[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-detail-the-type-directors-club":3,"facets-{\"includeAuthors\":\"false\"}":191,"facets-baseline-false":351,"similar-websites-the-type-directors-club":384},{"id":4,"name":5,"slug":6,"url":7,"dateUpdated":8,"fetchedAt":9,"coverId":10,"coverMobileId":11,"coverWidth":12,"coverHeight":13,"coverMobileWidth":14,"coverMobileHeight":15,"descriptionEn":16,"seoMeta":17,"industry":20,"styles":24,"credits":37,"pages":43,"typefaces":55,"technologiesByCategory":65,"pagespeedDesktop":142,"pagespeedMobile":154,"performanceDesktop":145,"performanceMobile":145,"colorBuckets":160,"colorPalette":173},"f7213f03-2289-4154-bcc1-0466465eaae7","The Type Directors Club","the-type-directors-club","https:\u002F\u002Ftdc.org","2026-05-23T19:36:02.000Z","2026-05-04T08:26:48.000Z","b60089c3-be32-407c-ad68-50441c86732b","13bf78e2-cf04-4657-a2e2-ca54ecc32f11",1440,900,780,1688,"The Type Directors Club (TDC) serves as a premier global community and authority for typographic excellence. The website functions as a central hub for industry professionals, showcasing award finalists, announcing prestigious juries, and promoting upcoming educational and networking events. It is designed to elevate the reputation of its members by connecting them with the highest standards of communication design, lettering, and type design.\n\nThe visual identity is a masterclass in typographic expression, utilizing bold, oversized sans-serif headings that command attention. The design employs a sophisticated interplay of high-contrast monochrome elements, vibrant red accents, and experimental halftone patterns that celebrate the very medium the organization represents. It targets a highly specialized audience of designers, typographers, and creative directors through a modern, editorial aesthetic that feels both authoritative and avant-garde.",{"title":18,"meta_description":19},"Type Directors Club | Elevate Your Typographic Reputation","Join the premier global community for type design, lettering, and communication design. Explore awards, events, and professional excellence with TDC.",{"name":21,"label":22,"slug":23},"Art & Culture","Art and Culture","art-and-culture",[25,29,33],{"name":26,"label":27,"slug":28},"Clean \u002F Minimalist","Minimalist","minimalist",{"name":30,"label":31,"slug":32},"Monochrome \u002F Grayscale","Monochrome","monochrome",{"name":34,"label":35,"slug":36},"Typographic \u002F Big Type","Typographic","typographic",[38],{"author":39,"roles":42},{"name":40,"label":40,"slug":41},"Firebelly","firebelly",[],[44],{"name":45,"title":46,"description":47,"url":48,"coverId":10,"coverMobileId":11,"alt":49,"altMobile":50,"pageType":51},"Homepage","Type Directors Club - Elevate Your Reputation",null,"https:\u002F\u002Ftdc.org\u002F","The desktop homepage features a large hero slider with a halftone pattern background, announcing TDC72 finalists and membership opportunities. Below the hero section, an 'Upcoming Events' area displays event titles and dates in a horizontal layout with navigation arrows. The design uses a clean white background with bold black typography and red accent elements.","The mobile version presents a vertically stacked layout, starting with a hero banner for TDC72 finalists followed by scholarship and membership banners. The 'Upcoming Events' section transitions to a single-column scrollable list of events, emphasizing large text and touch-friendly navigation elements.",{"name":52,"label":53,"slug":54},"Home \u002F Landing Page","Home \u002F Landing","home-landing",[56,59,62],{"name":57,"label":57,"slug":58,"foundryName":47},"Font Awesome","font-awesome",{"name":60,"label":60,"slug":61,"foundryName":47},"Lato","lato",{"name":63,"label":63,"slug":64,"foundryName":47},"Swiper Icons","swiper-icons",{"JavaScript frameworks":66,"CDN":70,"Analytics":77,"WordPress plugins":93,"Font scripts":100,"Tag managers":102,"Miscellaneous":106,"Live chat":110,"JavaScript libraries":114,"Advertising":121,"Databases":128,"Programming languages":132,"CMS":136,"Blogs":140},[67],{"name":68,"label":68,"slug":69},"Alpine.js","alpinejs",[71,74],{"name":72,"label":72,"slug":73},"Cloudflare","cloudflare",{"name":75,"label":75,"slug":76},"jsDelivr","jsdelivr",[78,81,84,87,90],{"name":79,"label":79,"slug":80},"Crazy Egg","crazy-egg",{"name":82,"label":82,"slug":83},"Facebook Pixel","facebook-pixel",{"name":85,"label":85,"slug":86},"Google Analytics","google-analytics",{"name":88,"label":88,"slug":89},"HubSpot Analytics","hubspot-analytics",{"name":91,"label":91,"slug":92},"Linkedin Insight Tag","linkedin-insight-tag",[94,97],{"name":95,"label":95,"slug":96},"Draftpress HFCM","draftpress-hfcm",{"name":98,"label":98,"slug":99},"The Events Calendar","the-events-calendar",[101],{"name":57,"label":57,"slug":58},[103],{"name":104,"label":104,"slug":105},"Google Tag Manager","google-tag-manager",[107],{"name":108,"label":108,"slug":109},"HTTP\u002F3","http3",[111],{"name":112,"label":112,"slug":113},"HubSpot Chat","hubspot-chat",[115,118],{"name":116,"label":116,"slug":117},"jQuery","jquery",{"name":119,"label":119,"slug":120},"jQuery Migrate","jquery-migrate",[122,125],{"name":123,"label":123,"slug":124},"Linkedin Ads","linkedin-ads",{"name":126,"label":126,"slug":127},"Twitter Ads","twitter-ads",[129],{"name":130,"label":130,"slug":131},"MySQL","mysql",[133],{"name":134,"label":134,"slug":135},"PHP","php",[137],{"name":138,"label":138,"slug":139},"WordPress","wordpress",[141],{"name":138,"label":138,"slug":139},[143,146,149,152],{"category":144,"score":145},"performance",37,{"category":147,"score":148},"accessibility",82,{"category":150,"score":151},"best-practices",77,{"category":153,"score":151},"seo",[155,156,158,159],{"category":144,"score":145},{"category":147,"score":157},83,{"category":150,"score":151},{"category":153,"score":151},[161,165,169],{"value":162,"label":163,"hex":164},"white","White","#ffffff",{"value":166,"label":167,"hex":168},"black","Black","#000000",{"value":170,"label":171,"hex":172},"red","Red","#fa2c37",[174,177,180,183,186,188],{"hex":175,"percent":176},"#E4E7F4",0.4252,{"hex":178,"percent":179},"#FEFEFF",0.3294,{"hex":181,"percent":182},"#C7C38D",0.1062,{"hex":184,"percent":185},"#0E0D0D",0.0874,{"hex":168,"percent":187},0.0417,{"hex":189,"percent":190},"#EE4237",0.0102,{"facetDistribution":192,"facetLabels":269},{"industry":193,"styles":213,"technologies":228,"font_families":253,"page_type_name":267},{"Agency & Studio":194,"Art & Culture":195,"SaaS & Software":196,"Fashion & Apparel":197,"Architecture & Real Estate":198,"Entertainment & Media":199,"Food & Beverage":200,"Photography & Video":201,"Finance & Fintech":202,"Healthcare & Wellness":203,"Technology & Hardware":204,"Industrial & Manufacturing":205,"Beauty & Cosmetics":206,"Travel & Hospitality":207,"Non-Profit & Charity":208,"Education & Courses":209,"Crypto & Web3":210,"Sports & Fitness":211,"Automotive & Transportation":212},716,296,210,167,163,138,125,120,76,62,54,49,47,45,41,32,24,21,11,{"Clean \u002F Minimalist":214,"Typographic \u002F Big Type":215,"High-End \u002F Luxury":216,"Dark Mode":217,"Vibrant \u002F Colorful":218,"Monochrome \u002F Grayscale":219,"Fun \u002F Playful":220,"Brutalist \u002F Neo-Brutalist":221,"Corporate \u002F Professional":222,"Illustrative \u002F Hand-drawn":223,"Futuristic \u002F Sci-Fi":224,"3D \u002F Spatial":225,"Retro \u002F Vintage \u002F Y2K":226,"Glassmorphism":227,"Bento Grid":227},2056,1713,1012,570,393,317,257,236,205,87,69,55,33,15,{"jQuery":229,"PHP":230,"WordPress":231,"Node.js":232,"React":233,"Vercel":234,"Vue.js":235,"Shopify":236,"Next.js":237,"Klaviyo":238,"Nuxt.js":239,"Typekit":240,"Amazon Web Services":241,"reCAPTCHA":242,"YouTube":243,"MailChimp":244,"Modernizr":245,"Bootstrap":246,"Slick":148,"Google Font API":247,"Craft CMS":248,"Framer Sites":249,"Contact Form 7":250,"Stimulus":251,"Google Maps":252},875,629,504,320,311,262,207,196,161,149,147,141,129,117,95,92,91,85,79,66,65,64,59,58,{"Inter":254,"Times New Roman":255,"Roboto":256,"Open Sans":257,"Neue Haas Grotesk":257,"Suisse Intl":258,"Arial":224,"Poppins":248,"Helvetica Neue":250,"Montserrat":259,"Diatype":225,"Neue Montreal":204,"Lato":205,"Graphik":260,"Source Sans":261,"Monument Grotesk":262,"Noto Sans":263,"Helvetica":264,"Söhne":265,"DM Sans":265,"Founders Grotesk":265,"GT America":266,"Google Sans":266,"Editorial":226,"IBM Plex Mono":209},315,168,127,90,88,60,46,44,40,39,36,35,34,{"Home \u002F Landing Page":268},2397,{"industry":270,"styles":289,"page_type_name":302,"technologies":303,"font_families":326},{"Agency & Studio":271,"Art & Culture":22,"SaaS & Software":272,"Fashion & Apparel":273,"Architecture & Real Estate":274,"Entertainment & Media":275,"Food & Beverage":276,"Photography & Video":277,"Finance & Fintech":278,"Healthcare & Wellness":279,"Technology & Hardware":280,"Industrial & Manufacturing":281,"Beauty & Cosmetics":282,"Travel & Hospitality":283,"Non-Profit & Charity":284,"Education & Courses":285,"Crypto & Web3":286,"Sports & Fitness":287,"Automotive & Transportation":288},"Agencies","Software","Fashion","Real Estate","Entertainment","Food and Drink","Photography","Fintech","Wellness","Technology","Industrial","Beauty","Travel","Non-Profit","Education","Web3","Sports","Automotive",{"Clean \u002F Minimalist":27,"Typographic \u002F Big Type":35,"High-End \u002F Luxury":290,"Dark Mode":291,"Vibrant \u002F Colorful":292,"Monochrome \u002F Grayscale":31,"Fun \u002F Playful":293,"Brutalist \u002F Neo-Brutalist":294,"Corporate \u002F Professional":295,"Illustrative \u002F Hand-drawn":296,"Futuristic \u002F Sci-Fi":297,"3D \u002F Spatial":298,"Retro \u002F Vintage \u002F Y2K":299,"Glassmorphism":300,"Bento Grid":301},"Luxury","Dark Mode","Vibrant","Playful","Brutalist","Corporate","Illustrative","Futuristic","3D and Spatial","Retro and Y2K","Glassmorphism","Bento Grid",{"Home \u002F Landing Page":53},{"jQuery":116,"PHP":134,"WordPress":138,"Node.js":304,"React":305,"Vercel":306,"Vue.js":307,"Shopify":308,"Next.js":309,"Klaviyo":310,"Nuxt.js":311,"Typekit":312,"Amazon Web Services":313,"reCAPTCHA":314,"YouTube":315,"MailChimp":316,"Modernizr":317,"Bootstrap":318,"Slick":319,"Google Font API":320,"Craft CMS":321,"Framer Sites":322,"Contact Form 7":323,"Stimulus":324,"Google Maps":325},"Node.js","React","Vercel","Vue.js","Shopify","Next.js","Klaviyo","Nuxt.js","Typekit","Amazon Web Services","reCAPTCHA","YouTube","MailChimp","Modernizr","Bootstrap","Slick","Google Font API","Craft CMS","Framer Sites","Contact Form 7","Stimulus","Google Maps",{"Inter":327,"Times New Roman":328,"Roboto":329,"Open Sans":330,"Neue Haas Grotesk":331,"Suisse Intl":332,"Arial":333,"Poppins":334,"Helvetica Neue":335,"Montserrat":336,"Diatype":337,"Neue Montreal":338,"Lato":60,"Graphik":339,"Source Sans":340,"Monument Grotesk":341,"Noto Sans":342,"Helvetica":343,"Söhne":344,"DM Sans":345,"Founders Grotesk":346,"GT America":347,"Google Sans":348,"Editorial":349,"IBM Plex Mono":350},"Inter","Times New Roman","Roboto","Open Sans","Neue Haas Grotesk","Suisse Intl","Arial","Poppins","Helvetica Neue","Montserrat","Diatype","Neue Montreal","Graphik","Source Sans","Monument Grotesk","Noto Sans","Helvetica","Söhne","DM Sans","Founders Grotesk","GT America","Google Sans","Editorial","IBM Plex Mono",{"facetDistribution":352,"facetLabels":368},{"industry":353,"styles":354,"technologies":355,"font_families":356,"page_type_name":357},{"Agency & Studio":194,"Art & Culture":195,"SaaS & Software":196,"Fashion & Apparel":197,"Architecture & Real Estate":198,"Entertainment & Media":199,"Food & Beverage":200,"Photography & Video":201,"Finance & Fintech":202,"Healthcare & Wellness":203,"Technology & Hardware":204,"Industrial & Manufacturing":205,"Beauty & Cosmetics":206,"Travel & Hospitality":207,"Non-Profit & Charity":208,"Education & Courses":209,"Crypto & Web3":210,"Sports & Fitness":211,"Automotive & Transportation":212},{"Clean \u002F Minimalist":214,"Typographic \u002F Big Type":215,"High-End \u002F Luxury":216,"Dark Mode":217,"Vibrant \u002F Colorful":218,"Monochrome \u002F Grayscale":219,"Fun \u002F Playful":220,"Brutalist \u002F Neo-Brutalist":221,"Corporate \u002F Professional":222,"Illustrative \u002F Hand-drawn":223,"Futuristic \u002F Sci-Fi":224,"3D \u002F Spatial":225,"Retro \u002F Vintage \u002F Y2K":226,"Glassmorphism":227,"Bento Grid":227},{"jQuery":229,"PHP":230,"WordPress":231,"Node.js":232,"React":233,"Vercel":234,"Vue.js":235,"Shopify":236,"Next.js":237,"Klaviyo":238,"Nuxt.js":239,"Typekit":240,"Amazon Web Services":241,"reCAPTCHA":242,"YouTube":243,"MailChimp":244,"Modernizr":245,"Bootstrap":246,"Slick":148,"Google Font API":247,"Craft CMS":248,"Framer Sites":249,"Contact Form 7":250,"Stimulus":251,"Google Maps":252},{"Inter":254,"Times New Roman":255,"Roboto":256,"Open Sans":257,"Neue Haas Grotesk":257,"Suisse Intl":258,"Arial":224,"Poppins":248,"Helvetica Neue":250,"Montserrat":259,"Diatype":225,"Neue Montreal":204,"Lato":205,"Graphik":260,"Source Sans":261,"Monument Grotesk":262,"Noto Sans":263,"Helvetica":264,"Söhne":265,"DM Sans":265,"Founders Grotesk":265,"GT America":266,"Google Sans":266,"Editorial":226,"IBM Plex Mono":209},{"Home \u002F Landing Page":358,"About Us \u002F Team":359,"Projects \u002F Portfolio":360,"Contact Us":361,"Blog \u002F Article Layout":362,"Services \u002F Features":363,"Shop \u002F Catalog":364,"Careers \u002F Jobs":365,"Pricing Page":203,"Sign Up \u002F Login":366,"404 Error Page":367},2401,774,527,418,378,341,299,89,27,9,{"industry":369,"styles":370,"page_type_name":371,"technologies":382,"font_families":383},{"Agency & Studio":271,"Art & Culture":22,"SaaS & Software":272,"Fashion & Apparel":273,"Architecture & Real Estate":274,"Entertainment & Media":275,"Food & Beverage":276,"Photography & Video":277,"Finance & Fintech":278,"Healthcare & Wellness":279,"Technology & Hardware":280,"Industrial & Manufacturing":281,"Beauty & Cosmetics":282,"Travel & Hospitality":283,"Non-Profit & Charity":284,"Education & Courses":285,"Crypto & Web3":286,"Sports & Fitness":287,"Automotive & Transportation":288},{"Clean \u002F Minimalist":27,"Typographic \u002F Big Type":35,"High-End \u002F Luxury":290,"Dark Mode":291,"Vibrant \u002F Colorful":292,"Monochrome \u002F Grayscale":31,"Fun \u002F Playful":293,"Brutalist \u002F Neo-Brutalist":294,"Corporate \u002F Professional":295,"Illustrative \u002F Hand-drawn":296,"Futuristic \u002F Sci-Fi":297,"3D \u002F Spatial":298,"Retro \u002F Vintage \u002F Y2K":299,"Glassmorphism":300,"Bento Grid":301},{"Home \u002F Landing Page":53,"About Us \u002F Team":372,"Projects \u002F Portfolio":373,"Contact Us":374,"Blog \u002F Article Layout":375,"Services \u002F Features":376,"Shop \u002F Catalog":377,"Careers \u002F Jobs":378,"Pricing Page":379,"Sign Up \u002F Login":380,"404 Error Page":381},"About Us","Portfolio","Contact","Blog \u002F Article","Services","Shop \u002F Catalog","Careers","Pricing","Sign Up \u002F Login","404 Error",{"jQuery":116,"PHP":134,"WordPress":138,"Node.js":304,"React":305,"Vercel":306,"Vue.js":307,"Shopify":308,"Next.js":309,"Klaviyo":310,"Nuxt.js":311,"Typekit":312,"Amazon Web Services":313,"reCAPTCHA":314,"YouTube":315,"MailChimp":316,"Modernizr":317,"Bootstrap":318,"Slick":319,"Google Font API":320,"Craft CMS":321,"Framer Sites":322,"Contact Form 7":323,"Stimulus":324,"Google Maps":325},{"Inter":327,"Times New Roman":328,"Roboto":329,"Open Sans":330,"Neue Haas Grotesk":331,"Suisse Intl":332,"Arial":333,"Poppins":334,"Helvetica Neue":335,"Montserrat":336,"Diatype":337,"Neue Montreal":338,"Lato":60,"Graphik":339,"Source Sans":340,"Monument Grotesk":341,"Noto Sans":342,"Helvetica":343,"Söhne":344,"DM Sans":345,"Founders Grotesk":346,"GT America":347,"Google Sans":348,"Editorial":349,"IBM Plex Mono":350},{"hits":385},[386,444,551,682],{"id":387,"website_id":388,"page_id":387,"name":389,"slug":390,"url":391,"website_name":389,"website_slug":390,"website_url":392,"result_url":391,"fetched_at":393,"score":394,"score_boost":395,"ai_score":396,"freshness_score":397,"scored_at":398,"page_name":45,"page_url":391,"page_title":389,"page_description":47,"page_content":399,"page_sort":395,"is_home":400,"is_home_rank":401,"page_type_id":402,"page_type_name":52,"cover":403,"cover_mobile":406,"cover_sequence":408,"translations":418,"industry":21,"styles":422,"credits":423,"font_families":425,"technologies":426,"pagespeed":428,"pagespeed_mobile":435,"buckets":440,"search_payload":443},"cf9f198b-d6ac-4ca6-a7eb-d14d9f6c4fc2","f9fbdbd5-d5d4-450b-8457-f6edaab30558","Face Forward","face-forward","https:\u002F\u002Ffaceforward.typography.ie\u002F","https:\u002F\u002Ffaceforward.typography.ie","2026-05-04T09:21:59.000Z",84,0,86,74,"2026-05-23T19:09:49.000Z","_Face Forward_ is an international peer-reviewed conference focused on typography that seeks to examine design and typographic practice, and to make explicit existing connections between craft, research, theory, history, criticism and pedagogy. This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …",true,1,"1",{"id":404,"height":13,"width":12,"blurhash":405},"ee6ba0b9-978f-4682-94f5-f10503f98584","radial-gradient(at 0 0,#babaff,#00000000 50%),radial-gradient(at 33% 0,#7878ff,#00000000 50%),radial-gradient(at 67% 0,#b2b2ff,#00000000 50%),radial-gradient(at 100% 0,#dfdfff,#00000000 50%),radial-gradient(at 0 50%,#bfbfe8,#00000000 50%),radial-gradient(at 33% 50%,#a2a2e1,#00000000 50%),radial-gradient(at 67% 50%,#c6c6ed,#00000000 50%),radial-gradient(at 100% 50%,#dedef7,#00000000 50%),radial-gradient(at 0 100%,#b4b4e6,#00000000 50%),radial-gradient(at 33% 100%,#9c9cf7,#00000000 50%),radial-gradient(at 67% 100%,#b3b3f5,#00000000 50%),radial-gradient(at 100% 100%,#cbcbed,#00000000 50%)",{"id":407,"height":15,"width":14,"blurhash":47},"d4e07c88-6674-4460-9621-b66d952ea4f3",[409,412,415],{"directus_files_id":410},{"id":411},"b5f1f613-ecd9-4c14-8e2d-8bfcb012ccc8",{"directus_files_id":413},{"id":414},"2a247199-2226-423a-9962-6fd931df0026",{"directus_files_id":416},{"id":417},"09fdf48e-0b65-4ae6-bda7-9f4e6eb98664",[419],{"languages_code":420,"description":421},"en","Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. The website serves as a scholarly hub, facilitating critical discourse between craft, research, theory, and pedagogy. It is designed to attract academics, designers, and typographic practitioners seeking to explore the intersection of visual communication and epistemological inquiry.\n\nThe visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the site's subject matter. Through a striking combination of electric blue and stark monochrome, the design employs massive, experimental letterforms and a rigorous grid system. The layout is unapologetically structural, using scale and negative space to create a sense of intellectual authority and avant-garde elegance.",[26,30,34],[424],"Bong",[328],[116,134,427],"Three.js",[429,431,432,434],{"score":430,"category":144},99,{"score":202,"category":147},{"score":433,"category":150},96,{"score":257,"category":153},[436,437,438,439],{"score":243,"category":144},{"score":224,"category":147},{"score":433,"category":150},{"score":257,"category":153},[162,441,166,442],"blue","gray","Website: Face Forward. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Face Forward. Page content: _Face Forward_ is an international peer-reviewed conference focused on typography that seeks to examine design and typographic practice, and to make explicit existing connections between craft, research, theory, history, criticism and pedagogy. This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Blue, Black, Gray. The typography features Times New Roman (Serif). Built using jQuery, PHP, Three.js. AI description: Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. The website serves as a scholarly hub, facilitating critical discourse between craft, research, theory, and pedagogy. It is designed to attract academics, designers, and typographic practitioners seeking to explore the intersection of visual communication and epistemological inquiry. The visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the site's subject matter. Through a striking combination of electric blue and stark monochrome, the design employs massive, experimental letterforms and a rigorous grid system. The layout is unapologetically structural, using scale and negative space to create a sense of intellectual authority and avant-garde elegance.",{"id":445,"website_id":446,"page_id":445,"name":447,"slug":448,"url":449,"website_name":447,"website_slug":448,"website_url":450,"result_url":449,"fetched_at":451,"score":452,"score_boost":395,"ai_score":249,"freshness_score":453,"scored_at":454,"page_name":45,"page_url":449,"page_title":455,"page_description":456,"page_content":457,"page_sort":395,"is_home":400,"is_home_rank":401,"page_type_id":402,"page_type_name":52,"cover":458,"cover_mobile":461,"cover_sequence":463,"translations":527,"industry":21,"styles":530,"credits":531,"font_families":534,"technologies":536,"pagespeed":537,"pagespeed_mobile":543,"buckets":548,"search_payload":550},"1137d311-1afa-430b-8653-cd6495b75e28","e1e1d51f-3ce8-4080-9f01-e4fdb7a05a32","Walter Tiemann Preis","walter-tiemann-preis","https:\u002F\u002Fwaltertiemannpreis.openbooksociety.de\u002F","https:\u002F\u002Fwaltertiemannpreis.openbooksociety.de","2026-05-04T22:01:13.000Z",70,75,"2026-05-23T19:24:38.000Z","Walter Tiemann Preis 2024","WTP test site.","Walter Tiemann Preis 2024 Preisträger\\innen 2024 Der Hauptpreis mit einem Preisgeld von 3.000 Euro geht in diesem Jahr an Elias Erkan für die Gestaltung des Buchs Ismael Ivo: I Believe in the Body. Auf Entscheidung der Jury werden in diesem Jahr zehn weitere Publikationen mit einem Ehren­preis mit einem Preis­geld von 500 Euro aus­gezeichnet: Joachim Bartsch, Timo Grimberg, Cecilia Murgia (arc) für Blank. Raw. Illegible … Artists’ Books as Statements (1960–2022), Sabo Day für A Shrine to Aphrodite, Haller Brun für Capturing Nature, Line-Gry Hørup für BLOOD: The Poems and Archive of R. Broby Johansen, Sophia Krayc für Katalog der Zukünfte, Astrid Seme für Axel Koschier, Tatjana Stürmer und Rudy Guedj für 333, Edwin van Gelder (mainstudio) für The Walter Benjamin and Albert S. Project, Boy Vereecken und Antoine Begon für Back Matter, und Rana Wassef und Thomas Suadicani für The Unreliable Scientific Method to Memory and Material Culture. Jurierung ist abgeschlossen Die Entscheidung über die dies­jährigen Preis­träger\\innen ist gefallen. Die Jury für den Walter-Tiemann-Preis 2024 Regine Ehleiter, Jo Frenken, Luke Hall, Elisabeth Klement und Sascia Reibel traf sich am 16\\. Februar zur zweiten Auswahl­runde. Die Preisverleihung findet am Freitag, 22. März, am Vor­abend der It's a book ... in der Hoch­schule für Grafik und Buch­kunst Leipzig statt. Die Aus­stellung der prämierten Publikationen des Walter-Tiemann-Preises wird nach der Preis­verleihung und am Folge­tag zur It’s a book ... von 10 bis 20 Uhr geöffnet sein. Einreichung beendet am 26. November 2023 Die erste Jury-Runde zur Bewertung der eingereichten digitalen Beiträge findet in den kommenden Wochen statt. Anfang Januar werden wir die Kandidat:innen informieren, die es in die zweite Runde geschafft haben. Für die zweite Runde bitten wir um Einsendung der Publikationen per Post bis zum 1. Februar 2024. Ausschreibung WTP 2024 Der Walter-Tiemann-Preis wird alle zwei Jahre international ausgeschrieben. In diesem Jahr wird er in seiner sech­zehnten Runde zum ersten Mal von der open book society ausgelobt. Der Preis honoriert aktuelle Publikationen und Bücher, die durch eine heraus­ragende Gestaltung den Zusammen­hang von Inhalt, Form und Material herstellen sowie den editorischen Kontext und Produktions­prozess erweitern und sich zu zeitgenössischen Formen des Publizierens bewusst positionieren. Neben einem inhaltlich und konzeptionell reflektierten Umgang mit Text und Bild liegt der Fokus des Preises auf der typografischen Gestaltung. Berücksichtigt werden sowohl Verlags­erzeugnisse als auch im Selbst­verlag und in Klein­auflagen erschienene