[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-detail-they-carry-us-with-them":3,"facets-{\"includeAuthors\":\"false\"}":154,"facets-baseline-false":315,"similar-websites-they-carry-us-with-them":348},{"id":4,"name":5,"slug":6,"url":7,"dateUpdated":8,"fetchedAt":9,"coverId":10,"coverMobileId":11,"coverWidth":12,"coverHeight":13,"coverMobileWidth":14,"coverMobileHeight":15,"descriptionEn":16,"seoMeta":17,"industry":20,"styles":24,"credits":36,"pages":37,"typefaces":48,"technologiesByCategory":67,"pagespeedDesktop":105,"pagespeedMobile":118,"performanceDesktop":108,"performanceMobile":120,"colorBuckets":124,"colorPalette":137},"d64a2570-69be-4ac0-aac8-8474dfe5efef","Emergence Magazine","they-carry-us-with-them","https:\u002F\u002Femergencemagazine.org\u002Ffeature\u002Fthey-carry-us-with-them","2026-05-24T20:22:54.000Z","2026-05-24T20:10:46.000Z","75348a56-e89d-48af-8ca9-54c9b232e9f5","9cc367bb-c4e1-4ba8-b3e6-d0737bf8ce3e",1440,900,780,1688,"“They Carry Us With Them” is a cinematic digital feature by Emergence Magazine that explores the profound ecological phenomenon of tree migration. The website serves as an immersive long-form storytelling platform, blending environmental journalism with high-end sensory design to examine how forests are shifting in response to a changing climate. It is designed for an intellectually curious, environmentally conscious audience that seeks depth and contemplative connection over rapid information consumption.\n\nThe visual identity is defined by a sophisticated, moody, and atmospheric aesthetic. Utilizing a dark-mode foundation, the design allows lush, high-resolution natural imagery to command the viewer's attention, creating a sense of reverence for the subject matter. The typography is elegant and authoritative, employing classic serif fonts that lend a literary quality to the experience. The interface is intentionally minimalist, prioritizing a seamless, cinematic flow that encourages deep immersion through sound and motion.",{"title":18,"meta_description":19},"They Carry Us With Them: The Great Tree Migration","Experience an immersive digital journey through the stories of tree migration and the changing forests of our world.",{"name":21,"label":22,"slug":23},"Entertainment & Media","Entertainment","entertainment",[25,28,32],{"name":26,"label":26,"slug":27},"Dark Mode","dark-mode",{"name":29,"label":30,"slug":31},"Clean \u002F Minimalist","Minimalist","minimalist",{"name":33,"label":34,"slug":35},"Typographic \u002F Big Type","Typographic","typographic",[],[38],{"name":39,"title":40,"description":41,"url":7,"coverId":10,"coverMobileId":11,"alt":42,"altMobile":43,"pageType":44},"Homepage","They Carry Us With Them: The Great Tree Migration – Emergence Magazine","Around the world, scores of species of trees are moving north, or west, or upslope. What is at stake as the forests change around us? Experience four stories of tree migration.","A dark cinematic landing page for 'They Carry Us With Them: The Great Tree Migration' featuring white serif typography centered on a black background. An Emergence Magazine logo is in the top left, and a 'Skip Opening' link is in the bottom right.","The mobile version displays a full-screen immersive background image of a mossy forest floor with sunlight filtering through. The title is centered in white serif text above a circular play button icon with the instruction 'Start Introduction and Turn on the Sound'.",{"name":45,"label":46,"slug":47},"Home \u002F Landing Page","Home \u002F Landing","home-landing",[49,53,56,60,63],{"name":50,"label":50,"slug":51,"foundryName":52},"Bradford","bradford","Lineto",{"name":54,"label":54,"slug":55,"foundryName":52},"Bradford Mono","bradford-mono",{"name":57,"label":57,"slug":58,"foundryName":59},"GT America","gt-america","Grilli Type",{"name":61,"label":61,"slug":62,"foundryName":59},"GT America Mono","gt-america-mono",{"name":64,"label":64,"slug":65,"foundryName":66},"Swiper Icons","swiper-icons",null,{"Analytics":68,"Tag managers":72,"CDN":76,"Web servers":80,"Reverse proxies":84,"Databases":86,"Caching":90,"CMS":97,"Blogs":101,"WordPress plugins":103},[69],{"name":70,"label":70,"slug":71},"Google Analytics","google-analytics",[73],{"name":74,"label":74,"slug":75},"Google Tag Manager","google-tag-manager",[77],{"name":78,"label":78,"slug":79},"jsDelivr","jsdelivr",[81],{"name":82,"label":82,"slug":83},"Nginx","nginx",[85],{"name":82,"label":82,"slug":83},[87],{"name":88,"label":88,"slug":89},"Redis","redis",[91,94],{"name":92,"label":92,"slug":93},"Redis Object Cache","redis-object-cache",{"name":95,"label":95,"slug":96},"WordPress Super Cache","wordpress-super-cache",[98],{"name":99,"label":99,"slug":100},"WordPress","wordpress",[102],{"name":99,"label":99,"slug":100},[104],{"name":95,"label":95,"slug":96},[106,109,112,115],{"category":107,"score":108},"performance",64,{"category":110,"score":111},"accessibility",87,{"category":113,"score":114},"best-practices",96,{"category":116,"score":117},"seo",100,[119,121,122,123],{"category":107,"score":120},37,{"category":110,"score":111},{"category":113,"score":114},{"category":116,"score":117},[125,129,133],{"value":126,"label":127,"hex":128},"black","Black","#000000",{"value":130,"label":131,"hex":132},"white","White","#ffffff",{"value":134,"label":135,"hex":136},"gray","Gray","#737373",[138,140,143,146,149,152],{"hex":128,"percent":139},0.9963,{"hex":141,"percent":142},"#F7F7F5",0.0017,{"hex":144,"percent":145},"#CDCDCC",0.0007,{"hex":147,"percent":148},"#383838",0.0005,{"hex":150,"percent":151},"#999998",0.0004,{"hex":153,"percent":151},"#6A6A69",{"facetDistribution":155,"facetLabels":231},{"industry":156,"styles":176,"technologies":190,"font_families":215,"page_type_name":229},{"Agency & Studio":157,"Art & Culture":158,"SaaS & Software":159,"Fashion & Apparel":160,"Architecture & Real Estate":161,"Entertainment & Media":162,"Food & Beverage":163,"Photography & Video":164,"Finance & Fintech":165,"Healthcare & Wellness":166,"Technology & Hardware":167,"Industrial & Manufacturing":168,"Beauty & Cosmetics":169,"Travel & Hospitality":170,"Non-Profit & Charity":171,"Education & Courses":172,"Crypto & Web3":173,"Sports & Fitness":174,"Automotive & Transportation":175},716,296,210,167,163,138,125,120,76,62,54,49,47,45,41,32,24,21,11,{"Clean \u002F Minimalist":177,"Typographic \u002F Big Type":178,"High-End \u002F Luxury":179,"Dark Mode":180,"Vibrant \u002F Colorful":181,"Monochrome \u002F Grayscale":182,"Fun \u002F Playful":183,"Brutalist \u002F Neo-Brutalist":184,"Corporate \u002F Professional":185,"Illustrative \u002F Hand-drawn":111,"Futuristic \u002F Sci-Fi":186,"3D \u002F Spatial":187,"Retro \u002F Vintage \u002F Y2K":188,"Glassmorphism":189,"Bento Grid":189},2056,1713,1012,570,393,317,257,236,205,69,55,33,15,{"jQuery":191,"PHP":192,"WordPress":193,"Node.js":194,"React":195,"Vercel":196,"Vue.js":197,"Shopify":198,"Next.js":199,"Klaviyo":200,"Nuxt.js":201,"Typekit":202,"Amazon Web Services":203,"reCAPTCHA":204,"YouTube":205,"MailChimp":206,"Modernizr":207,"Bootstrap":208,"Slick":209,"Google Font API":210,"Craft CMS":211,"Framer Sites":212,"Contact Form 7":108,"Stimulus":213,"Google Maps":214},875,629,504,320,311,262,207,196,161,149,147,141,129,117,95,92,91,85,82,79,66,65,59,58,{"Inter":216,"Times New Roman":217,"Roboto":218,"Open Sans":219,"Neue Haas Grotesk":219,"Suisse Intl":220,"Arial":186,"Poppins":211,"Helvetica Neue":108,"Montserrat":221,"Diatype":187,"Neue Montreal":167,"Lato":168,"Graphik":222,"Source Sans":223,"Monument Grotesk":224,"Noto Sans":225,"Helvetica":226,"Söhne":227,"DM Sans":227,"Founders Grotesk":227,"GT America":228,"Google Sans":228,"Editorial":188,"IBM Plex Mono":172},315,168,127,90,88,60,46,44,40,39,36,35,34,{"Home \u002F Landing Page":230},2397,{"industry":232,"styles":251,"page_type_name":264,"technologies":265,"font_families":290},{"Agency & Studio":233,"Art & Culture":234,"SaaS & Software":235,"Fashion & Apparel":236,"Architecture & Real Estate":237,"Entertainment & Media":22,"Food & Beverage":238,"Photography & Video":239,"Finance & Fintech":240,"Healthcare & Wellness":241,"Technology & Hardware":242,"Industrial & Manufacturing":243,"Beauty & Cosmetics":244,"Travel & Hospitality":245,"Non-Profit & Charity":246,"Education & Courses":247,"Crypto & Web3":248,"Sports & Fitness":249,"Automotive & Transportation":250},"Agencies","Art and Culture","Software","Fashion","Real Estate","Food and Drink","Photography","Fintech","Wellness","Technology","Industrial","Beauty","Travel","Non-Profit","Education","Web3","Sports","Automotive",{"Clean \u002F Minimalist":30,"Typographic \u002F Big Type":34,"High-End \u002F Luxury":252,"Dark Mode":26,"Vibrant \u002F Colorful":253,"Monochrome \u002F Grayscale":254,"Fun \u002F Playful":255,"Brutalist \u002F Neo-Brutalist":256,"Corporate \u002F Professional":257,"Illustrative \u002F Hand-drawn":258,"Futuristic \u002F Sci-Fi":259,"3D \u002F Spatial":260,"Retro \u002F Vintage \u002F Y2K":261,"Glassmorphism":262,"Bento Grid":263},"Luxury","Vibrant","Monochrome","Playful","Brutalist","Corporate","Illustrative","Futuristic","3D and Spatial","Retro and Y2K","Glassmorphism","Bento Grid",{"Home \u002F Landing Page":46},{"jQuery":266,"PHP":267,"WordPress":99,"Node.js":268,"React":269,"Vercel":270,"Vue.js":271,"Shopify":272,"Next.js":273,"Klaviyo":274,"Nuxt.js":275,"Typekit":276,"Amazon Web Services":277,"reCAPTCHA":278,"YouTube":279,"MailChimp":280,"Modernizr":281,"Bootstrap":282,"Slick":283,"Google Font API":284,"Craft CMS":285,"Framer Sites":286,"Contact Form 7":287,"Stimulus":288,"Google Maps":289},"jQuery","PHP","Node.js","React","Vercel","Vue.js","Shopify","Next.js","Klaviyo","Nuxt.js","Typekit","Amazon Web Services","reCAPTCHA","YouTube","MailChimp","Modernizr","Bootstrap","Slick","Google Font API","Craft CMS","Framer Sites","Contact Form 7","Stimulus","Google Maps",{"Inter":291,"Times New Roman":292,"Roboto":293,"Open Sans":294,"Neue Haas Grotesk":295,"Suisse Intl":296,"Arial":297,"Poppins":298,"Helvetica Neue":299,"Montserrat":300,"Diatype":301,"Neue Montreal":302,"Lato":303,"Graphik":304,"Source Sans":305,"Monument Grotesk":306,"Noto Sans":307,"Helvetica":308,"Söhne":309,"DM Sans":310,"Founders Grotesk":311,"GT America":57,"Google Sans":312,"Editorial":313,"IBM Plex Mono":314},"Inter","Times New Roman","Roboto","Open Sans","Neue Haas Grotesk","Suisse Intl","Arial","Poppins","Helvetica Neue","Montserrat","Diatype","Neue Montreal","Lato","Graphik","Source Sans","Monument Grotesk","Noto Sans","Helvetica","Söhne","DM Sans","Founders Grotesk","Google Sans","Editorial","IBM