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based in Bremen, Germany.","Claudia Piepenbrock Info Claudia Piepenbrock arbeitet skulptural und mit dem dreidimensionalen Raum. Sie interessiert sich für Bewegungsrichtungen und das Verhalten von Materialien und Menschen. Regelmäßig entstehen großformatige, abstrakte Arbeiten – sowohl für den Innenraum als auch Skulpturen im öffentlichen Raum. In der Regel nehmen ihre Arbeiten die Bedingungen und Gegebenheiten von Raum auf und schreiben neue Wahrnehmungsverhältnisse in ihn ein. Annette Hans, (2024). Zitat aus Eröffnungsrede Altes Kelloggs Gelände Stephanikirchenweide 19 28217 Bremen (Germany) kontakt@claudia-piepenbrock.de Ausbildung 2015-2016 - Meisterschülerin, Hochschule für Künste Bremen 2015 - MFA, University of Guelph, Kanada, Sandra Rechico 2010-2015 - Diplom, Hochschule für Künste Bremen, Prof. Franka Hörnschemeyer; Fritz Balthaus 2009-2010 - University of applied sciences and arts, Ottersberg, Prof. Jochen Stenschke 2006-2008 - Atelier 3210, Paderborn, Christina Strunz Auslandsaufenthalte in Russland (2021), Kanada, USA (2015\u002F16), Kuba, Bolivien, Peru, Ecuador, Kolumbien, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexiko (2012\u002F13), Neuseeland, Samoa, Thailand, Laos, Kambodscha (2008\u002F09) Einzelausstellungen 2022 - _Tilt_, Galerie Philipp Anders, Spinnerei Leipzig - _Signature: Principles of Negative Space_, Tisa-Stiftung, Dorsten 2021 - _Stilllife restaurant_, Garage Studios Moskow, RU - _Trigger & Trap_, Weserburg Museum für moderne Kunst, Bremen 2020 - _Sprechöse_, Kunsthalle Weseke 2019 - _steg zu steg_, Kunstverein Cuxhaven - _on hollows_, Josef Filipp Galerie, Spinnerei Leipzig - _zustand in zonen_, Gerhard Marcks Haus Bremen 2018 - _Transparentgetrennt_, Sparkassen Zentrale Hannover 2017 - _Blaues Zeitembargo_, Kunstverein Hannover - _Chronisten der Darstellung_, Kunsthaus Essen 2016 - _Tabula rasa_, Josef Filipp Galerie, Spinnerei Leipzig Gruppenausstellungen (Auswahl) 2024 - JUNGE KUNST Skulpturenpreis 2024, Skulpturenpark, Heidelberg - Enter Art Fair 2024, Kopenhagen, DNK - Comeback, Kunstverein, Rotenburg - the un in visit, WRG Sensor, Braunschweig - Heitland Foundation, Kunstverein Celle 2023 - Everyone an Island After All? GAK Gesellschaft für Aktuelle Kunst, Bremen - _So wie wir sind_, Weserburg Museum für moderne Kunst, Bremen 2022 - _So wie wir sind 4.0_, Weserburg Museum für moderne Kunst, Bremen 2021 - _48 Stunden Festival_, Novosibirsk, RU - _Tote gibt ́s hier genug, Fünf lebendige Positionen_, Worpswede - _So wie wir sind 3.0_, Weserburg Museum für moderne Kunst, Bremen 2020 - _twittering machine_, Burg Giebichenstein Halle 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft - _Conditions of production_, Eleftheria Tseliou Gallery, Athen, GRC 2016 - _In the Making_, Reiter prospect, Berlin - _Trafo of Art,_ OnArte, Minusio, CHE - _Heal the World_, Weserburg, Bremen 2015 - _LOT_, China Town Toronto, CAN \u002F North End Studios, Detroit, USA - _Kunststudenten stellen aus_, Bundeskunsthalle, Bonn 2014 - _Landgänge_, GAK Gesellschaft für aktuelle Kunst, Bremen - _Die große Kunstschau_, Roseliusmuseum, Worpswede 2013 - _space,_ Lichtenberg Studios, Berlin 2012 - _fuckingfast_, Begleitprogramm documenta XIII, MS Import\u002FExport, Kassel Projekte (Auswahl) 2021-2023 - _Stilllife train_, Trans-Seberian railway, andy&cloud, (André Sassenroth & Claudia Piepenbrock) 2022 - _ME AND MY MEAN GIRLFRIENDS_, art quarter budapest , HU since 2021 - _n.a.s.a__._, andy&cloud - _BZG__. Bremer Zonen Gang GbR_, Stadtentwicklung - _Brief an die Welt_, Hannover, IGS Langenhagen, andy&cloud 2015-2016 - _LOT__, Lack of transmission_, Wanderausstellung, Projekt Leitung since 2014 - _pass-port_, andy&cloud 2012 - _La Crueldad_, Bienal Internacional de Santa Cruz de la Sierra, Assistenz, BOL - _fuckingfast_, Begleitprogramm zur documenta XIII, MS Import\u002FExport, Co-project management, Kassel Auszeichnungen\u002FStipendien 2024 - Heitland Foundation, Kunstverein Celle 2022 - NEUSTART-Stipendium der Stiftung Kunstfonds 2020 - 8 Tisa-Preis, Dorsten 2021 - Garage Studios Moskow, Golubitskoe Art Residency, Zarya Center Vladivostock, Stipendium, RU 2019 - Bremer Kunst Satellit, Reisestipendium 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft (nominiert) 2016 - Preis des Kunst­vereins, Atelierstipendium Villa Minimo, Hannover - Karin Hollweg Preis, Bremen - New Materiality, Stipendium Banff-Center, Kanada 2015 - DAAD-Stipendium, Guelph, Kanada - fortress Studio Stipendium, Detroit, USA 2014 - Paula Modersohn-Becker-Förderpreis, Worpswede Publikation 2023 - _moving still life_, Kunst Satellit 14, Ursula van den Busch, Ivan Isaev, Susanne Schattenberg, Tim Voss, André Sassenroth und Claudia Piepenbrock 2022 - _ME AND MY MEAN GIRLFRIENDS_, Artist Book with Tímea Anita Piróth, Emese Kazár, Doris Weinberger, Bea Kusovszky, Pia Pollmanns, Claudia Piepenbrock 2020 - _6UL_, Dr. Bettina Ruhrberg, Uwe-Carsten Günther and the artists - _I Love Women In Art_, 100 Frauen vorgestellt von Frauen aus Kunst und Kultur 2019 - _zustand in zonen_, Gerhard Marcks Haus Bremen, Veronika Wiegartz, Arie Hartog, Guus van Engelshoven, Sam Cornish - _Artists´ Books for Everthing_, Weserburg Museum für moderne Kunst Zentrum für Künstlerpublikationen 2018 - _Claudia Piepenbrock_, Kunstverein Hannover, Ute Stuffer, Sandra Hampe, Uwe Schramm, Elmas Senol - _Artist Kunstmagazin_, Ausgabe Nr. 115. Reiner Beßling 2017 - _RE\u002FTREATS OF THE CONTEMPORARY_, Vordemberge Gildewart Award, Kestner Gesellschaft Hannover 2016 - _HEAL THE WORLD_, Ingo Clauß, Peter Friese 2015 - _LOT. Lack of transmission_, online publikation. - _home art stories_, Städtische Galerie Delmenhorst, Sandra Hampe 2014 - _Paula Modersohn Becker Kunstpreis_ 2011 - _SOMMERANFANG KLEINERWERDEN_, Michael Glasmeier This Legal Notice complies with the German laws under § 5 TMG and § 55 RStV. Liability for Content: The contents of our website have been created with the greatest possible care. However, we cannot guarantee the contents’ accuracy, completeness, or topicality. According to Section 7, paragraph 1 of the TMG (Telemediengesetz - German Telemedia Act), we as service providers are liable for our content on these pages by general laws. However, according to Sections 8 to 10 of the TMG, we service providers are not obliged to monitor external information transmitted or stored or investigate circumstances pointing to illegal activity. Obligations to remove or block the use of information under general laws remain unaffected. However, a liability in this regard is only possible from the moment of knowledge of a specific infringement. Upon notification of such violations, we will remove the content immediately. Liability for Links: Our website contains links to external websites, over whose contents we have no control. Therefore, we cannot accept any liability for these external contents. The respective provider or operator of the websites is always responsible for the contents of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal contents were not identified at the time of linking. However, permanent monitoring of the contents of the linked pages is not reasonable without specific indications of a violation. Upon notification of violations, we will remove such links immediately. Copyright: The contents and works on these pages created by the site operator are subject to German copyright law. The duplication, processing, distribution, and any kind of utilization outside the limits of copyright require the written consent of the respective author or creator. Downloads and copies of these pages are only permitted for private, non-commercial use. In so far as the contents on this site were not created by the operator, the copyrights of third parties are respected. In particular, third-party content is marked as such. Should you become aware of a copyright infringement, please inform us accordingly. Upon notification of violations, we will remove such contents immediately. Design & Development: Cabinet Gold van d’Vlies, www.goldvandvlies.com 2024–2025 Seats Next Circuit - Public Space - Work Claudia Piepenbrock — Seats Next Circuit, 2024 2021–2023 moving still-life - Project - Publication Claudia Piepenbrock — moving still-life, 2021 2022 Tilt, Outlines Our Motion - Exhibition Claudia Piepenbrock — Tilt, Outlines Our Motion, 2022 2022 Signature: Principles of Negative Space - Installation - Work Claudia Piepenbrock — Signature: Principles of Negative Space, 2022 2022 Me and my mean girlfriends - [Project](https:\u002F\u002Fclaudia-piepenbrock.de\u002Fcategories:projec …",true,1,"1",{"id":336,"height":13,"width":12,"blurhash":337},"473a188f-3237-4bdb-9eda-9e1c42c3ddb2","radial-gradient(at 0 0,#ecedea,#00000000 50%),radial-gradient(at 33% 0,#fcfcfa,#00000000 50%),radial-gradient(at 67% 0,#cfcecf,#00000000 50%),radial-gradient(at 100% 0,#78737d,#00000000 50%),radial-gradient(at 0 50%,#f5f6f2,#00000000 50%),radial-gradient(at 33% 50%,#fffffe,#00000000 50%),radial-gradient(at 67% 50%,#cccfc8,#00000000 50%),radial-gradient(at 100% 50%,#6d735e,#00000000 50%),radial-gradient(at 0 100%,#fffffd,#00000000 50%),radial-gradient(at 33% 100%,#ffffff,#00000000 50%),radial-gradient(at 67% 100%,#edefe8,#00000000 50%),radial-gradient(at 100% 100%,#c5c8bf,#00000000 