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Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.","Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …",true,1,"1",{"id":327,"height":12,"width":11,"blurhash":328},"cc28f65c-6c0c-448a-9543-4f6fc1dcd579","radial-gradient(at 0 0,#eeeeee,#00000000 50%),radial-gradient(at 33% 0,#f6f6f6,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#dddddd,#00000000 50%),radial-gradient(at 33% 50%,#e1e1e1,#00000000 50%),radial-gradient(at 67% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 100% 50%,#e4e4e4,#00000000 50%),radial-gradient(at 0 100%,#dadada,#00000000 50%),radial-gradient(at 33% 100%,#dddddd,#00000000 50%),radial-gradient(at 67% 100%,#dddddd,#00000000 50%),radial-gradient(at 100% 100%,#dbdbdb,#00000000 50%)",{"id":330,"height":14,"width":13,"blurhash":52},"ee35a35b-7056-4b3b-a410-6d8fb821f9de",[332],{"directus_files_id":333},{"id":334},"d1e1dfc1-2478-4823-a5a8-615901f1ed26",[336],{"languages_code":337,"description":338},"en","Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives.\n\nThe visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. Utilizing a clean, grid-based approach, the site serves as a professional portfolio that balances academic depth with contemporary design sensibilities. The monochromatic palette and disciplined use of space reflect a high-end, editorial character, positioning the studio as a premier choice for the global arts and culture sector.","Agency & Studio",[25,341,29],"Monochrome \u002F Grayscale",[343],"Liebermann Kiepe Reddemann",[345],"Favorit",[244],[348,349,351,353],{"score":70,"category":60},{"score":350,"category":63},67,{"score":352,"category":66},96,{"score":70,"category":69},[355,356,357,358],{"score":169,"category":60},{"score":350,"category":63},{"score":352,"category":66},{"score":70,"category":69},[79,87,83],"Website: Sandra Doeller. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Sandra Doeller. Page description: Bureau Sandra Doeller ist ein Studio für visuelle Kommunikation. Wir entwickeln Publikationen, ganzheitliche Erscheinungsbilder, Markenauftritte und Kommunikationsstrategien für kulturelle Institutionen, Künstler und Unternehmen.. Page content: Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt\u002FMain, Germany info@sandradoeller.com Bureau Sandra Doeller Lindleystraße 5, 60314 Frankfurt a. M. info@sandradoeller.com Information  Bureau Sandra Doeller is a studio for visual communication specializing in poster, book, and exhibition design in the arts and culture. We develop publications, comprehensive visual identities, and communication strategies for institutions, publishers, and artists. A conceptual approach, dialogue with partners, and a focus on the context are essential for us in developing effective and sustainable results.  Sandra Doeller regularly teaches typography and editorial design at various art and design schools. Most recently, she was an interim professor at Mainz University of Applied Sciences. She is a co-initiator of Grafikdesign Denken Sprechen, a platform for interdisciplinary reflection on graphic design at the intersection of applied and fine arts. She is also a co-founder of the Design-Verein Frankfurt e.V., which has organized self-publishing fairs and conferences for design and art, as well as the initiative Frankfurt Babylon, a platform for critical and interdisciplinary engagement with contemporary architecture and urban development.  Collaborators: Merle Petsch, Marcel Backscheider Clients\u002FReferences  Ata Macias  Birkhäuser  Carl Hanser Verlag  Carsten Fock  DCV  Die Andere Bibliothek  Distanz Verlag  EKHN Stiftung  Emeka Ogboh  Ensemble Modern Frankfurt  Hartmann Books  Haus der Kunst München  Heinrich-Böll-Stiftung Hessen  Hessen Design  Jeppe Hein  Jonas Weichsel  Jüdisches Museum Frankfurt  Kerber Verlag  KH Künstler:innenhaus Bremen  Lena Henke  Luminale Frankfurt & Offenbach  Marta Herford  Martha Rosler  Michael Riedel  Mousonturm  Mousse Publishing  Museum Angewandte Kunst Frankfurt  Museum Rietberg  Nassauischer Kunstverein Wiesbaden  New Forms Media Society  nuuna  Orhan Pamuk  Oval Space  Palmengarten Frankfurt  Park Books  Portikus  Reclam Verlag  Robert Johnson  Sandra Vásquez de la Horra  Santa Barbara Museum of Art  Scheidegger & Spiess  Schirn Kunsthalle Frankfurt  serien.lighting  Séverin Guelpa  Spector Books  Staatstheater Darmstadt  Stefan Forster Architekten  Stiftung Buchkunst  Verlag der Buchhandlung Walther und Franz König  Verlag Kettler  VFMK Verlag für moderne Kunst  Vitra Awards  100 Best Posters. Germany, Austria and Switzerland, 100 Jahre Neues Frankfurt, 2026  AIGA 50 Books | 50 Covers, The Barrack, 2025  The Most Beautiful German Books (Shortlist), The Barrack, 2025  The Most Beautiful German Books (Shortlist), Die Sammlung von Maximilian von Goldschmidt-Rothschild, 2024  The Most Beautiful German Books (Shortlist), Dutch Dwellings, 2023  The Most Beautiful German Books, Kunsthandwerk ist Kaktus, 2022  The Most Beautiful German Books (Shortlist), Das Garagenmanifest, 2022  DAM Architectural Book Award, Das Garagenmanifest, 2022  ADC Award (Silver), Luminale Posters, 2021  German Brand Award (Special Mention), Season 20\u002F21 Staatstheater Darmstadt, 2021  The Most Beautiful German Books (Shortlist), Richard Jackson, 2020  ADC Award (Gold), Catalog of the Most Beautiful German Books, 2017  German Brand Award (Gold), serien.lighting, 2016  The Most Beautiful German Books, Books & Bookster, 2015  DDC (Bronze), 2009  100 Best Posters. Germany, Austria and Switzerland, 2009 Juries  100 Best Posters. Germany, Austria and Switzerland, 2024  The Most Beautiful German Books 2020, Stiftung Buchkunst  The Most Beautiful German Books 2019, Stiftung Buchkunst  Prize of the Stiftung Buchkunst 2016, Stiftung Buchkunst  Sponsorship Prize for Young Book Design 2013, Stiftung Buchkunst Press\u002FPublished in  “Mapping Graphic Design Futures” in Anja Lutz, Soraya Guimarães Hoepfner (Ed.): On the Edges of Graphic Design from A—Z—∞, Set Margins, 2025  International Poster Book 9, 2024  Slanted “#42–Books”, 2023  100 Beste Plakate 23, 2024  Monopol, 2023  “Graphic Design Conceives” in Ingo Offermanns (Ed.): Graphic Design Is (…) Not Innocent, Valiz, 2022  International Poster Book 7, 2022  Slanted “#38–Colours”, 2021  Form, 2021  Page, 2021  Frankfurter Allgemeine Sonntagszeitung, 21.2.2021  notamuse. A New Perspective on Women Graphic Designers in Europe, Niggli, 2019  International Poster Book 6, 2019  Page, 2019  Clubbed: A Visual History of UK Club Culture, Face37, 2018  It’s Nice That, 2017  It’s Nice That, 2015  Soirée graphique Nr°8, 2015  Stylepark, 2015  Page, 2015  I Love Helvetica, viction:ary, 2013  I Love Times, viction:ary, 2013  I Love Gill Sans, viction:ary, 2013  Culture Identities, Gestalten Verlag, 2012  Typoversity, Beckmann Verlag, 2011  Groove, 2011  Behind the Zines: Self Publishing Culture, Gestalten Verlag, 2010 Talks\u002FPanels  “How Design Shapes Meaning” (Talk) Format Club No. 60, A–Z Berlin, 2026  “Entanglements” (Talk) Burg Giebichenstein Kunsthochschule Halle, 2025  “Give Love Back Again – Copy Talk” (Panel) Museum Angewandte Kunst, Frankfurt am Main, 2025  “Plakat & Information” (Talk) as part of the Symposium “Text & Spirit”, Museum Angewandte Kunst Frankfurt, 2025  “Wie entstehen Bücher heute?” (Talk), Kunstgewerbeverein Frankfurt, 2025  “Wohin mit der Stadt?” (Panel), Mousonturm, 2025  “Collecting Artists’ Books” (Panel), Museum Angewandte Kunst Frankfurt, 2024  “Immer anders” (Talk), Kunstgewerbeverein Frankfurt, 2023  “I’m Sleeping in My Clothes Next to the Books” (Panel), Portikus, 2022  “Grafikdesign konzipiert” (Talk) as part of the symposium “Point of Departure”, a series on the societal significance of graphic design, HFBK Hamburg, 2019  “Less is more a bore” (Talk), Bern University of the Arts, 2019  “Typografie als Aussage” (Talk), Museum Angewandte Kunst Frankfurt, 2017  “Self-Publishing ins Museum?” (Panel), Museum Angewandte Kunst Frankfurt, 2017  “Die Schönsten Deutschen Bücher” (Talk), Hochschule Darmstadt, 2016  “Wie sieht das Buch der Zukunft aus?” (Panel), Mediacampus Frankfurt, 2015  “Schönste Bücher aus aller Welt” (Moderation), Club Michel, Frankfurt, 2013  “Self Publishing” (Talk), Hochschule Darmstadt, 2011 Exhibitions  TopoPosters – International Poster Design Exhibition, Shanghai Graphic Design Biennale, 2025 (Poster “Public Space I–II”)  INTL International Poster Exhibition, Glasgow, 2024 (Poster “Public Space I”)  Exhibition “Assembly,” Portikus, 2023 (Posters “Public Space I–III”)  Exhibition “Erfolgsprogramm Künstlerbücher. Der Verlag der Buchhandlung Walther König,” Museum Angewandte Kunst Frankfurt, 2022 (Catalog “Michael Riedel. Signetische Zeichnung”)  17th International Poster Biennial, Museo de la Cancillería, Mexico City, 2022 (9 posters)  INTL International Poster Exhibition, Glasgow, 2022 (Posters “Luminale”)  Antwerp Poster Festival, 2020 (Poster “20 Years Robert Johnson”)  INTL International Poster Exhibition, Glasgow, 2019 (2 posters “20 Years Robert Johnson”)  Exhibition “172 neue Buchobjekte. Buchgestaltungen und Künstlerbücher der Sammlung seit 2010,” Museum Angewandte Kunst Frankfurt, 2017 (4 books)  Co-curator of the exhibition “Purpur Passagen,” Designhaus Darmstadt, 2016  Exhibition “Alles neu! 100 Jahre Neue Typografie und Neue Grafik in Frankfurt am Main,” Museum Angewandte Kunst Frankfurt, 2016 (Poster “Less is More a Bore”)  Exhibition “Soirée graphique Nr°8,” Komet, Bern, 2015 (Poster “Less is More a Bore”) Information Art Direction Artwork Book Design Branding Campaign Consultancy Digital Design Editing Editorial Design Event Exhibition Design Identity Lecture Merchandise Packaging Poster Design Assembly–Interventions in Public Space Portikus Assembly–Interventions in Public Space Portikus  Curated by Liberty Adrien & Carina Bukuts Photo: Eike Walkenhorst Photo: Eike Walkenhorst Photo: Eike Walkenhorst Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt Die Sammlung von Maximilian von Goldschmidt-Rothschild Museum Angewandte Kunst Frankfurt  Curators: Katharina Weiler & Matthias Wagner K  Publisher: Verlag der Buchhandlung Walther und Franz König  The Most Beautiful German Books 2024 (Shortlist) Spielzeit 2021\u002F2022 Staatstheater Darmstadt Spielzeit 2021\u002F2022 Staatstheater Darmstadt  Head of Communication & Marketing: Kai Rosenstein  Photography: Neven Allgeier ![](https:\u002F\u002Fsandradoeller.com\u002Fmedia\u002Fpages\u002Fstaatstheater-darmstadt-21-22\u002F1138137891-1662830755\u002Fbsd-web-std …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Black, Gray. The typography features Favorit (Sans Serif, Dinamo). Built using jQuery. AI description: Bureau Sandra Doeller is a sophisticated visual communication studio specializing in the intersection of graphic design, publishing, and exhibition design. The studio crafts holistic brand identities and communication strategies tailored specifically for cultural institutions, artists, and forward-thinking enterprises. Its work is characterized by a deep intellectual engagement with art and a commitment to developing sustainable, conceptually driven visual narratives. The visual identity of the website is defined by a rigorous, modernist aesthetic that prioritizes clarity, high-quality typography, and a structured layout. 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Saturday 6 June, 3-4pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fjulius-von-bismarck-this-is-not-the-storm-%e4%b8%ad%e6%96%87%e5%af%bc%e8%a7%88-chinese-language-tour-with-ah-ah-ah-art\u002F) [ Drawing Club | Expanded Drawing with Lauren Simmonds Wednesday 10 June, 5.30-8.30pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fdrawing-club-expanded-drawing-with-lauren-simmonds\u002F) Dive Deeper ACCA (Australian Centre for Contemporary Art)\") · Artist Talk and Book Launch: with r e a, Judith Ryan AM and Myles Russell-Cook ACCA (Australian Centre for Contemporary Art)\") · We need to talk: with Tourmaline and Sophie Prince [ ACCA Education Bookings are open for ACCA’s free arts learning programs ](https:\u002F\u002Facca.melbourne\u002Feducation\u002F) [ NEWS| Maree Clarke, Lisa Bowman and Elisa Clements join the ACCA Board Read the press release ](https:\u002F\u002Facca.melbourne\u002Fpress_release\u002Fmaree-clarke-lisa-bowman-and-elisa-clements-join-the-acca-board\u002F) Picks from the ACCA Shop* [ r e a : c l a i m e d Monograph Dive into a practice spanning over thirty years. ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-catalogue\u002F)[ Tourmaline: Transcendent Tees Designed in collaboration with Alpha60 ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Ftourmaline-transcendent-t-shirt\u002F) [ r e a : c l a i m e d i Print Single limited edition print ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-i-limited-edition-print\u002F)[ r e a : c l a i m e d ii Print Single limited edition print ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-ii-limited-edition-print\u002F)[ r e a : c l a i m e d iii Print Single limited edition print ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-iii-limited-edition-print\u002F)",{"id":375,"height":12,"width":11,"blurhash":376},"e1e96701-81c3-43ca-9ada-e47167855a98","radial-gradient(at 0 0,#6fc9bd,#00000000 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Australian Centre for Contemporary Art (ACCA) website serves as a sophisticated digital gateway for one of Melbourne's most significant cultural institutions. 