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The site functions as a digital extension of his physical practice, prioritizing the artwork through a layout that favors breathing room and contemplative pacing. By stripping away navigational clutter, the design allows the viewer to engage directly with the textures and scales of his canvases, establishing an editorial tone that feels both professional and deeply personal.\n\nLarge-scale imagery dominates the vertical scroll, supported by a restrained typographic system that sits unobtrusively at the edges of the frame. The use of generous white space and a high-contrast monochrome palette ensures that the color within the artworks remains the primary focal point. A subtle, fixed navigation provides structure without interrupting the visual flow, while the rhythmic placement of captions offers context without competing for attention. The choice to use a sparse, almost architectural grid allows the compositions to dictate the site's movement.",[30,506,34],"Monochrome \u002F Grayscale",[508,509],"Mouthwash Studio","Timothée Roussilhe",[511],"Times New Arial",[110],[514,515,517,518],{"score":267,"category":143},{"score":516,"category":146},68,{"score":150,"category":149},{"score":519,"category":152},100,[521,522,523,524],{"score":250,"category":143},{"score":516,"category":146},{"score":150,"category":149},{"score":519,"category":152},[162,166],"Website: David Schiesser. Page: Homepage. Page type: Home \u002F Landing Page. Page title: David Schiesser. Page description: David Schiesser is a Visual artist living in Berlin. Page content: David Schiesser About The Barn, Soy Capitan, Berlin, 2025 with Sarah Bogner, Christoph Knecht, Fabian Reetz, Daniel Topka ↙↗ Börsengang 2025 130x110cm oil on canvas ↙↗ Sporthotel Goldegg 2025 120x150cm oil on canvas Haloes & Hula-hoops, Studio Hannibal, Berlin, 2025 with Alice Peach ↙↗ Sagres 2025 200x120cm oil on canvas ↙↗ Compost 2024 72x52 oil on canvas ↙↗ Hört auf zu malen! Wir brauchen mehr Facharbeiter 2024 72x52cm oil on canvas ↙↗ Terrestrial Caresses 2024 72x52cm oil on canvas ↙↗ Officespirale 2023 200x170cm oil on canvas ↙↗ Die verkürzte Reise der Aale 2022 150x200cm wax pastels on canvas ↙↗ Piñata 2024 35x45cm Aquarell and Acrylics on canvas Europa Carnivora, Kiralik Depo, Istanbul, 2024 ↙↗ I Can No Longer Serve You 2024 oil on canvas 72x52cm ↙↗ Terrestrial Caresses 2024 oil on canvas 72x52cm ↙↗ The Plague Issue 2024 Oil on canvas 72x52cm ↙↗ Plein-Air 2024 Oil on canvas 72x52cm ↙↗ Compost 2024 Oil on canvas 72x52 ↙↗ The Size Of Europe And The Real Size Of Europe 2024 Oil on canvas 72x125cm ↙↗ Ortakoy Square 2024 Oil on canvas 72x125cm ↙↗ Exiled On Land And Degraded On Reproduction 2024 Oil on canvas 72x52cm Raunacht, Hansabibliothek, Berlin, 2024 ↙↗ drawingpresentation and bookrelease hosted by Grotto ↙↗ Raunacht 2024 drawing: 1000 cm x 29,7 cm pencil on paper on customized frame construction ↙↗ Raunacht published by Windpark Books 20x28cm Risoprint, Japanese Binding, Edition of 115 + 5AP ↙↗ Cover: Paula Heinrich, Text: Jan Philipp Frühsorge Spirale, JVDW Gallery, Düsseldorf, 2023 ↙↗ An den Wolken kratzen bis die Sonne juckt 2023 oil on canvas 200x170cm ↙↗ Bald 2023 charcoal on canvas 200x170 ↙↗ Siechtum im Seichten (Exit 006) 2023 wax pastel on canvas 35x45cm [↙↗](https:\u002F\u002Fdavidschiesser.com\u002Fmedia\u002Fpages\u002Fprojects\u002Fspirale-jvdw- …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. Designed by Mouthwash Studio and Timothée Roussilhe. The overall color palette features White, Gray. The typography features Times New Arial. Built using jQuery. AI description: David Schiesser’s digital presence mirrors the quiet, expansive energy of a Berlin gallery. The site functions as a digital extension of his physical practice, prioritizing the artwork through a layout that favors breathing room and contemplative pacing. By stripping away navigational clutter, the design allows the viewer to engage directly with the textures and scales of his canvases, establishing an editorial tone that feels both professional and deeply personal. Large-scale imagery dominates the vertical scroll, supported by a restrained typographic system that sits unobtrusively at the edges of the frame. 