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View Project View Project View Project Thirst To set the standard in the on-trade sector.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fthirst) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Gemini Worktops Setting the standard in affordable luxury home improvements](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fgemini-worktops) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Connectd Setting the standard in professional networking](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fconnectd) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Rio Drinks To set the standard in world of tropical drinks.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Frio-drinks) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Zutec To set the standard in prop-tech and con-tech.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fzutec) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Victoria Leeds To set the standard for a luxury shopping destination.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fvictoria-leeds) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Onken To set the standard for a digital presence in the yogurt industry.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fonken) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Total Fitness \\- Move to Feel Campaign To set the standard for fitness and health clubs in the UK.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Ftotal-fitness-campaign) Creative _ Strategy _ [ Research & Insight ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Finsight) [ Purpose, Positioning & Proposition ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fpurpose-positioning-proposition) [ Brand & Portfolio Architecture ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fbrand-portfolio-architecture) [ Innovation ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Finnovation) [ Naming ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fnaming) [ Stakeholder Alignment ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fcustomer-onboarding) Brand-led _ Design _ [ Visual Identity ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fvisual-identity) [ Verbal Identity ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fverbal-identity) [ Motion ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fmotion) [ Packaging ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fpackaging) [ Campaign ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fcampaign) Digital _ Delivery _ [ Digital Design ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fdigital-design) [ Web Development ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fweb-development) [ UX UI Agency ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fux-ui) [ WordPress Web Design ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fwordpress) [ E-commerce ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fe-commerce) [ Craft CMS ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fcraft-cms) We’re BGN, a design agency with a team of talented strategists, designers and developers based in Manchester that embed into your business and create effective design. We create, refine and evolve brands, exceeding expectations from the early research and insight stages right through to brand naming, visual and verbal identity, packaging, digital design and UX. Utilising a fully collaborative process, we review where you stand in the market and work with you to clearly and effectively demonstrate your brand’s offering across platforms. Having worked with some of the UK’s leading brands including Mark Hill, Slumberdown, Gillette and Onken, as a design agency, we maintain a focus on balancing style with functionality, to showcase the brand personality whilst always providing the best user experience to encourage engagement, brand loyalty and overall, helping you to meet your business goals. Whether you want to work with our design agency in Manchester to help you craft a brand from scratch, amplify your existing brand assets or to help you evolve with the changing consumer landscape, we’re confident that we have the experience and creativity to create designs that will gain traction and resonate with your audiences. More about BGN The latest from BGN Read more articles [ 4 minutes The Benefits Of Working With A Food Packaging Design Agency Insight](https:\u002F\u002Fbgn.agency\u002Fjournal\u002Fthe-benefits-of-working-with-a-food-packaging-design-agency) [ 3 minutes How Web Design For Startups Can Be A Key Weapon Insight](https:\u002F\u002Fbgn.agency\u002Fjournal\u002Fhow-web-design-for-startups-can-be-a-key-weapon) [ 3 minutes The Name Game: Psychological Tricks To Consider When Choosing a Business Name Insight](https:\u002F\u002Fbgn.agency\u002Fjournal\u002Fthe-name-game-psychological-tricks-to-consider-when-choosing-a-business-name) [ 