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Cox's \"The View From Upstairs\" At Ochi Gallery, running concurrently with Frieze Los Angeles, a staggering artistic achievement from the Brooklyn-based painter. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcooper-cox-the-view-from-upstairs-ochi\u002F) 4 \u002F 4 [Travel The Travel Infrastructure of Lando Norris The F1 champion measures his year in departures; airports, hotel rooms, paddocks, and transfer vans form the invisible architecture of his life. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finterview-lando-norris-tumi\u002F) [CUISINE Michelin-Starred Grégory Marchand Turned an Entire Parisian Street into a Culinary Destination ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finterview-chef-gregory-marchand-rue-du-nil\u002F) [DESIGN IWC Schaffhausen Introduced a Spaceflight Wristwatch in Partnership with Vast ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fiwc-schaffhausen-pilots-venturer-vertical-drive\u002F) [PERFORMANCE ART The Met Cloisters’ Site-Specific Sonic Installation by Gerard & Kelly ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fthe-met-cloisters-saints-at-a-disco\u002F) [ARCHITECTURE Limbo Museum and Art Omi Partner on a Two-Part, Site-Specific Architecture Commission ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Flimbo-accra-art-omi-architecture-commission\u002F) [DESIGN Designing the Textured, Sophisticated Atmosphere of Moss Members' Club ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigning-moss-members-club\u002F) [DESIGNER OF THE DAY Designer of the Day: Jean-Marc Flack ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigner-of-the-day-jean-marc-flack-hortulus-animae\u002F) Introducing the definitive directory of _Surface_\\-approved design firms, brands, and more. See Who's on The List [DESIGN Warkentin Associates and Bench Architecture Transform a Former Pencil Factory into a Creator Hub ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fwarkentin-associates-bench-architecture-the-lighthouse\u002F) [FASHIOH A Demi-Couture Debut, the Eternity Yacht, and a “Diva Dance” Finale: Kim Shui’s Fall\u002FWinter 2026 Runway ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fkim-shui-fall-winter-2026\u002F) [DESIGN Ulysses de Santi and Ashlee Harrison’s ‘Crossings’ Convenes 53 West 53’s Diagrid With Art and Collectible Design ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fulysses-de-santi-ashlee-harrison-crossings-53-west-53\u002F) [PHOTOGRAPHY François Halard's ‘Details of Exception’ Photography for The Glenrothes ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ffrancois-halard-the-glenrothes-details-of-exception\u002F) [ART New York's Neue Galerie Opens “Egon Schiele: Portrait of Dr. Erwin von Graff” ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fneue-galerie-egon-schiele-portrait-of-dr-erwin-von-graff-exhibition\u002F) [ART Carsten Höller Encourages Communal Dreaming at the MIT Museum ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcarsten-holler-communal-dreams-mit-museum\u002F) [DESIGN Behind the Design of Bad Bunny’s Super Bowl LX Halftime Show ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbehind-the-design-of-bad-bunny-super-bowl-lx-halftime-show\u002F) [ART PS21’s ‘The Dark’ Winter Festival Connects Columbia County Through Performance ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fps21-the-dark-winter-festival-2026\u002F) [DESIGN ATRA Form Gallery’s Mythic Zona Maco Design Curation ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fatra-form-zona-maco-design-curation-georgina-pounds\u002F) [DESIGN Pierre Yovanovitch Reintroduces Ecart ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fpierre-yovanovitch-reintroduces-ecart\u002F) [Designer of the Day Designer of the Day: Chen Chen & Kai Williams ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigner-of-the-day-chen-chen-kai-williams\u002F) [DESIGN DISPATCH Heritage of London Trust Will Open David Bowie's Childhood Home to the Public, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fheritage-london-trust-david-bowie-home-restoration\u002F) [FILM To Save and Project: The MoMA International Festival of Film Preservation Returns ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002F22nd-moma-international-festival-of-film-preservation\u002F) [ARCHITECTURE Transit Studio Transforms a South London Bottling Plant into a Cocktail Bar](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ftransit-studio-thames-distillers-fords-gin\u002F) [ARCHITECTURE Suchi Reddy’s Spiral Pavilion for Mumbai’s Architecture and Design Film Festival ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fsuchi-reddys-sift-pavilion-mumbai-architecture-and-design-film-festival\u002F) [DESIGN In Scotland, Bard’s Latest Exhibition Finds Inspiration in the Hardware Store ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbard-edinburgh-bardware-exhibition\u002F) [DESIGN DISPATCH The Obama Presidential Center Begins Its Newest Installation, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fobama-presidential-center-you-are-america-installation\u002F) [ART Illustrator Cesar Canseco’s FIFA World Cup 2026 Art Commission ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcesar-canseco-fifa-world-cup-2026-art-commission\u002F) Top Stories 1. [1 ##### A Charity Raffle's €100 Pablo Picasso Painting, and Other News. Plus, the Bennett Prize award increases and a long-lost film by Georges Méliès was rediscovered. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fone-hundred-euro-picasso-painting\u002F) read more 2. [2 ##### Strong Sales at the 2026 Edition of EXPO Chicago, and Other News. Plus, a festival of young European photography and Soho House opens in Tokyo ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fstrong-sales-expo-chicago-2026\u002F) read more 3. [3 ##### Art Dubai Will Host a Scaled-Back \"Special Edition,\" and Other News. Plus, LACMA comes to life and Barneys may return to Madison Avenue. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fart-dubai-may-2026\u002F) read more 4. [4 ##### Artsy and Artnet are Now Under the Same Ownership, and Other News. Plus, Basquiat works are heading to Bed-Stuy and Bjarke Ingels Group revealed plans for Tennessee Performing Arts Center. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fartsy-and-artnet-consolidation\u002F) read more 5. [5 ##### Thomas Lélu Lends His Wit (Again!) to W Hotels New hats, totes, and notecards bear the Paris-based artist’s playful text ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fthomas-lelu-w-hotels\u002F) read more 6. [6 ##### Inside Public Art Fund’s Annual Silent Auction, Dinner, and After Party Featuring art activations by Genesis Belager (who provided creative direction for the whole immersive event), Juan Veloz, and Kambui Olujimi; a silent auction that included works by lauded contemporary artists like Hank Willis Thomas; a multi-course seated dinner by Canard; and an after party led by DJs Matthew Mazur and Dances, Public Art Fund’s largest annual gathering was both substantive and spectacular. The organization—which programs ambitious free art installations across all five New York City boroughs—will utilize proceeds from the event for its 2026 season, which includes exhibitions from Woody De Othello, Gabriel Orozco, Camille Henrot, as well as the “Between Tides” group exhibition artists at Rockaway Beach. A sweet touch to the after party: custom cookies by Emily Sigall of Emily’s Cookie Art. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finside-public-art-fund-2026-dinner\u002F) read more 7. [7 ##### For Mirazur’s 20th Anniversary, Chef Mauro Colagreco Welcomed Ferran Adrià into His Kitchen Their boldly imaginative M20 menu is running through May 17 ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fmirazur-20th-anniversary-menu-mauro-colagreco-ferran-adria\u002F) read more 8. [8 ##### IWC Schaffhausen Introduced a Spaceflight Wristwatch in Partnership with Vast The Pilot’s Venturer Vertical Drive underwent rigorous testing by the watch brand's aerospace partner, which is currently developing the world’s first commercial space station. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fiwc-schaffhausen-pilots-venturer-vertical-drive\u002F) [read m …",true,1,"1",{"id":407,"height":13,"width":12,"blurhash":408},"6c22c072-0dad-41e7-8df5-9e5a352e9eb1","radial-gradient(at 0 0,#d2d2d1,#00000000 50%),radial-gradient(at 33% 0,#d2d2d0,#00000000 50%),radial-gradient(at 67% 0,#b6b5b4,#00000000 50%),radial-gradient(at 100% 0,#cecece,#00000000 50%),radial-gradient(at 0 50%,#bbc0c6,#00000000 50%),radial-gradient(at 33% 50%,#b2b3b8,#00000000 50%),radial-gradient(at 67% 50%,#b3afb1,#00000000 50%),radial-gradient(at 100% 50%,#d6d7d7,#00000000 50%),radial-gradient(at 0 100%,#bcbab6,#00000000 50%),radial-gradient(at 33% 100%,#bbb0ae,#00000000 50%),radial-gradient(at 67% 100%,#bda8a9,#00000000 50%),radial-gradient(at 100% 100%,#d7cece,#00000000 50%)",{"id":410,"height":15,"width":14,"blurhash":105},"c76e4368-fe25-45c4-858b-20e7a6578d22",[412,415,418,421,424,427,430,433,436,439,442,445,448,451,454,457,460,463,466,469,472,475,478,481],{"directus_files_id":413},{"id":414},"64672290-9206-42c4-87a1-3118cfebf869",{"directus_files_id":416},{"id":417},"f677fa2a-9e8b-4295-bbff-efcd2eba866d",{"directus_files_id":419},{"id":420},"f93b125e-4819-441d-b84f-4ee57a62ddc3",{"directus_files_id":422},{"id":423},"44f6b032-f246-496f-993f-f45c0bf33e8b",{"directus_files_id":425},{"id":426},"772997c3-061f-4a46-b30a-3607a17229ba",{"directus_files_id":428},{"id":429},"ff947f09-2c02-465a-a3b9-400cb5e36cbd",{"directus_files_id":431},{"id":432},"57029743-4e10-43bc-81cc-84f1f1b07389",{"directus_files_id":434},{"id":435},"f55bd195-609d-4e13-8c91-ae8888e30db8",{"directus_files_id":437},{"id":438},"47e23e94-bd28-45c4-ad2d-2369bbea258d",{"directus_files_id":440},{"id":441},"adba7945-3373-4b83-a155-16bd3d9cb744",{"directus_files_id":443},{"id":444},"fe737964-9f37-49fa-8c66-9e9b68047729",{"directus_files_id":446},{"id":447},"98fb886f-6ac2-44cf-a07e-759b09dae289",{"directus_files_id":449},{"id":450},"7a197520-5fb7-468b-bcfe-4e2e89463bf2",{"directus_files_id":452},{"id":453},"746c048b-2215-4509-b1d9-3fefd95b6e46",{"directus_files_id":455},{"id":456},"5981f93d-90b2-43f6-8015-54a688fb7404",{"directus_files_id":458},{"id":459},"49b99888-5760-443e-a4df-86954408bf92",{"directus_files_id":461},{"id":462},"9ee839ed-2426-441d-a528-71deca6b23b6",{"directus_files_id":464},{"id":465},"ed2746ab-3387-4561-9b3f-d0e81d705ab5",{"directus_files_id":467},{"id":468},"502bbfdd-603e-41d7-a0a5-af9c1c7bf277",{"directus_files_id":470},{"id":471},"972c42dd-50d2-49e7-a19a-31443340d37c",{"directus_files_id":473},{"id":474},"eb877353-c18e-4bc9-bfc9-615625022081",{"directus_files_id":476},{"id":477},"25ed0ef1-f4cd-44b2-9ebf-2e539b0da2f0",{"directus_files_id":479},{"id":480},"14a92e7d-b129-498d-9806-26858350826f",{"directus_files_id":482},{"id":483},"ed3edfe2-3bc0-4074-8e8b-411e68a81e9b",[485],{"languages_code":486,"description":487},"en","Surface is a premier digital publication dedicated to the intersection of design, architecture, art, fashion, and travel. 