[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-detail-then-and-now-a-history-of-st-georges-crypt":3,"facets-{\"includeAuthors\":\"false\"}":127,"facets-baseline-false":290,"similar-websites-then-and-now-a-history-of-st-georges-crypt":323},{"id":4,"name":5,"slug":6,"url":7,"dateUpdated":8,"fetchedAt":9,"coverId":10,"coverMobileId":11,"coverWidth":12,"coverHeight":13,"coverMobileWidth":14,"coverMobileHeight":15,"descriptionEn":16,"seoMeta":17,"industry":20,"styles":24,"credits":36,"pages":42,"typefaces":53,"technologiesByCategory":58,"pagespeedDesktop":76,"pagespeedMobile":88,"performanceDesktop":79,"performanceMobile":90,"colorBuckets":95,"colorPalette":108},"d996c940-6c40-4b06-a614-ec37f91db61b","Then & Now","then-and-now-a-history-of-st-georges-crypt","https:\u002F\u002Fstgeorgescrypt.org.uk\u002Fthen-and-now","2026-05-23T19:21:23.000Z","2026-05-05T19:50:44.000Z","1f54ca57-8b67-4832-bebe-b7a58cd6987e","533efd01-6caf-4d10-bf30-96ad8b0071b5",1440,900,780,1688,"This digital archive serves as a poignant historical retrospective for St. George's Crypt, documenting nearly a century of service to the homeless and vulnerable in Leeds. Through a curated timeline of archival imagery, the site bridges the gap between the organization's 1930 origins and its contemporary mission, inviting users to explore the evolution of their social impact across different decades.\n\nThe visual identity is deeply rooted in nostalgia and reverence, utilizing a sophisticated dark mode aesthetic paired with high-contrast monochrome photography. The design employs elegant, sweeping script typography for its primary headings, creating a sense of storytelling and human connection. It is a minimalist, editorial experience designed for donors, historians, and community members who wish to connect with the organization's legacy through a respectful and immersive visual narrative.",{"title":18,"meta_description":19},"Then & Now | The History of St. George's Crypt","Explore the rich history of St. George's Crypt in Leeds. A photographic journey through decades of supporting the homeless and vulnerable since 1930.",{"name":21,"label":22,"slug":23},"Non-Profit & Charity","Non-Profit","non-profit",[25,28,32],{"name":26,"label":26,"slug":27},"Dark Mode","dark-mode",{"name":29,"label":30,"slug":31},"Clean \u002F Minimalist","Minimalist","minimalist",{"name":33,"label":34,"slug":35},"Monochrome \u002F Grayscale","Monochrome","monochrome",[37],{"author":38,"roles":41},{"name":39,"label":39,"slug":40},"Few and Far","few-and-far",[],[43],{"name":44,"title":45,"description":46,"url":7,"coverId":10,"coverMobileId":11,"alt":47,"altMobile":48,"pageType":49},"Homepage","\"Then & Now...\" A History of St. George's Crypt","Since 1930, St. George’s Crypt has been there to meet the needs of the homeless and the vulnerable in the city of Leeds. This is our history.","A dark-themed historical timeline landing page featuring a collage of black and white archival photographs. Large white text reads 'Then & Now...' alongside a description of St. George's Crypt's history since 1930, with a green 'Explore' call to action button.","A mobile version of the landing page with a simplified vertical layout. A large black and white photograph serves as the background, overlaid with the white 'Then & Now...' headline, a brief historical summary, and a prominent green 'Explore' button at the bottom.",{"name":50,"label":51,"slug":52},"Home \u002F Landing Page","Home \u002F Landing","home-landing",[54],{"name":55,"label":55,"slug":56,"foundryName":57},"Helvetica Neue","helvetica-neue",null,{"Analytics":59,"CDN":66,"Web servers":70,"Reverse proxies":74},[60,63],{"name":61,"label":61,"slug":62},"Google Analytics","google-analytics",{"name":64,"label":64,"slug":65},"Hotjar","hotjar",[67],{"name":68,"label":68,"slug":69},"jsDelivr","jsdelivr",[71],{"name":72,"label":72,"slug":73},"Nginx","nginx",[75],{"name":72,"label":72,"slug":73},[77,80,83,86],{"category":78,"score":79},"performance",52,{"category":81,"score":82},"accessibility",100,{"category":84,"score":85},"best-practices",96,{"category":87,"score":82},"seo",[89,91,93,94],{"category":78,"score":90},49,{"category":81,"score":92},98,{"category":84,"score":85},{"category":87,"score":82},[96,100,104],{"value":97,"label":98,"hex":99},"black","Black","#000000",{"value":101,"label":102,"hex":103},"gray","Gray","#737373",{"value":105,"label":106,"hex":107},"white","White","#ffffff",[109,112,115,118,121,124],{"hex":110,"percent":111},"#1A1515",0.796,{"hex":113,"percent":114},"#2F2E2C",0.0689,{"hex":116,"percent":117},"#535251",0.0502,{"hex":119,"percent":120},"#B0B0B0",0.0431,{"hex":122,"percent":123},"#7A7A79",0.0341,{"hex":125,"percent":126},"#FEFEFE",0.0077,{"facetDistribution":128,"facetLabels":205},{"industry":129,"styles":148,"technologies":163,"font_families":189,"page_type_name":203},{"Agency & Studio":130,"Art & Culture":131,"SaaS & Software":132,"Fashion & Apparel":133,"Architecture & Real Estate":134,"Entertainment & Media":135,"Food & Beverage":136,"Photography & Video":137,"Finance & Fintech":138,"Healthcare & Wellness":139,"Technology & Hardware":140,"Industrial & Manufacturing":90,"Beauty & Cosmetics":141,"Travel & Hospitality":142,"Non-Profit & Charity":143,"Education & Courses":144,"Crypto & Web3":145,"Sports & Fitness":146,"Automotive & Transportation":147},716,296,210,167,163,138,125,120,76,62,54,47,45,41,32,24,21,11,{"Clean \u002F Minimalist":149,"Typographic \u002F Big Type":150,"High-End \u002F Luxury":151,"Dark Mode":152,"Vibrant \u002F Colorful":153,"Monochrome \u002F Grayscale":154,"Fun \u002F Playful":155,"Brutalist \u002F Neo-Brutalist":156,"Corporate \u002F Professional":157,"Illustrative \u002F Hand-drawn":158,"Futuristic \u002F Sci-Fi":159,"3D \u002F Spatial":160,"Retro \u002F Vintage \u002F Y2K":161,"Glassmorphism":162,"Bento Grid":162},2056,1713,1012,570,393,317,257,236,205,87,69,55,33,15,{"jQuery":164,"PHP":165,"WordPress":166,"Node.js":167,"React":168,"Vercel":169,"Vue.js":170,"Shopify":171,"Next.js":172,"Klaviyo":173,"Nuxt.js":174,"Typekit":175,"Amazon Web Services":176,"reCAPTCHA":177,"YouTube":178,"MailChimp":179,"Modernizr":180,"Bootstrap":181,"Slick":182,"Google Font API":183,"Craft CMS":184,"Framer Sites":185,"Contact Form 7":186,"Stimulus":187,"Google Maps":188},875,629,504,320,311,262,207,196,161,149,147,141,129,117,95,92,91,85,82,79,66,65,64,59,58,{"Inter":190,"Times New Roman":191,"Roboto":192,"Open Sans":193,"Neue Haas Grotesk":193,"Suisse Intl":194,"Arial":159,"Poppins":184,"Helvetica Neue":186,"Montserrat":195,"Diatype":160,"Neue Montreal":140,"Lato":90,"Graphik":196,"Source Sans":197,"Monument Grotesk":198,"Noto Sans":199,"Helvetica":200,"Söhne":201,"DM Sans":201,"Founders Grotesk":201,"GT America":202,"Google Sans":202,"Editorial":161,"IBM Plex Mono":144},315,168,127,90,88,60,46,44,40,39,36,35,34,{"Home \u002F Landing Page":204},2397,{"industry":206,"styles":225,"page_type_name":238,"technologies":239,"font_families":265},{"Agency & Studio":207,"Art & Culture":208,"SaaS & Software":209,"Fashion & Apparel":210,"Architecture & Real Estate":211,"Entertainment & Media":212,"Food & Beverage":213,"Photography & Video":214,"Finance & Fintech":215,"Healthcare & Wellness":216,"Technology & Hardware":217,"Industrial & Manufacturing":218,"Beauty & Cosmetics":219,"Travel & Hospitality":220,"Non-Profit & Charity":22,"Education & Courses":221,"Crypto & Web3":222,"Sports & Fitness":223,"Automotive & Transportation":224},"Agencies","Art and Culture","Software","Fashion","Real Estate","Entertainment","Food and Drink","Photography","Fintech","Wellness","Technology","Industrial","Beauty","Travel","Education","Web3","Sports","Automotive",{"Clean \u002F Minimalist":30,"Typographic \u002F Big Type":226,"High-End \u002F Luxury":227,"Dark Mode":26,"Vibrant \u002F Colorful":228,"Monochrome \u002F Grayscale":34,"Fun \u002F Playful":229,"Brutalist \u002F Neo-Brutalist":230,"Corporate \u002F Professional":231,"Illustrative \u002F Hand-drawn":232,"Futuristic \u002F Sci-Fi":233,"3D \u002F Spatial":234,"Retro \u002F Vintage \u002F Y2K":235,"Glassmorphism":236,"Bento Grid":237},"Typographic","Luxury","Vibrant","Playful","Brutalist","Corporate","Illustrative","Futuristic","3D and Spatial","Retro and Y2K","Glassmorphism","Bento Grid",{"Home \u002F Landing Page":51},{"jQuery":240,"PHP":241,"WordPress":242,"Node.js":243,"React":244,"Vercel":245,"Vue.js":246,"Shopify":247,"Next.js":248,"Klaviyo":249,"Nuxt.js":250,"Typekit":251,"Amazon Web Services":252,"reCAPTCHA":253,"YouTube":254,"MailChimp":255,"Modernizr":256,"Bootstrap":257,"Slick":258,"Google Font API":259,"Craft CMS":260,"Framer Sites":261,"Contact Form 7":262,"Stimulus":263,"Google Maps":264},"jQuery","PHP","WordPress","Node.js","React","Vercel","Vue.js","Shopify","Next.js","Klaviyo","Nuxt.js","Typekit","Amazon Web Services","reCAPTCHA","YouTube","MailChimp","Modernizr","Bootstrap","Slick","Google Font API","Craft CMS","Framer Sites","Contact Form 7","Stimulus","Google Maps",{"Inter":266,"Times New Roman":267,"Roboto":268,"Open Sans":269,"Neue Haas Grotesk":270,"Suisse Intl":271,"Arial":272,"Poppins":273,"Helvetica Neue":55,"Montserrat":274,"Diatype":275,"Neue Montreal":276,"Lato":277,"Graphik":278,"Source Sans":279,"Monument Grotesk":280,"Noto Sans":281,"Helvetica":282,"Söhne":283,"DM Sans":284,"Founders Grotesk":285,"GT America":286,"Google Sans":287,"Editorial":288,"IBM Plex Mono":289},"Inter","Times New Roman","Roboto","Open Sans","Neue Haas Grotesk","Suisse Intl","Arial","Poppins","Montserrat","Diatype","Neue Montreal","Lato","Graphik","Source Sans","Monument Grotesk","Noto Sans","Helvetica","Söhne","DM Sans","Founders Grotesk","GT America","Google Sans","Editorial","IBM Plex Mono",{"facetDistribution":291,"facetLabels":307},{"industry":292,"styles":293,"technologies":294,"font_families":295,"page_type_name":296},{"Agency & Studio":130,"Art & Culture":131,"SaaS & Software":132,"Fashion & Apparel":133,"Architecture & Real Estate":134,"Entertainment & Media":135,"Food & Beverage":136,"Photography & Video":137,"Finance & Fintech":138,"Healthcare & Wellness":139,"Technology & Hardware":140,"Industrial & Manufacturing":90,"Beauty & Cosmetics":141,"Travel & Hospitality":142,"Non-Profit & Charity":143,"Education & Courses":144,"Crypto & Web3":145,"Sports & Fitness":146,"Automotive & Transportation":147},{"Clean \u002F Minimalist":149,"Typographic \u002F Big Type":150,"High-End \u002F Luxury":151,"Dark Mode":152,"Vibrant \u002F Colorful":153,"Monochrome \u002F Grayscale":154,"Fun \u002F Playful":155,"Brutalist \u002F Neo-Brutalist":156,"Corporate \u002F Professional":157,"Illustrative \u002F Hand-drawn":158,"Futuristic \u002F Sci-Fi":159,"3D \u002F Spatial":160,"Retro \u002F Vintage \u002F Y2K":161,"Glassmorphism":162,"Bento Grid":162},{"jQuery":164,"PHP":165,"WordPress":166,"Node.js":167,"React":168,"Vercel":169,"Vue.js":170,"Shopify":171,"Next.js":172,"Klaviyo":173,"Nuxt.js":174,"Typekit":175,"Amazon Web Services":176,"reCAPTCHA":177,"YouTube":178,"MailChimp":179,"Modernizr":180,"Bootstrap":181,"Slick":182,"Google Font API":183,"Craft CMS":184,"Framer Sites":185,"Contact Form 7":186,"Stimulus":187,"Google Maps":188},{"Inter":190,"Times New Roman":191,"Roboto":192,"Open Sans":193,"Neue Haas Grotesk":193,"Suisse Intl":194,"Arial":159,"Poppins":184,"Helvetica Neue":186,"Montserrat":195,"Diatype":160,"Neue Montreal":140,"Lato":90,"Graphik":196,"Source Sans":197,"Monument Grotesk":198,"Noto Sans":199,"Helvetica":200,"Söhne":201,"DM Sans":201,"Founders Grotesk":201,"GT America":202,"Google Sans":202,"Editorial":161,"IBM Plex Mono":144},{"Home \u002F Landing Page":297,"About Us \u002F Team":298,"Projects \u002F Portfolio":299,"Contact Us":300,"Blog \u002F Article Layout":301,"Services \u002F Features":302,"Shop \u002F Catalog":303,"Careers \u002F Jobs":304,"Pricing Page":139,"Sign Up \u002F Login":305,"404 Error Page":306},2401,774,527,418,378,341,299,89,27,9,{"industry":308,"styles":309,"page_type_name":310,"technologies":321,"font_families":322},{"Agency & Studio":207,"Art & Culture":208,"SaaS & Software":209,"Fashion & Apparel":210,"Architecture & Real Estate":211,"Entertainment & Media":212,"Food & Beverage":213,"Photography & Video":214,"Finance & Fintech":215,"Healthcare & Wellness":216,"Technology & Hardware":217,"Industrial & Manufacturing":218,"Beauty & Cosmetics":219,"Travel & Hospitality":220,"Non-Profit & Charity":22,"Education & Courses":221,"Crypto & Web3":222,"Sports & Fitness":223,"Automotive & Transportation":224},{"Clean \u002F Minimalist":30,"Typographic \u002F Big Type":226,"High-End \u002F Luxury":227,"Dark Mode":26,"Vibrant \u002F Colorful":228,"Monochrome \u002F Grayscale":34,"Fun \u002F Playful":229,"Brutalist \u002F Neo-Brutalist":230,"Corporate \u002F Professional":231,"Illustrative \u002F Hand-drawn":232,"Futuristic \u002F Sci-Fi":233,"3D \u002F Spatial":234,"Retro \u002F Vintage \u002F Y2K":235,"Glassmorphism":236,"Bento Grid":237},{"Home \u002F Landing Page":51,"About Us \u002F Team":311,"Projects \u002F Portfolio":312,"Contact Us":313,"Blog \u002F Article Layout":314,"Services \u002F Features":315,"Shop \u002F Catalog":316,"Careers \u002F Jobs":317,"Pricing Page":318,"Sign Up \u002F Login":319,"404 Error Page":320},"About Us","Portfolio","Contact","Blog \u002F Article","Services","Shop \u002F Catalog","Careers","Pricing","Sign Up \u002F Login","404 Error",{"jQuery":240,"PHP":241,"WordPress":242,"Node.js":243,"React":244,"Vercel":245,"Vue.js":246,"Shopify":247,"Next.js":248,"Klaviyo":249,"Nuxt.js":250,"Typekit":251,"Amazon Web Services":252,"reCAPTCHA":253,"YouTube":254,"MailChimp":255,"Modernizr":256,"Bootstrap":257,"Slick":258,"Google Font API":259,"Craft CMS":260,"Framer Sites":261,"Contact Form 7":262,"Stimulus":263,"Google Maps":264},{"Inter":266,"Times New Roman":267,"Roboto":268,"Open Sans":269,"Neue Haas Grotesk":270,"Suisse Intl":271,"Arial":272,"Poppins":273,"Helvetica Neue":55,"Montserrat":274,"Diatype":275,"Neue Montreal":276,"Lato":277,"Graphik":278,"Source Sans":279,"Monument Grotesk":280,"Noto Sans":281,"Helvetica":282,"Söhne":283,"DM