50%)",{"id":339,"height":15,"width":14,"blurhash":340},"e114c165-dc04-4ded-a586-99d0d3125039",null,[342,345,348,351,354,357,360,363,366,369,372,375,378,381,384,387,390,393,396,399,402,405,408,411,414,417,420,423,426,429],{"directus_files_id":343},{"id":344},"31adac93-3db8-4b70-bd40-000f7448faa5",{"directus_files_id":346},{"id":347},"b1c33072-de7c-4fc1-be42-9d856499eca7",{"directus_files_id":349},{"id":350},"0f7a8d6d-08d8-4657-95fd-a1192b5a7826",{"directus_files_id":352},{"id":353},"50e6bdbc-95f2-459d-a0df-7c16007bb233",{"directus_files_id":355},{"id":356},"6f737310-8d61-4998-af72-004b2fe06beb",{"directus_files_id":358},{"id":359},"02e926c9-29f1-403e-90cf-8acb5bb19a38",{"directus_files_id":361},{"id":362},"60a3d59b-b470-437a-ba37-13a79b21a8d5",{"directus_files_id":364},{"id":365},"acff5291-3776-48d8-b4b0-aafed41d50fb",{"directus_files_id":367},{"id":368},"e1cf4fcb-3b3b-4905-999a-74e572385e82",{"directus_files_id":370},{"id":371},"ea782cab-94b8-4422-bbec-a93001df0535",{"directus_files_id":373},{"id":374},"3e137039-389f-4c23-8588-f709a88bae26",{"directus_files_id":376},{"id":377},"5c464839-7709-4370-aed4-a07265c17049",{"directus_files_id":379},{"id":380},"df5eea8e-b51d-4302-bf79-44f9ec2a2275",{"directus_files_id":382},{"id":383},"691e148f-a060-4a5b-9637-6ad8eb038252",{"directus_files_id":385},{"id":386},"32668954-1951-459b-adc1-c16bd17f2b07",{"directus_files_id":388},{"id":389},"779ffd63-9172-4cdb-a71d-bd6f9ef9ad05",{"directus_files_id":391},{"id":392},"2d8de8ef-7f8a-4c37-a5e1-6e1c8b448247",{"directus_files_id":394},{"id":395},"55909d6f-0500-4320-81ee-35221c2813f0",{"directus_files_id":397},{"id":398},"26f3fe6b-254c-45bc-818b-3127d4dd0307",{"directus_files_id":400},{"id":401},"993e7486-b9c3-4aef-a44a-f16d675803d2",{"directus_files_id":403},{"id":404},"a45096f1-3c15-442a-b1ff-357dce3f59f4",{"directus_files_id":406},{"id":407},"0c18a33d-3884-45db-bd43-a67a70d0fe84",{"directus_files_id":409},{"id":410},"a37e9060-ae06-4ae3-89d5-e74284a6c4c4",{"directus_files_id":412},{"id":413},"c30ddbea-8936-45c7-94bc-7495eeae3dd7",{"directus_files_id":415},{"id":416},"f3557a5d-80d7-4cba-b315-7f115ecd8882",{"directus_files_id":418},{"id":419},"af59d9ef-c51b-44c5-ba39-f2e5f7c79cff",{"directus_files_id":421},{"id":422},"895bba61-378f-4392-81f1-c6aa277fe6d9",{"directus_files_id":424},{"id":425},"2133c55c-108d-438b-b4c9-d2c0eb5c7238",{"directus_files_id":427},{"id":428},"26c04cdd-c514-4ce8-bc38-7c500f73a692",{"directus_files_id":430},{"id":431},"e20e9982-58ab-47fb-8975-294a29ed3899",[433],{"languages_code":434,"description":435},"en","Claudia Piepenbrock's digital portfolio serves as a sophisticated, minimalist archive for her multidisciplinary artistic practice. The website functions as a curated exhibition space, presenting a diverse range of projects including public installations, publications, and exhibitions. Through a structured, grid-based layout, the site allows viewers to navigate her body of work—from 'Seats Next Circuit' to 'moving still-life'—with ease, emphasizing the conceptual depth of each piece.\n\nThe visual identity is defined by a rigorous, high-end minimalist aesthetic that prioritizes whitespace and elegant typography. A clean, asymmetric grid system organizes text and imagery, creating a sense of rhythmic movement that mirrors the artist's themes of space and motion. The use of a neutral color palette and large-scale, high-quality imagery ensures that the focus remains entirely on the art itself, appealing to curators, collectors, and academic audiences seeking a professional and contemplative digital presence.","Art & Culture",[26,438,34],"High-End \u002F Luxury",[440],"Cabinet Gold van d’Vlies",[],[],[444,446,447,449],{"score":445,"category":74},98,{"score":154,"category":77},{"score":448,"category":80},100,{"score":448,"category":83},[451,452,453,454],{"score":187,"category":74},{"score":154,"category":77},{"score":448,"category":80},{"score":448,"category":83},[92,100,96],"Website: Claudia Piepenbrock. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Claudia Piepenbrock. Page description: Claudia Piepenbrock is an artist based in Bremen, Germany.. Page content: Claudia Piepenbrock Info Claudia Piepenbrock arbeitet skulptural und mit dem dreidimensionalen Raum. Sie interessiert sich für Bewegungsrichtungen und das Verhalten von Materialien und Menschen. Regelmäßig entstehen großformatige, abstrakte Arbeiten – sowohl für den Innenraum als auch Skulpturen im öffentlichen Raum. In der Regel nehmen ihre Arbeiten die Bedingungen und Gegebenheiten von Raum auf und schreiben neue Wahrnehmungsverhältnisse in ihn ein. Annette Hans, (2024). Zitat aus Eröffnungsrede Altes Kelloggs Gelände Stephanikirchenweide 19 28217 Bremen (Germany) kontakt@claudia-piepenbrock.de Ausbildung 2015-2016 - Meisterschülerin, Hochschule für Künste Bremen 2015 - MFA, University of Guelph, Kanada, Sandra Rechico 2010-2015 - Diplom, Hochschule für Künste Bremen, Prof. Franka Hörnschemeyer; Fritz Balthaus 2009-2010 - University of applied sciences and arts, Ottersberg, Prof. Jochen Stenschke 2006-2008 - Atelier 3210, Paderborn, Christina Strunz Auslandsaufenthalte in Russland (2021), Kanada, USA (2015\u002F16), Kuba, Bolivien, Peru, Ecuador, Kolumbien, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexiko (2012\u002F13), Neuseeland, Samoa, Thailand, Laos, Kambodscha (2008\u002F09) Einzelausstellungen 2022 - _Tilt_, Galerie Philipp Anders, Spinnerei Leipzig - _Signature: Principles of Negative Space_, Tisa-Stiftung, Dorsten 2021 - _Stilllife restaurant_, Garage Studios Moskow, RU - _Trigger & Trap_, Weserburg Museum für moderne Kunst, Bremen 2020 - _Sprechöse_, Kunsthalle Weseke 2019 - _steg zu steg_, Kunstverein Cuxhaven - _on hollows_, Josef Filipp Galerie, Spinnerei Leipzig - _zustand in zonen_, Gerhard Marcks Haus Bremen 2018 - _Transparentgetrennt_, Sparkassen Zentrale Hannover 2017 - _Blaues Zeitembargo_, Kunstverein Hannover - _Chronisten der Darstellung_, Kunsthaus Essen 2016 - _Tabula rasa_, Josef Filipp Galerie, Spinnerei Leipzig Gruppenausstellungen (Auswahl) 2024 - JUNGE KUNST Skulpturenpreis 2024, Skulpturenpark, Heidelberg - Enter Art Fair 2024, Kopenhagen, DNK - Comeback, Kunstverein, Rotenburg - the un in visit, WRG Sensor, Braunschweig - Heitland Foundation, Kunstverein Celle 2023 - Everyone an Island After All? GAK Gesellschaft für Aktuelle Kunst, Bremen - _So wie wir sind_, Weserburg Museum für moderne Kunst, Bremen 2022 - _So wie wir sind 4.0_, Weserburg Museum für moderne Kunst, Bremen 2021 - _48 Stunden Festival_, Novosibirsk, RU - _Tote gibt ́s hier genug, Fünf lebendige Positionen_, Worpswede - _So wie wir sind 3.0_, Weserburg Museum für moderne Kunst, Bremen 2020 - _twittering machine_, Burg Giebichenstein Halle 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft - _Conditions of production_, Eleftheria Tseliou Gallery, Athen, GRC 2016 - _In the Making_, Reiter prospect, Berlin - _Trafo of Art,_ OnArte, Minusio, CHE - _Heal the World_, Weserburg, Bremen 2015 - _LOT_, China Town Toronto, CAN \u002F North End Studios, Detroit, USA - _Kunststudenten stellen aus_, Bundeskunsthalle, Bonn 2014 - _Landgänge_, GAK Gesellschaft für aktuelle Kunst, Bremen - _Die große Kunstschau_, Roseliusmuseum, Worpswede 2013 - _space,_ Lichtenberg Studios, Berlin 2012 - _fuckingfast_, Begleitprogramm documenta XIII, MS Import\u002FExport, Kassel Projekte (Auswahl) 2021-2023 - _Stilllife train_, Trans-Seberian railway, andy&cloud, (André Sassenroth & Claudia Piepenbrock) 2022 - _ME AND MY MEAN GIRLFRIENDS_, art quarter budapest , HU since 2021 - _n.a.s.a__._, andy&cloud - _BZG__. Bremer Zonen Gang GbR_, Stadtentwicklung - _Brief an die Welt_, Hannover, IGS Langenhagen, andy&cloud 2015-2016 - _LOT__, Lack of transmission_, Wanderausstellung, Projekt Leitung since 2014 - _pass-port_, andy&cloud 2012 - _La Crueldad_, Bienal Internacional de Santa Cruz de la Sierra, Assistenz, BOL - _fuckingfast_, Begleitprogramm zur documenta XIII, MS Import\u002FExport, Co-project management, Kassel Auszeichnungen\u002FStipendien 2024 - Heitland Foundation, Kunstverein Celle 2022 - NEUSTART-Stipendium der Stiftung Kunstfonds 2020 - 8 Tisa-Preis, Dorsten 2021 - Garage Studios Moskow, Golubitskoe Art Residency, Zarya Center Vladivostock, Stipendium, RU 2019 - Bremer Kunst Satellit, Reisestipendium 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft (nominiert) 2016 - Preis des Kunst­vereins, Atelierstipendium Villa Minimo, Hannover - Karin Hollweg Preis, Bremen - New Materiality, Stipendium Banff-Center, Kanada 2015 - DAAD-Stipendium, Guelph, Kanada - fortress Studio Stipendium, Detroit, USA 2014 - Paula Modersohn-Becker-Förderpreis, Worpswede Publikation 2023 - _moving still life_, Kunst Satellit 14, Ursula van den Busch, Ivan Isaev, Susanne Schattenberg, Tim Voss, André Sassenroth und Claudia Piepenbrock 2022 - _ME AND MY MEAN GIRLFRIENDS_, Artist Book with Tímea Anita Piróth, Emese Kazár, Doris Weinberger, Bea Kusovszky, Pia Pollmanns, Claudia Piepenbrock 2020 - _6UL_, Dr. Bettina Ruhrberg, Uwe-Carsten Günther and the artists - _I Love Women In Art_, 100 Frauen vorgestellt von Frauen aus Kunst und Kultur 2019 - _zustand in zonen_, Gerhard Marcks Haus Bremen, Veronika Wiegartz, Arie Hartog, Guus van Engelshoven, Sam Cornish - _Artists´ Books for Everthing_, Weserburg Museum für moderne Kunst Zentrum für Künstlerpublikationen 2018 - _Claudia Piepenbrock_, Kunstverein Hannover, Ute Stuffer, Sandra Hampe, Uwe Schramm, Elmas Senol - _Artist Kunstmagazin_, Ausgabe Nr. 115. Reiner Beßling 2017 - _RE\u002FTREATS OF THE CONTEMPORARY_, Vordemberge Gildewart Award, Kestner Gesellschaft Hannover 2016 - _HEAL THE WORLD_, Ingo Clauß, Peter Friese 2015 - _LOT. Lack of transmission_, online publikation. - _home art stories_, Städtische Galerie Delmenhorst, Sandra Hampe 2014 - _Paula Modersohn Becker Kunstpreis_ 2011 - _SOMMERANFANG KLEINERWERDEN_, Michael Glasmeier This Legal Notice complies with the German laws under § 5 TMG and § 55 RStV. Liability for Content: The contents of our website have been created with the greatest possible care. However, we cannot