Publikationen. Aus­geschlossen sind digitale Publikationen, Unikate und hand­geschriebene Werke sowie Konzepte für Publikationen, die sich noch im Entwurfs­stadium befinden. Preise und Jury Vergeben werden ein mit 5.000 Euro dotierter Hauptpreis und zwei mit je 1.500 Euro dotierte Preise. Nach Ermessen der Jury kann der Hauptpreis aufgeteilt werden. Die Preisvergabe erfolgt durch eine unabhängige, international besetzte Jury. Die Entscheidung der Jury ist nicht anfechtbar. Mitglieder der Jury - Regine Ehleiter, Deutschland - Jo Frenken, Niederlande - Luke Hall, Großbritannien - Elisabeth Klement, Niederlande - Sascia Reibel, Deutschland Einsenderegeln Der Wettbewerb steht allen Interessent\\innen offen. Aktuelle Jurymitglieder sind von der Teilnahme ausgeschlossen. Alle Bewerber\\innen können bis zu drei Titel einreichen, die zwischen dem 1.1.2020–15.11.2023 erschienen sind. Reihen gelten als ein Titel. Die Einreichungsfrist ist der 26.11.2023. Digitale Einreichung Notwendige Dateien pro Einreichung: 1\\. Video- Video nach freier Gestaltung - Das Video muss mindestens alle Seiten des Objekts von außen sowie einige Seiten geblättert. - Dateigröße max 30 MB - Videodauer max 20–40 sek - Dateiname title\\_WTP24.xxx 2\\. PDF- 5–10 Seiten, Doppelseiten und Details der Publikation - Dateigröße max 30 MB - Dateiname title\\_WTP24.pdf 3\\. Inhaltsbeschreibung- Inhaltliche Kurzbeschreibung der Publikation in Englisch mit ca. 500 Zeichen (Deutsch ist zusätzlich möglich) - Dateiformat PDF - Dateigröße max 5 MB - Dateiname title\\_info\\_WTP24.pdf - Anonymes Design, keine Namensnennung Teilnahmegebühr Die Teilnahmegebühr je Publikation beträgt 50 Euro. Für Studierende und Mitglieder der open book society gilt eine reduzierte Gebühr von 25 Euro (aktuelle Studien­bescheinigung bitte hochladen). Die Zahlung erfolgt beim Upload Prozess. Mit der Einreichung kann man Mitglied der open book society e.V werden, indem man den Mitgliedsbeitrag von 48 Euro zusammen mit der ermäßigten Einreichungs­gebühr von 25 Euro bezahlt. Wir freuen uns neue Mitglieder in der open book society e.V. begrüßen zu können. Analoge Einreichung Die analoge Einreichung erfolgt nach der ersten digitalen Auswahl der Jury. Wir werden Anfang Januar dazu auffordern, das eingereichte Werk bis einschließlich 1.2.2024 einzuschicken. Eine Haftung bei Transportschäden auf den Versandwegen wird grundsätzlich nicht übernommen. Die eingesendeten Publikationen gehen in den Besitz der open book society e.V. über und können leider nicht zurückgeschickt werden. Preisverleihung Die Preisverleihung und Eröffnung der Ausstellung der prämierten Publikationen des sechzehnten Walter-Tiemann-Preises finden am Freitag, dem 22.3.24 dem Vorabend der It’s a book … in der Hochschule für Grafik und Buchkunst, Leipzig statt. Dank Dank an buch.one (Pliezhausen) und Dinamo Typefaces (Berlin) jeweils für die Stiftung des Preisgeldes eines zweiten Preises in Höhe von 1.500 Euro. Wir danken unseren Förder\\*innen: Druckhaus Sportflieger (Berlin), Fedrigoni Deutschland GmbH (Oberhaching), Gutenberg Beuys Feindruckerei (Langenhagen), Peyer Graphic (Leonberg), Hochschule für Grafik und Buchkunst Leipzig, Kulturamt der Stadt Leipzig, Ingo Offermanns (Hamburg), Schmedt GmbH & Co. KG – The World of Bookbinding (Hamburg), David Schnell (Leipzig), Axel Schöpa (Leipzig), Andrea Tinnes (Berlin), Matthias Weischer (Leipzig). Kontakt Bei Fragen kontaktieren Sie uns bitte unter wtp(at)openbooksociety.de Imprint: open book society e.V., Hochschule für Grafik und Buchkunst Leipzig, Wächterstrasse 11, D-04107 Leipzig, mail(at)openbooksociety.de Webseite: Emil Kowalczyk (Development), Emil Kowalczyk, Merle Petsch (Design) Verein (Vorstand): Katharina Köhler (Vorsitzende), Dr. Sabine Schmid (stellv. Vorsitzende), Albrecht Gäbel (Schatzmeister) Registergericht: Amtsgerichtes Leipzig, Vereinsregister­nummer: VR 2994 Imressum: open book society e.V., Academy of Fine Arts Leipzig, Wächterstrasse 11, D-04107 Leipzig, mail(at)openbooksociety.de Webseite: Emil Kowalczyk (Development), Emil Kowalczyk, Merle Petsch (Design) Association (Board of Directors): Katharina Köhler (Chair), Dr. Sabine Schmid (Deputy Chair), Albrecht Gäbel (Treasurer) Registration court: Amtsgerichtes Leipzig, Association register number: VR 2994 Walter Tiemann Prize 2024 Awardees 2024 This year, the Main Prize with prize money of 3,000 euros goes to Elias Erkan for the design of the book Ismael Ivo: I Believe in the Body, which was published by Spector Books in 2022. At the decision of the jury, ten publications will be awarded an Honorary Prize with a prize money of 500 euros: Joachim Bartsch, Timo Grimberg, Cecilia Murgia (arc) for the design of Blank. Raw. Illegible … Artists’ Books as Statements (1960–2022), Sabo Day for the design of A Shrine to Aphrodite, Haller Brun for the design of Capturing Nature, Line-Gry Hørup for the design of BLOOD: The Poems and Archive of R. Broby Johansen, Sophia Krayc for the design of Katalog der Zukünfte, Astrid Seme for the design of Axel Koschier, Tatjana Stürmer and Rudy Guedj for the design of 333, Edwin van Gelder (mainstudio) for the design of The Walter Benjamin and Albert S. Project, Boy Vereecken and Antoine Begon for the design of Back Matter, and Rana Wassef and Thomas Suadicani for the design of The Unreliable Scientific Method to Memory and Material Culture. Judging is completed The decision for this year's winners are made. The jury for the Walter Tiemann Prize 2024 Regine Ehleiter, Jo Frenken, Luke Hall, ElisabethKlement and Sascia Reibel met on February 16 for the second selection round. The award ceremony will take place on Friday, March 22, the evening before It's a book ... at the Academy of Fine Arts Leipzig. The exhibition of the award-winning publications of the Walter Tiemann Prize will open after the award ceremony, and the following day during It’s a book ... from 10 am to 8 pm. Submission closed 26. November 2023 The first round of judging of the digital entries will take place in the coming weeks. At the beginning of January, we will inform the candidates who have made it through to the second round. For the second round, please send in your publications by post by 1 February 2024. Call for entries WTP 2024 The Walter Tiemann Prize is announced internationally every two years. This year, in its sixteenth edition the award is being offered for the first time by the open book society. The prize acknowledges current publications and books that stand out for their exceptional design, establishing a strong interplay between content, form, and material. These works also expand the editorial context as well as production processes while consciously positioning themselves within contemporary publishing formats. The prize places particular emphasis on typographic design, in addition to a thoughtful and conceptual treatment of text and images. Both commercially published works and publications produced in self-publishing and small print runs will be considered. Excluded from consideration are digital publications, unique and handwritten works, as well as concepts for publications still in the developmental stage. Prizes and jury The Main Prize of 5,000 euros and two Second Prizes of 1,500 euros will be awarded. At the discretion of the jury, the Main Prize can be split. The prizes will be awarded by an independent, international jury of experts. The jury’s decision is not subject to appeal. Jury members - Regine Ehleiter, Germany - Jo Frenken, Netherlands - Luke Hall, Great Britain - Elisabeth Klement, Netherlands - Sascia Reibel, Germany Rules of entry The competition is open to all interested parties. Current jury members are excluded from participation. Each applicant can submit up to three titles that were published between January 1, 2020, and November 15, 2023. Series are considered as a single title. The submission deadline is November 26, 2023. Digital submission Required files per entry are: 1\\. Video- Video designed as you like - The video must show at least all sides of the object from the outside, as well as some pages being flipped - File size max 30 MB - Video duration max 20–40 sec - File name \u002F Dateiname title\\_WTP24.xxx 2\\. PDF- 5–10 PDF pages, double spreads and details of the publication - File size max 30 MB - File name title\\_WTP24.pdf 3\\. Content description- Brief description of the public …",{"id":459,"height":13,"width":12,"blurhash":460},"322ee6a1-3107-4aa6-82dc-0a90d47b979d","radial-gradient(at 0 0,#ebebeb,#00000000 50%),radial-gradient(at 33% 0,#e9e9e9,#00000000 50%),radial-gradient(at 67% 0,#ebebeb,#00000000 50%),radial-gradient(at 100% 0,#ececec,#00000000 50%),radial-gradient(at 0 50%,#e5e5e5,#00000000 50%),radial-gradient(at 33% 50%,#d5d5d5,#00000000 50%),radial-gradient(at 67% 50%,#e2e2e2,#00000000 50%),radial-gradient(at 100% 50%,#f0f0f0,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#ffffff,#00000000 50%),radial-gradient(at 67% 100%,#ffffff,#00000000 50%),radial-gradient(at 100% 100%,#ffffff,#00000000 50%)",{"id":462,"height":15,"width":14,"blurhash":47},"11dbe0e9-3786-425b-aa17-b43361f52158",[464,467,470,473,476,479,482,485,488,491,494,497,500,503,506,509,512,515,518,521,524],{"directus_files_id":465},{"id":466},"1c19c0f4-db3c-44d1-b233-dc62e739cb04",{"directus_files_id":468},{"id":469},"74684327-f149-4a94-bfdf-cb99c1c1f2c8",{"directus_files_id":471},{"id":472},"db399e63-6b15-4224-9089-003fa5cc3435",{"directus_files_id":474},{"id":475},"f2756afe-edef-4ddd-99f2-8d8dae65b66c",{"directus_files_id":477},{"id":478},"95d125ae-998f-48b6-b418-e66e48c8a645",{"directus_files_id":480},{"id":481},"77bf59e7-6784-4720-9eb8-990c4b602a58",{"directus_files_id":483},{"id":484},"378ba4d9-47f7-4681-9c1f-3e6281687c28",{"directus_files_id":486},{"id":487},"fde03586-ed97-403d-9151-46ad1cc54887",{"directus_files_id":489},{"id":490},"7b024553-96d4-4134-a0ee-ff2676939a81",{"directus_files_id":492},{"id":493},"5979a4a6-e8d5-4ce7-b1af-524cc0f1d434",{"directus_files_id":495},{"id":496},"c947eca2-8927-4b8a-9478-247738fd4a7e",{"directus_files_id":498},{"id":499},"ba150dae-ef09-421d-b1e8-34bf64551bbd",{"directus_files_id":501},{"id":502},"c1cfc8d4-01da-444f-938e-40817e6824b9",{"directus_files_id":504},{"id":505},"b9b6adf8-5054-4085-b85e-1ddf859c5555",{"directus_files_id":507},{"id":508},"9ea6fb52-ce07-4f3a-8678-b40879b27f3f",{"directus_files_id":510},{"id":511},"8353b64c-1e92-4e01-8f4f-8fcc891ca9a4",{"directus_files_id":513},{"id":514},"cbc5db79-4097-4d82-ba57-2921e83724d9",{"directus_files_id":516},{"id":517},"e39335da-e969-4c51-a0c8-01e9b1f22c65",{"directus_files_id":519},{"id":520},"6d7c6163-f526-4258-acc2-8d8edecee7fe",{"directus_files_id":522},{"id":523},"05a6cfa4-67f3-48e5-a1af-5120b11ac7ee",{"directus_files_id":525},{"id":526},"f8d7f6f6-f9ee-46ab-aadd-a88d840e0781",[528],{"languages_code":420,"description":529},"The Walter Tiemann Preis website serves as a sophisticated digital platform for an award honoring excellence in book design and publishing. Through a bold, experimental layout, the site announces the annual laureates, providing a curated space to celebrate typographic achievement and visual storytelling within the literary arts.\n\nThe visual identity is defined by a high-impact, typographic-driven aesthetic that leans heavily into Swiss-inspired minimalism and modern brutalism. Massive, oversized sans-serif headings dominate the viewport, creating a sense of scale and importance, while a stark monochrome palette is punctuated by delicate, cyan-colored geometric linework. This design language appeals to a discerning audience of designers, publishers, and art enthusiasts who value avant-garde composition and structural clarity.",[26,30,34],[532,533],"Emil Kowalczyk","Merle Petsch",[535],"Bradford",[116],[538,539,540,542],{"score":430,"category":144},{"score":453,"category":147},{"score":541,"category":150},100,{"score":541,"category":153},[544,545,546,547],{"score":430,"category":144},{"score":453,"category":147},{"score":541,"category":150},{"score":541,"category":153},[162,166,442,549],"teal","Website: Walter Tiemann Preis. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Walter Tiemann Preis 2024. Page description: WTP test site.. Page content: Walter Tiemann Preis 2024 Preisträger\\innen 2024 Der Hauptpreis mit einem Preisgeld von 3.000 Euro geht in diesem Jahr an Elias Erkan für die Gestaltung des Buchs Ismael Ivo: I Believe in the Body. Auf Entscheidung der Jury werden in diesem Jahr zehn weitere Publikationen mit einem Ehren­preis mit einem Preis­geld von 500 Euro aus­gezeichnet: Joachim Bartsch, Timo Grimberg, Cecilia Murgia (arc) für Blank. Raw. Illegible … Artists’ Books as Statements (1960–2022), Sabo Day für A Shrine to Aphrodite, Haller Brun für Capturing Nature, Line-Gry Hørup für BLOOD: The Poems and Archive of R. Broby Johansen, Sophia Krayc für Katalog der Zukünfte, Astrid Seme für Axel Koschier, Tatjana Stürmer und Rudy Guedj für 333, Edwin van Gelder (mainstudio) für The Walter Benjamin and Albert S. Project, Boy Vereecken und Antoine Begon für Back Matter, und Rana Wassef und Thomas Suadicani für The Unreliable Scientific Method to Memory and Material Culture. Jurierung ist abgeschlossen Die Entscheidung über die dies­jährigen Preis­träger\\innen ist gefallen. Die Jury für den Walter-Tiemann-Preis 2024 Regine Ehleiter, Jo Frenken, Luke Hall, Elisabeth Klement und Sascia Reibel traf sich am 16\\. Februar zur zweiten Auswahl­runde. Die Preisverleihung findet am Freitag, 22. März, am Vor­abend der It's a book ... in der Hoch­schule für Grafik und Buch­kunst Leipzig statt. Die Aus­stellung der prämierten Publikationen des Walter-Tiemann-Preises wird nach der Preis­verleihung und am Folge­tag zur It’s a book ... von 10 bis 20 Uhr geöffnet sein. Einreichung beendet am 26. November 2023 Die erste Jury-Runde zur Bewertung der eingereichten digitalen Beiträge findet in den kommenden Wochen statt. Anfang Januar werden wir die Kandidat:innen informieren, die es in die zweite Runde geschafft haben. Für die zweite Runde bitten wir um Einsendung der Publikationen per Post bis zum 1. Februar 2024. Ausschreibung WTP 2024 Der Walter-Tiemann-Preis wird alle zwei Jahre international ausgeschrieben. In diesem Jahr wird er in seiner sech­zehnten Runde zum ersten Mal von der open book society ausgelobt. Der Preis honoriert aktuelle Publikationen und Bücher, die durch eine heraus­ragende Gestaltung den Zusammen­hang von Inhalt, Form und Material herstellen sowie den editorischen Kontext und Produktions­prozess erweitern und sich zu zeitgenössischen Formen des Publizierens bewusst positionieren. Neben einem inhaltlich und konzeptionell reflektierten Umgang mit Text und Bild liegt der Fokus des Preises auf der typografischen Gestaltung. Berücksichtigt werden sowohl Verlags­erzeugnisse als auch im Selbst­verlag und in Klein­auflagen erschienene Publikationen. Aus­geschlossen sind digitale Publikationen, Unikate und hand­geschriebene Werke sowie Konzepte für Publikationen, die sich noch im Entwurfs­stadium befinden. Preise und Jury Vergeben werden ein mit 5.000 Euro dotierter Hauptpreis und zwei mit je 1.500 Euro dotierte Preise. Nach Ermessen der Jury kann der Hauptpreis aufgeteilt werden. Die Preisvergabe erfolgt durch eine unabhängige, international besetzte Jury. Die Entscheidung der Jury ist nicht anfechtbar. Mitglieder der Jury - Regine Ehleiter, Deutschland - Jo Frenken, Niederlande - Luke Hall, Großbritannien - Elisabeth Klement, Niederlande - Sascia Reibel, Deutschland Einsenderegeln Der Wettbewerb steht allen Interessent\\innen offen. Aktuelle Jurymitglieder sind von der Teilnahme ausgeschlossen. Alle Bewerber\\innen können bis zu drei Titel einreichen, die zwischen dem 1.1.2020–15.11.2023 erschienen sind. Reihen gelten als ein Titel. Die Einreichungsfrist ist der 26.11.2023. Digitale Einreichung Notwendige Dateien pro Einreichung: 1\\. Video- Video nach freier Gestaltung - Das Video muss mindestens alle Seiten des Objekts von außen sowie einige Seiten geblättert. - Dateigröße max 30 MB - Videodauer max 20–40 sek - Dateiname title\\_WTP24.xxx 2\\. PDF- 5–10 Seiten, Doppelseiten und Details der Publikation - Dateigröße max 30 MB - Dateiname title\\_WTP24.pdf 3\\. Inhaltsbeschreibung- Inhaltliche Kurzbeschreibung der Publikation in Englisch mit ca. 500 Zeichen (Deutsch ist zusätzlich möglich) - Dateiformat PDF - Dateigröße max 5 MB - Dateiname title\\_info\\_WTP24.pdf - Anonymes Design, keine Namensnennung Teilnahmegebühr Die Teilnahmegebühr je Publikation beträgt 50 Euro. Für Studierende und Mitglieder der open book society gilt eine reduzierte Gebühr von 25 Euro (aktuelle Studien­bescheinigung bitte hochladen). Die Zahlung erfolgt beim Upload Prozess. Mit der Einreichung kann man Mitglied der open book society e.V werden, indem man den Mitgliedsbeitrag von 48 Euro zusammen mit der ermäßigten Einreichungs­gebühr von 25 Euro bezahlt. Wir freuen uns neue Mitglieder in der open book society e.V. begrüßen zu können. Analoge Einreichung Die analoge Einreichung erfolgt nach der ersten digitalen Auswahl der Jury. Wir werden Anfang Januar dazu auffordern, das eingereichte Werk bis einschließlich 1.2.2024 einzuschicken. Eine Haftung bei Transportschäden auf den Versandwegen wird grundsätzlich nicht übernommen. Die eingesendeten Publikationen gehen in den Besitz der open book society e.V. über und können leider nicht zurückgeschickt werden. Preisverleihung Die Preisverleihung und Eröffnung der Ausstellung der prämierten Publikationen des sechzehnten Walter-Tiemann-Preises finden am Freitag, dem 22.3.24 dem Vorabend der It’s a book … in der Hochschule für Grafik und Buchkunst, Leipzig statt. Dank Dank an buch.one (Pliezhausen) und Dinamo Typefaces (Berlin) jeweils für die Stiftung des Preisgeldes eines zweiten Preises in Höhe von 1.500 Euro. Wir danken unseren Förder\\*innen: Druckhaus Sportflieger (Berlin), Fedrigoni Deutschland GmbH (Oberhaching), Gutenberg Beuys Feindruckerei (Langenhagen), Peyer Graphic (Leonberg), Hochschule für Grafik und Buchkunst Leipzig, Kulturamt der Stadt Leipzig, Ingo Offermanns (Hamburg), Schmedt GmbH & Co. KG – The World of Bookbinding (Hamburg), David Schnell (Leipzig), Axel Schöpa (Leipzig), Andrea Tinnes (Berlin), Matthias Weischer (Leipzig). Kontakt Bei Fragen kontaktieren Sie uns bitte unter wtp(at)openbooksociety.de Imprint: open book society e.V., Hochschule für Grafik und Buchkunst Leipzig, Wächterstrasse 11, D-04107 Leipzig, mail(at)openbooksociety.de Webseite: Emil Kowalczyk (Development), Emil Kowalczyk, Merle Petsch (Design) Verein (Vorstand): Katharina Köhler (Vorsitzende), Dr. Sabine Schmid (stellv. Vorsitzende), Albrecht Gäbel (Schatzmeister) Registergericht: Amtsgerichtes Leipzig, Vereinsregister­nummer: VR 2994 Imressum: open book society e.V., Academy of Fine Arts Leipzig, Wächterstrasse 11, D-04107 Leipzig, mail(at)openbooksociety.de Webseite: Emil Kowalczyk (Development), Emil Kowalczyk, Merle Petsch (Design) Association (Board of Directors): Katharina Köhler (Chair), Dr. Sabine Schmid (Deputy Chair), Albrecht Gäbel (Treasurer) Registration court: Amtsgerichtes Leipzig, Association register number: VR 2994 Walter Tiemann Prize 2024 Awardees 2024 This year, the Main Prize with prize money of 3,000 euros goes to Elias Erkan for the design of the book Ismael Ivo: I Believe in the Body, which was published by Spector Books in 2022. At the decision of the jury, ten publications will be awarded an Honorary Prize with a prize money of 500 euros: Joachim Bartsch, Timo Grimberg, Cecilia Murgia (arc) for the design of Blank. Raw. Illegible … Artists’ Books as Statements (1960–2022), Sabo Day for the design of A Shrine to Aphrodite, Haller Brun for the design of Capturing Nature, Line-Gry Hørup for the design of BLOOD: The Poems and Archive of R. Broby Johansen, Sophia Krayc for the design of Katalog der Zukünfte, Astrid Seme for the design of Axel Koschier, Tatjana Stürmer and Rudy Guedj for the design of 333, Edwin van Gelder (mainstudio) for the design of The Walter Benjamin and Albert S. Project, Boy Vereecken and Antoine Begon for the design of Back Matter, and Rana Wassef and Thomas Suadicani for the design of The Unreliable Scientific Method to Memory and Material Culture. Judging is completed The decision for this year's winners are made. The jury for the Walter Tiemann Prize 2024 Regine Ehleiter, Jo Frenken, Luke Hall, ElisabethKlement and Sascia Reibel met on February 16 for the second selection round. The award ceremony will take place on Friday, March 22, the evening before It's a book ... at the Academy of Fine Arts Leipzig. The exhibition of the award-winning publications of the Walter Tiemann Prize will open after the award ceremony, and the following day during It’s a book ... from 10 am to 8 pm. Submission closed 26. November 2023 The first round of judging of the digital entries will take place in the coming weeks. At the beginning of January, we will inform the candidates who have made it through to the second round. For the second round, please send in your publications by post by 1 February 2024. Call for entries WTP 2024 The Walter Tiemann Prize is announced internationally every two years. This year, in its sixteenth edition the award is being offered for the first time by the open book society. The prize acknowledges current publications and books that stand out for their exceptional design, establishing a strong interplay between content, form, and material. These works also expand the editorial context as well as production processes while consciously positioning themselves within contemporary publishing formats. The prize places particular emphasis on typographic design, in addition to a thoughtful and conceptual treatment of text and images. Both commercially published works and publications produced in self-publishing and small print runs will be considered. Excluded from consideration are digital publications, unique and handwritten works, as well as concepts for publications still in the developmental stage. Prizes and jury The Main Prize of 5,000 euros and two Second Prizes of 1,500 euros will be awarded. At the discretion of the jury, the Main Prize can be split. The prizes will be awarded by an independent, international jury of experts. The jury’s decision is not subject to appeal. Jury members - Regine Ehleiter, Germany - Jo Frenken, Netherlands - Luke Hall, Great Britain - Elisabeth Klement, Netherlands - Sascia Reibel, Germany Rules of entry The competition is open to all interested parties. Current jury members are excluded from participation. Each applicant can submit up to three titles that were published between January 1, 2020, and November 15, 2023. Series are considered as a single title. The submission deadline is November 26, 2023. Digital submission Required files per entry are: 1\\. Video- Video designed as you like - The video must show at least all sides of the object from the outside, as well as some pages being flipped - File size max 30 MB - Video duration max 20–40 sec - File name \u002F Dateiname title\\_WTP24.xxx 2\\. PDF- 5–10 PDF pages, double spreads and details of the publication - File size max 30 MB - File name title\\_WTP24.pdf 3\\. Content description- Brief description of the public …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray, Teal. The typography features Bradford (Serif, Lineto). Built using jQuery. AI description: The Walter Tiemann Preis website serves as a sophisticated digital platform for an award honoring excellence in book design and publishing. Through a bold, experimental layout, the site announces the annual laureates, providing a curated space to celebrate typographic achievement and visual storytelling within the literary arts. The visual identity is defined by a high-impact, typographic-driven aesthetic that leans heavily into Swiss-inspired minimalism and modern brutalism. Massive, oversized sans-serif headings dominate the viewport, creating a sense of scale and importance, while a stark monochrome palette is punctuated by