Plex Mono",{"facetDistribution":316,"facetLabels":332},{"industry":317,"styles":318,"technologies":319,"font_families":320,"page_type_name":321},{"Agency & Studio":157,"Art & Culture":158,"SaaS & Software":159,"Fashion & Apparel":160,"Architecture & Real Estate":161,"Entertainment & Media":162,"Food & Beverage":163,"Photography & Video":164,"Finance & Fintech":165,"Healthcare & Wellness":166,"Technology & Hardware":167,"Industrial & Manufacturing":168,"Beauty & Cosmetics":169,"Travel & Hospitality":170,"Non-Profit & Charity":171,"Education & Courses":172,"Crypto & Web3":173,"Sports & Fitness":174,"Automotive & Transportation":175},{"Clean \u002F Minimalist":177,"Typographic \u002F Big Type":178,"High-End \u002F Luxury":179,"Dark Mode":180,"Vibrant \u002F Colorful":181,"Monochrome \u002F Grayscale":182,"Fun \u002F Playful":183,"Brutalist \u002F Neo-Brutalist":184,"Corporate \u002F Professional":185,"Illustrative \u002F Hand-drawn":111,"Futuristic \u002F Sci-Fi":186,"3D \u002F Spatial":187,"Retro \u002F Vintage \u002F Y2K":188,"Glassmorphism":189,"Bento Grid":189},{"jQuery":191,"PHP":192,"WordPress":193,"Node.js":194,"React":195,"Vercel":196,"Vue.js":197,"Shopify":198,"Next.js":199,"Klaviyo":200,"Nuxt.js":201,"Typekit":202,"Amazon Web Services":203,"reCAPTCHA":204,"YouTube":205,"MailChimp":206,"Modernizr":207,"Bootstrap":208,"Slick":209,"Google Font API":210,"Craft CMS":211,"Framer Sites":212,"Contact Form 7":108,"Stimulus":213,"Google Maps":214},{"Inter":216,"Times New Roman":217,"Roboto":218,"Open Sans":219,"Neue Haas Grotesk":219,"Suisse Intl":220,"Arial":186,"Poppins":211,"Helvetica Neue":108,"Montserrat":221,"Diatype":187,"Neue Montreal":167,"Lato":168,"Graphik":222,"Source Sans":223,"Monument Grotesk":224,"Noto Sans":225,"Helvetica":226,"Söhne":227,"DM Sans":227,"Founders Grotesk":227,"GT America":228,"Google Sans":228,"Editorial":188,"IBM Plex Mono":172},{"Home \u002F Landing Page":322,"About Us \u002F Team":323,"Projects \u002F Portfolio":324,"Contact Us":325,"Blog \u002F Article Layout":326,"Services \u002F Features":327,"Shop \u002F Catalog":328,"Careers \u002F Jobs":329,"Pricing Page":166,"Sign Up \u002F Login":330,"404 Error Page":331},2401,774,527,418,378,341,299,89,27,9,{"industry":333,"styles":334,"page_type_name":335,"technologies":346,"font_families":347},{"Agency & Studio":233,"Art & Culture":234,"SaaS & Software":235,"Fashion & Apparel":236,"Architecture & Real Estate":237,"Entertainment & Media":22,"Food & Beverage":238,"Photography & Video":239,"Finance & Fintech":240,"Healthcare & Wellness":241,"Technology & Hardware":242,"Industrial & Manufacturing":243,"Beauty & Cosmetics":244,"Travel & Hospitality":245,"Non-Profit & Charity":246,"Education & Courses":247,"Crypto & Web3":248,"Sports & Fitness":249,"Automotive & Transportation":250},{"Clean \u002F Minimalist":30,"Typographic \u002F Big Type":34,"High-End \u002F Luxury":252,"Dark Mode":26,"Vibrant \u002F Colorful":253,"Monochrome \u002F Grayscale":254,"Fun \u002F Playful":255,"Brutalist \u002F Neo-Brutalist":256,"Corporate \u002F Professional":257,"Illustrative \u002F Hand-drawn":258,"Futuristic \u002F Sci-Fi":259,"3D \u002F Spatial":260,"Retro \u002F Vintage \u002F Y2K":261,"Glassmorphism":262,"Bento Grid":263},{"Home \u002F Landing Page":46,"About Us \u002F Team":336,"Projects \u002F Portfolio":337,"Contact Us":338,"Blog \u002F Article Layout":339,"Services \u002F Features":340,"Shop \u002F Catalog":341,"Careers \u002F Jobs":342,"Pricing Page":343,"Sign Up \u002F Login":344,"404 Error Page":345},"About Us","Portfolio","Contact","Blog \u002F Article","Services","Shop \u002F Catalog","Careers","Pricing","Sign Up \u002F Login","404 Error",{"jQuery":266,"PHP":267,"WordPress":99,"Node.js":268,"React":269,"Vercel":270,"Vue.js":271,"Shopify":272,"Next.js":273,"Klaviyo":274,"Nuxt.js":275,"Typekit":276,"Amazon Web Services":277,"reCAPTCHA":278,"YouTube":279,"MailChimp":280,"Modernizr":281,"Bootstrap":282,"Slick":283,"Google Font API":284,"Craft CMS":285,"Framer Sites":286,"Contact Form 7":287,"Stimulus":288,"Google Maps":289},{"Inter":291,"Times New Roman":292,"Roboto":293,"Open Sans":294,"Neue Haas Grotesk":295,"Suisse Intl":296,"Arial":297,"Poppins":298,"Helvetica Neue":299,"Montserrat":300,"Diatype":301,"Neue Montreal":302,"Lato":303,"Graphik":304,"Source Sans":305,"Monument Grotesk":306,"Noto Sans":307,"Helvetica":308,"Söhne":309,"DM Sans":310,"Founders Grotesk":311,"GT America":57,"Google Sans":312,"Editorial":313,"IBM Plex Mono":314},{"hits":349},[350,495,627,738],{"id":351,"website_id":352,"page_id":351,"name":353,"slug":354,"url":355,"website_name":353,"website_slug":354,"website_url":356,"result_url":355,"fetched_at":357,"score":358,"score_boost":359,"ai_score":360,"freshness_score":361,"scored_at":362,"page_name":39,"page_url":355,"page_title":363,"page_description":364,"page_content":365,"page_sort":359,"is_home":366,"is_home_rank":367,"page_type_id":368,"page_type_name":45,"cover":369,"cover_mobile":372,"cover_sequence":374,"translations":465,"industry":469,"styles":470,"credits":472,"font_families":474,"technologies":476,"pagespeed":478,"pagespeed_mobile":486,"buckets":492,"search_payload":494},"841ec6dd-ecdf-4876-8dec-98f111e1d60c","ff17ac61-586e-438e-bb8c-8a2706a70c8c","Eleven Plants for Dum-Dums","eleven-plants-for-dum-dums","https:\u002F\u002Felevenplantsfordumdums.com\u002F","https:\u002F\u002Felevenplantsfordumdums.com","2026-05-01T08:38:32.000Z",81,0,86,71,"2026-05-23T19:36:03.000Z","Eleven Plants for Dum-Dums & Cool Ppl","🌱🍃🌿 Simple Minimal one-page plant website with a ton of animations showing off some of what Webflow can do. Each of the eleven plants is paired with a nice typeface to express its leafy personality. Plants include: 1. Swiss Cheese Plant, Monstera deliciosa 2. Fiddleleaf Fig, Ficus lyrata 3. Rubber Plant, Ficus elastica 4. Parlor Palm, Chamaedorea elegans 5. Spider Plant, Chlorophytum comosum 6. Staghorn Fern, Platycerium alcicorne 7. Heart-Leaf Philodendron, Philodendron hederaceum 8. Pulido's Echeveria, Echeveria pulidonis 9. Snake Plant, Sansevieria trifasciata 10. Air Plant, Tillandsia xerographica 11. Shiitake Mushroom, Lentinula edodeOh yeah, there's a few hot tips on how to care for some pretty fashionable houseplants too! #1 Bookmania by Mark Simonson. Available through Adobe Typekit #2 LYDIAN by Warren Chappell. Available through MyFonts #3 RUBBEr by Morris Fuller Benton. Modified via wobblescan & FontRapid #4 Brush Script by Robert E. Smith. Available through Typekit #5 Inknut Antiqua by Claus Eggers Sørensen. Available through Google Fonts #6 Gastromond by James Todd. Available through Typekit #7 Windsor Elongated by Stephenson Blake. Available through MyFonts #8 ULTRA by Astigmatic. Available through Google Fonts #9 sansevieria by Paul Renner. Modified via Bic pen & FontRapid #10 Chromaletter by Dan Gneiding. Available through Lost Type #11 Styrene A by Berton Hasebe. Available through Commercial Type","a Design\u002FCode by l Menu d Design\u002FCode by l Close a #1 Bookmania by Mark Simonson. Available through Adobe Typekit #2 Lydian by Warren Chappell. Available through MyFonts #3 RUBBEr by Morris Fuller Benton. Modified via wobblescan & FontRapid #4 Brush Script by Robert E. Smith. Available through Typekit #5 Inknut Antiqua by Claus Eggers Sørensen. Available through Google Fonts #6 Gastromond by James Todd. Available through Typekit #7 Windsor Elongated by Stephenson Blake. Available through MyFonts #8 Ultra by Astigmatic. Available through Google Fonts #9 SANSEVIERIA by Paul Renner. Modified via Bic pen & FontRapid #10 Chromaletter by Dan Gneiding. Available through Lost Type #11 Styrene A by Berton Hasebe. Available through Commercial Type Design\u002FCode by l Close a [ 1\\. Swiss Cheese Plant, Monstera deliciosa ](#1)[ 2\\. Fiddleleaf Fig, Ficus lyrata ](#2)[ 3\\. Rubber Plant, Ficus elastica ](#3)[ 4\\. Parlor Palm, Chamaedorea elegans ](#4)[ 5\\. Spider Plant, Chlorophytum comosum ](#5)[ 6\\. Staghorn Fern, Platycerium alcicorne ](#6)[ 7\\. Heart-Leaf Philodendron, Philodendron hederaceum ](#7)[ 8\\. Pulido's Echeveria, Echeveria pulidonis ](#8)[ 9\\. Snake Plant, Sansevieria trifasciata ](#9)[ 10\\. Air Plant, Tillandsia xerographica ](#10)[ 11\\. Shiitake Mushroom, Lentinula edodes ](#11) Design\u002FCode by l 100% Real Text Made with k Eleven plants for dum-dums & cool ppl Platycerium alcicorne [ 1\\. Swiss Cheese Plant, Monstera deliciosa ](#1)[ 2\\. Fiddleleaf Fig, Ficus lyrata ](#2)[ 3\\. Rubber Plant, Ficus elastica ](#3)[ 4\\. Parlor Palm, Chamaedorea elegans ](#4)[ 5\\. Spider Plant, Chlorophytum comosum ](#5)[ 6\\. Staghorn Fern, Platycerium alcicorne ](#6)[ 7\\. Heart-Leaf Philodendron, Philodendron hederaceum ](#7)[ 8\\. Pulido's Echeveria, Echeveria pulidonis ](#8)[ 9\\. Snake Plant, Sansevieria trifasciata ](#9)[ 10\\. Air Plant, Tillandsia xerographica ](#10)[ 11\\. Shiitake Mushroom, Lentinula edodes ](#11) Philodendron hederaceum Love, water & treat 'em right… serenade often. Colophon b Macrame c #1 Swiss Cheese Plant Monstera deliciosa This tropical is known for its huge, bright green, & handsomely notched leaves. It's dense shape will begin to stretch and climb a supporting structure over time. AKA Split Leaf Philodendron. i Water 1×\u002Fweek in well-draining soil. No Pamplemousse e Mist those leaves once a week for peak luster h Avoid direct sunbeams — can cause sunburns _Bookmania_ by Mark Simonson. Available through Adobe Typekit Can grow up to 65 feet Propagate with cuttings #2 m Fiddleleaf Fig Ficus lyrata Also known as the banjo fig or the Wilson plant, this plant is is native to Africa. In its native habitat, it may grow to 100' tall. Inside a house, the Fiddleleaf is ideal for a floor container where it can grow to 6' or more. Keep your Fiddleleaf in bright, indirect light. You want it to have a lot of light, but not in a window blasted by direct sun. Keep soil moist, but don't allow it to sit in water or it will lose leaves and suffer root rot. _Lydian_ by Warren Chappell. Available through MyFonts #3 RUBbEr PLANT Ficus elastica Yes, yes, it's also known as a rubber tree when it gets big. These plants look great at any size: from a small plant on your windowsill to an 80 foot rubber sap producing behemoth in your backyard. Easy to grow, the worst you can do is over-water, move the plant around too much or not give the plant enough sun or warmth or music. Ficus elastica will forgive you though. _Franklin Gothic_ by Morris Fuller Benton. Modified via wobble-scan & FontRapid 100% Actual Real Type AKA the rubber fig tree #4 