guarantee the contents’ accuracy, completeness, or topicality. According to Section 7, paragraph 1 of the TMG (Telemediengesetz - German Telemedia Act), we as service providers are liable for our content on these pages by general laws. However, according to Sections 8 to 10 of the TMG, we service providers are not obliged to monitor external information transmitted or stored or investigate circumstances pointing to illegal activity. Obligations to remove or block the use of information under general laws remain unaffected. However, a liability in this regard is only possible from the moment of knowledge of a specific infringement. Upon notification of such violations, we will remove the content immediately. Liability for Links: Our website contains links to external websites, over whose contents we have no control. Therefore, we cannot accept any liability for these external contents. The respective provider or operator of the websites is always responsible for the contents of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal contents were not identified at the time of linking. However, permanent monitoring of the contents of the linked pages is not reasonable without specific indications of a violation. Upon notification of violations, we will remove such links immediately. Copyright: The contents and works on these pages created by the site operator are subject to German copyright law. The duplication, processing, distribution, and any kind of utilization outside the limits of copyright require the written consent of the respective author or creator. Downloads and copies of these pages are only permitted for private, non-commercial use. In so far as the contents on this site were not created by the operator, the copyrights of third parties are respected. In particular, third-party content is marked as such. Should you become aware of a copyright infringement, please inform us accordingly. Upon notification of violations, we will remove such contents immediately. Design & Development: Cabinet Gold van d’Vlies, www.goldvandvlies.com 2024–2025 Seats Next Circuit - Public Space - Work Claudia Piepenbrock — Seats Next Circuit, 2024 2021–2023 moving still-life - Project - Publication Claudia Piepenbrock — moving still-life, 2021 2022 Tilt, Outlines Our Motion - Exhibition Claudia Piepenbrock — Tilt, Outlines Our Motion, 2022 2022 Signature: Principles of Negative Space - Installation - Work Claudia Piepenbrock — Signature: Principles of Negative Space, 2022 2022 Me and my mean girlfriends - [Project](https:\u002F\u002Fclaudia-piepenbrock.de\u002Fcategories:projec …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. Designed and developed by Cabinet Gold van d’Vlies. The overall color palette features White, Gray, Black. AI description: Claudia Piepenbrock's digital portfolio serves as a sophisticated, minimalist archive for her multidisciplinary artistic practice. The website functions as a curated exhibition space, presenting a diverse range of projects including public installations, publications, and exhibitions. Through a structured, grid-based layout, the site allows viewers to navigate her body of work—from 'Seats Next Circuit' to 'moving still-life'—with ease, emphasizing the conceptual depth of each piece. The visual identity is defined by a rigorous, high-end minimalist aesthetic that prioritizes whitespace and elegant typography. A clean, asymmetric grid system organizes text and imagery, creating a sense of rhythmic movement that mirrors the artist's themes of space and motion. The use of a neutral color palette and large-scale, high-quality imagery ensures that the focus remains entirely on the art itself, appealing to curators, collectors, and academic audiences seeking a professional and contemplative digital presence.",{"id":458,"website_id":459,"page_id":458,"name":460,"slug":460,"url":461,"website_name":460,"website_slug":460,"website_url":462,"result_url":461,"fetched_at":463,"score":464,"score_boost":327,"ai_score":133,"freshness_score":133,"scored_at":465,"page_name":45,"page_url":461,"page_title":460,"page_description":466,"page_content":467,"page_sort":327,"is_home":332,"is_home_rank":333,"page_type_id":334,"page_type_name":51,"cover":468,"cover_mobile":471,"cover_sequence":473,"translations":495,"industry":436,"styles":498,"credits":499,"font_families":500,"technologies":502,"pagespeed":503,"pagespeed_mobile":509,"buckets":515,"search_payload":517},"b6fd1245-d712-483e-a4bc-3f3d664c74b8","dc3dc649-0b39-4ea2-a851-a7f64ae25b48","tria","https:\u002F\u002Ftria.ch\u002F","https:\u002F\u002Ftria.ch","2026-05-05T15:04:24.000Z",75,"2026-05-23T20:28:24.000Z","tria is an independent publishing platform based in Zurich and Beijing. \ntria focuses on unique projects and develops new concepts for printed matter for and with contemporary artists. \ntria invites cross-disciplinary thinkers and producers to reinvent and confront new realities of mediation. \n\ntria publishing platform was started by curators and art critics Antonie Angerer, Anna-Viktoria Eschbach and graphic designer Sonja Zagermann in 2015.","✕ home tria publishing platform [Zurich– Beijing](javascript:toggle\\('f0'\\)) tria is kindly supported by the Embassy of Switzerland in China news) 20.09.19 Our tria books are at the MoMA during the New York artbookfair this weekend together with Boabooks, edition fink and Jungle Books! 📚👋🏼 6.9.19 We are in Hamburg at the Indiecon Publishing Festival this weekend! Come and have a look at our publications and of our friends from Boabooks, Jungle Books and edition fink 📚👋🏼 23.11.18 We and our friends Boabooks, edition fink and Jungle Books are taking part in the fifth edition of VOLUMES – Independent Art Publishing Fair – which takes place on Friday 23rd, Saturday 24th and Sunday 25th of November at the Kunsthalle in Zürich 8.11.18 We are in Paris at Offprint Artbookfair this weekend! Come and enjoy this beautiful building of Beaux Arts and have a look at our publications and of our friends from Boabooks Jungle Books and edition fink 📚👋🏼 17.09.18 Our publication 100% Renaissance of artist Maria Pomiansky finally arrived in Zurich after a long journey half way around the world! ⛵️🌊📚 now available at tria Zurich and tria Beijing 🎉 6.9.–9.9. We are at Bangkok Art Book Fair this weekend 📚🎉 Come and say hi to Antonie and Ketty who are also representing our friends Boabooks, edition fink and Jungle Books! 6.7. Zurich West in Zurich Tagesanzeiger – in form of our newest tria publication 100% Renaissance of artist Maria Pomiansky: «Sie hängt die Stadt an die Wand» 5.7. Please join us for the Beijing presentation of Maria Pomiansky: 100% Renaissance at tria Beijing \u002F I:project space, at 7pm. Accompanied by a talk between the Zurich architects Philippe Jorisch, Stefan Oeschger (JOM Architects), artist Vadim Levin and Maria Pomiansky. 29.6.–1.7. We are at abc Artbookfair in Beijing this weekend! Come and join us at MWoods and have a look at the books of Boabooks, edition fink, Jungle Books, of course our tria books and some specialties of our friends from TLTRPress. 15.5.18 Presentation of Maria Pomiansky: 100% Renaissance, within the conversation with Cathérine Hug (Kunsthaus Zurich) on the occasion of Maria Pomiansky's exhibition \"Züri West\" at Gallery Alex Schlesinger, Zurich. 27.–29.4.2018 Meet us in Moscow this weekend at the ground zine fest which takes place at Ground Peschanaya Gallery. Next to the books of Boabooks, edition fink, Jungle Books and our tria books, we are presenting our new book \"100% Renaissance\" of artist Maria Pomiansky. 22.–24.9.2017 We are at New York Art Book Fair at MoMA PS1 this weekend as well as in Berlin at the art book fair Friends with Books! Only possible through a little help of our friends of edition fink, Boabooks and Jungle Books! 11.–13.8.2017 We are at abc artbookfair in Shanghai this weekend! Come and say hi to Antonie and Michiko who are also representing edition fink, Boabooks and Jungle Books! 26.–28.5.2017 Our books are in Paris this weekend at Multiple Art Days – a new art fair devoted to a wide range of contemporary art editions. If in Paris please visit our table we are sharing with boabooks, edition fink and Jungle Books. 19.–21.5.2017 We are at the OFFPRINT art book fair in London this weekend! Travelling together with Jungle Books we are also bringing books of edition fink and Boabooks with us. 25.03.17 Our books are in Leipzig at the independent publishing fair It's a book! They are travelling together with edition fink, Boabooks and Jungle Books. 23.01.2017 Antonie and Anna are talking at UDK Berlin about I:project space and the tria books. 