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The website serves as a sophisticated portfolio that showcases a blend of lifestyle photography and abstract 3D elements, signaling a focus on human-centric design integrated with cutting-edge technology. Its purpose is to attract forward-thinking enterprises looking to redefine their market presence through cohesive, impactful visual storytelling.\n\nThe visual identity is defined by a bold, editorial aesthetic that leans heavily into high-contrast typography and a dark, immersive color palette. By utilizing oversized, expressive typefaces layered over a dynamic collage of imagery, the design communicates confidence and creative authority. The interplay between organic human moments and structured, geometric 3D renders creates a modern, premium feel that appeals to a high-end, tech-savvy, and innovation-driven audience.",[30,295,34],[393],[],[309],[170,166,174,513],"blue","Website: Cinco. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Cinco Design. Page description: Brand & product innovation for leaders of next.. Page content: Brand & product [ Our Approach ](\u002Fapproach) innovation for leaders of next [ Our approach ](\u002Fapproach) Creative intelligence, innovation and impact across brand ecosystems. [ SEE ALL WORK ](\u002Fwork) [ See Project See Project ](\u002Fwork\u002Fmicrosoft-innovation-hub) Microsoft [ Coming together to build bolder futures. ](\u002Fwork\u002Fmicrosoft-innovation-hub) [ See Project See Project ](\u002Fwork\u002Fadidas-dugout) [ Adidas Constant triple threat. ](\u002Fwork\u002Fadidas-dugout) [ See Project See Project ](\u002Fwork\u002Fthe-james-brand-lowe) [ The James Brand Just take my wallet. ](\u002Fwork\u002Fthe-james-brand-lowe) [ See Project See Project ](\u002Fwork\u002Fxpansiv) [ Xpansiv Where everything connects ](\u002Fwork\u002Fxpansiv) [ See Project See Project ](\u002Fwork\u002Fadidas-mls) [ Adidas Celebrating jerseys that stand for more. ](\u002Fwork\u002Fadidas-mls) [ See Project See Project ](\u002Fwork\u002Fsmith-4d) [ Smith Optics Birds eye view. ](\u002Fwork\u002Fsmith-4d) [ See Project See Project ](\u002Fwork\u002Fstelo-by-dexcom) [ Dexcom A powerful story of living better. ](\u002Fwork\u002Fstelo-by-dexcom) [ See all work ](\u002Fwork) [ SEE ALL WORK ](\u002Fwork) From start-ups to household names, we build enduring brands across categories. [ Lifestyle ](\u002Fcategories\u002Flifestyle) [ Outdoor ](\u002Fcategories\u002Foutdoor) [ Sport ](\u002Fcategories\u002Fsport) [ Gaming ](\u002Fcategories\u002Fgaming) [ Technology ](\u002Fcategories\u002Ftechnology) [ See all clients ](\u002Fclients) Great design [ Our studio ](\u002Fstudio) moves us all forward [ Our studio ](\u002Fstudio). A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features Black, White, Gray, Blue. Built using jQuery. AI description: Cinco is a high-caliber design studio dedicated to brand and product innovation, positioning itself as a strategic partner for the 'leaders of next.' The website serves as a sophisticated portfolio that showcases a blend of lifestyle photography and abstract 3D elements, signaling a focus on human-centric design integrated with cutting-edge technology. 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This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …",{"id":528,"height":13,"width":12,"blurhash":529},"ee6ba0b9-978f-4682-94f5-f10503f98584","radial-gradient(at 0 0,#babaff,#00000000 50%),radial-gradient(at 33% 0,#7878ff,#00000000 50%),radial-gradient(at 67% 0,#b2b2ff,#00000000 50%),radial-gradient(at 100% 0,#dfdfff,#00000000 50%),radial-gradient(at 0 50%,#bfbfe8,#00000000 50%),radial-gradient(at 33% 50%,#a2a2e1,#00000000 50%),radial-gradient(at 67% 50%,#c6c6ed,#00000000 50%),radial-gradient(at 100% 50%,#dedef7,#00000000 50%),radial-gradient(at 0 100%,#b4b4e6,#00000000 50%),radial-gradient(at 33% 100%,#9c9cf7,#00000000 50%),radial-gradient(at 67% 100%,#b3b3f5,#00000000 50%),radial-gradient(at 100% 100%,#cbcbed,#00000000 50%)",{"id":531,"height":15,"width":14,"blurhash":56},"d4e07c88-6674-4460-9621-b66d952ea4f3",[533,536,539],{"directus_files_id":534},{"id":535},"b5f1f613-ecd9-4c14-8e2d-8bfcb012ccc8",{"directus_files_id":537},{"id":538},"2a247199-2226-423a-9962-6fd931df0026",{"directus_files_id":540},{"id":541},"09fdf48e-0b65-4ae6-bda7-9f4e6eb98664",[543],{"languages_code":506,"description":544},"Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. 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This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …. 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(Twenty Nine) is a high-caliber design and technology studio that positions human-centricity at the core of its creative practice. Specializing in brand, product, and web design, the studio serves a prestigious global clientele ranging from tech giants like Google and Dropbox to cultural institutions like the Brooklyn Museum. Its mission is to bridge the gap between sophisticated digital interfaces and meaningful human experiences.