Parlor Palm Chamaedorea elegans This is the most popular indoor palm and is native to the rainforests in Southern Mexico and Guatemala. It grows (slowly) to a manageable height of approximately 2–4 feet. Parlor Palm Chamaedorea elegans This palm tolerates low light and colder conditions well. Allow for good drainage and give the plant a small amount of water once the soil starts to dry. Occasionally mist to convey your love. Parlor Palm Chamaedorea elegans Handsome, arching, pinnate leaves, lend a tropical flair to indoor locations. Remove occasional brown leaves (normal) by trimming. If they are also rotting, you could be over-watering. View One View Two View Three _Brush Script_ by Robert E. Smith. Available through Typekit #5 Spider Native to South Africa, the spider plant looks more and more amazing with every “baby” that branches out from the plant’s core. The plant is ideal for hanging containers and is does wonders to purify the air of the room it’s in. Go light on the fertilizer as heavily fertilized plants may not form as many new babies. Plant Chlorophytum comosum _Inknut Antiqua_ by Claus Eggers Sørensen. Available through Google Fonts Adjust Viewport for Chaos #6 Staghorn Fern Platycerium alcicorne This fern produces distinctive fertile fronds resembling the forked antlers of a stag. It is native to Southeast Asia, Polynesia and Australia, where it is typically found growing on tree trunks and branches. It likes bright indirect light but avoid full sun. Mist crowns regularly, allowing roots to dry slightly between waterings. Roots must never be allowed to dry out. Occasionally immerse entire root ball in water for a few minutes and then drain. Take your fern on quiet sunset strolls around the block in summer months. _Gastromond_ by James Todd. Available through Typekit #7 Heart-Leaf Philodendron Philodendron hederaceum Even the most egregious plant-killer can keep a Philodendron alive — a plant that seems to thrive on neglect. The plant is easy to grow and it looks fantastic. Pro-tip: Pinch off the growing tips on the vines to encourage the plant to better fill out. _Windsor Elongated_ by Stephenson Blake. Available through MyFonts #8 Pulido's Echeveria Echeveria pulidonis & friends There are too many amazing varieties of succulents to narrow it down to just one. Echeveria is a genus native to semi-desert areas of Central America. But like succulents from around the world, be sure to provide maximum sun, minimal movement, and water sparingly. _Ultra_ by Astigmatic. Available through Google Fonts #9 Lights: On Off Snake Plant sansevieria trifasciata With no shortage of nicknames (AKA Mother-in-Law's tongue), the Snake Plant grows fast with lots of indirect light, but it can tolerate darkness — just watch out for root rot caused by overwatering. _Futura_ by Paul Renner. Modified via Bic pen & FontRapid Snake Plant sansevieria trifasciata With no shortage of nicknames (AKA Mother-in-Law's tongue), the Snake Plant grows fast with lots of indirect light, but it can tolerate darkness — just watch out for root rot caused by overwatering. _Futura_ by Paul Renner. Modified via Bic pen & FontRapid #10 Air Plant Tillandsia xerographica Tillandsia xerographica In general, air plants need bright, indirect light. They love the occasional misting, as well as being submerged every couple weeks for 10 minutes. Be sure to flip your air plant and gently shake out excess water. The plant hails from the highest branches of trees in Mexico, Guatemala and El Salvador. Not as hot as in 2011, but still hot. _Chromaletter_ by Dan Gneiding. Available through Lost Type #11 Shiitake Mushroom Lentinula edodes I know, I know, it's not a plant, It's a fungus. But you know, Shiitakes are so damn cool, I'm going to predict they'll gain a place on your windowsill by 2021. windowsill. All you need to grow these beauties is a fresh oak log and some spore plugs. Logistics of keeping them inside might be tricky, but you can do it, you're resourceful! i Mist frequently. Keep covered with dome or plastic. g There just aint no umami like Shiitake umami h Low light with regular day and night cycles _Styrene A_ by Berton Hasebe. Available through Commercial Type Site designed & coded by Drew Marshall l",true,1,"1",{"id":370,"height":13,"width":12,"blurhash":371},"c6236e8c-94e7-45dd-b4da-6c8d265b5a16","radial-gradient(at 0 0,#80b87c,#00000000 50%),radial-gradient(at 33% 0,#73b473,#00000000 50%),radial-gradient(at 67% 0,#66b26b,#00000000 50%),radial-gradient(at 100% 0,#74b472,#00000000 50%),radial-gradient(at 0 50%,#74b77b,#00000000 50%),radial-gradient(at 33% 50%,#7bb57f,#00000000 50%),radial-gradient(at 67% 50%,#80b682,#00000000 50%),radial-gradient(at 100% 50%,#77b67e,#00000000 50%),radial-gradient(at 0 100%,#b1cd9d,#00000000 50%),radial-gradient(at 33% 100%,#99c08d,#00000000 50%),radial-gradient(at 67% 100%,#7eb37b,#00000000 50%),radial-gradient(at 100% 100%,#98bf8a,#00000000 50%)",{"id":373,"height":15,"width":14,"blurhash":66},"563ac907-7e27-4882-8e48-130395284862",[375,378,381,384,387,390,393,396,399,402,405,408,411,414,417,420,423,426,429,432,435,438,441,444,447,450,453,456,459,462],{"directus_files_id":376},{"id":377},"6b34f373-52d0-4021-bd43-31409db3a4c6",{"directus_files_id":379},{"id":380},"ac1ac761-5c8b-4a78-87cd-6cf96c725437",{"directus_files_id":382},{"id":383},"a1303963-2a2d-4af8-806a-c8230e3bd397",{"directus_files_id":385},{"id":386},"3a9cc5c7-8454-45de-b4d2-cb30fa10e045",{"directus_files_id":388},{"id":389},"93e2ee90-3ed1-45d7-ac5e-0be693a7e42a",{"directus_files_id":391},{"id":392},"fba85b6c-22dd-45dd-9d38-ca4af0ba9019",{"directus_files_id":394},{"id":395},"c7ce3777-b106-45c0-9dcd-571a55000655",{"directus_files_id":397},{"id":398},"5f51171d-6db0-486d-b46c-103b5405f100",{"directus_files_id":400},{"id":401},"9167b6da-57b9-4ce0-931c-20c1fd088de3",{"directus_files_id":403},{"id":404},"df5a48bb-4d84-40bf-ab32-3f2825b03431",{"directus_files_id":406},{"id":407},"81b4eb3e-e297-49b0-a170-c2394a501b9e",{"directus_files_id":409},{"id":410},"ab836787-0a30-4c87-929c-0fd8b5c3653c",{"directus_files_id":412},{"id":413},"7c792d46-c451-4e49-9572-c0a11674d75d",{"directus_files_id":415},{"id":416},"443f0676-5942-4102-b23e-0e079bb4df7c",{"directus_files_id":418},{"id":419},"4fffe8db-ca6e-4d33-b91c-1f908abff848",{"directus_files_id":421},{"id":422},"7b0736c0-5df9-4757-ae7a-04f431a0ccb2",{"directus_files_id":424},{"id":425},"2486123a-fa51-482e-b487-893ff3692f92",{"directus_files_id":427},{"id":428},"fd200ee7-a2fe-4f1f-b830-941a0e64a082",{"directus_files_id":430},{"id":431},"a7037710-867f-432d-a368-ef38c778668c",{"directus_files_id":433},{"id":434},"e4205b69-c0fd-49e6-87a4-5937cb3c0805",{"directus_files_id":436},{"id":437},"2f40f21d-c6bd-49e3-ba14-355227b769d0",{"directus_files_id":439},{"id":440},"d3bfcb3a-c296-4f5c-ac31-09cf913843c7",{"directus_files_id":442},{"id":443},"3ebc7891-7543-4068-96ea-546abbc3ad5b",{"directus_files_id":445},{"id":446},"edd4a431-f683-48de-807f-1a7c53da123b",{"directus_files_id":448},{"id":449},"6ea75e31-0cfb-46ea-a003-6e867bff3a67",{"directus_files_id":451},{"id":452},"f6eb71ac-a350-49d4-8974-1454d4db3bef",{"directus_files_id":454},{"id":455},"ddb4540f-ce9f-45f4-9191-de69bbf2a217",{"directus_files_id":457},{"id":458},"369591a7-ad31-40d1-8881-0d3db24678c6",{"directus_files_id":460},{"id":461},"f1041b0e-5fed-4b41-aa5a-10054cb81351",{"directus_files_id":463},{"id":464},"31f6cffd-2bcd-422d-9541-ae52f70e2f83",[466],{"languages_code":467,"description":468},"en","Eleven Plants for Dum-Dums & Cool Ppl is a high-energy, experimental showcase designed to demonstrate the creative boundaries of Webflow animations and typography. Serving as both an educational guide for beginner plant enthusiasts and a technical portfolio piece, the site uses a curated list of houseplants to anchor a series of sophisticated motion design interactions. It is aimed at a design-literate audience, likely developers and creative directors, who appreciate the intersection of botanical aesthetics and cutting-edge web technology.\n\nThe visual identity is defined by a bold, maximalist approach to typography and a vibrant, nature-inspired color palette. Each plant is treated as a unique character, paired with a distinct typeface that reflects its specific 'personality,' creating a rhythmic, eclectic browsing experience. The design balances clean, minimalist layouts with heavy, expressive type and organic imagery, resulting in a playful yet highly professional digital playground.","Agency & Studio",[29,471,33],"Fun \u002F Playful",[473],"Drew Marshall",[475],"Styrene",[284,266,477],"Webflow",[479,481,483,485],{"score":480,"category":107},84,{"score":482,"category":110},56,{"score":484,"category":113},73,{"score":209,"category":116},[487,489,490,491],{"score":488,"category":107},63,{"score":482,"category":110},{"score":484,"category":113},{"score":209,"category":116},[493,130,134],"green","Website: Eleven Plants for Dum-Dums. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Eleven Plants for Dum-Dums & Cool Ppl. Page description: 🌱🍃🌿 Simple Minimal one-page plant website with a ton of animations showing off some of what Webflow can do. Each of the eleven plants is paired with a nice typeface to express its leafy personality. Plants include: 1. Swiss Cheese Plant, Monstera deliciosa 2. Fiddleleaf Fig, Ficus lyrata 3. Rubber Plant, Ficus elastica 4. Parlor Palm, Chamaedorea elegans 5. Spider Plant, Chlorophytum comosum 6. Staghorn Fern, Platycerium alcicorne 7. Heart-Leaf Philodendron, Philodendron hederaceum 8. Pulido's Echeveria, Echeveria pulidonis 9. Snake Plant, Sansevieria trifasciata 10. Air Plant, Tillandsia xerographica 11. Shiitake Mushroom, Lentinula edodeOh yeah, there's a few hot tips on how to care for some pretty fashionable houseplants too! #1 Bookmania by Mark Simonson. Available through Adobe Typekit #2 LYDIAN by Warren Chappell. Available through MyFonts #3 RUBBEr by Morris Fuller Benton. Modified via wobblescan & FontRapid #4 Brush Script by Robert E. Smith. Available through Typekit #5 Inknut Antiqua by Claus Eggers Sørensen. Available through Google Fonts #6 Gastromond by James Todd. Available through Typekit #7 Windsor Elongated by Stephenson Blake. Available through MyFonts #8 ULTRA by Astigmatic. Available through Google Fonts #9 sansevieria by Paul Renner. Modified via Bic pen & FontRapid #10 Chromaletter by Dan Gneiding. Available through Lost Type #11 Styrene A by Berton Hasebe. Available through Commercial Type. Page content: a Design\u002FCode by l Menu d Design\u002FCode by l Close a #1 Bookmania by