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LEARN MORE Arrow Search BOMB BOMB Magazine Close Menu Close - Artist Fellowships & Residencies - Oral History Study Guides - MFA & MA Programs in Writing & Arts Close Menu Close Popular Searches - The End of White Supremacy - The Zero Meter Diving Team - Maggie Nelson - Does Abstraction Belong to White People? - Simone Leigh Folk: SWLB April 2026 A text heavy graphic announcing BOMB's Spring 2026 book club. [ BOMB Book Club ](https:\u002F\u002Fbombmagazine.org\u002Fevents\u002Fannouncing-bombs-first-book-club\u002F) Theatrical poster for Kaizō Hayashi’s The Most Terrible Time in My Life. It features a black-and-white photograph of a man in a suit standing in front of a movie theater and an old car. He poses with his right hand over his right eye. It is designed with red and yellow backgrounds and Japanese text. [ Kaizō Hayashi by Steve Macfarlane ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F16\u002Fkaizo-hayashi-by-steve-macfarlane\u002F) The Complex Karan Mahajan Mock Up [ A novel about a Powerful Delhi Family ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F02\u002Ffrom-the-complex\u002F) A painting of a kneeling naked woman looking into the eyes of a dragon. [ Painting feminine energy. ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F02\u002F25\u002Fhiba-schahbaz-by-monica-uszerowicz\u002F) Jordy Rosenberg Night Night Fawn Cover [ Jordy Rosenberg by Patrick Cottrell ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F19\u002Fjordy-rosenberg-by-patrick-cottrell\u002F) An installation view of small metal sculptures installed on a wall across from a large abstract painting in squares and a shiny abstract painting through a doorway. [ Breaking the Mold ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F11\u002Fsiri-devi-khandavilli-by-melissa-joseph\u002F) A black and white close up portrait of someone wearing dark sunglasses, a black turtleneck, and a patterned jacket staring off to the left. [ Spring Issue Launch ](https:\u002F\u002Fbombmagazine.org\u002Fevents\u002Fbombs-spring-2026-issue-launch\u002F) A mixed media and collage portrait of a young Black girl clasping her hands in front of her robin’s egg blue dress with red flowers. The girl’s expression is solemn but serene. The background of the portrait is white. The magazine’s title and the names of the interview subjects are in red. [ Look Inside Our Spring 2026 Issue ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F02\u002Fbomb-175-spring-2026-announcement\u002F) Color photograph of the artist's mother's hands folded on a bible in her lap. [ An Oral History with Deborah Willis by Kalia Brooks ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F02\u002F26\u002Fan-oral-history-with-deborah-willis-by-kalia-brooks\u002F) Hannah Lillith Assadi Paradiso 17 cover [ An Excerpt from Paradiso 17 ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F17\u002Ffrom-paradiso-17-hannah-lillith-assadi\u002F) Winter 2026 Fellowships and Residencies Homepage [ Winter 2026 Fellowships and Residencies ](https:\u002F\u002Fbombmagazine.org\u002Fdiscover\u002Ffellowships-residencies\u002F) A drawing of a staff on top of a page of printed text. [ The Walkative Revolution ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F16\u002Falec-finlay-by-hayden-lorimer\u002F) An installation featuring a folded pair of white arms on the wall above a low table with printed materials [ Golnar Adili by Dina A. Ramadan ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F18\u002Fgolnar-adili-by-dina-a-ramadan\u002F) A black and white portrait of a young white woman in a gray sweater. [ Please Advise Madeline Cash ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F02\u002Fthou-shalt-not-kill-your-darlings\u002F) A small figure dances in the center of a dark brown grassland. Above them is a high, pale sky with a spiral snake illustration in the upper left corner. [ Terence Nance by I. Augustus Durham ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F01\u002F09\u002Fterence-nance-by-i-augustus-durham\u002F) A black and white photograph of Shawn Walker. He is wearing a t-shirt and fishing vest; clutching a Canon camera to his chest and squinting through his glasses. He appears middle aged, with an unkempt beard. [ Shawn Walker by Charles Daniel Dawson ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F16\u002Fan-oral-history-project-excerpt-with-shawn-walker-by-charles-daniel-dawson\u002F) A set of vertical sculptures illuminated from within. 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Since 1981, the platform has functioned as both a literary journal and a multimedia archive, offering interviews, writing, podcasts, and oral history projects that bridge the gap between creators and their audiences. It is a sanctuary for intellectual curiosity and artistic discourse.