6 minutes UX Trends: How To Gamify An App Insight](https:\u002F\u002Fbgn.agency\u002Fjournal\u002Fux-trends-how-to-gamify-an-app)",true,1,"1",{"id":343,"height":13,"width":12,"blurhash":344},"c245ce0a-90b5-4e1c-bb09-1fc27b58f381","radial-gradient(at 0 0,#3c393f,#00000000 50%),radial-gradient(at 33% 0,#3b3b3e,#00000000 50%),radial-gradient(at 67% 0,#38373c,#00000000 50%),radial-gradient(at 100% 0,#36343a,#00000000 50%),radial-gradient(at 0 50%,#1b141e,#00000000 50%),radial-gradient(at 33% 50%,#3a3b3c,#00000000 50%),radial-gradient(at 67% 50%,#454448,#00000000 50%),radial-gradient(at 100% 50%,#2f2b33,#00000000 50%),radial-gradient(at 0 100%,#403f43,#00000000 50%),radial-gradient(at 33% 100%,#504f52,#00000000 50%),radial-gradient(at 67% 100%,#5d5c5d,#00000000 50%),radial-gradient(at 100% 100%,#4f4e4f,#00000000 50%)",{"id":346,"height":15,"width":14,"blurhash":53},"9cdd5c78-42e4-4fa6-973c-9607d132adc7",[348,351,354,357,360,363,366,369,372,375,378,381,384,387,390,393,396,399,402,405,408,411,414,417,420,423,426,429,432,435],{"directus_files_id":349},{"id":350},"9885ff45-530b-4707-8600-4a09f586f6f6",{"directus_files_id":352},{"id":353},"dc83b9fb-3d33-4411-9a77-11c6cde28f3a",{"directus_files_id":355},{"id":356},"d2efde9b-7ca6-4607-a980-e85f60a88cef",{"directus_files_id":358},{"id":359},"ec8b4e91-d424-409d-ae07-d609973455ec",{"directus_files_id":361},{"id":362},"8a679a4a-9877-496d-ad07-869cd139c8da",{"directus_files_id":364},{"id":365},"b1fe8441-d795-4469-a106-c1aff3506af8",{"directus_files_id":367},{"id":368},"23354688-2061-44d4-90a9-508cb073bfeb",{"directus_files_id":370},{"id":371},"ee803cbd-e0b5-44ec-a881-480ae8b007e8",{"directus_files_id":373},{"id":374},"5dd24221-881f-4a63-8261-517647b185c7",{"directus_files_id":376},{"id":377},"930986c3-40ab-4f6f-9c64-ecc35922a3e6",{"directus_files_id":379},{"id":380},"3bda0f84-e629-41ff-8505-a51c5afc966c",{"directus_files_id":382},{"id":383},"ecc584f9-77d4-4f98-a020-4cb3e756ac3b",{"directus_files_id":385},{"id":386},"2dd6a834-159c-4f32-9372-723586ea8776",{"directus_files_id":388},{"id":389},"8a6d2524-27d9-4ff3-87c7-192b831385bc",{"directus_files_id":391},{"id":392},"79d0b979-b58b-4b7a-b945-f2001e2b152c",{"directus_files_id":394},{"id":395},"6387e80e-3cca-43c6-b3ea-d2eba68946ab",{"directus_files_id":397},{"id":398},"64df07fa-2497-4d0c-a662-0c5bdd5fd555",{"directus_files_id":400},{"id":401},"33caf995-ebb8-4e96-bfa2-a26d36b7b0d6",{"directus_files_id":403},{"id":404},"c25a078d-a062-4ddb-b27e-eb42fcfdc29a",{"directus_files_id":406},{"id":407},"6b7ae3a9-9102-4fe6-a404-20fc8ad84e5c",{"directus_files_id":409},{"id":410},"7ad38fe7-5686-49e8-8e0b-b6fe3203ab4d",{"directus_files_id":412},{"id":413},"11dd1e8c-b7ba-4f4a-a5d7-9ab7155908fe",{"directus_files_id":415},{"id":416},"5297d9cb-d3ce-432f-a9ce-a9b1752429d3",{"directus_files_id":418},{"id":419},"a197b0a9-f85a-4167-87ad-ceb103ca7e24",{"directus_files_id":421},{"id":422},"29e1a446-dee7-47a5-9bd0-f846998278a2",{"directus_files_id":424},{"id":425},"64b80355-dbb1-4883-9242-46c86c3b0689",{"directus_files_id":427},{"id":428},"2b22e72c-d180-4b3e-8332-fbd30a4ad69e",{"directus_files_id":430},{"id":431},"a1fd8352-0b80-4360-b681-b19e56e6fb79",{"directus_files_id":433},{"id":434},"7420e821-b17f-492c-8062-bd2d28351a17",{"directus_files_id":436},{"id":437},"b5a9eac5-ab5a-42de-8662-d72b7c95e8c2",[439],{"languages_code":440,"description":441},"en","BGN is a high-impact, multi-disciplinary creative agency based in Manchester, specializing in the intersection of design, development, and brand strategy. The agency positions itself as a transformative partner for brands ranging from fast-growing scale-ups to established global leaders, aiming to redefine how businesses are perceived through sophisticated digital and visual identities.\n\nThe visual identity is defined by a bold, editorial aesthetic that leans heavily into expressive typography and a high-contrast dark mode interface. By mixing elegant serif typefaces with clean sans-serifs and integrating dynamic, collage-like imagery, the design communicates a sense of modern sophistication and creative edge. The layout is spacious and confident, targeting ambitious brands that value premium, cutting-edge design execution.",[29,26,33],[444],"Bgn",[269,446,447,286,286,266],"Suisse Intl Mono","JHA Times Now",[449],"Alpine.js",[451,453,454,456],{"score":452,"category":76},71,{"score":159,"category":79},{"score":455,"category":82},96,{"score":80,"category":85},[458,459,460,461],{"score":195,"category":76},{"score":181,"category":79},{"score":455,"category":82},{"score":80,"category":85},[94,463,98,106,464],"pink","brown","Website: BGN. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Creative, Branding & Graphic Design Agency Manchester | BGN. Page description: From digital and design strategy to development and branding services, our experience and just the right team size equip us to transform how your brand is perceived with the great level of service you require.. Page content: We are a _ multi-disciplinary branding development packaging multi-disciplinary _ design agency in Manchester We help brands with_ r e a l a m b i t i o n _ From fast-growing scale-ups to established global businesses To set the_ s t a n d a r d _in their space [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Thirst To set the standard in the on-trade sector.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fthirst) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Gemini Worktops Setting the standard in affordable luxury home improvements](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fgemini-worktops) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Connectd Setting the standard in professional networking](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fconnectd) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Rio Drinks To set the standard in world of tropical drinks.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Frio-drinks) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Zutec To set the standard in prop-tech and con-tech.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fzutec) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Victoria Leeds To set the standard for a luxury shopping destination.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fvictoria-leeds) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Onken To set the standard for a digital presence in the yogurt industry.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Fonken) [Sorry, your browser doesn't support embedded videos. View Project View Project View Project Total Fitness \\- Move to Feel Campaign To set the standard for fitness and health clubs in the UK.](https:\u002F\u002Fbgn.agency\u002Fprojects\u002Ftotal-fitness-campaign) Creative _ Strategy _ [ Research & Insight ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Finsight) [ Purpose, Positioning & Proposition ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fpurpose-positioning-proposition) [ Brand & Portfolio Architecture ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fbrand-portfolio-architecture) [ Innovation ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Finnovation) [ Naming ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fnaming) [ Stakeholder Alignment ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fcustomer-onboarding) Brand-led _ Design _ [ Visual Identity ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fvisual-identity) [ Verbal Identity ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fverbal-identity) [ Motion ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fmotion) [ Packaging ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fpackaging) [ Campaign ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fcampaign) Digital _ Delivery _ [ Digital Design ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fdigital-design) [ Web Development ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fweb-development) [ UX UI Agency ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fux-ui) [ WordPress Web Design ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fwordpress) [ E-commerce ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fe-commerce) [ Craft CMS ](https:\u002F\u002Fbgn.agency\u002Fservices\u002Fcraft-cms) We’re BGN, a design agency with a team of talented strategists, designers and developers based in Manchester that embed into your business and create effective design. We create, refine and evolve brands, exceeding expectations from the early research and insight stages right through to brand naming, visual and verbal identity, packaging, digital design and UX. Utilising a fully collaborative process, we review where you stand in the market and work with you to clearly and effectively demonstrate your brand’s offering across platforms. Having worked with some of the UK’s leading brands including Mark Hill, Slumberdown, Gillette and Onken, as a design agency, we maintain a focus on balancing style with functionality, to showcase the brand personality whilst always providing the best user experience to encourage engagement, brand loyalty and overall, helping you to meet your business goals. Whether you want to work with our design agency in Manchester to help you craft a brand from scratch, amplify your existing brand assets or to help you evolve with the changing consumer landscape, we’re confident that we have the experience and creativity to create designs that will gain traction and resonate with your audiences. More about BGN The latest from BGN Read more articles [ 4 minutes The Benefits Of Working With A Food Packaging Design Agency Insight](https:\u002F\u002Fbgn.agency\u002Fjournal\u002Fthe-benefits-of-working-with-a-food-packaging-design-agency) [ 