\n\nThe visual identity is a masterclass in modern, high-impact minimalism. Utilizing a bold, typographic-driven layout, the website employs a sophisticated grid system paired with a striking high-contrast color palette—notably using vibrant yellow blocks to anchor information. 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Page content: Twenty Nine is a people-first brand, product, and web studio ⬤ Start a project → studio@xxix.co Our clients include – Air Company, Brooklyn Museum, Dropbox, Etsy, Figma, Google, Hinge, IBM, Ironman, Light Phone, Mailchimp, Mac Miller, Magic Leap, MIT, Mozilla, Pinterest, Pratt Institute, Salt & Stone, Stripe ⬤ View our work [ ⬤ WILLIAMSTOWN THEATRE FESTIVAL Website Design and Development ](\u002Fwork\u002Fwilliamstowntheatrefestival) [ ⬤ OH, TO BE KNOWN BY MY COMPUTER! A pattern for designing intelligent products ](https:\u002F\u002Fgarden3d.substack.com\u002Fp\u002Foh-to-be-known-by-my-computer) WORK WITH US We think of our studio as a refuge for creative people. We provide free health insurance, generous time off, freedom to work when and where you choose, share company profits, make everything happening in the studio transparent, and even offset our carbon footprint. ⬤ OPEN POSITIONS [ ⬤ 2024 REPORT Sustainability ](https:\u002F\u002Fgarden3d.substack.com\u002Fp\u002Fgarden3d-2023-sustainability-report) [ ⬤ MAC MILLER Website Design and Development ](\u002Fwork\u002Fmac-miller-swimming) [ ⬤ APLOS Website Design for Ecommerce ](\u002Fwork\u002Faplos) [ ⬤ PRESQ Website Design and Development for Ecommerce ](\u002Fwork\u002Fpresq) [ The entrance to Index Space ⬤ INDEX NYC Shared Work and Community Space ](\u002Fwork\u002Findex) [ Image of liquid ⬤ AIR COMPANY Website Design and Art Direction for Ecommerce ](\u002Fwork\u002Fair-company) [ ⬤ SALT & STONE Campaign and Packaging ](\u002Fwork\u002Fsalt-and-stone) [ Image of cactus ⬤ Pratt SoA Website Design and Development ](\u002Fwork\u002Fpratt-soa) [ ⬤ THEA Product Design and Art Direction ](\u002Fwork\u002Fthea) [ Organic shape shifting between positions ⬤ APLÓS Website and procedural design tooling ](\u002Fwork\u002Faplos) [ ⬤ ARENA Brand Design and Strategy ](\u002Fwork\u002Farena) [ ⬤ CAPABILITIES Product Design ](\u002Fcapabilities\u002Fdigital-product) [ ⬤ WORKMADE Product Design and Strategy ](\u002Fwork\u002Fworkmade) [ Image of a rock ⬤ EXPANSIVE BRANDS Centering humanity when building brands ](https:\u002F\u002Fgarden3d.substack.com\u002Fp\u002Fexpansive-brands) [ Modern Life logo ⬤ MODERN LIFE Brand, Website and Art Direction ](\u002Fwork\u002Fmodern-life) [ Firefly illustration ⬤ FIREFLY HEALTH Brand, Website and Art Direction ](\u002Fwork\u002Ffirefly-health) [ Earth ⬤ 2024 REPORT Diversity, Equity, and Inclusion ](https:\u002F\u002Fgarden3d.substack.com\u002Fp\u002Fgarden3d-dei-report-2023) [ ⬤ MODERN LIFE Brand, Website and Art Direction ](\u002Fwork\u002Fmodern-life) Twenty Nine A proud member of garden3d [ Email studio@xxix.co ](mailto:studio@xxix.co)[ Instagram @xxix\\_co ](https:\u002F\u002Fwww.instagram.com\u002Fxxix_co)[ Substack @garden3d ](https:\u002F\u002Fgarden3d.substack.com\u002F) EST New York City CT Chicago CET Berlin :55.32. A Clean \u002F Minimalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Agency & Studio industry. The overall color palette features White, Yellow, Black, Gray, Brown. The typography features Replica (Sans Serif, Lineto), Times New Roman (Serif). Built using Vercel. AI description: XXIX (Twenty Nine) is a high-caliber design and technology studio that positions human-centricity at the core of its creative practice. Specializing in brand, product, and web design, the studio serves a prestigious global clientele ranging from tech giants like Google and Dropbox to cultural institutions like the Brooklyn Museum. Its mission is to bridge the gap between sophisticated digital interfaces and meaningful human experiences. The visual identity is a masterclass in modern, high-impact minimalism. 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We manage the entire production lifecycle and develop effective go-to-market strategies, including market research, branding, and content production, to ensure successful product launches. Mangere Bridge Tavern SERVICES Brand Identity Photography & Videography UI UX Design OVERVIEW A walk down memory lane. Cold beers, Pool, Karaoke and of course gaming and pokies. Kiwi Solar Solutions SERVICES Brand Identity Brand Strategy Development Photography & Videography Social Media Management OVERVIEW Kiwi Solar Solutions provides affordable solar panel and solar carport installation in Auckland, delivering clean, reliable energy for homes and businesses across New Zealand. Stealth Fighters League SERVICES Brand Identity Social Media Management UI UX Design OVERVIEW World Class MMA Right here in Aotearoa. NuStyle SERVICES UI UX Design Development Social Media Management Digital Marketing Photography & Videography OVERVIEW We designed and developed a bespoke new website for the client to celebrate 50 years in business. The