\n\nThe visual identity is sophisticated and editorial, utilizing a clean, grid-based layout that allows diverse artistic imagery to take center stage. The design employs bold, high-contrast typography and a generous use of white space, creating a modern yet timeless aesthetic. By balancing structured navigation with a vibrant, image-heavy mosaic, the website mirrors the eclectic and multifaceted nature of the contemporary art world it documents.",[30,34],[],[644],"Univers",[325,110,646,647,648],"jQuery UI","SEOmatic","Yii",[650,651,652,653],{"score":212,"category":143},{"score":250,"category":146},{"score":150,"category":149},{"score":250,"category":152},[655,657,658,659],{"score":656,"category":143},57,{"score":250,"category":146},{"score":519,"category":149},{"score":250,"category":152},[162,170,166,174,661],"orange","Website: Bomb Magazine. Page: Homepage. Page type: Home \u002F Landing Page. Page title: BOMB Magazine | Homepage. Page description: BOMB Magazine has been publishing conversations between artists of all disciplines since 1981.. Page content: BOMB MagazineConversations between artists—since 1981 - Shop - Events - SUPPORT - MEMBERSHIP - Art;) - Interviews - Writing - ORAL HISTORY PROJECT - FUSE PODCAST - RESOURCES;) - Archive - MAGAZINE Search JOIN Search BOMB BOMB Magazine Close Menu Close - Visual Art - Painting - PHOTOGRAPHY - INSTALLATION & SCULPTURE - ILLUSTRATION - VIDEO - TEXTILE ART - FILM - MUSIC - THEATER & PERFORMANCE - DANCE - ARCHITECTURE Menu Toggle BOMB Magazine BOMB Magazine - Shop - Events - SUPPORT - MEMBERSHIP - Join Search BOMB Search BOMB BOMB Magazine Close Menu Close - Art;) - Interviews - Writing - ORAL HISTORY PROJECT - FUSE PODCAST - RESOURCES;) - Archive - MAGAZINE - SHOP - EVENTS - SUPPORT - MEMBERSHIP - LOGIN JOIN Search BOMB BOMB Magazine Close Menu Close - Visual Art - Painting - PHOTOGRAPHY - INSTALLATION & SCULPTURE - ILLUSTRATION - VIDEO - TEXTILE ART - FILM - MUSIC - THEATER & PERFORMANCE - DANCE - ARCHITECTURE Search BOMB Magazine logo Close menu Close - SUBSCRIBE & JOIN NOW - MEMBERSHIP FAQ - LOG IN JOIN Icon BOMB Magazine logo Close menu Close BECOME A MEMBER General5 JOIN & SUBSCRIBE NOW MAKE A DONATION Member events img DONATE NOW Attend the Gala Gala PURCHASE TICKETS Why support BOMB? LEARN MORE Arrow Search BOMB BOMB Magazine Close Menu Close - Artist Fellowships & Residencies - Oral History Study Guides - MFA & MA Programs in Writing & Arts Close Menu Close Popular Searches - The End of White Supremacy - The Zero Meter Diving Team - Maggie Nelson - Does Abstraction Belong to White People? - Simone Leigh Folk: SWLB April 2026 A text heavy graphic announcing BOMB's Spring 2026 book club. [ BOMB Book Club ](https:\u002F\u002Fbombmagazine.org\u002Fevents\u002Fannouncing-bombs-first-book-club\u002F) Theatrical poster for Kaizō Hayashi’s The Most Terrible Time in My Life. It features a black-and-white photograph of a man in a suit standing in front of a movie theater and an old car. He poses with his right hand over his right eye. It is designed with red and yellow backgrounds and Japanese text. [ Kaizō Hayashi by Steve Macfarlane ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F16\u002Fkaizo-hayashi-by-steve-macfarlane\u002F) The Complex Karan Mahajan Mock Up [ A novel about a Powerful Delhi Family ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F02\u002Ffrom-the-complex\u002F) A painting of a kneeling naked woman looking into the eyes of a dragon. [ Painting feminine energy. ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F02\u002F25\u002Fhiba-schahbaz-by-monica-uszerowicz\u002F) Jordy Rosenberg Night Night Fawn Cover [ Jordy Rosenberg by Patrick Cottrell ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F19\u002Fjordy-rosenberg-by-patrick-cottrell\u002F) An installation view of small metal sculptures installed on a wall across from a large abstract painting in squares and a shiny abstract painting through a doorway. [ Breaking the Mold ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F11\u002Fsiri-devi-khandavilli-by-melissa-joseph\u002F) A black and white close up portrait of someone wearing dark sunglasses, a black turtleneck, and a patterned jacket staring off to the left. [ Spring Issue Launch ](https:\u002F\u002Fbombmagazine.org\u002Fevents\u002Fbombs-spring-2026-issue-launch\u002F) A mixed media and collage portrait of a