Mark Simonson. Available through Adobe Typekit #2 Lydian by Warren Chappell. Available through MyFonts #3 RUBBEr by Morris Fuller Benton. Modified via wobblescan & FontRapid #4 Brush Script by Robert E. Smith. Available through Typekit #5 Inknut Antiqua by Claus Eggers Sørensen. Available through Google Fonts #6 Gastromond by James Todd. Available through Typekit #7 Windsor Elongated by Stephenson Blake. Available through MyFonts #8 Ultra by Astigmatic. Available through Google Fonts #9 SANSEVIERIA by Paul Renner. Modified via Bic pen & FontRapid #10 Chromaletter by Dan Gneiding. Available through Lost Type #11 Styrene A by Berton Hasebe. Available through Commercial Type Design\u002FCode by l Close a [ 1\\. Swiss Cheese Plant, Monstera deliciosa ](#1)[ 2\\. Fiddleleaf Fig, Ficus lyrata ](#2)[ 3\\. Rubber Plant, Ficus elastica ](#3)[ 4\\. Parlor Palm, Chamaedorea elegans ](#4)[ 5\\. Spider Plant, Chlorophytum comosum ](#5)[ 6\\. Staghorn Fern, Platycerium alcicorne ](#6)[ 7\\. Heart-Leaf Philodendron, Philodendron hederaceum ](#7)[ 8\\. Pulido's Echeveria, Echeveria pulidonis ](#8)[ 9\\. Snake Plant, Sansevieria trifasciata ](#9)[ 10\\. Air Plant, Tillandsia xerographica ](#10)[ 11\\. Shiitake Mushroom, Lentinula edodes ](#11) Design\u002FCode by l 100% Real Text Made with k Eleven plants for dum-dums & cool ppl Platycerium alcicorne [ 1\\. Swiss Cheese Plant, Monstera deliciosa ](#1)[ 2\\. Fiddleleaf Fig, Ficus lyrata ](#2)[ 3\\. Rubber Plant, Ficus elastica ](#3)[ 4\\. Parlor Palm, Chamaedorea elegans ](#4)[ 5\\. Spider Plant, Chlorophytum comosum ](#5)[ 6\\. Staghorn Fern, Platycerium alcicorne ](#6)[ 7\\. Heart-Leaf Philodendron, Philodendron hederaceum ](#7)[ 8\\. Pulido's Echeveria, Echeveria pulidonis ](#8)[ 9\\. Snake Plant, Sansevieria trifasciata ](#9)[ 10\\. Air Plant, Tillandsia xerographica ](#10)[ 11\\. Shiitake Mushroom, Lentinula edodes ](#11) Philodendron hederaceum Love, water & treat 'em right… serenade often. Colophon b Macrame c #1 Swiss Cheese Plant Monstera deliciosa This tropical is known for its huge, bright green, & handsomely notched leaves. It's dense shape will begin to stretch and climb a supporting structure over time. AKA Split Leaf Philodendron. i Water 1×\u002Fweek in well-draining soil. No Pamplemousse e Mist those leaves once a week for peak luster h Avoid direct sunbeams — can cause sunburns _Bookmania_ by Mark Simonson. Available through Adobe Typekit Can grow up to 65 feet Propagate with cuttings #2 m Fiddleleaf Fig Ficus lyrata Also known as the banjo fig or the Wilson plant, this plant is is native to Africa. In its native habitat, it may grow to 100' tall. Inside a house, the Fiddleleaf is ideal for a floor container where it can grow to 6' or more. Keep your Fiddleleaf in bright, indirect light. You want it to have a lot of light, but not in a window blasted by direct sun. Keep soil moist, but don't allow it to sit in water or it will lose leaves and suffer root rot. _Lydian_ by Warren Chappell. Available through MyFonts #3 RUBbEr PLANT Ficus elastica Yes, yes, it's also known as a rubber tree when it gets big. These plants look great at any size: from a small plant on your windowsill to an 80 foot rubber sap producing behemoth in your backyard. Easy to grow, the worst you can do is over-water, move the plant around too much or not give the plant enough sun or warmth or music. Ficus elastica will forgive you though. _Franklin Gothic_ by Morris Fuller Benton. Modified via wobble-scan & FontRapid 100% Actual Real Type AKA the rubber fig tree #4 Parlor Palm Chamaedorea elegans This is the most popular indoor palm and is native to the rainforests in Southern Mexico and Guatemala. It grows (slowly) to a manageable height of approximately 2–4 feet. Parlor Palm Chamaedorea elegans This palm tolerates low light and colder conditions well. Allow for good drainage and give the plant a small amount of water once the soil starts to dry. Occasionally mist to convey your love. Parlor Palm Chamaedorea elegans Handsome, arching, pinnate leaves, lend a tropical flair to indoor locations. Remove occasional brown leaves (normal) by trimming. If they are also rotting, you could be over-watering. View One View Two View Three _Brush Script_ by Robert E. Smith. Available through Typekit #5 Spider Native to South Africa, the spider plant looks more and more amazing with every “baby” that branches out from the plant’s core. The plant is ideal for hanging containers and is does wonders to purify the air of the room it’s in. Go light on the fertilizer as heavily fertilized plants may not form as many new babies. Plant Chlorophytum comosum _Inknut Antiqua_ by Claus Eggers Sørensen. Available through Google Fonts Adjust Viewport for Chaos #6 Staghorn Fern Platycerium alcicorne This fern produces distinctive fertile fronds resembling the forked antlers of a stag. It is native to Southeast Asia, Polynesia and Australia, where it is typically found growing on tree trunks and branches. It likes bright indirect light but avoid full sun. Mist crowns regularly, allowing roots to dry slightly between waterings. Roots must never be allowed to dry out. Occasionally immerse entire root ball in water for a few minutes and then drain. Take your fern on quiet sunset strolls around the block in summer months. _Gastromond_ by James Todd. Available through Typekit #7 Heart-Leaf Philodendron Philodendron hederaceum Even the most egregious plant-killer can keep a Philodendron alive — a plant that seems to thrive on neglect. The plant is easy to grow and it looks fantastic. Pro-tip: Pinch off the growing tips on the vines to encourage the plant to better fill out. _Windsor Elongated_ by Stephenson Blake. Available through MyFonts #8 Pulido's Echeveria Echeveria pulidonis & friends There are too many amazing varieties of succulents to narrow it down to just one. Echeveria is a genus native to semi-desert areas of Central America. But like succulents from around the world, be sure to provide maximum sun, minimal movement, and water sparingly. _Ultra_ by Astigmatic. Available through Google Fonts #9 Lights: On Off Snake Plant sansevieria trifasciata With no shortage of nicknames (AKA Mother-in-Law's tongue), the Snake Plant grows fast with lots of indirect light, but it can tolerate darkness — just watch out for root rot caused by overwatering. _Futura_ by Paul Renner. Modified via Bic pen & FontRapid Snake Plant sansevieria trifasciata With no shortage of nicknames (AKA Mother-in-Law's tongue), the Snake Plant grows fast with lots of indirect light, but it can tolerate darkness — just watch out for root rot caused by overwatering. _Futura_ by Paul Renner. Modified via Bic pen & FontRapid #10 Air Plant Tillandsia xerographica Tillandsia xerographica In general, air plants need bright, indirect light. They love the occasional misting, as well as being submerged every couple weeks for 10 minutes. Be sure to flip your air plant and gently shake out excess water. The plant hails from the highest branches of trees in Mexico, Guatemala and El Salvador. Not as hot as in 2011, but still hot. _Chromaletter_ by Dan Gneiding. Available through Lost Type #11 Shiitake Mushroom Lentinula edodes I know, I know, it's not a plant, It's a fungus. But you know, Shiitakes are so damn cool, I'm going to predict they'll gain a place on your windowsill by 2021. windowsill. All you need to grow these beauties is a fresh oak log and some spore plugs. Logistics of keeping them inside might be tricky, but you can do it, you're resourceful! i Mist frequently. Keep covered with dome or plastic. g There just aint no umami like Shiitake umami h Low light with regular day and night cycles _Styrene A_ by Berton Hasebe. Available through Commercial Type Site designed & coded by Drew Marshall l. A Clean \u002F Minimalist, Fun \u002F Playful, Typographic \u002F Big Type website in the Agency & Studio industry. Designed and developed by Drew Marshall. The overall color palette features Green, White, Gray. The typography features Styrene (Sans Serif, Commercial Type). Built using Google Font API, jQuery, Webflow. AI description: Eleven Plants for Dum-Dums & Cool Ppl is a high-energy, experimental showcase designed to demonstrate the creative boundaries of Webflow animations and typography. Serving as both an educational guide for beginner plant enthusiasts and a technical portfolio piece, the site uses a curated list of houseplants to anchor a series of sophisticated motion design interactions. It is aimed at a design-literate audience, likely developers and creative directors, who appreciate the intersection of botanical aesthetics and cutting-edge web technology. The visual identity is defined by a bold, maximalist approach to typography and a vibrant, nature-inspired color palette. Each plant is treated as a unique character, paired with a distinct typeface that reflects its specific 'personality,' creating a rhythmic, eclectic browsing experience. The design balances clean, minimalist layouts with heavy, expressive type and organic imagery, resulting in a playful yet highly professional digital playground.",{"id":496,"website_id":497,"page_id":496,"name":498,"slug":499,"url":500,"website_name":498,"website_slug":499,"website_url":500,"result_url":500,"fetched_at":501,"score":165,"score_boost":359,"ai_score":502,"freshness_score":165,"scored_at":503,"page_name":39,"page_url":500,"page_title":504,"page_description":505,"page_content":506,"page_sort":359,"is_home":366,"is_home_rank":367,"page_type_id":368,"page_type_name":45,"cover":507,"cover_mobile":510,"cover_sequence":512,"translations":603,"industry":606,"styles":607,"credits":608,"font_families":610,"technologies":611,"pagespeed":612,"pagespeed_mobile":619,"buckets":625,"search_payload":626},"a98d2f9a-adc4-4d15-bab6-4571c8505677","d8b9b7e7-8fc2-4dad-82b2-d23ff85df533","The Penumbral Age","the-penumbral-age","https:\u002F\u002Fwiekpolcienia.artmuseum.pl\u002Fen","2026-05-05T19:21:52.000Z",78,"2026-05-23T19:23:50.000Z","The Penumbral Age – Exhibition in the Museum of Moder Art in Warsaw","Exhibition presents artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth.","05.06–13.09.2020 T H E P E N U M B R A L A G E Art in the Time of Planetary Change Curators: Sebastian Cichocki, Jagna Lewandowska [ Museum on the Vistula ](https:\u002F\u002Fwww.google.com\u002Fmaps?q=google+maps+muzeum+nad+wis%C5%82%C4%85 \"Opens new browser tab\") Anna & Lawrence Halprin, „Driftwood Village—Community,” Sea Ranch, California Courtesy of Lawrence Halprin Collection, The Architectural Archives, University of Pennsylvania. 