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Page description: The digital home of Surface Magazine, covering the worlds of design, architecture, art, fashion, and travel with a focus on contemporary culture.. Page content: 1 \u002F 4 [Photography ScanLAB Projects Depicts the Sonoran's Cinematic Movement in \"FRAMERATE: Desert Pulse\" In Phoenix, Arizona’s Desert Botanical Garden, the London–based creative studio artfully ruminates upon the relationship between a unique natural environment and the passing of time ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fscanlab-projects-framerate-desert-pulse\u002F) 2 \u002F 4 [Culture Club AvroKO’s Lunar New Year Party with Chef Sam Yoo and Leiti Hsu Lauded interior design firm AvroKO welcomed a sophisticated suite of guests to its high-concept hospitality and design gallery, HOST on Howard, for a Lunar New Year party. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Favroko-lunar-new-year-party-2026-chef-sam-yoo-leiti-hsu\u002F) 3 \u002F 4 [art The Real, Imagined, and Experienced Landscapes of Cooper Cox's \"The View From Upstairs\" At Ochi Gallery, running concurrently with Frieze Los Angeles, a staggering artistic achievement from the Brooklyn-based painter. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcooper-cox-the-view-from-upstairs-ochi\u002F) 4 \u002F 4 [Travel The Travel Infrastructure of Lando Norris The F1 champion measures his year in departures; airports, hotel rooms, paddocks, and transfer vans form the invisible architecture of his life. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finterview-lando-norris-tumi\u002F) [CUISINE Michelin-Starred Grégory Marchand Turned an Entire Parisian Street into a Culinary Destination ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finterview-chef-gregory-marchand-rue-du-nil\u002F) [DESIGN IWC Schaffhausen Introduced a Spaceflight Wristwatch in Partnership with Vast ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fiwc-schaffhausen-pilots-venturer-vertical-drive\u002F) [PERFORMANCE ART The Met Cloisters’ Site-Specific Sonic Installation by Gerard & Kelly ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fthe-met-cloisters-saints-at-a-disco\u002F) [ARCHITECTURE Limbo Museum and Art Omi Partner on a Two-Part, Site-Specific Architecture Commission ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Flimbo-accra-art-omi-architecture-commission\u002F) [DESIGN Designing the Textured, Sophisticated Atmosphere of Moss Members' Club ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigning-moss-members-club\u002F) [DESIGNER OF THE DAY Designer of the Day: Jean-Marc Flack ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigner-of-the-day-jean-marc-flack-hortulus-animae\u002F) Introducing the definitive directory of _Surface_\\-approved design firms, brands, and more. See Who's on The List [DESIGN Warkentin Associates and Bench Architecture Transform a Former Pencil Factory into a Creator Hub ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fwarkentin-associates-bench-architecture-the-lighthouse\u002F) [FASHIOH A Demi-Couture Debut, the Eternity Yacht, and a “Diva Dance” Finale: Kim Shui’s Fall\u002FWinter 2026 Runway ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fkim-shui-fall-winter-2026\u002F) [DESIGN Ulysses de Santi and Ashlee Harrison’s ‘Crossings’ Convenes 53 West 53’s Diagrid With Art and Collectible Design ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fulysses-de-santi-ashlee-harrison-crossings-53-west-53\u002F) [PHOTOGRAPHY François Halard's ‘Details of Exception’ Photography for The Glenrothes ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ffrancois-halard-the-glenrothes-details-of-exception\u002F) [ART New York's Neue Galerie Opens “Egon Schiele: Portrait of Dr. Erwin von Graff” ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fneue-galerie-egon-schiele-portrait-of-dr-erwin-von-graff-exhibition\u002F) [ART Carsten Höller Encourages Communal Dreaming at the MIT Museum ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcarsten-holler-communal-dreams-mit-museum\u002F) [DESIGN Behind the Design of Bad Bunny’s Super Bowl LX Halftime Show ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbehind-the-design-of-bad-bunny-super-bowl-lx-halftime-show\u002F) [ART PS21’s ‘The Dark’ Winter Festival Connects Columbia County Through Performance ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fps21-the-dark-winter-festival-2026\u002F) [DESIGN ATRA Form Gallery’s Mythic Zona Maco Design Curation ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fatra-form-zona-maco-design-curation-georgina-pounds\u002F) [DESIGN Pierre Yovanovitch Reintroduces Ecart ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fpierre-yovanovitch-reintroduces-ecart\u002F) [Designer of the Day Designer of the Day: Chen Chen & Kai Williams ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigner-of-the-day-chen-chen-kai-williams\u002F) [DESIGN DISPATCH Heritage of London Trust Will Open David Bowie's Childhood Home to the Public, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fheritage-london-trust-david-bowie-home-restoration\u002F) [FILM To Save and Project: The MoMA International Festival of Film Preservation Returns ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002F22nd-moma-international-festival-of-film-preservation\u002F) [ARCHITECTURE Transit Studio Transforms a South London Bottling Plant into a Cocktail Bar](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ftransit-studio-thames-distillers-fords-gin\u002F) [ARCHITECTURE Suchi Reddy’s Spiral Pavilion for Mumbai’s Architecture and Design Film Festival ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fsuchi-reddys-sift-pavilion-mumbai-architecture-and-design-film-festival\u002F) [DESIGN In Scotland, Bard’s Latest Exhibition Finds Inspiration in the Hardware Store ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbard-edinburgh-bardware-exhibition\u002F) [DESIGN DISPATCH The Obama Presidential Center Begins Its Newest Installation, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fobama-presidential-center-you-are-america-installation\u002F) [ART Illustrator Cesar Canseco’s FIFA World Cup 2026 Art Commission ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcesar-canseco-fifa-world-cup-2026-art-commission\u002F) Top Stories 1. [1 ##### A Charity Raffle's €100 Pablo Picasso Painting, and Other News. Plus, the Bennett Prize award increases and a long-lost film by Georges Méliès was rediscovered. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fone-hundred-euro-picasso-painting\u002F) read more 2. [2 ##### Strong Sales at the 2026 Edition of EXPO Chicago, and Other News. Plus, a festival of young European photography and Soho House opens in Tokyo ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fstrong-sales-expo-chicago-2026\u002F) read more 3. [3 ##### Art Dubai Will Host a Scaled-Back \"Special Edition,\" and Other News. Plus, LACMA comes to life and Barneys may return to Madison Avenue. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fart-dubai-may-2026\u002F) read more 4. [4 ##### Artsy and Artnet are Now Under the Same Ownership, and Other News. Plus, Basquiat works are heading to Bed-Stuy and Bjarke Ingels Group revealed plans for Tennessee Performing Arts Center. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fartsy-and-artnet-consolidation\u002F) read more 5. [5 ##### Thomas Lélu Lends His Wit (Again!) to W Hotels New hats, totes, and notecards bear the Paris-based artist’s playful text ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fthomas-lelu-w-hotels\u002F) read more 6. [6 ##### Inside Public Art Fund’s Annual Silent Auction, Dinner, and After Party Featuring art activations by Genesis Belager (who provided creative direction for the whole immersive event), Juan Veloz, and Kambui Olujimi; a silent auction that included works by lauded contemporary artists like Hank Willis Thomas; a multi-course seated dinner by Canard; and an after party led by DJs Matthew Mazur and Dances, Public Art Fund’s largest annual gathering was both substantive and spectacular. The organization—which programs ambitious free art installations across all five New York City boroughs—will utilize proceeds from the event for its 2026 season, which includes exhibitions from Woody De Othello, Gabriel Orozco, Camille Henrot, as well as the “Between Tides” group exhibition artists at Rockaway Beach. A sweet touch to the after party: custom cookies by Emily Sigall of Emily’s Cookie Art. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finside-public-art-fund-2026-dinner\u002F) read more 7. [7 ##### For Mirazur’s 20th Anniversary, Chef Mauro Colagreco Welcomed Ferran Adrià into His Kitchen Their boldly imaginative M20 menu is running through May 17 ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fmirazur-20th-anniversary-menu-mauro-colagreco-ferran-adria\u002F) read more 8. [8 ##### IWC Schaffhausen Introduced a Spaceflight Wristwatch in Partnership with Vast The Pilot’s Venturer Vertical Drive underwent rigorous testing by the watch brand's aerospace partner, which is currently developing the world’s first commercial space station. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fiwc-schaffhausen-pilots-venturer-vertical-drive\u002F) [read m …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Gray, Black, Brown. The typography features Stempel Garamond (Serif), Stempel Garamond (Serif), Neue Haas Unica (Sans Serif), Neue Haas Unica (Sans Serif). Built using Alpine.js, jQuery, PHP, Pure CSS, WordPress. AI description: Surface is a premier digital publication dedicated to the intersection of design, architecture, art, fashion, and travel. It serves as a sophisticated cultural compass for a global audience of tastemakers, professionals, and enthusiasts who seek deep dives into contemporary aesthetics and the creative forces shaping modern life. The website's visual identity is defined by a clean, editorial-first approach that prioritizes high-impact imagery and elegant typography. By utilizing a spacious, grid-based layout and a restrained color palette, the design allows the vibrant photography and compelling storytelling to take center stage, evoking the prestige of a high-end print magazine in a digital-native format.",{"id":516,"website_id":517,"page_id":516,"name":518,"slug":519,"url":520,"website_name":518,"website_slug":519,"website_url":521,"result_url":520,"fetched_at":522,"score":523,"score_boost":396,"ai_score":524,"freshness_score":525,"scored_at":526,"page_name":42,"page_url":520,"page_title":527,"page_description":528,"page_content":529,"page_sort":396,"is_home":403,"is_home_rank":404,"page_type_id":405,"page_type_name":49,"cover":530,"cover_mobile":533,"cover_sequence":535,"translations":626,"industry":21,"styles":629,"credits":630,"font_families":631,"technologies":632,"pagespeed":636,"pagespeed_mobile":642,"buckets":647,"search_payload":648},"e4004738-08e3-4995-9c1c-22d6e7b848df","fd9a99c7-5f2f-44d2-9bbf-f5aa8b11e215","ArtBarcelona","artbarcelona","https:\u002F\u002Fartbarcelona.es\u002F","https:\u002F\u002Fartbarcelona.es","2026-05-03T15:19:52.000Z",77,78,73,"2026-05-23T19:36:30.000Z","Home - ArtBarcelona.","Since its foundation in 1990, ArtBarcelona promotes collective initiatives of galleries with the aim of discovering, disseminating and defending contemporary art. Our annual events","ArtBarcelona galeria dilalica barcelona ArtBarcelona. Since its foundation in 1990, ArtBarcelona promotes collective initiatives of galleries with the aim of discovering, disseminating and defending contemporary art. Read more What’s going on [RUTA PER GALERIES! 🙌 ✨El dissabte 9 de maig, us p ![RUTA PER GALERIES! 🙌 ✨El dissabte 9 de maig, us proposem una ruta per galeries de Trafalgar. 👉 Amb la presència de galeristes i artistes que ens oferiran una visita guiada a les seves exposicions. 🍸 Al final de la ruta prendrem un vermut BCN MUT Ambre per cortesia de BCN Gin! La ruta serà la següent: 🔹 @galeriamiguelmarcos: exposició El vitalismo del color, de Teresa Vall Palou 🔹 @sorondo_projects: exposició Grafismos desterrados, de Lucrecia Lionti 🔹 @galeriasenda: exposició Hacia lo esencial: prácticas de mediación, de Joan Ponç i Sandra Vásquez de la Horra 🗓 Dissabte 9 de maig, 11.30 - 13.30h ✨ Preu de la ruta: 10,00 € ✍🏼 Inscripcions a l'enllaç de la bio](https:\u002F\u002Fwww.artbarcelona.es\u002Fwp-content\u002Fuploads\u002Fsb-instagram-feed-images\u002F684162415_18407789398177374_6625792227165083582_nfull.webp)](https:\u002F\u002Fwww.instagram.com\u002Fp\u002FDXweA0-CIWN\u002F) [Anna Pahissa, coordinadora d’ArtBarcelona, ens par ![Anna Pahissa, coordinadora d’ArtBarcelona, ens parla del cicle “Art a la pàgina”, que tindrà lloc a la Biblioteca Sofia Barat de Barcelona. 👉🏽 La primera sessió serà dimarts 5 de maig a les 18.30 h, amb Joana Roda, de @bombonprojects, i l’artista Enric Farrés Duran. 🎟 Entrada lliure Us hi esperem!](https:\u002F\u002Fwww.artbarcelona.es\u002Fwp-content\u002Fuploads\u002Fsb-instagram-feed-images\u002F684152703_18407751556177374_4668535004377098734_nfull.webp)](https:\u002F\u002Fwww.instagram.com\u002Freel\u002FDXvzUzbBicx\u002F) - Instagram View Instagram Agenda GRAF and ArtBarcelona offer you the schedule of exhibitions and activities of the Galleries. With the collaboration of the ICEC (Institut Català d’Empreses Culturals) View Agenda [ Galeria Marc Domènech Charo Pradas. Anys 80 15.04.2026 – 29.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fcharo-pradas-anys80\u002F) [ Sala Parés El Pirineu: paisatge enllà, pintura endins. Muma 15.04.2026 – 30.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-pirineu-muma\u002F) [ Sala Parés Vivers. Rafel Joan 08.04.2026 – 30.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fvivers-rafel-joan-2\u002F) [ Galería Alegría Object for Painting No. 177-199. Hikari Ono 17.04.2026 – 06.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fobject-for-painting-no-177-199-hikari-ono\u002F) [ House of Chappaz Hefesto. Vicky Uslé 16.04.2026 – 12.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Funtitled-vicky-usle\u002F) [ Sorondo Projects Grafismos desterrados. Lucrecia Lionti 08.04.2026 – 12.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fgrafismos-desterrados-lucrecia-lionti\u002F) [ 3 Punts Galeria Mirror in a Mirror. Samuel Salcedo 20.04.2026 – 18.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fsolo-show-samuel-salcedo\u002F) [ Bombon projects Mà Braç Ansa Truc. Jordi Mitjà 22.04.2026 – 19.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fjordi-mitja-ma-brac-ansa-truc\u002F) [ FUGA Gallery Bauen wir uns Wörter wie Nüsse \u002F construimos palabras como nueces. Lena Laguna Diel 24.04.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fbauen-wir-lena-laguna-diel\u002F) [ àngels barcelona Fondàries. Xavier Ristol, Sofía Montenegro 23.04.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ffondaries-xavier-ristol-sofia-montenegro\u002F) [ Victor Lope Arte Contemporáneo Tactile Frequencies. Tom Cullberg 06.05.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ftactile-frequencies-tom-cullberg\u002F) [ Galeria Mayoral Like a fire in the sun 14.04.2026 – 26.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Flike-a-fire-in-the-sun\u002F) [ Galería Miguel Marcos El vitalismo del color. Teresa Vall Palou 11.05.2026 – 30.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-vitalismo-del-color-teresa-vall-palou\u002F) [ Al-Tiba9 Terra Incognita – Part II (Unknown Land) 13.05.2026 – 27.07.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fterra-incognita-part-ii-unknown-land\u002F) [ Prats Nogueras Blanchard Sistemas secuenciales. Ignacio Uriarte 15.04.2026 – 04.09.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fsistemas-secuenciales-ignacio-uriarte\u002F) [ Victor Lope Arte Contemporáneo Tactile Frequencies. Tom Cullberg 07.05.2026. 16:00 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ftactile-frequencies-tom-cullberg-opening\u002F) [ Sorondo Projects Poètica de confrontació. Arale Reartes 08.04.2026 – 09.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fpoetica-confrontacio-arale-reartes\u002F) [ Galería Miguel Marcos El vitalismo del color. Teresa Vall Palou 12.05.2026. 17:00 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-vitalismo-del-color-teresa-vall-palou-opening\u002F) [ Al-Tiba9 Terra Incognita – Part II (Unknown Land) 14.05.2026. 16:30 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fterra-incognita-part-ii-unknown-land-opening\u002F) [ Escat Gallery Sarrià Una habitació pròpia. Exposició col·lectiva 18.03.2026 – 16.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Funa-habitacio-propia-exposicio-collectiva-2\u002F) [ Palmadotze L’alfabet alat. A cura de Caterina Almirall 20.03.2026 – 17.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Flalfabet-alat-a-cura-de-caterina-almirall\u002F) [ SELTZ by Ritter Ferrer Paisajes para un mundo inestable. Rosa Brun 25.03.2026 – 20.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fpaisajes-para-un-mundo-inestable-rosa-brun\u002F) [ SELTZ by Ritter Ferrer Velvet Revolution. Mónica Jover Calvo 25.03.2026 – 20.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fvelvet-revolution-monica-jover-calvo\u002F) [ Dilalica Vaig veure’t a tu que eres jo. Lucía Bayón i Aleix Plademunt 08.04.2026 – 22.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fvaig-veuret-a-tu-que-eres-jo-lucia-bayon-i-aleix-plademunt\u002F) [ ADN Galeria Ni animal ni tampoco ángel. Anatomía de la imagen. Marina Vargas 13.02.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fni-animal-ni-tampoco-angel-anatomia-de-la-imagen\u002F) [ ADN Galeria Colegiado número 171. Alán Carrasco 13.02.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fcolegiado-numero-171-alan-carrasco\u002F) [ ADN Locker Room Tijeras en los ojos. Patricia Gadea 13.02.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ftijeras-en-los-ojos-patricia-gadea\u002F) [ Senda Hacia lo esencial: prácticas de mediación. Joan Ponç i Sandra Vásquez de la Horra 15.04.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fhacia-lo-esencial\u002F) [ Pigment Gallery Presagio. Mario Pasqualotto 21.04.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fpresagio-mario-pasqualotto\u002F) [ Pigment Gallery Momentos de silencio. Patricio Reig 21.04.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fmomentos-de-silencio-patricio-reig\u002F) [ Galeria Marc Domènech Charo Pradas. Anys 80 15.04.2026 – 29.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fcharo-pradas-anys80\u002F) [ Sala Parés El Pirineu: paisatge enllà, pintura endins. Muma 15.04.2026 – 30.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-pirineu-muma\u002F) [ Sala Parés Vivers. Rafel Joan 08.04.2026 – 30.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fvivers-rafel-joan-2\u002F) [ Galería Alegría Object for Painting No. 177-199. Hikari Ono 17.04.2026 – 06.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fobject-for-painting-no-177-199-hikari-ono\u002F) [ House of Chappaz Hefesto. Vicky Uslé 16.04.2026 – 12.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Funtitled-vicky-usle\u002F) [ Sorondo Projects Grafismos desterrados. Lucrecia Lionti 08.04.2026 – 12.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fgrafismos-desterrados-lucrecia-lionti\u002F) [ 3 Punts Galeria Mirror in a Mirror. Samuel Salcedo 20.04.2026 – 18.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fsolo-show-samuel-salcedo\u002F) [ Bombon projects Mà Braç Ansa Truc. Jordi Mitjà 22.04.2026 – 19.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fjordi-mitja-ma-brac-ansa-truc\u002F) [ FUGA Gallery Bauen wir uns Wörter wie Nüsse \u002F construimos palabras como nueces. Lena Laguna Diel 24.04.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fbauen-wir-lena-laguna-diel\u002F) [ àngels barcelona Fondàries. Xavier Ristol, Sofía Montenegro 23.04.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ffondaries-xavier-ristol-sofia-montenegro\u002F) [ Victor Lope Arte Contemporáneo Tactile Frequencies. Tom Cullberg 06.05.