young Black girl clasping her hands in front of her robin’s egg blue dress with red flowers. The girl’s expression is solemn but serene. The background of the portrait is white. The magazine’s title and the names of the interview subjects are in red. [ Look Inside Our Spring 2026 Issue ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F02\u002Fbomb-175-spring-2026-announcement\u002F) Color photograph of the artist's mother's hands folded on a bible in her lap. [ An Oral History with Deborah Willis by Kalia Brooks ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F02\u002F26\u002Fan-oral-history-with-deborah-willis-by-kalia-brooks\u002F) Hannah Lillith Assadi Paradiso 17 cover [ An Excerpt from Paradiso 17 ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F17\u002Ffrom-paradiso-17-hannah-lillith-assadi\u002F) Winter 2026 Fellowships and Residencies Homepage [ Winter 2026 Fellowships and Residencies ](https:\u002F\u002Fbombmagazine.org\u002Fdiscover\u002Ffellowships-residencies\u002F) A drawing of a staff on top of a page of printed text. [ The Walkative Revolution ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F16\u002Falec-finlay-by-hayden-lorimer\u002F) An installation featuring a folded pair of white arms on the wall above a low table with printed materials [ Golnar Adili by Dina A. Ramadan ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F18\u002Fgolnar-adili-by-dina-a-ramadan\u002F) A black and white portrait of a young white woman in a gray sweater. [ Please Advise Madeline Cash ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F03\u002F02\u002Fthou-shalt-not-kill-your-darlings\u002F) A small figure dances in the center of a dark brown grassland. Above them is a high, pale sky with a spiral snake illustration in the upper left corner. [ Terence Nance by I. Augustus Durham ](https:\u002F\u002Fbombmagazine.org\u002Farticles\u002F2026\u002F01\u002F09\u002Fterence-nance-by-i-augustus-durham\u002F) A black and white photograph of Shawn Walker. He is wearing a t-shirt and fishing vest; clutching a Canon camera to his chest and squinting through his glasses. He appears middle aged, with an unkempt beard. 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Programa PICE AC\u002FE. [● TAN VIVO, TAN MUERTO, TAN FRÁGIL, TAN FUERTE](https:\u002F\u002Fcarloszorromono.es\u002Fproject\u002Ftan-vivo-tan-muerto) Action \u002F Videos \\_\\_2022\u002F23 pantallazos-videos-4 → Videos 2222RRRR XIX Arte en la tierra Rioja, Santa Lucía de Ocón ● UMBRAL Exhibition \u002F XIX Arte en la Tierra \\_\\_2022 → Choperas IMG_2873 → Cuevas Viernes-055 → Bodegas IMG_3150 → Collaborative actions IMG_2743 Studio view. Espaciocomun, Nalda ● EL CUERPO PENDIENTE DE ANDAR NO AVANZA Artwork\\_\\_2022 fuente de poder – apero#12 – 2 Caprovin Arte 2021 ● FUENTE DE PODER Action\\_\\_2021 RITUAL FRAGMENTS 1 Espacio arte Vaca, Viniegra de Abajo ● FRAGMENTOS RITUALES Exhibition. Arte Vaca \u002F Lavadero \\_\\_2021 . → Lavadero \u002F Extrato II ExposicionLaNaturalezaDeLaBestia_Zorromono_IRJ_Esdir_NovDic2020_Página_24 Programa de profesionalización. XXXV Muestra de Arte Joven en La Rioja ● LA NATURALEZA DE LA BESTIA Exhibition\\_\\_2020 CARLOS-ZORROMONO-LA-NATURALEZA-DE-LA-BESTIA12-scaled → Estudio periferia (act I) Action \u002F 2019 WhatsApp Image 2020-05-27 at 21.29.44 → Estudio periferia (act II) Action \u002F 2020 carlos-ramirez-zorromono-letal-veneno-letal-6 → Veneno letal Artwork \u002F 2020 BUNKER-PROJECT-SPACE-_-The-Sinister-Figures-Google-Chrome-19_05_2020-9_13_43 → Bombas al altar Exhibition \u002F 2020 CARLOS ZORROMONO- campo de batalla en el infierno – luz blanca05 CEART, Madrid ● CAMPO DE BATALLA EN EL INFIERNO Exhibition\\_\\_2019 . Tabacalera2018_Cantera_ALTA20-1 Tabacalera, Madrid ● SACRIFICIO A LOS NUEVOS DIOSES Exhibition\\_\\_2018 RESIDENCIA-TABACALERA-MADRID-CARLOS-ZORROMONO-5 Residencia artística,Tabacalera cantera, Madrid → Artistic residency Process Carlos_01 La Lonja, La Rioja ● UN MUNDO FELIZ Exhibition\\_\\_2017 IMG_7540 Residencia artística,La Lonja, La Rioja → Artistic residency Process ZORROMONO-BALADA-01 Sala Amos Salvador, La Rioja ● BALADA DE CONSENTIMIENTO A ESTE MUNDO (vol II) Exhibition\\_\\_2017 ZORROMONO-BALADA-MONTAJE-05 Installation process. Sala Amos Salvador, La Rioja art-jaen-la-lonja-2 Patio central del Palacio de Villardompardo, Jaén [● BALADA DE CONSENTIMIENTO A ESTE MUNDO (vol I)](https:\u002F\u002Fcarloszorromono.es\u002Fproject\u002Fbalada-de-consentimiento-a-este-mundo) Exhibition\\_\\_2017 footer