [ HAKRO | Messestand Stuttgart – 2020 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhakro-messestand\u002F) [ HAUS G STUTTGART – 2019 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-g\u002F) [ BURG HÜLSHOFF Burg Hülshoff – 2018 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fwettbewerb-burg-huelshoff\u002F) [ @ SATTLER Lightning Göppingen – 2018 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fseebald\u002F) [ BISCHOFFS Bad Urach – 2016 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fbischoffs\u002F) [ KESSELHAUS Bad Urach – 2016 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fkesselhaus\u002F) [ Vortrag @ Pauline51 Stuttgart – 2017 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fvortrag-pauline51\u002F) [ AUSSEN R Stuttgart – 2016 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Faussen-r\u002F) [ AGENTUR T Stuttgart – 2017 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fagentur-t\u002F) [ Vortrag „Wilder Mann“ Stuttgart – 2016 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fvortrag-wilder-mann\u002F) [ Wilder Mann Bad Urach – 2016 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fwilder-mann\u002F) [ Bücher Stuttgart – 2016 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002F1295\u002F) [ HAUS SCH Pliezhausen – 2015 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fhaus-sch\u002F) [ Der Wilde Mann Bad Urach – 2015 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fder-wilde-mann\u002F) [ BLOCKPARTY Stuttgart – 2015 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fblockparty\u002F) [ HHQ Stuttgart – 2015 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhhq\u002F) [ Bräustüble Bad Urach – 2014 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fwilder-mann\u002F) [ Foto Porschemuseum Stuttgart realisiert durch Architekturbüro SEEBALD. Porsche Museum Stuttgart – 2005 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fporsche-museum\u002F) [ Besucherzentrum Rehau Erlangen – 2011 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fbesucherzentrum-rehau\u002F) [ Mercedes Benz Campus Stuttgart – 2012 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fmercedes-benz-campus\u002F) [ Haus der Zukunft Berlin – 2012 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-der-zukunft\u002F) [ SHOWROOM BURGBAD GREDING – 2012 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fwb-showroom-burgbad\u002F) [ PLACES Stuttgart – 2010 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fplaces\u002F) [ HAUS R Gerlingen – 2012 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-r\u002F) [ BIX @ Briefmarke Stuttgart – 2015 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fbix-briefmarke\u002F) [ HAUS M STUTTGART – 2004 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhaus-m\u002F) [ Nachhaltiges Bauen in Ludwigsburg bei Stuttgart Halle 2Z Ludwigsburg – 2009 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fhalle-2z\u002F) [ Foyer Werkzentrum Ludwigsburg – 2006 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Ffoyer-werkzentrum\u002F) [ Publicmotor Stuttgart – 2008 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fpublic-phaidon\u002F) [ HHQ Stuttgart – 2015 ](https:\u002F\u002Fseebald.net\u002Fjournal\u002Fhhq\u002F) [ Pulsmacher Ludwigsburg – 2005 ](https:\u002F\u002Fseebald.net\u002Fprojekte\u002Fpu …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Architecture & Real Estate industry. The overall color palette features White, Black, Gray. The typography features Google Sans, Google Sans, Roboto (Sans Serif). Built using Contact Form 7, Google Maps, jQuery, Modernizr, PHP, WordPress, WPML. AI description: SEEBALD. is a sophisticated interdisciplinary studio based in Stuttgart, specializing in the intersection of architecture, interior design, and spatial identity. The website serves as a high-end digital portfolio, showcasing a curated selection of projects that emphasize materiality, light, and structural harmony. It is designed for discerning clients and collaborators seeking bespoke architectural solutions that blend functional precision with aesthetic character. The visual identity is defined by a rigorous, editorial minimalism. Utilizing a stark monochrome palette and expansive whitespace, the design allows the high-quality architectural photography to command full attention. The typography is bold and authoritative, employing large, clean sans-serif typefaces that act as structural elements within the layout. The user experience is seamless and understated, mirroring the studio's own design philosophy of intentionality and refined simplicity."]