01 The Exhibition The Museum of Modern Art in Warsaw invites to the exhibition “The Penumbral Age. Art in the Time of Planetary Change”, where we present artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth. It provides a space for discussion on “managing the irreversible” and new forms of solidarity, empathy and togetherness in the face of the climate crisis. We live in a time of planetary change affecting each and every one of us. Climate change influences every sphere of life, including thinking about art: the systems of its production and distribution, its social function and its relation to other disciplines, especially science. Audio introduction to the exhibition. Voice: Meagan Down Аудіо впровадження до вистави „Вік півтіні. Мистецтво в часи планетарної зміни” українською мовою. Голос: Тарас Гембік \u002F Taras Hembik The map-helper was created to facilitate movement in the exhibition space. With it, you can easily read the meanings of artistic works. There is no description of everything on the map. Instead, there are some questions that help in the independent reception of works. Download the map-helper (PDF) Vija Celmins, „Untitled (Ocean with Cross #1)”, 2005, paper, silkscreen print. Courtesy of the artist and Zuzāns Collection. 02 New ways to see the world The title of the exhibition is drawn from the book The Collapse of Western Civilization: A View from the Future by Naomi Oreskes and Erik M. Conway (2014), where the protagonists from the future date the “period of the penumbra” from the “shadow of anti-intellectualism that fell over the once-Enlightened techno-scientific nations of the Western world during the second half of the twentieth century, preventing them from acting on the scientific knowledge available at the time” and leading to tragedy. We are witnesses to this process: scientific findings have ceased to be regarded as dispositive and do not persuade people to act. > “Science becomes belief. Belief becomes science. Everything becomes nothing. Nothing becomes everything. All can believe and disbelieve all. We all can know everything and know nothing. Everyone lives as an expert on every subject\" Ibram X. Kendi as the American writer and historian Ibram X. Kendi wrote in The Atlantic, analysing scepticism about climate change or outright rejection of the threat (climate denialism). Observations by artists are akin to those of scientists, but they typically do not confront viewers with an excess of numbers, soaring bar graphs, or “pornographic” images of poverty and devastation. Art has “strange tools” (Alva Noë, 2015) at its disposal, which we can use to discern “wonders in the heavens and signs on the earth.” When ordinary tools of dialogue and persuasion fail, artists enable an “imaginative leap” by working on the emotions, confronting the incomprehensible and the unknown. As the theoretician of visual culture Nicholas Mirzoeff puts it: > we must “unsee” how the past “has taught us to see the world, and begin to imagine a different way to be with what used to be called nature. Ines Doujak, Ghostpopulations Ines Doujak, Ghostpopulations 03 Global art for a changing planet The “Penumbral Age. Art in the Time of Planetary Change” spans five decades, and highlights the strengthening of environmental reflections in the art of the late 1960s and early 1970s as well as the second decade of the 21st century. The first period is linked with intensification of pacifist, feminist and anti-racist movements and the formation of the contemporary ecological movement. At the same time new artistic phenomena arose, such as conceptualism, anti-form, land art and earth art. While introducing “geological” thinking about art, artists used impermanent organic materials or sought to entirely dematerialize the work of art. 1 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Snail Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 2 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Egg Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 3 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: Hot Dog Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York For us, land art is much more than a stream of Western art emblematic of the late 1960s and early 1970s. Following the thought of the Pakistani artist and activist Rasheed Araeen, drawing from his “ecoaesthetics” agenda, we seek “global art for a changing planet.” Actions connected with the “canonization” of land art, such as Richard Long’s Throwing a Stone around MacGillycuddy’s Reeks, in which the artist followed a stone he tossed before him, the “terraforming” plans of Robert Morris, or Gerry Schum’s television programme (an example of the use of new media to expose audiences to “organic” art practised in deserts or forests), are accompanied in this exhibition by works from the 21st century, employing ecological education (Futurefarmers, Ines Doujak, the Center for Land Use Interpretation), protest (Suzanne Husky, Akira Tsuboi), and involving spirituality and esoterics (Shana Moulton and Nick Hallett, Teresa Murak, Czekalska and Golec). Ice Stupa in Ladakh photo: Sonam Wangchuk, 2015 04 Solidarity and Care in the Museum The field of interest of artists sensitive to environmental change extends to such issues as the Anthropocene, the Capitalocene, the Chthulucene, climate debt, climate denialism, ecocide, the end of nature, fossil capitalism, geoengineering, irreversibility, the New Pangea, post- anthropocentrism, the sixth mass extinction, and terraforming. All of this is the context for land art, which in this sense is not confined to any one medium, material, or geographical region. It may include initiatives that do not operate under the banner of art. One such example would be the ice stupas in Ladakh, India—artificial glaciers created by engineer Sonam Wangchuk, with a fascinating form and the clearly defined function of supplying water to inhabitants of the desert at the foot of the Himalayas. > “No museums on a dead planet!” Life in a state of deepening crisis forces us to fundamentally change our thinking about the entire system of social organization and to confront ethical and existential dilemmas (climate migrations and new class conflicts). The world of art, with its museums and rituals for organizing objects and ideas, is no exception (to paraphrase the slogan of the Youth Strike for Climate, “No museums on a dead planet!”) and requires deep systemic transformation. We treat engagement in this discussion as a duty of the museum, and not as just another fashion or stream in art. Countering the calls for “ecological restoration” or the popularity of “art of the Anthropocene,” we stress the permanence of environmental reflection, based on continuity and responsibility. 1 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 2 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 3 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 4 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 5 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 6 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative Art will certainly not protect us against catastrophe, but it can help us arm ourselves with “strange tools” for the work of imagination and empathy. In her memorable manifesto from 1969, Mierle Laderman Ukeles posed the question: > „After the revolution, who’s going to pick up the garbage on Monday morning?” In works of art from recent decades we not only seek a visualization of processes occurring on our planet, but also discern possible proposals for the future. If ecological catastrophe is already happening (as the residents of the inundated islands of Nauru and Banaba in the Pacific would certainly agree), together let's wonder, will we ever manage to clean up our planetary mess and rebuild our relations with other sentient beings? Will we manage to start over again? Jonathas de Andrade, „O Peixe”, 16mm film shot transferred to 2K video, 2016 Courtesy of the artist and the Continua Gallery, a photograph by Meghan Marchetti. 05 The Cinema _At the Penumbral Cinema_ we regularly publish new and historical works related to environmental and ecological reflection. In addition to fragments of films that will be presented during the exhibition at the Museum on the Vistula, we also reach for other film materials collected while working on \"The Penumbral Age\". INTERPRT Earth Law: Site Pacific Ocean, 2018 INTERPRT collects and analyzes evidence in order to prosecute crimes committed in the natural environment, mainly in the Pacific. By using charts, films, interactive maps, exhibitions and lectures, INTERPRT members lobby for ecocide to be a criminal offense under international law. At the same time, they reflect on the need for system changes, such as the responsibility of large fuel companies for climate change. 06 Guide Book We present the first issue of the newspaper \"The Penumbral Age\", which is a guide to _The Penumbral Age. Art in the Times of Planetary Change_ exhibition, still waiting for its opening. The publication contains a complete catalog of over seventy works of artists participating in the exhibition. The newspaper is designed by Jakub de Barbaro. Download the publication (PDF) Publication accompanying the „Repairing Earthquake project” by Nishiko. The catalogue includes stories of objects found by the artist after the tsunami that hit the shores of Japan in 2011. Download the publication (PDF) Martwa Natura (Nature Morte) The publication “Martwa Natura” (“Nature Morte”), which consists of interviews with Alice Creischer, Susanne Kriemann and Antje Majewski - the artists participating in the exhibition „THE PENUMBRAL AGE. Art in times of planetary change\", was created during the production of a play directed by Agnieszka Jakimiak in Teatr Powszechny im. Zygmunta Hübnera in Warsaw. During the pandemic times, many ideas and beliefs about art get destroyed. However, some of them may become stronger – like the conviction that art is used by us to create bonds and alliances, networks of understanding and support. Joseph Beuys - an activist and a rebellious artist, a relentless spokesperson for the concern of the natural environment - is a starting point for a journey through these areas o …",{"id":508,"height":13,"width":12,"blurhash":509},"48c47db0-7e4b-42df-aed2-2de352097439","radial-gradient(at 0 0,#fefefe,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#f7f7f7,#00000000 50%),radial-gradient(at 67% 50%,#f3f3f3,#00000000 50%),radial-gradient(at 