18.12.2016 Booklaunch of the first 3 tria books at OOR saloon with fink+friends 24.11.2016 Sonja is talking about books at the FH Joanneum in Graz, Austria. about) tria is an independent publishing platform based in Frankfurt, Vienna and Zurich. We mediate and exchange young and contemporary art positions between Asia and Europe. tria publishing platform was started by curators and art critics Antonie Angerer, Anna-Viktoria Eschbach and graphic designer Sonja Zagermann in 2015. tria publishing platform ist part of the collective Fair Enough – together with Boabooks, edition fink and Jungle Books we are travelling to artbookfairs around the world. Since autumn 2022 we are under the roof of House of Books and part of the project. House of Books brings together projects and initiatives dealing with the development and production of books, their mediation and distribution. House of Books is a space for research, exchange, and presentation, and promotes questioning and exploring the nature of books. Through different formats of events, House of Books offers insights into contemporary book practices and provides further access to books. contact) Anwandstrasse 30 8004 Zürich zurich@tria.ch +41767672758 Sonja Zagermann beijing@tria.ch +8615210852620 [Antonie Angerer, Anna-Viktoria Eschbach](https:\u002F\u002Fyi-projectspace.org\u002F) Newsletter Spreadsheet Prev \u002F Next (1 of 1) [Nici Jost: Silent Pink](javascript:toggle\\('NJ25'\\)) 114×169mm 368 pages, thread stitching dust jacket with perforation English\u002FChinese with texts by: Dr. Isabel Balzer, Diyi Mergenthaler, Chongyin Yuan, Nici Jost tria publishing platform, 2025 ISBN 978-3-906899-12-1 CHF 25, € 25 → order now less\u002Fmore information) Prev \u002F Next (1 of 1) With Silent Pink, artist Nici Jost presents her second publication dedicated to the colour pink — a natural continuation of her long-term artistic investigation into this multifaceted hue. Pink holds a central place in Jost’s artistic and personal universe. Over the years, she has systematically investigated the colour’s cultural, social and historical layers, assembling an ever-growing archive of pink objects and articulating its aesthetic complexity through the development of her Pink Colour System. During a research residency in Shanghai in 2018, Jost deepened her inquiry into the perception, use and linguistic nuances of pink in China, expanding her system with two new shades first conceived in 2016: Peach Pink and Silent Pink. The publication shows photographic sequences in which collected objects and urban observations enter into precise yet intuitive constellations. Some relationships reveal themselves through tonal proximity; others emerge from the productive friction of seemingly unrelated elements. Pink here becomes a taxonomy — a principle that categorises, indexes, and connects. Between the images, personal reflections by Diyi Mergenthaler and Chinese artist Chongyin Yuan deepen the readers’s understanding of Chinese culture and the reception of pink. In her contribution A Picture Is Always a Picture of a Picture, Dr. Isabel Balzer reflects on Jost’s research in China and the compositional narrative of this publication — the juxtaposition of image pairs and the introduction of the newly defined hues Silent Pink and Peach Pink — situating these recent additions within the broader framework of Jost’s oeuvre. The dust jacket, printed in these two new shades, functions simultaneously as a material extension of the Pink Colour System — transforming the book into both document and specimen. Prev \u002F Next (1 of 1) Speculative Grounds: Positions on Beijing’s Transformation) 170 × 240 mm 180 pages thread stitching English, Chinese Concept: Anna-Viktoria Eschbach, Antonie Angerer, Jannis Schulze Design: Jannis Schulze tria publishing platform, Zurich–Beijing, 2022 ISBN 978-3-906899-10-7 CHF 16, RMB 110 → order now more information) Prev \u002F Next (1 of 1) ![](\u002F\u002Fcortex.persona.co\u002Fw\u002F1403\u002Fi\u002F77435e3b87dc2878993aab50798f5c3f3f545a539280080da7782cc4c90ae350\u002F220421_BJ22_Innenansichten_Webs …",{"id":469,"height":13,"width":12,"blurhash":470},"94cc7fee-be15-4b22-868a-0ea0c76a9e8b","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#f9fffd,#00000000 50%),radial-gradient(at 67% 0,#f8fffa,#00000000 50%),radial-gradient(at 100% 0,#feffff,#00000000 50%),radial-gradient(at 0 50%,#b77e92,#00000000 50%),radial-gradient(at 33% 50%,#8c787a,#00000000 50%),radial-gradient(at 67% 50%,#868274,#00000000 50%),radial-gradient(at 100% 50%,#9b8070,#00000000 50%),radial-gradient(at 0 100%,#e0e6e6,#00000000 50%),radial-gradient(at 33% 100%,#e1e7e6,#00000000 50%),radial-gradient(at 67% 100%,#d8e0db,#00000000 50%),radial-gradient(at 100% 100%,#d8ddd7,#00000000 50%)",{"id":472,"height":15,"width":14,"blurhash":340},"3ef253e2-9ffd-4bba-b61e-a79281441f86",[474,477,480,483,486,489,492],{"directus_files_id":475},{"id":476},"12f0d33c-4d32-4b5f-bef4-7c0742dbf51b",{"directus_files_id":478},{"id":479},"8af7a383-57d6-465a-90e2-0e98cb41598e",{"directus_files_id":481},{"id":482},"ee1615ec-f15e-4148-b422-821a8103374b",{"directus_files_id":484},{"id":485},"964d308f-9014-4cc7-990d-1bd688698c09",{"directus_files_id":487},{"id":488},"862e8b66-7b6d-448e-98e1-96ca7ca1c40f",{"directus_files_id":490},{"id":491},"d2ef2936-7c5a-4781-beb0-1fd06d970318",{"directus_files_id":493},{"id":494},"6af6410d-bc69-4e91-9645-4096fdb1b9fe",[496],{"languages_code":434,"description":497},"tria is a sophisticated independent publishing platform that bridges the cultural landscapes of Zurich and Beijing. The website serves as a digital gallery and archive for unique print projects, focusing on the intersection of contemporary art, graphic design, and new forms of media. It acts as a curated space for cross-disciplinary thinkers to explore and redefine how ideas are mediated through physical and digital matter.\n\nThe visual identity is defined by a rigorous, minimalist aesthetic that prioritizes the tactile quality of the published works. Through a clean, grid-based layout and expansive use of white space, the design allows the photography of various printed objects to take center stage. The typography is understated yet authoritative, reflecting a high-end, editorial sensibility that appeals to artists, curators, and design enthusiasts seeking intellectual and aesthetic depth.",[26,34],[],[279,501],"Social",[],[504,505,507,508],{"score":194,"category":74},{"score":506,"category":77},78,{"score":134,"category":80},{"score":75,"category":83},[510,512,513,514],{"score":511,"category":74},31,{"score":506,"category":77},{"score":134,"category":80},{"score":75,"category":83},[92,100,96,516],"pink","Website: tria. Page: Homepage. Page type: Home \u002F Landing Page. Page title: tria. Page description: tria is an independent publishing platform based in Zurich and Beijing. \ntria focuses on unique projects and develops new concepts for printed matter for and with contemporary artists. \ntria invites cross-disciplinary thinkers and producers to reinvent and confront new realities of mediation. \n\ntria publishing platform was started by curators and art critics Antonie Angerer, Anna-Viktoria Eschbach and graphic designer Sonja Zagermann in 2015.. Page content: ✕ home tria publishing platform [Zurich– Beijing](javascript:toggle\\('f0'\\)) tria is kindly supported by the Embassy of Switzerland in China news) 20.09.19 Our tria books are at the MoMA during the New York artbookfair this weekend together with Boabooks, edition fink and Jungle Books! 📚👋🏼 6.9.19 We are in Hamburg at the Indiecon Publishing Festival this weekend! Come and have a look at our publications and of our friends from Boabooks, Jungle Books and edition fink 📚👋🏼 23.11.18 We and our friends Boabooks, edition fink and Jungle Books are taking part in the fifth edition of VOLUMES – Independent Art Publishing Fair – which takes place on Friday 23rd, Saturday 24th and Sunday 25th of November at the Kunsthalle in Zürich 8.11.18 We are in Paris at Offprint Artbookfair this weekend! Come and enjoy this beautiful building of Beaux Arts and have a look at our publications and of our friends from Boabooks Jungle Books and edition fink 📚👋🏼 17.09.18 Our publication 100% Renaissance of artist Maria Pomiansky finally arrived in Zurich after a long journey half way around the world! ⛵️🌊📚 now available at tria Zurich and tria Beijing 🎉 6.9.–9.9. We are at Bangkok Art Book Fair this weekend 📚🎉 Come and say hi to Antonie and Ketty who are also representing our friends Boabooks, edition fink and Jungle Books! 6.7. Zurich West in Zurich Tagesanzeiger – in form of our newest tria publication 100% Renaissance of artist Maria Pomiansky: «Sie hängt die Stadt an die Wand» 5.7. Please join us for the Beijing presentation of Maria Pomiansky: 100% Renaissance at tria Beijing \u002F I:project space, at 7pm. Accompanied by a talk between the Zurich architects Philippe Jorisch, Stefan Oeschger (JOM Architects), artist Vadim Levin and Maria Pomiansky. 29.6.–1.7. We are at abc Artbookfair in Beijing this weekend! Come and join us at MWoods and have a look at the books of Boabooks, edition fink, Jungle Books, of course our tria books and some specialties of our friends from TLTRPress. 15.5.18 Presentation of Maria Pomiansky: 100% Renaissance, within the conversation with Cathérine Hug (Kunsthaus Zurich) on the occasion of Maria Pomiansky's exhibition \"Züri West\" at Gallery Alex Schlesinger, Zurich. 27.–29.4.2018 Meet us in Moscow this weekend at the ground zine fest which takes place at Ground Peschanaya Gallery. Next to the books of Boabooks, edition fink, Jungle Books and our tria books, we are presenting our new book \"100% Renaissance\" of artist Maria Pomiansky. 22.–24.9.2017 We are at New York Art Book Fair at MoMA PS1 this weekend as well as in Berlin at the art book fair Friends with Books! Only possible through a little help of our friends of edition fink, Boabooks and Jungle Books! 11.–13.8.2017 We are at abc artbookfair in Shanghai this weekend! Come and say hi to Antonie and Michiko who are also representing edition fink, Boabooks and Jungle Books! 26.–28.5.2017 Our books are in Paris this weekend at Multiple Art Days – a new art fair devoted to a wide range of contemporary art editions. If in Paris please visit our table we are sharing with boabooks, edition fink and Jungle Books. 19.–21.5.2017 We are at the OFFPRINT art book fair in London this weekend! Travelling together with Jungle Books we are also bringing books of edition fink and Boabooks with us. 25.03.17 Our books are in Leipzig at the independent publishing fair It's a book! They are travelling together with edition fink, Boabooks and Jungle Books. 