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Page content: Now Showing [ Julius von Bismarck: This is not the storm Friday 17 April–Sunday 14 June 2026 ](https:\u002F\u002Facca.melbourne\u002Fexhibition\u002Fjulius-von-bismarck-this-is-not-the-storm\u002F) *What’s On [ ACCA X MADA Publication Launch – The Second Studio: Drawing on Contemporary Art in the Gallery Thursday 7 May, 6-8pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Facca-x-mada-publication-launch-the-second-studio-drawing-on-contemporary-art-in-the-gallery\u002F) [ Masterclass Series | Exhibition Design and Installation with Samantha Vawdrey Monday 18 May, 1-4pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fteacher-professional-learning-exhibition-design-and-installation-with-samantha-vawdrey-senior-exhibitions-manager-registrar\u002F) [ We Need To Talk: Zena Cumpston and Shelley McSpedden Saturday 23 May, 3-4pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fwe-need-to-talk-zena-cumpston-and-shelley-mcspedden\u002F) [ Family Art Day | Julius von Bismarck Saturday 30 May, 11am-2pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Ffamily-art-day-julius-von-bismarck-this-is-not-the-storm\u002F) [ Julius von Bismarck: This is not the storm: 中文导览 Chinese Language Tour with ah ah ah art! Saturday 6 June, 3-4pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fjulius-von-bismarck-this-is-not-the-storm-%e4%b8%ad%e6%96%87%e5%af%bc%e8%a7%88-chinese-language-tour-with-ah-ah-ah-art\u002F) [ Drawing Club | Expanded Drawing with Lauren Simmonds Wednesday 10 June, 5.30-8.30pm ](https:\u002F\u002Facca.melbourne\u002Fprogram\u002Fdrawing-club-expanded-drawing-with-lauren-simmonds\u002F) Dive Deeper ACCA (Australian Centre for Contemporary Art)\") · Artist Talk and Book Launch: with r e a, Judith Ryan AM and Myles Russell-Cook ACCA (Australian Centre for Contemporary Art)\") · We need to talk: with Tourmaline and Sophie Prince [ ACCA Education Bookings are open for ACCA’s free arts learning programs ](https:\u002F\u002Facca.melbourne\u002Feducation\u002F) [ NEWS| Maree Clarke, Lisa Bowman and Elisa Clements join the ACCA Board Read the press release ](https:\u002F\u002Facca.melbourne\u002Fpress_release\u002Fmaree-clarke-lisa-bowman-and-elisa-clements-join-the-acca-board\u002F) Picks from the ACCA Shop* [ r e a : c l a i m e d Monograph Dive into a practice spanning over thirty years. ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-catalogue\u002F)[ Tourmaline: Transcendent Tees Designed in collaboration with Alpha60 ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Ftourmaline-transcendent-t-shirt\u002F) [ r e a : c l a i m e d i Print Single limited edition print ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-i-limited-edition-print\u002F)[ r e a : c l a i m e d ii Print Single limited edition print ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-ii-limited-edition-print\u002F)[ r e a : c l a i m e d iii Print Single limited edition print ](https:\u002F\u002Facca.melbourne\u002Fproduct\u002Fr-e-a-c-l-a-i-m-e-d-iii-limited-edition-print\u002F). A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features Pink, Teal, Black, Gray, White, Brown. Built using PHP, Typekit, WordPress, WordPress Block Editor, WP Engine, YouTube. AI description: The Australian Centre for Contemporary Art (ACCA) website serves as a sophisticated digital gateway for one of Melbourne's most significant cultural institutions. The site is designed to showcase current exhibitions, educational programs, and multimedia content, acting as both an information hub for visitors and a deep-dive archive for art enthusiasts. Its purpose is to facilitate engagement with contemporary art through a seamless blend of visual storytelling and practical utility. Visually, the identity is defined by a bold, avant-garde aesthetic that mirrors the experimental nature of the art it hosts. 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Set on a stage of objects, a gathering of people converses and orchestrates appearances. Like pawns on a game board, the guests move from one subject to another: interior decoration, the precise clockwork of Swiss artisans from the Jura, table manners, the reign of Terror, and the infamous Francesco Schettino. Here it is the history of a story in search of its own morality”. 81 rue du Temple, Paris 75003 4 April - 15 may 29.02.2024 Show Dan Thawley curates a great show at India Mahdavi project room for MATTER and SHAPE (hors les murs). Come discover Thomas Barger’s work and Dan’s magnificent exhibition! Foreign Flowers February 29 to March 17, 2024 Mon — Sat, 10-7pm 29 rue de Bellechasse, 75007, Paris View by Tom Dagnas [ Natalia Arbelaez Los Andes ](https:\u002F\u002Fbomma.fr\u002Fnatalia-arbelaez\u002Flos-andes) 25.10.2023 Los Andes, Natalia Arbelaez Available on Thursday 26th, 7pm (Paris time) a new work by Natalia Arbelaez. _Los Andes_, designed as a living artwork, this sculpture encourages active engagement and interaction from the collector. The three heads can be separated or combined to form a totem, providing the collector with the opportunity to craft their own narrative. Inquiries: contact@bomma.fr \b📬 [ Thomas Barger Claw ](https:\u002F\u002Fbomma.fr\u002Fthomas-barger\u002Fclaw) “Heaven Knows, Flower Grows” with Thomas Barger, Rose Nestler and Anna Aagaard Jensen, from 8th to 21th June - 47 Rue de Montmorency, Paris 3 [ Rose Nestler Portal Glove ](https:\u002F\u002Fbomma.fr\u002Frose-nestler\u002Fportal-glove) 02.06.2023 Heaven Knows, Flower Grows - Show Announcement We are pleased to announce the opening of “Heaven Knows, Flower Grows”, our next exhibition featuring works by Anna Aagaard Jensen, Rose Nestler and Thomas Barger. Opening on June 8 from 6 pm - 47 Rue de Montmorency, Paris 3. We look forward to seeing you 💅 ! [ Anna Aagaard Jensen I put my foot on the table as I please ](https:\u002F\u002Fbomma.fr\u002Fanna-aagaard-jensen\u002Fi-put-my-foot-on-the-table-as-i-please) [ Monica Kim Garza Do you have a dog? ](https:\u002F\u002Fbomma.fr\u002Fmonica-kim-garza\u002Fdo-you-have-a-dog) 31.12.2022 Group Show “Collection of Rarities” Opening (& galette des rois 👑) - January 7th 2023 at 4PM - 44 rue de Montmorency, Paris 3 Monica Kim Garza, Jennifer Rochlin, Daniel Gibson, Umar Rashid This exhibition will open a dialogue: our recent collaborations will flirt with unique works created for the occasion, such as this Umar Rashid, _Selfportrait as an auxiliary_, Ink, acrylic, coffee and tea on paper which will be shown with our bronze _All in all is one. The power coupling. A conduit for progress, good or bad. Or, Twoism (after Boards of Canada)_. [ Jennifer Rochlin Afternoon with Boys and Peacock in Altadena ](https:\u002F\u002Fbomma.fr\u002Fjennifer-rochlin\u002Fafternoon-with-boys-and-peacock-in-altadena) 27.10.2022 Jennifer Rochlin - Afternoon with Boys and Peacock in Altadena _Afternoon with Boys and Peacock in Altadena_ is Jennifer Rochlin’s first time with bronze. It’s an edition of 8+4, fully engraved by hand and handpainted with oil by the artist. It’s now available on Bomma.fr or you can make an inquiry here. 25.10.2022 B for Bomma New B logo designed by Jennifer Rochlin in her sgrafito style. I take this opportunity to introduce our next release: _Afternoon with Boys and Peacock in Altadena_ available on Thursday, October 27 at 7pm - Paris time. 🦚 22.09.2022 Umar Rashid - MoMA PS1 We are delighted to announce that _Tout en tout est un. The Power Coupling. A conduit for progress, good or bad. Or, Twoism (after Boards of Canada)_ produced by Droste and Bomma is presented at MoMA PS1 as part of the exhibition Ancien Regime 4, 5 and 6 by Umar Rashid. Image courtesy: Umar Rashid & MoMA PS1. Photo: Steven Paneccasio 01.09.2022 Jennifer Rochlin Hey, it’s back to school time, can’t wait to reveal our next project with @JenniferRochlin 🏺. [ Daniel Gibson Dancing Butterfly ](https:\u002F\u002Fbomma.fr\u002Fdaniel-gibson\u002Fdancing-butterfly) 20.07.2022 Daniel Gibson, Dancing Butterfly Ocotillos are in bloom. Flowers dance in a psychedelic farandole 🏜️. _Dancing Butterfly_, new work by Daniel Gibson is now available. 