[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-detail-tang-teaching-museum":3,"facets-{\"includeAuthors\":\"false\"}":180,"facets-baseline-false":343,"similar-websites-tang-teaching-museum":373},{"id":4,"name":5,"slug":6,"url":7,"dateUpdated":8,"fetchedAt":9,"coverId":10,"coverMobileId":11,"coverWidth":12,"coverHeight":13,"coverMobileWidth":14,"coverMobileHeight":15,"descriptionEn":16,"seoMeta":17,"industry":20,"styles":24,"credits":33,"pages":34,"typefaces":91,"technologiesByCategory":92,"pagespeedDesktop":124,"pagespeedMobile":137,"performanceDesktop":127,"performanceMobile":139,"colorBuckets":144,"colorPalette":161},"fa2765d9-5067-4028-9197-fff65577c9a0","Tang Teaching Museum","tang-teaching-museum","https:\u002F\u002Ftang.skidmore.edu","2026-05-23T20:29:05.000Z","2026-05-04T00:29:36.000Z","92b14659-ce25-43ad-a6b3-eda1d78f3df8","ec9f1775-e60a-4f92-bbe4-700f3eb72518",1440,900,780,1688,"The Tang Teaching Museum website serves as a sophisticated digital gateway for the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. It functions as a comprehensive resource for exploring current and upcoming exhibitions, the museum's permanent collection, and educational programming. The site is designed to engage a diverse audience ranging from Skidmore students and faculty to local community members and global art enthusiasts, providing seamless access to museum news, visitor information, and scholarly publications.\n\nThe visual identity is defined by a bold, avant-garde approach to academic curation. Utilizing a high-contrast typographic hierarchy and a striking grid-based layout, the design mirrors the experimental nature of contemporary art. The use of large-scale, immersive imagery—often presented in monochromatic or highly textured formats—creates a sense of prestige and intellectual depth. A playful yet structured use of whitespace and unconventional navigation elements ensures the experience feels both authoritative and cutting-edge, perfectly aligning with its mission as a teaching institution.",{"title":18,"meta_description":19},"Tang Teaching Museum | Skidmore College Art Gallery","Explore exhibitions, collections, and educational programs at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College.",{"name":21,"label":22,"slug":23},"Art & Culture","Art and Culture","art-and-culture",[25,29],{"name":26,"label":27,"slug":28},"Clean \u002F Minimalist","Minimalist","minimalist",{"name":30,"label":31,"slug":32},"Typographic \u002F Big Type","Typographic","typographic",[],[35,46,58,70,79],{"name":36,"title":37,"description":38,"url":39,"coverId":10,"coverMobileId":11,"alt":40,"altMobile":41,"pageType":42},"Homepage","Home - Tang Teaching Museum","The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College","https:\u002F\u002Ftang.skidmore.edu\u002F","The Tang Teaching Museum homepage features a minimalist white header with a black logo and navigation links. 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The hero image is replaced by a smaller, centered image of a ceramic sculpture titled 'Kathy Butterly: Assume Yes', followed by a text box prompting users to explore the site.",{"name":43,"label":44,"slug":45},"Home \u002F Landing Page","Home \u002F Landing","home-landing",{"name":47,"title":48,"description":38,"url":49,"coverId":50,"coverMobileId":51,"alt":52,"altMobile":53,"pageType":54},"About","About - Tang Teaching Museum","https:\u002F\u002Ftang.skidmore.edu\u002Fabout","e8ddd850-4126-4691-9b48-260e34802d3b","66cdae7a-d9d5-4264-a275-e4d7f19845ec","The desktop page features a clean white background with a top navigation menu containing links like exhibitions, calendar, and about. A large, bold headline reads 'About the Tang Museum' above a wide hero image showing the angular, modern architecture of the museum building under a clear sky. Below the image, a list of links includes media coverage, the National Advisory Council, and staff contacts.","The mobile version simplifies the layout into a vertical stack, with the 'tang' logo and a search icon at the top. The navigation menu is expanded vertically, followed by the 'About the Tang Museum' headline and the large architectural hero image. The bottom section contains a list of text links for media coverage, the National Advisory Council, and staff contacts.",{"name":55,"label":56,"slug":57},"About Us \u002F Team","About Us","about-us",{"name":59,"title":60,"description":38,"url":61,"coverId":62,"coverMobileId":63,"alt":64,"altMobile":65,"pageType":66},"Exhibitions","Exhibitions - Tang Teaching Museum","https:\u002F\u002Ftang.skidmore.edu\u002Fexhibitions","c1741f3f-c884-4e60-88ad-5d6af3d10755","90fb22b9-9eb2-4bf8-8f11-3a7f12295e10","The desktop version of the Exhibitions page features a minimalist white background with black text and a navigation menu at the top. 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The color palette is dominated by the natural greens, blues, and reds of the background photograph.","The mobile version presents a vertically stacked layout with the hero image and large white headline text filling the top of the screen. The navigation menu is condensed, showing primary categories like exhibitions, collection, and education, and the search icon is prominently placed at the top right. A search bar for the collection is visible in a white container below the hero section.",{"name":67,"label":68,"slug":69},{"name":80,"title":81,"description":38,"url":82,"coverId":83,"coverMobileId":84,"alt":85,"altMobile":86,"pageType":87},"Visit","Visit - Tang Teaching Museum","https:\u002F\u002Ftang.skidmore.edu\u002Fvisit","2a881305-b12b-4c22-8155-672c59d70f40","7610eb7a-7332-4acd-a65f-9d58697a6363","The desktop page features a minimalist layout with a white background and a large black line drawing of a building as the hero image. 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Magazine is an international quarterly magazine of politics, culture, literature and the arts published at Skidmore College","About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Bia Hoi Junction, Hanoi. The View from Hanoi [ Brock Eldon ](\u002Farticles\u002F1704-the-view-from-hanoi) Salmagundi #228-229 (Fall 2025 - Winter 2026) Many Thousands Gone\\ [ Martha Bayles ](\u002Farticles\u002F1720-many-thousands-gone) Salmagundi #228-229 (Fall 2025 - Winter 2026) On Jewish Evil [ David Stromberg ](\u002Farticles\u002F1706-on-jewish-evil) Salmagundi #228-229 (Fall 2025 - Winter 2026) Partisanship & Denial: A Response To Andrew Sullivan and Finally Getting It [ William Deresiewicz ](\u002Farticles\u002F456-partisanship-denial) Salmagundi 218-219, Spring-Summer 2023 The Praxis of “Practice” [ Michael Kowalski ](\u002Farticles\u002F432-the-praxis-of-practice) Salmagundi 216-217, Fall 2022 - Winter 2023 The Pleasures of Censorship [ Adam Phillips ](\u002Farticles\u002F375-the-pleasures-of-censorship) Salmagundi 214-215, Spring - Summer 2022 A Selection from Elias Canetti’s _The Book Against Death_ [ Elias Canetti ](\u002Farticles\u002F343-a-selection-from-elias-canetti-s-_the-book-against-death_) Interviews Women, The Arts, & The Politics of Culture An Interview with Susan Sontag [ Susan Sontag ](\u002Farticles\u002F14-women-the-arts-the-politics-of-culture) Salmagundi No. 188\u002F189, 2015 Online Wielding the Lyric On _Now It’s Dark_ [ Ocean Vuong ](\u002Farticles\u002F274-wielding-the-lyric) What Now, Humanist?