100% 50%,#f9f9f9,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#fdfdfd,#00000000 50%),radial-gradient(at 67% 100%,#fafafa,#00000000 50%),radial-gradient(at 100% 100%,#fefefe,#00000000 50%)",{"id":511,"height":15,"width":14,"blurhash":66},"9ca710a3-cee4-4871-b568-968fc239cc1f",[513,516,519,522,525,528,531,534,537,540,543,546,549,552,555,558,561,564,567,570,573,576,579,582,585,588,591,594,597,600],{"directus_files_id":514},{"id":515},"24403df2-7242-42d0-a853-bfbdd3f5cb13",{"directus_files_id":517},{"id":518},"46f84e10-8262-4eea-b944-2a9fb4b207d4",{"directus_files_id":520},{"id":521},"69a26290-b429-4c49-b482-c91b327c5b73",{"directus_files_id":523},{"id":524},"17371152-fa89-4792-9963-8d69de907a25",{"directus_files_id":526},{"id":527},"152c623b-c521-4bd2-b13c-b7cab15e26b8",{"directus_files_id":529},{"id":530},"f71e2705-298c-4f11-8efc-5ba33613a1c9",{"directus_files_id":532},{"id":533},"be32c74c-5794-4f54-8336-c0d04a5d4a32",{"directus_files_id":535},{"id":536},"3d0160d5-9aa5-45a3-adc9-3689016b159c",{"directus_files_id":538},{"id":539},"e6f30993-d6a9-40ea-987c-513d76e83435",{"directus_files_id":541},{"id":542},"fb6d46b5-bbe0-40c1-8b56-e362c66b5f24",{"directus_files_id":544},{"id":545},"45140041-b814-404b-8598-2a066fb8ca99",{"directus_files_id":547},{"id":548},"50230272-72e0-41f4-bed0-df3e7e2d3035",{"directus_files_id":550},{"id":551},"4ef217fa-4356-4b4b-8ba5-88a25a79a9e1",{"directus_files_id":553},{"id":554},"a908dbb0-2942-4374-a10a-34440ba013d7",{"directus_files_id":556},{"id":557},"8461bd1c-0ea9-4085-b7c1-4b405aa590a2",{"directus_files_id":559},{"id":560},"54d7ec03-cae7-4c01-a4c8-7e3b9eb4acbf",{"directus_files_id":562},{"id":563},"eda51815-772e-4d7b-a2ac-0c3ab70c36f5",{"directus_files_id":565},{"id":566},"9ae4a478-33a3-4a39-a65b-29ee5ad4cfcb",{"directus_files_id":568},{"id":569},"47e6ccc8-8967-4220-b1d3-f6fb0546c90b",{"directus_files_id":571},{"id":572},"cf7473ed-5dc5-4d21-b176-69003d8acdfd",{"directus_files_id":574},{"id":575},"748a1107-334a-4b91-b776-2a2cce95e717",{"directus_files_id":577},{"id":578},"9a8cf0ae-8acf-4525-911b-db9c036f9f5d",{"directus_files_id":580},{"id":581},"e87ee43f-a727-46a8-8ebc-e002202fa3a2",{"directus_files_id":583},{"id":584},"f6e0a875-abbb-444e-92ed-28e554c9b7b6",{"directus_files_id":586},{"id":587},"d3a7caf2-d387-481a-9d54-9dfc1d0fa214",{"directus_files_id":589},{"id":590},"da5b5782-fd13-4944-a6b2-05e3b62b5134",{"directus_files_id":592},{"id":593},"1cea3dcd-104b-41c9-bc50-deb60bfb621a",{"directus_files_id":595},{"id":596},"64a002a1-f96e-46c6-a105-1d06dbadf230",{"directus_files_id":598},{"id":599},"bddf1460-1bd1-4c0d-83f5-59e65193800d",{"directus_files_id":601},{"id":602},"dfb64e28-f692-46de-b0bb-7748e3c8717f",[604],{"languages_code":467,"description":605},"The Penumbral Age serves as a sophisticated digital gateway for a specialized art exhibition hosted by the Museum of Modern Art in Warsaw. The website's primary purpose is to contextualize and promote an exhibition exploring the intersection of artistic expression and planetary environmental shifts, providing visitors with essential information regarding curators, artists, and exhibition guides.\n\nThe visual identity is defined by a rigorous, high-end minimalism that mirrors the gravity of its subject matter. Utilizing a stark monochrome palette and expansive white space, the design relies heavily on elegant, high-contrast serif typography to establish an authoritative and intellectual tone. This editorial approach targets an academic and culturally engaged audience, offering a seamless, distraction-free browsing experience that prioritizes clarity and prestige.","Art & Culture",[29,26,33],[609],"Huncwot",[305],[284,267],[613,615,617,618],{"score":614,"category":107},51,{"score":616,"category":110},77,{"score":227,"category":113},{"score":206,"category":116},[620,621,622,624],{"score":227,"category":107},{"score":616,"category":110},{"score":623,"category":113},31,{"score":206,"category":116},[130,126,134],"Website: The Penumbral Age. Page: Homepage. Page type: Home \u002F Landing Page. Page title: The Penumbral Age – Exhibition in the Museum of Moder Art in Warsaw. Page description: Exhibition presents artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth.. Page content: 05.06–13.09.2020 T H E P E N U M B R A L A G E Art in the Time of Planetary Change Curators: Sebastian Cichocki, Jagna Lewandowska [ Museum on the Vistula ](https:\u002F\u002Fwww.google.com\u002Fmaps?q=google+maps+muzeum+nad+wis%C5%82%C4%85 \"Opens new browser tab\") Anna & Lawrence Halprin, „Driftwood Village—Community,” Sea Ranch, California Courtesy of Lawrence Halprin Collection, The Architectural Archives, University of Pennsylvania. 01 The Exhibition The Museum of Modern Art in Warsaw invites to the exhibition “The Penumbral Age. Art in the Time of Planetary Change”, where we present artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth. It provides a space for discussion on “managing the irreversible” and new forms of solidarity, empathy and togetherness in the face of the climate crisis. We live in a time of planetary change affecting each and every one of us. Climate change influences every sphere of life, including thinking about art: the systems of its production and distribution, its social function and its relation to other disciplines, especially science. Audio introduction to the exhibition. Voice: Meagan Down Аудіо впровадження до вистави „Вік півтіні. Мистецтво в часи планетарної зміни” українською мовою. Голос: Тарас Гембік \u002F Taras Hembik The map-helper was created to facilitate movement in the exhibition space. With it, you can easily read the meanings of artistic works. There is no description of everything on the map. Instead, there are some questions that help in the independent reception of works. Download the map-helper (PDF) Vija Celmins, „Untitled (Ocean with Cross #1)”, 2005, paper, silkscreen print. Courtesy of the artist and Zuzāns Collection. 02 New ways to see the world The title of the exhibition is drawn from the book The Collapse of Western Civilization: A View from the Future by Naomi Oreskes and Erik M. Conway (2014), where the protagonists from the future date the “period of the penumbra” from the “shadow of anti-intellectualism that fell over the once-Enlightened techno-scientific nations of the Western world during the second half of the twentieth century, preventing them from acting on the scientific knowledge available at the time” and leading to tragedy. We are witnesses to this process: scientific findings have ceased to be regarded as dispositive and do not persuade people to act. > “Science becomes belief. Belief becomes science. Everything becomes nothing. Nothing becomes everything. All can believe and disbelieve all. We all can know everything and know nothing. Everyone lives as an expert on every subject\" Ibram X. Kendi as the American writer and historian Ibram X. Kendi wrote in The Atlantic, analysing scepticism about climate change or outright rejection of the threat (climate denialism). Observations by artists are akin to those of scientists, but they typically do not confront viewers with an excess of numbers, soaring bar graphs, or “pornographic” images of poverty and devastation. Art has “strange tools” (Alva Noë, 2015) at its disposal, which we can use to discern “wonders in the heavens and signs on the earth.” When ordinary tools of dialogue and persuasion fail, artists enable an “imaginative leap” by working on the emotions, confronting the incomprehensible and the unknown. As the theoretician of visual culture Nicholas Mirzoeff puts it: > we must “unsee” how the past “has taught us to see the world, and begin to imagine a different way to be with what used to be called nature. Ines Doujak, Ghostpopulations Ines Doujak, Ghostpopulations 03 Global art for a changing planet The “Penumbral Age. Art in the Time of Planetary Change” spans five decades, and highlights the strengthening of environmental reflections in the art of the late 1960s and early 1970s as well as the second decade of the 21st century. The first period is linked with intensification of pacifist, feminist and anti-racist movements and the formation of the contemporary ecological movement. At the same time new artistic phenomena arose, such as conceptualism, anti-form, land art and earth art. While introducing “geological” thinking about art, artists used impermanent organic materials or sought to entirely dematerialize the work of art. 1 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Snail Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 2 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Egg Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 3 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: Hot Dog Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York For us, land art is much more than a stream of Western art emblematic of the late 1960s and early 1970s. Following the thought of the Pakistani artist and activist Rasheed Araeen, drawing from his “ecoaesthetics” agenda, we seek “global art for a changing planet.” Actions connected with the “canonization” of land art, such as Richard Long’s Throwing a Stone around MacGillycuddy’s Reeks, in which the artist followed a stone he tossed before him, the “terraforming” plans of Robert Morris, or Gerry Schum’s television programme (an example of the use of new media to expose audiences to “organic” art practised in deserts or forests), are accompanied in this exhibition by works from the 21st century, employing ecological education (Futurefarmers, Ines Doujak, the Center for Land Use Interpretation), protest (Suzanne Husky, Akira Tsuboi), and involving spirituality and esoterics (Shana Moulton and Nick Hallett, Teresa Murak, Czekalska and Golec). Ice Stupa in Ladakh photo: Sonam Wangchuk, 2015 04 Solidarity and Care in the Museum The field of interest of artists sensitive to environmental change extends to such issues as the Anthropocene, the Capitalocene, the Chthulucene, climate debt, climate denialism, ecocide, the end of nature, fossil capitalism, geoengineering, irreversibility, the New Pangea, post- anthropocentrism, the sixth mass extinction, and terraforming. All of this is the context for land art, which in this sense is not confined to any one medium, material, or geographical region. It may include initiatives that do not operate under the banner of art. One such example would be the ice stupas in Ladakh, India—artificial glaciers created by engineer Sonam Wangchuk, with a fascinating form and the clearly defined function of supplying water to inhabitants of the desert at the foot of the Himalayas. > “No museums on a dead planet!” Life in a state of deepening crisis forces us to fundamentally change our thinking about the entire system of social organization and to confront ethical and existential dilemmas (climate migrations and new class conflicts). The world of art, with its museums and rituals for organizing objects and ideas, is no exception (to paraphrase the slogan of the Youth Strike for Climate, “No museums on a dead planet!”) and requires deep systemic transformation. We treat engagement in this discussion as a duty of the museum, and not as just another fashion or stream in art. Countering the calls for “ecological restoration” or the popularity of “art of the Anthropocene,” we stress the permanence of environmental reflection, based on continuity and responsibility. 