3 minutes How Web Design For Startups Can Be A Key Weapon Insight](https:\u002F\u002Fbgn.agency\u002Fjournal\u002Fhow-web-design-for-startups-can-be-a-key-weapon) [ 3 minutes The Name Game: Psychological Tricks To Consider When Choosing a Business Name Insight](https:\u002F\u002Fbgn.agency\u002Fjournal\u002Fthe-name-game-psychological-tricks-to-consider-when-choosing-a-business-name) [ 6 minutes UX Trends: How To Gamify An App Insight](https:\u002F\u002Fbgn.agency\u002Fjournal\u002Fux-trends-how-to-gamify-an-app). A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Agency & Studio industry. Designed by Bgn. The overall color palette features Black, Pink, White, Gray, Brown. The typography features Suisse Intl (Swiss Typefaces), Suisse Intl Mono (Swiss Typefaces), JHA Times Now (Serif), Google Sans, Google Sans, Roboto (Sans Serif). Built using Alpine.js. AI description: BGN is a high-impact, multi-disciplinary creative agency based in Manchester, specializing in the intersection of design, development, and brand strategy. The agency positions itself as a transformative partner for brands ranging from fast-growing scale-ups to established global leaders, aiming to redefine how businesses are perceived through sophisticated digital and visual identities. The visual identity is defined by a bold, editorial aesthetic that leans heavily into expressive typography and a high-contrast dark mode interface. By mixing elegant serif typefaces with clean sans-serifs and integrating dynamic, collage-like imagery, the design communicates a sense of modern sophistication and creative edge. The layout is spacious and confident, targeting ambitious brands that value premium, cutting-edge design execution.",{"id":467,"website_id":468,"page_id":467,"name":469,"slug":470,"url":471,"website_name":469,"website_slug":470,"website_url":472,"result_url":471,"fetched_at":473,"score":182,"score_boost":333,"ai_score":77,"freshness_score":474,"scored_at":475,"page_name":39,"page_url":471,"page_title":469,"page_description":476,"page_content":477,"page_sort":333,"is_home":339,"is_home_rank":340,"page_type_id":341,"page_type_name":46,"cover":478,"cover_mobile":481,"cover_sequence":483,"translations":487,"industry":21,"styles":490,"credits":492,"font_families":494,"technologies":496,"pagespeed":497,"pagespeed_mobile":503,"buckets":508,"search_payload":509},"c676bd7d-71f0-404f-976b-80b184183b89","ebf00b58-bf20-41a6-933d-8e7d3a286519","Sandra Doeller","sandradoeller","https:\u002F\u002Fsandradoeller.com\u002F","https:\u002F\u002Fsandradoeller.com","2026-05-04T12:38:30.000Z",74,"2026-05-23T19:20:43.000Z","Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.","Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …",{"id":479,"height":13,"width":12,"blurhash":480},"cc28f65c-6c0c-448a-9543-4f6fc1dcd579","radial-gradient(at 0 0,#eeeeee,#00000000 50%),radial-gradient(at 33% 0,#f6f6f6,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#dddddd,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 100% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 0 100%,#dadada,#00000000 50%),radial-gradient(at 33% 100%,#dddddd,#00000000 50%),radial-gradient(at 67% 100%,#dddddd,#00000000 50%),radial-gradient(at 100% 100%,#dbdbdb,#00000000 50%)",{"id":482,"height":15,"width":14,"blurhash":53},"ee35a35b-7056-4b3b-a410-6d8fb821f9de",[484],{"directus_files_id":485},{"id":486},"d1e1dfc1-2478-4823-a5a8-615901f1ed26",[488],{"languages_code":440,"description":489},"Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives.\n\nThe visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector.",[29,491,33],"Monochrome \u002F Grayscale",[493],"Liebermann Kiepe Reddemann",[495],"Favorit",[65],[498,499,501,502],{"score":180,"category":76},{"score":500,"category":79},67,{"score":455,"category":82},{"score":180,"category":85},[504,505,506,507],{"score":184,"category":76},{"score":500,"category":79},{"score":455,"category":82},{"score":180,"category":85},[98,94,106],"Website: Sandra Doeller. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Sandra Doeller. Page description: Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.. Page content: Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …. 