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based in Bremen, Germany.","Claudia Piepenbrock Info Claudia Piepenbrock arbeitet skulptural und mit dem dreidimensionalen Raum. Sie interessiert sich für Bewegungsrichtungen und das Verhalten von Materialien und Menschen. Regelmäßig entstehen großformatige, abstrakte Arbeiten – sowohl für den Innenraum als auch Skulpturen im öffentlichen Raum. In der Regel nehmen ihre Arbeiten die Bedingungen und Gegebenheiten von Raum auf und schreiben neue Wahrnehmungsverhältnisse in ihn ein. Annette Hans, (2024). Zitat aus Eröffnungsrede Altes Kelloggs Gelände Stephanikirchenweide 19 28217 Bremen (Germany) kontakt@claudia-piepenbrock.de Ausbildung 2015-2016 - Meisterschülerin, Hochschule für Künste Bremen 2015 - MFA, University of Guelph, Kanada, Sandra Rechico 2010-2015 - Diplom, Hochschule für Künste Bremen, Prof. Franka Hörnschemeyer; Fritz Balthaus 2009-2010 - University of applied sciences and arts, Ottersberg, Prof. Jochen Stenschke 2006-2008 - Atelier 3210, Paderborn, Christina Strunz Auslandsaufenthalte in Russland (2021), Kanada, USA (2015\u002F16), Kuba, Bolivien, Peru, Ecuador, Kolumbien, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexiko (2012\u002F13), Neuseeland, Samoa, Thailand, Laos, Kambodscha (2008\u002F09) Einzelausstellungen 2022 - _Tilt_, Galerie Philipp Anders, Spinnerei Leipzig - _Signature: Principles of Negative Space_, Tisa-Stiftung, Dorsten 2021 - _Stilllife restaurant_, Garage Studios Moskow, RU - _Trigger & Trap_, Weserburg Museum für moderne Kunst, Bremen 2020 - _Sprechöse_, Kunsthalle Weseke 2019 - _steg zu steg_, Kunstverein Cuxhaven - _on hollows_, Josef Filipp Galerie, Spinnerei Leipzig - _zustand in zonen_, Gerhard Marcks Haus Bremen 2018 - _Transparentgetrennt_, Sparkassen Zentrale Hannover 2017 - _Blaues Zeitembargo_, Kunstverein Hannover - _Chronisten der Darstellung_, Kunsthaus Essen 2016 - _Tabula rasa_, Josef Filipp Galerie, Spinnerei Leipzig Gruppenausstellungen (Auswahl) 2024 - JUNGE KUNST Skulpturenpreis 2024, Skulpturenpark, Heidelberg - Enter Art Fair 2024, Kopenhagen, DNK - Comeback, Kunstverein, Rotenburg - the un in visit, WRG Sensor, Braunschweig - Heitland Foundation, Kunstverein Celle 2023 - Everyone an Island After All? GAK Gesellschaft für Aktuelle Kunst, Bremen - _So wie wir sind_, Weserburg Museum für moderne Kunst, Bremen 2022 - _So wie wir sind 4.0_, Weserburg Museum für moderne Kunst, Bremen 2021 - _48 Stunden Festival_, Novosibirsk, RU - _Tote gibt ́s hier genug, Fünf lebendige Positionen_, Worpswede - _So wie wir sind 3.0_, Weserburg Museum für moderne Kunst, Bremen 2020 - _twittering machine_, Burg Giebichenstein Halle 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft - _Conditions of production_, Eleftheria Tseliou Gallery, Athen, GRC 2016 - _In the Making_, Reiter prospect, Berlin - _Trafo of Art,_ OnArte, Minusio, CHE - _Heal the World_, Weserburg, Bremen 2015 - _LOT_, China Town Toronto, CAN \u002F North End Studios, Detroit, USA - _Kunststudenten stellen aus_, Bundeskunsthalle, Bonn 2014 - _Landgänge_, GAK Gesellschaft für aktuelle Kunst, Bremen - _Die große Kunstschau_, Roseliusmuseum, Worpswede 2013 - _space,_ Lichtenberg Studios, Berlin 2012 - _fuckingfast_, Begleitprogramm documenta XIII, MS Import\u002FExport, Kassel Projekte (Auswahl) 2021-2023 - _Stilllife train_, Trans-Seberian railway, andy&cloud, (André Sassenroth & Claudia Piepenbrock) 2022 - _ME AND MY MEAN GIRLFRIENDS_, art quarter budapest , HU since 2021 - _n.a.s.a__._, andy&cloud - _BZG__. Bremer Zonen Gang GbR_, Stadtentwicklung - _Brief an die Welt_, Hannover, IGS Langenhagen, andy&cloud 2015-2016 - _LOT__, Lack of transmission_, Wanderausstellung, Projekt Leitung since 2014 - _pass-port_, andy&cloud 2012 - _La Crueldad_, Bienal Internacional de Santa Cruz de la Sierra, Assistenz, BOL - _fuckingfast_, Begleitprogramm zur documenta XIII, MS Import\u002FExport, Co-project management, Kassel Auszeichnungen\u002FStipendien 2024 - Heitland Foundation, Kunstverein Celle 2022 - NEUSTART-Stipendium der Stiftung Kunstfonds 2020 - 8 Tisa-Preis, Dorsten 2021 - Garage Studios Moskow, Golubitskoe Art Residency, Zarya Center Vladivostock, Stipendium, RU 2019 - Bremer Kunst Satellit, Reisestipendium 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft (nominiert) 2016 - Preis des Kunst­vereins, Atelierstipendium Villa Minimo, Hannover - Karin Hollweg Preis, Bremen - New Materiality, Stipendium Banff-Center, Kanada 2015 - DAAD-Stipendium, Guelph, Kanada - fortress Studio Stipendium, Detroit, USA 2014 - Paula Modersohn-Becker-Förderpreis, Worpswede Publikation 2023 - _moving still life_, Kunst Satellit 14, Ursula van den Busch, Ivan Isaev, Susanne Schattenberg, Tim Voss, André Sassenroth und Claudia Piepenbrock 2022 - _ME AND MY MEAN GIRLFRIENDS_, Artist Book with Tímea Anita Piróth, Emese Kazár, Doris Weinberger, Bea Kusovszky, Pia Pollmanns, Claudia Piepenbrock 2020 - _6UL_, Dr. Bettina Ruhrberg, Uwe-Carsten Günther and the artists - _I Love Women In Art_, 100 Frauen vorgestellt von Frauen aus Kunst und Kultur 2019 - _zustand in zonen_, Gerhard Marcks Haus Bremen, Veronika Wiegartz, Arie Hartog, Guus van Engelshoven, Sam Cornish - _Artists´ Books for Everthing_, Weserburg Museum für moderne Kunst Zentrum für Künstlerpublikationen 2018 - _Claudia Piepenbrock_, Kunstverein Hannover, Ute Stuffer, Sandra Hampe, Uwe Schramm, Elmas Senol - _Artist Kunstmagazin_, Ausgabe Nr. 115. Reiner Beßling 2017 - _RE\u002FTREATS OF THE CONTEMPORARY_, Vordemberge Gildewart Award, Kestner Gesellschaft Hannover 2016 - _HEAL THE WORLD_, Ingo Clauß, Peter Friese 2015 - _LOT. Lack of transmission_, online publikation. - _home art stories_, Städtische Galerie Delmenhorst, Sandra Hampe 2014 - _Paula Modersohn Becker Kunstpreis_ 2011 - _SOMMERANFANG KLEINERWERDEN_, Michael Glasmeier This Legal Notice complies with the German laws under § 5 TMG and § 55 RStV. Liability for Content: The contents of our website have been created with the greatest possible care. However, we cannot guarantee the contents’ accuracy, completeness, or topicality. According to Section 7, paragraph 1 of the TMG (Telemediengesetz - German Telemedia Act), we as service providers are liable for our content on these pages by general laws. However, according to Sections 8 to 10 of the TMG, we service providers are not obliged to monitor external information transmitted or stored or investigate circumstances pointing to illegal activity. Obligations to remove or block the use of information under general laws remain unaffected. However, a liability in this regard is only possible from the moment of knowledge of a specific infringement. Upon notification of such violations, we will remove the content immediately. Liability for Links: Our website contains links to external websites, over whose contents we have no control. Therefore, we cannot accept any liability for these external contents. The respective provider or operator of the websites is always responsible for the contents of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal contents were not identified at the time of linking. However, permanent monitoring of the contents of the linked pages is not reasonable without specific indications of a violation. Upon notification of violations, we will remove such links immediately. Copyright: The contents and works on these pages created by the site operator are subject to German copyright law. The