1 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 2 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 3 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 4 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 5 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 6 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative Art will certainly not protect us against catastrophe, but it can help us arm ourselves with “strange tools” for the work of imagination and empathy. In her memorable manifesto from 1969, Mierle Laderman Ukeles posed the question: > „After the revolution, who’s going to pick up the garbage on Monday morning?” In works of art from recent decades we not only seek a visualization of processes occurring on our planet, but also discern possible proposals for the future. If ecological catastrophe is already happening (as the residents of the inundated islands of Nauru and Banaba in the Pacific would certainly agree), together let's wonder, will we ever manage to clean up our planetary mess and rebuild our relations with other sentient beings? Will we manage to start over again? Jonathas de Andrade, „O Peixe”, 16mm film shot transferred to 2K video, 2016 Courtesy of the artist and the Continua Gallery, a photograph by Meghan Marchetti. 05 The Cinema _At the Penumbral Cinema_ we regularly publish new and historical works related to environmental and ecological reflection. In addition to fragments of films that will be presented during the exhibition at the Museum on the Vistula, we also reach for other film materials collected while working on \"The Penumbral Age\". INTERPRT Earth Law: Site Pacific Ocean, 2018 INTERPRT collects and analyzes evidence in order to prosecute crimes committed in the natural environment, mainly in the Pacific. By using charts, films, interactive maps, exhibitions and lectures, INTERPRT members lobby for ecocide to be a criminal offense under international law. At the same time, they reflect on the need for system changes, such as the responsibility of large fuel companies for climate change. 06 Guide Book We present the first issue of the newspaper \"The Penumbral Age\", which is a guide to _The Penumbral Age. Art in the Times of Planetary Change_ exhibition, still waiting for its opening. The publication contains a complete catalog of over seventy works of artists participating in the exhibition. The newspaper is designed by Jakub de Barbaro. Download the publication (PDF) Publication accompanying the „Repairing Earthquake project” by Nishiko. The catalogue includes stories of objects found by the artist after the tsunami that hit the shores of Japan in 2011. Download the publication (PDF) Martwa Natura (Nature Morte) The publication “Martwa Natura” (“Nature Morte”), which consists of interviews with Alice Creischer, Susanne Kriemann and Antje Majewski - the artists participating in the exhibition „THE PENUMBRAL AGE. Art in times of planetary change\", was created during the production of a play directed by Agnieszka Jakimiak in Teatr Powszechny im. Zygmunta Hübnera in Warsaw. During the pandemic times, many ideas and beliefs about art get destroyed. However, some of them may become stronger – like the conviction that art is used by us to create bonds and alliances, networks of understanding and support. Joseph Beuys - an activist and a rebellious artist, a relentless spokesperson for the concern of the natural environment - is a starting point for a journey through these areas o …. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. The typography features Source Sans (Sans Serif). Built using Google Font API, PHP. AI description: The Penumbral Age serves as a sophisticated digital gateway for a specialized art exhibition hosted by the Museum of Modern Art in Warsaw. The website's primary purpose is to contextualize and promote an exhibition exploring the intersection of artistic expression and planetary environmental shifts, providing visitors with essential information regarding curators, artists, and exhibition guides. The visual identity is defined by a rigorous, high-end minimalism that mirrors the gravity of its subject matter. Utilizing a stark monochrome palette and expansive white space, the design relies heavily on elegant, high-contrast serif typography to establish an authoritative and intellectual tone. This editorial approach targets an academic and culturally engaged audience, offering a seamless, distraction-free browsing experience that prioritizes clarity and prestige.",{"id":628,"website_id":629,"page_id":628,"name":630,"slug":631,"url":632,"website_name":630,"website_slug":631,"website_url":633,"result_url":632,"fetched_at":634,"score":480,"score_boost":359,"ai_score":208,"freshness_score":165,"scored_at":635,"page_name":39,"page_url":632,"page_title":636,"page_description":637,"page_content":638,"page_sort":359,"is_home":366,"is_home_rank":367,"page_type_id":368,"page_type_name":45,"cover":639,"cover_mobile":642,"cover_sequence":644,"translations":717,"industry":606,"styles":720,"credits":721,"font_families":722,"technologies":723,"pagespeed":724,"pagespeed_mobile":731,"buckets":736,"search_payload":737},"6bb55517-6429-4bed-b4a0-267ebf415a05","df6163de-504a-4901-8e05-725dc164b7e5","Migrant Journal","migrantjournal","https:\u002F\u002Fmigrantjournal.com\u002F","https:\u002F\u002Fmigrantjournal.com","2026-05-05T15:46:46.000Z","2026-05-23T19:36:33.000Z","MIGRANT JOURNAL","Migrant Journal is a six-issue publication exploring the circulation of people, goods, information, and even fauna and flora, around the world.","Migrant Journal is a six-issue publication exploring the circulation of people, goods, information, fauna and flora around the world and the transformative impact they have on space. ISSUE 6: FOREIGN AGENTS Migrant subjects create migrant imaginaries. The very notion of culture is inseparable from these processes of diffusion, friction, transformation and creolization. When the journeys and experiences of people on the move are documented and represented, migration itself becomes the subject of culture. Rituals and institutions, knowledge and identities, phonemes, pigments and pixels, notions of taste, class, gender or ethnicity migrate across time and space at any given epoch. Pause slideshow Play slideshow - Slide 1 - Slide 2 - Slide 3 - Slide 4 In the sixth and final issue of MIGRANT JOURNAL, you will follow the journeys of Diamond Painting across China, the real-life utopia of Esperanto, the bedazzled domes of Jerusalem and the digital landscapes of Poland, an exploration of Freud's 'uncanny' and Borges's labyrinths, but also _buddae jjigae_ and fusion-style Polish carp among many other stories. Pause slideshow Play slideshow - Slide 1 - Slide 2 - Slide 3 - Slide 4 TABLE OF CONTENTS Jesse Connuck → SPAM AMERICANA Paul Wilson → ESPERANTUJO, LAND OF THE HOPEFUL Reinhard Schmidt and Gabriel Amza → PALMS ON BALCONIES Jonathan Liebembuk → UNCANNY LABYRINTHS Dima Srouji → BEDAZZLED JERUSALEM: CITY SIMULACRA AND UNORIGINAL TRUTHS Pol Esteve and Dennis Pohl → POST-IMAGE EU: FROM TV SETS TO DATA FLOWS Benjamin Orlow → ASAFO FLAGS Martina Muzi → 5D DIAMOND FAMILY PORTRAIT Nice Katlehong → MASKANDI, THE TRAVELLING MAN’S MUSIC Mirjam Kooiman → RUN, FOREST, RUN! Dámaso Randulfe → DISLOCATIONS Marta Michalowska → CYPRINUS CARPIO FROM TESCO Andrew Scheinman → THE LAND WHERE LAURELS GROW Kaspar Hauser → THE COMFORTING SHADOW OF KNOWLEDGE Subscribe to our newsletter",{"id":640,"height":13,"width":12,"blurhash":641},"c3287984-acdc-4ac5-924b-4a31f358d69b","radial-gradient(at 0 0,#a6a2ab,#00000000 50%),radial-gradient(at 33% 0,#aeaeb2,#00000000 50%),radial-gradient(at 67% 0,#b6b8b9,#00000000 50%),radial-gradient(at 100% 0,#adadaf,#00000000 50%),radial-gradient(at 0 50%,#000000,#00000000 50%),radial-gradient(at 33% 50%,#61685a,#00000000 50%),radial-gradient(at 67% 50%,#879384,#00000000 50%),radial-gradient(at 100% 50%,#404b3b,#00000000 50%),radial-gradient(at 0 100%,#3e2838,#00000000 50%),radial-gradient(at 33% 100%,#70766c,#00000000 50%),radial-gradient(at 67% 100%,#8f9e8c,#00000000 50%),radial-gradient(at 100% 100%,#70766c,#00000000 50%)",{"id":643,"height":15,"width":14,"blurhash":66},"7ef791ef-6965-4949-919b-e1fde7dcdf67",[645,648,651,654,657,660,663,666,669,672,675,678,681,684,687,690,693,696,699,702,705,708,711,714],{"directus_files_id":646},{"id":647},"7fb0a379-49c9-40db-8857-2da33707817b",{"directus_files_id":649},{"id":650},"978088eb-7be0-406d-87b9-f31e50e0ab36",{"directus_files_id":652},{"id":653},"43f2cba8-6589-4415-bfe0-50cc4dc8293d",{"directus_files_id":655},{"id":656},"c0e7c452-84c1-4cca-ad1d-858e46ba24fd",{"directus_files_id":658},{"id":659},"fe1a6bc1-9afe-4eec-8dfb-19ee42be31d6",{"directus_files_id":661},{"id":662},"42355f32-d0a6-46cb-b6db-325e347e426e",{"directus_files_id":664},{"id":665},"185d6bb0-b45f-414b-90e8-80aeb93edaec",{"directus_files_id":667},{"id":668},"64b3eb87-951a-4f9e-9ab6-173b1a705ed7",{"directus_files_id":670},{"id":671},"844d9b51-2e72-4686-b07f-1257b684ea3f",{"directus_files_id":673},{"id":674},"e79881a8-3f06-4820-892d-6f9d9597b3d6",{"directus_files_id":676},{"id":677},"8f26ce7e-f075-4cb1-a92b-f1664467c740",{"directus_files_id":679},{"id":680},"059f238c-e481-45e0-90d1-d92ce225944a",{"directus_files_id":682},{"id":683},"ff97f281-e58c-4a7f-bb86-c43509e8bb4e",{"directus_files_id":685},{"id":686},"f3b4d33c-b066-4c9d-934b-d1ff92491d85",{"directus_files_id":688},{"id":689},"52c8d2ee-8d64-4891-8099-2c8787b60441",{"directus_files_id":691},{"id":692},"89fbaacd-a369-4535-9a93-9ecddf6c0797",{"directus_files_id":694},{"id":695},"2bb805b1-fc0b-4b65-a76b-4aa71b0f617e",{"directus_files_id":697},{"id":698},"1e3dbc9a-2625-4fdb-9244-b714aedbac5c",{"directus_files_id":700},{"id":701},"d3498c14-dccc-4a8f-b36b-52809b9df003",{"directus_files_id":703},{"id":704},"cc361331-b0ad-4870-8df3-106a4d1b6ee5",{"directus_files_id":706},{"id":707},"2d281cf4-02d0-479c-840d-607cd880b988",{"directus_files_id":709},{"id":710},"225c3b60-073e-4023-888f-7b53cdabc6f4",{"directus_files_id":712},{"id":713},"49d50aea-815c-423e-8689-d67e06031bd6",{"directus_files_id":715},{"id":716},"4aef38dd-7b80-46fd-bf8a-22c546546044",[718],{"languages_code":467,"description":719},"Migrant Journal is a sophisticated, multi-issue publication that serves as a vessel for exploring the complex global circulation of people, goods, and information. Its digital presence mirrors the intellectual depth of its content, utilizing a high-contrast, avant-garde aesthetic to engage a discerning audience of academics, artists, and cultural theorists.