Email: info@carloszorromono.es Instagram: @carloszorromono (EN) Hello, welcome to my website. Update is once or twice an year. If you want my full cv \u002F portfolio, or to submit a proposal, send me an email. (ES) Hola, bienvenida a mi sitio web. La actualización es una o dos veces al año. Si quieres mi cv \u002F portafolio completo, o lanzarme una propuesta, envíame un correo electrónico.",{"id":675,"height":13,"width":12,"blurhash":676},"0a081fc9-af85-476a-aff1-ab2604aa2cef","radial-gradient(at 0 0,#efede3,#00000000 50%),radial-gradient(at 33% 0,#e8e7da,#00000000 50%),radial-gradient(at 67% 0,#ebeade,#00000000 50%),radial-gradient(at 100% 0,#fffff8,#00000000 50%),radial-gradient(at 0 50%,#b0b3b8,#00000000 50%),radial-gradient(at 33% 50%,#8d9094,#00000000 50%),radial-gradient(at 67% 50%,#93959a,#00000000 50%),radial-gradient(at 100% 50%,#dddddd,#00000000 50%),radial-gradient(at 0 100%,#999099,#00000000 50%),radial-gradient(at 33% 100%,#8f8582,#00000000 50%),radial-gradient(at 67% 100%,#9f9893,#00000000 50%),radial-gradient(at 100% 100%,#dbd7d8,#00000000 50%)",{"id":678,"height":15,"width":14,"blurhash":42},"0ce14e08-d5a5-473c-9b8d-935e481994d3",[680,683,686,689,692,695,698,701,704,707,710,713,716,719,722,725,728,731,734,737,740,743,746,749,752,755,758,761,764,767],{"directus_files_id":681},{"id":682},"66ff7e5a-5bcf-4fbd-ab96-63e4fed61029",{"directus_files_id":684},{"id":685},"94f16352-b14e-4214-8351-9e8df13849de",{"directus_files_id":687},{"id":688},"b6abcfa1-be10-440c-9b9c-6428cd7c3010",{"directus_files_id":690},{"id":691},"ea35dc11-a6c6-4b78-b0dd-d363138322c4",{"directus_files_id":693},{"id":694},"fcd3c1a8-13d8-46f5-8375-d25dfb4ff094",{"directus_files_id":696},{"id":697},"89d1acb3-c9d2-4ec2-8a6c-1cd6df0717c6",{"directus_files_id":699},{"id":700},"4df9fae1-b151-4e88-bcba-44788d4d0f97",{"directus_files_id":702},{"id":703},"0f82306c-e026-46fd-ac8c-1a8e7dff0f9f",{"directus_files_id":705},{"id":706},"8b202142-b231-4b82-bc24-35cad4356e90",{"directus_files_id":708},{"id":709},"0fd61b41-5602-4490-afc4-488e9f0ddfdd",{"directus_files_id":711},{"id":712},"0ce74ba9-9481-4a35-b42a-0e4400da0d7e",{"directus_files_id":714},{"id":715},"3874b61f-ad8a-4e78-b9f4-b18570da32db",{"directus_files_id":717},{"id":718},"c3b84d67-e9d1-4a58-b957-a37d620be01f",{"directus_files_id":720},{"id":721},"1922ddca-7628-42a1-b4a2-aaa7e8f1b3e8",{"directus_files_id":723},{"id":724},"57ed8273-7d0b-4e0d-a94e-19ffd7c359f5",{"directus_files_id":726},{"id":727},"66d412a7-083f-4f53-ba2d-3684a9cdd399",{"directus_files_id":729},{"id":730},"5bf0be79-33fc-4be0-a0bc-a44a4e8e8f7d",{"directus_files_id":732},{"id":733},"9e6c62b3-16f3-4033-9636-09bb8d813661",{"directus_files_id":735},{"id":736},"1e1b3841-1e6f-4d24-b410-9d1e2f4a2073",{"directus_files_id":738},{"id":739},"5e44e8c3-0d19-4468-b022-ab50c35dc001",{"directus_files_id":741},{"id":742},"5318d502-32bb-4af5-9210-73cec5a22d90",{"directus_files_id":744},{"id":745},"d2326ff9-6173-49a2-9da0-4ffcfd3e290c",{"directus_files_id":747},{"id":748},"0442c455-61ea-455a-a7b2-97ec9141114d",{"directus_files_id":750},{"id":751},"de472cef-0367-48c4-b46d-84d094432fac",{"directus_files_id":753},{"id":754},"91ef51d1-2c7a-4c81-b846-5e8972748254",{"directus_files_id":756},{"id":757},"b3638c19-150d-47d3-8271-bfd5fe389a08",{"directus_files_id":759},{"id":760},"9e15a122-f801-4830-8045-a7dafe90ec01",{"directus_files_id":762},{"id":763},"500e7621-72eb-4cce-8d41-552833aa622a",{"directus_files_id":765},{"id":766},"7e23663f-80c0-4212-af46-3bc9cee30b6f",{"directus_files_id":768},{"id":769},"35147bf1-2d80-4ec4-b5c0-2a13c5dae4d0",[771],{"languages_code":503,"description":772},"Carlos Zorromono's digital portfolio serves as a stark, immersive gallery for his contemporary art practice. The website functions as a visual archive, showcasing installations, photography, and experimental works that explore raw, visceral themes. Through a curated sequence of high-impact imagery, the site provides a window into the artist's process and his ability to manipulate texture, light, and form within physical spaces.