\\ [ Jennifer Delton ](\u002Farticles\u002F1707-what-now-humanist) Salmagundi #228-229 (Fall 2025 - Winter 2026) _The New Yorker_ at 100: A Personal Reflection [ Martin Jay ](\u002Farticles\u002F1705-the-new-yorker-at-100) Salmagundi #228-229 (Fall 2025 - Winter 2026) Online The Home Key #20 Defector From the Petty Wars [ Rick Moody ](\u002Farticles\u002F1638-the-home-key-20) The Field [ Ben Corvo ](\u002Farticles\u002F1543-the-field) Salmagundi 226-227, Spring - Summer 2025 Vanishing Acts [ Anne Kenner ](\u002Farticles\u002F1539-vanishing-acts) Salmagundi 226-227, Spring - Summer 2025 Rosanna Warren: An Interview\\ [ Rosanna Warren ](\u002Farticles\u002F1717-rosanna-warren-an-interview) Salmagundi #228-229 (Fall 2025 - Winter 2026) Will the Real Francis Picabia Please Stand Up? [ Barbara Purcell ](\u002Farticles\u002F1605-will-the-real-francis-picabia-please-stand-up) Salmagundi 226-227, Spring - Summer 2025 Crazy [ Philip Schultz ](\u002Farticles\u002F1542-crazy) Salmagundi 226-227, Spring - Summer 2025 Bunk [ Robert Cohen ](\u002Farticles\u002F1506-bunk) Salmagundi 226-227, Spring - Summer 2025 About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Special Features The Home Key The “Lost Girls” of the _Yellow Book_ [ Barbara Black ](\u002Farticles\u002F1721-the-lost-girls-of-the-yellow-book) Salmagundi #228-229 (Fall 2025 - Winter 2026) Five Poems [ Chase Twichell ](\u002Farticles\u002F1715-five-poems) Salmagundi #228-229 (Fall 2025 - Winter 2026) Notes on a Photograph from 1884 [ Nick Flynn ](\u002Farticles\u002F466-notes-on-a-photograph-from-1884) Salmagundi 218-219, Spring-Summer 2023 A Thousand Gentle Smotherings [ Celeste Marcus ](\u002Farticles\u002F441-a-thousand-gentle-smotherings) Salmagundi 216-217, Fall 2022 - Winter 2023 What Lurks Below the New Class War [ Roger Berkowitz ](\u002Farticles\u002F380-what-lurks-below-the-new-class-war) Salmagundi 214-215, Spring - Summer 2022 The Super-Ego in the Green World [ Mark Edmundson ](\u002Farticles\u002F373-the-super-ego-in-the-green-world) A Brooklyn Bovary (As Told by Her Son) [ David Mikics ](\u002Farticles\u002F90-a-brooklyn-bovary) Online Poetry “Sad Song” [ Chase Twichell ](\u002Farticles\u002F110-sad-song) Criticism Politics Emerging from Censorship [ J.M. Coetzee ](\u002Farticles\u002F9-emerging-from-censorship) Salmagundi No. 100, Fall 1993 Online Paul McCartney with Linda at Empire Theatre, Liverpool 1973 The Home Key #22: Paul McCartney, the Solo Years [ Rick Moody ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years),[ Marc Woodworth ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years), and[ Adam Braver ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years) [The Tragedy of Liberal Self-Doubt](\u002Farticles\u002F1572-the …",true,1,"1",{"id":394,"height":13,"width":12,"blurhash":395},"8e244143-65ce-4b56-9b06-4baff035ff55","radial-gradient(at 0 0,#edf4f5,#00000000 50%),radial-gradient(at 33% 0,#f0f2ec,#00000000 50%),radial-gradient(at 67% 0,#fafaf6,#00000000 50%),radial-gradient(at 100% 0,#fcfbfb,#00000000 50%),radial-gradient(at 0 50%,#cdc2c4,#00000000 50%),radial-gradient(at 33% 50%,#ad9386,#00000000 50%),radial-gradient(at 67% 50%,#d6cac4,#00000000 50%),radial-gradient(at 100% 50%,#f6f2f1,#00000000 50%),radial-gradient(at 0 100%,#d4d5d8,#00000000 50%),radial-gradient(at 33% 100%,#cbc4bc,#00000000 50%),radial-gradient(at 67% 100%,#e1dfda,#00000000 50%),radial-gradient(at 100% 100%,#f2f0f0,#00000000 50%)",{"id":397,"height":15,"width":14,"blurhash":398},"7d1b48d2-0f54-4fcc-a89d-137f13ed64ac",null,[400,403,406,409,412,415,418,421,424,427,430,433,436,439,442,445,448,451,454,457,460,463,466,469,472,475,478,481,484,487],{"directus_files_id":401},{"id":402},"71b52c58-440f-4174-9c66-a15fe5416204",{"directus_files_id":404},{"id":405},"bcdd0258-ebe9-43c9-b634-5fff7b6d6b0f",{"directus_files_id":407},{"id":408},"c2841b20-ee81-49f2-8058-121f01cb6fd0",{"directus_files_id":410},{"id":411},"e6413f52-cc85-41e1-8a0b-bf0c8834ed9e",{"directus_files_id":413},{"id":414},"2b716e5c-547a-4f7f-ae3e-a1d82e684736",{"directus_files_id":416},{"id":417},"c9629595-3b9b-4d90-8321-ac5992f556a1",{"directus_files_id":419},{"id":420},"bb7d1b52-0acd-4fbb-a8f7-09d850d2e19e",{"directus_files_id":422},{"id":423},"1f08f1ec-2c11-4981-bd46-ce4fab505ad6",{"directus_files_id":425},{"id":426},"b07bfda4-f330-464e-9401-9eac0d2d41bc",{"directus_files_id":428},{"id":429},"027795d6-f557-458e-9a82-52f60b0f4adc",{"directus_files_id":431},{"id":432},"8d90dca1-01b8-44a5-998b-efccaa933979",{"directus_files_id":434},{"id":435},"e002403f-b8cf-4691-bc9b-bf52a6e73207",{"directus_files_id":437},{"id":438},"0b15d71e-1dce-4996-8e0b-410c111eca5f",{"directus_files_id":440},{"id":441},"00ff0ffd-6ca8-4d60-a2c3-dac3411ee19d",{"directus_files_id":443},{"id":444},"0df549fe-44ec-4b35-ad1a-2ea97af6b32d",{"directus_files_id":446},{"id":447},"524fe1c5-d0f7-4680-a967-933992cd2683",{"directus_files_id":449},{"id":450},"33fb745f-9f8f-4aef-b6b3-9aafff286144",{"directus_files_id":452},{"id":453},"7b366636-3a71-4db5-bdf6-b3adad1c4455",{"directus_files_id":455},{"id":456},"77978e31-42e4-41d9-a41c-2791a5ee4ae6",{"directus_files_id":458},{"id":459},"1841d10b-af5d-457d-9fa7-e1c09ccd7a3c",{"directus_files_id":461},{"id":462},"40ac1f5f-7287-4f3d-aa7b-eb1f0e6f350e",{"directus_files_id":464},{"id":465},"5251c4a2-bdd9-4f6c-8ff3-d8fa31ea04a5",{"directus_files_id":467},{"id":468},"ff8e8b5b-e1f7-4646-a9e7-1619bc196c6b",{"directus_files_id":470},{"id":471},"3f83aa87-abe4-40b1-8d2e-53047fe437b8",{"directus_files_id":473},{"id":474},"c42b3485-2498-405d-b7b5-e5878ad170fb",{"directus_files_id":476},{"id":477},"9fe50101-f9cf-4567-ba7c-3f837da5e292",{"directus_files_id":479},{"id":480},"baa78dbb-02b6-4b33-99b4-2a586475e170",{"directus_files_id":482},{"id":483},"6394465f-cfa1-4932-a23f-dd9825a33b1d",{"directus_files_id":485},{"id":486},"3d66830a-4ab6-4b02-8bac-ed4e8354af5e",{"directus_files_id":488},{"id":489},"383aad9b-73fa-48ed-8dfe-7a78e88a9f88",[491],{"languages_code":492,"description":493},"en","Salmagundi Magazine serves as a sophisticated intellectual hub, offering a rigorous quarterly exploration of politics, culture, literature, and the arts. The platform is designed for a discerning, academic, and culturally engaged audience that seeks depth over brevity, providing a home for demanding fiction, long-form essays, and provocative criticism. \n\nThe visual identity is defined by a striking, high-contrast typographic approach that mirrors the magazine's uncompromising editorial stance. By utilizing a clean, grid-based layout paired with bold, serif-heavy imagery and a minimalist color palette, the design evokes the prestige of a traditional literary journal while maintaining a modern, accessible digital presence. The use of large-scale typography and structured navigation emphasizes clarity and intellectual weight.","Entertainment & Media",[26,30],[],[319],[114,118],[500,502,503,505],{"score":501,"category":126},74,{"score":235,"category":129},{"score":504,"category":132},100,{"score":504,"category":135},[507,508,509,510],{"score":239,"category":126},{"score":235,"category":129},{"score":504,"category":132},{"score":504,"category":135},[146,512,154,150],"violet","Website: Salmagundi. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home - Salmagundi Magazine. Page description: Salmagundi Magazine is an international quarterly magazine of politics, culture, literature and the arts published at Skidmore College. Page content: About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Bia Hoi Junction, Hanoi. The View from Hanoi [ Brock Eldon ](\u002Farticles\u002F1704-the-view-from-hanoi) Salmagundi #228-229 (Fall 2025 - Winter 2026) Many Thousands Gone\\ [ Martha Bayles ](\u002Farticles\u002F1720-many-thousands-gone) Salmagundi #228-229 (Fall 2025 - Winter 2026) On Jewish Evil [ David Stromberg ](\u002Farticles\u002F1706-on-jewish-evil) Salmagundi #228-229 (Fall 2025 - Winter 2026) Partisanship & Denial: A Response To Andrew Sullivan and Finally Getting It [ William Deresiewicz ](\u002Farticles\u002F456-partisanship-denial) Salmagundi 218-219, Spring-Summer 2023 The Praxis of “Practice” [ Michael Kowalski ](\u002Farticles\u002F432-the-praxis-of-practice) Salmagundi 216-217, Fall 2022 - Winter 2023 The Pleasures of Censorship [ Adam Phillips ](\u002Farticles\u002F375-the-pleasures-of-censorship) Salmagundi 214-215, Spring - Summer 2022 A Selection from Elias Canetti’s _The Book Against Death_ [ Elias Canetti ](\u002Farticles\u002F343-a-selection-from-elias-canetti-s-_the-book-against-death_) Interviews Women, The Arts, & The Politics of Culture An Interview with Susan Sontag [ Susan Sontag ](\u002Farticles\u002F14-women-the-arts-the-politics-of-culture) Salmagundi No. 188\u002F189, 2015 Online Wielding the Lyric On _Now It’s Dark_ [ Ocean Vuong ](\u002Farticles\u002F274-wielding-the-lyric) What Now, Humanist?\\ [ Jennifer Delton ](\u002Farticles\u002F1707-what-now-humanist) Salmagundi #228-229 (Fall 2025 - Winter 2026) _The New Yorker_ at 100: A Personal Reflection [ Martin Jay ](\u002Farticles\u002F1705-the-new-yorker-at-100) Salmagundi #228-229 (Fall 2025 - Winter 2026) Online The Home Key #20 Defector From the Petty Wars [ Rick Moody ](\u002Farticles\u002F1638-the-home-key-20) The Field [ Ben Corvo ](\u002Farticles\u002F1543-the-field) Salmagundi 226-227, Spring - Summer 2025 Vanishing Acts [ Anne Kenner ](\u002Farticles\u002F1539-vanishing-acts) Salmagundi 226-227, Spring - Summer 2025 Rosanna Warren: An Interview\\ [ Rosanna Warren ](\u002Farticles\u002F1717-rosanna-warren-an-interview) Salmagundi #228-229 (Fall 2025 - Winter 2026) Will the Real Francis Picabia Please Stand Up? [ Barbara Purcell ](\u002Farticles\u002F1605-will-the-real-francis-picabia-please-stand-up) Salmagundi 226-227, Spring - Summer 2025 Crazy [ Philip Schultz ](\u002Farticles\u002F1542-crazy) Salmagundi 226-227, Spring - Summer 2025 Bunk [ Robert Cohen ](\u002Farticles\u002F1506-bunk) Salmagundi 226-227, Spring - Summer 2025 About Current issue Back issues Topics Authors Symposia Online Shop Masthead Columns Essays Poetry Fiction Reviews Archives Interviews Criticism Politics • Cover Our 60th anniversary issue, just out, represents precisely what we’ve been offering over these many decades: a wide and surprising range of work by the best writers on everything from politics and literature to art and the current culture. Along with a collection of columns from the past and a timely consideration of AI and the humanities, the issue offers new poems by Robert Pinsky and Chase Twichell, among others, a letter from Israel, a story by Joyce Carol Oates, a report from Hanoi, a review of recent books on racial justice and integration along with editor-in-chief Robert Boyers, who started Salmagundi in New York City in 1965, on fascism and resistance in our dangerous moment. After 60 years, no backing down in sight —#228-229 is a banger. [ SUBSCRIBE ](\u002Fshop) Special Features The Home Key The “Lost Girls” of the _Yellow Book_ [ Barbara Black ](\u002Farticles\u002F1721-the-lost-girls-of-the-yellow-book) Salmagundi #228-229 (Fall 2025 - Winter 2026) Five Poems [ Chase Twichell ](\u002Farticles\u002F1715-five-poems) Salmagundi #228-229 (Fall 2025 - Winter 2026) Notes on a Photograph from 1884 [ Nick Flynn ](\u002Farticles\u002F466-notes-on-a-photograph-from-1884) Salmagundi 218-219, Spring-Summer 2023 A Thousand Gentle Smotherings [ Celeste Marcus ](\u002Farticles\u002F441-a-thousand-gentle-smotherings) Salmagundi 216-217, Fall 2022 - Winter 2023 What Lurks Below the New Class War [ Roger Berkowitz ](\u002Farticles\u002F380-what-lurks-below-the-new-class-war) Salmagundi 214-215, Spring - Summer 2022 The Super-Ego in the Green World [ Mark Edmundson ](\u002Farticles\u002F373-the-super-ego-in-the-green-world) A Brooklyn Bovary (As Told by Her Son) [ David Mikics ](\u002Farticles\u002F90-a-brooklyn-bovary) Online Poetry “Sad Song” [ Chase Twichell ](\u002Farticles\u002F110-sad-song) Criticism Politics Emerging from Censorship [ J.M. Coetzee ](\u002Farticles\u002F9-emerging-from-censorship) Salmagundi No. 100, Fall 1993 Online Paul McCartney with Linda at Empire Theatre, Liverpool 1973 The Home Key #22: Paul McCartney, the Solo Years [ Rick Moody ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years),[ Marc Woodworth ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years), and[ Adam Braver ](\u002Farticles\u002F1771-the-home-key-22-paul-mccartney-the-solo-years) [The Tragedy of Liberal Self-Doubt](\u002Farticles\u002F1572-the …. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Violet, Gray, Black. The typography features Times New Roman (Serif). Built using Ruby, Ruby on Rails. AI description: Salmagundi Magazine serves as a sophisticated intellectual hub, offering a rigorous quarterly exploration of politics, culture, literature, and the arts. The platform is designed for a discerning, academic, and culturally engaged audience that seeks depth over brevity, providing a home for demanding fiction, long-form essays, and provocative criticism. The visual identity is defined by a striking, high-contrast typographic approach that mirrors the magazine's uncompromising editorial stance. By utilizing a clean, grid-based layout paired with bold, serif-heavy imagery and a minimalist color palette, the design evokes the prestige of a traditional literary journal while maintaining a modern, accessible digital presence. The use of large-scale typography and structured navigation emphasizes clarity and intellectual weight.",{"id":515,"website_id":516,"page_id":515,"name":517,"slug":518,"url":519,"website_name":517,"website_slug":518,"website_url":520,"result_url":519,"fetched_at":521,"score":522,"score_boost":384,"ai_score":523,"freshness_score":501,"scored_at":524,"page_name":36,"page_url":519,"page_title":517,"page_description":398,"page_content":525,"page_sort":384,"is_home":390,"is_home_rank":391,"page_type_id":392,"page_type_name":43,"cover":526,"cover_mobile":529,"cover_sequence":531,"translations":541,"industry":21,"styles":544,"credits":546,"font_families":548,"technologies":549,"pagespeed":551,"pagespeed_mobile":557,"buckets":562,"search_payload":564},"cf9f198b-d6ac-4ca6-a7eb-d14d9f6c4fc2","f9fbdbd5-d5d4-450b-8457-f6edaab30558","Face