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It is composed of four graphic designers driven by the same desire for creativity, interdisciplinarity and quality. Since 2013, Nouvelle étiquette has managed graphic design projects for cultural associations, public institutions, private companies and sometimes big capital. Thought as a place between a graphic design studio and a research workshop, the bureau nurtures the personal experiences of its members. Nouvelle étiquette is defined by an approach that emphasizes the search for meaning as the driving force behind the emergence of relevant graphic forms. Its work is also based on a particular sensitivity to typography, contemporary art and literature, as well as a way of seeing graphic design as a source of understanding and joy. The creative bureau pays the greatest attention to a deeper comprehension of its commissions and strives to establish constant dialogue with its partners. Nouvelle étiquette regularly takes part in conferences and workshops, while some of its members teach at art school in order to transmit, share and advance knowledge in graphic design. is a graphic design bureau between 14 avenue Leclerc de Hautecloque, Metz, France. Created to be a place between a graphic design studio and a research workshop, it consists of four graphic designers driven by the same desire for creativity, interdisciplinarity and quality. Here’s a selection of our works. Wanna see more? Try the desktop version or visit our Behance profile! - # works ## Enghien-les-Bains Art Centre - 2018\u002F2019 ### Editorial design, Graphic Design ## Drac Grand Est - Greeting 2019 ### Editorial design, Graphic Design ## Closerie des Moussis ### Identity ## Week-end de l'art contemporain Grand-Est ### Editorial design, Identity ## Orchestre national de Lorraine 16 ### Editorial design ## Ateliers Ouverts 2018 ### Graphic Design ## Blotter Atelier ### Graphic Design, Identity ## Prix Sciences Po pour l'art contemporain ### Graphic Design ## Le Périscope ### Editorial design ## How To Do Things With Words ### Scenography, Type Design ## Centre Pompidou-Metz: Agenda ### Editorial design ## HATVP ### Design éditorial, Identity ## Arweider ### Editorial design, Exhibition design ## Ateliers ouverts 2016 ### Graphic Design ## Domaine de la Calmette ### Identity ## Compagnie Claire Sergent ### Editorial design, Identity, Type Design, Web ## Ateliers Ouverts 2017 ### Graphic Design ## Accélérateur de Particules ### Identity ## 100 bâtiments protégés ### Editorial design ## Enghien-les-Bains Art Centre - 2018\u002F2019 ### Editorial design, Graphic Design The Enghien-les-Bains' Art Centre is a major actor in the cultural life of this city of the parisian suburb, designated as one of the \"Creative Cities of UNESCO\" since 2013. The CDA has a rich programming, in harmony with the artistic and technological issues of our time. For our first year of collaboration with the Art Center, we relied on their audacity and we imagined a vibrant and abundant season's identity. Inspired by the ASCII Art experiments, we composed visuals reminding the aesthetics of code and word processing software with syntax highlighting (TextMate, Sublime Text...). We interpret the iconic graphic language of this type of tool in a contemporary and relaxed way: omnipresence of the black colour, tabulations, typographical offsets... From this exploration emerges multiple graphic constellations that we make life and dance among the publications of the centre. [ ### Next Project ## Drac Grand Est - Greeting 2019 ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fdrac-grand-est-greeting-2019\u002F) ## Drac Grand Est - Greeting 2019 ### Editorial design, Graphic Design The Est of France's Regional Head of Cultural Affairs (DRAC Grand-Est) mandated us to design their 2019 wishes card. The DRAC Grand-Est wanted to seize the occasion of this new year's wishes card to highlight the collections of the Regional Contemporary Art Funds (FRAC) of the area. Created in 1983, the institutions' goals are to operate a cultural decentralisation between the French State and the local administrations and to offer accessibility to contemporary art to as many people as possible. The DRAC's 2019 greeting card presents the last three acquisitions of the regional FRACs: Laure Prouvost's \"Depressed Plants (This makes me cry)\", acquired in 2018 by the FRAC Champagne-Ardenne; \"Sensitive materials\" created by SCENOSCOME (Grégory Lasserre and Anaïs met den Ancxt) acquired in 2017 by the FRAC Alsace; and \"Edge of the day\" by Julie Fortier, acquired in 2017 by 49 North 6 East—FRAC Lorraine. Rather than a regular greeting card, we choose to design a folded card that turns out to be a big poster once completely unfolded. Fresh, elegant, seductive, we hope the poster to be pinned in the offices of the various recipients of the wishes. The poster\u002Fcard is printed in five colours (CMYK + a copper Pantone), using Carolinéale, the work-in-progress typeface Francis Ramel is currently designing at Nouvelle étiquette. [ ### Next Project ## Closerie des Moussis ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fcloserie-des-moussis\u002F) ## Closerie des Moussis ### Identity In 2010, Pascale and Laurence, who were passionate about agriculture, ecology and wine, decided to create their own wine estate to produce originals wines inspired by the principles of biodynamics. They therefore entrusted us to design the graphic identity