\n\nThe visual identity is defined by a bold, experimental use of color and typography. By pairing deep, dark backgrounds with vibrant, neon-adjacent accents and striking graphic layouts, the site establishes a sense of urgency and contemporary relevance. The design feels less like a traditional e-commerce storefront and more like a curated digital gallery, emphasizing the tactile and artistic value of the physical journal.",[29,26,33],[],[],[280,272],[725,727,729,730],{"score":726,"category":107},98,{"score":728,"category":110},97,{"score":114,"category":113},{"score":117,"category":116},[732,733,734,735],{"score":111,"category":107},{"score":117,"category":110},{"score":206,"category":113},{"score":117,"category":116},[130,126,134],"Website: Migrant Journal. Page: Homepage. Page type: Home \u002F Landing Page. Page title: MIGRANT JOURNAL. Page description: Migrant Journal is a six-issue publication exploring the circulation of people, goods, information, and even fauna and flora, around the world.. Page content: Migrant Journal is a six-issue publication exploring the circulation of people, goods, information, fauna and flora around the world and the transformative impact they have on space. ISSUE 6: FOREIGN AGENTS Migrant subjects create migrant imaginaries. The very notion of culture is inseparable from these processes of diffusion, friction, transformation and creolization. When the journeys and experiences of people on the move are documented and represented, migration itself becomes the subject of culture. Rituals and institutions, knowledge and identities, phonemes, pigments and pixels, notions of taste, class, gender or ethnicity migrate across time and space at any given epoch. Pause slideshow Play slideshow - Slide 1 - Slide 2 - Slide 3 - Slide 4 In the sixth and final issue of MIGRANT JOURNAL, you will follow the journeys of Diamond Painting across China, the real-life utopia of Esperanto, the bedazzled domes of Jerusalem and the digital landscapes of Poland, an exploration of Freud's 'uncanny' and Borges's labyrinths, but also _buddae jjigae_ and fusion-style Polish carp among many other stories. Pause slideshow Play slideshow - Slide 1 - Slide 2 - Slide 3 - Slide 4 TABLE OF CONTENTS Jesse Connuck → SPAM AMERICANA Paul Wilson → ESPERANTUJO, LAND OF THE HOPEFUL Reinhard Schmidt and Gabriel Amza → PALMS ON BALCONIES Jonathan Liebembuk → UNCANNY LABYRINTHS Dima Srouji → BEDAZZLED JERUSALEM: CITY SIMULACRA AND UNORIGINAL TRUTHS Pol Esteve and Dennis Pohl → POST-IMAGE EU: FROM TV SETS TO DATA FLOWS Benjamin Orlow → ASAFO FLAGS Martina Muzi → 5D DIAMOND FAMILY PORTRAIT Nice Katlehong → MASKANDI, THE TRAVELLING MAN’S MUSIC Mirjam Kooiman → RUN, FOREST, RUN! Dámaso Randulfe → DISLOCATIONS Marta Michalowska → CYPRINUS CARPIO FROM TESCO Andrew Scheinman → THE LAND WHERE LAURELS GROW Kaspar Hauser → THE COMFORTING SHADOW OF KNOWLEDGE Subscribe to our newsletter. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. Built using MailChimp, Shopify. AI description: Migrant Journal is a sophisticated, multi-issue publication that serves as a vessel for exploring the complex global circulation of people, goods, and information. Its digital presence mirrors the intellectual depth of its content, utilizing a high-contrast, avant-garde aesthetic to engage a discerning audience of academics, artists, and cultural theorists. The visual identity is defined by a bold, experimental use of color and typography. By pairing deep, dark backgrounds with vibrant, neon-adjacent accents and striking graphic layouts, the site establishes a sense of urgency and contemporary relevance. The design feels less like a traditional e-commerce storefront and more like a curated digital gallery, emphasizing the tactile and artistic value of the physical journal.",{"id":739,"website_id":740,"page_id":739,"name":741,"slug":742,"url":743,"website_name":741,"website_slug":742,"website_url":744,"result_url":743,"fetched_at":745,"score":746,"score_boost":359,"ai_score":208,"freshness_score":747,"scored_at":748,"page_name":39,"page_url":743,"page_title":749,"page_description":66,"page_content":750,"page_sort":359,"is_home":366,"is_home_rank":367,"page_type_id":368,"page_type_name":45,"cover":751,"cover_mobile":754,"cover_sequence":756,"translations":823,"industry":606,"styles":826,"credits":828,"font_families":829,"technologies":830,"pagespeed":834,"pagespeed_mobile":839,"buckets":844,"search_payload":846},"146d3424-53e1-4b5e-9ba9-f705e2e30cd9","f2f0730b-8230-46fd-b5ff-f2ed86efca16","Wonderground","wonderground","https:\u002F\u002Fwonderground.press\u002F","https:\u002F\u002Fwonderground.press","2026-05-04T09:01:21.000Z",83,74,"2026-05-23T19:26:11.000Z","Wonderground Press","Up the Back Award-winning author Inga Simpson dusts off her wildest self among trampled trees, thistles and birdsong.",{"id":752,"height":13,"width":12,"blurhash":753},"8ba1c4a1-fe54-4666-8606-28a3c4bb6bee","radial-gradient(at 0 0,#ffffff,#00000000 50%),radial-gradient(at 33% 0,#edecee,#00000000 50%),radial-gradient(at 67% 0,#f2f2f0,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#f3f4ff,#00000000 50%),radial-gradient(at 33% 50%,#d3d6d4,#00000000 50%),radial-gradient(at 67% 50%,#e4e9e2,#00000000 50%),radial-gradient(at 100% 50%,#ffffff,#00000000 50%),radial-gradient(at 0 100%,#d6d4de,#00000000 50%),radial-gradient(at 33% 100%,#767f7e,#00000000 50%),radial-gradient(at 67% 100%,#b6b4b6,#00000000 50%),radial-gradient(at 100% 100%,#fffbff,#00000000 50%)",{"id":755,"height":15,"width":14,"blurhash":66},"ca90efce-e999-41a3-8b84-50db180f746f",[757,760,763,766,769,772,775,778,781,784,787,790,793,796,799,802,805,808,811,814,817,820],{"directus_files_id":758},{"id":759},"728f7573-6ec9-4b4e-b6cf-403f7e7b03af",{"directus_files_id":761},{"id":762},"db4671a9-8567-4624-9c2e-11c3af91a339",{"directus_files_id":764},{"id":765},"d79babb1-fcaf-419e-b184-be436439c7ed",{"directus_files_id":767},{"id":768},"bacccffd-ca8a-4245-916c-d5d94a77234d",{"directus_files_id":770},{"id":771},"90225c03-6c5a-4d54-9c4a-15b1901e8b61",{"directus_files_id":773},{"id":774},"eff775a1-1003-44ed-a11b-555e8f129e64",{"directus_files_id":776},{"id":777},"dd89563a-4152-468c-87d3-860ed5b8a41c",{"directus_files_id":779},{"id":780},"531a9856-01c7-493c-811f-d40ec67e9cde",{"directus_files_id":782},{"id":783},"aea2a69d-f42e-4723-8389-27fa4cc32592",{"directus_files_id":785},{"id":786},"6554041d-ea4a-4ef4-8154-5b9a96477ab1",{"directus_files_id":788},{"id":789},"b4ee9973-6b11-4df0-a70c-70e84bde1af6",{"directus_files_id":791},{"id":792},"21ecb4da-156b-4ce7-9789-54b08645c390",{"directus_files_id":794},{"id":795},"307f40c0-bd2d-4a9c-823c-a540960e3f8c",{"directus_files_id":797},{"id":798},"e23ed29a-987a-488c-af07-7a5efaf2ce1f",{"directus_files_id":800},{"id":801},"0b5f0cac-202d-4b03-a8da-4862c2c269a1",{"directus_files_id":803},{"id":804},"041a5faf-acd6-41aa-a107-7ba01ea312e6",{"directus_files_id":806},{"id":807},"79f715a5-5a65-4260-b661-a3e085424769",{"directus_files_id":809},{"id":810},"b5f15adb-7484-46eb-8f22-680dc97d5f03",{"directus_files_id":812},{"id":813},"170aa4bd-5099-4090-8ef3-7bcf8076c49c",{"directus_files_id":815},{"id":816},"11bbd308-dd56-4304-9fbc-c3c6f30e542a",{"directus_files_id":818},{"id":819},"abe9e716-e24a-45d5-99eb-c07bb98506fe",{"directus_files_id":821},{"id":822},"f35b8c56-3b02-4c86-8def-e1d97b9791f4",[824],{"languages_code":467,"description":825},"Wonderground Press is a literary and visual publishing platform that functions as a 'shapeshifting adventure,' exploring the intersection of human experience and the natural world. Through a curated archive of print and digital stories, the site serves as a digital garden for contemplative narratives ranging from art and design to environmental essays.\n\nThe visual identity is defined by a sophisticated, editorial aesthetic that prioritizes high-quality photography and generous whitespace. The design uses elegant serif typography and a muted, organic color palette to evoke a sense of calm and intellectual depth. It is clearly aimed at a culturally engaged, environmentally conscious audience that appreciates slow media and thoughtful storytelling.",[29,827,33],"High-End \u002F Luxury",[],[],[831,266,267,832,833,99],"Jetpack","Underscore.js","WooCommerce",[835,836,837,838],{"score":210,"category":107},{"score":207,"category":110},{"score":117,"category":113},{"score":206,"category":116},[840,841,842,843],{"score":166,"category":107},{"score":207,"category":110},{"score":114,"category":113},{"score":206,"category":116},[130,134,126,845],"brown","Website: Wonderground. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Wonderground Press. Page content: Up the Back Award-winning author Inga Simpson dusts off her wildest self among trampled trees, thistles and birdsong.. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Gray, Black, Brown. Built using Jetpack, jQuery, PHP, Underscore.js, WooCommerce, WordPress. AI description: Wonderground Press is a literary and visual publishing platform that functions as a 'shapeshifting adventure,' exploring the intersection of human experience and the natural world. Through a curated archive of print and digital stories, the site serves as a digital garden for contemplative narratives ranging from art and design to environmental essays. The visual identity is defined by a sophisticated, editorial aesthetic that prioritizes high-quality photography and generous whitespace. The design uses elegant serif typography and a muted, organic color palette to evoke a sense of calm and intellectual depth. It is clearly aimed at a culturally engaged, environmentally conscious audience that appreciates slow media and thoughtful storytelling."]