23.01.2017 Antonie and Anna are talking at UDK Berlin about I:project space and the tria books. 18.12.2016 Booklaunch of the first 3 tria books at OOR saloon with fink+friends 24.11.2016 Sonja is talking about books at the FH Joanneum in Graz, Austria. about) tria is an independent publishing platform based in Frankfurt, Vienna and Zurich. We mediate and exchange young and contemporary art positions between Asia and Europe. tria publishing platform was started by curators and art critics Antonie Angerer, Anna-Viktoria Eschbach and graphic designer Sonja Zagermann in 2015. tria publishing platform ist part of the collective Fair Enough – together with Boabooks, edition fink and Jungle Books we are travelling to artbookfairs around the world. Since autumn 2022 we are under the roof of House of Books and part of the project. House of Books brings together projects and initiatives dealing with the development and production of books, their mediation and distribution. House of Books is a space for research, exchange, and presentation, and promotes questioning and exploring the nature of books. Through different formats of events, House of Books offers insights into contemporary book practices and provides further access to books. contact) Anwandstrasse 30 8004 Zürich zurich@tria.ch +41767672758 Sonja Zagermann beijing@tria.ch +8615210852620 [Antonie Angerer, Anna-Viktoria Eschbach](https:\u002F\u002Fyi-projectspace.org\u002F) Newsletter Spreadsheet Prev \u002F Next (1 of 1) [Nici Jost: Silent Pink](javascript:toggle\\('NJ25'\\)) 114×169mm 368 pages, thread stitching dust jacket with perforation English\u002FChinese with texts by: Dr. Isabel Balzer, Diyi Mergenthaler, Chongyin Yuan, Nici Jost tria publishing platform, 2025 ISBN 978-3-906899-12-1 CHF 25, € 25 → order now less\u002Fmore information) Prev \u002F Next (1 of 1) With Silent Pink, artist Nici Jost presents her second publication dedicated to the colour pink — a natural continuation of her long-term artistic investigation into this multifaceted hue. Pink holds a central place in Jost’s artistic and personal universe. Over the years, she has systematically investigated the colour’s cultural, social and historical layers, assembling an ever-growing archive of pink objects and articulating its aesthetic complexity through the development of her Pink Colour System. During a research residency in Shanghai in 2018, Jost deepened her inquiry into the perception, use and linguistic nuances of pink in China, expanding her system with two new shades first conceived in 2016: Peach Pink and Silent Pink. The publication shows photographic sequences in which collected objects and urban observations enter into precise yet intuitive constellations. Some relationships reveal themselves through tonal proximity; others emerge from the productive friction of seemingly unrelated elements. Pink here becomes a taxonomy — a principle that categorises, indexes, and connects. Between the images, personal reflections by Diyi Mergenthaler and Chinese artist Chongyin Yuan deepen the readers’s understanding of Chinese culture and the reception of pink. In her contribution A Picture Is Always a Picture of a Picture, Dr. Isabel Balzer reflects on Jost’s research in China and the compositional narrative of this publication — the juxtaposition of image pairs and the introduction of the newly defined hues Silent Pink and Peach Pink — situating these recent additions within the broader framework of Jost’s oeuvre. The dust jacket, printed in these two new shades, functions simultaneously as a material extension of the Pink Colour System — transforming the book into both document and specimen. Prev \u002F Next (1 of 1) Speculative Grounds: Positions on Beijing’s Transformation) 170 × 240 mm 180 pages thread stitching English, Chinese Concept: Anna-Viktoria Eschbach, Antonie Angerer, Jannis Schulze Design: Jannis Schulze tria publishing platform, Zurich–Beijing, 2022 ISBN 978-3-906899-10-7 CHF 16, RMB 110 → order now more information) Prev \u002F Next (1 of 1) ![](\u002F\u002Fcortex.persona.co\u002Fw\u002F1403\u002Fi\u002F77435e3b87dc2878993aab50798f5c3f3f545a539280080da7782cc4c90ae350\u002F220421_BJ22_Innenansichten_Webs …. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Gray, Black, Pink. The typography features Times New Roman (Serif), Social (Sans Serif, Dinamo). AI description: tria is a sophisticated independent publishing platform that bridges the cultural landscapes of Zurich and Beijing. 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It is composed of four graphic designers driven by the same desire for creativity, interdisciplinarity and quality. Since 2013, Nouvelle étiquette has managed graphic design projects for cultural associations, public institutions, private companies and sometimes big capital. Thought as a place between a graphic design studio and a research workshop, the bureau nurtures the personal experiences of its members. Nouvelle étiquette is defined by an approach that emphasizes the search for meaning as the driving force behind the emergence of relevant graphic forms. Its work is also based on a particular sensitivity to typography, contemporary art and literature, as well as a way of seeing graphic design as a source of understanding and joy. The creative bureau pays the greatest attention to a deeper comprehension of its commissions and strives to establish constant dialogue with its partners. Nouvelle étiquette regularly takes part in conferences and workshops, while some of its members teach at art school in order to transmit, share and advance knowledge in graphic design. is a graphic design bureau between 14 avenue Leclerc de Hautecloque, Metz, France. Created to be a place between a graphic design studio and a research workshop, it consists of four graphic designers driven by the same desire for creativity, interdisciplinarity and quality. Here’s a selection of our works. Wanna see more? Try the desktop version or visit our Behance profile! - # works ## Enghien-les-Bains Art Centre - 2018\u002F2019 ### Editorial design, Graphic Design ## Drac Grand Est - Greeting 2019 ### Editorial design, Graphic Design ## Closerie des Moussis ### Identity ## Week-end de l'art contemporain Grand-Est ### Editorial design, Identity ## Orchestre national de Lorraine 16 ### Editorial design ## Ateliers Ouverts 2018 ### Graphic Design ## Blotter Atelier ### Graphic Design, Identity ## Prix Sciences Po pour l'art contemporain ### Graphic Design ## Le Périscope ### Editorial design ## How To Do Things With Words ### Scenography, Type Design ## Centre Pompidou-Metz: Agenda ### Editorial design ## HATVP ### Design éditorial, Identity ## Arweider ### Editorial design, Exhibition design ## Ateliers ouverts 2016 ### Graphic Design ## Domaine de la Calmette ### Identity ## Compagnie Claire Sergent ### Editorial design, Identity, Type Design, Web ## Ateliers Ouverts 2017 ### Graphic Design ## Accélérateur de Particules ### Identity ## 100 bâtiments protégés ### Editorial design ## Enghien-les-Bains Art Centre - 2018\u002F2019 ### Editorial design, Graphic Design The Enghien-les-Bains' Art Centre is a major actor in the cultural life of this city of the parisian suburb, designated as one of the \"Creative Cities of UNESCO\" since 2013. The CDA has a rich programming, in harmony with the artistic and technological issues of our time. For our first year of collaboration with the Art Center, we relied on their audacity and we imagined a vibrant and abundant season's identity. Inspired by the ASCII Art experiments, we composed visuals reminding the aesthetics of code and word processing software with syntax highlighting (TextMate, Sublime Text...). We interpret the iconic graphic language of this type of tool in a contemporary and relaxed way: omnipresence of the black colour, tabulations, typographical offsets... From this exploration emerges multiple graphic constellations that we make life and dance among the publications of the centre. [ ### Next Project ## Drac Grand Est - Greeting 2019 ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fdrac-grand-est-greeting-2019\u002F) ## Drac Grand Est - Greeting 2019 ### Editorial design, Graphic Design The Est of France's Regional Head of Cultural Affairs (DRAC Grand-Est) mandated us to design their 2019 wishes card. The DRAC Grand-Est wanted to seize the occasion of this new year's wishes card to highlight the collections of the Regional Contemporary Art Funds (FRAC) of the area. Created in 1983, the institutions' goals are to operate a cultural decentralisation between the French State and the local administrations and to offer accessibility to contemporary art to as many people as possible. The DRAC's 2019 greeting card presents the last three acquisitions of the regional FRACs: Laure Prouvost's \"Depressed Plants (This makes me cry)\", acquired in 2018 by the FRAC Champagne-Ardenne; \"Sensitive materials\" created by SCENOSCOME (Grégory Lasserre and Anaïs met den Ancxt) acquired in 2017 by the FRAC Alsace; and \"Edge of the day\" by Julie Fortier, acquired in 2017 by 49 North 6 East—FRAC Lorraine. Rather than a regular greeting card, we choose to design a folded card that turns out to be a big poster once completely unfolded. Fresh, elegant, seductive, we hope the poster to be pinned in the offices of the various recipients of the wishes. The poster\u002Fcard is printed in five colours (CMYK + a copper Pantone), using Carolinéale, the work-in-progress typeface Francis Ramel is currently designing at Nouvelle étiquette. [ ### Next Project ## Closerie des Moussis ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fcloserie-des-moussis\u002F) ## Closerie des Moussis ### Identity In 