20.07.2022 B for Bomma Mike Swaney designed the new Bomma monogram! This logotype is destined to evolve with each project, over time: like the work of the artists we collaborate with, we want to present an identity in motion. 20.07.2022 New identity! Brand new website made by Bottexelsensohn and F451. They worked together to create a new identity for Bomma, enjoy! ✨ [ Umar Rashid - Frohawk Two Feathers Tout en tout est un. The Power Coupling. A conduit for progress, good or bad. Or, Twoism (after Boards of Canada) ](https:\u002F\u002Fbomma.fr\u002Fumar-rashid\u002Ftout-en-tout-est-un-the-power-coupling-a-conduit-for-progress-good-or-bad-or-twoism-after-boards-of-canada) 25.03.2022 Umar Rashid, Tout en tout est un Umar Rashid, _Tout en tout est un. The power coupling. A conduit for progress, good or bad. Or, Twoism (after Boards of Canada)_, 2022. Now available 💫 [ Kazuma Koike BZ210827 ](https:\u002F\u002Fbomma.fr\u002Fkazuma-koike\u002Fbz210827) 09.09.2021 Kazuma Koike, BZ210827 On the occasion of the Multiple Art Days 2021 which will take place on September 10th, 11th and 12th at the Fiminco Foundation in Romainville, we are pleased to present our last collaboration with Kazuma Koike, a bronze sculpture titled _BZ210827_. 14.07.2021 Multiple Art Days Fair We are pleased to announce our participation to the next edition of @multipleartdays, a fair focused on contemporary publishing at the @fondationfiminco. With the works of @hein\\_koh, @michaelswaney, @takuobata and @kazumakoike. 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The platform serves as a digital gallery and archive, showcasing high-end multiples and curated art projects that bridge the gap between fine art and tangible, collectible objects.\n\nThe visual identity is defined by a high-fashion, editorial aesthetic that prioritizes expansive white space and striking, large-scale imagery. By utilizing a minimalist layout and refined typography, the design directs all attention to the textures and forms of the artwork itself. It speaks to a discerning audience of collectors, curators, and art enthusiasts who value precision, luxury, and the tactile nature of artistic production.",[25,597,29],"High-End \u002F Luxury",[599,600],"Bottex Elsensohn","F451",[],[245],[604,606,607,608],{"score":605,"category":60},93,{"score":70,"category":63},{"score":352,"category":66},{"score":169,"category":69},[610,611,612,613],{"score":319,"category":60},{"score":70,"category":63},{"score":352,"category":66},{"score":169,"category":69},[79,483,87,83],"Website: Bomma. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Bomma Galerie - Artwork Publishing. Page description: Based in Paris, Bomma focuses on art publishing and multiples production, taking pleasure in bringing together contemporary art and exceptional know-how.. Page content: Tjiki Sidibe posing with _Miss Universe_ jewel by Ana Benaroya [ Ana Benaroya Miss Universe ](https:\u002F\u002Fbomma.fr\u002Fana-benaroya\u002Fmiss-universe) 04.11.2025 Miss Universe - Ana Benaroya - Jewel We’re thrilled to announce our upcoming collaboration with Ana Benaroya 💅, celebrated for her iconic work highlighting strong, independent, and assertive women 💪 18.09.2024 Isabella - Marcus Brutus _Isabella_, a work by Marcus Brutus ✨ [ Marcus Brutus Isabella ](https:\u002F\u002Fbomma.fr\u002Fmarcus-brutus\u002Fisabella) _Bella Figura_, curated by Raphael Giannesini at Carole Lambert Présente Photo: Objets Pointus 04.04.2024 Rose Nestler - Show Now on view at Carole Lambert Présente : _Bella Figura_, curated by Raphael Giannesini Alexandra Barth, Rose Nestler, Maurizio Vetrugno, Weinbenami “The Bella figura, or the art of maintaining a good appearance without ever losing face, presents itself as the title of a group exhibition in the form of a comedy of manners. Set on a stage of objects, a gathering of people converses and orchestrates appearances. Like pawns on a game board, the guests move from one subject to another: interior decoration, the precise clockwork of Swiss artisans from the Jura, table manners, the reign of Terror, and the infamous Francesco Schettino. Here it is the history of a story in search of its own morality”. 81 rue du Temple, Paris 75003 4 April - 15 may 29.02.2024 Show Dan Thawley curates a great show at India Mahdavi project room for MATTER and SHAPE (hors les murs). Come discover Thomas Barger’s work and Dan’s magnificent exhibition! Foreign Flowers February 29 to March 17, 2024 Mon — Sat, 10-7pm 29 rue de Bellechasse, 75007, Paris View by Tom Dagnas [ Natalia Arbelaez Los Andes ](https:\u002F\u002Fbomma.fr\u002Fnatalia-arbelaez\u002Flos-andes) 25.10.2023 Los Andes, Natalia Arbelaez Available on Thursday 26th, 7pm (Paris time) a new work by Natalia Arbelaez. _Los Andes_, designed as a living artwork, this sculpture encourages active engagement and interaction from the collector. The three heads can be separated or combined to form a totem, providing the collector with the opportunity to craft their own narrative. Inquiries: contact@bomma.fr \b📬 [ Thomas Barger Claw ](https:\u002F\u002Fbomma.fr\u002Fthomas-barger\u002Fclaw) “Heaven Knows, Flower Grows” with Thomas Barger, Rose Nestler and Anna Aagaard Jensen, from 8th to 21th June - 47 Rue de Montmorency, Paris 3 [ Rose Nestler Portal Glove ](https:\u002F\u002Fbomma.fr\u002Frose-nestler\u002Fportal-glove) 02.06.2023 Heaven Knows, Flower Grows - Show Announcement We are pleased to announce the opening of “Heaven Knows, Flower Grows”, our next exhibition featuring works by Anna Aagaard Jensen, Rose Nestler and Thomas Barger. Opening on June 8 from 6 pm - 47 Rue de Montmorency, Paris 3. We look forward to seeing you 💅 ! [ Anna Aagaard Jensen I put my foot on the table as I please ](https:\u002F\u002Fbomma.fr\u002Fanna-aagaard-jensen\u002Fi-put-my-foot-on-the-table-as-i-please) [ Monica Kim Garza Do you have a dog? ](https:\u002F\u002Fbomma.fr\u002Fmonica-kim-garza\u002Fdo-you-have-a-dog) 31.12.2022 Group Show “Collection of Rarities” Opening (& galette des rois 👑) - January 7th 2023 at 4PM - 44 rue de Montmorency, Paris 3 Monica Kim Garza, Jennifer Rochlin, Daniel Gibson, Umar Rashid This exhibition will open a dialogue: our recent collaborations will flirt with unique works created for the occasion, such as this Umar Rashid, _Selfportrait as an auxiliary_, Ink, acrylic, coffee and tea on paper which will be shown with our bronze _All in all is one. The power coupling. A conduit for progress, good or bad. Or, Twoism (after Boards of Canada)_. [ Jennifer Rochlin Afternoon with Boys and Peacock in Altadena ](https:\u002F\u002Fbomma.fr\u002Fjennifer-rochlin\u002Fafternoon-with-boys-and-peacock-in-altadena) 27.10.2022 Jennifer Rochlin - Afternoon with Boys and Peacock in Altadena _Afternoon with Boys and Peacock in Altadena_ is Jennifer Rochlin’s first time with bronze. It’s an edition of 8+4, fully engraved by hand and handpainted with oil by the artist. It’s now available on Bomma.fr or you can make an inquiry here. 25.10.2022 B for Bomma New B logo designed by Jennifer Rochlin in her sgrafito style. I take this opportunity to introduce our next release: _Afternoon with Boys and Peacock in Altadena_ available on Thursday, October 27 at 7pm - Paris time. 