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Dans la revue Puissance numérique [De l’Iran à la surveillance de masse : la guerre selon Palantir « L’Iran est le théâtre où tout ce que Palantir construit depuis vingt ans devient lisible. » ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F03\u002F09\u002Fpalantir-guerre-geopolitique\u002F) [À l’intérieur du projet Maven, le programme du Pentagone pour faire la guerre avec l’IA Dans une enquête extraordinairement fouillée au cœur du Pentagone, Katrina Manson retrace les origines d’une révolution invisible. ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F03\u002F25\u002Fmaven-pentagone-guerre-ia\u002F) Dans la revue Puissance numérique [De l’Iran à la surveillance de masse : la guerre selon Palantir « L’Iran est le théâtre où tout ce que Palantir construit depuis vingt ans devient lisible. » ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F03\u002F09\u002Fpalantir-guerre-geopolitique\u002F) [À l’intérieur du projet Maven, le programme du Pentagone pour faire la guerre avec l’IA Dans une enquête extraordinairement fouillée au cœur du Pentagone, Katrina Manson retrace les origines d’une révolution invisible. ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F03\u002F25\u002Fmaven-pentagone-guerre-ia\u002F) Effet Ormuz Les chiffres des deux premiers mois de la guerre en Iran Notre synthèse pour s’orienter dans le brouillard de guerre et dans la guerre des mèmes. 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Postface par Benjamín Labatut. Avec les contributions de Daron Acemoğlu, Sam Altman, Marc Andreessen, Lorenzo Castellani, Adam Curtis, Mario Draghi, He Jiayan, Marietje Schaake, Vladislav Sourkov, Peter Thiel, Svetlana Tikhanovskaïa, Jianwei Xun et Curtis Yarvin. Commandez le numéro Commandez le volume du Grand Continent chez Gallimard ou abonnez-vous pour recevoir l’intégralité de nos produits. 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Lire plus → [![](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002Fwp-co …",true,1,"1",{"id":356,"height":13,"width":12,"blurhash":357},"e1c4ff04-8cd7-47a2-ac87-c1318c7f262a","radial-gradient(at 0 0,#f1e8eb,#00000000 50%),radial-gradient(at 33% 0,#e3d8dc,#00000000 50%),radial-gradient(at 67% 0,#d2c8cb,#00000000 50%),radial-gradient(at 100% 0,#e2dee0,#00000000 50%),radial-gradient(at 0 50%,#dbcec7,#00000000 50%),radial-gradient(at 33% 50%,#a39592,#00000000 50%),radial-gradient(at 67% 50%,#4f4136,#00000000 50%),radial-gradient(at 100% 50%,#c1c1bc,#00000000 50%),radial-gradient(at 0 100%,#f8f6f9,#00000000 50%),radial-gradient(at 33% 100%,#d0cfd3,#00000000 50%),radial-gradient(at 67% 100%,#97979a,#00000000 50%),radial-gradient(at 100% 100%,#cfd3d5,#00000000 50%)",{"id":359,"height":15,"width":14,"blurhash":360},"202e8eb1-7a8a-4ea4-9738-f4a0b8829490",null,[362,365,368,371,374,377,380,383,386,389,392,395,398,401,404,407,410,413,416,419,422,425],{"directus_files_id":363},{"id":364},"9d4d31b3-6908-4266-923b-f93688dc1358",{"directus_files_id":366},{"id":367},"cc51dd41-18ee-489e-9903-17016ab18b46",{"directus_files_id":369},{"id":370},"16bdee5d-f774-49ad-8d1a-3003f72156eb",{"directus_files_id":372},{"id":373},"7ef8a305-2105-487c-93be-c0cb0212fe08",{"directus_files_id":375},{"id":376},"84578d96-d688-4341-bb42-919f9062220b",{"directus_files_id":378},{"id":379},"e26ea3a5-d21b-491b-8ce6-dc1605b9ff0c",{"directus_files_id":381},{"id":382},"e00dea7e-5594-42da-bf54-59915d361b89",{"directus_files_id":384},{"id":385},"ae2494e5-ee27-4333-861b-463578dab5c5",{"directus_files_id":387},{"id":388},"956fcf5d-3dcf-43da-9c7f-6d9023b372d7",{"directus_files_id":390},{"id":391},"c21730e7-1771-4812-9f42-716c422ce20e",{"directus_files_id":393},{"id":394},"82515426-ea33-4ef2-b7f4-f47d648a3925",{"directus_files_id":396},{"id":397},"05456238-5102-4e38-9e15-d59851d3e0b2",{"directus_files_id":399},{"id":400},"3f58d6dc-df79-4725-9173-ea609d313d3b",{"directus_files_id":402},{"id":403},"f2bf7024-1795-4551-8fd2-42110a03f27d",{"directus_files_id":405},{"id":406},"a296a5ed-533b-4aae-8670-1ac2517caf45",{"directus_files_id":408},{"id":409},"3a89ea89-6fd4-4b39-b37c-16d1460a34ef",{"directus_files_id":411},{"id":412},"3991e7a9-20d9-4491-ba30-56a81f0c2974",{"directus_files_id":414},{"id":415},"eb12425d-b4a8-468f-bc08-6e1c2dca01e9",{"directus_files_id":417},{"id":418},"f98cd4d2-21ce-44cb-ad09-a85d1f853f1e",{"directus_files_id":420},{"id":421},"ae90a9dc-2f7a-4f34-8362-840464f2d151",{"directus_files_id":423},{"id":424},"46d337be-2431-44f9-99bb-8389d8e0a652",{"directus_files_id":426},{"id":427},"b0753f5c-7378-4957-8289-f182804a32bb",[429],{"languages_code":430,"description":431},"en","Le Grand Continent is a sophisticated multilingual digital publication dedicated to structuring and elevating the debate on contemporary European and global geopolitics. It serves as an intellectual hub where deep-dive analyses, doctrines, and news intersect, providing a platform for rigorous thought leadership on issues ranging from the war in Ukraine to the shifting dynamics of the Middle East.\n\nThe visual identity is defined by a high-end, editorial aesthetic that prioritizes clarity and intellectual weight. Utilizing a clean, minimalist layout with bold, authoritative typography, the design mirrors the seriousness of its subject matter. The use of high-contrast imagery and a structured grid creates a sense of order and prestige, appealing to an audience of academics, policymakers, and informed global citizens seeking nuanced perspectives.","Entertainment & Media",[29,434,33],"High-End \u002F Luxury",[],[437,438,439,276],"Publico","Sanomat","National",[250,251,441,252],"Underscore.js",[443,445,447,449],{"score":444,"category":84},72,{"score":446,"category":87},83,{"score":448,"category":90},100,{"score":94,"category":93},[451,453,454,455],{"score":452,"category":84},37,{"score":193,"category":87},{"score":448,"category":90},{"score":94,"category":93},[111,103,107,457],"gray","Website: Le Grand Continent. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Le Grand Continent | Accueil. Page description: Écrite en plusieurs langues, conçue à partir de positionnements différents, Le Grand Continent tente de structurer le débat continental.. Page content: Brèves La guerre en Ukraine au jour le jour En Ukraine, l’armée russe attaque plus mais avance moins il y a 14 minutes Numérique L’intelligence artificielle est-elle en train de casser Internet ? il y a 5 heures Asie Intermédiaire Project Freedom : les États-Unis parviendront-ils à rouvrir le détroit d’Ormuz ? il y a 13 heures Asie septentrionale L’économie russe n’a pas vraiment profité de la guerre en Iran il y a 14 heures Amériques Kamala Harris est en tête de la primaire démocrate pour 2028 il y a 2 jours Observatoire de la bataille d’Ormuz Les données clefs mises à jour sur la bataille qui définira la géopolitique planétaire. Un consensus sur les déséquilibres mondiaux est en train de s’imposer Est-ce la dernière chance avant une dérive géopolitique incontrôlée ? Entretien avec Hélène Rey La Communauté politique européenne : avenir d’une intuition Une analyse signée par le conseiller du président de la République qui a participé à la fondation de la CPE en 2022. Perspectives sur l’actualité – Alexandre Adam DERNIERS dans la revue Le plus important stratège chinois dont vous n’avez jamais entendu parler L’amiral Liu Huaqing avait un plan – puisqu’il suit son cours, il est urgent de le connaître. Entretien avec Xiaobing Li L’IA est-elle en train de nous remplacer ? Le diagnostic radical de Roman Yampolsky, commenté ligne à ligne. Archives et discours La bataille d’Ormuz marque le retour du problème maritime Que signifie pour l’ordre mondial que les États-Unis ne parviennent pas à ouvrir le détroit ? Études – Ian Speller Le Golfe ne fait plus bloc Le retrait des Émirats arabes unis de l’OPEP n’est qu’un signal d’un mouvement beaucoup plus profond. Perspectives sur l’actualité – Mehran Haghirian, Jessica Obeid [ Pour regarder le monde avec le Grand Continent il suffit de s'abonner à la revue ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002Foffre-abonnement\u002F) Accélération réactionnaire Le manifeste de Palantir pour la domination Le géant du numérique fondé par Peter Thiel et dirigé par Alex Karp vient de publier 22 thèses sur l’avenir de l’Amérique et de l’Occident — commentaire critique signé Miranda, Gressani. Dans la revue Puissance numérique [De l’Iran à la surveillance de masse : la guerre selon Palantir « L’Iran est le théâtre où tout ce que Palantir construit depuis vingt ans devient lisible. » ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F03\u002F09\u002Fpalantir-guerre-geopolitique\u002F) [À l’intérieur du projet Maven, le programme du Pentagone pour faire la guerre avec l’IA Dans une enquête extraordinairement fouillée au cœur du Pentagone, Katrina Manson retrace les origines d’une révolution invisible. ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F03\u002F25\u002Fmaven-pentagone-guerre-ia\u002F) Dans la revue Puissance numérique [De l’Iran à la surveillance de masse : la guerre selon Palantir « L’Iran est le théâtre où tout ce que Palantir construit depuis vingt ans devient lisible. » ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F03\u002F09\u002Fpalantir-guerre-geopolitique\u002F) [À l’intérieur du projet Maven, le programme du Pentagone pour faire la guerre avec l’IA Dans une enquête extraordinairement fouillée au cœur du Pentagone, Katrina Manson retrace les origines d’une révolution invisible. ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F03\u002F25\u002Fmaven-pentagone-guerre-ia\u002F) Effet Ormuz Les chiffres des deux premiers mois de la guerre en Iran Notre synthèse pour s’orienter dans le brouillard de guerre et dans la guerre des mèmes. Dans la revue Le problème de la puissance maritime [La puissance par la mer : les leçons de l’amiral Castex Il y a un siècle, un amiral français avait compris les limites de la théorie de la domination maritime et tenté de penser le futur d’une guerre sans choc. ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F04\u002F12\u002Fgeopolitique-castex\u002F) [Le texte qui inventé la puissance navale Corsaire, poète et favori d’Élisabeth, Walter Raleigh fut, avec ce texte inédit en français, aussi l’un des premiers théoriciens de la puissance maritime. ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F03\u002F14\u002Fwalter-raleigh-et-linvention-de-la-puissance-navale\u002F) Dans la revue Le problème de la puissance maritime [La puissance par la mer : les leçons de l’amiral Castex Il y a un siècle, un amiral français avait compris les limites de la théorie de la domination maritime et tenté de penser le futur d’une guerre sans choc. ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F04\u002F12\u002Fgeopolitique-castex\u002F) [Le texte qui inventé la puissance navale Corsaire, poète et favori d’Élisabeth, Walter Raleigh fut, avec ce texte inédit en français, aussi l’un des premiers théoriciens de la puissance maritime. ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2026\u002F03\u002F14\u002Fwalter-raleigh-et-linvention-de-la-puissance-navale\u002F) Le numéro papier L’Empire de l’ombre Sous la direction de Giuliano da Empoli. Postface par Benjamín Labatut. Avec les contributions de Daron Acemoğlu, Sam Altman, Marc Andreessen, Lorenzo Castellani, Adam Curtis, Mario Draghi, He Jiayan, Marietje Schaake, Vladislav Sourkov, Peter Thiel, Svetlana Tikhanovskaïa, Jianwei Xun et Curtis Yarvin. Commandez le numéro Commandez le volume du Grand Continent chez Gallimard ou abonnez-vous pour recevoir l’intégralité de nos produits. Dans cette édition Extraits à découvrir [Face à l’Empire de l’ombre, une conversation avec Giuliano da Empoli ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2025\u002F04\u002F17\u002Flempire-de-lombre-giuliano-da-empoli\u002F) [« Après Assad, le temps de Loukachenko viendra », une conversation avec Sviatlana Tsikhanouskaya, leader de l’opposition bélarusse ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2024\u002F12\u002F13\u002Fles-dictateurs-se-sentent-toujours-invincibles-jusqua-leur-chute-une-conversation-avec-svetlana-tikhanovskaia-leader-de-lopposition-belarusse\u002F) [Le futur de l’IA dépend de nos choix ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2024\u002F10\u002F17\u002Fle-progres-technologique-peut-il-construire-la-prosperite-commune\u002F) [La pierre de folie ](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002F2025\u002F12\u002F31\u002Fla-pierre-de-folie\u002F) 05 mai 2026 De 19:30 à 20:30 Débats dans Paris Sommes-nous toujours dans le déni de la guerre ? Lire plus → [![](https:\u002F\u002Flegrandcontinent.eu\u002Ffr\u002Fwp-co …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Black, Brown, Gray. The typography features Publico (Serif, Commercial Type), Sanomat (Serif, Commercial Type), National (Sans Serif, Klim Type), Inter (Sans Serif). Built using jQuery, PHP, Underscore.js, WordPress. AI description: Le Grand Continent is a sophisticated multilingual digital publication dedicated to structuring and elevating the debate on contemporary European and global geopolitics. It serves as an intellectual hub where deep-dive analyses, doctrines, and news intersect, providing a platform for rigorous thought leadership on issues ranging from the war in Ukraine to the shifting dynamics of the Middle East. The visual identity is defined by a high-end, editorial aesthetic that prioritizes clarity and intellectual weight. 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Presented in a visual, interactive storytelling format and documented from the archives of personal, national, and world events, “PROUD & TORN” tells the history of Hungarian nationalism, totalitarianism, and the Holocaust, helping us understand the politics and culture of Eastern Europe.","Scroll normally as we continue horizontally. [0000 Prologue](\u002Fprologue\u002F) [0000 Backstory](\u002Fbackstory\u002F) [0000 1848 Hungarian Spring](\u002F1848\u002F) [0000 1867 Peasant Possibilities](\u002F1867\u002F) [0000 1900 Millennial Modernity](\u002F1900\u002F) [0000 1914 Home Fronts & War Fronts](\u002F1914\u002F) [0000 1918 Revolution & Counterrevolution](\u002F1918\u002F) [0000 1920 Traumatic Losses](\u002F1920) [0000 1930 Deal with the Devil](\u002F1930\u002F) [0000 1940 Wonderful, Murderous Continent](\u002F1940\u002F) [0000 1944 Cataclysm](\u002F1944\u002F) [0000 1945 Reckoning](\u002F1945\u002F) [0000 1946 Emerging from the Rubble](\u002F1946\u002F) [0000 1949 Expropriation](\u002F1949\u002F) [0000 1950 Socialist Utopia](\u002F1950\u002F) [0000 1953 A New Course](\u002F1953\u002F) [0000 1956 Rise Up!](\u002F1956\u002F) [0000 Epilogue](\u002F#epilogue) Epilogue ari and gyula, age 9 and 8 ASchildren in this photograph in 1939, Ari and Gyula couldn’t have imagined their lives would turn out this way. They loved each other, loved their family, and loved their life on the farm. Yet, in the next two decades their own country would plunge them into a horrible war; exterminate their Jewish neighbors; arrest, torture, and imprison Gyula and his father; push the family off of their land; and tear sister and brother apart. What happens when your own country does this to you? The U.S. Navy transport ship General Le Roy Eltinge GYULAescaped to Vienna. Months later he gained passage, as a refugee, on the General Le Roy Eltinge, a U.S. Navy transport ship, to the United States. Gyula Fábos on the grounds of Rutgers University in 1957 Edith Haüsermann Fabos laughs while feeding cake to Gyula Fábos on their wedding day in 1959 He continued his studies in agronomy at Rutgers in New Jersey and married a Swiss kindergarten teacher named Edith Haüsermann in 1959. Later on, Gyula went to Harvard to study landscape architecture and became a professor of landscape planning in Amherst, Massachusetts. Gyula and Edith had three children: Anita, Adrian, and Bettina. I am the “youngest,” a twin, born five minutes after my brother in 1965. Anita and Adrian and Bettina Fabos as children sit on the steps of their home in Amherst Massachusetts Gyula at the seashore with his three children in 1969 Ari and her husband László Hévizi pose for a wedding photo in 1958 Pista, Gizi, pose with Ari and László Sr. in the 1960s Ari holds baby Laci in 1960 ARI,though she remained in Hungary, moved farther away from the family’s roots by marrying László Hévizi, a Budapest-trained lawyer and chess champion. Pista and Gizi could not relate to László’s big city ways or formal education. László knew nothing about farm life. According to family lore, he criticized Gizi’s salad dressing (it may have just been a misunderstanding), making his relationship with Ari’s parents grow so strained that he rarely went with Ari to visit Keszthely. Ari and László had a son, László Hévizi, Jr., known as Laci. They lived a modest life in a small apartment on Hungária Körút, one of the commercial thoroughfares encircling Budapest. They learned to survive the post-’56 communist system. Ari standing benieath a tree And after ten years working as a statistician, Ari finally became an artist! In 1966, the state health insurance company needed someone to promote the progress of universal health care, and it turned out that she excelled at data visualization. Ari infographic no. 1 visualizing the Number of Child Care Recipients in Hungary from 1973 to 1981 Ari infographic no. 2 visualizing the number of patients who received care in budapest (in thousands) from 1952 to 1981\") Ari infographic no. 3 visualizing Sites for payment of social insurance at places of employment in Budapest and Pest county from 1949 to 1981 Ari infographic no. 4 visualizing the umber of hours worked in the clinics in the capital from 1953-1980 Ari infographic no. 5 visualizing Average Sick Pay for One Person for one Month Ari infographic no. 6 visualizing the social security expenditures and revenues in billions of Forints Ari infographic no. 7 visualizing the average number of staff \u002F by disbursement offices Pista and Gizi hold their grandson Laci in 1961 Ari and young Laci visited Lake Balaton as often as possible as a reprieve from the busy city. One enduring luxury in communist Hungary was an abundance of time. 