Forward","face-forward","https:\u002F\u002Ffaceforward.typography.ie\u002F","https:\u002F\u002Ffaceforward.typography.ie","2026-05-04T09:21:59.000Z",84,86,"2026-05-23T19:09:49.000Z","_Face Forward_ is an international peer-reviewed conference focused on typography that seeks to examine design and typographic practice, and to make explicit existing connections between craft, research, theory, history, criticism and pedagogy. This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …",{"id":527,"height":13,"width":12,"blurhash":528},"ee6ba0b9-978f-4682-94f5-f10503f98584","radial-gradient(at 0 0,#babaff,#00000000 50%),radial-gradient(at 33% 0,#7878ff,#00000000 50%),radial-gradient(at 67% 0,#b2b2ff,#00000000 50%),radial-gradient(at 100% 0,#dfdfff,#00000000 50%),radial-gradient(at 0 50%,#bfbfe8,#00000000 50%),radial-gradient(at 33% 50%,#a2a2e1,#00000000 50%),radial-gradient(at 67% 50%,#c6c6ed,#00000000 50%),radial-gradient(at 100% 50%,#dedef7,#00000000 50%),radial-gradient(at 0 100%,#b4b4e6,#00000000 50%),radial-gradient(at 33% 100%,#9c9cf7,#00000000 50%),radial-gradient(at 67% 100%,#b3b3f5,#00000000 50%),radial-gradient(at 100% 100%,#cbcbed,#00000000 50%)",{"id":530,"height":15,"width":14,"blurhash":398},"d4e07c88-6674-4460-9621-b66d952ea4f3",[532,535,538],{"directus_files_id":533},{"id":534},"b5f1f613-ecd9-4c14-8e2d-8bfcb012ccc8",{"directus_files_id":536},{"id":537},"2a247199-2226-423a-9962-6fd931df0026",{"directus_files_id":539},{"id":540},"09fdf48e-0b65-4ae6-bda7-9f4e6eb98664",[542],{"languages_code":492,"description":543},"Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. The website serves as a scholarly hub, facilitating critical discourse between craft, research, theory, and pedagogy. It is designed to attract academics, designers, and typographic practitioners seeking to explore the intersection of visual communication and epistemological inquiry.\n\nThe visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the site's subject matter. Through a striking combination of electric blue and stark monochrome, the design employs massive, experimental letterforms and a rigorous grid system. The layout is unapologetically structural, using scale and negative space to create a sense of intellectual authority and avant-garde elegance.",[26,545,30],"Monochrome \u002F Grayscale",[547],"Bong",[319],[294,295,550],"Three.js",[552,554,555,556],{"score":553,"category":126},99,{"score":191,"category":129},{"score":133,"category":132},{"score":246,"category":135},[558,559,560,561],{"score":232,"category":126},{"score":213,"category":129},{"score":133,"category":132},{"score":246,"category":135},[146,563,150,154],"blue","Website: Face Forward. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Face Forward. Page content: _Face Forward_ is an international peer-reviewed conference focused on typography that seeks to examine design and typographic practice, and to make explicit existing connections between craft, research, theory, history, criticism and pedagogy. This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Blue, Black, Gray. The typography features Times New Roman (Serif). Built using jQuery, PHP, Three.js. AI description: Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. The website serves as a scholarly hub, facilitating critical discourse between craft, research, theory, and pedagogy. It is designed to attract academics, designers, and typographic practitioners seeking to explore the intersection of visual communication and epistemological inquiry. The visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the site's subject matter. Through a striking combination of electric blue and stark monochrome, the design employs massive, experimental letterforms and a rigorous grid system. The layout is unapologetically structural, using scale and negative space to create a sense of intellectual authority and avant-garde elegance.",{"id":566,"website_id":567,"page_id":566,"name":568,"slug":569,"url":570,"website_name":568,"website_slug":569,"website_url":571,"result_url":570,"fetched_at":572,"score":573,"score_boost":384,"ai_score":522,"freshness_score":501,"scored_at":574,"page_name":36,"page_url":570,"page_title":575,"page_description":576,"page_content":577,"page_sort":384,"is_home":390,"is_home_rank":391,"page_type_id":392,"page_type_name":43,"cover":578,"cover_mobile":581,"cover_sequence":583,"translations":674,"industry":21,"styles":677,"credits":678,"font_families":680,"technologies":681,"pagespeed":682,"pagespeed_mobile":687,"buckets":692,"search_payload":694},"b644cfb4-51d1-45ee-bd02-471cc836fbcc","ea54a443-692f-4ea6-ae37-d01fc35f1c6a","The University of Arizona Museum of Art","the-university-of-arizona-museum-of-art","https:\u002F\u002Fartmuseum.arizona.edu\u002F","https:\u002F\u002Fartmuseum.arizona.edu","2026-05-04T15:23:02.000Z",83,"2026-05-23T19:22:23.000Z","Home | The University of Arizona Museum of Art | Tucson, AZ","The University of Arizona Museum of Art fosters critical dialogue, research, and community engagement through its diverse art collection in Tucson, AZ and beyond.","Your browser doesn't support HTML5 video. We Are Currently Closed Experience the power of art to spark ideas, start conversations, and create joy. [Educational programs designed to help you learn more about and enjoy art. View Programs arrow](learn \"View Programs\") [Gain access to exclusive exhibitions, events, and behind-the-scenes tours. Support Us arrow](join-give \"Support Us\") [Experiences that expose you to beautiful and inspiring works of art. Register Today arrow](see-do \"Register Today\") Exhibitions View All _Exhibitions_ arrow prev next [ Feb 14, 2026 — May 09, 2026 Our Stories: High School Artists 2026 ](see-do\u002Fexhibitions\u002F2026\u002F02\u002F14\u002Four-storieshigh-school-artists-2026)[ Apr 18, 2026 — May 16, 2026 MFA Thesis Exhibition 2026 ](see-do\u002Fexhibitions\u002F2026\u002F04\u002F18\u002Fmfa-thesis-exhibition-2026)[ Jun 13, 2026 — Sep 19, 2026 The Vault Show: BIG\u002Flittle ](see-do\u002Fexhibitions\u002F2026\u002F06\u002F13\u002Fthe-vault-show-biglittle)[ OngoingJan 06, 2026 — Jan 17, 2027 Modern Art Gallery ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fmodern-art-gallery)[ OngoingJan 06, 2026 — Jan 17, 2027 The Samuel H. Kress Collection ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fthe-samuel-h-kress-collection)[ OngoingJan 06, 2026 — Jan 17, 2027 Contemporary Art Gallery ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fcontemporary-art-gallery)[ OngoingJan 06, 2026 — Jun 17, 2026 Surrealism: The Art of the Subconscious ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fsurrealism-the-art-of-the-subconscious) Upcoming Events _View_ Calendar arrow [ closing-reception-mfa-thesis-exhibition-2026 May 14, 2026 at 5:00 pm Closing Reception: MFA Thesis Exhibition 2026 ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F05\u002F14\u002Fclosing-reception-mfa-thesis-exhibition-2026)[ virtual-art-trivia-happy-hour-pets May 28, 2026 at 5:00 pm Virtual Art Trivia Happy Hour: Pets! ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F05\u002F28\u002Fvirtual-art-trivia-happy-hour-pets)[ members-morning-a-glimpse-into-the-world-of-warhol Jun 06, 2026 at 9:00 am Members Morning: A Glimpse Into the World of Warhol ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F06\u002F06\u002Fmembers-morning-a-glimpse-into-the-world-of-warhol) Portrait of Yousuf Karsh Portrait of Yousuf Karsh Jacques Lipchitz, 1970, Plaster, Gift of the Jacques and Yulla Lipchitz Foundation [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FF6717537-D1D1-4452-93CA-802331376075) Adit #1 (Industry) Adit #1 (Industry) Stuart Davis, 1928, Oil on canvas mounted on Masonite, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FC4825189-34FF-40FC-91D4-350043834215) End of the Rain \u003Cspan>(also\u003C\u002Fspan> After the Rain\u003Cspan>)\u003C\u002Fspan> End of the Rain (also After the Rain) George Inness, 1891, Oil on canvas, Gift of T.E. Hanley [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FF514BF15-6D93-426E-A83B-423666667197) Abraham Francen Abraham Francen Rembrandt van Rijn, ca. 1657, Etching, drypoint and burin on laid paper, Gift of Mr. Peter Licavoli [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F6834794F-CF3D-424E-8BB2-809879909349) Mr. Broe Waits His Turn \u003Cspan>(also\u003C\u002Fspan> Waiting For His Turn\u003Cspan>)\u003C\u002Fspan> Mr. Broe Waits His Turn (also Waiting For His Turn) Katherine Schmidt, 1937, Oil on canvas, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F296C000C-DE5A-40C2-AE04-982133065923) Monday Night at the Metropolitan Monday Night at the Metropolitan Reginald Marsh, ca. 1936, Egg tempera and oil on panel, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F591E2F6F-9374-41FD-9FBE-392461942570) Avalanche By Wind Avalanche By Wind Alexandre Hogue, 1944, Oil on canvas, Gift of William Benton [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FE37ED70E-7AF0-4D9F-9BB1-305882620159) Woman-Ochre Woman-Ochre Willem De Kooning, 1954-1955, Oil on canvas, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0C256DB4-8049-48B0-AC81-893343290445) A Capriccio of Classical Ruins A Capriccio of Classical Ruins Giovanni Paolo Panini, ca. 1750, Oil on canvas, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FAD95310E-EFB9-46DD-BD8C-339028350040) Jeune Fille au Chapeau (Young Woman in a Hat) Jeune Fille au Chapeau (Young Woman in a Hat) Pierre Auguste Renoir, ca. 1897, Oil, George Gregson Bequest in Loving Memory of Patricia Janss Gregson [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F6C43073A-2831-4A9A-9A48-646479810346) Portrait of a Woman Portrait of a Woman William Sidney Mount, 1832, Oil on canvas, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FB9A02E9E-A768-481C-97D3-215495232500) Number 20, 1950 Number 20, 1950 Jackson Pollock, 1950, Oil on Masonite gameboard, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0CAF0D04-BE7E-45F6-83C9-451274350827) Things in Landscape #1 Things in Landscape #1 Joan Brown, 1959, Oil on canvas, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FE7B1501F-CF25-47C8-BE18-417123525157) The City The City Edward Hopper, 1927, Oil on canvas, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F847EC702-A64D-4EE6-930B-338506747816) Nature morte (Fleurs) Nature morte (Fleurs) Edouard Vuillard, ca. 1900, Oil on cardboard, George Gregson Bequest in Loving Memory of Patricia Janss Gregson [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FA07CD4ED-21F6-474D-8CEC-069755033698) Gala Placidia Gala Placidia Salvador Dalí, 1952, Brown ink and conté crayon on paper, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F7A968BC6-9593-4EF3-AAFD-341785540770) The Drought in the Southwest, or Cattlemen Warning Sheep-Herders Away from Their Water The Drought in the Southwest, or Cattlemen Warning Sheep-Herders Away from Their Water Frederic S. Remington, 1900, Oil on canvas, Gift of Mr. and Mrs. Harry L. Bell [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F071B7B6F-E9C6-4150-B4C0-284508618862) Diners \u003Cspan>(also\u003C\u002Fspan> Café Scene\u003Cspan>)\u003C\u002Fspan> Diners (also Café Scene) Jacob Lawrence, 1942, Gouache on paper, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0C29FF4C-F467-4952-A86F-115723226940) From the Neuf Series From the Neuf Series Edgar Heap of Birds, 1992, Acrylic, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F90603BBD-2A25-4CEF-9197-333978072341) Coat of Arms with Skull Coat of Arms with Skull Albrecht Dürer, printed ca. 1870, Line Photogravure [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002Fwebobject\u002FD38724AA-5679-4067-9673-777720927660) Collections 6,000+ Pieces of Art Major Collections arrow The University of Arizona Museum of Art advances the academic and research mission of the university, inspires critical dialogue among campus and community audiences, and celebrates art as essential to our lives through the stewardship and interpretation of its expanding collection of art and archives . [## Art comes to life with programs that engage audiences of every age. View Programs arrow](learn \"View Programs\") Get to know UAMA through stories from within and beyond the museum’s walls. 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Large-scale imagery of classical and contemporary works anchors the experience, immediately establishing the museum as a space for both contemplation and active dialogue. The landing page rhythm moves from expansive, emotive hero sections into structured blocks that invite users to explore programs, memberships, and collections through a clear, mission-driven lens.\n\nDeep burgundy tones provide a sophisticated foundation for a layout that balances heavy serif typography with generous whitespace. The grid organizes diverse content—from exhibition details to membership calls-to-action—into distinct, legible modules that prevent the dense information from feeling overwhelming. A notable design choice is the use of oversized, high-contrast headings that act as structural anchors, guiding the eye through the museum's narrative without relying on traditional, cluttered navigation patterns.",[26,30],[679],"Form",[],[294,295],[683,684,685,686],{"score":246,"category":126},{"score":504,"category":129},{"score":504,"category":132},{"score":504,"category":135},[688,689,690,691],{"score":239,"category":126},{"score":246,"category":129},{"score":504,"category":132},{"score":504,"category":135},[154,146,150,693],"brown","Website: The University of Arizona Museum of Art. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home | The University of Arizona Museum of Art | Tucson, AZ. Page description: The University of Arizona Museum of Art fosters critical dialogue, research, and community engagement through its diverse art collection in Tucson, AZ and beyond.. Page content: Your browser doesn't support HTML5 video. We Are Currently Closed Experience the power of art to spark ideas, start conversations, and create joy. [Educational programs designed to help you learn more about and enjoy art. View Programs arrow](learn \"View Programs\") [Gain access to exclusive exhibitions, events, and behind-the-scenes tours. Support Us arrow](join-give \"Support Us\") [Experiences that expose you to beautiful and inspiring works of art. Register Today arrow](see-do \"Register Today\") Exhibitions View All _Exhibitions_ arrow prev next [ Feb 14, 2026 — May 09, 2026 Our Stories: High School Artists 2026 ](see-do\u002Fexhibitions\u002F2026\u002F02\u002F14\u002Four-storieshigh-school-artists-2026)[ Apr 18, 2026 — May 16, 2026 MFA Thesis Exhibition 2026 ](see-do\u002Fexhibitions\u002F2026\u002F04\u002F18\u002Fmfa-thesis-exhibition-2026)[ Jun 13, 2026 — Sep 19, 2026 The Vault Show: BIG\u002Flittle ](see-do\u002Fexhibitions\u002F2026\u002F06\u002F13\u002Fthe-vault-show-biglittle)[ OngoingJan 06, 2026 — Jan 17, 2027 Modern Art Gallery ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fmodern-art-gallery)[ OngoingJan 06, 2026 — Jan 17, 2027 The Samuel H. Kress Collection ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fthe-samuel-h-kress-collection)[ OngoingJan 06, 2026 — Jan 17, 2027 Contemporary Art Gallery ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fcontemporary-art-gallery)[ OngoingJan 06, 2026 — Jun 17, 2026 Surrealism: The Art of the Subconscious ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fsurrealism-the-art-of-the-subconscious) Upcoming Events _View_ Calendar arrow [ closing-reception-mfa-thesis-exhibition-2026 May 14, 2026 at 5:00 pm Closing Reception: MFA Thesis Exhibition 2026 ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F05\u002F14\u002Fclosing-reception-mfa-thesis-exhibition-2026)[ virtual-art-trivia-happy-hour-pets May 28, 2026 at 5:00 pm Virtual Art Trivia Happy Hour: Pets! ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F05\u002F28\u002Fvirtual-art-trivia-happy-hour-pets)[ members-morning-a-glimpse-into-the-world-of-warhol Jun 06, 2026 at 9:00 am Members Morning: A Glimpse Into the World of Warhol ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F06\u002F06\u002Fmembers-morning-a-glimpse-into-the-world-of-warhol) Portrait of Yousuf Karsh Portrait of Yousuf Karsh Jacques Lipchitz, 1970, Plaster, Gift of the Jacques and Yulla Lipchitz Foundation [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FF6717537-D1D1-4452-93CA-802331376075) Adit #1 (Industry) Adit #1 (Industry) Stuart Davis, 1928, Oil on canvas mounted on Masonite, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FC4825189-34FF-40FC-91D4-350043834215) End of the Rain \u003Cspan>(also\u003C\u002Fspan> After the Rain\u003Cspan>)\u003C\u002Fspan> End of the Rain (also After the Rain) George Inness, 1891, Oil on canvas, Gift of T.E. Hanley [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FF514BF15-6D93-426E-A83B-423666667197) Abraham Francen Abraham Francen Rembrandt van Rijn, ca. 1657, Etching, drypoint and burin on laid paper, Gift of Mr. Peter Licavoli [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F6834794F-CF3D-424E-8BB2-809879909349) Mr. Broe Waits His Turn \u003Cspan>(also\u003C\u002Fspan> Waiting For His Turn\u003Cspan>)\u003C\u002Fspan> Mr. Broe Waits His Turn (also Waiting For His Turn) Katherine Schmidt, 1937, Oil on canvas, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F296C000C-DE5A-40C2-AE04-982133065923) Monday Night at the Metropolitan Monday Night at the Metropolitan Reginald Marsh, ca. 1936, Egg tempera and oil on panel, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F591E2F6F-9374-41FD-9FBE-392461942570) Avalanche By Wind Avalanche By Wind Alexandre Hogue, 1944, Oil on canvas, Gift of William Benton [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FE37ED70E-7AF0-4D9F-9BB1-305882620159) Woman-Ochre Woman-Ochre Willem De Kooning, 1954-1955, Oil on canvas, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0C256DB4-8049-48B0-AC81-893343290445) A Capriccio of Classical Ruins A Capriccio of Classical Ruins Giovanni Paolo Panini, ca. 1750, Oil on canvas, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FAD95310E-EFB9-46DD-BD8C-339028350040) Jeune Fille au Chapeau (Young Woman in a Hat) Jeune Fille au Chapeau (Young Woman in a Hat) Pierre Auguste Renoir, ca. 1897, Oil, George Gregson Bequest in Loving Memory of Patricia Janss Gregson [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F6C43073A-2831-4A9A-9A48-646479810346) Portrait of a Woman Portrait of a Woman William Sidney Mount, 1832, Oil on canvas, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FB9A02E9E-A768-481C-97D3-215495232500) Number 20, 1950 Number 20, 1950 Jackson Pollock, 1950, Oil on Masonite gameboard, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0CAF0D04-BE7E-45F6-83C9-451274350827) Things in Landscape #1 Things in Landscape #1 Joan Brown, 1959, Oil on canvas, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FE7B1501F-CF25-47C8-BE18-417123525157) The City The City Edward Hopper, 1927, Oil on canvas, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F847EC702-A64D-4EE6-930B-338506747816) Nature morte (Fleurs) Nature morte (Fleurs) Edouard Vuillard, ca. 1900, Oil on cardboard, George Gregson Bequest in Loving Memory of Patricia Janss Gregson [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FA07CD4ED-21F6-474D-8CEC-069755033698) Gala Placidia Gala Placidia Salvador Dalí, 1952, Brown ink and conté crayon on paper, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F7A968BC6-9593-4EF3-AAFD-341785540770) The Drought in the Southwest, or Cattlemen Warning Sheep-Herders Away from Their Water The Drought in the Southwest, or Cattlemen Warning Sheep-Herders Away from Their Water Frederic S. Remington, 1900, Oil on canvas, Gift of Mr. and Mrs. Harry L. Bell [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F071B7B6F-E9C6-4150-B4C0-284508618862) Diners \u003Cspan>(also\u003C\u002Fspan> Café Scene\u003Cspan>)\u003C\u002Fspan> Diners (also Café Scene) Jacob Lawrence, 1942, Gouache on paper, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0C29FF4C-F467-4952-A86F-115723226940) From the Neuf Series From the Neuf Series Edgar Heap of Birds, 1992, Acrylic, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F90603BBD-2A25-4CEF-9197-333978072341) Coat of Arms with Skull Coat of Arms with Skull Albrecht Dürer, printed ca. 1870, Line Photogravure [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002Fwebobject\u002FD38724AA-5679-4067-9673-777720927660) Collections 6,000+ Pieces of Art Major Collections arrow The University of Arizona Museum of Art advances the academic and research mission of the university, inspires critical dialogue among campus and community audiences, and celebrates art as essential to our lives through the stewardship and interpretation of its expanding collection of art and archives . [## Art comes to life with programs that engage audiences of every age. View Programs arrow](learn \"View Programs\") Get to know UAMA through stories from within and beyond the museum’s walls. Read Stories arrow [landscape-with-mountains](about\u002Fs …. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Art & Culture industry. Designed by Form. The overall color palette features Gray, White, Black, Brown. Built using jQuery, PHP. AI description: The University of Arizona Museum of Art uses a high-impact visual language to bridge academic research with community engagement. Large-scale imagery of classical and contemporary works anchors the experience, immediately establishing the museum as a space for both contemplation and active dialogue. The landing page rhythm moves from expansive, emotive hero sections into structured blocks that invite users to explore programs, memberships, and collections through a clear, mission-driven lens. Deep burgundy tones provide a sophisticated foundation for a layout that balances heavy serif typography with generous whitespace. 