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ftactile-frequencies-tom-cullberg\u002F) [ Galeria Mayoral Like a fire in the sun 14.04.2026 – 26.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Flike-a-fire-in-the-sun\u002F) [ Galería Miguel Marcos El vitalismo del color. Teresa Vall Palou 11.05.2026 – 30.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-vitalismo-del-color-teresa-vall-palou\u002F) [ Al-Tiba9 Terra Incognita – Part II (Unknown Land) 13.05.2026 – 27.07.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fterra-incognita-part-ii-unknown-land\u002F) [ Prats Nogueras Blanchard Sistemas secuenciales. Ignacio Uriarte 15.04.2026 – 04.09.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fsistemas-secuenciales-ignacio-uriarte\u002F) [ Victor Lope Arte Contemporáneo Tactile Frequencies. Tom Cullberg 07.05.2026. 16:00 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ftactile-frequencies-tom-cullberg-opening\u002F) [ Sorondo Projects Poètica de confrontació. Arale Reartes 08.04.2026 – 09.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fpoetica-confrontacio-arale-reartes\u002F) [ Galería Miguel Marcos El vitalismo del color. Teresa Vall Palou 12.05.2026. 17:00 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-vitalismo-del-color-teresa-vall-palou-opening\u002F) [ Al-Tiba9 Terra Incognita – Part II (Unknown Land) 14.05.2026. 16:30 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fterra-incognita-part-ii-unknown-land-opening\u002F) [ Escat Gallery Sarrià Una habitació pròpia. 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By organizing annual events like the Barcelona Gallery Weekend and Art Nou, the platform bridges the gap between established galleries and emerging creators, fostering a vibrant ecosystem for art enthusiasts, collectors, and professionals within the Barcelona and L'Hospitalet regions.\n\nThe website's visual identity is defined by a sophisticated, avant-garde aesthetic that mirrors the contemporary art it celebrates. Utilizing a high-contrast, monochrome palette paired with bold, oversized typography, the design achieves a striking editorial feel. The layout is spacious and minimalist, allowing large-scale imagery of gallery spaces and art installations to command attention, creating an immersive digital experience that feels both prestigious and modern.",[26,490,30],[],[],[322,129,633,139,307,634,635],"OWL Carousel","WordPress Block Editor","WPML",[637,639,640,641],{"score":638,"category":143},94,{"score":248,"category":146},{"score":523,"category":149},{"score":249,"category":151},[643,644,645,646],{"score":253,"category":143},{"score":248,"category":146},{"score":523,"category":149},{"score":249,"category":151},[164,168,160],"Website: ArtBarcelona. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home - ArtBarcelona.. Page description: Since its foundation in 1990, ArtBarcelona promotes collective initiatives of galleries with the aim of discovering, disseminating and defending contemporary art. Our annual events. Page content: ArtBarcelona galeria dilalica barcelona ArtBarcelona. Since its foundation in 1990, ArtBarcelona promotes collective initiatives of galleries with the aim of discovering, disseminating and defending contemporary art. Read more What’s going on [RUTA PER GALERIES! 🙌 ✨El dissabte 9 de maig, us p ![RUTA PER GALERIES! 🙌 ✨El dissabte 9 de maig, us proposem una ruta per galeries de Trafalgar. 👉 Amb la presència de galeristes i artistes que ens oferiran una visita guiada a les seves exposicions. 🍸 Al final de la ruta prendrem un vermut BCN MUT Ambre per cortesia de BCN Gin! La ruta serà la següent: 🔹 @galeriamiguelmarcos: exposició El vitalismo del color, de Teresa Vall Palou 🔹 @sorondo_projects: exposició Grafismos desterrados, de Lucrecia Lionti 🔹 @galeriasenda: exposició Hacia lo esencial: prácticas de mediación, de Joan Ponç i Sandra Vásquez de la Horra 🗓 Dissabte 9 de maig, 11.30 - 13.30h ✨ Preu de la ruta: 10,00 € ✍🏼 Inscripcions a l'enllaç de la bio](https:\u002F\u002Fwww.artbarcelona.es\u002Fwp-content\u002Fuploads\u002Fsb-instagram-feed-images\u002F684162415_18407789398177374_6625792227165083582_nfull.webp)](https:\u002F\u002Fwww.instagram.com\u002Fp\u002FDXweA0-CIWN\u002F) [Anna Pahissa, coordinadora d’ArtBarcelona, ens par ![Anna Pahissa, coordinadora d’ArtBarcelona, ens parla del cicle “Art a la pàgina”, que tindrà lloc a la Biblioteca Sofia Barat de Barcelona. 👉🏽 La primera sessió serà dimarts 5 de maig a les 18.30 h, amb Joana Roda, de @bombonprojects, i l’artista Enric Farrés Duran. 🎟 Entrada lliure Us hi esperem!](https:\u002F\u002Fwww.artbarcelona.es\u002Fwp-content\u002Fuploads\u002Fsb-instagram-feed-images\u002F684152703_18407751556177374_4668535004377098734_nfull.webp)](https:\u002F\u002Fwww.instagram.com\u002Freel\u002FDXvzUzbBicx\u002F) - Instagram View Instagram Agenda GRAF and ArtBarcelona offer you the schedule of exhibitions and activities of the Galleries. With the collaboration of the ICEC (Institut Català d’Empreses Culturals) View Agenda [ Galeria Marc Domènech Charo Pradas. Anys 80 15.04.2026 – 29.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fcharo-pradas-anys80\u002F) [ Sala Parés El Pirineu: paisatge enllà, pintura endins. Muma 15.04.2026 – 30.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-pirineu-muma\u002F) [ Sala Parés Vivers. Rafel Joan 08.04.2026 – 30.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fvivers-rafel-joan-2\u002F) [ Galería Alegría Object for Painting No. 177-199. Hikari Ono 17.04.2026 – 06.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fobject-for-painting-no-177-199-hikari-ono\u002F) [ House of Chappaz Hefesto. Vicky Uslé 16.04.2026 – 12.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Funtitled-vicky-usle\u002F) [ Sorondo Projects Grafismos desterrados. Lucrecia Lionti 08.04.2026 – 12.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fgrafismos-desterrados-lucrecia-lionti\u002F) [ 3 Punts Galeria Mirror in a Mirror. Samuel Salcedo 20.04.2026 – 18.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fsolo-show-samuel-salcedo\u002F) [ Bombon projects Mà Braç Ansa Truc. Jordi Mitjà 22.04.2026 – 19.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fjordi-mitja-ma-brac-ansa-truc\u002F) [ FUGA Gallery Bauen wir uns Wörter wie Nüsse \u002F construimos palabras como nueces. Lena Laguna Diel 24.04.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fbauen-wir-lena-laguna-diel\u002F) [ àngels barcelona Fondàries. Xavier Ristol, Sofía Montenegro 23.04.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ffondaries-xavier-ristol-sofia-montenegro\u002F) [ Victor Lope Arte Contemporáneo Tactile Frequencies. Tom Cullberg 06.05.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ftactile-frequencies-tom-cullberg\u002F) [ Galeria Mayoral Like a fire in the sun 14.04.2026 – 26.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Flike-a-fire-in-the-sun\u002F) [ Galería Miguel Marcos El vitalismo del color. Teresa Vall Palou 11.05.2026 – 30.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-vitalismo-del-color-teresa-vall-palou\u002F) [ Al-Tiba9 Terra Incognita – Part II (Unknown Land) 13.05.2026 – 27.07.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fterra-incognita-part-ii-unknown-land\u002F) [ Prats Nogueras Blanchard Sistemas secuenciales. Ignacio Uriarte 15.04.2026 – 04.09.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fsistemas-secuenciales-ignacio-uriarte\u002F) [ Victor Lope Arte Contemporáneo Tactile Frequencies. Tom Cullberg 07.05.2026. 16:00 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ftactile-frequencies-tom-cullberg-opening\u002F) [ Sorondo Projects Poètica de confrontació. Arale Reartes 08.04.2026 – 09.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fpoetica-confrontacio-arale-reartes\u002F) [ Galería Miguel Marcos El vitalismo del color. Teresa Vall Palou 12.05.2026. 17:00 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-vitalismo-del-color-teresa-vall-palou-opening\u002F) [ Al-Tiba9 Terra Incognita – Part II (Unknown Land) 14.05.2026. 16:30 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fterra-incognita-part-ii-unknown-land-opening\u002F) [ Escat Gallery Sarrià Una habitació pròpia. Exposició col·lectiva 18.03.2026 – 16.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Funa-habitacio-propia-exposicio-collectiva-2\u002F) [ Palmadotze L’alfabet alat. A cura de Caterina Almirall 20.03.2026 – 17.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Flalfabet-alat-a-cura-de-caterina-almirall\u002F) [ SELTZ by Ritter Ferrer Paisajes para un mundo inestable. Rosa Brun 25.03.2026 – 20.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fpaisajes-para-un-mundo-inestable-rosa-brun\u002F) [ SELTZ by Ritter Ferrer Velvet Revolution. Mónica Jover Calvo 25.03.2026 – 20.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fvelvet-revolution-monica-jover-calvo\u002F) [ Dilalica Vaig veure’t a tu que eres jo. Lucía Bayón i Aleix Plademunt 08.04.2026 – 22.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fvaig-veuret-a-tu-que-eres-jo-lucia-bayon-i-aleix-plademunt\u002F) [ ADN Galeria Ni animal ni tampoco ángel. Anatomía de la imagen. Marina Vargas 13.02.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fni-animal-ni-tampoco-angel-anatomia-de-la-imagen\u002F) [ ADN Galeria Colegiado número 171. Alán Carrasco 13.02.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fcolegiado-numero-171-alan-carrasco\u002F) [ ADN Locker Room Tijeras en los ojos. Patricia Gadea 13.02.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ftijeras-en-los-ojos-patricia-gadea\u002F) [ Senda Hacia lo esencial: prácticas de mediación. Joan Ponç i Sandra Vásquez de la Horra 15.04.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fhacia-lo-esencial\u002F) [ Pigment Gallery Presagio. Mario Pasqualotto 21.04.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fpresagio-mario-pasqualotto\u002F) [ Pigment Gallery Momentos de silencio. Patricio Reig 21.04.2026 – 23.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fmomentos-de-silencio-patricio-reig\u002F) [ Galeria Marc Domènech Charo Pradas. Anys 80 15.04.2026 – 29.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fcharo-pradas-anys80\u002F) [ Sala Parés El Pirineu: paisatge enllà, pintura endins. Muma 15.04.2026 – 30.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-pirineu-muma\u002F) [ Sala Parés Vivers. Rafel Joan 08.04.2026 – 30.