of the estate and of each vintage from the start. We created an identity with an uninhibited creative twist. The subtle blend of precision and finesse of the custom designed stencil figures and the artisanal and warm dimension of the illustrations accompanies and characterises each wine. The red colour, common to all the productions, is a strong marker of identity by referring to both the wine and the region in which it is produced. [ ### Next Project ## Week-end de l'art contemporain Grand-Est ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fweek-end-de-lart-contemporain-grand-est-2018\u002F) ## Week-end de l'art contemporain Grand-Est ### Editorial design, Identity The \"week-end de l'art contemporain Grand-Est\" (contemporary art weekend in the Grand Est region) is an event organized by three contemporary art networks of the area: LoRA–Metz, Versant Est–Strasbourg and Bulles–Reims. Through a full weekend, members structures of those networks are synchronizing their actions and are organizing some common events (screenings, openings, performances, concerts…) For the first edition of the event, the networks decided to ask Nouvelle étiquette to design an editorial object that would allow to regroup all the events of the weekend. The structures also wanted to dedicate a bit of this publication's space to a \"carte blanche\" given to an artist. We designed a \"newspaper-like\" publication that can be declined every year to constitute a little collection. Two gradient colors are marking the identity of the object. For each new publication, we will re-use one of the two previous colors, which will create a color continuity though every years' documents. At the heart of the edition, a central sheet of paper can serve as a poster to be self-composed by the reader. Indeed, if one gather two documents, one can constitute a big poster regrouping the intervention of the invited artist (2018: Delphine Gatinois) and the informations about the event. The organizers of the event and the participating spaces (galleries, art centers, libraries etc.) can display this poster on their walls and t …",{"id":523,"height":13,"width":12,"blurhash":524},"899e0573-eab3-4daa-b32a-69bb5eeda3ae","radial-gradient(at 0 0,#000000,#00000000 50%),radial-gradient(at 33% 0,#43445a,#00000000 50%),radial-gradient(at 67% 0,#000000,#00000000 50%),radial-gradient(at 100% 0,#45445a,#00000000 50%),radial-gradient(at 0 50%,#1c1600,#00000000 50%),radial-gradient(at 33% 50%,#4e4d61,#00000000 50%),radial-gradient(at 67% 50%,#1d1d00,#00000000 50%),radial-gradient(at 100% 50%,#4d4e61,#00000000 50%),radial-gradient(at 0 100%,#000000,#00000000 50%),radial-gradient(at 33% 100%,#3c3d55,#00000000 50%),radial-gradient(at 67% 100%,#000000,#00000000 50%),radial-gradient(at 100% 100%,#3b3a53,#00000000 50%)",{"id":526,"height":15,"width":14,"blurhash":53},"2ac4107c-9fc5-41de-8f19-3e362b2cfac7",[528],{"directus_files_id":529},{"id":530},"d88b8a74-5ca8-47ec-85ae-c740a4a3839b",[532],{"languages_code":440,"description":533},"Nouvelle étiquette is a sophisticated graphic design bureau that positions itself as a hybrid between a creative studio and a research workshop. Based in Metz, France, the agency focuses on the intersection of typography, contemporary art, and literature, seeking deep meaning and intellectual rigor in every commission. Their approach is characterized by a high degree of interdisciplinarity, serving a diverse clientele ranging from cultural associations to large-scale private institutions.\n\nThe visual identity is unapologetically bold and intellectual, utilizing a high-contrast dark mode aesthetic paired with striking, oversized typography. The design language leans into a modern, experimental sensibility, using vibrant color blocks and a structured layout to guide the user through their philosophical approach to design. 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Since 2013, Nouvelle étiquette has managed graphic design projects for cultural associations, public institutions, private companies and sometimes big capital. Thought as a place between a graphic design studio and a research workshop, the bureau nurtures the personal experiences of its members. Nouvelle étiquette is defined by an approach that emphasizes the search for meaning as the driving force behind the emergence of relevant graphic forms. Its work is also based on a particular sensitivity to typography, contemporary art and literature, as well as a way of seeing graphic design as a source of understanding and joy. The creative bureau pays the greatest attention to a deeper comprehension of its commissions and strives to establish constant dialogue with its partners. Nouvelle étiquette regularly takes part in conferences and workshops, while some of its members teach at art school in order to transmit, share and advance knowledge in graphic design. is a