\n\nThe design identity is defined by a rigorous minimalist aesthetic that prioritizes the artwork above all else. Utilizing a clean, spacious layout with bold typographic headers, the site avoids decorative clutter to ensure the viewer's focus remains on the grit and complexity of the pieces. The monochromatic palette and structured grid create a sophisticated, gallery-like atmosphere that appeals to curators, collectors, and art enthusiasts seeking a profound sensory experience.",[30,506,34],[],[333,776,351,351,777,331],"Archivo","Lora",[110,131,779,137],"Semplice",[781,782,783,784],{"score":262,"category":143},{"score":248,"category":146},{"score":519,"category":149},{"score":153,"category":152},[786,787,788,789],{"score":256,"category":143},{"score":248,"category":146},{"score":519,"category":149},{"score":153,"category":152},[162,170,166],"Website: Carlos Zorromono. Page: Homepage. Page type: Home \u002F Landing Page. Page title: WORK Images - CARLOS ZORROMONO | ARTIST. Page content: - ABOUT ZORROMONO - WORK - ABOUT ZORROMONO - WORK conjunto de todos los estados posibles – carlos zorromono (25) ● CONUNTO DE TODOS LOS ESTADOS POSIBLES (Hasta el 08\u002F03\u002F2026 CCR \u002F Logroño) Solo Show \\_\\_ 2026 las cosas brillan – relucen entre prosperidad y supervivencia (9) ● LAS COSAS BRILLAN RELUCEN - ENTRE LA PROSPERIDAD Y LA SUPERVIVENCIA Action\\_\\_ 2025 0000012 ● AQUELLA NOCHE DEJO PELADOS LOS HUESOS DEL POLLO Action \\_\\_ 2025 carloszorromono – por-un-hueco-abierto-en-la-pared – 2024 – -000-(9) ● POR UN HUECO ABIERTO EN LA PARED Artwork \\_\\_ 2024 03 ● TRANSICIÓN ENTRE CUALQUIER COSA, MENOS UN ESTADO DE AGOTAMIENTO Action \\_\\_ 2024 01- manar desde tierra y cuerpos_2 – frame at 0m2s ● MANAR DESDE TIERRA Y CUERPO Artwork\\_\\_ 2023-24 DSC0037 Premios destinados para la creación artística, ayuntamiento de Logroño. 2023 ● EL ÚLTIMO ESTIAJE Artworks \u002F Studio view \\_\\_ 2023 NO-SELF-CONTROL_018 ● SUAVE COMO UNA ESPINA Group Show \u002F Artwork\\_\\_ 2023 CARLOS_ZORROMONO_-SOFT-AS-A-THORN-02 Artworks\\_\\_ 2023 IMG-20221113-WA0009 Centro coreográfico rural. Programa PICE AC\u002FE. [● TAN VIVO, TAN MUERTO, TAN FRÁGIL, TAN FUERTE](https:\u002F\u002Fcarloszorromono.es\u002Fproject\u002Ftan-vivo-tan-muerto) Action \u002F Videos \\_\\_2022\u002F23 pantallazos-videos-4 → Videos 2222RRRR XIX Arte en la tierra Rioja, Santa Lucía de Ocón ● UMBRAL Exhibition \u002F XIX Arte en la Tierra \\_\\_2022 → Choperas IMG_2873 → Cuevas Viernes-055 → Bodegas IMG_3150 → Collaborative actions IMG_2743 Studio view. Espaciocomun, Nalda ● EL CUERPO PENDIENTE DE ANDAR NO AVANZA Artwork\\_\\_2022 fuente de poder – apero#12 – 2 Caprovin Arte 2021 ● FUENTE DE PODER Action\\_\\_2021 RITUAL FRAGMENTS 1 Espacio arte Vaca, Viniegra de Abajo ● FRAGMENTOS RITUALES Exhibition. Arte Vaca \u002F Lavadero \\_\\_2021 . → Lavadero \u002F Extrato II ExposicionLaNaturalezaDeLaBestia_Zorromono_IRJ_Esdir_NovDic2020_Página_24 Programa de profesionalización. XXXV Muestra de Arte Joven en La Rioja ● LA NATURALEZA DE LA BESTIA Exhibition\\_\\_2020 CARLOS-ZORROMONO-LA-NATURALEZA-DE-LA-BESTIA12-scaled → Estudio periferia (act I) Action \u002F 2019 WhatsApp Image 2020-05-27 at 21.29.44 → Estudio periferia (act II) Action \u002F 2020 carlos-ramirez-zorromono-letal-veneno-letal-6 → Veneno letal Artwork \u002F 2020 BUNKER-PROJECT-SPACE-_-The-Sinister-Figures-Google-Chrome-19_05_2020-9_13_43 → Bombas al altar Exhibition \u002F 2020 CARLOS ZORROMONO- campo de batalla en el infierno – luz blanca05 CEART, Madrid ● CAMPO DE BATALLA EN EL INFIERNO Exhibition\\_\\_2019 . Tabacalera2018_Cantera_ALTA20-1 Tabacalera, Madrid ● SACRIFICIO A LOS NUEVOS DIOSES Exhibition\\_\\_2018 RESIDENCIA-TABACALERA-MADRID-CARLOS-ZORROMONO-5 Residencia artística,Tabacalera cantera, Madrid → Artistic residency Process Carlos_01 La Lonja, La Rioja ● UN MUNDO FELIZ Exhibition\\_\\_2017 IMG_7540 Residencia artística,La Lonja, La Rioja → Artistic residency Process ZORROMONO-BALADA-01 Sala Amos Salvador, La Rioja ● BALADA DE CONSENTIMIENTO A ESTE MUNDO (vol II) Exhibition\\_\\_2017 ZORROMONO-BALADA-MONTAJE-05 Installation process. Sala Amos Salvador, La Rioja art-jaen-la-lonja-2 Patio central del Palacio de Villardompardo, Jaén [● BALADA DE CONSENTIMIENTO A ESTE MUNDO (vol I)](https:\u002F\u002Fcarloszorromono.es\u002Fproject\u002Fbalada-de-consentimiento-a-este-mundo) Exhibition\\_\\_2017 footer Email: info@carloszorromono.es Instagram: @carloszorromono (EN) Hello, welcome to my website. Update is once or twice an year. If you want my full cv \u002F portfolio, or to submit a proposal, send me an email. (ES) Hola, bienvenida a mi sitio web. La actualización es una o dos veces al año. Si quieres mi cv \u002F portafolio completo, o lanzarme una propuesta, envíame un correo electrónico.. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. The typography features Open Sans (Sans Serif), Archivo (Sans Serif), GT America (Sans Serif, Grilli Type), GT America (Sans Serif, Grilli Type), Lora (Serif), Inter (Sans Serif). Built using jQuery, PHP, Semplice, WordPress. AI description: Carlos Zorromono's digital portfolio serves as a stark, immersive gallery for his contemporary art practice. The website functions as a visual archive, showcasing installations, photography, and experimental works that explore raw, visceral themes. Through a curated sequence of high-impact imagery, the site provides a window into the artist's process and his ability to manipulate texture, light, and form within physical spaces. The design identity is defined by a rigorous minimalist aesthetic that prioritizes the artwork above all else. Utilizing a clean, spacious layout with bold typographic headers, the site avoids decorative clutter to ensure the viewer's focus remains on the grit and complexity of the pieces. The monochromatic palette and structured grid create a sophisticated, gallery-like atmosphere that appeals to curators, collectors, and art enthusiasts seeking a profound sensory experience.",{"id":793,"website_id":794,"page_id":793,"name":795,"slug":796,"url":797,"website_name":795,"website_slug":796,"website_url":798,"result_url":797,"fetched_at":799,"score":800,"score_boost":397,"ai_score":536,"freshness_score":207,"scored_at":801,"page_name":40,"page_url":797,"page_title":802,"page_description":42,"page_content":803,"page_sort":397,"is_home":402,"is_home_rank":403,"page_type_id":404,"page_type_name":47,"cover":804,"cover_mobile":807,"cover_sequence":809,"translations":849,"industry":852,"styles":853,"credits":854,"font_families":856,"technologies":857,"pagespeed":860,"pagespeed_mobile":864,"buckets":869,"search_payload":870},"a11f87c6-ea8f-4bca-aa6f-36e2e6b3bfd0","dcf282ea-61e2-44d6-93f0-2b6c5010eb6d","Frankie Alduino","frankie-alduino","https:\u002F\u002Ffrankiealduino.com\u002F","https:\u002F\u002Ffrankiealduino.com","2026-05-05T16:12:35.000Z",83,"2026-05-23T19:36:10.000Z","FRANKIE ALDUINO","021a_20251202_TIME_Jim_Moore__0593.jpg View fullsize 022a_20251122_TIME_AI_Ash_0318.jpg View fullsize 022b_20251122_TIME_AI_Ash_0553.jpg View fullsize 016_R653_FAL_20250920_VF_Erewhon_02_Behind_the_bar_0381_FNL.jpg View fullsize 017_20250815_VF_David_Ellison_C_0628.jpg View fullsize 018_VF.jpg View fullsize 019_R671_FAL_20250923_VF_Jennifer_Venditti_01_At_The_Table_0042_FNL.jpg View fullsize 020_R653_FAL_20250921_VF_Racehl_Sennott_02_Sanpshot_0207_FNL.jpg View fullsize 015a_20250910_Bos_Mag_Influencers_328.jpg View fullsize 20250505_NYM_NYT_OpEd_F_0085.jpg View fullsize 20250505_NYM_NYT_OpEd_0342.jpg View fullsize 20250502_Barrons_Gloria_Farina_0179.jpg View fullsize 20250502_Barrons_Gloria_Farina_0338.jpg View fullsize 250202_Alduino_Time_03_Group_2_059.jpg View fullsize 001_20240329_HOW_SI_Ferry_080.jpg View fullsize 008_20240329_HOW_SI_Ferry_0325.jpg View fullsize 02_0021.jpg View fullsize 02_20250224_VF_Sen_Slotkin_0324.jpg View fullsize 001_20231217_Rocks_0051.jpg View fullsize 001_20231009_LAT_Alexander_Payne_0270.jpg View fullsize 002_20231117_NYM_TikTokers_0311.jpg View fullsize 003_20240312_Columbia_Ken_Cobb_0296.jpg View fullsize 007_20240206_Rocks_086.jpg View fullsize 04_0006.jpg View fullsize 016_20240521_VF_Arc_0378.jpg View fullsize 001_20240611_NYM_TBG_William_Logan_0466.jpg View fullsize 015_20240521_VF_Arc_0329.jpg View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize Copyright © 2025 Frankie Alduino. All rights reserved.",{"id":805,"height":13,"width":12,"blurhash":806},"b23c0b55-bea6-49b1-b286-f41e5cb42a7a","radial-gradient(at 0 0,#edece6,#00000000 50%),radial-gradient(at 33% 0,#e8e7e2,#00000000 50%),radial-gradient(at 67% 0,#e5e4df,#00000000 50%),radial-gradient(at 100% 0,#ebe7e2,#00000000 50%),radial-gradient(at 0 50%,#b9b2ae,#00000000 50%),radial-gradient(at 33% 50%,#b2a69e,#00000000 50%),radial-gradient(at 67% 50%,#ac9f94,#00000000 50%),radial-gradient(at 100% 50%,#b7ada5,#00000000 50%),radial-gradient(at 0 100%,#bab5b0,#00000000 50%),radial-gradient(at 33% 100%,#acaca4,#00000000 50%),radial-gradient(at 67% 100%,#aaa7a1,#00000000 50%),radial-gradient(at 100% 100%,#b8b2aa,#00000000 