🦚 22.09.2022 Umar Rashid - MoMA PS1 We are delighted to announce that _Tout en tout est un. The Power Coupling. A conduit for progress, good or bad. Or, Twoism (after Boards of Canada)_ produced by Droste and Bomma is presented at MoMA PS1 as part of the exhibition Ancien Regime 4, 5 and 6 by Umar Rashid. Image courtesy: Umar Rashid & MoMA PS1. Photo: Steven Paneccasio 01.09.2022 Jennifer Rochlin Hey, it’s back to school time, can’t wait to reveal our next project with @JenniferRochlin 🏺. [ Daniel Gibson Dancing Butterfly ](https:\u002F\u002Fbomma.fr\u002Fdaniel-gibson\u002Fdancing-butterfly) 20.07.2022 Daniel Gibson, Dancing Butterfly Ocotillos are in bloom. Flowers dance in a psychedelic farandole 🏜️. _Dancing Butterfly_, new work by Daniel Gibson is now available. 20.07.2022 B for Bomma Mike Swaney designed the new Bomma monogram! This logotype is destined to evolve with each project, over time: like the work of the artists we collaborate with, we want to present an identity in motion. 20.07.2022 New identity! Brand new website made by Bottexelsensohn and F451. They worked together to create a new identity for Bomma, enjoy! ✨ [ Umar Rashid - Frohawk Two Feathers Tout en tout est un. The Power Coupling. A conduit for progress, good or bad. Or, Twoism (after Boards of Canada) ](https:\u002F\u002Fbomma.fr\u002Fumar-rashid\u002Ftout-en-tout-est-un-the-power-coupling-a-conduit-for-progress-good-or-bad-or-twoism-after-boards-of-canada) 25.03.2022 Umar Rashid, Tout en tout est un Umar Rashid, _Tout en tout est un. The power coupling. A conduit for progress, good or bad. Or, Twoism (after Boards of Canada)_, 2022. Now available 💫 [ Kazuma Koike BZ210827 ](https:\u002F\u002Fbomma.fr\u002Fkazuma-koike\u002Fbz210827) 09.09.2021 Kazuma Koike, BZ210827 On the occasion of the Multiple Art Days 2021 which will take place on September 10th, 11th and 12th at the Fiminco Foundation in Romainville, we are pleased to present our last collaboration with Kazuma Koike, a bronze sculpture titled _BZ210827_. 14.07.2021 Multiple Art Days Fair We are pleased to announce our participation to the next edition of @multipleartdays, a fair focused on contemporary publishing at the @fondationfiminco. With the works of @hein\\_koh, @michaelswaney, @takuobata and @kazumakoike. See you there 👀 [ Hein Koh Thinking, Reflecting ![](https:\u002F\u002Fbomma.fr\u002Fmedia\u002Fpages\u002Fartists\u002Fhein-koh\u002Fthinking-reflecting\u002F94 …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. Designed by Bottex Elsensohn, developed by F451. 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From 2018 - 2020 it was held at fanfare, but the third season, which begins in November 2020, will take place online. - We borrow from Sara Ahmed’s citation policy in _Living a Feminist Life_, in which she encourages us to view citations as (re)productive technologies – a tool that circumscribes the world around certain bodies. As such, we prioritise the work of women, trans, non-binary, queer, black, indigenous, POC, working-class, disabled, and other marginalised bodies in our resources and reading materials: “Citations can be feminist bricks: they are the materials through which, from which, we create our dwellings.” Ahmed, _Living a Feminist Life_, p.16. - Announcements for our reading groups are sent to our mailing list every month, to which you must RSVP in order to participate. - There is a maximum of 12 spots for each session which are offered on a first come first serve basis. - All resources and materials are provided digitally prior to each session. - Meetings are held in English. - _fanfare_, our host venue for our in-person events and reading groups, is on the ground floor and wheelchair accessible. - _plot twist_ aims to offer a safe space for everyone involved. Any form of bigotry – racism, sexism, classism, homophobia, transphobia and ableism – is not tolerated, and you will be asked you to leave if you behave in a way that offends or upsets others. - See our community guidelines for more info on how we run things. - Occasionally, we organise public activities and events, which are announced via our social media channels. News July 13 2021 EMBRACING VALUE Max Haiven writes that western society is suffering a crisis of imagination, with the seamless spread of capitalism into every part of our lives. In the next and final session of the season, we are reading from the zine Radical Care: Embracing Feminist Finance, to challenge our thinking about money, explore ideas about finance that lie outside of our current economic paradigm, and think about how these may be put into practice. Within capitalism, economic systems impact us all yet they can often seem far removed or complex to the point of abstraction. For this session, you will need no prior knowledge of these topics as we will be learning together. We will look to hopeful models – such as open value cooperation and local currencies – to embrace different values, with a focus on locality, cooperation, and care. The zine asks the question: \"If you could break down one patriarchal structure within the current economic paradigm, which would it be and what would you replace it with?\" To answer this, we can look at suggested models from the zine and supporting texts, such as gift economies to social and artistic initiatives, to speculate on new ecosystems of value. Hosted by Kate Frances Lingard and Rebecca Gill Reading List July 2021 Radical Care: Embracing Feminist Finance Amateur Cities in collaboration with The Institute of Network Cultures News May 31 2021 BAD READER BAD READER\\ is an ongoing study group dedicated to exploring phenomenologies, politics, and practices of reading. The project is rooted in a desire to better understand our attachments and relationships to the textual form, and engage with wider questions around meaning, language, semiotics, citation, forms of writing, and alternative ways of knowing. In the first iteration of the BAD READER series, we will read Lydia Davis’ ‘Fragmentary or Unfinished’ from her latest essay collection Essays (2019), alongside a few passages from Roland Barthes’ The Pleasure of the Text (1973). Davis’ essay looks at the fragmentary text to ask questions about the idea of wholeness or completion in a work, and how the form lends itself to grief, thinking (as a process), incoherency, and the destruction of narrative. In The Pleasure of the Text, Barthes theorises on what it means to enjoy a text, insisting on the importance of developing an erotics of reading. It is also written in fragments ;-). \\BAD READER is a series of reading sessions organised by Jo Kali and Georgie Sinclair. It will be integrated periodically (as and when fit) into the plot twist programme between 2021-2022. Reading sessions are non-committal; you do not need to have participated in previous or plan to attend future iterations of BAD READER to join. We hope to share more information on the expanded programme soon. Reading List May 2021 'Fragmentary or Unfinished' from Essays Lydia Davis The Pleasure of the Text Roland Barthes News May 5 2020 THIS IS WHAT THE TRUTH FEELS LIKE \"it is often said that the internet is full of disinformation, but what is deemed disinformation in the eyes of one, is truthful and important information in the eyes of another. everyone should be able to establish their own truths. but at the same time, speaking for myself (Sarah), when people adhere to certain truths that i do not share (such as hard-core anti-vaxxers), i can become agitated or impatient. in this session, we will ask questions such as: what makes something ‘true’? what different types of truths exist? is it important to have shared truths? and when is it reasonable to try to correct someone’s personal truths?