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From Rockaway’s boardwalks to Staten Island’s Bluebelt to Broadway—and even the ever-elusive New York City public restroom—the exhibition charts the city spaces that stretch past neighborhood and borough boundaries. 🚽✨️ Huge thanks to @ivi\\_ivi and @jafferkolb, co-founders of @new\\_affiliates and curators of the show, for an inspiring tour through their research and practice. Did somebody say archives?! Learn More Did somebody say archives?! @adamhlevy's section of “Contemporary Issues in Design” started last week and features a D-Crit fan-favorite: a trip to the @nyplpicturecollection ! The Picture Collection at the NYPL was founded in 1915 and holds over a million pictures clipped out of books, magazines, and other media. Archival work is a major component of what we do on the 2NDFL, and Adam’s classroom is a great place to start digging into visual research. Virtual Info Session on 10\u002F28 Check us out on instagram! Learn More Thinking about joining one of the finest cohorts in town? D-Crit is looking for our classes of 2027 and 2028! D-Crit combines research, writing, and critical analysis to prepare students for careers in design journalism, curating, cultural programming, and strategy. Next week on October 28 join Program Chair @heintzmm along with faculty and alumni, for a conversation about the program's curriculum, community, and career outcomes. Register now at our link in bio! Reads Read _The Nation:_ “How Should Los Angeles Rebuild After the Fires?” on Medium 05.19.25 Author Bio: Karrie Jacobs Read _The Daily Heller:_ “Next Stop, the 2NDFL Design Journal” on Medium 05.20.25 Author Bio: Steven Heller Read _Madame Architect:_ “A Day in Stone Ridge with Design Writer Lila Allen (Class of 2016)” on Medium 09.14.25 Author Bio: Julia Gamolina Read _New York Times:_ “The Meaning of Trump's Gilded Age Rumpus Room” on Medium 08.04.25 Author Bio: Matt Shaw Read _PRINT:_ “The 2025 Typography Report: A March Toward Utopia” on Medium 02.18.25 Author Bio: Meg Farmer Read _Los Angeles Review of Architecture:_ “Catty Shack” on Medium 10.09.25 Author Bio: Eric Schwartau Read _PRINT:_ “Underground Ink: A Short History of India’s Queer Magazines” on Medium 01.28.25 Author Bio: Jyothi Hiremath Read _Metropolis:_ “For Kongjian Yu, Landscape Architecture is the 'Art of Survival'” on Medium 12.05.23 Author Bio: Evelyn Meynard Read It's Nice That: “Bitter Aftertaste: The Fraught World of Branding Cultural Food Products” on Medium 09.10.24 Author Bio: Roshita Thomas Read CNN: “Is Uzbekistan the next great architectural destination?” on Medium 10.01.25 Author Bio: Anne Quito Read _The Nation_ “On the Waterfront: The remaking of Bush Terminal” on Medium 11.11.25 Author Bio: Karrie Jacobs Read _PRINT:_ “Decolonizing Design: Ukraine’s Fight for Visual Identity” on Medium 12.10.24 Author Bio: El. Stern Read New York Review of Architecture: \"Scandi Darling\" on Medium 01.08.26 Author Bio: Eric Schwartau Read _New York Times:_ “Who Says Your Couch Can’t Match Your Sweater?” on Medium 09.13.24 Author Bio: Aileen Kwun More on Medium Events Monica Nelson, \"Edible Flowers\" 05.27.22 – 12:30pm STRATA-GIES: The D-Crit Class of 2022 Graduate Thesis Symposium 07.23.21 – 12:30pm Milton Glaser and Walter Bernard with Anne Quito, ” Mag Men: Fifty Years of Making Magazines” 12.03.19 – 6:30 pm Application deadline: 2023 Online Design Writing & Research Summer Intensive 04.01.10 – 11:59 pm Decorative image D-CRIT Thesis Symposium and 2NDFL Issue Two Launch 05.15.26 – 5:00 p.m. Decorative image D-Crit Summer Intensive: Virtual Info Session + Q&A 03.04.26 – 12 p.m. Decorative image D-Crit Spring Kickoff Salon + Open Mic 01.13.26 – 6:00 Decorative image D-Crit Virtual Info Session 01.07.26 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.17.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.10.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.03.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 11.21.25 – 12:00 p.m. Decorative image The Machine Is the Message: Writing and Reading in the Age of AI 11.20.25 – 6:30 p.m. Decorative image [D-Crit Virtual Info Session](https:\u002F\u002Fdesignresearch.sva.edu\u002Fhome\u002Fevents\u002Fd-crit-virtual-info-session-10-28 …",{"id":707,"height":13,"width":12,"blurhash":708},"0c339730-3316-4cdb-8888-c4e54ef0b204","radial-gradient(at 0 0,#ffdee3,#00000000 50%),radial-gradient(at 33% 0,#fff8fa,#00000000 50%),radial-gradient(at 67% 0,#fff7f6,#00000000 50%),radial-gradient(at 100% 0,#ffe9eb,#00000000 50%),radial-gradient(at 0 50%,#d7bcc5,#00000000 50%),radial-gradient(at 33% 50%,#dbd5d9,#00000000 50%),radial-gradient(at 67% 50%,#e4dadb,#00000000 50%),radial-gradient(at 100% 50%,#e5cdcf,#00000000 50%),radial-gradient(at 0 100%,#8f6e6c,#00000000 50%),radial-gradient(at 33% 100%,#948879,#00000000 50%),radial-gradient(at 67% 100%,#b4af97,#00000000 50%),radial-gradient(at 100% 100%,#bdb7a2,#00000000 50%)",{"id":710,"height":15,"width":14,"blurhash":398},"892605bb-86f9-4a58-8d2d-44d3ee994add",[712,715,718,721,724,727,730,733,736,739,742,745,748,751,754,757,760,763,766,769,772,775,778,781,784,787,790,793,796,799],{"directus_files_id":713},{"id":714},"213db5b5-daad-4b59-98fb-dfc07b1f9d33",{"directus_files_id":716},{"id":717},"a803458f-110c-4878-bd4a-a2ea2e72de5e",{"directus_files_id":719},{"id":720},"a268d694-fb91-44d7-a325-544991ea76c7",{"directus_files_id":722},{"id":723},"c159c755-bfe6-43aa-a331-7fb85b7f1f4f",{"directus_files_id":725},{"id":726},"1a36b1b4-e5f0-4d54-b5de-a6f7b2cd0104",{"directus_files_id":728},{"id":729},"0d182bcd-1829-4f3f-ae8d-f8e84c2cbead",{"directus_files_id":731},{"id":732},"6399cd7a-bb89-4a34-9b78-fa444796afe3",{"directus_files_id":734},{"id":735},"d37758d0-6869-41c7-a67b-0e21b323e054",{"directus_files_id":737},{"id":738},"f0710b20-f174-45c7-bce3-d7528bb67e5f",{"directus_files_id":740},{"id":741},"f5154b60-8bc9-4dcb-a6a3-ac41573b069d",{"directus_files_id":743},{"id":744},"ab1d1d0d-eb0b-40cf-ae3a-7cb3f78fea6e",{"directus_files_id":746},{"id":747},"add5d63f-7aca-43fe-b6e8-8cbd92fc8686",{"directus_files_id":749},{"id":750},"f1774567-5b2a-4b63-b0d8-d97ef1085021",{"directus_files_id":752},{"id":753},"c02fa61c-af7c-4fb3-9e1f-6f29d081b348",{"directus_files_id":755},{"id":756},"540d8e10-eb33-4852-a9d3-dccb853e77b4",{"directus_files_id":758},{"id":759},"9fbc4c09-c8c5-46e7-9377-385959df68a4",{"directus_files_id":761},{"id":762},"d15ba46b-6313-4cef-8dd3-35e86b77d753",{"directus_files_id":764},{"id":765},"4cae9661-5cf0-4b9a-8e5b-f782d64194d9",{"directus_files_id":767},{"id":768},"3d457b9e-d64e-4ff9-bb54-22ae1ade6102",{"directus_files_id":770},{"id":771},"a57692e2-79c0-4578-a95f-6ec71c7c8865",{"directus_files_id":773},{"id":774},"9eba66dd-c219-4de0-bbf2-f9a862c13964",{"directus_files_id":776},{"id":777},"7ed8bb4f-4562-4252-90be-81ae3dd7ab4f",{"directus_files_id":779},{"id":780},"2bdedbb6-d53d-407a-ade5-9da47b713042",{"directus_files_id":782},{"id":783},"15e293be-d142-452d-ad36-75b3a30bdb0c",{"directus_files_id":785},{"id":786},"42dff9df-3f2d-4b5b-9b95-ccb7b5547335",{"directus_files_id":788},{"id":789},"ba3236a7-3475-4848-8d50-cbc01b48bcfb",{"directus_files_id":791},{"id":792},"030b22ee-d844-4c57-951f-f561f113db4d",{"directus_files_id":794},{"id":795},"bc583451-a6a6-4e81-adf6-42ff255e7169",{"directus_files_id":797},{"id":798},"dbba59fa-06cd-457b-ace2-00b700b4d6e7",{"directus_files_id":800},{"id":801},"d19ed03a-e9de-44e5-a9ce-6ae546626de5",[803],{"languages_code":492,"description":804},"D-Crit is the digital home for the MA in Design Research, Writing, and Criticism at the School of Visual Arts. 