new experience featured an AR tool built by Conical, which allows you to visualise windows and doors in various styles and colours 6 & SHOUT SERVICES App Development Mobile Game Integration UI UX Design OVERVIEW In collaboration with Conical, we created a nostalgic gaming experience for the Cricket T-20 Cup. The game offered two modes: a bat-and-ball cricket challenge against the Colonel, and a live mode where players could predict where a six might be hit during an actual game. Both modes enabled players to unlock special badges, collect coins, and redeem food vouchers. Silky Otter SERVICES App Development UI UX Design Cinema System API Integration OVERVIEW Silky Otter is the new cool kid on the block for cinema experiences, rapidly expanding across New Zealand. Our team partnered with Silky to design and develop their website and mobile app experiences. HomePort SERVICES App Development UI UX Design OVERVIEW We designed and developed a new internal app-based communication tool for sailors, enabling them to stay updated with important information, discuss various topics, and access key artefacts. Mutual Skincare SERVICES UI UX Design Development OVERVIEW We designed and developed a new website for a scientifically backed, personalised online skincare business, featuring an intelligent quiz recommendation engine. eDrive SERVICES Strategy and CX General Management Product Development OVERVIEW Our MD was the founder and director of New Zealand’s first all electric vehicle subscription service under Mercury, which was then sold to Snap Rentals. Daikin SERVICES UI UX Design Development API & Backend Integration Photography & Videography OVERVIEW Over a three-year digital transformation, we designed and developed a new tech stack for residential and commercial websites. We created an eCommerce sales engine for dealers to browse, order products, and track shipping, and developed a partner portal for accessing product and engineering catalogues. Additionally, we built a custom warranty and returns management portal for digital tracking and management. Box Finesse SERVICES Brand Strategy Product Development UI UX Design Development Social Media Management OVERVIEW A rapidly growing boxing product brand in New Zealand and Australia, we transformed their initial website, completely revamping the user experience. We also co-designed new products and spearheaded their marketing efforts. Combat Sports Network SERVICES Brand Strategy UI UX Design Development Social Media Management Digital Marketing OVERVIEW We designed and developed a one of a kind combat sports broadcasting platform where you can follow athletes and live stream events. Puzzle People SERVICES UI UX Design Development Photography & Videography OVERVIEW We designed and developed a bespoke new website for the client to relaunch their eLearning business. 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The agency positions itself as a strategic partner for both agile startups and established enterprises, offering a full-spectrum service model that spans from initial ideation to final product launch.\n\nThe visual identity is defined by a bold, cinematic aesthetic that leans heavily into high-contrast imagery and sophisticated motion. By blending technical prowess with creative storytelling, the brand communicates a sense of cutting-edge capability and premium execution. The design language is modern and high-impact, utilizing large-scale visuals and a sleek dark interface to appeal to forward-thinking tech leaders and creative innovators.",[295,808,34],"Futuristic \u002F Sci-Fi",[],[345],[309],[813,814,815,817],{"score":555,"category":147},{"score":524,"category":150},{"score":816,"category":153},100,{"score":816,"category":156},[819,820,821,822],{"score":251,"category":147},{"score":524,"category":150},{"score":816,"category":153},{"score":816,"category":156},[170,697,174,166],"Website: Future Co Labs. Page: Homepage. Page type: Home \u002F Landing Page. Page title: FUTURE CO LABS. Page description: We specialise in complex software development, gaming, innovation and content production. Start-ups to enterprise, we'll help you win. Page content: We specialise in complex software development, gamification, brand design and marketing. Whether you’re a start\\-up or enterprise we’ll help you win. STRATEGY What strategic services do we offer? We provide tailored strategies for digital transformation and innovation, aligning with your goals to ensure a competitive edge DESIGN How do we approach design in software and gaming? We focus on user-centric design, creating intuitive and engaging experiences. Our team blends creativity and functionality to bring your vision to life with the latest technologies and trends. DEVELOPMENT What development services do we specialise in? We specialise in complex software development, including gaming, mobile apps, and enterprise software. Our agile methodologies ensure high-quality, scalable, and secure solutions. PRODUCTION How do we handle production and go-to-market strategies? We manage