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fvivers-rafel-joan-2\u002F) [ Galería Alegría Object for Painting No. 177-199. Hikari Ono 17.04.2026 – 06.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fobject-for-painting-no-177-199-hikari-ono\u002F) [ House of Chappaz Hefesto. Vicky Uslé 16.04.2026 – 12.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Funtitled-vicky-usle\u002F) [ Sorondo Projects Grafismos desterrados. Lucrecia Lionti 08.04.2026 – 12.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fgrafismos-desterrados-lucrecia-lionti\u002F) [ 3 Punts Galeria Mirror in a Mirror. Samuel Salcedo 20.04.2026 – 18.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fsolo-show-samuel-salcedo\u002F) [ Bombon projects Mà Braç Ansa Truc. Jordi Mitjà 22.04.2026 – 19.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fjordi-mitja-ma-brac-ansa-truc\u002F) [ FUGA Gallery Bauen wir uns Wörter wie Nüsse \u002F construimos palabras como nueces. Lena Laguna Diel 24.04.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fbauen-wir-lena-laguna-diel\u002F) [ àngels barcelona Fondàries. Xavier Ristol, Sofía Montenegro 23.04.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ffondaries-xavier-ristol-sofia-montenegro\u002F) [ Victor Lope Arte Contemporáneo Tactile Frequencies. Tom Cullberg 06.05.2026 – 20.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ftactile-frequencies-tom-cullberg\u002F) [ Galeria Mayoral Like a fire in the sun 14.04.2026 – 26.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Flike-a-fire-in-the-sun\u002F) [ Galería Miguel Marcos El vitalismo del color. Teresa Vall Palou 11.05.2026 – 30.06.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-vitalismo-del-color-teresa-vall-palou\u002F) [ Al-Tiba9 Terra Incognita – Part II (Unknown Land) 13.05.2026 – 27.07.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fterra-incognita-part-ii-unknown-land\u002F) [ Prats Nogueras Blanchard Sistemas secuenciales. Ignacio Uriarte 15.04.2026 – 04.09.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fsistemas-secuenciales-ignacio-uriarte\u002F) [ Victor Lope Arte Contemporáneo Tactile Frequencies. Tom Cullberg 07.05.2026. 16:00 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Ftactile-frequencies-tom-cullberg-opening\u002F) [ Sorondo Projects Poètica de confrontació. Arale Reartes 08.04.2026 – 09.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fpoetica-confrontacio-arale-reartes\u002F) [ Galería Miguel Marcos El vitalismo del color. Teresa Vall Palou 12.05.2026. 17:00 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fel-vitalismo-del-color-teresa-vall-palou-opening\u002F) [ Al-Tiba9 Terra Incognita – Part II (Unknown Land) 14.05.2026. 16:30 – 19:00 h Activitat gratuïta Inauguració ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Fterra-incognita-part-ii-unknown-land-opening\u002F) [ Escat Gallery Sarrià Una habitació pròpia. Exposició col·lectiva 18.03.2026 – 16.05.2026 Activitat gratuïta Exposició ](https:\u002F\u002Fgraf.cat\u002Fevents\u002Fevent\u002Funa-habitacio-propia-exposicio-collectiva-2\u002F) [ Palmadotze L’a …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. Built using Bootstrap, jQuery, OWL Carousel, PHP, WordPress, WordPress Block Editor, WPML. AI description: ArtBarcelona serves as a vital cultural hub and collective platform dedicated to the promotion, dissemination, and defense of contemporary art. By organizing annual events like the Barcelona Gallery Weekend and Art Nou, the platform bridges the gap between established galleries and emerging creators, fostering a vibrant ecosystem for art enthusiasts, collectors, and professionals within the Barcelona and L'Hospitalet regions. The website's visual identity is defined by a sophisticated, avant-garde aesthetic that mirrors the contemporary art it celebrates. Utilizing a high-contrast, monochrome palette paired with bold, oversized typography, the design achieves a striking editorial feel. The layout is spacious and minimalist, allowing large-scale imagery of gallery spaces and art installations to command attention, creating an immersive digital experience that feels both prestigious and modern.",{"id":650,"website_id":651,"page_id":650,"name":652,"slug":653,"url":654,"website_name":652,"website_slug":653,"website_url":655,"result_url":654,"fetched_at":656,"score":397,"score_boost":396,"ai_score":510,"freshness_score":398,"scored_at":657,"page_name":42,"page_url":654,"page_title":652,"page_description":105,"page_content":658,"page_sort":396,"is_home":403,"is_home_rank":404,"page_type_id":405,"page_type_name":49,"cover":659,"cover_mobile":662,"cover_sequence":664,"translations":674,"industry":21,"styles":677,"credits":679,"font_families":681,"technologies":682,"pagespeed":684,"pagespeed_mobile":690,"buckets":695,"search_payload":697},"cf9f198b-d6ac-4ca6-a7eb-d14d9f6c4fc2","f9fbdbd5-d5d4-450b-8457-f6edaab30558","Face Forward","face-forward","https:\u002F\u002Ffaceforward.typography.ie\u002F","https:\u002F\u002Ffaceforward.typography.ie","2026-05-04T09:21:59.000Z","2026-05-23T19:09:49.000Z","_Face Forward_ is an international peer-reviewed conference focused on typography that seeks to examine design and typographic practice, and to make explicit existing connections between craft, research, theory, history, criticism and pedagogy. This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …",{"id":660,"height":13,"width":12,"blurhash":661},"ee6ba0b9-978f-4682-94f5-f10503f98584","radial-gradient(at 0 0,#babaff,#00000000 50%),radial-gradient(at 33% 0,#7878ff,#00000000 50%),radial-gradient(at 67% 0,#b2b2ff,#00000000 50%),radial-gradient(at 100% 0,#dfdfff,#00000000 50%),radial-gradient(at 0 50%,#bfbfe8,#00000000 50%),radial-gradient(at 33% 50%,#a2a2e1,#00000000 50%),radial-gradient(at 67% 50%,#c6c6ed,#00000000 50%),radial-gradient(at 100% 50%,#dedef7,#00000000 50%),radial-gradient(at 0 100%,#b4b4e6,#00000000 50%),radial-gradient(at 33% 100%,#9c9cf7,#00000000 50%),radial-gradient(at 67% 100%,#b3b3f5,#00000000 50%),radial-gradient(at 100% 100%,#cbcbed,#00000000 50%)",{"id":663,"height":15,"width":14,"blurhash":105},"d4e07c88-6674-4460-9621-b66d952ea4f3",[665,668,671],{"directus_files_id":666},{"id":667},"b5f1f613-ecd9-4c14-8e2d-8bfcb012ccc8",{"directus_files_id":669},{"id":670},"2a247199-2226-423a-9962-6fd931df0026",{"directus_files_id":672},{"id":673},"09fdf48e-0b65-4ae6-bda7-9f4e6eb98664",[675],{"languages_code":486,"description":676},"Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. The website serves as a scholarly hub, facilitating critical discourse between craft, research, theory, and pedagogy. It is designed to attract academics, designers, and typographic practitioners seeking to explore the intersection of visual communication and epistemological inquiry.\n\nThe visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the site's subject matter. Through a striking combination of electric blue and stark monochrome, the design employs massive, experimental letterforms and a rigorous grid system. The layout is unapologetically structural, using scale and negative space to create a sense of intellectual authority and avant-garde elegance.",[26,678,30],"Monochrome \u002F Grayscale",[680],"Bong",[332],[129,139,683],"Three.js",[685,687,688,689],{"score":686,"category":143},99,{"score":205,"category":146},{"score":504,"category":149},{"score":144,"category":151},[691,692,693,694],{"score":246,"category":143},{"score":227,"category":146},{"score":504,"category":149},{"score":144,"category":151},[164,696,168,160],"blue","Website: Face Forward. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Face Forward. Page content: _Face Forward_ is an international peer-reviewed conference focused on typography that seeks to examine design and typographic practice, and to make explicit existing connections between craft, research, theory, history, criticism and pedagogy. This conference aims to provoke informed, rigorous and critical debate on aspects of typographic research and practice that relate to current discourse and contexts. It is the inaugural event in what will become an annual international conference. This year’s conference is supported by ID2015 Year of Irish Design and the Dublin Institute of Technology. In the field of visual communication and typographic practice, a great deal of epistemological uncertainty still exists. As a consequence, concrete theoretical or methodological positions around which the discipline could cohere have yet to emerge—a situation this conference seeks to address. The conference will provide a forum for research into typographic production, representation, dissemination and use. It encourages interdisciplinary enquiry; thus we welcome papers dealing with typography in all its forms, material and immaterial. We encourage submissions that consider typography in as broad a sense as possible, that celebrate the vitality and range of typography and which seek to expand definitions of both typographic object and practice. – Registration is now open. In partnership with: Identity by Clare Bell and Brenda Dermody. Site by BONG and Post Friday track a - 9.00 _Registration_ – - 10:00 Tom Spalding _Show me the way to go home! Eighteenth and early-nineteenth century lettering and public signage, Cork City, 1730–1840_ – - 10:30 Elena Veguillas _Architectural lettering and corporate identity, early branding on commercial buildings: the Truman’s case_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Ann Bessemans _Type design features for children with low vision_ – - 12:00 Luciano Perondi, Giulia Bonora and Daniele De Rosa _Pass — augmentative and alternative communication_ – - 12:30 Silvia Barbero and Irene Stracuzzi _Sustainability for typography design processes_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Hilary Kenna _A practice-led study of design principles for screen typography: with reference to the teachings of Emil Ruder_ – - 14:45 Tom Grace _The alluring trap of vector-based drawing_ – - 15:15 Marcus Leis Allion _Typrograms: The Shaped Typography of Computer Programs_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Amy Papaelias _Future displays: towards a history of type specimens in digital environments_ – - 16:45 Mathieu Lommen _Lettering artists’ model books_ – - 17:15 _Discussion_ – - 17:30 _Close_ – track b - 9.00 _Registration_ – - 10:00 Marcus Swan _Meaning without words: the emoji revolution_ – - 10:30 Johannes Bergerhausen _Digital cuneiform_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Aoife Mooney _Super-charged type: An investigation into the potential for a dynamic typeface family modelled on axes of typographic expression_ – - 12:00 Siobhán Murphy _Print, Pixel and notions of Legacy — recalibrating Harold Innis’ time-binding and space-binding communication technology theories for a post-digital age_ – - 12:30 Cathy Gale _This is your life: the multiplicities of X_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Sheena Calvert _Punctuating Philosophy_ – - 14:45 Pavel Pisklakov _Typography and Media: History of Evolution and Contemporary Tendencies_ – - 15:15 Kyle Rath _Form vs. Fame: exploring the craft of typographic selection_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Robin Fuller _Linguistics, grammatology, typography_ – - 16.45 – _–_ – - 17:15 _Discussion_ – - 17.30 _Close_ – - 19:00 Tobias Frere-Jones _Keynote_ – track c - 9.00 _Registration_ – - 10:00 – _–_ – - 10:30 – _–_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Diederik Corvers _The architect’s new face_ – - 12:00 María Pérez Mena, Eduardo Herrera Fernández and Leire Fernández Iñurritegui _An artistic approach to typography from Eduardo Chillida’s graphic language_ – - 12:30 Naoise Ó Conchubhair _An Post: typography rooted in the past — ahead of its time_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 – _–_ – - 14:45 Dermot McGuinne _Accident by design_ – - 15:15 Teresa Breathnach _Matthew Walker: nationalist printer 1846–1922_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Richard McElveen and Pauline Clancy _Typographic DNA of place_ – - 16:45 Michael Everson _Authenticity and Ireland’s tradition of Gaelic type_ – - 17:15 _Discussion_ – - 17:30 _Close_ – Saturday track d - 9:00 Aspasia Papadima _Introducing a new set of typographic characters for the representation of Greek-Cypriot dialect’s distinct sounds_ – - 9:30 Robert Lzicar _Swiss Types — the invention of a national typography_ – - 10:00 Radek Sidun _Milestones in Czech type design_ – - 10:30 Keith Tam _Typographic cueing in bilingual documents_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Juan Luis Blanco _The case of the Tifinaghscript: typeface design to the rescue_ – - 12:00 Meta Newhouse and Nathan Davis _Type of place: a systematic preservation of cultural memory_ – - 12:30 Ian Montgomery, Liam McComish and Ruth Brolly _Graphic de:re:generation_ – - 13:00 _Discussion_ – - 13:15 _Lunch break_ – - 14:15 Evripides Zantides _Exploring the mythical qualities of letterforms through semiotics and content analysis_ – - 14:45 Jill Spratt _The word_ – - 15:15 Liam McComish and Ian Montgomery _Spread the word_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16.15 Onur Yazıcıgil and Özlem Özka _Ottoman Typography towards Modernisation_ – - 16:45 Dan Reynolds _East German typefaces, twenty-five years on_ – - 17:15 Crystian Cruz _Unveiling censored content through typography_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track e - 9:00 Denise Gonzales Crisp _Educating toward the discipline_ – - 9:30 Gerry Leonidas _A framework for developing discourse in typeface design_ – - 10:00 Silas Munro _Hands on-again, off-again: a paradigm of typographic pedagogy in hybrid learning_ – - 10:30 Brenda Dermody _The role and impact of the professional body in typographic design education and practice in Ireland_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 John Paul Dowling _Teach content, not type!_ – - 12:00 Gabriel Solomons _Family monograms: tradition and a connection to the past through typographic form_ – - 12:30 Connell Vaughan and Glenn Loughran _Typography and the Video Essay_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Jo De Baerdemaeker _Lean back: the evolution of reverse italics_ – - 14:45 Jesus Barrientos Mora _A typology for calligraphic type_ – - 15:15 Frank E. Blokland _Application of archetypal patterns in present-day type design practice and related education_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Timothy Donaldson _Type is clip-art_ – - 16:45 Will Hill _Letter, craft and ornament in post-digital practice_ – - 17:15 Phil Baines _Fonts and restoration_ – - 17:45 _Discussion_ – - 18:00 _Close_ – track f - 9:00 John Mulloy _Body type_ – - 9:30 Jamie Mahoney _Gutenberg remix: a case study_ – - 10:00 Mary Plunkett _Letterpress as commemoration: making books for Yeats2015_ – - 10:30 Jamie Murphy and Thomas Mayo _End grain impressions: letterpress printed display type in the twenty-first century_ – - 11:00 _Discussion_ – - 11:15 _Break_ – - 11:30 Niall McCormack _Soul Type: the Ludlow Typograph and 1960s Chicago soul record label art_ – - 12:00 Annette O’Sullivan _Letter marking with bold upright letters: stencilling histories on New Zealand sheep stations_ – - 12:30 Mohammad Shahid and Dharmalingam Udaya Kumar _Evolution of title design in Bollywood film posters_ – - 13:00 _Discussion_ – - 13:15 _Lunch Break_ – - 14:15 Lozana Rossenova and Maria Inês Cruz _The form of the book in alternative publishing practices_ – - 14:45 Trond Klevgaard _From functionalist to functional typography in Scandinavian book design_ – - 15:15 Niall McCormack in conversation with Peter Maybury _–_ – - 15:45 _Discussion_ – - 16:00 _Break_ – - 16:15 Brian Dixon _Experiencing the Structure: considering the possibility of studying how typographic forms are encountered through the application of information design theory_ – - 16:45 Barrie Tullett _Of progress and loss_ – - 17:15 _Discussion_ – - 17:45 – _–_ – - 18:00 _Close_ – …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Blue, Black, Gray. The typography features Times New Roman (Serif). Built using jQuery, PHP, Three.js. AI description: Face Forward is a sophisticated digital platform dedicated to an international peer-reviewed conference centered on the evolution of typography. The website serves as a scholarly hub, facilitating critical discourse between craft, research, theory, and pedagogy. It is designed to attract academics, designers, and typographic practitioners seeking to explore the intersection of visual communication and epistemological inquiry. The visual identity is a masterclass in typographic expression, utilizing a bold, high-contrast aesthetic that mirrors the site's subject matter. Through a striking combination of electric blue and stark monochrome, the design employs massive, experimental letterforms and a rigorous grid system. The layout is unapologetically structural, using scale and negative space to create a sense of intellectual authority and avant-garde elegance.",{"id":699,"website_id":700,"page_id":699,"name":701,"slug":702,"url":703,"website_name":701,"website_slug":702,"website_url":703,"result_url":703,"fetched_at":704,"score":205,"score_boost":396,"ai_score":524,"freshness_score":205,"scored_at":705,"page_name":42,"page_url":703,"page_title":706,"page_description":707,"page_content":708,"page_sort":396,"is_home":403,"is_home_rank":404,"page_type_id":405,"page_type_name":49,"cover":709,"cover_mobile":712,"cover_sequence":714,"translations":805,"industry":21,"styles":808,"credits":809,"font_families":811,"technologies":812,"pagespeed":813,"pagespeed_mobile":819,"buckets":825,"search_payload":826},"a98d2f9a-adc4-4d15-bab6-4571c8505677","d8b9b7e7-8fc2-4dad-82b2-d23ff85df533","The Penumbral Age","the-penumbral-age","https:\u002F\u002Fwiekpolcienia.artmuseum.pl\u002Fen","2026-05-05T19:21:52.000Z","2026-05-23T19:23:50.000Z","The Penumbral Age – Exhibition in the Museum of Moder Art in Warsaw","Exhibition presents artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth.","05.06–13.09.2020 T H E P E N U M B R A L A G E Art in the Time of Planetary Change Curators: Sebastian Cichocki, Jagna Lewandowska [ Museum on the Vistula ](https:\u002F\u002Fwww.google.com\u002Fmaps?q=google+maps+muzeum+nad+wis%C5%82%C4%85 \"Opens new browser tab\") Anna & Lawrence Halprin, „Driftwood Village—Community,” Sea Ranch, California Courtesy of Lawrence Halprin Collection, The Architectural Archives, University of Pennsylvania. 01 The Exhibition The Museum of Modern Art in Warsaw invites to the exhibition “The Penumbral Age. Art in the Time of Planetary Change”, where we present artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth. It provides a space for discussion on “managing the irreversible” and new forms of solidarity, empathy and togetherness in the face of the climate crisis. We live in a time of planetary change affecting each and every one of us. Climate change influences every sphere of life, including thinking about art: the systems of its production and distribution, its social function and its relation to other disciplines, especially science. Audio introduction to the exhibition. Voice: Meagan Down Аудіо впровадження до вистави „Вік півтіні. Мистецтво в часи планетарної зміни” українською мовою. Голос: Тарас Гембік \u002F Taras Hembik The map-helper was created to facilitate movement in the exhibition space. With it, you can easily read the meanings of artistic works. There is no description of everything on the map. Instead, there are some questions that help in the independent reception of works. Download the map-helper (PDF) Vija Celmins, „Untitled (Ocean with Cross #1)”, 2005, paper, silkscreen print. Courtesy of the artist and Zuzāns Collection. 