duplication, processing, distribution, and any kind of utilization outside the limits of copyright require the written consent of the respective author or creator. Downloads and copies of these pages are only permitted for private, non-commercial use. In so far as the contents on this site were not created by the operator, the copyrights of third parties are respected. In particular, third-party content is marked as such. Should you become aware of a copyright infringement, please inform us accordingly. Upon notification of violations, we will remove such contents immediately. Design & Development: Cabinet Gold van d’Vlies, www.goldvandvlies.com 2024–2025 Seats Next Circuit - Public Space - Work Claudia Piepenbrock — Seats Next Circuit, 2024 2021–2023 moving still-life - Project - Publication Claudia Piepenbrock — moving still-life, 2021 2022 Tilt, Outlines Our Motion - Exhibition Claudia Piepenbrock — Tilt, Outlines Our Motion, 2022 2022 Signature: Principles of Negative Space - Installation - Work Claudia Piepenbrock — Signature: Principles of Negative Space, 2022 2022 Me and my mean girlfriends - [Project](https:\u002F\u002Fclaudia-piepenbrock.de\u002Fcategories:projec …",true,1,"1",{"id":353,"height":13,"width":12,"blurhash":354},"473a188f-3237-4bdb-9eda-9e1c42c3ddb2","radial-gradient(at 0 0,#ecedea,#00000000 50%),radial-gradient(at 33% 0,#fcfcfa,#00000000 50%),radial-gradient(at 67% 0,#cfcecf,#00000000 50%),radial-gradient(at 100% 0,#78737d,#00000000 50%),radial-gradient(at 0 50%,#f5f6f2,#00000000 50%),radial-gradient(at 33% 50%,#fffffe,#00000000 50%),radial-gradient(at 67% 50%,#cccfc8,#00000000 50%),radial-gradient(at 100% 50%,#6d735e,#00000000 50%),radial-gradient(at 0 100%,#fffffd,#00000000 50%),radial-gradient(at 33% 100%,#ffffff,#00000000 50%),radial-gradient(at 67% 100%,#edefe8,#00000000 50%),radial-gradient(at 100% 100%,#c5c8bf,#00000000 50%)",{"id":356,"height":15,"width":14,"blurhash":53},"e114c165-dc04-4ded-a586-99d0d3125039",[358,361,364,367,370,373,376,379,382,385,388,391,394,397,400,403,406,409,412,415,418,421,424,427,430,433,436,439,442,445],{"directus_files_id":359},{"id":360},"31adac93-3db8-4b70-bd40-000f7448faa5",{"directus_files_id":362},{"id":363},"b1c33072-de7c-4fc1-be42-9d856499eca7",{"directus_files_id":365},{"id":366},"0f7a8d6d-08d8-4657-95fd-a1192b5a7826",{"directus_files_id":368},{"id":369},"50e6bdbc-95f2-459d-a0df-7c16007bb233",{"directus_files_id":371},{"id":372},"6f737310-8d61-4998-af72-004b2fe06beb",{"directus_files_id":374},{"id":375},"02e926c9-29f1-403e-90cf-8acb5bb19a38",{"directus_files_id":377},{"id":378},"60a3d59b-b470-437a-ba37-13a79b21a8d5",{"directus_files_id":380},{"id":381},"acff5291-3776-48d8-b4b0-aafed41d50fb",{"directus_files_id":383},{"id":384},"e1cf4fcb-3b3b-4905-999a-74e572385e82",{"directus_files_id":386},{"id":387},"ea782cab-94b8-4422-bbec-a93001df0535",{"directus_files_id":389},{"id":390},"3e137039-389f-4c23-8588-f709a88bae26",{"directus_files_id":392},{"id":393},"5c464839-7709-4370-aed4-a07265c17049",{"directus_files_id":395},{"id":396},"df5eea8e-b51d-4302-bf79-44f9ec2a2275",{"directus_files_id":398},{"id":399},"691e148f-a060-4a5b-9637-6ad8eb038252",{"directus_files_id":401},{"id":402},"32668954-1951-459b-adc1-c16bd17f2b07",{"directus_files_id":404},{"id":405},"779ffd63-9172-4cdb-a71d-bd6f9ef9ad05",{"directus_files_id":407},{"id":408},"2d8de8ef-7f8a-4c37-a5e1-6e1c8b448247",{"directus_files_id":410},{"id":411},"55909d6f-0500-4320-81ee-35221c2813f0",{"directus_files_id":413},{"id":414},"26f3fe6b-254c-45bc-818b-3127d4dd0307",{"directus_files_id":416},{"id":417},"993e7486-b9c3-4aef-a44a-f16d675803d2",{"directus_files_id":419},{"id":420},"a45096f1-3c15-442a-b1ff-357dce3f59f4",{"directus_files_id":422},{"id":423},"0c18a33d-3884-45db-bd43-a67a70d0fe84",{"directus_files_id":425},{"id":426},"a37e9060-ae06-4ae3-89d5-e74284a6c4c4",{"directus_files_id":428},{"id":429},"c30ddbea-8936-45c7-94bc-7495eeae3dd7",{"directus_files_id":431},{"id":432},"f3557a5d-80d7-4cba-b315-7f115ecd8882",{"directus_files_id":434},{"id":435},"af59d9ef-c51b-44c5-ba39-f2e5f7c79cff",{"directus_files_id":437},{"id":438},"895bba61-378f-4392-81f1-c6aa277fe6d9",{"directus_files_id":440},{"id":441},"2133c55c-108d-438b-b4c9-d2c0eb5c7238",{"directus_files_id":443},{"id":444},"26c04cdd-c514-4ce8-bc38-7c500f73a692",{"directus_files_id":446},{"id":447},"e20e9982-58ab-47fb-8975-294a29ed3899",[449],{"languages_code":450,"description":451},"en","Claudia Piepenbrock's digital portfolio serves as a sophisticated, minimalist archive for her multidisciplinary artistic practice. The website functions as a curated exhibition space, presenting a diverse range of projects including public installations, publications, and exhibitions. Through a structured, grid-based layout, the site allows viewers to navigate her body of work—from 'Seats Next Circuit' to 'moving still-life'—with ease, emphasizing the conceptual depth of each piece.\n\nThe visual identity is defined by a rigorous, high-end minimalist aesthetic that prioritizes whitespace and elegant typography. A clean, asymmetric grid system organizes text and imagery, creating a sense of rhythmic movement that mirrors the artist's themes of space and motion. The use of a neutral color palette and large-scale, high-quality imagery ensures that the focus remains entirely on the art itself, appealing to curators, collectors, and academic audiences seeking a professional and contemplative digital presence.",[30,453,34],"High-End \u002F Luxury",[455],"Cabinet Gold van d’Vlies",[],[],[459,461,462,463],{"score":460,"category":88},98,{"score":172,"category":91},{"score":92,"category":94},{"score":92,"category":96},[465,466,467,468],{"score":206,"category":88},{"score":172,"category":91},{"score":92,"category":94},{"score":92,"category":96},[106,114,110],"Website: Claudia Piepenbrock. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Claudia Piepenbrock. Page description: Claudia Piepenbrock is an artist based in Bremen, Germany.. Page content: Claudia Piepenbrock Info Claudia Piepenbrock arbeitet skulptural und mit dem dreidimensionalen Raum. Sie interessiert sich für Bewegungsrichtungen und das Verhalten von Materialien und Menschen. Regelmäßig entstehen großformatige, abstrakte Arbeiten – sowohl für den Innenraum als auch Skulpturen im öffentlichen Raum. In der Regel nehmen ihre Arbeiten die Bedingungen und Gegebenheiten von Raum auf und schreiben neue Wahrnehmungsverhältnisse in ihn ein. Annette Hans, (2024). Zitat aus Eröffnungsrede Altes Kelloggs Gelände Stephanikirchenweide 19 28217 Bremen (Germany) kontakt@claudia-piepenbrock.de Ausbildung 2015-2016 - Meisterschülerin, Hochschule für Künste Bremen 2015 - MFA, University of Guelph, Kanada, Sandra Rechico 2010-2015 - Diplom, Hochschule für Künste Bremen, Prof. Franka Hörnschemeyer; Fritz Balthaus 2009-2010 - University of applied sciences and arts, Ottersberg, Prof. Jochen Stenschke 2006-2008 - Atelier 3210, Paderborn, Christina Strunz Auslandsaufenthalte in Russland (2021), Kanada, USA (2015\u002F16), Kuba, Bolivien, Peru, Ecuador, Kolumbien, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexiko (2012\u002F13), Neuseeland, Samoa, Thailand, Laos, Kambodscha (2008\u002F09) Einzelausstellungen 2022 - _Tilt_, Galerie Philipp Anders, Spinnerei Leipzig - _Signature: Principles of Negative Space_, Tisa-Stiftung, Dorsten 2021 - _Stilllife restaurant_, Garage Studios Moskow, RU - _Trigger & Trap_, Weserburg Museum für moderne