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Through a curated blend of archival imagery and interactive narrative elements, the site explores the complex intersection of personal family legacies and massive geopolitical shifts, including the rise of totalitarianism and the Holocaust. It is designed to transform historical research into an immersive, emotional journey for students, historians, and those interested in Eastern European culture.\n\nThe visual identity is deeply rooted in a sense of nostalgia and gravity, utilizing a sophisticated palette of muted blues, grayscale photography, and warm ochre accents. The design leans heavily on expressive, hand-drawn typography and large-scale imagery to create a tactile, scrapbook-like atmosphere that feels both intimate and monumental. This aesthetic choice reinforces the site's purpose: to humanize the vast, often overwhelming scale of historical events through the lens of individual lives.","Art & Culture",[29,573,33],"Monochrome \u002F Grayscale",[],[284,576,576],"Lora",[267],[579,580,581,582],{"score":193,"category":84},{"score":467,"category":87},{"score":448,"category":90},{"score":190,"category":93},[584,585,587,588],{"score":149,"category":84},{"score":586,"category":87},94,{"score":448,"category":90},{"score":448,"category":93},[103,457,111,115],"Website: Proud & Torn. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Proud & Torn: A Visual Memoir of Hungarian History. Page description: “PROUD & TORN” is a story about a sister and brother born in Hungary in the 1930s, and previous generations of their family. Presented in a visual, interactive storytelling format and documented from the archives of personal, national, and world events, “PROUD & TORN” tells the history of Hungarian nationalism, totalitarianism, and the Holocaust, helping us understand the politics and culture of Eastern Europe.. Page content: Scroll normally as we continue horizontally. [0000 Prologue](\u002Fprologue\u002F) [0000 Backstory](\u002Fbackstory\u002F) [0000 1848 Hungarian Spring](\u002F1848\u002F) [0000 1867 Peasant Possibilities](\u002F1867\u002F) [0000 1900 Millennial Modernity](\u002F1900\u002F) [0000 1914 Home Fronts & War Fronts](\u002F1914\u002F) [0000 1918 Revolution & Counterrevolution](\u002F1918\u002F) [0000 1920 Traumatic Losses](\u002F1920) [0000 1930 Deal with the Devil](\u002F1930\u002F) [0000 1940 Wonderful, Murderous Continent](\u002F1940\u002F) [0000 1944 Cataclysm](\u002F1944\u002F) [0000 1945 Reckoning](\u002F1945\u002F) [0000 1946 Emerging from the Rubble](\u002F1946\u002F) [0000 1949 Expropriation](\u002F1949\u002F) [0000 1950 Socialist Utopia](\u002F1950\u002F) [0000 1953 A New Course](\u002F1953\u002F) [0000 1956 Rise Up!](\u002F1956\u002F) [0000 Epilogue](\u002F#epilogue) Epilogue ari and gyula, age 9 and 8 ASchildren in this photograph in 1939, Ari and Gyula couldn’t have imagined their lives would turn out this way. They loved each other, loved their family, and loved their life on the farm. Yet, in the next two decades their own country would plunge them into a horrible war; exterminate their Jewish neighbors; arrest, torture, and imprison Gyula and his father; push the family off of their land; and tear sister and brother apart. What happens when your own country does this to you? The U.S. Navy transport ship General Le Roy Eltinge GYULAescaped to Vienna. Months later he gained passage, as a refugee, on the General Le Roy Eltinge, a U.S. Navy transport ship, to the United States. Gyula Fábos on the grounds of Rutgers University in 1957 Edith Haüsermann Fabos laughs while feeding cake to Gyula Fábos on their wedding day in 1959 He continued his studies in agronomy at Rutgers in New Jersey and married a Swiss kindergarten teacher named Edith Haüsermann in 1959. Later on, Gyula went to Harvard to study landscape architecture and became a professor of landscape planning in Amherst, Massachusetts. Gyula and Edith had three children: Anita, Adrian, and Bettina. I am the “youngest,” a twin, born five minutes after my brother in 1965. Anita and Adrian and Bettina Fabos as children sit on the steps of their home in Amherst Massachusetts Gyula at the seashore with his three children in 1969 Ari and her husband László Hévizi pose for a wedding photo in 1958 Pista, Gizi, pose with Ari and László Sr. in the 1960s Ari holds baby Laci in 1960 ARI,though she remained in Hungary, moved farther away from the family’s roots by marrying László Hévizi, a Budapest-trained lawyer and chess champion. Pista and Gizi could not relate to László’s big city ways or formal education. László knew nothing about farm life. According to family lore, he criticized Gizi’s salad dressing (it may have just been a misunderstanding), making his relationship with Ari’s parents grow so strained that he rarely went with Ari to visit Keszthely. Ari and László had a son, László Hévizi, Jr., known as Laci. They lived a modest life in a small apartment on Hungária Körút, one of the commercial thoroughfares encircling Budapest. They learned to survive the post-’56 communist system. Ari standing benieath a tree And after ten years working as a statistician, Ari finally became an artist! In 1966, the state health insurance company needed someone to promote the progress of universal health care, and it turned out that she excelled at data visualization. Ari infographic no. 1 visualizing the Number of Child Care Recipients in Hungary from 1973 to 1981 Ari infographic no. 2 visualizing the number of patients who received care in budapest (in thousands) from 1952 to 1981\") Ari infographic no. 3 visualizing Sites for payment of social insurance at places of employment in Budapest and Pest county from 1949 