\" Hosted by Sarah Eskens Reading List May 2021 The State of the Fact The Believer w\u002F Morgan Parker & Rachel Khong Private Fears in Public Space Lida Maxwell The yoga world is riddled with anti-vaxxers and QAnon believers Cécile Guerin Seeking After Truth bell hooks If women are hesitant about the vaccine, it's because the health industry hasn't earned their trust Araw Mahdawi Why we can't have our facts back Noortje Marres News April 6 2021 TENDING RETREAT ‘I am becoming part of his vegetal network too.’- Rebecca May Johnson In this session, we will explore the utopian potentials of land cultivation: the possibilities and pitfalls of retreating to the garden. Since March 2020, desires for the bucolic escape of #cottagecore have filtered across the socials- images of gardening, allotments, and analogue forms of domestic living offering both an aesthetic respite, and a stark contrast, to the varied experiences of an urban lockdown. Looking at various forms of pastoral maintenance we will discuss the ways these texts use land to explore themes of care, escape, and community- in addition to problematising the political undertones these trends can gesture to. How might issues of land ownership, climate grief, and gendered forms of care intertwine in a desire to grow our own herbs? Hosted by Loren Ewart Reading List April 2021 The Disturbances of the Garden Jamaica Kincaid Qualities of Earth Rebecca May Johnson Why queer teens are embracing cottagecore i-D News March 2 2021 Collective reading and discussion of Unknown Language by Huw Lemmey & Hildegard von Bingen \"Long before the collapse of the Information Age, in the twelfth century since the appearance of the prophet Christ, young Hildegard finds grace. In this story of survival and miracles, Hildegard encounters love, both queer and divine, and great peril. As the visionary healer travels through the unfamiliar landscape following a great cataclysm, she discovers the mythic quantum energy of viriditas in the natural world around her. Her journey becomes one of return, to the sacred truth of her own being. Hildegard’s tale is received in the plague year of 2020 by Alice Spawls, and then in the next century, in a sea cave with cracked amethyst walls. On planet Avaaz, once known as Earth, Bhanu Kapil’s Pinky Agarwalia finds fragments of a beautiful codex. Lingua Ignota, Hildegard's unknown language, bears seeds of renewal for a world in flux.\" Reading List March 2021 Unknown Language Huw Lemmey & Hildegard von Bingen News February 19 2021 OUT NOW: PLOT TWIST II plot twist ii is an anthology of short stories and essays from the hosts of our 2019-2020 programme. Our work as a reading group is often intangible to those who don't participate in the sessions, so – in lieu of our intended public event last summer – we chose to produce something in print to share with a wider audience. plot twist ii includes: - meditations on privacy, work, failure, and friendship - a sci-fi tale in four acts - auto-theory on books that 'stick' - two essays on food and the cultural politics of disgust - sensory creative fiction on dizziness and giddiness - an illustrated guide on practicing empathy - extended reading lists of our reading groups 2019-2020 - a BEAUTIFUL A3 limited-edition riso printed poster With contributions from Andreea Breazu, Angelica Sgouros, Elisa Grasso, Georgie Sinclair, Jo Kali, Juliette Lizotte, Loren Ewart, Lucia Dove, Naomi Credé, Rosie Haward, and Sarah Eskens. Designed by Juliette Lizotte and Lucie de Bréchard. It would mean the world to us if you could support us and these small book shops by buying a copy! San Serriffe (@sanserriffe) in Amsterdam, NL Rile\\* (rile.space) in Brussels, BE Good Press(good.press) in Glasgow, UK News February 2 2021 REMEMBERING, BARELY Lowkey writing workshop focused on autobiographical memory-writing Writing memories can change our perception of how life was. Feelings we might feel somewhat estranged from in this state of locked-up “half-living”, such as shame, desire, joy and loss are mediated through the temporal distance from our ‘other selves’. In this session, by looking at different writers’ approaches to memory-writing, we will experiment with what it means to remember. How do we write our past selves? The way memories feel might change over time: seen from a distance, we can put memories into their political, class or cultural context, like scattered pieces of a puzzle. Hosted by Ida Blom Reading List February 2021 from The Happening Annie Ernaux from Cockroaches Scholastique Mukasonga from Childhood Tove Ditlevsen News January 6 2020 CRIP-TIME: BENDING THE CLOCK “Crip time is flex time not just expanded but exploded; it requires re-imagining our notions of what can and should happen in time, or recognizing how expectations of 'how long things take' are based on very particular minds and bodies. Rather than bend disabled bodies and minds to meet the clock, crip time bends the clock to meet disabled bodies and minds.\" Alison Kafer In this session, we will think through the notion of ‘Crip Time’. Our brains and bodies all process and understand time in different ways, but for some people there is a heightened disparity between theirs and “regular” (often ableist) visions of time in daily life. In a culture where productivity and an attitude of “getting stuff done” is also a measure of self-worth, it’s important to recognise how these feed into and perpetuate the pathologization of people with disabilities. Being late, not finishing, sleeping too much or at irregular hours all spring from the same rigid and exclusionary sense that time is organised and experienced by everybody in the same way. Hosted by Elisa Grasso Reading List January 2020 Feminist Queer Crip Alison Kafer Six ways of looking at crip time Ellen Samuels The value of 'crip time': Discarding notions of productivity and guilt, to listen to the rhythms of our bodies Srinidhi Raghavan News December 8 2020 ATTENTION IS THE BEGINNING OF DEVOTION “Understand from the first this certainty. Butterflies don’t write books, neither do lilies or violets. Which doesn’t mean they don’t know, in their own way, what the …",{"id":629,"height":12,"width":11,"blurhash":630},"665e96c3-d671-4548-9d10-d438d44135aa","radial-gradient(at 0 0,#b3ac4e,#00000000 50%),radial-gradient(at 33% 0,#bfbba2,#00000000 50%),radial-gradient(at 67% 0,#eae98d,#00000000 50%),radial-gradient(at 100% 0,#efee00,#00000000 50%),radial-gradient(at 0 50%,#adb04f,#00000000 50%),radial-gradient(at 33% 50%,#aaaa8a,#00000000 50%),radial-gradient(at 67% 50%,#dbd974,#00000000 50%),radial-gradient(at 100% 50%,#e9e800,#00000000 50%),radial-gradient(at 0 100%,#b2b068,#00000000 50%),radial-gradient(at 33% 100%,#ceceb6,#00000000 50%),radial-gradient(at 67% 100%,#f3f49e,#00000000 50%),radial-gradient(at 100% 100%,#eeee00,#00000000 50%)",{"id":632,"height":14,"width":13,"blurhash":52},"5c09d851-04e7-4205-b5b7-d7cd8de6bf10",[634],{"directus_files_id":635},{"id":636},"e3f50637-5bc5-4157-bcf3-bbe4e3d3ba9f",[638],{"languages_code":337,"description":639},"Plot Twist is a vibrant digital hub serving as a literary collective, reading group, and alternative learning space. The website functions as a portal for creative intellectualism, bridging the gap between traditional publishing and modern internet-native community building. It positions itself as a sanctuary for readers and thinkers looking for unconventional educational experiences and curated literary content.