Sans":284,"Founders Grotesk":285,"GT America":286,"Google Sans":287,"Editorial":288,"IBM Plex Mono":289},{"hits":324},[325,465,515,559],{"id":326,"website_id":327,"page_id":326,"name":328,"slug":329,"url":330,"website_name":328,"website_slug":329,"website_url":331,"result_url":330,"fetched_at":332,"score":333,"score_boost":334,"ai_score":335,"freshness_score":336,"scored_at":337,"page_name":44,"page_url":330,"page_title":338,"page_description":57,"page_content":339,"page_sort":334,"is_home":340,"is_home_rank":341,"page_type_id":342,"page_type_name":50,"cover":343,"cover_mobile":346,"cover_sequence":348,"translations":439,"industry":443,"styles":444,"credits":446,"font_families":448,"technologies":449,"pagespeed":451,"pagespeed_mobile":457,"buckets":463,"search_payload":464},"2b074e2e-91f6-41a2-83b9-16d807e06c12","dfd5a956-2d47-4d29-a443-853e51013f61","Re:collection","re-collection","https:\u002F\u002Frecollection.com.au\u002F","https:\u002F\u002Frecollection.com.au","2026-05-05T08:44:45.000Z",81,0,83,75,"2026-05-23T19:25:50.000Z","Re:collection | Home","[ - Biographies - Alistair Morrison - 1911–>1998 - M ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Falistair-morrison) [ - Archives - Maracorp Financial Services - 1980s - 23 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmaracorp-financial-services) [ - Archives - 1976–77 Victorian Council of the Arts - 1977 - 139 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fvictorian-council-br-of-the-arts) [ - Archives - Australian Architectural Convention 1962 - 1962 - 98 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Farchitecture-in-australia-spread) [ - Momentos - Melbourne Artists Supplies Card ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fmelbourne-artists-supplies-card-1987) [ - Archives - Australian Export Trends and Prospects - 1959 - 96 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faustralian-export-trends-and-prospects) [ - Biographies - Alex Stitt - 1937–>2016 - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Falex-stitt) [ - Archives - eftpos - 1986 - 184 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Feftpos) [ - Archives - Wollongong Out of Workers Dance - 1982 - 159 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fwollongong-out-of-workers-dance) [ - Archives - The Lambent Flame - 1974 - 32 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fthe-lambent-flame) [ - Archives - Ducats Milk Packaging - 1980s - 74 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fducats-milk-packaging) [ - Archives - Rural Research in CSIRO - 1970s - 197 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Frural-research-in-csiro) [ - Archives - ABPA Book Design Awards Annual 1978\u002F79 - 1979 - 57 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fabpa-book-design-awards-197879) [ - Archives - Pelaco - 1964 - 178 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fpelaco) [ - Archives - Aird Taylor Associates - 1960s - 107 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fatal-moving-notice) [ - Archives - All Australian Graffiti - 1975 - 124 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fall-australian-graphics) [ - Archives - Innova - 1978 - 59 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Finnova-newsletter) [ - Archives - IDCA 1965–66 Annual Report - 1966 - 170 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fidca-196566-annual-report) [ - Biographies - Lance Stirling - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Flance-stirling) [ - Archives - Aussie-Osities - 1988 - 157 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faussie-osities) [ - Archives - Fler Furniture - 1965 - 84 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Ffler-ad) [ - Archives - Miller - 1960s - 123 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmiller) [ - Archives - Sculpture – The Paddock - 1970 - 55 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmelbourne-university-sculpture-invite) [ - Archives - Finnskoga - 1970s - 127 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Ffinniskoga) [ - Archives - Art Director's Club of Melbourne Annual - 1969 - 144 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmelbourne-art-director-s-club-annual) [ - Archives - Gallery A Design group - 1962 - 131 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fgallery-a-design-group) [ - Biographies - Derek Wrigley - 1924–>2021 - W ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fderek-wrigley) [ - Archives - Ping Pong Ball Pack - 1960s - 50 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fping-pong-ball-pack) [ - Archives - Legacy 50th Anniversary - 1972 - 133 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Flegacy-50th-anniversary) [ - Retrospect - Barrie Tucker ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fbarrie-tucker) [ - Biographies - Heinz Grunwald - G ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fheinz-grunwald) [ - Biographies - Mimmo Cozzolino - 1949–> - C ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmimmo-cozzolino) [ - Archives - The Club - 1978 - 115 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fthe-club) [ - Archives - Reserve Bank Symbol & Artwork - 1960 - 190 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Freserve-bank-symbol) [ - Archives - Victorian Architect 34 - 1974 - 33 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fvictorian-architect-34) [ - Biographies - Brian Sadgrove - 1938–> - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fbrian-sadgrove) [ - Archives - Object & Idea - 1973 - 52 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fobject-idea) [ - Archives - Contemporary Art Society Exhibition - 1963 - 15 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fcontemporary-art-scoiety-exhibition-catalogue) [ - Archives - BP Maps - 1970s - 198 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fbp-maps) [ - Archives - Artificial Australia - 1967 - 180 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fartificial-australia) [ - Archives - A Walk Through Henry Talbot’s Head - 1968 - 148 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fa-walk-through-henry-talbot-s-head) [ - Retrospect - Garry Emery ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fretrospect-garry-emery) [ - Archives - National Bank Travel Booklet - 1970s - 1 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fnational-bank-travel-brochure) [ - Archives - Once Around the Sun - 1966 - 42 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fonce-around-the-sun) [ - Archives - Laminex Industries - 1980s - 136 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Flaminex-industries) [ - Archives - Candy Shoes - 1970s - 70 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fcandy-shoe-packaging) [ - Archives - Laugh or cry or yawn - 1970 - 193 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Flaugh-or-cry-or-yawn) [ - Biographies - Ken Cato - 1945–> - C ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fken-cato) [ - Archives - Recent International Forms in Art - 1976 - 138 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Frecent-international-forms-in-art) [ - Biographies - Les Mason - 1924–>2009 - M ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fles-mason) [ - Archives - Chelsea White Sugar - 1980s - 119 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fchelsea-white-sugar) [ - Biographies - Dianna Wells - 1961–> - W ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fdianna-wells) [ - Archives - Outlook - 1971 - 16 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Foutlook-exhibition-catalogue) [ - Biographies - Andy Schmid - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fandy-schmid) [ - Archives - The Prince Philip prize for Australian design ’68 - 1968 - 18 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fprince-philip-prize-advertisement) [ - Archives - State Bank SA - 1984 - 135 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fstate-bank-sa) [ - Archives - Liquid Air Welding Goggles - 1968 - 116 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fliquid-air-welding-goggles) [ - Archives - Alvin Purple - 1973 - 94 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Falvin-purple-logo) [ - Biographies - Geoff Digby - 1926–> - D ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fgeoff-digby) [ - Biographies - Max Robinson - 1934–> - R ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmax-robinson) [ - Biographies - Donald Fish - 1929–>2021 - F ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fdonald-fish) [ - Feature - POL ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fpol) [ - Feature - Visual Communications – the New Force in Art ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fvisual-communications-br-the-new-force-in-art) [ - Archives - Stepping Stones - 1983 - 38 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fstepping-stones-typeface) [ - Archives - RM Gow’s Washing Powder - 1979 - 7 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Frm-gow-s-washing-powder-packaging) [ - Biographies - Harry Williamson - 1940–> - W ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fharry-wiiliamson) [ - Archives - Harry Seidler 1955\u002F63 - 1963 - 3 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fharry-seidler) [ - Archives - Ludendorff - 1966 - 141 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fludendorff) [ - Archives - The Greatest Rally in Australia’s History - 1974 - 102 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fthe-greatest-rally) [ - Archives - Australian Conservation Foundation - 1972 - 4 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fconservation-logo) [ - Feature - Lyndon’s Roo ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Flyndon-s-roo) [ - Biographies - Richard Haughton ‘Jimmy’ James - 1906–>1985 - H ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Frichard-haughton-jimmy-james) [ - Archives - Picnic at Hanging Rock - 1967 - 43 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fpicnic-at-hanging-rock) [ - Archives - Department of Productivity - 1979–>1980 - 8 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fdaylight-at-work-brochure) [ - Archives - ICI Organic Chemistry - 1970s - 72 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fici-packaging) [ - Archives - MOMA Furlan Catalogue - 1962 - 25 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmoma-furlan-catalogue) [ - Archives - Ballarat Gemini Art Promotion - 1960s - 12 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fballarat-gemini-art-promotion) [ - Archives - Australian Pottery - 1970 - 179 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faustralian-pottery) [ The advertising profession pays dues with a regularity befitting a well-ordered society. - Feature - Judge’s Thoughts ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Faciaa-judge-s-thoughts) [ - Archives - Young & Sensitive - 1963 - 48 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fyoung-sensitive) [ To sort out the valid from the vapid. We should hasten to establish our commercial credentials. Soon. - Essay - Arthur Leydin: AGDA Hall of Fame ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fagda-hall-of-fame) [ - Archives - APPM Hold it! - 1974 - 47 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fappm-hold-it) [ - Archives - Theatre Australia - 1970s - 174 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Ftheatre-australia) [ - Archives - Bring Larks and Heroes - 1967 - 114 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fbring-larks-and-heroes) [ - Archives - OZ Magazine London Issue 1 - 1967 - 150 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Foz-london-issue-1) [ - Biographies - Pieter Huveneers - 1925–>2017 - H ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fpieter-huveneers) [ - Archives - Australian Productivity Council - 1980s - 161 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faustralian-productivity-council) [ - Biographies - Marita Leuver - L ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmarita-leuver) [ - Biographies - Richard Beck - 1912–>1985 - B ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Frichard-beck) [ - Archives - Ecostatin 3 - 1980 - 79 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fecostatin-3-packaging) [ - Archives - Johnson Tiles - 1967 - 173 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fjohnson-tiles) [ - Archives - A Brief History of The National Bank - 1960s - 189 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fa-brief-history-of-the-national-bank) [ - Biographies - Ha …",true,1,"1",{"id":344,"height":13,"width":12,"blurhash":345},"8005a3ba-7a31-4e05-b5ed-bf3a1254c6f2","radial-gradient(at 0 0,#f6f6f6,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#d6d6d6,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#e3e3e3,#00000000 50%),radial-gradient(at 100% 50%,#ededed,#00000000 50%),radial-gradient(at 0 100%,#b2b2b2,#00000000 50%),radial-gradient(at 33% 100%,#cfcfcf,#00000000 50%),radial-gradient(at 67% 100%,#c8c8c8,#00000000 50%),radial-gradient(at 100% 100%,#d7d7d7,#00000000 50%)",{"id":347,"height":15,"width":14,"blurhash":57},"b9cb7189-d903-4ca0-92d2-509a690cca21",[349,352,355,358,361,364,367,370,373,376,379,382,385,388,391,394,397,400,403,406,409,412,415,418,421,424,427,430,433,436],{"directus_files_id":350},{"id":351},"a927f551-0bcd-4050-94a6-277f255d9cb7",{"directus_files_id":353},{"id":354},"c4a9b880-be9c-40e7-97e1-5a12f3cea6f6",{"directus_files_id":356},{"id":357},"9c539326-746e-4fb1-867f-f81f2701bf8b",{"directus_files_id":359},{"id":360},"6e4af1dd-0174-472b-979d-e87c25211fc0",{"directus_files_id":362},{"id":363},"91e3bd3c-20c2-4351-8fa6-826b4c7a292a",{"directus_files_id":365},{"id":366},"ffccab22-b265-476f-ab2a-931e4907c7f2",{"directus_files_id":368},{"id":369},"b47f1505-d5ed-457c-8305-d19213bb80f0",{"directus_files_id":371},{"id":372},"bc145299-f926-47b2-b3a7-80e31c40ee14",{"directus_files_id":374},{"id":375},"c9d4581b-ff3b-40ff-a652-088b898ced7b",{"directus_files_id":377},{"id":378},"bd6765cf-7dad-48bb-85bd-728c8f83b3b8",{"directus_files_id":380},{"id":381},"213d6e4b-d652-4e15-8635-82c9c9a5bd50",{"directus_files_id":383},{"id":384},"46fc1479-6dea-4b3a-bb86-d49de5a01737",{"directus_files_id":386},{"id":387},"5d9c628e-6007-494c-ba8d-43a5399b64ec",{"directus_files_id":389},{"id":390},"807e9ccf-d5bd-46e5-8d97-9940b75faec6",{"directus_files_id":392},{"id":393},"d2cbbb27-5d7e-4c1b-aa55-a74494209211",{"directus_files_id":395},{"id":396},"67bff308-17fa-48a6-b166-c36bc52994f4",{"directus_files_id":398},{"id":399},"3c33ce35-4daa-4dc8-babe-43b35617bc69",{"directus_files_id":401},{"id":402},"dc60263c-d6d3-430c-bb98-5855183f9e14",{"directus_files_id":404},{"id":405},"1538c401-6f17-4bb0-a280-5d539b6fcaeb",{"directus_files_id":407},{"id":408},"8302145d-bd51-4100-b4e3-8129e6c6fd0d",{"directus_files_id":410},{"id":411},"bf3c1f08-cfc1-4061-aa7b-3bc823105ee4",{"directus_files_id":413},{"id":414},"29701d72-293b-4af8-8f9a-96045cef0955",{"directus_files_id":416},{"id":417},"bf76b5db-6d5e-43e5-8ff0-51f4526a5ebf",{"directus_files_id":419},{"id":420},"766e4da7-09de-4ee1-8514-003e6042367b",{"directus_files_id":422},{"id":423},"e88d2db5-38ea-4d18-8c40-6c9fe91a8223",{"directus_files_id":425},{"id":426},"426c2c06-fba3-435f-8425-82792ee8387f",{"directus_files_id":428},{"id":429},"91348d9a-1c08-44fb-b9c6-2e1d5b4eeb48",{"directus_files_id":431},{"id":432},"e806d551-9cd8-447b-aa5e-3d50e60a6718",{"directus_files_id":434},{"id":435},"07fc6479-744f-4ba1-87dd-fbae980d8068",{"directus_files_id":437},{"id":438},"7d6267f2-cd6e-4038-a8df-e2334512f0b3",[440],{"languages_code":441,"description":442},"en","Re:collection is a sophisticated digital archive dedicated to the preservation and study of Australian graphic design from 1960 to 1990. The platform serves as a curated repository for historians, designers, and students, offering deep dives into specific biographies, corporate identities, and historical archives that shaped the visual landscape of Australia during these pivotal decades.