Kunst, Bremen 2020 - _Sprechöse_, Kunsthalle Weseke 2019 - _steg zu steg_, Kunstverein Cuxhaven - _on hollows_, Josef Filipp Galerie, Spinnerei Leipzig - _zustand in zonen_, Gerhard Marcks Haus Bremen 2018 - _Transparentgetrennt_, Sparkassen Zentrale Hannover 2017 - _Blaues Zeitembargo_, Kunstverein Hannover - _Chronisten der Darstellung_, Kunsthaus Essen 2016 - _Tabula rasa_, Josef Filipp Galerie, Spinnerei Leipzig Gruppenausstellungen (Auswahl) 2024 - JUNGE KUNST Skulpturenpreis 2024, Skulpturenpark, Heidelberg - Enter Art Fair 2024, Kopenhagen, DNK - Comeback, Kunstverein, Rotenburg - the un in visit, WRG Sensor, Braunschweig - Heitland Foundation, Kunstverein Celle 2023 - Everyone an Island After All? GAK Gesellschaft für Aktuelle Kunst, Bremen - _So wie wir sind_, Weserburg Museum für moderne Kunst, Bremen 2022 - _So wie wir sind 4.0_, Weserburg Museum für moderne Kunst, Bremen 2021 - _48 Stunden Festival_, Novosibirsk, RU - _Tote gibt ́s hier genug, Fünf lebendige Positionen_, Worpswede - _So wie wir sind 3.0_, Weserburg Museum für moderne Kunst, Bremen 2020 - _twittering machine_, Burg Giebichenstein Halle 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft - _Conditions of production_, Eleftheria Tseliou Gallery, Athen, GRC 2016 - _In the Making_, Reiter prospect, Berlin - _Trafo of Art,_ OnArte, Minusio, CHE - _Heal the World_, Weserburg, Bremen 2015 - _LOT_, China Town Toronto, CAN \u002F North End Studios, Detroit, USA - _Kunststudenten stellen aus_, Bundeskunsthalle, Bonn 2014 - _Landgänge_, GAK Gesellschaft für aktuelle Kunst, Bremen - _Die große Kunstschau_, Roseliusmuseum, Worpswede 2013 - _space,_ Lichtenberg Studios, Berlin 2012 - _fuckingfast_, Begleitprogramm documenta XIII, MS Import\u002FExport, Kassel Projekte (Auswahl) 2021-2023 - _Stilllife train_, Trans-Seberian railway, andy&cloud, (André Sassenroth & Claudia Piepenbrock) 2022 - _ME AND MY MEAN GIRLFRIENDS_, art quarter budapest , HU since 2021 - _n.a.s.a__._, andy&cloud - _BZG__. Bremer Zonen Gang GbR_, Stadtentwicklung - _Brief an die Welt_, Hannover, IGS Langenhagen, andy&cloud 2015-2016 - _LOT__, Lack of transmission_, Wanderausstellung, Projekt Leitung since 2014 - _pass-port_, andy&cloud 2012 - _La Crueldad_, Bienal Internacional de Santa Cruz de la Sierra, Assistenz, BOL - _fuckingfast_, Begleitprogramm zur documenta XIII, MS Import\u002FExport, Co-project management, Kassel Auszeichnungen\u002FStipendien 2024 - Heitland Foundation, Kunstverein Celle 2022 - NEUSTART-Stipendium der Stiftung Kunstfonds 2020 - 8 Tisa-Preis, Dorsten 2021 - Garage Studios Moskow, Golubitskoe Art Residency, Zarya Center Vladivostock, Stipendium, RU 2019 - Bremer Kunst Satellit, Reisestipendium 2017 - _Vordemberge-Gildewart_, Kestner Gesellschaft (nominiert) 2016 - Preis des Kunst­vereins, Atelierstipendium Villa Minimo, Hannover - Karin Hollweg Preis, Bremen - New Materiality, Stipendium Banff-Center, Kanada 2015 - DAAD-Stipendium, Guelph, Kanada - fortress Studio Stipendium, Detroit, USA 2014 - Paula Modersohn-Becker-Förderpreis, Worpswede Publikation 2023 - _moving still life_, Kunst Satellit 14, Ursula van den Busch, Ivan Isaev, Susanne Schattenberg, Tim Voss, André Sassenroth und Claudia Piepenbrock 2022 - _ME AND MY MEAN GIRLFRIENDS_, Artist Book with Tímea Anita Piróth, Emese Kazár, Doris Weinberger, Bea Kusovszky, Pia Pollmanns, Claudia Piepenbrock 2020 - _6UL_, Dr. Bettina Ruhrberg, Uwe-Carsten Günther and the artists - _I Love Women In Art_, 100 Frauen vorgestellt von Frauen aus Kunst und Kultur 2019 - _zustand in zonen_, Gerhard Marcks Haus Bremen, Veronika Wiegartz, Arie Hartog, Guus van Engelshoven, Sam Cornish - _Artists´ Books for Everthing_, Weserburg Museum für moderne Kunst Zentrum für Künstlerpublikationen 2018 - _Claudia Piepenbrock_, Kunstverein Hannover, Ute Stuffer, Sandra Hampe, Uwe Schramm, Elmas Senol - _Artist Kunstmagazin_, Ausgabe Nr. 115. Reiner Beßling 2017 - _RE\u002FTREATS OF THE CONTEMPORARY_, Vordemberge Gildewart Award, Kestner Gesellschaft Hannover 2016 - _HEAL THE WORLD_, Ingo Clauß, Peter Friese 2015 - _LOT. Lack of transmission_, online publikation. - _home art stories_, Städtische Galerie Delmenhorst, Sandra Hampe 2014 - _Paula Modersohn Becker Kunstpreis_ 2011 - _SOMMERANFANG KLEINERWERDEN_, Michael Glasmeier This Legal Notice complies with the German laws under § 5 TMG and § 55 RStV. Liability for Content: The contents of our website have been created with the greatest possible care. However, we cannot guarantee the contents’ accuracy, completeness, or topicality. According to Section 7, paragraph 1 of the TMG (Telemediengesetz - German Telemedia Act), we as service providers are liable for our content on these pages by general laws. However, according to Sections 8 to 10 of the TMG, we service providers are not obliged to monitor external information transmitted or stored or investigate circumstances pointing to illegal activity. Obligations to remove or block the use of information under general laws remain unaffected. However, a liability in this regard is only possible from the moment of knowledge of a specific infringement. Upon notification of such violations, we will remove the content immediately. Liability for Links: Our website contains links to external websites, over whose contents we have no control. Therefore, we cannot accept any liability for these external contents. The respective provider or operator of the websites is always responsible for the contents of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal contents were not identified at the time of linking. However, permanent monitoring of the contents of the linked pages is not reasonable without specific indications of a violation. Upon notification of violations, we will remove such links immediately. Copyright: The contents and works on these pages created by the site operator are subject to German copyright law. The duplication, processing, distribution, and any kind of utilization outside the limits of copyright require the written consent of the respective author or creator. Downloads and copies of these pages are only permitted for private, non-commercial use. In so far as the contents on this site were not created by the operator, the copyrights of third parties are respected. In particular, third-party content is marked as such. Should you become aware of a copyright infringement, please inform us accordingly. Upon notification of violations, we will remove such contents immediately. Design & Development: Cabinet Gold van d’Vlies, www.goldvandvlies.com 2024–2025 Seats Next Circuit - Public Space - Work Claudia Piepenbrock — Seats Next Circuit, 2024 2021–2023 moving still-life - Project - Publication Claudia Piepenbrock — moving still-life, 2021 2022 Tilt, Outlines Our Motion - Exhibition Claudia Piepenbrock — Tilt, Outlines Our Motion, 2022 2022 Signature: Principles of Negative Space - Installation - Work Claudia Piepenbrock — Signature: Principles of Negative Space, 2022 2022 Me and my mean girlfriends - [Project](https:\u002F\u002Fclaudia-piepenbrock.de\u002Fcategories:projec …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Art & Culture industry. Designed and developed by Cabinet Gold van d’Vlies. The overall color palette features White, Gray, Black. AI description: Claudia Piepenbrock's digital portfolio serves as a sophisticated, minimalist archive for her multidisciplinary artistic practice. The website functions as a curated exhibition space, presenting a diverse range of projects including public installations, publications, and exhibitions. Through a structured, grid-based layout, the site allows viewers to navigate her body of work—from 'Seats Next Circuit' to 'moving still-life'—with ease, emphasizing the conceptual depth of each piece. The visual identity is defined by a rigorous, high-end minimalist aesthetic that prioritizes whitespace and elegant typography. A clean, asymmetric grid system organizes text and imagery, creating a sense of rhythmic movement that mirrors the artist's themes of space and motion. 