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home of Surface Magazine, covering the worlds of design, architecture, art, fashion, and travel with a focus on contemporary culture.","1 \u002F 4 [Photography ScanLAB Projects Depicts the Sonoran's Cinematic Movement in \"FRAMERATE: Desert Pulse\" In Phoenix, Arizona’s Desert Botanical Garden, the London–based creative studio artfully ruminates upon the relationship between a unique natural environment and the passing of time ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fscanlab-projects-framerate-desert-pulse\u002F) 2 \u002F 4 [Culture Club AvroKO’s Lunar New Year Party with Chef Sam Yoo and Leiti Hsu Lauded interior design firm AvroKO welcomed a sophisticated suite of guests to its high-concept hospitality and design gallery, HOST on Howard, for a Lunar New Year party. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Favroko-lunar-new-year-party-2026-chef-sam-yoo-leiti-hsu\u002F) 3 \u002F 4 [art The Real, Imagined, and Experienced Landscapes of Cooper Cox's \"The View From Upstairs\" At Ochi Gallery, running concurrently with Frieze Los Angeles, a staggering artistic achievement from the Brooklyn-based painter. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcooper-cox-the-view-from-upstairs-ochi\u002F) 4 \u002F 4 [Travel The Travel Infrastructure of Lando Norris The F1 champion measures his year in departures; airports, hotel rooms, paddocks, and transfer vans form the invisible architecture of his life. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finterview-lando-norris-tumi\u002F) [CUISINE Michelin-Starred Grégory Marchand Turned an Entire Parisian Street into a Culinary Destination ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finterview-chef-gregory-marchand-rue-du-nil\u002F) [DESIGN IWC Schaffhausen Introduced a Spaceflight Wristwatch in Partnership with Vast ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fiwc-schaffhausen-pilots-venturer-vertical-drive\u002F) [PERFORMANCE ART The Met Cloisters’ Site-Specific Sonic Installation by Gerard & Kelly ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fthe-met-cloisters-saints-at-a-disco\u002F) [ARCHITECTURE Limbo Museum and Art Omi Partner on a Two-Part, Site-Specific Architecture Commission ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Flimbo-accra-art-omi-architecture-commission\u002F) [DESIGN Designing the Textured, Sophisticated Atmosphere of Moss Members' Club ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigning-moss-members-club\u002F) [DESIGNER OF THE DAY Designer of the Day: Jean-Marc Flack ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigner-of-the-day-jean-marc-flack-hortulus-animae\u002F) Introducing the definitive directory of _Surface_\\-approved design firms, brands, and more. See Who's on The List [DESIGN Warkentin Associates and Bench Architecture Transform a Former Pencil Factory into a Creator Hub ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fwarkentin-associates-bench-architecture-the-lighthouse\u002F) [FASHIOH A Demi-Couture Debut, the Eternity Yacht, and a “Diva Dance” Finale: Kim Shui’s Fall\u002FWinter 2026 Runway ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fkim-shui-fall-winter-2026\u002F) [DESIGN Ulysses de Santi and Ashlee Harrison’s ‘Crossings’ Convenes 53 West 53’s Diagrid With Art and Collectible Design ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fulysses-de-santi-ashlee-harrison-crossings-53-west-53\u002F) [PHOTOGRAPHY François Halard's ‘Details of Exception’ Photography for The Glenrothes ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ffrancois-halard-the-glenrothes-details-of-exception\u002F) [ART New York's Neue Galerie Opens “Egon Schiele: Portrait of Dr. Erwin von Graff” ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fneue-galerie-egon-schiele-portrait-of-dr-erwin-von-graff-exhibition\u002F) [ART Carsten Höller Encourages Communal Dreaming at the MIT Museum ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcarsten-holler-communal-dreams-mit-museum\u002F) [DESIGN Behind the Design of Bad Bunny’s Super Bowl LX Halftime Show ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbehind-the-design-of-bad-bunny-super-bowl-lx-halftime-show\u002F) [ART PS21’s ‘The Dark’ Winter Festival Connects Columbia County Through Performance ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fps21-the-dark-winter-festival-2026\u002F) [DESIGN ATRA Form Gallery’s Mythic Zona Maco Design Curation ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fatra-form-zona-maco-design-curation-georgina-pounds\u002F) [DESIGN Pierre Yovanovitch Reintroduces Ecart ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fpierre-yovanovitch-reintroduces-ecart\u002F) [Designer of the Day Designer of the Day: Chen Chen & Kai Williams ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigner-of-the-day-chen-chen-kai-williams\u002F) [DESIGN DISPATCH Heritage of London Trust Will Open David Bowie's Childhood Home to the Public, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fheritage-london-trust-david-bowie-home-restoration\u002F) [FILM To Save and Project: The MoMA International Festival of Film Preservation Returns ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002F22nd-moma-international-festival-of-film-preservation\u002F) [ARCHITECTURE Transit Studio Transforms a South London Bottling Plant into a Cocktail Bar](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ftransit-studio-thames-distillers-fords-gin\u002F) [ARCHITECTURE Suchi Reddy’s Spiral Pavilion for Mumbai’s Architecture and Design Film Festival ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fsuchi-reddys-sift-pavilion-mumbai-architecture-and-design-film-festival\u002F) [DESIGN In Scotland, Bard’s Latest Exhibition Finds Inspiration in the Hardware Store ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbard-edinburgh-bardware-exhibition\u002F) [DESIGN DISPATCH The Obama Presidential Center Begins Its Newest Installation, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fobama-presidential-center-you-are-america-installation\u002F) [ART Illustrator Cesar Canseco’s FIFA World Cup 2026 Art Commission ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcesar-canseco-fifa-world-cup-2026-art-commission\u002F) Top Stories 1. [1 ##### A Charity Raffle's €100 Pablo Picasso Painting, and Other News. Plus, the Bennett Prize award increases and a long-lost film by Georges Méliès was rediscovered. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fone-hundred-euro-picasso-painting\u002F) read more 2. [2 ##### Strong Sales at the 2026 Edition of EXPO Chicago, and Other News. Plus, a festival of young European photography and Soho House opens in Tokyo ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fstrong-sales-expo-chicago-2026\u002F) read more 3. [3 ##### Art Dubai Will Host a Scaled-Back \"Special Edition,\" and Other News. Plus, LACMA comes to life and Barneys may return to Madison Avenue. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fart-dubai-may-2026\u002F) read more 4. [4 ##### Artsy and Artnet are Now Under the Same Ownership, and Other News. Plus, Basquiat works are heading to Bed-Stuy and Bjarke Ingels Group revealed plans for Tennessee Performing Arts Center. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fartsy-and-artnet-consolidation\u002F) read more 5. [5 ##### Thomas Lélu Lends His Wit (Again!) to W Hotels New hats, totes, and notecards bear the Paris-based artist’s playful text ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fthomas-lelu-w-hotels\u002F) read more 6. [6 ##### Inside Public Art Fund’s Annual Silent Auction, Dinner, and After Party Featuring art activations by Genesis Belager (who provided creative direction for the whole immersive event), Juan Veloz, and Kambui Olujimi; a silent auction that included works by lauded contemporary artists like Hank Willis Thomas; a multi-course seated dinner by Canard; and an after party led by DJs Matthew Mazur and Dances, Public Art Fund’s largest annual gathering was both substantive and spectacular. The organization—which programs ambitious free art installations across all five New York City boroughs—will utilize proceeds from the event for its 2026 season, which includes exhibitions from Woody De Othello, Gabriel Orozco, Camille Henrot, as well as the “Between Tides” group exhibition artists at Rockaway Beach. A sweet touch to the after party: custom cookies by Emily Sigall of Emily’s Cookie Art. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finside-public-art-fund-2026-dinner\u002F) read more 7. [7 ##### For Mirazur’s 20th Anniversary, Chef Mauro Colagreco Welcomed Ferran Adrià into His Kitchen Their boldly imaginative M20 menu is running through May 17 ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fmirazur-20th-anniversary-menu-mauro-colagreco-ferran-adria\u002F) read more 8. [8 ##### IWC Schaffhausen Introduced a Spaceflight Wristwatch in Partnership with Vast The Pilot’s Venturer Vertical Drive underwent rigorous testing by the watch brand's aerospace partner, which is currently developing the world’s first commercial space station. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fiwc-schaffhausen-pilots-venturer-vertical-drive\u002F) [read m …",true,1,"1",{"id":388,"height":13,"width":12,"blurhash":389},"6c22c072-0dad-41e7-8df5-9e5a352e9eb1","radial-gradient(at 0 0,#d2d2d1,#00000000 50%),radial-gradient(at 33% 0,#d2d2d0,#00000000 50%),radial-gradient(at 67% 0,#b6b5b4,#00000000 50%),radial-gradient(at 100% 0,#cecece,#00000000 50%),radial-gradient(at 0 50%,#bbc0c6,#00000000 50%),radial-gradient(at 33% 50%,#b2b3b8,#00000000 50%),radial-gradient(at 67% 50%,#b3afb1,#00000000 50%),radial-gradient(at 100% 50%,#d6d7d7,#00000000 50%),radial-gradient(at 0 100%,#bcbab6,#00000000 50%),radial-gradient(at 33% 100%,#bbb0ae,#00000000 50%),radial-gradient(at 67% 100%,#bda8a9,#00000000 50%),radial-gradient(at 100% 100%,#d7cece,#00000000 50%)",{"id":391,"height":15,"width":14,"blurhash":49},"c76e4368-fe25-45c4-858b-20e7a6578d22",[393,396,399,402,405,408,411,414,417,420,423,426,429,432,435,438,441,444,447,450,453,456,459,462],{"directus_files_id":394},{"id":395},"64672290-9206-42c4-87a1-3118cfebf869",{"directus_files_id":397},{"id":398},"f677fa2a-9e8b-4295-bbff-efcd2eba866d",{"directus_files_id":400},{"id":401},"f93b125e-4819-441d-b84f-4ee57a62ddc3",{"directus_files_id":403},{"id":404},"44f6b032-f246-496f-993f-f45c0bf33e8b",{"directus_files_id":406},{"id":407},"772997c3-061f-4a46-b30a-3607a17229ba",{"directus_files_id":409},{"id":410},"ff947f09-2c02-465a-a3b9-400cb5e36cbd",{"directus_files_id":412},{"id":413},"57029743-4e10-43bc-81cc-84f1f1b07389",{"directus_files_id":415},{"id":416},"f55bd195-609d-4e13-8c91-ae8888e30db8",{"directus_files_id":418},{"id":419},"47e23e94-bd28-45c4-ad2d-2369bbea258d",{"directus_files_id":421},{"id":422},"adba7945-3373-4b83-a155-16bd3d9cb744",{"directus_files_id":424},{"id":425},"fe737964-9f37-49fa-8c66-9e9b68047729",{"directus_files_id":427},{"id":428},"98fb886f-6ac2-44cf-a07e-759b09dae289",{"directus_files_id":430},{"id":431},"7a197520-5fb7-468b-bcfe-4e2e89463bf2",{"directus_files_id":433},{"id":434},"746c048b-2215-4509-b1d9-3fefd95b6e46",{"directus_files_id":436},{"id":437},"5981f93d-90b2-43f6-8015-54a688fb7404",{"directus_files_id":439},{"id":440},"49b99888-5760-443e-a4df-86954408bf92",{"directus_files_id":442},{"id":443},"9ee839ed-2426-441d-a528-71deca6b23b6",{"directus_files_id":445},{"id":446},"ed2746ab-3387-4561-9b3f-d0e81d705ab5",{"directus_files_id":448},{"id":449},"502bbfdd-603e-41d7-a0a5-af9c1c7bf277",{"directus_files_id":451},{"id":452},"972c42dd-50d2-49e7-a19a-31443340d37c",{"directus_files_id":454},{"id":455},"eb877353-c18e-4bc9-bfc9-615625022081",{"directus_files_id":457},{"id":458},"25ed0ef1-f4cd-44b2-9ebf-2e539b0da2f0",{"directus_files_id":460},{"id":461},"14a92e7d-b129-498d-9806-26858350826f",{"directus_files_id":463},{"id":464},"ed3edfe2-3bc0-4074-8e8b-411e68a81e9b",[466],{"languages_code":467,"description":468},"en","Surface is a premier digital publication dedicated to the intersection of design, architecture, art, fashion, and travel. It serves as a sophisticated cultural compass for a global audience of tastemakers, professionals, and enthusiasts who seek deep dives into contemporary aesthetics and the creative forces shaping modern life.