delicate, cyan-colored geometric linework. This design language appeals to a discerning audience of designers, publishers, and art enthusiasts who value avant-garde composition and structural clarity.",{"id":552,"website_id":553,"page_id":552,"name":554,"slug":555,"url":556,"website_name":554,"website_slug":555,"website_url":557,"result_url":556,"fetched_at":558,"score":247,"score_boost":395,"ai_score":559,"freshness_score":397,"scored_at":560,"page_name":45,"page_url":556,"page_title":554,"page_description":561,"page_content":562,"page_sort":395,"is_home":400,"is_home_rank":401,"page_type_id":402,"page_type_name":52,"cover":563,"cover_mobile":566,"cover_sequence":568,"translations":659,"industry":662,"styles":663,"credits":665,"font_families":666,"technologies":668,"pagespeed":669,"pagespeed_mobile":675,"buckets":680,"search_payload":681},"f6b41537-9f95-4220-b7a7-2f6e5cfa5c33","f5cd2cf0-da0a-4c0f-8c92-a977f7ee5dbc","Design Calendar","design-calendar","https:\u002F\u002Fdesigncalendar.io\u002F","https:\u002F\u002Fdesigncalendar.io","2026-05-04T08:09:42.000Z",81,"2026-05-23T19:26:06.000Z","The best design events, resources, and advice in your inbox","DESIGN CALENDAR ✦ LEARN & GROW BY SHARING WHAT YOU KNOW ✦ THE WORLD’S BEST DESIGN EVENTS, RESOURCES AND ADVICE ✦ CURATED BY DESIGNERS, FOR DESIGNERS ✦ Thank you! Your submission has been received! Oops! Something went wrong while submitting the form. Events Conferences Conference – Typographics 2026 26 Jun \\- 27 Jun • New York City • From $263.28 Friday , 26 Jun • New York City • From $263.28 The main Typographics conference will feature an international line-up of designers, with presentations about type and its use in graphic design, web design, publication design, book design, packaging, branding, corporate identities, advertising, motion graphics, and more. Curated by Anton Wade Events Talks Design Executives Series with former CCO at Landor & Fitch, Tim Greenhalgh 19 May \\- 19 May • Online • Tuesday , 19 May • Online • Tim has spent over 30 years leading a team of over 1,200 curious minds across 20 countries to create award-winning brand experiences for clients including Apple, LEGO and Adidas. During our live interview, Tim will share his mistakes and learnings as well as insights into leading at executive level. Curated by Anton Wade Events Talks Design Executives Series with IDEO Partner, Michelle Lee 5 May \\- 5 May • Online • Tuesday , 5 May • Online • Michelle started her IDEO journey in 2004 as an Intern. Over the last 20 years, she's served on a variety of projects as a researcher, designer, and engineer, spun a business out of IDEO, boomeranged back to nurture IDEO's Play Lab, and recently transitioned into her new role as the Executive Managing Director of IDEO's San Francisco studio where she is tasked with cultivating a thriving culture, creative community, and flourishing business. Curated by Anton Wade Events Social Right Aligned Live | London | Creative Networking 27 May \\- 27 May • London • From £6.13 Wednesday , 27 May • London • From £6.13 If you are a designer networking can be a real turn–off because it has traditionally been associated with the corporate world of business. Early morning meetings surrounded by salesmen looking for commission is something most people prefer to ignore but deep down all of us know that a solid network is a great way to find new opportunities. Curated by Anton Wade Events Conferences DesignThinkers Vancouver 26 May \\- 27 May • Vancouver, Canada • $125–$600 Tuesday , 26 May • Vancouver, Canada • $125–$600 DesignThinkers is Canada’s premier design conference. It brings together visionaries from a range of disciplines to explore the projects, processes and ideas shaping today’s design industry. Curated by Anton Wade Events Talks Expand your design influence 12 May \\- 12 May • online • Free Tuesday , 12 May • online • Free Online talk with a Global Head of Design Student Beans, who will share what actually helps Product and UX designers move up inside a company, which metrics to keep track of, and how to grow influence beyond the design team. Curated by Anton Wade Events Social London Design Festival 12 Sep \\- 20 Sep • London • Saturday , 12 Sep • London • London Design Festival celebrates and promotes our city as the design capital of the world. The 24th edition will take place from 12–20 September 2026. Partner Packages are now available, take part and share your stories with global audiences. Curated by Anton Wade Events Conferences Trojan Horse was a Unicorn 28 Sep \\- • Troia, Portugal • €750+VAT Monday , 28 Sep • Troia, Portugal • €750+VAT Curated by Make Do Events Conferences Hatch Conference 2026 16 Sep \\- • Berlin + Online • From €150+VAT Wednesday , 16 Sep • Berlin + Online • From €150+VAT Curated by Make Do Events Conferences uxcon vienna 2026 16 Sep \\- • Vienna, + Online • From €150+VAT Wednesday , 16 Sep • Vienna, + Online • From €150+VAT Curated by Make Do Events Conferences CXI Brand Conference 12 Jun \\- • Bielefeld, Germany • Sold out Friday , 12 Jun • Bielefeld, Germany • Sold out Curated by Make Do Events Conferences Leadership Ateliers Amsterdam 28 May \\- • Broek in Waterland, Netherlands • €1520+VAT Thursday , 28 May • Broek in Waterland, Netherlands • €1520+VAT Curated by Make Do Events Conferences All Flows 2026 13 May \\- • Milton Keynes, UK • £200 Wednesday , 13 May • Milton Keynes, UK • £200 Curated by Make Do Events Conferences Leadership Ateliers Berlin 21 May \\- • Berlin, Germany • €1300+VAT Thursday , 21 May • Berlin, Germany • €1300+VAT Curated by Make Do Events Conferences DIGITAL DESIGN DAYS MILANO 7 May \\- • Milano, Italy • From €159 Thursday , 7 May • Milano, Italy • From €159 Curated by Make Do Events Conferences 22nd Pictoplasma Conference 7 May \\- • Berlin, Germany • €370 Thursday , 7 May • Berlin, Germany • €370 Curated by Make Do Events Talks First Round 7 May \\- • New York City, USA • $150 Thursday , 7 May • New York City, USA • $150 Curated by Make Do Events Conferences PUSH UX 2026 22 Oct \\- 23 Oct • Munich, Germany • Thursday , 22 Oct • Munich, Germany • Join 700 UX and Product experts to explore the value and impact of great digital experiences, evolving career paths, practical AI, and innovation at a time where yesterday's future visions look old tomorrow. Enjoy practical and inspiring talks from international and local speakers. Learn hands-on in interactive breakout sessions and expert-led workshops. Make professional connections in a friends & family atmosphere to build your network and recharge your motivation. Curated by Anton Wade Events Conferences CreativePro Week 2026 29 Jun \\- 3 Jul • Nashville, TN (and online) • Monday , 29 Jun • Nashville, TN (and online) • CreativePro Week is the world’s best how-to conference to master the tools of design, June 29–July 3, 2026 in Nashville and Online Curated by Anton Wade Resources Tools The Master Slides 12 Feb \\- 26 Mar • • Wednesday , 12 Feb • • Resources for Presentation Design Curated by Belen Picher Resources Tools Grainient 21 Nov \\- 21 Nov • • Thursday , 21 Nov • • Over 1000+ High Quality, grainy textured and smooth gradient backgrounds. Elevate your designs with Grainients. Curated by Belen Picher Resources Portfolios Markim Arbuzov 21 Dec \\- 21 Dec • • Saturday , 21 Dec • • Brand design consultant & award-winning graphic designer Curated by Belen Picher Resources Tools Remover 4 Jan \\- • • Saturday , 4 Jan • • Remove anything unwanted in, including remove background, for free Curated by Belen Picher Resources Tools Design Maestro 26 Oct \\- • • Saturday , 26 Oct • • Design Maestro is a free extension for Keyboard Maestro app. It lets you automate tasks that you repeat hundreds of times each day. Curated by Belen Picher Resources Tools ![](https:\u002F\u002Fcdn.prod.website-files.com\u002F65c346c7bb694f3a9fd418fc\u002F670d1dd5f0 …",{"id":564,"height":13,"width":12,"blurhash":565},"74092b9e-9516-4ed5-bcc4-61d7a63e446a","radial-gradient(at 0 0,#dddcde,#00000000 50%),radial-gradient(at 33% 0,#e2e3e3,#00000000 50%),radial-gradient(at 67% 0,#e9eaea,#00000000 50%),radial-gradient(at 100% 0,#ededee,#00000000 50%),radial-gradient(at 0 50%,#7e8592,#00000000 50%),radial-gradient(at 33% 50%,#a7b0ba,#00000000 50%),radial-gradient(at 67% 50%,#adadae,#00000000 50%),radial-gradient(at 100% 50%,#aaa3a3,#00000000 50%),radial-gradient(at 0 100%,#b6b3b4,#00000000 50%),radial-gradient(at 33% 100%,#dfe5e6,#00000000 50%),radial-gradient(at 67% 100%,#ebecee,#00000000 50%),radial-gradient(at 100% 100%,#e7e3e4,#00000000 50%)",{"id":567,"height":15,"width":14,"blurhash":47},"48052647-2bf0-4e03-92e7-349e86b25504",[569,572,575,578,581,584,587,590,593,596,599,602,605,608,611,614,617,620,623,626,629,632,635,638,641,644,647,650,653,656],{"directus_files_id":570},{"id":571},"f4e39a15-24d9-4603-abce-09b55685a17b",{"directus_files_id":573},{"id":574},"51985c70-da49-43d2-82a6-0d7ed8f1adf5",{"directus_files_id":576},{"id":577},"3956c85f-2eca-4e7e-a1c6-4d36049b6805",{"directus_files_id":579},{"id":580},"c6529862-a1a1-44b1-af93-8677999c412b",{"directus_files_id":582},{"id":583},"8175d6cc-c48b-43ef-9cd1-66e3f3915c4a",{"directus_files_id":585},{"id":586},"476e315e-84db-472c-b203-5ad61cd4fc6f",{"directus_files_id":588},{"id":589},"243445c3-7451-4fc5-bc47-8371fe40d44e",{"directus_files_id":591},{"id":592},"59f7033e-7a37-428a-bc0d-9a7fd55754a4",{"directus_files_id":594},{"id":595},"bc585992-be48-4afb-bfaa-475fe33f9405",{"directus_files_id":597},{"id":598},"73447fd6-77ed-4bfa-af7a-44f3d3d61ca8",{"directus_files_id":600},{"id":601},"9f0ba1c7-6fb2-4a60-897e-c92acd5e58bf",{"directus_files_id":603},{"id":604},"94ae926e-8198-4fca-ad5a-ebe9c54a519e",{"directus_files_id":606},{"id":607},"7db10ff8-9ad5-4701-99c9-292bed8863a4",{"directus_files_id":609},{"id":610},"d77af51a-2f9a-4469-922c-ef839e77d535",{"directus_files_id":612},{"id":613},"829b58b2-974f-463b-ae41-c70db793a248",{"directus_files_id":615},{"id":616},"62fd5772-92df-4d92-95f6-fc307ab443cc",{"directus_files_id":618},{"id":619},"4ab0c886-4764-4613-9489-96999f046ffc",{"directus_files_id":621},{"id":622},"f4805586-e006-4c2e-ab75-11e902076005",{"directus_files_id":624},{"id":625},"f5a5e8ce-a4d7-4a74-ba18-1b2f2837e2a1",{"directus_files_id":627},{"id":628},"0b8aee22-ce8f-4724-8d20-9b2ab87f7ab6",{"directus_files_id":630},{"id":631},"6ab17fc9-adfc-469b-bedd-01ce8ba43efa",{"directus_files_id":633},{"id":634},"9451bee0-510e-4f9e-8350-7b5b15391093",{"directus_files_id":636},{"id":637},"f2e4d1bf-088b-4c9a-aa00-933cf3989790",{"directus_files_id":639},{"id":640},"243e101a-827a-4850-87ae-cb56a18e853f",{"directus_files_id":642},{"id":643},"e12d1039-22c0-4cda-80e6-3e8b8ba24126",{"directus_files_id":645},{"id":646},"9f2bf4dc-92f1-4a18-a4ac-a47c796d77d8",{"directus_files_id":648},{"id":649},"03b624c3-8b30-404c-8e46-d694808287dc",{"directus_files_id":651},{"id":652},"55e6677e-0af9-445a-b6dc-260ac664d835",{"directus_files_id":654},{"id":655},"e93beac3-4d05-4211-966c-311473d198dc",{"directus_files_id":657},{"id":658},"d37b25fb-521e-4ffd-8075-9136543a90e1",[660],{"languages_code":420,"description":661},"Design Calendar serves as a curated intelligence hub for the global design community, functioning as a high-signal newsletter and directory. It bridges the gap between professional development and inspiration by aggregating essential design events, industry-leading resources, and expert advice. The platform is meticulously positioned as a growth engine for designers looking to stay ahead of trends and expand their professional networks through high-value opportunities.