\n\nThe visual identity is unapologetically bold, utilizing a high-contrast color palette dominated by a saturated electric yellow. The design leans into a neo-brutalist aesthetic, characterized by oversized, expressive serif typography and a raw, unpolished layout that prioritizes character over conventional corporate structure. This stylistic choice creates an immediate sense of artistic intentionality, appealing to a creative, avant-garde audience of writers, readers, and lifelong learners.",[641,642,29],"Brutalist \u002F Neo-Brutalist","Fun \u002F Playful",[644],"Ben West",[],[245],[648,649,651,652],{"score":605,"category":60},{"score":650,"category":63},83,{"score":624,"category":66},{"score":653,"category":69},75,[655,657,658,659],{"score":656,"category":60},94,{"score":650,"category":63},{"score":624,"category":66},{"score":653,"category":69},[661,87,79,83],"yellow","Website: Plot Twist. Page: Homepage. Page type: Home \u002F Landing Page. Page title: plot twist. Page content: Info - _plot twist_ was initiated by Jo Kali and Georgie Sinclair in 2018. From 2018 - 2020 it was held at fanfare, but the third season, which begins in November 2020, will take place online. - We borrow from Sara Ahmed’s citation policy in _Living a Feminist Life_, in which she encourages us to view citations as (re)productive technologies – a tool that circumscribes the world around certain bodies. As such, we prioritise the work of women, trans, non-binary, queer, black, indigenous, POC, working-class, disabled, and other marginalised bodies in our resources and reading materials: “Citations can be feminist bricks: they are the materials through which, from which, we create our dwellings.” Ahmed, _Living a Feminist Life_, p.16. - Announcements for our reading groups are sent to our mailing list every month, to which you must RSVP in order to participate. - There is a maximum of 12 spots for each session which are offered on a first come first serve basis. - All resources and materials are provided digitally prior to each session. - Meetings are held in English. - _fanfare_, our host venue for our in-person events and reading groups, is on the ground floor and wheelchair accessible. - _plot twist_ aims to offer a safe space for everyone involved. Any form of bigotry – racism, sexism, classism, homophobia, transphobia and ableism – is not tolerated, and you will be asked you to leave if you behave in a way that offends or upsets others. - See our community guidelines for more info on how we run things. - Occasionally, we organise public activities and events, which are announced via our social media channels. News July 13 2021 EMBRACING VALUE Max Haiven writes that western society is suffering a crisis of imagination, with the seamless spread of capitalism into every part of our lives. In the next and final session of the season, we are reading from the zine Radical Care: Embracing Feminist Finance, to challenge our thinking about money, explore ideas about finance that lie outside of our current economic paradigm, and think about how these may be put into practice. Within capitalism, economic systems impact us all yet they can often seem far removed or complex to the point of abstraction. For this session, you will need no prior knowledge of these topics as we will be learning together. We will look to hopeful models – such as open value cooperation and local currencies – to embrace different values, with a focus on locality, cooperation, and care. The zine asks the question: \"If you could break down one patriarchal structure within the current economic paradigm, which would it be and what would you replace it with?\" To answer this, we can look at suggested models from the zine and supporting texts, such as gift economies to social and artistic initiatives, to speculate on new ecosystems of value. Hosted by Kate Frances Lingard and Rebecca Gill Reading List July 2021 Radical Care: Embracing Feminist Finance Amateur Cities in collaboration with The Institute of Network Cultures News May 31 2021 BAD READER BAD READER\\ is an ongoing study group dedicated to exploring phenomenologies, politics, and practices of reading. The project is rooted in a desire to better understand our attachments and relationships to the textual form, and engage with wider questions around meaning, language, semiotics, citation, forms of writing, and alternative ways of knowing. In the first iteration of the BAD READER series, we will read Lydia Davis’ ‘Fragmentary or Unfinished’ from her latest essay collection Essays (2019), alongside a few passages from Roland Barthes’ The Pleasure of the Text (1973). Davis’ essay looks at the fragmentary text to ask questions about the idea of wholeness or completion in a work, and how the form lends itself to grief, thinking (as a process), incoherency, and the destruction of narrative. In The Pleasure of the Text, Barthes theorises on what it means to enjoy a text, insisting on the importance of developing an erotics of reading. It is also written in fragments ;-). \\BAD READER is a series of reading sessions organised by Jo Kali and Georgie Sinclair. It will be integrated periodically (as and when fit) into the plot twist programme between 2021-2022. Reading sessions are non-committal; you do not need to have participated in previous or plan to attend future iterations of BAD READER to join. We hope to share more information on the expanded programme soon. Reading List May 2021 'Fragmentary or Unfinished' from Essays Lydia Davis The Pleasure of the Text Roland Barthes News May 5 2020 THIS IS WHAT THE TRUTH FEELS LIKE \"it is often said that the internet is full of disinformation, but what is deemed disinformation in the eyes of one, is truthful and important information in the eyes of another. everyone should be able to establish their own truths. but at the same time, speaking for myself (Sarah), when people adhere to certain truths that i do not share (such as hard-core anti-vaxxers), i can become agitated or impatient. in this session, we will ask questions such as: what makes something ‘true’? what different types of truths exist? is it important to have shared truths? and when is it reasonable to try to correct someone’s personal truths?