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Page content: Off screen link: Skip to content DCRIT ☰Menu - D-Crit - Updates - Reads - Events - Apply - Requirements - Timeline - Info Sessions - Program - Overview & Mission - Courses - Summer Intensive - People - Faculty & Lecturers - Students - Alumni SVA MA Design Research 136 W 21st St, 2nd Floor New York, NY 10011 designresearch@sva.edu (212) 592-2228 D-Crit on Facebook D-Crit on Twitter D-Crit on Instagram Visit the School of Visual Arts Homepage ©2022 School of Visual Arts Website by Morcos Key SVA D School of Visual Arts logo \\-CRIT MA Design Research, Writing and Criticism About D-Crit explores the contexts and consequences of design. - Watch: 2NDFL Thesis Show - Apply for free button Apply: Summer Intensive, June 1-12, 2026 Updates Recently spotted at @centerforarch: Learn More Recently spotted at @centerforarch: D-Crit students got an inside look at \"Searching for Superpublics\" as part of @ericschmerick’s Thesis Development Workshop. From Rockaway’s boardwalks to Staten Island’s Bluebelt to Broadway—and even the ever-elusive New York City public restroom—the exhibition charts the city spaces that stretch past neighborhood and borough boundaries. 🚽✨️ Huge thanks to @ivi\\_ivi and @jafferkolb, co-founders of @new\\_affiliates and curators of the show, for an inspiring tour through their research and practice. Did somebody say archives?! Learn More Did somebody say archives?! @adamhlevy's section of “Contemporary Issues in Design” started last week and features a D-Crit fan-favorite: a trip to the @nyplpicturecollection ! The Picture Collection at the NYPL was founded in 1915 and holds over a million pictures clipped out of books, magazines, and other media. Archival work is a major component of what we do on the 2NDFL, and Adam’s classroom is a great place to start digging into visual research. Virtual Info Session on 10\u002F28 Check us out on instagram! Learn More Thinking about joining one of the finest cohorts in town? D-Crit is looking for our classes of 2027 and 2028! D-Crit combines research, writing, and critical analysis to prepare students for careers in design journalism, curating, cultural programming, and strategy. Next week on October 28 join Program Chair @heintzmm along with faculty and alumni, for a conversation about the program's curriculum, community, and career outcomes. Register now at our link in bio! Reads Read _The Nation:_ “How Should Los Angeles Rebuild After the Fires?” on Medium 05.19.25 Author Bio: Karrie Jacobs Read _The Daily Heller:_ “Next Stop, the 2NDFL Design Journal” on Medium 05.20.25 Author Bio: Steven Heller Read _Madame Architect:_ “A Day in Stone Ridge with Design Writer Lila Allen (Class of 2016)” on Medium 09.14.25 Author Bio: Julia Gamolina Read _New York Times:_ “The Meaning of Trump's Gilded Age Rumpus Room” on Medium 08.04.25 Author Bio: Matt Shaw Read _PRINT:_ “The 2025 Typography Report: A March Toward Utopia” on Medium 02.18.25 Author Bio: Meg Farmer Read _Los Angeles Review of Architecture:_ “Catty Shack” on Medium 10.09.25 Author Bio: Eric Schwartau Read _PRINT:_ “Underground Ink: A Short History of India’s Queer Magazines” on Medium 01.28.25 Author Bio: Jyothi Hiremath Read _Metropolis:_ “For Kongjian Yu, Landscape Architecture is the 'Art of Survival'” on Medium 12.05.23 Author Bio: Evelyn Meynard Read It's Nice That: “Bitter Aftertaste: The Fraught World of Branding Cultural Food Products” on Medium 09.10.24 Author Bio: Roshita Thomas Read CNN: “Is Uzbekistan the next great architectural destination?” on Medium 10.01.25 Author Bio: Anne Quito Read _The Nation_ “On the Waterfront: The remaking of Bush Terminal” on Medium 11.11.25 Author Bio: Karrie Jacobs Read _PRINT:_ “Decolonizing Design: Ukraine’s Fight for Visual Identity” on Medium 12.10.24 Author Bio: El. Stern Read New York Review of Architecture: \"Scandi Darling\" on Medium 01.08.26 Author Bio: Eric Schwartau Read _New York Times:_ “Who Says Your Couch Can’t Match Your Sweater?” on Medium 09.13.24 Author Bio: Aileen Kwun More on Medium Events Monica Nelson, \"Edible Flowers\" 05.27.22 – 12:30pm STRATA-GIES: The D-Crit Class of 2022 Graduate Thesis Symposium 07.23.21 – 12:30pm Milton Glaser and Walter Bernard with Anne Quito, ” Mag Men: Fifty Years of Making Magazines” 12.03.19 – 6:30 pm Application deadline: 2023 Online Design Writing & Research Summer Intensive 04.01.10 – 11:59 pm Decorative image D-CRIT Thesis Symposium and 2NDFL Issue Two Launch 05.15.26 – 5:00 p.m. Decorative image D-Crit Summer Intensive: Virtual Info Session + Q&A 03.04.26 – 12 p.m. Decorative image D-Crit Spring Kickoff Salon + Open Mic 01.13.26 – 6:00 Decorative image D-Crit Virtual Info Session 01.07.26 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.17.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.10.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 12.03.25 – 12:00 p.m. Decorative image D-Crit Virtual Info Session 11.21.25 – 12:00 p.m. Decorative image The Machine Is the Message: Writing and Reading in the Age of AI 11.20.25 – 6:30 p.m. Decorative image [D-Crit Virtual Info Session](https:\u002F\u002Fdesignresearch.sva.edu\u002Fhome\u002Fevents\u002Fd-crit-virtual-info-session-10-28 …. A Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Education & Courses industry. The overall color palette features White, Black, Gray, Red. The typography features Times New Roman (Serif), Editorial (Pangram Pangram), Neue Montreal (Sans Serif, Pangram Pangram). Built using Accessible360, jQuery, Slick. AI description: D-Crit is the digital home for the MA in Design Research, Writing, and Criticism at the School of Visual Arts. The website serves as a critical hub for academic discourse, showcasing program details, faculty expertise, and student achievements. It functions as both an informational portal for prospective graduate students and a curated archive of intellectual contributions to the design field. The visual identity is bold, academic, and unapologetically typographic. Utilizing a high-contrast palette of vibrant red and stark white, the design employs oversized serif typefaces that command attention and signal authority. The layout balances a structured, editorial grid with playful, oversized interactive elements, creating a sophisticated yet energetic aesthetic that mirrors the rigorous and contemporary nature of design criticism."]