\n\nThe visual identity is unapologetically editorial and high-concept, utilizing a stark, monochrome palette that mirrors the archival nature of its content. Through bold, oversized typography and a structured grid layout, the site creates a sense of authority and timelessness. The use of high-contrast black and white imagery, combined with a minimalist interface, ensures that the historical artifacts remain the primary focus, inviting users to explore the nuances of design history with academic rigor and aesthetic appreciation.","Art & Culture",[29,33,445],"Typographic \u002F Big Type",[447],"Public Office",[],[240,256,241,450],"Ubuntu",[452,454,455,456],{"score":453,"category":78},43,{"score":193,"category":81},{"score":140,"category":84},{"score":180,"category":87},[458,460,461,462],{"score":459,"category":78},53,{"score":193,"category":81},{"score":85,"category":84},{"score":180,"category":87},[105,97,101],"Website: Re:collection. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Re:collection | Home. Page content: [ - Biographies - Alistair Morrison - 1911–>1998 - M ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Falistair-morrison) [ - Archives - Maracorp Financial Services - 1980s - 23 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmaracorp-financial-services) [ - Archives - 1976–77 Victorian Council of the Arts - 1977 - 139 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fvictorian-council-br-of-the-arts) [ - Archives - Australian Architectural Convention 1962 - 1962 - 98 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Farchitecture-in-australia-spread) [ - Momentos - Melbourne Artists Supplies Card ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fmelbourne-artists-supplies-card-1987) [ - Archives - Australian Export Trends and Prospects - 1959 - 96 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faustralian-export-trends-and-prospects) [ - Biographies - Alex Stitt - 1937–>2016 - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Falex-stitt) [ - Archives - eftpos - 1986 - 184 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Feftpos) [ - Archives - Wollongong Out of Workers Dance - 1982 - 159 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fwollongong-out-of-workers-dance) [ - Archives - The Lambent Flame - 1974 - 32 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fthe-lambent-flame) [ - Archives - Ducats Milk Packaging - 1980s - 74 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fducats-milk-packaging) [ - Archives - Rural Research in CSIRO - 1970s - 197 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Frural-research-in-csiro) [ - Archives - ABPA Book Design Awards Annual 1978\u002F79 - 1979 - 57 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fabpa-book-design-awards-197879) [ - Archives - Pelaco - 1964 - 178 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fpelaco) [ - Archives - Aird Taylor Associates - 1960s - 107 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fatal-moving-notice) [ - Archives - All Australian Graffiti - 1975 - 124 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fall-australian-graphics) [ - Archives - Innova - 1978 - 59 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Finnova-newsletter) [ - Archives - IDCA 1965–66 Annual Report - 1966 - 170 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fidca-196566-annual-report) [ - Biographies - Lance Stirling - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Flance-stirling) [ - Archives - Aussie-Osities - 1988 - 157 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faussie-osities) [ - Archives - Fler Furniture - 1965 - 84 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Ffler-ad) [ - Archives - Miller - 1960s - 123 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmiller) [ - Archives - Sculpture – The Paddock - 1970 - 55 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmelbourne-university-sculpture-invite) [ - Archives - Finnskoga - 1970s - 127 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Ffinniskoga) [ - Archives - Art Director's Club of Melbourne Annual - 1969 - 144 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmelbourne-art-director-s-club-annual) [ - Archives - Gallery A Design group - 1962 - 131 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fgallery-a-design-group) [ - Biographies - Derek Wrigley - 1924–>2021 - W ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fderek-wrigley) [ - Archives - Ping Pong Ball Pack - 1960s - 50 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fping-pong-ball-pack) [ - Archives - Legacy 50th Anniversary - 1972 - 133 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Flegacy-50th-anniversary) [ - Retrospect - Barrie Tucker ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fbarrie-tucker) [ - Biographies - Heinz Grunwald - G ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fheinz-grunwald) [ - Biographies - Mimmo Cozzolino - 1949–> - C ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmimmo-cozzolino) [ - Archives - The Club - 1978 - 115 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fthe-club) [ - Archives - Reserve Bank Symbol & Artwork - 1960 - 190 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Freserve-bank-symbol) [ - Archives - Victorian Architect 34 - 1974 - 33 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fvictorian-architect-34) [ - Biographies - Brian Sadgrove - 1938–> - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fbrian-sadgrove) [ - Archives - Object & Idea - 1973 - 52 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fobject-idea) [ - Archives - Contemporary Art Society Exhibition - 1963 - 15 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fcontemporary-art-scoiety-exhibition-catalogue) [ - Archives - BP Maps - 1970s - 198 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fbp-maps) [ - Archives - Artificial Australia - 1967 - 180 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fartificial-australia) [ - Archives - A Walk Through Henry Talbot’s Head - 1968 - 148 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fa-walk-through-henry-talbot-s-head) [ - Retrospect - Garry Emery ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fretrospect-garry-emery) [ - Archives - National Bank Travel Booklet - 1970s - 1 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fnational-bank-travel-brochure) [ - Archives - Once Around the Sun - 1966 - 42 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fonce-around-the-sun) [ - Archives - Laminex Industries - 1980s - 136 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Flaminex-industries) [ - Archives - Candy Shoes - 1970s - 70 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fcandy-shoe-packaging) [ - Archives - Laugh or cry or yawn - 1970 - 193 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Flaugh-or-cry-or-yawn) [ - Biographies - Ken Cato - 1945–> - C ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fken-cato) [ - Archives - Recent International Forms in Art - 1976 - 138 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Frecent-international-forms-in-art) [ - Biographies - Les Mason - 1924–>2009 - M ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fles-mason) [ - Archives - Chelsea White Sugar - 1980s - 119 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fchelsea-white-sugar) [ - Biographies - Dianna Wells - 1961–> - W ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fdianna-wells) [ - Archives - Outlook - 1971 - 16 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Foutlook-exhibition-catalogue) [ - Biographies - Andy Schmid - S ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fandy-schmid) [ - Archives - The Prince Philip prize for Australian design ’68 - 1968 - 18 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fprince-philip-prize-advertisement) [ - Archives - State Bank SA - 1984 - 135 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fstate-bank-sa) [ - Archives - Liquid Air Welding Goggles - 1968 - 116 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fliquid-air-welding-goggles) [ - Archives - Alvin Purple - 1973 - 94 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Falvin-purple-logo) [ - Biographies - Geoff Digby - 1926–> - D ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fgeoff-digby) [ - Biographies - Max Robinson - 1934–> - R ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmax-robinson) [ - Biographies - Donald Fish - 1929–>2021 - F ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fdonald-fish) [ - Feature - POL ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fpol) [ - Feature - Visual Communications – the New Force in Art ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fvisual-communications-br-the-new-force-in-art) [ - Archives - Stepping Stones - 1983 - 38 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fstepping-stones-typeface) [ - Archives - RM Gow’s Washing Powder - 1979 - 7 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Frm-gow-s-washing-powder-packaging) [ - Biographies - Harry Williamson - 1940–> - W ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fharry-wiiliamson) [ - Archives - Harry Seidler 1955\u002F63 - 1963 - 3 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fharry-seidler) [ - Archives - Ludendorff - 1966 - 141 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fludendorff) [ - Archives - The Greatest Rally in Australia’s History - 1974 - 102 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fthe-greatest-rally) [ - Archives - Australian Conservation Foundation - 1972 - 4 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fconservation-logo) [ - Feature - Lyndon’s Roo ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Flyndon-s-roo) [ - Biographies - Richard Haughton ‘Jimmy’ James - 1906–>1985 - H ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Frichard-haughton-jimmy-james) [ - Archives - Picnic at Hanging Rock - 1967 - 43 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fpicnic-at-hanging-rock) [ - Archives - Department of Productivity - 1979–>1980 - 8 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fdaylight-at-work-brochure) [ - Archives - ICI Organic Chemistry - 1970s - 72 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fici-packaging) [ - Archives - MOMA Furlan Catalogue - 1962 - 25 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fmoma-furlan-catalogue) [ - Archives - Ballarat Gemini Art Promotion - 1960s - 12 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fballarat-gemini-art-promotion) [ - Archives - Australian Pottery - 1970 - 179 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faustralian-pottery) [ The advertising profession pays dues with a regularity befitting a well-ordered society. - Feature - Judge’s Thoughts ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Faciaa-judge-s-thoughts) [ - Archives - Young & Sensitive - 1963 - 48 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fyoung-sensitive) [ To sort out the valid from the vapid. We should hasten to establish our commercial credentials. Soon. - Essay - Arthur Leydin: AGDA Hall of Fame ](https:\u002F\u002Frecollection.com.au\u002Farticles\u002Fagda-hall-of-fame) [ - Archives - APPM Hold it! - 1974 - 47 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fappm-hold-it) [ - Archives - Theatre Australia - 1970s - 174 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Ftheatre-australia) [ - Archives - Bring Larks and Heroes - 1967 - 114 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fbring-larks-and-heroes) [ - Archives - OZ Magazine London Issue 1 - 1967 - 150 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Foz-london-issue-1) [ - Biographies - Pieter Huveneers - 1925–>2017 - H ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fpieter-huveneers) [ - Archives - Australian Productivity Council - 1980s - 161 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Faustralian-productivity-council) [ - Biographies - Marita Leuver - L ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Fmarita-leuver) [ - Biographies - Richard Beck - 1912–>1985 - B ](https:\u002F\u002Frecollection.com.au\u002Fbiographies\u002Frichard-beck) [ - Archives - Ecostatin 3 - 1980 - 79 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fecostatin-3-packaging) [ - Archives - Johnson Tiles - 1967 - 173 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fjohnson-tiles) [ - Archives - A Brief History of The National Bank - 1960s - 189 ](https:\u002F\u002Frecollection.com.au\u002Farchives\u002Fa-brief-history-of-the-national-bank) [ - Biographies - Ha …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. Designed and developed by Public Office. The overall color palette features White, Black, Gray. Built using jQuery, Modernizr, PHP, Ubuntu. AI description: Re:collection is a sophisticated digital archive dedicated to the preservation and study of Australian graphic design from 1960 to 1990. The platform serves as a curated repository for historians, designers, and students, offering deep dives into specific biographies, corporate identities, and historical archives that shaped the visual landscape of Australia during these pivotal decades. The visual identity is unapologetically editorial and high-concept, utilizing a stark, monochrome palette that mirrors the archival nature of its content. Through bold, oversized typography and a structured grid layout, the site creates a sense of authority and timelessness. The use of high-contrast black and white imagery, combined with a minimalist interface, ensures that the historical artifacts remain the primary focus, inviting users to explore the nuances of design history with academic rigor and aesthetic appreciation.",{"id":466,"website_id":467,"page_id":466,"name":468,"slug":469,"url":470,"website_name":468,"website_slug":469,"website_url":471,"result_url":470,"fetched_at":472,"score":473,"score_boost":334,"ai_score":473,"freshness_score":474,"scored_at":475,"page_name":44,"page_url":470,"page_title":468,"page_description":476,"page_content":477,"page_sort":334,"is_home":340,"is_home_rank":341,"page_type_id":342,"page_type_name":50,"cover":478,"cover_mobile":481,"cover_sequence":483,"translations":487,"industry":490,"styles":491,"credits":493,"font_families":496,"technologies":498,"pagespeed":501,"pagespeed_mobile":507,"buckets":513,"search_payload":514},"f350277c-969e-4d9b-a9df-776a197eda75","d428f565-a514-4a5c-97f9-fe789802a640","Co Projects","co-projects","https:\u002F\u002Fco-projects.xyz\u002F","https:\u002F\u002Fco-projects.xyz","2026-05-24T21:38:48.000Z",84,1779658728,"2026-05-24T21:39:49.000Z","Co Projects is a research-based design studio, investigating relationships and connections between objects, the materials they are made of and the narratives of people and places woven into them.","Co Projects Builder About Co ProjectsMenu Co ProjectsBuilderAbout✕ 001 (Brick and Smoke) Collection of stacked candle holders and aluminium tubes Photo: Thomas Adank Collection of stacked candle holders and aluminium tubes Photo: Thomas Adank Set 1 with yellow candles Set 1 Charcoal and resin Yellow london brick and resin Cut and finished aluminium tube Photo: Thomas Adank Set 1 with yellow candles Set 1 Charcoal and resin Yellow london brick and resin Cut and finished aluminium tube Photo: Thomas Adank Set 2 with yellow candles Set 2 Charcoal and resin Red london brick and resin Cut and finished aluminium tube Photo: Thomas Adank Set 2 with yellow candles Set 2 Charcoal and resin Red london brick and resin Cut and finished aluminium tube Photo: Thomas Adank Born out of the frustration with the last bit of wax that always gets stuck at the bottom of a candle holder, Co 001 (Brick and Smoke) is a candle holder that consists of modular parts – a base which cylinders of varying heights, diameters and colours slot over. The design playfully reconsiders a familiar object to enable easy removal of the wax, whilst allowing for a variety of sculptural configurations. Created exclusively for Atelier100\\[↗\\], the material palette is an ode to London. Cast into new forms, fragments of the city and surrounding area tell stories of the materials’ former lives and the Londoners who are transforming and giving them new purpose. Red London bricks stacked on blue pallet \\[01\\] London Reclaimed Brick Merchants Uxbridge, London Red London bricks stacked on blue pallet \\[01\\] London Reclaimed Brick Merchants Uxbridge, London Smoke emitted from charcoal kiln in sunlit forest \\[02\\] Steven Robinson making charcoal Wakehurst, Sussex Smoke emitted from charcoal kiln in sunlit forest \\[02\\] Steven Robinson making charcoal Wakehurst, Sussex Brick Pile of broken red and yellow London bricks on paving slab \\[03\\] Waste sourced from London Reclaimed Brick Merchants (LRBM) is used as an aggregate for the cast resin parts in the Brick set. The family-run brick yard prides itself in reclaiming as much immaculate London brick as possible when demolishing buildings. We have used the broken bits destined for the skip as well as dust from brick cutting to give fragments of a former building a new life. Pile of broken red and yellow London bricks on paving slab \\[03\\] Waste sourced from London Reclaimed Brick Merchants (LRBM) is used as an aggregate for the cast resin parts in the Brick set. The family-run brick yard prides itself in reclaiming as much immaculate London brick as possible when demolishing buildings. We have used the broken bits destined for the skip as well as dust from brick cutting to give fragments of a former building a new life. B&W photo of clay miners standing in row holding spades and pick axes \\[04\\] Unearthing London clay and firing it into brick preserves within it the record of the time and environment of its creation. An indigenous building material which can range in colour from rust, beige, grey, brown and even black is a material map of the uneven distribution of mineral deposits caused by the ebb and flow of the Thames as the river makes its way through the London basin. B&W photo of clay miners standing in row holding spades and pick axes \\[04\\] Unearthing London clay and firing it into brick preserves within it the record of the time and environment of its creation. An indigenous building material which can range in colour from rust, beige, grey, brown and even black is a material map of the uneven distribution of mineral deposits caused by the ebb and flow of the Thames as the river makes its way through the London basin. B&W photo of workers loading up London Brick Company truck \\[05\\] As Penelope Lively observed in ‘City of the Mind’ the variety of hues in the brick exhibits a ‘range of colour, the uneven look, the way in which each brick differed from its neighbour and yet was in subtle harmony. But, more that that, to look at it was to see the way in which this wall arose from the ashes of many buildings.’ B&W photo of workers loading up London Brick Company truck \\[05\\] As Penelope Lively observed in ‘City of the Mind’ the variety of hues in the brick exhibits a ‘range of colour, the uneven look, the way in which each brick differed from its neighbour and yet was in subtle harmony. But, more that that, to look at it was to see the way in which this wall arose from the ashes of many buildings.’ Photograph of London red brick identification \\[06\\] Sophie Wilbraham from LRBM telling us which former building each brick originates from. Photograph of London red brick identification \\[06\\] Sophie Wilbraham from LRBM telling us which former building each brick originates from. Brick dust \\[07\\] Dust from brick cutting collected for us by LRBM. Brick dust \\[07\\] Dust from brick cutting collected for us by LRBM. Red London brick from a demolished building in Wimbledon, selected for our Red Brick set \\[08\\] Red London brick from a demolished building in Wimbledon, selected for our Red Brick set. Red London brick from a demolished building in Wimbledon, selected for our Red Brick set \\[08\\] Red London brick from a demolished building in Wimbledon, selected for our Red Brick set. Yellow stock brick from a demolished building in Peckham, selected for our Yellow Brick set \\[09\\] Yellow stock brick from a demolished building in Peckham, selected for our Yellow Brick set. Yellow stock brick from a demolished building in Peckham, selected for our Yellow Brick set \\[09\\] Yellow stock brick from a demolished building in Peckham, selected for our Yellow Brick set. ![](https:\u002F\u002Fimage.mux.com\u002Fh15J027qXyPpvRB3pJEcBI023M0102aczu2G1a36K2exlMw\u002Fthumbnail.jpg?time=0 ) \\[10\\] Breaking down London stock brick. ![](https:\u002F\u002Fimage.mux.com\u002Fh15J027qXyPpvRB3pJEcBI023M0102aczu2G1a36K2exlMw\u002Fthumbnail.jpg?time=0 ) \\[10\\] Breaking down London stock brick. Metal sieve containing particles of yellow brick dust \\[11\\] Testing particle size for aggregate. Metal sieve containing particles of yellow brick dust \\[11\\] Testing particle size for aggregate. Smoke ![](https:\u002F\u002Fimage.mux.com\u002FPyHZvIRwXL8t86SyXZvnOL017AuAk9iV2M75WjIzkCwA\u002Fthumbnail.jpg?time=0 ) \\[12\\] The dust we have used as an aggregate in the Smoke set is a by-product of ranger Steven Robinson’s charcoal production in Wakehurst, a wild botanic garden in the heart of Sussex which is connected to Kew Gardens. ![](https:\u002F\u002Fimage.mux.com\u002FPyHZvIRwXL8t86SyXZvnOL017AuAk9iV2M75WjIzkCwA\u002Fthumbnail.jpg?time=0 ) \\[12\\] The dust we have used as an aggregate in the Smoke set is a by-product of ranger Steven Robinson’s charcoal production in Wakehurst, a wild botanic garden in the heart of Sussex which is connected to Kew Gardens. B&W photograph of past charcoal producing method using mounds of sand as a furnace \\[13\\] Ancient and sustainable methods have been practiced in this region for centuries to support the UK’s iron industry, which thrived from pre- roman times through to the 18th century. B&W photograph of past charcoal producing method using mounds of sand as a furnace \\[13\\] Ancient and sustainable methods have been practiced in this region for centuries to support the UK’s iron industry, which thrived from pre- roman times through to the 18th century. Logs of British Ash wood before being processes which have been felled to prevent the spread of Ash Dieback \\[14\\] Currently Steven is processing British Ash that was felled to prevent the spread of Ash Dieback, a disease of ash trees, caused by a fungus now called Hymenoscyphus fraxineus. Logs of British Ash wood before being processes which have been felled to prevent the spread of Ash Dieback \\[14\\] Currently Steven is processing British Ash that was felled to prevent the spread of Ash Dieback, a disease of ash trees, caused by a fungus now called Hymenoscyphus fraxineus. Charcoal kiln being loaded with ash wood \\[15\\] Loading the kiln in preparation for charcoal production. Charcoal kiln being loaded with ash wood \\[15\\] Loading the kiln in preparation for charcoal production. ![Charcoal kiln](https:\u002F\u002Fcdn.sanity.io\u002Fi …",{"id":479,"height":13,"width":12,"blurhash":480},"3cc912c8-81ef-4904-a730-549c12476752","radial-gradient(at 0 0,#cfcfcf,#00000000 50%),radial-gradient(at 33% 0,#c6c6c6,#00000000 50%),radial-gradient(at 67% 0,#7e7e7e,#00000000 50%),radial-gradient(at 100% 0,#9b9b9b,#00000000 50%),radial-gradient(at 0 50%,#bababa,#00000000 50%),radial-gradient(at 33% 50%,#a7a7a7,#00000000 50%),radial-gradient(at 67% 50%,#b0b0b0,#00000000 50%),radial-gradient(at 100% 50%,#bbbbbb,#00000000 50%),radial-gradient(at 0 100%,#bdbdbd,#00000000 50%),radial-gradient(at 33% 100%,#a8a8a8,#00000000 50%),radial-gradient(at 67% 100%,#adadad,#00000000 50%),radial-gradient(at 100% 100%,#b9b9b9,#00000000 50%)",{"id":482,"height":15,"width":14,"blurhash":57},"6eac52e4-8dce-4263-80bc-33ada273a8d3",[484],{"directus_files_id":485},{"id":486},"01b5c87b-446a-4512-b47f-0e3118d93f0a",[488],{"languages_code":441,"description":489},"Co Projects is a research-driven design studio that operates at the intersection of material science, object design, and human narrative. The studio focuses on the profound connections between physical matter and the stories of people and places, positioning itself as a thoughtful investigator of the tangible world.\n\nThe visual identity is unapologetically bold and reductionist, utilizing massive, high-contrast geometric forms that command immediate attention. By leaning into a stark monochrome palette and oversized typographic elements, the brand communicates a sense of intellectual rigor and avant-garde sophistication, appealing to a discerning audience of architects, curators, and design enthusiasts.","Agency & Studio",[492,29,445],"Brutalist \u002F Neo-Brutalist",[494,495],"Nina Jua Klein Studio","Simon Wilson",[497],"OT Alpha",[499,244,247,500],"Hydrogen","Vite",[502,504,505,506],{"score":503,"category":78},68,{"score":183,"category":81},{"score":82,"category":84},{"score":335,"category":87},[508,510,511,512],{"score":509,"category":78},70,{"score":183,"category":81},{"score":82,"category":84},{"score":335,"category":87},[97,105,101],"Website: Co Projects. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Co Projects. Page description: Co Projects is a research-based design studio, investigating relationships and connections between objects, the materials they are made of and the narratives of people and places woven into them.. Page content: Co Projects Builder About Co ProjectsMenu Co ProjectsBuilderAbout✕ 001 (Brick and Smoke) Collection of stacked candle holders and aluminium tubes Photo: Thomas Adank Collection of stacked candle holders and aluminium tubes Photo: Thomas Adank Set 1 with yellow candles Set 1 Charcoal and resin Yellow london brick and resin Cut and finished aluminium tube Photo: Thomas Adank Set 1 with yellow candles Set 1 Charcoal and resin Yellow london brick and resin Cut and finished aluminium tube Photo: Thomas Adank Set 2 with yellow candles Set 2 Charcoal and resin Red london brick and resin Cut and finished aluminium tube Photo: Thomas Adank Set 2 with yellow candles Set 2 Charcoal and resin Red london brick and resin Cut and finished aluminium tube Photo: Thomas Adank Born out of the frustration with the last bit of wax that always gets stuck at the bottom of a candle holder, Co 001 (Brick and Smoke) is a candle holder that consists of modular parts – a base which cylinders of varying heights, diameters and colours slot over. The design playfully reconsiders a familiar object to enable easy removal of the wax, whilst allowing for a variety of sculptural configurations. Created exclusively for Atelier100\\[↗\\], the material palette is an ode to London. Cast into new forms, fragments of the city and surrounding area tell stories of the materials’ former lives and the Londoners who are transforming and giving them new purpose. Red London bricks stacked on blue pallet \\[01\\] London Reclaimed Brick Merchants Uxbridge, London Red London bricks stacked on blue pallet \\[01\\] London Reclaimed Brick Merchants Uxbridge, London Smoke emitted from charcoal kiln in sunlit forest \\[02\\] Steven Robinson making charcoal Wakehurst, Sussex Smoke emitted from charcoal kiln in sunlit forest \\[02\\] Steven Robinson making charcoal Wakehurst, Sussex Brick Pile of broken red and yellow London bricks on paving slab \\[03\\] Waste sourced from London Reclaimed Brick Merchants (LRBM) is used as an aggregate for the cast resin parts in the Brick set. The family-run brick yard prides itself in reclaiming as much immaculate London brick as possible when demolishing buildings. We have used the broken bits destined for the skip as well as dust from brick cutting to give fragments of a former building a new life. Pile of broken red and yellow London bricks on paving slab \\[03\\] Waste sourced from London Reclaimed Brick Merchants (LRBM) is used as an aggregate for the cast resin parts in the Brick set. The family-run brick yard prides itself in reclaiming as much immaculate London brick as possible when demolishing buildings. We have used the broken bits destined for the skip as well as dust from brick cutting to give fragments of a former building a new life. B&W photo of clay miners standing in row holding spades and pick axes \\[04\\] Unearthing London clay and firing it into brick preserves within it the record of the time and environment of its creation. An indigenous building material which can range in colour from rust, beige, grey, brown and even black is a material map of the uneven distribution of mineral deposits caused by the ebb and flow of the Thames as the river makes its way through the London basin. B&W photo of clay miners standing in row holding spades and pick axes \\[04\\] Unearthing London clay and firing it into brick preserves within it the record of the time and environment of its creation. An indigenous building material which can range in colour from rust, beige, grey, brown and even black is a material map of the uneven distribution of mineral deposits caused by the ebb and flow of the Thames as the river makes its way through the London basin. B&W photo of workers loading up London Brick Company truck \\[05\\] As Penelope Lively observed in ‘City of the Mind’ the variety of hues in the brick exhibits a ‘range of colour, the uneven look, the way in which each brick differed from its neighbour and yet was in subtle harmony. But, more that that, to look at it was to see the way in which this wall arose from the ashes of many buildings.’ B&W photo of workers loading up London Brick Company truck \\[05\\] As Penelope Lively observed in ‘City of the Mind’ the variety of hues in the brick exhibits a ‘range of colour, the uneven look, the way in which each brick differed from its neighbour and yet was in subtle harmony. But, more that that, to look at it was to see the way in which this wall arose from the ashes of many buildings.’ Photograph of London red brick identification \\[06\\] Sophie Wilbraham from LRBM telling us which former building each brick originates from. Photograph of London red brick identification \\[06\\] Sophie Wilbraham from LRBM telling us which former building each brick originates from. Brick dust \\[07\\] Dust from brick cutting collected for us by LRBM. Brick dust \\[07\\] Dust from brick cutting collected for us by LRBM. Red London brick from a demolished building in Wimbledon, selected for our Red Brick set \\[08\\] Red London brick from a demolished building in Wimbledon, selected for our Red Brick set. Red London brick from a demolished building in Wimbledon, selected for our Red Brick set \\[08\\] Red London brick from a demolished building in Wimbledon, selected for our Red Brick set. Yellow stock brick from a demolished building in Peckham, selected for our Yellow Brick set \\[09\\] Yellow stock brick from a demolished building in Peckham, selected for our Yellow Brick set. Yellow stock brick from a demolished building in Peckham, selected for our Yellow Brick set \\[09\\] Yellow stock brick from a demolished building in Peckham, selected for our Yellow Brick set. ![](https:\u002F\u002Fimage.mux.com\u002Fh15J027qXyPpvRB3pJEcBI023M0102aczu2G1a36K2exlMw\u002Fthumbnail.jpg?time=0 ) \\[10\\] Breaking down London stock brick. ![](https:\u002F\u002Fimage.mux.com\u002Fh15J027qXyPpvRB3pJEcBI023M0102aczu2G1a36K2exlMw\u002Fthumbnail.jpg?time=0 ) \\[10\\] Breaking down London stock brick. Metal sieve containing particles of yellow brick dust \\[11\\] Testing particle size for aggregate. Metal sieve containing particles of yellow brick dust \\[11\\] Testing particle size for aggregate. Smoke ![](https:\u002F\u002Fimage.mux.com\u002FPyHZvIRwXL8t86SyXZvnOL017AuAk9iV2M75WjIzkCwA\u002Fthumbnail.jpg?time=0 ) \\[12\\] The dust we have used as an aggregate in the Smoke set is a by-product of ranger Steven Robinson’s charcoal production in Wakehurst, a wild botanic garden in the heart of Sussex which is connected to Kew Gardens. ![](https:\u002F\u002Fimage.mux.com\u002FPyHZvIRwXL8t86SyXZvnOL017AuAk9iV2M75WjIzkCwA\u002Fthumbnail.jpg?time=0 ) \\[12\\] The dust we have used as an aggregate in the Smoke set is a by-product of ranger Steven Robinson’s charcoal production in Wakehurst, a wild botanic garden in the heart of Sussex which is connected to Kew Gardens. B&W photograph of past charcoal producing method using mounds of sand as a furnace \\[13\\] Ancient and sustainable methods have been practiced in this region for centuries to support the UK’s iron industry, which thrived from pre- roman times through to the 18th century. B&W photograph of past charcoal producing method using mounds of sand as a furnace \\[13\\] Ancient and sustainable methods have been practiced in this region for centuries to support the UK’s iron industry, which thrived from pre- roman times through to the 18th century. Logs of British Ash wood before being processes which have been felled to prevent the spread of Ash Dieback \\[14\\] Currently Steven is processing British Ash that was felled to prevent the spread of Ash Dieback, a disease of ash trees, caused by a fungus now called Hymenoscyphus fraxineus. Logs of British Ash wood before being processes which have been felled to prevent the spread of Ash Dieback \\[14\\] Currently Steven is processing British Ash that was felled to prevent the spread of Ash Dieback, a disease of ash trees, caused by a fungus now called Hymenoscyphus fraxineus. Charcoal kiln being loaded with ash wood \\[15\\] Loading the kiln in preparation for charcoal production. Charcoal kiln being loaded with ash wood \\[15\\] Loading the kiln in preparation for charcoal production. ![Charcoal kiln](https:\u002F\u002Fcdn.sanity.io\u002Fi …. A Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Typographic \u002F Big Type website in the Agency & Studio industry. Designed by Nina Jua Klein Studio, developed by Simon Wilson. The overall color palette features Black, White, Gray. The typography features OT Alpha (Omnitype). Built using Hydrogen, React, Shopify, Vite. AI description: Co Projects is a research-driven design studio that operates at the intersection of material science, object design, and human narrative. The studio focuses on the profound connections between physical matter and the stories of people and places, positioning itself as a thoughtful investigator of the tangible world. The visual identity is unapologetically bold and reductionist, utilizing massive, high-contrast geometric forms that command immediate attention. By leaning into a stark monochrome palette and oversized typographic elements, the brand communicates a sense of intellectual rigor and avant-garde sophistication, appealing to a discerning audience of architects, curators, and design enthusiasts.",{"id":516,"website_id":517,"page_id":516,"name":518,"slug":519,"url":520,"website_name":518,"website_slug":519,"website_url":521,"result_url":520,"fetched_at":522,"score":182,"score_boost":334,"ai_score":138,"freshness_score":82,"scored_at":523,"page_name":44,"page_url":520,"page_title":524,"page_description":57,"page_content":525,"page_sort":334,"is_home":340,"is_home_rank":341,"page_type_id":342,"page_type_name":50,"cover":526,"cover_mobile":529,"cover_sequence":531,"translations":535,"industry":443,"styles":538,"credits":540,"font_families":542,"technologies":543,"pagespeed":544,"pagespeed_mobile":550,"buckets":556,"search_payload":558},"70222d17-a6b4-4c97-b9d4-6dd375332982","da96d78d-f40a-4c03-b93e-43e4fdeb15a7","Plot Twist","pplottwistt","https:\u002F\u002Fpplottwistt.com\u002F","https:\u002F\u002Fpplottwistt.com","2026-05-23T19:23:26.000Z","2026-05-23T19:24:13.000Z","plot twist","Info - _plot twist_ was initiated by Jo Kali and Georgie Sinclair in 2018. From 2018 - 2020 it was held at fanfare, but the third season, which begins in November 2020, will take place online. - We borrow from Sara Ahmed’s citation policy in _Living a Feminist Life_, in which she encourages us to view citations as (re)productive technologies – a tool that circumscribes the world around certain bodies. As such, we prioritise the work of women, trans, non-binary, queer, black, indigenous, POC, working-class, disabled, and other marginalised bodies in our resources and reading materials: “Citations can be feminist bricks: they are the materials through which, from which, we create our dwellings.” Ahmed, _Living a Feminist Life_, p.16. - Announcements for our reading groups are sent to our mailing list every month, to which you must RSVP in order to participate. - There is a maximum of 12 spots for each session which are offered on a first come first serve basis. - All resources and materials are provided digitally prior to each session. - Meetings are held in English. - _fanfare_, our host venue for our in-person events and reading groups, is on the ground floor and wheelchair accessible. - _plot twist_ aims to offer a safe space for everyone involved. Any form of bigotry – racism, sexism, classism, homophobia, transphobia and ableism – is not tolerated, and you will be asked you to leave if you behave in a way that offends or upsets others. - See our community guidelines for more info on how we run things. - Occasionally, we organise public activities and events, which are announced via our social media channels. News July 13 2021 EMBRACING VALUE Max Haiven writes that western society is suffering a crisis of imagination, with the seamless spread of capitalism into every part of our lives. In the next and final session of the season, we are reading from the zine Radical Care: Embracing Feminist Finance, to challenge our thinking about money, explore ideas about finance that lie outside of our current economic paradigm, and think about how these may be put into practice. Within capitalism, economic systems impact us all yet they can often seem far removed or complex to the point of abstraction. For this session, you will need no prior knowledge of these topics as we will be learning together. We will look to hopeful models – such as open value cooperation and local currencies – to embrace different values, with a focus on locality, cooperation, and care. The zine asks the question: \"If you could break down one patriarchal structure within the current economic paradigm, which would it be and what would you replace it with?\" To answer this, we can look at suggested models from the zine and supporting texts, such as gift economies to social and artistic initiatives, to speculate on new ecosystems of value. Hosted by Kate Frances Lingard and Rebecca Gill Reading List July 2021 Radical Care: Embracing Feminist Finance Amateur Cities in collaboration with The Institute of Network Cultures News May 31 2021 BAD READER BAD READER\\ is an ongoing study group dedicated to exploring phenomenologies, politics, and practices of reading. The project is rooted in a desire to better understand our attachments and relationships to the textual form, and engage with wider questions around meaning, language, semiotics, citation, forms of writing, and alternative ways of knowing. In the first iteration of the BAD READER series, we will read Lydia Davis’ ‘Fragmentary or Unfinished’ from her latest essay collection Essays (2019), alongside a few passages from Roland Barthes’ The Pleasure of the Text (1973). Davis’ essay looks at the fragmentary text to ask questions about the idea of wholeness or completion in a work, and how the form lends itself to grief, thinking (as a process), incoherency, and the destruction of narrative. In The Pleasure of the Text, Barthes theorises on what it means to enjoy a text, insisting on the importance of developing an erotics of reading. It is also written in fragments ;-). \\BAD READER is a series of reading sessions organised by Jo Kali and Georgie Sinclair. It will be integrated periodically (as and when fit) into the plot twist programme between 2021-2022. Reading sessions are non-committal; you do not need to have participated in previous or plan to attend future iterations of BAD READER to join. We hope to share more information on the expanded programme soon. Reading List May 2021 'Fragmentary or Unfinished' from Essays Lydia Davis The Pleasure of the Text Roland Barthes News May 5 2020 THIS IS WHAT THE TRUTH FEELS LIKE \"it is often said that the internet is full of disinformation, but what is deemed disinformation in the eyes of one, is truthful and important information in the eyes of another. everyone should be able to establish their own truths. but at the same time, speaking for myself (Sarah), when people adhere to certain truths that i do not share (such as hard-core anti-vaxxers), i can become agitated or impatient. in this session, we will ask questions such as: what makes something ‘true’? what different types of truths exist? is it important to have shared truths? and when is it reasonable to try to correct someone’s personal truths?