\n\nThe visual identity is unapologetically bold and typographic, leaning into a sophisticated neo-brutalist aesthetic. By utilizing massive, high-contrast sans-serif headings and a structured grid system, the design communicates authority and modernism. The use of a clean, monochromatic base punctuated by vibrant, high-saturation accent colors creates a dynamic browsing experience that feels both editorial and cutting-edge, perfectly resonating with a design-literate audience.","Entertainment & Media",[664,26,34],"Brutalist \u002F Neo-Brutalist",[],[667,667,667,667,667],"Apfel Grotezk",[116],[670,672,673,674],{"score":671,"category":144},42,{"score":245,"category":147},{"score":151,"category":150},{"score":541,"category":153},[676,677,678,679],{"score":206,"category":144},{"score":245,"category":147},{"score":151,"category":150},{"score":541,"category":153},[162,166,549,442],"Website: Design Calendar. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Design Calendar. Page description: The best design events, resources, and advice in your inbox. Page content: DESIGN CALENDAR ✦ LEARN & GROW BY SHARING WHAT YOU KNOW ✦ THE WORLD’S BEST DESIGN EVENTS, RESOURCES AND ADVICE ✦ CURATED BY DESIGNERS, FOR DESIGNERS ✦ Thank you! Your submission has been received! Oops! Something went wrong while submitting the form. Events Conferences Conference – Typographics 2026 26 Jun \\- 27 Jun • New York City • From $263.28 Friday , 26 Jun • New York City • From $263.28 The main Typographics conference will feature an international line-up of designers, with presentations about type and its use in graphic design, web design, publication design, book design, packaging, branding, corporate identities, advertising, motion graphics, and more. Curated by Anton Wade Events Talks Design Executives Series with former CCO at Landor & Fitch, Tim Greenhalgh 19 May \\- 19 May • Online • Tuesday , 19 May • Online • Tim has spent over 30 years leading a team of over 1,200 curious minds across 20 countries to create award-winning brand experiences for clients including Apple, LEGO and Adidas. During our live interview, Tim will share his mistakes and learnings as well as insights into leading at executive level. Curated by Anton Wade Events Talks Design Executives Series with IDEO Partner, Michelle Lee 5 May \\- 5 May • Online • Tuesday , 5 May • Online • Michelle started her IDEO journey in 2004 as an Intern. Over the last 20 years, she's served on a variety of projects as a researcher, designer, and engineer, spun a business out of IDEO, boomeranged back to nurture IDEO's Play Lab, and recently transitioned into her new role as the Executive Managing Director of IDEO's San Francisco studio where she is tasked with cultivating a thriving culture, creative community, and flourishing business. Curated by Anton Wade Events Social Right Aligned Live | London | Creative Networking 27 May \\- 27 May • London • From £6.13 Wednesday , 27 May • London • From £6.13 If you are a designer networking can be a real turn–off because it has traditionally been associated with the corporate world of business. Early morning meetings surrounded by salesmen looking for commission is something most people prefer to ignore but deep down all of us know that a solid network is a great way to find new opportunities. Curated by Anton Wade Events Conferences DesignThinkers Vancouver 26 May \\- 27 May • Vancouver, Canada • $125–$600 Tuesday , 26 May • Vancouver, Canada • $125–$600 DesignThinkers is Canada’s premier design conference. It brings together visionaries from a range of disciplines to explore the projects, processes and ideas shaping today’s design industry. Curated by Anton Wade Events Talks Expand your design influence 12 May \\- 12 May • online • Free Tuesday , 12 May • online • Free Online talk with a Global Head of Design Student Beans, who will share what actually helps Product and UX designers move up inside a company, which metrics to keep track of, and how to grow influence beyond the design team. Curated by Anton Wade Events Social London Design Festival 12 Sep \\- 20 Sep • London • Saturday , 12 Sep • London • London Design Festival celebrates and promotes our city as the design capital of the world. The 24th edition will take place from 12–20 September 2026. Partner Packages are now available, take part and share your stories with global audiences. Curated by Anton Wade Events Conferences Trojan Horse was a Unicorn 28 Sep \\- • Troia, Portugal • €750+VAT Monday , 28 Sep • Troia, Portugal • €750+VAT Curated by Make Do Events Conferences Hatch Conference 2026 16 Sep \\- • Berlin + Online • From €150+VAT Wednesday , 16 Sep • Berlin + Online • From €150+VAT Curated by Make Do Events Conferences uxcon vienna 2026 16 Sep \\- • Vienna, + Online • From €150+VAT Wednesday , 16 Sep • Vienna, + Online • From €150+VAT Curated by Make Do Events Conferences CXI Brand Conference 12 Jun \\- • Bielefeld, Germany • Sold out Friday , 12 Jun • Bielefeld, Germany • Sold out Curated by Make Do Events Conferences Leadership Ateliers Amsterdam 28 May \\- • Broek in Waterland, Netherlands • €1520+VAT Thursday , 28 May • Broek in Waterland, Netherlands • €1520+VAT Curated by Make Do Events Conferences All Flows 2026 13 May \\- • Milton Keynes, UK • £200 Wednesday , 13 May • Milton Keynes, UK • £200 Curated by Make Do Events Conferences Leadership Ateliers Berlin 21 May \\- • Berlin, Germany • €1300+VAT Thursday , 21 May • Berlin, Germany • €1300+VAT Curated by Make Do Events Conferences DIGITAL DESIGN DAYS MILANO 7 May \\- • Milano, Italy • From €159 Thursday , 7 May • Milano, Italy • From €159 Curated by Make Do Events Conferences 22nd Pictoplasma Conference 7 May \\- • Berlin, Germany • €370 Thursday , 7 May • Berlin, Germany • €370 Curated by Make Do Events Talks First Round 7 May \\- • New York City, USA • $150 Thursday , 7 May • New York City, USA • $150 Curated by Make Do Events Conferences PUSH UX 2026 22 Oct \\- 23 Oct • Munich, Germany • Thursday , 22 Oct • Munich, Germany • Join 700 UX and Product experts to explore the value and impact of great digital experiences, evolving career paths, practical AI, and innovation at a time where yesterday's future visions look old tomorrow. Enjoy practical and inspiring talks from international and local speakers. Learn hands-on in interactive breakout sessions and expert-led workshops. Make professional connections in a friends & family atmosphere to build your network and recharge your motivation. Curated by Anton Wade Events Conferences CreativePro Week 2026 29 Jun \\- 3 Jul • Nashville, TN (and online) • Monday , 29 Jun • Nashville, TN (and online) • CreativePro Week is the world’s best how-to conference to master the tools of design, June 29–July 3, 2026 in Nashville and Online Curated by Anton Wade Resources Tools The Master Slides 12 Feb \\- 26 Mar • • Wednesday , 12 Feb • • Resources for Presentation Design Curated by Belen Picher Resources Tools Grainient 21 Nov \\- 21 Nov • • Thursday , 21 Nov • • Over 1000+ High Quality, grainy textured and smooth gradient backgrounds. Elevate your designs with Grainients. Curated by Belen Picher Resources Portfolios Markim Arbuzov 21 Dec \\- 21 Dec • • Saturday , 21 Dec • • Brand design consultant & award-winning graphic designer Curated by Belen Picher Resources Tools Remover 4 Jan \\- • • Saturday , 4 Jan • • Remove anything unwanted in, including remove background, for free Curated by Belen Picher Resources Tools Design Maestro 26 Oct \\- • • Saturday , 26 Oct • • Design Maestro is a free extension for Keyboard Maestro app. It lets you automate tasks that you repeat hundreds of times each day. Curated by Belen Picher Resources Tools ![](https:\u002F\u002Fcdn.prod.website-files.com\u002F65c346c7bb694f3a9fd418fc\u002F670d1dd5f0 …. A Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Black, Teal, Gray. The typography features Apfel Grotezk (Sans Serif, Collletttivo), Apfel Grotezk (Sans Serif, Collletttivo), Apfel Grotezk (Sans Serif, Collletttivo), Apfel Grotezk (Sans Serif, Collletttivo), Apfel Grotezk (Sans Serif, Collletttivo). Built using jQuery. AI description: Design Calendar serves as a curated intelligence hub for the global design community, functioning as a high-signal newsletter and directory. It bridges the gap between professional development and inspiration by aggregating essential design events, industry-leading resources, and expert advice. The platform is meticulously positioned as a growth engine for designers looking to stay ahead of trends and expand their professional networks through high-value opportunities. The visual identity is unapologetically bold and typographic, leaning into a sophisticated neo-brutalist aesthetic. By utilizing massive, high-contrast sans-serif headings and a structured grid system, the design communicates authority and modernism. The use of a clean, monochromatic base punctuated by vibrant, high-saturation accent colors creates a dynamic browsing experience that feels both editorial and cutting-edge, perfectly resonating with a design-literate audience.",{"id":683,"website_id":684,"page_id":683,"name":685,"slug":686,"url":687,"website_name":685,"website_slug":686,"website_url":688,"result_url":687,"fetched_at":689,"score":394,"score_boost":395,"ai_score":223,"freshness_score":397,"scored_at":690,"page_name":45,"page_url":687,"page_title":685,"page_description":691,"page_content":692,"page_sort":395,"is_home":400,"is_home_rank":401,"page_type_id":402,"page_type_name":52,"cover":693,"cover_mobile":696,"cover_sequence":698,"translations":789,"industry":792,"styles":793,"credits":795,"font_families":797,"technologies":798,"pagespeed":801,"pagespeed_mobile":806,"buckets":810,"search_payload":814},"acd44d2d-26a2-4566-b6f4-aa7ed2567c52","ee9ec7a2-3271-4931-b323-a18899af4dbb","Future London Academy","future-london-academy","https:\u002F\u002Ffuturelondonacademy.co.uk\u002F","https:\u002F\u002Ffuturelondonacademy.co.uk","2026-05-04T10:02:02.000Z","2026-05-23T19:24:42.000Z","Short courses, corporate training and design safaris for design leaders, entrepreneurs, creatives and managers","START DESIGNING YOUR FUTURE TODAY WE CREATE LEARNING EXPERIENCES IN THE HEART OF LONDON AND AROUND THE WORLD INNOVATE. CONNECT. INFLUENCE. START DESIGNING YOUR FUTURE TODAY WE CREATE LEARNING EXPERIENCES IN THE HEART OF LONDON AND AROUND THE WORLD INNOVATE. CONNECT. INFLUENCE. START DESIGNING YOUR FUTURE TODAY WE CREATE LEARNING EXPERIENCES IN THE HEART OF LONDON AND AROUND THE WORLD INNOVATE. CONNECT. INFLUENCE. START DESIGNING YOUR FUTURE TODAY WE CREATE LEARNING EXPERIENCES IN THE HEART OF LONDON AND AROUND THE WORLD INNOVATE. CONNECT. INFLUENCE. We create practical courses in London taught by famous designers, innovators and creative agencies. Anyone working in the creative industries needs to stay up-­to-­date with the latest trends, the biggest ideas and the smartest technologies. And there’s nowhere better to do that than London –­ one of the most cutting-­edge and vibrant cities in the world. Our unique learning experiences are designed to immerse you in the creative, commercial and cultural life of London. You’ll enjoy exclusive access to some of the top people, agencies and businesses at work here today –­ learning first­-hand how they operate, as well as gaining behind­-the-­scenes insights into their most successful projects. If you want to take your company to the next level or if you’re simply looking to boost your creative career, we look forward to inspiring you. 200 + famous teachers and mentors Michael Wolff Wolff Olins Michael Wolff Wolff Olins Co-founder of one of the world’s most iconic design companies – Wolff Olins – and recognised today as a leading thinker on brands. He designed Beatles’ album covers, BP's iconic logo, Shell's rebrand, and the identity for the London Borough of Camden. He’s also patron of the Inclusive Design Challenge at the RCA Angie Yuanmalai R\u002FGA, ex-Huge Angie Yuanmalai R\u002FGA, ex-Huge Niharika Hariharan McKinsey & Company Niharika Hariharan McKinsey & Company Niharika Hariharan – Associate Partner at McKinsey & Company will identify how to build design-centric organisations discerning the ingredients to build a sustainable creative culture that facilities cross collaboration. Creating change that matters is at the core of McKinsey & Company. Harry Pearce Pentagram Harry Pearce Pentagram Partner at Pentagram – the famous design studio that