graphic design bureau between 14 avenue Leclerc de Hautecloque, Metz, France. Created to be a place between a graphic design studio and a research workshop, it consists of four graphic designers driven by the same desire for creativity, interdisciplinarity and quality. Here’s a selection of our works. Wanna see more? Try the desktop version or visit our Behance profile! - # works ## Enghien-les-Bains Art Centre - 2018\u002F2019 ### Editorial design, Graphic Design ## Drac Grand Est - Greeting 2019 ### Editorial design, Graphic Design ## Closerie des Moussis ### Identity ## Week-end de l'art contemporain Grand-Est ### Editorial design, Identity ## Orchestre national de Lorraine 16 ### Editorial design ## Ateliers Ouverts 2018 ### Graphic Design ## Blotter Atelier ### Graphic Design, Identity ## Prix Sciences Po pour l'art contemporain ### Graphic Design ## Le Périscope ### Editorial design ## How To Do Things With Words ### Scenography, Type Design ## Centre Pompidou-Metz: Agenda ### Editorial design ## HATVP ### Design éditorial, Identity ## Arweider ### Editorial design, Exhibition design ## Ateliers ouverts 2016 ### Graphic Design ## Domaine de la Calmette ### Identity ## Compagnie Claire Sergent ### Editorial design, Identity, Type Design, Web ## Ateliers Ouverts 2017 ### Graphic Design ## Accélérateur de Particules ### Identity ## 100 bâtiments protégés ### Editorial design ## Enghien-les-Bains Art Centre - 2018\u002F2019 ### Editorial design, Graphic Design The Enghien-les-Bains' Art Centre is a major actor in the cultural life of this city of the parisian suburb, designated as one of the \"Creative Cities of UNESCO\" since 2013. The CDA has a rich programming, in harmony with the artistic and technological issues of our time. For our first year of collaboration with the Art Center, we relied on their audacity and we imagined a vibrant and abundant season's identity. Inspired by the ASCII Art experiments, we composed visuals reminding the aesthetics of code and word processing software with syntax highlighting (TextMate, Sublime Text...). We interpret the iconic graphic language of this type of tool in a contemporary and relaxed way: omnipresence of the black colour, tabulations, typographical offsets... From this exploration emerges multiple graphic constellations that we make life and dance among the publications of the centre. [ ### Next Project ## Drac Grand Est - Greeting 2019 ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fdrac-grand-est-greeting-2019\u002F) ## Drac Grand Est - Greeting 2019 ### Editorial design, Graphic Design The Est of France's Regional Head of Cultural Affairs (DRAC Grand-Est) mandated us to design their 2019 wishes card. The DRAC Grand-Est wanted to seize the occasion of this new year's wishes card to highlight the collections of the Regional Contemporary Art Funds (FRAC) of the area. Created in 1983, the institutions' goals are to operate a cultural decentralisation between the French State and the local administrations and to offer accessibility to contemporary art to as many people as possible. The DRAC's 2019 greeting card presents the last three acquisitions of the regional FRACs: Laure Prouvost's \"Depressed Plants (This makes me cry)\", acquired in 2018 by the FRAC Champagne-Ardenne; \"Sensitive materials\" created by SCENOSCOME (Grégory Lasserre and Anaïs met den Ancxt) acquired in 2017 by the FRAC Alsace; and \"Edge of the day\" by Julie Fortier, acquired in 2017 by 49 North 6 East—FRAC Lorraine. Rather than a regular greeting card, we choose to design a folded card that turns out to be a big poster once completely unfolded. Fresh, elegant, seductive, we hope the poster to be pinned in the offices of the various recipients of the wishes. The poster\u002Fcard is printed in five colours (CMYK + a copper Pantone), using Carolinéale, the work-in-progress typeface Francis Ramel is currently designing at Nouvelle étiquette. [ ### Next Project ## Closerie des Moussis ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fcloserie-des-moussis\u002F) ## Closerie des Moussis ### Identity In 2010, Pascale and Laurence, who were passionate about agriculture, ecology and wine, decided to create their own wine estate to produce originals wines inspired by the principles of biodynamics. They therefore entrusted us to design the graphic identity of the estate and of each vintage from the start. We created an identity with an uninhibited creative twist. The subtle blend of precision and finesse of the custom designed stencil figures and the artisanal and warm dimension of the illustrations accompanies and characterises each wine. The red colour, common to all the productions, is a strong marker of identity by referring to both the wine and the region in which it is produced. [ ### Next Project ## Week-end de l'art contemporain Grand-Est ](https:\u002F\u002Fwww.nouvelle-etiquette.fr\u002Fworks\u002Fweek-end-de-lart-contemporain-grand-est-2018\u002F) ## Week-end de l'art contemporain Grand-Est ### Editorial design, Identity The \"week-end de l'art contemporain Grand-Est\" (contemporary art weekend in the Grand Est region) is an event organized by three contemporary art networks of the area: LoRA–Metz, Versant Est–Strasbourg and Bulles–Reims. Through a full weekend, members structures of those networks are synchronizing their actions and are organizing some common events (screenings, openings, performances, concerts…) For the first edition of the event, the networks decided to ask Nouvelle étiquette to design an editorial object that would allow to regroup all the events of the weekend. The structures also wanted to dedicate a bit of this publication's space to a \"carte blanche\" given to an artist. We designed a \"newspaper-like\" publication that can be declined every year to constitute a little collection. Two gradient colors are marking the identity of the object. For each new publication, we will re-use one of the two previous colors, which will create a color continuity though every years' documents. At the heart of the edition, a central sheet of paper can serve as a poster to be self-composed by the reader. Indeed, if one gather two documents, one can constitute a big poster regrouping the intervention of the invited artist (2018: Delphine Gatinois) and the informations about the event. The organizers of the event and the participating spaces (galleries, art centers, libraries etc.) can display this poster on their walls and t …. A Dark Mode, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Agency & Studio industry. The overall color palette features Black, White, Blue, Gray. The typography features Founders Grotesk (Sans Serif, Klim Type), Roboto (Sans Serif), Open Sans (Sans Serif). Built using Bootstrap, Contact Form 7, GSAP, jQuery, Modernizr, OWL Carousel, PHP, Swiper, WordPress. AI description: Nouvelle étiquette is a sophisticated graphic design bureau that positions itself as a hybrid between a creative studio and a research workshop. Based in Metz, France, the agency focuses on the intersection of typography, contemporary art, and literature, seeking deep meaning and intellectual rigor in every commission. Their approach is characterized by a high degree of interdisciplinarity, serving a diverse clientele ranging from cultural associations to large-scale private institutions. The visual identity is unapologetically bold and intellectual, utilizing a high-contrast dark mode aesthetic paired with striking, oversized typography. 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We have a strong belief in the need for resilient design that supports social progression. [ Jedburgh Intergenerational Community Campus Jedburgh, Scotland 2021 ](\u002Fprojects\u002Fjedburgh-intergenerational-campus\u002F) [ The Den Tighnabruaich, Scotland 2022 ](\u002Fprojects\u002Fthe-den\u002F) [ Guggenheim Helsinki Helsinki, Finland 2016 ](\u002Fprojects\u002Fguggenheim-helsinki\u002F) [ Clyde Place Tradeston, Glasgow, Scotland 2022 ](\u002Fprojects\u002Fclyde-place-glasgow\u002F) [ Broomlands Primary School Kelso, Scotland 2017 ](\u002Fprojects\u002Fbroomlands-primary-school\u002F) [ V&A Dundee Dundee, Scotland 2012 ](\u002Fprojects\u002Fv-and-a-dundee\u002F) [ McLellan Works Glasgow, Scotland 2021 ](\u002Fprojects\u002Fmclellan-works\u002F) [ Performance Academy, Newcastle College Newcastle, UK 2005 ](\u002Fprojects\u002Fperformance-academy-newcastle-college\u002F) [ Festival Park Glasgow, Scotland 2007 ](\u002Fprojects\u002Ffestival-park\u002F) [ Union Terrace Gardens Aberdeen, Scotland 2023 ](\u002Fprojects\u002Funion-terrace-gardens\u002F). A Clean \u002F Minimalist, High-End \u002F Luxury, Monochrome \u002F Grayscale website in the Architecture & Real Estate industry. The overall color palette features White, Black, Gray. The typography features Univers (Sans Serif). Built using jQuery, PHP, Silverstripe. AI description: Stallan-Brand is a sophisticated architectural studio dedicated to transformational and resilient design. The website serves as a high-end digital portfolio, showcasing complex projects through a lens of research-driven intelligence and social progression. It is designed to attract developers, urban planners, and institutional clients seeking architecture that balances aesthetic excellence with functional longevity. The visual identity is defined by a striking, editorial minimalism. Utilizing a monochromatic palette punctuated by selective, high-contrast color accents, the design emphasizes structural form and spatial depth. The layout employs a clean, asymmetric grid that mirrors the architectural principles of the studio itself, using expansive whitespace and bold typography to create a sense of prestige and intellectual rigor."]