\n\nThe website's visual identity is defined by a clean, editorial-first approach that prioritizes high-impact imagery and elegant typography. By utilizing a spacious, grid-based layout and a restrained color palette, the design allows the vibrant photography and compelling storytelling to take center stage, evoking the prestige of a high-end print magazine in a digital-native format.","Entertainment & Media",[26,471,30],"High-End \u002F Luxury",[473],"King & Partners",[475,475,476,476],"Stempel Garamond","Neue Haas Unica",[478,104,115,479,123],"Alpine.js","Pure CSS",[481,483,484,486],{"score":482,"category":129},38,{"score":232,"category":132},{"score":485,"category":135},96,{"score":139,"category":138},[488,490,492,493],{"score":489,"category":129},29,{"score":491,"category":132},86,{"score":485,"category":135},{"score":139,"category":138},[149,157,153,495],"brown","Website: Surface. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Design, Architecture, Art, Fashion and Travel – SURFACE. Page description: The digital home of Surface Magazine, covering the worlds of design, architecture, art, fashion, and travel with a focus on contemporary culture.. Page content: 1 \u002F 4 [Photography ScanLAB Projects Depicts the Sonoran's Cinematic Movement in \"FRAMERATE: Desert Pulse\" In Phoenix, Arizona’s Desert Botanical Garden, the London–based creative studio artfully ruminates upon the relationship between a unique natural environment and the passing of time ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fscanlab-projects-framerate-desert-pulse\u002F) 2 \u002F 4 [Culture Club AvroKO’s Lunar New Year Party with Chef Sam Yoo and Leiti Hsu Lauded interior design firm AvroKO welcomed a sophisticated suite of guests to its high-concept hospitality and design gallery, HOST on Howard, for a Lunar New Year party. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Favroko-lunar-new-year-party-2026-chef-sam-yoo-leiti-hsu\u002F) 3 \u002F 4 [art The Real, Imagined, and Experienced Landscapes of Cooper Cox's \"The View From Upstairs\" At Ochi Gallery, running concurrently with Frieze Los Angeles, a staggering artistic achievement from the Brooklyn-based painter. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcooper-cox-the-view-from-upstairs-ochi\u002F) 4 \u002F 4 [Travel The Travel Infrastructure of Lando Norris The F1 champion measures his year in departures; airports, hotel rooms, paddocks, and transfer vans form the invisible architecture of his life. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finterview-lando-norris-tumi\u002F) [CUISINE Michelin-Starred Grégory Marchand Turned an Entire Parisian Street into a Culinary Destination ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finterview-chef-gregory-marchand-rue-du-nil\u002F) [DESIGN IWC Schaffhausen Introduced a Spaceflight Wristwatch in Partnership with Vast ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fiwc-schaffhausen-pilots-venturer-vertical-drive\u002F) [PERFORMANCE ART The Met Cloisters’ Site-Specific Sonic Installation by Gerard & Kelly ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fthe-met-cloisters-saints-at-a-disco\u002F) [ARCHITECTURE Limbo Museum and Art Omi Partner on a Two-Part, Site-Specific Architecture Commission ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Flimbo-accra-art-omi-architecture-commission\u002F) [DESIGN Designing the Textured, Sophisticated Atmosphere of Moss Members' Club ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigning-moss-members-club\u002F) [DESIGNER OF THE DAY Designer of the Day: Jean-Marc Flack ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigner-of-the-day-jean-marc-flack-hortulus-animae\u002F) Introducing the definitive directory of _Surface_\\-approved design firms, brands, and more. See Who's on The List [DESIGN Warkentin Associates and Bench Architecture Transform a Former Pencil Factory into a Creator Hub ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fwarkentin-associates-bench-architecture-the-lighthouse\u002F) [FASHIOH A Demi-Couture Debut, the Eternity Yacht, and a “Diva Dance” Finale: Kim Shui’s Fall\u002FWinter 2026 Runway ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fkim-shui-fall-winter-2026\u002F) [DESIGN Ulysses de Santi and Ashlee Harrison’s ‘Crossings’ Convenes 53 West 53’s Diagrid With Art and Collectible Design ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fulysses-de-santi-ashlee-harrison-crossings-53-west-53\u002F) [PHOTOGRAPHY François Halard's ‘Details of Exception’ Photography for The Glenrothes ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ffrancois-halard-the-glenrothes-details-of-exception\u002F) [ART New York's Neue Galerie Opens “Egon Schiele: Portrait of Dr. Erwin von Graff” ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fneue-galerie-egon-schiele-portrait-of-dr-erwin-von-graff-exhibition\u002F) [ART Carsten Höller Encourages Communal Dreaming at the MIT Museum ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcarsten-holler-communal-dreams-mit-museum\u002F) [DESIGN Behind the Design of Bad Bunny’s Super Bowl LX Halftime Show ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbehind-the-design-of-bad-bunny-super-bowl-lx-halftime-show\u002F) [ART PS21’s ‘The Dark’ Winter Festival Connects Columbia County Through Performance ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fps21-the-dark-winter-festival-2026\u002F) [DESIGN ATRA Form Gallery’s Mythic Zona Maco Design Curation ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fatra-form-zona-maco-design-curation-georgina-pounds\u002F) [DESIGN Pierre Yovanovitch Reintroduces Ecart ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fpierre-yovanovitch-reintroduces-ecart\u002F) [Designer of the Day Designer of the Day: Chen Chen & Kai Williams ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fdesigner-of-the-day-chen-chen-kai-williams\u002F) [DESIGN DISPATCH Heritage of London Trust Will Open David Bowie's Childhood Home to the Public, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fheritage-london-trust-david-bowie-home-restoration\u002F) [FILM To Save and Project: The MoMA International Festival of Film Preservation Returns ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002F22nd-moma-international-festival-of-film-preservation\u002F) [ARCHITECTURE Transit Studio Transforms a South London Bottling Plant into a Cocktail Bar](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Ftransit-studio-thames-distillers-fords-gin\u002F) [ARCHITECTURE Suchi Reddy’s Spiral Pavilion for Mumbai’s Architecture and Design Film Festival ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fsuchi-reddys-sift-pavilion-mumbai-architecture-and-design-film-festival\u002F) [DESIGN In Scotland, Bard’s Latest Exhibition Finds Inspiration in the Hardware Store ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fbard-edinburgh-bardware-exhibition\u002F) [DESIGN DISPATCH The Obama Presidential Center Begins Its Newest Installation, and Other News ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fobama-presidential-center-you-are-america-installation\u002F) [ART Illustrator Cesar Canseco’s FIFA World Cup 2026 Art Commission ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fcesar-canseco-fifa-world-cup-2026-art-commission\u002F) Top Stories 1. [1 ##### A Charity Raffle's €100 Pablo Picasso Painting, and Other News. Plus, the Bennett Prize award increases and a long-lost film by Georges Méliès was rediscovered. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fone-hundred-euro-picasso-painting\u002F) read more 2. [2 ##### Strong Sales at the 2026 Edition of EXPO Chicago, and Other News. Plus, a festival of young European photography and Soho House opens in Tokyo ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fstrong-sales-expo-chicago-2026\u002F) read more 3. [3 ##### Art Dubai Will Host a Scaled-Back \"Special Edition,\" and Other News. Plus, LACMA comes to life and Barneys may return to Madison Avenue. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fart-dubai-may-2026\u002F) read more 4. [4 ##### Artsy and Artnet are Now Under the Same Ownership, and Other News. Plus, Basquiat works are heading to Bed-Stuy and Bjarke Ingels Group revealed plans for Tennessee Performing Arts Center. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fartsy-and-artnet-consolidation\u002F) read more 5. [5 ##### Thomas Lélu Lends His Wit (Again!) to W Hotels New hats, totes, and notecards bear the Paris-based artist’s playful text ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fthomas-lelu-w-hotels\u002F) read more 6. [6 ##### Inside Public Art Fund’s Annual Silent Auction, Dinner, and After Party Featuring art activations by Genesis Belager (who provided creative direction for the whole immersive event), Juan Veloz, and Kambui Olujimi; a silent auction that included works by lauded contemporary artists like Hank Willis Thomas; a multi-course seated dinner by Canard; and an after party led by DJs Matthew Mazur and Dances, Public Art Fund’s largest annual gathering was both substantive and spectacular. The organization—which programs ambitious free art installations across all five New York City boroughs—will utilize proceeds from the event for its 2026 season, which includes exhibitions from Woody De Othello, Gabriel Orozco, Camille Henrot, as well as the “Between Tides” group exhibition artists at Rockaway Beach. A sweet touch to the after party: custom cookies by Emily Sigall of Emily’s Cookie Art. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Finside-public-art-fund-2026-dinner\u002F) read more 7. [7 ##### For Mirazur’s 20th Anniversary, Chef Mauro Colagreco Welcomed Ferran Adrià into His Kitchen Their boldly imaginative M20 menu is running through May 17 ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fmirazur-20th-anniversary-menu-mauro-colagreco-ferran-adria\u002F) read more 8. [8 ##### IWC Schaffhausen Introduced a Spaceflight Wristwatch in Partnership with Vast The Pilot’s Venturer Vertical Drive underwent rigorous testing by the watch brand's aerospace partner, which is currently developing the world’s first commercial space station. ](https:\u002F\u002Fwww.surfacemag.com\u002Farticles\u002Fiwc-schaffhausen-pilots-venturer-vertical-drive\u002F) [read m …. A Clean \u002F Minimalist, High-End \u002F Luxury, Typographic \u002F Big Type website in the Entertainment & Media industry. The overall color palette features White, Gray, Black, Brown. The typography features Stempel Garamond (Serif), Stempel Garamond (Serif), Neue Haas Unica (Sans Serif), Neue Haas Unica (Sans Serif). Built using Alpine.js, jQuery, PHP, Pure CSS, WordPress. AI description: Surface is a premier digital publication dedicated to the intersection of design, architecture, art, fashion, and travel. It serves as a sophisticated cultural compass for a global audience of tastemakers, professionals, and enthusiasts who seek deep dives into contemporary aesthetics and the creative forces shaping modern life. The website's visual identity is defined by a clean, editorial-first approach that prioritizes high-impact imagery and elegant typography. By utilizing a spacious, grid-based layout and a restrained color palette, the design allows the vibrant photography and compelling storytelling to take center stage, evoking the prestige of a high-end print magazine in a digital-native