02 New ways to see the world The title of the exhibition is drawn from the book The Collapse of Western Civilization: A View from the Future by Naomi Oreskes and Erik M. Conway (2014), where the protagonists from the future date the “period of the penumbra” from the “shadow of anti-intellectualism that fell over the once-Enlightened techno-scientific nations of the Western world during the second half of the twentieth century, preventing them from acting on the scientific knowledge available at the time” and leading to tragedy. We are witnesses to this process: scientific findings have ceased to be regarded as dispositive and do not persuade people to act. > “Science becomes belief. Belief becomes science. Everything becomes nothing. Nothing becomes everything. All can believe and disbelieve all. We all can know everything and know nothing. Everyone lives as an expert on every subject\" Ibram X. Kendi as the American writer and historian Ibram X. Kendi wrote in The Atlantic, analysing scepticism about climate change or outright rejection of the threat (climate denialism). Observations by artists are akin to those of scientists, but they typically do not confront viewers with an excess of numbers, soaring bar graphs, or “pornographic” images of poverty and devastation. Art has “strange tools” (Alva Noë, 2015) at its disposal, which we can use to discern “wonders in the heavens and signs on the earth.” When ordinary tools of dialogue and persuasion fail, artists enable an “imaginative leap” by working on the emotions, confronting the incomprehensible and the unknown. As the theoretician of visual culture Nicholas Mirzoeff puts it: > we must “unsee” how the past “has taught us to see the world, and begin to imagine a different way to be with what used to be called nature. Ines Doujak, Ghostpopulations Ines Doujak, Ghostpopulations 03 Global art for a changing planet The “Penumbral Age. Art in the Time of Planetary Change” spans five decades, and highlights the strengthening of environmental reflections in the art of the late 1960s and early 1970s as well as the second decade of the 21st century. The first period is linked with intensification of pacifist, feminist and anti-racist movements and the formation of the contemporary ecological movement. At the same time new artistic phenomena arose, such as conceptualism, anti-form, land art and earth art. While introducing “geological” thinking about art, artists used impermanent organic materials or sought to entirely dematerialize the work of art. 1 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Snail Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 2 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Egg Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 3 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: Hot Dog Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York For us, land art is much more than a stream of Western art emblematic of the late 1960s and early 1970s. Following the thought of the Pakistani artist and activist Rasheed Araeen, drawing from his “ecoaesthetics” agenda, we seek “global art for a changing planet.” Actions connected with the “canonization” of land art, such as Richard Long’s Throwing a Stone around MacGillycuddy’s Reeks, in which the artist followed a stone he tossed before him, the “terraforming” plans of Robert Morris, or Gerry Schum’s television programme (an example of the use of new media to expose audiences to “organic” art practised in deserts or forests), are accompanied in this exhibition by works from the 21st century, employing ecological education (Futurefarmers, Ines Doujak, the Center for Land Use Interpretation), protest (Suzanne Husky, Akira Tsuboi), and involving spirituality and esoterics (Shana Moulton and Nick Hallett, Teresa Murak, Czekalska and Golec). Ice Stupa in Ladakh photo: Sonam Wangchuk, 2015 04 Solidarity and Care in the Museum The field of interest of artists sensitive to environmental change extends to such issues as the Anthropocene, the Capitalocene, the Chthulucene, climate debt, climate denialism, ecocide, the end of nature, fossil capitalism, geoengineering, irreversibility, the New Pangea, post- anthropocentrism, the sixth mass extinction, and terraforming. All of this is the context for land art, which in this sense is not confined to any one medium, material, or geographical region. It may include initiatives that do not operate under the banner of art. One such example would be the ice stupas in Ladakh, India—artificial glaciers created by engineer Sonam Wangchuk, with a fascinating form and the clearly defined function of supplying water to inhabitants of the desert at the foot of the Himalayas. > “No museums on a dead planet!” Life in a state of deepening crisis forces us to fundamentally change our thinking about the entire system of social organization and to confront ethical and existential dilemmas (climate migrations and new class conflicts). The world of art, with its museums and rituals for organizing objects and ideas, is no exception (to paraphrase the slogan of the Youth Strike for Climate, “No museums on a dead planet!”) and requires deep systemic transformation. We treat engagement in this discussion as a duty of the museum, and not as just another fashion or stream in art. Countering the calls for “ecological restoration” or the popularity of “art of the Anthropocene,” we stress the permanence of environmental reflection, based on continuity and responsibility. 1 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 2 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 3 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 4 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 5 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 6 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative Art will certainly not protect us against catastrophe, but it can help us arm ourselves with “strange tools” for the work of imagination and empathy. In her memorable manifesto from 1969, Mierle Laderman Ukeles posed the question: > „After the revolution, who’s going to pick up the garbage on Monday morning?” In works of art from recent decades we not only seek a visualization of processes occurring on our planet, but also discern possible proposals for the future. If ecological catastrophe is already happening (as the residents of the inundated islands of Nauru and Banaba in the Pacific would certainly agree), together let's wonder, will we ever manage to clean up our planetary mess and rebuild our relations with other sentient beings? Will we manage to start over again? Jonathas de Andrade, „O Peixe”, 16mm film shot transferred to 2K video, 2016 Courtesy of the artist and the Continua Gallery, a photograph by Meghan Marchetti. 05 The Cinema _At the Penumbral Cinema_ we regularly publish new and historical works related to environmental and ecological reflection. In addition to fragments of films that will be presented during the exhibition at the Museum on the Vistula, we also reach for other film materials collected while working on \"The Penumbral Age\". INTERPRT Earth Law: Site Pacific Ocean, 2018 INTERPRT collects and analyzes evidence in order to prosecute crimes committed in the natural environment, mainly in the Pacific. By using charts, films, interactive maps, exhibitions and lectures, INTERPRT members lobby for ecocide to be a criminal offense under international law. At the same time, they reflect on the need for system changes, such as the responsibility of large fuel companies for climate change. 06 Guide Book We present the first issue of the newspaper \"The Penumbral Age\", which is a guide to _The Penumbral Age. Art in the Times of Planetary Change_ exhibition, still waiting for its opening. The publication contains a complete catalog of over seventy works of artists participating in the exhibition. The newspaper is designed by Jakub de Barbaro. Download the publication (PDF) Publication accompanying the „Repairing Earthquake project” by Nishiko. The catalogue includes stories of objects found by the artist after the tsunami that hit the shores of Japan in 2011. Download the publication (PDF) Martwa Natura (Nature Morte) The publication “Martwa Natura” (“Nature Morte”), which consists of interviews with Alice Creischer, Susanne Kriemann and Antje Majewski - the artists participating in the exhibition „THE PENUMBRAL AGE. Art in times of planetary change\", was created during the production of a play directed by Agnieszka Jakimiak in Teatr Powszechny im. Zygmunta Hübnera in Warsaw. During the pandemic times, many ideas and beliefs about art get destroyed. However, some of them may become stronger – like the conviction that art is used by us to create bonds and alliances, networks of understanding and support. 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The website's primary purpose is to contextualize and promote an exhibition exploring the intersection of artistic expression and planetary environmental shifts, providing visitors with essential information regarding curators, artists, and exhibition guides.\n\nThe visual identity is defined by a rigorous, high-end minimalism that mirrors the gravity of its subject matter. Utilizing a stark monochrome palette and expansive white space, the design relies heavily on elegant, high-contrast serif typography to establish an authoritative and intellectual tone. This editorial approach targets an academic and culturally engaged audience, offering a seamless, distraction-free browsing experience that prioritizes clarity and prestige.",[26,293,30],[810],"Huncwot",[345],[324,139],[814,816,817,818],{"score":815,"category":143},51,{"score":523,"category":146},{"score":267,"category":149},{"score":247,"category":151},[820,821,822,824],{"score":267,"category":143},{"score":523,"category":146},{"score":823,"category":149},31,{"score":247,"category":151},[164,168,160],"Website: The Penumbral Age. Page: Homepage. Page type: Home \u002F Landing Page. Page title: The Penumbral Age – Exhibition in the Museum of Moder Art in Warsaw. Page description: Exhibition presents artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth.. Page content: 05.06–13.09.2020 T H E P E N U M B R A L A G E Art in the Time of Planetary Change Curators: Sebastian Cichocki, Jagna Lewandowska [ Museum on the Vistula ](https:\u002F\u002Fwww.google.com\u002Fmaps?q=google+maps+muzeum+nad+wis%C5%82%C4%85 \"Opens new browser tab\") Anna & Lawrence Halprin, „Driftwood Village—Community,” Sea Ranch, California Courtesy of Lawrence Halprin Collection, The Architectural Archives, University of Pennsylvania. 01 The Exhibition The Museum of Modern Art in Warsaw invites to the exhibition “The Penumbral Age. Art in the Time of Planetary Change”, where we present artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth. It provides a space for discussion on “managing the irreversible” and new forms of solidarity, empathy and togetherness in the face of the climate crisis. We live in a time of planetary change affecting each and every one of us. Climate change influences every sphere of life, including thinking about art: the systems of its production and distribution, its social function and its relation to other disciplines, especially science. Audio introduction to the exhibition. Voice: Meagan Down Аудіо впровадження до вистави „Вік півтіні. Мистецтво в часи планетарної зміни” українською мовою. Голос: Тарас Гембік \u002F Taras Hembik The map-helper was created to facilitate movement in the exhibition space. With it, you can easily read the meanings of artistic works. There is no description of everything on the map. Instead, there are some questions that help in the independent reception of works. Download the map-helper (PDF) Vija Celmins, „Untitled (Ocean with Cross #1)”, 2005, paper, silkscreen print. Courtesy of the artist and Zuzāns Collection. 