the entire production lifecycle and develop effective go-to-market strategies, including market research, branding, and content production, to ensure successful product launches. Mangere Bridge Tavern SERVICES Brand Identity Photography & Videography UI UX Design OVERVIEW A walk down memory lane. Cold beers, Pool, Karaoke and of course gaming and pokies. Kiwi Solar Solutions SERVICES Brand Identity Brand Strategy Development Photography & Videography Social Media Management OVERVIEW Kiwi Solar Solutions provides affordable solar panel and solar carport installation in Auckland, delivering clean, reliable energy for homes and businesses across New Zealand. Stealth Fighters League SERVICES Brand Identity Social Media Management UI UX Design OVERVIEW World Class MMA Right here in Aotearoa. NuStyle SERVICES UI UX Design Development Social Media Management Digital Marketing Photography & Videography OVERVIEW We designed and developed a bespoke new website for the client to celebrate 50 years in business. The new experience featured an AR tool built by Conical, which allows you to visualise windows and doors in various styles and colours 6 & SHOUT SERVICES App Development Mobile Game Integration UI UX Design OVERVIEW In collaboration with Conical, we created a nostalgic gaming experience for the Cricket T-20 Cup. The game offered two modes: a bat-and-ball cricket challenge against the Colonel, and a live mode where players could predict where a six might be hit during an actual game. Both modes enabled players to unlock special badges, collect coins, and redeem food vouchers. Silky Otter SERVICES App Development UI UX Design Cinema System API Integration OVERVIEW Silky Otter is the new cool kid on the block for cinema experiences, rapidly expanding across New Zealand. Our team partnered with Silky to design and develop their website and mobile app experiences. HomePort SERVICES App Development UI UX Design OVERVIEW We designed and developed a new internal app-based communication tool for sailors, enabling them to stay updated with important information, discuss various topics, and access key artefacts. Mutual Skincare SERVICES UI UX Design Development OVERVIEW We designed and developed a new website for a scientifically backed, personalised online skincare business, featuring an intelligent quiz recommendation engine. eDrive SERVICES Strategy and CX General Management Product Development OVERVIEW Our MD was the founder and director of New Zealand’s first all electric vehicle subscription service under Mercury, which was then sold to Snap Rentals. Daikin SERVICES UI UX Design Development API & Backend Integration Photography & Videography OVERVIEW Over a three-year digital transformation, we designed and developed a new tech stack for residential and commercial websites. We created an eCommerce sales engine for dealers to browse, order products, and track shipping, and developed a partner portal for accessing product and engineering catalogues. Additionally, we built a custom warranty and returns management portal for digital tracking and management. Box Finesse SERVICES Brand Strategy Product Development UI UX Design Development Social Media Management OVERVIEW A rapidly growing boxing product brand in New Zealand and Australia, we transformed their initial website, completely revamping the user experience. We also co-designed new products and spearheaded their marketing efforts. Combat Sports Network SERVICES Brand Strategy UI UX Design Development Social Media Management Digital Marketing OVERVIEW We designed and developed a one of a kind combat sports broadcasting platform where you can follow athletes and live stream events. Puzzle People SERVICES UI UX Design Development Photography & Videography OVERVIEW We designed and developed a bespoke new website for the client to relaunch their eLearning business. Your Innovation Partner 1-2 WEEKS Free Initial Consultation & Ideation 4-6 WEEKS Scoping & Design 8-12 WEEKS Development & Launch The Future is now. A Dark Mode, Futuristic \u002F Sci-Fi, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features Black, Brown, Gray, White. The typography features Neue Montreal (Sans Serif, Pangram Pangram). Built using jQuery. AI description: Future Co Labs is a multidisciplinary innovation studio specializing in the intersection of complex software development, gaming, and high-end content production. The agency positions itself as a strategic partner for both agile startups and established enterprises, offering a full-spectrum service model that spans from initial ideation to final product launch. The visual identity is defined by a bold, cinematic aesthetic that leans heavily into high-contrast imagery and sophisticated motion. By blending technical prowess with creative storytelling, the brand communicates a sense of cutting-edge capability and premium execution. The design language is modern and high-impact, utilizing large-scale visuals and a sleek dark interface to appeal to forward-thinking tech leaders and creative innovators."]