\" Hosted by Sarah Eskens Reading List May 2021 The State of the Fact The Believer w\u002F Morgan Parker & Rachel Khong Private Fears in Public Space Lida Maxwell The yoga world is riddled with anti-vaxxers and QAnon believers Cécile Guerin Seeking After Truth bell hooks If women are hesitant about the vaccine, it's because the health industry hasn't earned their trust Araw Mahdawi Why we can't have our facts back Noortje Marres News April 6 2021 TENDING RETREAT ‘I am becoming part of his vegetal network too.’- Rebecca May Johnson In this session, we will explore the utopian potentials of land cultivation: the possibilities and pitfalls of retreating to the garden. Since March 2020, desires for the bucolic escape of #cottagecore have filtered across the socials- images of gardening, allotments, and analogue forms of domestic living offering both an aesthetic respite, and a stark contrast, to the varied experiences of an urban lockdown. Looking at various forms of pastoral maintenance we will discuss the ways these texts use land to explore themes of care, escape, and community- in addition to problematising the political undertones these trends can gesture to. How might issues of land ownership, climate grief, and gendered forms of care intertwine in a desire to grow our own herbs? Hosted by Loren Ewart Reading List April 2021 The Disturbances of the Garden Jamaica Kincaid Qualities of Earth Rebecca May Johnson Why queer teens are embracing cottagecore i-D News March 2 2021 Collective reading and discussion of Unknown Language by Huw Lemmey & Hildegard von Bingen \"Long before the collapse of the Information Age, in the twelfth century since the appearance of the prophet Christ, young Hildegard finds grace. In this story of survival and miracles, Hildegard encounters love, both queer and divine, and great peril. As the visionary healer travels through the unfamiliar landscape following a great cataclysm, she discovers the mythic quantum energy of viriditas in the natural world around her. Her journey becomes one of return, to the sacred truth of her own being. Hildegard’s tale is received in the plague year of 2020 by Alice Spawls, and then in the next century, in a sea cave with cracked amethyst walls. On planet Avaaz, once known as Earth, Bhanu Kapil’s Pinky Agarwalia finds fragments of a beautiful codex. Lingua Ignota, Hildegard's unknown language, bears seeds of renewal for a world in flux.\" Reading List March 2021 Unknown Language Huw Lemmey & Hildegard von Bingen News February 19 2021 OUT NOW: PLOT TWIST II plot twist ii is an anthology of short stories and essays from the hosts of our 2019-2020 programme. Our work as a reading group is often intangible to those who don't participate in the sessions, so – in lieu of our intended public event last summer – we chose to produce something in print to share with a wider audience. plot twist ii includes: - meditations on privacy, work, failure, and friendship - a sci-fi tale in four acts - auto-theory on books that 'stick' - two essays on food and the cultural politics of disgust - sensory creative fiction on dizziness and giddiness - an illustrated guide on practicing empathy - extended reading lists of our reading groups 2019-2020 - a BEAUTIFUL A3 limited-edition riso printed poster With contributions from Andreea Breazu, Angelica Sgouros, Elisa Grasso, Georgie Sinclair, Jo Kali, Juliette Lizotte, Loren Ewart, Lucia Dove, Naomi Credé, Rosie Haward, and Sarah Eskens. Designed by Juliette Lizotte and Lucie de Bréchard. It would mean the world to us if you could support us and these small book shops by buying a copy! San Serriffe (@sanserriffe) in Amsterdam, NL Rile\\* (rile.space) in Brussels, BE Good Press(good.press) in Glasgow, UK News February 2 2021 REMEMBERING, BARELY Lowkey writing workshop focused on autobiographical memory-writing Writing memories can change our perception of how life was. Feelings we might feel somewhat estranged from in this state of locked-up “half-living”, such as shame, desire, joy and loss are mediated through the temporal distance from our ‘other selves’. In this session, by looking at different writers’ approaches to memory-writing, we will experiment with what it means to remember. How do we write our past selves? The way memories feel might change over time: seen from a distance, we can put memories into their political, class or cultural context, like scattered pieces of a puzzle. Hosted by Ida Blom Reading List February 2021 from The Happening Annie Ernaux from Cockroaches Scholastique Mukasonga from Childhood Tove Ditlevsen News January 6 2020 CRIP-TIME: BENDING THE CLOCK “Crip time is flex time not just expanded but exploded; it requires re-imagining our notions of what can and should happen in time, or recognizing how expectations of 'how long things take' are based on very particular minds and bodies. Rather than bend disabled bodies and minds to meet the clock, crip time bends the clock to meet disabled bodies and minds.\" Alison Kafer In this session, we will think through the notion of ‘Crip Time’. Our brains and bodies all process and understand time in different ways, but for some people there is a heightened disparity between theirs and “regular” (often ableist) visions of time in daily life. In a culture where productivity and an attitude of “getting stuff done” is also a measure of self-worth, it’s important to recognise how these feed into and perpetuate the pathologization of people with disabilities. Being late, not finishing, sleeping too much or at irregular hours all spring from the same rigid and exclusionary sense that time is organised and experienced by everybody in the same way. Hosted by Elisa Grasso Reading List January 2020 Feminist Queer Crip Alison Kafer Six ways of looking at crip time Ellen Samuels The value of 'crip time': Discarding notions of productivity and guilt, to listen to the rhythms of our bodies Srinidhi Raghavan News December 8 2020 ATTENTION IS THE BEGINNING OF DEVOTION “Understand from the first this certainty. Butterflies don’t write books, neither do lilies or violets. Which doesn’t mean they don’t know, in their own way, what the …",{"id":527,"height":13,"width":12,"blurhash":528},"665e96c3-d671-4548-9d10-d438d44135aa","radial-gradient(at 0 0,#b3ac4e,#00000000 50%),radial-gradient(at 33% 0,#bfbba2,#00000000 50%),radial-gradient(at 67% 0,#eae98d,#00000000 50%),radial-gradient(at 100% 0,#efee00,#00000000 50%),radial-gradient(at 0 50%,#adb04f,#00000000 50%),radial-gradient(at 33% 50%,#aaaa8a,#00000000 50%),radial-gradient(at 67% 50%,#dbd974,#00000000 50%),radial-gradient(at 100% 50%,#e9e800,#00000000 50%),radial-gradient(at 0 100%,#b2b068,#00000000 50%),radial-gradient(at 33% 100%,#ceceb6,#00000000 50%),radial-gradient(at 67% 100%,#f3f49e,#00000000 50%),radial-gradient(at 100% 100%,#eeee00,#00000000 50%)",{"id":530,"height":15,"width":14,"blurhash":57},"5c09d851-04e7-4205-b5b7-d7cd8de6bf10",[532],{"directus_files_id":533},{"id":534},"e3f50637-5bc5-4157-bcf3-bbe4e3d3ba9f",[536],{"languages_code":441,"description":537},"Plot Twist is a vibrant digital hub serving as a literary collective, reading group, and alternative learning space. The website functions as a portal for creative intellectualism, bridging the gap between traditional publishing and modern internet-native community building. It positions itself as a sanctuary for readers and thinkers looking for unconventional educational experiences and curated literary content.\n\nThe visual identity is unapologetically bold, utilizing a high-contrast color palette dominated by a saturated electric yellow. The design leans into a neo-brutalist aesthetic, characterized by oversized, expressive serif typography and a raw, unpolished layout that prioritizes character over conventional corporate structure. This stylistic choice creates an immediate sense of artistic intentionality, appealing to a creative, avant-garde audience of writers, readers, and lifelong learners.",[492,539,445],"Fun \u002F Playful",[541],"Ben West",[],[241],[545,547,548,549],{"score":546,"category":78},93,{"score":335,"category":81},{"score":82,"category":84},{"score":336,"category":87},[551,553,554,555],{"score":552,"category":78},94,{"score":335,"category":81},{"score":82,"category":84},{"score":336,"category":87},[557,97,105,101],"yellow","Website: Plot Twist. Page: Homepage. Page type: Home \u002F Landing Page. Page title: plot twist. Page content: Info - _plot twist_ was initiated by Jo Kali and Georgie Sinclair in 2018. From 2018 - 2020 it was held at fanfare, but the third season, which begins in November 2020, will take place online. - We borrow from Sara Ahmed’s citation policy in _Living a Feminist Life_, in which she encourages us to view citations as (re)productive technologies – a tool that circumscribes the world around certain bodies. As such, we prioritise the work of women, trans, non-binary, queer, black, indigenous, POC, working-class, disabled, and other marginalised bodies in our resources and reading materials: “Citations can be feminist bricks: they are the materials through which, from which, we create our dwellings.” Ahmed, _Living a Feminist Life_, p.16. - Announcements for our reading groups are sent to our mailing list every month, to which you must RSVP in order to participate. - There is a maximum of 12 spots for each session which are offered on a first come first serve basis. - All resources and materials are provided digitally prior to each session. - Meetings are held in English. - _fanfare_, our host venue for our in-person events and reading groups, is on the ground floor and wheelchair accessible. - _plot twist_ aims to offer a safe space for everyone involved. Any form of bigotry – racism, sexism, classism, homophobia, transphobia and ableism – is not tolerated, and you will be asked you to leave if you behave in a way that offends or upsets others. - See our community guidelines for more info on how we run things. - Occasionally, we organise public activities and events, which are announced via our social media channels. News July 13 2021 EMBRACING VALUE Max Haiven writes that western society is suffering a crisis of imagination, with the seamless spread of capitalism into every part of our lives. In the next and final session of the season, we are reading from the zine Radical Care: Embracing Feminist Finance, to challenge our thinking about money, explore ideas about finance that lie outside of our current economic paradigm, and think about how these may be put into practice. Within capitalism, economic systems impact us all yet they can often seem far removed or complex to the point of abstraction. For this session, you will need no prior knowledge of these topics as we will be learning together. We will look to hopeful models – such as open value cooperation and local currencies – to embrace different values, with a focus on locality, cooperation, and care. The zine asks the question: \"If you could break down one patriarchal structure within the current economic paradigm, which would it be and what would you replace it with?\" To answer this, we can look at suggested models from the zine and supporting texts, such as gift economies to social and artistic initiatives, to speculate on new ecosystems of value. Hosted by Kate Frances Lingard and Rebecca Gill Reading List July 2021 Radical Care: Embracing Feminist Finance Amateur Cities in collaboration with The Institute of Network Cultures News May 31 2021 BAD READER BAD READER\\ is an ongoing study group dedicated to exploring phenomenologies, politics, and practices of reading. The project is rooted in a desire to better understand our attachments and relationships to the textual form, and engage with wider questions around meaning, language, semiotics, citation, forms of writing, and alternative ways of knowing. In the first iteration of the BAD READER series, we will read Lydia Davis’ ‘Fragmentary or Unfinished’ from her latest essay collection Essays (2019), alongside a few passages from Roland Barthes’ The Pleasure of the Text (1973). Davis’ essay looks at the fragmentary text to ask questions about the idea of wholeness or completion in a work, and how the form lends itself to grief, thinking (as a process), incoherency, and the destruction of narrative. In The Pleasure of the Text, Barthes theorises on what it means to enjoy a text, insisting on the importance of developing an erotics of reading. It is also written in fragments ;-). \\BAD READER is a series of reading sessions organised by Jo Kali and Georgie Sinclair. It will be integrated periodically (as and when fit) into the plot twist programme between 2021-2022. Reading sessions are non-committal; you do not need to have participated in previous or plan to attend future iterations of BAD READER to join. We hope to share more information on the expanded programme soon. Reading List May 2021 'Fragmentary or Unfinished' from Essays Lydia Davis The Pleasure of the Text Roland Barthes News May 5 2020 THIS IS WHAT THE TRUTH FEELS LIKE \"it is often said that the internet is full of disinformation, but what is deemed disinformation in the eyes of one, is truthful and important information in the eyes of another. everyone should be able to establish their own truths. but at the same time, speaking for myself (Sarah), when people adhere to certain truths that i do not share (such as hard-core anti-vaxxers), i can become agitated or impatient. in this session, we will ask questions such as: what makes something ‘true’? what different types of truths exist? is it important to have shared truths? and when is it reasonable to try to correct someone’s personal truths?