format.",{"id":498,"website_id":499,"page_id":498,"name":500,"slug":501,"url":502,"website_name":500,"website_slug":501,"website_url":503,"result_url":502,"fetched_at":504,"score":505,"score_boost":377,"ai_score":378,"freshness_score":379,"scored_at":506,"page_name":36,"page_url":502,"page_title":507,"page_description":508,"page_content":509,"page_sort":377,"is_home":384,"is_home_rank":385,"page_type_id":386,"page_type_name":42,"cover":510,"cover_mobile":513,"cover_sequence":515,"translations":606,"industry":21,"styles":609,"credits":610,"font_families":612,"technologies":613,"pagespeed":614,"pagespeed_mobile":620,"buckets":625,"search_payload":626},"b644cfb4-51d1-45ee-bd02-471cc836fbcc","ea54a443-692f-4ea6-ae37-d01fc35f1c6a","The University of Arizona Museum of Art","the-university-of-arizona-museum-of-art","https:\u002F\u002Fartmuseum.arizona.edu\u002F","https:\u002F\u002Fartmuseum.arizona.edu","2026-05-04T15:23:02.000Z",83,"2026-05-23T19:22:23.000Z","Home | The University of Arizona Museum of Art | Tucson, AZ","The University of Arizona Museum of Art fosters critical dialogue, research, and community engagement through its diverse art collection in Tucson, AZ and beyond.","Your browser doesn't support HTML5 video. We Are Currently Closed Experience the power of art to spark ideas, start conversations, and create joy. [Educational programs designed to help you learn more about and enjoy art. View Programs arrow](learn \"View Programs\") [Gain access to exclusive exhibitions, events, and behind-the-scenes tours. Support Us arrow](join-give \"Support Us\") [Experiences that expose you to beautiful and inspiring works of art. Register Today arrow](see-do \"Register Today\") Exhibitions View All _Exhibitions_ arrow prev next [ Feb 14, 2026 — May 09, 2026 Our Stories: High School Artists 2026 ](see-do\u002Fexhibitions\u002F2026\u002F02\u002F14\u002Four-storieshigh-school-artists-2026)[ Apr 18, 2026 — May 16, 2026 MFA Thesis Exhibition 2026 ](see-do\u002Fexhibitions\u002F2026\u002F04\u002F18\u002Fmfa-thesis-exhibition-2026)[ Jun 13, 2026 — Sep 19, 2026 The Vault Show: BIG\u002Flittle ](see-do\u002Fexhibitions\u002F2026\u002F06\u002F13\u002Fthe-vault-show-biglittle)[ OngoingJan 06, 2026 — Jan 17, 2027 Modern Art Gallery ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fmodern-art-gallery)[ OngoingJan 06, 2026 — Jan 17, 2027 The Samuel H. Kress Collection ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fthe-samuel-h-kress-collection)[ OngoingJan 06, 2026 — Jan 17, 2027 Contemporary Art Gallery ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fcontemporary-art-gallery)[ OngoingJan 06, 2026 — Jun 17, 2026 Surrealism: The Art of the Subconscious ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fsurrealism-the-art-of-the-subconscious) Upcoming Events _View_ Calendar arrow [ closing-reception-mfa-thesis-exhibition-2026 May 14, 2026 at 5:00 pm Closing Reception: MFA Thesis Exhibition 2026 ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F05\u002F14\u002Fclosing-reception-mfa-thesis-exhibition-2026)[ virtual-art-trivia-happy-hour-pets May 28, 2026 at 5:00 pm Virtual Art Trivia Happy Hour: Pets! ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F05\u002F28\u002Fvirtual-art-trivia-happy-hour-pets)[ members-morning-a-glimpse-into-the-world-of-warhol Jun 06, 2026 at 9:00 am Members Morning: A Glimpse Into the World of Warhol ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F06\u002F06\u002Fmembers-morning-a-glimpse-into-the-world-of-warhol) Portrait of Yousuf Karsh Portrait of Yousuf Karsh Jacques Lipchitz, 1970, Plaster, Gift of the Jacques and Yulla Lipchitz Foundation [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FF6717537-D1D1-4452-93CA-802331376075) Adit #1 (Industry) Adit #1 (Industry) Stuart Davis, 1928, Oil on canvas mounted on Masonite, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FC4825189-34FF-40FC-91D4-350043834215) End of the Rain \u003Cspan>(also\u003C\u002Fspan> After the Rain\u003Cspan>)\u003C\u002Fspan> End of the Rain (also After the Rain) George Inness, 1891, Oil on canvas, Gift of T.E. Hanley [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FF514BF15-6D93-426E-A83B-423666667197) Abraham Francen Abraham Francen Rembrandt van Rijn, ca. 1657, Etching, drypoint and burin on laid paper, Gift of Mr. Peter Licavoli [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F6834794F-CF3D-424E-8BB2-809879909349) Mr. Broe Waits His Turn \u003Cspan>(also\u003C\u002Fspan> Waiting For His Turn\u003Cspan>)\u003C\u002Fspan> Mr. Broe Waits His Turn (also Waiting For His Turn) Katherine Schmidt, 1937, Oil on canvas, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F296C000C-DE5A-40C2-AE04-982133065923) Monday Night at the Metropolitan Monday Night at the Metropolitan Reginald Marsh, ca. 1936, Egg tempera and oil on panel, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F591E2F6F-9374-41FD-9FBE-392461942570) Avalanche By Wind Avalanche By Wind Alexandre Hogue, 1944, Oil on canvas, Gift of William Benton [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FE37ED70E-7AF0-4D9F-9BB1-305882620159) Woman-Ochre Woman-Ochre Willem De Kooning, 1954-1955, Oil on canvas, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0C256DB4-8049-48B0-AC81-893343290445) A Capriccio of Classical Ruins A Capriccio of Classical Ruins Giovanni Paolo Panini, ca. 1750, Oil on canvas, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FAD95310E-EFB9-46DD-BD8C-339028350040) Jeune Fille au Chapeau (Young Woman in a Hat) Jeune Fille au Chapeau (Young Woman in a Hat) Pierre Auguste Renoir, ca. 1897, Oil, George Gregson Bequest in Loving Memory of Patricia Janss Gregson [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F6C43073A-2831-4A9A-9A48-646479810346) Portrait of a Woman Portrait of a Woman William Sidney Mount, 1832, Oil on canvas, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FB9A02E9E-A768-481C-97D3-215495232500) Number 20, 1950 Number 20, 1950 Jackson Pollock, 1950, Oil on Masonite gameboard, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0CAF0D04-BE7E-45F6-83C9-451274350827) Things in Landscape #1 Things in Landscape #1 Joan Brown, 1959, Oil on canvas, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FE7B1501F-CF25-47C8-BE18-417123525157) The City The City Edward Hopper, 1927, Oil on canvas, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F847EC702-A64D-4EE6-930B-338506747816) Nature morte (Fleurs) Nature morte (Fleurs) Edouard Vuillard, ca. 1900, Oil on cardboard, George Gregson Bequest in Loving Memory of Patricia Janss Gregson [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FA07CD4ED-21F6-474D-8CEC-069755033698) Gala Placidia Gala Placidia Salvador Dalí, 1952, Brown ink and conté crayon on paper, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F7A968BC6-9593-4EF3-AAFD-341785540770) The Drought in the Southwest, or Cattlemen Warning Sheep-Herders Away from Their Water The Drought in the Southwest, or Cattlemen Warning Sheep-Herders Away from Their Water Frederic S. Remington, 1900, Oil on canvas, Gift of Mr. and Mrs. Harry L. Bell [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F071B7B6F-E9C6-4150-B4C0-284508618862) Diners \u003Cspan>(also\u003C\u002Fspan> Café Scene\u003Cspan>)\u003C\u002Fspan> Diners (also Café Scene) Jacob Lawrence, 1942, Gouache on paper, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0C29FF4C-F467-4952-A86F-115723226940) From the Neuf Series From the Neuf Series Edgar Heap of Birds, 1992, Acrylic, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F90603BBD-2A25-4CEF-9197-333978072341) Coat of Arms with Skull Coat of Arms with Skull Albrecht Dürer, printed ca. 1870, Line Photogravure [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002Fwebobject\u002FD38724AA-5679-4067-9673-777720927660) Collections 6,000+ Pieces of Art Major Collections arrow The University of Arizona Museum of Art advances the academic and research mission of the university, inspires critical dialogue among campus and community audiences, and celebrates art as essential to our lives through the stewardship and interpretation of its expanding collection of art and archives . [## Art comes to life with programs that engage audiences of every age. View Programs arrow](learn \"View Programs\") Get to know UAMA through stories from within and beyond the museum’s walls. 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Large-scale imagery of classical and contemporary works anchors the experience, immediately establishing the museum as a space for both contemplation and active dialogue. The landing page rhythm moves from expansive, emotive hero sections into structured blocks that invite users to explore programs, memberships, and collections through a clear, mission-driven lens.\n\nDeep burgundy tones provide a sophisticated foundation for a layout that balances heavy serif typography with generous whitespace. The grid organizes diverse content—from exhibition details to membership calls-to-action—into distinct, legible modules that prevent the dense information from feeling overwhelming. A notable design choice is the use of oversized, high-contrast headings that act as structural anchors, guiding the eye through the museum's narrative without relying on traditional, cluttered navigation patterns.",[26,30],[611],"Form",[],[104,115],[615,616,618,619],{"score":243,"category":129},{"score":617,"category":132},100,{"score":617,"category":135},{"score":617,"category":138},[621,622,623,624],{"score":236,"category":129},{"score":243,"category":132},{"score":617,"category":135},{"score":617,"category":138},[157,149,153,495],"Website: The University of Arizona Museum of Art. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Home | The University of Arizona Museum of Art | Tucson, AZ. Page description: The University of Arizona Museum of Art fosters critical dialogue, research, and community engagement through its diverse art collection in Tucson, AZ and beyond.. Page content: Your browser doesn't support HTML5 video. We Are Currently Closed Experience the power of art to spark ideas, start conversations, and create joy. [Educational programs designed to help you learn more about and enjoy art. View Programs arrow](learn \"View Programs\") [Gain access to exclusive exhibitions, events, and behind-the-scenes tours. Support Us arrow](join-give \"Support Us\") [Experiences that expose you to beautiful and inspiring works of art. Register Today arrow](see-do \"Register Today\") Exhibitions View All _Exhibitions_ arrow prev next [ Feb 14, 2026 — May 09, 2026 Our Stories: High School Artists 2026 ](see-do\u002Fexhibitions\u002F2026\u002F02\u002F14\u002Four-storieshigh-school-artists-2026)[ Apr 18, 2026 — May 16, 2026 MFA Thesis Exhibition 2026 ](see-do\u002Fexhibitions\u002F2026\u002F04\u002F18\u002Fmfa-thesis-exhibition-2026)[ Jun 13, 2026 — Sep 19, 2026 The Vault Show: BIG\u002Flittle ](see-do\u002Fexhibitions\u002F2026\u002F06\u002F13\u002Fthe-vault-show-biglittle)[ OngoingJan 06, 2026 — Jan 17, 2027 Modern Art Gallery ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fmodern-art-gallery)[ OngoingJan 06, 2026 — Jan 17, 2027 The Samuel H. Kress Collection ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fthe-samuel-h-kress-collection)[ OngoingJan 06, 2026 — Jan 17, 2027 Contemporary Art Gallery ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fcontemporary-art-gallery)[ OngoingJan 06, 2026 — Jun 17, 2026 Surrealism: The Art of the Subconscious ](see-do\u002Fexhibitions\u002F2026\u002F01\u002F06\u002Fsurrealism-the-art-of-the-subconscious) Upcoming Events _View_ Calendar arrow [ closing-reception-mfa-thesis-exhibition-2026 May 14, 2026 at 5:00 pm Closing Reception: MFA Thesis Exhibition 2026 ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F05\u002F14\u002Fclosing-reception-mfa-thesis-exhibition-2026)[ virtual-art-trivia-happy-hour-pets May 28, 2026 at 5:00 pm Virtual Art Trivia Happy Hour: Pets! ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F05\u002F28\u002Fvirtual-art-trivia-happy-hour-pets)[ members-morning-a-glimpse-into-the-world-of-warhol Jun 06, 2026 at 9:00 am Members Morning: A Glimpse Into the World of Warhol ](see-do\u002Fevents\u002Fcalendar\u002F2026\u002F06\u002F06\u002Fmembers-morning-a-glimpse-into-the-world-of-warhol) Portrait of Yousuf Karsh Portrait of Yousuf Karsh Jacques Lipchitz, 1970, Plaster, Gift of the Jacques and Yulla Lipchitz Foundation [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FF6717537-D1D1-4452-93CA-802331376075) Adit #1 (Industry) Adit #1 (Industry) Stuart Davis, 1928, Oil on canvas mounted on Masonite, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FC4825189-34FF-40FC-91D4-350043834215) End of the Rain \u003Cspan>(also\u003C\u002Fspan> After the Rain\u003Cspan>)\u003C\u002Fspan> End of the Rain (also After the Rain) George Inness, 1891, Oil on canvas, Gift of T.E. Hanley [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FF514BF15-6D93-426E-A83B-423666667197) Abraham Francen Abraham Francen Rembrandt van Rijn, ca. 1657, Etching, drypoint and burin on laid paper, Gift of Mr. Peter Licavoli [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F6834794F-CF3D-424E-8BB2-809879909349) Mr. Broe Waits His Turn \u003Cspan>(also\u003C\u002Fspan> Waiting For His Turn\u003Cspan>)\u003C\u002Fspan> Mr. Broe Waits His Turn (also Waiting For His Turn) Katherine Schmidt, 1937, Oil on canvas, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F296C000C-DE5A-40C2-AE04-982133065923) Monday Night at the Metropolitan Monday Night at the Metropolitan Reginald Marsh, ca. 1936, Egg tempera and oil on panel, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F591E2F6F-9374-41FD-9FBE-392461942570) Avalanche By Wind Avalanche By Wind Alexandre Hogue, 1944, Oil on canvas, Gift of William Benton [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FE37ED70E-7AF0-4D9F-9BB1-305882620159) Woman-Ochre Woman-Ochre Willem De Kooning, 1954-1955, Oil on canvas, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0C256DB4-8049-48B0-AC81-893343290445) A Capriccio of Classical Ruins A Capriccio of Classical Ruins Giovanni Paolo Panini, ca. 1750, Oil on canvas, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FAD95310E-EFB9-46DD-BD8C-339028350040) Jeune Fille au Chapeau (Young Woman in a Hat) Jeune Fille au Chapeau (Young Woman in a Hat) Pierre Auguste Renoir, ca. 1897, Oil, George Gregson Bequest in Loving Memory of Patricia Janss Gregson [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F6C43073A-2831-4A9A-9A48-646479810346) Portrait of a Woman Portrait of a Woman William Sidney Mount, 1832, Oil on canvas, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FB9A02E9E-A768-481C-97D3-215495232500) Number 20, 1950 Number 20, 1950 Jackson Pollock, 1950, Oil on Masonite gameboard, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0CAF0D04-BE7E-45F6-83C9-451274350827) Things in Landscape #1 Things in Landscape #1 Joan Brown, 1959, Oil on canvas, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FE7B1501F-CF25-47C8-BE18-417123525157) The City The City Edward Hopper, 1927, Oil on canvas, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F847EC702-A64D-4EE6-930B-338506747816) Nature morte (Fleurs) Nature morte (Fleurs) Edouard Vuillard, ca. 1900, Oil on cardboard, George Gregson Bequest in Loving Memory of Patricia Janss Gregson [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002FA07CD4ED-21F6-474D-8CEC-069755033698) Gala Placidia Gala Placidia Salvador Dalí, 1952, Brown ink and conté crayon on paper, Gift of Edward Joseph Gallagher, Jr. [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F7A968BC6-9593-4EF3-AAFD-341785540770) The Drought in the Southwest, or Cattlemen Warning Sheep-Herders Away from Their Water The Drought in the Southwest, or Cattlemen Warning Sheep-Herders Away from Their Water Frederic S. Remington, 1900, Oil on canvas, Gift of Mr. and Mrs. Harry L. Bell [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F071B7B6F-E9C6-4150-B4C0-284508618862) Diners \u003Cspan>(also\u003C\u002Fspan> Café Scene\u003Cspan>)\u003C\u002Fspan> Diners (also Café Scene) Jacob Lawrence, 1942, Gouache on paper, Gift of C. Leonard Pfeiffer [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F0C29FF4C-F467-4952-A86F-115723226940) From the Neuf Series From the Neuf Series Edgar Heap of Birds, 1992, Acrylic, Museum Purchase with Funds Provided By the Edward J. Gallagher, Jr. Memorial Fund [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002FWebobject\u002F90603BBD-2A25-4CEF-9197-333978072341) Coat of Arms with Skull Coat of Arms with Skull Albrecht Dürer, printed ca. 1870, Line Photogravure [View Record arrow ](https:\u002F\u002Fuarizona.pastperfectonline.com\u002Fwebobject\u002FD38724AA-5679-4067-9673-777720927660) Collections 6,000+ Pieces of Art Major Collections arrow The University of Arizona Museum of Art advances the academic and research mission of the university, inspires critical dialogue among campus and community audiences, and celebrates art as essential to our lives through the stewardship and interpretation of its expanding collection of art and archives . [## Art comes to life with programs that engage audiences of every age. View Programs arrow](learn \"View Programs\") Get to know UAMA through stories from within and beyond the museum’s walls. Read Stories arrow [landscape-with-mountains](about\u002Fs …. A Clean \u002F Minimalist, Typographic \u002F Big Type website in the Art & Culture industry. Designed by Form. The overall color palette features Gray, White, Black, Brown. Built using jQuery, PHP. AI description: The University of Arizona Museum of Art uses a high-impact visual language to bridge academic research with community engagement. Large-scale imagery of classical and contemporary works anchors the experience, immediately establishing the museum as a space for both contemplation and active dialogue. The landing page rhythm moves from expansive, emotive hero sections into structured blocks that invite users to explore programs, memberships, and collections through a clear, mission-driven lens. Deep burgundy tones provide a sophisticated foundation for a layout that balances heavy serif typography with generous whitespace. The grid organizes diverse content—from exhibition details to membership calls-to-action—into distinct, legible modules that prevent the dense information from feeling overwhelming. A notable design choice is the use of oversized, high-contrast headings that act as structural anchors, guiding the eye through the museum's narrative without relying on traditional, cluttered navigation patterns.",{"id":628,"website_id":629,"page_id":628,"name":630,"slug":631,"url":632,"website_name":630,"website_slug":631,"website_url":632,"result_url":632,"fetched_at":633,"score":190,"score_boost":377,"ai_score":634,"freshness_score":190,"scored_at":635,"page_name":36,"page_url":632,"page_title":636,"page_description":637,"page_content":638,"page_sort":377,"is_home":384,"is_home_rank":385,"page_type_id":386,"page_type_name":42,"cover":639,"cover_mobile":642,"cover_sequence":644,"translations":735,"industry":21,"styles":738,"credits":739,"font_families":741,"technologies":742,"pagespeed":743,"pagespeed_mobile":750,"buckets":756,"search_payload":757},"a98d2f9a-adc4-4d15-bab6-4571c8505677","d8b9b7e7-8fc2-4dad-82b2-d23ff85df533","The Penumbral Age","the-penumbral-age","https:\u002F\u002Fwiekpolcienia.artmuseum.pl\u002Fen","2026-05-05T19:21:52.000Z",78,"2026-05-23T19:23:50.000Z","The Penumbral Age – Exhibition in the Museum of Moder Art in Warsaw","Exhibition presents artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth.","05.06–13.09.2020 T H E P E N U M B R A L A G E Art in the Time of Planetary Change Curators: Sebastian Cichocki, Jagna Lewandowska [ Museum on the Vistula ](https:\u002F\u002Fwww.google.com\u002Fmaps?q=google+maps+muzeum+nad+wis%C5%82%C4%85 \"Opens new browser tab\") Anna & Lawrence Halprin, „Driftwood Village—Community,” Sea Ranch, California Courtesy of Lawrence Halprin Collection, The Architectural Archives, University of Pennsylvania. 01 The Exhibition The Museum of Modern Art in Warsaw invites to the exhibition “The Penumbral Age. Art in the Time of Planetary Change”, where we present artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth. It provides a space for discussion on “managing the irreversible” and new forms of solidarity, empathy and togetherness in the face of the climate crisis. We live in a time of planetary change affecting each and every one of us. Climate change influences every sphere of life, including thinking about art: the systems of its production and distribution, its social function and its relation to other disciplines, especially science. Audio introduction to the exhibition. Voice: Meagan Down Аудіо впровадження до вистави „Вік півтіні. Мистецтво в часи планетарної зміни” українською мовою. Голос: Тарас Гембік \u002F Taras Hembik The map-helper was created to facilitate movement in the exhibition space. With it, you can easily read the meanings of artistic works. There is no description of everything on the map. Instead, there are some questions that help in the independent reception of works. Download the map-helper (PDF) Vija Celmins, „Untitled (Ocean with Cross #1)”, 2005, paper, silkscreen print. Courtesy of the artist and Zuzāns Collection. 02 New ways to see the world The title of the exhibition is drawn from the book The Collapse of Western Civilization: A View from the Future by Naomi Oreskes and Erik M. Conway (2014), where the protagonists from the future date the “period of the penumbra” from the “shadow of anti-intellectualism that fell over the once-Enlightened techno-scientific nations of the Western world during the second half of the twentieth century, preventing them from acting on the scientific knowledge available at the time” and leading to tragedy. We are witnesses to this process: scientific findings have ceased to be regarded as dispositive and do not persuade people to act. > “Science becomes belief. Belief becomes science. Everything becomes nothing. Nothing becomes everything. All can believe and disbelieve all. We all can know everything and know nothing. Everyone lives as an expert on every subject\" Ibram X. Kendi as the American writer and historian Ibram X. Kendi wrote in The Atlantic, analysing scepticism about climate change or outright rejection of the threat (climate denialism). Observations by artists are akin to those of scientists, but they typically do not confront viewers with an excess of numbers, soaring bar graphs, or “pornographic” images of poverty and devastation. Art has “strange tools” (Alva Noë, 2015) at its disposal, which we can use to discern “wonders in the heavens and signs on the earth.” When ordinary tools of dialogue and persuasion fail, artists enable an “imaginative leap” by working on the emotions, confronting the incomprehensible and the unknown. As the theoretician of visual culture Nicholas Mirzoeff puts it: > we must “unsee” how the past “has taught us to see the world, and begin to imagine a different way to be with what used to be called nature. Ines Doujak, Ghostpopulations Ines Doujak, Ghostpopulations 03 Global art for a changing planet The “Penumbral Age. Art in the Time of Planetary Change” spans five decades, and highlights the strengthening of environmental reflections in the art of the late 1960s and early 1970s as well as the second decade of the 21st century. The first period is linked with intensification of pacifist, feminist and anti-racist movements and the formation of the contemporary ecological movement. At the same time new artistic phenomena arose, such as conceptualism, anti-form, land art and earth art. While introducing “geological” thinking about art, artists used impermanent organic materials or sought to entirely dematerialize the work of art. 1 