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Schweigel und H. Dietzmann: „Allianzen“_ - _Beitrag von W. Kleine-Limberg und M. Lange: „Beteiligungsprozess“_ - Oderbruch - _Kollektive Programmarbeit: Ein Museum öffnet sich für Mitgestaltung_ - _Helgard Haug und Kenneth Anders: „Ein Plädoyer für starke Nerven“_ - _Erfolgreiche Netzwerkarbeit: Oderbruch ist Europäisches Kulturerbe_ - _Wirkung messen: Indikatoren des Gelingens am Oderbruch Museum Altranft_ - _Interview mit Tobias Hartmann: „Ein Museum vernetzt die Region“_ - _Beitrag von Lars Fischer: „Jahresthemen als Säule der Programmarbeit“_ - _Beitrag von Dr. Michael Fehr und Peter Herbert: „Revision der Sammlung“_ - _Beitrag von Dr. Kenneth Anders: „Lässt sich Vertrauen institutionalisieren?“_ - _Interview mit Anne Hartmann: „Von der Landschaft lernen“_ - Osterode am Harz - Rendsburg-Eckernförde - _Film: „Eine Route für Kokreation“ (2024)_ - _Künstlerische Prozesse vor Ort: Kokreation_ - _Formelles Netzwerk: Konsortium der KreisKultur_ - _Beitrag von Jascha Rohr: „Das kokreative Wir“_ - _Interview mit Dr. Ute Lemm und Sandra Wierer: „Raus auf die Bühne“_ - Saarpfalz - _Anlaufstellen für Kulturschaffende: Treffpunkt Kultur und Möglichmacherei_ - _Interview mit Prof. Martina Wegner: „Kunst, Kultur, Kommune“_ - _Änderung der Strategie: Neustart im Saarpfalz-Kreis_ - _Beitrag von Mark Herzog: „Ein Partner für die Kultur“_ - _Beitrag von Gabriele Hilgert: „Auf Ideensuche“_ - _Neue Strukturen der Unterstützung von Kulturakteuren_ - _Ideenwerke: Künstlerische Impulse für den Saarpfalz-Kreis_ - _Interview mit Dr. Theophil Gallo: „Versprich nur, was du halten kannst“_ - _Interview mit Christine Streichert-Clivot: „Zukunft wird aus Mut gemacht“_ - Schwäbische Alb - _Pilotprojekt: Regionalmanager\\in Kultur_ - _Handreichung: Regionalmanager\\in Kultur_ - _Die Kultureinrichtungen der Lernenden Kulturregion_ - _Beitrag von Christine Wingert: „Eine Bühne für den Dialog“_ - _Interview mit Judith Bildhauer: „Schnittstelle zwischen Kultur, Politik und Verwaltung“_ - _Die Kulturplattform der Lernenden Kulturregion_ - _LEADER für Kulturprojekte öffnen: Der TRAFO-LEADER-Fonds_ - _Kulturräume für neue Nutzungen öffnen: Der Friseur im Theater Lindenhof_ - _Vom Dorfkrimi zum Schlossduell: Theaterwerkstatt Schwäbische Alb_ - _Beitrag von Stefan Hallmayer: „Mir brauched koi Kunscht!“_ - Seesen - _Kultur- und Begegnungsort: Das Jacobson-Haus Seesen_ - _Interview mit A. 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Page content: ✕ - Programm - Über TRAFO - Förderung - _Förderphasen_ - _Förderrunden_ - _Landkreise und Kommunen_ - Begleitung - Wissensvermittlung - Evaluation - Team - Regionen - Altenburger Land - _Film: „Impulse für eine neue Diskussionskultur“ (2024)_ - _Konzeptanpassung im Prozess: Vom „Open Call” zum „Ideensalon”_ - _Sich kennenlernen: „Ideensalons“ im Altenburger Land_ - _Interview mit Landrat Uwe Melzer: „Mit Mustern brechen“_ - Köthen - _Film: „Zivilgesellschaft belebt ein Kulturareal“ (2024)_ - _Mitgestalten: Neue Orte und Kulturen des Miteinanders auf dem Schlossareal_ - _Basisorientiert: Zusammenarbeit in Projektgruppen_ - _Unkompliziert Kultur ermöglichen: Kleinprojektefonds „Mein Schloss Köthen“_ - _Interview mit Stephanie Behrendt und Uta Seewald-Heeg: „Auf Augenhöhe“_ - Oberharz - _Die vier Museen im Oberharzer TRAFO-Projekt_ - _Beitrag von Petra Zwaka: „Behutsame Annäherung“_ - _Weltkulturerbe: Bergbautradition als Lernort für Nachhaltigkeit_ - _Interview mit Ulrich Reiff: „Vier Museen - eine Idee“_ - _Beitrag von Gerhard Lenz: „Die Welterbe-Stiftung als Kümmerin“_ - _Der Blick von außen: Semesterprojekt der HAWK Hildesheim_ - _Interview mit B. Schweigel und H. Dietzmann: „Allianzen“_ - _Beitrag von W. Kleine-Limberg und M. Lange: „Beteiligungsprozess“_ - Oderbruch - _Kollektive Programmarbeit: Ein Museum öffnet sich für Mitgestaltung_ - _Helgard Haug und Kenneth Anders: „Ein Plädoyer für starke Nerven“_ - _Erfolgreiche Netzwerkarbeit: Oderbruch ist Europäisches Kulturerbe_ - _Wirkung messen: Indikatoren des Gelingens am Oderbruch Museum Altranft_ - _Interview mit Tobias Hartmann: „Ein Museum vernetzt die Region“_ - _Beitrag von Lars Fischer: „Jahresthemen als Säule der Programmarbeit“_ - _Beitrag von Dr. Michael Fehr und Peter Herbert: „Revision der Sammlung“_ - _Beitrag von Dr. Kenneth Anders: „Lässt sich Vertrauen institutionalisieren?“_ - _Interview mit Anne Hartmann: „Von der Landschaft lernen“_ - Osterode am Harz - Rendsburg-Eckernförde - _Film: „Eine Route für Kokreation“ (2024)_ - _Künstlerische Prozesse vor Ort: Kokreation_ - _Formelles Netzwerk: Konsortium der KreisKultur_ - _Beitrag von Jascha Rohr: „Das kokreative Wir“_ - _Interview mit Dr. Ute Lemm und Sandra Wierer: „Raus auf die Bühne“_ - Saarpfalz - _Anlaufstellen für Kulturschaffende: Treffpunkt Kultur und Möglichmacherei_ - _Interview mit Prof. Martina Wegner: „Kunst, Kultur, Kommune“_ - _Änderung der Strategie: Neustart im Saarpfalz-Kreis_ - _Beitrag von Mark Herzog: „Ein Partner für die Kultur“_ - _Beitrag von Gabriele Hilgert: „Auf Ideensuche“_ - _Neue Strukturen der Unterstützung von Kulturakteuren_ - _Ideenwerke: Künstlerische Impulse für den Saarpfalz-Kreis_ - _Interview mit Dr. Theophil Gallo: „Versprich nur, was du halten kannst“_ - _Interview mit Christine Streichert-Clivot: „Zukunft wird aus Mut gemacht“_ - Schwäbische Alb - _Pilotprojekt: Regionalmanager\\in Kultur_ - _Handreichung: Regionalmanager\\in Kultur_ - _Die Kultureinrichtungen der Lernenden Kulturregion_ - _Beitrag von Christine Wingert: „Eine Bühne für den Dialog“_ - _Interview mit Judith Bildhauer: „Schnittstelle zwischen Kultur, Politik und Verwaltung“_ - _Die Kulturplattform der Lernenden Kulturregion_ - _LEADER für Kulturprojekte öffnen: Der TRAFO-LEADER-Fonds_ - _Kulturräume für neue Nutzungen öffnen: Der Friseur im Theater Lindenhof_ - _Vom Dorfkrimi zum Schlossduell: Theaterwerkstatt Schwäbische Alb_ - _Beitrag von Stefan Hallmayer: „Mir brauched koi Kunscht!“_ - Seesen - _Kultur- und Begegnungsort: Das Jacobson-Haus Seesen_ - _Interview mit A. Neubauer und T. Scheerer: „Planen als Experiment“_ - _Beitrag von Thorsten Scheerer: „Ein Ort für alle“_ - _Interview mit Erik Homann: „Kultur verbindet Menschen miteinander“_ - _Attraktive ländliche Räume: Drei Positionen aus dem Stadtrat Seesen_ - _Beitrag von Heike Hammer-Geries: „Ein Tisch, viele Stimmen“_ - _Beitrag von Prof. Dr. Michael Koch: „Raum zum Wachsen“_ - _Kunst@Jacobson: Eine Plattform für die Kunst in Seesen_ - _Mit unverstelltem Blick: Kooperation mit der HAWK Hildesheim_ - Uecker-Randow - _Film: „Dorfresidenzen – Die Kunst der Beteiligung“ (2024)_ - _Film: „Eine Netzwerkstelle für die Kultur“ (2024)_ - [_Künstlerische Prozesse vor Ort: Dorfresidenzen in Uecker-Randow_](2416_regionen\u002F4740_uecker-randow\u002F4748_kunst …. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Green, Teal, Black, Violet. The typography features Suisse Intl (Swiss Typefaces). Built using jQuery. AI description: TRAFO serves as a digital archive and resource hub for the 'Modelle für Kultur im Wandel' program, an initiative dedicated to revitalizing cultural landscapes in rural and smaller urban regions of Germany. The website functions as a repository for publications, documentation, and research materials, providing insights into how cultural institutions can adapt to changing societal frameworks and strengthen their regional impact. The visual identity is defined by a bold, high-contrast typographic approach, utilizing an oversized, heavy sans-serif logo that commands immediate attention. The design is clean and functional, employing a minimalist layout with ample white space and structured grids to organize complex information. 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Es gilt Handlungsanweisungen des konstruktiven Ungehorsams—dispositivi—zu finden, wie wir das konstruktive Experiment aus dem Kern der Profession heraus ermöglichen, methodisch begreifen, als entwerfendes Forschen etablieren und damit akademisch und auf der Baustelle in die Anerkennung bringen können.","Programme 08:00 Registration 09:00 Helga Blocksdorf Katharina Benjamin Matthias Ballestrem Begrüßung 09:05 Dagmar Schlingmann, Generalintendantin am Staatstheater Braunschweig Begrüßung 09:10 Angela Ittel, Präsidentin der TU Braunschweig Begrüßung 09:20 Helga Blocksdorf Einführung Bauen als Forschen, Gebäude als epistemische Artefakte [ 09:30 Ludwig Wappner, KIT Monica Tușinean, KIT Peter Hoffmann, KIT ttt – tiny timber tourism house ](https:\u002F\u002Fconstructive-disobedience.com\u002Fttt_tiny-timber-tourism-house\u002F) HolzPrototypUni \u002F Lehre \u002F Forschung [ 09:50 BLAF architecten, Lokeren jtB house ](https:\u002F\u002Fconstructive-disobedience.com\u002Fjtb-house\u002F) BüroprojektPrototypStein 10:10 Panel Bauen als Forschen, Gebäude als epistemische Artefakte 10:30 Pause Technologie-Idee: Was sind die Potentiale einer Bautechnik [ 10:50 David Jenny, ZHAW Speculations towards a digital building culture ](https:\u002F\u002Fconstructive-disobedience.com\u002Fspeculations-towards-a-digital-building-culture\u002F) HolzPrototyp [ 11:10 Boltshauser Architekten, Zürich Vorgespannter Lehm Ofenturm Ziegelei-Museum Cham ](https:\u002F\u002Fconstructive-disobedience.com\u002Fvorgespannter-lehm-ofenturm-ziegelei-museum-cham\u002F) BüroprojektExperimentLehmUni \u002F Lehre \u002F Forschung 11:30 Panel Technologie-Idee: Was sind die Potentiale einer Bautechnik 11:50 Pause Prototypen im Entwurfsprozess, Bauteile als Prototypen [ 12:10 Richter Musikowski, Berlin Long Short Stories ](https:\u002F\u002Fconstructive-disobedience.com\u002Flong-short-stories\u002F) BüroprojektDiverse MaterialienExperimentMock-upPrototyp [ 12:30 ZPF Ingenieure, Basel Die Holz-Lehm-Decke und HORTUS ](https:\u002F\u002Fconstructive-disobedience.com\u002Fdie-holz-lehm-decke-und-hortus\u002F) BüroprojektHolzLehmPrototyp 12:50 Panel Prototypen im Entwurfsprozess, Bauteile als Prototypen 13:10 Mittagspause Frameworks: Baumaterialien und Normen [ 14:30 Ruth Morrow, Newcastle University Material Foundations ](https:\u002F\u002Fconstructive-disobedience.com\u002Fmaterial-foundations\u002F) Diverse MaterialienProduktentwicklungPrototypUni \u002F Lehre \u002F Forschung [ 14:50 ee concept: Angèle Tersluisen, David Bewersdorff Einfach. Nachhaltig. ](https:\u002F\u002Fconstructive-disobedience.com\u002Feinfach-nachhaltig\u002F) Kollaborative ProblemlösungUni \u002F Lehre \u002F Forschung 15:10 Panel Frameworks: Baumaterialien und Normen 15:30 Pause Know-How eines Büros: Arbeitsweisen [ 15:50 MAPA, Los Angeles \u002F Berlin \u002F Porto Alegre \u002F Montevideo Minimod – Ways of Prefab-ing ](https:\u002F\u002Fconstructive-disobedience.com\u002Fways-of-prefab-ing-minimod\u002F) Firma \u002F AusgründungHolzVergleichende Case-Study [ 16:10 Albor Arquitectos, Havanna A certain primal dignity: On the work of the independent practice Albor arquitectos in Cuba nowadays ](https:\u002F\u002Fconstructive-disobedience.com\u002Fa-certain-primal-dignity-on-the-work-of-the-independent-practice-albor-arquitectos-in-cuba-nowadays\u002F) BüroprojektDiverse MaterialienKollaborative Problemlösung 16:30 Pause [ 16:50 Summacumfemmer, Leipzig Konstruktive Trojaner ](https:\u002F\u002Fconstructive-disobedience.com\u002Fkonstruktive-trojaner\u002F) BüroprojektMock-up 17:10 Panel Know-How eines Büros: Arbeitsweisen 17:40 Pause Kataloge: vergleichende Analyse, Community of Practice [ 18:00 Aaron Forrest, Ultramoderne Yasmin Vobis, Harvard GSD Sticks and Stones and an Atlas of Heterogenous Constructions ](https:\u002F\u002Fconstructive-disobedience.com\u002Fsticks-and-stones-and-an-atlas-of-heterogenous-constructions\u002F) Uni \u002F Lehre \u002F ForschungVergleichende Case-Study [ 18:20 Oda Pälmke, FATUK Raumgestalt Repertoire 8, IDEEN \u002F Assoziationen ](https:\u002F\u002Fconstructive-disobedience.com\u002Fraumgestalt-repertoire-nr-8-ideen-assoziationen\u002F) Uni \u002F Lehre \u002F ForschungVergleichende Case-Study 18:40 Panel Kataloge: vergleichende Analyse, Community of Practice 19:30 Fest Institut für Baukonstruktion → Schleinitzstraße 21b Fr 16. Sep 08:00 Registration 09:00 Helga Blocksdorf Katharina Benjamin Matthias Ballestrem Begrüßung Lokal gemeinsam Bauen BüroprojektKalkPrivat \u002F HobbyPrototyp [ 09:10 Meier Unger, Leipzig Kalkboden ](https:\u002F\u002Fconstructive-disobedience.com\u002Fkalkboden\u002F) Firma \u002F AusgründungKollaborative ProblemlösungWorkshop [ 09:30 Atelier Fanelsa, Berlin Places of Rural Practice ](https:\u002F\u002Fconstructive-disobedience.com\u002Fplaces-of-rural-practice-de\u002F) BüroprojektKollaborative ProblemlösungNatürlich [ 09:50 Oekofacta, Winterthur Offener Dialog als Chance zur Innovation ](https:\u002F\u002Fconstructive-disobedience.com\u002Foffener-dialog-als-chance-zur-innovation\u002F) 10:10 Pause Firma \u002F AusgründungHolzUni \u002F Lehre \u002F Forschung [ 10:30 Material Cultures, London Constructive Land ](https:\u002F\u002Fconstructive-disobedience.com\u002Fconstructive-land\u002F) 10:50 Panel Lokal gemeinsam Bauen 11:20 Pause Hands On: Einfach selber machen Firma \u002F 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Disobedience serves as a specialized digital hub for an academic and professional conference focused on architectural innovation and experimental construction. The site functions as an information portal for architects, engineers, and researchers, facilitating the exchange of methodological findings and \"constructive experiments\" within the built environment. \n\nThe visual identity is unapologetically bold and intellectual, utilizing a high-contrast, Swiss-inspired typographic approach. By pairing a soft, muted pink background with heavy black blocks and stark white containers, the design mirrors the tension between traditional structure and radical innovation. The layout is highly structured yet experimental, employing a grid-based system that prioritizes legibility and information hierarchy, making it ideal for a sophisticated, academic, and design-literate audience.","Architecture & Real Estate",[26,30,34],[658,659],"Happy Little Accidents","Patrick Heypeter",[],[662,253,254,663,255,664],"Beaver Builder","UNIX","WPML",[666,668,669,670],{"score":667,"category":88},97,{"score":534,"category":91},{"score":92,"category":94},{"score":97,"category":96},[672,673,674,675],{"score":97,"category":88},{"score":192,"category":91},{"score":92,"category":94},{"score":97,"category":96},[106,110,114],"Website: Constructive Disobedience. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Constructive Disobedience, 15.-16.09.22, Staatstheater Braunschweig. Page description: Die Konferenz lädt Architekt*innen, Ingenieur*innen, Hersteller- und Handwerker*innen ein, einen spezifischen Einblick in ihre konstruktiven Experimente zu präsentieren und in den Austausch zu bringen. Es gilt Handlungsanweisungen des konstruktiven Ungehorsams—dispositivi—zu finden, wie wir das konstruktive Experiment aus dem Kern der Profession heraus ermöglichen, methodisch begreifen, als entwerfendes Forschen etablieren und damit akademisch und auf der Baustelle in die Anerkennung bringen können.. Page content: Programme 08:00 Registration 09:00 Helga Blocksdorf Katharina Benjamin Matthias Ballestrem Begrüßung 09:05 Dagmar Schlingmann, Generalintendantin am Staatstheater Braunschweig Begrüßung 09:10 Angela Ittel, Präsidentin der TU Braunschweig Begrüßung 09:20 Helga Blocksdorf Einführung Bauen als Forschen, Gebäude als epistemische Artefakte [ 09:30 Ludwig Wappner, KIT Monica Tușinean, KIT Peter Hoffmann, KIT ttt – tiny timber tourism house ](https:\u002F\u002Fconstructive-disobedience.com\u002Fttt_tiny-timber-tourism-house\u002F) HolzPrototypUni \u002F Lehre \u002F Forschung [ 09:50 BLAF architecten, Lokeren jtB house ](https:\u002F\u002Fconstructive-disobedience.com\u002Fjtb-house\u002F) BüroprojektPrototypStein 10:10 Panel Bauen als Forschen, Gebäude als epistemische Artefakte 10:30 Pause Technologie-Idee: Was sind die Potentiale einer Bautechnik [ 10:50 David Jenny, ZHAW Speculations towards a digital building culture ](https:\u002F\u002Fconstructive-disobedience.com\u002Fspeculations-towards-a-digital-building-culture\u002F) HolzPrototyp [ 11:10 Boltshauser Architekten, Zürich Vorgespannter Lehm Ofenturm Ziegelei-Museum Cham ](https:\u002F\u002Fconstructive-disobedience.com\u002Fvorgespannter-lehm-ofenturm-ziegelei-museum-cham\u002F) BüroprojektExperimentLehmUni \u002F Lehre \u002F Forschung 11:30 Panel Technologie-Idee: Was sind die Potentiale einer Bautechnik 11:50 Pause Prototypen im Entwurfsprozess, Bauteile als Prototypen [ 12:10 Richter Musikowski, Berlin Long Short Stories ](https:\u002F\u002Fconstructive-disobedience.com\u002Flong-short-stories\u002F) BüroprojektDiverse MaterialienExperimentMock-upPrototyp [ 12:30 ZPF Ingenieure, Basel Die Holz-Lehm-Decke und HORTUS ](https:\u002F\u002Fconstructive-disobedience.com\u002Fdie-holz-lehm-decke-und-hortus\u002F) BüroprojektHolzLehmPrototyp 12:50 Panel Prototypen im Entwurfsprozess, Bauteile als Prototypen 13:10 Mittagspause Frameworks: Baumaterialien und Normen [ 14:30 Ruth Morrow, Newcastle University Material Foundations ](https:\u002F\u002Fconstructive-disobedience.com\u002Fmaterial-foundations\u002F) Diverse MaterialienProduktentwicklungPrototypUni \u002F Lehre \u002F Forschung [ 14:50 ee concept: Angèle Tersluisen, David Bewersdorff Einfach. Nachhaltig. ](https:\u002F\u002Fconstructive-disobedience.com\u002Feinfach-nachhaltig\u002F) Kollaborative ProblemlösungUni \u002F Lehre \u002F Forschung 15:10 Panel Frameworks: Baumaterialien und Normen 15:30 Pause Know-How eines Büros: Arbeitsweisen [ 15:50 MAPA, Los Angeles \u002F Berlin \u002F Porto Alegre \u002F Montevideo Minimod – Ways of Prefab-ing ](https:\u002F\u002Fconstructive-disobedience.com\u002Fways-of-prefab-ing-minimod\u002F) Firma \u002F AusgründungHolzVergleichende Case-Study [ 16:10 Albor Arquitectos, Havanna A certain primal dignity: On the work of the independent practice Albor arquitectos in Cuba nowadays ](https:\u002F\u002Fconstructive-disobedience.com\u002Fa-certain-primal-dignity-on-the-work-of-the-independent-practice-albor-arquitectos-in-cuba-nowadays\u002F) BüroprojektDiverse MaterialienKollaborative Problemlösung 16:30 Pause [ 16:50 Summacumfemmer, Leipzig Konstruktive Trojaner ](https:\u002F\u002Fconstructive-disobedience.com\u002Fkonstruktive-trojaner\u002F) BüroprojektMock-up 17:10 Panel Know-How eines Büros: Arbeitsweisen 17:40 Pause Kataloge: vergleichende Analyse, Community of Practice [ 18:00 Aaron Forrest, Ultramoderne Yasmin Vobis, Harvard GSD Sticks and Stones and an Atlas of Heterogenous Constructions ](https:\u002F\u002Fconstructive-disobedience.com\u002Fsticks-and-stones-and-an-atlas-of-heterogenous-constructions\u002F) Uni \u002F Lehre \u002F ForschungVergleichende Case-Study [ 18:20 Oda Pälmke, FATUK Raumgestalt Repertoire 8, IDEEN \u002F Assoziationen ](https:\u002F\u002Fconstructive-disobedience.com\u002Fraumgestalt-repertoire-nr-8-ideen-assoziationen\u002F) Uni \u002F Lehre \u002F ForschungVergleichende Case-Study 18:40 Panel Kataloge: vergleichende Analyse, Community of Practice 19:30 Fest Institut für Baukonstruktion → Schleinitzstraße 21b Fr 16. Sep 08:00 Registration 09:00 Helga Blocksdorf Katharina Benjamin Matthias Ballestrem Begrüßung Lokal gemeinsam Bauen BüroprojektKalkPrivat \u002F HobbyPrototyp [ 09:10 Meier Unger, Leipzig Kalkboden ](https:\u002F\u002Fconstructive-disobedience.com\u002Fkalkboden\u002F) Firma \u002F AusgründungKollaborative ProblemlösungWorkshop [ 09:30 Atelier Fanelsa, Berlin Places of Rural Practice ](https:\u002F\u002Fconstructive-disobedience.com\u002Fplaces-of-rural-practice-de\u002F) BüroprojektKollaborative ProblemlösungNatürlich [ 09:50 Oekofacta, Winterthur Offener Dialog als Chance zur Innovation ](https:\u002F\u002Fconstructive-disobedience.com\u002Foffener-dialog-als-chance-zur-innovation\u002F) 10:10 Pause Firma \u002F AusgründungHolzUni \u002F Lehre \u002F Forschung [ 10:30 Material Cultures, London Constructive Land ](https:\u002F\u002Fconstructive-disobedience.com\u002Fconstructive-land\u002F) 10:50 Panel Lokal gemeinsam Bauen 11:20 Pause Hands On: Einfach selber machen Firma \u002F AusgründungKalkProduktentwicklung [ 11:40 Delphine Schmid, Kalkwerk, Strada Hanfkalk ](https:\u002F\u002Fconstructive-disobedience.com\u002Fhanfkalk\u002F) BüroprojektExperimentNatürlichUni \u002F Lehre \u002F Forschung [ 12:00 Susanne Brorson, Rügen Saisonale Wandbekleidungen ](https:\u002F\u002Fconstructive-disobedience.com\u002Fsaisonale-wandbekleidungen\u002F) 12:20 Pause Kollaborative ProblemlösungPrototypReetUni \u002F Lehre \u002F Forschung [ 12:40 Anne Beim, KADK Thorbjørn Petersen, KADK Den Konflikt auflösen ](https:\u002F\u002Fconstructive-disobedience.com\u002Fden-konflikt-aufloesen\u002F) 13:00 Panel Hands On: Einfach selber machen 13:30 Mittagspause 14:00 Schlusspanel. A Brutalist \u002F Neo-Brutalist, Clean \u002F Minimalist, Typographic \u002F Big Type website in the Architecture & Real Estate industry. Designed by Happy Little Accidents, developed by Patrick Heypeter. The overall color palette features White, Black, Gray. Built using Beaver Builder, jQuery, PHP, UNIX, WordPress, WPML. AI description: Constructive Disobedience serves as a specialized digital hub for an academic and professional conference focused on architectural innovation and experimental construction. The site functions as an information portal for architects, engineers, and researchers, facilitating the exchange of methodological findings and \"constructive experiments\" within the built environment. The visual identity is unapologetically bold and intellectual, utilizing a high-contrast, Swiss-inspired typographic approach. By pairing a soft, muted pink background with heavy black blocks and stark white containers, the design mirrors the tension between traditional structure and radical innovation. 