2010, Pascale and Laurence, who were passionate about agriculture, ecology and wine, decided to create their own wine estate to produce originals wines inspired by the principles of biodynamics. They therefore entrusted us to design the graphic identity of the estate and of each vintage from the start. We created an identity with an uninhibited creative twist. The subtle blend of precision and finesse of the custom designed stencil figures and the artisanal and warm dimension of the illustrations accompanies and characterises each wine. The red colour, common to all the productions, is a strong marker of identity by referring to both the wine and the region in which it is produced. [ ### Next Project ## Week-end de l'art contemporain Grand-Est ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fweek-end-de-lart-contemporain-grand-est-2018\u002F) ## Week-end de l'art contemporain Grand-Est ### Editorial design, Identity The \"week-end de l'art contemporain Grand-Est\" (contemporary art weekend in the Grand Est region) is an event organized by three contemporary art networks of the area: LoRA–Metz, Versant Est–Strasbourg and Bulles–Reims. Through a full weekend, members structures of those networks are synchronizing their actions and are organizing some common events (screenings, openings, performances, concerts…) For the first edition of the event, the networks decided to ask Nouvelle étiquette to design an editorial object that would allow to regroup all the events of the weekend. The structures also wanted to dedicate a bit of this publication's space to a \"carte blanche\" given to an artist. We designed a \"newspaper-like\" publication that can be declined every year to constitute a little collection. Two gradient colors are marking the identity of the object. For each new publication, we will re-use one of the two previous colors, which will create a color continuity though every years' documents. At the heart of the edition, a central sheet of paper can serve as a poster to be self-composed by the reader. Indeed, if one gather two documents, one can constitute a big poster regrouping the intervention of the invited artist (2018: Delphine Gatinois) and the informations about the event. The organizers of the event and the participating spaces (galleries, art centers, libraries etc.) can display this poster on their walls and t …",{"id":531,"height":13,"width":12,"blurhash":532},"899e0573-eab3-4daa-b32a-69bb5eeda3ae","radial-gradient(at 0 0,#000000,#00000000 50%),radial-gradient(at 33% 0,#43445a,#00000000 50%),radial-gradient(at 67% 0,#000000,#00000000 50%),radial-gradient(at 100% 0,#45445a,#00000000 50%),radial-gradient(at 0 50%,#1c1600,#00000000 50%),radial-gradient(at 33% 50%,#4e4d61,#00000000 50%),radial-gradient(at 67% 50%,#1d1d00,#00000000 50%),radial-gradient(at 100% 50%,#4d4e61,#00000000 50%),radial-gradient(at 0 100%,#000000,#00000000 50%),radial-gradient(at 33% 100%,#3c3d55,#00000000 50%),radial-gradient(at 67% 100%,#000000,#00000000 50%),radial-gradient(at 100% 100%,#3b3a53,#00000000 50%)",{"id":534,"height":15,"width":14,"blurhash":340},"2ac4107c-9fc5-41de-8f19-3e362b2cfac7",[536],{"directus_files_id":537},{"id":538},"d88b8a74-5ca8-47ec-85ae-c740a4a3839b",[540],{"languages_code":434,"description":541},"Nouvelle étiquette is a sophisticated graphic design bureau that positions itself as a hybrid between a creative studio and a research workshop. Based in Metz, France, the agency focuses on the intersection of typography, contemporary art, and literature, seeking deep meaning and intellectual rigor in every commission. Their approach is characterized by a high degree of interdisciplinarity, serving a diverse clientele ranging from cultural associations to large-scale private institutions.\n\nThe visual identity is unapologetically bold and intellectual, utilizing a high-contrast dark mode aesthetic paired with striking, oversized typography. The design language leans into a modern, experimental sensibility, using vibrant color blocks and a structured layout to guide the user through their philosophical approach to design. It is a website built for an audience of curators, cultural leaders, and design enthusiasts who value substance and conceptual depth over mere decoration.",[230,34,543],"Vibrant \u002F Colorful",[],[298,280,281],[269,274,547,66,268,548,253,549,254],"GSAP","OWL Carousel","Swiper",[551,553,554,556],{"score":552,"category":74},68,{"score":78,"category":77},{"score":555,"category":80},73,{"score":176,"category":83},[558,559,560,561],{"score":78,"category":74},{"score":555,"category":77},{"score":555,"category":80},{"score":75,"category":83},[96,92,563,100],"blue","Website: Nouvelle étiquette. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Nouvelle étiquette – Graphic design bureau. Page content: - # Nouvelle étiquette is a graphic design bureau located in 14 avenue Leclerc de Hatecloque, Metz, France. It is composed of four graphic designers driven by the same desire for creativity, interdisciplinarity and quality. Since 2013, Nouvelle étiquette has managed graphic design projects for cultural associations, public institutions, private companies and sometimes big capital. Thought as a place between a graphic design studio and a research workshop, the bureau nurtures the personal experiences of its members. Nouvelle étiquette is defined by an approach that emphasizes the search for meaning as the driving force behind the emergence of relevant graphic forms. Its work is also based on a particular sensitivity to typography, contemporary art and literature, as well as a way of seeing graphic design as a source of understanding and joy. The creative bureau pays the greatest attention to a deeper comprehension of its commissions and strives to establish constant dialogue with its partners. Nouvelle étiquette regularly takes part in conferences and workshops, while some of its members teach at art school in order to transmit, share and advance knowledge in graphic design. is a graphic design bureau between 14 avenue Leclerc de Hautecloque, Metz, France. Created to be a place between a graphic design studio and a research workshop, it consists of four graphic designers driven by the same desire for creativity, interdisciplinarity and quality. Here’s a selection of our works. Wanna see more? Try the desktop version or visit our Behance profile! - # works ## Enghien-les-Bains Art Centre - 2018\u002F2019 ### Editorial design, Graphic Design ## Drac Grand Est - Greeting 2019 ### Editorial design, Graphic Design ## Closerie des Moussis ### Identity ## Week-end de l'art contemporain Grand-Est ### Editorial design, Identity ## Orchestre national de Lorraine 16 ### Editorial design ## Ateliers Ouverts 2018 ### Graphic Design ## Blotter Atelier ### Graphic Design, Identity ## Prix Sciences Po pour l'art contemporain ### Graphic Design ## Le Périscope ### Editorial design ## How To Do Things With Words ### Scenography, Type Design ## Centre Pompidou-Metz: Agenda ### Editorial design ## HATVP ### Design éditorial, Identity ## Arweider ### Editorial design, Exhibition design ## Ateliers ouverts 2016 ### Graphic Design ## Domaine de la Calmette ### Identity ## Compagnie Claire Sergent ### Editorial design, Identity, Type Design, Web ## Ateliers Ouverts 2017 ### Graphic Design ## Accélérateur de Particules ### Identity ## 100 bâtiments protégés ### Editorial design ## Enghien-les-Bains Art Centre - 2018\u002F2019 ### Editorial design, Graphic Design The Enghien-les-Bains' Art Centre is a major actor in the cultural life of this city of the parisian suburb, designated as one of the \"Creative Cities of UNESCO\" since 2013. The CDA has a rich programming, in harmony with the artistic and technological issues of our time. For our first year of collaboration with the Art Center, we relied on their audacity and we imagined a vibrant and abundant season's identity. Inspired by the ASCII Art experiments, we composed visuals reminding the aesthetics of code and word processing software with syntax highlighting (TextMate, Sublime Text...). We interpret the iconic graphic language of this type of tool in a contemporary and relaxed way: omnipresence of the black colour, tabulations, typographical offsets... From this exploration emerges multiple graphic constellations that we make life and dance among the publications of the centre. [ ### Next Project ## Drac Grand Est - Greeting 2019 ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fdrac-grand-est-greeting-2019\u002F) ## Drac Grand Est - Greeting 2019 ### Editorial design, Graphic Design The Est of France's Regional Head of Cultural Affairs (DRAC Grand-Est) mandated us to design their 2019 wishes card. The DRAC Grand-Est wanted to seize the occasion of this new year's wishes card to highlight the collections of the Regional Contemporary Art Funds (FRAC) of the area. Created in 1983, the institutions' goals are to operate a cultural decentralisation between the French State and the local administrations and to offer accessibility to contemporary art to as many people as possible. The DRAC's 2019 greeting card presents the last three acquisitions of the regional FRACs: Laure Prouvost's \"Depressed Plants (This makes me cry)\", acquired in 2018 by the FRAC Champagne-Ardenne; \"Sensitive materials\" created by SCENOSCOME (Grégory Lasserre and Anaïs met den Ancxt) acquired in 2017 by the FRAC Alsace; and \"Edge of the day\" by Julie Fortier, acquired in 2017 by 49 North 6 East—FRAC Lorraine. Rather than a regular greeting card, we choose to design a folded card that turns out to be a big poster once completely unfolded. Fresh, elegant, seductive, we hope the poster to be pinned in the