to 1981 Ari infographic no. 4 visualizing the umber of hours worked in the clinics in the capital from 1953-1980 Ari infographic no. 5 visualizing Average Sick Pay for One Person for one Month Ari infographic no. 6 visualizing the social security expenditures and revenues in billions of Forints Ari infographic no. 7 visualizing the average number of staff \u002F by disbursement offices Pista and Gizi hold their grandson Laci in 1961 Ari and young Laci visited Lake Balaton as often as possible as a reprieve from the busy city. One enduring luxury in communist Hungary was an abundance of time. Ari sunbathes with a friend on Lake Balaton around 1960 Pista sits by his farming shack around 1970 PISTAwas arrested by Soviet-backed authoriti …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features Black, Gray, White, Orange. The typography features Helvetica Neue (Sans Serif), Lora (Serif), Lora (Serif). Built using Bootstrap. AI description: Proud & Torn is a poignant digital storytelling experience that serves as a visual memoir of Hungarian history. Through a curated blend of archival imagery and interactive narrative elements, the site explores the complex intersection of personal family legacies and massive geopolitical shifts, including the rise of totalitarianism and the Holocaust. It is designed to transform historical research into an immersive, emotional journey for students, historians, and those interested in Eastern European culture. 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His work focuses on Eastern Europe. For the past three years, he has covered Russia’s invasion of Ukraine, from the build-up to all-out war, its outbreak in Kyiv and the immediate aftermath of the occupation of Bucha, to the Russian retreat from Kharkiv region and daily life under shelling in Kherson. He has done so as a regular contributor for _The New York Times_, as well as for other international publications and on personal projects. Before 2022, he was based in Moscow, where he covered Russia’s tumultuous descent into ever more violent authoritarianism. Over five years, he worked across the country, documenting the realities of daily life far from the capital, from the remote corners of Siberia to the edges of the Russian Arctic. He captured the contradictions of life in Chechnya under the Kadyrov regime, and probed how the legacy of Stalin’s labour camps is being rewritten in Putin’s Russia, among other topics. Essays - Kolyma - The River Between - Aidara - Diagnosis - [ The prisoners brought the road, and then the road brought more prisoners. Thousands of inmates of Stalin’s gulag labour camps died building a road across the far-flung Russian region of Kolyma, where winter temperatures, on average, hold at –38° Celsius. The route became known as the 'Road of Bones'. ](\u002Fessays\u002Fkolyma) Tearsheets - Text - Images - - 01\u002F2026 - Svalbard, Arctic - New York Times - 01\u002F01 - - 01\u002F2026 - Kharkiv region, Ukraine - New York Times - 01\u002F01 - - 12\u002F2025 - Syria - New York Times - 01\u002F01 - - 11\u002F2024 - Armenia-Iran border - New York Times - 01\u002F01 - - 05\u002F2024 - Ukraine - New York Times - 01\u002F01 - - 08\u002F2023 - Southern front, Ukraine - New York Times - 01\u002F01 - - 07\u002F2023 - Odesa, Ukraine - New York Times - 01\u002F01 - - 04\u002F2023 - Chernobyl - New York Times - 01\u002F01 - - 11\u002F2020 - Kolyma - New York Times - 01\u002F02 - - 11\u002F2020 - Kolyma - New York Times - 02\u002F02 - - 05\u002F2021 - Arctic - New York Times - 01\u002F01 - - 03\u002F2023 - Kyiv, Ukraine - New York Times - 01\u002F01 Show All Russia's War in Ukraine - Invasion - [ Russia began its full-scale invasion of Ukraine at dawn on February 24, 2022. Brought together here are images from the build-up to war, its outbreak in Kyiv, and the immediate aftermath of the occupation of Bucha and other northern areas.\\[contains graphic images\\] ](\u002Frussias-war-in-ukraine\u002Finvasion) Commissions - [ 11\u002F2025 The New York Times ### Desperate Search for Missing Syrians Leads to Mass Graves ](\u002Fcommissions\u002Fdesperate-search-for-missing-syrians-leads-to-mass-graves) - [ 03\u002F2025 ZEIT ### Syria: In the shadows of victory ](\u002Fcommissions\u002Fsyria-in-the-shadows-of-victory) - [ 11\u002F2024 The New York Times ### Bathing in Oil at a Climate Summit? It Leaves a Stain. ](\u002Fcommissions\u002Fbathing-in-oil-at-a-climate-summit-it-leaves-a-stain) - [ 04\u002F2024 The New York Times ### When Home Is Now the Front Line ](\u002Fcommissions\u002Fwhen-home-is-now-the-front-line) - [ 01\u002F2024 De Volkskrant ### Russia is rounding up Central Asian migrants to replace the killed and wounded in Ukraine ](\u002Fcommissions\u002Frussia-is-rounding-up-central-asian-migrants-to-replace-the-killed-and-wounded-in-ukraine) - [ 10\u002F2023 ZEIT ### Exodus in the Caucasus ](\u002Fcommissions\u002Fexodus-in-the-caucasus) - [ 02\u002F2023 The New York Times ### Fighting the cold in Ukraine ](\u002Fcommissions\u002Ffighting-the-cold-in-ukraine) - [ 04\u002F2023 The New York Times ### The Past and Present cross Paths as War comes to Chernobyl ](\u002Fcommissions\u002Fthe-past-and-present-cross-paths-as-war-comes-to-chernobyl) - [ 01\u002F2023 The New Yorker ### The Hunt for Russian Collaborators in Ukraine ](\u002Fcommissions\u002Fthe-hunt-for-russian-collaborators-in-ukraine) - [ 08\u002F2021 National Geographic ### Siberia’s wildfires submerge it in smoke ](\u002Fcommissions\u002Fsiberia-s-wildfires-submerge-it-in-smoke) - [ 05\u002F2021 The New York Times ### In the Russian Arctic, the first stirrings of a very cold war ](\u002Fcommissions\u002Fin-the-russian-arctic-the-first-stirrings-of-a-very-cold-war) - [ 02\u002F2020 De Volkskrant ### In Ukraine, two kilometres of hope ](\u002Fcommissions\u002Fin-ukraine-two-kilometres-of-hope) - [ 09\u002F2019 Der Spiegel ### A trip to the pro-Russian pseudo-state of Luhansk ](\u002Fcommissions\u002Fa-trip-to-the-pro-russian-pseudo-state-of-luhansk) - [ 