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Snail Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 2 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Egg Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 3 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: Hot Dog Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York For us, land art is much more than a stream of Western art emblematic of the late 1960s and early 1970s. Following the thought of the Pakistani artist and activist Rasheed Araeen, drawing from his “ecoaesthetics” agenda, we seek “global art for a changing planet.” Actions connected with the “canonization” of land art, such as Richard Long’s Throwing a Stone around MacGillycuddy’s Reeks, in which the artist followed a stone he tossed before him, the “terraforming” plans of Robert Morris, or Gerry Schum’s television programme (an example of the use of new media to expose audiences to “organic” art practised in deserts or forests), are accompanied in this exhibition by works from the 21st century, employing ecological education (Futurefarmers, Ines Doujak, the Center for Land Use Interpretation), protest (Suzanne Husky, Akira Tsuboi), and involving spirituality and esoterics (Shana Moulton and Nick Hallett, Teresa Murak, Czekalska and Golec). Ice Stupa in Ladakh photo: Sonam Wangchuk, 2015 04 Solidarity and Care in the Museum The field of interest of artists sensitive to environmental change extends to such issues as the Anthropocene, the Capitalocene, the Chthulucene, climate debt, climate denialism, ecocide, the end of nature, fossil capitalism, geoengineering, irreversibility, the New Pangea, post- anthropocentrism, the sixth mass extinction, and terraforming. All of this is the context for land art, which in this sense is not confined to any one medium, material, or geographical region. It may include initiatives that do not operate under the banner of art. One such example would be the ice stupas in Ladakh, India—artificial glaciers created by engineer Sonam Wangchuk, with a fascinating form and the clearly defined function of supplying water to inhabitants of the desert at the foot of the Himalayas. > “No museums on a dead planet!” Life in a state of deepening crisis forces us to fundamentally change our thinking about the entire system of social organization and to confront ethical and existential dilemmas (climate migrations and new class conflicts). The world of art, with its museums and rituals for organizing objects and ideas, is no exception (to paraphrase the slogan of the Youth Strike for Climate, “No museums on a dead planet!”) and requires deep systemic transformation. We treat engagement in this discussion as a duty of the museum, and not as just another fashion or stream in art. Countering the calls for “ecological restoration” or the popularity of “art of the Anthropocene,” we stress the permanence of environmental reflection, based on continuity and responsibility. 1 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 2 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 3 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 4 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 5 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 6 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative Art will certainly not protect us against catastrophe, but it can help us arm ourselves with “strange tools” for the work of imagination and empathy. In her memorable manifesto from 1969, Mierle Laderman Ukeles posed the question: > „After the revolution, who’s going to pick up the garbage on Monday morning?” In works of art from recent decades we not only seek a visualization of processes occurring on our planet, but also discern possible proposals for the future. If ecological catastrophe is already happening (as the residents of the inundated islands of Nauru and Banaba in the Pacific would certainly agree), together let's wonder, will we ever manage to clean up our planetary mess and rebuild our relations with other sentient beings? Will we manage to start over again? Jonathas de Andrade, „O Peixe”, 16mm film shot transferred to 2K video, 2016 Courtesy of the artist and the Continua Gallery, a photograph by Meghan Marchetti. 05 The Cinema _At the Penumbral Cinema_ we regularly publish new and historical works related to environmental and ecological reflection. In addition to fragments of films that will be presented during the exhibition at the Museum on the Vistula, we also reach for other film materials collected while working on \"The Penumbral Age\". INTERPRT Earth Law: Site Pacific Ocean, 2018 INTERPRT collects and analyzes evidence in order to prosecute crimes committed in the natural environment, mainly in the Pacific. By using charts, films, interactive maps, exhibitions and lectures, INTERPRT members lobby for ecocide to be a criminal offense under international law. At the same time, they reflect on the need for system changes, such as the responsibility of large fuel companies for climate change. 06 Guide Book We present the first issue of the newspaper \"The Penumbral Age\", which is a guide to _The Penumbral Age. Art in the Times of Planetary Change_ exhibition, still waiting for its opening. The publication contains a complete catalog of over seventy works of artists participating in the exhibition. The newspaper is designed by Jakub de Barbaro. Download the publication (PDF) Publication accompanying the „Repairing Earthquake project” by Nishiko. The catalogue includes stories of objects found by the artist after the tsunami that hit the shores of Japan in 2011. Download the publication (PDF) Martwa Natura (Nature Morte) The publication “Martwa Natura” (“Nature Morte”), which consists of interviews with Alice Creischer, Susanne Kriemann and Antje Majewski - the artists participating in the exhibition „THE PENUMBRAL AGE. Art in times of planetary change\", was created during the production of a play directed by Agnieszka Jakimiak in Teatr Powszechny im. Zygmunta Hübnera in Warsaw. During the pandemic times, many ideas and beliefs about art get destroyed. However, some of them may become stronger – like the conviction that art is used by us to create bonds and alliances, networks of understanding and support. Joseph Beuys - an activist and a rebellious artist, a relentless spokesperson for the concern of the natural environment - is a starting point for a journey through these areas o …",{"id":640,"height":13,"width":12,"blurhash":641},"48c47db0-7e4b-42df-aed2-2de352097439","radial-gradient(at 0 0,#fefefe,#00000000 50%),radial-gradient(at 33% 0,#ffffff,#00000000 50%),radial-gradient(at 67% 0,#ffffff,#00000000 50%),radial-gradient(at 100% 0,#ffffff,#00000000 50%),radial-gradient(at 0 50%,#ffffff,#00000000 50%),radial-gradient(at 33% 50%,#f7f7f7,#00000000 50%),radial-gradient(at 67% 50%,#f3f3f3,#00000000 50%),radial-gradient(at 100% 50%,#f9f9f9,#00000000 50%),radial-gradient(at 0 100%,#ffffff,#00000000 50%),radial-gradient(at 33% 100%,#fdfdfd,#00000000 50%),radial-gradient(at 67% 100%,#fafafa,#00000000 50%),radial-gradient(at 100% 100%,#fefefe,#00000000 50%)",{"id":643,"height":15,"width":14,"blurhash":49},"9ca710a3-cee4-4871-b568-968fc239cc1f",[645,648,651,654,657,660,663,666,669,672,675,678,681,684,687,690,693,696,699,702,705,708,711,714,717,720,723,726,729,732],{"directus_files_id":646},{"id":647},"24403df2-7242-42d0-a853-bfbdd3f5cb13",{"directus_files_id":649},{"id":650},"46f84e10-8262-4eea-b944-2a9fb4b207d4",{"directus_files_id":652},{"id":653},"69a26290-b429-4c49-b482-c91b327c5b73",{"directus_files_id":655},{"id":656},"17371152-fa89-4792-9963-8d69de907a25",{"directus_files_id":658},{"id":659},"152c623b-c521-4bd2-b13c-b7cab15e26b8",{"directus_files_id":661},{"id":662},"f71e2705-298c-4f11-8efc-5ba33613a1c9",{"directus_files_id":664},{"id":665},"be32c74c-5794-4f54-8336-c0d04a5d4a32",{"directus_files_id":667},{"id":668},"3d0160d5-9aa5-45a3-adc9-3689016b159c",{"directus_files_id":670},{"id":671},"e6f30993-d6a9-40ea-987c-513d76e83435",{"directus_files_id":673},{"id":674},"fb6d46b5-bbe0-40c1-8b56-e362c66b5f24",{"directus_files_id":676},{"id":677},"45140041-b814-404b-8598-2a066fb8ca99",{"directus_files_id":679},{"id":680},"50230272-72e0-41f4-bed0-df3e7e2d3035",{"directus_files_id":682},{"id":683},"4ef217fa-4356-4b4b-8ba5-88a25a79a9e1",{"directus_files_id":685},{"id":686},"a908dbb0-2942-4374-a10a-34440ba013d7",{"directus_files_id":688},{"id":689},"8461bd1c-0ea9-4085-b7c1-4b405aa590a2",{"directus_files_id":691},{"id":692},"54d7ec03-cae7-4c01-a4c8-7e3b9eb4acbf",{"directus_files_id":694},{"id":695},"eda51815-772e-4d7b-a2ac-0c3ab70c36f5",{"directus_files_id":697},{"id":698},"9ae4a478-33a3-4a39-a65b-29ee5ad4cfcb",{"directus_files_id":700},{"id":701},"47e6ccc8-8967-4220-b1d3-f6fb0546c90b",{"directus_files_id":703},{"id":704},"cf7473ed-5dc5-4d21-b176-69003d8acdfd",{"directus_files_id":706},{"id":707},"748a1107-334a-4b91-b776-2a2cce95e717",{"directus_files_id":709},{"id":710},"9a8cf0ae-8acf-4525-911b-db9c036f9f5d",{"directus_files_id":712},{"id":713},"e87ee43f-a727-46a8-8ebc-e002202fa3a2",{"directus_files_id":715},{"id":716},"f6e0a875-abbb-444e-92ed-28e554c9b7b6",{"directus_files_id":718},{"id":719},"d3a7caf2-d387-481a-9d54-9dfc1d0fa214",{"directus_files_id":721},{"id":722},"da5b5782-fd13-4944-a6b2-05e3b62b5134",{"directus_files_id":724},{"id":725},"1cea3dcd-104b-41c9-bc50-deb60bfb621a",{"directus_files_id":727},{"id":728},"64a002a1-f96e-46c6-a105-1d06dbadf230",{"directus_files_id":730},{"id":731},"bddf1460-1bd1-4c0d-83f5-59e65193800d",{"directus_files_id":733},{"id":734},"dfb64e28-f692-46de-b0bb-7748e3c8717f",[736],{"languages_code":467,"description":737},"The Penumbral Age serves as a sophisticated digital gateway for a specialized art exhibition hosted by the Museum of Modern Art in Warsaw. The website's primary purpose is to contextualize and promote an exhibition exploring the intersection of artistic expression and planetary environmental shifts, providing visitors with essential information regarding curators, artists, and exhibition guides.\n\nThe visual identity is defined by a rigorous, high-end minimalism that mirrors the gravity of its subject matter. Utilizing a stark monochrome palette and expansive white space, the design relies heavily on elegant, high-contrast serif typography to establish an authoritative and intellectual tone. This editorial approach targets an academic and culturally engaged audience, offering a seamless, distraction-free browsing experience that prioritizes clarity and prestige.",[26,276,30],[740],"Huncwot",[324],[305,115],[744,746,748,749],{"score":745,"category":129},51,{"score":747,"category":132},77,{"score":250,"category":135},{"score":139,"category":138},[751,752,753,755],{"score":250,"category":129},{"score":747,"category":132},{"score":754,"category":135},31,{"score":139,"category":138},[149,153,157],"Website: The Penumbral Age. Page: Homepage. Page type: Home \u002F Landing Page. Page title: The Penumbral Age – Exhibition in the Museum of Moder Art in Warsaw. Page description: Exhibition presents artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth.. Page content: 05.06–13.09.2020 T H E P E N U M B R A L A G E Art in the Time of Planetary Change Curators: Sebastian Cichocki, Jagna Lewandowska [ Museum on the Vistula ](https:\u002F\u002Fwww.google.com\u002Fmaps?q=google+maps+muzeum+nad+wis%C5%82%C4%85 \"Opens new browser tab\") Anna & Lawrence Halprin, „Driftwood Village—Community,” Sea Ranch, California Courtesy of Lawrence Halprin Collection, The Architectural Archives, University of Pennsylvania. 