was founded in 1972 by Alan Fletcher, Theo Crosby, Colin Forbes, Kenneth Grange, Bob Gill, and Mervyn Kurlansky. They have designed packaging and products for many well known companies, such as Tesco, Boots, 3Com, Swatch and others. Explore all Explore our upcoming courses and experiences [ Tailored Learning Programmes Bespoke learning solutions and corporate training for your business challenges. AnytimeOnlineUpon request AnytimeOnline ](\u002Fen\u002Fcourse\u002Fcorporate-training) [ Executive MBA for Design Leaders Finally, a business programme for design leaders. Learn about finance, operations, management and entrepreneurship Next Cohort Starts in July 2026In Person£45,000 Next Cohort Starts in July 2026In Person ](https:\u002F\u002Fbauhaus.futurelondonacademy.co.uk\u002F) [ Mini-MBA for Designers & Creatives A practical business course taught by product leaders at Uber, Deel and more. Master essential business skills to influence products and shift your design career. Self-paced, ONLINEOnline£2,500 Self-paced, ONLINEOnline ](https:\u002F\u002Fbusiness.futurelondonacademy.co.uk\u002F) [ Product Design Strategy Self-paced, Online Create influence with design and measure what matters ](https:\u002F\u002Fproduct.futurelondonacademy.co.uk\u002F)[ Branding Now Self-paced, Online The ultimate branding course for design directors and senior creatives. From brand strategy and identity to building a brand system and leading the team – learn the latest approaches from ex-Wolff Olins ex-DesignStudio Creative Directors. ](https:\u002F\u002Fbranding.futurelondonacademy.co.uk\u002F)[ Creative Leadership Self-paced, Online Learn how to motivate, manage and grow your creative team. ](https:\u002F\u002Flead.futurelondonacademy.co.uk\u002F)[ Creative Ops Self-paced, Online An in-depth Project Management course for agencies and brands. From scoping and budgeting to creating a smooth workflow, so that your team produces award-winning work without burning out. ](https:\u002F\u002Fops.futurelondonacademy.co.uk\u002F) [MORE COURSES ](\u002Fen\u002Fcourses) > The week was incredible. Full of inspiring talks and networking with creative people from around the world. I learnt how design can make a positive impact on business and the future of business. Glazione Rocha Senior Art Director & Design Studio Lead, Zalando SE > Thanks for the programme and all your input, organisation, and management of it. Eleanor Saunders Principal User Experience at Tactel AB > Loads of practical tips and real-world examples of brand writing. Rob O'Reilly Copywriter, Zero-G > Really enjoyed the variety and calibre of the speakers. Needless to say that the organisation was spotless. Would recommend to anyone who is working or interested in innovation. Kristina Brjazgunova Business Designer at YOOX NET-A-PORTER GROUP > The content and the masterclasses were a great experience Antonio Herrera Senior Visual Designer, Studio Herrera > Learning directly from the experts really motivated me. We also learnt a lot from each other by discussing meetings and lectures afterwards. Igor Mustaev Art director at Linii Group > Quality of speakers was top notch, diversity of subject matter was excellent, participants were friendly and interesting. Favorite conference ever. Chelsea Lee Creative Director at Block > I loved it. It really broadened my perspective on the UX Design industry. The best part was meeting such a diverse group of UX people from all over the world. Arne Heinz User Experience Design Lead, Volkswagen > An intense and inspiring week with other multidisciplinary UX designers. The program was well balanced and contained topics that we're engaging for every skill level. I highly recommend! Damion Bailey Senior Manager UX & Design > “Mind-blowing events! Learnt so much from exploring different companies and experiencing 13 different countries all in one room. If you are a creative, strategist, forward-thinker definitely check it out! ” Tarryn van Schalkwyk Digital Designer, MotorHappy > The week was incredible. Full of inspiring talks and networking with creative people from around the world. I learnt how design can make a positive impact on business and the future of business. Glazione Rocha Senior Art Director & Design Studio Lead, Zalando SE > Thanks for the programme and all your input, organisation, and management of it. Eleanor Saunders Principal User Experience at Tactel AB > Loads of practical tips and real-world examples of brand writing. Rob O'Reilly Copywriter, Zero-G > Really enjoyed the variety and calibre of the speakers. Needless to say that the organisation was spotless. Would recommend to anyone who is working or interested in innovation. Kristina Brjazgunova Business Designer at YOOX NET-A-PORTER GROUP > The content and the masterclasses were a great experience Antonio Herrera Senior Visual Designer, Studio Herrera > Learning directly from the experts really motivated me. We also learnt a lot from each other by discussing meetings and lectures afterwards. Igor Mustaev Art director at Linii Group > Quality of speakers was top notch, diversity of subject matter was excellent, participants were friendly and interesting. Favorite conference ever. Chelsea Lee Creative Director at Block > I loved it. It really broadened my perspective on the UX Design industry. The best part was meeting such a diverse group of UX people from all over the world. Arne Heinz User Experience Design Lead, Volkswagen > An intense and inspiring week with other multidisciplinary UX designers. The program was well balanced and contained topics that we're engaging for every skill level. I highly recommend! Damion Bailey Senior Manager UX & Design > “Mind-blowing events! Learnt so much from exploring different companies and experiencing 13 different countries all in one room. If you are a creative, strategist, forward-thinker definitely check it out! ” Tarryn van Schalkwyk Digital Designer, MotorHappy > The week was incredible. Full of inspiring talks and networking with creative people from around the world. I learnt how design can make a positive impact on business and the future of business. Glazione Rocha Senior Art Director & Design Studio Lead, Zalando SE > Thanks for the programme and all your input, organisation, and management of it. Eleanor Saunders Principal User Experience at Tactel AB > Loads of practical tips and real-world examples of brand writing. Rob O'Reilly Copywriter, Zero-G > Really enjoyed the variety and calibre of the speakers. Needless to say that the organisation was spotless. Would recommend to anyone who is working or interested in innovation. Kristina Brjazgunova Business Designer at YOOX NET-A-PORTER GROUP > The content and the masterclasses were a great experience Antonio Herrera Senior Visual Designer, Studio Herrera > Learning directly from the experts really motivated me. We also learnt a lot from each other by discussing meetings and lectures afterwards. Igor Mustaev Art director at Linii Group > Quality of speakers was top notch, diversity of subject matter was excellent, participants were friendly and interesting. Favorite conference ever. Chelsea Lee Creative Director at Block > I loved it. It really broadened my perspective on the UX Design industry. The best part was meeting such a diverse group of UX people from all over the world. Arne Heinz User Experience Design Lead, Volkswagen > An intense and inspiring week with other multidisciplinary UX designers. The program was well balanced and contained topics that we're engaging for every skill level. I highly recommend! Damion Bailey Senior Manager UX & Design > “Mind-blowing events! Learnt so much from exploring different companies and experiencing 13 different countries all in one room. If you are a creative, strategist, forward-thinker definitely check it out! ” Tarryn van Schalkwyk Digital Designer, MotorHappy We have already inspired people from these companies",{"id":694,"height":13,"width":12,"blurhash":695},"2a9cb383-9b72-4cfa-a815-14784f8de0da","radial-gradient(at 0 0,#fde75f,#00000000 50%),radial-gradient(at 33% 0,#ffea6b,#00000000 50%),radial-gradient(at 67% 0,#ffeb6e,#00000000 50%),radial-gradient(at 100% 0,#ffe966,#00000000 50%),radial-gradient(at 0 50%,#ffe767,#00000000 50%),radial-gradient(at 33% 50%,#f7e067,#00000000 50%),radial-gradient(at 67% 50%,#f0db65,#00000000 50%),radial-gradient(at 100% 50%,#f7e06c,#00000000 50%),radial-gradient(at 0 100%,#fee65f,#00000000 50%),radial-gradient(at 33% 100%,#f7e170,#00000000 50%),radial-gradient(at 67% 100%,#f0db6a,#00000000 50%),radial-gradient(at 100% 100%,#f6df62,#00000000 50%)",{"id":697,"height":15,"width":14,"blurhash":47},"6afd3d7d-31ea-4193-8941-ebf90137b434",[699,702,705,708,711,714,717,720,723,726,729,732,735,738,741,744,747,750,753,756,759,762,765,768,771,774,777,780,783,786],{"directus_files_id":700},{"id":701},"d9606c0e-4756-4dc5-92d1-29cb58c272d2",{"directus_files_id":703},{"id":704},"b96f241b-647a-483c-88be-928cb31aea51",{"directus_files_id":706},{"id":707},"d9d1c5c2-53e8-421e-b967-9cb4e6e436c4",{"directus_files_id":709},{"id":710},"b8b4f2ca-6ade-4759-88b6-cdbe3fcd6ba9",{"directus_files_id":712},{"id":713},"ec6b6ecc-de86-4bc8-92bc-16b123562560",{"directus_files_id":715},{"id":716},"b4687bae-e7ac-4351-9992-d8afbd40b30d",{"directus_files_id":718},{"id":719},"6b7aa560-83b3-4524-861c-252726972495",{"directus_files_id":721},{"id":722},"6f5c73fd-1a40-4c01-a469-862192fb9f37",{"directus_files_id":724},{"id":725},"0aa8b80b-3ee7-4231-be61-004956fc070e",{"directus_files_id":727},{"id":728},"6fb240a6-c1b3-4148-b21e-e69812dfc5e0",{"directus_files_id":730},{"id":731},"e463f05c-7584-4912-8cec-0fbad7c85ade",{"directus_files_id":733},{"id":734},"3e5ce455-97a1-498b-8423-9701d1ad007d",{"directus_files_id":736},{"id":737},"c3acbb48-8463-4d99-b3a8-c2a237874a1d",{"directus_files_id":739},{"id":740},"de9d0c58-51a7-419d-bd39-d9602a041388",{"directus_files_id":742},{"id":743},"7dbbcb4d-a1f5-467d-ae21-56975096a5ea",{"directus_files_id":745},{"id":746},"4adbadd0-d3d7-4057-aad3-6810b2c20ad8",{"directus_files_id":748},{"id":749},"8d3ea929-bc76-4308-8a2b-a1092817d43f",{"directus_files_id":751},{"id":752},"3acc981c-f443-4242-aa01-b688965110d6",{"directus_files_id":754},{"id":755},"cc09b6aa-1d14-4006-b56c-086085935c68",{"directus_files_id":757},{"id":758},"e8d1c369-51f3-4d3a-9cba-1b7987370abc",{"directus_files_id":760},{"id":761},"662b0c8c-4199-4412-b1dd-94bcfc84579d",{"directus_files_id":763},{"id":764},"b4bfa56c-9f72-4522-8bfb-55c5c7dd1edc",{"directus_files_id":766},{"id":767},"5ae81c70-f86e-4279-8367-8f95961b71b3",{"directus_files_id":769},{"id":770},"8093ff93-8a54-47d2-b832-ebf18a5c3541",{"directus_files_id":772},{"id":773},"16dd7371-6d88-4cce-8d73-4be40a9e8748",{"directus_files_id":775},{"id":776},"d9414d2a-e23d-418e-8dea-c35db5dc1d2e",{"directus_files_id":778},{"id":779},"d0fd5310-56af-410a-acee-d5a0f072ab39",{"directus_files_id":781},{"id":782},"cb2c22ab-ecd4-454d-88c9-0bce70a8c426",{"directus_files_id":784},{"id":785},"d87b8da2-d2f4-4d37-bcc1-b5e13dc59eb5",{"directus_files_id":787},{"id":788},"086433ff-5511-4941-867d-18cc7109944b",[790],{"languages_code":420,"description":791},"Future London Academy is a high-impact educational platform designed for the next generation of creative leaders, entrepreneurs, and design professionals. Through a curated mix of short courses, corporate training, and immersive 'design safaris,' the academy bridges the gap between creative intuition and business acumen, offering specialized programs like Executive MBAs for design leaders.\n\nThe visual identity is unapologetically bold and avant-garde, utilizing a high-contrast palette of electric yellow and deep black. The design language leans heavily into massive, experimental typography and a structured grid that feels both architectural and energetic. This aesthetic signals a brand that is forward-thinking, disruptive, and deeply rooted in the contemporary design culture of London.","Education & Courses",[664,34,794],"Vibrant \u002F Colorful",[796],"Charmer Studio",[348,348,329],[799,317,304,305,314,800],"ActiveCampaign","Ubuntu",[802,804,805],{"score":803,"category":147},72,{"score":151,"category":150},{"score":541,"category":153},[807,808,809],{"score":248,"category":147},{"score":151,"category":150},{"score":541,"category":153},[811,162,166,812,442,813],"yellow","brown","orange","Website: Future London Academy. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Future London Academy. Page description: Short courses, corporate training and design safaris for design leaders, entrepreneurs, creatives and managers. Page content: START DESIGNING YOUR FUTURE TODAY WE CREATE LEARNING EXPERIENCES IN THE HEART OF LONDON AND AROUND THE WORLD INNOVATE. CONNECT. INFLUENCE. START DESIGNING YOUR FUTURE TODAY WE CREATE LEARNING EXPERIENCES IN THE HEART OF LONDON AND AROUND THE WORLD INNOVATE. CONNECT. INFLUENCE. START DESIGNING YOUR FUTURE TODAY WE CREATE LEARNING EXPERIENCES IN THE HEART OF LONDON AND AROUND THE WORLD INNOVATE. CONNECT. INFLUENCE. START DESIGNING YOUR FUTURE TODAY WE CREATE LEARNING EXPERIENCES IN THE HEART OF LONDON AND AROUND THE WORLD INNOVATE. CONNECT. INFLUENCE. We create practical courses in London taught by famous designers, innovators and creative agencies. Anyone working in the creative industries needs to stay up-­to-­date with the latest trends, the biggest ideas and the smartest technologies. And there’s nowhere better to do that than London –­ one of the most cutting-­edge and vibrant cities in the world. Our unique learning experiences are designed to immerse you in the creative, commercial and cultural life of London. You’ll enjoy exclusive access to some of the top people, agencies and businesses at work here today –­ learning first­-hand how they operate, as well as gaining behind­-the-­scenes insights into their most successful projects. If you want to take your company to the next level or if you’re simply looking to boost your creative career, we look forward to inspiring you. 200 + famous teachers and mentors Michael Wolff Wolff Olins Michael Wolff Wolff Olins Co-founder of one of the world’s most iconic design companies – Wolff Olins – and recognised today as a leading thinker on brands. He designed Beatles’ album covers, BP's iconic logo, Shell's rebrand, and the identity for the London Borough of Camden. He’s also patron of the Inclusive Design Challenge at the RCA Angie Yuanmalai R\u002FGA, ex-Huge Angie Yuanmalai R\u002FGA, ex-Huge Niharika Hariharan McKinsey & Company Niharika Hariharan McKinsey & Company Niharika Hariharan – Associate Partner at McKinsey & Company will identify how to build design-centric organisations discerning the ingredients to build a sustainable creative culture that facilities cross collaboration. Creating change that matters is at the core of McKinsey & Company. Harry Pearce Pentagram Harry Pearce Pentagram Partner at Pentagram – the famous design studio that was founded in 1972 by Alan Fletcher, Theo Crosby, Colin Forbes, Kenneth Grange, Bob Gill, and Mervyn Kurlansky. They have designed packaging and products for many well known companies, such as Tesco, Boots, 3Com, Swatch and others. Explore all Explore our upcoming courses and experiences [ Tailored Learning Programmes Bespoke learning solutions and corporate training for your business challenges. AnytimeOnlineUpon request AnytimeOnline ](\u002Fen\u002Fcourse\u002Fcorporate-training) [ Executive MBA for Design Leaders Finally, a business programme for design leaders. Learn about finance, operations, management and entrepreneurship Next Cohort Starts in July 2026In Person£45,000 Next Cohort Starts in July 2026In Person ](https:\u002F\u002Fbauhaus.futurelondonacademy.co.uk\u002F) [ Mini-MBA for Designers & Creatives A practical business course taught by product leaders at Uber, Deel and more. Master essential business skills to influence products and shift your design career. Self-paced, ONLINEOnline£2,500 Self-paced, ONLINEOnline ](https:\u002F\u002Fbusiness.futurelondonacademy.co.uk\u002F) [ Product Design Strategy Self-paced, Online Create influence with design and measure what matters ](https:\u002F\u002Fproduct.futurelondonacademy.co.uk\u002F)[ Branding Now Self-paced, Online The ultimate branding course for design directors and senior creatives. From brand strategy and identity to building a brand system and leading the team – learn the latest approaches from ex-Wolff Olins ex-DesignStudio Creative Directors. ](https:\u002F\u002Fbranding.futurelondonacademy.co.uk\u002F)[ Creative Leadership Self-paced, Online Learn how to motivate, manage and grow your creative team. ](https:\u002F\u002Flead.futurelondonacademy.co.uk\u002F)[ Creative Ops Self-paced, Online An in-depth Project Management course for agencies and brands. From scoping and budgeting to creating a smooth workflow, so that your team produces award-winning work without burning out. ](https:\u002F\u002Fops.futurelondonacademy.co.uk\u002F) [MORE COURSES ](\u002Fen\u002Fcourses) > The week was incredible. Full of inspiring talks and networking with creative people from around the world. I learnt how design can make a positive impact on business and the future of business. Glazione Rocha Senior Art Director & Design Studio Lead, Zalando SE > Thanks for the programme and all your input, organisation, and management of it. Eleanor Saunders Principal User Experience at Tactel AB > Loads of practical tips and real-world examples of brand writing. Rob O'Reilly Copywriter, Zero-G > Really enjoyed the variety and calibre of the speakers. Needless to say that the organisation was spotless. Would recommend to anyone who is working or interested in innovation. Kristina Brjazgunova Business Designer at YOOX NET-A-PORTER GROUP > The content and the masterclasses were a great experience Antonio Herrera Senior Visual Designer, Studio Herrera > Learning directly from the experts really motivated me. We also learnt a lot from each other by discussing meetings and lectures afterwards. Igor Mustaev Art director at Linii Group > Quality of speakers was top notch, diversity of subject matter was excellent, participants were friendly and interesting. Favorite conference ever. Chelsea Lee Creative Director at Block > I loved it. It really broadened my perspective on the UX Design industry. The best part was meeting such a diverse group of UX people from all over the world. Arne Heinz User Experience Design Lead, Volkswagen > An intense and inspiring week with other multidisciplinary UX designers. The program was well balanced and contained topics that we're engaging for every skill level. I highly recommend! Damion Bailey Senior Manager UX & Design > “Mind-blowing events! Learnt so much from exploring different companies and experiencing 13 different countries all in one room. If you are a creative, strategist, forward-thinker definitely check it out! ” Tarryn van Schalkwyk Digital Designer, MotorHappy > The week was incredible. Full of inspiring talks and networking with creative people from around the world. I learnt how design can make a positive impact on business and the future of business. Glazione Rocha Senior Art Director & Design Studio Lead, Zalando SE > Thanks for the programme and all your input, organisation, and management of it. Eleanor Saunders Principal User Experience at Tactel AB > Loads of practical tips and real-world examples of brand writing. Rob O'Reilly Copywriter, Zero-G > Really enjoyed the variety and calibre of the speakers. Needless to say that the organisation was spotless. Would recommend to anyone who is working or interested in innovation. Kristina Brjazgunova Business Designer at YOOX NET-A-PORTER GROUP > The content and the masterclasses were a great experience Antonio Herrera Senior Visual Designer, Studio Herrera > Learning directly from the experts really motivated me. We also learnt a lot from each other by discussing meetings and lectures afterwards. Igor Mustaev Art director at Linii Group > Quality of speakers was top notch, diversity of subject matter was excellent, participants were friendly and interesting. Favorite conference ever. Chelsea Lee Creative Director at Block > I loved it. It really broadened my perspective on the UX Design industry. The best part was meeting such a diverse group of UX people from all over the world. Arne Heinz User Experience Design Lead, Volkswagen > An intense and inspiring week with other multidisciplinary UX designers. The program was well balanced and contained topics that we're engaging for every skill level. I highly recommend! Damion Bailey Senior Manager UX & Design > “Mind-blowing events! Learnt so much from exploring different companies and experiencing 13 different countries all in one room. If you are a creative, strategist, forward-thinker definitely check it out! ” Tarryn van Schalkwyk Digital Designer, MotorHappy > The week was incredible. Full of inspiring talks and networking with creative people from around the world. I learnt how design can make a positive impact on business and the future of business. Glazione Rocha Senior Art Director & Design Studio Lead, Zalando SE > Thanks for the programme and all your input, organisation, and management of it. Eleanor Saunders Principal User Experience at Tactel AB > Loads of practical tips and real-world examples of brand writing. Rob O'Reilly Copywriter, Zero-G > Really enjoyed the variety and calibre of the speakers. Needless to say that the organisation was spotless. Would recommend to anyone who is working or interested in innovation. Kristina Brjazgunova Business Designer at YOOX NET-A-PORTER GROUP > The content and the masterclasses were a great experience Antonio Herrera Senior Visual Designer, Studio Herrera > Learning directly from the experts really motivated me. We also learnt a lot from each other by discussing meetings and lectures afterwards. Igor Mustaev Art director at Linii Group > Quality of speakers was top notch, diversity of subject matter was excellent, participants were friendly and interesting. Favorite conference ever. Chelsea Lee Creative Director at Block > I loved it. It really broadened my perspective on the UX Design industry. The best part was meeting such a diverse group of UX people from all over the world. Arne Heinz User Experience Design Lead, Volkswagen > An intense and inspiring week with other multidisciplinary UX designers. The program was well balanced and contained topics that we're engaging for every skill level. I highly recommend! Damion Bailey Senior Manager UX & Design > “Mind-blowing events! Learnt so much from exploring different companies and experiencing 13 different countries all in one room. If you are a creative, strategist, forward-thinker definitely check it out! ” Tarryn van Schalkwyk Digital Designer, MotorHappy We have already inspired people from these companies. A Brutalist \u002F Neo-Brutalist, Typographic \u002F Big Type, Vibrant \u002F Colorful website in the Education & Courses industry. The overall color palette features Yellow, White, Black, Brown, Gray, Orange. The typography features Google Sans, Google Sans, Roboto (Sans Serif). Built using ActiveCampaign, Modernizr, Node.js, React, reCAPTCHA, Ubuntu. AI description: Future London Academy is a high-impact educational platform designed for the next generation of creative leaders, entrepreneurs, and design professionals. Through a curated mix of short courses, corporate training, and immersive 'design safaris,' the academy bridges the gap between creative intuition and business acumen, offering specialized programs like Executive MBAs for design leaders. The visual identity is unapologetically bold and avant-garde, utilizing a high-contrast palette of electric yellow and deep black. The design language leans heavily into massive, experimental typography and a structured grid that feels both architectural and energetic. This aesthetic signals a brand that is forward-thinking, disruptive, and deeply rooted in the contemporary design culture of London."]