\" Hosted by Sarah Eskens Reading List May 2021 The State of the Fact The Believer w\u002F Morgan Parker & Rachel Khong Private Fears in Public Space Lida Maxwell The yoga world is riddled with anti-vaxxers and QAnon believers Cécile Guerin Seeking After Truth bell hooks If women are hesitant about the vaccine, it's because the health industry hasn't earned their trust Araw Mahdawi Why we can't have our facts back Noortje Marres News April 6 2021 TENDING RETREAT ‘I am becoming part of his vegetal network too.’- Rebecca May Johnson In this session, we will explore the utopian potentials of land cultivation: the possibilities and pitfalls of retreating to the garden. Since March 2020, desires for the bucolic escape of #cottagecore have filtered across the socials- images of gardening, allotments, and analogue forms of domestic living offering both an aesthetic respite, and a stark contrast, to the varied experiences of an urban lockdown. Looking at various forms of pastoral maintenance we will discuss the ways these texts use land to explore themes of care, escape, and community- in addition to problematising the political undertones these trends can gesture to. How might issues of land ownership, climate grief, and gendered forms of care intertwine in a desire to grow our own herbs? Hosted by Loren Ewart Reading List April 2021 The Disturbances of the Garden Jamaica Kincaid Qualities of Earth Rebecca May Johnson Why queer teens are embracing cottagecore i-D News March 2 2021 Collective reading and discussion of Unknown Language by Huw Lemmey & Hildegard von Bingen \"Long before the collapse of the Information Age, in the twelfth century since the appearance of the prophet Christ, young Hildegard finds grace. In this story of survival and miracles, Hildegard encounters love, both queer and divine, and great peril. As the visionary healer travels through the unfamiliar landscape following a great cataclysm, she discovers the mythic quantum energy of viriditas in the natural world around her. Her journey becomes one of return, to the sacred truth of her own being. Hildegard’s tale is received in the plague year of 2020 by Alice Spawls, and then in the next century, in a sea cave with cracked amethyst walls. On planet Avaaz, once known as Earth, Bhanu Kapil’s Pinky Agarwalia finds fragments of a beautiful codex. Lingua Ignota, Hildegard's unknown language, bears seeds of renewal for a world in flux.\" Reading List March 2021 Unknown Language Huw Lemmey & Hildegard von Bingen News February 19 2021 OUT NOW: PLOT TWIST II plot twist ii is an anthology of short stories and essays from the hosts of our 2019-2020 programme. Our work as a reading group is often intangible to those who don't participate in the sessions, so – in lieu of our intended public event last summer – we chose to produce something in print to share with a wider audience. plot twist ii includes: - meditations on privacy, work, failure, and friendship - a sci-fi tale in four acts - auto-theory on books that 'stick' - two essays on food and the cultural politics of disgust - sensory creative fiction on dizziness and giddiness - an illustrated guide on practicing empathy - extended reading lists of our reading groups 2019-2020 - a BEAUTIFUL A3 limited-edition riso printed poster With contributions from Andreea Breazu, Angelica Sgouros, Elisa Grasso, Georgie Sinclair, Jo Kali, Juliette Lizotte, Loren Ewart, Lucia Dove, Naomi Credé, Rosie Haward, and Sarah Eskens. Designed by Juliette Lizotte and Lucie de Bréchard. It would mean the world to us if you could support us and these small book shops by buying a copy! San Serriffe (@sanserriffe) in Amsterdam, NL Rile\\* (rile.space) in Brussels, BE Good Press(good.press) in Glasgow, UK News February 2 2021 REMEMBERING, BARELY Lowkey writing workshop focused on autobiographical memory-writing Writing memories can change our perception of how life was. Feelings we might feel somewhat estranged from in this state of locked-up “half-living”, such as shame, desire, joy and loss are mediated through the temporal distance from our ‘other selves’. In this session, by looking at different writers’ approaches to memory-writing, we will experiment with what it means to remember. How do we write our past selves? The way memories feel might change over time: seen from a distance, we can put memories into their political, class or cultural context, like scattered pieces of a puzzle. Hosted by Ida Blom Reading List February 2021 from The Happening Annie Ernaux from Cockroaches Scholastique Mukasonga from Childhood Tove Ditlevsen News January 6 2020 CRIP-TIME: BENDING THE CLOCK “Crip time is flex time not just expanded but exploded; it requires re-imagining our notions of what can and should happen in time, or recognizing how expectations of 'how long things take' are based on very particular minds and bodies. Rather than bend disabled bodies and minds to meet the clock, crip time bends the clock to meet disabled bodies and minds.\" Alison Kafer In this session, we will think through the notion of ‘Crip Time’. Our brains and bodies all process and understand time in different ways, but for some people there is a heightened disparity between theirs and “regular” (often ableist) visions of time in daily life. In a culture where productivity and an attitude of “getting stuff done” is also a measure of self-worth, it’s important to recognise how these feed into and perpetuate the pathologization of people with disabilities. Being late, not finishing, sleeping too much or at irregular hours all spring from the same rigid and exclusionary sense that time is organised and experienced by everybody in the same way. Hosted by Elisa Grasso Reading List January 2020 Feminist Queer Crip Alison Kafer Six ways of looking at crip time Ellen Samuels The value of 'crip time': Discarding notions of productivity and guilt, to listen to the rhythms of our bodies Srinidhi Raghavan News December 8 2020 ATTENTION IS THE BEGINNING OF DEVOTION “Understand from the first this certainty. Butterflies don’t write books, neither do lilies or violets. Which doesn’t mean they don’t know, in their own way, what the …. A Brutalist \u002F Neo-Brutalist, Fun \u002F Playful, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features Yellow, Black, White, Gray. Built using PHP. AI description: Plot Twist is a vibrant digital hub serving as a literary collective, reading group, and alternative learning space. The website functions as a portal for creative intellectualism, bridging the gap between traditional publishing and modern internet-native community building. It positions itself as a sanctuary for readers and thinkers looking for unconventional educational experiences and curated literary content. The visual identity is unapologetically bold, utilizing a high-contrast color palette dominated by a saturated electric yellow. The design leans into a neo-brutalist aesthetic, characterized by oversized, expressive serif typography and a raw, unpolished layout that prioritizes character over conventional corporate structure. This stylistic choice creates an immediate sense of artistic intentionality, appealing to a creative, avant-garde audience of writers, readers, and lifelong learners.",{"id":560,"website_id":561,"page_id":560,"name":562,"slug":563,"url":564,"website_name":562,"website_slug":563,"website_url":565,"result_url":564,"fetched_at":566,"score":333,"score_boost":334,"ai_score":335,"freshness_score":567,"scored_at":568,"page_name":44,"page_url":564,"page_title":569,"page_description":570,"page_content":571,"page_sort":334,"is_home":340,"is_home_rank":341,"page_type_id":342,"page_type_name":50,"cover":572,"cover_mobile":575,"cover_sequence":577,"translations":659,"industry":662,"styles":663,"credits":665,"font_families":667,"technologies":668,"pagespeed":670,"pagespeed_mobile":675,"buckets":680,"search_payload":681},"fe637d67-6bd2-4477-b539-16c08e5a220d","f82c7014-5ce8-4268-ae5d-b297d5c06d91","Young & Norgate","young-and-norgate","https:\u002F\u002Fyoungandnorgate.com\u002F","https:\u002F\u002Fyoungandnorgate.com","2026-05-04T07:35:31.000Z",74,"2026-05-23T19:25:57.000Z","Award-Winning Furniture & Bespoke Interiors | Young & Norgate","Young & Norgate creates award-winning furniture and bespoke interiors with precision, care, and sustainability. Expert design, craftsmanship, and seamless installation.","What We Do [A kitchen with modern architecture Residential ](\u002Fwhat-we-do\u002Fresidential)[A restaurant bar with black outdoors. Commercial ](\u002Fwhat-we-do\u002Fcommercial)[A white kitchen and wooden dining table set. Kitchens ](\u002Fwhat-we-do\u002Fkitchens)[Chairs and table for dining. Furniture ](\u002Fwhat-we-do\u002Ffurniture) Who We Help [A room with blue chairs, tables, frames and carpets. Interior Designers ](\u002Fwho-we-help\u002Finterior-designers)[Rooms in treehouse with glass windows, greenery and sky. Architects ](\u002Fwho-we-help\u002Farchitects)[A room with couches, table, frames and large windows.%202.avif) Contractors ](\u002Fwho-we-help\u002Fcontractors)[A white kitchen set up Private Clients ](\u002Fwho-we-help\u002Fprivate-clients) [ Projects ](\u002Fprojects)[ ](\u002F)[ The Process ](\u002Fthe-process) About Us [Two men having tea and smiling Our Story ](\u002Fabout\u002Four-story)[A man working with concentration Our Culture & Careers ](\u002Fabout\u002Four-culture-careers)[Architects working on a plan Meet the Team ](\u002Fabout\u002Fmeet-the-team) [ Contact ](\u002Fcontact) Y o u n g & N o r g a t e F u r n i t u r e & I n t e r i o r S p e c i a l i s t s A n a w a r d \\- w i n n i n g c o m p a n y w i t h a p a s s i o n f o r c r e a t i n g b e a u t i f u l s p a c e s . [ C o n t a c t u s C o n t a c t u s ](\u002Fcontact) Wood carving tools C r e a t i n g a r c h i t e c t u r a l j o i n e r y t h a t s t a n d s t h e t e s t o f t i m e B o r n i n t h e S o u t h W e s t , o u r t e a m o f d e s i g n e r s , c r a f t s m e n a n d p r o j e c t m a n a g e r s p r o d u c e w o r k o f t h e h i g h e s t s t a n d a r d . [ our story our story ](\u002Fabout\u002Four-story) A den with study table and bookshelf W e d e s i g n , m a k e a n d f i t W e ’ r e b i g e n o u g h t o h a n d l e l a r g e p r o j e c t s b u t m o r e i m p o r t a n t l y , s m a l l e n o u g h t o c a r e a b o u t t h e l i t t l e t h i n g s . T h a t ’ s w h y w e ’ r e t h e o n e \\- s t o p \\- s h o p f o r p r e m i u m f u r n i t u r e a n d i n t e r i o r s e r v i c e s , r a n g i n g f r o m d e s i g n , t h r o u g h t o s p e c i a l i s t m a n u f a c t u r i n g a n d s t r e s s f r e e i n s t a l l a t i o n . [ what we do what we do ](\u002Fwhat-we-do) B r o w s e o u r p r o j e c t s O u r p r e c i s i o n i n p r a c t i c e .avif) Covent Garden Penthouse – Contemporary Joinery within a Historic London Landmark A duplex penthouse above Covent Garden, designed by Carmody Groarke and brought to life through finely detailed joinery by Young & Norgate. [ View project View project ](\u002Fcontact) The Lighthouse Staircase – A Bespoke Curved Oak Staircase for a Passivhaus Bespoke curved Oak staircase crafted for a Somerset Passivhaus. A stunning blend of sustainability, precision, and architectural beauty. [ View project View project ](\u002Fcontact) Bespoke Interiors for a Contemporary Apartment Young & Norgate were appointed to design and create bespoke furniture for a newly renovated apartment overlooking Portman Square in Bristol. [ View project View project ](\u002Fcontact) Executive Interiors for Hayfin Capital Management Hayfin Capital Management entrusted Young & Norgate to design, manufacture, and install a suite of bespoke furniture for their Piccadilly headquarters. [ View project View project ](\u002Fcontact) Berry Bros. & Rudd - Modern Craft Within a 1698 Legacy Manufacturing and installation of bespoke wine racks, storage and till desks in Britain’s oldest wine and spirit merchant. [ View project View project ](\u002Fcontact) Richmond House – Mid-Century Elegance in a Historic Setting This highly technical project spanned 359 square meters of custom veneering, incorporating extensive curved work and tailored joinery solutions. [ View project View project ](\u002Fcontact) Crafting an Immersive Retail Experience for Berry Bros. & Rudd Striking ceiling installation for Berry Bros. & Rudd's new London location. [ View project View project ](\u002Fcontact) The Observatory Café - Designing for Heritage, Height and Hospitality Young & Norgate helped shape an interior that enhances the café experience, bringing people together in a setting as inspiring as its surroundings. [ View project View project ](\u002Fcontact) Crafting Elegant Interiors for Huntworth Lodge Young & Norgate was engaged from the outset to co-design, fabricate, and install all internal joinery elements, ensuring each detail complemented the home’s refined aesthetic and functional needs. [ View project View project ](\u002Fcontact) Bespoke Joinery for a Coastal Masterpiece Through a combination of innovative techniques and traditional craftsmanship, Young & Norgate delivered bespoke joinery that not only met the exacting standards of the design team but also contributed to the effortless elegance of the home. [ View project View project ](\u002Fcontact) A Hillside Home Overlooking Portree Harbour The Young & Norgate team were tasked with constructional design, fabrication and installation of all fitted joinery items to include the kitchen, wall cladding, cloak cupboard, headboards and bathroom items. [ View project View project ](\u002Fcontact) [ view all projects view all projects ](\u002Fprojects) w h a t t h e y h a v e t o s a y O u r t e s t i m o n i a l s \"These guys are magicians, there is no other word to describe them.