01 The Exhibition The Museum of Modern Art in Warsaw invites to the exhibition “The Penumbral Age. Art in the Time of Planetary Change”, where we present artistic works from the last five decades, based on observations and visualizations of the changes underway on planet Earth. It provides a space for discussion on “managing the irreversible” and new forms of solidarity, empathy and togetherness in the face of the climate crisis. We live in a time of planetary change affecting each and every one of us. Climate change influences every sphere of life, including thinking about art: the systems of its production and distribution, its social function and its relation to other disciplines, especially science. Audio introduction to the exhibition. Voice: Meagan Down Аудіо впровадження до вистави „Вік півтіні. Мистецтво в часи планетарної зміни” українською мовою. Голос: Тарас Гембік \u002F Taras Hembik The map-helper was created to facilitate movement in the exhibition space. With it, you can easily read the meanings of artistic works. There is no description of everything on the map. Instead, there are some questions that help in the independent reception of works. Download the map-helper (PDF) Vija Celmins, „Untitled (Ocean with Cross #1)”, 2005, paper, silkscreen print. Courtesy of the artist and Zuzāns Collection. 02 New ways to see the world The title of the exhibition is drawn from the book The Collapse of Western Civilization: A View from the Future by Naomi Oreskes and Erik M. Conway (2014), where the protagonists from the future date the “period of the penumbra” from the “shadow of anti-intellectualism that fell over the once-Enlightened techno-scientific nations of the Western world during the second half of the twentieth century, preventing them from acting on the scientific knowledge available at the time” and leading to tragedy. We are witnesses to this process: scientific findings have ceased to be regarded as dispositive and do not persuade people to act. > “Science becomes belief. Belief becomes science. Everything becomes nothing. Nothing becomes everything. All can believe and disbelieve all. We all can know everything and know nothing. Everyone lives as an expert on every subject\" Ibram X. Kendi as the American writer and historian Ibram X. Kendi wrote in The Atlantic, analysing scepticism about climate change or outright rejection of the threat (climate denialism). Observations by artists are akin to those of scientists, but they typically do not confront viewers with an excess of numbers, soaring bar graphs, or “pornographic” images of poverty and devastation. Art has “strange tools” (Alva Noë, 2015) at its disposal, which we can use to discern “wonders in the heavens and signs on the earth.” When ordinary tools of dialogue and persuasion fail, artists enable an “imaginative leap” by working on the emotions, confronting the incomprehensible and the unknown. As the theoretician of visual culture Nicholas Mirzoeff puts it: > we must “unsee” how the past “has taught us to see the world, and begin to imagine a different way to be with what used to be called nature. Ines Doujak, Ghostpopulations Ines Doujak, Ghostpopulations 03 Global art for a changing planet The “Penumbral Age. Art in the Time of Planetary Change” spans five decades, and highlights the strengthening of environmental reflections in the art of the late 1960s and early 1970s as well as the second decade of the 21st century. The first period is linked with intensification of pacifist, feminist and anti-racist movements and the formation of the contemporary ecological movement. At the same time new artistic phenomena arose, such as conceptualism, anti-form, land art and earth art. While introducing “geological” thinking about art, artists used impermanent organic materials or sought to entirely dematerialize the work of art. 1 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Snail Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 2 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: The Egg Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York 3 \u002F 3 Agnes Denes, Isometric Systems in Isotropic Space Map Projections: Hot Dog Courtesy of the artist and Leslie Tonkonow Artworks + Projects, New York For us, land art is much more than a stream of Western art emblematic of the late 1960s and early 1970s. Following the thought of the Pakistani artist and activist Rasheed Araeen, drawing from his “ecoaesthetics” agenda, we seek “global art for a changing planet.” Actions connected with the “canonization” of land art, such as Richard Long’s Throwing a Stone around MacGillycuddy’s Reeks, in which the artist followed a stone he tossed before him, the “terraforming” plans of Robert Morris, or Gerry Schum’s television programme (an example of the use of new media to expose audiences to “organic” art practised in deserts or forests), are accompanied in this exhibition by works from the 21st century, employing ecological education (Futurefarmers, Ines Doujak, the Center for Land Use Interpretation), protest (Suzanne Husky, Akira Tsuboi), and involving spirituality and esoterics (Shana Moulton and Nick Hallett, Teresa Murak, Czekalska and Golec). Ice Stupa in Ladakh photo: Sonam Wangchuk, 2015 04 Solidarity and Care in the Museum The field of interest of artists sensitive to environmental change extends to such issues as the Anthropocene, the Capitalocene, the Chthulucene, climate debt, climate denialism, ecocide, the end of nature, fossil capitalism, geoengineering, irreversibility, the New Pangea, post- anthropocentrism, the sixth mass extinction, and terraforming. All of this is the context for land art, which in this sense is not confined to any one medium, material, or geographical region. It may include initiatives that do not operate under the banner of art. One such example would be the ice stupas in Ladakh, India—artificial glaciers created by engineer Sonam Wangchuk, with a fascinating form and the clearly defined function of supplying water to inhabitants of the desert at the foot of the Himalayas. > “No museums on a dead planet!” Life in a state of deepening crisis forces us to fundamentally change our thinking about the entire system of social organization and to confront ethical and existential dilemmas (climate migrations and new class conflicts). The world of art, with its museums and rituals for organizing objects and ideas, is no exception (to paraphrase the slogan of the Youth Strike for Climate, “No museums on a dead planet!”) and requires deep systemic transformation. We treat engagement in this discussion as a duty of the museum, and not as just another fashion or stream in art. Countering the calls for “ecological restoration” or the popularity of “art of the Anthropocene,” we stress the permanence of environmental reflection, based on continuity and responsibility. 1 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 2 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 3 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 4 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 5 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative 6 \u002F 6 Qavavau Manumie, \"Untitled\", graphite, coloured pencil, ink on paper Courtesy of the artist and West Baffin Eskimo Cooperative Art will certainly not protect us against catastrophe, but it can help us arm ourselves with “strange tools” for the work of imagination and empathy. In her memorable manifesto from 1969, Mierle Laderman Ukeles posed the question: > „After the revolution, who’s going to pick up the garbage on Monday morning?” In works of art from recent decades we not only seek a visualization of processes occurring on our planet, but also discern possible proposals for the future. If ecological catastrophe is already happening (as the residents of the inundated islands of Nauru and Banaba in the Pacific would certainly agree), together let's wonder, will we ever manage to clean up our planetary mess and rebuild our relations with other sentient beings? Will we manage to start over again? Jonathas de Andrade, „O Peixe”, 16mm film shot transferred to 2K video, 2016 Courtesy of the artist and the Continua Gallery, a photograph by Meghan Marchetti. 05 The Cinema _At the Penumbral Cinema_ we regularly publish new and historical works related to environmental and ecological reflection. In addition to fragments of films that will be presented during the exhibition at the Museum on the Vistula, we also reach for other film materials collected while working on \"The Penumbral Age\". INTERPRT Earth Law: Site Pacific Ocean, 2018 INTERPRT collects and analyzes evidence in order to prosecute crimes committed in the natural environment, mainly in the Pacific. By using charts, films, interactive maps, exhibitions and lectures, INTERPRT members lobby for ecocide to be a criminal offense under international law. At the same time, they reflect on the need for system changes, such as the responsibility of large fuel companies for climate change. 06 Guide Book We present the first issue of the newspaper \"The Penumbral Age\", which is a guide to _The Penumbral Age. Art in the Times of Planetary Change_ exhibition, still waiting for its opening. The publication contains a complete catalog of over seventy works of artists participating in the exhibition. The newspaper is designed by Jakub de Barbaro. Download the publication (PDF) Publication accompanying the „Repairing Earthquake project” by Nishiko. The catalogue includes stories of objects found by the artist after the tsunami that hit the shores of Japan in 2011. Download the publication (PDF) Martwa Natura (Nature Morte) The publication “Martwa Natura” (“Nature Morte”), which consists of interviews with Alice Creischer, Susanne Kriemann and Antje Majewski - the artists participating in the exhibition „THE PENUMBRAL AGE. Art in times of planetary change\", was created during the production of a play directed by Agnieszka Jakimiak in Teatr Powszechny im. Zygmunta Hübnera in Warsaw. During the pandemic times, many ideas and beliefs about art get destroyed. However, some of them may become stronger – like the conviction that art is used by us to create bonds and alliances, networks of understanding and support. Joseph Beuys - an activist and a rebellious artist, a relentless spokesperson for the concern of the natural environment - is a starting point for a journey through these areas o …. A Clean \u002F Minimalist, Dark Mode, Typographic \u002F Big Type website in the Art & Culture industry. The overall color palette features White, Black, Gray. The typography features Source Sans (Sans Serif). Built using Google Font API, PHP. AI description: The Penumbral Age serves as a sophisticated digital gateway for a specialized art exhibition hosted by the Museum of Modern Art in Warsaw. The website's primary purpose is to contextualize and promote an exhibition exploring the intersection of artistic expression and planetary environmental shifts, providing visitors with essential information regarding curators, artists, and exhibition guides. The visual identity is defined by a rigorous, high-end minimalism that mirrors the gravity of its subject matter. Utilizing a stark monochrome palette and expansive white space, the design relies heavily on elegant, high-contrast serif typography to establish an authoritative and intellectual tone. This editorial approach targets an academic and culturally engaged audience, offering a seamless, distraction-free browsing experience that prioritizes clarity and prestige.",{"id":759,"website_id":760,"page_id":759,"name":761,"slug":762,"url":763,"website_name":761,"website_slug":762,"website_url":764,"result_url":763,"fetched_at":765,"score":233,"score_boost":377,"ai_score":136,"freshness_score":766,"scored_at":767,"page_name":36,"page_url":763,"page_title":768,"page_description":769,"page_content":770,"page_sort":377,"is_home":384,"is_home_rank":385,"page_type_id":386,"page_type_name":42,"cover":771,"cover_mobile":774,"cover_sequence":776,"translations":867,"industry":870,"styles":871,"credits":873,"font_families":874,"technologies":875,"pagespeed":876,"pagespeed_mobile":881,"buckets":886,"search_payload":887},"d499de8d-df77-45d0-b0dd-1a8100dee6cf","fdcf455e-e483-4a66-9b83-3e51d162ac17","Gardener NYC","gardener-nyc","https:\u002F\u002Fgardener.nyc\u002F","https:\u002F\u002Fgardener.nyc","2026-04-30T13:41:23.000Z",70,"2026-05-23T19:24:19.000Z","Gardener","Hi, we’re Gardener, a technology partner that gets in the weeds with you. Founded by Ian Hatcher-Williams in New York City, we work collaboratively with clients to identify their business goals and strategize their digital landscapes as something to grow into, not grow out.","Gardener Growing the world wide web Growing the world wide web - Studio - Work - Process - Pricing - Resources - Contact - Navigation - Studio - Work - Process - Pricing - Resources - Contact - Profile - Services - Capabilities - Recently Hi, we’re Gardener, a technology partner that gets in the weeds with you. Founded by Ian Hatcher-Williams in New York City, we work collaboratively with clients to identify their business goals and strategize their digital landscapes as something to grow into, not grow out. Studio Profile Gardener is a technology studio that builds websites. 