offices of the various recipients of the wishes. The poster\u002Fcard is printed in five colours (CMYK + a copper Pantone), using Carolinéale, the work-in-progress typeface Francis Ramel is currently designing at Nouvelle étiquette. [ ### Next Project ## Closerie des Moussis ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fcloserie-des-moussis\u002F) ## Closerie des Moussis ### Identity In 2010, Pascale and Laurence, who were passionate about agriculture, ecology and wine, decided to create their own wine estate to produce originals wines inspired by the principles of biodynamics. They therefore entrusted us to design the graphic identity of the estate and of each vintage from the start. We created an identity with an uninhibited creative twist. The subtle blend of precision and finesse of the custom designed stencil figures and the artisanal and warm dimension of the illustrations accompanies and characterises each wine. The red colour, common to all the productions, is a strong marker of identity by referring to both the wine and the region in which it is produced. [ ### Next Project ## Week-end de l'art contemporain Grand-Est ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fweek-end-de-lart-contemporain-grand-est-2018\u002F) ## Week-end de l'art contemporain Grand-Est ### Editorial design, Identity The \"week-end de l'art contemporain Grand-Est\" (contemporary art weekend in the Grand Est region) is an event organized by three contemporary art networks of the area: LoRA–Metz, Versant Est–Strasbourg and Bulles–Reims. Through a full weekend, members structures of those networks are synchronizing their actions and are organizing some common events (screenings, openings, performances, concerts…) For the first edition of the event, the networks decided to ask Nouvelle étiquette to design an editorial object that would allow to regroup all the events of the weekend. The structures also wanted to dedicate a bit of this publication's space to a \"carte blanche\" given to an artist. We designed a \"newspaper-like\" publication that can be declined every year to constitute a little collection. Two gradient colors are marking the identity of the object. For each new publication, we will re-use one of the two previous colors, which will create a color continuity though every years' documents. At the heart of the edition, a central sheet of paper can serve as a poster to be self-composed by the reader. Indeed, if one gather two documents, one can constitute a big poster regrouping the intervention of the invited artist (2018: Delphine Gatinois) and the informations about the event. The organizers of the event and the participating spaces (galleries, art centers, libraries etc.) can display this poster on their walls and t …. A Dark Mode, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Agency & Studio industry. The overall color palette features Black, White, Blue, Gray. The typography features Founders Grotesk (Sans Serif, Klim Type), Roboto (Sans Serif), Open Sans (Sans Serif). Built using Bootstrap, Contact Form 7, GSAP, jQuery, Modernizr, OWL Carousel, PHP, Swiper, WordPress. AI description: Nouvelle étiquette is a sophisticated graphic design bureau that positions itself as a hybrid between a creative studio and a research workshop. Based in Metz, France, the agency focuses on the intersection of typography, contemporary art, and literature, seeking deep meaning and intellectual rigor in every commission. Their approach is characterized by a high degree of interdisciplinarity, serving a diverse clientele ranging from cultural associations to large-scale private institutions. The visual identity is unapologetically bold and intellectual, utilizing a high-contrast dark mode aesthetic paired with striking, oversized typography. The design language leans into a modern, experimental sensibility, using vibrant color blocks and a structured layout to guide the user through their philosophical approach to design. It is a website built for an audience of curators, cultural leaders, and design enthusiasts who value substance and conceptual depth over mere decoration.",{"id":566,"website_id":567,"page_id":566,"name":568,"slug":569,"url":570,"website_name":568,"website_slug":569,"website_url":571,"result_url":570,"fetched_at":572,"score":177,"score_boost":327,"ai_score":573,"freshness_score":133,"scored_at":574,"page_name":45,"page_url":570,"page_title":575,"page_description":576,"page_content":577,"page_sort":327,"is_home":332,"is_home_rank":333,"page_type_id":334,"page_type_name":51,"cover":578,"cover_mobile":581,"cover_sequence":583,"translations":674,"industry":21,"styles":677,"credits":679,"font_families":680,"technologies":681,"pagespeed":684,"pagespeed_mobile":690,"buckets":696,"search_payload":699},"af63687d-baae-4b86-9346-0a3b5195c1a1","d740d794-67ef-44b8-b233-f53ccd5fb396","Dotto","dotto","https:\u002F\u002Fdotto.studio\u002F","https:\u002F\u002Fdotto.studio","2026-05-05T18:19:56.000Z",84,"2026-05-23T20:28:19.000Z","Dotto® A Studio A Store A Person","A Manchester based design studio. A creative workshop. A print store. Oh + also a person. Speak up and stand out. Creative typography and branding for people with something to say. Based in Manchester, UK. Working globally.","Big Words. On Things. Dotto is a creative studio working with people and brands. It’s an artsy store selling prints, editions and original artwork. Oh, and it’s also a person. A type-twisting, letter-bending, word-wanging person. Who designs, paints and prints big words on things. Based in Manchester, UK. Working globally. [ ](https:\u002F\u002Fwww.dotto.studio\u002Fservices) The Studio → [ ](\u002Fstore) The Store → [ ](\u002Fthe-person) The Person → Picks + Highlights. Recent work, upcoming events and joyful collaborations. [ ](\u002Ftype-art\u002Fbrits-art-trail) Dotto on The BRITs Art Trail → [Back of a person wearing a black t-shirt with pink stylised text and the year 2025, inside a retail store with clothing racks and other people. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fall-flows) Dotto x All Flows → [Open book displaying colorful graphic art and text about modern typography. The right page features a yellow background with black abstract geometric lettering for the title 'Take Up More Space.' The left page includes detailed text and a faded image. ](\u002Ffeatured) Pop Talk Print Collection + Exhibition → [ ](https:\u002F\u002Fwww.dotto.studio\u002Fdesign\u002Fwftv-awards-2026) Dotto x WFTV → [ ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Ftype-that-moves) Dotto x Buff Motion → Pink wall with white graphic loopy lettering reading 'future confident'. A modern staircase with black, metal railing and wooden handrails is on the right side of the image, with a window letting in natural light. Dotto x Uniform → [ ](\u002Ftype-art\u002Fan-exhibition-called-agency) Dotto Exhibition → [Multiple stacks of notebooks with abstract, colourful lettering based covers in pink, grey, and red, arranged on a white surface. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fadobe-notebooks) Dotto x Adobe → [Image of a zoom conversation between June Mineyama-Smithson of MAMIMU and Dani Molyneux of Dotto. For their collaboration on Creative Jealousy. ](\u002Fnotes\u002Fjealous-much) Dotto x MAMIMU → [A musician with dreadlocks holding a microphone and performing on stage at a crowded concert, with colorful screens and signs in the background. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fyours-truthfully) Dotto x ShangriLa Glasto → [Young woman with short hair wearing a blue knit hat and denim jacket standing behind a table filled with colourful art prints and greeting cards, in an art gallery with pink and purple abstract artwork on the walls. ](\u002Fevents) Upcoming Events → [Mural that reads Together Under the Same Stars, by DOTTO for Withington Walls ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Ftogether-under-the-same-stars) Dotto x Withington Walls → [Light projection of abstract, colorful graffiti-style art on the facade of Tate Britain building at night. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art) Dotto on Tate Britain → [An elecricity box with the words 'Adored' in large blue letters and pink hearts, placed on a pavement near a tree and a gated area with greenery. A bicycle lane is marked on the road. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fadored-something-good) Dotto x Box Clever MCR → [Playful Typography for Powerful Communication in Illustrator A course by Dani Molyneux , Graphic Designer and Typographic Artist ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fdomestika-course) Dani x Domestika Course → [Close-up of two round coasters with a dark blue background featuring a typographic city insipired design and text, placed on a light-coloured surface. The designs include minimalist icons of people, bicycles, and typography. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Ftiny-guides) Dotto Tiny Guides → [ ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fpop-talk-collection) [Take Up More Space mural art by Dotto and Oskar with a K ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Ftake-up-more-space) Dotto x Oskar with a K → Dotto Explores: Interview Series → As featured in: - - - - - - - - - - - - - - - - Item 1 of 16 FEATURES + INTERVIEWS",{"id":579,"height":13,"width":12,"blurhash":580},"95f576fc-b493-4bf7-bf07-01cf4951f659","radial-gradient(at 0 0,#fffffe,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ecf0ff,#00000000 50%),radial-gradient(at 33% 50%,#ecf0ff,#00000000 50%),radial-gradient(at 67% 50%,#f0f5ff,#00000000 50%),radial-gradient(at 100% 50%,#f4faff,#00000000 50%),radial-gradient(at 0 100%,#e9dde0,#00000000 50%),radial-gradient(at 33% 100%,#e7dee3,#00000000 50%),radial-gradient(at 67% 100%,#ebe2e7,#00000000 50%),radial-gradient(at 100% 100%,#eee3e5,#00000000 50%)",{"id":582,"height":15,"width":14,"blurhash":340},"b9bf457d-1ffd-4e36-b96c-e1e4b077cf5c",[584,587,590,593,596,599,602,605,608,611,614,617,620,623,626,629,632,635,638,641,644,647,650,653,656,659,662,665,668,671],{"directus_files_id":585},{"id":586},"b9441723-0147-4148-939a-36d040bdf332",{"directus_files_id":588},{"id":589},"f1f349e8-f511-4518-9191-7924d17c2711",{"directus_files_id":591},{"id":592},"e7ec65d0-680e-44e9-aacd-367a4e79533e",{"directus_files_id":594},{"id":595},"81d8d269-8ead-4602-9075-542806911943",{"directus_files_id":597},{"id":598},"88875c39-5db4-4365-80c1-83fb81153300",{"directus_files_id":600},{"id":601},"969035f3-870d-4bae-84c7-7953804f72de",{"directus_files_id":603},{"id":604},"a77ed537-cb2f-4963-83d3-2f972410b9db",{"directus_files_id":606},{"id":607},"a3e3aeb5-8198-4fc5-8d9b-c91654542c13",{"directus_files_id":609},{"id":610},"3e9d88b3-46c0-4153-a59f-d2d80fc824c9",{"directus_files_id":612},{"id":613},"1a6280a2-3bf4-4fbb-ac54-0e06ec5dba22",{"directus_files_id":615},{"id":616},"9c342af8-97b3-461f-829a-b4349515e435",{"directus_files_id":618},{"id":619},"79d03404-8753-4a03-a7d9-d8adfc347f10",{"directus_files_id":621},{"id":622},"0de62b9b-8c26-42b1-993b-e7df165dcadd",{"directus_files_id":624},{"id":625},"b4c85085-9bb7-42c2-97a2-63ab658a7bdb",{"directus_files_id":627},{"id":628},"4ec69c47-ef40-4a16-b0e6-53c770e5f955",{"directus_files_id":630},{"id":631},"c08a37b6-0b64-4505-98ee-ce27dc73dbc7",{"directus_files_id":633},{"id":634},"9b861cec-cc14-4659-b167-9e72e4f65e49",{"directus_files_id":636},{"id":637},"9bafc1d5-ad7e-441c-89f4-b4fd4eb3ecd7",{"directus_files_id":639},{"id":640},"1ebb75d5-4655-4d19-91cf-25b607cc9239",{"directus_files_id":642},{"id":643},"eb0b3630-aecf-4d27-87ba-c3a6dcde19cf",{"directus_files_id":645},{"id":646},"4aa33a4f-795c-4c77-ac8f-6d134117abf2",{"directus_files_id":648},{"id":649},"42701396-a4f5-4c32-b588-1da289c6c04b",{"directus_files_id":651},{"id":652},"1fe63530-aeb7-48b2-b008-403935131cd5",{"directus_files_id":654},{"id":655},"d81d880c-1d86-4ab2-94ca-5a19091eb971",{"directus_files_id":657},{"id":658},"8eac04cc-0b0b-44ca-98e2-e641edfcf5af",{"directus_files_id":660},{"id":661},"9553a1ca-cb15-4721-b0dc-f2000a595c6f",{"directus_files_id":663},{"id":664},"5d3cc721-efbf-4adb-9c1a-85f281a514e2",{"directus_files_id":666},{"id":667},"8d8c40ed-440d-4edc-a4ac-0da83b4099fc",{"directus_files_id":669},{"id":670},"b32aff36-c579-4521-9f77-a021f7456f24",{"directus_files_id":672},{"id":673},"82a9d988-a1cc-4518-912c-a3ed6ce6ea3b",[675],{"languages_code":434,"description":676},"Dotto is a vibrant, multi-hyphenate creative powerhouse that blurs the lines between a professional design studio, an artsy print store, and a personal creative practice. Based in Manchester but operating on a global scale, the brand specializes in high-impact typography and expressive branding. It serves a diverse clientele ranging from established brands to individual collectors looking for bold, statement-making visual identities and physical art pieces.\n\nThe visual identity is unapologetically loud and typographic-driven, centered around the concept of \"Big Words. On Things.\" The design language utilizes a striking high-contrast palette, primarily featuring a saturated periwinkle blue paired with sharp black and white. Through massive, expressive typefaces and a playful, almost experimental layout, Dotto communicates a sense of confidence, creativity, and tactile artistry that feels both modern and deeply personal.",[678,34,543],"Fun \u002F Playful",[568],[],[682,683,275],"Squarespace","Squarespace Commerce",[685,687,688,689],{"score":686,"category":74},17,{"score":81,"category":77},{"score":448,"category":80},{"score":448,"category":83},[691,693,694,695],{"score":692,"category":74},48,{"score":81,"category":77},{"score":448,"category":80},{"score":448,"category":83},[92,100,697,698],"violet","red","Website: Dotto. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Dotto® A Studio A Store A Person. Page description: A Manchester based design studio. A creative workshop. A print store. Oh + also a person. Speak up and stand out. Creative typography and branding for people with something to say. Based in Manchester, UK. Working globally.. Page content: Big Words. On Things. Dotto is a creative studio working with people and brands. It’s an artsy store selling prints, editions and original artwork. Oh, and it’s also a person. A type-twisting, letter-bending, word-wanging person. Who designs, paints and prints big words on things. Based in Manchester, UK. Working globally. [ ](https:\u002F\u002Fwww.dotto.studio\u002Fservices) The Studio → [ ](\u002Fstore) The Store → [ ](\u002Fthe-person) The Person → Picks + Highlights. Recent work, upcoming events and joyful collaborations. [ ](\u002Ftype-art\u002Fbrits-art-trail) Dotto on The BRITs Art Trail → [Back of a person wearing a black t-shirt with pink stylised text and the year 2025, inside a retail store with clothing racks and other people. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fall-flows) Dotto x All Flows → [Open book displaying colorful graphic art and text about modern typography. The right page features a yellow background with black abstract geometric lettering for the title 'Take Up More Space.' The left page includes detailed text and a faded image. ](\u002Ffeatured) Pop Talk Print Collection + Exhibition → [ ](https:\u002F\u002Fwww.dotto.studio\u002Fdesign\u002Fwftv-awards-2026) Dotto x WFTV → [ ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Ftype-that-moves) Dotto x Buff Motion → Pink wall with white graphic loopy lettering reading 'future confident'. A modern staircase with black, metal railing and wooden handrails is on the right side of the image, with a window letting in natural light. Dotto x Uniform → [ ](\u002Ftype-art\u002Fan-exhibition-called-agency) Dotto Exhibition → [Multiple stacks of notebooks with abstract, colourful lettering based covers in pink, grey, and red, arranged on a white surface. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fadobe-notebooks) Dotto x Adobe → [Image of a zoom conversation between June Mineyama-Smithson of MAMIMU and Dani Molyneux of Dotto. For their collaboration on Creative Jealousy. ](\u002Fnotes\u002Fjealous-much) Dotto x MAMIMU → [A musician with dreadlocks holding a microphone and performing on stage at a crowded concert, with colorful screens and signs in the background. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fyours-truthfully) Dotto x ShangriLa Glasto → [Young woman with short hair wearing a blue knit hat and denim jacket standing behind a table filled with colourful art prints and greeting cards, in an art gallery with pink and purple abstract artwork on the walls. ](\u002Fevents) Upcoming Events → [Mural that reads Together Under the Same Stars, by DOTTO for Withington Walls ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Ftogether-under-the-same-stars) Dotto x Withington Walls → [Light projection of abstract, colorful graffiti-style art on the facade of Tate Britain building at night. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art) Dotto on Tate Britain → [An elecricity box with the words 'Adored' in large blue letters and pink hearts, placed on a pavement near a tree and a gated area with greenery. A bicycle lane is marked on the road. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fadored-something-good) Dotto x Box Clever MCR → [Playful Typography for Powerful Communication in Illustrator A course by Dani Molyneux , Graphic Designer and Typographic Artist ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fdomestika-course) Dani x Domestika Course → [Close-up of two round coasters with a dark blue background featuring a typographic city insipired design and text, placed on a light-coloured surface. The designs include minimalist icons of people, bicycles, and typography. ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Ftiny-guides) Dotto Tiny Guides → [ ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Fpop-talk-collection) [Take Up More Space mural art by Dotto and Oskar with a K ](https:\u002F\u002Fwww.dotto.studio\u002Ftype-art\u002Ftake-up-more-space) Dotto x Oskar with a K → Dotto Explores: Interview Series → As featured in: - - - - - - - - - - - - - - - - Item 1 of 16 FEATURES + INTERVIEWS. A Fun \u002F Playful, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Agency & Studio industry. Designed by Dotto. The overall color palette features White, Gray, Violet, Red. Built using Squarespace, Squarespace Commerce, Stimulus. AI description: Dotto is a vibrant, multi-hyphenate creative powerhouse that blurs the lines between a professional design studio, an artsy print store, and a personal creative practice. Based in Manchester but operating on a global scale, the brand specializes in high-impact typography and expressive branding. It serves a diverse clientele ranging from established brands to individual collectors looking for bold, statement-making visual identities and physical art pieces. The visual identity is unapologetically loud and typographic-driven, centered around the concept of \"Big Words. On Things.\" The design language utilizes a striking high-contrast palette, primarily featuring a saturated periwinkle blue paired with sharp black and white. Through massive, expressive typefaces and a playful, almost experimental layout, Dotto communicates a sense of confidence, creativity, and tactile artistry that feels both modern and deeply personal."]