02 New ways to see the world The title of the exhibition is drawn from the book The Collapse of Western Civilization: A View from the Future by Naomi Oreskes and Erik M. Conway (2014), where the protagonists from the future date the “period of the penumbra” from the “shadow of anti-intellectualism that fell over the once-Enlightened techno-scientific nations of the Western world during the second half of the twentieth century, preventing them from acting on the scientific knowledge available at the time” and leading to tragedy. We are witnesses to this process: scientific findings have ceased to be regarded as dispositive and do not persuade people to act. > “Science becomes belief. Belief becomes science. Everything becomes nothing. Nothing becomes everything. All can believe and disbelieve all. We all can know everything and know nothing. Everyone lives as an expert on every subject\" Ibram X. Kendi as the American writer and historian Ibram X. Kendi wrote in The Atlantic, analysing scepticism about climate change or outright rejection of the threat (climate denialism). Observations by artists are akin to those of scientists, but they typically do not confront viewers with an excess of numbers, soaring bar graphs, or “pornographic” images of poverty and devastation. Art has “strange tools” (Alva Noë, 2015) at its disposal, which we can use to discern “wonders in the heavens and signs on the earth.” When ordinary tools of dialogue and persuasion fail, artists enable an “imaginative leap” by working on the emotions, confronting the incomprehensible and the unknown. As the theoretician of visual culture Nicholas Mirzoeff puts it: > we must “unsee” how the past “has taught us to see the world, and begin to imagine a different way to be with what used to be called nature. Ines Doujak, Ghostpopulations Ines Doujak, Ghostpopulations 03 Global art for a changing planet The “Penumbral Age. Art in the Time of Planetary Change” spans five decades, and highlights the strengthening of environmental reflections in the art of the late 1960s and early 1970s as well as the second decade of the 21st century. The first period is linked with intensification of pacifist, feminist and anti-racist movements and the formation of the contemporary ecological movement. At the same time new artistic phenomena arose, such as conceptualism, anti-form, land art and earth art. While introducing “geological” thinking about art, artists used impermanent organic materials or sought to entirely dematerialize the work of art. 1 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Snail Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 2 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Egg Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 3 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: Hot Dog Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York For us, land art is much more than a stream of Western art emblematic of the late 1960s and early 1970s. Following the thought of the Pakistani artist and activist Rasheed Araeen, drawing from his “ecoaesthetics” agenda, we seek “global art for a changing planet.” Actions connected with the “canonization” of land art, such as Richard Long’s Throwing a Stone around MacGillycuddy’s Reeks, in which the artist followed a stone he tossed before him, the “terraforming” plans of Robert Morris, or Gerry Schum’s television programme (an example of the use of new media to expose audiences to “organic” art practised in deserts or forests), are accompanied in this exhibition by works from the 21st century, employing ecological education (Futurefarmers, Ines Doujak, the Center for Land Use Interpretation), protest (Suzanne Husky, Akira Tsuboi), and involving spirituality and esoterics (Shana Moulton and Nick Hallett, Teresa Murak, Czekalska and Golec). Ice Stupa in Ladakh photo: Sonam Wangchuk, 2015 04 Solidarity and Care in the Museum The field of interest of artists sensitive to environmental change extends to such issues as the Anthropocene, the Capitalocene, the Chthulucene, climate debt, climate denialism, ecocide, the end of nature, fossil capitalism, geoengineering, irreversibility, the New Pangea, post- anthropocentrism, the sixth mass extinction, and terraforming. All of this is the context for land art, which in this sense is not confined to any one medium, material, or geographical region. It may include initiatives that do not operate under the banner of art. One such example would be the ice stupas in Ladakh, India—artificial glaciers created by engineer Sonam Wangchuk, with a fascinating form and the clearly defined function of supplying water to inhabitants of the desert at the foot of the Himalayas. > “No museums on a dead planet!” Life in a state of deepening crisis forces us to fundamentally change our thinking about the entire system of social organization and to confront ethical and existential dilemmas (climate migrations and new class conflicts). The world of art, with its museums and rituals for organizing objects and ideas, is no exception (to paraphrase the slogan of the Youth Strike for Climate, “No museums on a dead planet!”) and requires deep systemic transformation. We treat engagement in this discussion as a duty of the museum, and not as just another fashion or stream in art. Countering the calls for “ecological restoration” or the popularity of “art of the Anthropocene,” we stress the permanence of environmental reflection, based on continuity and responsibility. 1 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 2 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 3 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 4 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 5 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 6 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative Art will certainly not protect us against catastrophe, but it can help us arm ourselves with “strange tools” for the work of imagination and empathy. In her memorable manifesto from 1969, Mierle Laderman Ukeles posed the question: > „After the revolution, who’s going to pick up the garbage on Monday morning?” In works of art from recent decades we not only seek a visualization of processes occurring on our planet, but also discern possible proposals for the future. If ecological catastrophe is already happening (as the residents of the inundated islands of Nauru and Banaba in the Pacific would certainly agree), together let's wonder, will we ever manage to clean up our planetary mess and rebuild our relations with other sentient beings? Will we manage to start over again? Jonathas de Andrade, „O Peixe”, 16mm film shot transferred to 2K video, 2016 Courtesy of the artist and the Continua Gallery, a photograph by Meghan Marchetti. 05 The Cinema _At the Penumbral Cinema_ we regularly publish new and historical works related to environmental and ecological reflection. In addition to fragments of films that will be presented during the exhibition at the Museum on the Vistula, we also reach for other film materials collected while working on \"The Penumbral Age\". INTERPRT Earth Law: Site Pacific Ocean, 2018 INTERPRT collects and analyzes evidence in order to prosecute crimes committed in the natural environment, mainly in the Pacific. By using charts, films, interactive maps, exhibitions and lectures, INTERPRT members lobby for ecocide to be a criminal offense under international law. At the same time, they reflect on the need for system changes, such as the responsibility of large fuel companies for climate change. 06 Guide Book We present the first issue of the newspaper \"The Penumbral Age\", which is a guide to _The Penumbral Age. Art in the Times of Planetary Change_ exhibition, still waiting for its opening. The publication contains a complete catalog of over seventy works of artists participating in the exhibition. The newspaper is designed by Jakub de Barbaro. Download the publication (PDF) Publication accompanying the „Repairing Earthquake project” by Nishiko. The catalogue includes stories of objects found by the artist after the tsunami that hit the shores of Japan in 2011. Download the publication (PDF) Martwa Natura (Nature Morte) The publication “Martwa Natura” (“Nature Morte”), which consists of interviews with Alice Creischer, Susanne Kriemann and Antje Majewski - the artists participating in the exhibition „THE PENUMBRAL AGE. Art in times of planetary change\", was created during the production of a play directed by Agnieszka Jakimiak in Teatr Powszechny im. Zygmunta Hübnera in Warsaw. During the pandemic times, many ideas and beliefs about art get destroyed. However, some of them may become stronger – like the conviction that art is used by us to create bonds and alliances, networks of understanding and support. Joseph Beuys - an activist and a rebellious artist, a relentless spokesperson for the concern of the natural environment - is a starting point for a journey through these areas o …. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. The typography features Source Sans (Sans Serif). Built using Google Font API, PHP. AI description: The Penumbral Age serves as a sophisticated digital gateway for a specialized art exhibition hosted by the Museum of Modern Art in Warsaw. The website's primary purpose is to contextualize and promote an exhibition exploring the intersection of artistic expression and planetary environmental shifts, providing visitors with essential information regarding curators, artists, and exhibition guides. The visual identity is defined by a rigorous, high-end minimalism that mirrors the gravity of its subject matter. Utilizing a stark monochrome palette and expansive white space, the design relies heavily on elegant, high-contrast serif typography to establish an authoritative and intellectual tone. This editorial approach targets an academic and culturally engaged audience, offering a seamless, distraction-free browsing experience that prioritizes clarity and prestige."]