9 out of 10 projects are ecommerce related and the businesses we primarily serve generate anywhere from $2-10M in revenue per year. The practice also functions as a “studio-as-case-study” — a way to share resources and learnings on how to operate a business in the creative industry. It doesn’t exist to grow and grow towards an acquisition, but rather be just one example of a human-sized business that can fluctuate and evolve as needed. Studio Services - Frontend Development - Backend Development - Ecommerce Development - API Development - Technical Consulting - Project Scoping - RFP Development - Device Testing - UX Design Studio Capabilities - Informational Websites - Headless Websites - Shopify, Swell, BigCommerce - Sanity, Contentful - PHP based CMS (Wordpress, Craft) - Serverless Integration - Payment Gateways Integration - Analytics, 3rd Party Integrations - ADA Auditing Studio Recently Launched our boilerplate, Sprout[ Headless Shopify launch for Beni Rugs](https:\u002F\u002Fwww.benirugs.com\u002F) New ordering platform for Kernel D.S. & Durga's new digital platform - Select Clients Work Select Clients Aplós Beni Rugs Cards Against Humanity Commonry D.S. & Durga Genexa Google Kernel Kid Cudi Louisa Ballou Paradigm Red Rooster Coffee - Introductions & Scoping - Core Development - Content & QA - Launch & Ongoing Support New digital projects typically take between 3-6 months, from the initial scoping, through design and build, to launch. Process Introductions & Scoping Whether you've been referred to us from a colleague, or found our work in the wild, we start with a quick email exchange and 30-minute intro call. If it feels like a good fit, we move onto scoping your project. It is very common for prospective clients to come to Gardener without a design team in place, and we will gladly connect you with our network of longtime collaborators. All development scopes correspond with a tandem design scope to ensure alignment and prevent anything slipping through the cracks. Example Web Development Proposal Example Master Service Agreement Process Core Development With approved design mockups in hand, we begin the web development process. Live staging links will be provided at designated checkpoints along the way as we work towards a live beta of the site. It's also recommended that we have a weekly standup during this phase. This a top to bottom build of all deliverables listed in the statement of work. There may be bits and pieces of polish left until QA. Process Content & QA We work with the design team to provide a content outline to you that specifies all required copy and asset specifications. We will then train all teams on entering content directly into the CMS, along with example pages and products fully populated. Once initial content is populated, we start QA; it has two parts: 1. We deliver a bug tracker to triage requests, and update you on progress as we head to launch. We reserve a fixed period, typically 1 week, for both teams to go through the staging site and make notes on tweaks, fixes, and suggestions on anything that doesn't feel quite right. 2. We pause user testing, and enter launch preparation. This period is reserved for addressing any requests before launch. We provide frequent check ins through this process, and are often in communication on a daily basis as we work through the list. Process Launch & Ongoing Support After completing QA, it's time to launch. We then hand off all hosting information, 3rd party service credentials, and other documentation. After launch, we reserve a 30 day period to be available to you for a smooth launch. Generally this is for small fixes that went unnoticed, tutorials of the CMS, and general support. After that 30-day period, there are several options for ongoing support of your project: - We collectively cultivate new versions to the existing project, which follow a miniaturized version of our existing process. - Hire Gardener for an ongoing maintenance retainer. These are generally in the $2-8k\u002Fmo range. - Gardener can help you hire a cost effective development team and act as an ad hoc CTO until one is hired. - Project Based - Fractional CTO - Perennial Reports The average Gardener website proposal is currently $58k\\ \\This is based on an average of the last 6 project proposals; last updated May 2025. Projects are scoped based on all the historical time tracking data of the studio, so as to remain competitive and surprise-free. Pricing Project Based - $20k-$200k - ~8-16 weeks to launch - Scoping & team hiring - Consultation during design - 30 days post launch support Pricing Fractional CTO - $5k\u002Fmo - Roadmapping - RFP writing - Hiring assistance - Design & code review Pricing Perennial Reports Gardener releases yearly transparency reports that cover how the business is doing and what we learned while doing it: profit and loss, new business, and operations. Perennial Report V[ Perennial Report IV](https:\u002F\u002Fwww.perennial.report\u002FGardener-s-2022-Perennial-Report-62dd8cfdfeef4368bc562d8a8917c6c8) Perennial Report III Perennial Report II Perennial Report I - Scoping & Pricing - Project Management - Sprout The following is a collection of resources including proposals, QA cycle trackers, launch checklists and more that we use every day to win and do our work. Gardener is not the sole author here — Kevin Green of Jetskis co-authored the contracts, proposals, and launch checklist with us as we've learned and operated our practices over the last several years. Resources Scoping & Pricing Lead Tracker Web Development Proposal Retainer Proposal Master Service Agreement Resources Project Management Project Hub Template QA Issue Tracker Website Launch List Resources Sprout A battle-tested Next\u002FSanity boilerplate for building headless Shopify stores and marketing websites. This code was used to build nearly every Gardener website to date. www.sprout.store New Business Ian Hatcher-Williams ian@gardener.nyc Currently booking Q2 2026 On The Web Instagram Bsky Twitter Good Natured Software Copyright © 2026 Water Your Plants LLC Colophon+ Typeface Neue Montreal Website Design Garrett DeRossett Web Development Gardener Current Branding All True Previous Branding Eileen Tjan Copywriting Gardener, Practice Reel Daniel Schrempf Thank you to all friends & collaborators through the years. Aaron Cohen Abby Muir Adam Newman After Hours Alex Coven Alex Stike Alex Trierweiler All True Alright Studio Andrew Lucas Baggy Beni Rugs Beau Parent Bondfire Inc. Bráulio Amado Caleb Vanden Boom Camp Quiet Cari Sekendur Cards Against Humanity Chad Miller Charles Miller Chris Conley Christina Hogan Commonry Cory Etzkorn Curist Dana Kim Daniel Wilber Daniel Schrempf David Gross DBC Dims DNO D.S. & Durga Estudio Buena Suerte Eileen Tjan Elizabeth Hatcher Williams Emily Grubman Eric Hurtgen Eric Bailey Franny Van Eyck Funeral Gander Garrett DeRosset Genexa Gone Fishing GrandArmy Harry Isaac Hope DeRossett Hugh Francis Human NYC Humayun Rashid Isaac Martin IV Studio Ian Shiver Jacob Heftmann Jacob Scowden Jasmine Gallagher Jason Pineres Jennifer Heintz Jetskis Jesse Tyler JKR Global Joe Haddad Joe Hollier Jonathan O'Brien Josh Kirk Joseph Bergdoll Judson Collier Katherine Pihl Kayla Donlin Kevin Cabano Kevin Green Kevin Twohy Kernel Kieffer Katz Larry Pipitone Lauren Gallagher Lauren King Lucas Vocos Louisa Ballou Lydia Turner Maddy Bremner Malu Marzarotto Matthew Giordano Max Smouha Michael Tucker Michelle Mattar Mike McVicar Mike Smith Mike Wagz Message M. G. Tucker Matt Barnes Matt Reyer Mouthwash Nathaniel David Utesch Nick DiMatteo Once Untold Other Studio Patrick McCarthy Paradigm Practice Proper Pursoma Quintin Radford Rachael Yager Red Rooster Coffee Richie Stewart Sam Faulkner Sam Winfield Sanctuary Computer Sarah Gardner Seth Kranzler Scott Stemke Self Aware Sensor Station Shy Trutwein Something Else Spencer Joynt Stewart Scott-Curran Stripes Studio Scissor Teddy Baldassarre The Couch The Feelist Tristan Dubin Tucker Schoos UNICEF Vacation Virtually Real Violet Office XXIX Zach Halfhill",{"id":772,"height":13,"width":12,"blurhash":773},"32e5abd1-8c53-43af-9212-dc212d0631a1","radial-gradient(at 0 0,#fbf6e2,#00000000 50%),radial-gradient(at 33% 0,#f7f2df,#00000000 50%),radial-gradient(at 67% 0,#f4efdd,#00000000 50%),radial-gradient(at 100% 0,#f6f1de,#00000000 50%),radial-gradient(at 0 50%,#f4eedc,#00000000 50%),radial-gradient(at 33% 50%,#f3eedc,#00000000 50%),radial-gradient(at 67% 50%,#f0ebd9,#00000000 50%),radial-gradient(at 100% 50%,#efead8,#00000000 50%),radial-gradient(at 0 100%,#f6f0dd,#00000000 50%),radial-gradient(at 33% 100%,#f5f0dd,#00000000 50%),radial-gradient(at 67% 100%,#f0ebd8,#00000000 50%),radial-gradient(at 100% 100%,#efead6,#00000000 50%)",{"id":775,"height":15,"width":14,"blurhash":49},"3cc775bc-8e32-434c-b2a2-78e548416110",[777,780,783,786,789,792,795,798,801,804,807,810,813,816,819,822,825,828,831,834,837,840,843,846,849,852,855,858,861,864],{"directus_files_id":778},{"id":779},"61c098bf-0037-419f-a48d-5ee0e74816a8",{"directus_files_id":781},{"id":782},"28ef1f72-e06c-47a2-bbfb-a37bbfb83908",{"directus_files_id":784},{"id":785},"3bdfb479-7b23-44f1-b766-ebe991b0ec66",{"directus_files_id":787},{"id":788},"882d9235-0386-4b3e-9903-1be3b377856f",{"directus_files_id":790},{"id":791},"52362103-d762-4974-b0c9-1c20e77900cc",{"directus_files_id":793},{"id":794},"14d13351-5c51-4f53-a7c3-6092e837514f",{"directus_files_id":796},{"id":797},"4828c96e-b08a-4f53-a273-a0ce906bf031",{"directus_files_id":799},{"id":800},"8dcf430b-6b30-486f-ad4f-1847100b624b",{"directus_files_id":802},{"id":803},"600385c2-9470-4580-a43d-01d0ab59070d",{"directus_files_id":805},{"id":806},"74f3f315-e09e-4568-8a4f-a32faabf82ba",{"directus_files_id":808},{"id":809},"e88af391-9480-41e7-8cc5-5a16a2013626",{"directus_files_id":811},{"id":812},"ce8def21-cefd-4174-b3cc-fc41ab4f801e",{"directus_files_id":814},{"id":815},"15279906-3d70-46eb-9326-03ac569a97bc",{"directus_files_id":817},{"id":818},"cb6e4cb8-08d6-472a-9af5-33bed6e9bb02",{"directus_files_id":820},{"id":821},"3cf62ce1-d897-44d2-9b6d-a61ab29b6cd1",{"directus_files_id":823},{"id":824},"77be9289-ebf0-486a-9d11-126fbfae4b6b",{"directus_files_id":826},{"id":827},"66f9951c-f4d1-45af-8a22-0f70fdf85d04",{"directus_files_id":829},{"id":830},"062f345c-b2c3-4040-beef-5e37435beb0f",{"directus_files_id":832},{"id":833},"74399155-9266-4f63-87c7-41de0c0af587",{"directus_files_id":835},{"id":836},"ab71f6b7-b082-4560-b765-5fe9d8e820f3",{"directus_files_id":838},{"id":839},"ffc5de37-c049-4abe-bb16-fb5cf3d9f73e",{"directus_files_id":841},{"id":842},"002446d8-b214-4dd8-96ab-8d38eec78adc",{"directus_files_id":844},{"id":845},"855d1e8b-5e52-4f57-98bc-3e451f47c95d",{"directus_files_id":847},{"id":848},"162933f3-2c50-4dce-bcf3-6aab82d2255f",{"directus_files_id":850},{"id":851},"4478a8b6-e77e-4dc6-90c1-7c40517148f0",{"directus_files_id":853},{"id":854},"bdb5433c-1284-4221-b663-41c86c384fae",{"directus_files_id":856},{"id":857},"e1b2ff44-6a63-4e59-9d14-c8f1a09e448b",{"directus_files_id":859},{"id":860},"8a161623-a27e-4ab4-9335-f528f5ae8d9c",{"directus_files_id":862},{"id":863},"364520c9-dd0c-4bda-93d4-8aab15eb3885",{"directus_files_id":865},{"id":866},"f1d766ad-1ece-400a-a70a-04fb3be51e6b",[868],{"languages_code":467,"description":869},"Gardener NYC is a boutique technology studio that positions itself as a collaborative partner for growing digital landscapes. Eschewing the traditional agency model, the studio adopts a 'studio-as-a-case-study' philosophy, focusing heavily on the ecommerce sector for businesses generating between $2M and $10M in annual revenue. Their mission is to build sustainable digital infrastructures that evolve alongside their clients rather than becoming obsolete.