08\u002F2019 The New York Times ### Russian land of permafrost and mammoths is thawing ](\u002Fcommissions\u002Frussian-land-of-permafrost-and-mammoths-is-thawing) - [ 02\u002F2019 LFI magazine ### Chechnya: The emperor's new clothes ](\u002Fcommissions\u002Fthe-emperor-s-new-clothes) - [ 03\u002F2018 Dagbladet Information ### In Russia, a Muslim minority fears a loss of heritage ](\u002Fcommissions\u002Fin-russia-a-muslim-minority-fears-a-loss-of-heritage) © Emile Ducke 2013 – 2026, Disclaimer & Privacy Policy Design: Daily Dialogue, Development: Philipp Polder",{"id":605,"height":13,"width":12,"blurhash":606},"fa4b9c77-9bd2-4add-b06a-8e93988fbae3","radial-gradient(at 0 0,#3c3b35,#00000000 50%),radial-gradient(at 33% 0,#141605,#00000000 50%),radial-gradient(at 67% 0,#000000,#00000000 50%),radial-gradient(at 100% 0,#140e07,#00000000 50%),radial-gradient(at 0 50%,#636669,#00000000 50%),radial-gradient(at 33% 50%,#444345,#00000000 50%),radial-gradient(at 67% 50%,#2c2425,#00000000 50%),radial-gradient(at 100% 50%,#353536,#00000000 50%),radial-gradient(at 0 100%,#50534e,#00000000 50%),radial-gradient(at 33% 100%,#2b2a23,#00000000 50%),radial-gradient(at 67% 100%,#1e120c,#00000000 50%),radial-gradient(at 100% 100%,#2b2b28,#00000000 50%)",{"id":608,"height":15,"width":14,"blurhash":360},"08bca744-3165-438b-aeb2-94f5f1ab8327",[610,613,616,619,622,625,628,631,634,637,640,643,646,649,652,655,658,661,664,667,670,673,676,679],{"directus_files_id":611},{"id":612},"af63a0b3-e497-45f1-a9ea-7b2e27084be2",{"directus_files_id":614},{"id":615},"c5801a09-7923-427e-bc30-a8b6b2350fb7",{"directus_files_id":617},{"id":618},"cbc9fa3d-6e2e-4cb3-b0d7-e49a02207bde",{"directus_files_id":620},{"id":621},"ee14ea47-75fe-4aff-924d-b57fb0ada658",{"directus_files_id":623},{"id":624},"9f2535fd-f0bb-4c58-8722-866c260c6f14",{"directus_files_id":626},{"id":627},"1114d94f-842d-46df-a1df-cf2cc67cca4a",{"directus_files_id":629},{"id":630},"29d7f7a0-810b-4b77-9962-91472ba67bae",{"directus_files_id":632},{"id":633},"aeec3d96-0822-414c-bf19-1af4ed856503",{"directus_files_id":635},{"id":636},"b7b1af3b-af34-4ad7-b19a-db90e047bd02",{"directus_files_id":638},{"id":639},"81a63f31-4f74-4652-b589-5b123e63a6bf",{"directus_files_id":641},{"id":642},"f83ee37f-ce1b-4beb-a4af-8df20c791c97",{"directus_files_id":644},{"id":645},"a445dfc9-c5f8-4238-b738-b542d5dc299d",{"directus_files_id":647},{"id":648},"e546c8c1-234e-4637-93ec-aa0714eeae98",{"directus_files_id":650},{"id":651},"53bd5707-01ab-4eb6-8a0f-c966f4947c5e",{"directus_files_id":653},{"id":654},"23181c47-9bf8-4c4c-b0b1-4499058c6b12",{"directus_files_id":656},{"id":657},"1f2df29f-5679-4760-9bbe-74a43fc57170",{"directus_files_id":659},{"id":660},"f7fbe4f7-4fbd-44ce-91ae-07add7d0b1c6",{"directus_files_id":662},{"id":663},"72e04ea8-3513-4403-9048-d53e3a248640",{"directus_files_id":665},{"id":666},"c8c24bfd-bab9-457c-85c9-c72bc3ba3533",{"directus_files_id":668},{"id":669},"fc4ceb3e-c366-493e-9b2d-f08917156d0e",{"directus_files_id":671},{"id":672},"2d634acd-df1e-46bd-a340-3a06adada709",{"directus_files_id":674},{"id":675},"f0d0fbf2-67c8-4c9d-9952-4d662d03a5fc",{"directus_files_id":677},{"id":678},"2d269b6f-d3e5-458d-9865-7dca15e53968",{"directus_files_id":680},{"id":681},"b2d23fea-f6ef-4ea0-b98a-0c70a41808ec",[683],{"languages_code":430,"description":684},"Emile Ducke’s portfolio is a somber, high-impact digital space dedicated to the raw reality of documentary photography. The website serves as a visual archive of conflict and human experience, specifically focusing on Eastern Europe. Its purpose is to showcase journalistic work that has been recognized by prestigious institutions like The New York Times, positioning the photographer as a serious, frontline observer of global events.\n\nThe design identity is defined by a stark, minimalist aesthetic that allows the heavy subject matter to command absolute attention. Utilizing a monochromatic-leaning palette and expansive, atmospheric imagery, the site avoids unnecessary ornamentation. The typography is clean and functional, ensuring that the narrative context of each photo series is legible without distracting from the visceral power of the visual storytelling. It is a site designed for editors, journalists, and art curators who value authenticity and grit.","Photography & Video",[29,26,573],[688,689],"Philipp Polder","Daily Dialogue",[691],"Adobe Garamond",[258,253,254,255],[694,695,696],{"score":91,"category":87},{"score":448,"category":90},{"score":448,"category":93},[698,699,700],{"score":91,"category":87},{"score":448,"category":90},{"score":448,"category":93},[103,457],"Website: Emile Ducke. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Emile Ducke • Photographer. Page description: Documentary photographer working across Eastern Europe.. Page content: - Emile Ducke - Documentary photographer currently in: Tbilisi, Georgia - DE +49 176 38212558 info@emileducke.de - _News:_ 'Occupation survivors' published in The New York Times - About - Exhibitions - Contact - Emile Ducke is a German documentary photographer. His work focuses on Eastern Europe. For the past three years, he has covered Russia’s invasion of Ukraine, from the build-up to all-out war, its outbreak in Kyiv and the immediate aftermath of the occupation of Bucha, to the Russian retreat from Kharkiv region and daily life under shelling in Kherson. He has done so as a regular contributor for _The New York Times_, as well as for other international publications and on personal projects. Before 2022, he was based in Moscow, where he covered Russia’s tumultuous descent into ever more violent authoritarianism. Over five years, he worked across the country, documenting the realities of daily life far from the capital, from the remote corners of Siberia to the edges of the Russian Arctic. He captured the contradictions of life in Chechnya under the Kadyrov regime, and probed how the legacy of Stalin’s labour camps is being rewritten in Putin’s Russia, among other topics. Essays - Kolyma - The River Between - Aidara - Diagnosis - [ The prisoners brought the road, and then the road brought more prisoners. Thousands of inmates of Stalin’s gulag labour camps died building a road across the far-flung Russian region of Kolyma, where winter temperatures, on average, hold at –38° Celsius. The route became known as the 'Road of Bones'. ](\u002Fessays\u002Fkolyma) Tearsheets - Text - Images - - 01\u002F2026 - Svalbard, Arctic - New York Times - 01\u002F01 - - 01\u002F2026 - Kharkiv region, Ukraine - New York Times - 01\u002F01 - - 12\u002F2025 - Syria - New York Times - 01\u002F01 - - 11\u002F2024 - Armenia-Iran border - New York Times - 01\u002F01 - - 05\u002F2024 - Ukraine - New York Times - 01\u002F01 - - 08\u002F2023 - Southern front, Ukraine - New York Times - 01\u002F01 - - 07\u002F2023 - Odesa, Ukraine - New York Times - 01\u002F01 - - 04\u002F2023 - Chernobyl - New York Times - 01\u002F01 - - 11\u002F2020 - Kolyma - New York Times - 01\u002F02 - - 11\u002F2020 - Kolyma - New York Times - 02\u002F02 - - 05\u002F2021 - Arctic - New York Times - 01\u002F01 - - 03\u002F2023 - Kyiv, Ukraine - New York Times - 01\u002F01 Show All Russia's War in Ukraine - Invasion - [ Russia began its full-scale invasion of Ukraine at dawn on February 24, 2022. Brought together here are images from the build-up to war, its outbreak in Kyiv, and the immediate aftermath of the occupation of Bucha and other northern areas.\\[contains graphic images\\] ](\u002Frussias-war-in-ukraine\u002Finvasion) Commissions - [ 11\u002F2025 The New York Times ### Desperate Search for Missing Syrians Leads to Mass Graves ](\u002Fcommissions\u002Fdesperate-search-for-missing-syrians-leads-to-mass-graves) - [ 03\u002F2025 ZEIT ### Syria: In the shadows of victory ](\u002Fcommissions\u002Fsyria-in-the-shadows-of-victory) - [ 11\u002F2024 The New York Times ### Bathing in Oil at a Climate Summit? It Leaves a Stain. ](\u002Fcommissions\u002Fbathing-in-oil-at-a-climate-summit-it-leaves-a-stain) - [ 04\u002F2024 The New York Times ### When Home Is Now the Front Line ](\u002Fcommissions\u002Fwhen-home-is-now-the-front-line) - [ 01\u002F2024 De Volkskrant ### Russia is rounding up Central Asian migrants to replace the killed and wounded in Ukraine ](\u002Fcommissions\u002Frussia-is-rounding-up-central-asian-migrants-to-replace-the-killed-and-wounded-in-ukraine) - [ 10\u002F2023 ZEIT ### Exodus in the Caucasus ](\u002Fcommissions\u002Fexodus-in-the-caucasus) - [ 02\u002F2023 The New York Times ### Fighting the cold in Ukraine ](\u002Fcommissions\u002Ffighting-the-cold-in-ukraine) - [ 04\u002F2023 The New York Times ### The Past and Present cross Paths as War comes to Chernobyl ](\u002Fcommissions\u002Fthe-past-and-present-cross-paths-as-war-comes-to-chernobyl) - [ 01\u002F2023 The New Yorker ### The Hunt for Russian Collaborators in Ukraine ](\u002Fcommissions\u002Fthe-hunt-for-russian-collaborators-in-ukraine) - [ 08\u002F2021 National Geographic ### Siberia’s wildfires submerge it in smoke ](\u002Fcommissions\u002Fsiberia-s-wildfires-submerge-it-in-smoke) - [ 05\u002F2021 The New York Times ### In the Russian Arctic, the first stirrings of a very cold war ](\u002Fcommissions\u002Fin-the-russian-arctic-the-first-stirrings-of-a-very-cold-war) - [ 02\u002F2020 De Volkskrant ### In Ukraine, two kilometres of hope ](\u002Fcommissions\u002Fin-ukraine-two-kilometres-of-hope) - [ 09\u002F2019 Der Spiegel ### A trip to the pro-Russian pseudo-state of Luhansk ](\u002Fcommissions\u002Fa-trip-to-the-pro-russian-pseudo-state-of-luhansk) - [ 08\u002F2019 The New York Times ### Russian land of permafrost and mammoths is thawing ](\u002Fcommissions\u002Frussian-land-of-permafrost-and-mammoths-is-thawing) - [ 02\u002F2019 LFI magazine ### Chechnya: The emperor's new clothes ](\u002Fcommissions\u002Fthe-emperor-s-new-clothes) - [ 03\u002F2018 Dagbladet Information ### In Russia, a Muslim minority fears a loss of heritage ](\u002Fcommissions\u002Fin-russia-a-muslim-minority-fears-a-loss-of-heritage) © Emile Ducke 2013 – 2026, Disclaimer & Privacy Policy Design: Daily Dialogue, Development: Philipp Polder. A Clean \u002F Minimalist, Dark Mode, Monochrome \u002F Grayscale website in the Photography & Video industry. Designed by Philipp Polder and Daily Dialogue. The overall color palette features Black, Gray. The typography features Adobe Garamond (Serif). Built using Next.js, Node.js, React, Vercel. AI description: Emile Ducke’s portfolio is a somber, high-impact digital space dedicated to the raw reality of documentary photography. The website serves as a visual archive of conflict and human experience, specifically focusing on Eastern Europe. Its purpose is to showcase journalistic work that has been recognized by prestigious institutions like The New York Times, positioning the photographer as a serious, frontline observer of global events. The design identity is defined by a stark, minimalist aesthetic that allows the heavy subject matter to command absolute attention. Utilizing a monochromatic-leaning palette and expansive, atmospheric imagery, the site avoids unnecessary ornamentation. The typography is clean and functional, ensuring that the narrative context of each photo series is legible without distracting from the visceral power of the visual storytelling. It is a site designed for editors, journalists, and art curators who value authenticity and grit.",{"id":704,"website_id":705,"page_id":704,"name":706,"slug":707,"url":708,"website_name":706,"website_slug":707,"website_url":709,"result_url":708,"fetched_at":710,"score":192,"score_boost":345,"ai_score":346,"freshness_score":467,"scored_at":711,"page_name":45,"page_url":708,"page_title":706,"page_description":712,"page_content":713,"page_sort":345,"is_home":352,"is_home_rank":353,"page_type_id":354,"page_type_name":51,"cover":714,"cover_mobile":717,"cover_sequence":719,"translations":723,"industry":21,"styles":726,"credits":727,"font_families":728,"technologies":730,"pagespeed":732,"pagespeed_mobile":738,"buckets":743,"search_payload":744},"4251e6f4-8cd5-4aa9-986f-22b6b5154fa2","fcff278a-01c5-4e54-add9-0f2c39767818","The