\" Simon House w h a t t h e y h a v e t o s a y O u r t e s t i m o n i a l s \"Young and Norgate provided such attention to detail and were clearly very knowledgeable regarding the craftsmanship required. It was a pleasure working with them and wouldn't hesitate to do again.\" Sebastian Mann w h a t t h e y h a v e t o s a y O u r t e s t i m o n i a l s \"Their approach to collaboration and quality was invaluable. We look forward to working with them again on future projects.\" Commercial Fit-Out w h a t t h e y h a v e t o s a y O u r t e s t i m o n i a l s \"Young & Norgate's expertise in both materials and craftsmanship helped us achieve a design that felt seamless and refined. Their attention to detail brought our vision to life.\" Luxury Residential Project Wood carving tools W h o w e h e l p I n t e r i o r d e s i g n e r s [Find out moreFind out more ](\u002Fwho-we-help\u002Finterior-designers) A r c h i t e c t s [Find out moreFind out more ](\u002Fwho-we-help\u002Farchitects) C o n t r a c t o r s [Find out moreFind out more ](\u002Fwho-we-help\u002Fcontractors) P r i v a t e c l i e n t s [Find out moreFind out more ](\u002Fwho-we-help\u002Fprivate-clients)",{"id":573,"height":13,"width":12,"blurhash":574},"7cc3862b-a9dd-4a37-ad27-21d444be81d4","radial-gradient(at 0 0,#948c84,#00000000 50%),radial-gradient(at 33% 0,#a59f98,#00000000 50%),radial-gradient(at 67% 0,#b4b0ab,#00000000 50%),radial-gradient(at 100% 0,#b6b3ad,#00000000 50%),radial-gradient(at 0 50%,#4e2f2a,#00000000 50%),radial-gradient(at 33% 50%,#5b4845,#00000000 50%),radial-gradient(at 67% 50%,#726b69,#00000000 50%),radial-gradient(at 100% 50%,#8d8b8a,#00000000 50%),radial-gradient(at 0 100%,#705f51,#00000000 50%),radial-gradient(at 33% 100%,#7a6d63,#00000000 50%),radial-gradient(at 67% 100%,#88827a,#00000000 50%),radial-gradient(at 100% 100%,#8a8981,#00000000 50%)",{"id":576,"height":15,"width":14,"blurhash":57},"bf25c26a-61fe-4016-bd96-6129fac06002",[578,581,584,587,590,593,596,599,602,605,608,611,614,617,620,623,626,629,632,635,638,641,644,647,650,653,656],{"directus_files_id":579},{"id":580},"e64ffe4b-e2d7-45dc-8e66-2a3f72aa43d7",{"directus_files_id":582},{"id":583},"e467ce94-84d2-4640-8f1a-3b3bb783c148",{"directus_files_id":585},{"id":586},"685af5d0-a2be-44ba-982e-5a7a6ac3b2aa",{"directus_files_id":588},{"id":589},"8fa30207-b864-48bc-9740-530d703be0aa",{"directus_files_id":591},{"id":592},"7baaec9a-0150-4920-82ec-917d3ac3103f",{"directus_files_id":594},{"id":595},"3b1a734c-66ee-491a-9eff-d4c342b6a2a0",{"directus_files_id":597},{"id":598},"ea19a435-4f61-435f-b0c6-be3fadb2efe0",{"directus_files_id":600},{"id":601},"7e3bffbc-2277-448f-b535-2c5920abaa6f",{"directus_files_id":603},{"id":604},"f579bdbd-77a3-4231-9742-61aa1d2365e8",{"directus_files_id":606},{"id":607},"09ba9c26-9500-4c1d-b26a-f68d0640b4b0",{"directus_files_id":609},{"id":610},"71e96b58-9a96-4069-b171-31c3e354f794",{"directus_files_id":612},{"id":613},"6e6fc0af-6030-4ef9-b6d3-6ae7585045b6",{"directus_files_id":615},{"id":616},"a5c1fc5d-c34c-4292-bd53-0c901c4305ca",{"directus_files_id":618},{"id":619},"89cfe9d2-d39d-49bd-a50e-4ad7a3ad6edd",{"directus_files_id":621},{"id":622},"c9b77418-3c8a-48e6-b4eb-a230cb561110",{"directus_files_id":624},{"id":625},"06b1bf6c-3ca0-43e0-8ade-8a1c11375a61",{"directus_files_id":627},{"id":628},"6f9faf20-cf86-4c6b-9064-7c305f9907ef",{"directus_files_id":630},{"id":631},"7dc2ca9b-520c-4b39-b767-ffc0a01830d0",{"directus_files_id":633},{"id":634},"0b53017b-747b-4257-99db-f311718b6da7",{"directus_files_id":636},{"id":637},"159bdda4-b781-4cca-96a3-d01a4e1c66e7",{"directus_files_id":639},{"id":640},"c117351f-c2f3-4e78-bae4-c783cb971d03",{"directus_files_id":642},{"id":643},"b39dfe89-40e4-4e13-8942-0b857cd4e281",{"directus_files_id":645},{"id":646},"728d47fc-0319-49bf-8750-f94a4984b3f7",{"directus_files_id":648},{"id":649},"de921010-1af6-4221-b69d-ccb4ec994015",{"directus_files_id":651},{"id":652},"864a4636-3e03-4891-8e1f-02a6b7ee448d",{"directus_files_id":654},{"id":655},"2f2c3a8d-9b0b-4b16-a403-bf6f304779a6",{"directus_files_id":657},{"id":658},"b4586838-d166-4a63-b87c-08eab7ab795e",[660],{"languages_code":441,"description":661},"Young & Norgate is a premium design studio specializing in bespoke furniture and high-end interior architecture. The website serves as a digital portfolio that showcases their ability to blend craftsmanship with modern aesthetics, positioning them as a premier choice for clients seeking tailored, luxury living environments. Through a curated selection of projects, the brand communicates a deep commitment to precision, materiality, and the creation of soulful, functional spaces.\n\nThe visual identity is defined by a sophisticated, minimalist aesthetic that allows the photography of their work to take center stage. Utilizing expansive whitespace, elegant serif typography, and a muted, natural color palette, the design evokes a sense of calm and exclusivity. The layout is airy and intentional, mirroring the spaciousness of the interiors they design, and speaks directly to an affluent audience of homeowners and architects who value understated luxury and artisanal quality.","Architecture & Real Estate",[29,664,445],"High-End \u002F Luxury",[666],"Kaleido Grafik",[272],[240,669],"Webflow",[671,672,673,674],{"score":335,"category":78},{"score":179,"category":81},{"score":85,"category":84},{"score":82,"category":87},[676,677,678,679],{"score":201,"category":78},{"score":304,"category":81},{"score":85,"category":84},{"score":82,"category":87},[101,97,105],"Website: Young & Norgate. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Award-Winning Furniture & Bespoke Interiors | Young & Norgate. Page description: Young & Norgate creates award-winning furniture and bespoke interiors with precision, care, and sustainability. Expert design, craftsmanship, and seamless installation.. Page content: What We Do [A kitchen with modern architecture Residential ](\u002Fwhat-we-do\u002Fresidential)[A restaurant bar with black outdoors. Commercial ](\u002Fwhat-we-do\u002Fcommercial)[A white kitchen and wooden dining table set. Kitchens ](\u002Fwhat-we-do\u002Fkitchens)[Chairs and table for dining. Furniture ](\u002Fwhat-we-do\u002Ffurniture) Who We Help [A room with blue chairs, tables, frames and carpets. Interior Designers ](\u002Fwho-we-help\u002Finterior-designers)[Rooms in treehouse with glass windows, greenery and sky. Architects ](\u002Fwho-we-help\u002Farchitects)[A room with couches, table, frames and large windows.%202.avif) Contractors ](\u002Fwho-we-help\u002Fcontractors)[A white kitchen set up Private Clients ](\u002Fwho-we-help\u002Fprivate-clients) [ Projects ](\u002Fprojects)[ ](\u002F)[ The Process ](\u002Fthe-process) About Us [Two men having tea and smiling Our Story ](\u002Fabout\u002Four-story)[A man working with concentration Our Culture & Careers ](\u002Fabout\u002Four-culture-careers)[Architects working on a plan Meet the Team ](\u002Fabout\u002Fmeet-the-team) [ Contact ](\u002Fcontact) Y o u n g & N o r g a t e F u r n i t u r e & I n t e r i o r S p e c i a l i s t s A n a w a r d \\- w i n n i n g c o m p a n y w i t h a p a s s i o n f o r c r e a t i n g b e a u t i f u l s p a c e s . [ C o n t a c t u s C o n t a c t u s ](\u002Fcontact) Wood carving tools C r e a t i n g a r c h i t e c t u r a l j o i n e r y t h a t s t a n d s t h e t e s t o f t i m e B o r n i n t h e S o u t h W e s t , o u r t e a m o f d e s i g n e r s , c r a f t s m e n a n d p r o j e c t m a n a g e r s p r o d u c e w o r k o f t h e h i g h e s t s t a n d a r d . [ our story our story ](\u002Fabout\u002Four-story) A den with study table and bookshelf W e d e s i g n , m a k e a n d f i t W e ’ r e b i g e n o u g h t o h a n d l e l a r g e p r o j e c t s b u t m o r e i m p o r t a n t l y , s m a l l e n o u g h t o c a r e a b o u t t h e l i t t l e t h i n g s . T h a t ’ s w h y w e ’ r e t h e o n e \\- s t o p \\- s h o p f o r p r e m i u m f u r n i t u r e a n d i n t e r i o r s e r v i c e s , r a n g i n g f r o m d e s i g n , t h r o u g h t o s p e c i a l i s t m a n u f a c t u r i n g a n d s t r e s s f r e e i n s t a l l a t i o n . [ what we do what we do ](\u002Fwhat-we-do) B r o w s e o u r p r o j e c t s O u r p r e c i s i o n i n p r a c t i c e .avif) Covent Garden Penthouse – Contemporary Joinery within a Historic London Landmark A duplex penthouse above Covent Garden, designed by Carmody Groarke and brought to life through finely detailed joinery by Young & Norgate. [ View project View project ](\u002Fcontact) The Lighthouse Staircase – A Bespoke Curved Oak Staircase for a Passivhaus Bespoke curved Oak staircase crafted for a Somerset Passivhaus. A stunning blend of sustainability, precision, and architectural beauty. [ View project View project ](\u002Fcontact) Bespoke Interiors for a Contemporary Apartment Young & Norgate were appointed to design and create bespoke furniture for a newly renovated apartment overlooking Portman Square in Bristol. [ View project View project ](\u002Fcontact) Executive Interiors for Hayfin Capital Management Hayfin Capital Management entrusted Young & Norgate to design, manufacture, and install a suite of bespoke furniture for their Piccadilly headquarters. [ View project View project ](\u002Fcontact) Berry Bros. & Rudd - Modern Craft Within a 1698 Legacy Manufacturing and installation of bespoke wine racks, storage and till desks in Britain’s oldest wine and spirit merchant. [ View project View project ](\u002Fcontact) Richmond House – Mid-Century Elegance in a Historic Setting This highly technical project spanned 359 square meters of custom veneering, incorporating extensive curved work and tailored joinery solutions. [ View project View project ](\u002Fcontact) Crafting an Immersive Retail Experience for Berry Bros. & Rudd Striking ceiling installation for Berry Bros. & Rudd's new London location. [ View project View project ](\u002Fcontact) The Observatory Café - Designing for Heritage, Height and Hospitality Young & Norgate helped shape an interior that enhances the café experience, bringing people together in a setting as inspiring as its surroundings. [ View project View project ](\u002Fcontact) Crafting Elegant Interiors for Huntworth Lodge Young & Norgate was engaged from the outset to co-design, fabricate, and install all internal joinery elements, ensuring each detail complemented the home’s refined aesthetic and functional needs. [ View project View project ](\u002Fcontact) Bespoke Joinery for a Coastal Masterpiece Through a combination of innovative techniques and traditional craftsmanship, Young & Norgate delivered bespoke joinery that not only met the exacting standards of the design team but also contributed to the effortless elegance of the home. [ View project View project ](\u002Fcontact) A Hillside Home Overlooking Portree Harbour The Young & Norgate team were tasked with constructional design, fabrication and installation of all fitted joinery items to include the kitchen, wall cladding, cloak cupboard, headboards and bathroom items. [ View project View project ](\u002Fcontact) [ view all projects view all projects ](\u002Fprojects) w h a t t h e y h a v e t o s a y O u r t e s t i m o n i a l s \"These guys are magicians, there is no other word to describe them.\" Simon House w h a t t h e y h a v e t o s a y O u r t e s t i m o n i a l s \"Young and Norgate provided such attention to detail and were clearly very knowledgeable regarding the craftsmanship required. It was a pleasure working with them and wouldn't hesitate to do again.\" Sebastian Mann w h a t t h e y h a v e t o s a y O u r t e s t i m o n i a l s \"Their approach to collaboration and quality was invaluable. We look forward to working with them again on future projects.\" Commercial Fit-Out w h a t t h e y h a v e t o s a y O u r t e s t i m o n i a l s \"Young & Norgate's expertise in both materials and craftsmanship helped us achieve a design that felt seamless and refined. Their attention to detail brought our vision to life.\" Luxury Residential Project Wood carving tools W h o w e h e l p I n t e r i o r d e s i g n e r s [Find out moreFind out more ](\u002Fwho-we-help\u002Finterior-designers) A r c h i t e c t s [Find out moreFind out more ](\u002Fwho-we-help\u002Farchitects) C o n t r a c t o r s [Find out moreFind out more ](\u002Fwho-we-help\u002Fcontractors) P r i v a t e c l i e n t s [Find out moreFind out more ](\u002Fwho-we-help\u002Fprivate-clients). A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Architecture & Real Estate industry. The overall color palette features Gray, Black, White. The typography features Arial (Sans Serif). Built using jQuery, Webflow. AI description: Young & Norgate is a premium design studio specializing in bespoke furniture and high-end interior architecture. The website serves as a digital portfolio that showcases their ability to blend craftsmanship with modern aesthetics, positioning them as a premier choice for clients seeking tailored, luxury living environments. Through a curated selection of projects, the brand communicates a deep commitment to precision, materiality, and the creation of soulful, functional spaces. The visual identity is defined by a sophisticated, minimalist aesthetic that allows the photography of their work to take center stage. Utilizing expansive whitespace, elegant serif typography, and a muted, natural color palette, the design evokes a sense of calm and exclusivity. The layout is airy and intentional, mirroring the spaciousness of the interiors they design, and speaks directly to an affluent audience of homeowners and architects who value understated luxury and artisanal quality."]