\n\nThe visual identity is a masterclass in sophisticated minimalism, utilizing a warm, cream-toned palette that feels organic and approachable. The design leans heavily into editorial typography, using bold, sans-serif headings and generous whitespace to create a sense of calm and clarity. By blending high-end typographic layouts with a structured, almost architectural grid, Gardener communicates a sense of precision, intelligence, and thoughtful craftsmanship.","Agency & Studio",[26,872,30],"Monochrome \u002F Grayscale",[761],[321],[295,290,291,292],[877,878,879,880],{"score":379,"category":129},{"score":378,"category":132},{"score":485,"category":135},{"score":617,"category":138},[882,883,884,885],{"score":505,"category":129},{"score":378,"category":132},{"score":485,"category":135},{"score":617,"category":138},[149,157],"Website: Gardener NYC. Page: Homepage. Page type: Home \u002F Landing Page. Page title: Gardener. Page description: Hi, we’re Gardener, a technology partner that gets in the weeds with you. Founded by Ian Hatcher-Williams in New York City, we work collaboratively with clients to identify their business goals and strategize their digital landscapes as something to grow into, not grow out.. Page content: Gardener Growing the world wide web Growing the world wide web - Studio - Work - Process - Pricing - Resources - Contact - Navigation - Studio - Work - Process - Pricing - Resources - Contact - Profile - Services - Capabilities - Recently Hi, we’re Gardener, a technology partner that gets in the weeds with you. Founded by Ian Hatcher-Williams in New York City, we work collaboratively with clients to identify their business goals and strategize their digital landscapes as something to grow into, not grow out. Studio Profile Gardener is a technology studio that builds websites. 9 out of 10 projects are ecommerce related and the businesses we primarily serve generate anywhere from $2-10M in revenue per year. The practice also functions as a “studio-as-case-study” — a way to share resources and learnings on how to operate a business in the creative industry. It doesn’t exist to grow and grow towards an acquisition, but rather be just one example of a human-sized business that can fluctuate and evolve as needed. Studio Services - Frontend Development - Backend Development - Ecommerce Development - API Development - Technical Consulting - Project Scoping - RFP Development - Device Testing - UX Design Studio Capabilities - Informational Websites - Headless Websites - Shopify, Swell, BigCommerce - Sanity, Contentful - PHP based CMS (Wordpress, Craft) - Serverless Integration - Payment Gateways Integration - Analytics, 3rd Party Integrations - ADA Auditing Studio Recently Launched our boilerplate, Sprout[ Headless Shopify launch for Beni Rugs](https:\u002F\u002Fwww.benirugs.com\u002F) New ordering platform for Kernel D.S. & Durga's new digital platform - Select Clients Work Select Clients Aplós Beni Rugs Cards Against Humanity Commonry D.S. & Durga Genexa Google Kernel Kid Cudi Louisa Ballou Paradigm Red Rooster Coffee - Introductions & Scoping - Core Development - Content & QA - Launch & Ongoing Support New digital projects typically take between 3-6 months, from the initial scoping, through design and build, to launch. Process Introductions & Scoping Whether you've been referred to us from a colleague, or found our work in the wild, we start with a quick email exchange and 30-minute intro call. If it feels like a good fit, we move onto scoping your project. It is very common for prospective clients to come to Gardener without a design team in place, and we will gladly connect you with our network of longtime collaborators. All development scopes correspond with a tandem design scope to ensure alignment and prevent anything slipping through the cracks. Example Web Development Proposal Example Master Service Agreement Process Core Development With approved design mockups in hand, we begin the web development process. Live staging links will be provided at designated checkpoints along the way as we work towards a live beta of the site. It's also recommended that we have a weekly standup during this phase. This a top to bottom build of all deliverables listed in the statement of work. There may be bits and pieces of polish left until QA. Process Content & QA We work with the design team to provide a content outline to you that specifies all required copy and asset specifications. We will then train all teams on entering content directly into the CMS, along with example pages and products fully populated. Once initial content is populated, we start QA; it has two parts: 1. We deliver a bug tracker to triage requests, and update you on progress as we head to launch. We reserve a fixed period, typically 1 week, for both teams to go through the staging site and make notes on tweaks, fixes, and suggestions on anything that doesn't feel quite right. 2. We pause user testing, and enter launch preparation. This period is reserved for addressing any requests before launch. We provide frequent check ins through this process, and are often in communication on a daily basis as we work through the list. Process Launch & Ongoing Support After completing QA, it's time to launch. We then hand off all hosting information, 3rd party service credentials, and other documentation. After launch, we reserve a 30 day period to be available to you for a smooth launch. Generally this is for small fixes that went unnoticed, tutorials of the CMS, and general support. After that 30-day period, there are several options for ongoing support of your project: - We collectively cultivate new versions to the existing project, which follow a miniaturized version of our existing process. - Hire Gardener for an ongoing maintenance retainer. These are generally in the $2-8k\u002Fmo range. - Gardener can help you hire a cost effective development team and act as an ad hoc CTO until one is hired. - Project Based - Fractional CTO - Perennial Reports The average Gardener website proposal is currently $58k\\ \\This is based on an average of the last 6 project proposals; last updated May 2025. Projects are scoped based on all the historical time tracking data of the studio, so as to remain competitive and surprise-free. Pricing Project Based - $20k-$200k - ~8-16 weeks to launch - Scoping & team hiring - Consultation during design - 30 days post launch support Pricing Fractional CTO - $5k\u002Fmo - Roadmapping - RFP writing - Hiring assistance - Design & code review Pricing Perennial Reports Gardener releases yearly transparency reports that cover how the business is doing and what we learned while doing it: profit and loss, new business, and operations. Perennial Report V[ Perennial Report IV](https:\u002F\u002Fwww.perennial.report\u002FGardener-s-2022-Perennial-Report-62dd8cfdfeef4368bc562d8a8917c6c8) Perennial Report III Perennial Report II Perennial Report I - Scoping & Pricing - Project Management - Sprout The following is a collection of resources including proposals, QA cycle trackers, launch checklists and more that we use every day to win and do our work. Gardener is not the sole author here — Kevin Green of Jetskis co-authored the contracts, proposals, and launch checklist with us as we've learned and operated our practices over the last several years. Resources Scoping & Pricing Lead Tracker Web Development Proposal Retainer Proposal Master Service Agreement Resources Project Management Project Hub Template QA Issue Tracker Website Launch List Resources Sprout A battle-tested Next\u002FSanity boilerplate for building headless Shopify stores and marketing websites. This code was used to build nearly every Gardener website to date. www.sprout.store New Business Ian Hatcher-Williams ian@gardener.nyc Currently booking Q2 2026 On The Web Instagram Bsky Twitter Good Natured Software Copyright © 2026 Water Your Plants LLC Colophon+ Typeface Neue Montreal Website Design Garrett DeRossett Web Development Gardener Current Branding All True Previous Branding Eileen Tjan Copywriting Gardener, Practice Reel Daniel Schrempf Thank you to all friends & collaborators through the years. Aaron Cohen Abby Muir Adam Newman After Hours Alex Coven Alex Stike Alex Trierweiler All True Alright Studio Andrew Lucas Baggy Beni Rugs Beau Parent Bondfire Inc. Bráulio Amado Caleb Vanden Boom Camp Quiet Cari Sekendur Cards Against Humanity Chad Miller Charles Miller Chris Conley Christina Hogan Commonry Cory Etzkorn Curist Dana Kim Daniel Wilber Daniel Schrempf David Gross DBC Dims DNO D.S. & Durga Estudio Buena Suerte Eileen Tjan Elizabeth Hatcher Williams Emily Grubman Eric Hurtgen Eric Bailey Franny Van Eyck Funeral Gander Garrett DeRosset Genexa Gone Fishing GrandArmy Harry Isaac Hope DeRossett Hugh Francis Human NYC Humayun Rashid Isaac Martin IV Studio Ian Shiver Jacob Heftmann Jacob Scowden Jasmine Gallagher Jason Pineres Jennifer Heintz Jetskis Jesse Tyler JKR Global Joe Haddad Joe Hollier Jonathan O'Brien Josh Kirk Joseph Bergdoll Judson Collier Katherine Pihl Kayla Donlin Kevin Cabano Kevin Green Kevin Twohy Kernel Kieffer Katz Larry Pipitone Lauren Gallagher Lauren King Lucas Vocos Louisa Ballou Lydia Turner Maddy Bremner Malu Marzarotto Matthew Giordano Max Smouha Michael Tucker Michelle Mattar Mike McVicar Mike Smith Mike Wagz Message M. G. Tucker Matt Barnes Matt Reyer Mouthwash Nathaniel David Utesch Nick DiMatteo Once Untold Other Studio Patrick McCarthy Paradigm Practice Proper Pursoma Quintin Radford Rachael Yager Red Rooster Coffee Richie Stewart Sam Faulkner Sam Winfield Sanctuary Computer Sarah Gardner Seth Kranzler Scott Stemke Self Aware Sensor Station Shy Trutwein Something Else Spencer Joynt Stewart Scott-Curran Stripes Studio Scissor Teddy Baldassarre The Couch The Feelist Tristan Dubin Tucker Schoos UNICEF Vacation Virtually Real Violet Office XXIX Zach Halfhill. A Clean \u002F Minimalist, Monochrome \u002F Grayscale, Typographic \u002F Big Type website in the Agency & Studio industry. The overall color palette features White, Gray. The typography features Neue Montreal (Sans Serif, Pangram Pangram). Built using Next.js, Node.js, React, Vercel. AI description: Gardener NYC is a boutique technology studio that positions itself as a collaborative partner for growing digital landscapes. Eschewing the traditional agency model, the studio adopts a 'studio-as-a-case-study' philosophy, focusing heavily on the ecommerce sector for businesses generating between $2M and $10M in annual revenue. Their mission is to build sustainable digital infrastructures that evolve alongside their clients rather than becoming obsolete. The visual identity is a masterclass in sophisticated minimalism, utilizing a warm, cream-toned palette that feels organic and approachable. The design leans heavily into editorial typography, using bold, sans-serif headings and generous whitespace to create a sense of calm and clarity. By blending high-end typographic layouts with a structured, almost architectural grid, Gardener communicates a sense of precision, intelligence, and thoughtful craftsmanship."]