Refugee Project","the-refugee-project","https:\u002F\u002Ftherefugeeproject.org\u002F","https:\u002F\u002Ftherefugeeproject.org","2026-05-03T20:54:34.000Z","2026-05-23T19:10:14.000Z","The Refugee Project by Hyperakt and Ekene Ijeoma, visualizes UNHCR refugee data and UN population data to tell the stories of refugee movements since 1975","Origin Country Asylum Country Refugee population 20232023202220212020201920182017201620152014201320122011201020092008200720062005200420032002200120001999199819971996199519941993199219911990198919881987198619851984198319821981198019791978197719761975 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1984 1983 1982 1981 1980 1979 1978 1977 1976 1975 World World World refugees from XX countries Explore Data Data only reflects refugees under UNHCR’s mandate. In addition, there are 6 million Palestinian refugees under UNRWA’s mandate not reflected here. Refugee Stories Learn Why About The Refugee Project is a learning experience created to increase awareness about the plight of millions of people just like you around the world who have had no choice but to flee their homes. The Refugee Project was created by Hyperakt and Ekene Ijeoma. Special thanks to the UNHCR for providing access to over 50 years of refugee migration data, their complete digital archive of published refugee stories and original photography.",{"id":715,"height":13,"width":12,"blurhash":716},"f7118094-d7b6-460b-99c1-17296b4d18cb","radial-gradient(at 0 0,#2a303d,#00000000 50%),radial-gradient(at 33% 0,#30313d,#00000000 50%),radial-gradient(at 67% 0,#323641,#00000000 50%),radial-gradient(at 100% 0,#2b323e,#00000000 50%),radial-gradient(at 0 50%,#2f3440,#00000000 50%),radial-gradient(at 33% 50%,#3a3e47,#00000000 50%),radial-gradient(at 67% 50%,#42454d,#00000000 50%),radial-gradient(at 100% 50%,#373a43,#00000000 50%),radial-gradient(at 0 100%,#2f3541,#00000000 50%),radial-gradient(at 33% 100%,#3e414b,#00000000 50%),radial-gradient(at 67% 100%,#484b54,#00000000 50%),radial-gradient(at 100% 100%,#3b3f4a,#00000000 50%)",{"id":718,"height":15,"width":14,"blurhash":360},"67d138b8-53bc-41b9-b63c-c23342014ba8",[720],{"directus_files_id":721},{"id":722},"669c239e-96ac-4e33-bfec-cb555a3d190c",[724],{"languages_code":430,"description":725},"The Refugee Project is a powerful data-driven storytelling platform designed to humanize the global displacement crisis. By transforming complex UNHCR and UN population datasets into immersive visual narratives, the site serves as an educational tool for activists, researchers, and the global public, illustrating the scale and movement of refugee populations since 1975.\n\nThe visual identity is defined by a high-impact, cinematic approach that utilizes a dark mode aesthetic to command attention and respect for its heavy subject matter. Through bold, oversized typography and a minimalist layout, the design strips away distractions, forcing the user to confront the staggering statistics. The use of a muted, map-based background provides a sense of global scale, while the punchy, dual-tone logo adds a modern, editorial edge to the experience.",[29,26,33],[],[729],"Social",[270,731],"Yii",[733,735,736,737],{"score":734,"category":84},63,{"score":448,"category":87},{"score":448,"category":90},{"score":448,"category":93},[739,740,741,742],{"score":154,"category":84},{"score":189,"category":87},{"score":448,"category":90},{"score":448,"category":93},[103,111,457],"Website: The Refugee Project. Page: Homepage. Page type: Home \u002F Landing Page. Page title: The Refugee Project. Page description: The Refugee Project by Hyperakt and Ekene Ijeoma, visualizes UNHCR refugee data and UN population data to tell the stories of refugee movements since 1975. Page content: Origin Country Asylum Country Refugee population 20232023202220212020201920182017201620152014201320122011201020092008200720062005200420032002200120001999199819971996199519941993199219911990198919881987198619851984198319821981198019791978197719761975 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1984 1983 1982 1981 1980 1979 1978 1977 1976 1975 World World World refugees from XX countries Explore Data Data only reflects refugees under UNHCR’s mandate. In addition, there are 6 million Palestinian refugees under UNRWA’s mandate not reflected here. Refugee Stories Learn Why About The Refugee Project is a learning experience created to increase awareness about the plight of millions of people just like you around the world who have had no choice but to flee their homes. The Refugee Project was created by Hyperakt and Ekene Ijeoma. Special thanks to the UNHCR for providing access to over 50 years of refugee migration data, their complete digital archive of published refugee stories and original photography.. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Non-Profit & Charity industry. The overall color palette features Black, White, Gray. The typography features Social (Sans Serif, Dinamo). Built using Craft CMS, Yii. AI description: The Refugee Project is a powerful data-driven storytelling platform designed to humanize the global displacement crisis. By transforming complex UNHCR and UN population datasets into immersive visual narratives, the site serves as an educational tool for activists, researchers, and the global public, illustrating the scale and movement of refugee populations since 1975. The visual identity is defined by a high-impact, cinematic approach that utilizes a dark mode aesthetic to command attention and respect for its heavy subject matter. Through bold, oversized typography and a minimalist layout, the design strips away distractions, forcing the user to confront the staggering statistics. The use of a muted, map-based background provides a sense of global scale, while the punchy, dual-tone logo adds a modern, editorial edge to the experience."]