\" Hosted by Sarah Eskens Reading List May 2021 The State of the Fact The Believer w\u002F Morgan Parker & Rachel Khong Private Fears in Public Space Lida Maxwell The yoga world is riddled with anti-vaxxers and QAnon believers Cécile Guerin Seeking After Truth bell hooks If women are hesitant about the vaccine, it's because the health industry hasn't earned their trust Araw Mahdawi Why we can't have our facts back Noortje Marres News April 6 2021 TENDING RETREAT ‘I am becoming part of his vegetal network too.’- Rebecca May Johnson In this session, we will explore the utopian potentials of land cultivation: the possibilities and pitfalls of retreating to the garden. Since March 2020, desires for the bucolic escape of #cottagecore have filtered across the socials- images of gardening, allotments, and analogue forms of domestic living offering both an aesthetic respite, and a stark contrast, to the varied experiences of an urban lockdown. Looking at various forms of pastoral maintenance we will discuss the ways these texts use land to explore themes of care, escape, and community- in addition to problematising the political undertones these trends can gesture to. How might issues of land ownership, climate grief, and gendered forms of care intertwine in a desire to grow our own herbs? Hosted by Loren Ewart Reading List April 2021 The Disturbances of the Garden Jamaica Kincaid Qualities of Earth Rebecca May Johnson Why queer teens are embracing cottagecore i-D News March 2 2021 Collective reading and discussion of Unknown Language by Huw Lemmey & Hildegard von Bingen \"Long before the collapse of the Information Age, in the twelfth century since the appearance of the prophet Christ, young Hildegard finds grace. In this story of survival and miracles, Hildegard encounters love, both queer and divine, and great peril. As the visionary healer travels through the unfamiliar landscape following a great cataclysm, she discovers the mythic quantum energy of viriditas in the natural world around her. Her journey becomes one of return, to the sacred truth of her own being. Hildegard’s tale is received in the plague year of 2020 by Alice Spawls, and then in the next century, in a sea cave with cracked amethyst walls. On planet Avaaz, once known as Earth, Bhanu Kapil’s Pinky Agarwalia finds fragments of a beautiful codex. Lingua Ignota, Hildegard's unknown language, bears seeds of renewal for a world in flux.\" Reading List March 2021 Unknown Language Huw Lemmey & Hildegard von Bingen News February 19 2021 OUT NOW: PLOT TWIST II plot twist ii is an anthology of short stories and essays from the hosts of our 2019-2020 programme. Our work as a reading group is often intangible to those who don't participate in the sessions, so – in lieu of our intended public event last summer – we chose to produce something in print to share with a wider audience. plot twist ii includes: - meditations on privacy, work, failure, and friendship - a sci-fi tale in four acts - auto-theory on books that 'stick' - two essays on food and the cultural politics of disgust - sensory creative fiction on dizziness and giddiness - an illustrated guide on practicing empathy - extended reading lists of our reading groups 2019-2020 - a BEAUTIFUL A3 limited-edition riso printed poster With contributions from Andreea Breazu, Angelica Sgouros, Elisa Grasso, Georgie Sinclair, Jo Kali, Juliette Lizotte, Loren Ewart, Lucia Dove, Naomi Credé, Rosie Haward, and Sarah Eskens. Designed by Juliette Lizotte and Lucie de Bréchard. It would mean the world to us if you could support us and these small book shops by buying a copy! San Serriffe (@sanserriffe) in Amsterdam, NL Rile\\* (rile.space) in Brussels, BE Good Press(good.press) in Glasgow, UK News February 2 2021 REMEMBERING, BARELY Lowkey writing workshop focused on autobiographical memory-writing Writing memories can change our perception of how life was. Feelings we might feel somewhat estranged from in this state of locked-up “half-living”, such as shame, desire, joy and loss are mediated through the temporal distance from our ‘other selves’. In this session, by looking at different writers’ approaches to memory-writing, we will experiment with what it means to remember. How do we write our past selves? The way memories feel might change over time: seen from a distance, we can put memories into their political, class or cultural context, like scattered pieces of a puzzle. Hosted by Ida Blom Reading List February 2021 from The Happening Annie Ernaux from Cockroaches Scholastique Mukasonga from Childhood Tove Ditlevsen News January 6 2020 CRIP-TIME: BENDING THE CLOCK “Crip time is flex time not just expanded but exploded; it requires re-imagining our notions of what can and should happen in time, or recognizing how expectations of 'how long things take' are based on very particular minds and bodies. Rather than bend disabled bodies and minds to meet the clock, crip time bends the clock to meet disabled bodies and minds.\" Alison Kafer In this session, we will think through the notion of ‘Crip Time’. Our brains and bodies all process and understand time in different ways, but for some people there is a heightened disparity between theirs and “regular” (often ableist) visions of time in daily life. In a culture where productivity and an attitude of “getting stuff done” is also a measure of self-worth, it’s important to recognise how these feed into and perpetuate the pathologization of people with disabilities. Being late, not finishing, sleeping too much or at irregular hours all spring from the same rigid and exclusionary sense that time is organised and experienced by everybody in the same way. Hosted by Elisa Grasso Reading List January 2020 Feminist Queer Crip Alison Kafer Six ways of looking at crip time Ellen Samuels The value of 'crip time': Discarding notions of productivity and guilt, to listen to the rhythms of our bodies Srinidhi Raghavan News December 8 2020 ATTENTION IS THE BEGINNING OF DEVOTION “Understand from the first this certainty. Butterflies don’t write books, neither do lilies or violets. Which doesn’t mean they don’t know, in their own way, what the …. A Brutalist \u002F Neo-Brutalist, Fun \u002F Playful, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features Yellow, Black, White, Gray. Built using PHP. AI description: Plot Twist is a vibrant digital hub serving as a literary collective, reading group, and alternative learning space. The website functions as a portal for creative intellectualism, bridging the gap between traditional publishing and modern internet-native community building. It positions itself as a sanctuary for readers and thinkers looking for unconventional educational experiences and curated literary content. The visual identity is unapologetically bold, utilizing a high-contrast color palette dominated by a saturated electric yellow. The design leans into a neo-brutalist aesthetic, characterized by oversized, expressive serif typography and a raw, unpolished layout that prioritizes character over conventional corporate structure. This stylistic choice creates an immediate sense of artistic intentionality, appealing to a creative, avant-garde audience of writers, readers, and lifelong learners."]