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A PLATFORM DEDICATED TO SUPPORTING COMMUNITIES, CELEBRATING THE OUTLIERS AND SHARING THOSE EXPERIENCES WITH OTHERS.","[CULT CLASSIC ISSUE 06: AVAILABLE NOW](https:\u002F\u002Fwww.kampgrizzly.com\u002Fshop\u002Fcult-classic-magazine-issue-05-cloudspotting-copy) Cult Classic is a multidisciplinary collective commissioning and publishing creative works. Our archival practice engages with artists and thinkers whose uninhibited perspectives are shaping the world we want to live in. Creative Direction by Justin Morris + Art & Photo Direction by Azha Ayanna Luckman + Art & Design Direction by Erika Nathanielsz + Editorial Direction by Apryl Fuentes + Production by Jeremy Schneier + Esra Canoğulları + Art Production by Camille Westerberg + Operations by Asharae Jones [ 2018-2025 Like most beautiful things, this one must come to an end. This is a sincere thank you to everyone who has contributed to the magazine over the years. We’re so glad we’ve been brought together. Long Live Cult ](\u002Ffeed\u002Ffarewell) [ Screenshot 2025-06-30 at 6.22.00 PM.png ](\u002Ffeed\u002Ffarewell) [ Copy of 0015_15.jpg PASSENGER PROGRAM Aerthship Artist Residency Story ](\u002Ffeed\u002Fpassenger-program) [ 030724_CultClassic_01_Nico_00240-MM-v2.jpg Precious Metals ft. Nico Corona, Georgina Treviño, and Phil Panza Story ](\u002Ffeed\u002Fprecious-metals) [ Artboard 1.png DWELLER Dwelling in Rememory Story ](\u002Ffeed\u002Fdweller) [ MIKECC01.jpg MIKE Music, Purpose, & Creative Connection Story ](\u002Ffeed\u002Fmike) [ NIA_ARCHIVES_CC_0524_26.jpg Nia Archives What does anybody know about jungle music these days? Interview ](\u002Ffeed\u002Fnia-archives) [ 66927_JYU_CultClassicMagazine-Happy99_010_24-colorpass.jpg HAPPY99 Redefining the culture around design Interview ](\u002Ffeed\u002Fhappy-99) [ Screen Shot 2023-12-07 at 5.10.12 PM.png CHRYSALIS For Cult Classic Radio A ritualistic mix for the end of summer Mix ](\u002Fradio\u002Fccradiochrysalis) [ Screen Shot 2023-08-21 at 6.45.32 AM.png estoc For Cult Classic Radio a dip into the slow (but not soft) Mix ](\u002Fradio\u002Fccradioestoc) [ Screen Shot 2023-07-05 at 10.09.39 PM.png bastiengoat for Cult Classic Radio A glimpse of the Oakland underground Mix ](\u002Fradio\u002Fccradiobastiengoat) [ Screen Shot 2023-05-12 at 11.53.50 AM.png Sterling Juan Diaz For Cult Classic Radio \"what be making me wanna bounce\" Mix ](\u002Fradio\u002Fccradiosterlingjuandiaz) [ Screen Shot 2023-03-15 at 1.34.36 PM.png softchaos For Cult Classic Radio This mix isn't for dancing Mix ](\u002Fradio\u002Fccradiosoftchaos) [ Screen Shot 2022-12-20 at 8.39.45 PM.png Lil Zé For Cult Classic Radio A rhythmic chaos cacophony Mix ](\u002Fradio\u002Fccradiolilze) [ 2024_CC_OfferingRain_03.jpg Offering Rain Nourishment and growth Interview ](\u002Ffeed\u002Foffering-rain) [ DSC01793.jpg Aruni Dharmakirthi Intuition and Making Interview ](\u002Ffeed\u002Faruni-dharmakirthiin-conversation-with-erika-natha) [ Screenshot 2024-09-10 at 2.02.46 PM.png DELUGE Sonic Situations Film ](\u002Ffeed\u002Fdeluge) [ 0005_6.jpg James K An Electronic Evolution Interview ](\u002Ffeed\u002Fjames-ks-electronic-evolution) [ vb5.jpg Vivian Buenrostro Chocando Con El Tiempo Archive ](\u002Ffeed\u002Fvivian-buenrostro) [ Du Moution Noir_4_feed.png JALEN ELK The Cyborg Who Left His Will on Film Interview ](\u002Ffeed\u002Fjalen-elk-the-cyborg-who-left-his-will-on-film) [ Screen Shot 2022-11-10 at 5.32.38 PM.png Assaba For Cult Classic Radio A cinematic soundscape Mix ](\u002Fradio\u002Fccradioassaba) [ Screen Shot 2022-07-14 at 6.36.17 PM.png Donis For Cult Classic Radio A musical dialogue between New York, The UK and South Africa Mix ](\u002Fradio\u002Fccradiodonis) [ Screen Shot 2022-06-03 at 11.04.10 AM.png San Farafina For Cult Classic Radio The perfect soundtrack for easing into the heat of summer Mix ](\u002Fradio\u002Fccradiosanfarafina) [ Screen Shot 2022-04-07 at 1.21.14 PM.png Loris For Cult Classic Radio Siete Catorce, Toumba, Hassan Abou Alam and more Mix ](\u002Fradio\u002Fccradioloris) [ Screen Shot 2022-03-15 at 9.49.51 AM.png KG For Cult Classic Radio 45 minutes of pure dancefloor romance Mix ](\u002Fradio\u002Fccradio012) [ Screen Shot 2022-02-22 at 7.10.08 PM.png 8ULENTINA For Cult Classic Radio Percussion, breaks and little bit of TikTok love songs Mix ](\u002Fradio\u002Fccradio0121) [ Screen Shot 2022-01-20 at 09.17.33.png Half Queen For Cult Classic Radio A villainous soundtrack and a love letter to club music Mix ](\u002Fradio\u002Fccradio01131) [ Screen Shot 2022-01-11 at 2.28.25 PM.png cry$cross For Cult Classic Radio PinkPantheress, DJ Rashad, FAUZIA and more Mix ](\u002Fradio\u002Fccradio0113) [ Screen Shot 2021-08-30 at 3.49.39 PM.png Ariel Zetina For Cult Classic Radio Nostalgia-tinged Indie electronica Mix ](\u002Fradio\u002Fccradio011) [ Jared Brown For Cult Classic Radio Jared Brown For Cult Classic Radio Mix ](\u002Fradio\u002Fccradio01) [ CC02 Launch New York @Lot45 Video ](\u002Ffeed\u002Fcc02-launch-recap) [ DR_JUS SOLI_CALLEJON.jpg JUS SOLI Images created in Costa Chica, Oaxaca Archive ](\u002Ffeed\u002Fjus-soli) [ CC_NBT_21.jpg Nourished By Time Echoes of Reality Interview ](\u002Ffeed\u002Fnourished-by-time) [ Screen Shot 2024-02-12 at 11.40.39 AM.png JUS SOLI Time Based Theater: Darryl Richardson Film ](\u002Ffeed\u002Fjussoli) [ Bernie x cult 8.jpg Bernice Mulenga Service to Memory Archive ](\u002Ffeed\u002Fbernicemulenga) [ 000085260008.jpg A Path That Calls Blue A Path That Calls Blue Interview ](\u002Ffeed\u002Fa-path-that-calls-blue) [ tajah_oos7.jpg Out of Seam A Studio Visit with Tajah Ellis Interview ](\u002Ffeed\u002Fout-of-seam) [ lyric - 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By commissioning and publishing works from artists, thinkers, and outliers, the magazine serves as a vital chronicle of the people currently shaping the global cultural landscape. It is a space dedicated to community support and the celebration of unconventional perspectives.\n\nThe visual identity is unapologetically bold and editorial, utilizing a high-contrast dark mode aesthetic that allows its diverse imagery to pop. The design leans into a sophisticated typographic approach, pairing heavy, impactful headers with a clean, grid-based layout that feels both archival and modern. It targets a culturally savvy, creative audience looking for depth, authenticity, and a departure from mainstream media narratives.","Entertainment & Media",[30,240,34],[],[297,297],[],[795,796,797],{"score":460,"category":91},{"score":153,"category":94},{"score":92,"category":96},[799,800,801],{"score":460,"category":91},{"score":153,"category":94},{"score":92,"category":96},[110,106,114],"Website: Cult Classic. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Cult Classic Magazine. Page description: CULT CLASSIC IS A VISUAL MEMOIR CHRONICLING THE PEOPLE SHAPING THE CULTURAL LANDSCAPE. A PLATFORM DEDICATED TO SUPPORTING COMMUNITIES, CELEBRATING THE OUTLIERS AND SHARING THOSE EXPERIENCES WITH OTHERS.. Page content: [CULT CLASSIC ISSUE 06: AVAILABLE NOW](https:\u002F\u002Fwww.kampgrizzly.com\u002Fshop\u002Fcult-classic-magazine-issue-05-cloudspotting-copy) Cult Classic is a multidisciplinary collective commissioning and publishing creative works. Our archival practice engages with artists and thinkers whose uninhibited perspectives are shaping the world we want to live in. Creative Direction by Justin Morris + Art & Photo Direction by Azha Ayanna Luckman + Art & Design Direction by Erika Nathanielsz + Editorial Direction by Apryl Fuentes + Production by Jeremy Schneier + Esra Canoğulları + Art Production by Camille Westerberg + Operations by Asharae Jones [ 2018-2025 Like most beautiful things, this one must come to an end. This is a sincere thank you to everyone who has contributed to the magazine over the years. We’re so glad we’ve been brought together. Long Live Cult ](\u002Ffeed\u002Ffarewell) [ Screenshot 2025-06-30 at 6.22.00 PM.png ](\u002Ffeed\u002Ffarewell) [ Copy of 0015_15.jpg PASSENGER PROGRAM Aerthship Artist Residency Story ](\u002Ffeed\u002Fpassenger-program) [ 030724_CultClassic_01_Nico_00240-MM-v2.jpg Precious Metals ft. Nico Corona, Georgina Treviño, and Phil Panza Story ](\u002Ffeed\u002Fprecious-metals) [ Artboard 1.png DWELLER Dwelling in Rememory Story ](\u002Ffeed\u002Fdweller) [ MIKECC01.jpg MIKE Music, Purpose, & Creative Connection Story ](\u002Ffeed\u002Fmike) [ NIA_ARCHIVES_CC_0524_26.jpg Nia Archives What does anybody know about jungle music these days? Interview ](\u002Ffeed\u002Fnia-archives) [ 66927_JYU_CultClassicMagazine-Happy99_010_24-colorpass.jpg HAPPY99 Redefining the culture around design Interview ](\u002Ffeed\u002Fhappy-99) [ Screen Shot 2023-12-07 at 5.10.12 PM.png CHRYSALIS For Cult Classic Radio A ritualistic mix for the end of summer Mix ](\u002Fradio\u002Fccradiochrysalis) [ Screen Shot 2023-08-21 at 6.45.32 AM.png estoc For Cult Classic Radio a dip into the slow (but not soft) Mix ](\u002Fradio\u002Fccradioestoc) [ Screen Shot 2023-07-05 at 10.09.39 PM.png bastiengoat for Cult Classic Radio A glimpse of the Oakland underground Mix ](\u002Fradio\u002Fccradiobastiengoat) [ Screen Shot 2023-05-12 at 11.53.50 AM.png Sterling Juan Diaz For Cult Classic Radio \"what be making me wanna bounce\" Mix ](\u002Fradio\u002Fccradiosterlingjuandiaz) [ Screen Shot 2023-03-15 at 1.34.36 PM.png softchaos For Cult Classic Radio This mix isn't for dancing Mix ](\u002Fradio\u002Fccradiosoftchaos) [ Screen Shot 2022-12-20 at 8.39.45 PM.png Lil Zé For Cult Classic Radio A rhythmic chaos cacophony Mix ](\u002Fradio\u002Fccradiolilze) [ 2024_CC_OfferingRain_03.jpg Offering Rain Nourishment and growth Interview ](\u002Ffeed\u002Foffering-rain) [ DSC01793.jpg Aruni Dharmakirthi Intuition and Making Interview ](\u002Ffeed\u002Faruni-dharmakirthiin-conversation-with-erika-natha) [ Screenshot 2024-09-10 at 2.02.46 PM.png DELUGE Sonic Situations Film ](\u002Ffeed\u002Fdeluge) [ 0005_6.jpg James K An Electronic Evolution Interview ](\u002Ffeed\u002Fjames-ks-electronic-evolution) [ vb5.jpg Vivian Buenrostro Chocando Con El Tiempo Archive ](\u002Ffeed\u002Fvivian-buenrostro) [ Du Moution Noir_4_feed.png JALEN ELK The Cyborg Who Left His Will on Film Interview ](\u002Ffeed\u002Fjalen-elk-the-cyborg-who-left-his-will-on-film) [ Screen Shot 2022-11-10 at 5.32.38 PM.png Assaba For Cult Classic Radio A cinematic soundscape Mix ](\u002Fradio\u002Fccradioassaba) [ Screen Shot 2022-07-14 at 6.36.17 PM.png Donis For Cult Classic Radio A musical dialogue between New York, The UK and South Africa Mix ](\u002Fradio\u002Fccradiodonis) [ Screen Shot 2022-06-03 at 11.04.10 AM.png San Farafina For Cult Classic Radio The perfect soundtrack for easing into the heat of summer Mix ](\u002Fradio\u002Fccradiosanfarafina) [ Screen Shot 2022-04-07 at 1.21.14 PM.png Loris For Cult Classic Radio Siete Catorce, Toumba, Hassan Abou Alam and more Mix ](\u002Fradio\u002Fccradioloris) [ Screen Shot 2022-03-15 at 9.49.51 AM.png KG For Cult Classic Radio 45 minutes of pure dancefloor romance Mix ](\u002Fradio\u002Fccradio012) [ Screen Shot 2022-02-22 at 7.10.08 PM.png 8ULENTINA For Cult Classic Radio Percussion, breaks and little bit of TikTok love songs Mix ](\u002Fradio\u002Fccradio0121) [ Screen Shot 2022-01-20 at 09.17.33.png Half Queen For Cult Classic Radio A villainous soundtrack and a love letter to club music Mix ](\u002Fradio\u002Fccradio01131) [ Screen Shot 2022-01-11 at 2.28.25 PM.png cry$cross For Cult Classic Radio PinkPantheress, DJ Rashad, FAUZIA and more Mix ](\u002Fradio\u002Fccradio0113) [ Screen Shot 2021-08-30 at 3.49.39 PM.png Ariel Zetina For Cult Classic Radio Nostalgia-tinged Indie electronica Mix ](\u002Fradio\u002Fccradio011) [ Jared Brown For Cult Classic Radio Jared Brown For Cult Classic Radio Mix ](\u002Fradio\u002Fccradio01) [ CC02 Launch New York @Lot45 Video ](\u002Ffeed\u002Fcc02-launch-recap) [ DR_JUS SOLI_CALLEJON.jpg JUS SOLI Images created in Costa Chica, Oaxaca Archive ](\u002Ffeed\u002Fjus-soli) [ CC_NBT_21.jpg Nourished By Time Echoes of Reality Interview ](\u002Ffeed\u002Fnourished-by-time) [ Screen Shot 2024-02-12 at 11.40.39 AM.png JUS SOLI Time Based Theater: Darryl Richardson Film ](\u002Ffeed\u002Fjussoli) [ Bernie x cult 8.jpg Bernice Mulenga Service to Memory Archive ](\u002Ffeed\u002Fbernicemulenga) [ 000085260008.jpg A Path That Calls Blue A Path That Calls Blue Interview ](\u002Ffeed\u002Fa-path-that-calls-blue) [ tajah_oos7.jpg Out of Seam A Studio Visit with Tajah Ellis Interview ](\u002Ffeed\u002Fout-of-seam) [ lyric - cult classic (95).jpg Lyric Shen Surface Tensions Interview ](\u002Ffeed\u002Fsurface-tensions-lyric-shens-hybrid-practice) [ HixHome-26.jpg Hi Books An Homage to Connection Story ](\u002Ffeed\u002Fhi-books-an-homage-to-connection) [ Space_is_the_place-James-5.jpg Space is the Place Four musings of space ](\u002Ffeed\u002Fspace-is-the-place) [ suckingsalt040.jpg Sucking Salt Archives Beyond Authorship Interview ](\u002Ffeed\u002Fsucking-salt) [ CultClassic_Final_2.png How To Make It In America Elena, Alljahni, Justin & Nikki Story ](\u002Ffeed\u002Fhowtomakeit) [ Group_2.jpg Parkmart More Than a Flea Market Interview ](\u002Ffeed\u002Fparkmart) [ CultClassic-PinkEssay-Shelves-3.jpg Pink Essay Design for All Story ](\u002Ffeed\u002Fdesign-for-all-pink-essay-colors-outside-the-lines) [ James06edit.jpg JAMES FLEMONS Home Is Where Your Stuff Is Interview ](\u002Ffeed\u002Fhome-is-where-your-stuff-is-a-conversation-with-james) [ ![multi_CK.jpg](https:\u002F\u002Fimages.prismi …. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features Black, White, Gray. The typography features GT America (Sans Serif, Grilli Type), GT America (Sans Serif, Grilli Type). AI description: Cult Classic is a multidisciplinary visual memoir and cultural platform that functions as a curated archive of contemporary creative expression. By commissioning and publishing works from artists, thinkers, and outliers, the magazine serves as a vital chronicle of the people currently shaping the global cultural landscape. It is a space dedicated to community support and the celebration of unconventional perspectives. The visual identity is unapologetically bold and editorial, utilizing a high-contrast dark mode aesthetic that allows its diverse imagery to pop. The design leans into a sophisticated typographic approach, pairing heavy, impactful headers with a clean, grid-based layout that feels both archival and modern. It targets a culturally savvy, creative audience looking for depth, authenticity, and a departure from mainstream media narratives."]