50%)",{"id":808,"height":15,"width":14,"blurhash":42},"35035151-103b-487a-ae72-2786e112979c",[810,813,816,819,822,825,828,831,834,837,840,843,846],{"directus_files_id":811},{"id":812},"d7d2aeea-358d-4c34-b988-b8c537a14f2e",{"directus_files_id":814},{"id":815},"68780708-41ce-456c-9c3d-a4f27ae66902",{"directus_files_id":817},{"id":818},"6d3be0a5-b658-4a15-bd2e-bc2866436228",{"directus_files_id":820},{"id":821},"915593f3-2014-44b2-80d1-e39307a6212d",{"directus_files_id":823},{"id":824},"f5cfe8d8-5d8c-4db2-ba1e-92798adefb48",{"directus_files_id":826},{"id":827},"a1ee39ca-c3e9-43ab-8e3c-0fd20c1f79d1",{"directus_files_id":829},{"id":830},"7e237db6-bc4c-4708-a958-00cfbf34ce7d",{"directus_files_id":832},{"id":833},"c79c86b1-9547-4f39-b6b8-83f23f249552",{"directus_files_id":835},{"id":836},"f32d5b24-9341-49d4-a506-5c149b05dbb0",{"directus_files_id":838},{"id":839},"7d44a867-3e9b-4fac-98b4-81c6ecf3de1e",{"directus_files_id":841},{"id":842},"d80738cd-3ae6-4587-b2fe-5b16666c4927",{"directus_files_id":844},{"id":845},"500fa95c-d1e8-4dbb-9962-e90f87a7dc49",{"directus_files_id":847},{"id":848},"26f66a8a-5245-417d-b8dc-df8eb71dea2b",[850],{"languages_code":503,"description":851},"Frankie Alduino's portfolio serves as a cinematic visual diary, showcasing a sophisticated collection of photography and film work. The website functions as a high-impact gallery designed to showcase the artist's ability to capture raw human emotion, candid social moments, and atmospheric storytelling through a lens of documentary-style realism.\n\nThe design identity is unapologetically minimalist and editorial, utilizing a spacious grid layout that allows the imagery to command absolute attention. By stripping away heavy UI elements and relying on a clean, monochromatic typographic framework, the site adopts a high-end, gallery-like aesthetic that appeals to creative directors, production houses, and luxury brands seeking authentic visual narratives.","Photography & Video",[30,26,34],[855],"Eli Showalter",[],[858,859,328],"Squarespace","Squarespace Commerce",[861,862,863],{"score":519,"category":146},{"score":519,"category":149},{"score":153,"category":152},[865,866,867,868],{"score":265,"category":143},{"score":519,"category":146},{"score":519,"category":149},{"score":153,"category":152},[162,170,166],"Website: Frankie Alduino. Page: Homepage. Page type: Home \u002F Landing Page. Page title: FRANKIE ALDUINO. Page content: 021a_20251202_TIME_Jim_Moore__0593.jpg View fullsize 022a_20251122_TIME_AI_Ash_0318.jpg View fullsize 022b_20251122_TIME_AI_Ash_0553.jpg View fullsize 016_R653_FAL_20250920_VF_Erewhon_02_Behind_the_bar_0381_FNL.jpg View fullsize 017_20250815_VF_David_Ellison_C_0628.jpg View fullsize 018_VF.jpg View fullsize 019_R671_FAL_20250923_VF_Jennifer_Venditti_01_At_The_Table_0042_FNL.jpg View fullsize 020_R653_FAL_20250921_VF_Racehl_Sennott_02_Sanpshot_0207_FNL.jpg View fullsize 015a_20250910_Bos_Mag_Influencers_328.jpg View fullsize 20250505_NYM_NYT_OpEd_F_0085.jpg View fullsize 20250505_NYM_NYT_OpEd_0342.jpg View fullsize 20250502_Barrons_Gloria_Farina_0179.jpg View fullsize 20250502_Barrons_Gloria_Farina_0338.jpg View fullsize 250202_Alduino_Time_03_Group_2_059.jpg View fullsize 001_20240329_HOW_SI_Ferry_080.jpg View fullsize 008_20240329_HOW_SI_Ferry_0325.jpg View fullsize 02_0021.jpg View fullsize 02_20250224_VF_Sen_Slotkin_0324.jpg View fullsize 001_20231217_Rocks_0051.jpg View fullsize 001_20231009_LAT_Alexander_Payne_0270.jpg View fullsize 002_20231117_NYM_TikTokers_0311.jpg View fullsize 003_20240312_Columbia_Ken_Cobb_0296.jpg View fullsize 007_20240206_Rocks_086.jpg View fullsize 04_0006.jpg View fullsize 016_20240521_VF_Arc_0378.jpg View fullsize 001_20240611_NYM_TBG_William_Logan_0466.jpg View fullsize 015_20240521_VF_Arc_0329.jpg View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize Copyright © 2025 Frankie Alduino. All rights reserved.. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Photography & Video industry. Designed by Eli Showalter. The overall color palette features White, Black, Gray. Built using Squarespace, Squarespace Commerce, Stimulus. AI description: Frankie Alduino's portfolio serves as a cinematic visual diary, showcasing a sophisticated collection of photography and film work. The website functions as a high-impact gallery designed to showcase the artist's ability to capture raw human emotion, candid social moments, and atmospheric storytelling through a lens of documentary-style realism. The design identity is unapologetically minimalist and editorial, utilizing a spacious grid layout that allows the imagery to command absolute attention. By stripping away heavy UI elements and relying on a clean, monochromatic typographic framework, the site adopts a high-end, gallery-like aesthetic that appeals to creative directors, production houses, and luxury brands seeking authentic visual narratives."]